Search site


Contact

Aboutbritneyspears

+36.705182849

E-mail: dularobin@gmail.com

Blog

Cannibalism in Britney Spears` Oops I Did It Again

14/03/2012 16:40

Cannibalism in Britney Spears` Oops I Did It Again

 

Britney suspends her spaceman from a meathook in Oops I Did It Again, and the tines of a fork are visible at the side of his space helmet, which is suggestive of the the ancient pagan practice of god-eating, whereby the `magical personality`, called the `Akh` in Egyptian mythology, is eaten in order to have the mana or power of the one who is `special`.

 

 

The practice derives from approaches towards `animism`, which is an old belief system based on the notion that the world is animated by the figures within it that demonstrate the ability to create something ex nihilo, because they are creative. Consequently, geniuses, film or pop stars, etc., contain mana and are sought after by cannibals who want to devour them. Oops `I Did It Again is infra dig; `fork`, get it? Either you`ll reply `Forget it!` Or you`re a cannibal:

 

 `Fork, get it!`

 

 

 Britney`s referring to the ancient tradition of remembering in ancient Egyptian mythology where Isis puts back together the pieces of the god Osiris after he`s been dismembered by the evil Set. Women represent desire, so if resurrection is what you want, which includes memory, desire for women is integral. The erect penis is not only the desire to be greater than you are, but to remember where you`ve been and who you were with. In the myth Isis can`t find Osiris` penis and fashions a new one. It`s symbolic of woman`s power to resurrect through desire for her, and the memory of those places you have been with her as well as what you were doing there.

 

 

 D.H Lawrence`s The Escaped Cock (1929) details the story of Jesus` Resurrection, that is, restoration of memory after his crucifixion and death, by means of the physical love of a priestess of Isis. Of course, `cock` is a euphemism for `penis`. In the biblical book of Revelation the red dragon waits to devour the `New Redeemer` because the dragon represents that which doesn`t want the woman `hidden` upon the Earth, and which the New Redeemer is born to protect, to escape. After escaping, and spreading her `seed` amongst the stars in heaven, according to Revelation she and her `seed` fight against the serpent`s `seed` and, defeating the draco, God creates a new heaven and Earth for her to dwell in forever. Lawrence`s The Escaped Cock is a metaphorical tale of the power of the penis` liberation, Jesus` Resurrection, and Ascension (or escape) to God. Revelation is, therefore, the story of the penis of the woman `hidden` upon the Earth before she escapes to sow her `seed` amongst the stars.

 

 

 Jesus` teachings are memorable because they contain the wisdom that, through `God`s love`, which is what Jesus distils as the essence of `God`s law` in the New Testament, comes Resurrection and Redemption. Because woman is the focus for man`s desire she`s the focal point for memory, and so Jesus` message of Resurrection is dependant on love for God and woman. The difficulty for men is loving a father image. After all, God destroyed Sodom. However, if a woman, `hidden` upon the Earth, had her own penis, she`d be a `fatherer`, and the image of God that could be loved by man without homosexuality, which appears in the homoerotic sadism of Jesus` crucifixion, and his Ascension to God and heaven as the `Son of Man`.

 In the Bible the red dragon of Revelation is depicted as waiting to devour the `New Redeemer`, the child born to the mana figure of the `woman clothed with the sun and with the moon at her feet`. The New Redeemer is a type of the mana figure, the new `magical personality`, which is to protect the woman `hidden` upon the Earth. The war against the serpent`s `seed`, that is, the dragon`s `seed`, is with the cannibalist devourers of the `special` ones with `special` abilities, and the nurturing, procreative, and developmental `seed` of Christian woman wins.

 

 

 The scenario is difficult to understand because a woman would have to have a penis to sow her own `seed`, which is why she`s described as `hidden` upon the Earth before she leaves. The scarcity of women with a penis in the media is indicative of the prejudice against her, but the fact of her existence undeniably makes of her a species capable of reproduction, whereas men cannot reproduce alone, and are therefore correlatable with the red dragon of Revelation, which seeks to devour the `New Redeemer`, who represents any individual with an ego-consciousness developed enough to want to protect her here.

 

 

 The concept of the `hidden` woman is important, because of the fine dividing line between `farming` her secretly in order to breed her as powerful mana meat, and protecting her. Britney alludes to the framework of meat production in her descent inside a giant ring as a `little person`, and the scene with the spaceman hanging like meat on a hook above her, with the tines of a giant`s fork beside his spacehelmet, emphasizes the role of the `little woman`, who`s the `magical personality`, full of mana for the devourer that wants her power.

 

 

 In Oops I Did It Again Britney is small in comparison to the giant ring and fork, and beneath the spaceman she has hanging above her on a `meathook`, she appears in a white bikini-dress; as if she were upon a white tablecloth. Britney`s addressing the production of mana personalities small enough to be easily devourable by the cannibals.

 

 

 In her red suit, she suspends the spaceman above her white bikini-dressed self, and it`s The Tale Of Rose And Snow White, which features a bear and a `little man`. The girls befriend the bear, and help a `little man` whose irascibility towards them annoys the bear. However, the bear himself is irritable, and says to the girls: `Children, leave me alone. Little Snow White and Rose Red. You will strike your lover dead.` Paradoxically, it`s the bear that kills the `little man`, that is, irascibility. Logically the `little man` is their lover, and the girls receive his `treasure` from the bear, who reveals himself as a prince transformed by the `little man` into a bear. The bear explains that the `little man` did this so that he could have the prince`s `treasure`, but if the `little man` is the girls` lover, he`s the educator who`s transformed the prince, so the `little man` is the `lover` who the bear/prince says will be killed (and, indeed, kills him), because they`re girls who need the education of the `little man`, which the prince doesn`t want them to receive. He has been taught that it`s man`s nature to enslave women, and the `little man` represents the educative principle that, if women knew they were a species, they wouldn`t want `parasites` as their `masters`.

 

 

 The story is `traditional` insofar as the girls marry the prince and his brother. However, in Christine Stahl`s earliest version of the tale, the bear kills the `little man`; has never met him; isn`t a prince: but the girls have the `treasure`. In other words, the girls obtain the treasure of the `little man` from the bear who becomes a prince because it`s man`s nature to catch women for sex and work, and not to educate them in `true nature`, which is what the `little man` that the bear kills represents.

 

 

 In Bible terms, the `New Redeemer` is the `treasure`, which the girls would have from `mother nature`; if the `little man` grew. But the bear has the role of the devouring red dragon of Revelation, which waits to devour him. The pattern is familiar from Graeco-Roman mythology, where the god Chronos (Saturn) devours his children; particularly Zeus (Jove) the new father. The red dragon of Revelation is a `son devourer`, because this `New Redeemer` would protect the `hidden` woman of the Earth and educate the girls into becoming women. The red dragon is the father-imago, who doesn`t want female development, and devours the son who`d be their new `teacher`, as it were. The `treasure` of the `little man`, although the best he has, isn`t the `treasure` that `mother nature` is educating her species, that is, woman, to receive, which is that she`s a `hidden` treasure, a species whose mission is to fight the `seed` of the evil serpent, and win the reward of the new heaven and Earth promised by God in Revelation to her, and her `seed` forever.

 

 

 In both Revelation and Genesis God tells Eve there`ll be `perpetual enmity` between her `seed` and the serpent`s, and she `shall crush his head with her heel as she leaves`, that is, the serpent`s, who devoured her sons that fought for her freedom at Gettysburg in the American Civil War (1861-5), in the trenches of the Somme in World War I (1914-18), at the Normandy beaches in World War II (1939-45), and in the desert sands of the Gulf Wars (1990-2011). According to the Bible, the evil serpent, and the serpent`s `seed` receive the punishment of unendurable eternal pain. Saddam Hussein`s name means `crusher`, which means he was the red dragon of Revelation, and his name actually means `he who is to be crushed`, because that`s why he`s labeled red for danger. Freedom, represented by the statue of Liberty in New York`s harbor on 9/11, symbolizes the `hidden` woman who, seeking  liberation, crushes the head of the serpent.

 

 

 `Saddam` also means `shoemaker` or `cobbler`, and it`s a torturers` practice to `shoe` a man and woman, which means to put them together in a confined space, such as an `iron maiden`and, unable to see each another, they are tortured together in torment. Effectively, the `iron maiden` becomes a `sarcophagus`, which is what the ancient Egyptian pharaohs were placed in as their `coffin` that resembles a `shoe`.

 

 

 Similarly, the `burkahs`, or `abiyahs`, of Arabian women, have the appearance of `shoes`, while Saddam Hussein, whose name means `shoer`, represents unredeemed man as the tormentor. Those who are `shoed` live, while their `emanations`, the `soul` or `spirit` bodies, which the ancient Egyptians called the `Ba`, corresponding to the personality, and the `Ka`, corresponding to `life force`, combined as the `magical personality`, or `Akh`, enter Paradise, which is `Jennah`, `hidden` from the `shoed`, and where the `shoers` torture the couple to death, which is hell for them and that`s why they`re `shoed` by the `shoers`.

 

 

 The red dragon of Revelation was Saddam, the `shoer`, `crushed` by the heel of `Liberty`, because Christian women don`t want to wear a shoe; you need two feet to crush a red dragon`s head before you leave for the stars:

 

`One small step for a woman. One giant leap for womankind.`

 

 

 In Egyptian mythology, Ra is the sun god, and is incarnated as Osiris, who`s dismembered by the evil Set. Osiris` scattered parts are found and put back together, or re-membered, by the goddess Isis. As the resurrected Horus, he has the moon and sun as his eyes, and finds correspondence in the New Redeemer of Revelation born to the `woman clothed with the sun and with the moon at her feet`.

 

 

 In Oops I Did It Again Britney makes feather-like movements beneath her spaceman`s gaze and camera eye. She`s the Egyptian goddess Ma`at, whose `feather of truth`, called `Shu` in Egyptian mythology, is weighed against the heart of the hero to see if he`s brave enough to journey with her. He gives her a `mysterious gift`, and she asks:

 

`But I thought the old lady dropped it into the ocean in the end?`

 

 

 Red suited she hoists the spaceman until, hanging suspended above her white bikini-dressed `twin`, `feather` and `heart` are in the balance. The oblique reference to the `old lady` is a reference to the Titanic (1997) movie in which Rose drops the `heart of the ocean` into the sea at the site of the shipwreck`s salvage operation. The Titanic hit an iceberg and sank on its maiden voyage in 1912 from Liverpool, England, and the story is about Rose`s betrayal be an ex-fiancée who frames her new lover by planting the jeweled pendant in his pocket.

 

 

 Rose`s boyfriend subsequently drowns and Rose is left with only the blue heart-shaped jewel. Symbolically, therefore, the spaceman`s gift corresponds to the heart of Horus, and Britney`s white-bikini-dressed self is the Egyptian goddess Ma`at, whose `feather of truth` is weighed against the heart of the hero to see if he is `true` and will journey with her to heaven. According to tradition the feather and the heart balance if they are to go together. In her red suit Britney corresponds to Seshat, who `answers important questions` and `opens the door of heaven`. To those who`re true to her and follow her path of wisdom, she`ll reveal her secret truths.

 

 In Egyptian mythology `Kheru` is `Word` or `Voice` and the name `Christ` derives therefrom, so `Ma`at Kheru` is the `voice of truth`. In Egyptian mythology, Horus is a hawk and `Kheru-ur`, the `face of heaven`, and so Ma`at-Kheru-ur` is `the voice of truth from heaven`s face` (Jesus Christ). Egyptian mythology is prefiguring the Old Testament `Word of God`, Jesus Christ, and the New Redeemer, who protectively watches over the `hidden` woman of Revelation `like a hawk` (Horus) before she leaves for heaven. Ancient texts were written by scribes employing a feather in the form of a quill dipped in ink, and so the Egyptian goddess Seshat is depicted as a scribe to indicate the beginnings of writing, and the keeping of written knowledge:

 

 `I am thy writing pallet, O Thoth, and I have brought unto thee thine ink-jar. I am not of those who work iniquity in their secret places; let not evil happen unto me.`

 

 

 The hemp symbol above her head signifies paper and writing, and her role as `architect`, because rope, made from hemp, is used in measurement. The Egyptian symbol `10` appears to be above the hemp leaf and denotes the science of mathematics, so the basic building materials of civilization are present; written language and numbers:

 

 `... a number world ruling ours behind the scenes supplied five thousand years later the screen script for the science-fiction movie The Matrix.`1

 

 The ancient Egyptian constellation of the `bull`s foreleg` corresponds to Ursa Major, and Britney hoists her spaceman aloft using a pulley. Symbolically, she`s dealing with a `bully`. In the tale of Rose Red and Snow White the bear becomes a prince after it kills the `little man`. In Oops I Did It Again, the bear, symbolized by Ursa Major, would be a `Giant Prince` if it were transformed from bear to prince, which is why Britney descends inside a giant`s ring.

 

 

 Britney`s spaceman isn`t big enough to wear her ring, because he has a `little man`. The pulley and `Bull`s Foreleg` symbolism indicate that, as Seshat, she`s suspending the judgement of Ma`at upon this `bully`.  Metaphorically, he`s to be `killed` beneath the sign of `the bear`, and the spaceman transformed by `Kheru`, in Egyptian, that is, the `Word` or `Voice` of Christ, thereby becoming the `Giant Prince` who`ll wear her ring. The `bully` is the `little man` who`s bullying him. Effectively, the bespectacled `geek` at `Mission Control` who`s made a `game` of Christ Jesus` love.

 

 

 Britney`s spaceman is the pinball in a game. When he uncovers a `cameo brooch` of hers from the desert sands of Mars it`s the token that begins it. When the `game` is over we see him walking backwards; he`s the pinball being reset.

 

 

 Historically, the first pinball game to have the ball bearing exit the playfield after the end of play was Bumper. In fact `bumpers` define pinball. The ball bearing bounces between them and you can`t predict where the ball will be propelled.

 

 

Britney and her dancers make `bumpers` by holding their hands clasped in front of themselves. Of course, the women`s breasts are nature`s `bumpers`, to which men are either `propelled` or `repelled` by their mothers` `bumpers`.

 

 

 The original pinball game Thumper was new because the ball bearing was propelled away, and the `bumper` registered a `hit`. Britney is the `Red Rose` at the `heart` of her `game`, Ring-Ring-A-Roses, which is a nursery rhyme recited by children as a mnemonic to remind them of the plague, that is, children `play games` but the aim of adults corresponds to `plague aims`, and that`s what Revelation warns against; sodomy and war.

 

 

`A ring, a ring o' roses,

A pocket full o’posies -

Atishoo atishoo we all fall down.` (1883)

 

 

 Britney`s male dancers fall away from herself and her female dancers, because men represent death; they`re not the Earth`s species and the death of the Earth is what they are. The sneezing in Ring-a-Ring-a-Roses is a disease anology, and the 21st century killer is the STD AIDS, which is described in Revelation as God`s punishment on `homosexuality`. The men of Revelation, as parasites upon the wombs of women, represent the sterility of a cancer that only wants to replicate itself and needs a `host womb` to replicate itself as `war, famine, plague, and death`:

 

`... ugly and painful sores broke out on the people who had the mark of the beast and worshiped his image ... [the Earth`s water] ... [`became blood`] like that of a dead man, and every living thing ... died ...`  (Rev: 16. 2-4)

 

 The AIDS` plague is described in terms of the `horsemen of the apocalypse` in direct contrast to the role of the `Holy Spirit`, the Paraclete, described in the Bible in `womanly` terms as `guide, teacher, comforter, and helpmeet`. Because men have rejected Jesus, as they did originally on the hill of Calvary in Jerusalem, and in Revelation they are seen to be the Earth`s cancer of sterile homosexuality.

 

 

 The pinball game Thumper had a `skirt`, now standard, around the base of the `bumper`, which sensed the ball bearing touching it. A `Popper Ring` came down, hit the ball bearing, and propelled the ball bearing away. The giant`s ring Britney descends in at the beginning of Oops I Did It Again is a `Popper`. Her spaceman is the `toy`, a usual pinball `feature`; the `crane grab` of the `amusement arcades`, which is the homosexual amusement of men not satisfied with the delights of the love permitted by God; the homosexual amusement, dark AIDS`.

 

 

 Suspended above her as if by a crane, Britney`s spaceman represents the god Thoth, who`s the male counterpart to Seshat, and judge of the dead, whose symbol is the `crane`, the Egyptian ibis. Thoth is `thought` over action. Britney`s surrounded by what seem like giant steel bears` claws, and a pinball is a steel ball bearing, so the symbolism of the `bear ring` in Oops I Did It Again `is sin, repentance, and forgiveness; for the `bears`, whose homosexual amusement, dark AIDS, is forbidden.

 

 

If it were Jesus Christ`s ring, it`d be the ring of Britney`s `Giant Prince`, and the bears would be forgiven or have eternal perdition. Britney`s `game` is `Christian conversion`, which accepts Egyptian mythology (or any other) as `costume drama`, but not the modern worship of God, which is simple:

 

`One of the most important ceremonies in the foundation of Egyptian temples was known as `stretching the cord`. The reigning pharaoh, and a priestess personifying Seshat, proceeded to the site, each with a mallet and a peg connected by a cord to another peg. Seshat, having driven hers into the ground, Pharaoh directs his gaze to the constellation of the `Bull's Foreleg`. Having aligned the cord to the `hoof` star Benetnasch, he drives his peg in, marking the position of a future temple.`2

 

 

 Thoth may be simply understood as `thought`, and when Ma`at weighs the heart of the hero against the `feather of truth`, he`s reading the heart and the thoughts within it as if it were a book. It`s analogous to the evaluation of an author when his story has been written.

 

 The ibis headdress of Thoth is the `mask` or persona. The ibis` long curved beak probes deeply below the surface to get at the real nourishment below, and is a symbol of the individual whose persona belies their thirst for knowledge. Like American football players who have to learn hundreds of plays each season, or they can`t play no matter how good they are. It`s no accident Britney`s astronaut looks like an American `superbowl` winner. Every astronaut is a pilot and scientist, and Britney`s spaceman`s Horus, with the `face of heaven` mirroring the cosmos, and Britney`s particular `star`, looking out from the persona of the space helmet`s visor that hides him as the woman of the Earth is `hidden`.

 

 Britney alludes to the cord again in the symbol of the `tuning fork` beside the spaceman`s helmet as he hangs suspended above her white bikini-dressed self. She`s Rose Red in her red suit, Rose White in her white bikini dress, and the blue of the `star spangled banner` is her spaceman. Oops I Did It Again is `four chord` red, white and `blues`, and Britney`s Seshat is a mason of the USA because she`s planted herself and her flag and built a temple on Mars.

 

 

 The `blue lodge` is the traditional Masonic temple, and Britney`s Oops I Did It Again`s `four cord blues` refers to the `cord of Seshat`. The earliest Egyptian mason`s `compass` was a hempen rope, which was particularly used to link the four corners during temple building, and appears in Seshat`s emblem in the same relation as the compass in the blue lodge`s emblem. This suggests that the seven points of the hemp leaf, appearing beneath the mason`s cord in Seshat`s emblem, correlate with the mason`s `square` insofar as it can be related.

 

 

 When Britney`s spaceman finds her cameo brooch in the sands of Mars it`s as if he`s clicked on an internet `icon`, and mirrored in the visor of his spacehelmet her temple miraculously emerges from the arid desert of the red planet.

 

 

 Without water, plant life can`t be, and so the hempen rope of Seshat is emblematic of the importance given to water by the Arabians who live in the deserts, and why it appears in Christianity`s baptismal `font`. For those who accept Jesus Christ and the Holy Spirit, the water of life is the ink in the pen of God`s Word. In the Eastern tradition of the desert peoples, which can`t easily be understood by people of the West where water is plentiful, Seshat is the knowledge of the desert. From water comes plant life and, from hemp, ropes are made; the mason`s squares and compasses from which ancient Egyptian temples were built.

 

 

 In the West, the temples of the head are associated with cannabis, and `illumination`. The Illuminati are an ancient Masonic order, and hemp is a consciousness-expanding drug. Consequently, Thoth or `thought` finds correspondence in Seshat, life`s activating principle. The `cord` of Seshat is a psilocybin mushroom, which is a natural psychotropic drug that again relates to mind expansion.

 

 

 In ancient Egyptian mythology the `Khaibit` is the shadow of the personality, which is separate from the `Ba`, personality, and `Ka`, spirit. Britney`s Oops I Did It Again is `four Ba blues` because her `Ka` seats four, according to the developmental psychology of Carl Gustav Jung (1875-1961), which says there are four functions of consciousness; `Sensation, Thinking, Feeling, and Intuition`.

 

 

 The Egyptian `Khaibit` is depicted as looking something like a mushroom with a parasol umbrella, which is why the cannabis leaf appears beneath it in

the emblem of Seshat as if the shadow or `Khaibit` were a lampshade unfolded by the light of the mind; like the parasol of an umbrella over what is illuminating the room.

 

 

 According to Jungian psychology, the shadow is libido or instinct, which is transformed into spiritual activity as the individual achieves enlightenment, that is, success through work. Beside the foot of Seshat is the `genie` of the `lamp`, the activating principle and symbol of genius resting upon the Egyptian symbol for `infinite creativity` that can`t be subdued.

 

 The symbol of `infinity` is a `cock ring` to maintain desire, and Seshat`s genius personifies the vegetative principle of desireful Thoth or `thought`, while the height of thought is symbolized by the tip of a condom signifying that she mediates the emergence of his enlightened state, which could be productive of something as mundane now, and as earth-shaking then, as the invention of the electric light bulb.

 

 

 Star Trek`s (1965-) Enterprise extends the analogy. People enter and it leaves, which makes it a `good dragon` rather than a devourer. The ship`s `shield` corresponds to the aura of the individual, a protective umbrella, that is, the `magic lamp` of Arabian folklore is an archetype of the collective psyche to which Jung accords developmental power. In simple terms, it`s the friction upon the penis` length during intercourse or masturbation that causes it to grow greater and receive the reward of orgasm for its desirefulness for the woman in pleasure outside of work, where the libido is channeled into less instinctive (physical), and more spiritual (intellectual) effort, which results in more time for pleasure and greater safety in the enjoyment of it.

 

 

 The Enterprise isn`t `developed` in the sense that it has `phasers` and `photon torpedoes` that assist it in its schoolboy `action` role as a `devourer` of men, whereas what`s needed is a shield that can`t be penetrated, and that`s what Seshat`s condom represents. In simple terms, you wouldn`t need to attack if you were able to defend. That`s why the red dragon of Revelation is depicted as waiting to devour the New Redeemer – and can`t. God is omnipotent, unassailable, and doesn`t need devourers: noone does.

 

 The simplest feature of Oops I Did It Again is that Britney on Mars doesn`t need a space helmet, whereas her astronaut does. In other words, she`s Seshat and her emblem indicates that she has a helmet; but invisible: like a `starship shield` or `cloaking device`. A shield is designed to withstand an attack, whereas a cloak is designed to `hide` from an attack. In short, a shield presupposes an attack, and so is designed to withstand one, whereas a cloak presupposes one isn`t an attacker, and that no one can attack you. It`s developmentally wiser. Why invite an attack by presupposing that you can be attacked? That`s the meaning of the woman `hidden` upon the Earth waiting to leave and protected by the New Redeemer who can`t be devoured by the red dragon before she leaves.

 

 

 The New Redeemer`s mother is `clothed with the sun and with the moon at her feet`, or `cloaked`, which suggests that she`s the archetype of what can`t be attacked. In terms of religious development, Seshat and Thoth are the pre-inventors of the electric light bulb, lamp shade, umbrella, starship shield, and cloaking device; because they`re the archetypal pairing that represent those developments. They`re also the developers of the condom, another meaning of Seshat`s emblem, which protects the `hidden` woman preparing to leave the Earth in Revelation from the sodomite`s disease AIDS that men are dying from, that is, the homosexuality and faithlessness they refuse to repent of:

 

`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)

 

 Seshat and Thoth are an archetype of constance because faithfulness to a woman (or, indeed Woman) over many lifetimes, or reincarnations, assists memory of desire, cr and so resurrection. Jung describes archetypes as facultas praeformandi which descry the future. The ourobouros archetype of the dragon that gives birth to itself, for example. Appearing in the mind of the sleeping scientist Klulé, the ourobouros inspired him to model the structure of  the `benzene` molecule.3

 

 

  Occasionally, the `Voice` speaks in dreams or reverie, and in Christianity the Holy Spirit or Paraclete is described as `guide, teacher, comforter and helpmeet`, which suggests that it speaks the `Word of God` to the believer. In Egyptian mythology , `Kheru` is `Voice`. Because `Christ` derives from `Kheru`, Oops I Did It Again is about `Voice` and the `Ib`, which is `heart` in Egyptian. In her white bikini dress, Britney has the role of Ma`at`s feather while, in her red suit, she`s Seshat who, balancing her spaceman above her white bikini-dressed self with the fork beside his space helmet, is referring to the goddess Ammit`s eating of the hearts of those who are unworthy to journey with her into heaven.

 

 When her spaceman gives her the gift of the `heart of the ocean`, she `takes heart`, and the blue jewel in the shape of a heart is to be weighed in her balance to reveal what truth it contains. Because of the allusion to the Titanic, Rose, and betrayal, it`s the heart of Saddam Hussein, the `friend` of the USA that betrayed her:

 

`I think I did it again.

 I made you believe we're more than just friends.

Oh baby.

It might seem like a crush.

But it doesn't mean that I'm serious.

'Cause to lose all my senses.

That is just so typically me.

Oh baby, baby.`

 

 

 Saddam means `crusher`. Here Britney is saying that the USA`s friendship is lost and Ammit, the `devourer`, will eat the treacherous heart of Saddam, whose name means `the crusher`, and who himself has been crushed beneath the heel of the woman, `hidden` upon the Earth, and in accordance with the `Voice` of God (Gen: 3.15) all traitors` hearts shall be eaten.

 

 

 In the movie Silence of the Lambs, which refers to the quietude that descends upon lambs before they`re slaughtered because they instinctively know what`s to occur, Hannibal Lecter, the `cannibal`, has Jodie Foster, the FBI agent, assigned to `read his heart` to discover the extent of his and others` crimes that he knows of.

 

 

 Cannibalism is eating to obtain power or mana, and Oops I Did It Again`s `bear` motif is present in the acting career of Hannibal the cannibal`s Christian `lamb`, Jodie. As a rape victim in The Hotel New Hampshire (1984), a movie in which the founder of the Viennese school of psychology, Sigmund Freud, is portrayed as blind and with a `performing bear`, who turns out to be a girl in a `bear costume` (Nastassja Kinski), Jodie`s revenge for the rape is to have her assailant, `Chip` Dove, sodomized by `Susie the bear`. Jesus and the `Holy Spirit` are `the lamb of God` and the `Dove` respectively, which means that cannibalism and sodomy are the enemies of God.

 

 The motif of the blind Freud in The Hotel New Hampshire is important because it`s present in the Freudian drama of ancient Greece, Sophocles` Oedipus Rex. The implicit meaning of the story is that Oedipus is the mother (Jocasta) he marries, but the incest taboo causes him to stab out his own eyes, and Antigone his daughter, who is also implicitly Oedipus himself, becomes his guide. The meaning is that any woman could love him. But it`s a `revenge play` on the part of homosexual men who don`t want `mankind` to see. Christian `agape` is a `familial` and `universal` love, but Greek society was institutionalized homosexuality in which women were bred to produce more homosexual men. The Christian knowledge that women are men because they share the `Holy Spirit` is a `secret` dramatized by Sophocles. Oedipus` self-blinding is a measure of the power of the homosexual, which in the 21st century is manifest as the `killer disease` AIDS, that is, the `disease of the killer`, and is identified in Revelation with the `throne of the beast` - and `blindness`:

 

`... his kingdom was plunged into darkness. Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)

 

 The story of the Greek war against Troy is of the development of a homosexual virus. 9/11 was a `Trojan horse` whereby the terrorists feigned `friendship` and, pretending to wear a condom (a `Trojan` in the USA), that is, fly politely in `civil` aircraft, hijacked them, crashed the planes into the Twin Towers of New York and, betraying their `welcome` (the `greatest crime` in Islam), launched a `Trojan virus` attacking Christianity`s war upon blindness, symbolized by the `Big Apple`, that is, Redemption from the serpent`s `seed` of homosexuality, which is the sin of the `fruit of the knowledge of the tree of good and evil`.

 

 

 The Paraclete, given by God as `teacher, guide, comforter and helpmeet` after Jesus` crucifixion, effectively emerged from Christ`s side as the `Second Eve` when that side was pierced upon his death by the spear of the Roman centurion Longinus. Exactly 2000 years later it was Saddam and Eve. The `crusher` would restore the blindness of war, and that`s what the Greeks bred homosexuals for.

 

 

 Osama Bin Ladan was the terrorist organizer of 9/11 supported by Saddam, and the name `crusher` suggests affinity with the jaws of the crocodile, the oldest living dinosaur or serpent`s `seed`. Osama means `lion`, and lion and crocodile are two of the three composite parts that go to make up the body of Ammit, the `devourer; the other being hippopotamus. The ancient Egyptians viewed the amphibious creature as a cannibal and associated a red hippopotamus with Set, the `dismemberer`. Consequently, Britney Spears` red suited self in Oops I Did It Again refers to the `hippopotamus` who is `Set upon the Earth` as the `third` enemy of God:

 

`He is a lion. Yes, he is better than a lion—he is a hippopotamus.` - Zulu national anthem

 

 The `Behemoth` of Job (40: 15-24), greatest creature of the land is, according to tradition, a hippopotamus and, along with Leviathan (greatest of the creatures of the sea), and Ziz (greatest of the creatures of the air), is slain at the end of time by God, their creator, before they are `devoured`.

 

 

 The `Behemoth` is represented as living invisibly in a desert `East of Eden`. Britney, in her red suit in the Martian desert sands is referring to Set as `the red hippo`. Because the first spacecraft from the USA to make an unmanned landing on Mars was the `Mars lander`, Britney`s also referring to `Ziz`, a `griffin` that, with the body of a lion (representing humanity) and the head and talons of an eagle (representing divinity), was a figure of Christ to the Middle Ages because of the protection it was said to afford against witchcraft, and evil`s `slander`, that is, `bearing false witness` against `God`s law`.

 

 

 In Oops I Did It Again, Britney`s borne by her ring, which means that the ring bears her, that is, she bears the truth. It`s important because that makes her a `she bear`, as `Susie` was; the woman in The Hotel New Hampshire inside the `bear costume` who exacted vengeance upon `Chip` Dove for rape. Although Behemoth is described as male, in Judaism the plural feminine noun is applied, which means Britney`s acting the part of the woman protected by the `New Redeemer` and `hidden` (Rev: 12.6) in the wilderness. A jew can only be born from a woman, because only women are jews, and jews aren`t cannibals. `Behemoth` is the `hidden` woman of Revelation. The description of her `tail` that `moves like a cedar` (Job: 40.17) is her penis. In terms of the cannibalism implicit in Oops I Did It Again`s careful arrangement of props, that is, the fork beside the helmet of the spaceman and the blue jeweled heart of the ocean that`s being weighed for Ammit, the `devourer`, Britney`d disagree with anyone who wanted to eat her because she has `seed` to sow from her own penis amongst the stars of heaven.

 

 

 In Arabic `my` means `water`, and `sas` is `horse` so, because the hippopotamus is `water horse`, the third enemy of God would be `My sas.` To deny water to a thirsty man is a great crime in Arabia. Camels are described as `ships` because their humps contain enough water for journeys across the vast arid seas of the deserts. Consequently, water is valuable and someone with the character of a `hippopotamus` would, in psychological terms, be a `miser`s type`; a `possessive` and a `possessor` who`d want to possess and dispossess others. In Christian terms, he`d be `possession` and `possessed`:

 

`Iranian President Mahmoud Ahmadinejad told the United Nations most people believe the United States government was behind the attacks of September 11, 2001.`4

 

 

 Ahmadinejad reportedly refused to accept his election defeat in 2009 and instead possessively held on to the power he possessed in Iran. He was among the students that seized control of the US embassy in 1979, which led then US President Jimmy Carter to mount Delta Force`s `Operation Eagle Claw` that resulted in the debacle of a helicopter crashing during a sandstorm, another returning to the aircraft carrier Nimitz, and a further helicopter unable to continue with `engine trouble`. This reduced the number of RH-53D `Sea Stallion` helicopters below the number required for the mission to be `operational` and, returning, a helicopter collided with a C-130 Hercules transport plane, resulting in the remaining helicopters being left behind and the deaths of eight servicemen.

 

 

 The British `special forces` are the SAS (Special Air Service), symbolized by Pegasus, the mythical wingéd horse. In Arabic, `my sas`, that is, `water horse`,  would be `Sea Stallion`, and Britney Spears` Radar alludes to the RH-53Ds that were to fly `under radar` in `Operation Eagle Claw` to rescue the US Embassy hostages from the roof.

 

 

 Britney`s Radar features a horse standing in water ridden by an English `polo player`. Traditionally the `sport of kings`, polo began amongst Arabian knights. Early Mamluk5 playing cards featured `polo sticks`, along with swords, cups, and coins. According to Jungian psychology, there are four functions of consciousness, which correspond to the sword (`Thinking`), coins (`Sensation`), the cup (`Feeling`) and, in the Mamluk deck, the `polo stick` (`Intuition`).

 

https://rpmedia.ask.com/ts?u=/wikipedia/commons/thumb/5/5b/Polo_game_from_poem_Guy_u_Chawgan.jpg/180px-Polo_game_from_poem_Guy_u_Chawgan.jpg

 

 What the individual thinks (sword) is desirable (cup) relates to finances (coins). `Intuition` is the heightened instinct that shows how the goal (polo stick, and cup) is to be achieved. This is the indefinable `something` that battle commanders possess. English knights were heavier in their armour, a tradition borne out in Gulf War I (1990-1) in which the Challenger tanks of the British 1st Armoured Division protected the right flank as allied forces delivered a debilitating `left hook` to Saddam`s Iraqi army. This was the `battle plan`. Because of the heaviness of their armour, knights can`t dismount alone, and so Oops I Did It Again depicts red-suited Britney hoisting her man above herself while signaling from her `helipad` in a white bikini-dress.

 

 

 Symbolically, Britney`s `Sea Stallions`, in their red pilot`s suit and white bikini-dress, together with their `spaceman`, symbolize the `blue diamond` that`s the USS Nimitz helicopter carrier in `Operation Eagle Claw`, a `star` upon the USA`s red, white, and blue `banner`. Obviously, because he has the role of a `grab` in her pinball game, she`s also `seize dalliance` (Sea Stallions), that is, the promise of sex for her man. Britney`s spaceman`s a `Navy Seal`. He tells her, when she says she `thought the old lady dropped it into the ocean`:

 

`Well, I went down and got it for you baby.`

 

 

 Britney`s spaceman is a `deep sea diver`, that is, a `Seal`, because he`s brought her the `heart of the ocean` from the wreck of the Titanic. Navy Seal training includes being dropped into the ocean from a helicopter and being required to complete a `dummy mission`, and occasionally a mission that`s genuine but unannounced to the SEAL. Britney`s `gun and tackle` is a `helicopter pulley`, and Oops I Did It Again is her `helicopter carrier`. In her red pilot`s suit, and her white bikini-dress, she`s a Navy pilot and a SEAL. The literary reference is to a line from If, a Rudyard Kipling poem:

 

`If you can meet with triumph and disaster, and treat those two imposters just the same.`6

 

 The US `Sea Stallions` proposed rendezvous in `Operation Eagle Claw` was `Desert One` which, symbolically, corresponds to Britney Spears` Mars, where Oops I Did It Again begins with her spaceman`s discovering her `image` in the sand:

 

`Whoah there horsey!`

 

 

 `Operation Eagle Claw` was woeful for the `Sea Stallions`, but there`d be other missions, and Britney `takes heart` from her spaceman`s `touchdown` on her `carrier`, the USS Oops I Did It Again, which name signifies forgiveness for mistakes as a prerequisite for success. There isn`t any water on Mars, but Britney`s spaceman effectively says:

 

 `My horse.`

 

 In Arabic, `my` is water, and `sas` is `horse`. Traditionally, US `horse soldiers` are the 7th Cavalry, who flew very successful helicopter missions in Gulf War II (2001-11). Because an Arabian horse (sas) needs water (my), and `special forces` in Saudia Arabia are SASAS, the acknowledgment from Britney Spears is that the USA`s efforts in the Gulf were `complimented` by `my sas`, whoever that may be. We may assume that Britney didn`t `desert one`.

 

 

 If Britney in her red suit is the `real` Britney, then Britney in her white bikini-dress is an `impostor` but, if the mission is completed successfully, noone cares who`s the `real` Britney, because it`s the `team` that`s important. She descends in a giant`s ring to indicate that the `little people` are valuable to a `mission`, and she values the giant even though the ring is too big for her finger. In other words, `little people` are big enough for themselves, and the giant`s ring fits his finger; as the little people`s rings fit theirs. Britney`s descent inside her giant`s ring comments on how small things look from below, and from the air:

 

 `Yeah yeah yeah yeah yeah yeah.`

  

 

 President Carter was a `big man` but the members of the family`s of the Delta Force that lost their lives in `Operation Eagle Claw` weren`t `small` men to him, which is the meaning of Britney`s ring. Inside her giant`s ring, she appears `smaller`, and the fork beside the spaceman`s helmet is designed to make her appear small enough to swallow. If you are an ogre and not a  `true` giant, that is. Only an ogre would eat her, and a `small woman` is vulnerable to such. Iranian President Ahmedinejad`s remarks were those of an ogre, and he`s not a `small man`; but neither is he a giant ogre. He`s man-sized.

 

 

 The motif of the `small man` is present in Byzantine Christian iconography, which depicts the Madonna with a fully formed child that isn`t a baby. Both Britney, in her white bikini-dress, and in her red suit, are `small women`, and so they correspond to the folktale`s Rose Red and Snow White awaiting the `Giant Prince`, who`s Jesus Christ; and their ring is for him. Because small women don`t want to be devoured by the ogre. In Iran or anywhere else.

 

1 https://www.recoveredscience.com/const201seshathempmath.htm .

 

2 https://www.touregypt.net/featurestories/seshat.htm .

 

3 Friedrich August Kekulé discovered the ring shape of the benzene molecule after a dream of a snake seizing its own tail, https://en.wikipedia.org/wiki/Benzene#Discovery .

 

4 https://www.haaretz.com/news/international/u-s-delegation-walks-out-of-ahmadinejad-s-speech-over-9-11-accusations-1.315359

 

5 The Mamluk`s were Turkish slaves brought to Baghdad by the Caliphs to strengthen their military power. The Persians were nominally the masters of the Mamluk`s, and the entirety of the Muslim Middle East. The height of Mamluk power was 1250-1817 when they ruled Egypt, but they remained powerful until 1811.

 

6 Kipling, Rudyard If, 1895.

Britney Spears` distillation of the Bible`s meaning; encapsulating its entirety in Oops I Did It Again: from Genesis to Revelation - to eat, and not to devour.

19/02/2012 15:19

Britney Spears` distillation of  the Bible`s meaning; encapsulating its entirety in Oops I Did It Again: from Genesis to Revelation - to eat, and not to devour.

 

 

 In Oops I Did It Again Britney Spears` red suited figure`s counterpart is her white bikini-dressed figure who, resembling a snow flake, beneath the huge eye of her spaceman`s spacehelmet, as he directs at her the `lesser` eye of his camera lens, strengthens a Christmas motif that begins with the appearance of herself as a red suited Santa Claus.

 

 

 Above her the spaceman appears as a Christmas `bauble` that Britney`s red suited Santa figure hoists above her white bikini-dressed self so that she appears below him as if upon a white tablecloth, symbolic of the `Last Supper`, and the Holy Grail.

 

 Britney`s red suited figure repeatedly poses with arms raised, as if she were a cup or bowl, that is a figure of the type of the vessel that Jesus is said to have drunk, and eaten from at the `Last Supper`, and so she is a figure of Redemption, because she recognizes the value of companionship.

 

 

 At the `Last Supper`, Jesus is depicted as offering his `body and blood`, in the form of the `bread and the wine`, which is a concrete, rather than symbolic, offer of `fellowship`, and the betrayer Judas prefers the role of the `bloodthirsty` assistant to those  who are the torturers and murderers of Jesus` body.

 

 

 Britney`s spaceman, hoisted above her white bikini-dressed self by her red suited Santa Claus, as if he were a Christmas `bauble`, and she were the `star` upon her Christmas tree, is depicted with the giant tines of a fork almost resting against his faceplate. It`s a `giant` motif that doesn`t stand alone in Oops I Did It Again, as her red suited figure descends at the video`s outset inside a giant ring. It`s as if she were a `New York Giant` with her `Last Supper Bowl` ring as, with her arms raised aloft, she makes the `sign` of the  `superbowl` to  her spaceman, and signals the `extra point` following Mars Lander`s `touchdown`.

 

 

 He responds by giving her a gift. She exclaims: `But I though the old lady dropped it into the ocean in the end?` It`s a cinematographical allusion to The Titanic movie, another story of betrayal, in which Rose, betrayed by an ex-lover who, placing the blue jewel, the `heart of the ocean`, inside the coat pocket of her new fiancée, contributes to his drowning when the ship, the Titanic, of the White Star Line, sinks after hitting an iceberg on its maiden voyage. An older, sadder Rose, consigns the blue jewel to the ocean depths at the movie`s end, which is what Britney`s alluding to in her exlamation at her spaceman`s gift: `But I thought the old lady dropped it into the ocean in the end?` The `cup` is a symbol of the `heart`, and so Britney`s receiving of the blue jewel is the passing of the `Holy Grail` from one American Rose to another `American Beauty`.

 

 

 The Rose motif is present in Britney`s red suited and white-bikini figures, who`re now understandable as Rose Red and Snow White from the Hans Christian Andersen tale, and whose kindnesses, as `little women`, towards a `little man`, were looked upon by him as being insufficiently considerate, and he is killed by a bear they allowed into their home:

 

`Do not be frightened, I will do you no harm; I am half frozen, and only want to warm myself a little.`1

 

 The `little man` is their irascible educator, that is, he`s an impatient teacher, in contradistinction to the tranquil leadings of Jesus. The bear kills him because the `little man` is frightened, but remains a good but irascible teacher insofar as he affords the friends an option to stop:

 

`Dear Mr. Bear, spare me, and you shall have all my treasures; look at the beautiful precious stones that lie there. Give me my life! for what do you want with a poor thin little fellow like me? You would scarcely feel me between your teeth. Rather seize those two wicked girls; they will be tender morsels for you, as fat as young quails; pray, eat them at once.`

 

 The girls` mother is a representative of her socio-cultural conditioning, which is imposed from without by men. The `little man` is irascible, because girls aren`t stupid, although the story is about how men want them to be stupid, and the `little man`, perceiving that he`s trapped within a perspective in which girls don`t have a penis of their own, is angry with the `storytellers`. It`s the story of the invisibility and unviability of the woman`s penis, although history and contemporary pornography tells us that she has one.

 

 The bear reveals itself as a handsome prince, which reinforces the socio-cultural conditioning of the mother who describes the bear as `honest`, that is, he`s an animal with a compatible penis. The prince tells the girls that the `little man` turned the prince into a bear, but the `little man` is an educator, and so the bear represents traditional thinking, that is, the bear becomes a man when he kills his teacher, because he doesn`t accept further education, which would be the beautiful princess with a large, powerful penis with testicles full of sperm to fulfil the two girls `who loved each other dearly and always walked hand in hand together`.

 

 

 The bear represents the traditional thinker who believes that the girls should have the `treasure` of the `little man`, because the `little man` is a boy that, in Christian terms, the red dragon of Revelation wants to devour because it’s the `New Redeemer`. Dragons are often depicted as the `guardians` of treasure, and so the `treasure` that the red dragon of Revelation perceives itself as guarding is that of the girl, which actually belongs to the `little man` it seeks to devour.

 

 As the First Redeemer, Jesus was betrayed by a group of homosexuals, who prevented him from being with a woman, and served as the guards of his `treasure`, which were his teachings. Jesus was subsequently tortured and murdered by the prevailing homosexual spirit of victimization, which prevailed in the 20th Century in the attitudes towards the `cannon fodder` of WWI, the Jewish holocaust of WWII, and the `ethnic cleansings` of the late 20th century (Yugoslavia), and early 21st century (Kurdistan, Dharfur).

 

 The spirit of the Antichrist is that of the bear that kills the `little man`, who represents the `teachings of Jesus` that, in Revelation, are reborn as the New Redeemer who`ll `protect` the `hidden` woman of the Earth. The `little man` can never leave Earth because the bear will kill him. The woman of Revelation is a woman because the Bible says so, whereas the `treasure` that the dragon is guarding is for a girl, and the ruins of art, civilization, and culture that are the beginnings of the 21st century represent the attempt by a traditionalist thinker, in the spirit of homosexual victimization, to protect his girl by destroying his boy, whereas the `New Redeemer` is the `son of the woman`, who`s there to protect the girls, that is, the woman`s daughters, and the `hidden` woman, so that she`ll grow, which is the `treasure` that the red dragon of Revelation doesn`t want.

 

 Britney`s Oops I Did It Again presents the basic 21st century dilemma, which is that of the unwanted visitor. 9/11 was the visitor`s feigning of friendliness in order to effect a terrorist attack, and the bear is a guest of the mother of the girls before he kills the `little man`, which means that he`s like the Taliban who don`t want their girls to receive the `treasure` of becoming women. In Judaism it`s understood that the `little man` can`t live, because you can only be a jew if you`re born from a woman, which is why Jesus is born from a virgin. If you can be a jew only if you`re born from a woman, then only a woman is a jew, and Jesus can`t live because he`s a `little man` who guards woman`s education.

 

 Marriage is a prison because, on the understanding that women are a species with her own penis, if men wanted you to be with a woman, you`d be a woman, and so women would be together, which is what Oops I Did It Again observes. Britney is with herself as `Rose Red` and `Snow White`, while the visitor is a guest if he isn`t a `cheat`, which is why Britney has her spaceman pick up a `cookie`, the `Open Sesame` to her home. He passes her `protocol`, which the 9/11 Taliban terrorists didn`t, because they wanted to kill the `little man` who wouldn`t cheat women of the `treasure` of an education that would allow them to perceive that, 2000 years after Christ, their war was over, and they`d won. The `little man` would be George W. Bush, who was despised by Saddam Hussein, Osama Bin Ladan, and the Taliban. The plunging of the Earth into the `War On Terror` (2003-) may well be the death throes of the red dragon of Revelation, that is, the traditionalist thinker, who`s prepared to sacrifice the sons of millennia for a girl he doesn`t want to be a woman.

 

 In biblical terms, man`s Redemption upon the Earth depends upon an acceptance of the `hidden` woman of Revelation who has her own penis, and the transformation symbolism of The Tale Of Rose Red And Rose White is that of the role of traditional thinking as opposed to educated thinking, which is what the `little man` as Giant represents.

 

 Britney`s observing that there`s a place for traditionalist thinking, and so the contest for the `Supper Bowl`, which is the `Holy Grail` of fellowship, is between the Bear`s `clause`, which is action according to `positional sense`, in US football terms, that is, how a man acts in his position as a man, and the Giant`s ring of the `little man`, which is that of the educated woman, but is more difficult to attain for the man who wants her, because she isn`t a stupid girl who believes that men are the centre of the cosmos because they have a penis. She has one of her own. A point underlined in Oops I Did It Again by Britney`s dispensing with her male dancers during her `routine` by means of a simple upward gesture with her hands, at which they all fall inert, leaving her to dance on with the educated `girls`.

 

 

The Tale Of Rose Red And Snow White suggests girls should be stupid, which means the author`s being written by an evil predator, as were the authors of the Bible. Jesus` symbolic New Testament offering of fellowship in the `bread and the wine` of the `Last Supper`, as a symbol of his `body and blood`, for example, is a test to see whether he`s with friends or predators.

 

 Jesus` realization is that he`s being written by a homosexual predator, which in Revelation appears as the red dragon that waits to devour the New Redeemer, born to the woman `clothed with the sun and with the moon at her feet`. He decides to end the `scene` with an appeal to God, and the Paraclete, the `tutelary spirit`, effectively emerges from his side, pierced at his crucifixion by Longinus` spear, as the soul`s redemptive guide. Earlier, in Genesis, the homosexual predator appears as the serpent, that is, the not yet fully grown dragon that, in Revelation, wants to enslave and devour the child of the woman, the New Redeemer, who`s the `protector` of the hidden` woman of the Earth, before she leaves to sow her `seed` amongst the stars in heaven, with her own `hidden` penis.

 

 

 The dragon is an evil draco, a `blood drinking` parasitical vampire and Jesus` offer of his `body and blood`, as the symbolic `bread and the wine` of friendship, is his awareness that the body is a vessel from which a little blood may be drunk; if the vampire is going to give eternal life: whereas an evil draco will drain the body of blood and in effect devour the life force. It`s Jesus` recipe for living on the Earth. His Resurrection, Redemption, and Ascension to God and heaven is his escape from the evil draco, and the `hidden` woman `protected` by the New Redeemer is promised a similar escape by God. She will leave Earth bodily and her `seed` will defeat the evil `seed` of the draco in a war in heaven.

 

The bear in The Tale Of Rose Red and Rose White is evil, because it`s a man, and the `little man` is angry because girls aren`t stupid, and the author is being forced to write of `little men` who are trying to emerge, dwarflike, from beneath the weight of social and cultural conditioning with their `treasure`, the truth. The bear explains to the girls that the `little man` had transformed him from  a prince to a bear, and had stolen his treasure, but the `hidden` truth is that the prince doesn`t know how to regain his treasure. He`s told that the death of the `little man` will restore him, and his death does restore the prince to himself and his treasure, but the `hidden` meaning is that the girls want themselves, and in an older version of the tale written by Caroline Stahl, the bear never met the `little man` before he kills him, isn`t an enchanted prince, and the girls take the treasure, which is woman`s `hidden` wisdom.2 To develop as a species, you need a penis. The girls are comfortable, but they`re not reproductive, and therefore not productive either. If the bear were to be restored as a princess with a penis, the girls would be more than parasites.

 

 In order to show that the bear has the truth he has to say `no` to the little man`s asking if it`s a devourer like the red dragon of Revelation, which lies in wait for the New Redeemer, who `protects` the `hidden` woman of the Earth until she leaves for the stars where her `seed`, that is, the `seed` of her descendants from her own penis, according to Revelation, fights a war against the evil serpent`s `seed`, that is, men, and are rewarded victoriously by God`s creation of a new heaven and Earth for them to dwell in forever, while the real `evil little men`, that is, the homosexuals, who have actually enslaved women and her `womb` in order to devour it in warfare, receive eternal unendurable pain as their punishment.

 

 

 In Oops I Did It Again Britney is surrounded by bears` claws, as she sings and dances. She`s `Snow White`, `star` of the North, with the signs of the bear`s friendship about her, while her `Red Rose` is watched over by the `Eastern star` of joviality, the Giant`s `red eye`:

 

`The Great Red Spot is a persistent anticyclonic storm, 22° south of Jupiter's equator, which has lasted for ... possibly longer than 347 years.`3

 

 The claws of the bear`s paws, in Jungian terms, represent the `pause` of the differentiated sword, as the `Thinking` function, which pauses before acting because wise, and in biblical terms here on Mars, the name of the god of war in Roman mythology, represents Jove`s (Jehovah`s) controlled omnipotent anger, whereas the `Great Red Spot` (GRS) of Jupiter is the `eye of Jove`, here a symbol of a differentiated `Sensation` function which isn`t an eye of a devourer, and so is a symbol of God`s omnibenevolence.

 

 As Jehovah (YAHWEH) promised to guide the Israelites, the `chosen people`, to the `Promised Land` in the Old Testament, so God`s `Holy Spirit` was the `tutelary guide` vouchsafed to Jesus` adherents in the New Testament for the Christians, and is represented in Jungian terms, by the differentiated function of `Intuition`. Essentially, God`s omnipotence (the sword as `Thinking` function, in Jungian terms) is tempered by omnibenevolence (the cup, Grail, or heart of `Feeling` in Christian iconography), and the pentacle, symbolized by the `bread and the wine` of the table, is a symbol of the spirit of God`s approving omnipresence (the eyes, and the `Sensation` function), while omniscience is in `tuition` (`Intuition`), that is, the knowledge of God`s plan through the acceptance of the `tutelary guidance` of the Holy Spirit.

 

 Britney`s Giant`s `Supper Bowl` ring is a symbol of strength, and forbearance, towards `little women`, God`s omnipotent anger should be towards the bear, who murders. The girls are needy opportunists, and are forgiveable, whereas the `little man` is a dead giant. In Oops I Did It Again Britney Spears, as `Rose Red` and `Snow White`, receives the blue jewel (Jupiter is blue, emphasizing the `Great Red Spot`), that is, she `takes heart` from the story, which is that it`s possible for the `little man` to have Redemption because he`s a giant, and that`s why she wants to make of him a giant and give him to wear the ring that she descends within in Oops I Did It Again. He`s the hero of both tales, and dead in both, which is why Oops I Did It Again is a memorial to Rose`s love aboard the Titanic, a love that was doomed because it was infected by a Judas.

 

 Jesus` understanding that he`s being written by a homosexual predator reflects his relations with the disciples and Jesus, and the disciples collectively confirm it whenever he meets a woman who is interested in him: `...a woman came to him with an alabaster vial of very costly perfume, and she poured it on his head as he reclined at the table. But the disciples were indignant when they saw this, and said, `Why this waste? For this perfume might have been sold for a high price and the money given to the poor.` But Jesus, aware of this, said to them:

 

 `Why do you bother the woman? For she has done a good deed to me. For you always have the poor with you; but you do not always have me. For when she poured this perfume on my body, she did it to prepare me for burial. Truly I say to you, wherever this gospel is preached in the whole world, what this woman has done will also be spoken of in memory of her.`

 

 Then one of the twelve, named Judas Iscariot, went to the chief priests and said, `What are you willing to give me to betray Him to you?` And they weighed out thirty pieces of silver to him. From then on he began looking for a good opportunity to betray Jesus. (Matt: 26: 7-17)

 

 Oops I Did It Again presents Britney as a `little woman` waiting for a big enough good man to put her ring on his finger. She`s a figure of the woman who`d be told by the disciples that she`s too big a woman for Jesus. That`s why she appears as herself upon what seems to be a white tablecloth as her `star` revolves beneath the eyes of her spaceman`s visor, and the camera lens beside his spacehelmet.

 

 

 The white tablecloth`s her pentacle, symbolic of the table at which Jesus was sitting when the woman poured expensive oil upon his head. In Oops I Did It Again Britney is an `anointing` for the spaceman`s eyes, and through the eye of his camera, the eyes of all those who will see her. The fork next to the spaceman`s spacehelmet, as he hangs suspended above her, is asking the same question the `little man` asked of the bear:

 

 `Are you Cain or Abel?`

 

 Abel was murdered by Cain, because Abel could cook, and Cain wanted the fruit of immortality, so showed God he grew fruit. However, women are traditionally homemakers, which is why the Holy Spirit is called `teacher, guide, helpmeet, and comforter`. Britney is asking the spaceman: are you going to eat with me, or devour me? It`s her understanding that the `little man` is a good giant and so is the best, so Britney`s ring for him is going to be big and she shows it to her spaceman, who`s too small to wear it and, walking backwards, leaves disconsolately.

 

 

 Oops I Did It Again is `Chrismassy`, in the sense that she`s Santa in her red suit, and so the video is a Christmas e-card. The figure of the spaceman resembles Santa trudging through the snow with his sled, by which signifier we`d assume Britney`s `Rose Red` and `Rose White` to be Christmas `elves` (selves), while several of her gestures, with her arms raised above her as she dances, suggest she`s a `reindeer` for her spaceman`s sled. He`s brought her the blue `heart` jewel (`Feeling`), and she`s anointed his eyes (`Sensation`), which means that they need `Intuition` (spear, which `Rose Red` and `Rose White` represent as Spears), and `Thinking`, which is represented by the thoughtfulness of the `interactive video content`. There are eight reindeer in the poem `Twas the Night Before Christmas, but a line from the verses indicates that they all have the same function as `Dasher`:

 

`Now dash away! Dash away! Dash away all!`

 

 Britney`s white bikini-dressed figure, a `star` beneath the spaceman`s eyes of visor and camera lens, has eight of her dancers between the Christmas snowflake`s radial points which, together with herself in the red Santa`s suit, suggests she`s her Christmas selves with her reindeer. Oops I Did It Again is A Christmas Carol, the Charles Dickens` tale of the spirits of past, present, and future, which Scrooge is shown to have him convert from miserliness. The Titanic is the past, the spaceman`s the present, she`s the future, and the message she preaches is `take heart` from Jesus` teachings and accept the Holy Spirit.

 

 

 The psychological interpretation suggests that she has a `reined ear`; or, in other words, she`s reining in her sword, that is, the cogitations of her `Thinking` function, before she`s ready to acts her part with the `dashing knight` who`s going to attain to the `Holy Grail` she represents. The spaceman isn`t dashing enough because she sends him home, but the imagery of I`m Walking Backwards For Christmas indicates the theme:

 

`I'm walking backwards for Christmas, to prove that I love you.`

 

 

 Because the spaceman gives her the `heart of the ocean`, the blue jewel from the sinking of the Titanic, he`s a deep sea diver and  an astronaut, which means he`s a pilot also. Meeting him in her pilot`s suit, Britney`s indicating her understanding of what it takes to get to her there on Mars. She seems to give him nothing in return but, immediately he picks up her icon from the sands of Mars, Britney`s palace emerges from the desert.

 

 

 Her palace can only be seen in the faceplate of the spaceman`s spacehelmet because that`s how the Earth appears in the visor of the spaceman`s spacehelmet for the `ASE` Award, which is given by the Association of Space Explorers to those who have distinguished themselves in the field of space exploration. In short, Britney gives her spaceman the ASE Award for his landing on Mars to be with her. His gift is a message, and it says:

 

 `Take heart.`

 

 

 The science fiction allusion is to American Grand Master Robert A. Heinlein`s Stranger In A Strange Land which features the character Valentine Michael Smith who, born on Mars and raised by Martians, becomes a Christ-figure on Earth. Heinlein`s other relevant character here would be Podkayne of Mars, called `Poddy` by her friends and family, and Britney would be `Poppy` of Mars, because she`s a `poppy of rememberance`, whereas her spaceman`s Valentine, the blue heart`s jewel, the `heart of the ocean`, is in memory of Christmas past, the American Grand Master, Robert A. Heinlein, died in 1988.

 

 

 There`s a brief allusion to Heinlein`s most famous character, Lazarus Long, from Methuselah`s Children (1958) and Time Enough For Love (1973), when the spaceman in Oops I Did It Again finds Britney`s icon in the sands of Mars, exclaiming:

 

 `Whoah there horsey!`

 

 One of Lazarus Long`s roles during his long-lived life was as a `horse and buggy doctor`. His role in Heinlein was as a persecuted minority of people who had longevity, and effectively were immortal. Because they were long-lived, people became suspicious at their remaining while others passed away, and so Lazarus periodically changed his identity.

 

 

 Valentine Smith`s religion of universal love was a necessary antidote to the persecution of the long-lived `Families`, as they were called, and Britney`s spaceman, a `stranger` on Mars who gives her a Valentine, is welcomed by herself as Poppy, who represents the rememberance of Christmas past, the present, as the USA`s plans for landing on Mars, which Britney`s video projects as a reality, and Robert A. Heinlein`s `Future History`, the several stories that, containing Methuselah`s Children, and detailing the persecution of those with longevity in `If This Goes On -`, constitute the future that Britney`s `Poppy` is remembering.

 

 In the New Testament Jesus is depicted as having a sword that comes out of his mouth, which signifies thought before speech, that is, differentiation of the `Feeling` and `Thinking` functions, whereas the ear that`s undifferentiated `Thinking` is susceptible to the lies it`s told if the `heart` doesn`t temper the sword, which is the `Holy Grail` of action in accordance with truth.

 

 The bear that thinks he`s a man remains a bear, because he wants the role of `prison warder` for the `hidden` woman of the Earth with a penis that the evil draco doesn`t want to leave, and so Britney dances and sings surrounded by bears` claws because she undestands that the little man`s irascibility is actually his ability to teach, but he`s socio-culturally unexplicable because evil men don`t want his knowledge and wisdom to, be known, which is that girls have a penis of their own.

 

 In lesbian circles, it`s fashionable to wear a `thumb` ring, and so Britney`s thumb-size heroine, inside her giant`s ring in Oops I Did It Again, is proclaiming a sexual awareness in keeping with the revelation that women have a penis of their own, and she`s preparing, in the characters of `Rose Red` and `Rose White`, to take care of herself as a `thumb`, which is what the first wife of a `hand` is called in Moslem countries, where four wives are permissible.

 

  In psychological terms, the Moslem `hand` is a metaphor for Jungian individuation in which the self has four differentiated functions of consciousness to work with, and it`s also a symbol of cooperation where the `hand` of friendship has genuine meaning, because a `hand` that doesn`t have a `thumb` can`t humanly grasp anything.

 

 Oops I Did It Again`s `Rose Bowl Stadium`, from which all other `bowls` derive their origination in American football, and the heart`s symbol of the cup, bowl, or Holy Grail is associated, in the developmental psychology of Carl Gustav Jung (1875-1961), with the `Feeling` function. According to Jungian psychology, there are three other `functions of consciousness`; `Thinking`, `Sensation`, and `Intuition`. In the tarot deck of cards, believed to be a pictorial Torah, or `book of the law`, from the Old Testament of the Bible, the cup, sword, spear, and pentacle are their symbols.

 

 The `sword` is associated with the function of `Thinking`, and the ear; because thoughts are communicated by means of the speaker, to the hearer. The `spear` is associated with `Intuition`, and the nose, or sense of smell; because the `Holy Spirit` is in `tuition`, that is, the `tutelary spirit`, which effectively emerged as the `Second Eve` from the side of Jesus when pierced by the spear of Longinus at the crucifixion. She`s the `inner voice` of woman that distinguishes between what is, and what is not, God. `Feeling`, associated with the mouth that eats, but can also speak, is the cup, or bowl, of the `Holy Grail` of fellowship. The pentacle, associated with the function of `Sensation`, or tangibility, is `sightedness`.

 

 The eyes inform the body of what is edible, and the soul, taught by the `Holy Spirit`, prevents the individual from becoming a devourer. Britney`s red suited figure isn`t the red dragon of Revelation, waiting to consume the `New Redeemer`, born to the `woman clothed with the sun and with the moon at her feet`, a symbol of the `body and the blood` as warfare, rather than the `bread and the wine`, which is the redemptive friendship of Christianity.

 

 Britney`s white-bikinied self, revolving as a white Christmas `star`, beneath the eyes of her spaceman`s visor, and the camera beside his helmeted spacesuit, is a symbolic `vision` of what it means to accept the Holy Spirit, that is, the `Holy Grail` of Jungian individuation, which is the differentiation into consciousness of the four functions of `Thinking`, `Sensation`, `Feeling`, and `Intuition`, and the development of an individual with the attributes of a sharp ear for truth, respectful eyes, a love that speaks, and inner wisdom.

 

 

 The eye motif is important in Oops I Did It Again. Britney`s spaceman discovers her icon in the sands of Mars, and `Mission Control` on Earth sees it through the `camera eye` beside the eye of the spaceman`s spacehelmet`s visor.  The icon seems to be an `Open Sesame`, as it were, a `cookie` functioning as a `password`.

 

 

 A structure appears dramatically arising from the desert in the spaceman`s helmet visor, and the `Open Sesame` motif suggests Jennah, the `hidden` Paradise of the Arabian Tale Of A Thusand Nights and One Night, which features Sheherezade, a woman who saves other women by telling stories of genies and hidden treaures to a man who`d murdered his faithful wife in order to marry a new wife each day after beheading the previous one each evening as a punishment for his first wife`s unfaithfulness. Britney`s lyrics in Oops I Did It Again reflect on this:

 

`I think I did it again. I made you believe
We're more than just friends.
Oh, baby;
It might seem like a crush,
But it doesn't mean
That I'm serious.
'Cause to lose all my senses...
That is just so typically me.
Oh, baby; baby.`

 

 Shah Jehan `lost his senses` when he cut off the head of his faithful wife, so that he could marry a new woman each day and behead her each evening. Shah Jehan`s wives were those who actually lost their senses; because they died. Britney`s describing the fate of woman, the inadequacy of men`s apology - Oops I Did It Again – and the knowledge and wisdom represented by the sane woman who`s `not that serious`. In Jungian psychology `Sensation` is the key function because it represents the eyes, and what is tangible. Britney`s alluding to Jung`s Theory Of Psychological Types, that is, men would have her believe that Oops I Did It Again excuses them for being `typically` themselves. However, you can`t touch what you can`t see and, if a woman`s intangible, seeing her is the issue. Shah Jehan`s wife was faithful, but he said she was having an affair with his brother, although she wasn`t. Shah Jehan was unfaithful, and compounded it with `serial murder`. He`s the prototypically undifferentiated man who observes to his wife that, because she`s been speaking with, and seeing, his brother, she`s unfaithful. Shah Jehan has a problem with `Sensation`, in Jungian terms, that is, his eyes are his `tangibility function` and his ears are his `Thinking` function, and together they tell him what he perceives visually, and mentally. He communicates his perceptions of his wife`s unfaithfulness by means of his `Feeling` function, which in Jungian psychology is associated with the mouth, and so he has a `bad heart`.

 

As the `teacher, guide, helpmeet, and comforter`, a wife`s traditional role is defined as the activity of the Holy Spirit in Christianity, Shah Jehan`s wife therefore corresponds to  the `tutelary spirit`, which is identifiable in Jungian psychology as `Intuition`, and is what Shah Jehan rejects. The storyteller of 1001 Nights, Sheherezade, saves the women of the kingdom by telling tales that both educate and entertain Shah Jehan so that he prefers her, and Britney Spears in Oops I Did It Again is contributing to her storytelling insofar as she remains intangible for as long as she`s being watched.

 

In 1001 Nights Shah Jehan observes his wife and his brother, and she remained intangible for as long as he was watching her. The Arabian tradition is that the `evil one` is a whisperer, and has no other power, so Shah Jehan must have been under the influence of such a `Shaitan`, as it is called in Moslem countries. In other words, Shah Jehan`s `Thinking`, that is, his ears, were at fault, so that his eyes perceived what was not – his wife`s unfaithfulness. However, so long as he watched over her, she was `untouched`, which is why Britney`s Giant`s ring refers to jovial Jupiter, and its `Great Red Spot`, which is the tranquil eye of a storm twice the size of Earth. It’s the calm required of a man for a woman, who does (and should) represent the Holy Spirit for him, and without which he can`t attain to Redemption.

 

Better read, then Redemption, as it were. The legend of King Arthur and the Knights of the `Round Table` is also present in Britney`s treatment of the theme of cup, sword, spear, and of course pentacle; a symbol of the table itself, upon which Britney`s white bikini-dressed self revolves in symbolic depiction of the modern age`s `Rotary Club`, which follows the precepts of fellowship set by Arthur and his knights of le table ronde.

 

 Shah Jehan believed his brother to be having an affair with his wife, and so beheaded her. The Christian tradition is of `brotherly love`, and the `Holy Grail` is a symbol of the fellowship that promotes it. Jesus approach towards the disciples is as a brother who offers the `bread and the wine` as a symbol of his `body and blood`, prior to the crucifixion, so he`s Shah Jehan atoning for the sin of mankind, which is to view the woman as evil. Jesus is born from a virgin, Mary, his mother, and is man not touched by man, nor is his mother.

 

 Jesus and the Virgin Mary are a reflection upon the idea that women can give birth without men, as a solution to the problem of the evil that they represent. Moreover, they can give birth to each other, irrespective of whether they have a penis or not, which is why Mary is a virgin. There`s no reason why a woman should ever be anything else; if parthenogenesis were to be practised.

 

 

 Evil is what men perpetrate upon woman, who is the Earth`s species, whereas men are `aliens`, that is, parasitical, vampiristic enslavers of woman`s art, civilization, and culture in their wars. Devourers of what`s produced from woman`s `host` womb, nevertheless the wisdom of Eve finally emerged from the side of  the `Second Adam`, as the `tutelary spirit` from the side of Jesus, to put a man on the moon in 1969, `One small step for a man, one giant leap for mankind.` On Mars, 2000 years after Christ, it`s Oops I Did It Again – spending billions on WWI, II, III, etc., was retarded, and Britney`s womankind, `hidden` upon the Earth, and ready to leave, may find that men have done it to her Earth before, as they have always sought to retard it and her. In Oops I Did It Again Britney suggests she`ll  be waiting for them `out there` with a better offer. It`s a  small step for a woman, but it`s a giant leap for womankind.

 

1 https://www.tonightsbedtimestory.com/snow-white-and-rose-red/

 

2 `In The Ungrateful Dwarf, the bear has no encounters with the girls except that in which it eats the dwarf; it is not an enchanted prince. The girls take the treasure that the dead dwarf was carrying and make themselves rich.`

 

3 https://en.wikipedia.org/wiki/Red_Spot_Junior#Great_Red_Spot

 

4 Clement Clarke Moore `Twas The Night Before Christmas, 1822.

Britney Spears: The ASE Award

11/02/2012 13:58

Britney Spears: The ASE Award

 

In the video for Oops I Did It Again Britney Spears` spaceman finds her icon in the sand and there`s a Marsquake. What ensues shows that her scifi has profundity; for example, she`s aware of  `The Association of Space Explorers` Crystal Helmet Planetary Award`:


`The award consists of a solid crystal sphere set in a thin rectangular standing crystal block. The front of the sphere is etched to depict a space helmet with a translucent visor. The back of the sphere is etched with blue ocean and seas adjacent to a translucent European continent.`1

 

 

 Viewed from the front, the visor reflects the lands and seas on the back, which appear reversed, as they would in an astronaut's faceplate. The sphere is the eye of the astronaut looking back at the Earth, and reflects upon the astronaut`s role as a mirror through which the Earth sees itself and its aspirations. The `reversal` of externals is visible in Britney`s astronaut`s translucent visor as her demesne emerges in the mirror of the eye of his spacesuit.

 

 

 There`s an international element to the scene. Vladimír Remek (1948-) was a Czechoslovakian Cosmonaut in the Russian space programme and the first non-Russian (or American) in space aboard Soyuz 28 (1978). With the entry of the Czech Republic into the European Union in 2004, he is deemed the first EU spaceman. The Mars spacecraft were part-designed by Hungarian Ferenc Pavlics between 1961 and 1988 and `remek` in Hungarian means `thumb`, so Britney`s descent in a giant`s ring is symbolic of her knowledge of space exploration, and love for science fiction: one small step for a woman, one giant leap forward for womankind.2

 

 

 Britney`s heart is clearly with scifi and space exploration, and she`s playing a Valentine`s ASE card in Oops I Did It Again. When her spaceman gives her his gift, she says: `But I thought the old lady dropped it into the ocean at the end.` The allusion is to the Titanic movie in which Rose drops the blue jewel, `the heart of the ocean` into the sea in lamentation over her lost love who drowned in the `disaster` when the great ship sank on its maiden voyage. Valentine Tereshkova, a Russian Cosmonaut, was the first woman in space in 1963, and Britney`s the first woman on Mars in Oops I Did It Again in 2000.

 

 The heart`s symbol is the `Holy Grail`, the cup or bowl, and Britney`s ring is her superbowl ring, that is, the `Last Supper` bowl ring, because the Grail was the bowl from which Jesus Christ offered his `body and blood` to the disciples in the form of the `bread and the wine` before his crucifixion. Britney`s ring is Christian, and for her friends wherever they may be upon the Earth. Her Grail ring is a symbol of le table ronde at which her friends may sit, drink and eat with her without fear; as the Knights and Ladies of the Round Table of the legendary King Arthur of the Britons were wont to do.

 

 

 Valentine Tershkova is highly regarded because of the tines of the fork that appear beside Britney`s spaceman, as he hangs suspended above her as she lies on a white tablecloth. Elsewhere Britney Valentine is surrounded by the claws of a Russian bear, and she`s happy to be with a friend. In the tale of Rose Red and Rose White a `little man` is evil towards the two girls, and a bear kills him. In Oops I Did It Again Britney appears as Rose Red, in her red pilot`s suit, and as Rose White on the white tablecloth. Surrounded by bears` claws, she`s grateful to her rescuer, and doesn`t care which country he`s from.

 

1 https://www.space-explorers.org/association/awards.html

2 The first man to set foot on the moon in 1969 was Apollo 11`s Neil Armstrong: `One small step for a man. One giant leap for mankind.`

 

Grace

07/02/2012 14:37

Grace Spears

Say `Grace`, be raised for crew;

Fork rue is for gruesome:

F**k hard, groan - be grew some!`

Raising Spears

07/02/2012 13:50

Raising Spears

 

 The tannoy announcing `All aboard!` in the promotional video to Britney Spears` song, `Oops! ... I Did It Again` (2000), set on Mars with its spaceman visitor to Britney Spears` red planet announces her affinity for the TV series Star Trek (1965-) featuring the starship Enterprise and its crew. Appearing three times, as different members of her own crew, in her red pilot`s suit she`s in the literary tradition of those who prepare to be read. The spaceman wearing an Apollo Space Program astronaut suit from the era of the Apollo moon landings, gives her a gift in a small black box, which she looks into: `But I thought the old lady dropped it into the ocean at the end?` The audience is expected to identify the allusion to the Titanic (1997) film about a ship that sank on its maiden voyage from England, Southampton, to New York city, USA, on 15 April, 2012, after being holed by an iceberg. At the beginning of the movie 100 year old Rose drops the `heart of the ocean` blue diamond pendant into the sea at the place where the Titanic ship is being salvaged, before the movie begins to tell her story through the acting of Kate Winslet who evinces the bitterness of betrayal by ex-beau, Cal, who places the diamond into the pocket of her new lover, Jack, to discredit him in her eyes. Jack subsequently drowns rescuing passengers while Cal escapes with those who throw the women and children into the sea for a place in the lifeboats.

 

 

 In her red pilot`s suit, Britney is the red Rose of her own Titanic ship. The flowering rosebud appears in the mysticism of the Rosicrucianists, whose symbol is the cross of Jesus who was taken by agents of the Roman Empire to the hill of Calvary outside Jerusalem and nailed to a wooden cross where he died accused of dissidency for his teaching: `Love your neighbor as you love yourself.` (Matt: 12. 31) Jesus had Resurrection and Ascension to heaven which is why the cross is depicted flowering with roses in Rosicrucianism. It`s a symbol of healing through medicine, and adherents heal for `kindnesses`, because that`s the perception of Jesus` work amongst the sick, which brought Resurrection and Ascension to heaven. According to Jesus a Holy Spirit would teach after him and the Roman guard Longinus at his crucifixion speared Jesus` side, who was known as the `Second Adam` after the first man, Adam, from whose side emerged the first woman, Eve, according to the Bible, which is why Longinus performed a rudimentary `caesarian section` employed by gynecologists in difficult births, when spearing Jesus` side with his spear to release the `Second Eve` of the `Holy Spirit` as the teacher that would teach after Jesus` Resurrection and Ascension to heaven.

 

 

 Britney`s spaceman`s gift is a hero`s: `Well, baby, I went down and got it for you.` Here, rose, is a gesture from the spaceman symbolic of the hierosgamos, which is the `royal marriage` of alchemy, an early form of research into medicine that takes its name from Al-Khem, that is, the black Earth of ancient Egypt, where the `royal marriage` of incest was practiced amongst the Pharaohs. According to the developmental psychologist, Carl Gustav Jung (1875-1961), the `royal marriage` of the alchemists represented a projection of unconscious contents into the chemical procedures used in the attempt to produce immortality, which was known variously as the aurum philosophicum and the lapis philosophorum, etc. Jung observed that what he called archetypal figures and symbols appeared throughout the alchemical works describing their attempts. He adjudged that the incest motif represented a desire of the unconscious self to become conscious. In simple terms, the focus upon chemistry was colored by a need to understand why it was that human weren`t immortal, and the imagery constellated out of the collective unconscious of the alchemist gave some insight. In the paradise of heaven on Earth, the first woman, Eve, was tempted by the serpent, Satan, who`d been the angel in heaven that rejected God`s plan for the human host to be greater than the angelic and so was transformed into a serpent and placed in Eden: `You shall be as gods.` (Gen: 3. 5) Tempting Eve with the `fruit of the tree of the knowledge of good and evil`, that is, death, Satan trapped her into host womb slavery in parasitism, although God had warned Eve and the first man, Adam, to eat only of the `fruit of the tree of life`, which was immortality, or Eve`s `seed` would have `enmity` with the serpent`s. Expelling Eve and Adam from paradise, God told Adam he must labor, while Eve would experience labor pain before Redemption would occur: `You shall crush the head of the serpent with your foot but he shall bruise your heel.` (Gen: 3. 15) Human brainpower greater than Satan`s would defeat the serpent. In Christian iconography Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, is depicted as her crushing the head of the serpent, because her `seed` is futanarian women`s, who`re capable of sexually reproducing human brainpower without men`s semen to facilitate humanity`s escape from slavery in ephemerality through medical science conferring immortality. Incest is then comprehendable in alchemy as the desire of women`s single species to avoid ownership in ring slavery to enjoy a `royal marriage` in which the species is free, rather than slaved, that is, incest is a male taboo designed to prevent women`s human race from sexually reproducing with itself.

 

 Degeneracy has labeled the hierosgamos, the game of heroes, or the hero`s game, because Jesus was the hero that taught `woman`s seed`, that is, heroes know, whereas cowards keep women`s slavery a secret to have more power over the human species. Britney Spears` `Oops! ... I Did It Again` is of literary tradition resurrected in the 1920s by T.S. Eliot, whose poem, `The Wasteland`, depicts the world as a dead place needing archetypal symbols and imagery, which Jung viewed as arising in dreams, art and the imagination, to inspire human progress. According to Eliot the spirit in the desert of `The Wasteland` characterized modernity, which could be restored to living meaning in eternal life by artists. Those who accepted Jesus` teaching of `woman`s seed` would be redeemed and through art Redemption could occur.

 

 On the red planet Mars, in her red pilot`s suit, Britney Spears is the pilot of her Titanic ship, and a type of the woman of the Bible, `clothed with the sun and with the moon at her feet`, who gives birth to the child that `will rule the nations with an iron scepter` on behalf of `woman`s seed` before she leaves men`s slavery to sow her own `seed` in colonization of the planets amongst the stars of heaven.

 

 If mankind wants Redemption, man has to accept the hierosgamos, that is, women`s independent mode of sexual reproduction, symbolized by incest in alchemy and the woman of Revelation, `clothed with the sun and with the moon at her feet`, in the Bible, where sun and moon are the symbols of women`s mode of independence from slavery through their own sexual reproduction as God`s actual producer and product, that is, human art, culture, and civilization, which emerges from women`s host womb. Men must accept `woman`s seed`, or God`s punishment of eternal unendurable pain, that is, perdition, will befall, while she leaves for the new heaven and Earth promised by God.

 

 The `red dragon` of Revelation, which is depicted as waiting to devour the child born to the `woman clothed with the sun and with the moon at her feet`, is men`s enslaving wars against her in which woman`s humanity`s art, civilization, and culture on Earth is devoured before she leaves perforce for heaven. As a parasite upon her womb, irredeemable men are depicted in Revelation as having the `mark of the beast`, which is the slavers`: `...and there fell a noisome and grievous sore upon the men which had the mark of the beast, and upon them which worshipped his image.` (Rev: 16.2) By the late 20th century men`s mixing of blood, shit and semen in each others` anuses, in homosexual rejection of `woman`s seed`, spread the `incurable killer disease`, HIV/AIDS, as a `biological weapon` keeping women in fearful faithfulness to monogamous ring slavery. The model for modern democracy was ancient Greece, where homosexuality in pederasty was institutionalized, while women`s host wombs were enslaved for warfare against her human race. Consequently, democracy is a sham in which human sexual reproduction is made impossible so the alien parasite can enfranchise itself in power over an enslaved species: `And no one could buy or sell anything without that mark, which was either the name of the beast or the number representing his name.` (Rev: 13. 17) The Greeks bred boys for war, sodomy, and pederasty, which is why democracy`s plague was HIV/AIDS` biological warfare against `woman`s seed`: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11)  Or, as Britney Spears sings in `Toxic` (2004): `I`m addicted to you. Don`t you know that you`re toxic.` Although it`s written in the Bible that God sent `blood plague` (Rev: 11. 6) to convert men from their sinful nature, homosexual men in pederasty for war against `woman`s seed` made it themselves: `Your toxic. I`m slipping under.`

 

`Oh, the taste of your lips, I’m on a ride.
You’re toxic, I’m slippin’ under.
Oh, the taste of the poison paradise.
I’m addicted to you.
Don’t you know that you’re toxic.
And I love what you do.
Don’t you know that you’re toxic.

 

It’s gettin’ late to give you up.
I took a sip from the devil’s cup.
Slowly, it’s taking over me.
Too high, can’t come down.
It’s in the air and it’s all around.

 

 The September 11, 2001, terrorist hijacking of airliners to crash into the Twin Towers of New York city was an HIV/AIDS` metaphor, and biblical. Osama Ben Laden was the `king` that sent `terror from the skies` (10, 72), according to 16th century French seer Nostradamus. The terrorist Al Qaeda group, led by Saudi Arabia`s business heir, Ben Laden, were airAIDS, and the airliners were Trojan horses, rather than Trojan condoms, an American brand of prophylactic recommended for use against contracting the HIV/AIDS `killer disease`. Although the modern successors to the Greeks, the `geeks`, devised `bad machine code` they called Trojan horses to infect systems with the equivalent of the HIV/AIDS virus, the Trojan horse was the huge hollow wooden horse deployed by the ancient Greeks before the walls of the city of Troy. Taken into the city by the Trojans, according to the Greek poet Homer`s Iliad (760-10 B.C.), the Greeks emerged to enslave the wombs of the Trojan women for homosexuality in pederasty and warfare against `woman`s seed` and spread their contagion further. Consequently, the Al Qaeda planes were Trojan horses designed to infect the system like computer viruses causing breakdown. The World Trade Center was chosen as the focus for the attack because homosexuality in pederasty for war is `rough trade` euphemistically, which has as its aim the enslavement of the host womb of the human species for its entertainment in TV wars. Bred as a single creature with a male brain wearing each others` clothes as a transvestite TV, enslaved humanity is devoured by a parasite becoming parasitoid, which according to parasitology occurs after the parasite emerges from the host womb.

 

 Diverting finance from researching a cure for HIV/AIDS, homosexuality in pederasty for warfare against `woman`s seed` eluded US` defense `protocols`, symbolized by an Al Qaeda hijacked airliner crashing through the wall of the Defense Department of the Pentagon at Arlington, Virginia, while the Military Industrial Complex (MIC) was instead activated as a virus within the US` system. US` Invasion of Afghanistan in December 2001 removed the notoriously misogynistic Taliban regime that had supported Ben Laden`s Al Qaeda, and Iraq was invaded in March 2003 after dictator Saddam Hussein evinced support for Al Qaeda there. Executed in December 2006, Saddam Hussein represented the problem facing the democratic nations from Islam`s Moslem nations. Although the Judeo-Christian tradition doesn`t seem futanarian, the tradition of Jews being born only from Jewish women is of `woman`s seed`, which Jesus` birth from his mother, the Virgin Mary, emphasizes. Judaism`s founder was Isaac, son of Abraham by Sara, who was barren after Isaac`s birth and gave Hajer, her maid, to Abraham, who bore Ishmael, the founder of Islam through his descendant Mohamed, who received the Koran (610-30 C.E.) from the angels of God, who`d been told the human host was to be greater than the angelic. Because the Koran is the basis of the Moslem four wife marriage, Islam is a futanarian tradition affording the possibility of sexual reproduction between women within the family, which extends Judeo-Christianity into that realm beyond democracy where women`s independent socio-economic system is discernible as matriarchy. Consequently, with an 80% to 20% ostensible woman to man ratio within the family dictatorship in misogyny is the formula that appears most widespread in Moslem nations, although the absence of education about women`s penis in the democratic nations where penisless women are lauded as the epitome of beauty indicates to `woman`s seed` in Islam where it`s the practice of women to conceal themselves in public that democracy is also evil. Ben Laden`s hijacked airliners crashed into the WTC to reestablish `rough trade` was symptomatic of men`s general desire for parasitoid activity represented by Hollywood, labeled `Babylon` for `a woman` of the Bible who gave her name to Babylon (c. 4000 B.C.), the capital city of the Persian Empire: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Saddam Hussein, whose name meant `small handsome man` and `crusher`, and who could see the ruins of the ancient capital city of the Persian Empire, Babylon, from his summer palace at Hillah, was a Hollywood `leading man` constructed as `crusher` of the head of Satanism by Hollywood Babylon, where the death of the human race had been prepared since D.W. Griffith made the first Hollywood movie, Old California (1910), in the city of Los Angeles on the west coast of the US. By 1930 President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, established the `Hays code` banning `woman`s seed` from the movie theaters and so effectively ensuring the extinction of her species through a lack of education ensuring blind unconscious ignorance resulting in anger and war through a repressed sexual instinct emerging as the urge to devour: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 In colloquial terms, the `eyes are bigger than the belly`, that is, men have but one penis, and there are many women, which results in wars of possession. Although HIV/AIDS is known as the `thin disease`, it`s a devourer, and it derives from a species sex starved, that is, `woman`s seed`, because homosexuality in pederasty and warfare against her is an extinguisher`s mode. Consequently, Laden`s Al Qaeda terrorist attack resembles descriptions of the `four horsemen of the apocalypse` as a personification of war, plague, and famine, before God`s punishment of the evil with perdition. 9/11 personified HIV/AIDS as war (airaids), plague (AIDS), famine, that is, the `thin disease` of the sex starved, riding with death:

 

`Oh the taste of your lips. I`m on a ride.`

 

 

 In `Toxic` Britney`s airhostess appears in a uniform from Gerry Andersen`s Thunderbirds (1965-6), the `International Rescue` (IR) Supermarionation  British science fiction TV `puppet` series. Revealed as a superheroine she avoids `protocols` at an HIV/AIDS` research laboratory in order to obtain the anti-toxin. Avoiding infra-red light beam detectors, she`s in a role similar to Jennifer Garner in the TV spy series, Alias (2001-6), a `vamp` who`s the `Holy Spirit` of International Rescue (IR), rather than the `vamp` ire of Al Qaeda terror keeping women in fearful faithfulness to men`s ring slavery for homosexuality in pederasty and warfare against her.

 


 

Thunderbirds` features `International Rescue` vehicles 1 through 5. Thunderbird 3 is a red spaceship, which may be the reason for her red pilot`s suit in `Oops! ... I Did It Again`, while in `Toxic` she`s in the distinctive blue Thunderbirds` uniform with flight cap as the air stewardess who transforms into the Jennifer Garner Alias type of spy stealing the HIV/AIDS anti-toxin from the tight security facility.

 

 

 In `Oops! ... I Did It Again` `Mission Control` has the likeness of the bespectacled `Brains` from Thunderbirds, and although he`s ostensibly on Earth, Brains and the crew of `Mission Control` appear to be on the inside of the spacesuited astronaut`s head as `puppeteers` directing his movements in a shift away from the bestringed movements of the puppets directed by puppeteers in the Thunderbirds TV show. The `camera` at the side of Britney`s spaceman`s helmet is her knight`s vision, that is, an allusion to `night vision`, because infra-red or `IR` detects bodies at night from heat generated by the flow of blood pumped from the heart to reveal those who wouldn`t otherwise be seen. When suspended above herself in a white bikini dress by a hook placed in his backpack winched up by Britney in her red pilot`s suit, her spaceman resembles space station Thunderbird 5 hanging in Earth`s orbit, while she`s rendezvousing with him as the red spaceship Thunderbird 3, his heart`s blood, because the Traceys of International Rescue are family. Brains later development of a a Thunderbird 6  was a De Havilland Tiger Moth biplane, which in `Oops! ... I Did It Again` is taken to refer to actress Olivia De Havilland`s role as Scarlet O` Hara`s friend, Melanie Hamilton, in the movie Gone With The Wind (1939) about the disappearing slave culture in the Southern United States of America during the Civil war (1861-5) of manumission. Humans don`t want to be puppets and Britney Spears in her red pilot`s suit isn`t Rhett Butler, the war profiteer, manipulating humans into killing `woman`s seed`, represented by her `bi` self in a white bikini dress, because she has a knight`s `IR` vision, rather than `vamp` ire represented by the suspenseful image of the spaceman hanging vampire-like in the air above her.

 

 

 In the Grail legend the `red knight` is killed by Sir Perceval for having stolen a cup, a symbol of the Holy Grail, that is, the bowl Jesus ate and drank from at what was known as his `Last Supper`, and which signifies the `Holy Spirit`, because eating and drinking isn`t homosexual war`s devouring bloodthirstiness. Perceval assumes the title of the slain `red knight`, who stole the cup. The dead red knight is a figure of Judas, and the `poisoned chalice`, that is, the betrayal of Jesus` invitation to eat and drink, which is what 9/11 was, because the Al Qaeda terrorists had obtained visa invitations by posing as students. Consequently, in her red pilot`s suit Britney Spears is `evil`, that is, Perceval, who`s a complexio oppositorum of red knight and Redemption insofar as the Grail represents Resurrection and Ascension for `woman`s seed` through men`s repentance from their devouring parasitoid sinful nature, and conversion to acceptance of the Holy Spirit.

 

 

 Atop what appears to be a tablecloth, or an altar cloth, Britney`s white bikini dressed twin, below the spaceman with the camera attached to his helmet, looks like a human sacrifice, whereas Jesus` offer of `bread and wine`, as symbols of his `body and blood` at the `Last Supper` for his disciples, was a metaphor for the need to accept women`s futanarian human host. Consequently, twinned Britneys represent women`s sexual mode of replication between themselves, which is why she`s altared, that is, the `royal wedding` of alchemy is depicted, where incest is a transposition of species` sex, which slavers don`t want because it`s liberating for `woman`s seed`.

 

 

 HIV/AIDS, that is, the human immunodeficiency virus (HIV) and the acquired immunodeficiency syndrome (AIDS) that causes system collapse and death, is believed by scientists to devolve from SIV, that is, simian immunodeficieny virus. Consequently, Britney`s sending away of her spaceman in the promotional video for the song `Oops! ... I Did It Again` evinces a fear of the spread of HIV/AIDS, because the earliest NASA `spacemen` were monkeys. At the commencement to the video Britney`s spaceman finds a `cookie` in the sand, a cameo of her, which signals the emergence of her ship from the desert sands of the red planet, Mars. Like a website url accepting a `cookie` from an unauthorized user gaining access through a `cheat`, Britney`s `protocol` is for protecting her from apes and their raids, that is, the monkey men who`re rapes and AIDS.

 

 

 The hypothesis is that Britney`s a `tough cookie` defending against the devouring bloodthirstiness of the homosexual terrorist vampires, and their HIV/AIDS virus represents the plague aim of their plague `game plan`, that is, ephemerality in slavery for `woman`s seed`. Walking backwards in the `Oops! ... I Did It Again` video, after being told to leave, Britney`s spaceman represents `rewind` after a `raid`, that is, `reset`, which is what systems analysts do after hackers have been invited to test a system`s defenses. Consequently, Ben Laden could argue he was responding to the US` defense system`s invitation to hackers to test the US` defenses:

 

`The U.S. Department of Defense launched a `Hack the Pentagon` project Wednesday, which invites vetted outside hackers to test the security of the government's public websites.`2

 

 

 As the 16th century seer Michel Nostradamus predicted, the `king of terror` is the devouringly bloodthirsty `red dragon` of Revelation grown to full size since its days as the `serpent`s seed` in Eden. AL Qaeda`s airaids of 9/11 were the first indications to Americans of the dangers of a homosexual vampire whose viral plague aims to `play games` of hacking. In her red pilot`s suit, Britney`s a `red team` member: `In the past, the Pentagon has tested its own network security by using internal resources such as `red teams`, which are composed of the U.S. government's top hackers.` The prognosis for the infected system is that the virus spreads if the infected react badly to the infection, that is, warfare against `woman`s seed` in Moslem Islam spread the `incurable killer disease` infecting the human species:

 

`I took a sip from the devil’s cup.
Slowly, it’s taking over me.
Too high, can’t come down.
It’s in the air and it’s all around.`

 

 In `Oops! ... I Did It Again` Britney`s `pierce evil`, that is, penetrating knowledge. Sir Perceval assumes the role of the red knight, who`d stolen the cup, because the `red team` must examine the system and restore the Grail, that is, improve. Britney appears in `Oops! ... I Did It Again` figured in white, because Perceval, after attaining to the Grail, appears as the white knight wearing a circlet of gold in remembrance of the `crown of thorns` placed upon Jesus` head at his crucifixion in Roman mockery of the perceived failure of his disciples` circle, whereas Perceval`s golden circlet is a symbol of the `knights of the round table`, which devolved into the 20th century`s improvers, the `Rotary Club`, and the Grail of Redemption from men`s parasitoid devouring sinful nature.

 

 

 `The Game` (1997), a movie starring actor Michael Douglas in the role of Nicholas Van Orton, is based on the idea of the `Rotary Club`, Orton is asset stripped of everything he possesses by his social peers who, after torturing and tormenting him for several months, restore Orton to his position; a materialist mockery of Resurrection and Ascension. Helplessness against one`s peers isn`t redemptive. Novelist Brett Easton Ellis` 1991 anti-hero, Patrick Bateman in American Psycho, dramatized in the subsequent movie by actor Christian Bale, American Psycho (2000), represents the `big game` philosophy of the species` exterminator, who isn`t redeeming:

 

`You gotta kill a lotta people!`3

 

 

Spied by the disciple, Judas, who was known for stealing from the collection plate after a sermon, Jesus rebuked him for suggesting that the perfume a woman was using to anoint his feet with should be sold to raise money: `Leave her alone.` (Mk: 14. 6) Judas, like Satan before him, betrayed the human host at the `Last Supper` by selling Jesus to the Jewish religious police, the Pharisees, for `thirty pieces of silver` as a dissident, and the Pharisees gave Jesus over to the Romans for crucifixion, because Judas didn`t want `woman`s seed` to sexually reproduce and escape from the Roman Empire of male braining for warfare to ensure  humanity`s enslavement. In `Oops! ... I Did It Again` Britney in her red pilot`s suit hooks her spaceman before winching him up to where he can look down upon herself in a white bikini dress. Suspended, he`s a figure of Judas` subsequent self-murder for his crime, that is, in murdering Jesus he murdered the human race, and his subsequent hanging of himself was symbolic of that.  and, indeed, self-betrayal, which is a `mortal sin`. In fact, betrayal was ultimately what the disciples practiced against Jesus. Judas` was the `gay game` of assuring Jesus he was loved while he was useful whereas Judas was a pederast insofar as Jesus was his boy:

 

 `...the chief priests and the scribes sought how they might take him by trickery (deception) and put him to death. And being in Bethany ... [Jesus] sat at the table, a woman came having an alabaster flask of very costly perfume... she ... opened ... the flask and poured it on his head. But there were some who were indignant among themselves, and said, `Why was this fragrant oil wasted? For it might have been sold ... and given to the poor.` And they criticized her sharply. But Jesus said `Let her alone. Why do you trouble her? She has done a good work for me.` Then Judas Iscariot, one of the twelve, went to the chief priests to betray him to them. And when they heard it, they were glad, and promised to give him money.` (Mk: 14. 1-8)

 

 

 By the side of Britney`s spaceman are the tines of a fork, and below she`s surrounded by her `crew`, prepared to take on the role of those who have places around her white bikini dressed self upon the altar cloth. Although it`s to be hoped that the scene doesn`t presage the human sacrifice of actress Nastassia Kinski as Catherine Beddows in the movie of Author Dennis Wheatley`s 1953 novel, To The Devil A Daughter (1976), the tines of the fork illustrate the aim of the devourer.

 

 

 Britney`s theme of devouring reappears in `Piece Of Me` from Blackout (2007). She appears on the cover of the CD single release as Jesus crucified, because men keep women in blind ignorant unconscious occlusion while they devour `woman`s seed` in wars against her ephemeral children uneducated in defense against the alien parasitoid devourer: `I'm Mrs she's too big now she's too thin (You want a piece of me).`4

 

 

 In her red pilot`s suit Britney represents the Thunderbird 3 spaceship rescuing the spaceman because he`s unconscious: `Forgive them, for they know not what they do.` (Luke: 23. 34) In `red dragon` terms, which is called draco or vampire in Eastern Europe, where drinkers of human blood are legendarily immortal because of it, warfare dismembers the `blood bags` of the bodies, which otherwise would serve as drinking vessels in parasitism, that is, `woman`s seed` sundered from herself is enslaved by a vampiristic spirit that`s immortal as a virus. The `bread and wine` of Jesus` bowl at the `Last Supper` was a symbol of the `body and blood` of the human host offered to his disciples, because acceptance of `woman`s seed` isn`t parasitical vampirism.

 

 

 The ancient Egyptian myth of Osiris relates how Set, the `evil one`, tore apart the body of Osiris, who was remembered, that is, his parts were put back together, by Isis. As Horus, the `sky god`, Osiris was resurrected and restored to heaven, where he`d been the sun god Ra before his incarnation on Earth. Set was Osiris` brother, so Jesus` focus is on brotherliness, and Redemption through forgiveness, which results in Resurrection and Ascension, because `enmity` isn`t remembered. Isis` remembering of Osiris is because he`s remembered, whereas no one wants to remember the evil. Set would tear Horus apart, so Isis doesn`t remember Set.

 

 The wish to eat and drink within a protective circle of friends excluding the remembering of the evil devour ring is what Jesus` discipleship and the Grail knights of the round table represents. In the Grail myth, the knights fight a war against Mordred, who has the evil brother role, and king Arthur`s fellowship of the round table is broken, because evil was remembered when queen Guinevere`s affair with Sir Lancelot produced enmity between the knights. Lancelot was Judas to Arthur, and so Mordred was remembered and the round table broken in pieces: `Now are you sure you want a piece of me?`

 

 

 Each silver CD is a piece of Britney Spears broken on the cross of Jesus` victimizer, Judas, because `woman`s seed` is taught she doesn`t exist and can`t sexually reproduce her futanarian human species by men`s blackout of mass media edutainment. After winching her spaceman above herself in a white bikini dress, Britney somersaults through the air in her red pilot`s suit to land in front of her spaceman, transformed in white top and black boots and skirt, to receive her gift, the `heart of the ocean`. She`s homoousia, that is, the conjoined body, soul, and spirit, which was the living meaning eternal through human art, culture, and civilization, according to the ancient Greeks, which expressed what Christianity calls transubstantiation. The transformation of the body by the Holy Spirit in the ritual of the officiate giving to the petitioner a wafer of bread and a sip of wine from a chalice as symbols of the futanarian human host of `woman`s seed` accepted by the sinful nature of men seeking to convert and repent from their role as parasitoid devourers.

 

 

 The Rosicrucians believed the secret of immortality was to give freely, and receive freely, which is way of asking for forgiveness through kindnesses, and represents a form of freedom from attachments that the Rosicrucian `doctors` practiced in order to be loved, which was Jesus` practiced advocacy as a healer. In the developmental psychology of Carl Gustav Jung, the doctors of alchemy`s quest is perceived as `the pearl of great price`, which is depicted as the ourobouros serpent, and is a symbol as ambiguous as the vampire. Described as self-devouring, and self-begetting, the ourobouros serpent is a figure of the hermaphroditic aspects of women whose penis is denied by men. If women are a species, the appearance of a male imago in her mind is a threat to her development, which is why the serpent in Eden is male. For a devourer, infra red (IR) technology is for finding victims, so Britney Spears in a red pilot`s suit in `Oops! ... I Did It Again` is the commander of International Rescue`s (IR) Thunderbird 3 spaceship against the predator who`s hypothetically looking at her through the eye of the camera lens attached to the spaceman`s helmet. `Oops! ... I Did It Again` is the reminder that the evil devouring bloodthirsty draco exists, and the innocent are kept in blind unconscious ignorance, so that lack of knowledge produces the abomination of war against the human race waged by nations believing that homosexuality in pederasty is normal.

 

 

 2000 years after Christ 9/11`s terrorist attack on the `Big Apple` of Eve`s hard won wisdom announced the evil draco`s plan to immortally drink the Earth`s blood, and imprison `woman`s seed` to prevent her from colonizing the lpanets amongst the stars of heaven. Britney Spears` music videos  present her as the `Holy Spirit` by humanity`s side. Longinus` spear was known as the Spear of Destiny after Jesus` side was pierced by the spear of Longinus upon his death to release the Holy Spirit as the `Second Eve` from the `Second Adam`, and the Spear of Destiny is associated with the American Dream and the US` Manifest Destiny, which is to colonize the planets amongst the stars: `I`m Miss American Dream since I was seventeen.` In music videos `Oops! ... I Did It Again` and `Lucky`, for example, Britney`s multiple selves present her as the Spears of Destiny, that is, as the `tutelary spirit` by the side of humanity. Omnivalent as God`s omnipresent spirit, the Holy Spirit is God`s omniscience and, complementing God`s omnibenevolence and omnipotence, is the multiple unity symbolized by Britney Spears` `Piece Of Me` video, for example, in which she appears as several different characters commenting upon the single theme of women`s slavery:

 

`Guess I can't see no harm
In working and being a mama
And with a kid on my arm
I'm still an exceptional earner
And you want a piece of me.`

 

 

 `Oops! ... I Did It Again` is Interplanetary Rescue (IR) modeled on Thunderbirds, and the theme is rescue from the evil vampire that wants to feast on the Earth`s blood symbolized by Britney Spears` white bikini dressed self on an altar cloth resembling a table with a tablecloth in a Satanical parody of the `bread and wine` as symbols of the `body and blood` of `woman`s seed` devoured by men`s parasitoid nature. Women are an evil old vampire`s torture victim, which is what Britney`s endeavoring to teach, despite the mass media blackout on educating `woman`s seed`, and her sexual repression through devices labeled moral, for example, an incest taboo that exists to dissuade the single human species of `woman`s seed` from sexually reproducing with herselves.

 

 

 `Mars lander`, that is, Britney`s spaceman in `Oops! ... I Did It Again`, observes to `Brains` at `Mission Control`, who appear to be inside the astronaut`s head as `puppeteers`, rather than Thunderbirds` puppets, `Oxygen content 98%.` Infra-red (IR) night vision detects blood heat produced by higher levels of  oxygenation, which makes Britney Spears` Holy Spirit visible on the red planet, Mars, according to the science fiction device employed by the video maker, so she`s knight vision`s `IR`, that is, International Rescue: `Whoah there horsey!`

 

 She has the role of the archetype of the anima, that is, the soul intercessor who Jung terms psychopomp as she appears in dreams, art, civilization, and culture as a guide, and so the dream, myth, and symbol content of `Oops! ... I Did It Again` is for the soul`s development through the Holy Spirit.

 

 The Hollywood `vamp` is a tradition of the `silver screen`, where the great actresses are deemed eternally enshrined, that is, as vampires who drain human resources. In Jungian psychology, the eyes are associated with the function of `Sensation` which, unconscious, remains an aspect of the parasitoid devourer`s sinful nature.  According to Jung there are four functions of consciousness. The `Feeling` function, which Jung associates with the mouth, or speech, is the Grail, because it`s the `sharp two-edged sword` from the mouth of Jesus when conscious, so God`s guide and teacher has a voice. `Thinking` is the ears, and `Intuition` is the olfactory system, which are associated respectively with the sword, as discriminating function, and the spear as penetrating insightfulness, which produce knight`s vision, that is, Britney Spears` Holy Spirit appears to guide her spaceman in `Oops! ... I Did It Again` as a an `IR` vamp of the silver pieces of the CD screen, who isn`t a vampire.

 

 

 Britney`s `Oops! ... I Did It Again` depicts the ancient Egyptian tradition of the mother goddess, Hathor, who has the horns of a cow, because she represents the moon as the first step along the path through the Duat to the colonizing of the planets amongst the stars of heaven where the hero, whose heart is weighed to see if he has what the NASA astronaut training program called `the right stuff`, dwells in the House of Horus inside the House of Hathor, according to Egyptian mythology, as his reward. While Ammat the devourer waits to devour the heart of the hero, it`s being weighed against the feather of Ma` at, and if the heart proves heavier it`s given to Ammat to devour. Consequently, Britney stands before the NASA Apollo astronaut with the red disk of the mother goddess, Hathor, above her, to receive the `heart of the ocean`, that is, the blue diamond pendant, as a symbol of the hero`s yearning to cross the Duat and enter heaven. In her red pilot`s suit she raises her spaceman above her to where he can see herself in a white bikini dress, because he`s to continue with her altar ego if he has the `right stuff`, that is, if he can transcend his own ego in acceptance of the multiplicity of `woman`s seed`.

 

 

 The hierosgamos is the heroes` game of decipherable meaning, which in `Oops! ... I Did It Again` is Thunderbirds` Interplanetary Rescue (IR) against the evil vampire`s bloodthirsty devouring in warfare against `woman`s seed`, which the innocent are kept blindly ignorant and unconscious of in order to maintain their enslavement to the parasitoid devourer`s sinful nature in Satanism. The vampire`s `IR` is a heat seeker, that is, any warm body is a potential slave in a system where `gamers` use the innocent as games` `platforms` for their unseen plague aims of warfare against `woman`s seed`. Kept in blind unconscious ignorance through mass media blackout of the edutainment medium that could provide knowledge enough to save the human species, Britney Spears in her `Oops! ... I Did It Again` red pilot`s suit is a sign of the Thunderbirds 3 spaceship of International Rescue (IR) and the Holy Spirit made visible to the knight`s vision as the Grail.

 

 Traditionally, the `Holy Spirit` is invisible, and vampires are invisible in mirrors, because penisless women are unconscious in blind ignorance of the absence of `woman`s seed` from the mirror of their dreams, that is, the invisible vampires have devoured it for the chimera of an eternity as an evil spirit in continuation without development.

 

 

 According to Bible commentators the Tarot deck of cards was originally a pictoral Torah, where the Torah and Talmud are the law and history of the Jews, that is, the Old Testament of the Bible, where the Torah depicts the journey of the soul through life. There are four suits corresponding to Jung`s `Sensation`, `Thinking`, `Feeling` and `Intuition` functions, and the pentacle is associated with sight, that is, `Sensation`, whereas ears, mouth, and the olfactory system are `Thinking`, swords, `Feeling`, cups, and `Intuition`, spears, respectively.  The pentacle contains a pentagon as a protection for the eyes, that is, the Department of Defense at the Pentagon is the eyes of the USA, which failed on 9/11, 2001, because Hollywood Babylon`s movie industry planned the disaster with movies like Towering Inferno (1973) in which the fictional Glass Tower in Chicago is raised to the ground by fire, and King Kong (1933) in which a giant ape is attacked by planes atop the then world`s tallest building, the Empire State in New York city. When the Al Qaeda terrorists hijacked civil airliners to crash into the WTC on September 11, 2001, `live on CNN` and other television news` networks, it`d been programed into the system by Hollywood`s psychopathic imbalancing of the human species by occluding `woman`s seed` in favor of male braining to produce a single creature wearing each others` clothes as a transvestite `TV` for the `TV wars` that would ensue.

 

 The war against Saddam Hussein`s Iraq was known as `the video game war`, because the real-time depiction of the action from cameras in the cockpits of fighter bomber airplanes encouraged a gamer`s perspective, which ultimately gave credence to the view of Saddam Hussein as `crusher` of the head of the serpent, Satan, because aerial depictions of US` planes devastating `woman`s seed`, that is, the desert homes of the burka clad futanarian remnant of human women, turned public opinion against the so-called democratic nations suppressing women`s sexual capacity for reproducing their own socio-economies and enfranchised voting majorities. The winged dragons of the B1 and the B2 `Spirit` bombers costing 1, 000, 000, 000 US$ each to maintain and fly, were the vampires of Revelation that don`t want to be seen in the mirror of women`s nightmares, as the evil serpent in Eden didn`t want to be perceived by Eve, though she felt embarrassed at being targeted by such a shameful creature. In Jungian terms, the evil draco devours eyes, that is, it feeds on `Sensation`, as women are tortured and murdered, whereas God`s futanarian Holy Spirit is the species` eyes that are blind because they`ve been killed in the flesh.

 

 

 In `Oops! ... I Did It Again` and elsewhere in her video singles, Britney Spears is the eyes of God`s omnipresent Paraclete that, effectively emerging as the `Second Eve` from the side of Jesus when cut therefrom by the spear of Longinus, appears as the Spears of `Intuition`, that is, she`s the tutelary guide to the `game` of communication. `If You Seek Amy` was widely interpreted as `f*u*c*k me`, whereas if you want to see, `game` me, is the heroes` game, that is, the hierosgamos, which requires knowledge of `woman`s seed` to understand its communications.

 

 `Homeland Defense` couldn`t foresee 9/11 because Hollywood Babylon was the whore riding the `beast` of abominations` occlusion. The Pentagon couldn`t see `woman`s seed` to defend her, and ultimately attacked her `remnant` amongst the desert peoples, because American women are penisless, which is the `mark of the beast` and the abomination of its acceptability.

 

The futanarian Holy Spirit is an instrument of Jesus` mission on Earth being prepared for her role in the war against the evil draco`s `seed` in heaven. She`s not visible in the mirror, because killed by men, although according to Revelation she`ll be protected by the child who will rule with the `iron rod` of the law of God`s love before she leaves Earth for the planets amongst the stars of heaven. Judaic tradition is that demons are descended from Cain, who murdered Abel, because murderers do murder the more able to ensure slavery in ephemerality. Those who murder are the demons, because slavery in ephemerality is what murderous demons are for. Consequently, penisless women are the `mark of the beast`, because men are the murdering demons of `woman`s seed` in the murder rings of host womb slavery and ephemerality through marriage to the demonogamy.

 

 Distinctions between the invisible Holy Spirit that gives eternal life by means of the `body and blood`, and the vampire that`s invisible in the mirror, is a reflection of the soul that`s murdered. According to Jung vampirism is the collective shadow of inferiority projected onto `woman`s seed` as the host for its parasitism become its parasitoid devourer`s victim, for example, Nazism`s `death camps` for God`s `chosen people`, the Jews, in the 1930s. In the 20th century the draco spread paralyzing fear through its  HIV/AIDS` `TV` transmissions and, when Saddam Hussein became dictator of Iraq in Baghdad, he was `blood bag dad` in vampirism to `woman`s seed` wearing the shapeless one-piece coveralls of their burkas. Although the poison deployed against the Kurds in Iraq wasn`t HIV/AIDS, which is spread through homosexuality in pederasty, that is, the fathers` boy sons manufacture, poisons are a symptom of men`s false fatherings of their boy sons.

 

 Jesus` torturers and murderers were vampires evincing the the parasitoid stage of men`s sinful nature, whereas Jesus` `bread and wine` offered to his disciples at his `Last Supper` as symbolic of the need for men to accept the futanarian `body and blood` of `woman`s seed` for the sexual reproduction of human brainpower to escape from slavery in Satanism is the teaching of the Holy Spirit. Though a `healer`, Jesus wasn`t aware of the efficacy of blood transfusions in the saving of life, which requires a donor in the same way that vampires need a human host for their continuance. Consequently, vampirism is a correlative of the teaching of the Holy Spirit, that is, it`s necessary for the patient to be a `blood drinker`, so Jesus` offering his `body and blood` prefigures modern medicine while distinguishing vampirism from the teaching of the Holy Spirit, that is, the `bread and wine` of fellowship in acceptance of futanarian `woman`s seed` through men`s conversion in repentance from enslaving host womb parasitism and their devouring parasitoid`s sinful nature.

 

 

 In `Oops! ... I Did It Again` the vampire`s reflections can`t be perceived, because they`re the audience`s, so the absence of the vampire from the mirror doesn`t mean the vampire`s absence from reality. The futanarian `Holy Spirit` means life eternal through the brainpower of `woman`s seed` in medical science, whereas the vampire is men`s embracing of their unredeemed parasitoid devouring sinful nature in ephemeral parasitism for `woman`s seed`.  Hollywood teaches that murder`s harmless entertainment, for example, the `stalker` who kills the woman, Casey Becker, in Scream (1996) after asking the actress in the role, Drew Barrymore: `What`s your favorite scary movie?` It`s 20th century homosexuality`s promotion of women`s serial killers, rather than the serial love affairs of great men, for example, 18th century Giacomo Casanova, or Rudolph Valentino, Hollywood`s portrayer of the `great lover`, the thought of whose performance in the movie The Sheikh (1921) caused women to faint in theater aisles. In The Ring (2002) those who watch a videotape are killed after seven days, because video is the age of the `snuff movie` recording of real killing for entertainment to assuage men`s need to devour as sinful parasitoid nature`s, which is where Hollywood`s promotion of horror led. In Saw (2004) actor Cary Elwes is Dr Lawrence Gordon told his family will live if he kills Leigh Whannell in the role of Adam Stanheighta. Gordon had woken to find himself in the stereotypical homosexual scene, chained up in a large bathroom with the man, Adam, he`s told to kill, which is the point where God`s love was felt to be absent. Men preferred killing `woman`s seed` rather than that she raised herself.

 

 

The `heart of the ocean` corresponds to the suit of cups in the Tarot, that is, the pictorial Torah depicting the soul`s journey through life, which Jung associates with the `Feeling` function. Consequently, Rose`s experience with treachery in the movie Titanic helps in differentiating her `Feeling` function symbolized by Jesus` bowl at the `Last Supper`, which is sanctified as the Holy Grail after his death, Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`. Britney`s `Perceval`, that is, `pierce the veil`, as women`s `Intuition`, symbolized by the suit of spears in the Tarot, has to be differentiated, because their `Thinking` function is male brained, which impairs human vision, that is, women`s `Sensation` function. Men`s irredeemable nature wants horror for `woman`s seed`, so she`s a species kept in blind unconscious ignorance through a denial of her own mode of sexual reproduction between herselves, which is effectively a decapitation labeling her `vampire` by the collective shadow of men`s irredeemable nature`s inability to recognize their own inferiority projected onto `woman`s seed`. Without `Feeling` horror movies reveal that men have only a stake in the hearts of women, because women`s own species` penis has been transposed into the `murder weapon` after the virus` inveigling itself into her host womb to steal her sexual reproductive capacity and emerge as her race`s slayer.

 

 

 In the Brothers Grimm tale, `Rose Red and Snow White` (1837), two girls show kindness to a `little man` who repays them evilly, that is, the evil are `little men`. The `little man` in `Rose Red and Snow White` is killed by the girls` friend, a bear, which is why Britney Spears` stage set for `Oops! ... I Did It Again` seems surrounded by a bears` claws. In her red pilot`s suit, she`s Rose Red, and in her white bikini dress, she`s Snow White. The tines of a giant`s fork, visible beside the spaceman, as he looks down upon Snow White, from where he`s been winched up by Rose Red with a hook in his backpack, is a sign that evil men are `little` irrespective of their size. The evil devourer eats what it doesn`t want others to see, so it eats eyes, which is why women are decapitated in male braining and labeled `vampire` because men don`t want them to see truth. `TV` viewers thought they were watching a movie when the hijacked Al Qaeda terrorist airliners were crashed into the Twin Towers on 9/11, because it represented the inferior `Sensation` function, that is, vision, which men`s decapitation of `woman`s seed` has produced as the vampire of their projected collective shadow, which is what Hollywood Babylon promotes. Removing the eyes of `woman`s seed`, it`s eat what you see for the irredeemable parasitoid nature of the devourer who`s murdering a species` vision.

 

 

 Trained to enjoy watching themselves murdered by the evil vampire in Rambo: First Blood (1985), etc., differentiation of the `Feeling` function is practical, because it teaches kissing, rather than devouring. Speech is the means Jesus employed as a teacher, while Hollywood is but `lip service` to conversion through cinema in preference for promulgating the vision of an evil draco.

 

 

 In `Oops! ... I Did It Again` Britney`s spaceman`s spacecraft isn`t seen, although `Mars Lander` corresponds to Thunderbird 1, a rocket which, in Thunderbirds, flies rescue missions about the Earth`s atmosphere. NASA`s original plan was for spaceplanes to fly to the moon but pilots experienced blackout at high altitude causing the X-15 prototype to crash. Consequently, Thunderbird 1 is the spaceman`s while Thunderbird 3 is Britney Spears` `woman`s seed` because women`s brains denied by men`s repression of their capacity for sexually reproducing are strong enough to crush the head of the serpent, Satan, and escape from slavery to the host womb parasitism that occludes her species. Thunderbird 1`s red nose cone signifies the type of `Luna lander` delivery, whereby the X-15, replaced by a rocket, delivered a `red nose` on July 21, 1969 (UTC: 2. 56): `One small step for a man, one giant leap for mankind.` And a red face too when it was discovered that `woman`s seed` was the futanarian `foot` of God`s that wasn`t a `Red Nose Day`6 joke made by unkind men. In short, Britney`s spaceman represents undifferentiated functionality. In Jungian psychology, `Intuition` is associated with the olfactory system, which corresponds to Thunderbird 1`s `red nose`. The notion that men`s irredeemable devouring parasitoid nature belongs in heaven is a `Red Nose Day` joke, because Red knows.

 

 

 The 20th century`s space pioneers` weren`t pilots of spacecraft, but NASA `puppets`; like Thunderbirds. It`s a reflection on Satan`s role as the `ape of God`, who apes the brained. After the use of apes in the early stages of the Space Program NASA`s Apollo astronauts campaigned to be accepted as pilots, which foolishly resulted in the `dumbing down` of `smart` technology to preserve men`s image of themselves as `operators`, while supposedly lesser humanoid apes became the operators` puppets. Britney Spears` Red Rose commanding her Thunderbird 3 spaceship doesn`t need a  spacesuit, because she`s `woman`s seed` and her brain doesn`t `blackout` as the ape men`s do.

 

 NASA`s astronauts were apes who wanted supposedly lesser men to be their `puppets`, which is what the Al Qaeda terrorists were on 9/11. Although puppetry requires strings for the puppets, planes, and other vehicular forms of transport, move along wires, because that`s how lesser men are moved by the puppeteers. Consequently, 9/11 was an attempt by ape men to break their strings and avoid being moved along wires by the puppeteers. In the movie Thunderbirds (2004) there weren`t any strings visible, because real actors were in the role of the Tracey family, but although wires weren`t visible either, logic suggests they were there, because the puppeteers still want to operate the humans behind the scenes. In `Oops! ... I Did It Again`, the Thunderbirds` character Brains appears to be `Misson Control` behind the eyes and, indeed, inside the head, of Britney`s `puppet` spaceman, that is, he`s a male imago, whose directing represents the danger of humans surrendering to the irredeemable parasitoid nature of the devourer symbolized by the giant`s fork suspended above Britney Spears in her white bikini dress.

 

1  https://tvtropes.org/pmwiki/pmwiki,php/Main/FootPopping/ .

2 Alba, Alejandro, `Pentagon invites hackers to test its online security, offers incentives if loopholes are found in system`, New York Daily News, Wednesday, March 2, 2016, 1:39 PM, https://www.nydailynews.com/news/politics/pentagon-welcomes-expert-hackers-supports-encryption-article-1.2550405 .

3 Bale, Christian as Patrick Bateman, American Psycho, Lions Gate Films, 2000.

4 1 Åhlund, Klas, Christian Karlsson Pontus Winnberg, Britney Spears `Piece Of Me`, Blackout, Jive, 2007.

5 Brothers Grimm Fairytales, 1837, 161.

6 `A day, usually every other year, on which the Comic Relief organisation encourages the public to engage in fundraising for charity`, https://en.wiktionary.org/wiki/Red_Nose_Day .

 

The Safe Pear

30/01/2012 13:41

The Safe Pear

 

 

The most recent development in terms of culture, civilization and art, is the rise to greater prominence of the futanarian woman with penis` semen of her own for the sexual reproduction of human brainpower between women, which means that `woman`s seed` is now perceivable as a productive species, and for which knowledge and, indeed, wisdom, the instantaneous telecommunications` system known as the `information superhighway`, connected to each home, has become the teacher. Although internet `porn` is criticized, living without the awareness that women have a penis of their own is a lack of education that can only be remedied by recourse to moving pictures within the prevailing model of heterosexual marriage as received wisdom, because there`re no pop icons, movie stars, political figures, writers, artists, news reports, or anything else, visible of woman as a species.

 

 

 One of the more interesting aspects of futanar women is that it takes more than two to make a marriage if one partner has a penis and the other doesn`t, because if the partner with a penis wants to reproduce she needs another woman with a penis even though she`s `married`, as it were, to a woman without a penis, because the woman to whom she`s pledged her love doesn`t have a penis to fertilize her.

 

 

 In Eden the first pair were Adam and Eve, and their symbol, the apple, represents the dichotomy between the fruit of immortality, and the fruit of good and evil, depicted as an apple in iconography. The serpent tempted Eve, and she shared the apple with Adam, which represents achievement by the `sweat of the brow` for Adam, and the `pain of childbirth` for Eve, after the pair`s expulsion from Paradise for eating God`s `forbidden fruit`, which is acceptance of host womb parasitism to ephemerality in slavery, that is, death, rather than brainpower through sexual reproduction that confers immorality through science, and freedom by means of labor saving technology. The apple also represents knowledge and wisdom, according to the New Testament of the Bible, because of Jesus` promise of Resurrection and Redemption for those who accept his teachings and guidance through the medium of the Holy Spirit, which is known as the Paraclete. After the crucifixion, the Paraclete effectively emerged from the side of Christ, when pierced by the spear of Longinus that, afterwards was known as `the Spear of Destiny` for its ability to release God`s `tutelary spirit`, and is also known as the `Second Eve`, because of Eve`s emergence from the side of Adam`s rib in the biblical book of Genesis, but with her wisdom increased since Eden, and the capacity to teach as the soul of `woman`s seed`:

 

 `You shall crush the head of the serpent with your foot but he shall bruise your heel.` (Gen: 3. 15)

 

 

 God turned Satan, the angel, into the tempting serpent of Eden for rejecting God`s plan that the human host be greater than the angelic, and Eve was told she`d have `enmity` with the `seed` of the serpent, who`d told her: `You shall be as gods.` (Gen: 3. 5) God`s `foot` in Christian iconography is Jesus` birth from his mother, the Virgin Mary, who is represented as crushing the head, that is, the brainpower of the serpent, with her `foot`, because born uncontaminated by male semen, Jesus is futanarian human women`s `seed`, who were born after Eden and repressed as male braining`s sexual alternative, which provides the psychological balance needed to avoid  extinction through war. When Jesus was taken to the hill of Calvary by agents of the male brained Empire of Rome and nailed to a cross of wood to be left there until he died, he experienced Resurrection and Ascension to heaven as a prefiguration of that of `woman`s seed` raised from the Earth to colonize the planets and stars through the futanarian sexual reproduction of human brainpower for colonization in starships.

 

 The attack on the `Big Apple` of New York on 9/11, 2000 years after the birth of Christ, represents a threat to civilization, art, and culture, which is woman`s as `God`s producer and product`, because everything that`s mankind emerges from her womb but, if she has her own penis, she doesn`t need men, who appear in the shape of the red dragon of Revelation that, waiting to devour the child of the woman `clothed with the sun and with the moon at her feet`, fails. According to the book of Revelation in the Bible, her offspring, the New Redeemer, protects her upon the Earth until she`s ready to leave and sow her `seed` amongst the stars in heaven, whereas the evil serpent`s `seed`, that is, the `red dragon`, fights against her in heaven and is defeated. God gives her the new heaven and new Earth prepared for her, while those men who remain unredeemed by Jesus` teaching have unendurable eternal pain as their punishment for enslaving and devouring her in their wars: `Love your neighbour as you love yourself.` (Mk: 12. 31)

 

 

 In the psychology of Carl Gustav Jung (1875-1961), woman is depicted as having an animus, which is the male aspect of the anima, as man`s female soul. The animus is depicted as a crowd of men who admire the woman, and so she is encircled. If woman is a species, men correspond to her `demons` for whom she`s attractive. In biblical terms, the anima is the soul of man, and the animus is the soul of woman, and both are female, because the animus, as conceived by Jung, corresponds to men as the devouring imago depicted in Revelation as a `red dragon` waiting to devour its child, and her. In other words, Jungian psychology mistakenly assumes that the image of men is developmental, whereas the appearance of the male imago in the dreams or imagination of women, because they are a species with a penis of their own, is indicative of the presence of the `false hero`, as devouring imago, that appears to surround her, as the ancient Greeks surrounded Helen of Troy`s citadel, to attack, possess, and destroy her. In other words, the archetypal hero of dreams and imagination, whether Menelaus, the Greek husband of kidnapped Helen, Paris her kidnapper, Achilles, the archetypal Greek hero, or his `friend` Patroclus, the archetypal Greek homosexual `norm` of male perpetuation as the enslaver of woman`s `womb`, represent the devouring imago and not a savior, who`s Jesus in Christianity, because Christ, the Jewish Messiah, represents `God`s love`, and not torture, murder, and the homosexual aim of the perpetuation of war upon the Earth as the Earth`s devourer.

 

 The appearance of the `red dragon`, in Revelation, indicates the role of the devouring imago to consume woman upon the Earth before she leaves, and so the Earth has to be aware of heroes appearing in familiar guise, because they represent the devourer. Consequently, Revelation warns of the `False Prophet` that had `horns like a lamb and spake like a dragon`, and is given perdition with the `beast` while the `red dragon` is defeated in the war in heaven waged against `woman`s `seed`, and for which the supporters of the male brained Empire of war receive eternal unendurable pain thereafter.

 

 

 Actor Arnold Schwarzenegger`s `Terminator` character, in the Hollywood movie, Terminator (1984) and its prequels and sequels, is a famous example of the `false` hero as devouring imago, and a symbol of the `False Prophet` that is Hollywood Babylon`s `direction`. Arnold`s role, as the time-travelling humanoid machine, is to kill the child of the woman, Sarah Connor, because the future of the Earth is better with her child who, in movie terms, is the `New Redeemer` of Hollywood Babylon. Although Schwarzenegger portrays a child killer, the demonic `false hero` of the devouring imago he represents didn`t prevent him from gaining the position of governor of Los Angeles` Hollywood`s state of California on the West coast of the United States of America, which is what Revelation warns of, that is, accepting the `false hero` as the Hollywood director`s image of the future, rather than Redemption from the sin of male braining for war through repentance and acceptance of `woman`s seed`, so that humanity will have the planets and stars:

 

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 

 

 In the Bible `Babylon` is `a woman` and the capital city of the Persian Empire, Babylon (c. 4000 B.C.), while Hollywood movie capital is `Babylon` because human futanarian `woman`s seed` is repressed there, that is, unseen. Schwarzenegger`s Terminator movies correspond to the `red dragon` of Revelation, and so Babylon Hollywood`s devouring imago, while the ancient ruins of Babylon are to be found in modern Iraq at Hillah near the summer palace of dictator, Saddam Hussein, whose support for Al Qaeda`s terrorism resulted in the US` army`s March 2003 invasion and his execution on December 30, 2006, although Hollywood Babylon`s male brained Empire had created the scenario. Amongst other Hollywood `programers`, directors Merian C. Cooper and Ernest B. Schoedsack, gave cinemagoers King Kong (1933), the story of the giant ape that, climbing the world`s tallest building, the Empire State in New York, provided a model for Al Qaeda`s terrorist hijacked planes crashing into the World Trade Centre, while the `Hays code` (1930-67) banned women for being seen to be able to sexually reproduce human brainpower to balance male aggression through sex scenes in films, and so made war: `… women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1

 

 

 Hollywood is `Babylon` in the film industry, because Saddam Hussein`s male brained Iraq was Hollywood Babylon in the Middle East. Moslem marriages in Islam have four wives and so futanarian sexual reproduction between women is afforded but `hidden` from Westerners, so 9/11 was `programed` by `Hollywood` as an attack on `woman`s seed`; for example, in White Heat (1949) actor James Cagney, screams `Top of the world!`, and immolates himself atop a gas tower, while Towering Inferno (1974) featuring a conflagration reducing to ruin The Glass Tower, Chicago`s fictional 1,800 ft `tallest building in the world`, and higher than New York`s `real` WTC by 400 ft, encouraged the terrorist pyromania that resulted in war against women.

 

 

 God, in Eden, makes a distinction between good fruit, because it`s safe, and fruit that isn`t good, because to want to eat that means devourment. Earth provides sustenance as fruit, and from the breast of the woman, `mother`s milk`, which is why the Earth is `mother`. As the Paraclete is the `tutelary spirit` from the side of Jesus, like the `First Eve`, who emerged from Adam`s side in Eden, according to the Bible, Woman is God`s producer, and product. The art, civilization, and culture of humankind emerge from woman`s enslaved host womb in parasitism, which means that, with a freed penis of her own, she`s the Earth`s futanarian species, whereas if God`s `foot` remains subject to men`s parasitoid nature, women are a race devoured by men`s unbalanced psychopathy before they can run.

 

 

 The `fruit` of Eden that was eaten by Eve and Adam wasn`t safe, whereas ordinary fruit is safe, that is, the `apple` of Eden is symbolic of what is forbidden, because it encourages devouring, which is why the `Big Apple` of New York city was chosen for the act of terrorism by Al Qaeda that precipitated war against `woman`s seed`. If women have their own penis` semen, the Earth is mother to her own futanarian species. If the Paraclete is the male animus of Jungian developmental psychology, women are designed to watch over themselves, whereas the appearance of the animus in dreams, art and the imagination as a staring throng in `bloodlust` suggests the reality `snuff movie` is closer to the truth about men`s imago. Although women`s futanarian animus might guide their minds within the bodies, conditioning teaches women to reject that `spirit`, while within men the anima-figure of `woman`s seed` struggles as the human soul to be `teacher, guide, helpmeet, and comforter` to the Earth`s species.

 

 

 The symbol for a new Edenic pair would be the pear rather than the apple. Although Adam and Eve were `conventional` as a heterosexual pair in Eden, heterosexuality is transvestite `TV`, that is, the production of a single male brained creature wearing each others clothes, which is what the Hollywood Babylon media Empire promoting war against the human race became after the invention of television `TV` in 1926 by Scotsman, John Logie Baird, and the `Hays code` banning `woman`s seed` from films was established in 1930. The model is `Greek`, because in ancient Greece host womb enslavement by men for homosexuality in pederasty and war was institutionalized. Consequently, the `apple` in Eden was Eve`s arse, and the pair were expelled for practising the sterility of anal sex, which God later punished (Gen: 18, 19) by destroying the `cities of the planes`, Sodom and Gomorrah, and which the Al Qaeda terrorists repeated in their `cities of the planes` attacks on New York City`s WTC, the Defense Department of the Pentagon, and the aborted attack on George W. Bush, at the United States` President`s residence, the Whitehouse in Washington D.C., when passengers crashed their plane at Shanksville, Pennsylvania, to prevent it from reaching that target. From the perspective of `woman`s seed`, America` s penisless women aren`t human, but rather TVs producing homosexuality for the recording of the reality `snuff movie` of war against futanarian humanity in Satanism: `Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16. 11)

 

 They`re experiencing AIDS, and the woman `clothed with the sun and with the moon at her feet`, who gives birth to the New Redeemer that protects the woman `hidden` upon the Earth, is a complexio oppositorum, a sun and moon symbolism that refers to Jesus` birth from his mother, the Virgin Mary, as futanarian humanity`s anti-virus. Jesus had Ascension after being tortured to death because he rejected men`s sickness, that is, `brutality and violence`, which is associated with `rough trade`,2 a euphemism for pederasty and, after 9/11`s terrorist attack on the World Trade Centre in New York  city, institutionalized `Greek` homosexuality in pederasty for war against `woman`s seed`.

 

 The simplest New Testament message is that the Virgin Mary and Jesus born uncontaminated by male semen didn`t want men`s `demons`, that is, STDs, while in Revelation men are effectively depicted as being tortured and murdered by the `incurable killer disease`, HIV/AIDS, which they`ve spread in homosexuality and pederasty as a `blood plague` (Rev: 11. 6) for `brutality and violence` in `rough trade` by keeping women in fearful faithfulness to misogynist ring slavery through their deployment of . HIV/AIDS as their `biological weapon`, and refusal to repent.  Analogous to men`s functioning as a devouring imago, HIV/ AIDS is the microcosm mirroring their macrocosmic cancer of an unnatural homosexuality which God punishes to prevent its spreading.

 

 

 Although in the first book of the Bible, Genesis, the Old Testament God of the Jews is depicted as destroying Sodom, and Gomorrah, which contained what modernity calls BDSM `training`, that is, acceptance of HIV/AIDS through bondage, and submission to sado-masochism, in Revelation, the last book of the Bible, and the Christian New Testament, men are still disobeying God and mixing blood, shit and semen in each others` anuses in rejection of women, which spreads HIV/AIDS. According to Revelation Jesus returns to the Earth as the New Redeemer to `rule the nations with an iron sceptre` and protects the `hidden` futanarian woman, because `woman` seed` must grow, before she leaves to colonize the planets and stars to prepare for the war against the `serpent`s seed`, symbolized by the devouring `red dragon` of Revelation that, grown in size since its days as a `serpent` in Eden, waits to devour.

 

 

 

 The symbol for a women with a penis, that is, the human futanarian species of `woman`s seed`, is the pear, because it`s their shape, rather than male `fruit`. Consequently, tulip and pear are the matriarchal symbols for male and female in Hungary, where `fut` means `run` and `tanar` means teacher, that is, `futanar` is the futanarian race, because humans need God`s `foot` for balance. Although the term `futanari` is Japanese for that form of `manga` cartoon which features women with their own penis` `seed`, `futanar` is Hungarian too. In Japan the ancient practice of `foot binding` to prevent women from running signifies ancient misogyny, and `futanari` manga is BDSM. Women with their own penis` semen need women to fertilize, so there was a second woman in Eden, Lilith, who refused to accept submission.

 

 

 Lilith is described as the `mother of demons`, because the devouring imago constellated within men, which corresponds to the animus of Jungian psychology as a crowd of male watchers of the human futanarian species of women, is homosexual and enslaving of woman`s `host` womb` as a parasitoid devouring virus. As the `hidden` futanarian `woman`s seed`, Lilith`s demonized as a `witch` preparing to ride the `broomstick` of her brains` powers for liberation from slavery to host womb parasitism, and ephemeral death, through the sexual reproduction with other women of immortality conferring science and labor saving technologies maintainable through permanent knowledge.

 

 Men`s ring slavery is monogamous, whereas for women, who`re a single futanarian human species, marriage is what they are. Consequently, a woman with penis` semen of her own needs a woman`s womb, but also a woman with penis` semen of her own to fertilize her, that is, three women constitute a possibility, which is absent in monogamy, because it`s ring slavery. In Christianity the single species, with its shepherds, rather than its slavers, is represented by the term `agape`, which is `universal love`. Because, for women, as Jesus taught, there isn`t any marriage:

 

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)

 

 

 Conventional heterosexual marriage is God`s plan for man`s Redemption, but unless the woman is `Paracletian`, that is, she has the psychological bisexuality that denotes love for her own species, and her own male part that is `hidden`, which is manifest in her acceptance of what she is often led to believe is the only penis for her, that is, man`s, there can be no Redemption, because heterosexuality is a `TV` culture of transvestism for a single male brained creature wearing each others` clothes to participate in a devouring parasitoid `snuff film` of the human futanarian race of women represented in `TV` television and the movies as a socio-historical record. Heterosexuality, especially for men, constellates homosexuality, that is, a desire for the male brain and the male penis` `seed`, which is the devouring imago of HIV/AIDS, whereas `lesbian` love between women is `normal` futanarian sexuality for those who don`t want their host wombs to be parasitically enslaved for parasitoid devourment by a self-perpetuating viral form, and so the real danger for women is species` self-hatred, and unconscious collaboration in women`s extinction.

 

 

 Lilith is unfairly described as `mother of demons`, because the devouring imago constellated in homosexual activity is non-reproductive sterility, whereas the Lilith archetype is women`s futanarian humanity.  Homosexuals are evil, because in anal penetration they don`t need the penis of the `other` to function, whereas futanarian women need the other`s penis to fertilize their ovum. Consequently, the `red dragon` is the devouring `serpent`s seed` of homosexuality in pederasty for war, which hates woman, and her penis.

 

https://tvtropes.org/pmwiki/pmwiki.php/Main/FootPopping.

2 https://www.merriam-webster.com/dictionary/rough%20trade .

Hit Me Baby One More Time

19/01/2012 03:15

Hit Me Baby One More Time

 

Britney Spears` video for Hit Me Baby One More Time is interestingly lyrical, because it features two basic notions, that of `taking a hit` as in heroine injection, for example, or being hit by a boxer, or even a hit in the sense of being assassinated by the CIA. The obvious allusion is to Britney as a `hit maker` of pop records, but abusive parenting may even be a consideration.

 

 

 If Hit Me Baby One More Time is a film for the intelligence community, there are clues as to its meaning. The basic principles in spying are to prevent those who you don`t want to see from seeing, which is why there`s a reference to blindness.

 

`Oh baby baby,
The reason I breathe is you.
Boy you got me blinded.`

 

 It`s a metaphor for enslavement. A later work was entitled Blackout, because it relates to the idea of asphyxiation, which produced blindness or unconsciousness, because of a lack of air. In Oops I Did It Again, which precedes Blackout but was recorded after Hit Me Baby One More Time, Britney on Mars is visited by a spaceman who narrates: `Oxygen content 98%.` In astronaut training, high levels of oxygen are used but `blackout` is always a danger, and although Britney takes his helmet off for a minute or so, further exposure would be fatal, and she replaces it. She wants him to be able to see her.

 

 The Femme Fatale album of 2011 is about a Mafia `hitman`, and so there`s continuity within the concept of blindness and unconsciousness, which begins to emerge in Hit Me Baby One More Time. The idea of intelligence and blindness is closely related in thematic terms. Piece Of Me is about the intrusions of the paparazzi into her privacy, and the issue of deepest concern, which is her parenting, A snap of Britney`s baby losing a hat during a paparazzi melée was the basis for a custody battle that resulted in her children being taken away, so she was denied the right to see:

 

`And with a kid on my arm
I'm still an exceptional earner.`

 

 

 For someone whose preoccupations are intelligence and seeing, it`s hardly surprising that she`d become obsessed with criminals, because they represent non-governmental secret organizations that might be responsible for preventing her from seeing, and the USA`s governmental intelligence organizations didn`t protect her from those who wanted to keep her from being able to see. In Piece Of Me she appears in dark glasses, which suggest that she`s able to see but is blind to, or unconscious of, the truth, and she wants to see:

 

`No wonder there's panic in this industry
I mean please...`

 

 The chaos in the industry is due to the perspective that false is truth, and is more entertaining, which is like preferring shit to what`s edible. It`s a metaphor that`s translatable because Hit Me Baby One More Time contains lyrics that complain of interference with her planned development:

 

`It's not the way I planned it
Show me how you want it to be
Tell me baby cause I need to know now oh because...`

 

 Pop songs have often been accused of having `hidden` meanings that are `Satan`, and one of the more infamous is that, if The Beatles Revolution 9 was played backwards from The White Album, the words `Paul is dead` could be heard.  Britney`s lyric `...oh because...` sounds like `Robigus`, which is a reference to a Roman deity that protected the crops. In terms of Britney`s oeuvre, `crops` may be understood as what an editor does when deciding what to keep of the picture, that is, to crop a picture means to choose what is illustrative  from the processing angle, but from the individual`s perspective it`s what`s `treasured`.

 

 

 The analogy is of wedding video rather than a movie such as Shakespeare`s The Merry Wives of Windsor. In Shakespeare`s day only men were thespians, and women were allowed to act later, but the extrapolation would be of a drama that only contained women, which would be what a man who was interested in `harem` pictures would desire. To extrapolate further, a divorce would necessitate the `cropping` of pictured from a marriage. It`s a scenario further complicated, or even made easier, by the knowledge that Woman has her own penis, as futanar, and so doesn`t need a man at all, which means that, in terms of the Shakespeare analogy, she`d want the woman`s  picture for herself.

 

 

 In the Bible the `hidden` woman of Revelation leaves Earth to sow her `seed` in heaven where she defeats an attack by the serpent`s `seed` from Earth, that is, men. The New Redeemer protects her with a `scepter`, and the red dragon of Revelation is depicted as waiting in vain to devour the protector of the `hidden` woman, which means that she can`t be prevented from escaping from the Earth and sowing her `seed`. According to Revelation God creates a new heaven and Earth after Jesus slays the serpent and its `seed`, so Woman as a species can live. Britney`s Hit Me Baby One More Time invokes the Roman god Robigus to protect her `crop`, that is, her `picture` of Earth, because she`s leaving to sow her `seed` amongst the stars.

 

 

 

 If True Stories isn`t defended, that is, her understanding of what the picture should contain, which is Woman as a species with her own penis, then she remains blind and unconscious, which is why the metaphor of the corn god is important. The notion of endless cycles of reincarnation in death and rebirth relate to the Buddhist idea of karma, which is the perception that, although completeness of memory is possible across lifetimes, as Jesus` Resurrection and Ascension indicates, those who practice evil cause blindness and  unconsciousness in those who don`t. Or, as Britney says in Piece Of Me:

 

`I'm Miss bad media karma
Another day another drama.`

 

 The archetypal story of blindness and unconsciousness is from Greek drama, that of Sophocles` Oedipus Rex in which the protagonist is psychologically blind or unconscious from the beginning because he doesn`t understand that all the characters are himself. It`d be much easier if he were aware that Woman is the species upon the Earth.

 

 Men are the red dragon of Revelation that, waiting to devour Woman as the product, and producer, of God, as civilization, art, and culture, are the reason why Oedipus is blind and unconscious of his predicament. It`s Seventeenth Century Shakespeare in reverse, where all of the characters are Woman as a species with her own penis, but men want to keep her as `host wombs` for their parasitical viral forms to enslave in endlessly reincarnated blindness and unconsciousness. Jocasta, Oedipus` wife, is indifferent to his discovery that she`s his mother because it`s an incest taboo that`s designed to prevent Man from realizing not only that each individual upon the Earth is Man, but that men are parasites, because Woman is the species.

 

 It`s a two stage realization that men don`t want to be perceived, and so Sophocles` drama is about blindness and unconsciousness. Oedipus blinds himself after discovering his wife`s his mother, and that he`s killed his father. His `accidental` patricide is a plot device, to underline the idea that he`s his father, and so his mother`s his wife. Men are evil, because Oedipus isn`t able to see his father as himself. Men don`t want him to see even that much because it`d allow him to see that Woman is himself, which is the second stage of realization or `seeing` that they don`t want, because then he wouldn`t be on the `blind side` but able to see Woman as his species.

 

 Seeing Woman as a species is the basis of Christian Redemption. Jesus preaches `God`s love` and, at the crucifixion`,the Paraclete  emerges as the `tutelary guide` from the side of Jesus when its pierced by the spear of the Roman centurion Longinus. She`s the eyes of God and the `Second Eve` who represents God`s memory because she sees all that men do. If they`re doing it to her, then God knows. That`s why Britney Spears` Circus album is significant. Spying is often termed the `circus`, and the aim of spies is to see, or prevent others from seeing.

 

 

 The cover for Piece Of Me is Britney crucified, and so she`s the second stage of self-realization after Oedipus` discovery that God`s species is Woman. The Paraclete effectively emerges from the side of Christ when  its pierced by the spear of Longinus, and so Britney Spears is symbolic of the multiscient omnipresent Paraclete as the `Spears` of God, that is, God as the omniscient producer that, with God`s omnipotence and omnibenevolence, are the visible signs of God`s goodness upon the Earth. Britney`s Roman protector `Robigus` are the complimentary aspect to God`s `Spears` as the ears of corn, which are as sharp as Spears and represent the man who has the ears of God, as she has the eyes.

 

 

 In the USA `corn` is simple truth, and is ridiculed by unbelievers. Britney`s `Robigus` has ears to hear, and eyes to see, which means he`s accepted the `tutelary guidance` of her Holy Spirit.  He adheres to the preached Word of God, as written in the Bible as an account of Jesus` mission as a proselytizer, and so is the type of the Egyptian `corn god` Osiris, who`s Resurrected `ears` and eyes as the `sky god` Horus, the hawk-eyed, denotes God`s `watch` over the Earth prior to the `hidden` woman`s leaving to sow her `seed` in the `fields of heaven`.

 

 Redemption and Resurrection is completeness of memory across reincarnated lifetimes, which is why it`s of paramount importance, because it`s the years of Man, and the eyes of Woman. In Hit Me Baby One More Time Britney`s `scarecrow` is asking for the eyes of the Paraclete, that is, intelligence, and an end to the years of `corn`, that is, the ridiculing of Robigus, as her man`s simplicity, and so an end to the cyclic Resurrection of Man and Woman that they represent, without Redemption, which is as fertilizer for the `crops` rather than heaven and God.

 

 In terms of the artistic process, Britney`s `pictures` for `Robigus`, as well as herself across the generations, are `crops`, that is, it`s how they remember each other, and so it`s how they`re remembered, by the power of the Holy Spirit, which are her `eyes of Horus`, in Egyptian mythology, and her `ears of Osiris` when her message is heard by the listening `Robigus`. Hit Me Baby One More Time is like the Bible, in the sense that `Robigus` listens, and reads what she shows, and penetrates the `logical fallacy` that it`s ridiculous `corn`.

 

 The Paraclete is omnipresent, as the Holy Spirit, and so the evil seek to blind Britney`s `scarecrow` into unconsciousness by dulling her `intelligence`, that is, denying her a brain, and refusing her the Paraclete`s eyes to see, and her `Robigus` ears to hear her. Because she sees what they do to her, and the evil want the good to know, especially God, who has condemned the evil to unendurable eternal pain, and so we receive glimpses of what the Paraclete can see of the tortures they perpetrate upon those who`ve accepted `God`s love`.

 

 

 In Hollywood`s movie of Frank L. Baum`s `corn bowl` tale The Wizard of Oz, the `scarecrow` asks Dorothy for a brain. She has a brain, and he`s brainless. It`s reminiscent of Oops I Did It Again in which Britney sings:

 

`I played with your heart.`

 

 

 In The Wizard of Oz, the Tin Man asks Dorothy for a `heart`, because he doesn`t have one. He`s a type of Osiris who, dismembered, received a tin body as each of his parts had to be replaced. Originally named Nick Chopper he lived by logging, but his axe was cursed by an evil woman so that it cut off his own limbs. It`s a metaphor for fascism, which has as its symbol a bundle of sticks wrapped around an axe. When the Allies uncovered Belsen and other places they discovered that, in the Nazi concentration camps, dead bodies were stacked like piles of wood in preparation for the furnaces.

 

 

 A `chopper` is a euphemism for `penis`, and so Dorothy`s `tutelary guidance` is axed at the movie`s close. The evil don`t want Woman to use her penis, but want to axe her. Nick Chopper`s penis is cursed so that he can`t marry the woman he loves, and that`s the meaning of Dorothy`s axing at `rainbow`s end`. A symbol of God`s promise of Resurrection and Redemption, Dorothy`s singing of Somewhere Over The Rainbow signifies God`s Covenant fulfilled, and Man`s refusal to accept anything other than Woman as ``lumber`.

 

 Nick Chopper doesn`t get the girl because he doesn`t want her, that is, his chopper is accursed, but not by Woman. The cursing of it by a witch is a metaphor for how women are seen by men. In a further allusion to the movies in Oops I Did It Again, Britney references the movie Titanic. She asks her spaceman about his gift: `But I thought the old lady dropped it into the ocean at the end.` It`s `the `heart of the ocean`, a jewel Rose lets fall from her grasp into the sea at the place where the Titanic is being salvaged. Aboard the `unsinkable` vessel as a passenger in 1912, she`s betrayed by an ex-lover who frames her new lover for stealing her `heart` by depositing the jewel in his pocket. Rose`s boyfriend drowns while helping her and others to the lifeboats while the ship is disastrously sinking, and so the raising of the jewel of the `heart of the ocean` from Earth to Britney on Mars indicates loss, and the Titanic task of Redemption.

 

 Dorothy gives the cowardly lion a medal for courage in The Wizard of Oz, because he isn`t brave but afterwards he`s confident and becomes courageous. Although he falls into the trap of aggessivity, he`s lucky, as `heroes` often are, and so becomes successful rather than an unpleasant type of bully. Because he`s male, and a lion, however, he`s the type of devouring men`s imago which, constellated in the psyche as a `hero`, functions as the devouring red dragon of Revelation, that is, it consumes the developing ego-personality and, in so doing, turns the individual it devours into a devourer.

 

 Britney is applying the boxing analogy from Hit Me Baby One More Time. Those who are taught that boxing is defence have no chance against a gun, and the evil aren`t noble. Boxing is a device to persuade men that facing each other is what they must do, whereas boxing`s devised to prefer the bully to the man, and make a coward of a man because the man sees through the device. It`s like criminalization. Police surveillance is designed to make a criminal of a man, because the system prefers the police to the man, and the man won`t face the police, because the police cowardly manipulate the man into being angry and facing them, which justifies their criminalizing.

 

 Taking a hit what heroes do, but it`s the system that has to be beaten, which is what is meant by Jesus` preferring of the Paraclete to the bullies and the police of Galilee. Jesus observes that he`s taken enough hits and succumbs to the blows. He isn`t a boxer, but he is a man, and the bullies and the police aren`t. in Revelation the `number of the beast is the number of a man`, which means that men elect themselves into the role of first beast, second beasts, and so on...

 

 The number of the police, fire brigade, and ambulance service in Australia, England, and most of the rest of the world, is 999, and 666 is the `number of the beast` in Revelation, that is, in a reversal akin to those of George Orwell`s 1984 in which the state produces such slogans as `Peace is War`, a man asking for help is likely to be placed on `death row`, where he waits to be executed, because he`s `troublesome`.

 

 When the `War on Terror` (2003-) began with the USA`s reaction to the terrorist attack on New York`s Twin Towers, it was 9/11, and 911 is `the number of the beast`, that is, it`s the number used by its citizens to call for help, and where the National Security Administration (NSA) asked for, and received thereafter, the authority to monitor and process every single e-mail or other piece of information sent electronically everywhere upon the Earth. The result is that, in Orwellian terms, `Help is Hate`, and the bullying murderers  have everyone on `death row` awaiting execution for their intelligence and ability to see when they should, according to the bullies and the police, be punch drunk and KO`d in blindness and unconsciousness for accepting the devouring imago of the hero, who helps you to devour yourself as the red dragon of Revelation waits to devour the New Redeemer being born of Woman.

 

New York`s the `Big Apple` and the devourer was born as a bite was taken out of it. Those who planned 9/11 intended it to be perceived as an analogy of the bite taken out of the apple of Eden, which signals the separation of the `seed` of the serpent from the woman who`s `hidden` in Revelation prior to her leaving for the heavens to sow her own `seed` with her own penis. Amongst the stars, she prepares to defeat the `seed` of men, and is able to do so because the red dragon of Revelation isn`t able to devour the New Redeemer with the `scepter` that protects her before she leaves.

 

 George Bush Jr`s declaration of a `War on Terror` was the beginning of 666, and men as `beasts`. In Revelation, God sends plagues to turn men aside from their enantiodromian Orwellian enforcing of such nonsenses as `Freedom is Slavery`, and AIDS is depicted as a reversal of such simpler constructions as aids for the blind, mobility aids, hearing aids, etc. Because men are a parasitical viral organism they`re the evil `plague aims` who `play games` of bio-degradation against Woman as a species, and which have, as their goal, the reduction of humanity`s wisdom, derived over many millennia from `the fruit of the tree of the knowledge of good and evil`, to the status of `hear no evil, see no evil, speak no evil` AIDS` monkeys that can`t see, speak, or hear objective goodness; because everything has been evilled by them:

 

`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.`

 

 If it`s a good apple, I want it. That`s the definition of good and evil. It`s obectivally simple. Why would I want a bad apple? I wouldn`t. At the end of The Wizard of Oz, the Tin Man, Lion and Scarecrow are rulers of Oz and Dorothy, who has got them their positions, as it were, is spirited away as, effectively, `hot air` in a  balloon, having performed her function as the `tutelary guide` to God`s heaven and installed the despots. Noone would want to be governed by the brainless, the heartless, and the cowardly. But with the `tutelary guide`, who`s `God`s spirit` in Dorothy, Mankind would have good and not evil. Men prefer to be guided by evil rather than have Woman as their guide, because she`s God`s species, and they`d rather be enslavers and devourers of God in warfare, plague, and famine.

 

 Famine is the awareness of the existence of food, and the refusal of it, which effectively is what first world nations do with third world nations. They know how to produce it, but they say they can`t afford it. They`d rather build Saddam Hussein the third largest army in the world, and the first world`s first largest army for themselves, and then watch the USA and Iraq devour each other on CNN.

 

Filmed before World War II, The Wizard Of Oz is a reflection on both Nazism and the emergent psychology of Carl Gustav Jung (1875-1961) who observed that, in a fully functioning human being, there were four functions of consciousness, which he called `Sensation`, `Thinking`, `Feeling` and `Intuition`. Undifferentiated, these were respectively associated with ears, eyes, mouth, and nose. They had to be differentiated, or brought into conscious use, in a process he termed individuation.

 

 The Tin Man, Lion, Scarecrow and, finally, the Wizard, who is a charlatan frightening the people of the Emerald City into obedience, denote early twentieth century fascism in The Wizard Of Oz. The ears, eyes, mouth and nose function successfully, but `God`s spirit` is wanted only to achieve victory. Saddam Hussein was a similar `scarecrow` for early twenty first century fascism and, although several `lions` were `lost in action` (1990-2011), and several purple hearts were awarded to `full metal jackets`, it`s Tin Man, Lion, and Scarecrow II for the War On Terror (2003-) while the only sign of the Holy Spirit is her palpable absence.

 

 Redemption is Salvation and not a `salvaging` that, passively, is the activity of `grave robbers` and, actively, is the actions of `wreckers`, but definitely isn`t Resurrection. Rose`s dropping of the jewel at the scene of the `salvaging` is her asking for Salvation for herself, and her man, as Britney, the Spears of God in Oops I Did It Again, is  being given, and is taking, heart for her Titanic task of Resurrection and Redemption. She receives heart, in accordance with the Egyptian myth, as a part of Osiris` `remembering`.

 

In Egyptian mythology, the evil Set dismembers Osiris, which is a metaphor for the murder of a social group that lives as a unity of individuals who, perceiving in the `mind`s eye` that their society`s being murdered, either in dreams mediated by the soul, or in a waking state by means of what, in Christianity, is called the Paraclete, represent what the evil do as torturers of those who have accepted God`s Holy Spirit.

 

 Man can only have Redemption if Man accepts her, but the second stage of realization incurs the knowledge that, just as the Virgin Mary in God and heaven is the Assumption, so Man`s Ascension to God and heaven is impossible. Unless Man accepts that Man is Woman, even if Man has Redemption, because Resurrection is Man in the eyes of Woman, who`s Man as the `hidden` woman with her own penis that`s capable of sowing her own `seed` to defeat men as the `seed` of the serpent that has been trying to devour her since Eden.

 

Piece of Me features a `True Story` tableau in which a `photoshoot` in the style of the National Enquirer is presented as entirely false, and is a brief analysis of the press`s blinding and dumbing down into unconsciousness of those who believe what is written about her. If they`re concerned to blind others into stupidity, what are they doing to her? The same thing, obviously. The analogy is of Princess Diana in the Pont D`Alma in Paris being hounded to death by paparazzi on a `photoshoot`. Many people believed that was an assassination, and Britney`s Piece Of Me indicates how the paparazzi operate.

 

 Every crop needs a `scarecrow` and Britney`s Hit Me Baby One More Time is the notion of the assassin as the `scarecrow`, who wants a brain but the evil don`t want him to because then he`d see, which is what intelligence is for. The `scarecrow` is also the `straw man` who`s a `cover` or `front`, which is what CIA intelligence operators make for themselves.1 In Hit Me Baby One More Time, Britney`s a `scarecrow` for her `crop`, which is also protected by Robigus, the `corn god`.

 

 On one level, Britney`s a `straw man` herself, because a `logical fallacy` is that the answer is obvious. In Sophocles` Oedipus Rex it`s that Oedipus is blinded for patricide and incest, whereas the truth is that he`s married to his wife, and the evil don`t want him to perceive that he`s her. In Hit Me Baby One More Time Britney presents herself as the `scarecrow`, who`s in need of intelligence, and her man is `Robigus`, who`s for protecting her `crop`, that is, her picture of God and heaven, and so Hit me Baby One More Time is designed to explode the `logical fallacy` that Britney is `simple`.

 

 In the Egyptian myth of Osiris, Isis fashions the penis of the `corn god` anew, when it`s lost because of the evil Set`s dismembering of Osiris. It`s archetypal insofar as daughters help their mothers to prepare meals, etc. They do this because it`s what binds mother and daughter together. It`s the alchemical secret which the ancient Egyptians called Al-Khem, or `the black earth`, which alludes to the cycle of the growing seasons. What is grown is fertilized, and what is decayed is fertilizer. Osiris` decayed penis is fertilizer, and that`s the secret. Men are for the earth because they`re its fertilizer. Isis, however, is Woman`s secret. She`s the fashioner of the penis that she shares with her daughters. Her own. Hit Me Baby One More Time is Britney`s perception that she, as the `scarecrow`, and Robigus, her man, share a penis.

 

The term`straw man` is also used of an opponent who`s set up to be easily defeated. Saddam Hussein is a good example for this. The USA made him strong by giving him the 3rd largest army in the world and then defeated him in a few weeks. Effectively, he fulfilled the criteria of a CIA `front` for taking over Iraq`s oil production. Saddam didn`t have brains or vision, because he was a `straw man` and the USA didn`t want him to have any. In Hit Me Baby One More Time Britney`s a first Gulf War (1990-1) baby who`ll be a `front` man for the second Gulf War (2001-3), which effectively went on for twenty one years (1990-2011).

 

 Hit Me baby One More Time underlines Britney`s nation`s preoccupations with Resurrection and Redemption, that is, `scarecrow` and Robigus, are Isis and Osiris in mythic terms.  The Roman Robigus corresponds to the Egyptian Osiris insofar as Osiris is the `crop` and Robigus is the protector of Osiris, who`s remembered by Isis in the Egyptian mythologem. Osiris is Resurrected as Horus, the `sky god`, which is indicative of his `special` nature as having broken the karmic wheel of reincarnation, death and rebirth, symbolized by the cycle of the seasons, to achieve what Christianity calls Redemption, that is, completeness of memory across lifetimes.

 

 As the `sky god` Horus is the `hawk` and corresponds to the New Redeemer whose all-seeing eye protect the `hidden` woman from the devouring dragon of Revelation, that is, men, and denotes the function of the Paraclete that, omnipresent with those who have accepted her `tutelary guidance` sees what the evil do and so can defend the `hidden` woman prior to her leaving the Earth to sow her `seed` in the `star` fields.

 

 Although the Roman god Robigus is Britney`s protector of the crops, which is her edited picture of the reality God seems wants from her, the Roman Robigalia, a celebration of the growing season, often featured a feminized version, Robiga. Britney envisages a hero and heroine, and Robigus takes hits for her, while she`s his heroine, but not in the sense of hitting.

 

 The spaceman in Oops I Did It Again hits on Britney, which means that she`s `some heroine` because she`s made some hits. From this premise is derivable a false analogy based on the logical fallacy that the language is simply understood by everyone. To a heroine addict, she`s a hit and, to an assassin, she`s as he is. It`s a joke as bizarre as `civil` aircraft being polite enough to avoid 9/11`s computerized air traffic control protocols and `hack into`  the Twin Towers of New York`s air defense system because men are alien parasitical viruses that use woman as a host womb to punish her for making them eat the apple in Eden.

 

 

 To extrapolate further, Britney is Robigus and Robiga, that is, god and goddess of their man and woman. It represents an awareness from ancient times that Isis` fashioning of Osiris` penis anew is symbolic of their spiritual unity. In other words, Woman is Man, and Britney`s knowledge of that is transmitted through Hit Me Baby One More Time by means of her realization that, if she can conceive of herself as Robiga, then Robigus exists. It`s a Christian principle that requires some seriousness. In the US TV series, Scarecrow and Mrs King, Bruce Boxleitner and Kate Smith were CIA agents whose `handles` were `Scarecrow` and Mrs King. Britney`s usage of the mythologem of Robigus and Robiga is a key to a simpler understanding. Without the concept `god and goddess`, the concept of Man is Woman as a realized belief is difficult to achieve, whereas Christianity relies on notions of man and woman as a species to perpetuate the enslavement and devourment of God. This isn`t serving the intelligent community.

 

 The Earth`s true species is Woman, with her own penis, and so she`s Satan from Christianity`s perspective by enantiodromia, which is what the ancient Greeks termed `reversal of opposites` and why Britney once called herself the Antichrist. She`s Woman giving birth to Redemption, and Christianity , in refusing to acknowledge that Woman is the species here, prefers to worship itself as a baby-devouring dragon imago and prevent Womankind from developing.

 

1 McDowell, Don (Lanham, MD) Strategic Intelligence: A Handbook for Practitioners, Managers and Users, The Scarecrow Press, Revised Edition, 2009, 286 pp.

 

Transformation Symbolism

17/01/2012 12:24

Transformation Symbolism

 

In the developmental psychology of Carl Gustav Jung (1875-1961) symbols are transformers. The basic transforming symbolism is that of the Catholic Mass in which the bread and the wine is the body and the blood of Christ who gave it to the disciples at the Last Supper before his crucifixion. Symbolic of the immortality of the Resurrection, and Redemption of the body through the acceptance of the continuing teachings of God`s Holy Spirit, she effectively emerges as the `Second Eve` from the side of Jesus Christ, after his death and Ascension to heaven, the first Eve having emerged from the side of Adam, the first man, in Eden.

 

 The Holy Spirit or Paraclete is the `teacher, guide, comforter and helpmeet`, which is how a woman is traditionally perceived, and so the Paraclete is `female wisdom` accumulated over many thousands of years as the body and the wine from the `fruit of the tree of knowledge of good and evil` from the Garden of Eden. As the Shekinah, or `spirit of God`, she`s in the Old Testament of the Bible at the place where the `law of God` is kept within the `Ark of the Covenant` and, in Gnosticism, she`s Sophia, the `wisdom of God`, and God`s `female spirit`. In Jungian psychology, she`s the soul or anima which, as an archetype or `developer` of the unconscious self through imagination, would correspond, in Catholicism, to the figure of the Virgin Mary as a mediator of thought which, as deep meditation, or the emergence of helpful ideas in dreams, corresponds to the Christian concept of `prayer`.

 

 The concept of the Holy Spirit is of the anima or soul as an ancient, and therefore wise, `teacher, guide, comforter, and helpmeet`. In Jungian psychology there are four functions of consciousness, which correspond to `Thinking`, `Sensation`, `Feeling` and `Intuition`. When unconscious, or undifferentiated, the functions are associated with the eye, ear, mouth, and nose. Buddhism states that eye and ear (`Thinking` and `Sensation`) can be `trained` to see what is invisible, which means that kissing and smelling, for example, requires the differentiation of `Feeling` and `Intuition`, and the differentiated eye (`Sensation`) and ear (`Thinking`) enable the seeing and hearing of what is invisible before it`s heard or seen, which is why the unseen is described as `felt` or `intuited`, and radio and television are visible manifestations of what is invisible before perceived by ear or eye.

 

 In archetypal terms, inventions are heard and seen within dreams or imagination before they become visible and tangible through the mind of the inventor. However, after 2000 years of the developing Logos of Christianity, that is, the Word of God, we can`t see or hear the Paraclete, which means that we can feel for her and intuit her, but we can`t see or touch her.

 

 In Revelation, the red dragon waits to devour the child of the woman `clothed with the sun and with the moon at her feet` because he`s the male devouring imago, and that`s why we have radio and television rather than her. Her child is the New Redeemer, because he protects the `hidden` woman of the Earth until she is prepared to leave and fight with the `serpent`s seed`, that is, the evil, in heaven. She`s `hidden` because she`s the invisible and intangible Paraclete, who is visible and tangible to those who can see and hear her by accepting Jesus` teachings of Redemption, which those who prefer radio and television can`t accept.

 

 

 After war in heaven in which her `seed` defeats the evil serpent`s `seed`, that is, the `seed` of the devouring imago of the red dragon, the evil receive eternal perdition, and God creates a new heaven and Earth for her and her `seed`. The suggestion is that, because she fights and wins against the `serpent`s seed`, men`s technology is insufficient against her. Her `seed` wins, which suggests that she even has her own penis, and so has her own technology because, according to Jung, the instinctive libido or sexual urge is the transforming developmental impulse, which is defined as the movement from instinctive promptings to spiritual creativity.

 

 Woman`s technology would be of use in defending her as a species, against the `serpent`s seed`, which is the evil that wants to see her in order to devour her, and is discovered by Adam and Eve in Eden. They experience nakedness when observed, and this is described as evil not the nakedness. In Revelation the serpent`s grown into the red dragon, which looks to consume her child with fire. The traditional perspective is that there`s something wrong with nakedness, but men are the serpent`s `seed`, so the wrongness is theirs. They don`t want woman as a species with her own penis to develop, and so it and she`s `hidden` and protected by the New Redeemer because men would devour her in fire if she were visible.

 

 The story is Christian because it`s truth, whereas myth is designed as a lie. Jungian psychology posits archetypes as the content of myth that is developmental truth, but it`s perspective is that of the liar. Because the creatures are unbelievable. However, they`re archetypal and so have a meaning that isn`t representative but symbolic. Hercules is depicted as a hero, but he more closely corresponds to the devouring imago as represented by the red dragon of Revelation insofar as his encounter with the Lemaean Hydra is concerned. The Twelve Labours of Hercules are a Greek myth and amongst them is the slaying of the Hydra, which has many heads.

 

 

 The Hydra is guarding the Danaiiads, forty-nine women who are incarcerated for murdering their husbands. The fiftieth spared her husband`s life if she remained virgin, which resembles Joseph`s acceptance that he has no part in the Virgin Mary`s parthenogenesis in the New Testament of the Bible. The husband of the Danaiian accepts he has no part for her, which is why Jesus is celibate in the New Testament. He has no part for woman because she has her own penis. Hers is the `seed` of the hermaphroditic woman who defeats the serpent`s `seed` in the battle for heaven, that is, men`s evil design to continue the enslavement of woman, with or without a penis, before God creates a new heaven and Earth for her to dwell in.

 

 In the Greek myth Hercules` cutting off of the Hydra woman`s heads reflects the ancient world`s approach to women as breeders: less women more men. But this isn`t only ancient history. In the 20th century Chinese women were killed at birth, because men don`t want them at all. Pederasty was the norm in ancient Greece and homosexuality was the preferred mode, which suggests that men aren`t even for reproduction.

 

 

 In Homer`s Odyssey the wooden horse is the device used by the Greeks to hide men inside and, `taken in` by the Trojans, they `devour` the city from within. That`s why a virus is called a Trojan, because the computer is `taken in` by it. The analogy is of the air raids in the USA where `civil` aviation protocols were used by the terrorists to be `taken in` before attacking New York`s Eve`s `Big Apple`, that is, 2000 years of Western civilization, art, and culture. Eve`s as God`s producer and product since she accepted the promise of future wisdom from the `fruit of the tree of the knowledge of good and evil`. In Eden Adam and Eve perceived their nakedness because they were spied upon. The `serpent` doesn`t want to be seen, or heard, but to see and listen, which means he doesn`t want you to see and he wants to attack you by means of subterfuge – as `son` 9/11.

 

 Adam and Eve`s vulnerability is reproduction. That`s why Cain kills Abel. He`s the serpent`s `seed` as the devouring imago constellated within the individual that doesn`t want development. Cain was a `gatherer`, and offered fruit to God, whereas Abel was a `hunter`, and offered animal sacrifice. Cain killed Abel because Abel had prepared `cooked` meat for God. In other words, Abel didn`t only kill, which is what the serpent`s `seed` wants.

 

 

The equivalent of the protocol Eve`s `Big Apple` of New York lacked for dealing with `air AIDS` was a `Trojan condom` because the terrorists were the equivalent of a Trojan virus that the polite `civil` aviation authority were `taken in` by. The second Gulf war (2001-11) and the `mother of all battles` ensued, which effectively released the `virus` in George Bush`s declaration of a global `War on Terror` (2003-). As the 16th century prophet Nostradamus foresaw, the 21st century was to be the fight against the insidious perfidy of its devouring imago:

 

` From the sky will come a great king of terror.` (Century 10, Quatrain 72)

 

 In the New Testament of the Bible the Virgin Mary gives birth to Jesus without fertilizer, and Jesus is depicted as a non-fertilizer, which is Adam and Eve before the `apple`, that is, in the New Testament God`s developing an anti-virus. In Revelation the `hidden` woman, protected by the New Redeemer, leaves Earth for the stars, which means she escapes from what plagues her. That`s why AIDS is found in Revelation. Because it`s from chimpanzees:

 

`...and there fell a noisome and grievous sore upon the men which had the mark of the beast, and upon them which worshipped his image.` (Rev: 16.2)

 

It`s champ, chump, chimp, that is, champions are achievers, but `the mark of the beast` is the `chimp` who, in contrast to Jesus, the `Son of Man`, wants to make chumps of those who have achieved development - as `son` 9/11 when, civilly in planes, terrorist `chimps` destroyed the Twin Towers of the World Trade Centre in 2000 in what was the equivalent of being `taken in` by the USA in a `Trojan condom`, before taking it off to rape her, and deliver her of air AIDS, which the USA spread as far as Colonel Ghaddafi`s Libya in 2011 after President George W. Bush`s 2003 declaration of a global `War on Terror`.

 

 

 The serpent`s `seed` is often described as the `ape of God`. Men worship its imago because it`s a consumer and not a creator, which means they want the product and not the producer, that is, woman`s womb rather than woman. That`s why the red dragon of Revelation waits to devour the New Redeemer, because it wants to kill the development as a silenced witness to its destruction of mankind`s future. Effectively, it`s the commandment `Thou shalt not steal.` Because silencing a person who`s product you`ve stolen is to prevent mankind`s development. If the murderer and the thief know how to use the equipment, but can`t make it, then they`re `chimps` spreading air AIDS - as `son` 9/11.

 

 The terrorists of 9/11 were thieves and murderers using craft they`d stolen without making, and they used them to attack and destroy what had been made by others to use. The virus is the 21st century paradigm, and the terrorists` polite avoidance of the USA`s defence system to `hacked` into it by means of `civil` aircraft protocols. Effectively, `crashing` the system of politesse that ensured relative global peace silenced `Big Adam and Eve`s Apple`, that is, New York`s `voice box`, and the Twin Towers of Christ, Jesus, in the West, which means that theft and murder has as its aim the prevention of free speech:

 

`...the sun was given power to scorch people with fire. They were seared by the intense heat and they cursed the name of God, who had control over these plagues, but they refused to repent and glorify him.` (Rev: 16.8)

 

 God is omnipotent good, and who wouldn`t want it? Theft and murder result from the prevention of free speech, which is the civilization, art and culture of God`s producer, who is Woman because, truthfully, all of it is indeed from her womb. Development isn`t possible if thieves murder the maker to use an invention they can`t make. The aim of the plagues of Revelation is to `plague aims`, that is, prevent achievement. In this analysis 9/11 was `play game` and the Twin Towers of the World Trade Centre were Microsoft`s X-Box for terrorist `gamers` to `shoot-em-up`. To stop the world`s development is, therefore, a `plague aim` of thieves and murderers whose modus operandi this is. It`s the `degeneration game`.1

 

 

 The 9/11 terrorists were `the ape of God` because they aped trained civilian aircraft pilots to fly the planes they used to destroy the Twin Towers. The pilot that landed his damaged airliner in New York`s Hudson river wasn`t aping God. He was using something made by others like him to obtain financial remuneration. He was of God and the terrorists were the `ape of God` because they were parasitical. If men are perceived as parasites perpetuating their viral form through woman`s womb then the role of them as the red dragon of Revelation and devouring imago is clear. They`re for preventing the `child` from developing a `vision` to deal with them. Adam and Eve perceived their nakedness in Eden because they were being watched. Consequently, Jesus` New Testament message is of the Paraclete, the invisible eyes of God that watch for us. The lesson of 9/11 is that America`s eyes were blind to the danger posed by terrorists politely asking to be admitted to the USA and using `civil` planes to politely enter USA airspace, before hijacking them and destroying global peace.

 

 The mythological signifier is Sophocles` Oedipus Rex in which the central character is psychologically blind from the beginning because, after marrying his mother unknowingly as a consequence of mistakenly murdering his own father, he blinds himself because the taboo against incest is too strong to prevent him from abhorring his own eyesight. The mythologem is a description of what the devouring imago is. Sophocles` drama presupposes that all of the characters are Oedipus, which means he is his father and mother, and his marriage to his mother is a marriage to himself. His blindness is a metaphor for development. He is unconscious at the start, and physically blind at the end, because the incest taboo doesn`t want him to achieve the realization that his mother is his wife. The `plague aim` of Oedipus Rex is that men want blindness so that the evil that they do isn`t seen.

 

 In Jungian psychology the original form of marriage is posited as endogamous, that is, within the close family circle, and the exogamous marriage with a stranger from another village, for example, succeeded. According to Jung, the anima or soul is that aspect of the psyche which prefers family because the mother is the first anima-figure the infant encounters. Consequently, the anima received some additional dimensionality in exogamous marriages, which is reflected in the emergence of the Paraclete as `tutelary spirit` from the side of Jesus after it was penetrated by the spear of Longinus upon Jesus` death at the crucifixion. The Paraclete is the eyes of God, which guides the soul or anima, as God would, and as Eve emerged from the side of Adam in Eden to be `teacher, guide, helpmeet, and comforter`. In Egyptian mythology, the `ba` is the soul and the `ka` is the spirit, but they have independent existences, and come together as the `magical personality` or `akht` in the afterlife.

 

 

 In Christian terms, the soul is guided by the `tutelary spirit` from the body, and so an individual leads a life of three existences. That`s why Christian thinking is Trinitarian. If a man`s soul is female, and the spirit is female, then the `magical personality` would partake of God and be male and female in a single unity, which is what a woman with a penis is. As the woman `hidden` upon the Earth, preparing to sow her `seed` amongst the stars in preparation for her victory against the serpent`s `seed`, and the new heaven and Earth God promises in Revelation, she`s triune because she can fertilize both a woman with a penis and a woman without, which means that, if she marries a woman without a penis, she needs a woman with a penis to make a trinitarian marriage. It`s simpler to suppose that love in heaven would be universal because men, as parasitical devouring viral imagos, will be experiencing perdition unless they accept God:

 

`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev:16.10)

 

 Men worship the imago of `the ape of God`, which is aping the developed, rather than developing, because they can`t develop, or they refuse to. Instead, they disable the able to have what they have developed, and then they have abandoned development and are mocking God, which is the `plague aim` of those who want to `play games` and God condemns them to perdition, so releasing woman as a species from her degenerate captors.

 

 The disabling of the maker, in order to have what the maker has, is how the devouring imago virus functions. Reduced to the level of `chimps`, in Revelation men accept and even worship it. As Cain was with Abel, men don`t want enablement. Abel was therefore the `champ` killed by a `chimp`, and AIDS is a virus originating in monkeys, according to scientific research, so is concerned with making a `chump` out of the `champ`, that is, mankind, and killing it.

 

 In the Greek myth Hercules is `champ, chump, chimp`, because he`s a champion chump. The Lemaean Hydra is the guardian of the Danaiiads, who don`t want men because women`re a species with their own penis, and woman doesn`t need men for reproduction. Consequently, the Lemaean Hydra is Woman and corresponds to the archetype of the `Terrible Mother` of Jungian psychology who, as Khidr in the Koran of Islam, appears evil because her actions aren`t comprehensible as being nurturing and developmental.

 

 In the Koran, Khidr kills a boy because he`s going to be evil, helps build a wall when he`s in a hurry because there`s treasure there and he doesn`t want it found, and makes a hole in a boat so that he`s not followed. This is incomprehensible to Moses who asks for an explanation each time and Khidr observes that he doesn`t need to give him an explanation. Moses is one who has to follow the law. The archetype of the `Terrible Mother` similarly doesn`t give explanations, because her actions aren`t comprehensibly good.

 

 In the myth of Hercules, she appears as the `monster` that is comprehensively defending the Danaiiads. Hercules is the male devouring imago and so isn`t heroic or a prefiguration of Jesus, although what the myth pictures is a prefiguration of Christianity because it depicts the defence of the `hidden` women who`re forced to marry because they have to reproduce themselves as women, although men are parasitical viruses seeking to enslave Woman and perpetuate themselves by means of her `host` womb.

 

 Each time Hercules cuts off the Lemaean Hydra her head another grows. Effectively, the Hydra represents better technology than men`s because neither men nor women would defend a woman with a penis that`d want her own species. She`d be a `monster`. In the Christian tradition, the red dragon of Revelation is men as `monster` because they are the devouring imago who`ll consume Woman`s art, civilization, and culture. The myth of Hercules depicts Greek culture`s desire to enslave women, and so her guardian is depicted as a female monster to have its head cut off until she aquiesces.

 

 Each time a head of the Lemaean Hydra is removed by Hercules, the Lemaean Hydra grows two more, which reflects upon her duplex nature as woman with a penis and woman without a penis, that is, she`s self-reproducing. Consequently, Hercules represents the male devouring imago as men who are prepared to slay the entirety of Woman`s reproductive capacity as a species in order to enslave her.

 

 The Lemaean Hydra prefigures Woman`s technology, the idea of which is depicted in the Hercules myth as monstrous to the ancient Greeks, and so Hercules, a `monster`, is depicted as heroic. The idea of Woman`s technology is comprehensible to the Christians because Revelation depicts men as the devouring imago of the red dragon of Revelation. The problem is that mainstream Christians wouldn`t accept Woman as a species, and so she`s Satan to Christianity. Consequently, Woman as a species is Satan, and so Satan, as the `woman clothed with the sun and with the moon at her feet`, is paradoxically protected by the New Redeemer`s scepter.

 

 The New Redeemer`s scepter would correspond to that technology derivable from Woman`s hermaphroditic reproductive capacity, which would enable her to escape from men as her enslavers, devourers, and slayers of her upon the Earth that contains her as a species. Consequently men are her virus, which is why the New Testament represents both the Virgin Mary and Jesus, that is, Christ, the Messiah, as uncontaminatable by male `serpent`s seed`. The Paraclete or Holy Spirit is God`s technology for Woman, because the soul or anima of man is instructable, and so may be separated and saved from the body which is men`s devouring imago.

 

 In Islam Paradise on Earth is `heaven` or `Jennah` and is everywhere, but `hidden`, which is what the Christian Bible says of Woman upon the Earth. It`s the Middle Eastern tradition. In Islam evil is `iblis` and exists only as a whisperer but has no corporeal reality, which means that, if men are an evil parasitical organism perpetuating itself through the wombs of women, men have no actual existence in God. In Judaism, you can only be born a Jew if you`re born from a woman, so only women are Jews, which is the same principle that women hold to in Islam. They are real, whereas men aren`t.

 

 In Christianity, Jesus and Mary are virgin because they`re uncontaminated by the `serpent`s seed`, which is men as a parasitical virus upon her product as civilization, art, and culture. The Paraclete that, effectively, emerges after the crucifixion when the spear of Longinus pierces the side of Christ, is Woman`s technology for `teaching, guiding, helping, and comforting` the soul in what the Arabians term `Jennah`, which is the `hidden` heaven or Paradise on Earth, and neither the Jews nor Christians believe in Paradise on Earth because Adam and Eve were expelled from Eden for accepting the devouring imago of the serpent in the apple of Eve`s future wisdom, which was the 9/11/2000 attack on New York`s `Big Apple` that `commemorated` 2000 years of Christianity`s acceptance of the teachings of the Paraclete from her `hidden` place by the side of mankind.

 

 Paradise on Earth is believed in by the Arabs, but in Christianity the future sign of what the Arabs term `Jennah` is the `hidden` woman of Revelation. Consequently, 9/11 may be understood as an attack on the USA for allowing her to be seen, or to see. The distinction is important because being seen means that the eyes of other men can perceive your woman, which is why Adam and Eve feel naked in Eden after accepting the devouring imago of the serpent in the apple of Eve. However, if the woman can see, she`s wise, and so men, who`ve accepted the devouring imago, don`t want her to see through their desire to enslave, devour and slay her. Their `plague` aims at the fare of war, and they want to `play games`.

 

 

 The children`s game of `blind man`s bluff` is to place a scarf around the eyes of a man and hide from him as women. The `bluff` is the precipice, and he may stumble and fall. In the Greek myth of Oedipus, blindness is associated with Oedipus` failing to accept the woman Jocasta, even after she tells him that his fears over the incest taboo are a device of men to keep him in blind unconsciousness, and he blinds himself, that is, he `falls` at the `bluff`, or is `deceived` by men`s aim of preventing him from achieving enlightenment through the teachings and guidance of his woman, who`s his `helpmeet` and `comforter`, irrespective of the consanguinity of the relationship.

 

 Jocasta is wise and can see, but Oedipus isn`t. It`s the `serpent in the Garden of God` analogy. The serpent doesn`t want to be seen, because it`s designs are evil, and evil men are the `seed` of the `serpent` which, in Sophocles` drama Oedipus Rex, finds ways of preventing the `everyman` figure of Oedipus from seeing that Jocasta is a `good apple`. The 9/11 terrorists didn`t want the USA to have what they saw, that is, New York`s `Big Apple`, symbol of the American Dream and Manifest Destiny in accordance with the principles of God, was a `good apple`, and so they attempted to devour it and the world in terror.

 

 If man isn`t kind, then the soul can`t live upon Earth in the `hidden` Paradise of Jennah as described in the Koran of Islam, even if she accepts the teachings of her Paraclete that helps and guides her to be her comforter in heaven on Earth, and so her `hidden` woman of Paradise must leave to sow her `seed` amongst the stars and wait to defeat the evil `seed` of the `serpent` in the `war in heaven` that God promises in Revelation shall result in her victory and God`s creation of the new heaven and Earth in which she shall dwell forever.

 

 

As the devouring imago bent on enslaving and slaying her, men have worshipped themselves in their own image, and God forbade `other gods` and `graven images` in the Bible, but they were emergent in the 20th century`s personality cults of Stalin, Hitler, Saddam, Gaddhafi, etc. God`s allowing Adam and Eve to eat of the fruit of immortality in Eden was because he didn`t want Adam and Eve to be devoured by these devouring imagos. Genkhis Khan, Pol Pot, Idi Amin, etc., represent the serpent`s desire to destroy, that is, to have Adam`s `descendants` eat what has developed from Eve`s `apple`.

 

 Eve was deceived into eating from the `tree of the knowledge of good and evil` by the `serpent`, which is the red dragon of Revelation waiting to devour the New Redeemer protecting the `hidden` woman of the Earth with the `scepter`, which would probably correspond to those enlightened persons with `backbone` enough to fight the evil. The `imagic` representative of the `seed` of the `serpent` at the beginning of the 21st century was another `cult of the personality` leader, Osama Bin Ladan, whose terrorist agents attacked the `Big Apple` of New York in 2000, and so precipitated the Earth into a continuation of the war and terror that had begun with Saddam Hussein`s invasion of Kuwait in 1990.

 

 The 9/11 terrorists were able to do this because they were `snakes`, `seeds` of the `serpent` eluding US protocols by feigning the demeanour of guests in order to launch a treacheous attack as representatives of the devouring imago, which was as sneaky as 1941`s Pearl Harbour when the US 6th fleet was destroyed in Hawaii by the Japanese fascists.

 

 

 In Roman mythology, the symbol of enlightenment is the wand of Hermes, which is associated, in Jungian psychology, with the transformation of instinct into the intelligence of soul and spirit, which is why Eve, the soul, came from Adam`s rib, and the Paraclete, the `tutelary spirit` of the soul`s journeying, effectively emerged from the side of Christ, Jesus, when pierced by the spear of Longinus. The spear is often called the Spear of Destiny, and is associated with absolute power equivalent to God`s, which is why it was so sought after by Adolf Hitler amongst others. It`s a prefiguration of how those with  `backbone` are a `scepter` of protection against evil. It`s God`s technology for Woman in the realm of the spirit, which directs its forces against those who`d blind the eyes of their body to perpetrate evil against the eyes of their souls and spirits in the `hidden` Paradise of Woman`s Earth.

 

 The eyes of the soul and the spirit are those of what Jungian psychology terms the anima, and those of the Holy Spirit or Paraclete, which `descended from above` according to the New Testament, and suggests it`s further than the soul or anima up the chakra ladder of energy centres that Buddhism conceives as the backbone. If body, anima, and Paraclete have eyes of their own, then dreams and visions are where they communicate to the individual what the `scepter` needs to do in order to defend.

 

 Seeing is the key to understanding, and why terrorists attacked the USA on 9/11. The evil don`t want to be seen, and the good want to see. If they could see, the good would destroy the evil, but the good are `fooled`. AIDS is a disease that `fools` the body`s immune system into accepting what`ll destroy it, and 9/11`s evil terrorist attack `fooled` US protocols to launch air AIDS upon Eve`s `Big Apple`, which finds mystical correspondence in the `apple of the third eye`. Between the frontal lobes the pineal gland at the centre of the forehead is the `vision` centre. The good would`ve seen, and destroyed the evil, if they`d been able to see them, and that`s what the eyes of God`s `scepter` are for.

 

 The fact of 9/11 means that the USA declared war on evil in body, soul and spirit. It`s God`s war against the evil that blinds, which is what Revelation is for – to reveal the evil so that the good can destroy it. The red dragon`s a devourer of the light, whereas the woman who produces New Redemption, that is, the backbone`s `scepter` of the mind, is `clothed with the sun and with the moon at her feet`, which means that she, as the light of the Earth, remains.

 

Eve didn`t create the civilization, art, and culture of New York`s `Big Apple` for the devouring imago to consume, but that`s the paradigm of the 21st century. The `plague aim` of the system-as-game is to mock God in `shoot-em-ups` in which killers are successful. Good is defined as a successful killer by `gamers`, and 9/11`s terrorist `plague aim` is definable as `godly` because `successful`.

 

 This is not the perception in Revelation where God`s plagues are men`s AIDS, presented as resulting from war as `play games`, with men who see themselves as God, and originating with men`s worship of themselves in the form of homosexual sterility, which produces AIDS, degraded, and men who`re degrading of other men women, and who aren`t God.

 

 Men prefer to make war with each other, which is `hate-making`, and so the planet Earth has produced AIDS, which is the antithesis of `love-making`, because men want to destroy women and the Earth with each other in the form of armies. Woman could make love with herself with her own penis, and be a species that doesn`t need men at all, which is why men make war upon her, so that she`ll accept enslavement, and the slaying and devouring of her and her Earth.

 

 The Greek myth of Hercules is a false picture, because the hero is depicted as a slayer of the `Terrible Mother` in order to rescue women who`ve refused to marry men, whereas the Christian picture is true because it recognizes that the red dragon of Revelation is men`s devouring imago of war that they worship as the god they`ve created in their homosexually perverse desire for sterility. Because war historically precedes plague, AIDS results from men`s final war games in Revelation:

 

`God remembered Babylon the Great and gave her the cup filled with the wine of the fury of his wrath.` (Rev: 16.8)

 

 The Lemaean Hydra is Woman transformed by men`s myth, and in Jungian psychology she represents the `Terrible Mother`, which isn`t perceivable by Hercules who believes he`s good when he`s defeated her, whereas Hercules represents the desire of men to kill women, which is why they worship themselves as the devouring imago of war upon her Earth. Because Hercules and his audience are meant to perceive him as good, it`s a pictoralogical recipe for matricide, and most myths can be read in this same way.

 

 The Oedipus` myth is a recipe for blinding, whereas the baby of the woman of Revelation is in danger of being devoured by dragon fire, which is murder by mouth, and distance (as in Nagasaki or Hiroshima), and denotes an indifference in which women aren`t even valued for the protein from their breasts` milk. Although the strong male fire breather has been nurtured by her breasts` milk, she`s not desired for anything other than becoming charcoal, which is what the Jews discovered about men. Flesh isn`t even valued as protein by the devouring imago, which means that women`s lactations are for their daughters in the same way that their penis is for their wives.

 

 The robin is a mythic Christian symbol that`s famous for its futile struggle to remove the crown of thorns from the head of Christ and receives a wound that stains its breast feathers red. It`s a harmless tale, but a target for evil. Manchester United`s soccer stars, after the air crash of February 1958, gasped out their lives in the snow of Munich airport, and are ridiculed each year by supporters of other English footlball clubs for lying red in the snow like Christmas robins.

 

 

 Mark Robins was the star that, netting the winner against Nottingham Forest in 1990, sent United on an F.A. Cup run that resulted in their winning the Cup. The story is that Alex Ferguson would`ve lost his job as manager if Robins hadn`t struck, and United went on to overtake Liverpool`s record of championship wins after twelve more by 2011. Resurrection isn`t a myth, but the evil crucified Jesus for promulgating the truth.

 

 The robin hops on the snow in Christmas cards celebrating the advent of Christ, but the evil want to turn it into a red dragon. Just as the myth of Hercules is a pictorial recipe for perpetrating genocide against Woman as a species, so the Christmas card has mythic pictoral properties that may be understood as a recipe for futility.

 

 

 The Danaiiad women`s punishment for refusing to have husbands was to endlessly attempt to fill an empty vessel by carrying water to it from sieves. The motif is not uncommon in Greek mythology. Sisyphus was punished for violating the laws of hospitality by endlessly being made to roll a stone up a hill only to see it roll down the other side. The robin of Christianity`s attempt to remove the largest thorn from the head of Christ, and its receipt of bloodied breast feathers as an eternal sign of its attempt to remove the crown of mockery, is symbolic of the meaning it has for non-Christians whose devouring imago, constellated by the pictorial recipe, wants to torture the robin, which is a constellation of the red dragon.

 

 

 The meaning of the myth for Christians is that the robin is `washed in the blood of the lamb`, which is a Christian prerequisite for Resurrection, Redemption, and Ascension. The `lamb` is Jesus and the story of the robin is a metaphorical truth. The thorn has the blood of Jesus upon it and the robin receives a wound from the thorn, which means that Jesus` blood is mingled with that of the robin`s. The symbolism is significant because the robin`s attempt indicates a genuine, rather than the theoretical acceptance of the Holy Spirit which the disciples demonstrated, along with the traitor Judas, at the Last Supper. The robin`s attempt to alleviate Christ`s pain from the crown of thorns placed upon his head in mockery of `God`s love` is a concrete implementation of Jesus` teaching that `the body and blood` are transformed by the `power` of the Holy Spirit, and that`s `bread and wine` to the soul in the transformed breast of the robin.

 

 The complexio oppositorum of Jesus and Mary, as an archetypal virgin pair, is symbolic of a strong anti-viral component, and so the robin is symbolic of the anti-virus that is needed in the 21st century war against terror. Those who violated the `laws of hospitality`, by eluding `protocols` in the terrorist `air AIDS` of 9/11, were attacking the body of the USA`s `immune system`, which news, met with cheers in some parts of Arabia, receives an insidious echo in the perennial jeering at stadiums all across England at the memory of the red robins in the snow of Munich in February 1958.

 

 

 Not to relate to the picture of the robin on the snow in the Christmas card as a Christian is to constellate a pre-Christian devouring imago - and an enemy within. Not even blood transfusions from German and English volunteers, in accordance with `the laws of hospitality`, could save the Manchester United robins in the snow at Munich in 1958 and the `enemy within` jeers at them and the `laws of hospitality` every February in England. Just as `air  AIDS` was the USA`s reward for accepting guests in the name of Jesus` Holy Spirit on 9/11.

 

 

 Anti-virus programmes are about protocols, and so is terrorism. If the system has an adequate prophylactic, the virus can`t get through. The Christmas card robin is acceptable to God, and God`s protocols are adequate to save it on the snow of God`s picture. It isn`t the same picture when perceived by non-Christians, whose devouring imago is constellated within them. For them, the robin isn`t a symbol of Redemption from the shed blood of the body of Christ, that is, it isn`t a healing transfusion from the thorn from Jesus` brow, but a fear of AIDS from the `body and blood` that`s 21st century terror released into the air on 9/11 over New York.

 

1 Cf. BBC TV`s Bruce Forsyth and the Generation Game (1971-2002) in which families of contestants answer questions to prove they`re more intelligent than other families of contestants, which is a way of telling others they`re stupider and you want them to be more stupid so that you can win. For thieves and murderers it`s about giving the other monkeys air AIDS so that they can steal and use without making anything and preventing humanity from developing beyond murdering Abel for the food he`d cooked and without knowing how to cook it.

Woman

02/01/2012 03:49

Woman

 

The roundness of her belly,

The roundness of her breasts,

The roundness of her buttocks,

- and her penis between her legs.

 

Women are Superior

02/01/2012 03:41

Women are Superior

 

Jesus follower, Judas, `married`, in the biblical sense of `knowing` or, in William Shakespeare`s sense of `understanding`, in order to betray and torture. The spurious `followers`  made sure the Christians` divorce from Jesus was permanent by making rolling a stone in front of his tomb to prevent his escape, or achieving something more that they didn`t want him to, like marrying. Upon Jesus` Resurrection, the `followers` would want to abrogate his Ascension and steal a path to heaven.

  Those followers of Jesus, who weren`t his disciples, were homosexuals, who wanted to transmit their disease. Such are the devourers of women`s productions, because women`s host wombs produce civilization, culture and art. As women have their own penises as the `futanarian` human species, they don`t need men, so the spreading of men is parasitical. Men perpetuates themselves by devouring the woman`s penis and so `woman`s seed` by replicating themselves and so enslaving her `host womb` in parasitism and death as her consumption.

 

 In Revelation men are represented by the devouring male imago of the dragon at the birth of Jesus which, waiting to devour the `New Redeemer`, whose scepter is depicted as defending the Earth, represents the danger of men`s devouring mankind`s penis as well as womankind`s. In the Bible, God`s commandment is, don`t `worship graven images`, because men are the imago of the devourer within the collective consciousness, while individual ego-consciousness partakes of the more ancient, and so collective unconscious, that is, collective race memory, which contains the archetypal heroine, rather than the devouring male imago, as the protector of `woman`s seed`.

 

 In Revelation the woman who gives birth to Jesus as the `New Redeemer` in his `Second Coming` to the Earth after Resurrection and Ascension lives upon the Earth while `woman`s seed` fights a `war in heaven` against the `serpent`s seed`, and the remnants of `woman`s seed` on Earth are persecuted by the `serpent`s seed` after their defeat. God`s heaven, according to Revelation, is changed and altered, because the `seed` of the `hidden` woman defeats the `serpent`s seed` on Earth, which precedes `woman`s seed` dwelling in heaven forever. As men have no function, other than to seek Redemption through repentance and conversion from their sin of host womb slavery for war against `woman`s seed`, Jesus` `sacred heart` is at the center of the story. Britney Spears` promotional video for `Oops! ... I Did It Again` resurrected the theme 2000 years after Jesus` betrayal by Judas as a `dissident` speaker against the Roman Empire`s occupation of Palestine. The Romans nailed Jesus to a cross and tortured him to death before his Resurrection and Ascension to heaven illustrated for the Romans humankind`s future amongst the planets and stars. In `Oops! … I Did It Again` a spaceman brings Brintey `the heart of the ocean` as a symbol of Jesus` `sacred heart` of Redemption:

 

`But I thought the old lady dropped it into the ocean at the end.`

 The `heart of the ocean` is the blue diamond pendant Rose drops into the sea at the place of the salvage of the wreck of the ship in the film Titanic (1997). Because she was aboard the vessel when it sank on its maiden voyage from Liverpool to New York in 1912 after hitting an iceberg. The `heart of the ocean` is Jesus` `sacred heart` in the movie, because Rose, played by Kate Winslet as a young woman, was betrayed by a jilted fiancée who framed her lover, Jack, for theft by placing the `heart of the ocean` pendant in his pocket:

 

`Well, baby, I went down and got it for you.`

 Britney`s spaceman`s words reflect on Jack`s drowning when the Titanic sank, `I played with your heart. Got lost in the game.` Jack drowned because Rose`s fiancée, Cal, didn`t want him to have Rose, `the heart of the ocean`, which is how men are. Jack`s the lover, so his rival, Cal, has the role of the devourer:

 

`I played with your heart. Got lost in the game.`

 

 The vampire myth is central to the fears of Eastern Europe, which reflects upon the role of the devourer. In Egyptian mythology, Osiris is dismembered by the evil Set, and his parts are sunk in the river Nile in a trunk, which lodges in the roots of a tree by the bank. The reemergence of the `heart of the ocean` on Britney`s Mars in her science fiction promotional video for `Oops! … I Did It Again` symbolizes the salvaging of the Titanic, `All aboard!` The theme is Resurrection. Osiris rose each year, according to Egyptian tradition, when the crops by the side of the Nile ripened, and so Britney`s spaceman is Rose when he brings Britney `the heart of the ocean`. Britney represents the `eternal flame` for `woman`s seed`. The `game` is homosexuals` divorcing her from her own `futanarian` species with their own penis` semen for sexually reproducing their own brains` power for developing labor-saving technologies to escape from the `serpent`s seed` enslaving and devouring them.

 

 

 

 Just as the goddess, Isis, has to fashion a new penis for Osiris because his is lost, so Britney`s reading of the homosexuals` `game` is that Osiris shouldn`t have a heart, although the Egyptian tradition of the feather of Maat is that it should balance the sins of he who is to make the journey to the House of Horus in heaven, or the trip can`t occur and the heart is Ammit the devourer`s. Osiris` dismemberer, Set, represents the homosexuals` `game` of betraying a marriage so there`s no conjoining in heaven:

 

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)
 

 Because women are `futanarian`, which is why Egyptian tradition divides the human into `Ka` or spirit and `Ba` or soul, symbolized by the temple of Abraham in Saudi Arabia`s Mecca. Built by the Egyptian woman, Hajer, and her son, Ishmael, as the `Ka` Ba`, the Haj pilgrimage is the annual task willingly undertaken by thousands of Moslems, because the conjoining of `woman`s seed` as the `Akh`, or `magical personality of Egyptian `futanarian` tradition, is desirable for the Salvation of the human race. Homosexuality conceives women as a `game` to be thwarted, which is why it`s `haraam` or forbidden in Islam. Men are perceived as the jailors of the `Ka` or spirit of `futanarian` woman with her own penis` semen, while her `Ba` is herself as her host wombs, and men seek to keep her a prisoner in slavery. Having inveigled itself into her womb eons ago, the parasite has devoured her penis and enslaved her. Jesus` teaching is of Resurrection for `woman`s seed` and Redemption for mankind if men convert and repent from slavery, but homosexuals prefer their `game` of thwarting women`s sexual reproduction as the human race that excludes sterile homosexuality:

 

`Honor your father and mother.` (Ex: 20. 12)

 

 If women have penis` semen of their own, she`s fatherer and motherer of the human species, whereas honoring a homosexual `game` that aims at the extinction of the human race is dishonorable. In Islam, God is `neither male nor female`, which means `Allah`, who is `Eloah`, in Judaism, is male and female (https://www.futanaria.com), that is, `futanarian`.

 

 In Christianity, prayer is giving thanks to God. The Holy Spirit is the `tutelary guide`, and although men define the Holy Spirit as Jesus`, the Judaic tradition of the `Shekinah` as female, which travelled with the Jews in their escape from slavery in Egypt, suggests that Jesus` Paraclete, that is, the Holy Spirit, is female.  As an archetype, the Shekinah or Holy Spirit is the heroine, because men are women`s devourers. In Judaism it isn`t possible to be born a Jew unless from a Jewess, which means Jews are women.  During the pogroms against the Jews by the Geman National Socialist (Nazi) government in the course of World War Two (1939-45), the Shekinah represented `woman`s seed` forced into heaven, which for homosexuals is heroine production, that is, for `shooting up`.

 

 In Hollywood Babylon movies like Scream (1996), The Ring (2002) and Spiral (2007), the paradigm is the `snuff movie`, which is a film of murder made by homosexuals as entertainment, and that`s what Jesus` spirit is for, according to the evil. Men are preying on God`s Holy Spirit and `woman`s seed` rather than accepting `tutelary guidance`. That`s why drug users want `The Man`, who`s their supplier, because sterile homosexual men shoot heroines.

 In the psychology of Carl Gustav Jung (1875-1961), the anima or soul corresponds to the Holy Spirit, which is the female contrasexual component of a man, that is, the Shekinah or `Ka` of the women within that desires her `Ba`, symbolized in Islam as the `Ka` Ba` of Hajer`s temple. Addicts inject heroin into their eyes, so they can look for women numbly and get the devouring male imago closer to her. As those who `shoot up heroin`, homosexuals are plague, that is, they`re plague aims, and they prey on the archetypal heroine:

 

`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores.` (Rev: 17)

 

 The sexually transmitted disease (STD) of HIV/AIDS is plague as men`s incurable killer disease`, because that`s what they are for women, so God gives them perdition as a punishment before creating a new heaven and Earth in Revelation for `woman`s seed`.

 In Eden Eve and Adam accepted the devouring imago of the serpent`s `seed` when they ate the `fruit of the tree of the knowledge of good and evil` from the serpent, Satan, who`d been an angel but was cast down from heaven and turned into a serpent by God, according to Christian tradition, for refusing to accept that humankind would be greater than the angels. Consequently, the serpent of paradise tempted Eve and Adam to evil, `You shall be as gods.` (Gen: 3. 5) After Eden came parasitism and host womb slavery by men of the `serpent`s seed` who so devoured `futanarian` womankind that her human species now hides from its subjugators.

 On the stage set for `Oops! ... I Did It Again`, Britney Spears appears to be performing inside a giant`s rib cage, which suggests the feather of Maat is being weighed when her spaceman with his camera is hooked up above her. His heart isn`t pure enough so he returns to Earth. The imagery is reminiscent of Miley Cyrus` promotional video for, `Can`t be Tamed`, where she`s a hawk in a cage. The hawk is a symbol of Horus who, as the resurrected Osiris, travels through the Duat to the House of Horus in the heavens. Consequently, the hawk is a metaphor for the heart that`s brave within its rib cage. In Eden Eve emerged from Adam`s rib, because she`s his heart, and so the Roman guard at Jesus` crucifixion, Longinus, pierces Jesus` side with his spear, because the `Second Adam` has the `Second Eve`, that is, the Holy Spirit, at his side.

 

 As the hawk, Horus is a metaphor for heart that flies out of the body at death, which in a man corresponds to the `Ka` of the spirit of the woman`s sexual desire for her own soul or `Ba` woman without penis` semen.  Horus is symbolic of an ancient pair faithful through the eons, so in Christinaity Jesus is rules with the scepter for the hidden pair. Britney `twinned` in her red pilot`s suit and white bikini dress in `Oops! … I Did It Again` symbolizes the Resurrection of `woman`s seed` while the weighing of her spaceman`s heart represents mankind`s need for Redemption through repentance and conversion from the sin of slavery. Britney represents the entwined souls of those who have Resurrection, that is, completeness of memory across reincarnated lifetimes, because they`ve accepted the teachings of Jesus Christ.

 

 In Egyptian mythology, Hathor, in whose house Horus` is, is of equal importance with the Virgin Mary as a mother archetype representing women`s self-reproductive nature. Britneys `game` in `Oops! … I Did It Again` is `eeny, meeny, miny, moe, catch a nigger by the toe, if he squeals let him go, eeny meeny, miny, moe.` Her spaceman is the toe she catches and won`t let go if he doesn`t repent and convert from sin represented by his giving her the `heart of the ocean` as a symbol of Jesus` `sacred heart`. Descending inside her giant ring a the outset of the performance in `Oops! … I Did It Again`, she`s a thumb of Hathor waiting to show him the path to heaven if he`s brave and pure.

 The Spanish Inquisition tortured people to accept Jesus, and continued in disbelief when their victims said that they did. Consequently, women are God`s great `Akht`, which  is the plural of `Akh`, the `magical personality of `Ka` and `Ba` conjoined as `futanarian` humanity. Women have to be actresses because men aren`t their species and so racism and xenophobia is omnipresent. Homosexuality is an imago of the devourer attempting to enslave `woman`s seed` of humanity through war.  Mariage affords the devourer an opportunity in heaven, which is why Britney represents women`s need for great tact in `the game`.

 Jesus has great tact in the New Testament, mildly rebuking his eventual betrayer, the disciple Judas, for suggesting a woman`s money had been better spent on the poor than anointing Jesus` feet before his crucifixion: `Leave her alone.` Britney Spears` spaceman is a toe, who wants a toehold on women`s heaven, and so Britney Spears descending inside her giant ring at the outset in `Oops! … I Did It Again` is a `thumb screw` of the Spanish Inquisition. Men`s autos are their whore`s toes:

 

 `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 

 Because men`s enslaving of women`s host wombs prevents her from sexually reproducing her own brains` powers for the development of labor saving technologies to facilitate her escape from the Earth in starships to the planets and stars of God`s heaven. The benzene driven automobile, or `whore toe`, represents women`s subjugation to a pervert`s `bent scene` propelling a low level technological stasis designed to perpetuate war and extinction for her human species of `woman`s seed`.

 In the psychology of Carl Gustav Jung (1875-1961) the key to the structure of the benzine molecule emerged from a scientist`s dream. From his unconscious appeared the archetype of the serpent devouring its own tail endlessly, which Jung interprets as a symbol of self-recognition and realization. According to Jung, the anima or soul is the archetype of woman and of the unconscious `Self`, which accords with the Egyptian tradition of the woman`s `Ka` desiring sexual union with her own `Ba` as the `Akh` or `magical personality` of `futanarian` human women`s species.

 In Jungian psychology, the self approximates to God. The male imago in dreams is woman`s devourer, and so indicative of their aim of devouring God. Consequently, the ourobouros can be an imago of that, although it functions developmentally as an archetype. Jung observed that pressurized carbon becomes diamond, so benzine is carbon that didn`t. Consequently, `bent scene` driven `whore toes` is what humans represent, because technological development requires brains` powers that humans devoid of their women`s penis` semen don`t possess.

 Britney`s stage set on Mars is the giant rib cage of Osiris, because Set was his devourer. Consequently, Britney is the remembering heroine. In television`s Star Trek: The Original Series (1965-7) space travel at faster than light (FTL) speed  posits the return of travelers to Earth who`ve remained youthful, while those on Earth have grown old. Consequently, a partner may be left to become decrepit, which is what the `bent scene` of `whore toes` is, because the remnants of `woman`s seed` are devoured by the `serpent`s seed` in artificially created low level technological progress.

 Travelers` youthfulness and remnants` agedness was based on German scientist Albert Einstein`s `Special Theory Of Relativity`, which posited that space was `folded` and that  contiguity between parts of the universe seemingly separated by great distance were accessible through what Einstein called `anomalies` or `wormholes` that allowed the gulfs between the stars to be bridged instantaneously. Human relations would become strained, and so the `serpent`s seed` would target travelers` remaining families to follow their path and devour their relatives.

 In `Oops! ... I Did It Again` Britney`s a woman of Revelation, `crowned with stars`, as Jesus` second mother was. But the imprisoning screws seek Jesus` human relations amongst the stars. Britney`s spaceman is guided by `Mission Control`, although he appears to be their spaceship, that is, they`re `little people` using his eyes and living inside his space helmet. Consequently, he`s possessed by controlling men known for devouring women, so Brintey needs to display `great tact` in the game. If she`s a `star woman`, they can locate her relatives and `shoot up` some heroine, which is the `bent scene` driven car metaphor of men with their `whore toes`.

 

 The concept of Satan is conflated with evil, although `woman`s seed` is Satan to the `serpent`s seed`. Consequently, it`s perspectival. A destroyer of the devourer is Satan to the devoured. To an abuser, the abused child is Satan because he`ll be jailed. Consequently, the Christian church is Satan for preaching, `Honor your father and mother.` Because they`re often the child`s abusers. Neither are they mistaken, because `woman`s seed` is Satan to the churchmen.

 Sex is an aspect of men`s devouring imago, because men have devoured the woman`s penis so they can have her. Consequently, fathers are evil, whereas Satan is `woman`s seed` to churchmen, which means that Satan represents God to daughters. From woman`s perspective, Satan is the archetype of Redemption, because she has her own penis.

 In Jungian psychology, there are four functions of consciousness, `Sensation`, `Thinking`, `Feeling`, and `Intuition`. Just as men are the devouring imago as `father`, women develop consciousness through the archetypes of the collective unconscious, for example, the ourobouros. The archetypal heroine is Jesus, because he`s the first of `woman`s seed`, while Satan is the archetype of Redemption, because `woman`s seed` is what men don`t want. Unless men convert from televised Gulf war `shoot-em-ups` couched as `PC` games in which the products of humanity are devoured, she`ll `beam up` and go.

 The Salvation Army`s salvaging of people as a Christian organization is analogous to the salvage of ships like the Titanic. Given `tutelary guidance`, the salvaged are reanimated for Start Wreck, the homosexuals` stalk show. Britney Spears` animated style in `Oops! … I Did It Again` reprises Gerry Anderson`s Century 21 Productions` Captain Scarlet and the Mysterons (1967-8), for example, which employed the technique known as `Supermarionation` for its puppet dramas. In the promotional video for the single, `Toxic` (2003), Britney wears a light blue TV 21 Thunderbirds (1965-6) uniform as a stewardess aboard a passenger plane, and changes like Superman in the toilet before going to a top secret laboratory to steal an HIV/AIDS` serum. Although Salvation isn`t reanimation in novelist Mary Wollstonecraft Shelley`s  sense of the monster in Frankenstein (1818), that is, a reanimated corpse, Britney Spears` character`s TV 21 style in `Oops! … I Did It Again` acknowledges her role as an animated `puppet` in a game of ogres while indicating her desire for genuine Salvation rather than the reanimation of the start wreck stalk show that passes for Christian Salvation.

 

1 David Zincavage asserts that the origin is Scottish and posits that the first line of the verse is a corruption of Inimicus animo, a Latin phrase that translates as `enemy of the soul`, https://en.wikipedia.org/wiki/Eeny,_meeny,_miny,_moe

<< 4 | 5 | 6 | 7 | 8 >>

Blog

Poor Copy

05/03/2016 12:12
Poor Copy   The emergence of the HIV/AIDS` virus as the `incurable killer disease` of the late 20th century transmitted by homosexual men`s mixing blood, shit and semen in each others` anus suggests to parasitology that it`s trying to make further copies of itself as a part of its parasitoid...

The Jesus` Spy

01/06/2015 12:08
The Jesus` Spy   Although Pontius Pilate acceeded to the request of the Jewish Pharisees, that is, the Jewish religious police during the period of the Roman occupation of Palestine, that Jesus be crucified, there are obscure reasons for his condemning the Jewish Messiah to be taken to the...

Smugged

01/06/2015 07:15
Smugged   Between 1930 and 1967 Hollywood, Babylon, established the `Hays code` devised by Will Hays, President of the Motion Pictures Producers and Distributors of America (MMPDA), which on `moral grounds` delineated what could and could not be seen in movies. Remembered mainly for the...

Britney Spears` Mars Lander and God Phoenix

05/04/2015 14:53
Britney Spears` Mars Lander and God Phoenix   God Phoenix is a spacecraft in a Japanese manga cartoon for television, Gatchaman (1972), piloted by Ryu Nakanishi of the Science Ninja Team. The God Phoenix was replaced by the New God Phoenix, in accordance with the myth of the Phoenix, known as...

Supper`s Ready

01/04/2015 05:33
Supper`s Ready   Although Britney Spears` video for the pop singer`s `Work Bitch` from her eponymously titled album Britney Jean (2013) seems unique, it has an antecedent in English progressive music`s album Foxtrot (1972) by Genesis from the era of Peter Gabriel`s success...

Invasion Of The Body Snatchers

01/03/2015 01:51
Invasion Of The Body Snatchers   The Hollywood Babylon movie, Invasion of the Body Snatchers (1956), produced from Jack Finney`s science fiction novel, The Body Snatchers (1954), depicts an alien invasion of Earth. Aliens emerge from `pods`, each capable of reproducing a duplicate...

Eunuch In The Harem

02/07/2014 14:41
  Eunuch In The Harem   The traditional view of the Arabian harem kept by rulers is of a number of women exclusively available for sexual pleasure to an individual. Christianity, conflating monotheism with monogamy, defined polygamy as anathema to Jesus` teaching, although religious...

Robin Hood Is Britney Spears` Criminal

06/03/2014 16:33
Robin Hood Is Britney Spears` Criminal   The bow and arrow features in Britney Spears` video CD single, `Criminal`, directed by Julian Londano from the album Femme Fatale (2011), and the allusion is to the legendary English folk hero, Robin Hood, who was the dispossessed nobleman of the...

Atomic Hooper Impression: Britney Spears` Want Tom Reality in `Oops I Did It Again`

17/02/2014 21:14
Atomic Hooper Impression: Britney Spears` Want Tom Reality in `Oops I Did It Again`   Sense of humour isn`t thought usually to be a function of consciousness. In the developmental psychology of Carl Gustav Jung (1875-1961) there are four functions of consciousness; Thinking, (ear) Sensation...

Hot Gossip featuring Sarah Brightman`s Starship Trooper And Britney Spears` Oops I Did It Again

27/01/2014 09:23
Hot Gossip featuring Sarah Brightman`s Starship Trooper And Britney Spears` Oops I Did It Again     Britney Spears` `Oops I Did It Again` (2000) video single features a traditional Apollo style astronaut on Mars. Although there`s no visible space vehicle, `Mission Control` can be...
1 | 2 | 3 | 4 | 5 >>