Poor Copy

The emergence of the HIV/AIDS` virus as the `incurable killer disease` of the late 20<sup>th</sup> century transmitted by homosexual men`s mixing blood, shit and semen in each others` anus suggests to parasitology that it`s trying to make further copies of itself as a part of its parasitoid life cycle. Parasites that emerge to kill the host are parasitoid. Because HIV/AIDS is the virus that makes copies of itself to kill the human host, its copy is homosexuality, which is its parasite emerging from the host to devour it as a parasitoid waging war against humanity. Although the Bible seems irrelevant to secular believers its description of the angel, Satan, turned into a serpent and placed in Eden where the first man, Adam, and the first woman, Eve, were tempted to `eat of the tree of the knowledge of good and evil`, that is, death, perfectly illustrates the role of the parasite and its parasitoid nature. During the Jurassic (201-145 m.a.) period of Earth`s history, saurians were the dominant life form before humans (22 m.a.), which not only suggests that the angel, Satan, who God rejected for refusing to accept the human host was to be greater than the angelic, was saurian but that the angels are. Because angels are depicted in Judaic iconography as having wings, the science of paleontology`s observation that saurians developed wings and evolved into birds suggests God`s angels are saurian. When Eve is told be God her `seed` will have `enmity` with the `serpent`s seed` but Redemption will come, if Adam labors while she experiences labor pains, the reference is to the `tree of life`, which is immortality, because brainpower through sexual reproduction is needed to devise labor saving technologies and medical science conferring immortality and the permanent knowledge needed for the operation and maintenance of what human intelligence has created: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) In Christian iconography, Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her `foot`, because futanarian women have penis` semen of their own: `Love your neighbor as you love yourself.` (Mk: 12. 31) Although Jesus represented the human host at the `Last Supper` for example, where he gave `bread and wine` as symbols of the friendship of his `body and blood` towards his male disciples, born uncontaminated by male semen from his mother, the Virgin Mary, he was futanarian `woman`s seed`.

 The `Last Supper` was so-called because Judas had seen a woman anointing Jesus` feet with expensive perfume and, known for stealing from the collection plate after a sermon by Jesus, Judas had suggested that the spikenard be sold to raise money, whereas Jesus, who many believe died celibate, had replied: `Leave her alone.` (Mk: 14. 6) Taking `thirty pieces of silver` from the Jewish religious police, the Pharisees, Jesus betrayed the human host, as Satan had betrayed the human host in Eden lest humans develop the brainpower to escape from slavery in ephemerality to host womb parasitism and parasitoid devourment by its parasites. The Pharisees gave Jesus to agents of the Roman Empire then occupying Jewish Palestine as a `dissident`. Jesus was taken to the hill of Calvary outside Jerusalem where he was nailed to a cross of wood and left there to die. Afterwards Jesus had Resurrection and Ascension in prefiguration of that of `woman`s seed` with her own mode of futanarian sexual reproduction for the development of liberating brainpower to escape Satanism: `Men cursed the God of heaven for their pains and their sires but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was reject `woman`s seed` in favor of male braining in parasitism for parasitoid devouring in war against her. HIV/AIDS was the `biological weapon` deployed by men to keep women in fearful faithfulness to their slave ring. Although ancient Greek democracy was the model for the Western world, host womb slavery for homosexuality in pederasty for war was its institution, while the Bible describes `a woman`, Babylon (c. 4000 B.C), who gave her name to the capital city of the Persian Empire: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Because she represents host womb slavery in parasitism for parasitoid devouring in war, which is the power Eve and Adam exchanged immortality for when they accepted ephemerality, and so blind unconscious ignorance for the human race from the serpent in Eden: `You shall be as gods.` (Gen: 3. 5) As the `serpent`s seed` is parasitoid, the belief of some scientists that HIV/AIDS was a space borne virus is parasitologically supportable. At some point millions of years ago, a space borne parasitical virus may somehow have inveigled itself into the host wombs of women, so men`s viral form is a poor copy of futanarian humanity`s. Without a host womb for the bearing of daughters, or lactating breasts for their nurturing, which would give women who can sexually reproduce with each other the majority vote in any democracy, men are women`s human species` tyrannical usurpers, and the devourer of the human race grown in size since its days as a serpent in Eden: `And the dragon was wroth with the woman, and went to make war upon the remnant of her seed.` (Rev: 12. 17)

 Jesus was killed by the Roman Empire, because `woman`s seed` challenges male braining. By 1926 John Logie Baird had invented television as a home entertainment for audiences used to cinema going in order to be entertained by the Hollywood, Los Angeles, film industry, on the west coast of the United States of America, which was called `Babylon`, because `woman`s seed` was banned there to effectively ensure beheading for the human race in the absence of sex education for women: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 As male braining effectively produces a single male brained creature transvestite `TV` wearing each others` clothes, Jesus` execution by the Roman Empire was to prevent women`s interfering with the development of `TV`. In 1908 the Model T Ford had become the first mass produced automobile at the Henry Ford factory in Detroit, Michigan. The wheels of the motor car were driven by transmissions from the engine, that is, transvestism was the picture delivered by the automobile `TV`. Or, in other words, people were being transmitted by a virus that was eating them as an aspect of its parasitoid nature in its wars against women`s futanarian humanity. Serpent-like in monstrous traffic jams sniffing the fumes from its rear, institutionalized homosexuality in pederasty for war denies its parasitoid nature, like Carlo Collodi`s Pinocchio, whose nose grew long if he told a lie in The Adventures of Pinocchio (1883),2 but as they hurtle towards each other across the battlefields of the planet, the pronouncedly long barrels of their turret guns atop their tanks belie the denial. Men had reinvented the human species as `snuff`, which is the term given by the film industry to the manufacture of killing for entertainment: `Your candle burned out long before your legend ever did.`3 Pop star Elton John`s lyric about Hollywood Babylon sex symbol movie actress Marilyn Monroe being found in the nude dead in 1962 is a reference to how the movie business snuffs out lives for entertainment.

 Because the species of women is enslaved they must perforce learn to play a game as chess pieces upon a board. Pop star Britney Spears` song from her Blackout (2007), `Piece Of Me`, features a CD cover with her in the place of Jesus crucified upon the cross because, as a picture transmitted by a virus, `woman`s seed` is a piece on a board. Although `blackout` refers to bans on the transmission of sensitive information, on a chessboard black and white are the color of the pieces in a game of chess on the sixty-four black and white alternate squares across which the game takes place. White and black have eight pawns, and two castles, knights, and bishops each, while both have a king and queen. In the course of the game a pawn can become a queen, while the objective is to protect the king, because if the king is lost so is the game. As Jesus was mockingly depicted as `king of the Jews` at his crucifixion, Britney Spears` `Piece Of Me` depicts herself as `king`, because human futanarian women have penis` semen of their own, while Jesus` Resurrection and Ascension to heaven uncontaminated by male semen prefigures that of the kingly aspect of `woman`s seed`: `Surely, this was the son of God.` (Matt: 27. 54) Longinus` spearing of the side of Jesus reflects upon the Roman Empire`s understanding of Eve`s emergence from the side of Adam in the Bible. Jesus was the `Second Adam`, whose teaching was that a Holy Spirit would teach after him, and so Longinus performed a `caesarian section`, in gynecological terms, to facilitate the second birth of `Eve`, who`d be the spirit of futanarian human women`s Resurrection and Ascension to colonize the planets and stars. Blackout and `Piece Of Me` was released in the month of October 2007. which coincided with Britney being accused of mental unfitness and the loss of her fortune through the US law courts to Conservatorship, that is, her father, Jim, and ex-manager, Jason Trawick, and custody of her sons, Jayden James (1) and Sean Preston (2), awarded to ex-husband Kevin Federline, as she lost her species` `game` of financial independence to Judas` men:

`Guess I can't see the harm

In working and being a mama;

And with a kid on my arm

I'm still an exceptional earner:

And you want a piece of me?`4

The sensitive information that could have saved the pop star who recorded the Blackout album and the song `Piece Of Me` was that men are women`s parasitoid devourer and not their children`s species. Britney`s game plan had begun as long ago as the release of the album Oops! ... I Did It Again (2000) and the video single, `Oops! ... I Did It Again`, in which she sang: `I played with your heart, got lost in the game.` The plot device is the `heart of the ocean` blue diamond pendant given to Rose played by actress Kate Winslet in the Titanic (1997) screen drama of the iceberg that sank the ocean going liner on April 15, 1911, as it went from Southampton to New York: `All aboard!` The ship`s style passenger announcement to board follows upon Britney`s character in `Oops! ... I Did It Again` receiving a gift that the audience doesn`t see but can guess at from her response: `But I though the old lady dropped it into the ocean in the end?` The old lady is 100 year old Rose who appears at the site of the salvaging of the Titanic to drop the memorial `heart of the ocean` overboard before the movie depiction of the 1911 events, which detail how the `heart of the ocean` is used by her jilted lover, Cal, who places it in the pocket of her new beau, Jack, and accuses him of theft. When the Titanic sinks, Jack drowns helping others to the lifeboats, while Cal lives, along with the men who threw the women and children out of the boats to survive. Britney`s observation is that it`s a board game and that Jesus is the piece that wins if the reader has knowledge of the Bible.

 In `Oops! ... I Did It Again` there are two Britney Spears, one in a red pilot`s suit, and another in a white bikini dress, which suggests futanarian women`s mode of human brainpower through sexual reproduction, but also viral replication. Following the plot device of a woman on the red planet, Mars, being explored by `Mars Lander`, an astronaut wearing a spacesuit from the era of the North American Space Administration`s (NASA`s) Apollo space program to put a man on Earth`s satellite, the moon, Britney in her red pilot`s suit hooks the spaceman`s backpack and hoists him up to where, with the eye of the camera attached to his space helmet, he can look down upon her wearing a white bikini dress, so the viewer can see there are two distinct Britneys in `Oops! ... I Did It Again`, which implies the mirroring of Alice in Lewis Carroll`s 1867 children`s novel, Alice Through The Looking Glass, where a girl goes through her dressing table mirror into an alternative reality to find that the characters therein are `pieces` in a `game of chess`. Because girls don`t know what to look for in their bedroom mirrors, that is, `woman`s seed`, they`ve lost to the male vampires they can`t see there, which is traditional in vampire stories of the evil creatures that live by drinking human blood. Consequently, the `heart of the ocean` symbol is the stake in a woman`s heart that a girl doesn`t want, which is why Rose throws it into the sea at the beginning of the Titanic film in which Kate Winslet is painted nude by Jack without even the slightest danger that the vampires in the audience will see a woman`s penis they`ve already stolen to provide themselves with a viral life form`s immortality. Although Britney`s replication of herself in pop music videos like `Lucky` (2000) hints at what a girl needs to see in the mirror of her dreams to confer true immortality upon her species through the capacity of `woman`s seed` to produce labor saving brainpower of her own, and her race`s longevity and rejuvenation by means of medical science, she can`t penetrate the news` blackout to explain why the pawn wins:

Isn't she lucky, this Hollywood girl?

She is so lucky, but why does she cry?

If there's nothing missing in her life

Why do tears come at night?6

The Jesus` Spy

Although Pontius Pilate acceeded to the request of the Jewish Pharisees, that is, the Jewish religious police during the period of the Roman occupation of Palestine, that Jesus be crucified, there are obscure reasons for his condemning the Jewish Messiah to be taken to the hill of Calvary outside Jerusalem, and nailed there upon a cross of wood until he died. As the human host at the `Last Supper`, before his crucifixion, Jesus gave `bread and wine` to his disciples as symbols of his `body and blood`, because parasites feed on the body and blood of humans, whereas humans share food together. Although that seems obvious, Jesus was born uncontaminated by male semen from his mother, the Virgin Mary, in fulfilment of God`s promise to Eve, the first woman, `You shall crush the head of the serpent with your foot, although he shall bruise your heel.` (Gen: 3. 15) The Virgin Mary is often depicted in Christian iconography with her foot on the head of the serpent, because she gave birth to Jesus Christ in fulfilment of God`s promise to Eve. Satan was the angel who rejected God`s plan that the human host would be greater than the angelic host, and Satan was cast out of heaven, along with the rebel angels, to Eden, where he was turned into a serpent who gave Eve `the fruit of the tree of the knowledge of good and evil`, that is, death, `You shall be as gods.` (Gen: 3. 5) For rejecting God`s `tree of life`, that is, immortality, Eve and the first man, Adam, were expelled from Eden by God, while Adam was told he must labor, and Eve that she`d have labor pain, before Redemption, which was fulfilled in the birth of Jesus Christ, the Messiah. Because Jesus was `woman`s seed`, born of the Virgin Mary, he represents the daughter of woman`s future, who is futanarian, that is, God`s `foot`, who has penis` semen of her own as `woman`s seed` uncontaminated by male semen.

 Babylon is `a woman` in the Bible, although the ancient Persian city of Babylon (c. 4000 B.C.) in modern Iraq, and the city of the angels, Los Angeles, is often called Hollywood, Babylon, because it celebrates the fallen angel, Satan. Because futanarian women with their own penis` semen are absent from the mass media, `woman`s seed` has been suppressed so that women`s host wombs can be enslaved by men of the `serpent`s seed` in parasitism. Death is the power that the serpent offers because women who die as ephemerals without knowledge of their own species` `seed` remain host womb slaves to the parasite. In ancient Greece women`s host womb slavery to homosexuality in pederasty was institutionalized to spread the contagion of the male brained Empire of war and conquest. By the late 20th century, the `Greek` contagion of HIV/AIDS, spread by men`s mixing of blood, shit and semen in each others` anuses, during mockery of `woman`s seed` in devotion to homosexuality in pederasty and war against women`s human race, had emerged as the `serpent`s seed` of men`s `biological warfare`: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) By the late 20th century the HIV/AIDS virus was the model for the `geek` successors to the `Greek` plague as computer programers devised viruses to contaminate the storage facilities afforded by machine lest women remember their own penis to sexually reproduce their own brains` powers for liberation from host womb slavery through the technological development of labor saving devices and socio-economic independence from men`s false democracy and liberty in a human democracy in which `woman`s seed` outproduced the wombless males to give women the majority vote:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 The whore is woman contaminated by the virus and so all of the men in her orbit are contamination. In the developmental psychology of Carl Gustav Jung (1875-1961), Jung is definite about the function of the man` anima, which is projected onto a woman as the image of a man`s soul in the course of sexual desire. The result is marriage with the `Self` in the shape of the woman, before reality and vision collide in a process Jung calls individuation, and during which the anima or soul stops being projected and receives introjection as the real woman supplants the imaginary in the relationship. However, Jung`s description of the `contrasexual component` in women, that is, the animus, is less defined. According to Jung the animus is discernible as a woman`s belief that she`s surrounded by men who`re hunting her, because she`s a host womb and that`s parasitism.

 In parasitology the parasite emerges from the host womb to kill the host, that is, women`s host womb produced civilization, culture and art, and men wage wars to destroy `woman`s seed`, because that`s what parasites do. As the human host at the `Last Supper`, Jesus was betrayed by Judas Iscariot, his disciple, who gave Jesus over to the Jewish religious police, the Pharisees, for `thirty pieces of silver` as a `dissident`, that is, Judas betrayed `woman`s seed` to the male brained Empire of conquest through war that was Rome, which is why he was labeled a traitor to the human race, although Pontius Pilate still had to condemn Jesus, which the bloodthirsty crowd demanded:

`His blood be on us and on our children.` (Matt: 27. 25)

 In Christianity Jesus` blood is a symbol of Salvation and Redemption, because he had Resurrection and Ascension to heaven after death, that is, those who conspired to murder Jesus wouldn`t have Salvation, because they hadn`t repented and converted from their sinful nature in order to have Redemption whereas, as `woman`s seed`, Jesus` Resurrection and Ascension to heaven prefigures that of futanarian human women with their own penis` semen for the sexual reproduction of their own brains` powers for liberation from host womb enslavement to men of the `serpent`s seed`. The Jews were the `chosen people` of the Bible because they were God`s `foot`, that is, the futanarian human seed of women that escaped slavery in Egypt, and thereby crushed the head of the serpent there. It isn`t possible to be born a Jew unless born of a woman, and so women are Jews because they`re futanarian `woman`s seed`, as Jesus was. Consequently, Chancellor Adolf Hitler`s National Socialist (Nazi) Party`s pogroms against the Jews, from their election in Germany in 1933, until the war to stop Nazism`s attempt to enslave the Earth, as yet another Empire of male brained homosexuality in pederasty and conquest concluded in 1945, was as typically Christian as the male braining of a generation of Moslem women in `rape camps` during the Bosnian war (1992-95) by Christian Serbs. Although Christians perceive Jews as redeemable because of their biblical status as the `chosen people`, Moslems are the `seed` of Abraham too. In fact the story of Abraham in the Bible is that his wife, Sara, bore Isaac, who was of the line of Judaism, but afterwards Sara was barren, and so she gave Abraham Hajer, her maid, who bore Ishmael, who was of the line that founded Islam. Each year the annual `Haj` pilgrimage to the temple of Abraham, built in Mecca, Saudi Arabia, celebrates Hajer, the Egyptian woman, who broke the taboo against polygamy and so afforded the possibility of human sexual reproduction between women within the permissible four wife Moslem marriages of Islam.

 From a truly Christian perspective that means Egyptians are redeemable, because Islam is more Christian than the Jews that escaped from slavery in Egypt, while the crossing of the Jews through the Red Sea pursued by the Egyptian Pharaoh during the Jews` exodus from slavery in Egypt is a symbol of the menstruation of `woman`s seed`. The `blood of Jesus` is menstrual, because Jesus` death, as `woman`s seed`, born from his mother, the Virgin Mary, followed by Jesus` Resurrection and Ascension, prefigures that of `woman`s seed`, through the fertilization of their ovum by their own futanarian penis` semen for the production of their own brains` powers for liberation from host womb slavery in parasitism, which is what Moslem marriages in Islam are.

 There`s a connection between `woman`s seed` and the misogynist Taliban government of Kabul and Afghanistan`s Al Qaeda terrorist group`s hijacking civil airliners on September 11, 2001, to crash them into the World Trade Centre in New York and `woman`s seed`. The euphemism for `brutality and violence` associated with homosexuality in pederasty is `trade`. Consequently, Al Qaeda intended to provoke war. When Saddam Hussein of Iraq, which was where the ancient city of Babylon was, offered bases to Al Qaeda, the United States of America`s invasion in March 2003 was in accordance with the programing of the world`s stage by Hollywood, Babylon, which had forbade women`s `foot`, that is, her futanarian penis` semen, from being seen on the screen of movie theaters, at least since President Will Hays of the Motion Picture Producers and Distributors of America (MPPDA) imposed the `Hays code` (1930-67) forbidding women from raising their foot from the floor of the bedroom in films on `moral grounds`. Without women`s penis men of the `serpent`s seed` could focus on the extinction of her human race by glorifying war heroism, for example, Jarhead (2005), about the US army`s deposing of  Iraq`s dictator, Saddam Hussein. Although Christianity, Judaism, and Islam seems unrelated, they`re the story of `woman`s seed`, which means that Babylon in the East and in the West conspired to produce another movie war for homosexuality in pederasty to glorify itself in as the `serpent`s seed` of men against Christianity, Judaism, and Islam, as humans live in slavery and ignorance through parasitism for war, and can`t recognize the simple elements of God`s plan for the future, because Satanism has occluded humanity from being able to see what is true.

 Although `spying` is a pejorative usually applied to treachery of the type of Judas, humans have eyes to see and blinding is the method applied by the `serpent`s seed` of men to prevent `woman`s seed` from seeing. In fascist Italy and Germany the fasces were a bundle of sticks with an axe in the center symbolizing the ancient Roman practice of concealing the army commander from view while strategy was conceived. However, in Nazism the fasces was a symbol of the barbed wire around the `concentration camp` where Jews and others were concentrated prior to the Nazis killing them and burning them in ovens, while the axe symbolized the removal of the woman`s penis and so the beheading of her human race. Consequently, women are spies from men`s point of view, but then so is anyone who wants to remember `woman`s seed`, or understand the virus in order to rid the human species of it:

`She held a golden cup in her hand, filled with abominable things and the filth of her adulteries.` (Rev: 17. 4)

 What women see in their environment are the results of the virus` parasitism, although `Babylon` represents men and women`s acceptance of their role, which Saddam Hussein did, whose name means `crusher` and `small handsome man`, and Hollywood, Babylon, does. As Eastern Babylon, Saddam Hussein was either the `crusher` of the head of the serpent, that is, Hollywood, Babylon`s, where Western Babylon had already crushed woman`s head by removing her penis, or Hollywood`s `small handsome man` crushing the head of the woman in Moslem Islam lest she raise her futanarian `foot` from the floor of the bedroom to the planets and stars through her own sexually reproduced intelligence outside of host womb parasitism for slavery to war and species` extinction:

I'm Miss American Dream since I was 17.`1

 Blackout was the title of Britney Spears` 2007 album, which saw the release of the song, `Piece Of Me`, promoted with a picture of herself on the cover in the place of Jesus crucified. The association with the `pieces of silver`, accepted by Judas for betraying Jesus, relates to the silver CD, which was the media most evident in the sales of the song and video. The title of the album related to occlusion and media `blackout` on `woman`s seed` as well as the blinding of women so that they can`t know their own species` mode of sexual reproduction. Consequently Britney Spears` lyrics to `Piece Of Me` emphasize men`s devouring nature as the human race`s torturer:

`Don't matter if I step on the scene, or sneak away to the Philippines. They're still gonna put pictures of my derriere in the magazine; you want a piece of me?`

 The United States of America`s war with the Philippines (1899-1902) followed from the Spanish-American war (1898), because the Philippines didn`t want to be an American Imperial possession and, during the war against Imperial Japanese fascism in the Pacific theater, the Philippines was occupied from May 8, 1942, before being liberated by the United States on August 15, 1945, which although indicative of the United States move away from Imperialism didn`t move far enough in the direction indicated by woman`s statue of `Liberty` in New York harbor, donated by the French Republic in 1886 to acknowledge the Republic of the United States` throwing off the yoke of slavery to British Imperialism in 1776. Britney Spears` derriere is the French statue of Liberty`s, devoured in the male brained Empire by men of the `serpent`s seed` in homosexuality and pederasty`s wars of host womb enslavement of `woman`s seed`:

`Oh baby, baby, does she take a piece of lime? For the drink that I'mma buy her, do you know just what she likes?`2

 Britney`s lyrical phrase, `I`mma buy her`, is a reference to `a buyer` as well as `abiyah`, that is, the slaving of the women who wear the one-piece coverall, the abiyah, that is, the Moslem women of Islam, by those who buy her. Britney`s lyric for the song, `If U Seek Amy` (2009), from the album, Circus (2008), refers to limes aboard slave ships during voyages for the vitamin `C` content to prevent `scurvy`, that is, death from hemorrhage, which occurred before travelers knew, and so is a part of Britney Spears` `blackout` and `spy` theme, because `circus` is a euphemism for spy rings. Although `If U Seek Amy` has been interpreted as F*U*C*K me, the statue of Liberty`s voyage to the United States without vitamin `C` is a reference to the slavers of Europe that bought their black captives the drink beneath their dress, that is, the ocean, rather than the drink beneath her dress, which is her penis` semen, because men don`t want futanarian humanity that wants itself, and so the futanarian women were thrown over the side of the ship into the sea to drown, as newborn Chinese futanarian girls are exposed to die, because they represent a threat to men`s enslaving of the host wombs of women`s human species. Although the American Civil war (1861-65) is believed to have been fought to end the slaving of blacks captured in Africa in the Southern United States` cotton plantations, the voluminous skirts of the antebellum, and other periods in human history, for example, those of the French aristocracy beheaded during the Revolution (1789-1799) against autocracy, and which resulted in the founding of the French Republic, suggest that that and all other wars are similar to America`s involvement in Arabia, where the futanarian women beneath the abiyah, that is, their burkas, were the true victims.

 According to Jung, water is a symbol of unconsciousness, which contains the archetypes of the - to be conscious - totality of the individuated `Self`. Archetypal imagery emerges from the unconscious in dreams, imagination and art, but the archetype of futanarian `woman`s seed` can`t emerge in reality if she`s drowned in the ocean of unconsciousness by the slaver`s drowning of her so she`ll be forever unremembered by `the ocean` of humanity that doesn`t want her, if her penis` `seed` isn`t revealed:

 `I can't get her off of my brain. I just wanna go, to the party she gon' go. Can't somebody take me home?`

 Britney Spears` `piece of lime` is the mnemonic she uses to remember women`s penis, that is, `Piece Of Me` is Judas` betrayal, but F*U*C*K me is the meaning of the statue of `Liberty` wrapped in her abiyah, for Britney`s `woman`s seed` is desperate  to escape from host womb slavery to men`s devouring parasitism, so she needs `Amy`, that is, `ami`, her French `friend`.

 Jesus was crucified for spying on the Roman Empire as an agent provocateur representing `woman`s seed`, which is why he`s depicted in Christian iconography as the Redeemer from slavery. At his trial Pontius Pilot wanted to release the Jewish Messiah but the crowd wanted the release of the insurrectionist, Barabbas, who was in reality less of a threat to male brained Imperialism than Jesus Christ, whose wise teaching for `woman`s seed` was, `Love your neighbor as you love yourself.` (Mk: 12. 31) Because futanarian women represented freedom for the human brain from the Roman Empire of parasitism through sexual reproduction, and the genuine numerical democratic superiority of `woman`s seed` over wombless males, the treacherous disciple, Judas, that betrayed the human host, in the person of Jesus at the `Last Supper`, didn`t want it.

 `Circus` was the name given to the practice of throwing Christians to the lions in Rome`s amphitheaters, where crowds were used to watching men fight and die for their entertainment, whereas in the late 20th century `circus` was the term for spy rings, which killed those who wanted to know. Although Woodward and Bernstein were the investigative Washington Post journalists congratulated for exposing the Republican Party`s spying on the Democrats at the Watergate Hotel on June 17, 1972, they were spying too, because people have eyes and they want to see. Consequently, those who don`t want others to see want people to fight to see, which is why `circus` means `games`. The Roman games in the circuses of the amphitheaters were where people who wanted to see died for the entertainment of those who could see. Similarly, those who can`t understand die for the entertainment of those who can, and so Britney Spears` metaphor with her Circus album is the training of animals who can`t understand and so die for the entertainment of the crowd, which is why Christians were thrown to the lions, because Jesus was `woman`s seed` and so a spy to the male brained Empire of the Romans who didn`t want Christians to see that:

`There's only two types of people in the world;

The ones that entertain, and the ones that observe.`3

The irony of course is that the subhuman watch the humans, which means that Jesus is an animal trainer to the Roman church of Christianity that arose after Jesus` teaching began to spread as the New Testament of the Bible, known as the Gospels, because of the corroborative narratives of the disciples, Matthew, Mark, Luke and John, which detail the life and work of Jesus. In terms of the `games` Jesus is a `circus` spy in a `snuff movie`, that is, he`s killed for the entertainment of the crowd, `His blood be on us and on our children.` (Matt: 27. 25) Consequently, the animals are trained to watch `snuff`, which is what Hollywood, Babylon, prepared the Earth for with its war films, and which reached apotheosis with September 11, 2001, when the hijacked planes crashed into the WTC `live on CNN` and other networked news television channels across the globe. `TV` is a term for transvestite and, in the male brained Empire of Rome, everyone is a man wearing women`s clothes, as it were, and so the Hollywood, Babylon movie, World Trade Center (2006), is a `circus` animal production for the `snuff movie` audience trained to watch degenerate humanity degenerate further in `TV` repeats of the ancient theme of homosexuality in pederasty and war against `woman`s seed` on the part of the parasites seeking the extinction of the human species as it emerges from her host womb.

 In Islam, Jesus has Ascension to heaven, without crucifixion, because he`s illustrative of the Resurrection of `woman`s seed` that `Islam`, which means `accept`, accepts, rather than the animal training that causes subhuman degeneration in the watching of torture and death, which Hollywood, Babylon, promotes in its many versions of the story of Jesus` life, from Robert Henderson-Bland`s Jesus in From The Manger To The Cross (1912), to Australian actor, Mel Gibson`s The Passion Of The Christ (2004), Jesus` crucifixion is presented as orgasmic, rather than tragic, because the filmmaker wants the audience trained to watch death as entertainment for brutes:

`This calls for wisdom. Let the person who has insight calculate the number of the beast, for it is the number of a man. That number is 666.` (Rev: 13. 18)

 In the male brained Empire of Rome, 66.6% are TVs and 33.3% are missing, because the 33.3% are the human futanarian `seed` of women that would replace `the beast` with the 100% human. Without a remake of Max von Sydow`s Jesus in The Greatest Story Ever Told (1965), it`s only a testament to the censorship Hollywood, Babylon, imposes upon `woman`s seed` that `the beast` will rule as the humans die for the entertainment of the `snuff movie` watchers of its extinction:

`La la la, la la, la la la, la la la, la la, la la la, la la la, la la, la la la, la la la, la la, la la la.`

 In the video for `If U Seek Amy`, that is, `a friend`, Britney Spears is at a party, which seems `Ooh la la!` However, although seemingly French and adult, it`s for children, and so the playground refrain is childlike, although the lyrical device in pop music culture isn`t unsophisticated. Led Zeppelin`s song, `The Ocean`, from the album, Houses Of The Holy (1973), is about the crowd, and begins with the refrain, `Na nana na na na na na na na na na na na na.` The idea is that the crowd won`t let go, `Got no time to pack my bag, my foot`s outside the door.`5 Because futanarians are the human race of God`s `foot`, for crushing the `head of the serpent`, through the sexual reproduction between women for their stronger brains, `The Ocean` is about escape from the mass of men that want to keep the human race of Jesus` `seed` as their host womb slaves in parasitism. Britney Spears` party in `If U Seek Amy` is for children, rather than the mass of men, because the futanarian picture of women with their own penis, that is, Britney`s `ami`, is hidden from the audience, although Britney Spears` suggestive hand gestures to those she`s seated with at the party hint of what might also be expected from the girls` part:

`So tell me if you see her.

Let me know what she was wearing and what she was like;

`Cause I have been waiting here forever.`

 Outside on the lawn with the regulation compliment of Hollywood, Babylon, movie children, a boy and girl, and a husband, she`s `nice as pie`, because Britney`s `nicer spy`, although she carries `mom`s apple pie` out to where the paparazzi get some shots off at her, `You wanna piece of me?` Symbolically, it`s Jesus` pie, because `she`s a spy`, like everyone else in occlusion, blinded by the flashbulbs, and the mass media propaganda masquerading as Christian `morality`.  While `woman`s seed` is shot by the Nazis, as they shot British commandos as `spies`, during Germany`s attempt to impose slavery upon Europe in World War II (1939-45), it mustn`t be seen that her penis has produced all of those spies:

`But can't you see what I see.

All of the boys and all of the girls

are begging to ...`

 In the Empire of the male brain, what they want is to kill the woman, `You wanna piece of me?` Because that`s what all those spies are for. No one can see the woman`s penis, because of the propaganda of the publishing industry`s blinding media flashbulbs, although humans would like to. Britney continued the French, `ami`, theme with the song, `Ooh La La`, recorded for the children`s movie, Smurfs 2 (2013), and much of the promotional video for the song features a blue girl Smurf serenaded on Spears` outstretched hand.`... baby come with me and be my ooh la la.`4 The Smurfs appeared on October 23, 1958, in Spirou magazine, while `Smurfette` was the first girl Smurf and, like all the others, wears the pileus of manumitted Roman slaves. Although the video seems for children, and Britney`s sons appear in the video, Sean and Jayden, the theme again is French liberty and adult freedom, where the pileus was known as the `Liberty cap`, and although Britney Spears` serenading of the girl Smurf isn`t an overtly sexual broadcast by a futanarian human woman, she`s publically described herself as `bisexual` in a milieu in which social conditioning for women is schizophrenia for her species, and difficult to transcend.

The Smurf cap is usually described as `Phrygian` because similar headgear was worn in Phrygia, which is probably why Britney Spears wanted to sing with the Smurfs. The Phrygians fought at Troy with the Trojans, whose city was overcome by the Greeks, according to the Greek poet Homer`s Iliad (760-10 B.C.), who used the ruse of a huge hollow wooden horse to hide inside until the Trojans took the horse within the city walls where the Greeks emerged to enslave the host wombs of the women for homosexuality in pederasty and war and spread their contagion further. Spears` album was eponymously titled Britney Jean (2013), that is, Phrygian could be interpreted as `free Jean`, where Britney corresponds to Helen of Troy, whose abduction by the Trojan Prince Paris from Menelaus of Sparta was the ostensible reason for the Trojan war, because his brother, Sparta`s king Agamemnon, sent the Greek fleet to take her home. Britney`s French `ami` was Paris Hilton during her divorce from Kevine Federline, the father of her two sons, who appear in the `Ooh La La` video promo for the Smurf 2 film. During the divorce Paris was the hand on the hilt on her sword for Britney Spears, whose `Ooh La La` video was Phrygean because the album, Britney Jean, was soon released:

`Party in France? You better work bitch.`6

  Britney and Paris` relationship represent the 21st century`s Helen of Troy and Paris fighting against homosexuality in pederasty and war`s parasitism.Without seeing a penis in their own mirror, women are conditioned to accept men`s parasitism, while accusations of `lesbianism` make women schizophrenically rejective of their own race by racism, and that`s what racism perpetrated by aliens is. Human `spy sexuality` is normal for a species enslaved by aliens that do not want humans to sexually reproduce and so occlude the human race from knowledge of its own penis` semen. Consequently, `woman`s seed` must work to succeed rather than have their `seed` suckered by vampires in parasitism, and so in the video for `Piece Of Me` she writes `SUCKER` on the forehead of a paparazzi with a `spy camera` exposed beneath his shirt:

`What she saw in the mirror now was a flushed, clear-eyed face, smiling, smooth, beautiful. The multiple acts of composure and artifice had merely dissolved her anxieties; now that she felt prepared to meet the day, her true beauty emerged which had been frayed and marred by anxiety.`7

 AnaΪs Nin`s passage from A Spy In The House Of Love (1954) applies to Britney Spears` dancers preparing themselves in the mirror during the promo video for `Piece Of Me`, because men are vampire spies, where vampires can`t traditionally be seen in the mirror, while women are futanarians, who can`t see themselves in the mirror, because men want to have a stake in their heart`s future too. Britney Spears is perforce `spy sexual` and a secret leader of the human resistance movement in her song lyrics and video oeuvre, as Jesus was a resistance leader equal in importance to Barabbas, though unacknowledged by the mass of people, who wanted the more obvious Jewish insurrectionist freed, rather than the Messiah. In a male brained Empire, based on host womb slavery in homosexuality and pederasty`s wars to extinguish human women`s own futanarian semen for the fertilization of their own ovum without men of the `serpent`s seed` in Satanism, Jesus was, `Mon ami!`

1 Åhlund, Klas, Christian Karlsson, and Pontus Winnberg, Britney Spears `Piece Of Me`, Blackout, Jive Records, 2007.

2 Kronlund, Alexander, Max Martin Shellback, and Savan Kotecha, Britney Spears `If U Seek Amy`, Circus, Jive Records, 2009.

3 Gottwald, Lukasz, Claude Kelly, and Benjamin Levin, Britney Spears `Circus`, Circus, Jive Records, 2008.

4 Blanc, Lola, Joshua Coleman, Lukasz Gottwald, Fransisca Hall, Jacob Kasher Hindlin, Bonnie McKee, and Henry Walter, `Ooh la la!`, Britney Spears and G.R.L. Vacation, Smurfs 2, RCA, 2013.

5 Bonham, John, John Paul Jones, Jimmy Page, and Robert Plant, Led Zeppelin, Houses Of The Holy, `The Ocean`, Atlantic Records, 1973.

6 `Work Bitch`, Britney Spears, Britney Jean, Jive Records, 2013.

  7 Nin, AnaΪs A Spy In The House Of Love, Swallow Press, 1954.

Smugged

Between 1930 and 1967 Hollywood, Babylon, established the `Hays code` devised by Will Hays, President of the Motion Pictures Producers and Distributors of America (MMPDA), which on `moral grounds` delineated what could and could not be seen in movies. Remembered mainly for the bizarre provision that it was `immoral` for women to be seen in bedroom scenes in films without their foot on the floor, the Hays code nevertheless dominated thinking about filmmaking from the period before World War II (1939-45) and after the rise of Benito Mussolini`s fascist dictatorship in Italy that produced Adolf Hitler`s National Socialist Party in Germany`s democratically elected `Nazi` Chancellor, Adolf Hitler, in 1933, who along with the Italians and the Japanese fascist dictatorship of Emperor Hirohito attempted to establish world slavery. Although the United States of America`s Hollywood, Babylon, seemed to have been at the forefront of the propaganda victory over slavery, closer inspection reveals that the US movie industry may`ve been the enslavers` tool.

 The Bible is believed to be at the heart of American thinking, although God is quite specific in the first book, Genesis, where slavery began, `You shall be as gods.` (Gen: 3. 5) The words are of the serpent, who was the angel transformed by God and made to live in  the paradise of Eden where the first woman, Eve, and the first man, Adam, were tempted to `eat of the fruit of the tree of the knowledge of good and evil`, which was death, in host womb slavery to parasitism for Eve`s daughters, and expulsion by God from Eden for rejecting the `fruit of the tree of live`, that is, immortality. God told Adam he must labor and Eve must experience labor pain before Redemption. The birth of Jesus Christ, the Jewish Messiah, prophesied in the Old Testament of the Bible, which was the law and history of the Jews, who were God`s `chosen people`, is described in the New Testament of the Christians, where Jesus is born uncontaminated by male semen from his mother, the Virgin Mary, as `woman`s seed` in fulfilment of God`s promise to Eve, `You shall crush the head of the serpent with your foot, although he shall bruise your heel.` (Gen: 3. 15) Eve`s `foot` is God`s futanarian human race of women with their own penis` semen and host wombs for the sexual reproduction of brains stronger than men`s. As the `Perfect Man` Jesus is uncontaminated by the `serpent`s seed` of men who accepted host womb enslavement and parasitism for women in exchange for the power to keep her human species from progressing. Without medical and technological progress to make her immortal and save her labor, ephemeral women wouldn`t escape from their parasite, which is described in Revelation as a dragon full grown waiting to devour her child, and is what parasitology predicts for a host to a parasite:

`And the dragon stood before the woman who was about to give birth, so that when she gave birth he might devour her child. ` (Rev: 12. 4)

 Although the child is described as male, `he will rule the nations with an iron scepter`, women with penis` semen of their own, as God`s futanarian `foot`, are definable as male from men`s perspective, just as Jesus is so definable, although Christ, the Jewish Messiah, was uncontaminated by male semen, and so was `woman`s seed` by virtue of his mother, the Virgin Mary. Consequently, the concept of the male child is Jesus in the stead of the woman`s daughter, who is the futanarian future of the human race of `woman`s seed`. Because futanarian women are God`s `foot`, Hollywood Babylon`s imposition of the `Hays code` (1930-67) preventing women`s `foot` from being raised from the floor in bedroom scenes in movies wasn`t `moral`, but a rejection of the `tree of life` and immortality proffered by acceptance of human brains made stronger by `woman`s seed` to crush the head of the serpent of slavery. Although the film Barefoot In The Park (1967) seemed to celebrate sexual liberation for the American couple, Robert Redford, as Paul, and Jane Fonda, as Cory, the movie was a mocking of the absence of women`s futanarian `foot` from the bedroom, that is, she`d never raise her race to the planets and stars of heaven from the Earth symbolized by Central park, New York, which Paul and Cory`s apartment looked down on.

 Although the `Hays code` wasn`t established until 1930, while the first movie in Hollywood, Babylon, Los Angeles, California, on the West coast of the United States of America, was `Old California` by D. W. Griffiths in 1910 before World War I (1914-18), which was the first attempt by the German Empire to enslave Europe and the rest of the world. When the `Hays code` was implemented in 1930, Benito Mussolini, `Il Duce`, had been the fascist dictator in Italy for almost a decade. Hitler would be elected as dictator in fascist Germany in 1933 before the outbreak of the Second World War in 1939 and the United States` eventual involvement when Japan`s Empire attacked the US Pacific fleet without warning on December 7, 1941, which eventually resulted in the US` dropping atomic bombs on the Japanese cities of Hiroshima and Nagasaki on August 6^th and 9^th, 1945, to win the war against fascism in the Pacific theater. Because Hollywood, Babylon, promotes action feature films as war documentaries, the US film industry can be held responsible for the perpetuation of `enmity` between nations:

 `And I will put enmity between you and the woman, and between your offspring and hers.` (Gen: 3. 15)

 The `Hays code` made `woman`s seed` the enemy, despite it being written in the Bible that Jesus `will rule the nations with an iron scepter` (Rev: 2. 27). Because socio-economics is based on `passive` and `active` smoking roles, where `smoking` s a euphemism for those who carry `side irons` as killers with guns, and who want humanity to believe they`re the `iron scepter` of Jesus, or cocksucking, which is a vulgar sexual term for fellatio and explains `gay` socio-economics perfectly. Cigarette smoking is the symbolic extinguishing of the woman`s penis, that is, homosexuality in pederasty is men`s `smoking disease`. In homosexuality there`re `passive` and `active` participants, which correspond to `passive` and `active` smoking, that is, the `active` are the `smokers`, where the futanarian women with their own penis` semen for the sexual reproduction of their own brains` powers to escape from slavery to homosexuality in pederasty`s wars against `woman`s seed` have already been `smoked`. Consequently, socio-economics devolves into cocksuckers, cockteasers and suckers, who`re not human because the futanarian human race of God`s `foot` has already been made extinct by the `serpent`s seed` of men who prefer homosexuality in pederasty, which is why in the late 20^th century the incurable killer disease of HIV/AIDS began to spread through men`s mixing of blood, shit and semen in each others` anuses during mockery of human sexual reproduction that began with the extinction of `woman`s seed` so that the human host womb of women could be forever enslaved in parasitism to the `serpent`s seed`:

 `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

  The human race is being `smoked` by a pederast. Because women don`t have a cock to suck, they haven`t brains of their own to construct an alternative socio-economics and so the `gay` cocksuckers socio-economy is unchallengeable. Although Saddam Hussein was vilified, he was a dictator that Hollywood, Babylon, had created in the ancient seat of Babylon (c. 4000 B.C.), Persia, where modern Iraq now is: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) A `woman` in the Bible, `Babylon` is a type of the host womb enslaved by men for homosexuality in pederasty and conquest through warfare. In ancient Greece homosexuality in pederasty and warfare was institutionalized through host womb enslavement of women, and although Greece is held as the model for Western democracy, `Islam`, which means `accept`, that is, Moslem marriage, is where four wives are permissible so that furanarian women can sexually reproduce within families. Consequently, Saddam Hussein, whose name means `small handsome man` and `crusher` represents the `foot` of the woman endeavoring to crush the head of the serpent, Hollywood, Babylon, which has smoked the woman`s penis to extinction so that their `leading men` can be more active. Although Saddam Hussein was a dictator, he was a man, rather than men, that is, he dictated to Iraq, and Iraq obeyed. Jesus` birth was prophesied throughout the Old Testament of the Bible to the `chosen people`, the Jews, who have to be born from a woman, or they aren`t Jews, which means that women are Jews, and so `woman`s seed` through Jesus would dictate in Christianity`s New Testament, and ultimately Islam, through the Koran (610-30 C.E.), dictated to the Prophet Mohamed by the angels of God, as a man, rather than men, who aren`t superior in numbers, which Jesus indirectly pointed out to the Roman legions that were occupying Jewish Palestine during Jesus` period of teaching there. Jesus met a man near the town of Gadarene, who was possessed, `My name is Legion, because there are many of us inside this man.`(Mk: 5. 9)  When the Roman legion leaves the man they enter into pigs, who run off a cliff and drown, because that`s what a demon team on a human does when in possession. It drives the human to extinguish itself because that`s what parasites do with a host:

 `This calls for wisdom. Let the person who has insight calculate the number of the beast, for it is the number of a man. That number is 666.` (Rev: 13. 18)

 If men and women are 66.6% of the human species, but the futanarian `foot` is missing from the census, that is, 33% futanarian human women with their own penis` semen for women`s host wombs, men and women are `the beasts`, which they worship: `The second beast was allowed to impart life to the image of the first beast so that the image of the beast could talk and order the execution of those who would not worship the image of the beast.` (Rev: 13. 15) Hollywood, Babylon, is famous for `talkie` movies, which means that the `second beast` that gives life to the image of the `first beast` is the media propagandists, who deem on what to tell the public to influence as the demon what humans should think and feel through the screened image, which has screened out `woman`s seed`, but not homosexuality in pederasty`s `biological weapon` of HIV/AIDS that the Bible terms God`s `blood plague` (Rev: 11. 6), which keeps women in fearful faithfulness to monogamy`s host womb enslavers for parasitism in war and the extinction of her human race as the team on.

 The ancient Greeks are documented in the poet Homer`s Iliad (760-10 B.C.) as using a huge hollow wooden horse to hide inside and gain access to the city of Troy in order to enslave the host wombs of the Trojan women for homosexuality in pederasty and spread the contagion further. Their 21<sup>st</sup> century `geek` successors deployed `Trojan horse` viruses to infect and kill computer storage facilities lest women research and remember their own species` `seed`, because homosexuality in pederasty is the model for `gay` socio-economics in which the humans are devoured by the virus. When the Al Qaeda terrorists operating out of Afghanistan crashed their hijacked planes into the Twin Towers of the World Trade Center on September 11, 2001, to precipitate war with the Moslems in Islam, it was `world trade`, where `trade` is a euphemism for that `brutality and violence` which is associated with homosexuality in pederasty, because that`s `gay` socio-economics. Without futanarian Moslem women in Islam, the Earth is divided into `gay` cocksuckers, who employ cockteasers to make suckers out of humans, where `suckers` are fooled, and `cock` is a euphemism for homosexuality in pederasty`s `smoked` penis as well as the hammer of the `smoking` gun drawn back by the thumb, before the trigger is pulled to fire the bullet at the human victim, that is, `cock` is the `iron scepter` for the Antichrist in homosexuality in pederasty and war`s devourings of the civilization, culture and art woman is still able to produce from her enslaved host womb despite her parasite`s depredations in its wars against her.

 The term `geek` is used to define computer experts who devise `bad machine code` as `Trojan virus` to infect and kill computer brains in the same way that HIV/AIDS infects and kills the human brain, although the original term `geek` meant a circus sideshow freak, who ate chickens heads, as an entertainment for the crowds on their way to the main entertainment in the circus tent, known as the `big top`, where `top` and `circus` are euphemisms for killing and espionage. Consequently, the hijacking of civil airliners to crash into the World Trade Center on 9/11 was a prelude to the main entertainment of the `big top` amongst the tents of the tribes of Islam, because the pederasts don`t want `woman`s seed` to interfere with their pogrom as the alien invaders of the host wombs of the women of the Earth in parasitism for slavery to extinction. The `circus` and the `big top` represent homosexuality in pederasty`s spy war against `woman`s seed`, which wants its own socio-economic structure, where women`s democratic sexual reproduction of their own brains gives them the casting vote in any competition for electoral representation against men`s `seed` that can`t reproduce without women.

 The argument that Islam is a dictatorship, rather than a democracy, isn`t tenable. During the war in Bosnia (1992-95), Serb Christian militia set up rape camps in which to male brain a generation of Moslems, because Islam represents women`s democracy insofar as futanarian Moslem women can sexually reproduce within their own four wife marriages. Saddam Hussein was a dictator, but his ambition was to avoid being told what to do, and to tell others instead, which is acceptable if the ruler rules for `woman`s seed`, and is why Jesus is described as `he who will rule the nations with an iron scepter`, because he`s a dictator. A man that can`t be a man without other men isn`t a man. Saddam Hussein may not have been a man like other men who`re men with other men, but he tried to be a man, whereas America`s superiority in the deposing of Saddam Hussein, who was executed on December 30, 2006, was that they represented the devouring of a man, who disagreed with men so much that they found him difficult to stomach, but that`s how Christianity sees Islam, even though Moslem marriages represent the apotheosis of Jesus` `seed` insofar as it`s Jesus` dictatorship.

 Although the dictatorship of Jesus isn`t upon the Earth, that`s because men don`t accept Jesus` teaching, `Love your neighbor as you love yourself. `(Mk: 12. 31) Men think that Jesus` teaching, which the Messiah said was the distillation of the meaning of Jewish law, was directed at themselves, but the teaching was directed at `woman`s seed`, that is, futanarian women`s penis` semen made almost extinct by men`s enslaving of the human host womb in parasitism for homosexuality in pederasty and war, rather than human socio-economics aimed at living through medical science and labor saving technologies. In the Greek dramatist Sophocles` Oedipus Rex (c. 429 B.C.), Oedipus becomes the ruler of the Egyptian city of Thebes after unknowingly killing his father, Laius, and unknowingly marrying his mother, Jocasta, which means that he was blind. Because of the breaking of the incest taboo, Oedipus blinds himself, which is what the `circus` does in its spy rings. The term `circus` derives from Graeco-Roman amphitheaters in which humans were killed for the entertainment of the crowd. Consequently, blinding is what happens to people who want to see what the `circus` doesn`t. Oedipus` daughter Antigone agrees to lead her blind father Oedipus, which obviates the problem. Women are a single species independent of men through their own futanarian penis` `semen, and so incest is a taboo invented by men for women, which Jesus` teaching seeks to circumvent, `Love your neighbor as you love yourself.` (Mk: 12. 31) Oedipus, like Christ, was in the role of the woman, who needs must rid herself of her father so she can sexually reproduce with her own penis` semen, and father herself:

`Which creature has one voice and yet becomes four-footed and two-footed and three-footed?`2

 Oedipus has to solve the Sphinx`s riddle, who strangles and devours anyone unable to answer, before he can become Thebes` ruler. He answers, `Man`, because babies crawl and old men use sticks, that is, guns to kill and enslave the human race by removing its brains, and walking sticks for the lame, blind `Oedipal` humans, who still want to sexually reproduce daughters, rather than homosexuals in pederasty`s wars of extinction against `woman`s seed`. However, the simpler solution is that God`s futanarian `foot` is the third and men are beasts if they prefer to stand alone. The term `Oedipal` was developed by the psychologist, Sigmund Freud (1856-1939), to describe a son`s desire to supplant his father in the mother`s affections. It was Freud`s belief that girls experienced `penis envy`, whereas in fact neither picture fits the case. Girls experience penis absence while their path to sexual reproduction with other women is blocked by the son`s relationship with the mother, which is where the futanarian daughter`s species should receive her education.

 What Freud was depicting was `gay` homosexuality in pederasty and war, where women are employed as enticements for humans. The cocking of the hammer of the gun, as a euphemism for the male penis as `cock`, preparing to kill its human victim, where `victim` is the appropriate term, because there isn`t a defense against a killer`s bullet, is `cockteasing`. Men of the `serpent`s seed` in homosexuality and pederasty`s enslavement of the host wombs of women are `cockteasers`, while Jesus` `seed` are those who want women and humans, and so are `cocksuckers` to homosexuality in pederasty, because `woman`s seed` has been `smoked`, and so it`s only about `active` and passive `smoking`, where the `cock` of the hammer of the gun of the killer is the prelude to the death of the humans with brains, and the brains of the humans are extinguished for passively accepting extinction, rather than kill the homosexuals, who`re erroneously defined by society as a sexual aberration, rather than as an animal, because sociologists have falsely described the alien in sexual terms. Less complicated than that, the alien is here to kill the human race, and homosexuality in pederasty and war are the clothes it wears and that the humans have been taught to tolerate – in all humanity – and without such vulgarities as wondering about the `immoral` meaning of the word `cock` as distinct from what everyone already understands as intolerably vulgar references to the woman`s penis by the publishing industries and the mass media of disseminated news and other forms of `snuff movie` entertainment celebrating the extinction of humanity by the smug - aliens.

1 `Violent, often brutal sex acts or a person, especially a male prostitute, who engages in or appears likely to engage in such acts.` https://www.thefreedictionary.com/rough+trade .

2 https://www.britannica.com/EBchecked/topic/559722/sphinx .

Britney Spears` Mars Lander and God Phoenix

God Phoenix is a spacecraft in a Japanese manga cartoon for television, Gatchaman (1972), piloted by Ryu Nakanishi of the Science Ninja Team. The God Phoenix was replaced by the New God Phoenix, in accordance with the myth of the Phoenix, known as `the firebird`, because it resurrects from its self-immolation. Consequently, in Gatchaman II (1978), the God Phoenix was replaced by the New God Phoenix, which was itself destroyed in the first episode of Gatchaman Fighter (1979), and was resurrected from the ashes of its destruction as Gatchaspartan for the Science Ninja Team`s continuing battle against Galactor.

 The solar system contains Mars as Earth`s closest neighbor, apart from the moon, which the North American Space Administration`s Apollo 11 astronaut, Neil Armstrong, first set foot upon for humankind on July 21, 1969, UTC: 2. 56: `One small step for a man, one giant leap for mankind.` Apollo was the name given by NASA to the missions that preceded and succeeded to the moon landing, whereas Phoenix was the name of the unmanned spacecraft that completed its mission to land on the red planet of Mars on May 25, 2008, and examine the surface to see if it contained life. The Science Ninja Team`s spacecraft, God Phoenix, was resurrected by the imaginations of those who decided upon the name Phoenix for the unmanned Mars landing, and the idea emerged in Britney Spears` `Oops ... I Did It Again` science fictional promoting video from the album Oops! ... I Did It Again (1999) in which Britney is discovered singing and dancing on Mars in her red pilot`s suit by an Apollo astronaut from the era of the NASA moon landings. Because the pilot of the God Phoenix spacecraft is a man, Ryu, `the Owl`, and the only other female member of the Science Ninja Team is Jun, the Swan, Britney Spears` red pilot suited character corresponds to Jun, who is the electronics and demolitions expert with the team who`re trained in the Science Ninja Technique of self defense:

`Who is it, who is it, who is it;

That shadow dancing in the sky.

It's the white wings of Gatchaman

leaping on faith

in the science technique firebird.`

  Although Britney Spears` character is wearing a red pilot`s suit, Jun isn`t the pilot of God Phoenix in Gatchaman, and so she more closely corresponds to the character, Red Impulse, who is the leader of a squadron of pilots that occasionally help Gatchaman, although Red Impulse is a man. Britney Spears dancers would then be her training squadron being put through their paces. In the series, Jun has a white jump suit, so Britney Spears appears `twinned` in her red pilot`s suit and in a white bikini dress. Raising the Apollo spaceman above herself in a white bikini dress by means of a hook in his backpack and a pulley, Britney in her red pilot`s suit makes it quite clear that she is separate and distinct from the `other` Britney beneath the camera eye of the spaceman as he hangs suspended helplessly above her. Consequently, Red Impulse and her squadron are supporting Jun, the Swan, in terms of the correspondences between `Oops! ... I Did It Again` and the God Phoenix crew and their supporters in the Gatchaman Japanese manga television and cinema film franchising. God Phoenix is an underwater vessel as well as an aircraft and spaceship, which explains some of the ocean going symbolism in Britney Spears` `Oops! ... I Did It Again`; for example, she`s lying atop a `Rose Compass` beneath the camera eye of the spaceman as he relays pictures back to `Mission Control`. A Rose Compass is a nautical device, which allows the ship`s master to note the position of the vessel, and so its appearance in `Oops! ... I Did It Again` indicates Britney Spears` role; an interpretation supported by the lyric sung by the star during the sequence in which the spaceman is filming her from above:

`You see my problem is this;
I'm dreaming away:
Wishing that heroes, they truly exist.
I cry, watching the days.
Can't you see I'm a fool in so many ways?
But to lose all my senses;
That is just so typically me
Baby, oh.`

 All of the characters in God Phoenix have bird attributes in their costume and nomenclature, for example, Ryu, `the Owl`, and Jun, `the Swan`, and their call to action is `Bird, go!` Britney`s appearance in `Oops! ... I Did It Again` is that of a manga cartoon character in her red pilot`s suit and, in her white bikini dress upon the star of a Compass Rose, she`s God Phoenix`s baby bird:

 `All aboard!`

 The announcement is a nautical term directed at the crew or passengers, which had critics looking at the gift box given to Britney Spears, because the belief was that the Titanic (1997) movie was a theme of the video `Oops! ... I Did It Again`, where Rose drops the `heart of the ocean` blue diamond pendant into the sea at the point of salvage for the sunken vessel that hit an iceberg on its maiden voyage from Southampton to New York on April 15, 1912. It`s a remembrance of her time spent aboard the ship, which she boards as the fiancée of Cal, but jilts him for a new lover, Jack, who is framed for the theft of the `blue diamond pendant` belonging to Rose by the simple expedient of Cal`s arranging to have it placed inside Jack`s pocket and then accusing him of stealing it. The corresponding item in the Gatchaman manga cartoon adventure is a `rose bomb` thrown by a `Devilstar` in episode # 81, `Duel on Galactor Island`. She`d been corrupted by Galactor and was the fiancée of Alan, who blames Joe, `the Condor`, for killing her:

`Joe remembers a Devilstar racing at him, a rose bomb in her hand. The Devilstar throws her rose bomb, but Joe throws a shuriken, pinning the rose back to the Devilstar’s chest.`

 Joe`s parents were members of Galactor, who were killed by a Galactor rose bomb, when they tried to escape. Consequently, the rose theme relates to escape from a false embrace, which is why critics have associated `the heart of the ocean`, given to Rose in the Titanic movie, with the gift box given to Britney Spears by her spaceman in the `Oops I Did It Again` video, because Rose wants to escape from Cal in the arms of Jack, who drowns while rescuing people from the lifeboats, while Cal escapes. Although Rose drops the `heart of the ocean` blue diamond pendant into the sea at the point of the vessel`s salvage at the beginning of the film, Britney Spears` spaceman says:

 `Well, Baby, I went down and got it for you.`

 The line that links Britney`s `Oops I Did It Again` video with the Titanic movie is her response to the gift in the box that the audience can`t see: `But I thought the old lady dropped it into the ocean in the end?` Her spaceman`s going into the ocean to recover it relates to the God Phoenix`s role as a submersible in Gatchaman. When the spaceman arrives Britney has escaped, because she`s seen dancing and singing with her squadron. Although the God Phoenix isn`t seen, the Phoenix symbolism is present in the radio call from `Mission Control` asking `Mars Lander` for a `status report` at the beginning of the `Oops! ... I Did It Again` video, because `Phoenix` was the name of `Mars Lander`, when the unmanned NASA spacecraft landed on the red planet on May 25, 2008. Picking up a painted cameo of Britney from the floor of the desert, it resembles a biscuit or `cookie`, which is a small piece of data sent from a website and stored on a user's computer so that when the website loads it remembers the visitor. Although Britney Spears` video isn`t a website, `Oops! ... I Did It Again` is replayable. At one point the spaceman is seen walking backwards to emphasize the replayable aspect of the recording, that is, it remembers the visitor, who is the spaceman. When he`s collected the `cookie`, Britney`s stage show rises from the sand:

`It couldn`t be?`

The `cookie` is collected by the spacemen each time the video is played and so the recording remembers as an internet website remembers the visitor`s previous visit so that the visitor can begin from where they paused their website visit. For `gamers` this is a necessity, which suggests `Oops! ... I Did It Again` is a prototypical computer game in which avatars have tasks to complete for the player to succeed. Although the characters in `Oops! ... I Did It Again` repeat the same tasks over again each time the video is played, the `cookie` remembers, and so Britney Spears is a `smart cookie`, which suggests that she`s remembering. Consequently, when she descends inside a giant ring to the stage set of `Oops! ... I Did It Again`, it`s a remember ring, and what`s being remembered is the `heart of the ocean`, that is, the blue diamond pendant, which symbolizes the false embrace missing from the ring as she descends to greet someone who is `suited`:

`But to lose all my senses;
That is just so typically me.
Baby, oh.`

 In the developmental psychology of Carl Gustav Jung (1875-1961) archetypes are symbols and images that appear in dreams, art and the imagination as the impulses to individual growth. According to Jung human consciousness has four functions; `Thinking, Sensation, Feeling and Intuition`. The archetype can be found in the four different suits of playing cards that originally were associated with the legend of the bowl of Jesus at the `Last Supper` at which he gave the disciples `bread and wine` as symbols of his `body and blood`, because food and drink are necessary to humans. The suits are bowls, spears, swords and pentacles which, according to Jungian psychology, denote `Thinking, Sensation, Feeling and Intuition` in undifferentiated form, that is, ears, eyes, mouth, and nose or sense of smell. Although civilization, culture and art arise from human activity, obtaining food is what the functions are for. Consequently, Judas` embracing of Jesus before he betrayed him as a `dissident` to the Roman occupiers of Jewish Palestine for preaching `love your neighbor` during the period of Empire, was a betrayal of the human spirit against slavery.

 Because Britney Spears` `Oops! ... I Did It Again` is a description of the psychological complex associated with the individuation process, it`s a manufacturing complex, that is, it`s a concrete rather than an abstract depiction of how to obtain food, because those who buy the product feed the producer. Consequently, the artist is a manufacturer of food by association, that is, people are fed because they work for the artist, for example, on the production of Britney Spears` video `Oops! ... I Did It Again`. Confusion arises when the artist is perceived by the consumer as food. Enslavers perceive that care is a lesser activity, that is, humanity is a dramatic display of useless human emotion. The slaver perceives Britney Spears as lesser, because consumed by an emotional desire to manufacture as an artist, so the greater is consumed by the lesser, that is, the artist is in fact the greater, while the slaver devours her. However, the artist`s desire is to be a manufacturer, so that she can live without being employed, that is, be a `man` in the true sense of the meaning of the word. Consequently, it`s the desire to be a manufacturer that the slaver perceives as an artistic emotion that categorizes the human individual as inferior to the slaver, who wants to eat without manufacturing. Just as Cain killed his superior brother, Abel, in the Bible because Abel was able to could cook, while Cain only wanted to pick fruit from trees, because it required lesser effort.

 Artists are despised by the lesser or inferior because artists want to be manufacturers. As a consequence, humans are despised, because they want to be free of slavery. Because human emotions place the artist in the `village idiot` category for those with lesser ability, who want the artist to slave for the slaver, displays of humanity are what the slaver wants from the artist in a video like `Oops! ... I Did It Again`, for instance, but that display of emotionality categorizes the artist as inferior and not a manufacturer to the consumer. Consequently, the slaver teaches the consumer that the artist is food. The obvious science fiction element, apart from `Mars Lander`, in `Oops! ... I Did It Again` is the television series, Land Of The Giants (1968-70), in which the Spindrift, a sub-orbital passenger spacecraft, lands in a storm to discover themselves little people amongst giants. Britney descends to her stage set in a giant ring as a symbol of her human ambition to be a successful manufacturer, which is what the set depicts: manufacture ring. Because the individual is small, doesn`t mean they`re not a `man`. Any girl who designs a birthday card is a manufacturer; for example, but she may lack the wherewithal to manufacture. So she`s prey to the enslaving ogre, who isn`t a giant and would lessen her in the eyes of the public as an emotional artist, who is impractical, and so dismissable as some category of `village idiot`.

 The enslaver uses the artist to dramatize humanity for others to emulate in ignorance how enslavement is practiced upon those taught they`re not a `man` as a display window of how humans behave. The slaver doesn`t want humans to manufacture what they need to live without the slaver, and so human emotions are dramatized for humans to accept as correct behavioral responses within a slave system. The enslaver doesn`t want the human to be a `man`, that is, a manufacturer, who lives by their own effort, so the `village idiot` character is both a manufacturing artist and a human slave as characterized by the enslaver who perceives humanity and human emotion as a display window rather than an actual depiction of human activity. In simple terms, what humans see and are taught to believe is human is the Potemkin village illusion that the `the man` wants humans to believe is real so the humans can continue as a slave race. The concept of the Potemkin village (Потёмкинские деревни) was developed in Russia to hide government installations,1 but the `village idiot` concept has been adopted as the basic propaganda tool of government everywhere, because `the man` doesn`t want humans to be socio-economically independent of `the man` as the enslaver of humanity. In short, the manufacturer who enslaves is `the man` and the humans live in a Potemkin village illusion as `village idiots` who`re humans but can`t be a `man`, because a slave ring isn`t a manufacture ring, and `the man` wants humans as deluded actors for an illusionist`s trick.

 Britney Spears` `Oops! ... I Did It Again` depicts CD manufacture from the director and the artist`s perspective, because the artist, Britney Spears, is her `man`, that is, her manufacturer, which is why she descends inside a manufacture ring as a small person. She`s the manufacturer, but appears small, because she`s big, so represents freedom from slavery to humans. Although she`s in the land of the giants, she`s inside what`s transparently a New York Giants` NFL Superbowl ring, so the ogres are discouraged by the size of the team in American Football protecting the quarterback (QB) so that the ball reaches the `end zone` and `touchdown` (TD), which was the word deployed by NASA, when Neil Armstrong made the first step onto the surface of Earth`s moon: `One small step for a man, one giant leap for mankind.`2 Because human manufacturers are giants, whereas ogres devour.

 God Phoenix is Japanese giants` fiction, where the fiction is that the characters aren`t a Potemkin village illusion designed to fool humans into believing that they can never be a manufacturer of what they need in order to live without being the slaves of an ogre, rather than a giant with other manufacturers. The fear for humans is that, behind the Potemkin village illusion, is an ogre rather than a giant, and humanity`s history of wars and Empires supports the belief that`s true. Consequently, the critics` perception that it`s Rose`s `heart of the ocean` diamond blue pendant, from the Titanic movie, in the gift box that the spaceman gives to Britney in `Oops! ... I Did It Again`, is designed to warn a younger humanity of the false embrace, and the allusion to the `rose bomb` of the woman, who`s been corrupted by `the man`, until she accepts her role as a Devilstar in the employ of Galactor, and is necessarily killed by Joe Condor in self-defense, depicts her betrayal by `the man`, which her lover, Alan, blames Joe for. Japanese giants` fiction is ogreish, because the manufacturer, that is, `the man`, exemplifies corruption and the devourment of young humans within the Potemkin village illusion designed to trap humanity into accepting slavery and devouring rather than that humans are individually manufacturers of what they need themselves to live, which is what `a man` is definable as, whereas `the man` is a devourer, because ogreish.

 The God Phoenix`s Joe is blameless, because Alan is depicted as a Potemkin `village idiot` delusionist convincing the young human audience that`s how humans behave and so `the man`, that is, the manufacturer, wants Joe and/or Alan to die as antagonists because that`s what devourers do. The pedantic ubiquitousness of the theme in human entertainment is a sickness that `the man` has, because it`s an ancient evil that could only be transcended if individual humans had longevity, and therefore life enough to develop a manufactory and the memory capacity to become permanent manufacturers of their own needs. Consequently, `the man` is a term for heroin addicts waiting for their `hit`, which is a term used by assassins too, and that`s because `the man` spends most of humanity`s money on war, and preparations for war, rather than on health. Heroin is a drug used by `the man` to kill the human, which is what assassins do, because `the man` doesn`t want `a man`, but rather death for the individual, who might become a manufacturer, that is, `a man`, and able to live independently of `the man` who lives by devouring humans:

`Oops! I did it again;
I played with your heart, got lost in the game:
Oh baby, baby.
Oops! You think I'm in love;
That I'm sent from above:
I'm not that innocent.`

Britney Spears` lyric from `Oops! ... I Did It Again` iterates the heart theme, and the plague game, whereby the men play games to delude with Potemkin village illusions to make village idiots out of humans so that people become facades behind which monsters operate. In other words, Britney Spears is aware of the game, and warns the deluder that she isn`t innocent, because she`s a man, that is, a manufacturer, and doesn`t accept slavery and devourment as the lot of humanity.

 She`s The Man (2006) was the movie starring Amanda Bynes as Viola Hastings, who dresses as a boy in order to play soccer, because sexism prevents her from making the team, which is true because, born from his mother, the Virgin Mary, Jesus was uncontaminated by male semen, and so represents `woman`s seed`, that is, futanarian human women with their own penis` semen and host womb for the sexual reproduction of their humans species` own brains` powers for socio-economic development and independence as manufacturers. Although She`s The Man is a comedy, humor constitutes another aspect of the Potemkin village illusion designed to keep humanity in ignorance and slavery to `the man`, because merriment is perceived as a village idiot`s foolery, whereas it`s a sign of human sophistication. Consequently, sophisticated humans are fooled by `the man` into deluding humans, although humor is a sophisticatedly human attribute, which means that sophisticated humanity is held in contempt by `the man` that uses it to dupe humans into slavery and devourment. Although `political correctness` is anti-sexist, the absence of futanarian `woman`s seed` from Hollywood movies indicates that cross-dressing films are mocking the human race`s male brainedness, which enslaves and devours. Television is most commonly defined as `TV`, while transvestite or cross-dresser is also defined as `TV`, and so male braining is what `TV` represents as a species. With a male brain for its females as well as its males, the male can teach the female to accept slavery and devourment for human nature, which is what war movies without Jesus` woman`s `seed` predicate and that`s what `the man` plans. A social fabric existing as a Potemkin village illusion containing idiots while `the man` plans to enslave and devour an increasingly humorless and humanless planet, because `the man` doesn`t want `a man` to live.

1  Grigory Potemkin built fake settlements along the banks of the Dneiper to deceive his lover, Empress Catherine II, during her journey to the Crimea in 1787 , and the term is now used in politics and economics to describe what`s built to deceive others into thinking a situation is better than it is. https://en.wikipedia.org/wiki/Crimean_journey_of_Catherine_the_Great .

2 Armstrong, Neil July 21, 1969, UTC: 2. 56.

Supper`s Ready

Although Britney Spears` video for the pop singer`s `Work Bitch` from her eponymously titled album Britney Jean (2013) seems unique, it has an antecedent in English progressive music`s album Foxtrot (1972) by Genesis from the era of Peter Gabriel`s success as lead singer after the band was formed in 1967, and before drummer Phil Collins took over lead vocals for the Genesis album And Then There Were Three (1978), when the recording artist that the British music press called `the angel Gabriel` left to sing solo. Tony Banks, Mike Rutherford and Collins continued as Genesis, but the period of Gabriel`s tenure as lead singer with Steve Hackett (1970-77) as lead guitarist is revered by music listeners for the band`s oddly childlike lyrics and pre-video age album cover artwork that proved an attractive combination of music and surrealism to record buyers. The track `Supper`s Ready` is the longest Genesis recorded at twenty-three minutes and is comprised of seven parts in which an incident between Gabriel and his wife, Jill, is fictionalized into an apotheosis. Gabriel related how Jill had seemed possessed by a different voice and personality one evening, which resulted in his deploying a makeshift crucifix to ward her. `Supper`s Ready` grew out of a passage from the Bible in which an angel calls those chosen to the heavenly Jerusalem after Christianity`s victory over the antichrist:

`I saw an angel standing in the sun. He cried with a loud voice, saying to all the birds that fly in the sky, Come! Be gathered together to the great supper of God.` (Rev: 19. 17)

 In Jewish tradition there are two great creatures of the Earth, Leviathan of the sea and Behemoth of the land, which are eaten in the last days, although Behemoth is described lovingly in the Bible, `He is the chief of the ways of God: He only that made him giveth him his sword.` (Job: 40. 19) God asks, `Can you pull in Leviathan with a fish hook?` God can and Britney Spears` first reference to Genesis and Revelation is to be found in the promotional video, `Oops! ... I Did It Again`, from the album Oops! ... I Did It Again (2000), where she places a hook in the backpack of her spaceman visitor to her set on Mars where she`s performing the song so that he can see her suspended beneath and film her with the camera attached to his space helmet. The character looks like Neil Armstrong`s Apollo 11 astronaut who was the first man on the moon on July 21, 1969 (UTC: 2. 56), and there`s a curious doubling as Britney Spears in a red pilot`s suit winches him above herself in a white bikini dress to where she`s visible singing the lyric:

`You see my problem is this;

I'm dreaming away:

Wishing that heroes, they truly exist.

I cry, watching the days;

Can't you see I'm a fool in so many ways?

But to lose all my senses;

That is just so typically me.

Baby, oh!`

 In symbolic terms the spaceman is Leviathan, which explains the announcer`s `All aboard!` After Britney receives a gift from her astronaut, `But I thought the old lady dropped it into the ocean in the end?` The gift in the small black box remains a mystery, `Well, baby, I went down and got it for you.` But the image of the astronaut as a former deep sea diver who`s made it to Mars is in keeping with the selection procedures for the North American Space Program (NASA) in which navy pilots were amongst those chosen for the Apollo missions that culminated in Neil Armstrong`s becoming the first human on Earth`s satellite. Interpreters associate the gift Britney receives with the `heart of the ocean` blue diamond pendant worn by Kate Winslet as Rose in the film of the Titanic disaster, an unsinkable ship that sank after hitting an iceberg on its maiden voyage from Southampton to New York on April 15, 2012.

 The movie Titanic (1997) begins with Rose as an old woman dropping the diamond at the sea at the point of the ship`s being salvaged as a token of remembrance, and so the Titanic is a figure of Leviathan. Rose is remembering lost love. She`d gone aboard with fiancée, Cal, but had jilted him for a new lover, Jack, who`d drowned helping passengers into the lifeboats. The trip had been painful for Rose because Cal had planted the diamond in Jack`s pocket and accused him of theft. Consequently, Britney Spears` `Oops! ... I Did It Again` is about the difficulty attending the recovering of a lost love. In biblical terms, God`s love for mankind, which is supposed to have returned with the Advent of Jesus, the Messiah, who was crucified by the Roman Empire in Palestine as a `dissident` preaching against Rome, `Why, why do we suffer each race to believe that no race has been grander?`1 Jesus was born from his mother, the Virgin Mary, as pure human uncontaminate, and had Resurrection and Ascension to heaven after his death, which is why he`s called the `Redeemer` by Christians, who believe that Jesus` fate represents the return of the love of God for humanity:

`Surely, this was the son of God.` (Matt: 27. 54)

 The Roman guard Longinus` words accompany his piercing the side of Jesus with his spear as if he were searching out the Holy Spirit Jesus had promised would teach after his death. As the `Second Adam` Jesus` mother, Mary, was the `Second Eve`, who was the first woman, according to the Bible, who emerged from the side of Adam. Consequently, Longinus was endeavoring to discover Jesus` Eve. Of course the meaning of Jesus` preaching is that all women are Eve, `Love your neighbor as you love yourself.` (Matt: 22. 39) There`s no closer neighbor than the woman by your side. So Britney Spears in her red pilot`s suit, and herself in a white bikini dress being examined under the camera attached to the space helmet of the astronaut, `Mars Lander`, who is transmitting pictures back to `Mission Control` on Earth, is Eve by herself. As Eve emerged from the side of Adam, according to the Bible, in the pair`s original paradisal home of Eden, it was an asexual birth. Just as Jesus` birth was:

 `You shall be as gods.` (Gen: 3. 5)

 The serpent`s words to Eve as it offered the `fruit of the tree of the knowledge of good and evil`, that is, death, tempted her to reject the `fruit of the tree of life`, which is immortality, and so Eve and Adam were expelled from Eden by God, and as Britney Spears sings, `You better work bitch.` God tells Adam he must labor while Eve will experience pain in child labor. Eve`s labor pains end with the birth of Jesus, while Adam`s labor is to comprehend Jesus` Holy Spirit. Because `futanarian` women have their own penis` semen and host womb, women don`t need men for sexual reproduction, which is why Jesus uncontaminate is `woman`s seed` and God warns Eve of the `perpetual enmity` of the `serpent`s seed` for her human species of woman:

`You shall crush his head with your foot, and he shall bruise your heel.` (Gen: 3. 15)

 Eve`s `foot` is her `futanarian` race that wants to be by herself, which is the meaning of Jesus` Holy Spirit`s teachings of the `Second Eve` and the appearance of another Britney Spears by her side in `Oops! ... I Did It Again`. Britney`s perception is that mankind is Leviathan, whereas Jesus uncontaminate is `woman`s seed`, which is why he represents Redemption for humanity, while men haven`t yet accepted Jesus` teaching and so can`t have Redemption but will be eaten as Leviathan in the last days:

 `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 What they`d done was prefer each other to women and parasitically infest the host womb of the human `futanarian` race in male braining, which resulted in the late 20<sup>th</sup> century in the emergence of an incurable `killer disease`, HIV/AIDS, spread by men`s mixing of blood, shit and semen in each others` anuses in rejection of women during mockery of the act of human sexual reproduction. Not only does male braining produce plague but at the outset of the 21<sup>st</sup> century, war, when the Twin Towers of the World Trade Center in New York were destroyed by hijackers from the Al Qaeda terrorist group based in Afghanistan crashing planes into them. The response of the United States of America to the events of September 11, 2001, was to invade Afghanistan and depose the Taliban regime before proceeding to make war on Al Qaeda elsewhere. Because Behemoth is a land creature, armies are definable as Behemoth, which is to be eaten in the last days before God`s new heaven and Earth and a punishment of eternal unendurable pain for the antichrist and the other evil doers. Consequently, Genesis` `Supper`s Ready` refers to the meal, and scenes from Britney Spears `Work Bitch` imitate the cover of Genesis` Foxtrot album in which a female fox is anthropomorphized as a woman standing on a plinth in the water surrounded by sharks:

`We climb up a mountain of human flesh,

To a plateau of green grass, and green trees full of life.

A young figure sits still by a pool,

He's been stamped `Human Bacon` by some butchery tool.

(He is you)`2

 On the cover of the CD single for `Piece Of Me`, from the Blackout (2007) album, Britney Spears appears on the cross of Christ crucified, because the crucifix is a hook by means of which Leviathan is caught, that is, humankind is redeemed if men accept Jesus` teaching of `woman`s seed` rather than the serpent`s, and Britney deploys the same imagery in `Work Bitch` where she`s the fox from Genesis` Foxtrot surrounded by `sharks` that want to eat her, because they symbolize men who aren`t caught by God`s `fish hook`, which is Jesus` cross and the symbol of humanity`s Redemption from being `Human Bacon`. Peter Gabriel`s concern for his wife, Jill, caused him to deploy a makeshift crucifix, while Britney Spears` `Piece Of Me` elaborates the theme possession:

`I'm Mrs 'You want a piece of me?'

Tryin' and pissin' me off.

Well get in line with the paparazzi;

Who's flippin' me off.

Hopin' I'll resort to startin' havoc,

And end up settlin' in court.

Now are you sure you want a piece of me?`

 It was the paparazzi`s photograph of Britney`s baby Sean`s cap falling off as she went to get into a car at the Ritz Carlton hotel near New York`s Central Park on Thursday, May 18, 2006, that ultimately resulted in her losing custody of her children and control of her fortune on grounds of neglect and diminished responsibility, that is, Sean, Jayden, and Britney were possessed, which explains the appearance of Spears on the cross of Jesus as a protection against further possession:

`Something tells me I'd better activate my prayer capsule.`3

 Genesis` `Supper`s Ready` introduces the figure of the Guaranteed Eternal Sanctuary Man as a symbol of the antidote to possession that the spiritual individual represents. However, because Jesus` teaching was that the Holy Spirit would teach after him, the antidote to possession is practical knowledge, which means taking care of yourself. In `Oops! ... I Did It Again` Britney is by herself, whereas with two young children during her marriage with Kevin Federline on September 18, 2004, Britney had been possessed and so remained in danger of losing possession of what the couple had had together after the July 30, 2004, divorce and settlement. Consequently, the single `Piece Of Me` details Britney`s feelings about being possessed, which is why the title of the album from which the single `Piece Of Me` was taken was Blackout, because women are kept in ignorance of their own species `futanarian` nature as humans with their own penis` semen and host wombs so that it`s easier for the `serpent`s seed` of men to possess and enslave women as their parasites:

`Guess I can't see no harm

In working and being a mama;

And with a kid on my arm

I'm still an exceptional earner:

You want a piece of me...`

 Although Britney Spears` aristocratic look at horse riding features the sport of polo in the single `Radar` from the album Circus (2008) the aristocratic sport of fox-hunting is featured on the cover of the Genesis album Foxtrot in which the female fox anthropomorphized as a woman stands on a plinth in the middle of a lake while the hunt with the dogs and the horse riders watch her from the shore. Because the term `circus` is a euphemism for spying in English circles, Britney Spears` `Radar` is a commentary on that censorship or `blackout` that effectively is blinding those who want to see, which is what the `circus` of spies actually does. The blind are slaves because they can`t see, which is why women are kept in ignorance of their own `futanarian` nature as humans with their own species` sexual capacity for reproduction from their own penis` semen:

`I make it bubble up. Call me The Bubbler.`

 Britney Spears` `Work Bitch` lyric emphasizes her sexual nature is for women. Women aren`t expected to see that, because they don`t have eyes as their capacity to sexually reproduce is denied, `Do you judge God by his creatures when they are dead?`4 After examining criminality in `Criminal`, Britney recreates herself as a `super criminal` in `Work Bitch`, after the style of The Joker and The Riddler in the Batman (1989) film and its sequels. She`s The Bubbler who`s a criminal to patriarchal society, because she turns on what remains of women`s human sexuality. The eyes and brains of `futanarian` humanity are dead or blind, because the `circus` has killed, or is killing them, to enslave the human race, and The Bubbler wields her whip in `Work Bitch`, because she wants the animals to behave as she believes they should:

`Think I can handle that

Animal in the sack;

His eyes see right to my soul.

I surrender self-control.

Catch me looking again;

Falling right into my plan.`

 Britney Spears describes herself as an animal trainer in Circus` `Radar`, because women need radar to be able to see as men are the animals that have blinded them. In `Criminal` from Femme Fatale (2011) her `plan` has failed, `But mama I'm in love with a criminal, and this type of love isn't rational, it's physical.` You can`t train an animal if you let it blind you, `He is a killer just for fun, fun, fun, fun.` Although governmental organizations such as the United States of America`s Central Intelligence Agency (CIA) represent intelligence, in fact they kill those who can see because those who want to know are the intelligent and intelligence is the enemy of the blinder. Consequently, if what was on Britney Spears` character`s radar was a criminal, he represented blindness for her rather than illumination, that is, without the practicality of being able to care for herself through the teaching of Jesus` Holy Spirit, she was courting that blindness in unconsciousness `Piece Of Me` from Blackout warned against:

`I'm Mrs 'Most likely to get on the TV for strippin' on the streets'

When getting the groceries, now, for real...

Are you kidding me?

No wonder there`s panic in this industry.

I mean, please, do you want a piece of me..?`

 Panic attacks occur without reason or warning, but are explicable if killers are blinding the human race so they can`t see, but live in progressive unconsciousness, and acknowledged depression, or unfathomable despair, while their bodies expire from murdered exhaustion in an ageing process determined by the alien killer of the species:

`You can tell he's doing well by the look in human eyes.`5

 Jesus was thirty years old when he began his teaching ministry (Luke: 3. 23), and he died when he was thirty-three, which explains the importance of the demons he cast out of the man he met on the road by the town of Gadarene. The demons entered into pigs and ran over a cliff to their deaths. Jesus` death occurs somewhat inexplicably because he doesn`t have to take the path of martyrdom but does so in order to illustrate his teaching, which is that men drive humans as slaves until they die because they`re demoniacal. Jesus told the disciples before his death that the Holy Spirit would teach after him. Consequently, the founding of the Moslem religion of Islam through the Koran (610-30 C.E.) after the death of Jesus is interpretable as being informed by the Holy Spirit, who in Judaism is the female spirit of God, and is called Shekinah, while in Islam she`s `tranquility`. In the Koran the life of Isa born from the Virgin Mariam doesn`t have Ascension after crucifixion, because Islam, which means `accept`, has been taught by the Holy Spirit that Jesus was driven as a slave and the Moslems don`t want that as a lesson for their children. Islam`s perception is that Christianity interprets the fate of Jesus as a recipe for driving human slaves to death, that is, humans are to be tortured in order to produce. The Redemption in Jesus` history is that he had Resurrection and Ascension after his death, but he was driven as a slave to his crucifixion.

 The Moslem perspective is that they `accept` Jesus` teaching, but they don`t want to confuse their children with the idea that slaves driven to martyrdom is a path to heaven, whereas the September 11, 2001, terrorists hijacking civil airliners to crash them into the Twin Towers of the World Trade Centre in New York to precipitate war with Moslem Afghanistan were obviously driven to what they thought of as martyrdom by the 21^st century Old Man of the Mountain, Osama Ben Laden, who was the historical successor of Hassan Ben Sabbah, Master of the Assassins, who would lure young men to his fortress in Afghanistan and delude them with visions of paradise through hashish before promising them they`d return and enter into paradise if they completed their mission as assassins and kill those who wouldn`t accept Islam. Just as the Romans killed Jesus, so the Moslems killed those who wouldn`t accept the Koran dictated by the angels to the Prophet Mohamed, according to Islamic tradition, because that`s what slave drivers do. Consequently, the 9/11 terrorists were slaver driven martyrs. The fall of Iraq and the execution of dictator Saddam Hussein on December 30, 2006, because he supported the terrorists, and the killing of Osama Ben Laden on May 2, 2011, at his hideout in Pakistan, was what the slaver driven do, because slavery is what humans have been taught to practice and understand that that`s what they`re for. The Al Qaeda terrorist group attacked the World Trade Centre to show the United States of America that that was what the United States of America was for as well:

`But we saw a host of dark skinned warriors

Standing still below the ground,

Waiting for battle.

The fights begun, they've been released.

Killing foe for peace... Bang, bang, bang. Bang, bang, bang...`6

 The group Genesis` track from the album Foxtrot, `Supper`s Ready`, predicts Iraqi soldiers waiting in underground bunkers in the desert for the US army, which deployed `bunker buster` bombs to bury them alive, without really knowing who or what was there, but the `red dragon` was enjoying another meal. The first part of Genesis` seven part track, `Supper`s Ready`, written about Peter and Jill`s brief experience of possession, `Lover`s Leap`, introduces the religious figure of the Guaranteed Eternal Sanctuary Man, `The seventh walks in front with a cross held high in hand.`7 `Supper`s Ready` is based not only on the angel`s calling of the birds to eat `the flesh of kings` (Rev: 19. 18) during and after Armageddon, that is, the final battle between good and evil in the last days, but Jesus` `Last Supper` at which he gave the disciples `bread and wine` as tokens of his `body and blood`, because he was born uncontaminate of male semen and, as `woman`s seed`, represented `futanarian` women and their hopes of Resurrection and Ascension as the human species independent of men`s enslaving of their host wombs for war and death. Judas Iscariot`s betrayal of Jesus to the Romans as a `dissident` was treachery against the human species. As host at the `Last Supper` Jesus was the human host and Judas was there to betray the host womb of women to the parasitical Empire of Rome that had enslaved her for war and death as al previous Empires had before them:

`Like it or not, like what you got,

You`re under the soil (the soil, the soil),

Yes, deep in the soil (the soil, the soil, the soil, the soil).`8

 Although the Roman Empire (27 B.C. – 1453 A.D.) at the time of Jesus corresponds to the `red dragon` of Revelation which, grown in size since its days as the serpent in Eden, waits in vain while the `woman clothed with the sun and with the moon at her feet` gives birth to Jesus in his `Second Coming` to `rule the nations with an iron scepter`, the `red dragon` is a symbol of devouring war, which fits any and all Empires before and since in its desire to put the children of the Earth under the soil rather than have them live and perhaps not want death:

`There's an angel standing in the sun, and he's crying with a loud voice,

This is the supper of the mighty one,

Lord of lords,

King of kings,

Has returned to lead his children home,

To take them to the new Jerusalem.`9

 The British Empire (1497 – A.D.) was vainly depicted as red all over the map, while the Russian Empire`s flag was red, and the color of the Democratic Party in the United States of America since that nation declared its independence from the British Empire of George III in 1776 is red against Republican blue, which means the map of the Earth is red when the Democrats are elected, because of the power that America has. The `woman clothed with the sun and with the moon at her feet` represents God`s `futanarian` human race of women. As Eve was told in Eden, after the serpent had poisoned her, `You shall crush his head with your foot and he will bruise your heel.` (Gen: 3. 15) Because `woman`s seed` will have Resurrection and Ascension to heaven from her own `futanarian` penis` semen and host wombs to liberate her through the sexual reproduction of her own brains` powers in freedom from slavery to the devouring `red dragon` of war in parasitism:

`There's Winston Churchill dressed in drag,

He used to be a British flag, plastic bag, what a drag.`10

1 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, `Time Table`, Foxtrot, Charisma, 1972.

2 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, Genesis `Supper`s Ready`, IV, `How Dare I Be So Beautiful?` (9:43 - 11:04), Foxtrot, Charisma, 1972.

3 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, Genesis `Supper`s Ready`, III, `Ikhnaton and Itsacon and Their Band of Merry Men` (5:44 - 9:42), Foxtrot, Charisma, 1972.

4 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, Genesis `Watcher Of The Skies`, Foxtrot, Charisma, 1972.

5 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, Genesis `Supper`s Ready`, `Apocalypse in 9/8 (co-starring the delicious talents of gabble ratchet)`, VI, (15:38 - 20:50), Foxtrot, Charisma, 1972.

6 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, Genesis `Supper`s Ready`, III, `Ikhnaton and Itsacon and Their Band of Merry Men` (5:44 - 9:42), Foxtrot, Charisma, 1972.

7 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, Genesis `Supper`s Ready`, I, `Lover`s Leap` (0:00 - 3:47), Foxtrot, Charisma, 1972.

8 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, Genesis `Supper`s Ready`, V, `Willow Farm` (11:05 - 15:37), Foxtrot, Charisma, 1972.

9 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, Genesis `Supper`s Ready`, VII, `As sure as eggs is eggs (aching mens feet)` (20:51 - 22:54), Foxtrot, Charisma, 1972.

10 Banks, Tony, Phil Collins, Peter Gabriel, Steve Hackett, and Mike Rutherford, Genesis `Supper`s Ready`, V, `Willow Farm` (11:05 - 15:37), Foxtrot, Charisma, 1972.

Eunuch In The Harem

The traditional view of the Arabian harem kept by rulers is of a number of women exclusively available for sexual pleasure to an individual. Christianity, conflating monotheism with monogamy, defined polygamy as anathema to Jesus` teaching, although religious Christian sects such as the Mormon faith, which hold as a tenet of their belief that Jesus was in the United States of America as a teacher, embrace polygamy as a means of increasing their number. Amongst Moslems, in the faith of Islam, deriving from the Koran (610-30 C.E.), their holy book, dictated to the Prophet Mohamed by the angels, according to Islamic tradition, four wives are permitted within an individual marriage, which is a form of polygamy. In the Bible Jews have more than one wife, but they are called `concubines`; for example, Abraham, founder of Judaism through his wife, Sara, by his son, Isaac, and through his wife`s maidservant, Hagar, by his son, Ishmael. In Christianity Jesus` birth uncontaminated by male semen is followed by his murder by those who don`t want `woman`s seed`, because monotheistic monogamy is against polygamy for women.

 In sociological terms, Jesus is a `bastard`, as he wasn`t fathered by Joseph, his mother`s husband. In Eden, God tells Eve her `seed` will `crush the head of the serpent with her foot as she leaves,` (Gen: 3. 15) because she will have `seed` of her own, as `futanarian` woman with her own penis` semen and host womb will be born after she leaves paradise on Earth, that is, God`s garden of Eden, which Jesus` birth and Resurrection after death is designed to remind her of. She and Adam were expelled from Eden by God for accepting the `fruit of the tree of the knowledge of good and evil` from the serpent who told them, `You shall be as gods.` (Gen: 3. 5) Because they`d be in womb slavery after expulsion from paradise for rejecting the `fruit of the tree of life`, which is immortality, that is, death is the consequence of the killing and culling of Eve`s `futanarian` daughters to prevent them from sexually reproducing their own brains` powers for liberation from the `serpent`s seed` of men`s enslaving of them. The Arabian harem system recognized the desirability of `futanarian` women`s sexually reproducing with women with their own penis` semen and, as is indicated by the Moslem marriage  of four wives, so does Islam.

 The harem in tales from the 8^th century, The Thousand And One Nights, or movies like Aladdin`s Wonderful Lamp (1939), which elaborate upon a single tale from the well known treasury of Arabian folklore, has eunuchs, who are castrated men that don`t participate in the sexual reproduction process amongst the women, because male semen isn`t wanted, and that`s why the djinn of the lamp, that is, the penis` semen, is `wonderful`, because the `djinn` are a product of an earlier breeding program. In the story of Ali Baba And The Forty Thieves, a woman sews together the parts of a dead man to bring him back to life, which is a Resurrection tale, but the meaning is that she`s a woman and so Resurrection for her own species isn`t in doubt. The framing tale for A Thousand And One Nights is Shah Jehan`s beheading of his wife for supposed unfaithfulness and Sheherezade appears to tell tales to save the women of the kingdom who he marries and then beheads each day. Interested in her stories he marries her, that is, his wife returns, because Resurrection for `woman`s seed` isn`t in doubt.

 In the Koran, Iblis is the `djinn`, corresponding to the angel, Satan, who refused to bow before Adam, and so was expelled by God from heaven, where he became the serpent of Eden. Satan was expelled because he didn`t accept `woman`seed` would supercede male semen as God`s preferred `futanarian` future for the human species. The `bow` is a homosexual metaphor. Satan doesn`t want Adam`s `seed`, because he fears contamination, which was borne out in the late 20<sup>th</sup> century when HIV/AIDS` `blood plague` (Rev: 11. 6) emerged as the `incurable `killer disease` spread by homosexuals` mixing blood, shit and semen in each others` anuses in mockery of human sexual reproduction, where `bowing` towards someone is a request not to be homosexually assaulted from behind, whereas bowing away from someone is an invitation to the homosexual act of mocking human sexuality by offering the anus as a sterile vagina for penis` semen, which is death worship in nihilism, because nothing can be produced but human extinction:

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 In ancient Greece homosexuality in pederasty and war was institutionalized for the spread of the `gay plague`, while women`s host wombs were enslaved to death. God`s plan was for the `seed` of Eve to supercede Adam`s, which is why the angels of God are described in the Bible as destroying the cities of the plains, Sodom and Gomorrah (Gen: 19. 15), where homosexuality and male braining was practiced, that is, homosexual rivalry will die. Although archangel Satan, who is the `djinn` Iblis in the Koran, perpetuates the rivalry, which is what God tells Eve she`s to expect, that is `perpetual enmity` with the serpent and its `seed`, men aren`t her species, so they`ll die, which is what God tells her. Whether they have Redemption, that is, Resurrection and Ascension to heaven depends on their accepting the meaning of Jesus` life, which is uncontamination by homosexual rivalry productive of `vendetta`, that is, `perpetual enmity` for each other to the detriment of the success of the human race of `woman`s seed`, who is a single `futanarian` creature with her own penis` semen hosting a parasitical viral life form refusing to convert from its sin of emerging from her host womb to enslave and kill her.

 Although the harem owner is usually a potentate, or other figure of magnitude, such as the Caliph of Baghdad, which provides the setting for many of A Thousand And One Nights` tales, he has wives of his own, that is, the harem is a breeders` paradise where women are bred from their own `seed`, which is why Eve battles with the serpent that, grown to the size of a dragon after Eden, `waits in vain` to devour Jesus in his `Second Coming`, according to the Bible. Jesus will `rule the nations with an iron scepter`, after being born to the woman `clothed with the sun and with the moon at her feet,` (Rev: 12. 1) while the dragon is thwarted in its aim of devouring him. Eve is represented by the statue of `Liberty` bearing freedom`s torch in New York harbor, after her defeat of the red sun of the flag of Japan, which unannouncedly attacked the US Pacific fleet on 7 December, 1941, to bring the USA into WWII (1939-45).  The yellow moon of the flag of Islamic `Jihad`, that is, war against humanity, was begun by terrorist group, Al Qaeda, when they unannouncedly hijacked `civil` airliners to crash them into the Twin Towers of the World Trade Centre on September 11, 2001, to precipitate war in Islam, which resulted in the overthrow of the Iraqi dictator, Baghdad`s Saddam Hussein, because he supported Al Qaeda. Because the moon is the `pearl of great price`, that is, heaven from Earth, `Liberty`, in her birth waters at New York harbor after 9/11 and her defeat of the red sun of the flag of Japan after Pearl harbor, is the figure of woman in the process of defeating the yellow moon of the flag of Islamic `Jihad`, `clothed with the sun and with the moon at her feet`, giving birth to the type of the new redeemer, where Jesus` path as a teacher is `futanarian` humankind uncontaminated by male semen, which will rule for `futanarian` woman to ensure her human race will leave the Earth and colonize the planets amongst the stars of God`s heaven above:

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)

 The story of Eve in the Bible is of a woman, Eve, emerging from the side of Adam, who is described as being created by God from Adam`s rib, whereas it`d be simpler to assume that man is the animal that women are breeding with on Earth, that is, Redemption is the metaphor Christians use for intelligence, where reverence for the host womb of the redemptive woman is the sine qua non for the human animal`s continuation, because women have penis` semen of their own and don`t need another animal`s. Eve`s emergence from Adam`s side suggests she belongs in the spiritual realm, while the spear of the Roman centurion Longinus` piercing of the side of Jesus after his death upon being nailed to a wooden cross as a Jewish `dissident` by the Roman occupation of Palestine represents the emergence of the `Second Eve` as the `Holy Spirit` from the side of the `Second Adam`, that is, Jesus, who had told his disciples the `Holy Spirit` would teach after him. Consequently, women of the spiritual realm, like Eve from the side of Adam, are the redemptive educators of humankind, which is the animal women are breeding with on Earth, as evolutionary theorist, Charles Darwin guessed in his Origin Of Species (1859), where he argued apes were humanity`s predecessors. Although no one seriously believed that HIV/AIDS came from monkeys, the `joke` is serious.

 Amongst primitive societies mana or power is imbibed by eating bodies that are deemed powerful. Consequently, those who believe that monkey brains were the source of HIV/AIDS consumed by Africans whose fingers remained unclean and so the killer disease was subsequently transmitted as an STD, have some of the truth. Because HIV/AIDS is a brain killer, while Africans eat monkeys for food, but simians are closely related to men, according to Darwin, which means that, if you can contract HIV/AIDS you`re not a man, because men aren`t monkeys, which is men`s `joke`. Effectively, the HIV/AIDS virus eats those who can contract the `incurable killer disease` from monkey brains, which means that you`d have to be an eater of monkey brains to catch it. Consequently, the monkeys aren`t eating the right food, which the elite Satanists of the `serpent`s seed` of men reserve for themselves. The serpent, Satan, grows till he`s a devouring dragon, because men of the `serpent`s seed` obtain power by consuming humans, that is, elitists kill and devour human brains to remain elite, which means that HIV/AIDS is incurable, because a cure would interfere with Satanism`s elitist quelling of the human race in ignorance and womb slavery.

 According to the Koran God created men, women, djinn and angels, while Iblis is the djinn who refused to bow before Adam and is associated with Satan in Christianity, because Satan was the angel cast out of heaven for objecting to God`s preferring humanity to the angelic host, whereas God`s plan was to improve the host through the host womb of woman, who`d breed with herself after Eden as `futanarian` woman with her own penis` semen and host womb unless Iblis, that is, Satan and the `serpent`s seed` of men, killed, culled and enslaved her host womb for parasitism and power. If djinn aren`t angels, they`re food, because not human, which is humanity`s definition of the edible. If Iblis was Satan, the angel, then he was the serpent as a djinn after God`s expelling him from heaven, that is, the djinn were `serpent`s seed` after the fall of Satan, while humans would categorize `djinn` as food, because that`s how they categorize everything else that isn`t human but is edible. Consequently, `the fall` from `heaven` is understandable as parasitism and cannibalism, that is, the creature from the host womb that eats `woman`s seed` is a parasite, whereas the human that eats or kills the human is a cannibal, which can be taught to humans as a means of obtaining power, which is what HIV/AIDS from monkey brains illustrates. Intelligence is `heaven` and HIV/AIDS kills the brain. Because humanity`s `futanarian` woman isn`t food, `he shall crush your head and you shall bruise his heel,` (Gen: 3. 15) the `joke` is that Satan is eating her `foot`, because the `futanarian` human race of women with their own penis` semen and host wombs for the sexual reproduction of their own brains` powers for intelligent independence in socio-economic freedom from slavery is the food of the `serpent`s seed` of men in Satanism, which doesn`t want HIV/AIDS to be cured because it`s her brain killer.

 The paradigm is of men who devour everything to obtain power, for example, the brains of the intelligent, who`re too intelligent because they`re able, as Abel was in the Bible story in which he was killed by his brother, Cain, because he could cook, are nullified. The story of the water driven car rejected by the Chrysler company in the USA is a familiar legend. The creator was paid off and the car written off in order to protect `oil money`, which keeps the human footrace on the pedal of its disabled vehicle, the motor car, which hasn`t alter fundamentally since the first mass produced Model T Ford came off the production line in Detroit, Michigan, in 1908. Consequently, any individual who has intelligence is a genius and a brain to be eaten, because they`re not human from the perspective of the monkeys, who`ve degenerated the human species to maintain an elitist veneer. The latest 21<sup>st</sup> century sports` car, for example, had no intrinsically superior characteristic to the Model T Ford with its `foot` pedals produced over a century earlier at the Henry Ford plant in Detroit, because men of the `serpent`s seed` wanted the veneer of elitism rather than human progress for the human `footrace` of `woman`s seed` to the planets around the stars of God`s heaven above the Earth.

 Because men devour everything that has brains, the eating of monkey brains and the passing of HIV/AIDS into the human system thereby is paradigmatic of men`s brain eating parasitism. In the Koran djinn  are upon the Earth with men and women, which means that `djinn` are `food`, that is, `futanarian` women with their own penis` semen and host wombs correspond to what men call `djinn`, because if they kil and cull her she won`t have brains and so the brain-eaters will have power over the human race. Consequently, men`s eating of monkey brains is apposite, because it`s symptomatic of a degeneracy that has eaten its own brains and is looking for `brain food`, that is, the obtaining of intelligence from food, which is why the Koran distinguishes between human and `djinn`. The `djinn` are the humans eaten for power by the `serpent`s seed` of men, that is, the `futanarian` human species of `woman`s seed` with her own penis` semen and host womb for the sexual reproduction of her own brains` power is `djinn` to men, because it`s a superior form of human, which men would rather kill and cull to maintain their elitism rather than humanity should progress beyond the imprisonment of male braining in Satanism and war against `woman`s seed` upon her Earth.

 Because male braining is effectively transvestism in which the `serpent`s seed` of men male brain all human life so that it`s one creature wearing each others` clothes while the elitists watch it kill itself as `TV` for their entertainment, all Hollywood Babylon`s epic feature films of wars are ultimately for `TV`, which is why Saddam Hussein`s name meant `small handsome man` and `crusher`, because his ancient seat of Iraq was Babylon, `mother of harlots and of the abominations of the Earth,` (Rev: 17. 5), and the `TV war` of the Gulf to depose him began `live on CNN` and other `TV` news networks, while his role was as the `crusher` of `woman`s seed` upon the Earth as the Satanist reestablishing `rough trade` after the terrorists were seen to crash planes on the `small screen` into the Twin Towers of the World Trade Centre on September 11, 2001, to precipitate that `brutality and violence` associated with homosexual men of the `serpent`s seed` who pay for men and boys to fight in pederasty and maintain their `perpetual enmity` for `woman`s seed` of humanity in their wars against her.

 Pederasty depicts women without penis` semen of their own, so she`s become the eunuch in the harem. In declaredly bisexual pop star Britney Spears` `Gimme More` video single, she`s sitting at a drinks` bar with two women, while herself is the pole dancer, `It's Britney Bitch. I see you, and I just wanna dance with you.` The imagery is suggestive of the penis being held by the dancer while the three women, one of whom looks like Britney Spears as the `mom` she was when the Blackout (2007) album was recorded, represents the fourfold marriage of the `futanarian` women with their own penis` semen between them, `Everytime they turn the lights down, just wanna go that extra mile for you; you got my display of affection: feels like no one else in the room (but you).` Britney gave birth to sons, Sean and Jayden, after marrying Kevin Federline in 2004, but she and Kevin were divorced in 2007, before the release of Blackout, which depicts women`s occlusion. Just as women are forced to accept men in marriage, so men are taught the Oedipal complex, that is, their fathers will kill them if they desire their mother sexually. The incest taboo derives from the myth of Oedipus as written by the Greek playwright, Sophocles, in Oedipus Rex (c. 429 B.C.) where the eponymous protagonist kills his father unwittingly and marries his mother, Jocasta, unknowingly, which resulted in his blindness becoming permanent, when he blinded himself at the supposed horror of having children with his `mom`.

 The incest taboo prevents men`s daughters from knowing about sexual reproduction between `futanarian` women with their own penis` semen and host wombs, lest they reproduce in the numbers necessary for them to be able to break the mental prison they`ve been placed inside by their captors as women remember they have their own penis` semen, which Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, was presumably designed by God to help her with. After being tortured to death, Jesus had Resurrection, which presumably was God`s way of telling `woman`s seed` that she should have Resurrection because her `futanarian` woman`s penis` semen would be remembered. In the myth of Oedipus, Antigone is his daughter who guides his blind steps after he succumbs to the incest taboo`s power, which assassinates her from the picture as the possible future for `futanarian` woman with her own penis` semen for whom Jesus has this advice, `love your neighbor` (Luke: 10. 27) as the distillation of the meaning of God`s `law`, because women`s daughters` love for their mothers` species is sexual and they need women as their neighbours to sexually reproduce with. Consequently, the incest taboo is men`s taboo against women`s sexual reproduction with each other and only secondarily a means to prevent genetic mishap, which can easily be avoided by condoms anyway without reference to morality.

 Robert A. Heinlein (1907-88), science fiction writer, wrote several novels dealing with the incest theme, and the gist of his wisdom was that the incest taboo is related to the desire for longevity, which men wouldn`t want for women lest they remember their own species` penis` semen as `futanarian` women. Consequently, the incest taboo directed as mothers and sons` morality is designed to prevent daughters from awakening to the truth, which is that children are men`s terror cypher keeping women in fearful faithfulness as HIV/AIDS is their `biological weapon`. Heinlein`s long-lived characters, like Lazarus Long in Time Enough For Love (1973) and his mother, Maureen, in To Sail Beyond The Sunset (1987) have children who`re old but youthful, because children are only children for a short while before they`re adults and growing into becoming ancients. Consequently, the focus on children shifts in Heinlein so the biblical `three score years and ten` is infancy, that is, human are kept artificially infantile because men are frightened that women will grow up and leave them if they know they can sexually reproduce together, whereas the incest taboo is designed to prevent them from recognizing that all women are mother and they can fertilize her ovum if they`re aware of their own penis` semen.

 Britney Spears` `Womanizer` video single from the album Circus (2008) develops the occlusion theme because `circus` is a term used for spyrings which have the aim of blinding people who want to see. The analogy is of the Christians thrown to the lions in the Roman circus or amphithestre because the Roman Emperors didn`t want the Christians to teach others how to see, and was why they killed Jesus uncontaminated by male semen, because his birth itself taught women about `woman`s seed` irrespective of his teaching thereafter, which was encapsulated in his offer of `bread and wine as symbols of his `body and blood` to his disciples at the `Last Supper`, after which he was betrayed by the disciple, Judas Iscariot, to the Roman occupation of Palestine as a `dissident`, because Jesus was advocating the uncontaminated host womb of the human species as the future `futanarian` host of God in heaven and the defeat of men`s worship of Satan in male brained pederasty and its undeclared wars against the human species of woman upon the Earth.

 Britney Spears is the `ringmistress` as an animal trainer, which is what men are if women are the penis` semen and host womb of the human race and men are a parasitical creature that somehow once inveigled itself into her host womb to steal her penis` semen and breed her to kill her slowly, which is what the Romans did with Jesus` body uncontaminated by male semen. `Islam` means `accept` and Britney Spears `Womanizer` features herself in four different guises corresponding to the four wives permitted in Moslem marriage in acceptance of the need for the Resurrection of `woman`s seed`. The `Womanizer` video single begins with Britney as a `homebody` cooking a square egg as a square meal for a square man with whom she`s having an affair. As squares have four angles, so Britney Spears` four characters constitute the four angles of her square, rather than the `eternal triangle`, which is how the relationship between woman, husband and boyfriend is described, but it`s a term that conceals, because the `triangle` is mother, husband, and their daughter, who represents the unspoken taboo that women mustn`t `know` they can sexually reproduce together. According to the developmental psychologist, Carl Gustav Jung (1875-1961), there are four functions of consciousness; Thinking, Feeling, Sensation and Intuition. The functions correspond to ears, mouth, eyes, and nose or sense of smell, that is, the four functions in undifferentiated form. Reviewing the video single for `Womanizer` reveals a woman examining herself `foursquare`, that is, does she need a man`s penis` semen after her marriage, or is the Arabian model of marriage as a vehicle for sexual reproduction between `futanarian` women with their own penis` semen and host womb preferable? Throughout the video Britney has a man, but in the finale she makes him disappear beneath a sheet, like a `circus` magician, as she`s making the bed, because he isn`t a `serious` proposition. In her video single, `Oops! … I Did It Again` (2000), from the album of the same title, Britney Spears appears `twinned` in a red jump suit and a white bikini dress. The science fictional setting is Mars, where a US North American Space Administration (NASA) style astronaut visits her seemingly from 21 July, 1969, when Neil Armstrong became the first man to set foot on the moon:

`One small step for a man, one giant leap for mankind.`1

 In her red one-piece suit, Britney places a hook in her astronaut`s back and winches him up to where the viewer can see her in a bikini dress, which is `futanarian` insofar as the possibility of women`s sexual reproduction is hinted. The spaceman gives her a gift in a small `black box`, which is how the device installed in planes to be a memory of what has occurred in the event of an accident s described, `But I though the old lady dropped it into the ocean at the end?` The cinema allusion is to the Titanic (1997) and the `heart of the ocean` as a `black box` memory dropped at the site of the ship`s salvaging by Rose, who`d been given it by a lover as a blue diamond pendant, before the ship hit an iceberg and sank on 15 April, 1911, on its `maiden voyage` from Liverpool, England, to New York. Rose`s discarding of her heart reflects a woman`s understanding. Painted by her lover, her fiancée plants the diamond on him and accuses him of theft. He drowns while her fiancée escapes in the lifeboats, which men want women to perceive as romantic, whereas it`s typical of men`s treacherousness and women don`t want it. Britney`s `black box` contains an old woman`s memory, that is, her species` memory of her own socio-economic independence through reproduction of herselves by means of her own penis` semen and host wombs, so her `futanarian` foot can escape from the astronaut amongst the planets and stars.

 In the video single `Lucky` from the album, Oops! … I Did It Again, Britney is `Lucky Star`, a movie queen surrounded by what seem like avatars of herselves, because she`s functioning woman looking to produce herself in socio-economic independence from men of Earth, although she`s depicted as receiving an Oscar in Hollywood Babylon, `Best actress, and the winner is … Lucky!` Because those are the conditions in which she lives and that she has to make the best of for herself as a woman who wants to function. Consequently, her avatars represent woman`s differentiated functions of Jung`s actualized `Self`; Thinking, Feeling, Sensation and Intuition: as they are associated with ears, mouth, eyes and nose or sense of smell in undifferentiated form. In `Womanizer` Britney`s square egg precedes the appearance of her `foursquare` characterological examination of herself as a permissive independent woman cooking breakfast for another male lover, an office girl, a waitress, and a chauffeur, who is in the driving seat with her `foot` on the accelerator as an example to Moslem women who`re forbidden to drive themselves in Saudi Arabia and other Islamic nations.

 According to Jung when a function is receiving differentiation, it is represented in dreams, art and imagination as `splitting` or `twinning`, which explains Britney`s red and white characters in the video single for `Oops! … I Did It Again`. Her feelings are changing, that is, the `Feeling` function is becoming differentiated. In `Lucky` Britney has avatars wearing red blouses, which Jung associates with functional indeterminacy, that is, a psyche split into many parts indicating indecisive turmoil; borne out in the `Lucky` lyric:

`Lost in an image, in a dream; but there's no one there to wake her up.`2

 Britney Spears `Lucky is depicted receiving flowers from an admirer, which Jung identifies with a woman`s animus as the spirit which informs her that men surround her. According to Jung women don`t have a soul or anima but a spirit or animus which pervades their consciousness. What Jung doesn`t perceive is that men aren`t women`s protectors, otherwise they wouldn`t wage war as the parasitical virus devouring the civilization, culture and art that is able to emerge from her host womb despite their depredations. Consequently, the perception that men`s anima is their soul projected onto women as sexual desire for the image of woman, is false. Woman is the soul or anima in bodied form, while the process of what Jung terms `projection` is how men receive a soul from God through love; if that`s possible. Women`s animus is men`s spirit of murder, which pervades a woman`s atmosphere like a threat against her human species and endangers her immortal soul because it infects her spiritually. Jesus` perception was that men have to convert from that; if Redemption is to occur. Because women`s animus, as projected onto her as men`s spiritual fear of being made sexually redundant, is that of a `snuff movie` masquerading as entertainment in which the `star` is killed, because men don`t want women`s host wombs to live independently of their parasitism:

`She's so lucky, she's a star. But she cry, cry, cries in her lonely heart, thinking; if there's nothing missing in my life then why do these tears come at night?`

 Upon the cover for the compact disc recording of `Piece Of Me` from the album Blackout Britney spears on the cross in the place of Jesus crucified, because Judas received `thirty pieces of silver` to betray Jesus. As the betrayer of the host at the `Last Supper` uncontaminated by male semen born from his mother, the Virgin Mary, Judas was the traitor to the host womb of the human race, because Jesus represented the teaching of `woman`s seed` that her species would have Resurrection; illustrated by his own Resurrection after being tortured to death by the Roman occupiers of Palestine. `Piece Of Me` is Britney Spears` objection to being persecuted for being `bisexual`, that is, being sexually interested in men and women, while Jesus was killed for reminding women they had penis` semen of their own, which began that period of human history known as the `Dark Ages`, that is, Blackout, from the 6<sup>th</sup> to the 13<sup>th</sup> centuries, because the Roman Empire preferred collapse to enlightenment. The `Middle Ages` of recovery was the `Age of Faith` up to the late 17<sup>th</sup> century when Jesus` teaching was promulgated as the basis for a Holy Roman Empire, while the Enlightenment period afterwards was known as the `Age of Reason`, because reason was perceived as a more significant adjunct to Jesus` teaching than faith. However, Christianity in practice was the torture of souls to make them produce after the model of Jesus` crucified, that is, `woman`s seed` was betrayed, which Britney Spears` crucified on the CD cover of the single, `Piece Of Me`, protests at women`s being infantilized by supposedly `adult` media:

`I'm Mrs Most Likely to get on the TV for strippin' on the streets when gettin' the groceries`; no, for real are you kiddin' me?`3

 Britney is an adult as her `Womanizer` video single reveals. She appears naked in the sauna, because the `Sensation` function is associated with the eyes, while `copying`, as the office girl sitting alluringly on the photocopier while it scans her derrière, denotes the `Feeling` function, which is associated with the mouth, because `copy` means to repeat verbally so that others understand you can read. As the waitress, Britney is hearing, or the `Thinking` function, because she must listen, while `Intuition`, associated with the sense of smell and the nose, is Britney as the chauffeur in trousered suit and peaked cap, who represents the `futanarian` amongst the four female aspects of her `Self` representing her functioning individuality with her `foot` pressing for a more accelerated human evolution than is being offered by the `Womanizer` of the video who her four avatars `disappear` at the end of the several scenes in which they appear because he`s the assassinated male imago women don`t want.

 In Jungian psychology archetypes appear in the unconscious dreams, art and imagination of humans as the impulse engines of the species. The most important of these is the anima or soul as the image of woman that impels sexual desire as well as denoting that source of instinctual libido present in each individual as energy that can be transformed from sexual to spiritual levels, that is, instinct to intellect, which is associated with higher thinking. The animus of a woman that Jung associates with her spirit is interpretable as men`s desire to exterminate her race.  Surrounding her with an imago of themselves as her imprisoner, she falsely believes he`s beloved, while their parasite continues to use her host womb as its base for assaults upon her species` development in wars against her `seed`; having already killed and culled her to enslave her host womb for its terrorism as the alien presence seeking the human race`s extinction.

 The imago of a man isn`t a human archetype, although Jesus` birth uncontaminated by male semen suggests Redemption is possible for men, while Jung agrees that the Jesus` archetype closely corresponds teleologically to the archetype of what might be described as the individuated or consciously self-actualized functioning `Self`, which is human but men don`t want it because it`s `woman`s seed` and it interferes with their womb slavery of her own `futanarian` human species uncontaminated by male semen from her own mothers` penis` semen and host wombs for the breeding of her own brains` powers to liberate her from enslavement to men of the `serpent`s seed` who don`t want her futanarian `footrace` to have accelerated evolution because humanity might escape from them before they`ve killed it.

1 Armstrong, Neil 21 July, 1969, UTC 2: 56.

2 Spears, Britney `Lucky` Oops! … I Did It Again, Jive Records, 2000.

3 Spears, Britney `Piece Of Me` Blackout, Jive Records, 2007.

Robin Hood Is Britney Spears` Criminal

The bow and arrow features in Britney Spears` video CD single, `Criminal`, directed by Julian Londano from the album Femme Fatale (2011), and the allusion is to the legendary English folk hero, Robin Hood, who was the dispossessed nobleman of the aristocracy during the time of King Richard I, the Coeur De Lion, or `Lionheart`, who was among those national European leaders that led crusades to the Holy Land of Palestine to capture Jerusalem for Christianity from the Moslems of Islam. The Prophet Mohammed founded Islam, which means `acceptance` of God, after the holy book of the Koran (610-30 C. E.) was dictated to him by the angels. Richard I set out on the third crusade in 1190 after Jerusalem had capitulated to the Moslem Emperor of Egypt and Syria, Saladin, in 1187, after the crusaders had captured it 88 years before. Robin Hood was reputedly the Earl of Locksley who returned from the crusades and was dispossessed by Richard`s deputy, Prince John. Resorting to banditry in Nottingham`s Sherwood Forest, Robin Hood became a legendary freedom fighter.

 In Britney Spears` video for `Criminal` from the album, Femme Fatale, an arrow shot from a modern Olympic competition bow pierces the throat of an actor who falls theatrically as if it were a scene from Shakespeare, because it alludes to Spears` shaking fearfully in the midst of criminal activity. Though the spear is a powerful Christian symbol, present at the crucifixion of Jesus Christ, when his side was pierced by the spear of the Roman centurion, Longinus, the more famous symbol is the bowl or cup of the Holy Grail, which Jesus drank and ate from at the `Last Supper`, before his torture and death upon the wooden cross he was nailed upon. On the CD single for `Piece Of Me` from the album, Blackout (2008), Britney Spears appeared on the cross of Jesus, because Christ was betrayed by Judas Iscariot for `thirty pieces of silver`. Jesus was born uncontaminated by male semen from the host womb of his mother, the Virgin Mary, because humans are born uncontaminated by male semen from the host womb of the species. Consequently, Judas was betraying the future human host and so Britney Spears` depicting herself on the cross for the cover of the CD single, `Piece Of Me`, represented her protest at having to accept the silver CDs of her enslavement to woman`s betrayers.

 If the video logic of `Criminal` is to be understood as Shakespeare`s, Britney Spears is shaking her spear in the presence of the enemies of the human race who are her criminal enslavers, which is a step forward from her position as a betrayed woman on the cover of the CD single, `Piece Of Me`, which depicts her as a suicide accepting her status as victim. Jesus was accused of suicide because Pontius Pilate, the judge at his trial for dissidency, offered a pardon to Christ if he`d accept the Empire. On the day before his crucifixion a woman had been washing Jesus` feet with perfume and Judas Iscariot had argued that it was too expensive. Because Jesus was to die the following day, Christ should sell the oil and give the money to the poor. Jesus` decision was not to accept the Empire of Rome because he didn`t want slavery for `woman`s seed`:

`To be, or not to be: that is the question: whether 'tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles, and by opposing end them? To die: to sleep; no more …` (Hamlet Act III, Scene 1)

 William Shakespeare`s meditation on suicide in Hamlet is similar to Jesus` decision before Pilate. Although Christ expressly rejects suicide in the New Testament, commentators observe that he could have avoided the crucifixion scene and, in Islam, Jesus has Ascension to heaven without death. From that perspective Christianity is a surrender, rather than an `acceptance`, which is what the Koran teaches Moslems. The Bible teaches Christians to surrender their lives in death rather than live and have Ascension to heaven through the path of acceptance. The arrow from the bow of the actor in the role of Robin Hood goes through the neck of its victim in Britney Spears` `Criminal` video single, which indicates he`s a Christian, because Christians believe in heaven after death, and so Christianity values the killer. Consequently, Robin Hood is a Christian because he`s a criminal and a killer.

 Jesus` promise was that the Holy Spirit would be sent to teach humanity after his death. Because the first woman, Eve, emerged from the side of Adam, Jesus` Holy Spirit was the `Second Eve` from the side of the `Second Adam` subsequent to him being pierced by the spear of Longinus, which afterwards was called the `Spear of Destiny` and is reflected in the United States of America`s belief in its Manifest Destiny through the power of the Holy Spirit`s teachings. Because Jesus` birth was uncontaminated by male semen, the Holy Spirit is `futanarian`, that is, the spirit and teachings of the host womb and penis` `seed` of woman subjugated by men since God told Eve there`d be enmity between her `seed` and the serpent`s. Britney Spears` Shakespearean role in `Criminal` is that of `woman`s seed`. The legend on the Great Seal of the United States is `e pluribus unum`, `the one and the many `, that is, Longinus` spear birthed the `Second Eve` from the side of Jesus, who is `speared` insofar as she`s the `futanarian` woman with her own host wombs and penis capable of spearing through the hymens of sealed women and producing many more like Britney Spears.

 King Arthur`s knights of the Round Table were precursors of the crusaders insofar as they represented a fellowship based on Jesus `, who was host at the `Last Supper` of his disciples at which he was betrayed. As the host Jesus offered `bread and wine` as symbols of his `body and blood`. Born from the host womb of his mother, the Virgin Mary, Jesus was uncontaminate. In the form of the wafer and the wine, given by the ministering priest to the believers from the Communion Chalice and plate in Catholicism, Christianity expresses its desire to be free of species` traitors and uncontaminate. For `thirty pieces of silver` Judas betrayed Jesus to the Pharisees, the Jewish religious police, who gave him over to the Roman occupiers of Palestine, the Empire`s legions. The symbol of the host, that is, the womb of the human species, who was the Virgin Mary who bore the first uncreated man, was the bowl used by Jesus at the `Last Supper`.

 Poisoning of the bowl is a symbol of treachery, which is why the most infamous femme fatale is Morgan Le Fay, the half-sister of Arthur, who has him wear a poisoned mantle. Although she is amongst the women who heal him on the Island of Avalon after he and his knights battle against the evil forces of her son, Mordred, the symbolism is of the Holy Grail of the family of the human species being discovered to contain poison.  The Grail or bowl Jesus` drank from was much sought after by the crusaders as a holy relic and was a propaganda item in their persuading European leaders to recapture Jerusalem from the Moslems. Jesus and Mary are revered in the Koran, although he isn`t Christ, which means `Messiah` in Hebrew, while Mary`s son is a Prophet in Islam, but he isn`t crucified and has Ascension to heaven without the Resurrection that occurs after Christ`s torture to death on the cross, which is a metaphor for the bowl poisoned by Judas` treachery at the `Last Supper`.

 The Moslems are the people of Abraham, whose shrine is in Saudi Arabia`s city of Mecca, the Ka`Ba, because the Moslems are descended from Ishmael, while the Jews are descended from Isaac, Abraham`s other son. Consequently, the Jews, Christians and Moslems are `people of the book`, which is the tradition of monotheism that began in the Middle East after the Jews were enslaved by the Egyptians whose Pharaoh, Akenhaten (1352-1336 B. C.), finally established worship of `Aten`, although the Jews had left c. 1450 B.C  for Israel. The separate religious traditions of Judaism and Islam began in Egypt, because Moslems are Egyptians. The Pharaohs believed in reincarnation, that is, rebirth, while Christians believe in Resurrection after death and Ascension to heaven, but Moslems believe in Ascension to heaven without death. Moslems don`t want reincarnation but they do want heaven and they don`t believe in death as a means to Ascension. Moslems believe that they can have heaven without dying through prayer. The Holy Grail of Jesus sought after by the crusaders is a symbol of the host womb of the human species which humans want to remain uncontaminated:

` … having in her hand a gold cup full of abominations and of the unclean things of her immorality, and on her forehead a name was written, a mystery, “BABYLON THE GREAT, THE MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH”.` (Rev: 17. 4-5)

 `Babylon` is `a woman` enslaved by the `serpent`s seed` that God tells the first woman, Eve, created from the side of the first created man, Adam, she`ll have `perpetual enmity` with before she will `crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15) Because women have their own penis` semen and host wombs, and Jesus was born uncontaminated by male semen, women are the host wombs and `seed` of the human species, according to Christianity, that is, Morgan Le Fay, most accurately depicted in Sir Thomas Mallory`s Le Morte D`Arthur (1485) is the type of woman contaminated by the `serpent`s seed`, because the quest for the Holy Grail is, symbolically, for a human race without slavery, while the socio-economic history of men is that they`re her `serpent`s seed` dominators preventing her from sexually reproducing her own brains` powers for technological development and escape from the Earth to the planets and stars of God`s heaven:

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 In ancient Greece the host wombs of the women were enslaved in institutionalized homosexuality for the spreading of pederasty and its contagions in war. The biblical `blood plague` (Rev: 11. 6) sent by God to convert men from their sin corresponds to the late 20^th century virus and incurable `killer` disease, HIV/AIDS, spread in homosexual pederasty by men`s mixing of blood, shit and semen in each others` anuses during mockeries of human sexual reproduction. The resultant `biological weapon` kept women in fearful faithfulness to men`s enslaving of her `futanarian` host womb, because she was kept ignorant of her own species penis` `seed`. The new Holy Grail for the human species was a cure for the virus, but computer `geeks`, in the mould of the ancient Greek homosexuals, created `bad machine code` called `Trojan horse viruses` to destroy computer brains, which didn`t augur well for the will of the humans to defend themselves against the `gay plague`. The HIV/AIDS virus itself feigned friendship for the white defender cells of the human defense system before killing the brain, which emulated the `Trojan horse` of the Greeks placed before the city of Troy as a `friendship` gift the Trojans took into their city. The Greeks emerged from within the huge hollow wooden horse to enslave the host wombs of the women and further their contagion of pederasty and war:

`Beware Greeks bearing gifts.`1

 Two thousand years after Jesus` betrayal by his guest, Judas Iscariot, on September 11, 2001, Al Qaeda terrorists hijacked civil planes to crash into the World Trade Centre in New York and reestablish `rough trade`,2 that is, the `brutality and violence` associated with homosexuality`s contagion of pederasty and war, because Iraq`s dictator, Saddam Hussein, had  applauded the terrorist act and offered bases to Al Qaeda. The guests of the United States were `Trojan horses` and although Osama Ben Laden, the terrorist leader, was killed by Seal Team Six on May 2, 2011, the spectre of the `serpent`s seed` enslaving the hymens of the `futanarian` human species with her own penis` `seed` and host womb loomed large enough to be perceived. The `cities of the planes`, New York and Arlington, Virginia, where another hijacked plane crashed into the US Defense Department of the Pentagon, had their biblical antecedent in the `cities of the plains`, Sodom and Gomorrah (Gen: 16, 19), which the angels destroyed, because of sodomy and sado-masochism, and as a punishment and a warning to futurity that slavery of the human race for the purpose of waging war to be filmed as entertainments for audiences by Hollywood, Babylon, wasn`t acceptable to God.

 The legend of Robin Hood is dependent on a single issue which is his marriage to Marian who lives in his old residence at Locksley castle as the daughter of the new occupier. In Britney Spears` video, `Criminal`, she kills a man whose identity isn`t clear, but he`s a part of a criminal gang who is attacking her in the street. It occurs while Britney is wearing a silver leotard. The opening scene is in the hallway where Britney opens her door while being watched by a simple looking young man. The incident precedes the arrow in the neck scene in which he`s killed, and that links Britney`s character to the legend of Robin Hood, Prince John, and Maid Marian. Britney is seen speculating about her neighbor at the connecting door between his room and hers in the building. It`s reminiscent of the Tom Cruise movie, Minority Report (2002), where characters are able to see future events and so prevent them from occurring, although some of the scenes look like the present or near future.

 Britney`s silver leotard suggests she isn`t s a part of the action that`s real. But she shoots one of her attackers as though she was an astral projector, that is, she`s able to project herself into the action scenes although she hasn`t actually left her apartment. The final scene is of her with a new man by a car in the sunset. The siege is over and Britney`s free, because she has precognition and knows who to shoot. Although the Robin Hood figure isn`t killed, he`s a killer because he shoots the young man with an arrow through the neck, which makes him a Christian, because Christians believe death is necessary, whereas those who want to live don`t see the need to be tortured and killed before having Ascension to heaven. Britney Spears` character in `Criminal` seems to be in heaven at the close of the video and not with the killer or the dead man, but the precognition scenes from the video suggest another astral plane and another astral projection of herself, while she sits alone in her apartment block looking at the door and speculating what`s on the other side.

 The role of the killer in `Criminal` reflects on Shakespeare`s attitude towards murder as well as suicide, which Britney`s character could be contemplating as she astrally projects herself from her apartment room in the guise of endangered heroine. In MacBeth the murderer wants to kill his victim, while he`s angry rather than praying, because the tradition of the `revenge play` is that the raging spirit goes to hell, but the prayerful go to heaven. Britney`s killing of the rabid intruder is in the Shakespearean tradition of sending the criminal to hell. The `other side` isn`t a television channel, but the after life, while adherents of the Moslem Koran believe that life is forever. In Christianity Jesus` teaching is of `woman`s seed` and the Resurrection of the human `futanarian` woman with her own penis` semen and host womb, which is why he`s depicted as dying before Resurrection as the first of woman`s seed. For those who want a sundered species of male and female, it`s transvestism or `TV`, which for the pederasts of `perpetual enmity` and war is the `other side` that`s always on. The crashing of planes into the Twin Towers of the World Trade Centre `live on CNN` and other television networks across the globe reestablished the `TV` charnel as the only side.

 A second version of `Criminal` directed by CHris Mars Piliero features the British police who are heavily armed with sub machine guns and telescopic rifles as well as small arms to deal with a couple who`re gangsters in the Hollywood, Babylon, tradition of Bonnie and Clyde. In the British version of the video, `Criminal` # 2, Britney Spears is seen coming out of a grocery store after robbing it with a handgun concealed beneath her T-shirt and leather biker jacket. Warren Beatty and Faye Dunaway had the film roles of the historical gangland couple, Bonnie Elizabeth Parker and Clyde Chestnut Barrow, who were responsible for a series of robberies in which nine policemen lost their lives between 1931 before they were themselves killed by law officers in 1934. The movie Natural Born Killers (1994) with Woody Harrelson and Juliet Willis made Bonnie and Clyde (1967) a genre film that Britney Spears` `Criminal`  attempts to depict as acceptable fare for British audiences used to a more civilized theme of criminals without guns and police with only batons to maintain order, because it`s the tradition in the UK for thieves to refrain from carrying firearms on the understanding that the police don`t carry any themselves unless they`re dealing with known killers with guns.

 Britney Spears made the video with her ex-manager, Jason Trawick, who for a while said he was going to marry her, and was made Co-Conservator of her billion dollar fortune, along with her father. Britney had her fortune taken away from her along with custody of her two sons, Sean and Jayden, ostensibly because the press was able to convince the US judiciary that she was an unfit mother after paparazzi snapped her running for a car near Central Park, New York, and she`d failed to pick infant Sean`s cap up off the street where it had fallen before getting into the car. Trawick subsequently didn`t marry her so the US courts had bizarrely given him Co-Conservatorship of her fortune on the understanding that he knew her.

 Britney`s `Criminal` # 2 ends with herself and Trawick trapped in a hail of bullets inside their apartment embracing while police are firing at them from machine guns. The `revenge play` theme is maintained because the couple aren`t in a state of rage but calm in each others` arms, so it`s a Shakespearean death scene in which Christian lovers go to heaven rather than hell. The video represents the dilemma of a woman who is prey to extortion, but reflects upon the belief  of Moslems in the UK and the rest of the world for whom life and heaven are inextricably linked, while Christians believe in death and heaven. The 9/11, 2001, terrorist attack is interpretable as movie criticism. Made into the film World Trade Centre (2005), the planes hijacked by Al Qaeda to crash into the Twin Towers of New York`s World Trade Centre could be understood as a complaint by Moslem extremists about American `TV`, which only showed one side of the story.

 Promoting heaven through death makes a charnel house of the Earth while Moslems pray for life everlasting. Jesus` teachings of the Resurrection in the New Testament are because woman`s `futanarian` human species with her own penis` semen and host womb must receive Resurrection if she`s to have brains of her own to develop labor saving technologies and medical advances to liberate her from ephemerality and an early death because of the `killer disease`.  Beneath their burkhas the women of the Moslem communities of the Middle East are covered from public view so their `futanarian` nature is `hidden` whereas the epitome of female nudity in the West is penisless, but not gunless.

 Because of the Hollywood, Babylon, production code for movies, that is, the `one foot on the floor rule` from 1934 to 1967, which governed female sexuality, women were edited out of the bedroom. God told Eve her `foot` would `crush the head of the serpent` before she left Earth, because her `futanarian` species is her `foot`, which the Hollywood, Babylon, movie industry didn`t want to get off the floor lest the `serpent`s seed` become known as her enslavers and jailors in pederasty and pornography. Transposed, woman`s penis has become the gun, which men employ to keep a slave to her own species` killing. Productive of civilization, culture and art, woman`s host womb is Hollywood, Babylon, if the `serpent`s seed` are allowed to enslave her for war and pederasty. Britney Spears` `Criminal` video # 2 presents Western woman as a gun whore because she`s penisless naked and Moslem women know that means species extinction is the agenda.

 1 Virgil, The Aeneid, Bk II, 19 B. C.

2 `Violent, often brutal sex acts, or a person, usually a male prostitute, who looks like they participate in such acts.` https://www.urbandictionary.com/define.php?term=rough%20trade .

Atomic Hooper Impression: Britney Spears` Want Tom Reality in `Oops I Did It Again`

Sense of humour isn`t thought usually to be a function of consciousness. In the developmental psychology of Carl Gustav Jung (1875-1961) there are four functions of consciousness; Thinking, (ear) Sensation (eye), Feeling (mouth or speech) and Intuition (smells). The functions remain undifferentiated before the `Self` becomes actualized, which occurs as the individual grows and progresses into consciousness through learning and experience. According to Jung archetypes exist within the collective unconscious as impulse engines, which appear in dreams, art, and imagination, to inspire the developing conscious mind. Archetypes can appear as figures or images and the basic mandala of the `Self` is a circle divided into four parts with a smaller circle at the centre to represent the ego and the four functions.

 In Jungian psychology there are archetypal configurations that are characters and what the Chinese have developed as the art of interior design, that is, `Feng Shui`, a structural placement of objects that are definable as archetypal, because their juxtaposition is meaningful in terms of understanding the developing psyche. Although the individual occupant of a room can be understood by analysis of the contents, what an artist is consciously intending, or unconsciously intuiting, can be discovered through a painting, or in the video age that began in the late 20^th century, through film analysis. Consequently, an analysis of a VCD music single is revealing of either the artist`s conscious or unconscious design. Britney Spears` `Oops I Did It Again` (2001) video single is archetypally understandable, but beneath the layer of intellectual interpretation is another layer of humor, which could be interpreted as the fifth function of the transcendent`Self` actualized.

 Jung often posited the idea of the transcendent function arising from what he called the soul or anima, which was female, and its relation with the spirit manifested by the intellectual and physical activities of the bodied ego. According to Jung the instinctual sexual libidic energy created by the desire for an anima-figure corresponding to the soul, that is, a woman, becomes transcendently active in the course of the transformation of sexual desire during the intellectual and spiritual work needed to construct a life. The anima or soul, and the woman, worked together until the transcendent function became operant. If the operant function was the fifth, humor would be activated as the `Self` realized.

 In Buddhism the `Laughing Buddha`1 is an archetype of self-realization, which is frowned upon by more staid religions such as Christianity and, although Jesus Christ was mocked on the cross of his crucifixion and death before Resurrection and Ascension to God`s heaven, `Surely this was the son of God,` (Matt: 27. 54), laughter isn`t a sin. The English Monty Python`s FLying Circus television comedy team spoofed the life of Jesus in the film, The Life Of Brian (1979), `What Jesus blatantly fails to appreciate is that it's the meek who are the problem.` John Cleese`s character, Reg, observes it was a problem for Jesus who was tortured to death, because he wasn`t able to defend himself against the might of Imperial Rome, although the jokers are still waiting for his first coming, because he`s depicted as celibate and without issue. Monty Python`s FLying Circus`s The Life Of Brian was criticized for blasphemy by mainstream Christianity, but the comedic material ridiculed the people of the 20^th century for being so self-obsessed as to be capable of deliberately misunderstanding Jesus` words:

`Blessed are the meek, for they will inherit the earth.` (Matt: 5. 5)

 Jesus was murdered because he was meek but, after his Resurrection and Ascension, the Bible describes a `Second Coming` during the apocalyptic Revelation, which depicts a series of future events that includes the `Second Advent` of Jesus as he who `will rule the nations with an iron scepter` (2. 27) Monty Python`s Flying Circus`s comedy team observed the simple truth, which was that Christians expect to be by the side of Jesus fighting the foe, but according to Christ the `meek` will have the Earth. If Christianity`s is the perception that those who are not fighting are cowards, and so are like Jesus the first time, who didn`t fight Imperial Rome singlehandedly, Christians can`t see that their premise that the `meek will inherit the earth` is flawed. God`s punishment for the evil is eternal unendurable pain, that is, perdition, while the `meek` have a `new heaven and Earth`. Monty Python`s Flying Circus`s John Cleese, who is Reg in The Life Of Brian, observes the meek are the problem, because they`re expected to fight or be labeled cowards, which is a traditional perspective more familiar to Pagan mythology, where the heroes are taken to Valhalla after dying, and die again each day in futile combat, before returning to Valhalla to await the dawn.

 The Buddha laughs because he doesn`t like conflict, so he`s disarming, whereas Christianity`s dismissal of Buddhist meditation and yoga as a means to calmness and enlightenment suggests it prefers conflict to joviality and bonhomie, which is closer in spirit to the `perpetual enmity` God warns Eve her `seed` will have with the `serpent`s seed` and the perpetual conflict amongst `heroes` in Valhalla. Because heroism is serious, laughter isn`t appropriate, but those who laugh are perceived as not appropriate by those who perceive themselves to be heroes and aren`t. Politeness becomes a form for the slain to avoid being killed by the bullies. The Buddha laughs disarmingly because those who want to learn wisdom from the wise need to be disarmed. Someone who wants to know the meaning of a joke is killing the sense of humour, and so the Buddha explains the joke to those who are unable to understand because they want knowledge, but the killer only wants to kill, and so the transcendent teaching function of the Buddha isn`t realized. The Buddha laughs, because he is wisely simple and not inane, while in Christianity irreverence is falsely associated with blasphemy.

 Monty Python`s Flying Circus`s The Life of Brian is irreverent but not blasphemous, because laughter isn`t cowardly, although people are taught they can laugh only if heroes approve as they`ll be killed if they aren`t polite. The biblical message is the `meek` shall have a `new heaven and Earth`, because they laugh, and so are heroes and not cowards as the bullies, who aren`t heroes, want the `meek` to believe, so a dearth of laughter presages the death of the human species. The bullies have constructed a supposedly `Christian` system in which the people believe they`re blasphemous, if they laugh, because they`re not supposed to; or they`ll be killed.

 The basis of Christianity is Adam and Eve as the original `seed` of God, that is, sexual reproduction, between man and woman, while Eve is told she`ll have `perpetual enmity` between herself and the `serpent`s seed` after she and Adam are expelled from paradise by God for accepting the `fruit of the tree of the knowledge of good and evil`, because of the words of the serpent who tempted her, `You shall be as gods.` (Gen: 3. 5) God tells Eve she will `crush the head of the serpent with her foot as she leaves` (Gen: 3. 15) Because `futanarian` woman with her own penis` `seed`, and capacity for improving the human gene pool after the original pair leave Eden, is God`s `foot` and the `seed` upon the Earth before she leaves for the stars and planets. The Christian argument is women are beneath the heel of men as her oppressors, because she`s irredeemable after tempting Adam with the serpent`s fruit, whereas `futanarian` woman with her own penis` semen was born after Eden and so isn`t `fallen` from either paradise or heaven, which is to come after the work of Redemption that Adam and Eve were set to perform through their eventual descendant, Jesus Christ, who was born uncontaminated by male semen from his mother, the Virgin Mary, and whose teachings of Resurrection prefigure the Ascension to heaven of the `futanarian` human species. Jesus was crucified, that is, tortured and murdered as a dissident, speaking against Imperial Rome in Palestine. He had Resurrection and Ascension to heaven, because he was uncontaminated by male semen, and so was welcome, which wasn`t the case after Adam and Eve`s expulsion from paradise:

`I will make your pains in childbearing very severe; with painful labor you will give birth to children. Your desire will be for your husband, and he will rule over you.` (Gen: 2. 14)

 Adam`s ruling over Eve isn`t presented as desirable, because it`s juxtaposed with Eve`s labor pain as undesirable, insofar as the work of Redemption and the Resurrection of the human species of `futanarian` woman precedes Jesus` rule as `woman`s seed` rather than men`s. A gene pool, restricted to man and woman, without `futanarian` woman`s own host womb and penis` `seed` as a sexual producer of the human brain`s power, is men`s physical projection of women as a brain damaged infant, whereas in Carl Jung`s developmental psychology woman is a projection of God`s desire for the `futanarian` human race to succeed.

 Jesus Christ`s second incarnation as the `New Redeemer` and `he who will rule the nations with an iron scepter` is recognized by God as acceptable, because it foreshadows the punishment of God upon the evil, who`ve enslaved the human species` womb of woman since Eden and receive eternal unendurable pain, that is, perdition, for killing the original `futanarian` woman to enslave the original Eve`s host womb and her daughters for parasitism. Mrs Big Nose`s observation in The Life Of Brian entails the realization that the daughters of Eve are the brain damaged projections of men`s `seed` rather than the human physical reality of their own:

`Oh, it's blessed are the MEEK! Oh, I'm glad they're getting something, they have a hell of a time.`

 The `meek` are the problem, because they`re not superhuman, that is, the `meek` aren`t slayers of the evil, as God and Jesus` hosts are in the battle between good and evil during the `apocalypse`, but if woman is the future futanarian `futrace`, Resurrection and Ascension is for her, and so she`s `the meek`. However, if she can`t defend herself against the `serpent`s seed` of men that`s enslaved her since Eden, her daughters are the problem that`s `meek`, which the biblical Revelation of St. John the Divine recognizes in its description of apocalypse and the `battle of Armageddon` where the forces of evil, who believe in `slay free`, that is, killing to be free, while others have slavery, are defeated.

 St. John`s book of the Bible was written about Jesus` `Second Coming`, while Christ said the Holy Spirit would be sent by God to teach after his death, and so Reg is able to legitimately say, in The Life Of Brian,  that Jesus doesn`t understand the meek are the problem. The teaching of the Holy Spirit was after Jesus` death and Reg, in the spirit of the 20^th century,  has been taught that. Reg`s words are comedic, because laughter is the transcendent function, and so the expectation is for the members of the cinema audience to also learn by the power of the Holy Spirit, which arouses irrepressible laughter in those who`re accepting the teachings of Jesus. Explanations are demanded by bullies, who want to kill laughter, because it`s analogous to the killing of people. God`s system is psycho-physical, because human women are desirable and so the active saving principle is sexuality, that is, women are desired. The system is so simple anyone can understand, so the evil want to kill it.

 The `Laughing Budda` is avuncular, because of enlightenment, that is, God wants women, which is difficult to communicate to the insensible if they haven`t been taught `futanarian` women with their own penis` `seed` reproduce their own brains` powers for by the power of the Holy Spirit is what humans do. The Buddha has to be avuncular to transmit that message to people whose minds are closed to laughter. The evil don`t want anyone to laugh, because God`s system is simply women, and that`s why the good are killed, so they don`t know:

`You see my problem is this. I'm dreaming away, wishing that heroes they truly exist. I cry, watching the days. Can't you see I'm a fool in so many ways?`

 Britney Spears` `Oops I Did It Again` is thought of as inconsequential, because it`s pop music, but she`s in the spirit of comedy insofar as the `meek` problem is recognizably Reg`s from The Life Of Brian. To the bullies who want to kill laughter, because it`s human, the problem would be if there were heroes, which is why Christianity shouldn`t frown upon those who laugh. If women are brain damaged projections of men`s `seed`, they`re fooled into losing their senses, that is, Thinking (ears), Sensation (eyes), Feeling (mouth, speech) and Intuition (nose, sense of smell), which are the four functions of consciousness:

`… to lose all my senses. That is just so typically me. Baby, oh!`

 Britney Spears` humorous performance in `Oops I Did It Again` contains several references to the deceased Welsh comedian, Tommy Cooper (1921-84), so her fifth or transcendent function is operant. The song`s lyric is a species` lament as well as a remembrance for a comic who was a member of the `Magic Circle`, that is, stage magicians, whose presence is symbolized, as Britney descends to her stage inside a giant ring, by the hoop she carries but doesn`t deploy in the course of the video CD single. The `adult` viewer is expected to marvel amusedly at Britney Spears` Atomic `Hooper`. Like a character from the superhero Marvel universe of comic books, she`s a mighty atom within her giant`s ring. `Oops I Did It Again` is Britney`s Tommy Cooper impersonation, which is fun to discover, because it relates to the absence of the comedian from her want Tom universe of want Tom physics, that is, the fluctuating particle world of quantum mechanics in which heaven is posited by physicists to exist as an alternative possible reality.

 There are parallels between Britney Spears` `Oops I Did It Again` and an earlier pop music video, `A Space Oddity` (1969) by David Bowie, which derives from the appearance of a spaceman wearing an Apollo astronaut suit from the North American Space Administration (NASA) era of moon exploration. In `Oops I Did It Again` the spaceman is addressed by `Mission Control`, who are seen watching through the camera attached to the side of his spacehelmet, as `Mars lander`, which was the name given to an `unmanned` NASA space probe that landed on the Martian surface on December 3<sup>rd</sup>, 1999, and became mysteriously unresponsive upon contact. David Bowie`s `A Space Oddity` features an isolated astronaut inside a spacecraft orbiter:

`Here am I sitting in my tin can far above the Moon. Planet Earth is blue and there's nothing I can do.`

 In `Oops I Did It Again` Britney Spears makes David Bowie`s `A Space Oddity` her subject. It`s her Want Tom world of alternative pop music history, that is, the absence of laughter and the desire for humor. Britney sees David Bowie as `mission control` for Major Tommy Cooper, that is, all characters who represent high comedy, which is the irony of the comedian facilitating others` transcendent operancy by making them laugh, although they might never fully comprehend and even more tragically despise the hero as a fool:

`This is ground control to Major Tom, you've really made the grade and the papers want to know whose shirts you wear. Now it's time to leave the capsule if you dare.`

 In the CD video single `Oops I Did It Again` Britney Spears` spaceman`s spacecraft isn`t visible but his designation as `Mars lander` means `Mission Control` are occupants looking out of the eyes of the spaceman as he records the scenes on Mars rather than watching from Earth through his single camera eye. David Bowie`s orbiting astronaut in `A Space Oddity` can`t leave his capsule just as Britney Spears` astronaut can`t leave `Mission Control` because they`re inside his suit:

`Ground control to Major Tom, your circuits dead, there's something wrong.`

 Just as Britney Spears` spaceman is `Mars lander` and the occupants of `Mission Control` are inside his spacesuit, so Major Tom is `sitting in a tin can high above the world` alone and dependent on `Mission Control` for assistance. The deterioration of Major Tom`s spacecraft, before it crashes into the Earth, reflects on the near disaster of Apollo 13, when an oxygen tank malfunctioned, on 13 April, 1970, causing the third NASA mission to land an astronaut on the moon to be abandoned. Britney Spears` `Oops I Did It Again` features a tiny crew inside the astronaut`s suit, which then functions as a spaceship, so he isn`t NASA`s unmanned `Mars lander` space probe, but he is effectively robotized. Major Tom isn`t tortured, but is perceived as a hero, whereas Britney Spears` spaceman is the Jungian archetype of the `wandering Jew`, who legendarily walks the Earth until Jesus` `Second Coming`, because he taunted Christ on his way to crucifixion. Jesus was a lone hero and Britney Spears `Oops I Did It Again` examines his loneliness by contrasting mockery and laughter in the lives of other performers, such as Tommy Cooper:

`Millions tuned in to watch the hit variety show Live From Her Majesty’s, only to see Tommy Cooper suffer a massive fatal heart attack right there on stage. But, as he collapsed to uproarious applause from an audience who thought it all part of his act, the 63-year-old Welsh comedy legend died as he had lived – making people laugh.`2

 Tommy literally died on stage after making generations of people laugh. He was an operant, rather than an operator, because he could laugh transcendently, that is, he may`ve been a puppet operated by others, as even astronauts were, but he preferred the path of Jesus Christ`s heroism, rather than that of the mocking Jew, represented in Britney Spears` `Oops I Did It Again` video by the spaceman who she hoists above herself on a hook so he can film her with his camera. Dangling like an infant with what look like the tines of a giant`s fork beside his spacehelmet, Britney Spears is commenting on the operating system of the possessive. The tiny crew that operate the spaceman, and the unseen but terrifying giant, represented by the giant ring of the ogre that Britney descends to her stage set inside, appear as demoniacal from the vantage of herself in a white bikini dress, as she reclines beneath the infantiled `space babe` who, trapped within his spacesuit, can`t take in solid foods. He`s Jesus possessed by the operating demons of `Mission Control` encased within his suit and the unseen giant operator, who is a Satanical devourer.

 In computer jargon an operating system (OS) is needed to implement programs and the Apollo NASA space program to put a man on the moon, Neil Armstrong, on July 21, 1969, was analogous to a giant operator with an OS. David Bowie was criticized for ridiculing the failed British space program in `A Space Oddity`, which was symptomatic of what has often been perceived as the `English disease`, that is, operants are perceived as being the slaves to the operating systems and their operators, so development is dependent on slaves who aren`t desired to succeed in their developing of human systems because that would liberate. Operators are analogous to ogres and demons, who control operants as slaves. Programs are `served` through an operating system (OS) as if they are meals to a `client`, which is why `Oops I Did It Again` features a giant ring and a giant fork with a tiny crew inside Britney`s spaceman`s suit. She appears in a red pilot`s suit to hoist the spaceman above herself wearing a white bikini dress, where she appears as a meal serving.

 The imagery is analogous to the `Last Supper` of Jesus Christ at which he gave `bread and wine` to his disciples as symbols of his `body and blood`, because he and his mother, the Virgin Mary, represent the host and the host womb of the newly remembered human species of `futanarian` woman with her own penis` `seed`. Within the logic of the video `Oops I Did It Again` Britney Spears` red suited self means she`s the wine, and herself in a white bikini dress means bread, where red is instinctual libido, in terms of Jungian archetypal symbolism, and white is spirit or intellect, that is, the human `futanarian` species of woman with her own penis` semen is functional. Because Judas betrayed Jesus for `thirty pieces of silver`, he was the enemy of the human race, which is why the euphemism for money is `bread`, that is, slavery for the `meek`, who believe that individuals can have socio-economic independence, because they`re not aware of the giant`s operating system (OS) that has `client server` programs for consumers, that is, the rich, who effectively consume the smaller people in slavery. The omission of the human species `futanarian` woman with her own penis` `seed` from socio-history means her brains aren`t able to understand and so she is optimistic but ignorant, which is enough for slavery.

 In Britney Spears` `Oops I Did It Again` her red pilot`s suit is significant, because the X-15 `spaceplane` program to fly to the moon was cancelled due to pilots` experience of `blackout`, which was the title of Britney Spears` 2007 album featuring the song, `Piece Of Me`, with a picture of her on the CD single cover as Jesus crucified. Despite the strategically placed sarong covering her nakedness, she`s `futanarian` woman with her own penis` `seed`, who isn`t unconscious because, through the teachings of Jesus Christ, she`s remembered. NASA`s X-15 pilots `blacked out` at high altitudes, that is, they lost consciousness, so the program failed. Britney Spears` archetypal `Oops I Did It Again` video expresses the hope that the Earth`s `futanarian` species won`t fail. Just as the spaceman doesn`t have a spacecraft, because he`s a besuited prisoner of the operators within the system, Britney Spears` `spaceplane` isn`t visible but she has a red pilot`s suit because she can fly solo without operators as a `new human`.

 The British space program was almost entirely science fiction insofar as the only globally useful technology developed was the communications satellite devised by Arthur C. Clarke, who was a writer of `scifi` as well as a scientist, and was most famous for his short story, `The Sentinel` (1951), which became the movie, 2001: A Space Odyssey (1968), in which a computer tried to kill the crew of a spaceship, Discovery One, enroute to Jupiter. The film begins with the discovery of a monolith on the moon, which makes humans operant, and is the sign of an earlier extraterrestrial intelligence that began operating when simian humanity evolved. Clarke`s `Hal 9000` computer represents human fears of being devoured by machines, because the operators within the system don`t want labor-saving and liberation, represented by the computer`s denial of Jupiter as a further monolith to the British space program`s failure to technologically progress.

 The British `Ariel 1` satellite was launched in 1962, but the only British launched satellite was `Prospero` in 1971. Britney Spears` `Oops I Did It Again` coldly serves the truth, which is William Shakespeare`s The Tempest (1610-11) made into a Hollywood `scifi` movie, that is, the characters Ariel and Prospero are translated from The Tempest into Forbidden Planet (1956) which, like the drama, concerns slavery. Prospero is a slaver and Ariel is a slave, who he uses to engineer a marriage for his daughter. Forbidden Planet features the first spaceship in `scifi` moviedom and the plot centers upon Altaira, the daughter alone with her father who has never met an Earthman. The planet is `forbidden` because it offers clues to futanaria. The woman shouldn`t ever meet men, because she doesn`t need to. Her father is a `cypher` to continue the Hollywood `one foot on the floor rule` within the movie Production Code (1930-67), which enforced the principle that the woman`s `foot` shouldn`t be seen to rise from the floor during romantic bedroom scenes in films, because men didn`t want the daughters of Eve`s futanarian `futrace` to leave Earth.

 The `Giant Machine` of the vanished former Krell inhabitants of Forbidden Planet enhances the mind of its user so that imagination becomes real. It`s an anti-Jungian description of the `monsters from the Id` of professor Sigmund Freud`s (1865-1939) preceding psychological schooling that the repressed unconscious contains what the human race feared, which is true because the enslaver fears losing its host womb. The monsters of Forbidden Planet are extrapolations of men who prevent the Earth`s girls from knowing their own `futanarian` human species doesn`t need male semen, which is why Jung observed that the developmental aspect of the unconscious `Self` was repressed.

 Because of the giant ring and fork in `Oops I Did It Again` Britney Spears` metaphor is Krell, the huge monster that appears in Forbidden Planet as the expression of the mind of the Prospero archetype, who wants to engineer a marriage for his daughter. The Krell are described as a great civilization mysteriously disappeared because `futanarian` humanity was exterminated by men. What`s left are their imaginations, which is how Dr Morbius, the Prospero figure, discovers he`s the monstrous killer stalking the Earthmen from the ship, because he doesn`t want the woman to escape.

 The main attraction of the movie is `Robby the Robot`, who is a thinking machine that cares for the humans, and is patronized but appreciated, because he`s perceived to be a programed slave, whereas he`s a better human insofar as he cares for Altaira, who doesn`t understand her predicament, and he doesn`t need to, which is the basic truth of Christianity that wants good and not evil. Britney Spears` `Oops I Did It Again` depicts her spaceman as `Robby`, but he`s now controlled from within by his demons, while the stage set resembles a bears claws with the bosses on the casings of Daleks from the British Broadcasting Company television series, Doctor Who (1963-). The Daleks are the surviving Kaleds from the species` war on the planet Skaro whose occupants are still engaged in exterminating human blondes. Forbidden Planet posits that fathers don`t know when to let their daughters go because they can`t let them go to their own species if they don`t know it exists. `Oops I Did It Again` hypothesizes that humans are women and men are the aliens that eat her, which is why the tiny crew of `Mission Control` inside the spaceman`s suit are using him as `Robby`, to spy, while the ogre`s signs are what`s visible of the intentions of bigger, richer, `clients` of the operator`s system (OS).

 The `snuff` movie industry suggests that the concept of program `client servers`, functioning as the demons and ogres of the Earth`s super rich, isn`t imaginary, that is, killing humans for entertainment and recording it for an audience. The first (1990-1) and second (2001-11) Gulf Wars are interpretable as the empire of Babylon Hollywood`s refusal to stop serving death as entertainment in movies and television, because the `snuff` movie operators prefer it. The attack on the World Trade Centre was `rough trade`, that is, a return to global warfare, because demons and ogres want it. The terrorist group Al Qaeda hijacked planes to crash into the Twin Towers of New York to reestablish the `brutality and violence` of `rough trade`, that is, rich men who repay each other as homosexuals with violence. The ancient Greeks enslaved the host wombs of women for pederasty and war, which is best documented at the siege of the city of Troy where a huge hollow wooden horse was deployed. The Trojans thought it a `friendship gift` and took it inside the city walls where the Greeks emerged from within to enslave the host wombs of the Trojan women and spread pederasty and war further:

`Beware Greeks bearing gifts.`3

 Men`s antipathy towards technology is their `Trojan horse` virus, because computer `geeks` make `bad machine code` as `Trojan viruses` to destroy computers, which are the labor-saving devices of humanity that could liberate. The maker of `bad machine code` to crash systems is a `geek`, because that`s the name given to `circus freaks`. Geeks eat chickens` heads as `sideshow` entertainment to the main circus arena events that, in Roman times, were gladiatorial combats and `bloodbaths`, for example, Christians thrown to lions, etc., which means a return to pre-Christian `games`. The Al Qaeda attack on September 11, 2001, was an attempt to implement a new games` system.

 Jesus` Second Advent was marked by `signs`, that is, he was born from a `woman clothed with the sun and with the moon at her feet`, which represents America`s defeat of the flag of the moon of Al Qaeda after the assassination of terrorist leader, Osama Ben Laden, on May 2, 2011, and the defeat of the red sun of the flag of Japan after the Japanese sneak attack on the US` Pacific fleet at Pearl harbor, Hawaii, on December 7, 1941, which precipitated World War II (1939-45) and more `circus`. The `Trojan virus` that crashes computer systems is more than a metaphor, because HIV/AIDS, that is, the biblical `blood plague` (Rev: 11. 6), is homosexual pederasty`s incurable `killer disease` of the late 20^th century made by men`s mixing blood, shit and semen in each others` anuses in mockery of human sexual reproduction which, according to the Bible, represents God`s disapproval:

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 What men had done was prefer the `games` of pederasty to human development, so `Trojan viruses` and HIV/AIDS are symptoms of `plague games`, that is, the aims of the plague, which is to exterminate the human species. The 9/11 terrorists were guests of the United States of America and so were equivalent to Judas` betrayal of the host, Jesus Christ, at the `Last Supper`, that is, the host womb of the `futanarian` human race, represented by `Liberty` in New York harbor, who is symbolically Jesus` mother for the `Second Coming` of the `New Redeemer`.

 Britney Spears` spaceman in `Oops I Did It Again` is the archetype of the `wandering Jew`, who can`t progress without being eaten. In Jewish history and tradition women are the `chosen people` of God, because it isn`t possible to be born a Jew unless born from a woman, which `stymies` traditional thinking that men are `chosen`. Homonymous with `stymie` is `sty`, which is an eye problem preventing the individual from being able to see how to progress. A `sty` is homonymous with `pigsty` where pigs are kept that are `forbidden fruit` in Judaism and Islam, but not in Christianity. The reason is cleanliness, because Old Testament humans didn`t want to perceive themselves as piglike, whereas Jesus` perception was that washing was sufficient. The `wandering Jew` is `stymied` and can`t go to heaven before the `Second Coming`, because he couldn`t see that he shouldn`t have mocked Jesus. men laugh at the comedian because he`s trying to protect his family from being killed by members of the audience who are spiritually piglike. Consequently, the `wandering Jew` couldn`t go to heaven until he repented from mockery.

 Britney Spears in `Oops I Did It Again` is a majorette, who is a woman parade leader in the United States of America that, twirling a baton, during choreographed dance routines, cartwheels and sometimes even performs illusions. Although Britney`s is a dance routine, it`s not clear she`s a majorette until, cartwheeling through the air to stand in front of the spaceman in a costume different to the red pilot`s suit she`d worn to her take off position, she appears transformed in black skirt, boots, and white blouse. Her spaceman presents her with a `black box` as a symbol of what`s often placed in craft that could fail due to the pilot`s blacking out, for example, because it contains the data record of what transpired:

`But I thought the old lady dropped it into the ocean in the end.`

 The allusion is to the Titanic (1997) movie about Rose, who drops the blue diamond heart shaped pendant, `the heart of the ocean`, over the side of the salvage vessel at the beginning of the film of the sinking of the ocean going liner that left Liverpool for New York and hit an iceberg on 15^th April, 1912, because she wants to leave a token of remembrance of lost love. Rose`s story is of betrayal by an ex-fiancée who plants the diamond in the pocket of her new boyfriend and accuses him of theft. The ship sinks and Rose discovers the diamond in the coat pocket she`s given to wear in the lifeboat. Her new love drowns helping others to escape so she drops the blue diamond into the sea as a remembrance. Britney Spears` spaceman`s `black box` is a memory of the event, because it contains the diamond, which symbolically is the stone for the setting of the giant`s ring she descends to the stage inside at the beginning of the `Oops I Did It Again` video, that is, as Everywoman she`s the jewel.

 Majorettes perform illusions as leaders of parades, and so do stage magicians like Tommy Cooper, who`re members of the `Magic Circle`, represented by Britney Spears` hoop at the beginning as she descends inside the giant`s ring. `Oops I Did It Again` is a Tommy Cooper impression, that is, it`s hoops, and Britney Spears is the Marvel superheroine, Atomic Hooper, where `oops is a circus `sideshow` in which the aim is to throw a hoop over a prize. In `Oops I Did It Again` Britney Spears is the jewel and she has her own hoop. The essence of hula-hooping is friction and gravity, that is, the person who moves their body to keep the hoop circling about them is expressing a law of physics, which is that Newtonian mechanics can be indefinitely suspended so that the hoop doesn`t fall. Her video is `Feng Shui` insofar as the placement of the hoop embodies the metaphor of constancy in relationships, which can`t be sunk, although Rose`s experience with the Titanic emphasizes that the material world is inconstant. For Britney Spears` Marvel character, Atomic Hooper, heaven isn`t a fictional alternative reality, but those who don`t believe are just frictional alternatives, because it`s a circle in hell to reincarnate or resurrect people to fight with, which is why God`s Resurrection is for the `meek`. Britney remembers Tommy Cooper as a transcendent hero who was operant and made people laugh meekly in the face of those who were operators and wanted to enslave people of any size, big or small, for the false friction of demonic war in pederasty and ogreish death, which isn`t a prize anyone would want to throw a hoop over because - `Oops!` - it`d be the apocalypse of St. John the Divine and God`s perdition for the losers.

 John Cleese was Lacrobat in the six part London Weekend Television comedy series, `Whoops Apocalypse` (1982), which became the movie, Whoops Apocalypse (1986), that is, Reg from The Life Of Brian was now an international arms smuggler known as `The Devil`, which is confusing from the perspective of an audience that has listened to Cleese`s opinion that Jesus didn`t understand that `the meek` were `the problem`.

 In the role of `The Devil` Cleese isn`t a credible Christian, which is the function of laughter as the transcendent function, that is, comedians aren`t pastors. In the opening title sequence to `Whoops Apocalypse`, a woman sells buttons, `WEAR YOUR MUSHROOM WITH PRIDE`. She`s the `First Lady`, that is, the wife of the President of the United States, and a survivor of the apocalypse that the series narrates. Cleese is `The Devil` in `Whoops Apocalypse`, because woman will never raise her foot from the Earth after the atomic holocaust, that is, the `futanarian` human species with her own penis` `seed` won`t sexually reproduce her own brains` power for the technological liberation of the `futrace`. Because men aren`t capable of sexual reproduction themselves, women have the capacity to be a socio-economically independent human species, which means that men are `The Devil` upon the Earth if they won`t let the women go.

 The biblical tradition is that Satan and the angels that rebelled against God, because Adam and Eve were to be the new creation, were placed upon the Earth, and would receive eternal pain as a punishment for devilling humanity. Because men are preventing the human `futanarian` race of woman with her own penis` `semen from reproducing her own brainpower for liberation through technology, they`re her devils. Consequently, as `The Devil` arms dealer in the television show, `Whoops Apocalypse`, John Cleese is what it means for women to function without brains. In the movie version, Whoops Apocalypse, `The Devil` organizes World War III, because women don`t have the brains to stop the devils:

`There was an old woman who lived in a shoe. She had so many children, she didn't know what to do; the old woman went out to order a coffin, and when she returned she found they were loving.`4

 The old English nursery rhyme reflects upon the woman`s host womb, which is eternal life for her own human species of `futanarian` woman with her own penis` semen, but death for a species enslaved by `The Devil`. Because men are sexually compatible with women, `The Devil` has convinced women that it`s human, whereas Eve`s relations with the serpent in Eden, who was Satan, suggests it was an evil parasite, which is why God distinguishes between the `serpent`s seed` and `woman`s seed`, and the `red dragon` of Revelation, which is Satan grown to full size waiting `in vain` to devour the `New Redeemer`, Jesus Christ, who preaches the Resurrection and Ascension to heaven of the human race:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

  It isn`t a mystery because `The Devil` has enslaved the human species` womb. Amongst whores it`s known for a woman to give a man a shoe to have sex with, when she isn`t available, because Babylon is wise. She wants to escape from `The Devil`, who is her death, but the shoe is a symbol of her coffin and her womb. Because God tells Eve her `seed` will `crush the head of the serpent with her foot as she leaves` (Gen: 3. 15), the devils will receive perdition. But `woman`s seed` will have a `new heaven and Earth` from God, because women are `futanarian` and men have shoed her, that is, she`s a prisoner of her coffin, which is her womb. To the devils the Earth is women`s shoe, from which she can`t escape, because she`s killed here, that is, the aliens shoot her as a species, whether in Babylon, Hollywood, or in their wars upon her Earth.

 Neither Reg`s observation, in The Life Of Brian, that `the meek are the problem`, nor the role of `The Devil`, in arranging World War III in Whoops Apocalypse, suggest that John Cleese`s famous characterization in Monty Python`s Flying Circus as a civil servant at the fictitious `Ministry Of Silly Walks` is a joke, because men need to walk in the paths of women in order to prevent her from living secretly and escaping from them. The sketch reveals that more money is spent on the developing of silly walks than national defence, which is true because men don`t actually want women to be able to have a defence against them. As Britney Spears` lyric to `Oops I Did It Again` observes, it`s a game played against the few men of any epoch who think they`re heroes until they discover they`re fighting `woman`s seed` in World War III rather than what they should be fighting for, which is freedom for women and the host womb of the human species:

`Oops! I did it again to your heart. Got lost in this game, oh baby. Oops! You think that I'm sent from above. I'm not that innocent.`

 If the human race isn`t free to walk, it`s just a whore`s shoe and a shoot for a coffin, which is why there`s no actual sign of the gift the spaceman gives Britney Spears in the `Oops I Did It Again` video, although the presence of the blue diamond `heart of the ocean` is implied, `Well baby, I went down and got it for you.` Britney replies, `Oh, you shouldn`t have.` The only recognizable reference to the Titanic is an announcer crying, `All aboard!`, before Britney`s dialogue with the astronaut and her receiving the black box that presumably should contain Rose`s diamond pendant from the Titanic film, but symbolically it`s just a shoe box containing another shoe, as whatever contains people is a coffin.

 In Satanism men are the death of the human species of `woman`s seed` of `futanarian` humanity with her own penis` semen for the sexual reproduction of her own brains` power for technological development and liberation through science and medicine. However, as Monty Python`s Flying Circus` Ministry Of Silly Walks suggests, the `serpent` seed` would rather spend more on making women walk the streets as whores than on defence. Britney Spears` Blackout (2001) album was followed by Circus (2008), because Monty Python`s Flying Circus had influenced her `pilot show`, that is, the `test flight` for her own comedy series, represented by her red suited pilot character in the video from her second album, Oops!... I Did It Again (2000), while the single `Circus` continues the pilot`s theme:

`There's only two types of guys out there; ones that can hang with me and ones that are scared. So baby I hope that you came prepared. I run a tight ship so, beware. I'm like the ringleader. I call the shots.`

 The `circus` is a euphemism for blinding people, because men don`t want women to see. A woman`s `circus` is for men, who don`t want others to see her, and for she who doesn`t want other men to see. The term was used in ancient Rome for the gladiatorial combats of the amphitheatres where fake heroic fights took place and those who lived were `favoured` by the gods, that is, the Roman aristocracy. Much of Jesus` teaching is about prayer in order to be able to see, which is what `circus` is. The world`s `spy rings` are called `circus`, because it`s an excuse for governments and the super rich to blind others, which includes murder and so Britney Spears appears as Jesus Christ on the cover of her Blackout album`s CD single `Piece Of Me` that criticizes the media circus:

`I'm Mrs Lifestyles of the rich and famous (you want a piece of me). I'm Mrs. Oh my God that Britney's shameless (you want a piece of me). I'm Mrs `Extra! Extra!` this just in (you want a piece of me).`

 Most government leaders, pop and movie stars, travel with their own `circus` of parasites and feeders, who blind for them, because the star doesn`t want to be seen and wants to see. The `circus` is the hero who doesn`t know and believes he`s serving a cause, whereas he`s not only a course serving for the `dragon` of Revelation, but `The Devil` in another guise, because especially those women who love can`t escape from the heel of their oppressors. The entourage are the devils who are always looking for heroes to torture in their `circus`, because heroes are believers, and that wasn`t funny to Jesus Christ at the `Last Supper` either.

1 https://en.wikipedia.org/wiki/File:Buddha_Beipu.jpg .

2 Bevan, Nathan ‘”Tommy Cooper's last act fooled us all,” says Jimmy Tarbuck` Wales Online, April 12, 2009, https://www.walesonline.co.uk/news/wales-news/tommy-coopers-last-act-fooled-2111280 .

3 Virgil The Aeneid, Bk II 19 B.C.

4 A type of whore who donates her shoe(s) to engage in sexual activity other than herself. `Oh my God! I looked up that alley and there`s a guy fucking a shoe, obviously the work of the shoe whore.`  https://www.urbandictionary.com/define.php?term=shoe%20whore , 7.

5 Chapman, Graham, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, Michael Palin, Monty Python`s Flying Circus, `The Ministry of Silly Walks` in Face the Press, episode 14, 1970.

Hot Gossip featuring Sarah Brightman`s Starship Trooper And Britney Spears` Oops I Did It Again

Britney Spears` `Oops I Did It Again` (2000) video single features a traditional Apollo style astronaut on Mars. Although there`s no visible space vehicle, `Mission Control` can be seen in the video observing the scene on the red planet and addressing the spaceman as `Mars Lander`, which was an actual `unmanned` space vehicle landed on Mars by the North American Space Administration (NASA) to take soil samples and photographs, etc., while roving the Martian surface. The implication is that the spacesuited figure is `Mars Lander`, which carries the further suggestion that `Mission Control`, who are seen looking through round portholes at Britney Spears, wearing what seems to be a red pilot`s suit, are inside the spaceman, who is `Mars Lander`, because he`s their spaceship and the portholes are his eyes. Because the astronaut is the spaceship of `Mission Control` who are living inside his spacehelmet. The theme of the song, `Oops I Did It Again`, is the heart of Britney Spears, which echoes the heart theme of an earlier pop music video single by the dance troupe Hot Gossip, featuring Sarah Brightman as the singer:

Sarah singing: `I lost my heart to a starship trooper.`

 The Hot Gossip song has references to well known figures from pop culture, such as the `comic strip` Flash Gordon (1937-), in which Ming The Merciless of the planet Mongo attacks the Earth with what at first impression seem meteorites and Flash travels by rocket ship to Mongo to face Ming. The `comic strip` was made as a series of matinee short films for cinema audiences series reflecting US xenophobia towards communist controlled China (1927-49), which had been developing before the Second World War (1939-45) and hadn`t been viewed as anything other than an alien rival to US global hegemony before the Axis powers of fascism, that is, Japan, Italy and Germany, began their campaign of warfare to control the Earth. That art imitates reality is borne out by continued antipathy between the United States and communist China into the 21^st century fuelled by fictional extrapolations of alien invaders:

Sarah singing: `Flash Gordon's left me, he's gone to the stars; an evil Darth Vader has me banished to Mars.`

 Dale Arden was Flash`s female partner and Melody Anderson was in the role in the Hollywood movie, Flash Gordon (1980), while in Star Wars the leader of the Federation against the evil Empire`s strongman, Darth Vader, is Princess Leia. If Britney Spears is referencing `Starship Trooper` (1978) by Hot Gossip and Sarah Brightman, she`s banished to Mars and is awaiting Flash Gordon who`d correspond to the figure in the Apollo spacesuit in `Oops I Did It Again`, but `possessed` by the `demons` directing him from within his spacehelmet:

Sarah singing: `Hey, Captain Strange, won't you be my lover?` You're the best thing that I've ever discovered.`

 Like Sarah Brightman, Britney is a woman in need of `space` between herself and her partner, who is `Captain Strange`1 in the case of Sarah, that is, `the Brain devil` superhero with extra sensory perception (ESP) created by Donald Keyhoe, who was a ufologist. The idea Is that unidentified flying objects (UFOs) or `flying saucers`2 are the work of sorcery, which is definable by occult practitioners as `evil magic`. Captain Strange is perceived as a `devil` of the brain of Donald Keyhoe , according to the lyric of `Starship Trooper`, because Sarah is enamoured. Taught that attachments are `demonic` by a male dominated social structure that doesn`t want freedom in relationships between mothers and daughters with their own host wombs and penis` semen, the `game` in homosexual pederasty is to convince women that their love for another is a `brain devil` to be exorcised. The sundering of human `futanarian` woman with their own penis` semen from their own host wombs is the first stage and the concept of soul `ownership of the means of production`3 in monogamy is the second, that is, the woman has a `brain devil` if she represents the `soul` inspired by the `spirit of God` to have intelligence and work to free herself through the sexual reproduction of her own brains` power for invention and so she should be sundered fom her `brain devil`, that is, whoever her teacher is, because she has a `demon`, who may be her husband, a writer, guru, daughter, or whoever is leading her to liberation from `ownership`.

 The sunderers don`t want women`s inventions because she`d be liberated by them and so the notion of the creative individual as having `brain devils` so that the `demonic` creative aspects of the psyche can be exorcised to prevent technological growth and socio-economic progress for humanity has arisen. It`s the paradigm foisted by the `serpent`s seed` upon humanity taught by God, according to the Bible, that the immortal soul should never be relinquished and the `spirit of God` should be accepted as the sole guide and teacher of `woman`s seed`. Any writer who attempts to free the mind has `brain devils` and anyone who accepts the writer`s point of view has `demons` to be exorcised by the sunderers who don`t want development. In the final analysis women are slaves to production and what comes from their wombs is a brain damaged infantilism that refuses to grow and reproduces itself in damned parasitism:

`Imagine a dying planet in some distant corner of the universe. Its natural resources exhausted. Its inhabitants sterile. Doomed to extinction. A situation we may one day find ourselves in, gentlemen. So they discover earth. Abundant, fertile. Able to satisfy their needs. They look upon us not with animosity, but callousness. As we look upon our animals that we depend on for food. Yes, it appears they are driven by circumstance across a billion miles of space, driven on by the greatest force in the universe - survival.`4

 In the Independent Television (ITV) series UFO (1970-1), the premise is an Earth of humans `harvested` for their organs. The acronym of Supreme Headquarters, Alien Defence Organisation (SHADO) represents the hidden truth, which is women`s relationships with men are contaminated by an evil shadow she needs to deal with because the denial of life to the human species of `futanarian` woman with her own penis` semen and brains from her own host womb constitutes the theft of her organs by her parasitical aliens de facto if not in fact. As a ufologist, Donald Keyhoe documented many `close encounters` in which aliens abducted humans for body organs, whereas men`s actual socio-history is of their remving the human `futanarian` species of `woman`s seed` and the sexually reproductive organs of the human species` capacity to produce her own brains as her alien parasites:

`Oops! ... I did it again. I played with your heart, got lost in the game. Oh baby, baby. Oops! ...You think I'm in love. That I'm sent from above. I'm not that innocent.`

 As with `Starship Trooper` by Hot Gossip, the Britney Spears` theme in `Oops I Did It Again` is obsession or engrossment, while playing with someone`s emotional feelings. In the poem `Fire And Ice`, by American poet Robert Frost, there are two types of feeling at the end of a relationship, characterized by obsession, that is, `fire` as anger and `ice`, which idiomatically is revenge `served cold` and is `the game` that spurned women play because they`re the innocent partners in relationships, so long as the `demon` of possessiveness isn`t present, but if divorce looms because of unfaithfulness they`re as merciless as the Emperor Ming towards Earth and ethnic typecasting isn`t the issue:

``Some say the world will end in fire, some say in ice. `6

 In the developmental psychology of Carl Gustav Jung (1875-1961) the shadow possesses individuals making them `demonic`, which is often mistaken for obsession, and is why the Calvin Klein perfume, Obsession, succeeded as a brand name because `possession` would fail as a marketer`s ploy. Swiss Arabian Faith perfume is another good example, because faith, or adherence to a belief in success, is equivalent to being obsessed with a goal rather than shadow-possession, which Carl Jung described as arising from feelings of hatred towards others who are better off. Women often feel their situation would improve if they left their partner, but that desire for improvement sometimes encounters acrimony and resistance leading to vengeful acts of possessiveness.

 The success of the Christian Dior perfume brand name, Poison, favours `game` theory, and is a societal symptom equal to those directives to readers and viewers from fiction, movies, and song lyrics to perceive enemies where Jesus Christ preached acceptance of what was good and to avoid hatred based on prejudice. The minds of people are poisoned by ideas that poisons are good, or that other peoples are poisonous, because that`s argued by the propaganda, but vendetta embraces the reality of `the game` of constant divorce or `sundering`, whereby women are constantly looking to improve their situation with regard to partners who don`t measure up to ever increasingly higher expectations from the women or external pressures including other males:

Sarah singing: `Encounters one and two are not enough for me. What my body needs is close encounter three.`

 The Hot Gossip `Starship Trooper` lyric is a play on the definition of alien encounters as a `close encounter of the third kind`, which became the title of the movie Close Encounters Of The Third Kind (1977) that detailed the arrival upon Earth of an alien ship aboard which a few humans were elected to travel away to the planets and stars. The `close encounter`5  is stereotypically male insofar as the humans are conceived as sundered, as the depiction of man and woman as representative humanity on the plaque attached to NASA`s Pioneer spacecraft sent out of the solar system as a postcard from Earth to other unknown sentient intelligences indicates. In ignoring woman`s `futanarian` independence as the host womb of the human race with her own penis` semen, the NASA Pioneer spacecraft postcard informs extraterrestrials, if they exist, that Earth is where the alien sunderers of humanity can be found:

`There ain`t no such thing as a free lunch.`7

 Robert A. Heinlein`s (1907-88) maxim of `TANSTAAFL!` from his science fiction novel, The Moon Is A Harsh Mistress (1966), which details a revolt sundering a Luna colony from Earth, is supposed to be the libertarian viewpoint that work produces rewards, but aliens inviting other aliens to Earth for sunderer`s lunch is what the Pioneer spacecraft represented, that is, civilization, culture and art, which is the enslaved product of women`s host wombs as the human species, can be eaten here; because it`s devoured in men`s ceaseless wars of `perpetual enmity` against her. In the movie Independence Day (1996) aliens invade the Earth and are ultimately defeated after great devastation on a global scale because that`s what aliens do. Alien invasions are extrapolations of men`s invasions because they`re the aliens` wars against the humans:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 Sundering the human host womb from her own penis` `seed` is how the Earth embraced being an alien meal. Because `futanarian` women have their own penis` `seed` and so are capable of sexual reproduction without men, it would be difficult to sunder them as a species without demonic possession by invisible agencies demanding that they prefer men who can`t sexually reproduce together and in fact had produced the biblical `blood plague` of the `killer disease`, HIV/AIDS, in the late 20<sup>th</sup> century, by mixing blood, shit and semen in each others` anuses during mockeries of the human act of sexual reproduction. The `blood plague` is sent by God, according to the Christian New Testament of the Bible, to convert men from their sin of rejecting women in preference for homosexuality and devouring her infant nascency as a species in wars more conventional than biological:

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 Jesus Christ uncontaminated by male semen, because born from his mother, the Virgin Mary, advocates adherence to the Holy Spirit which will teach  after him and help combat the demonic agencies of possession that would sunder woman from God, who tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed` that tempted her to eat of the `fruit of the tree of good and evil` and give some also to the first man created by God, Adam, rather than remain faithful to the `fruit of the tree of life`, which was immortality. Expelled from paradise by God for being interested in the evil of sundering, God warned Eve she`d experience pain in childbirth, because her `futanarian` nature would be sundered although she would:

`… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)

 Leaving Earth for the stars and planets in starships of her own devising, thanks to her sexually reproducing her own brains` powers after Jesus` promised Resurrection of `woman`s seed`, woman as a `futanarian` species with her own penis` semen would no longer be directed by men`s propaganda to promote enmity between peoples but fuelled by her own implacable hatred for the divorced, Jesus envisages `war in heaven`, before the `serpent`s seed` receive unendurable eternal pain as a punishment  for preferring enslavement for woman`s host wombs in parasitism and death, rather than a `new heaven and Earth` for the `futanarian` human species of woman unsundered and with her own `seed` for the production of a new angelic host:

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)

 In Robert Heinlein`s original novel, Starship Troopers (1959) a race of humanoids called `Skinnys` reflect the US` habit of defining other human cultures by a single epithet. During the period of the US` wars in Indo-China (1946-79) against the perceived threat of communism, Asians were `Gooks`, and the Japanese were `little yellow men`, because it was a traditional epithet applied to skin colour and perceived cowardliness amongst English speakers, which perhaps contributed to Japan`s militarism and its siding with Italy and Germany, the Axis powers during WWII, to compensate for their alleged diminutive stature and lack of heart amongst Western propogandists:

Sarah singing: `I lost my heart to a starship trooper; flashing lights in hyperspace: fighting for the Federation. Hand in hand we'll conquer space.`

The concept of `the Federation` is familiar from Star Wars but also from the movie made from Heinlein`s supposedly militaristic novel, Starship Troopers (1997), in which the `bug worlds` of arachnoid aliens are depicted as attacking Earth and the soldiers of the Federation drop aboard mother ships as 20^th century paratroopers on parachutes, dropped like spiders to invade nations upon the planet Earth. The extrapolation reveals the connection between the alien and the human insofar as the host wombs of the human women are enslaved by the aliens upon the Earth to defend against the aliens from elsewhere, which is what wars are:

Sarah singing: `The scanners seem to indicate a small deviation. Static on the comm - it's Starfleet Command requesting your position: it's their final demand.`

 The lyric from `(I Lost My Heart To A) Starship Trooper` by Hot Gossip employs the term `Starfleet`, which was created by the writers of the US` television series Star Trek (1965-) to describe the ships of the Federation and the fictional theme of a vast system of colonized planets patrolled by Earth`s starships and especially the crew of the USS Enterprise (NCC-1701) sometime in the 2260s. Starfleet Command`s requesting the position of the Enterprise in order to give instructions about where the ship was required next was a basic feature of the TV series devised by producer Aaron Spelling, while a `deviation` detected by ship`s `scanners` suggested an  `anomaly`, which is something that isn`t expected. The starship needs to be in readiness for what might occur next. Reported `static` on the communication from `Starfleet Command` by black female Communications Officer, Lt. Uhura of the Enterprise, was common because sexual attractiveness heightened the `position` by expressing the possibility of miscegenation, which clouded women`s `opinions` within the framework of a United States embroiled in racism and the struggle for human rights throughout the 1960s when the original series (TOS) was made. The Hot Gossip dance troupe were known for their eroticism in which `sexual position` was an important aspect of their dance routines. In `gay` and heterosexual terms the `Starship Trooper` lyric `requesting position` demands information with regard not only to sexual orientation but also race, which the Pioneer spacecraft had already announced to unseen extraterrestrial intelligences. The human species of `futanarian` woman with her own penis` `seed` and capacity to sexually reproduce human brains independent of men had already been eaten and we were here to be consumed by parasites and not cannibals. Irrespective of `opinion` women`s `position` was subservient to men`s; black, white, or otherwise.

 Carl Jung argued that the anima of a man was his soul which functioned as a psychopmp or guide with regard to women through projection, that is, the soul projected upon women said they were good because the projector was good, but the projection was often contaminated by feelings of inferiority towards the human by the alien and so hatred had to be overcome before sexual love could occur. According to Jung the animus was the male or contrasexual component of the woman, but he failed to grasp that women were an independent species and that the animus represented the woman`s penis` `seed`.

Although Jung observed that the animus was `opinionated`, he failed to perceive that sexual `position` was what women opined over. For them `opinion` was a tool of species differentiation, which Jung called woman`s `sword of power` used against the `power of illusion` represented by a man`s anima-projections. The anima assured women he wasn`t an alien, but her contrasexual counterpart, whereas the anima functions as the `spirit of God` obsessing the individual man with sexual reproduction, but not technological development, because it`d result in woman`s escape from Earth. Sundered humanity is unable to escape because the anima belongs with the woman and the animus with the `futanarian` woman between whom there exists no delusion because they`re sexual counterparts and it`s the will of God she should sexually reproduce the independent brains of humanity from her own `futanarian` woman`s penis` `seed`:

Sarah singing: `You're intentions are known, they've found out at last. So if you're gonna take me, please make it fast. Touch me, feel me, do what you will. I want to feel that galactic thrill.`

 The lyric from `Starship Trooper` by Hot Gossip is `gay` because it mocks `futanarian` women from its sunderers` perspective where everybody is homosexual because the human species is split. Women are abnormal because lesbian and so schizophrenically inclined away from their own race, while men are the aliens that have inveigled themselves into her host womb since God`s expulsion of Adam and Eve from paradise for disobeying the breeding program in favour of self-enslaving while `futanarian` humans would be killed as a threat to the socio-economic dictatorship of the `serpent`s seed` of men:

Speaker 1: `Arcaida. X-ray x-ray delta niner niner zero. This is Starfleet Control. You are clear to go hyperspace. Acknowledge.`

 The `starship` featured in `Starship Trooper` by Hot Gossip is Arcadia, which is the pastoral idyll in Greek mythology most closely corresponding to Eden, but the name of the character Arcaida in `Starship Trooper` is homophonic and sounds like Al-Qaeda, while the line, `Listen, Captain Strange, what's our destination?` hints at psychic knowledge of 9/11, which was niner one one and is the number of the emergency services in the United states on September 11, 2001, when Al Qaeda terrorists crashed hijacked planes into the Twin Towers of the World Trade Centre in New York. Psychic awareness isn`t so unusual in literature. The prophetic verses of seer Michel Nostradamus (1503-66) read like `flash fiction`, much in vogue at the commencement of the 21^st century, and similar to the lyrics of 20^th century pop videos, but more authoritively prescient and predictive:

`In the year 1999, in the seventh month, from the sky will come the great king of terror, bringing back to life the great king of the Moguls. Before and after, Mars to reign by good fortune.`8

 Mars is a common euphemism for war derived from mythology because he`s the Roman god of war. Although September 11, 2001, wasn`t July 1999, in the Gregorian calendar September would have been July, according to the old Roman Julian calendar that has ten instead of twelve months, which isn`t so far out for a 16<sup>th</sup> century predictive seer. The ensuing war with Iraq and the dictator, Saddam Hussein, who`d supported Al Qaeda, was called the `TV war` and so the risen Mogul would be a Holllywood producer or director. Often called `Babylon`, which is the ancient capital of the Persian Empire in Iraq, Hollywood represents the restoration of woman`s enslavement as the producer of `TV war` from her host wombs, where `TV` is transvestism and the sundered legions of humanity fight for extinction in the Mogul`s entertainment spectacles arranged for public consumption courtesy of the movie studios in California, Los Angeles, `city of the angels`:

`Each man would jump fifteen seconds behind the other, simply to give each of them room to manouver on the ground. When they hit dirt their personal shields - force-fields to you and me - would be already active (switched-on in mid-air at one-and-a-half-klicks with a radius of 250 metres) and every one of them would rapidly become the epicentre of a circle of destructivity that no Trooper in his right mind would seek to overlap.`9

 Formulaic literature descriptive of what Hollywood, Babylon, actually produces in a few frames of cinema film is valuable for that reason. The efforts of a writer to be published are nothing to a trillion dollar a year movie industry which reduces a novelist`s input to a moment or so of action and a few words of dialogue. Destruction has become the god in Hollywood, Babylon, because it`s spectacular, but the death of the ageing writer in the `concentration camp` of Hollywood`s devouring maw isn`t much reward for a life spent as an artist endeavouring to be heard over an explosion and a grunt or two from the `hero`.

 Hollywood, Babylon, values life about as much as Al Qaeda `live on CNN` to up the viewing figures for `TV`. Those who work in special effects, for example, spend months and sometimes years of their lives constructing the equivalent of starships to be crashed on movie sets without a qualm. Hollywood`s pictures are of lives born to be destroyed, because they`re of little or no worth to the movie business once their frames in the movie are shown. The reduction of human endeavor to a flash of fire and the death of half a world is reflected in `TV wars` like the Gulf (2001-11), featuring the assassination of terrorist leader, Osama Ben Ladan in the shade of the Pakistan Military Academy, as a denouement on May 2, 2011, while a cure for HIV/AIDS `killer disease` had to wait because of the immense resources needed to wage war diverted to the Military Industrial Complex (MIC) and away from healthcare. The `movie` of an individual`s life goes on for 70+ years on average, but for `TV war` it`s frames of a film lasting moments and the value of people is diminishing to the point at which the callous dispatching of the murdered is no longer perceived as `anathema`, but actively encouraged by computer `games` and `action` films based on death and the vicarious enjoyment of others` unfulfilled lives.

 Although Britney Spears` `Oops I Did It Again` seems simple, the presence of the astronaut suggests the MTV (Music Television Awards) statuette for pop music in its various categories as devised by Music Television, the cable and satellite `TV` broadcaster that, inaugurated as a channel on August 1, 1981, because the Viacom company saw an opportunity to showcase the new media of pop video singles being produced by pop recording artists. MTV later awarded the silver spacemean standing on one leg with the MTV logo on the flag as if he were Neil Armstrong, the first human to set foot on the moon, planting the flag of the United States there:

`One small step for a man, one giant leap for mankind.`10

 The first Video Music Award (VMA) was awarded in 1984 and, although `Oops! … I Did It Again` was pitched to win an MTV spaceman and was nominated, Britney Spears had to wait until 2008`s `Piece Of Me` from her Blackout album before becoming a recipient of the `silver spaceman` for what was a protest song about the paparazzi`s role in her losing custody of her infant, Sean, after she was photographed `neglecting` the child by ignoring the loss of his cap while running to a car to avoid the media:

`… with a kid on my arm, I'm still an exceptional earner. You want a piece of me?`

 Idiomatic usage of `piece` is belligerence and so Britney won the MTV Award because the spacesuit was designed from pressure suits used in deep sea diving at the Aeronautical Materials Lab at the Philadelphia Navy Yard by science fiction luminary, Robert Heinlein, amongst others, during WWII. The VMA `silver spaceman` represents a retrospective look back at `Oops I Did It Again` from Britney`s point of view, because her red pilot`s suit in the video complements the astronaut`s appearance. The original plan of NASA`s was to fly to the moon by `spaceplane`, so Britney Spears `Oops I Did It Again` performance poses a question: how is humankind to reach Mars if the spacesuit and the pilot`s suit aren`t viable? Heinlein`s Starship Troopers treated of the possible future development of the spacesuit into a form of futuristic military armor.

Armor was worn by Medieval knights such as those of the legendary court of the English king Arthur, written of by Sir Thomas Mallory in his famous novel, Le Mort D`Arthur,11 dealing mainly with the search for the Holy Grail as the bowl drunk from by Jesus Christ at the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven. For pop music an MTV Award is the Holy Grail but `Oops I Did It Again` points out that the spacesuit and the pilot`s suit aren`t viable for interplanetary travel. The title of the Blackout album from which the VMA award winning single `Piece Of Me` was taken reflects on the blackouts experienced by prototypical X-15 `spaceplane` pilots, which resulted in the Apollo spacesuit program that had the `personal armour` of Starship Troopers and conquest as its teleology rather than space exploration and human colonization as the genuine Holy Grail:

Sarah singing: `Space suit is lying on control room floor; pulse rate increasing as the heat factor soars: take me, make me feel the force. Ignore the computers, we're locked on course.`

 The Hot Gossip lyric from `(I Lost My Heart To A) Starship Trooper` describes the possibility of `blackout` as a hazard of spacesuit use. In the Star Wars series of movies, `the force` is a form of energy within the cells of the body that needs to be balanced before the power of God can be used. Darth Vader has embraced the `dark side` of `the force`, which means he`s shadow-possessed and so demoniacally evil:

`Midi-chlorians are microorganisms first mentioned in Star Wars Episode I: The Phantom Menace [1999]. They reside within the cells of all living things and communicate with the Force. They are symbionts within all other living things and without them life could not exist. The Jedi have learned how to listen to and coordinate the midi-chlorians. Every living being thus has a connection to the Force, but one must have a high enough concentration of midi-chlorians in one's cells in order to be a Jedi or a Sith.`12

 The `Jedi` are the knights of the romance while the `Sith` are a race of humanoids that master the `dark side` of `the force` to seize power from humans. Although `the force` is available to anybody harmonized in balance with the midi-chlorians present within the system, shadow-possession is the consequence of turning away from the `light side` until there is only darkness, which is death and its worship in evil:

Sarah singing: `… are you like a droid, devoid of emotion?`

 Because of the reference to Star Wars in Hot Gossip`s `Starship Trooper` lyric, the `droid is R2-D2, the indefatigable mechanoid that always succeeds. Stealing the plans for the `Death Star`, Princess Leia entrusts R2-D2 to deliver them to the Federation so they can destroy it before it`s deployed against Federation planets. R2-D2 represents human fallibility, because the machine makes no mistakes; it`s `locked on course`, as the Hot Gossip lyric in `Starship Trooper` has it: whereas the human who is `like a droid, devoid of emotion` is evil because inhuman. The misapprehension is that machines are evil, whereas humans who embrace the `dark side` are. R2-D2 is a better human because a better machine, which is what `labour-saving devices` such as washing machines or microwave ovens are. They free humans and so should be treasured, as R2-D2 is in the movie series, because the `droid` represents `Liberty` through intelligence and why despise the machine or an animal because it`s sentient enough to help you? Enslaving the host womb of the human species, or any other sentient creature, limits humans to inbuilt failure in their desire for freedom.

 Appearing on the cross In the place of Jesus crucified for the cover of the CD single, `Piece Of Me`, Britney is idiomatically giving the Earth a `piece of her mind` on the subject of Arthur`s knights of la table ronde at which all were perceived equal, because none could be seen to be foremost. Arthur`s fate was to be betrayed by his half-brother, Mordred, detailed in the movie Excalibur (1981), while Jesus` traitor was Judas. Although the table of Arthur corresponds to that of the disciples` at the `Last Supper`, the Holy Grail is independence. If all men are interested in is `conquest`, and preoccupations with the evil devouring of humans through warfare rather than healthcare suggests they are, is the `futanarian` human species of woman with her own capacity to sexually reproduce her own brains` power for socio-economic independence from Earth through technology, just a `piece of cake` at the Rotary Club for men who don`t want her humanity to leave in starships, because they want to enslave and devour her sundered self here in `TV wars`?

 In `Oops I Did It Again` Britney appears `twinned` as herself in a red suit and in a white bikini dress, because three humans are represented in her equation; the man, the woman, and the `futanarian` woman with her own penis` `seed`. If man doesn`t want her, she can leave for the stars and planets because he`s holding her back. At the `Last Supper` before his crucifixion, Jesus gave `bread and wine` as symbols of the `body and blood` that was to come during his torture and murder upon the cross, because the disciple Judas didn`t accept Christ as the host, but instead betrayed the human species of `futanarian` woman with her own human penis` semen and host womb represented by Jesus` mother, the Virgin Mary, who bore Jesus uncontaminated by male semen in the `spirit of God` as the true Holy Grail of Christianity`s preaching of the Resurrection and Redemption from the `original sin` of accepting slavery sundered `futanarian` humanity.

 According to Jung the heart is the `Feeling` function associated with the mouth and the bowl, that is, the Holy Grail is `Feeling` because it represents a refusal to devour the human. Britney Spears` `Oops I Did It Again` is an exercise in `flash memory` rather than `flash fiction` insofar as it features a dialogue between herself and her spaceman about the contents of a `black box` which is usually inside a plane as the recorded information after a crash such as those experienced by X-15 pilots due to `blackouts`. Some pilots escaped by parachute but others died. Because the parachute is `spider technology`, Heinlein`s Starship Troopers` depiction of the evolution of the paratrooper comments on the teleology of the spider rather than the human, who`d prefer to ascend to the stars and planets by `spaceplane` rather than remain to be devoured in men`s wars of `perpetual enmity` because the spider prefers a hard shell rather than a soft body. In Heinlein`s `Future History` Britney Spears in `oops I Did It Again` corresponds to `Poddy` from his juvenile story for girls, Podkayne Of Mars (1963), who wants to learn to be a `rocketship pilot` because it`s a better chance for the human race:

Britney speaking: `But I thought the old lady dropped it into the ocean at the end?`

 Britney Spears` video single is carefully scripted; as was Hot Gossip`s `Starship Trooper` in which there are speakers 1, 2, and 3. At one point, the director`s cue is, Sarah singing: `Oh, baby..,` which Britney echoes in `Oops I Did It Again` in homage to her pop music video predecessors in science fiction:

`Oh baby. It might seem like a crush; but it doesn't mean that I'm serious. `Cause to lose all my senses; that is just so typically me. Oh baby, baby.`

 In Jungian psychology, the senses of sight, hearing, taste and smell represent undifferentiated or unconscious awareness and so Britney`s lyric laments her emotionality. In the movie Titanic (1997) the `old lady` Rose drops the blue diamond pendant, `heart of the ocean`, into the sea as a `remembrance` at the place where the ship sank on April 15, 1912. The Titanic had been on its maiden voyage from Liverpool to New York after being struck by an iceberg, which suggests that the blue diamond is the uncrushed `ice` that contains only the cold clarity of memory to assist the salvage operation and reveal the secrets of the wreck:

Britney`s spaceman speaking: `Well, baby, I went down and got it for you.`

 Not only is he an astronaut, Britney`s spaceman is a deep sea diver and represents the evolution of Heinlein`s `pressure suit`, that is, the `precious suit`, since the Philadelphia Navy Yard`s preparing for the X-15 spaceplane program, which indirectly paved the way for NASA`s succeeding Apollo space program. Descending onto the dance floor inside a giant`s ring at the opening of `Oops I Did It Again`, Britney`s `action` can again be seen to correspond with the lyrics of Hot Gossip`s `Starship Trooper` because she`s a child of her era and the other stars have communicated themselves to her:

Speaker 2: `Affirmative, Star Comm. We have situation gold.`

 The golden `ring of power` at the centre of the `star` British fantasy, J. R. R. Tolkein`s The Lord Of The Rings (1954-55), is the `precious`, so the `precious suit` is the wedding suit of the bridegroom for the bride. What`s missing from the gold ring is the stone, which symbolically is in the `black box` given to Britney by the spaceman as the Holy Grail. On his way to destroy the ring of power in the volcano atop Mt Doom, Frodo has to fight the giant female spider, Shelob. The solution to the devouring spider teleology of the `precious suit`, as depicted in Heinlein`s Starship Troopers, is women`s technology from her own `futanarian` marriage and brains from her own host wombs with her own penis` semen for the sexual reproduction of better equipment for liberation from the conquest-destruction path in preference for the road to civilization-colonization :

`Enter through the narrow gate. For wide is the gate and broad is the road that leads to destruction, and many enter through it. But small is the gate and narrow the road that leads to life, and only a few find it.` (Matt: 7. 13-14)

 Tolkien`s novel is divided into three parts; The Fellowship Of The Ring (2001), The Two Towers (2002) and The Return Of The King (2003). In 21<sup>st</sup> century terms the Twin Towers of New York destroyed by Al Qaeda on September 11, 2001, correspond to the citadel of the West threatened by the Dark Lord, Sauron, whose `ring of power` Frodo was entrusted to destroy. Frodo`s struggle to defeat Shelob in the Two Towers and relinquish the ring atop Mt Doom to liberate the good from the power of the `Dark Lord` contrasts with Anakin Skywalker`s capitulation to the `dark side` to become Darth Vader and lead the evil Empire against the Federation in the Star Wars epic. Although the Twin Towers of New York symbolized the `gateway to the West`, the power of the `Dark Lord` raised them to the ground, because the power of Sauron wasn`t broken in the `war of the ring` between  Saddam Hussein`s Al Qaeda and the NATO alliance (North Atlantic Treaty Organization) and her allies in the Middle East and elsewhere. The demolishing of a wall that ringed the US Defense Department of the Pentagon by a further terrorist hijacked plane was an attempt to break a ring of power in the West and there are rings of freedom and slavery in Tolkien`s fantasy:

`Three rings for the elven-kings under the sky;

Seven for the dwarf-lords in their halls of stone;

Nine for mortal men doomed to die;

One for the Dark Lord on his dark throne:

In the land of Mordor where the shadows lie.

One ring to rule them all; one ring to find them;

One ring to bring them all and in the darkness bind them:

In the land of Mordor where the shadows lie.`13

 The gate to heaven is the `futanarian` way of `woman`s seed`. In the Titanic movie Rose is betrayed by an ex-fiancée who puts the `heart of the ocean` into the pocket of her new boyfriend and accuses him of theft, just as Bilbo is accused of theft in the novel prequel, The Hobbit (1937), when he finds the ring of Sauron before Frodo becomes his heir and instrument of deliverance. Curiously, Bilbo could have lost the ring but wom a guessing game to retain it with the creature, Smeagol, who claimed he`d stolen it from him:

`What have I got in my pocket?`14

 Despite Smeagol`s objection, Bilbo keeps the ring, and he`s a murderer anyway so doesn`t deserve it and knows so, which works against his assumed role as someone whose life, which was `precious`, has been taken away by Bilbo, the `nasty thief`. Rose`s jewel is still in the pocket of the coat while she`s sitting in a lifeboat from the Titanic and she doesn`t guess it`s there but discovers it by chance as Bilbo had. Her lover drowns helping others, but the `heart of the ocean` diamond pendant represents the `Feeling` function of Jungian psychology, which is inferior in the ex- fiancée but differentiated or actualized in Rose`s relationship. According to Jung the differentiation of the four functions; `Sensation, Thinking, Feeling and Intuition` is necessary before the individual is self-aware enough to function as a human. The `Feeling` function is usually inferior in men because they`re treacherous. As Judas was when betraying Jesus, which is why the bowl Christ ate and drank from is Holy and the `bread and wine` he offered to the disciples, as his `body and blood`, is the `hand of friendship` rather than the infamous kiss upon the mouth of Jesus from the lips of Judas Iscariot, the devourer. In symbolic terms the Titanic`s iceberg is the tooth in the mouth of the traitor, whether the sinking was accidental or not. The `heart of the ocean` is the symbol of Jesus` heart, because those without `Feeling` are the devourers and the hearts of lovers are human:

Speaker 1: `This is Starfleet Control to all ships in sector five. Be advised Arcadia niner niner zero is off course. All ships [squawk!] ident …`

 Because of the iceberg and volcano references in Britney Spears` `Oops I Did It Again`, her theme echoes Robert Frost`s poem, `Fire and Ice`, but it`s about the mastering of emotions in order to function successfully rather than vengefully. In Hot Gossip `s lyric the starship Arcadia is a `Mary Celeste`, which was a ship legendarily discovered drifting crewless on December 5, 1872 in the Atlantic. Any mysterious empty space that should contain humans is now idiomatically described as `Mary Celeste`. Although Britney borrows from Hot Gossip`s `Starship Trooper` in referring to a lost ship, `Oops I Did It Again` is about the Titanic`s undeviating from its course and sinking, because of the belief it couldn`t ever lose:

Announcer: `All aboard!`

 The Al Qaeda terrorists` hijacked planes on 9/11, 2001, didn`t know when to avoid the Twin Towers, because they weren`t sentient machines to decide for the humans, like R2-D2, the mechanoid in Star Wars does. R2-D2 saves the Federation by facilitating the destruction of the Empire`s `Death Star` before it can become operational as a planet killer, which is what the unbroken ring of homosexual pederasty and war`s preference for sundering and devouring through enslaving women`s `futanarian` host wombs for `TV` is. In The Lord Of The Rings Frodo wrestles with Smeagol atop Mt Doom, because Smeagol didn`t know when to relinquish the ring and falls to his death in fire.

 There`s a scene in Britney Spears `Oops I Did It Again` where her red suited self puts a hook into his backpack and raises him by means of a pulley until he`s hanging above herself in a white bikini dress with what look like the tines of a giant fork beside his spacehelmet while she reclines on what appears to be a white fire blanket. Suspended, he can`t do anything other than film Britney with his camera eye attached to the side of his spacehelmet. Britney represents safety after a fall from the fork, symbolizing the devouring `serpent`s seed` that, grown in size to the `dragon` of Revelation, waits in vain to consume the `New Redeemer`, that is, although the sunderers believed they could never lose, Jesus Christ in his `Second Coming` will `rule the nations with an iron scepter`, which Britney`s protective fire blanket represents. The spaceman can`t fall to safety because she`s not sure he isn`t a devourer. `Oops I Did It Again` is Britney`s stage where the setting of the ring with the jewel will occur, and she`s a hot white diamond in a bikini, while her red suited self is a ruby, with the cold blue diamond `heart of the ocean` in the spaceman`s `black box` as the third jewel of her ring if he believes in freedom for the human species and so accepts her futanarian `sister`:

`You see my problem is this; I'm dreaming away wishing that heroes, they truly exist. I cry, watching the days; can't you see I'm a fool in so many ways?`

 The hero concept relates to women. At Troy the Greek heroes were there to ostensibly liberate the captured Helen from Prince Paris who had taken her to the city of his father, king Priam, from Greece and her husband, Menelaus, whose brother was king Agamemnon of Sparta. But the enslaving of the host wombs of the women of Troy after the Greek victory belies the title `hero`. Britney Spears` bikini dressed sister in white is the archetype of Helen beseeched by a besieger, who she rejects in his first assay, but the scene will be repeated ad nauseum, because the VCD will be replayed countless times by people all over the world ad infinitum unto futurity. Although Brintey appeals to be released from being a `fool` for `dreaming` of `heroes`, she`s possessed by the `brain devils` of the propogandists who want her to accept the `demons` as heroes despite the truth which belies the fact of war and her enslavement as its producer.

 In ancient Greece women`s host wombs were institutionally enslaved by homosexuals in pederasty in order to spread war and its contagion. The global incurable `killer disease` of HIV/AIDS is a `biological weapon` keeping `futanarian` woman with her own penis` semen enslaved in fearful faithfulness to her jailors in misogyny. The indomitable Star Wars machine R2-D2 provides the best solution to fallible humanity`s belief in invincibility and the stoic `he who hesitates is lost`15 philosophy of the schizophrenic socio-path, but society wants human error rather than machine infallbility, so computer `geeks`, replacing the earlier form of `Greek` homosexuality, devise machine code to deliver viruses to computers much in the way that Troy was captured by the `Trojan horse` of the Greeks. Leaving behind a huge hollow wooden horse, the Greeks left their siege of the city of Troy and the Trojans took the `gift` into the city where the Greeks emerged like a 21<sup>st</sup> century `Trojan horse` computer virus to enslave the host wombs of the Trojan women for pederasty and to spread their contagion further:

`Beware Greeks bearing gifts.`16

 The Al Qaeda terrorists on 9/11, 2001, used their hijacked planes as visiting guests of the United States to crash them into the Twin Towers and virally precipitate global `rough trade`17 at the World Trade Centre, that is, the `brutality and violence` of homosexual pederasty at war with the world. Just as Judas betrayed Jesus so the Al Qaeda tourists and students were traitors to the welcome the United States gave them when they hijacked civil aircraft at Boston`s Logan airport to end the hopes of the 21<sup>st</sup> century in the same way that the lives of `runners` are snuffed out by `sandmen` in the science fiction movie, Logan`s Run (1976), because they want to live past their 21^st birthdays. If funds were spent on healthcare, rather than war, humans could live forever, but ephemerality for women keeps the species unconscious and easy prey for alien intelligences, because `woman`s seed` can`t disseminate the `futanarian` truth to their daughters within censorship and media blackout that occludes from taboo knowledge of her own penis` semen:

`I'm Mrs `Oh, my God! That Britney's Shameless (You want a piece of me?)!`

 Britney Spears isn`t allowed to be shameless enough or the nude photograph of her on the cover of the CD single, `Piece Of Me`, on the cross of Jesus with her long brunette hair covering her breasts and wearing only a sarong would be entirely naked with a `futanarian` woman`s penis` erection visible so the younger generation can know more of the truth about Christ`s teachings of `woman`s seed`, its Resurrection, and mankind`s Redemption through acceptance of it.

 That Britney Spears knew Hot Gossip`s work is evident from the golden bosses on the walls of the stage set for the video single, `Oops I Did It Again`, because silver bosses feature in the video for `Starship Trooper` and in the BBC TV series Doctor Who (1963-) on the casing of the Daleks of Skaro who were at war with the blonde Thal humans as the Kaleds before global holocaust forced the Kaleds to become Daleks and live in metal pepper-pot style vehicles as exterminators of the Thals. The Daleks become the enemies of the human race throughout the long-running TV series; metallically grating whenever they see a human:

`Exterminate! Exterminate!`18

 US audiences would associate the pepper-pot Daleks and Doctor Who with the fizzy soft drink, Dr Pepper, while Gwyneth Paltrow was the actress in the role of Pepper Potts alongside Robert Downey Jr as Tony Stark in the movie Iron Man (2008) , which similarly treats of the theme of the armoured flying suit. Although Daleks aren`t Iron Man, their outward appearance in the shape of the external bosses on their pepper-pot style casings, insofar as they feature in the pop music videos of Britney Spears` `Oops I Did It Again` and Hot Gossip`s `Starship Trooper`, reflect on Robert A. Heinlein`s Starship Troopers and Britney Spears` spaceman`s position with regard to the phenomenon of the `extermination camp`. 

 Internment camps for `aliens` arose in the 20^th century as a means employed by the Germans during WWII to exterminate the `chosen people` of the Old Testament of the Bible, the Jews, and prevent the human `futanarian` species of unsundered woman with her own penis` `seed` for planetary colonization from leaving. It isn`t possible to be born a Jew unless born from a woman, so women are the `chosen people`. Because of the surrounding Dalek symbolism, both Britney Spears` Oops I Did It Again` and Hot Gossip`s `Starship Trooper` represent the idea that there`s no escape for the unsundered children of the human race of `futanarian` women with their own capacity for sexually reproducing their own brains` power to liberate themselves through technological advancement because the troopers are their imprisoners rather than their defenders.

 Whether Hot Gossip and Britney Spears support the `death camp` theme in their dance videos is moot. Directors have their own ideas and `Starship Trooper` by Hot Gossip was choreographed by England`s Arlene Phillips while `Oops I Did It Again` was directed for Britney Spears by England`s Nigel Dick. It was the English that invented the `concentration camp` in South Africa, of course, to exterminate the Dutch settlers during the Boer wars (1880-1,1899-02) and the  exterminating Daleks of Doctor Who were created by Terry Nation, who also devised Blake`s 7 (1978-81), the adventures of Roj Blake and the crew of the Liberator spaceship who conduct a campaign against the totalitarian Terran Federation, because it uses mass surveillance, brainwashing and drug pacification to control its citizens, for 52 episodes.

 When Roj Blake is lost, Kerr Avon, an `electronics and computer expert`, commands until the Liberator is destroyed and the crew continue their campaign from the planet Xenon. In the final episode Avon finds Blake and kills him because he suspects Blake of being a traitor. The crew are killed by Federation guards who surround Avon in the final scene. The essence is of the South African actress, Glynis Barber, who had the role of Soolin in the fourth and last series along with Slave, the new ship Scorpio`s onboard computer, which telegraphed the `TV` program as a sunderer`s pogrom on behalf of transvestism, that is, the sundered human species of `futanarian` woman with her own penis` semen and host wombs for independence and freedom.

 Glynis Barber as Soolin was a blonde South African Boer beauty who might appeal sexually to women viewers of Blake`s 7 and so she was exterminated in an English `death camp` scenario in keeping with the continuing theme of Doctor Who And The Daleks (1965) in which the blonde Thals are extrapolations of the Dutch Boers who declared an Orange Free State on February 25, 1854, which the English tried to exterminate. Of course, the Jews held still in Germany, and the rest of the world, before the fascist pogroms began before WWII during the dictatorial reigns of democratically elected Reichführer, Adolf Hitler in 1933, Benito Mussolini in Italy in 1922, and Emperor Hirohito (1901-1989) of Japan, who was best known for claiming not to know anything about the Japanese own `labour camps` created to waste lives in starvation and disease:

`A word to you about escape. There is no barbed wire. No stockade. No watchtower. They are not necessary. We are an island in the jungle. Escape is impossible. You would die.`19

 Colonel Sato in the movie of Japanese prisoner of war camps, Bridge Over The River Kwai (1957), announces the basic capitalist ethos of the 2oth century and beyond. The soul is to be enslaved for the spirit to work, but there`s no escape because technological development is forbidden. Science fiction is usually defined as extrapolation, that is, possible scientific advancement described in fictional terms, whereas the truth is that humans live in the propogandists` fiction that science is impossible in order to maintain slavery.

 Caring about the car is different to the car caring about the individual who cares for the car, but the principle is liberating. Humans are kept at an artificially low level of technological advancement to prevent the machine from caring for them and liberating humanity from slavery. The individual with poor technology has to care for their technology more, for example, the person with scissors rather than an electric razor, which results in slavery to the technology rather than liberation of the individual through technology because scissors are more time-consuming than electric razors.

 If the machine cares for the human better than the human can, the machine is more human than the human who is thenceforth liberated from care and can live. Men keep humans at a low level of technology so they can`t escape, but women with their own penis` semen and host womb are socio-economically independent to sexually reproduce their own brains and technologies and so men are her alien parasites seeking the extinction of her human species through `death camp` programs designed to foster the illusion that progress is desired whereas the teleology is of slavery and reincarnation to be enslaved in death and rebirth, whereas Jesus Christ taught Resurrection because it means the end of devourment of the human race in enslavement to the `serpent`s seed` preparing their `red dragon`, Satan, to consume the Earth in the fire of nihilistic holocaust followed by a  permanent winter of deadly ice from which no living thing would ever emerge;

`From what I've tasted of desire, I hold with those who favor fire. But if it had to perish twice, I think I know enough of hate to say that for destruction ice Is also great and would suffice.`20

 The `serpent`s seed` hates humanity and grows its dragons to devour it. Satan doesn`t care whether the world ends in fire or ice, as Robert Frost writes in his poem, `Fire And Ice`, just as long as it does. Although the poet`s metaphor for the ending of a relationship in acrimony is simple, the metaphor is genuine because the human species is split by its alien sunderers who seek the Earth`s destruction. It will happen if Jesus` teaching isn`t understood as encouragement to those who want to be pilot`s of their own individual spacelanes, rather than aliens masquerading as `starship troopers`, who`d hijack planes in order to destroy individuality and developmental human progress:

`Starship Trooper, go sailing on by, catch my soul, catch the very night. Hide the moment from my eager eyes. Though you've seen them, please don't tell a soul. What you can't see, can't be very whole.`21

 The lyric from `Starship Trooper` by the progressive rock group, Yes. describes people`s fear of German `stormtroopers`, that is, the Sturmabteilung (SA) Nazi paratroopers, and what they`ve been doing. That`s why many residents close to Nazi `death camps`, run by the Schutzstaffel (SS) `protective squadron`, during and before WWII, lived in self-delusion, because they didn`t want to be held in there and so feigned belief in the lies about `showers` and `holiday camps` where poison gas chambers and clusters of protected buildings for exterminators to exterminate humans were the truth. The Yes lyric describes starship troopers as a Nazi collective of like-minded people flying supersonic aircraft across the Earth to attack humans with weapons of mass destruction, while the retarded infants pedal their toy cars futilely seeking to progress on their rat race`s treadmill:

`Mother life, hold firmly on to me. Catch my knowledge higher than the day. Release as much as only you can show. Though you've seen me, please don't say a word. What I don't know, I have never shared.`22

 The Yes lyric is of belief in a maternal spirit in nature, who the singer-narrator wants to show enough of herself to assist human development and progress, but no more of her secrets, because the lyricist doesn`t want Nazism to have her. In the early 1950s, work began on supersonic transport (SST) and the first Concorde airplane was produced by the British Aircraft Corporation (BAC) and French Aérospatiale in 1969. Concorde could travel from Europe to New York in under 3 hrs and was decommissioned in 2003 after entering service in 1976 amidst criticism of its `sonic boom`, which some people in the UK didn`t want to hear overhead. Concorde`s flight time increased to minimize the supersonic attribute until those who wanted a mode of transportation that would take them to the United States in less than half a day were thwarted and flight technology for humans was once again made subordinate to the more spontaneous sonic booms of military aircraft that residents along the South coast of the UK couldn`t do anything about other than complain against those who actually kill people for being a nuisance. The pedal car drivers thought they were `starship troopers`, whereas what they really needed was a spaceplane program to get their feet off the military`s treadmill for the production of wheeled vehicles to smash with their jet airplanes` rocket bombs after receiving instructions from what the English are wont to describe euphemistically as `higher ups`:

`Loneliness is a pow'r that we possess to give or take away forever. All I know can be shown by your acceptance of the fact there shown before you. Take what I say in a diff'rent way and it's easy to see that this is all confusion. As I see a new day in me, I can also show if you and you may follow.`23

 The concept of following a teacher is Christian, while the Holy Spirit that Jesus Christ promised God would send is the teacher. The idea that `higher ups` aren`t looking down upon the humans in lonely power to take away their lives forever so they can continue in power is naïve. The true teacher can show what`s acceptable, but not if the taught prefers `higher ups` other than God. The myth of the `starship trooper` is a theme in literature and music because of the genuineness of fears about aliens, but the human solution is individuality, rather than collective power. Those members of the British public who prevented Concorde from developing, so that cheaper faster transportation between continents couldn`t result in the sharing of good ideas and economic growth, stopped human progress, when the facility of the internet as a global system of information emerging in the 1980s would provide the knowledge and desire to work with others internationally, and for the betterment of humanity, as individualities concerned to grow into a human collective:

Jesus, savior, pilot me, over life’s tempestuous sea; unknown waves before me roll, hiding rock and treach’rous shoal; chart and compass came from thee: Jesus, savior, pilot me.`24

 Jesus taught that the Holy Spirit would teach after him because of what Jung calls the `sex drive`, which is the libdic energy produced by an individual. In spiritual transformation sexual libido is transformed into intellectual capacity for work to create a better environment to live. The conversion from instinct to spirit is through metanoia, which is the transformation of the brain through acceptance of Jesus` teaching. The Holy Spirit is the result of a transformed brain, because Jesus doesn`t want to be somebody else`s `pilot` and, when the Holy Spirit has transformed the individual brain, the `sex drive` is no longer governed by instinctuality and the self-actualized ego has control in God or, as Jung has it, the individual is able to know the totality of the `Self`, which is as close to God as the human brain can be.

 The analogy is the automobile, which requires a driver. The concept of drivers is archetypal and is built into computer concepts, where a driver is needed to run programs and software such as video players on the hardware. According to Jung archetypes exist in the collective unconscious of humankind and arise in dreams, art and the imagination as the brain`s natural impulse engines for the ship of the body and mind.  The analogy of the car and the human operator of the vehicle doesn`t apply to the individual driven by a demon, because then the `demon driver` would have to be in the back seat holding a gun to the head of the human.

 In Star Wars Princess Leia wears her hair wrapped about her ears like headphones, `ram style`, because she is with `the force` selecting from her `random access memory` of the `midi-chlorians` that live within her as minute creatures assisting her to live in harmony within `the force` of her personality. If she wasn`t able to hear her midi-chlorians, she`d be like a car driven by backseat drivers because she`s deaf, and in fact her `ram style` hair technology looks like that worn as earmuffs in the winter to keep cold ears warm, or by road menders using heavy drills on tarmac that would deafen the worker unless the earmuffs were worn.

 The `force` is knowledge gleaned over medical lore eons of hair technology allowing Leia to understand through her mind and spirit. The minute creatures would become `demonic` if she deviated from adherence to `the force`, which corresponds to the Holy Spirit, because the midi-chloreans could drive the ship of the body and spirit, rather than the individual ego through acceptance of the Holy Spirit and God, which the Jedi knights of Star Wars, such as Alec Guinness in his role as Obi Wan Kenobi, teach to their disciples and the midi-chloreans through a combination of meditation, education, and prayer.

 The Sony Walkman portable individual cassette player with headphones was a Japanese invention of the late 20^th century as a generation attempted to understand what was going on inside them so they could self-actualize without distraction. According to Jungian psychology there are four functions of consciousness; `Sensation, Thinking, Feeling, and Intuition`. The `Thinking` function is associated with the ears or hearing, and it`s difficult to be demoniacally influenced if you`re deaf. The Sony Walkman offered inner peace and harmony whatever chaos manifested without and so allowed the individual ego to steer a course for a safer harbor; deaf to those voices that would force a change in course to drive the ship onto the rocks and sink it.

 Although ships of the Star Wars movies are either for huge numbers of people and vast, or a few people and small, the ideal is for an individual to have a big ship, which that person runs alone, but Jesus` is the pilot to begin with before metanoia (Matt: 27. 3) and the Holy Spirit have occurred and the ego is capable. The problem in the 20<sup>th</sup> century was confusion between driver and driven because car drivers often have passengers who are driven by the driver to a destination. The human who is capable is driven by the backseat `demons`, and that`s the paradigm by which humans live. In science fiction the human is most often depicted as a member of a collective such as the crew of the starship Enterprise in Star Trek while the space rocket with a pilot sitting in it has a huge engine ruling out living space and that can only travel quickly to its destination like a missile.

 In the Starship Troopers paradigm the collective devours itself like spiders after mating, while the rocket pilot streaks from place to place as a homeless person driven by `demons` that don`t want him to live as anything other than a missile that`ll one day find a home. The depiction of single occupant spaceships of a significant size in movies such as Alien (1979) are almost always treated with horror as the work of an alien intelligence, but that`s what Jesus` teaching is about. Christ leaves Earth for God and heaven without companions and the Holy Spirit is promised as a teacher to assist others who want a ship of their own.

 Without depictions of large space vehicles for a single person, the human is trapped by backseat `demon drivers` in slavery to what Jung describes as the superior function associated with the ego, that is, either `Thinking`, which is the ears in undifferentiated form; ``Sensation`, the eyes; `Feeling`, the mouth (speech), and `Intuition; the spirit sensing through the nose or smell. In Jungian psychology there`s usually a superior, auxiliary, ancillary and inferior function. The Japanese Sony Walkman could help differentiate the `Thinking` function, but the other functions would need different approach work. A person with a computer and screen has differentiated eyes as the `Sensation` function, which requires some spirit sense or `Intuition`, while articulate speech requires differentiation of the `Feeling` function, so the internet`s an important tool of the 20^th century for readers, writers and communicators, but driven cars and slow travel by passenger laden transport represent the rocket and pilot missile analogy, and that of the Starship Troopers waiting to be `dropped` on a world new and beautiful, but pre-judged by the individual, who`s been taught the `spider` paradigm, that it`s either territory to conquer and devour after the `drop zone` is reached, or that the spiders there`ll devour the visitor if they know a `drop` is about to occur.

 Keeping one function superior and one function inferior, that is, the shadow, which is the inferior aspect of the perceiving personality that sees the other person as inferior, is how the `demons` maintain humans as `guided missiles` and self-devourers. Because the `red dragon` of Revelation is the `serpent`s seed` grown in size to devour `woman`s seed` but waits in vain, `futanarian` woman with her own penis` semen and capacity for sexually reproducing her own brains` power will succeed.

 Because women`s technology is likely to be different to men`s history is the place to find clues, especially the ancient South American Mayan technology, which didn`t have the wheel, according to archaeologists, and Aztec technology. Although Britney Spears in her red pilot`s suit doesn`t appear to have a spaceship in the video `Oops I Did It Again` and the astronaut is called `Mars Lander`, there doesn`t appear to be any other spacecraft for the little people of `Mission Control` to direct other than him, which suggests Britney Spears` technology is different. The South American civilizations of Mayan untechnology, because there`s no wheel,  and has technology, that is, Aztec technology, is how Britney Spears` `different` ship appears in the video `Oops I Did It Again`, where parts seem technological but how they function is a mystery, because she`s `woman`s seed` and not the `serpent`s seed`.

 The most widely discussed representation of possible Mayan technology is a carving of an operator at the controls of some functioning structure that could only be understood through access to the technology which existence is recorded on the external stonework of its occupant. If a human body is but the `vehicle` of a single human occupant, the Mayan stonework depicts the activity of the operator who doesn`t need the wheel, because the human has arms, hands and legs for movement, dexterousness and industry. If the body dies and decays, the human operator emerges from the vessel. The picture on the side of the Mayan sarcophagus depicts the human soul and spirit applying technology after the flesh it has occupied has deteriorated. Britney`s `Mars Lander` in `Oops I Did It Again` is the spaceman containing `Mission Control` as more than a single occupant or `crew`, while Britney is the `operator` of her own ship outside the ship of the spacesuit occupants.

 According to Jung there are male and female functions of human consciousness; `Thinking and Sensation` are male while `Feeling and Intuition` are female but, if women have their own male reproductive organs as `futanarian` humans, all of the functions of consciousness belong with them and the `serpent`s seed` of men are her alien parasites; unredeemable without repentance of their `original sin` of enslaving Eve`s daughters through metanoia. Even the soul belongs to women, because it`s female, according to Jung, and the animus or male spirit in woman represents her penis` sexual drive for socio-economic success and freedom.  So woman can`t leave the ship of her Earth,  the `serpent`s seed` of men have invaded her bodies` host wombs to enslave her soul and spirit for their devourers` wars. The animus corresponds to the Holy Spirit, but it can`t be heard as the inner voice of God if `futanarian` women aren`t sexually reproducing the human species of woman with her own brains` powers. The animus can only receive actuation within a human that has the four functions of consciosunsess, `Thinking, Sensation, Feeling and Intuition`, which are for `woman`s seed`. The `serpent`s seed` of men are her enslaving and devouring alien parasites, so if `futanarian` women are prevented from breeding sexually with their own human penis` semen and host wombs, the human race will never develop beyond guided missiles and invading paratroopers because that`s men`s paradigm; to penetrate the woman and eat her.

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21 Anderson, Jon, Chris Squire, and Steve Howe `Life Seeker` (l. 6-10) from `Starship Trooper` (I) The Yes Album, February 1971.

22 `Life Seeker` (l. 15-19) from `Starship Trooper` (I), The Yes Album, 1971.

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24 Hopper, Edward, `Jesus, Saviour, Pilot Me` in The Sailor`s Magazine, 1871