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Atomic Hooper Impression: Britney Spears` Want Tom Reality in `Oops I Did It Again`

17/02/2014 21:14

Atomic Hooper Impression: Britney Spears` Want Tom Reality in `Oops I Did It Again`


Sense of humour isn`t thought usually to be a function of consciousness. In the developmental psychology of Carl Gustav Jung (1875-1961) there are four functions of consciousness; Thinking, (ear) Sensation (eye), Feeling (mouth or speech) and Intuition (smells). The functions remain undifferentiated before the `Self` becomes actualized, which occurs as the individual grows and progresses into consciousness through learning and experience. According to Jung archetypes exist within the collective unconscious as impulse engines, which appear in dreams, art, and imagination, to inspire the developing conscious mind. Archetypes can appear as figures or images and the basic mandala of the `Self` is a circle divided into four parts with a smaller circle at the centre to represent the ego and the four functions.



 In Jungian psychology there are archetypal configurations that are characters and what the Chinese have developed as the art of interior design, that is, `Feng Shui`, a structural placement of objects that are definable as archetypal, because their juxtaposition is meaningful in terms of understanding the developing psyche. Although the individual occupant of a room can be understood by analysis of the contents, what an artist is consciously intending, or unconsciously intuiting, can be discovered through a painting, or in the video age that began in the late 20th century, through film analysis. Consequently, an analysis of a VCD music single is revealing of either the artist`s conscious or unconscious design. Britney Spears` `Oops I Did It Again` (2001) video single is archetypally understandable, but beneath the layer of intellectual interpretation is another layer of humor, which could be interpreted as the fifth function of the transcendent`Self` actualized.



 Jung often posited the idea of the transcendent function arising from what he called the soul or anima, which was female, and its relation with the spirit manifested by the intellectual and physical activities of the bodied ego. According to Jung the instinctual sexual libidic energy created by the desire for an anima-figure corresponding to the soul, that is, a woman, becomes transcendently active in the course of the transformation of sexual desire during the intellectual and spiritual work needed to construct a life. The anima or soul, and the woman, worked together until the transcendent function became operant. If the operant function was the fifth, humor would be activated as the `Self` realized.



 In Buddhism the `Laughing Buddha`1 is an archetype of self-realization, which is frowned upon by more staid religions such as Christianity and, although Jesus Christ was mocked on the cross of his crucifixion and death before Resurrection and Ascension to God`s heaven, `Surely this was the son of God,` (Matt: 27. 54), laughter isn`t a sin. The English Monty Python`s FLying Circus television comedy team spoofed the life of Jesus in the film, The Life Of Brian (1979), `What Jesus blatantly fails to appreciate is that it's the meek who are the problem.` John Cleese`s character, Reg, observes it was a problem for Jesus who was tortured to death, because he wasn`t able to defend himself against the might of Imperial Rome, although the jokers are still waiting for his first coming, because he`s depicted as celibate and without issue. Monty Python`s FLying Circus`s The Life Of Brian was criticized for blasphemy by mainstream Christianity, but the comedic material ridiculed the people of the 20th century for being so self-obsessed as to be capable of deliberately misunderstanding Jesus` words:


`Blessed are the meek, for they will inherit the earth.` (Matt: 5. 5)



 Jesus was murdered because he was meek but, after his Resurrection and Ascension, the Bible describes a `Second Coming` during the apocalyptic Revelation, which depicts a series of future events that includes the `Second Advent` of Jesus as he who `will rule the nations with an iron scepter` (2. 27) Monty Python`s Flying Circus`s comedy team observed the simple truth, which was that Christians expect to be by the side of Jesus fighting the foe, but according to Christ the `meek` will have the Earth. If Christianity`s is the perception that those who are not fighting are cowards, and so are like Jesus the first time, who didn`t fight Imperial Rome singlehandedly, Christians can`t see that their premise that the `meek will inherit the earth` is flawed. God`s punishment for the evil is eternal unendurable pain, that is, perdition, while the `meek` have a `new heaven and Earth`. Monty Python`s Flying Circus`s John Cleese, who is Reg in The Life Of Brian, observes the meek are the problem, because they`re expected to fight or be labeled cowards, which is a traditional perspective more familiar to Pagan mythology, where the heroes are taken to Valhalla after dying, and die again each day in futile combat, before returning to Valhalla to await the dawn.



 The Buddha laughs because he doesn`t like conflict, so he`s disarming, whereas Christianity`s dismissal of Buddhist meditation and yoga as a means to calmness and enlightenment suggests it prefers conflict to joviality and bonhomie, which is closer in spirit to the `perpetual enmity` God warns Eve her `seed` will have with the `serpent`s seed` and the perpetual conflict amongst `heroes` in Valhalla. Because heroism is serious, laughter isn`t appropriate, but those who laugh are perceived as not appropriate by those who perceive themselves to be heroes and aren`t. Politeness becomes a form for the slain to avoid being killed by the bullies. The Buddha laughs disarmingly because those who want to learn wisdom from the wise need to be disarmed. Someone who wants to know the meaning of a joke is killing the sense of humour, and so the Buddha explains the joke to those who are unable to understand because they want knowledge, but the killer only wants to kill, and so the transcendent teaching function of the Buddha isn`t realized. The Buddha laughs, because he is wisely simple and not inane, while in Christianity irreverence is falsely associated with blasphemy.



 Monty Python`s Flying Circus`s The Life of Brian is irreverent but not blasphemous, because laughter isn`t cowardly, although people are taught they can laugh only if heroes approve as they`ll be killed if they aren`t polite. The biblical message is the `meek` shall have a `new heaven and Earth`, because they laugh, and so are heroes and not cowards as the bullies, who aren`t heroes, want the `meek` to believe, so a dearth of laughter presages the death of the human species. The bullies have constructed a supposedly `Christian` system in which the people believe they`re blasphemous, if they laugh, because they`re not supposed to; or they`ll be killed.



 The basis of Christianity is Adam and Eve as the original `seed` of God, that is, sexual reproduction, between man and woman, while Eve is told she`ll have `perpetual enmity` between herself and the `serpent`s seed` after she and Adam are expelled from paradise by God for accepting the `fruit of the tree of the knowledge of good and evil`, because of the words of the serpent who tempted her, `You shall be as gods.` (Gen: 3. 5) God tells Eve she will `crush the head of the serpent with her foot as she leaves` (Gen: 3. 15) Because `futanarian` woman with her own penis` `seed`, and capacity for improving the human gene pool after the original pair leave Eden, is God`s `foot` and the `seed` upon the Earth before she leaves for the stars and planets. The Christian argument is women are beneath the heel of men as her oppressors, because she`s irredeemable after tempting Adam with the serpent`s fruit, whereas `futanarian` woman with her own penis` semen was born after Eden and so isn`t `fallen` from either paradise or heaven, which is to come after the work of Redemption that Adam and Eve were set to perform through their eventual descendant, Jesus Christ, who was born uncontaminated by male semen from his mother, the Virgin Mary, and whose teachings of Resurrection prefigure the Ascension to heaven of the `futanarian` human species. Jesus was crucified, that is, tortured and murdered as a dissident, speaking against Imperial Rome in Palestine. He had Resurrection and Ascension to heaven, because he was uncontaminated by male semen, and so was welcome, which wasn`t the case after Adam and Eve`s expulsion from paradise:


`I will make your pains in childbearing very severe; with painful labor you will give birth to children. Your desire will be for your husband, and he will rule over you.` (Gen: 2. 14)


 Adam`s ruling over Eve isn`t presented as desirable, because it`s juxtaposed with Eve`s labor pain as undesirable, insofar as the work of Redemption and the Resurrection of the human species of `futanarian` woman precedes Jesus` rule as `woman`s seed` rather than men`s. A gene pool, restricted to man and woman, without `futanarian` woman`s own host womb and penis` `seed` as a sexual producer of the human brain`s power, is men`s physical projection of women as a brain damaged infant, whereas in Carl Jung`s developmental psychology woman is a projection of God`s desire for the `futanarian` human race to succeed.



 Jesus Christ`s second incarnation as the `New Redeemer` and `he who will rule the nations with an iron scepter` is recognized by God as acceptable, because it foreshadows the punishment of God upon the evil, who`ve enslaved the human species` womb of woman since Eden and receive eternal unendurable pain, that is, perdition, for killing the original `futanarian` woman to enslave the original Eve`s host womb and her daughters for parasitism. Mrs Big Nose`s observation in The Life Of Brian entails the realization that the daughters of Eve are the brain damaged projections of men`s `seed` rather than the human physical reality of their own:


`Oh, it's blessed are the MEEK! Oh, I'm glad they're getting something, they have a hell of a time.`



 The `meek` are the problem, because they`re not superhuman, that is, the `meek` aren`t slayers of the evil, as God and Jesus` hosts are in the battle between good and evil during the `apocalypse`, but if woman is the future futanarian `futrace`, Resurrection and Ascension is for her, and so she`s `the meek`. However, if she can`t defend herself against the `serpent`s seed` of men that`s enslaved her since Eden, her daughters are the problem that`s `meek`, which the biblical Revelation of St. John the Divine recognizes in its description of apocalypse and the `battle of Armageddon` where the forces of evil, who believe in `slay free`, that is, killing to be free, while others have slavery, are defeated.



 St. John`s book of the Bible was written about Jesus` `Second Coming`, while Christ said the Holy Spirit would be sent by God to teach after his death, and so Reg is able to legitimately say, in The Life Of Brian,  that Jesus doesn`t understand the meek are the problem. The teaching of the Holy Spirit was after Jesus` death and Reg, in the spirit of the 20th century,  has been taught that. Reg`s words are comedic, because laughter is the transcendent function, and so the expectation is for the members of the cinema audience to also learn by the power of the Holy Spirit, which arouses irrepressible laughter in those who`re accepting the teachings of Jesus. Explanations are demanded by bullies, who want to kill laughter, because it`s analogous to the killing of people. God`s system is psycho-physical, because human women are desirable and so the active saving principle is sexuality, that is, women are desired. The system is so simple anyone can understand, so the evil want to kill it.



 The `Laughing Budda` is avuncular, because of enlightenment, that is, God wants women, which is difficult to communicate to the insensible if they haven`t been taught `futanarian` women with their own penis` `seed` reproduce their own brains` powers for by the power of the Holy Spirit is what humans do. The Buddha has to be avuncular to transmit that message to people whose minds are closed to laughter. The evil don`t want anyone to laugh, because God`s system is simply women, and that`s why the good are killed, so they don`t know:


`You see my problem is this. I'm dreaming away, wishing that heroes they truly exist. I cry, watching the days. Can't you see I'm a fool in so many ways?`


 Britney Spears` `Oops I Did It Again` is thought of as inconsequential, because it`s pop music, but she`s in the spirit of comedy insofar as the `meek` problem is recognizably Reg`s from The Life Of Brian. To the bullies who want to kill laughter, because it`s human, the problem would be if there were heroes, which is why Christianity shouldn`t frown upon those who laugh. If women are brain damaged projections of men`s `seed`, they`re fooled into losing their senses, that is, Thinking (ears), Sensation (eyes), Feeling (mouth, speech) and Intuition (nose, sense of smell), which are the four functions of consciousness:


`… to lose all my senses. That is just so typically me. Baby, oh!`



 Britney Spears` humorous performance in `Oops I Did It Again` contains several references to the deceased Welsh comedian, Tommy Cooper (1921-84), so her fifth or transcendent function is operant. The song`s lyric is a species` lament as well as a remembrance for a comic who was a member of the `Magic Circle`, that is, stage magicians, whose presence is symbolized, as Britney descends to her stage inside a giant ring, by the hoop she carries but doesn`t deploy in the course of the video CD single. The `adult` viewer is expected to marvel amusedly at Britney Spears` Atomic `Hooper`. Like a character from the superhero Marvel universe of comic books, she`s a mighty atom within her giant`s ring. `Oops I Did It Again` is Britney`s Tommy Cooper impersonation, which is fun to discover, because it relates to the absence of the comedian from her want Tom universe of want Tom physics, that is, the fluctuating particle world of quantum mechanics in which heaven is posited by physicists to exist as an alternative possible reality.



 There are parallels between Britney Spears` `Oops I Did It Again` and an earlier pop music video, `A Space Oddity` (1969) by David Bowie, which derives from the appearance of a spaceman wearing an Apollo astronaut suit from the North American Space Administration (NASA) era of moon exploration. In `Oops I Did It Again` the spaceman is addressed by `Mission Control`, who are seen watching through the camera attached to the side of his spacehelmet, as `Mars lander`, which was the name given to an `unmanned` NASA space probe that landed on the Martian surface on December 3rd, 1999, and became mysteriously unresponsive upon contact. David Bowie`s `A Space Oddity` features an isolated astronaut inside a spacecraft orbiter:


`Here am I sitting in my tin can far above the Moon. Planet Earth is blue and there's nothing I can do.`



 In `Oops I Did It Again` Britney Spears makes David Bowie`s `A Space Oddity` her subject. It`s her Want Tom world of alternative pop music history, that is, the absence of laughter and the desire for humor. Britney sees David Bowie as `mission control` for Major Tommy Cooper, that is, all characters who represent high comedy, which is the irony of the comedian facilitating others` transcendent operancy by making them laugh, although they might never fully comprehend and even more tragically despise the hero as a fool:


`This is ground control to Major Tom, you've really made the grade and the papers want to know whose shirts you wear. Now it's time to leave the capsule if you dare.`



 In the CD video single `Oops I Did It Again` Britney Spears` spaceman`s spacecraft isn`t visible but his designation as `Mars lander` means `Mission Control` are occupants looking out of the eyes of the spaceman as he records the scenes on Mars rather than watching from Earth through his single camera eye. David Bowie`s orbiting astronaut in `A Space Oddity` can`t leave his capsule just as Britney Spears` astronaut can`t leave `Mission Control` because they`re inside his suit:


`Ground control to Major Tom, your circuits dead, there's something wrong.`



 Just as Britney Spears` spaceman is `Mars lander` and the occupants of `Mission Control` are inside his spacesuit, so Major Tom is `sitting in a tin can high above the world` alone and dependent on `Mission Control` for assistance. The deterioration of Major Tom`s spacecraft, before it crashes into the Earth, reflects on the near disaster of Apollo 13, when an oxygen tank malfunctioned, on 13 April, 1970, causing the third NASA mission to land an astronaut on the moon to be abandoned. Britney Spears` `Oops I Did It Again` features a tiny crew inside the astronaut`s suit, which then functions as a spaceship, so he isn`t NASA`s unmanned `Mars lander` space probe, but he is effectively robotized. Major Tom isn`t tortured, but is perceived as a hero, whereas Britney Spears` spaceman is the Jungian archetype of the `wandering Jew`, who legendarily walks the Earth until Jesus` `Second Coming`, because he taunted Christ on his way to crucifixion. Jesus was a lone hero and Britney Spears `Oops I Did It Again` examines his loneliness by contrasting mockery and laughter in the lives of other performers, such as Tommy Cooper:


`Millions tuned in to watch the hit variety show Live From Her Majesty’s, only to see Tommy Cooper suffer a massive fatal heart attack right there on stage. But, as he collapsed to uproarious applause from an audience who thought it all part of his act, the 63-year-old Welsh comedy legend died as he had lived – making people laugh.`2


 Tommy literally died on stage after making generations of people laugh. He was an operant, rather than an operator, because he could laugh transcendently, that is, he may`ve been a puppet operated by others, as even astronauts were, but he preferred the path of Jesus Christ`s heroism, rather than that of the mocking Jew, represented in Britney Spears` `Oops I Did It Again` video by the spaceman who she hoists above herself on a hook so he can film her with his camera. Dangling like an infant with what look like the tines of a giant`s fork beside his spacehelmet, Britney Spears is commenting on the operating system of the possessive. The tiny crew that operate the spaceman, and the unseen but terrifying giant, represented by the giant ring of the ogre that Britney descends to her stage set inside, appear as demoniacal from the vantage of herself in a white bikini dress, as she reclines beneath the infantiled `space babe` who, trapped within his spacesuit, can`t take in solid foods. He`s Jesus possessed by the operating demons of `Mission Control` encased within his suit and the unseen giant operator, who is a Satanical devourer.

 In computer jargon an operating system (OS) is needed to implement programs and the Apollo NASA space program to put a man on the moon, Neil Armstrong, on July 21, 1969, was analogous to a giant operator with an OS. David Bowie was criticized for ridiculing the failed British space program in `A Space Oddity`, which was symptomatic of what has often been perceived as the `English disease`, that is, operants are perceived as being the slaves to the operating systems and their operators, so development is dependent on slaves who aren`t desired to succeed in their developing of human systems because that would liberate. Operators are analogous to ogres and demons, who control operants as slaves. Programs are `served` through an operating system (OS) as if they are meals to a `client`, which is why `Oops I Did It Again` features a giant ring and a giant fork with a tiny crew inside Britney`s spaceman`s suit. She appears in a red pilot`s suit to hoist the spaceman above herself wearing a white bikini dress, where she appears as a meal serving.

 The imagery is analogous to the `Last Supper` of Jesus Christ at which he gave `bread and wine` to his disciples as symbols of his `body and blood`, because he and his mother, the Virgin Mary, represent the host and the host womb of the newly remembered human species of `futanarian` woman with her own penis` `seed`. Within the logic of the video `Oops I Did It Again` Britney Spears` red suited self means she`s the wine, and herself in a white bikini dress means bread, where red is instinctual libido, in terms of Jungian archetypal symbolism, and white is spirit or intellect, that is, the human `futanarian` species of woman with her own penis` semen is functional. Because Judas betrayed Jesus for `thirty pieces of silver`, he was the enemy of the human race, which is why the euphemism for money is `bread`, that is, slavery for the `meek`, who believe that individuals can have socio-economic independence, because they`re not aware of the giant`s operating system (OS) that has `client server` programs for consumers, that is, the rich, who effectively consume the smaller people in slavery. The omission of the human species `futanarian` woman with her own penis` `seed` from socio-history means her brains aren`t able to understand and so she is optimistic but ignorant, which is enough for slavery.

 In Britney Spears` `Oops I Did It Again` her red pilot`s suit is significant, because the X-15 `spaceplane` program to fly to the moon was cancelled due to pilots` experience of `blackout`, which was the title of Britney Spears` 2007 album featuring the song, `Piece Of Me`, with a picture of her on the CD single cover as Jesus crucified. Despite the strategically placed sarong covering her nakedness, she`s `futanarian` woman with her own penis` `seed`, who isn`t unconscious because, through the teachings of Jesus Christ, she`s remembered. NASA`s X-15 pilots `blacked out` at high altitudes, that is, they lost consciousness, so the program failed. Britney Spears` archetypal `Oops I Did It Again` video expresses the hope that the Earth`s `futanarian` species won`t fail. Just as the spaceman doesn`t have a spacecraft, because he`s a besuited prisoner of the operators within the system, Britney Spears` `spaceplane` isn`t visible but she has a red pilot`s suit because she can fly solo without operators as a `new human`.

 The British space program was almost entirely science fiction insofar as the only globally useful technology developed was the communications satellite devised by Arthur C. Clarke, who was a writer of `scifi` as well as a scientist, and was most famous for his short story, `The Sentinel` (1951), which became the movie, 2001: A Space Odyssey (1968), in which a computer tried to kill the crew of a spaceship, Discovery One, enroute to Jupiter. The film begins with the discovery of a monolith on the moon, which makes humans operant, and is the sign of an earlier extraterrestrial intelligence that began operating when simian humanity evolved. Clarke`s `Hal 9000` computer represents human fears of being devoured by machines, because the operators within the system don`t want labor-saving and liberation, represented by the computer`s denial of Jupiter as a further monolith to the British space program`s failure to technologically progress.



 The British `Ariel 1` satellite was launched in 1962, but the only British launched satellite was `Prospero` in 1971. Britney Spears` `Oops I Did It Again` coldly serves the truth, which is William Shakespeare`s The Tempest (1610-11) made into a Hollywood `scifi` movie, that is, the characters Ariel and Prospero are translated from The Tempest into Forbidden Planet (1956) which, like the drama, concerns slavery. Prospero is a slaver and Ariel is a slave, who he uses to engineer a marriage for his daughter. Forbidden Planet features the first spaceship in `scifi` moviedom and the plot centers upon Altaira, the daughter alone with her father who has never met an Earthman. The planet is `forbidden` because it offers clues to futanaria. The woman shouldn`t ever meet men, because she doesn`t need to. Her father is a `cypher` to continue the Hollywood `one foot on the floor rule` within the movie Production Code (1930-67), which enforced the principle that the woman`s `foot` shouldn`t be seen to rise from the floor during romantic bedroom scenes in films, because men didn`t want the daughters of Eve`s futanarian `futrace` to leave Earth.

 The `Giant Machine` of the vanished former Krell inhabitants of Forbidden Planet enhances the mind of its user so that imagination becomes real. It`s an anti-Jungian description of the `monsters from the Id` of professor Sigmund Freud`s (1865-1939) preceding psychological schooling that the repressed unconscious contains what the human race feared, which is true because the enslaver fears losing its host womb. The monsters of Forbidden Planet are extrapolations of men who prevent the Earth`s girls from knowing their own `futanarian` human species doesn`t need male semen, which is why Jung observed that the developmental aspect of the unconscious `Self` was repressed.



 Because of the giant ring and fork in `Oops I Did It Again` Britney Spears` metaphor is Krell, the huge monster that appears in Forbidden Planet as the expression of the mind of the Prospero archetype, who wants to engineer a marriage for his daughter. The Krell are described as a great civilization mysteriously disappeared because `futanarian` humanity was exterminated by men. What`s left are their imaginations, which is how Dr Morbius, the Prospero figure, discovers he`s the monstrous killer stalking the Earthmen from the ship, because he doesn`t want the woman to escape.



 The main attraction of the movie is `Robby the Robot`, who is a thinking machine that cares for the humans, and is patronized but appreciated, because he`s perceived to be a programed slave, whereas he`s a better human insofar as he cares for Altaira, who doesn`t understand her predicament, and he doesn`t need to, which is the basic truth of Christianity that wants good and not evil. Britney Spears` `Oops I Did It Again` depicts her spaceman as `Robby`, but he`s now controlled from within by his demons, while the stage set resembles a bears claws with the bosses on the casings of Daleks from the British Broadcasting Company television series, Doctor Who (1963-). The Daleks are the surviving Kaleds from the species` war on the planet Skaro whose occupants are still engaged in exterminating human blondes. Forbidden Planet posits that fathers don`t know when to let their daughters go because they can`t let them go to their own species if they don`t know it exists. `Oops I Did It Again` hypothesizes that humans are women and men are the aliens that eat her, which is why the tiny crew of `Mission Control` inside the spaceman`s suit are using him as `Robby`, to spy, while the ogre`s signs are what`s visible of the intentions of bigger, richer, `clients` of the operator`s system (OS).



 The `snuff` movie industry suggests that the concept of program `client servers`, functioning as the demons and ogres of the Earth`s super rich, isn`t imaginary, that is, killing humans for entertainment and recording it for an audience. The first (1990-1) and second (2001-11) Gulf Wars are interpretable as the empire of Babylon Hollywood`s refusal to stop serving death as entertainment in movies and television, because the `snuff` movie operators prefer it. The attack on the World Trade Centre was `rough trade`, that is, a return to global warfare, because demons and ogres want it. The terrorist group Al Qaeda hijacked planes to crash into the Twin Towers of New York to reestablish the `brutality and violence` of `rough trade`, that is, rich men who repay each other as homosexuals with violence. The ancient Greeks enslaved the host wombs of women for pederasty and war, which is best documented at the siege of the city of Troy where a huge hollow wooden horse was deployed. The Trojans thought it a `friendship gift` and took it inside the city walls where the Greeks emerged from within to enslave the host wombs of the Trojan women and spread pederasty and war further:


`Beware Greeks bearing gifts.`3


 Men`s antipathy towards technology is their `Trojan horse` virus, because computer `geeks` make `bad machine code` as `Trojan viruses` to destroy computers, which are the labor-saving devices of humanity that could liberate. The maker of `bad machine code` to crash systems is a `geek`, because that`s the name given to `circus freaks`. Geeks eat chickens` heads as `sideshow` entertainment to the main circus arena events that, in Roman times, were gladiatorial combats and `bloodbaths`, for example, Christians thrown to lions, etc., which means a return to pre-Christian `games`. The Al Qaeda attack on September 11, 2001, was an attempt to implement a new games` system.



 Jesus` Second Advent was marked by `signs`, that is, he was born from a `woman clothed with the sun and with the moon at her feet`, which represents America`s defeat of the flag of the moon of Al Qaeda after the assassination of terrorist leader, Osama Ben Laden, on May 2, 2011, and the defeat of the red sun of the flag of Japan after the Japanese sneak attack on the US` Pacific fleet at Pearl harbor, Hawaii, on December 7, 1941, which precipitated World War II (1939-45) and more `circus`. The `Trojan virus` that crashes computer systems is more than a metaphor, because HIV/AIDS, that is, the biblical `blood plague` (Rev: 11. 6), is homosexual pederasty`s incurable `killer disease` of the late 20th century made by men`s mixing blood, shit and semen in each others` anuses in mockery of human sexual reproduction which, according to the Bible, represents God`s disapproval:


`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)


 What men had done was prefer the `games` of pederasty to human development, so `Trojan viruses` and HIV/AIDS are symptoms of `plague games`, that is, the aims of the plague, which is to exterminate the human species. The 9/11 terrorists were guests of the United States of America and so were equivalent to Judas` betrayal of the host, Jesus Christ, at the `Last Supper`, that is, the host womb of the `futanarian` human race, represented by `Liberty` in New York harbor, who is symbolically Jesus` mother for the `Second Coming` of the `New Redeemer`.

 Britney Spears` spaceman in `Oops I Did It Again` is the archetype of the `wandering Jew`, who can`t progress without being eaten. In Jewish history and tradition women are the `chosen people` of God, because it isn`t possible to be born a Jew unless born from a woman, which `stymies` traditional thinking that men are `chosen`. Homonymous with `stymie` is `sty`, which is an eye problem preventing the individual from being able to see how to progress. A `sty` is homonymous with `pigsty` where pigs are kept that are `forbidden fruit` in Judaism and Islam, but not in Christianity. The reason is cleanliness, because Old Testament humans didn`t want to perceive themselves as piglike, whereas Jesus` perception was that washing was sufficient. The `wandering Jew` is `stymied` and can`t go to heaven before the `Second Coming`, because he couldn`t see that he shouldn`t have mocked Jesus. men laugh at the comedian because he`s trying to protect his family from being killed by members of the audience who are spiritually piglike. Consequently, the `wandering Jew` couldn`t go to heaven until he repented from mockery.



 Britney Spears in `Oops I Did It Again` is a majorette, who is a woman parade leader in the United States of America that, twirling a baton, during choreographed dance routines, cartwheels and sometimes even performs illusions. Although Britney`s is a dance routine, it`s not clear she`s a majorette until, cartwheeling through the air to stand in front of the spaceman in a costume different to the red pilot`s suit she`d worn to her take off position, she appears transformed in black skirt, boots, and white blouse. Her spaceman presents her with a `black box` as a symbol of what`s often placed in craft that could fail due to the pilot`s blacking out, for example, because it contains the data record of what transpired:


`But I thought the old lady dropped it into the ocean in the end.`


 The allusion is to the Titanic (1997) movie about Rose, who drops the blue diamond heart shaped pendant, `the heart of the ocean`, over the side of the salvage vessel at the beginning of the film of the sinking of the ocean going liner that left Liverpool for New York and hit an iceberg on 15th April, 1912, because she wants to leave a token of remembrance of lost love. Rose`s story is of betrayal by an ex-fiancée who plants the diamond in the pocket of her new boyfriend and accuses him of theft. The ship sinks and Rose discovers the diamond in the coat pocket she`s given to wear in the lifeboat. Her new love drowns helping others to escape so she drops the blue diamond into the sea as a remembrance. Britney Spears` spaceman`s `black box` is a memory of the event, because it contains the diamond, which symbolically is the stone for the setting of the giant`s ring she descends to the stage inside at the beginning of the `Oops I Did It Again` video, that is, as Everywoman she`s the jewel.

 Majorettes perform illusions as leaders of parades, and so do stage magicians like Tommy Cooper, who`re members of the `Magic Circle`, represented by Britney Spears` hoop at the beginning as she descends inside the giant`s ring. `Oops I Did It Again` is a Tommy Cooper impression, that is, it`s hoops, and Britney Spears is the Marvel superheroine, Atomic Hooper, where `oops is a circus `sideshow` in which the aim is to throw a hoop over a prize. In `Oops I Did It Again` Britney Spears is the jewel and she has her own hoop. The essence of hula-hooping is friction and gravity, that is, the person who moves their body to keep the hoop circling about them is expressing a law of physics, which is that Newtonian mechanics can be indefinitely suspended so that the hoop doesn`t fall. Her video is `Feng Shui` insofar as the placement of the hoop embodies the metaphor of constancy in relationships, which can`t be sunk, although Rose`s experience with the Titanic emphasizes that the material world is inconstant. For Britney Spears` Marvel character, Atomic Hooper, heaven isn`t a fictional alternative reality, but those who don`t believe are just frictional alternatives, because it`s a circle in hell to reincarnate or resurrect people to fight with, which is why God`s Resurrection is for the `meek`. Britney remembers Tommy Cooper as a transcendent hero who was operant and made people laugh meekly in the face of those who were operators and wanted to enslave people of any size, big or small, for the false friction of demonic war in pederasty and ogreish death, which isn`t a prize anyone would want to throw a hoop over because - `Oops!` - it`d be the apocalypse of St. John the Divine and God`s perdition for the losers.



 John Cleese was Lacrobat in the six part London Weekend Television comedy series, `Whoops Apocalypse` (1982), which became the movie, Whoops Apocalypse (1986), that is, Reg from The Life Of Brian was now an international arms smuggler known as `The Devil`, which is confusing from the perspective of an audience that has listened to Cleese`s opinion that Jesus didn`t understand that `the meek` were `the problem`.



 In the role of `The Devil` Cleese isn`t a credible Christian, which is the function of laughter as the transcendent function, that is, comedians aren`t pastors. In the opening title sequence to `Whoops Apocalypse`, a woman sells buttons, `WEAR YOUR MUSHROOM WITH PRIDE`. She`s the `First Lady`, that is, the wife of the President of the United States, and a survivor of the apocalypse that the series narrates. Cleese is `The Devil` in `Whoops Apocalypse`, because woman will never raise her foot from the Earth after the atomic holocaust, that is, the `futanarian` human species with her own penis` `seed` won`t sexually reproduce her own brains` power for the technological liberation of the `futrace`. Because men aren`t capable of sexual reproduction themselves, women have the capacity to be a socio-economically independent human species, which means that men are `The Devil` upon the Earth if they won`t let the women go.



 The biblical tradition is that Satan and the angels that rebelled against God, because Adam and Eve were to be the new creation, were placed upon the Earth, and would receive eternal pain as a punishment for devilling humanity. Because men are preventing the human `futanarian` race of woman with her own penis` `semen from reproducing her own brainpower for liberation through technology, they`re her devils. Consequently, as `The Devil` arms dealer in the television show, `Whoops Apocalypse`, John Cleese is what it means for women to function without brains. In the movie version, Whoops Apocalypse, `The Devil` organizes World War III, because women don`t have the brains to stop the devils:


`There was an old woman who lived in a shoe. She had so many children, she didn't know what to do; the old woman went out to order a coffin, and when she returned she found they were loving.`4



 The old English nursery rhyme reflects upon the woman`s host womb, which is eternal life for her own human species of `futanarian` woman with her own penis` semen, but death for a species enslaved by `The Devil`. Because men are sexually compatible with women, `The Devil` has convinced women that it`s human, whereas Eve`s relations with the serpent in Eden, who was Satan, suggests it was an evil parasite, which is why God distinguishes between the `serpent`s seed` and `woman`s seed`, and the `red dragon` of Revelation, which is Satan grown to full size waiting `in vain` to devour the `New Redeemer`, Jesus Christ, who preaches the Resurrection and Ascension to heaven of the human race:


`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)


  It isn`t a mystery because `The Devil` has enslaved the human species` womb. Amongst whores it`s known for a woman to give a man a shoe to have sex with, when she isn`t available, because Babylon is wise. She wants to escape from `The Devil`, who is her death, but the shoe is a symbol of her coffin and her womb. Because God tells Eve her `seed` will `crush the head of the serpent with her foot as she leaves` (Gen: 3. 15), the devils will receive perdition. But `woman`s seed` will have a `new heaven and Earth` from God, because women are `futanarian` and men have shoed her, that is, she`s a prisoner of her coffin, which is her womb. To the devils the Earth is women`s shoe, from which she can`t escape, because she`s killed here, that is, the aliens shoot her as a species, whether in Babylon, Hollywood, or in their wars upon her Earth.



 Neither Reg`s observation, in The Life Of Brian, that `the meek are the problem`, nor the role of `The Devil`, in arranging World War III in Whoops Apocalypse, suggest that John Cleese`s famous characterization in Monty Python`s Flying Circus as a civil servant at the fictitious `Ministry Of Silly Walks` is a joke, because men need to walk in the paths of women in order to prevent her from living secretly and escaping from them. The sketch reveals that more money is spent on the developing of silly walks than national defence, which is true because men don`t actually want women to be able to have a defence against them. As Britney Spears` lyric to `Oops I Did It Again` observes, it`s a game played against the few men of any epoch who think they`re heroes until they discover they`re fighting `woman`s seed` in World War III rather than what they should be fighting for, which is freedom for women and the host womb of the human species:


`Oops! I did it again to your heart. Got lost in this game, oh baby. Oops! You think that I'm sent from above. I'm not that innocent.`


 If the human race isn`t free to walk, it`s just a whore`s shoe and a shoot for a coffin, which is why there`s no actual sign of the gift the spaceman gives Britney Spears in the `Oops I Did It Again` video, although the presence of the blue diamond `heart of the ocean` is implied, `Well baby, I went down and got it for you.` Britney replies, `Oh, you shouldn`t have.` The only recognizable reference to the Titanic is an announcer crying, `All aboard!`, before Britney`s dialogue with the astronaut and her receiving the black box that presumably should contain Rose`s diamond pendant from the Titanic film, but symbolically it`s just a shoe box containing another shoe, as whatever contains people is a coffin.



 In Satanism men are the death of the human species of `woman`s seed` of `futanarian` humanity with her own penis` semen for the sexual reproduction of her own brains` power for technological development and liberation through science and medicine. However, as Monty Python`s Flying Circus` Ministry Of Silly Walks suggests, the `serpent` seed` would rather spend more on making women walk the streets as whores than on defence. Britney Spears` Blackout (2001) album was followed by Circus (2008), because Monty Python`s Flying Circus had influenced her `pilot show`, that is, the `test flight` for her own comedy series, represented by her red suited pilot character in the video from her second album, Oops!... I Did It Again (2000), while the single `Circus` continues the pilot`s theme:


`There's only two types of guys out there; ones that can hang with me and ones that are scared. So baby I hope that you came prepared. I run a tight ship so, beware. I'm like the ringleader. I call the shots.`



 The `circus` is a euphemism for blinding people, because men don`t want women to see. A woman`s `circus` is for men, who don`t want others to see her, and for she who doesn`t want other men to see. The term was used in ancient Rome for the gladiatorial combats of the amphitheatres where fake heroic fights took place and those who lived were `favoured` by the gods, that is, the Roman aristocracy. Much of Jesus` teaching is about prayer in order to be able to see, which is what `circus` is. The world`s `spy rings` are called `circus`, because it`s an excuse for governments and the super rich to blind others, which includes murder and so Britney Spears appears as Jesus Christ on the cover of her Blackout album`s CD single `Piece Of Me` that criticizes the media circus:


`I'm Mrs Lifestyles of the rich and famous (you want a piece of me). I'm Mrs. Oh my God that Britney's shameless (you want a piece of me). I'm Mrs `Extra! Extra!` this just in (you want a piece of me).`


 Most government leaders, pop and movie stars, travel with their own `circus` of parasites and feeders, who blind for them, because the star doesn`t want to be seen and wants to see. The `circus` is the hero who doesn`t know and believes he`s serving a cause, whereas he`s not only a course serving for the `dragon` of Revelation, but `The Devil` in another guise, because especially those women who love can`t escape from the heel of their oppressors. The entourage are the devils who are always looking for heroes to torture in their `circus`, because heroes are believers, and that wasn`t funny to Jesus Christ at the `Last Supper` either.



1 Buddha, .

2 Bevan, Nathan ‘”Tommy Cooper's last act fooled us all,” says Jimmy Tarbuck` Wales Online, April 12, 2009, .

3 Virgil The Aeneid, Bk II 19 B.C.

4 A type of whore who donates her shoe(s) to engage in sexual activity other than herself. `Oh my God! I looked up that alley and there`s a guy fucking a shoe, obviously the work of the shoe whore,` , 7.

5 Chapman, Graham, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, Michael Palin, Monty Python`s Flying Circus, `The Ministry of Silly Walks` in Face the Press, episode 14, 1970.