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+36705182849 (top me up; I don't mind)




01/01/2012 15:45



Developmental psychologist Carl Gustav Jung (1875-1961), observes that the mother-son relationship is associated with the worship of Satan. In Revelation, the red dragon waits to devour the child of the `woman clothed with the sun and with the moon at her feet`, the New Redeemer who protects the woman `hidden` on the Earth before she leaves to sow her `seed` in heaven and defeat the serpent`s `seed` there. The supposition is that the `hidden` woman has a penis of her own, or she wouldn`t have `seed` in heaven. So, Woman`s a species with a penis of her own, which is true and she`s called `futanarian` woman.



 Redemption is from the father-son relationship in which the child is devoured by the father, which is Satanism. Jungian psychology, often observes that the imago of the hero is deemed archetypal, that is, it represents a developmental ego that slays dragons. But this is false. If Woman is a species, then men aren`t, and so the `hero`, in dreams and elsewhere, constellates the ego-devouring imago, and the red dragon of Revelation is the father that devours the son.



 Interestingly, the mother-son relationship forms the basis of Satan worship. Consequently, `Satanism` isn`t the same as Satan worship, which probably derives from the incest taboo. It relates to the Greek Kore, which is the mother-daughter relationship, and because Woman has a penis, she provides the key to resolving the division between Christianity and `Satan worship`, which effectively is the love-relationship between mother and son, where the mother understands that he is her daughter, and her daughter should have his penis, because Redemption is the knowledge that Woman has a penis of her own and, in Revelation, her `hidden` penis` `seed` will defeat `Satan` in heaven.



 Because the red dragon of Revelation waits to devour the child that will protect the `hidden` woman before she leaves, Satanism is the father-son devouring imago, which is evil, and so `Satan` is the mother-son relationship, which will be defeated in heaven. Because Woman has her own penis, and is a species, her son is `Satan` and will be defeated in heaven, because he`s male. Woman as a species is female, and Redemption is acceptance of `God`s love` and the tuition of the Paraclete, as the `tutelary guide` that, effectively emerged from Jesus` side at the crucifixion after his death when it was pierced by the spear of the Roman centurion Longinus.



 If the mother-son relationship is `Satan worship`, then the war in heaven between `Satan` and the Woman`s `seed` is a divorce in which the mother-daughter relationship replaces `Satan worship,` which is the maintaining of the perspective that the son is the daughter on the part of the mother. The ego-devouring imago of the father is Satanism, but the love for the daughter as the `handicapped` son without her own penis, is `Satan worship`, which is `God`s love`. In Greek mythology it`s the myth of Demeter, the corn goddess, and Persephone, who lives under the Earth, during winter, with Pluto, her uncle.

 The myth is the fertilization of Persephone, the daughter, by Demeter, the mother, and Poseidon, Persephone`s father, is the god of the river under the Earth, and the god of the sea. Poseidon is called `Earth shaker`, because he`s also the god of earthquakes. Interestingly, Britney Spears` `scifi` video, for the song Oops I Did It Again, features the `Kore` relationship, between Britney herself in her red suit, because she`s on the red planet Mars, and Britney in her white bikini-dress as she lies on what looks like a stretched white buffalo`s hide:


`The legend says that to the North on the medicine wheel is found wisdom. The color for wisdom is white and the medicine animal is the buffalo.`


 Britney`s red suited character is obviously an allusion to Edgar Rice Burroughs` A Red Martian Princess in which John Carter on Mars, which is called `Barsoom`, helps Dejah Thoris: `...the sudden breakdown of the Atmosphere Factory that sustains the planet's waning air supply endangers all life on Barsoom. In a desperate attempt to save the planet's inhabitants, Carter uses a secret telepathic code to enter the factory, bringing an engineer who can restore functionality. Carter then succumbs to asphyxiation, only to awaken on Earth, left to wonder what has become of Barsoom.` Britney`s spaceman`s arrival coincides with a Mars quake, and the emergence of her red Martian Princess` `dream` palace from the `underworld`.

 Britney`s father Poseidon is so powerful his earthquakes can be felt on Mars, and her emergence from the `underworld` there suggests that she`s her father`s daughter. Britney alludes to Carter`s asphyxiation when she removes her spaceman`s helmet for a minute or so, which is the maximum time astronauts are required to accept exposure to high oxygen content in training at NASA, and Britney`s spaceman advises `Mission Control` at the start of Oops I Did It Again, `Oxygen content 98%.` When Britney removes his helmet, her spaceman`s head and neck demonstrate the flexibility of Reed Richards, the character of `Stretch` in the Fantastic Four, whose body bends like rubber.

 Britney`s spaceman is treated to a performance of Oops I Did It Again before we see him leaving, and he walks backwards because he`s returning to his corporeal body which, waking perhaps from sleep, is recalling its astral body from the astral plane where it has been a visitor to Britney`s `Barsoom`. It`s an interpretation supported by the Egyptian word `ba`, which `zooms` back to the corporeal body when it wakes from deep sleep and recollects itself from the plane it`s been astrally journeying upon.

 Britney`s white bikini-dressed character is similarly important, because Britney in red is the `red Indian` of North America, and her white `self` is an allusion to the legend of the `Great Spirit of the White Buffalo Calf Woman` who, appearing in the guise of a buffalo, emerged as a beautiful Indian girl, who gave them a `sacred bundle`, a `peace pipe`, saying the people of the Indians would life forever if they cared for their `sacred land`. She also instructed them in ceremony, the last of which is the `Sundance`, which is essentially a pole dancer`s, and that Britney performs for her mother in Gimme More. Here, in Oops I Did It Again, Britney`s white bikini-dressed beautiful Indian girl performs her `Sundance` upon the hide of the white buffalo while lying beneath the `spaceman`. He`s also brought her a `gift` from the sea:


`But I thought the old lady dropped it into the ocean at the end?`


 The allusion is to the Titanic movie in which Rose, a survivor of the sinking of the `unsinkable` ship, after it hit an iceberg and sank in 1912, drops the `heart of the ocean`, a jewel, into the sea at the point of the vessel`s salvage many years later. Britney`s video may also be understood as alternatively titled The Heart Rose, and her spaceman as a diver, who has brought her the heart, not from Hades, the abode of the god Pluto, her uncle, but from the ocean deep, the home of her father, the goddess Poseidon. Approaching delivery point, Britney`s spaceman experiences an earthquake and, rising from the red sands of Mars, which was an ocean`s depth, the `Mansion of Horus` emerges.



 In Egyptian mythology, Hathor is the mother goddess, and the home of the `sky god` Horus is her. In Greek mythology, Zeus is the god of the sky, and so Horus corresponds to the figure of Zeus in Greek mythology, whose life was almost devoured by Chronos, who ate his other offspring. However, Rhea, the mother of the gods, saved Zeus by giving Chronos a stone to swallow instead of her son Zeus. In Christianity the figure of Chronos, who`s Saturn in Roman mythology, is Satan, and the same mythologem is repeated in Revelation where the red dragon waits to devour the New Redeemer.



 The dragon isn`t able to devour the child who rules with the scepter to protect the `hidden` woman before she leaves Earth for the stars, because its mother is `clothed with the sun and with the moon at her feet`, that is, Britney`s on Mars, and Neil Armstrong was the first man on the moon, so the devouring imago of the red dragon wasn`t able to prevent the birth of Horus, the `sky god`, because Rhea, the Greek goddess of the Earth, prevented the red dragon from swallowing the moon, that is, the `sky god` got there.

 On Mars, Britney`s waiting for the `sky god` to dwell in `Horus Mansion`, so she`s Hathor, the ancient Egyptian`s mother goddess of the Earth. When the spaceman arrives, he picks up a Greek `icon` with her face upon it, and it acts like a `cookie` in website protocols to give him access. He represents Horus, the `sky god`, and he gives her `the heart of the ocean`, because she`s the `heart` of Poseidon as Persephone, that is, she`s Britney`s Persephone, which suggests Britney Spears` `phone technology`, or `I-phone`, but also the `Ethernet` or Microsoft Explorer, that is, Britney`s Spears` E-phone (Persephone); or, in other words, an `ether` I-phone. Because she`s Persephone, it`s underworld meaning is a parody of Aristotelian either/or logic in which `ether` phone becomes `eye the phone` but we won`t let you go anyway. It`s rather like the dispute over how to pronounce tomato and tom8to in the Cole Porter song:


`You say tom8to, and I say toma:to.

You say pot8to and I say pota:to.

Tom8to, toma:to. Pot8to, pota:to.

Let`s call the whole thing off.`1


 Britney`s spaceman is a tom8to, because he`s `Major Tom` from David Bowie`s A Space Oddity. Bowie`s backing band were called The Spiders From Mars when he was known as Ziggy Stardust, and so it`s an allusion to Britney`s red suited character as a tom8to, which is US pronunciation rather than British. It`s also a reference to the mistake Dan Quail made when he was Vice President of the USA for Bill Clinton. He went to a kindergarten and spelt potato as p-o-t-a-t-o-e, and tomato as t-o-m-a-t-o-e, which in turn refers to the fact that Britney`s spaceman resembles a `toe`, and he`s spied her on Mars, but Britney`s from there.



 Image enhacement in the 20th century was largely to do with smoking, and the removal of `ciggies` from movies, television, and advertising, which resulted in an escalation of explicit violence. The reason is because, psychologically, cigarettes are nipples, and men`s nipples don`t nourish, that is, orality for women is the nipples and penis, whereas men don`t have any nourishing oral contact with women. Milk is protein and so is semen, which means that women give and take nourishment, but men only fertilize. A woman may produce a child over nine months, and lactate in order to suckle and nourish the baby from her breasts, but a man is finished with the process in a few seconds, and is only concerned with when he can devour it.




 Consequently, men teach women to smoke, which is their primary function, because they represent the devourer as cancer, which is Consumption, whereas Woman in the person of the Virgin Mary, a non-smoker, has Assumption according to the Catholic church. It`s the basic Assumption, as it were, that God discourages smoking because it`s the sublimated desire to use the penis as a gun.



 In men the anus is associated with the `Thinking` function, in psychological terms, because it`s associated with the ear or listening function. However, although men believe the gun to be a penis extension, it`s an anus extension, that is, when they`ve devoured enough, in sexual terms, they shit on it. The gun is simply a louder fart to make the sound of the woman and that of the Paraclete, that is, the spirit of God within, less audible, by devouring her life audibly. Polite men use silencers, so spiritual people aren`t disturbed by the sounds of their farts.



The Paraclete was sent to teach them not to torture and murder people like Jesus, and stopping smoking was a step towards preventing men from teaching women to put guns in people`s mouths rather than the nourishing, nurturing, and developmental Word of God, which is `God`s love` from the mouths and breasts of women. As it says in the Bible, `Out of his mouth came a sharp double-edged sword.` Jesus is Woman`s commander, and he`s obeyed because he can`t be disobeyed. It`s God`s Word. He`s not talking between puffs on his cig.



 Homosexuality is the devouring of women sexually, and shitting on them afterwards, which is men`s approach towards the Earth and its female inhabitants generally. Men are puffs on their cigs, where cig is the penis and the puffs are each other, or the gun as an anus extension to fart-shout `Go away!` If they`re passively homosexual, they`re practicing extinction, and if they`re actively homosexual, they`re murdering women, and devouring civilization, art, and culture. As Britney sings in Criminal:


`He is a killer. Just for fun fun fun fun.`


 Or, to put it another way, Ciggy doesn`t play the guitar, and the spiders have never been to Mars, because they`re cigarette puffs, and would contaminate Britney`s atmosphere. Her hypothesis, in her red pilot`s suit, is that the pilots of the X-series of planes that began space exploration by flying out of the stratosphere, experienced `blackouts` because they were being murdered by evil men who were possessing them as spirits and functioning as the devouring imago to prevent Neil Armstrong from setting foot upon the moon:


`One small step for a man, one giant leap for Mankind.`


 The spaceman`s Britney`s `camera`. She suspends him above her while he makes helpless baby movements, because he`s a baby dragon that, with a symbolic fork in the `frame`, represents that which will be devoured by the betraying father-imago, who betrays his Titanic love, because the father-imago will constellate the devouring imago in the son and cause him to devour her.

 The analogy is apposite because the Titanic movie is a story of betrayal through `framing`, and the heroine Rose is betrayed by her ex-lover who `frames` her new lover for stealing her heart by putting the jewel in his pocket. Consequently, the `fork` in the frame with the spaceman is a symbol of the devourer`s aim to betray. If the spaceman accepts the devouring father-imago, symbolized by the fork suspended next to the spaceman hanging above the delectable Britney, rather than accepting the Paraclete`s wisdom that God is God, then he`s accepted the devouring imago of `dad` as God, and dad isn`t.

 The spaceman is Britney`s baby `foe toes` as he makes faltering steps to get into a position to take `photos`, which is his devouring imago`s  preparing to devour her. It seeks to constellate itself in man through `dad`, and `daddy`s little girl` is the target, for `daddy` and her husband, brother, or any other male that accepts the devouring imago rather than the `tutelary guidance` of God`s spirit, which is the accepted tuition of the Paraclete. As Marilyn Monroe sings, `My heart belongs to daddy.` Because daddy`s a devouring imago and wants to eat it himself.



 Marilyn`s real name was Norma Jean, which suggests a content of the unconscious, that is, an archetypal anima-figure that wants to be remembered. Debbie Harry, Madonna, Britney `Jean` Spears, and so many other young women, have felt an affinity or closeness with Marilyn`s imago, so that it takes on the appearance of a `remembering` archetype. In My Heart Belongs To Daddy, Marilyn`s a pole dancer, and so is Britney in Gimme More. In fact, her dark haired self dances while her blonde `mother` watches over her. It`s the Kore archetype from ancient Greece, which is Persephone and Demeter, the growing daughter, and the growing mother who grows her.

 The mother-daughter archetype is more important than any other, because women`s breasts provide nutrition, and development for their daughters so, when a woman has a penis, fellatio is an appropriate response between them - and nutritious. The sister-sister or girlfriend-girlfriend relationship isn`t as good as the mother-daughter, because it`s based on shared experiences that are based on hatred for the devouring imago that is represented by the father or fathers, and so they become devourers of each other.



 Pornography is often called `hard core` because it`s the `hard Kore` of mother-daughter love that maintains and nurtures. In crude terms, Britney`s pole-dancing in Gimme More is the maintaining of an erection between mother and daughter, that is, `hard Kore` memory of her own penis in which Marilyn Monroe, Debbie Harry, Madonna and Britney Spears in `Piece Of Me` are `pieces`, and the Paraclete is the `me` of the jigsaw in which the memory is of Woman as a species - and with a penis of her own.

 In mythological terms, Persephone escapes from the underworld when her mother escapes from the Earth, which Britney represents on Mars, because she`s Hathor, the victorious mother goddess of ancient Egypt, who dances with the corpse of Set`s rib cage around her, while the spaceman`s delivery of Osiris` heart is symbolic of Osiris `risen`, and Osiris` heart`s brought to assist Britney as Hathor`s memory by the spaceman, the representative of Horus, the `sky god`, who`s Britney on Earth, and who belongs in Hathor`s `Mansion of Horus`, which Britney on Mars represents. In her meeting with her spaceman the red disk of Hathor can even be seen, and it`s a symbol of her `housekeeping`.



 Britney`s Oops I Did It Again is the `hard Kore` of her `risen heart`, because it`s Woman`s as a species`, that is,  Resurrection in completeness of memory across lifetimes. She`s assisted by the Paraclete as guide and mentor to Redemption, which is acceptance of the  teachings of Jesus that `God`s love`, that is, Woman`s, is to replace the endless cycle of death and rebirth, with completeness of memory across reincarnations.



 There`s a difference between incarnation and reincarnation, because reincarnation is about karma, which is what`s left after the spirit of the incarnate God has removed itself. Essentially, what`s left isn`t memorable, and so isn`t remembered, but ego may continue when the spirit of God is no longer present, and that`s continuity but soulessness, which is what `zombies` are, and what evil men as devouring imagos, want from women, because men are parasitical alien viruses replicating themselves through the medium of `Woman`s` host womb in order to enslave her as `zombies` and devour God through her. It`s a predicament summarized most perfectly by science fiction Grand Master Robert A. Heinlein`s (1907-88) story ` - All You Zombies - ` in which a man who knows he`s the woman in the story laments her predicament:


`Jane,  I know where I came from - but where did all you zombies come from? You aren’t really there at all. There isn’t anybody but me – Jane - here alone in the dark. I miss you dreadfully!`


 The `zombies` aren`t there because they`re souless imagos of devouring men who have enslaved women as souless replicators of themselves as perpetual viral parasites. The only escape for Woman is the `hard Kore` mother-daughter relationship in which the daughter learns to nurture and develop from her mother, which is the antidote to the imago of the devourer that doesn`t want her to grow from the Earth - and leave, with her mother`s help, to sow her `seed` amongst the stars.



 Accusations of lesbianism or incest are taboos that, as in the Oedipus myth, are devised by men to foster blindness and unconsciousness. In this case, blindness and unconscious enslavement to the idea of men`s penis as the source of fertilization, which is equivalent in terms of the myth of the corn god to saying that men are the source of fertilizer only, because woman is to be ploughed back into the soil as fertilizer and Demeter, become Persephone, is doomed to endless cycles of death and rebirth in enslavement to the devouring imago, that is, men as her tormentors and devourers in the underworld who, having devoured her mother`s memory of her own penis, now devour her afresh each time Persephone `rises` in order to keep Demeter`s daughter a pole-dancing slave.



 In psychology, `bipolar` is categorized as symptomatic of disorder, and it would be if the woman was unable to recognize that, when she`s developing, her mother is her developer and not the devouring imagos of men who don`t want her to escape from the underworld and join her mother amongst the stars in heaven, which is the imagery of the red dragon in Revelation who waits to devour the child of the woman who gives birth to the New Redeemer who`ll protect the `hidden` woman of the Earth until she leaves. The child is Jesus, which is why the mother-son relationship is associated with Satan worship, because the son and father imagos are devourers, which is Satanism, if the Paraclete and the teachings of Jesus aren`t accepted.

 In Jungian psychology, acceptance of the Paraclete`s tuition would require differentiation of the function commonly regarded as `woman`s intuition`. Tuition of the soul or anima is how the archetype of Woman saves, and is the individuation process of Jungian psychology. Although the devouring imago isn`t archetypal, because archetypes are developmental, they`re recognizable in the working out of archetypal material. Consequently, the Gulf Wars (1990-2011) were the stabbing from the `back, dad` (Baghdad), where the `Big Apple` of New York refers to the wisdom of the `third eye`, the pineal gland that, opening to see and communicate the guiding Paraclete`s animation of the Earth, as it were, was thwarted by the devouring mechanism of the male imago that, constellating the dragon of Baghdad`s Saddam Hussein in Iraq`s Middle Eastern `zone`, spent zillions of dollars on the 3rd largest army in the world, and a corresponding amount on the US army, so ensuring the success of the devouring imago.

When New York, the `Big Apple` or Western world`s centre for art, culture and civilization was transformed from an animator`s `haven`by the `plague aims` of a devouring imago `play gamer` into a `shoot-em-up` for `X-boxers`, it became possible to perceive the terrorist attack on New York`s Twin Towers as being analogous to a Microsoft`s `X-box` games` platform for a `shoot-em-up`.



 Boxers are taught to face each other in the ring, which is why Britney descends inside a giant ring in the video Oops I Did It Again. They can`t fight tanks, but boxers can be stopped by a single person, as the student proved in Tiananmen square in China`s Beijing. However, the box that the boxers want to face each other in becomes `too big`, which is why boxing isn`t about teaching, or learning, self-defense.

 The attack by terrorists on the Twin Towers of New York`s World Trade Centre was what `boxers` are taught, that is, `ringcraft`, which is polite, and `civil` outside the ring, and murderous within it. The Twin Towers were `boxes` and the terrorists were being planes, `civil`, within boxing `protocols`, and then murderous once inside the ring. The British employed the same principle in the 1982 Falklands War when announcing an `exclusion zone`, then expanding it to include the Argentine troopship Belgrano, before torpedoing it with the Conqueror submarine.



 The analogous Hollywood movie is The Ring, which is the concept that everything in the ring is to be `snuffed`, and everything will be in the ring. In Oops I Did It Again Britney`s protocol is her `icon` image, and her spaceman is suspended by her `boxing board of control`, that is, her PC`s `motherboard`, because she`s her tough `cookie`, and he has to complete a task, which is to give her the jewel of the `heart of the ocean` that, symbolically means he accepts Venus, the goddess of love, as having conquered Mars, and not the god of war.

 The spaceman gives it to her inside a `box`, and we have to guess what`s inside it. If it`s a ring, we understand that it`s `ringcraft`, and she`s mistress of it because she descend in a giant`s ring. In Egyptian mythology, the evil Set dismembers Osiris` parts, and his parts have to be recovered by Isis. Britney`s stage set in Oops I Did It Again is a giant`s rib cage, so it`s the stage Set where, having performed her role as dragon slayer, she has the ring of Set, and has now accepted the heart of Osiris, who`s The Heart Rose and shall receive Resurrection and Redemption through her tuition and tutelary guidance as God`s Paraclete before he becomes the `sky god`, Horus, and lives with her in `Horus` Mansion`.

 The symbolism is similar to J.R.R. Tolkein in The Lord Of The Rings in which part two of the trilogy is The Two Towers and the power of the ring is broken when it`s destroyed, because it`s a `snuff ring`, as all devouring rings are. The central feature of the story is that Frodo`s mind, personality, spirit, and soul are under constant threat of devourment by the `Dark Lord`. The tragedy is that marriage is the same. As the devouring imago of the red dragon of Revelation shows, the devouring imago of the father seeks to devour the baby, which is why Britney`s constant refrain in Oops I Did It Again is `Ooh baby. Baby.` Men are baby eaters because they`re Satanists. Britney`s red suited figure in Oops I Did It Again is juxtaposed with her white bikini-dressed figure surrounded by an eight-pointed Arabian star, which suggests Britney Jean:


`You see my problem is this. I`m dreaming away.`


 In the late 50s Larry Hagman was the lead male character in the US TV show I Dream Of Jeannie in which Barabara Eden was the Genie and he was in `astronaut training`. The meaning of the genie is `freedom`, but the meaning of the genie imprisoned within the lamp, or bottle, is for the imprisoner to be `secretly free` with her, which is what marriage is, but tragically it`s also a recipe for slavery and devouring.



 When Britney`s spaceman picks up her `iconic image`, there`s a Mars quake and what looks like a city appears in the visor of the astronaut`s space helmet. If it`s an Arabian `Open Sesame`, then it`s the Paradisal `Jennah`, which is heaven in Arabic, and exists upon the Earth as it does everywhere else. Before it appears, the spaceman speaks the `magic` word: `Cute.` It`s a reference to a passage from the Koran, Sura 69, and refers to `Qutoofuha daniyatun`, the `fruits` of Paradise, and their properties.


69:21 And he will be in a life of bliss, Fahuwa fee aaeeshatin radiyatin,


69:22 In a garden on high, Fee jannatin aaliyatin,


69:23 The fruits whereof will hang in bunches low and near. Qutoofuha daniyatun.


 The true role of the genie is tutelary, that is, to change the mind of the devourer, which is the same function the Holy Spirit has in Christian tradition. In short, there`s a semantic difference in `being free` with someone`s affections, and being good enough to be free, which is why Britney`s red suited figure represents Santa Claus. Santa is an anagram of Satan, and there aren`t any toys for those who haven`t been good, because they`re not good enough to be free with them. Britney`s stage set appears as if surrounded by claws. They`re the claws of Satan who wants to be free with her and the toys he`s prepared for those who`re good, but they`re also her adult`s claws for those who haven`t been good enough to be free with her.

 When she suspends the spaceman above her, Britney, in Oops I Did It Again, has become his `magic lantern` picture show, and that`s why she appears as a slide for a projector beneath his `camera`, because slides can be made from photos, and so the spaceman in his spacehelmet, who captures her image, is the `bottle`, and Britney`s the genie. In other words, `the genie is out of the bottle`, as computer `geeks` say, when they`ve created something new with their genius. The `problem` for the spaceman is his functioning as a picture taker, because he can`t see Britney Jeannie as projections of the genie within. He`s blind as to how the `magic lantern` show functions.



Britney describes the `problem` in Blackout and `Piece Of Me`, which presents the situation as Oedipus`, whose name means `lame`. In the myth Oedipus is psychologically blind and unconscious, that is, `slow` on the `uptake`, like the spaceman lumbering clumsily towards her, and above her, as Mars` huge, cumbersome infant. As a camera, he represents `baby pictures` with his wife and mother, whom he can`t recognize as the genie within and so, blind and unconscious, he remains an infant.

 Oedipus Rex by Sophocles is the story of Oedipus` blinding of himself, after recognition that he`s broken the incest taboo by mistakenly killing his father and marrying his mother. The meaning is that he`s his father, and his mother`s always been his wife, but the devouring imago of men with their incest taboo don`t want him to perceive that `Woman` is his wife. Consequently, Oedipus` blinding is a devouring of him by men`s imago, because his consciousness needs woman`s guidance, which Jocasta, his mother tries to give him, and his daughter Electra still attempts to provide at the close of the ancient Greek drama as she guides the baby spaceman`s slow footsteps to the future. But the `genie is out of the bottle`, as it were. If the Greek audiences were able to discern the truth, so will we.

 Britney`s Oops I Did It Again is Santa`s present to those who want to be good with her, and enjoy her toys, free from being hung up on. Britney`s Persephone. When she sings Oops I Did It Again, her video character makes a grab at the eye of the person watching her. Her spaceman, as she raises him above her (symbolically, as her `baby`), also appears as a `grab`, like those of old-style arcade machines that, manipulated like cranes, descend and `grab` a `toy`. Here the `toy` is Britney`s Spears Oops Eye Did It Again. She`s demonstrating how her I-Phone works: it`s her theatre.



 In Oops I Did It Again, Britney`s character is different to that of Hit Me Baby One More Time, or Stronger, because it`s an aspect of her, that is, selected from a range of available images that are for `show`, whereas the rest are `secretly free`. It`s a metaphor for consumerism. If she`s free, she doesn`t cost anything, and her image is freely available everywhere on the internet, but to be `secretly free` is to have a secret life, which is what `Piece Of Me` is about. At one point there are five Britney`s, in French resistance berets, leading the fight for freedom against the paparazzi, who want to `shoot` her.



 The analogy isn`t a foolish one. The paparazzi effectively `shot` Princess Diana in the Pont D`Alma tunnel in Paris. Oops I Did It Again is about the apologist monsters who devour the art, civilization and culture of `Woman`, as God`s producer and product, in what is effectively continuous warfare against her and her upon the planet, that is, Earth, and then flash their camera bulbs at her in mockery of their desire as devouring imagos to `shoot-em-up` some more `heroine`, the archetype of God`s developmental creativity.



 In NASA space programmes blackout is a training feature, that is, how to deal with it. Britney`s spaceman observes at the beginning of Oops I Did It Again: `Gravity device, status effective.` She then takes his helmet off for a minute or so while he gives her the boxed jewel of the heart of Osiris, and as a trained astronaut he`s able to resume his helmet without deleterious effects from high-G, which is where blackouts occur because that`s where genie is, and the devouring imago of men don`t want her to be seen. Formerly, her spaceman had observed, `Oxygen status 98%.` Normally that level of oxygen would cause `blackout`, but astronauts are trained for `contacts` in high-G, which is called `special air`, and that`s why the British call their special forces, the Special Air Service (SAS). Essentially, `special air` is the Paraclete, or `God`s spirit`, but SAS means `enslavers` of what can be serviceable in the pursuit of warfare.

 It`s Britney`s hypothesis that `blackout` is caused by men who want unconsciousness and blindness, and so it`s a metaphor for possession, which is slavery, and murder, and that`s torture for those who have the Paraclete, that is, Jesus` `Piece Of Me`, as their `all-seeing` witness to what`s being perpetrated against those who`ve also accepted the Paraclete and are able to receive what amounts to telepathic communications by means of `visions` of others torments and distress at the hands of the evil devouring imagos of men that are Woman`s tormentors upon the Earth.

 The war in heaven in which the Woman`s `seed` defeats `Satan` is a defeat of the evil, whereas Woman`s regard for her `handicapped` daughter without a penis, and before her Assumption as Woman`s own species, is `Satan worship`. Consequently, Woman is Satan from the perspective of men, who don`t want her to leave Earth and defeat her here rather than face the strength of her `seed` in heaven, which means Redemption for Satan if he`s a man who accepts God and perdition if he doesn`t.



 What`s defeated  by Woman`s `seed` in heaven will  be evil, and no one will care. God`s promise is to create a new heaven and Earth after Jesus slays the red dragon and the evil are given eternal unendurable pain as their punishment. Amen.


1 Thanks to Avril Lavigne for Sk8er Boy (2002).


Guy Forks

01/01/2012 15:40

Guy Forks


Britney Spears` `Oops! ... I Did It Again` (2000) features an astronaut suspended above her as she lies upon a white star-shaped apparatus resembling a fireman`s blanket used by ground crews at aerodromes to catch falling bodies from aircraft on fire as desperate people throw themselves from open windows towards where waiting fire fighters hold between them a trampoline from which the occupants of the planes bounce unharmed caught by the rescue services` expert skill with stretched tarpaulin:


 `During World War II, the United States Navy Flight School developed the use of the trampoline in its training of pilots and navigators, giving them concentrated practice in spatial orientation that had not been possible before. After the war, the development of the space flight programme again brought the trampoline into use to help train both American and Soviet astronauts, giving them experience of variable body positions in flight.`1



 Britney`s fire blanket doubles as a trampoline because she`s alluding to NASA`s early failure to get off the ground, because of a fire in Apollo 1 during `tests` on January 27, 1967, at Miami, Florida state`s Cape Kennedy Air Force Station Launch Complex 34: `We’ve got a bad fire, let’s get out, we’re burning up! We’re on fire, get us out of here!` As Britney in her red pilot`s suit places a hook in the backpack of her spaceman visitor, `Mars Lander`, to her red planet, in the promotional video to her single,  `Oops! … I Did It Again` (2000), to hoist him above her white bikini-dressed self atop the trampoline, he`s helpless like a baby, whereas during the disaster it was the crew of the Apollo 1 space module that were the helpless babes atop the North American Space Administration (NASA) rocket when it caught fire: `They ran toward the command module only to discover they could not approach due to billowing smoke and heat. In mission control, some reported they could see White’s hand moving behind the window of the command module on the monitors.`2

In `Oops! … I Did It Again`  Britney, in her white bikini-dress is remembering `White`, who was one of the three astronauts who lost their lives in the Apollo 1 fire, that `s, Command Pilot Virgil I. `Gus` Grissom, Senior Pilot Edward H. White II, and Pilot Roger B. Chaffee. Reincarnation, death and rebirth, is the continuation of experience, rather than Salvation, which is continuity of memory. In terms of the symbolism of `Oops! … I Did It Again` Britney represents the three astronauts; in the red pilot`s suit, she`s Virgil, and in the white bikini- dress, she`s White II, whereas in the white blouse with black skirt and boots she`s transformed into wearing as she somersaults through the air to stand before her spaceman visitor to receive her gift inside a `black box`, which doubles as a symbol of the flight recording all Apollo spacecraft contained, and which would be listened to intently after the disaster, she`s `Roger, over and out!`

 Nigel Dick`s directed the `scifi` short, `Oops! … I Did It Again`, while Britney`s album Blackout (2007) is another allusion to the failures attending the early days of the NASA Space Program, which was preceded by the X-series of planes flown by pre-astronaut training pilots, whose initial program had flying to the moon in `spaceplanes` as the goal. Pilots trained to `push the envelope`, that is, the parameters of their planes` capacity, experienced `blackout` at high altitude and crashed, while the Apollo program was cheaper, which is reflected in the name chosen by Britney`s Jive recording company, Blackout, for the 2007 album containing the successful single, `Gimme More`, that featured her dancing around a pole similar to those traditionally used by fire fighters for descending to the vehicle level, where their tenders are kept in readiness with their pumps. Consequently, the `Gimme More` promotional video is presented as a celebration of the fireman`s `hose`, although the doubling of a blonde Britney, sitting with her girlfriends at a bar, while her dark haired self pole dances, reflects on the absence of the futanarian woman`s hosiery from the short film directed by Jake Sarfaty.

 Britney`s Blackout also contains the video single, `Piece Of Me`, which features a cover in which she`s in the place of Christ crucified, because human futanarian women with their own penis` semen and capacity for sexual reproduction are. Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, is `futanarian`, while his Resurrection and Ascension to heaven after being taken to the hill of Calvary outside Jerusalem and nailed to a cross of wood before being left there to die as a `dissident` by agents of the Roman Empire, because they didn`t want `woman`s seed` to sexually reproduce human brainpower, prefigures the Resurrection and Ascension of futanarian women`s human species.



 In `Oops! … I Did It Again` Britney receives her gift of the `black box` and her reaction to the contents suggests that the video is conceived as a memorial to Apollo 1, `But I thought the old lady dropped it into the ocean at the end?` In the film Titanic (1997) Rose drops the blue diamond pendant, the `heart of the ocean` into the sea at the place where the ship, Titanic, sank after hitting an iceberg on its maiden voyage from Southampton on April 15, 1912, when she`s 100 years old. Britney`s astronaut, in his ghostly Apollo 1 spacesuit, replies: `Well, baby, I went down and got it for you.` In her red pilot`s suit and her white bikini-dress in receipt of the gift of the blue diamond `heart of the ocean pendant, Britney` represents the red, white and blue of the `star spangled banner` of the flag of the United States` remembering Apollo 1.

 God`s punishment of eternal unendurable pain for the evil is for those who reject `woman`s seed`, and Jesus` said the Holy Spirit would teach after him, so the Roman guard Longinus at his crucifixion pieced Jesus` side with his spear to effect a `caesarean` birth, as Eve emerged from the side of Adam in Eden, according to the Bible: `Surely, this was the son of God.` (Matt: 27. 54)  Consequently, Britney Spears` position on the cross for the cover of the single, `Piece Of Me` is as futanarian human `woman`s seed`, that is, the `Second Eve` from the side of Jesus as the `Second Adam`, who is the Holy Spirit continuing Jesus` teaching: `Love your neighbour as you love yourself.` (Mk: 12. 31)

 Jesus` Holy Spirit corresponds to the `Shekinah` of the Old Testament, that is, the `spirit of God`, who dwells in the place where the Ark of the Covenant is kept, and which contains the law, before Jesus` fulfilling of God`s promise of Redemption to `woman`s seed`. The spear of Longinus isabsent from the cover of the `Piece Of Me` CD, because Britney Spears represents human futanarian women`s Paraclete born from the side of Jesus as the `Second Eve` after Longinus` piercing of Christ upon his death.

 Blackouts indicate memory gaps, whereas Resurrection is completeness of memory, that is, `Piece Of Me` from the Blackout album, represents a single lifetime`s memory, whereas Resurrection is several lifetimes`, which Britney aspires to. Reincarnation is bodily with consciousness without memory. In ancient Egypt, the myth of the evil Set, who dismembers his `brother`, Osiris, the incarnation of God, who the Egyptians called Ra, dismemberment is the murder of unity of consciousness, that is, transpersonality, so `blackout` represents those memory gaps indicative of murder.



 The NASA Apollo Space Program to land a man on Earth`s satellite, the moon, was almost cancelled, because of those who don`t want `woman`s seed` to leave, and the lunar program only survived because it produced the automatic washing machine that kept women subdued: `One small step for a man, one giant leap for mankind.` The human futanarian species of `woman`s seed` would remain household slaves.



 In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because God told Eve in the paradise of Eden, `You will crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) Eve and the first man, Adam, are expelled by God from Eden for accepting the `fruit of the tree of the knowledge of good and evil`, that is, death, from the serpent, Satan, who was the angel transformed by God into a serpent and placed in Eden for rejecting God`s plan that the human host would be greater than the angelic. God gave Eve and Adam the `fruit of the tree of life`, which is immortality, but they accepted death from Satan, who told them, `You shall be as gods.` (Gen: 3. 5)   Expelled, God told Adam he`d labor, while Eve would experience labor pain before Redemption, because human women`s brainpower would crush Satanism through women`s sexual reproduction with each other. Consequently, women`s `foot` is absent from NASA`s Space Program, while US President Ronald `Ray Gun` Reagan`s `Strategic Defense Initiative` (SDI) of March 23, 1983, authorizing a `ground and missile based system` of ICBMs to deter `rogue states` effectively imprisoned `woman`s seed` upon the Earth so that human futanarian women`s nature couldn`t leave without permission from her host womb enslavers in parasitoid for warfare against `woman`s seed`.

 In Judaism, `Meshiah` is the Hebrew for `Messiah`, which is what Jesus is called in Christianity, that is, Christ, the savior, because `Meshiahn` means `machine`, which saves labor. Low level technology for humans is approved, and `rules of engagement` ensure technological destruction and waste, rather than defense of `woman`s seed` through labor saving inventiveness, and permanent knowledge of operational technologies through immortality conferring medical science.  Technological development is God, whereas slavers want a devouring system, rather than a permanent, developed, safe and saved system, which is what Jesus` `Meshiahn` age of the machine savior promised. Fathers don`t want development, because labor saving devices and life-prolonging medical science oppose slavery.



 Apollo 1`s astronauts would have played `Spaceball` on trampolines as a part of their training for weightlessness, which is why Britney in her red pilot`s suit in `Oops! … I Did It Again` hooks her spaceman visitor`s backpack and winches him up above to where he can see her in a white bikini-dress on a trampoline. `Spaceball` was invented in the early 1960s by George Nissen, and is `the best conditioning exercise for space travel`,3 according to Mercury Earth orbiting astronaut, Scott Carpenter. Players time their jumps by using horizontal or vertical trampoline surfaces, and score by putting the ball past each other. Atop her trampoline in `Oops! … I Did It Again` Britney`s spaceman looks as if he`ll score easily, as he hangs there suspended, but there`s Britney`s `hook`, that is, the `Oops! … I Did It Again` music, and he films her with the camera eye attached to his spacehelmet, rather than take the opportunity afforded by the `time jump`, that is, Britney`s time-travelling, and the spaceman doesn`t understand `Spaceball`, because he`s expected to score, but `Mission Control` want picture transmissions, which interfere with the spaceman`s own desire.


 Jesus` cross is a mousetrap for those who reject his teaching of `woman`s seed`, and Britney Spears` `Oops! … I Did It Again` resembles the board game, `Mousetrap`, by Ideal (1963), where the players try to avoid being trapped.  Jesus` Christianity has the flavour of `Mousetrap`, where people must avoid perdition, and pornography is the danger for Britney`s spaceman with a camera. Unaware that `woman`s seed` exists, humans are trapped in male braining, whereby heterosexuals produce a single transvestite `TV` creature wearing each others` clothes. Working with `Mission Control`, Britney`s spaceman is trapped within `CCTV` Closed Circuit Television, which prevents his being able to penetrate the occlusion to see that, in her red pilot`s suit and white bikini-dress, Britney represents women`s futanarian humanity`s capacity to multiply in sexual reproduction, which slavers don’t want people to know and so pornographers are a part of the occlusive system. Even though futanarian pornography exists, men participate (, whereas logically women should. Jesus` left the mousetrap for the Paraclete, that is, human women`s futanarian teaching of `woman`s seed` means perdition for those who reject Jesus.



 In Britney`s version of the Ideal `Mousetrap` game, the trampoline is a condom, which doesn`t `catch`. Consequently, the precautionary condom is `fire prevention` equipment, which rescues by obviating emergencies. If there`s no virus, there`s no fire, which is the anti-virus principle of computer `firewalls`, where viruses can`t destroy the brain of the machine that saves in memory, because of the condom. `Oops! … I Did It Again` is Britney`s system for dealing with viruses, and the spaceman visitor, who keeps himself in suspense with pornographically filming her, is trapped as `spyware`. Her `Spaceball` trampoline, in the Ideal Mousetrap game, represents Britney`s `firewall` for catching viruses, which is what men who enslave and devour women through fire (warfare), while keeping them in fearful faithfulness to ring slavery through their `biological weapon` of HIV/AIDS, are.



 To prevent being devoured by men`s viral fire, that is, their parasitism which, invading women`s host wombs, enslaves, and devours, as a parasitoid nature, what she produces of civilization, art, and culture in warfare against `woman`s seed`, women must construct `firewalls` to obviate the virus, rather than use condoms to deal with the viral form, as firefighters use trampolines in emergencies, which is why Britney declares herself for her Ideal Mousetrap game, rather than the Apollo astronaut, an `ideal` man:


`I`m not that innocent.`


 The memorial statue of the fireman with its fasces bundle of wood and axe prominently displayed in front of the Emigrant Savings Bank on East 43rd Street between New York city`s Madison and Fifth avenues, which depicts a firefighter on bended knee and was commissioned by the Firefighters Association of Missouri and cast in Italy before it arrived on September 9, 2001, was presented as a gift to the city after 9/11, is an ironic comment on the Arabian practise of decapitation, `When it comes to beheadings ISIS has nothing over Saudi Arabia.`4 The axe has a genuine role in the history of `woman`s seed` in Northern India`s Agra too, where Mumtaz Mahal`s tomb is. In the primarily Arabian, 1001 Nights, an 8th century collection of tales, the framing device is the tale of the Indian Mogul, Shah Jehan, who had his wife`s head cut off at for allegations of unfaithfulness with his brother which weren`t true. Taking a new wife each day and beheading her each evening, Shah Jehan was eventually stopped by Scheherezade, because he wanted to hear her complete her stories, and so she saved the women. Because human futanarian women sexually reproduce their own brains` powers, Shah Jehan was beheading the species.



 The symbol of Imperial Rome in the time of Jesus was the fasces, that is, the axe closed within a bundle of wood, because Romans secretly beheaded `woman`s seed` behind wooden screens, as the German National Socialist `Nazi` Party would later do with the Jewish `chosen people` during the Second World War (1939-45). Jews can only be born from women, which is a human women`s futanarian tradition. Consequently, Italian dictator Benito Mussolini`s adoption of the Roman fasces as his symbol, when elected in 1922, led to Chancellor Adolf Hitler of Germany adopting the symbol after his election as `Nazi` dictator in 1933, because decapitation of futanarian women`s humanity`s `chosen people` was the aim. Moreover, when the Al Qaeda terrorists crashed hijacked planes into the Twin Towers of New York city`s World Trade Centre on September 11, 2001, they were fascist axes provoking war against `woman`s seed` in the Middle East, where marriages in Islam contain four wives affording the possibility of sexual reproduction between women, whereas fascism doesn`t want human brainpower, because it interferes with slavery and parasitoid devouring in war against the species. The subsequent emergence of Abu Bakr Al Baghdadi`s Independent State of Iraq and Syria (ISIS), after the execution of Al Qaeda`s supporter, Iraq`s dictator, Saddam Hussein, on December 30, 2006, and where Isis is a female Egyptian symbol of Resurrection, represented a concerted attempt by misogyny to behead `woman`s seed` and prevent humanity from progressing technologically.



 When Jesus` feet were being anointed by a woman, the disciple Judas, who was known for stealing from the collection plate, said that the perfume, which was expensive, should be sold to raise money, and Jesus replied: `Leave her alone.` (Mk: 14. 6) At the `Last Supper`, when the host, Jesus, offered `bread and wine`, as symbols of his `body and blood`, to the disciples, Judas betrayed the human host to the Romans, because he didn`t want `woman`s seed` to breed, that is, he sought to behead the human race as its traitor. Men cut off the species` head after she`s bred, because the Earth is a `cargo cult` in which the native inhabitants try to remember the technological level of development they`ve previously realized and labor to recreate it. Cargo cults, especially in the Pacific, where islanders, who`d never seen aeroplanes, constructed replicas from what they remembered, caused anthropologists to speculate that`s what all humans do.



 Condoms indicate the desire to save women as a species. If men don`t want her, they don`t want any other race, which is why aliens are depicted as evil. The tale of Shah Jehan indicates that men want to behead the human futanarian race of women to maintain slavery to devouring parasitoid nature. Woman with penis` semen of her own for the sexual reproduction of human brainpower isn`t alien to intelligence, whereas men are, because they don`t want intelligence for humanity. Consequently, humans aren`t xenophobic, whereas men are xenophobically opposed to humans, who`re conditioned to accept host womb enslavement in parasitism for parasitoid devourment, when their intelligence has produced a high enough technological level of development for the parasites to appropriate it, and pogrom humanity to a lower level at which it slaves again.



 Women don`t want men`s Holy Spirit if it`s theirs, which poses a problem for Christianity. Futanarian, with her own penis` semen, women doesn`t want a viral form using them as a host womb to parasitically develop life, civilization, art, and culture to devour it as a parasitoid. In ancient Greece men institutionalized slavery of women`s host wombs to spread homosexuality in pederasty`s contagions of war and plague. By the late 20th century the `incurable killer disease`, HIV/AIDS, spread through men`s mixing blood, shit and semen in each others` anuses, was their `biological weapon` keeping women`s futanarian human species of `woman`s seed` in fearful faithfulness to monogamous ring slavery. Women don`t want HIV/AIDS, because they`re not a `disease`, whereas in the Bible`s descriptions of `blood plague` (Rev: 11. 6), and the angels` destruction of the `cities of the plains`, Sodom and Gomorrah (Gen: 18, 19), it suggests men are. In Britney`s `Oops! ... I Did It Again`, the condom is a symbol of `fire prevention`, because she doesn`t want to `lose her head`:


`You see my problem is this;

I'm dreaming away:

Wishing that heroes, they truly exist.

I cry, watching the days;

Can't you see I'm a fool in so many ways.

But to lose all my senses;

That is just so typically me:

Baby, oh!`


 If `woman`s seed` is rather to spread amongst the planets and stars, which is what Revelation says she is `hidden` for, then her spirit must be God`s, that is, the Holy Spirit, rather than men`s, which poses a problem for Christianity, because it is part of an occlusive system conditioning a futnanarian species into not wanting what it sees in the mirror of its dreams. Consequently, Britney Spears` `fireman`s trampoline` in `Oops! … I Did It Again` is a metaphor for a woman who wants to time her jumps carefully, because she doesn`t want the HIV/AIDS beheading virus at her tower`s block. As a futanarian species with a penis of her own stolen by a parasitical organism which seeks to kill her brainpower,  women aren`t anal, whereas men`s `unclean spirit` is.



 Of course it`d be better to have `woman`s seed` as an anal `spirit`, but that`s for women, rather than men, who are definable as a virus, because they can`t reproduce together, whereas women`s human futanarian species can. Consequently, women represent an antidote to HIV/AIDS` `biological weapon` keeping women in fearful faithfulness to host womb ring slavery and Western democracy, whereas Moslem women in four wived Islamic marriages represent an 80% to 20% democratic `split` in terms of the potential human futanarian vote available to `woman`s seed` through enfranchising sexual reproduction between women.



 On Earth women are associated with `Mother Nature`, because God`s natural futanarian species, whereas men would be an `outer space` virus. Consequently, God`s heavenly creation of the planets and stars would be safer with `woman`s seed` colonizing than men`s virus. According to the Bible, war in heaven occurs between `woman`s seed` and the serpent`s, presumably because God`s creatures don`t want to be enslaved in parasitism and devoured by men`s parasitoid nature:


`The Spirit of the LORD will rest on Him,
The spirit of wisdom and understanding,
The spirit of counsel and strength,
The spirit of knowledge and the fear of the LORD.
And He will delight in the fear of the LORD,
And He will not judge by what His eyes see,
Nor make a decision by what His ears hear...` (Isa: 11. 2-3)


 God`s plan is for `woman`s seed` to be the steward of God, but war in heaven would be with those who don`t want women`s futanarian human species. Taught by the Holy Spirit, rather than men, who want to use her anus as a `spirit entrance` to kill her, women aren`t responsible for the irredeemable: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) In the book of Isaiah there are `seven gifts`: `Wisdom, understanding, counsel, fortitude, knowledge, piety, and fear of the Lord.` Britney asks the spaceman about the gift he gives her in `Oops! … I Did It Again`: `But I thought the old lady dropped it into the ocean in the end.` It`s the blue diamond pendant, `heart of the ocean` from the Titanic (1997) movie, dropped by the 100 year old Rose as a remembrance into the ocean at the point where the ship is being salvaged where it sank after hitting an iceberg on its maiden voyage from Southampton to New York city on April 15, 2012. Actress Kate Winslet has the role of the young Rose whose jilted fiancée, Cal, puts the `heart of the ocean` into her new lover Jack`s pocket and accuses him of being a thief, before he drowns helping people to the lifeboats during the sinking of the Titanic ship: `All aboard!` The call to the lifeboats is heard in Britney`s `Oops! … I Did It Again`, because men are women`s disaster: `I played with your heart. Got lost in the game.`



 In the developmental psychology of Carl Gustav Jung (1875-1961), seeing and hearing is associated with the predominantly masculine functions, `Sensation` and `Thinking`, associated with the male ego, while `Feeling` and `Intuition` are largely associated with the feminine soul or anima in men, or woman`s consciousness.



 In Jungian psychology, the spear of Longinus, which penetrated the side of Jesus Christ upon his death at the crucifixion, in a `caesarean` section designed to free the Holy Spirit from the rib of the Jewish `Messiah`, is an archetypal symbol. According to Jung archetypes exist within the collective unconscious as impulses from God that appear as figures and images in dreams, art and the imagination to inspire progress. Consequently, Jesus` Holy Spirit was the `Second Eve` after the first woman Eve, who emerged from the rib of the first man, Adam, according to Genesis, because Jesus was the `Second Adam`, who`d promised that there`d be a Holy Spirit that would teach after him. Jung associated the spear with `Intuition`, and the `tutelary spirit` of God as an actuating principle. Consequently, Britney`s `Oops! ... I Did It Again` is about `Intuition`, that is, Spears is interesting for the audience because she`s developmental.



God destroyed the city of Sodom in the Old Testament, from which the practise of sodomy, that is, putting the penis into a man`s anus, rather than the woman`s vagina, derives. The spread of HIV/AIDS in the late 20th century revealed that sodomy was penetratingly evil, whereas the spear of Longinus` `Intuition` was a genuine penetration, which released the Paraclete. According to Jung, the four functions of consciousness, `Thinking`, `Sensation`, `Feeling` and `Intuition` are associated in undifferentiated form with ears, eyes, mouth (speech) and nose, that is, sense of smell. `Thinking` is associated with the ear, so the ear is anal, that is, listeners turn to hear, which was early prehistoric humans` response to predators; or anal rape by viral forms seeking to take over the brains of their victims as well as the host wombs, which isn`t the presence of God`s Holy Spirit in Christian `Thinking`. Because men want to stop women from functioning incomprehensibly, she`s a `witch` in her `Intuition`, because the Holy Spirit is women`s futanarian humanity. Consequently, Britney`s fire imagery reflects upon men`s practice of burning women as witches for having power from God. So women need rescue equipment; such as trampolines, `firewalls`, and condoms.



 Britney Spears` archetype is `Paracletia`,: `You think I`m sent from afar. I`m not that innocent.` For men women are a washing machine, and although the NASA Space Program produced the technology needed to develop the first automatic washing machines, those who like to demonstate what things are for, want machines they can demonstrate, so they`re demons who keep the level of technological development low enough to ensure training and enslavement. The cancellation of the X-plane program to pilot passenger `spaceplanes`, because of `blackout`, led to the development of automatic washing machines to ensure that the coloreds were separate from the whites:


`We tell her home is the only place she should be;

Then we complain that she's too unworldly to be our friend.

Woman is the nigger of the world, yes she is.

If you don't believe me take a look to the one you're with.

Oh woman is the slave to the slaves.`5



 Astronaut Neil Armstrong became the first person to set foot on a surface other than Earth`s when Apollo 11 landed on the moon on July, 21, 1969, and pop singer John Lennon`s lyric to his song, `Woman Is The Nigger Of The World` (1972), represents the observation that, because of `blackout`, the human futanarian species of women are a `cargo cult` that can`t remember their previous technological level, as slavers have beheaded them.  `Getting the black out` is racism, whereby people of color are evicted, or removed from their employment for refusing to be bullied. Consequently, Britney Spears` Blackout, which was released in October 2007, represents her rejection of being bullied into being dispossessed of her children and property, which occurred in October 2007 when a court in the United States of America gave custody of sons, Sean, two years old, and Jayden, one year old, to their father, Kevin Federline, and later custody of her fortune to father, Jim, and Jason Trawick, whose claim to be marrying her was subsequently proven false:


I'm Mrs 'You want a piece of me?'

Tryin' and pissin' me off.

Well get in line with the paparazzi,

Who's flippin' me off.

Hopin' I'll resort to some havoc,

And end up settlin' in court.

Now are you sure you want a piece of me?`


 In `Oops! ... I Did It Again` Britney Spears is the red-suited X-plane pilot, who doesn`t wear an old Apollo spacesuit, because she`s timed her `Spaceball` jump as a `scifi` time-traveller, which is what Britney`s `Spaceball` game is. Her astronaut visitor to the red planet, Mars, represents `blackout`, because he`s a `cargo cult`, who can`t remember her level of technology, and so he`s a washing machine representative, but Britney doesn`t `buy` it, because Earth`s `cargo cult` is a decapitators` parasitoid slave trap.

 As the ship sank, passengers ran along the tilting decks assisted by crew using bedsheets stretched across to stagger their progress and prevent them falling into the looming ocean, and so Britney`s `trampoline` in `Oops! … I Did It Again` is her `bedsheet`, because it`s a time-travel tale of `Spaceball` where timed jumps will allow her to `score`, that is, live, and for that she`s awarded the `heart of the ocean` diamond blue pendant by the astronaut.

 In the Titanic film men are depicted throwing the women and children into the sea to get into the lifeboats, and although Rose`s lover, Jack, is drowned directing passengers to the boats, her ex-fiancée, Cal, who sought to frame her beau for stealing the `heart of the ocean`, lives: `I`m dreaming away. Wishing that heroes [dear Rose] they truly agree.`

 Painted nude by her beau, Jack, Rose is treasured as valuable. The Paraclete`s a teacher whose eons` experience isn`t that of individual lifespans. Men`s training programs are for beheaded children, because they want slaves rather than intelligence. Blamed for ineptitude, by their slavers, men, humans can`t remember enough to function, or achieve permanent knowledge for the operation of even the simplest equipment, or to perform the simplest tasks, in beheadings` `blackout`. Rose`s ex-fiancée, Cal, lives because he`s intelligent, whereas her lover, Jack, dies because he`s brave, and the men who throw the women and children into the sea to get into the lifeboats themselves are `blackout`, because women`s futanarian humanity`s the species` sexual reproducer of brainpower, which the painting of Rose nude reminds men of, although in occlusion and `blackout` humans are told it`s pornography:


`Women and children first.`6



 Britney`s `heroes` are there to row for their Rose, but they`re `diff`rent strokes`,7 that is, they`re representative of the general conflict, because men aren`t taught to be shepherds of women`s futanarian humanity, in accordance with acceptance of Jesus` teachings in Christianity, but rather `stud farmers`, or hornéd rams with flocks of sheep, whereas futanarian women`s humanity is a single species, which accepts or rejects men as redeemed, or irredeemable, depending on their shepherding, and women`s nudity isn`t pornographic but mnemonic.


 Britney`s spaceman in `Oops! … I Did It Again`, whose spacehelmet looks like that of a deep sea diver, represents the resurrected hero, Jack, who brings her the `heart of the ocean`, `Oxygen content 98%.` Astronauts trained in high oxygen content to prevent `blackout`, and Britney takes off his spacehelmet without argument:


 `...pressure in space is so low... that your blood would boil. You can actually survive in space for a very short while, if you are in space for under 20 seconds and then restored to a pressurized container you could escape with no permanent damage.`8



 Hooking his backpack she uses a pulley to winch him above herself in a white bikini-dress to where he can film her with the camera eye attached to his spacehelmet, that is, she`s the technological equivalent of Rose painted nude as a mnemonic designed to ensure that the women and children get into the lifeboats so that the species keeps its head in an emergency, rather than that men lose theirs.



 Britney`s spaceman can see her atop a `star`, like a traditional `angel` on a Christmas tree, the symbol of the birth of Jesus from his mother, the Virgin Mary, and which was heralded by the appearance of the star of Bethlehem, his birthplace in Jewish Palestine. Israel was then occupied by the Roman Empire, which Jesus` teaching was designed to fight against for women`s futanarian humanity, who were also born uncontaminated by male semen and denied sexual reproduction of the brainpower needed to restore balance to human nature possessed by male brained psychopathology: `Love your neighbour as you love yourself.` (Mk: 12. 31) After crucifixion, Jesus had Resurrection and Ascension, so Britney`s suspension of her astronaut refers to Judas` hanging himself after betraying the human host to the Romans. In the Tarot, which is thought to be a pictorial Judaic Torah depicting the journey of the soul through life, the character of the `Hanged Man` is `The Traitor`, which suggests Britney`s spaceman is Cal, who sought to discredit Jack by placing the diamond in his jacket pocket, and calling him `thief`:


`Thief! Thief, Thief, Baggins! We hates it, we hates it, we hates it forever!`9



 Inside her giant`s ring as she descends to her stage set in the `Oops! … I Did It Again` video, Britney remembers the river elf murdered by Gollum, the character from J. R. R. Tolkien`s The Hobbit (1937), and from whom Bilbo Baggins took the ring he`d found that conferred the invisibility Gollum used to murder the elf. Bilbo wins the ring in a `riddle game` with Gollum, who can`t tell what the hobbit has in his pocket, and so Britney`s allusion is to the Titanic film and Cal`s having the diamond pendant placed in Jack`s pocket to discredit his rival for Rose`s affections by accusing Jack of being a thief. No one would know what Jack had in his pocket unless Cal told them, which is why Cal is symbolically, Sauron, the evil Dark Lord of Tolkien`s novel, The Lord Of The Rings (1954-5) whose ring it was. Although Britney`s spaceman gives her the pendant, rather than the ring of Dark Claude, the giant, which she already has, it`s a narrative framing device, like Scheherezade`s tale of the decapitator, Shah Jehan, in 1001 Nights, for relating stories of men`s betrayal of `woman`s seed`:


Spaceman : `Britney, before you go. There`s something I want you to have.`


Britney: `Oh, that`s beautiful. But wait a minute. Isn`t this?`


Spaceman: `Yes. Yes it is.`


Britney: `But I thought the old lady dropped it into the ocean in the end.`


Spaceman: `Well baby, I went down and got it for you.`


Britney: `Aw. You shouldn`t have.`


 It`s a mnemonic of `woman`s seed` and betrayal, which he represents as her `porn camera` In Hans Christian Andersen`s `Rose Red and Snow White`, a bear warns the sisters of a `little man` the girls have rescued on several occasion, who tells the bear to eat them, but he eats the `little man` instead. Surrounded by the bears` claws in `Oops! … I Did It Again` Britney in her red pilot`s suit is `Rose Red`, while she`s her sister, `Snow White`, in her white bikini-dress lying upon her `fireman`s trampoline` waiting to time jump as a traveller protected by the bear.

 Besides the spaceman`s spacehelmet as he hands suspended are the bears` claws, although they appear like the tines of a fork, because the giant, Dark Claude, is preparing a tines` jump to devour her. The bear, however, doesn`t want to eat her, although the `little man` ordered him to, and so Britney`s `Spaceball` game with the `fireman`s trampoline` is to avoid being made to jump through tines, but rather time jump and be rescued by the bear from the roasting flames.



 It`s `Guy Forks` because women don`t want to be persecuted for having the power of God as witches. Although Guy Fawkes` plan to blow up the English Parliament of king James I in 1605, which was punished by his being executed and burned in effigy every November 5th, was practical it wasn`t Godly, whereas the burning of witches in fire for having God`s power is neither Godly nor practical. In England, `Bonfire Night` is preceded by Walpurgisnacht, which is the witches` Sabbath, October 31st, so although Guy Fawkes isn`t burned as a witch he isn`t Godly, whereas Walpurgisnacht is celebrated as Hallowe`en, which is All Saints` Eve, when the Holy Spirit`s presence can be felt, according to tradition. Godly, and in accordance with God`s plan for `woman`s seed`, that is, the presence of God`s power in women as the Earth`s human futanarian species, who`re burned as witches to maintain slavery. Britney`s spaceman is slaved by `Mission Control` as her `porn camera`, so he doesn`t sexually desire her, although that`s how futanarian humans reproduce. Consequently, the spaceman isn`t consumed, because he`s making a mnemonic; to remind men that women are humans, so he isn`t a gay`s fork, but rather a groom`s dick, which is better for a bride without her broomstick, although doubtless she`d prefer to have something of her own species to ride.



 The `fork` is a symbol of what is fork-given in Christianity, that is, fellowship at table, rather than the reincarnation of the enslaved futanarian human species and the concomitant ascending of the fork with the `foot` on the end of it, which is why God promises a new heaven and Earth to `woman`s seed` after Resurrection, that is, remembering, while the evil are not forgiven and receive unendurable eternal pain as their punishment for keeping the human race in brainlessness and `blackout` to prevent Ascension to the planets and stars to escape being devoured.

 Atop her `star` Britney`s allusion is to the `woman clothed with the sun and with the moon at her feet`, who gives birth to the New Redeemer, who will `rule the Earth with an iron sceptre` until the `hidden woman` is ready to leave. She corresponds to the women in Islam where, publically concealed beneath their burkas, privately the four wife Moslem families afford the possibility of futanarian sexual reproduction of human brainpower between women. So Jesus` `rule` is `iron` on their behalf, because men are women`s host womb enslavers for their parasitoid devouring nature, which is parasitically viral and requires a host womb to emerge from. Devouring what women are still able to produce of civilization, art and culture, despite their predator`s depredations, which is represented by the `red dragon` of Revelation waiting in vain to devour the child of the `hidden woman`, the shepherd.

 Britney`s spaceman`s arrival on Mars, the red planet, is as an archaic Roman god of war, because she represents `spaceplane` technology and `time jumps` in her `Spaceball` game, while he`s anachronistic, but representative of men`s viral washing machine salesman representative, who seeks to make her brainless and technologically impoverished so she`ll be his slave host for warfare against `woman`s seed`.



 In the science of astronomy, the `Bear` is the `Spoon`, Ursa, whereas the `Little Bear` is the star cluster, Ursa Minor, and so the complement of the fork in `Oops! … I Did It Again` is the bears` claws, which is apposite if the bear is there to protect the twins and eat the `little man`, who is understandable as whoever won`t allow brains to function and develop in order to eat and drink, rather than devour.



 The  four tines of Britney`s spaceman`s `fork, in terms of Jungian developmental psychology, represent the actualization of the four functions of consciousness, that is, `Thinking`, `Sensation`, `Feeling` and `Intuition`. If the `little man` isn`t eaten by the `bear`, that is, if the mind is undeveloped, or harmed, the brain cannot function, symbolized by the emptiness of the spoon as the undifferentiated `Feeling` function associated with the mouth, that is, speaking, kissing, drinking and eating.

 In the Bible `don`t suffer a witch to live`, where `witch` translates as `poisoner`. Consequently, Guy Fawkes is burned in effigy on November 5th in England, because of his treachery, that is, he`s a poisoner. In the Bible the evil are defined as `dead wood`, which is for burning, that is, unendurable eternal pain, where `witch` is defined by men as `woman`s seed`, whereas men are her humanity`s poisoners spreading their contagions of HIV/AIDS through institutionalized host womb slavery of futanarian women`s humanity for homosexuality in pederasty and warfare against `woman`s seed`. Women are identifiably a single species with their own penis` semen, whereas men are definable as a sexually transmitted disease (STD), that is, a `funereal disease`, which slaves humans for parasitoid devouring. The witch burned at the stake isn`t the biblical `dead wood`, whereas men are poisoners. Consequently, witch burning is a `black mass` antithetical to `Christ`s Mass`, or Christmas, which celebrates Jesus` birth, that is, the burning of witches is analogous to the burning of `woman`s seed`.

 Britney, as the `Spaceball` player, in her white bikini-dress, atop the `fireman`s trampoline`, as Salvation`s `star`, times her jumps in the `scifi` world of `Oops! … I Did It Again` to escape from witch burners, who condemn her as ungodly.  She has the Holy Grail, which is Jesus` cup, the `heart of the ocean`, brought to her by the spaceman, because she`s accepted Jesus` teaching: `Love your neighbour as you love yourself.` (Matt: 27. 54)

 Christ`s `body`, along with the wine of communion, is given to the parishioner by the officiating priest in the Christian mass as transubstantiation, that is, transformation through Jesus` teaching of `metanoia`, which is conversion through repentance from the `original sin` of rejecting `woman`s seed`. Longinus` spear was named `Destiny` after he pierced the side of Jesus to free the human futanarian spirit, while the USA`s doctrine of `Manifest Destiny` to colonize the planets and stars, in fulfilment of the `American Dream`, doesn`t accept `woman`s seed`, although in the lyrics to `Piece Of Me`, and on the cover of the CD single as Jesus crucified, Britney Spears` does accept that destiny: `I`m Miss American Dream since I was seventeen.`



 The `little man` is `dead wood`, which are those who reincarnate others without memory of previous experience, that is, `blackouts` through beheadings, whereas in Hollywood terms `continuity` is Redemption through acceptance of `woman`s seed`, and Salvation as permanent memory and knowledge, that is, Resurrection of `woman`s seed` through sexual reproduction, and immortality conferring medical science, and Ascension to the planets and stars through `starship` technology for colonization.



 Hung over her `twin`, Snow White, in a white bikini-dress, where he`s suspended like a Christmas `bauble` by Britney as Rose Red, in her red pilot`s suit, the spaceman prepares to give her the gift of the diamond blue pendant, that is, the `heart of the ocean`, for her tree`s `star`, herself.  In terms of Jungian archetypes, it`s the `Sensation` function associated with the eyes, because an audience that can understand is individuated, that is, developed psychologically into the acceptance of Jesus` vision of God`s plan for the future of women`s futanarian humanity.

 Rose White is sexually tempting in `Oops! … I Did It Again`, although Rose Red represents the Edenic apple, because the pair represent `bigamy`, where bigamous marriages represent the desire for more than a single wife. In 2009`s `If You Seek Amy` (F*U*C*K Amy), Britney explores the concept of bigamy further, as `big Amy`, who represents the single unmarried species of `woman`s seed`.  Futanarian women are sexually tempting to each other, although they don`t have to accept they`re for enslavement and devourment, which is why the Paraclete is the `Second Eve`, because the Edenic apple was men`s temptation to enslave and devour Eve`s `seed`.



 In the fairytale, `Snow White`, the young woman is tricked into eating a poisoned apple, which is marriage in slavery to a beheader. The revealing aspect to the story is the queen with the mirror who is told Snow White is more beautiful and so tries to poison her with an apple. Futanarian women would admire their own penis in the mirror and seek an assignation with the beautiful woman, which is why men are evil with children. If women don`t know that human futanarian women can sexually reproduce with them, the species is brainless in host womb slavery to a parasitoid devourer.



 As a virus, men who do not accept the Holy Spirit and Salvation through the tutelary guidance of the Paraclete, who is the `Second Eve`, will experience unendurable eternal pain, that is, perdition, in accordance with the `God`s law` from the Old Testament for the `chosen people`. The Jews were persecuted by Christians and others, so God`s `eye for an eye` law is for them. Although Jesus was a Jewish `Messiah`, who said that `love` was the `law` in the New Testament, the Jews are vengeful. Consequently, Jesus` words to his betrayer, Judas, the disciple known for stealing from the collection plate, as Judas saw a woman anointing Jesus` feet with expensive perfume, and suggested it be sold to raise money, were on behalf of `woman`s seed`, but are ultimately the words of a warrior:


`Leave her alone.` (Mk: 14. 6)


 Men can`t leave human futanarian women`s species alone because they`re parasites from women`s host wombs emerging to devour `woman`s seed` as parasitoid nature, which is evil. Judas` betrayal of Jesus as the human host at the `Last Supper`, for `thirty pieces of silver`, was equivalent to Satan`s betrayal of God`s plan that the human host be greater than the angelic, which led to Eve`s `seed` being enslaved by the devourer. Taken to the hill of Calvary outside the city of Jerusalem Jesus was nailed to a cross of wood and left there until he died, because Judas didn`t want a man born uncontaminated by male semen from his mother, the Virgin Mary, to sexually reproduce as futanarian `woman`s seed` and so pose a threat to the male brained Empire of Rome`s warfare upon `woman`s seed`.

 Britney`s stage is a `bear trap`, because she`s surrounded with bears` claws, and the fork that appears beside the spaceman`s spacehelmet is a `bear`s paw`, as `paw` is colloquially `father` in the Midwest of the United States of America. Descending inside her giant`s ring to the stage set of `Oops! … I Did It Again` she has a father-ring, although fathering for human futanarian women with their own penis` semen is species` normality. The `red dragon` of Revelation symbolizes Satan, that is, the false father as devourer, which appears as a leitmotif in the myths of the Greek god, Chronos, and the Roman god, Saturn (Satan), who`re fathering gods that devour through time as representative of men`s parasitoid nature.



 Satan is different to the Greco-Roman devouring time gods, because he is perspectival, that is, `woman`s seed` of women`s futanarian humanity is what men devour in their parasitoid nature. As a futanarian species with her own penis` semen, women are devoured because `hidden` from her daughters` knowing, because slavers want their `cargo cult` system of training the brainless to perform routinely, while keeping `woman`s seed` in blind ignorance and occlusion, lest she understand that the host womb she`s enslaved for to produce civilization, culture and art is for dessert. Consequently, `Oops! … I Did It Again` is set in the desert world of the arid red planet, Mars, where Britney Spears is dessert with a giant`s fork poised above her beside the spaceman`s spacehelmet as he films her deliciousness for `Mission Control` who`re `snuff movie` devourers, rather than pornographers working to help humans remember `woman`s seed`. Now Britney`s `paw` is understandable as Satan`s `fork`, symbol of the devouring `red dragon`, the false father who wants dessert. In terms of Britney`s Ideal game, it`s `bear trap`, rather than Mousetrap, where male braining produces a woman who wants to be eaten, as Alice observes in the famous children`s story, Alice In Wonderland (1865), written by maths` professor, Charles Dodgson:


`Eat me.`10



 Dodgson`s nom de plume was Lewis Carroll, and Alice eats a piece of cake to grow bigger, which is what she`s for: to develop in order to be eaten. Consequently, perspectivally she`Satan, because she wants to be devoured. Satan is nomenclature, that is, a woman who wants to be eaten by a misogynist who`s male brained women so that he can practice misogyny and devour her is Satanism, although the woman is perceived as evil. In simple terms, Christians recognize God as their father, because men are parasitoid devourers of their progeny, and in recognition of that Christians pray to God that they aren`t devoured by their fathers, because that`s why Satanists breed.

 Animal form confuses, because sheep, for example, are for production, that is, meat. Women aren`t animals, they`re a futanarian species. `Satan` is the name of their virus, that is, men`s parasitoid nature and women`s male brained acceptance of devourment. Because that`s what men (Satan), as her parasitical virus, want her for.

 Nihilism is philosophy of producing to devour, which is what evil is. Consequently, Satan is an archetype, rather than a creature, because a woman who wants to be eaten is Satan from a Christian perspective, although the male parasitoid nature that wants to devour her is Satan from the same perspective. For women Satan is Christianity because it defines men`s devouring parasitoid nature through ring slavery. To men human futanarian women are Satan, because they want to sexually reproduce with each other and use their brainpower to have a democracy of their own to plan their escape to the planets and stars through colonizing starships. Consequently, women are Satan`s rebels to men, but freedom fighters to human women`s futanarian species, that is, Satan is the archetype of escape from men`s nihilistic devourment of their race. Unable to perceive what is `Satan`, women are occluded and aren`t aware of being a species seeking escape from evil nihilistic devouring by a consciously aware and irredeemable parasitoid nature.

 What is described as Satan (by men) is women`s desire to leave for the new heaven and Earth that God promises her in Revelation, where she`s described as remaining `hidden` for a time upon the Earth and protected by her `ruler` until she leaves, as a species who is not `bred` as an `animal` for the parasitical viral organism to devour, and that somehow managed to inveigle itself into her host womb eons ago to steal her penis and slave her for men`s parasitoid nature to feed off.



 That `bread and wine` is the `body and blood` of Jesus, which appears in the transubstantiation service of the Christian church, because men have to accept `woman`s seed` as another `small  step` in the process of transforming through human women`s futanarian humanity, which could result in men`s being incarnated as women, or reborn as resurrected futanarian women they`d been before through remembrance. Humans don`t want to be bred as animals, they want a parent who won`t allow them to eat or be eaten. In Alice In Wonderland, after eating the cake to become bigger, Alice drinks to become smaller, which is communion `wine`, because God doesn`t devour God`s smallness, so God can be as small, or as big, as God likes.



 The bear in the tale of Rose Red and Rose White is an acceptable form of Jesus, because the bear isn`t a man. The nihilist embracer of parasitoid devouring would starve others and eat them later, after they`d produced enough to feed themselves in the way of technological progress, and Christianity supports the nihilist perspective by falsely labeling woman`s escape archetype, `Satan`, whereas God`s plan is for `woman`s seed` to leave Earth and colonize the planets and stars after sexually reproducing the futanarian species` brainpower to devise starships to take humans there.

 In Rose Red and Rose White`s tale, the `bear` assures the girls he won`t eat them, but he kills the `little man` who represents whatever prevents human functioning. In Revelation Jesus slays the evil, but doesn`t devour them, and so God creates a new heaven and Earth for the slayers, which justifies warfare against the `serpent`s seed`: `In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer.`11 As a role model, actress Sarah Michelle Gellar, as Buffy Summers, in the television series, Buffy The Vampire Slayer (1997-2003), is an archetype of `woman`s seed`, whereas `Spaceball` playing Britney Spears carries a hoop in `Oops! … I Did It Again` to jump through in `scifi` time to escape being trained to jump through hoops by the `vampire circus`, which is another term for the Empire of Rome`s devourer, who`s stolen the woman`s penis in order to have a stake in the future of the `chosen people` of God`s Bible.


1 Trampolines, .

2 Apollo 1 Fire Disaster, .

3 Hammacher Schlemmer, 'The Spaceball Trampoline', .

4 Di Giovanni, Janine, Newsweek, October 14th, 2014, 5. 56 PM.

5 Lennon, John, and Yoko Ono `Woman Is The Nigger Of The World`, Some Time In New York City, Apple, 1972.

6 `The Birkenhead Drill`, a code of conduct first documented as being applied in the 1852 evacuation of the Royal Navy troopship, HMS Birkenhead.

7 Urban Dictionary, `An expression meaning that everyone has their own way of doing things or approaching life,` .

Apollo 1 Fire Disaster, .

9 Tolkien, J. R. R. `Riddles In The Dark`, The Hobbit, Ch. 5, George Allen & Unwin , 1937.

10 Carroll, Lewis Alice In Wonderland, 1865.

11 Prologue, Buffy The Vampire Slayer, 20th Century Fox Television, 144 Episodes, March 10, 1997 to May 20, 2003.

For God and Satan

01/01/2012 15:38

For God and Satan


Jesus was tortured to death because he preached of `God`s love`. At his death after the crucifixion his side was pierced by the spear of Longinus, and the Paraclete emerged therefrom as the `Second Eve` to be the `tutelary guide` that would be Woman`s Revelation, Resurrection and Redemption. The woman of Revelation is `hidden` until she leaves Earth to sow her `seed` in heaven, and there is war there between hers and the `serpent`s seed`, men, until the final victory of Jesus and God`s creation of a new heaven and Earth for Woman.



 Jesus` mother, Mary the Virgin, functions as Woman`s anti-virus against the parasitical viral organism that is men`s invasion of Woman as a host womb in order to replicate itself. The red dragon of Revelation that lies waiting before her birthing of the New Redeemer is a symbol of men as the devourer of her product, that is, civilization, art, and culture. The creation of 21st century viruses to attack computer technology, the avoidance of air traffic control `protocols` by using `civil` aircraft on 9/11, and the functioning of such STDs as AIDS are paradigmatic of men`s constitution as parasitical viral organisms that are a cancer upon the Earth as `consumption`.



 The Earth has accepted the notion of `consumerism` since the 50s. Communism was criticized for advocating that `the workers control the means of production`, whereas Woman is both God`s producer and product, which men are concerned to consume. Capitalism advocates the role of the entrepreneur who feeds the market what it wants, which is `bread and circuses`, that is, consumption, symbolized by the red dragon of Revelation waiting to devour the New Redeemer who is Woman`s best product.

 In Christianity, the bread and the wine are symbols of the body and the blood given by Jesus to the disciples at the last supper before his crucifixion and, in Catholicism, are the transformative content of the mass, which is called `transubstantiation` and denotes the spiritualization of the body through the acceptance of the Paraclete`s teachings and guidance. Consequently, `bread and circuses` are a `black mass`, which is bread as `consumption` and  `circus` as `play games`, that is, `plague aims`, the goal of the evil magician who consecrates a `black mass` being to confuse the issues so that the `game` of bringing cancerous devourments to Woman`s Earth can continue. 9/11 was such a `plague aim` designed to confuse the truth about the `big picture`, which is that the `War Against Terror` should be a war in defence of Woman and not a global perpetuation of violence against her.

 Individual nations such as Kuwait, Iraq and Libya are the homes of Woman and her daughters. Attacks on nations are attacks upon Woman, which is what men as cancerous consumption are. Noone objects to a consumer that wants a better washing machine, but consumption has become devourment, because that`s the meaning of the word - as programmed into human consciousness. Capitalism is then perceiveable not as entrepreneurship, but as devourment.



 Making a better society is discovered in Revelation as `disinformation` by `the circus`, a euphemism for an internationally competing network of national or company `spyrings`, and the symbol of the devouring red dragon of Revelation indicates that the `plague aim` of the `play gamers` is to devour the Earth by advocating consumerism as a `Trojan virus` in everyone`s mind. The owner and, therefore, should-be controller of the `means of production`, is Woman. This is desirable  so that she and her daughters won`t be consumed by viral men as the Earth`s cancer, which is neither a capitalist nor a socialist perspective: it`s the simple truth.



 Jesus didn`t marry because men are a viral form and, if he had married, he would`ve been Woman`s betrayer. Woman is a species with her own penis, which is called here on Earth futanar. To marry her is to lie to her, because she`s been led to believe that a) she`s for reproduction, and b) men are the means of it. In fact, she`s a species and so for God`s heaven, whereas men are for enslavement of her in reincarnation, death and rebirth. Resurrection and Redemption is for Woman. Man, because he has lied to her, can`t have her because he doesn`t accept God`s `plan`, and so Jesus` central teaching is:


`Leave her alone.`



 Jesus has Resurrection and Ascension, and preaches `God`s love` for Woman. In Revelation, Redemption is a side issue. Because Redemption supposes the Assumption of the Virgin Mary, and Ascension is through Redemption and Resurrection after Jesus, who had Ascension and Resurrection because he was `perfect`. The devouring red dragon of Revelation signifies Consumption. Woman has Ascension because she is a species, and that`s why the Virgin Mary`s Ascension to God is called the Assumption, and is a `given` in the Catholic church, because she`s assumed as a species to be deserving of God`s heaven. Men are a virus, so they can`t have Ascension unless Man accepts that Man is Woman, and there are many plagues in Revelation before Jesus` slaying of the evil and their eternal unendurable pain as a punishment, because it`s a description of how men attempt to devour Woman and the Earth before she leaves.



 Jesus was tortured to death a) because he knew that marriage was a betrayal, and b) because torture is necessarily an aspect of betrayal. Jesus wouldn`t betray Woman as a species by making of her a host womb for a male parasite, which amounts to a torturous Consumption of her as a species, as opposed to the Assumption of her species into heaven represented by the Virgin Mary in Catholicism. Marriage is then comprehensible as a device to further men`s plague aims` system of betrayal and torture, which is why men are irredeemable and doomed to perdition. In men`s `play games` system, Woman is attacked by their virus until she succumbs to Consumption, that is, as God`s producer and product, she`s the Earth`s art, civilization and culture, which is devoured by men in several kinds of war against her.



 Because men are Woman`s betrayers, torture is what they`re for, that is, slow (cancer) or fast (violent) Consumption. Marriage is betrayal because men are a virus and not her species, so it`s torture and Consumption. That`s why the woman of Revelation is confronted by a red dragon waiting to devour her child, the New Redeemer. It`s a divorce metaphor. Woman is, in fact, Satan to men, as Jesus has the Satan role for men when he preached forgiveness for his `brother`, who is Satan.1 The men who betrayed and tortured Jesus are his brother`s, that is, they`re telling Jesus that they`re Satan`s.

 Men are not Jesus` sisters, however. Jesus helps Woman to endure men by preaching `God`s love` on Earth in the New Testament, while knowing that men are a virus (evil) and she is a species. In Revelation she remains `hidden` until she escapes to sow her `seed` amongst the heavens, where she is depicted as fighting a successful war against `Satan`, who is then understandable, in perspectival terms, as once more devolving upon men as a virus. However, in simpler terms, Jesus is also Satan, because Woman is his `brother` from God`s perspective. The war in heaven is against evil, which doesn`t need labels.



 Lady Gaga`s pop videos attempt to present Woman`s case educatively to younger women in videos such as Paparazzi, Bad Romance, and Judas. She poisons her man in Paparazzi and we understand that he`s a virus so she`s `not guilty` because he`s not human. In Bad Romance, she`s hated because she can dance, is beautiful, and defies the men who don`t ogle but menace, and she declares herself indifferent to  them:


`I want your disease.`



 Emerging from white plastic coffins with red crucifixes, she wears a white mask that blinds her, and symbolizes the endlessly futile cycle of rebirth and death in unconscious reproduction of what has gone before, by those who have produced it before, and are blindly unaware that they have.



Lady Gaga defies the men that menace her in Bad Romance, which is a 21st century metaphor for the real misogynistic meaning behind Judas` homosexual betrayal of Jesus in the New Testament and, in the video for the song Judas, she`s finally captured by as much `full metal jacket` as men can muster against young Woman who is subject to degradation, and that`s what she mustn`t accept. If her reincarnated self rebels and wants completeness of memory in Resurrection and Redemption, she`ll be Satan to the Jesus torturers. In Judas it`s her perception that 21st century Judas is possessed by men`s evil spirits, and so she uses New Testament imagery from Jesus` Anointing, before his death, by a mysterious woman, and the disciple Peter`s fearfully denying three times that he knows Jesus:


`When he calls to me, I am ready.
I'll wash his feet with my hair if he needs;
Forgive him when his tongue lies through his brain:
Even after three times he betrays me...`


 Lady Gaga`s indifference to traditional perspectives is based on the Virgin Mary`s Assumption, that is, men are Consumption, so the basic Assumption is that Lady Gaga belongs in God`s heaven, whereas the spirits of evil men are consigned to perdition. She examines the perspective and doesn`t accept that her man is irredeemable because she can give him Redemption from men`s evil spirits.



 In the New Testament Judas betrays Jesus because he`s a tortured lover. In perceiving that Jesus is unmarried, he assumes that the disciples are a marriage. Because marriage is for betrayal and torture, he seeks to torture, which is why the disciples are, as recorded in the Gospels of Matthew, Mark, Luke and John, even by their own admission, always criticizing and betraying Jesus` principles:


`...a woman came with an alabaster jar of very expensive perfume, made of pure nard. She broke the jar and poured the perfume on his head. Some of those present were saying indignantly to one another, “Why this waste of perfume? It could have been sold for more than a year’s wages and the money given to the poor.” And they rebuked her harshly.



 “Leave her alone,” said Jesus. “Why are you bothering her? She has done a beautiful thing to me.  The poor you will always have with you, and you can help them any time you want. But you will not always have me. She did what she could. She poured perfume on my body beforehand to prepare for my burial. Truly I tell you, wherever the gospel is preached throughout the world, what she has done will also be told, in memory of her.”

 Then Judas Iscariot, one of the Twelve, went to the chief priests to betray Jesus to them. They were delighted to hear this and promised to give him money. So he watched for an opportunity to hand him over. (Mark 14: 3-12)

 The disciples are jealous of the woman`s love for Jesus and want to betray, torture, and so divorce him and her immediately, which is why Jesus is crucified. The homosexual element is relevant, because it further emphasizes men`s sterility, which is that marriage is for producing more men for Woman`s Consumption. God destroyed Sodom and Gomorrah (Gen: 18, 19) for this reason. Woman functioned there as host wombs for men who want to betray and torture her. In Judas` terms, he`s for homosexual hatred, which is restressed in Revelation as `plague aims`:


`His kingdom was plunged into darkness. Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.`



 The kingdom is dark because blindness is what men are for. It`s the throne of the beast because the Woman who`s hidden might see, whereas men don`t want her to. It`s a false perspective, familiar from Islam, in which Allah is neither male nor female, because Woman is a species with her own penis and is both male and female – from a male-female perspective. This means that, if men don`t want Woman to see, they`re preventing themselves from seeing, which is why they`re evil.



 Men don`t want Woman to be seen, so they blind Man, who does want to see her. But men are many and so men will be blind. It`s a false perspective anyway, because men are a virus, and Woman is a species. Consequently, when evil men become aware of a woman who knows that she`s a species and isn`t blind, they`ll want to blind her also. So that she has to see that she doesn`t want them, they don`t want her, and she has to accept slavery in devourment in betrayal, torture and Consumption during ceaseless cycles of reincarnations, deaths and rebirths. That`s why the tradition in Islam is of Shaitan as Satan, and that all men are Iblis, who whispers but doesn`t exist because men are a manifestation of Shaitan, who wants to be in the picture with Woman who isn`t their species and so is excluded, which in Christianity is the Assumption.



 The kingdom of the beast is dark, because it`s a `dark room` in which men are preventing Woman`s picture from developing because they want her to continue seeing them as `host wombs` for perpetuating their alien parasitical viral forms, which exists to foster blindness, enslavement, and devouring.

 In the Christian Bible the red dragon in Revelation waits to devour the New Redeemer born of the `woman clothed with the sun and with the moon at her feet` who will protect her with the scepter until it is time for her to leave and sow her seed in heaven. She`s Woman with a penis, and doesn`t need men who have blinded her to her own beauty, and who would continue to do so unless she escapes from the Earth that is her own.



 The devouring dragon is that which devours the light of those who are guiding others to see, and would prefer them to remain blind and to live in darkness. It`s a perspective, which derives from the notion that Woman should not be seen by other men, and proceeds to the teleological conclusion (from that basic premise) that she shouldn`t see either. It`s perspectival, because it`s about perceiving when to change position. The perception that Woman should be hidden because she has her own penis is a laudable position. Men blind and devour her because she`s a species and they are a virus. To hide her so that she cannot be seen is to hide her so that she cannot see. A woman with a penis can`t be seen unless she chooses to show it to you. If she doesn`t, she remains `hidden`. Consequently, the scepter of Revelation that rules for her while she`s `hidden`, and before she escapes to sow her seed amongst the stars in heaven, may be construed as her penis. While she`s upon the Earth she reproduces herself secretly, and when she`s in heaven her `seed` fights against the evil and, according to Revelation, wins.



 Blinding Woman is an evil perspective derivable from a correct position, which is that Woman is `hidden` in accordance with God`s omniscient plan for her development. That`s why it is evil to have Woman understand that she shouldn`t be seen because, in the final analysis, men don`t want her to see, so they`re eye cancer, which is why the Arabians have the concept of the `evil eye` in Arabia.



 If the evil hold and maintain their perspective, you will see the `evil eye` as your own. That`s why it`s important to begin from a correct perspective, and to change one`s mind if necessary, to continue an understood position, in order to maintain and hold the simplest perspective, which is that Woman is God`s species on Earth, and evil isn`t good because it is men, and they seek to blind Woman to knowledge of herself. The cure is Redemption, Resurrection and Ascension rather than reincarnation, death and rebirth in endless slavery, and that means unendurable eternal pain for men who don`t accept the `love thy neighbor` principle, which is the knowledge that Woman is Man, so when Woman leaves Earth for heaven to sow her own `seed` there with her own penis, Man is leaving on Woman`s Assumption that he has Ascension with her, and what remains is men`s blindness, their evil, and their evil blindings.



 Labelling is what creates a false perspective. From the perspective of Woman, who gives birth to her protector as the New Redeemer, men are evil to her because she`s a species, whereas we are taught to think of Satan as evil. Consequently, it`s about when to perceive evil as evil and to ignore labellings which proclaim this or that as Satan, because Satan is a word that has come to be used to label that which evil wants us to perceive as evil but which is good.



 The hidden Woman of Revelation leaves to sow her seed amongst the stars because the New Redeemer perceives that men are evil, not that they`re Satan. Woman is Satan from the perspective of evil men who don`t want her to leave, and that`s why Satan`s perspectival. In God`s omniscience it is revealed that Woman wants a divorce from men and so Satan is revealed as an archetype of God`s plan. Jesus is able to save because he is able to recognize evil. From this perspective, Satan is the archetype of Woman`s imprisonment and escape because she`s labeled as Satan for wanting freedom. Jesus, in perceiving this, performs a Herculean leap of faith and reveals himself as a master of tactics and battle strategy in understanding that Woman is his `brother` Satan.

 The Second Coming is Jesus` return, in Revelation, to slay the evil that is men, leave God to punish men with unendurable eternal pain, and accept that that was God`s divine intention, when God gave Woman as `God`s love` to Man. She was Jesus` brother, and his brother isn`t evil after Redemption, Resurrection and Ascension – as Woman – which requires faith from Man and Jesus. In the New Testament, Jesus shows God he has the necessary faith, and Mary has the Assumption because it`s the correct one: Woman is God`s species. It`s the basic `assumption`, for those who are perspectivally  and positionally correct in terms of faithfulness to God. Without an acceptance of that basic Assumption, there can be no Redemption for Man, who is Consumption, but it requires a leap of faith to accept that Man is Woman, and so she leaves for heaven as Man, whereas men do not. That`s Man`s Redemption.



 Egos in heaven are not egos here. It`s a difficult concept to grasp, but it`s God`s, and we are not in a position to question God`s omnipresent perspective, which is that of omnipotent good and omniprescience. If you`re not a good ego, then you`re there and not here, or here and not there. The `love thy neighbor` principle is Jesus` attempt at a `fixit` but, if Woman is a species and men aren`t, then Woman`s egos are good, so `love thy neighbor` is a `confidence trick`, which works if men believe in it and have faith, but doesn`t if they don`t. They can only have Redemption if Woman`s Assumption is accepted, that is, that she as Man belongs in heaven, and Man is Woman so can have Redemption and Ascension as Woman.

 If Man doesn`t accept the basic Assumption, then they`re men with false egos because they accept false teachings that aren`t from the tutelary guidance of the Holy Spirit that wants Man to see, or they`re evil egos because they accept the evil teaching that she as Man shouldn`t see. Men don`t want Woman or God to see because, as `God`s spirit`, the `Second Eve`, the Paraclete or Holy Spirit, she`s who guides upon the path to sightedness, but is `God`s spy` to the evil, and she who looks upon their doings, which is why they don`t want her, sapientae dei, Sophia, the wisdom of God, to see. Because they`re the evil enemies of God. They tell us that there are spies everywhere, when what they mean is that the Paraclete is.



 The `War on Terror`, declared by U.S. President George W, Bush in 2003, is an attempt by the `circus` to discover the whereabouts of Woman`s `hidden` penis, and to prevent the Holy Spirit from teaching and guiding her to sightedness and God`s heaven. The promulgation of anti-terrorism to the point at which everyone is spied upon is a denial of the teachings of Jesus and the Holy Spirit, which is why it is evil to pursue a war on terror to the point at which everyone is spied upon:


 `Let him that hath understanding count the number of the beast: for it is the number of a man: and his number is six hundred threescore and six.`



 Solomon, the wise, `collected` 666 talents of gold each year (1 Kings: 10. 14, and 2 Chron: 9. 13) in the Bible.  Solomon`s wise because wisdom denotes acceptance of Sophia, the Sapientae Dei, that is, the sun and moon of psychic and physical hermaphroditism. But the beast isn`t wise because he doesn`t. The number of the beast denotes `election`, which is why many Popes were thought of as `beasts`. They were elected, as are Presidents. It`s a simple concept. The gold symbolizes wisdom, it doesn`t symbolize gold. The number of the beast is the number of a man because men are beasts, and are not wise as Solomon.



Solomon`s wisdom is diluted, that is, first perceivable as `adulterated gold`, from a Gnostic2 point of view, when he judges between two women who each claim to be the mother of a baby. He orders the child to be cut in half and a half given to each woman. She who says that it should be given to her rival is awarded the child, but her rival is wiser because she`s explaining to Solomon that neither woman wants it. She`s a woman who`s a species with her own penis, and so doesn`t actually want the boy son (poison), and nor does Solomon.



 In his relationship with the Queen of Sheba, Solomon worships `false gods`, which means that his perspective is `false` because unconscious, but not necessarily evil. That`s why God prohibits `false gods`, because they`re a false perspective. Some of Solomon`s wisdom remains unconscious, so Sophia`s teaching him. He is `elected`, as it were, to receive her knowledge, whereas the beast upon the throne of the darkened kingdom in Revelation is elected from the `number of the beast`, that is, men who blind the gold of wisdom, and betray her.



Judas, in the New Testament, is the fool who is offered silver by men to allow them to torture the future of Man and Woman in the person of Jesus, so that Woman, as a species with her own penis, will continue to live in the blindness that men want for her. Traditionally, fools are blind and, because Jesus is supposedly blind to the charms of women, he`s men`s `fool`. Men are a virus and not a species, so Jesus is an attractive symbol of worship because he`s a man, and so men have fooled Woman as a species into worshipping men by making Jesus an adorable celibate who`s penis needs to be teased into erection, so enabling men as her blindness.

 Interestingly, the `fool` is a card from the tarot deck that is often used in divination but is thought to be a pictorial and portable Torah or book of Judaic `law` saved from the conflagration that was the library of Alexandria before the Roman conquest of Egypt in 30 BC. Jesus corresponds to the `fool` as renunciator, he who renounces everything but God, whereas the evil – including the disciples - are his denunciators. The `hanged man` is another card in which a man is suspended as a traitor and so is a type of Judas. But he also symbolizes deep analysis and planning before action. In other words, we are meant to perceive the archetypal meaning behind the role of the character of Judas, which is that of the married, betrayed, tortured and divorced. It`s the plan, but not God`s. That`s why the hanged man is a symbol from the Torah.



 The hanged man`s planning to escape after marriage, betrayal, torture, and divorce. He`s hung by the foot, and not by the neck as Judas was and his crossed leg makes a reversed sign of four. When reversed a tarot card has a different meaning, and so it can represent a new approach to an outdated mode. In the developmental psychology of Carl Gustav Jung (1875-1961) fourness symbolizes the four functions of `Sensation`, `Thinking`, `Feeling` and `Intuition`, the conscious actualization of which, under the control of the ego, are needed if the individual is to be conscious rather than unconscious. This is a necessary step on the way out of the unconscious cycle of death and rebirth, which is unreflective action and impulse leading to a mode of behavior that is devouring and must be changed.



 Jesus is described as the `Second Adam`, because Woman came from Adam`s side as `God`s love` in Eden, and so the Paraclete emerged from Jesus` side as `God`s teacher` and guide to sightedness. In other words, Man and Woman`s original form is hermaphroditic, and that`s what Redemption is. Resurrection in completeness of memory and form. The Assumption of the Virgin Mary and the Ascension of Jesus after Resurrection is God`s description of the process whereby Man and Woman attain to their original form and a unique wholeness symbolized by the `virgin birth`, which is why Christmas is so celebrated. It`s the perception that Jesus` Advent is Salvation in its entirety.



1 According to tradition Satanӓel is the second son of God and Jesus` brother.


2 Gnosticism is wisdom through biblical interpretation.

Entering Mars Orbit

01/01/2012 15:35

Entering Mars Orbit


In Egyptian mythology, the figure of Osiris is the incarnation of the sun god Ra, and he is dismembered by Set, `the evil`. Isis, the goddess, puts the parts of Osiris back together. It`s a myth that describes how a collective consciousness of individual egos that know one another, and accept each other as one, are attacked and murdered by an individual who is clever enough to turn them against each other. The result is that the peaceful group becomes warlike and forgets its oneness, which is why Jesus, in Christianity, focuses on `togetherness`:


`Forgive them Lord, for they know not they do.`


 In order to have Redemption and Salvation, in Christianity, it`s necessary to accept the wisdom of Jesus` Holy Spirit, which is the Paraclete that, effectively, emerges from where his side`s pierced by the spear of Longinus at the crucifixion upon his death, and before his Resurrection.

 The Paraclete emerged as the `Second Eve`, Woman`s accumulated wisdom since Eden. Jesus` Resurrection wasn`t reincarnation, and neither was Osiris` sojourn amongst the Egyptians; it was an incarnation. Reincarnation is death and rebirth, that is, the continuance of experience without memory, but a `continuity` that has completeness of memory is `Resurrected`.



 Osiris` collective consciousness is murdered in the Egyptian myth, because it represents a collective continuity of a unity focusing upon good and made up of individuals, who function in the knowledge that they have oneness, which is what is advocated in Christianity`s acceptance of God.



 Isis` rememberment of Osiris, and her fashioning of a new penis for him, is her functioning as the `divine spirit`, which is Ra`s accruing of wisdom as Osiris during his sojourn in Egypt; before, during, and after the attack upon him by the evil Set.



 What is missing from the myth is a description of the process whereby Osiris` collective oneness of individuality is attacked. Osiris` resurrected name is Horus, the `sky god`, who`s symbolized as a `hawk`, and the `eye of Horus` is revered in Egyptian mythology because it `sees`. Those who attacked Osiris` oneness did so because they didn`t want others to see. Similarly, in the Garden of Eden, Adam and Eve discovered themselves to be naked after being tempted by the evil serpent to eat of the fruit of the `knowledge of the tree of good and evil`. Eve tempted Adam to eat after she had eaten, and he ate also. The serpent represents the one who wants to see, and doesn`t want others to. As Britney Spears observes in her video single Piece Of Me, when she opens the shirt of a paparazzi to discover a tiny camera, the serpent`s a spy and a voyeur.

 The evil want to watch others die while they torment them as bloodsucking leeches in endless reincarnations of death and rebirth. Redemption and Resurrection isn`t the same, because it`s completeness and continuation of memory across incarnations, which means complete, and continuing life.

 The rainbow is a symbol of God`s covenant because it`s a continuity of archetypal symbolism that proves God`s omniscience. In Greek mythology, Iris is the rainbow, which is the name given to the coloured part of the eye, and constitutes the bridge between the pupils of God`s eyes, who love each other. God`s Paraclete is, then, a mediator of `God`s love`. She`s the teaching spirit between her pupils, as it were.



 In Oops I Did It Again, Britney is Iris` pupils. The spaceman can`t see her because his men don`t want him to, and he`s a Martian to her because he represents war. In short, he`s there to declare war upon her because he wants Mars, the god of war, and doesn`t want her.



 Britney`s teaching is that eyes are the focus of those who hate and would seek to blind you to your own knowledge of yourself and others. Resurrection, in completeness of continuing memory of lives living and lived, is the absence of blindness - and those who have blinded you. In other words, Redemption is the certainty that you`ll never see men, which is why Jesus says:


`Forgive them for they know not what they do.`



 It`s a matter of emphasis. Jesus is asking for forgiveness for Woman, because she`s a species, and men aren`t. He wants to see them, and he knows men don`t. Surrounded by what does not seem good in your eyes, as Jesus was, you are either a blinded person or a blinding one. Those who hate others want them to be blind.  They are those who, seeing what they want, don`t want others to see or want it. The good love, and want to see more good, so that they can love more good. As Jesus wanted.



 Jesus` Resurrection precedes his Ascension but does not follow from his Redemption. Although Jesus preaches Redemption through the acceptance of `God`s love`. Redemption is the Resurrection of an individual`s incarnations as a `continuity` through time. As the `Perfect Man` it is easier for Jesus because he`s a completeness from birth to death, Resurrection and Ascension.



 For those who are upon the wheel of karma, the cycle of death and rebirth in reincarnation is without completeness of memory across lives lived and living. For them, Resurrection and Ascension is more difficult, so God sent the Paraclete, or Holy Spirit as an expert in `continuity`. Isis, in Egyptian mythology, is a similar `continuity girl`. In terms of Hollywood film editing, she puts together the pieces of Osiris as a film editor would. Men are stereotypical devourers, but editing is the removal of that which is not saved. Isis represents the omniscience of God because she`s Woman with a penis, so knows God`s `heart` and so is an editor and not a devourer. Britney`s spaceman gives her a gift:


`But I thought the old lady dropped it into the ocean in the end.`



 It`s a reference to the `heart of the ocean`, a jewel in the movie Titanic. God`s `Old Lady` is Sophia, the sapientae dei or wisdom of God. It`s a titanic effort to edit for Woman, on the understanding that she doesn`t want men because they`re devourers of her. The heroine of the film, Rose, is painted nude by a man, who is framed for stealing her `heart` by another man. Sophia`s wisdom is that Rose is `shilled`.

 At the end of the movie Titanic, Rose drops her `heart` into the ocean, because she doesn`t see a solution to her heart`s problem. Sophia`s is the understanding that, if Rose`d had a penis, neither of the men would have wanted her, but she`d have been a `normal` woman. The two men would have attacked her together and, as `God`s wisdom`, Sophia would have edited them out of the film for her. Woman`s problem is that men want to edit themselves into the film with her, and so Mission Control in Oops I Did It Again appears as an editor`s console. When the spaceman leaves, he walks backwards as if rewound. To the naive he`s a rejected suitor, but to the wise he`s a symptom. Men will assault her until she`s a host for their virus, and she`ll never know the wisdom of Sophia.

 Sophia`s `divine spirit` appears as the Shekinah in the Old Testament. She inheres in `God`s law` because the Ten Commandments are designed to protect the knowledge of the goodness of God: `Thou shalt not...[have to] ...` Distilled by Jesus, in the New Testament, as `God`s love`, `God`s law` is extended to protect Woman in Revelation. She is `hidden` by the ruler with the iron `scepter` because she has a penis of her own, and is being prepared to leave Earth for heaven and her triumphant overcoming in war of men`s `seed` by hers.

 Jesus` Ascension follows upon his Resurrection, because he`s the `Perfect Man`, and `complete` in terms of memory. He preaches Redemption, as a fulfilling from the Old Testament in which the Shekinah is described as dwelling within the `Ark of the Covenant` as God`s continuing feminine spirit.

God`s promise through Sophia, the sapientae dei or wisdom of God, is symbolized by the rainbow that appears as a symbol of hope after God drowned the Earth in Genesis and, in Greek mythology, Iris means `rainbow`, which is the name for the coloured part of the human eye in biology. The `rainbow bridge` to the beauties of God, as it were.

 In camera technology, Iris` diaphragm is used to capture images on film. Deconstructionalists want you to see evilly, so good is presented as evil (nudity), and eventually you hate what is good because it was `hidden`.



 For Woman, `diaphragm` has another meaning. It`s inserted into the vagina to prevent conceiving. In film terms, there is that which she wants to conceive of, and that which she doesn`t. The woman`s diaphragm that doesn`t conceive is an `Iris diaphragm`, in camera terms, that captures only those images it wants. Woman`s `diaphragm` therefore represents nascent `automatic camera technology` which decides what to conceive, and when to develop, which is Sophia Sapientae.



 In Oops I Did It Again Britney Spears (1982-) descends with a hoop in her hand. It`s the symbol of her then nascent archetypal bisexuality, because it`s the archetype of both male and female condoms. The presupposition of what bisexuality means is naive, however. Woman is a species with her own penis, so she`d be able to use both male and female condoms, which is why Britney`s hoop is an ambivalent symbol. It`s an archetypal `framework` for condom design, and shows that she has a virtual `camera`s  eye` for how to conceive and develop a `Woman`s picture`.

 In mythological terms, Britney`s hoop`s a cane in the form of a circle, which denotes the `vicious circle` of blinding. In Sophocles` Oedipus Rex , Oedipus is a man who needs a cane because he blinds himself after finding Woman too beautiful.  His `filter` is unable to accept good, because he`s been taught to accept men as a group mind that should prevent him from seeing Woman.The incest taboo in the story is a plot device. Oedipus is blind to begin with because he doesn`t know the woman he marries is his mother.



 In Hollywood terms, his blinding is transition between movies. If I can remember my first movie as a star, I have Resurrection. If I can`t remember, I`m blind.1 Effectively, Oedipus is his father, who he accidentally murders. He was separated from his father, who couldn`t tell him, and couldn`t have because to know father is you is another taboo of men`s against you, and they would kill you if you knew. Because they want to be in control of the editing process and decide that nothing belongs to Jocasta.



 Sophocles` perception is that everything is Jocasta because she`s Woman as the producer of his – and all - dramas. Oedipus could have remembered his father`s first relationship with Jocasta, his wife, because he was his father. But Oedipus was as blind as his father because men use their taboos to blind, and Sophocles observes that the incest taboo is another device they use to possess the blind, because blitheness in Oedipus is equivalent to blindness. Oedipus` spiritual blindness increases until it`s a physical affliction and men`s reification of their dispossessing of him and Jocasta by means of `possession`, which is why men are in fact what are thought of as demons.



 In Oops I Did It Again Britney`s spaceman has a crew that, ostensibly, are Mission Control on Earth, but in video terms are inside the spaceman`s spacehelmet looking out of his eyes. His crew are the `blinders` who represent shouldn`t see, even though it`s ostensibly the spaceman`s mission to see. This is NASA`s unaddressed basic issue. Men don`t want to see, because men don`t want them to.

 Britney`s spaceman`s close enough to touch her and he doesn`t. So his crew don`t want him to. That`s why men are `stilted`. Because the other men don`t want them to see or touch anything. If he can see, he can`t touch. It`s a basic taboo. If he can`t see, he can`t touch. It`s a basic methodology of blinders, which may be construed as men`s basic hidden activity as the parasitical viral organism that doesn`t want Woman as a species to know God.  They are `men of virus`, whereas Woman is of Iris.



 Britney is the archetypal Iris that seeks to edit out everything but what is for a bisexual Woman with her own penis, and that`s what her prototypical spaceman`s  camera is for. To discover the `hidden` Woman with a penis, because Woman`s a species and men aren`t. Men only pretend to want her. They don`t actually want to explore space. They want to blind her because they don`t want her ro have her own space.

 The spaceman`s camera is a prototype of what he actually needs; an `Iris diaphragm` that excludes men from blinding him, and which would allow him to be alone with Woman as a species. Effectively, she`s Redemption for the man who can accept he`s Woman, but men wouldn`t want Redemption for each other because blinding is what they do.

 Jesus understood he was `the Son of Man` because men tortured him to death. He was his own son because these were his fathers. The Virgin Mary was God`s mother, and so he was uncontaminated man waiting to be alone with Woman. Britney`s perception on Mars in Oops I Did It Again is her nascent bisexuality. If she`s Woman with her own penis, she doesn`t need a man. Consequently, she`s bisexual as a lesbian with a nascent desire to be a Woman with a penis. Redemption for man is from being censored  by men who want to blind him. He needs to know that Woman has a penis, and that she doesn`t need him, which is what the internet is for.

 If Britney shows her penis, he`ll blind her with the other men for seeing herself. If he`s not strong enough to resist their collective coerciveness. Men don`t want each other to see women, and they`re not her species anyway. If Woman`s seeing herself, `blinding` is a euphemism for murder. That`s why, in Revelation, `the woman clothed with the sun and with the moon at her feet` gives birth to the New Redeemer, who`ll rule on her behalf with an iron scpeter while she`s `hidden`, not blind.

 The story of Adam and Eve being discovered naked in Eden is about evil seeing you. It wants us to associate Woman with evil, and blind us to her goodness, so that they can be evil towards her. In some ways, Eden is a reversal. The Edenic couple are alone, because they represent what remains of men and women after a previous incarnation of God in humanity.



 A collectivity of individuals, who`re one consciousness and spirit, would be peaceful unless someone, or another of them, wanted to enslave and devour the rest, which is why the red dragon of Revelation is depicted as waiting to devour the New Redeemer. Men are a parasitical viral organism that enslaves Woman as a `host womb` to produce art, civilization and culture in order to devour her.



 In the Egyptian myth, the `pattern` is of Ra, the sun god, incarnated as Osiris. The evil Set dismembers Osiris, who is the sun god upon the Earth, that is, he`s a collective consciousness of individual egos that know they`re Ra. The evil Set`s dismemberment of them is his murdering of egos that are resistant to evil. Eventually, the evil Set has replaced Ra, the collectivity of individuals that constitute greater knowledge and wisdom, and so Adam and Eve in Eden, in historological terms, represent a saved `breeding pair` for the serpent Set, the evil `One`, to breed again.



 In the Egyptian myth, Isis fashions a new penis for Osiris, who is reborn as the `all seeing`; because he can see everything. In Revelation, the `woman clothed with the sun and with the moon at her feet` gives birth to he who rules with an iron scepter on the woman`s behalf, and she is `hidden` until she leaves Earth for the stars in heaven where her `seed` defeats that of the serpent. It`s important that she`s `hidden` and not blind. If she`s `hidden` and the evil find her, then they`ll murder her. Without a penis of her own she couldn`t propogate, so she must have one; and that`s why she must be protected against `men of virus` because their eyes are diseased. Their contagion is hate and they know that blindness is what they`re for.



 Britney`s spaceman is excited by the image of her that he finds in the sand, and that`s because she`s a masturbator`s icon. Desire for Woman is for seeing her, whereas men`s taboos are for blinding. In the Bible, Onan is condemned by God for `despising` his `seed` (Gen: 38. 8-10), which is interpreted by biblical commentators as masturbation; but it isn`t. Onanism is despising but, according to liars, masturbators become blind. Not because they are despisers, but because men want to blind those who`ve discovered the reason for their taboo against masturbation. They don`t want Woman`s eyes to open; in man, or Woman. If they do, they blind (murder) them. That `s what their taboo says they do, so we may suppose it to be true; it`s their psychopathic `pattern`.

 Isis is able to fashion a new penis for Osiris in the Egyptian myth: because Woman had one to begin with and she was murdered so that she`d be blind to her knowledge of herself as a species. As the `sky god`, Osiris corresponds to the scepter wielder with `the eye of a hawk` that, in Christianity, watches over Woman as the New Redeemer in Revelation who, because he wants Woman as a species to prevail, transcends male egotism. This is symbolized by the one with the scepter uniting the poles of sun (Ra) and moon (Isis), and so the opening of eyes to God through the wisdom of the Paraclete is the fulfillment of God`s covenant, symbolized by the rainbow (Iris) that appears as a symbol of hope after God`s early drowning of the Earth:


 `But I thought the old lady dropped it into the ocean in the end.`


 The `heart` of the ocean is a metaphor for an unconscious content of the psyche, in psychological terms, and so wisdom is masturbation. It`s a myth2 that masturbation causes blindness, so it`s a sentence of blindness by men upon men for those who want to see Woman, and discover her penis. It`s a `hidden` psychologem, but recoverable, although equivalent to raising the Titanic, which is what`s occurring when Rose`s `heart` drops into the ocean depths.



 In Greek mythology, Iris is the `bridge` between those who accept `God`s love` (for the evil want evil, and do not love), and those who want `the beautiful and the good`, which is God and is symbolized by the multi-coloured rainbow. Convincing others that what they see is all of the good that they can have is what the evil do, because they blind us so that we cannot see good and tell us it is evil because evil is what they want us to see.



 Isis is the `rainbow bridge` to God`s heaven, and is in the eyes of Woman who`s conditioned to believe in `God`s love` from man. But it`s evil conditioning, because men don`t want women to see beyond death and rebirth (enlavement for devourment) to Redemption, which is that completeness of memory that would allow them to remember themselves as Woman with a penis, and a species that does not need men:


 `Their ears are hard of hearing, and their eyes they have closed, lest they should see with their eyes and hear with their ears, lest they should understand with their heart and turn, so that I should heal them. But blessed are your eyes for they see, and your ears for they hear.` (Matt: 13. 15, 16)



 The Paraclete is the `teacher` after Jesus, and is a spirit that God sent in order for God to be listened to. That is why the Bible says: `Test the spirits to see if they are evil.` (John 1: 4. 1-6) In Islam, the evil one is `Shaitan` and has no power beyond the ability to whisper, but that whispering is designed to make the person who listens, evil-eyed. In other words, the Paraclete, as the Holy Spirit, isn`t an evil whisperer but there are evil spirits who whisper. Because the Paraclete is the `Second Eve` from Jesus` side, she`s female. If we hear a male voice in our minds, it`s the evil one.



 In Islam, the tradition amongst women is that of Iblis, who is Shaitan, and all men are Iblis, because they are evil-eyed. The women do not see or speak to any; because they`re evil spirits. In effect, Jesus is born of the Virgin Mary, because she and God don`t want men to contaminate him, and that`s why he`s the `Perfect Man`: he`s the only man. The rest are evil spirits. That`s why the Paraclete that emerges after Jesus`s death is female; because men are evil spirits. All of them.

 The Gospel of Matthew contains Jesus` understanding that, in the disciple Matthew, he has someone he can teach. The rest are deaf and blind because they`ve been blinded and deafened (murdered) by those who do not want them to see or hear `God`s spirit` (Matt: 13. 15, 16). Men are the evil spirits who`ve deafened and blinded each other when oneness prevailed, and they didn`t want to see or hear God; because God was too good for someone, or another of them. The result was that the better were murdered, and the ability to see was darkened; until none could see and all were deaf to anything but the whisperings of the evil spirits that are men.

 God isn`t convinced by the disciples. Judas sells him for torture and death, and Peter denies knowing him: `...he began to curse and to swear, saying, I know not this man of whom ye speak. (Mark 14: 66-71) This is Peter of whom Jesus said: `Upon this rock I will build my church.` (Matt: 16. 18) That`s why God sends the Paraclete, which is the wisdom of `God`s spirit`, from the side of Eve to the present day. The church is the body of God`s Woman and men are the conditions she endures; if she doesn`t want to be free:


 `Here is wisdom. Let him who has understanding calculate the number of the beast, for it is the number of a man: His number is 666.` (Rev.13:18)



 The answer is the same as the one given by Oedipus to the Sphinx in Oedipus Rex when she asks `What crawls in the morning, walks on two legs in the afternoon, and three legs in the evening?` The answer is `a man` because Oedipus has limited perception and, because of men`s conditioning taboo as to what is good and evil, he blinds himself for marrying his own wife. The answer to wisdom`s conundrum in Revelation is - `man`. Because men are beasts.



 In Oops I Did It Again Britney`s hoop is the circle of Cain who was the brother in the Bible that murdered Abel because, in simple terms, he was able to cook. Britney`s hoop is a circular cane of the blind, and the vicious circle of murderers that want blindness rather than even the simple cultural development of culinary expertise. In her red `dinner suit` Britney descends, in Oops I Did It Again, inside a giant`s ring that`s symbolic of the retina, that is, she`s the `red dinner` of the eye, and corresponds to the anima figure or developing soul in the psychology of Carl Gustav Jung (1875-1961). Because of the cane hoop she`s carrying, and the fork beside the helmet of the spaceman she suspends above herself in a white bikini dress, the allusion is to Cain, the vicious circle of the murdering devourer, whose `red dinner` she perceives herself to be. In the Bible Cain is blind to the need for development, as men are blind to anything but their lust, which reduces them to the developmental level of ogres. Everyone knows of `red eye reduction` camera technology, and this is what Britney`s  alluding to:


`... [RER] causes the irises in the subjects eyes to close thereby eliminating the red eye in the final image.`


 In Revelation the `red dragon` waits to devour the `New Redeemer` born to the `woman clothed with the sun and with the moon at her feet`, because it`s a symbol of men as devouring ogres. Closing the irises is what the `red dragon` does. Because, at the end of Iris` rainbow, is God`s Promise. In photographic terms, RER is her removal. Oops I Did It Again is Britney`s discovering to her viewers the goddess Iris` program for Redemption and Resurrection through the Paraclete and her pupils. However, men want `red die reduction`; the death and rebirth of Reincarnation: Woman`s continuing enslavement and devourment rather than that continuation of memory which is Redemption and Resurrection.



 From the point of view of women, men behind their cameras presage murder; because men want to keep themselves in the picture, whereas Woman doesn`t want to keep them in hers. That`s why so-called bimbos represent a higher intelligence, because they appear nude and alone in `girlie magazines` for masturbator`s to open the Paraclete`s inner eyes to them in acceptance of the `tutelary guidance` and teachings of God.



 Resurrection is completeness of memory, which is why Osiris` dismembered parts are placed in a trunk by the evil Set. It represents a truncation of promise fulfilled, that is, Osiris is a collective unity of individuals with their collective wisdom - until they are murdered - and unless they have Redemption and Resurrection, Osiris will never be what he was.



 The key role is with Isis, for whom Osiris is truncated. When all the men are removed, everything will be hers. Because it`s her penis that she gives to Osiris when she puts him back together, and he becomes Horus, the `sky god`, represented by a hawk, to watch over her Earth in the same way that, in Revelation, the `ruler` with the `iron scepter` hides the woman who`s destined to spread her `seed` amongst the stars in heaven prior to the war against men as the serpent`s `seed`.



 The `New Redeemer` is variously described as ruling with an `iron scepter` or an `iron rod`, and `rod` and `iron` are both euphemisms for homosexuality insofar as an `iron` is someone who washes and irons their own clothes as a woman should, according to misogyny. In the folklore associated with the `Wild West` of the USA a gun is a `side iron` because Eve was from the side of Adam, as the Paraclete was from the side of Jesus as the `Second Eve`, and the irons don`t want her:



`Rod cells, or rods, are photoreceptor cells in the retina of the eye that can function in less intense light than can the other type of visual photoreceptor, cone cells. Named for their cylindrical shape, rods are concentrated at the outer edges of the retina and are used in peripheral vision. On average, there are approximately 125 million rod cells in the human retina. More sensitive than cone cells, rod cells are almost entirely responsible for night vision.`



 If `red eye reduction` is a metaphor for the devouring `red dragon` of Revelation insofar as `photo shoots` are gun sublimations and the `evil eye` of the dragon is mollified, the `rods` of the eye will function so that the anima figure can be seen as the mirror of the soul, which is not just a `red dinner` for the `red dragon`. Without the `rod cells`, the eye doesn`t have `night vision`, which is commonly termed `infra red` or IR and is used by men who use guns for targeting at night. In opthalmathy receptor `rods` are also `cones`, which means that Britney, in her red pilot`s suit, is `IR` because she`s International Rescue`.



The 60s TV show Thunderbirds introduced the British viewer to scifi `puppet films`, which explains why Britney descends inside a giant ring at the beginning of Oops I Did It Again. Her `puppet` size is emphasized by the giant`s fork beside the spaceman`s helmet as, in her red Thunderbird 1 pilot`s suit, she suspends him over herself in a white bikini dress. The `puppet master` is the `red dragon`. She needs `red eye reduction` and IR (International Rescue) `night vision`. The Thunderbird 1 rocket has a `red cone`, and in opthalmic terms denotes the capacity to see, which is what is promised to the `hidden woman` of Revelation after the advent of the `New Redeemer` who rules with an `iron rod`. Britney`s Thunderbird 1 from International Rescue or `IR` is the saving strength of the `night vision` of the `New Redeemer` with the iron `rod`, who fosters the American Dream of Liberty, which is Woman`s liberation:


`I`m Miss American Dream since I was seventeen.` Piece Of Me


 The evil Set of Egyptian mythology represents men`s awareness that Man is leaving with the goddess, who`d correspond to Sophia in Christian terms, and so they murder Man. However, Woman doesn`t need Man; although Man is her defence. That`s why Christianity focuses on the need for the Redemption of Man, because Woman can live and leave without Man, who will be unredeemed and doomed, if he remains, to eternal unendurable pain, according to Revelation, because of his enslaving of her, and thereby the products of her womb, which are the art, civilization and culture of her Earth, in order to devour her.



 Britney`s `red eye reduction` (RER) system in Oops I Did It Again is her planned Redemption and Resurrection for herself as Woman, that is, the removal of all men but Jesus from her `sacred heart`, and indeed from the reality she wanted for her Woman`s opening irises to see herself in alone. But men don`t want her to live and leave them, so she has to feign love for men, while loving God, which is, effectively, what Jesus did.

 Although Woman`s conditioned to look for love, and with love, into a man`s eyes, God isn`t there. As a species, `God`s love` is for Woman and the eyes of Woman, but men don`t want to see `God`s love` there, or anywhere; because men are not a species but her devouring parasite. For them RER is the closing of Woman`s irises in death, and the murdering of her `sacred heart`, which Britney`s red suited heroine in Oops I Did It Again represents; either acceptance of Woman as a species and Redemption with Resurrection on her terms, or the unendurable eternal pain promised by God to men for not protecting her while her penis is `hidden` upon the Earth.



 Eyes, of course, are for seeing and, in intelligence services such as the CIA, the `circus` is a metaphor for blinding those who can see. Britney`s Oops I Did It Again is `circus` because of the references to Oedipus Rex. It`s an eye operation in the `theatre`. The ego is `I` in psychology, and Britney appears in a giant`s ring, which doubles as a giant`s eye inside which she operates as a prototypical Woman`s camera that, excluding what she doesn`t want to process, edits.

 In much of Eastern Europe, teachers are `cameras`; because they watch over their charges. Britney`s camera `technique` presupposes a heaven and Earth for man and woman, and a heaven and Earth for futanarian Woman ( ); because she remains `hidden`, according to Revelation, before leaving to spread her `seed` amongst the stars. Like Britney, Jesus` Christianity functions as a `double agent` who knows the `circus ring` of marriage is Cain`s.

Oops I Did It Again was made after the first Gulf War, amid American optimism, because the United States was known as `the Great Satan` in the Arab countries, and victory on their behalf over Saddam Hussein`s Iraq  was taken as a sign of that `curse of Cain` being lifted.  Analysts of the second Gulf War observe that Satan is a perspective, that is, the United States created Saddam`s 3rd largest army in the world and spent an equal amount of dollars trillion in defeating him. Satan was a perspective, and most of the combatants were blind to their role because, just as the attack on Kuwait, the Twin Towers, and Baghdad, were upon Woman`s home, so Woman  may actually be identified with the appellation `Great Satan`, because men attack her. They`re evil, and labeling the home they attack as `Satan` is how they continue to perpetrate their evil design. Her enslavement, as a species, and the devourment of its product, that is, the art, civilization and culture of Mother Earth, is a perspective they don’t` want to shift from:


`...they cursed...God...[and] refused to repent of what they had done.` (Rev: 16. 11)


 The number of the beast, 666, is simply reversal. 999 is the number of the bullies and 911 is Terra`s number, the name of the Earth in much of science fiction. The first American Science Fiction Grand Master, Robert A. Heinlein (1907-88), wrote a novel in 1978, The Number of the Beast, which postulated that, if one was alone, the `beast` couldn`t see you, so would attack you because it wanted to stop you from being without it, which is what security forces are.



 The paradigm is of a man who wants to be alone with a woman, but that`s a `shill`.3 Preventing Woman from being alone as a species is what the system is about. It`s what happens to Adam and Eve in Eden. The evil one doesn`t want Adam to see Eve. That`s why she feels his eyes upon her. After the fruit of the `knowledge of the tree of good and evil`, she can`t see him. But he can see her. The history of art, civilization and culture is, then, a successive series of her thwarted attempts to see herself.

 911 was an attack on the `Big Apple` of New York, and so on Woman`s attempt to use her `voice`, which was being `modulated` by her `Adam`s apple`. In Afghanistan, women were murdered for obtaining an education, and the Taliban guided two civil aircraft carefully into Eve`s heart in the West, the the Twin Towers of the World Trade Centre.

 Of course, the `apple of the eye` is what is valued, so New York may be considered as the `apple of the eye` of the world. In 21st century terms, 911 was a viral attack because men are parasitical organisms using Woman as a host womb in order to produce more of themselves. It`s a deconstuctionalist picture in which she doesn`t have a penis of her own, and so is not a species.

 911 is depicted in Revelation as `plague aims`. In the 21st century, `to play games` means to embrace murder and mayhem in such desensitizing constructs as Games of War and Total War (2011). 911 was the undeclared perception that the Twin Towers were a part of Microsoft`s new X-Box system for the game Gulf War II, which is why Revelation describes the `play games` systems of the future in terms of a `plague` in which people with the `mark of the beast` worship his `image`. It`s the male cult of the macho destroyer of the Earth as Woman:


`God remembered Babylon the Great and gave her the cup filled with the wine of the fury of his wrath.` (Rev: 16: 2-17)


 In Revelation, the child who is the New Redeemer is born of the `woman clothed with the sun and with  the moon at her feet`, while the red dragon of Revelation waits to devour him. The archetype of Babylon the Great is described by psychologists, amongst them Carl Gustav Jung (1875-1961):


`The destruction of Babylon therefore represents not only the end of fornication, but the utter eradication of all life's joys and pleasures...`4


 Babylon is a reactive component of the psyche, a psychologem, as it were, constellated by events to appear, as she does in Revelation, as `the Terrible Mother`. It`s men`s reaction to Woman`s greatness. If men are a virus, then they`ll see Woman as a host womb to reproduce them and be their slave; after which they devour her as the producer and product, that is, civilization, art and culture. In this sense, Babylon the Great is an aspect of `the Great Satan`, because Woman as Satan represents men`s covert hatred for Woman of Iris, that is, vision, which promises Redemption and Resurrection through `God`s spirit`, whose tutelary guidance Judy Garland sings of in The Wizard of Oz (1939):


`Somewhere over the rainbow...`


 Hollywood has often been described as the `Babylon of the West` but Frank L. Baum`s Emerald city is depicted in his series of novels at the centre of what Jungian psychology would perceive as a mandala representing the four functions of consciousness that the inidividual has to have if they are to be fully functioning personalities. The four functions of `Thinking, Feeling, Sensation, and Intuition` correspond to Judy herself and her three companions on the road to the Emerald city. The scarecrow needs a brain (Thinking) and the lion needs courage (Intuition) while the Tin Woodsman needs a heart (Feeling) and Judy needs to see.



According to Jung the eyes are associated with the `Sensation` function, while ears, nose and mouth are associated with `Thinking`, `Intuition`, and `Feeling` respectively. The Tin Woodsman`s need for lubricating oil relates to the mouth`s need for liquid, while the scarecrow`s symbol is the ears of wheat he protects, and the `cowardly lion` senses danger everywhere. When Judy arrives at the Emerald city she`s symbolically a fully functioning personality. Along the way the Tin Woodsman recieves a heart from Judy, and the scarecrow a brain, while she awards the lion a medal for bravery because he finds the courage to recognize and act in the face of danger. In symbolic terms, Judy represents the Jungian anima figure or soul. Acceptance of the Paraclete`s teachings,and guidance is necessary or it`s impossible for the soul to see the beauties of God.



Without acceptance of Woman, who isn`t their species, but a coerced symbiote, the virulent pupil of men`s iris results in `men of virus` and the `plague aims` of their `play games` system of giving Woman their disease. which is what male psychology amounts to. In Revelation it seems as if God is reifying evil as war and plague, but war and diseases such as cancer, STD and AIDS are understandable as resulting from men`s psyches, because that`s how they act. Cancer is a parasitical organism that replicates itself until the host body dies, and AIDS is a homosexual disease because Woman is the host womb for men as a parasitical organism that seeks to enslave and devour her. For women men are a homosexual cancer defining itself as AIDS.

 The Paraclete is Woman`s wisdom. She has her own penis and is a species, so is depicted in Revelation as `hidden` before she leaves Earth for the stars where her `seed` will war against, and defeat, the evil of men forever. God will create a new heaven and Earth for her, as it says in Revelation, and those who accept her shall have eternal Resurrection because of `God`s love` rather than an eternal circle of reincarnation, death and rebirth, which is enslavement and devourment by men who, as `shills`, want to see her squirm in partial rememberment of reproduced fragments of what she`s achieved before. Waiting, as the red dragon of Revelation, for the `woman clothed with the sun and with the moon at her feet` to give birth to the New Redeemer, so that it can eat again.

 In Jungian psychology, love and hate are dependant on what one feels about what one sees. Because men are a virus, so are their `pupils`. Blindness, blinding, and to be blind is their `teaching`. In the New Testament, to the evil one who would show him the Earth, Jesus says : `Avoid me.` Because Jesus wants to see:


`... I've lost my way
She had rainbow eyes
Rainbow eyes
Rainbow eyes.` - Richie Blackmore`s Rainbow



 The Paraclete is the `tutelary guide`, because she reveals God`s goodness. Women are of Iris, because the Paraclete opens eyes. As Iris, she`s the `rainbow`, a symbol of God`s `promise` of Redemption and Resurrection, and the `bridge` between `God`s love` and heaven. If men do not accept her, it`s eternal unendurable pain for them: their pupils are irredeemable if they don`t learn. Or, as Jesus said to the disciples, when they vilified a woman for anointing him with precious oil before his death:


`Leave her alone.`


 Babylon the Great is the `wine` of the `fury of God`s wrath`; because it`s God`s war against men, who hate Woman because she can be naked alone. In the Garden of Eden, Adam and Eve were `surprised` naked, and were `embarassed`. It was because a man could see them. In the myth, Osiris is dismembered, that is, his collective consciousness is murdered as individual ego units, which is experienced universally as `embarrassment`, and emotional subjection to unconscious impulse rather than intelligent comprehension.



 If Woman has her own penis, she can be alone – with herself. Those men who want to see her have no reason to. That`s why Jesus says: `Leave her alone.` It`s God plan . She`s described in Revelation as `hidden` by means of the `scepter` of he who rules on her behalf before she leaves Earth to spread her `seed` amongst the stars in heaven. Thereafter she won`t be seen by men. The ruler hid her because men would kill her if they could. She`s their nemesis. The end of their enslaving and devouring ring of evil.



1 Cf. Paris Hilton`s Stars Are Blind (2006).

2 Masturbation, .

3 A confidence trickster's assistant, .


Cage, Gee! Bee

01/01/2012 15:32

Cage, Gee! Bee



Miley Cyrus is an American pop superstar. For her song Can`t Be Tamed, her video advisers give her the character of a `shill`, to announce her:

`Ladies and gentlemen. Welcome to the museum. Tonight we are proud to reveal our greatest exhibit yet. A creature so rare it was believed to be extinct. Well tonight we shall see. In captivity for the first time, the rarest creature on Earth. Ladies and gentlemen!  Avis Cyrus!` He`s a stereotypical British Oxbridge Communist traitor from the Soviet era who calmly explains that she`s a captured `museum piece`, and that he`s working for the KGB, because Miley Cyrus is `bird flu` and she`ll be exterminated in her cage, whatever she may be able to achieve in terms of her continuing development as an `old bird`.



 The subject is death and rebirth, that is, reincarnation, and resurrection. According to tradition, Jesus and Satan are brothers. This is because whoever wins is Satan to the loser, and so Jesus is whoever is losing (to Satan). According to tradition, Jesus was unmarried. But Jesus would be Satan if he had. Because he would have won a bride from a father:


`Forgive them Lord for they know not what they do.`


 To lose is to be Jesus, because Satan is whoever wins. Women don`t want to be married at all. In Shakespeare, to `marry` means to know, and men don`t want to know them either. All of Shakespeare`s plays were originally performed by men with the exclusion of women from the stage, which gives an additional insight into Shakespeare`s genius as a playwright, and explains why he`s so interested in gender issues. Some critics believe that the `dark lady` of Shakespeare`s sonnets is a man,  which only reflects upon how deep the problem is. In Shakespeare`s day all parts were played by men, so the logical assumption would be that all parts could have been played by women, which is even more understandable if we know that Woman is a species because she has a penis of her own. In that scenario men are an alien parasitical virus that uses her as a `host womb` and Shakespeare`s Elizabethan stage is where they symbolically stop her from developing her role.



 In Shakespeare In Love, Gwyneth Paltrow is the love interest which, according to 17th century England, is a man`s part. The history of art, civilization and culture may be construed as `scene stealing` in which Woman, the producer of the product, that is, the visible signs of anything, has her scenes with herself stolen.  Woman is at war for the Earth`s development, and has been for eons. In terms of war and plague, which are the harbingers of destruction (war causes famine), Woman`s developed Earth is consistently KO`d, like Robin Givens by Mike Tyson.



 In Much Ado About Nothing, Hero is the woman who is called faithless, because a man pretends to be her in the arms of someone else before her wedding. In Shakespeare`s 17th century England even Hero would`ve been a man on stage, so it`s about the impossibility of a woman being faithful because she`s a species with her own penis, which is why men excluded her in Shakespeare`s time.  Woman`s a hero because she isn`t in the competition, like Jesus, who was crucified because he`d centre stage for Woman.



 Miley Cyrus, in Can`t Be Tamed, is an American superstar that, consciously or unknowingly, embraces the death of her species. She plays the reincarnated role, which is that of death and rebirth, and so the bird in the cage is worth two, if an earlier incarnation of herself, accepting the teachings of Jesus, had Redemption and Resurrection. To those who want enslavement and devourment for Woman as alien parasitical viruses that are men who use her as a host womb in order to destroy her and her product, that is, civilizationsn, Can`t Be Tamed is an invitation to snuff her heaven, which is a betrayal of her and her species. Inadvertently, or otherwise, Miley`s work in Can`t Be Tamed is for the British KGB.



 Because men are an alien parasitical organism that seeks to propogate itself by means of the host womb that is Woman, Miley Cyrus is portrayed here as `bird flu`, that is, she flies from the cage in order to develop, but she`ll be devoured by men because they`re viral, whereas she`s a species. That`s what men are for. Her cage in Can`t Be Tamed, is a symbol of a bird `flown` - from the KGB.



 In Revelation, the red dragon waits to devour the child of the woman that`ll hide her upon the Earth `til she`s ready to leave and propogate her species amongst the stars in heaven. Men are the red dragon. In old Soviet Communist terms, they`re for devouring the stars of the United States of America, and Miley as a woman is a star in heaven, if she has Redemption and Resurrection, but is her own enemy if she accepts snuffing herself out - as the video maker of Can`t Be Tamed is presupposing.

Alexander Solzhenitsyn was the Russian writer that wrote of his experiences in The Gulag Archepelago, which was his euphemism for the `Chief Administration of Corrective Labour Camps`: `The word archipelago compares the system of labor camps spread across the Soviet Union with a vast "chain of islands", known only to those who were fated to visit them.`1 But also to those who knew they were there, and what they were for. From this perspective, Hollywood is an archipelago to those who know what they`re for. The stars aren`t worked to death, because they know that they`re born to parents. Consequently, they`ve always been born. However, if they`ve been born, then the likelihood is that they`ve been born before, on the karmic wheel of reincarnation, so each of them has a man, who is a father, and that`s where Jesus wins and Woman can`t lose. If she wins with Jesus, she doesn`t have a father on Earth. Because fathers keep them on the karmic wheel of death and rebirth. In order to win, she has to accept God rather than a man, and understand that a woman with a penis is a species and men aren`t, and so she`ll never have a man in God.

 If Woman has Resurrection and Redemption, it`s because she doesn`t have a man as a parent. Men`re equivalent to what Communism was described as in the 50s, a hive mentality of bees. Woman`s illusion is that men`re individuals, whereas she is. If men breed her, then all of her are individualities, but she`s not Woman as a species because she`s in parasitism. Woman that has Resurrection and Redemption would be her own species, without men. Men are her virus, so she`s for death; unless Woman can be a true parent and help her to escape from men, who breed her for slave labour and endlessly painful reincarnations.



 If Woman can be bred, then that`s what men want her for. Miley Cyrus` video is the observation that, if Miley, were to be bred as a species without a parent, that is, Woman, then that`s what she`d be for. Men enslave and devour `God`s producer and product`, that is, Woman, through their `play games` system of: `Can she escape us?` This is depicted in Revelation as the woman who, `hidden` and protected by the New Redeemer, survives their plague and leaves for the stars in heaven where, sowing her seed, she prepares to fight and win against men, which are called Satan there. But it`s perspectival. Effectively, Woman is Satan to men, because she`s Jesus` teachings.

 Satan, Jesus` brother, was never expected to leave Earth. That`s why Jesus is Satan from men`s perspective, because they tortured him to death and Woman is not their species; they only keep her for breeding purposes: perhaps for table meat or snuff movies. Hidden, in Revelation, she does leave Earth; to sow her `seed`.



If Woman was `in` with men, she`d live as their `server`, but Woman`d be a `failed` species. The many eyes of the peacock`s tail that Miley wears in Can`t Be Tamed are the eyes of Woman. It`s supposed to be `unlucky` to wear peacock`s feathers, but that`s the tale. The eyes of the peacock`s fan are the lying eyes of the men that are for farming Woman for snuff.  Or they`re the eyes of Woman as a species that would protect her from men`s eyes, so that she`d be a `hidden` Woman of Revelation, protected by the New Redeemer until, leaving Earth, she`d have Resurrection and could sow her `seed` forever amongst the stars there, rather than allow herself to be bred, and accept being `in` as a coward.



 The mistake Woman makes is to feel superior to each other, because men say men are superior when they`re with women, and so men`re `shills` organizing a `competition` for superior women to be with inferior viruses, rather than with other superior women. It`s the illusion of competition that is men`s perpetuated evil. Jesus wins because he loses, and because Woman is a species she can`t be in competition with men - who are a virus - for anything other than to escape from being warred against. For Woman it isn`t a competition, where that`s understood as `sport` or `game`, because those who are `plague aims` want her death, and rebirth in endless reincarnations of slavery and pain.



 There is a challenge for Woman with herself as a social being; `role play games` that reduce the `plague aims`, that is, men as a virus, while she`s here on Earth. On one level, Miley Cyrus` Can`t Be Tamed is a `role play game` in which she functions as Woman`s `double agent`. Effectively, she`s communicating what men are for. The danger for a pop star is `crossover`, that is, betraying Woman`s species` position, which Lady Gaga`s Judas acknowledges.



 Men aren`t social beings, because they`re not, contrary to mainstream thinking, individual egos. They`re a parasitical group mind seeking to enslave and devour a host – Woman - and art, civilization and culture is what they consume. That`s why cancer was called `consumption` in the nineteenth century because, from men as a virus` point of view, that`s what Woman is for.



Miley would have to seek the preservation and protection of Woman as a species, rather than have herself bred for extinction, if she were to be considered a heroine of the real United States of America. Can`t Be Tamed says she`s resistant, but in the last frames of the video she returns to her cage in defiant resignation.

 Recently, in the United Kingdom, a Florida based company was lauded for using each body in a  crematorium to power the equivalent of 1,500 televisions for one hour each day.2 Presumably, in response to the `cage` GB`s perception that Miley Cyrus should be extinct. Why bother with Redemption and Resurrection when you can power up a few thousand televisions by emulating Auschwitz and Belsen? The holocaust of living, as it were - hell as we know it.



 Woman`s perspective is false insofar as a young girl, reborn on the karmic wheel of death and rebirth,  may be forced to accept bad advice. Miley believes that men are her species, whereas they`re a virus and, in Can`t Be Tamed, they`ve turned the tables by presenting her as `bird flu`, that is, a virus, whereas they`re the equivalent of AIDS monkeys. It`s all about perspective. Woman can only escape from men`s perspective upon her as the host of their parasitism, by adopting the perspective that men are her enemies, and fighting them – as enemies. That`s why there`s war in heaven with her `seed` after she leaves, according to Revelation, because the stars here are being `trained` to sniff out signs of themselves there, which is species` treachery – by proxy - and can only be avoided if war is declared here:


`I do declare.`



Scarlett O` Hara in Gone With The Wind, or was it Vivienne Leigh`s secession from slavery?



1 The Gulag Archipelago, .

2 Percy, Henry 'The Ultimate Green Power: Crematorium Heat,' American Thinker, .


But I Thought the Old Lady Dropped it into the Ocean at the End?

01/01/2012 15:30

But I Thought the Old Lady Dropped it into the Ocean at the End?


Britney Spears Oops I Did It Again is interesting in mythic terms as a science fictional essay. Her cryptic remark about the Old Lady when the astronanut gives her the boxed gift is a reference to the `heart of the ocean`, a jewel which the Old Lady, Rose, drops into the ocean at the site of the salvaging of the Titanic at the end of the movie Titanic. The `unsinkable` ship sank on its maiden voyage in 1912 and Rose, the woman whose heart is betrayed by her ex-lover framing her new boyfriend by placing the `heart` into his pocket and accusing him of stealing what she`d freely given, finds her heart weighing heavily upon her. She remembers her new fiancée drowning as the Titanic sank, while she escaped in a lifeboat, and she lets the jewel fall from her fingers into the deep:


`Well, baby. I went down and got it for you.`


 Britney`s spaceman is a deep sea diver who represents the sea of knowledge. In Egyptian mythology, it`s the heart of Osiris that he brings from the Titanic which, at the ocean`s bottom, denotes the trunk into which the evil Set placed the dismembered pieces of Osiris in the Egyptian myth. In Egyptian mythology, Ammit, the Devourer, is the female deity that weighs the truth of the heart before the owner of it is permitted to make the journey to heaven. The goddess Maat is `truth`, according to the Egyptian mythologem, and she signifies the Word of God as it is conceived to the heart by what Christianity would call the Paraclete or Holy Spirit:


`Maat bound all things together in an indestructible unity.`1



 It`s an `unsinkable` Titanic concept, and that`s why the jewel of the `heart of the ocean` is represented in the dialogue between Britney and her spaceman. Maat`s `feather`, which she wears in her headgear in depictions of her, is placed in the balance along with the heart and, if it is proven false, the Devourer, Ammit, devours it. The heart contains the souls and they cannot enter heaven if they aren`t true. The notion of plurality of souls within the heart relates to the idea that Osiris is incarnated as Ra upon the Earth and so, like the Paraclete of Christianity, is omnipresent because he is multi-egoed as many individual persons and personalities.



 The dismembering of Osiris by the evil Set is a metaphor for the way in which Osiris` original knowledge of his unity with God is corrupted as Man becomes more egotistical and selfish, to the point of murder.  These are the souls that are eaten by Ammit, the Devourer, and they can`t enter heaven because they`re evil. Those with a pure soul make a `perilous journey` to Aaru, which is the heaven guarded by Osiris, and so Britney`s set on Oops I Did It Again is heaven.



 The arrival of Osiris` heart indicates that Osiris` heart is to be weighed by the goddess Maat before he resumes his place as heaven`s guardian. Because it`s 21st century sci fi, Britney`s Osiris would have to accept the teachings of Jesus, and the guidance of the Paraclete, in order to have Resurrection and Redemption in completeness of memory across reincarnations and lifetimes. But some hearts would be evil and they would be devoured by Ammit after being weighed in the balance of Maat, which is her feather against the heart.



 The feather and the heart have to balance before the souls that were Osiris can go on or have to remain in the Duat, which corresponds to `entombment`, but is interpretable as `imprisonment`, because the remaindered can`t ascend to heaven. The Earth remains the place of death and rebirth in ceaseless reincarnations of enslavement and devourment by men as parasitical viral organisms that want to replicate themselves through Woman as the `host womb`.



 As God`s producer and product, Woman`s devoured by men in ceaseless wars against her art, civilization, and culture. In Revelation, she`s the woman that gives birth to the New Redeemer, who protects her with the` scepter`, and she remains `hidden` until she leaves to spread her `seed` amongst the stars. According to Revelation, she defeats the evil `seed` of the serpent there, and God creates a new heaven and Earth for her to dwell in. Because it`s her `seed` that defeats the evil, she`s woman with a penis, and woman has a penis as futanar (, which means that the future of humanity is her.



 Britney suspends her spaceman above her to weigh his heart, and so she is Ammit, the Devourer, and Maat, the truth. In her red suit, she receives the heart of Osiris, and in her white bikini-dress she moves as a feather beneath the suspended spaceman. If the spaceman`s heart is hers, in truth she`ll perceive it. If not, she`ll devour it, and no `memorial`. It`s her memory that`s important because he is physically unimportant because, if his heart is truly hers, he is her. In the Christian tradition, the Paraclete is God`s omnipresent aspect, so Hathor`s time`s memory with Osiris, and if she remembers him, he`s remembered. He is everything that he has seen, so if he has seen everything with her, she`ll remember, and he`ll be remembered as her. What isn`t memorable is what`s evil, and so won`t be recorded; but is `eaten` or erased. Her red disk is to record `the best of` Osiris and, according to the myth, Osiris is `risen` as the `sky god` Horus, who takes the form of an all-seeing `hawk`, which is Osiris` recordable form`s symbol.



Britney runs toward a tree, and somersaults through the air before landing. Her feet firmly planted in front of her spaceman, she receives the `heart of the ocean` that she`s weighed, and it`s a Titanic work of Salvation. The heart of Osiris has been `read`, and she`s determining the worth of the souls that are within it. The spaceman leaves her walking backwards because, in Greek mythology, it`s how Hermes, the protector of travelers, erases the tracks of the evil souls so that they can`t follow him to Horus` heaven.

 Britney`s Hathor on Mars is recording Horus: The Best Of for Christmas. Although she`s in the red `Santa`s suit`, he delivers the Christmas present, which is Horus` because it`s her happiness that`s important, so it`s his Christmas present to himself. When the spaceman leaves, the work is complete. He represents the heart`s fullness, followed by fulfillment, that is, the recording of the work of art, and the emptiness of heart that ensues. It`s a vacuum susceptible to the darkness that has been kept at bay, and which wants to destroy both work and artist.

 Britney`s spaceman`s return to Earth is the Egyptian `Al-Khem`, the alchemical process whereby a work is conceived, produced, edited, and recorded. In Christian terms, the `hand of God` is in the work of the heart`s creativity through the `tutelary guidance` of the Holy Spirit.  Al-Khem is `the black earth` of alchemy, and represents the return to creativity.



 In Egyptian mythology, Hathor is the goddess of music, and Oops I Did It Again represents that creative process whereby the artist constructs a personal psychic shield of protection. Upon completion, the shield is felt to recede or retract, as it were, like a hardened aura, and the work may then be exposed to what the artist has been shielding, that is, the obverse, which is the devouring imago of the destroyer. In reality, that`s criticism, whether from the self or others, and in the 21st century many are paid to destroy as critics. It`s an aspect of men as parasitical viral organisms that feed upon Woman as a `host womb` as replicating enslavers that, ultimately, destroy her. Because she`s God`s producer and product, and that`s how the evil devouring imago of men within the psyche functions:


`The singer, who performed in Los Angeles Monday, is called "entertaining" and "a mess pretty much from start to finish."`2


 In the developmental psychology of Carl Gustav Jung (1875-1961), the heroine is the anima as the soul. Because Woman has a penis of her own, the emergence of the hero, in dreams for example, though traditionally perceived as `normal`, is abnormal because it represents the emergence of that which is antithetical to the developing ego, which is female in terms of species` survival. The hero image is actually the imago of the male destroyer and devourer, which is why Ammit is female. She`s the devourer of male souls that are evil, and that would destroy the creator and the creator`s producer and product, that is, Woman, and so Ammit functions not as a devouring male imago, that is, as a`censor` of the naturally hermaphroditic mind`s sexual impulses, but as Woman`s `editor`.



 Oops I Did It Again represents the creative`s protection through her creator`s knowledge of the process of reproduction. Indeed, one famous `bootleg` album of the 70s was Led Zeppelin`s Destroyer. The role of Ammit is to erase what isn`t deemed worthy of being preserved. Hathor`s disk corresponds to the compact disk of the 21st century. She records the creation, and Ammit, in mythological terms, devours the evil souls. It seems simple, but Gulf Wars I and II (1990-2011) denote Ammit the Devourer`s erasure of evil souls from what is created, and while 9/11 represents the activation of men as the devouring imago, which corresponds to the evil Set, so the antidote, Ammit, is also activated as the devourer of evil souls. Weighed in the balance against the feather of Maat, they`re not recorded, and so can`t enter Horus` Mansion, which in Oops I Did It Again is the heaven that, resurrected and redeemed from `the black earth` of ceaseless creativity and destruction, Osiris returns to – as a part of the mythic cycle`s completion – recorded as Woman with a penis.



 Artists require a period of detachment from their creation, because it loses its value for them once it has received completion and, particularly in an era of mass production, is often deemed intrinsically worthless, because of its `pop` status; for example. In Christian terms, Woman`s work of Resurrection and Redemption is, in terms of mass consumerism, Consumption, whereas the Assumption of the Virgin Mary, by the Catholic church, for example, is a symbol of Woman`s inevitable Ascension to heaven and God.

 In simpler terms, men represent the `black mass` of the imago that wills the devourment of God`s Assumption of Woman, and mass production is a metaphor for the ways in which, trivialized, God`s producer and product, that is, art, civilization and culture, is made to seem worthless, and so is prepared for devourment by the imagos of men. These are not from God, whose image is good. Men are cancers that evilly unmake God`s Assumption of Woman.



 Men`s devouring male imago is constellated within her unconscious self as a false hero` . Dreams of life, without men, are manufactured by the soul. If they are not devoured by images of the male cult of the personality. Images of the local Set, the Devourer, were found everywhere in Libya, after the toppling of Colonel Ghadaffi, and in Iraq after the local Set, Saddam Hussein. The phenomenon isn`t new. In Egypt, Pharaoh Akenhaten implemented monotheism, and rid Egypt of the evil Set, the `false idols`, whereas images of the evil Set, that is, Stalin or Brezhnev, were `images graven` on the psyche in Russia as enablers of devouring egos.



 By means of the `tutelary guidance` of the anima or Paraclete, comes Woman`s Resurrection and Redemption for Man, and she has the Assumption, which means that she`s Man`s `fool`, because she`s `God`s love` and, as God`s omnipresent spirit on the Earth, she tries to give Resurrection and Redemption to Man. Woman`s the fool, or she `plays the fool`. If intelligence is at the mercy of stupidity, it`s either because Woman is fooled by men`s imagos, because she doesn`t believe in God, or she `plays the fool` to enable the devouring imago, so that her `sons` become, or remain, stupified devourers of what others, or even themselves, produce, and that`s what warfare is.



This `psychological type` of a woman without individuational aspiration wants to enable the evil male spirit of the devourer with her children, so that mankind lives soullessly within the`Consumption Society` by facilitating their constellating `false gods` within her children`s psyches, and that`s why she`s described, in Revelation, as the `Great Whore of the Apocalypse`, and `Mother of Abominations`.



 For the type of woman, Woman as a species, with her own penis even, is a `host womb` for the parasitical viral organisms that are men, to produce their own evil imago, as a devourer of Woman as God`s product and producer, that is, art, civilization, and culture. To her, daughters are merely moving images on the Hollywood movie screen, Babylon`s whores, born only to constellate men`s devouring imago of the demons of possession, and keep her species in endless slavery as a producer, whose beauty is her product and, knowingly produced by her, she`s devoured by the evil: because she`s evil too.


Before dismemberment by Set, Osiris was put into a `trunk` and sunk in the Nile river, but it was snagged by the branch of a tree that grew by the water. Britney`s the `branch` of the `family tree` that, `snagging` the spaceman, raises him. She represents Maat as an aspect of the creation`s `indestructible unity`, which protects Osiris.

 In the Egyptian myth, Isis, the sister-wife, is that `branch` which puts the parts together and, fashioning a new penis, because Osiris` penis cannot be recovered, she restores him in the guise of Horus, the `hawk` who, in Christian terms, is the New Redeemer who watches over the birth of the `hidden` Woman - and her penis `fashioned anew`.



 The `hanged man` is a tarot symbol, which means `planning before action`, that is, `suspending judgement`, and Maat, after Osiris` heart is weighed,  decides which of the souls it contains are to make the `perilous journey` to Osiris` heaven.

 Landing in front of her spaceman, Britney has a red disk above her, which is a symbol of the mother goddess Hathor, who`s another `branch` of the `family tree`. In Egyptian mythology, Horus is `housed in her`, and so she`s Horus` Mansion. Hathor`s a `branch` of Osiris` `family tree`, and represents a stage in Osiris` heart`s recovery.



 Britney`s spaceman asks her to take heart, and she is given it. It`s symbolic of the `purple heart`, a medal for those wounded in battle in the USA. In some ways, Oops I Did It Again memorializes Gulf War I (1990-1). It`s set in a huge rib cage, symbolic of the evil Set, who`s heart has been devoured by Ammit. It`s Britney`s tribute to the victorious alliance of Arab, and other nations.

 In her red suit and white bikini-dress, Britney`s Rose, red, and Rose, white. Her allusion is to the story recorded in Hans Christian Andersen`s tale of Rose Red and Rose White in which a `little man` is eaten by a bear because he`s evil to women. The bear is Ammit, in terms of the video`s meaning, and so Britney`s `rib cage` is interpretable as Rose`s bear`s claws - and even its teeth.



 Oops I Did It Again is symbolic of the `hidden` woman of Revelation who, protected by the New Redeemer, isn`t devoured by the red dragon. Preceded by the woman of Revelation, who gives birth to the New Redeemer in the teeth of the red dragon, she knows she has teeth and claws of her own. It`s a retroactive faith myth. If she`s won, she`ll win. And the Bible says she has. Otherwise, the evil will give the baby to the baby eater, and the woman to those with AIDS. In Revelation, the red dragon waits, in vain, to devour Woman and her child, the New Redeemer, and God sends a more comprehensive plague to underline the `spirit` in God`s Word:


`His kingdom was plunged into darkness. Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.`



AIDS is reified in the Bible as monkeys undeveloping Man. It`s the ape of God`s fulfillment as the devouring imago of men, and the baby eaters have the baby:


`God lost. In this game. Oh baby!`



 1 Ma'at, .

2 Halperin, Shirley 'Britney Spears' Femme Fatale Tour: What Critics Say', The Hollywood Reporter, June 21st, 2011, .


Britney`s Woman

01/01/2012 15:26

Britney`s Woman


Oops I Did It Again is Britney Spears `Lamaze clock` in which she appears as the Woman of Revelation `clothed with the sun and with the moon at her feet` that gives birth while the red dragon waits to devour the New Redeemer. The spaceman who arrives is suspended over her as a pendulum by the `clock mechanism`, which is represented by Britney in a white bikini dress lying on top of a beach parasol. She`s surrounded by the sands of Mars as the `hourglass figure` who, atop the eight points of her white beach umbrella`s `star`, signifies a day that has three Earth hours for each Martian unit of time.



 Britney raises her spaceman symbolically, as her child, and he hangs suspended like the pendulum of a clock. Descending, he appears like a `crane grab` in an amusement arcade machine. It`s an allusion to the role of the Mars Lander, which was a robot placed on Mars by NASA as a prelude to a manned space mission to the red planet. Britney`s spaceman brings her a gift, to which she responds:


`But I thought the old lady dropped it into the ocean in the end?`


 It`s a reference to the `heart of the ocean`, which is the jewel dropped into the sea at the scene of the salvaging of the Titanic at the end of the 1997 movie when Rose`s finished reminiscing about the death of her lover by drowning, and their betrayal by her ex fiancée who framed her new beau for stealing the `heart of the ocean` jewel; in psycho-emotive terms because her new lover had `framed` Rose by painting her nude. Rose relinquishes her hold on the jeweled heart because it`s a symbol of lost love and betrayal, and the spaceman gives it to Britney Spears after he`s functioned as a `crane grab`, that is, he descends from where he`s suspended on a chain by her as a `grab`.



 The suspended spaceman is a pendulum and so a metaphor for time. In Edgar Allen Poe`s The Pit and the Pendulum the hero finds a way of entering the castle to rescue his wife from her torturer. Imprisoned, Maria has made a friend, Esmerelda, and so Britney`s secondary allusion is to Esmerelda and Quasimodo from The Hunchback of Notredame by Victor Hugo. Because of her spaceman`s bulky backpack. In `98% oxygen` Britney doesn`t have a spacesuit, so the spaceman is her handicapped `hunchback` listening to the `hunches` of `Mission Control`:


`Well I went down [into the ocean] and got it for you baby.`


 Because her spaceman descended into the ocean depths to bring Britney the `heart of the ocean`, the girl from Mississippi in the Southern States of the USA is the diver`s `belle`. In The Hunchback of Notredame Quasimodo is deaf because of the unbearable sound of the bells he`s employed to ring: He gives Victor Hugo`s Esmerelda sanctuary at the church after she`s sentenced to death by torture and hanging. Having attempted to murder her lover, because of jealousy, the attempted murderer had accused her. He betrays her even at the sanctuary Quasimodo has given her and she`s hung. In The Pit and the Pendulum the hero fails in his attempt to rescue Maria and is subject to the torturer`s device, `the pit and the pendulum`:


`The victim was first secured to a wooden bench with ropes so that it was impossible for him to move. Above the victim was a crescent-shaped blade which would begin swinging to and from. Gradually the bar to which the blade was attached would be lowered bringing it closer and closer to the victim's abdomen. It would usually be at this point that the victim would confess. If no confession was made, the blade would continue to lower until it began cutting through the victim's torso. Eventually, the victim would be cleaved in two.`1



 Raised by her red suited self above herself in a white bikini dress, Britney`s spaceman represents the pendulum, and below she`s the `victim`. Beside the spacehelmet of the astronaut are the tines of a giant`s fork and, because Britney descends into the `bear pit` of her stage set inside a giant`s ring, the tormentor is a an ogre. In The Pit and the Pendulum the crucial factor is time and Britney is waiting for her spaceman to `grab` her. It`s a suspense thriller because she`s not making a pornographic video, which means it`s a horror film because the sex is anticipated but can`t develop. Britney`s observing that movies without sex are horror, and so `mainstream Hollywood` is a `horror factory` and not a `dream factory`.



 In Revelation the `red dragon` waits in vain to devour the `New Redeemer` to whom the `woman clothed with the sun and with the moon at her feet` gives birth. In Oops I Did It Again Britney`s observing that anything which devours is a `red dragon`. Anticipated but unrealized sex is a devouring of time and life that the film industry promulgates. Unfulfilled anticipation may be `read` as a `drag on` time, which is a devouring of lives that results in suicidal depression. The suspense genre is a devourer because it denotes unrelaized anticipation. Britney`s suspended spaceman is a `cliffhanger` because he has multiple meanings attached to him. In her red suit Britney`s the devouring `red dragon` because discovering her meaning is time consuming, that is, relations between the work`s interpreter and the artist is that of devourers.

 In the psychology of Carl Gustav Jung (1875-1961), the `woman clothed with the sun and with the moon at her feet` is a symbol of the feminine ego, which is luna, because woman`s consciousness is closer to what Jung describes as the `unconscious` that contains psychological contents often represented as scintillae or `stars` of knowledge. Men`s consciousness is depicted as sun-like, because moon and stars disappear when the sun is in the sky, that is, men aren`t concerned with knowledge or wisdom, whereas women are.

 The red dragon of Revelation seeks to devour the woman with the stars about her as she gives birth to the New Redeemer, because that`s men`s mode. In Revelation, woman is `hidden` on the Earth until she leaves for heaven and war with the serpent`s `seed` that follow her there, and she wins. In other words, God`s heaven isn`t safe from men, because they`re devourers. Woman is God`s producer and product on Earth, that is, art, civilization and culture, and she`s devoured by men in warfare. If they were in God`s heaven, they`d devour; whether it were warfare or not: because that`s their nature.



 For men, the sun is a symbol of darkness, not a symbol of life. The corn grows and woman makes bread. Men eat it. Ceaseless reincarnations of death and rebirth ensue, and the fertilized become fertilizer for the corn. It`s the myth of Osiris, in ancient Egypt, where the corn god is risen each spring, and the corn is harvested at the end of the growing season.

 Jesus Resurrection and Ascension was a new concept, based on the notion of completeness of memory from Advent to Ascension, which suggested that there was Redemption from reincarnation, death and rebirth, that is, from endless repetitions of what had been achieved before in previous incarnations by the same individuals. Because men`s egos are like the sun, they paradoxically represent the desire for an absence of light or knowledge and wisdom, and the desire to live in darkness, which is why the night sky and woman is attractive.  There is more there for them to devour.

 Woman as a species with her own penis, which is what she is as futanar ( ), is the signifier that tells us why God hides the woman of Revelation prior to her leaving to sow her own seed amongst the stars. Men are her enslavers and devourers. They`re a parasitical viral organism that wants her to exist as a host womb through which they can continue to keep her in unconscious production as devourers of the New Redemption, which is Resurrection in completenenss of memory across reincarnations, and escape to the new heaven and Earth that God promises after Jesus has slain the evil, according to the Bible, and so men receive eternal unendurable pain for their enslaving and devouring of Woman.



 Jesus advocates Redemption, but he has Ascension, which means that, for Jesus, Resurrection and Ascension are different to Redemption, Resurrection and Ascension, which is what the Bible promises. Acceptance of Jesus` teachings and the tutelary guidance of the Paraclete, which effectively emerges from the side of Jesus after he`s pierced by the spear of Longinus upon his death after the crucifixion, is necessary for Redemption.

 Because Jesus is the `Second Adam`, the Paraclete is the `Second Eve`. In other words, Redemption is primarily for Woman, because she`ll have Resurrection in completeness of memory across reincarnations, whereas men`s egos are irredemptive devourers of her moon and stars, as symbolized by the Woman of Revelation who, with the moon at her feet that is, her own luna consciousness at her command, and `clothed with the sun`, that is, wearing the clothing of her own maleness signified by her own penis, is crowned with stars while the red dragon waits to devour the New Redemption she bears.



 Britney`s Lamaze clock is an eight period timepiece of three Earth hours for each period, because there are also roughly twenty-fours in each Martian day too. It`s a birth clock because, as the Woman of Revelation, she`s sun (male), moon (female) and, in addition, in the third hour of each Martian period, she`s birthing what the New Redeemer represents, that is, her own species as futanar.

 The devourer is the homosexual element in the parasitical viral organism that is men`s enslaving and devouring of a species, Woman, that isn`t actually significant in terms of her sexual desirability. Having sown the seeds of their future reincarnations, deaths and rebirths, in their sons, and their future as enslavers of women as host wombs for their devouring nature, homosexuality is revealed for what it is. Just as Britney`s three period Martian timepiece signifies the redemptive trinity of Christianity, so homosexuality signifies the unholy spirit of evil that is men`s trinity of enslavement, devourment and possession.

 The metaphor is what divers call `the bends`. Britney`s spaceman tells her how he got the `heart of the ocean`: `Well, I went down and got it for you baby.` She replies: `Oh, you shouldn`t have.` Later she titled an album Blackout, which also alludes to the problem of `the bends`, which is what the X-plane series of pre-astronaut pilots experienced when they were testing planes to `fly to the moon`. It was a programme that was cancelled because of `the bends`, which caused the pilots to blackout in pain, as divers do when they`re coming up from the ocean depths, with jeweled hearts, for example.



 `The bends` are a metaphor that may be extended to psychological contents, as scintillae or `stars`, which exist as readily available knowledge in the cosmos of a woman`s consciousness, but which `the bends` would deny her; a denial which appears symptomatically as `blackouts`. On Britney`s Mars, her spaceman observes that there`s `98% oxygen`, which means that, if he removes his space helmet for longer than sixty seconds or so, he`ll blackout because of `the bends`.



 The X-plane series of planned flight to Mars was cancelled because of `the bends`, and Britney`s drawing the analogy between men as possession and the space programme`s cancelling, that is, on Mars without a spacesuit, she doesn`t have `the bends`, which means that she isn`t possessed by the demon that beset the development of NASA`s space programme that, in Revelation, is defined as the homosexual beasts that are a plague upon the Earth as active parasitical viral organisms that are devouring her as murderers; or, in other words, Britney`s album Blackout means `killer`, and she wants to know who the murderer is.



 The main song from Britney`s Blackout was Piece of Me, which is a reference to her psychological deintegrates. `The bends` would make her unconscious of her scintillae, or psychologems that represent her knowledge as Woman which, in Christian terms, is translated into Redemption, that is, Resurrection and Ascension in completeness of memory across reincarnations. Britney alludes to Buddhist karma, which is the concept of reincarnation without Redemption, and is death and rebirth in unconsciousness, which is what blackouts are:


`I'm Miss Bad Media Karma, another day, another drama
Guess I can't see the harm in workin' and being a mama
And with a kid on my arm, I'm still an exceptional earner
You want a piece of me?`


 She observes that the media see her as their `bad karma`, which is work done as atonement for sins committed in previous lives or incarnations. However, as a working mother, she`s symbolic of New Redemption, while the media are an aspect of the red dragon of Revelation that lies in wait to devour her child, which observation was borne out when she effectively lost custody of her children because Sean lost his hat in a press melée of flashbulbs and jostling that, in some ways, is reminiscent of the way Princess Diana lost her battle for life with her children when the paparazzi caused her car to crash in the Pont D`Alma tunnel in Paris.



 Britney was labeled a `bad mother` because of a brief loss of control over her son`s hat, a temporary `blackout` caused by press attention that is described by the paparazzi themselves as a `shooting`. By extrapolation, being shot is what causes a `blackout`, and so unconsciousness is the result of an individual`s being murdered by those who don`t want that individual to be conscious, and so prevent that individual from experiencing that Resurrection in completeness of memory across lifetimes that Jesus Christ said was the natural inheritance of the innocent, and the prize for those who adapt to his teachings and want the tutelary guidance of the Paraclete, the `Second Eve`, is the path to God and heaven.



 The Catholic church announced the Assumption of the Virgin Mary in 1950, which signified the understanding that Woman is assumed by God and the church to belong in heaven if she has Redemption and Resurrection, but the concept of `the bends` indicates the demon of possession, which is men`s homosexual desire to enslave and devour those who would attempt to develop to the point at which they achieve `escape velocity`.

 Britney`s Mars is a weather clock and she`s a `weather woman`, which is a name the CIA give to those who observe changing conditions and advise as to the appropriate course of action. There are two of her, one red and one white. The woman that comes out in the sunshine, and the figure that warns of rain. Usually, the clock`s figures are a man and a woman, but here Britney`s weatherwoman is to warn herself of forthcoming events. She`s hypothesizing upon the reign of the beast of Revelation, and the Second Coming of Christ as the New Redeemer, who`s the solar archetype that heralds the dawn of the New Era and inauguration of God`s new heaven and Earth for Woman as a species to dwell in forever.

 Britney appears as `Major Red` in Oops I Did It Again, or rather `majorette` who, in charge of her band, must have a baton, which is one of the four suits in the tarot that, according to tradition, is a portable Torah or book of the law of Judaism that was saved from the burning of the library at Alexandria when the Romans sacked the city during their conquest of Egypt in 30 BC:


`And God said 'Let there be Light!' and there was Light.`  (Gen: 1.3)



The magician is he who can will into being by thought. At one point Britney throws herself in a twirling arc to land at the feet of her spaceman. She`s the magician`s baton, for he who has her is her Creator: `I played with your heart. Got lost in the game.` The heart of the tarot is the cup, which is the Holy Grail as the bowl from which Christ drank at the Last Supper, and which is symbolized by Britney`s descent `from above` inside a giant superbowl ring, a symbol of the Last Supper bowl, which is the Holy Grail or Krater, that is, the crucible of the magician`s creativity. Britney appears as a `bride of Christ` who believes in the `bread and the wine` as the `body and blood` of Jesus` `magical` Redemption, which is transubstantiation in the Catholic Mass, and in Oops I Did It Again is symbolized by herself as the red suited wine of Redemption and the white bikini-dressed body of Salvation.

 When the spaceman arrives on mars, he`s asked by Mission control to report and he discovers an icon of Britney in the sand: `Whoah there horsey!` he says. The magician is associated with Hermes, the messenger of the gods in Roman mythology, and he has the staff of healing, which is often used as a symbol by the medical profession and the pharmaceutical industry.



 The symbolism is also found in Tantric yoga from the Indian subcontinent in which the twin serpents entwined about a central column represent the male and female energies as they ascend up the `chakra ladder` of energy centres in a series of mental and spiritual interactions that are of value in raising the body to a higher level of actuality and, according to the mystics, confer immortality upon the disciple. Between Britney and her spaceman, as she lands upon her feet before him after twirling herself through the air as her majorette`s baton, is a symbol of the Egyptian mother goddess Hathor, a red disk that, as Britney`s on Mars, must be symbolic of she whose name means `Mansion of Horus`, and then the spaceman`s cry of surprise is interpretable as: `Woe, there! Horus, See!` A `See` is a seat of authority, and so Britney`s Mars is the `See of Horus` to which the spaceman is bringing `woe`. Her weatherwoman has to recognize the signs and act.



 The eye of Horus is represented as a figure with 6 parts, which correspond to the six senses - Touch, Taste, Hearing, Thought, Sight, and Smell. In some ways they correspond to the four functions of Jungian developmental psychology, which are `Sensation`, `Thinking`, `Feeling` and `Intuition` and are associated, respectively, with eye, ear, mouth and nose. Horus` eye is a receptor in which the parts `eat` in order to `sense`.


These are the parts of the eye of Horus and their energy values:


1/64 Touch 1/32 Taste 1/16 Hearing 1/8 Thought 1/4 Sight 1/2 Smell



 In the system, `ro` is a single bite and is equal to 5 energy units. The eating of 320 energy units is required in order to experience the fullness of `touch`, and so on. The touch symbol is a planting; as Britney plants herself in front of her spaceman to ask if he`s going to touch her. Taste is the grown food we put into our mouth, so it denotes kissing. Different tastes come from shapes such as an apple, so touch is fundamental, and so her shape is fundamental. When we hear, it`s pleasing or not; `tasteful` or `distasteful`, therefore her singing is desirable. Thought is an audible `sound wave` formulated subvoce, and symbolized in the New Testament by the sword that comes out of the mouth of Jesus as the Word of the Holy Spirit, as taught by her guiding inner light as the anima or soul, which mediates the life of the imagination or soul, and so the lyrics are suitable to the `taste` because, as the psychologists might say, they`re interpretable in terms of what the libido is able to perceive, and so they`re developing, which is what archetypal material is for. Sight, represented by the pupil, is aesthetic `taste` for what pleases us when we look, but it`s educative because what we think is pleasing may not be. That`s why the male devouring imago is able to convince women that `plague aims` of degradation in BDSM are `beautiful`, whereas they`re homosexual marriage, betrayal, torture, and death, which is Jesus` experience of discipleship, and why God destroyed Sodom and Gomorrah, because it was how men `play games`, and God warned them there. Smell is our appreciation of what we are tasting. It evaluates what it consumes, and so we`re not `baby eaters`, which is the difference between a woman who has the archetype of the heroine within her mind, and why the dragon of Revelation is depicted as waiting to devour the New Redeemer. Because the hero and the dragon are the same imago. They`re the devourer of the Woman, who is God`s producer and product, that is, a woman in Libya whose home is destroyed, because Barack Obama and James Cameron see her country as a dragon and themselves as knights in shining armour, doesn`t see them as anything but evil devourers of herself and her daughter. The eye of Horus` 6 parts has energy values  in terms of wisdom, which is not that of the devourer, who would be Set, the imago of evil.



The hand of Fatima, in Islam, is a protection against the `evil eye`, and is identifiable as `the hand of Miriam` in Judaism, because Miriam was the character from the Bible who mysteriously recovered form leprosy, and so `the hand of Miriam` is an evocative symbol functioning as an apotropaic (magical remedy) against disease, which men as parasitical viral organisms that enslave and devour Woman`s product, that is, art, culture, civilization, and her mental and psychological equipment, represent:


Miriam was stricken with snow-white scales. ... (Num: 11. 35)



 She`s a prophet, but criticizes Moses` marriage to a woman of Cush, that is, a black woman, and subsequently Miriam becomes `snow white`. A black woman is a woman as any other, and God tells Miriam that, when God is speaking with Moses, God is speaking directly, whereas Miriam is divinating God`s intentions and that`s the reason for her becoming `snow white` and leprous, because Moses married a woman of Cush and God was not consulting Miriam.

 In Oops I Did It Again Britney appears as the `thumb` inside her giant`s ring, and so represents Horus, because the thumb of the hand of Miriam, and Mary in Christianity, corresponds to the `hand of Horus` in Egyptian iconography, where there are only two digits. Consequently, the Britney who descends in the giant`s ring is the `thumb` and the Britney who reclines under the camera eye of the spaceman while her `thumb` works is a `finger`. To grasp anything, including meaning, finger and thumb are needed. The viewer observes the interactions of Britney`s finger and thumb and learns:


`Horus was told by his mother, Isis, to protect the people of Egypt from Set, the god of the desert, who had killed his father Osiris. Set is depicted as trying to prove his dominance by seducing Horus and then having intercourse with him. However, Horus places his hand between his thighs and catches Set's semen then subsequently throws it in the river, so that he may not be said to have been inseminated by Set.`2


The `red dragon` of Revelation is associated with the `blood plague`, which is identifiable as HIV/AIDS. Ancient Greek society was founded on the enslavement of women as host wombs by homosexual pederasts, and war was the means by which they spread their contagion. At Troy they employed the device of the hollow wooden horse which the Trojans accepted as a gift and the Greeks emerged to take the city and enslave the wombs of the women for homosexual pederasty. HIV/AIDS was the virus` 20th century continuation of biological warfare against women`s wombs by the `red dragon` of homosexual pederasty`s devouring `blood plague` of war and pestilence.

The 21st century began with 9/11 and the Greek horses of the terrorist planes crashing into New York`s Twin Towers to spread the contagion further. In short, homosexual pederasty is the `red dragon`, and the solution is woman as a species with her own penis, which is why Britney is clearly delineated in Oops I Did It Again as two different characters. The Twin Towers were selected as a symbolic target because two women are needed to reproduce without a man and the `red dragon` of homosexual pederasty wanted to maintain its grip.



The thumb and finger of the Egyptian Horus represent mental development through `Feeling`, which is why the finger is against the lips and the thumb is beside the head. In the developmental psychology of Carl  Jung the `Feeling` function is associated with the mouth while the eyes, nose, and ear are associated with `Sensation`, Intuition` and `Thinking` respectively. Horus` finger and thumb denote thought `Feeling` as a basis for development. Because Horus is male development is retarded. Women as a species are the future and Horus` `Feeling` and `Thinking` functions need to develop before his `Intuition` is sufficiently differentiated for him to be able to perceive (`Sensation`) the wisdom of it. However, his instincts are sufficiently awakened for him to deny Set as ancient Egypt`s equivalent of the `red dragon` of devouring homosexual pederasty and HIV/AIDS.

 In biblical terms, Jesus is of the hand of Mary and corresponds to Horus in mythological terms, because of his preaching of `Feeling` as a basis for human development, which is why the `heart of the ocean` is the symbolic metaphor in Britney`s Oops I Did It Again, where there is a heart and three individuals. In her red `man`s suit` and white bikini dress Britney represents woman as a species with her own penis in potentiam, whereas her spaceman needs a heart if he`s to receive Redemption because he`d have to accept woman as a species if he were to live in heaven with her. Psychologically the penis desires woman and so a man doesn`t see what he wants in the mirror. Only a woman with a penis of her own can see what she wants in the mirror, which means that her penis desires her own species. She would only desire a man if she had the valence of the `red dragon` of devouring homosexual pederasty possessing her, which is anal and contagious so God destroyed Sodom and Gomorrah (Gen 16, 19) as an initial attempt at preventing the spread of the `blood plague` of war and HIV/AIDS as a method of enslaving women`s wombs and devouring her Earth.



The Egyptian symbolism of the eye of Horus is that beauty is an ascending ladder, and if what we see is evil, then either it means that we need to see more beauty, that is, the woman with a penis of her own in the mirror, or we are being kept from what is beautiful, which is the visible signs of her in `reality`. Or we don`t want her, which is evil, and the reason why we are being kept from her. Because evil people want to devour her and her beauty, and keep us in blind ignorance of what they do. The problem is that, the less beauty people see, the more likely they are to be full of hate, because they were kept from it. That`s why Miriam`s rejection of the Cushite woman is punished by God, because Woman is `God`s love` whatever her appearance. Jesus` mother is an archetype of female beauty and love from the `heart of the ocean` of the collective unconscious of humankind, which according to Jung contains the developmental impulses of the human psyche. Because the Virgin Mary reproduced without a man, Jesus represents man`s last chance at Redemption before, as it is written in Revelation, the `hidden` woman of the Earth leaves for the stars to sow her own seed in heaven because she has her own penis and has no need of a man.



 Games` systems are evil, because they posit devourment, in games like Pac Man or Space Invaders, which explains men`s `plague aims` of devouring and degradation as `the programme`. God`s punishment of leprosy upon Miriam, and God`s healing again of her, is God directing of Woman, and isn`t men`s `play games` of bio-degradation. If Woman, as a species, represents beauty, then the devouring programmers` game is life as a `snuff movie`. The Eye of Horus is then a symbol of what is beautiful, and those who want to snuff out women`s lives grade her beauty in accordance with the values that are given to the parts of the eye of Horus in Egyptian mythology. In the games` system of the `red dragon` of homosexual pederast 320 units of energy, that is, the snuffing out of a woman`s beauty, would have to be achieved before the evil were able to touch `first base` with Britney, for example. However, if you`d consumed 320 units of Britney` beauty to touch her, you`d be blind. Because you`d have consumed her beauty, and that`s why the eye of Set is evil. You`d never get to see her because you`d never get past `first base`.



 In baseball `slang`, first base is `kissing`, which is Earth, and `second base` is the moon, which is Woman`s breasts, that is, the signs of her ability to nurture and develop, so Britney`s singing on Mars is her `oral sex`. The `Grand Slam` explains the `Set` metaphor as `game, set`, and why she uses the `heart` symbolism: because it`s `love, game, and Set` in which a `Home Run` is intercourse, but not fulfillment, which would be sex without men. Woman, as a species, would want a non-penetrative penis. That`s why Oops I Did It Again is couched as science fiction. The concept of Woman, as an immortal species, presupposes virgina intacta, because men are her virus.



 Woman`s penis wouldn`t produce ejaculate in heaven and God, save as an internalized system, which is what much Buddhist thought is concerned with. The idea that semen is `food for thought`, that is, for the brain, and not for Woman`s ova. When Eve gave Adam the apple in Eden, she`d tasted the `fruit of the knowledge of the tree of good and evil`, which is wisdom. Adam`s only a muncher because he`s accepted a father imago in the serpent, which is the devourer of the image of God in the brain. This is why Woman`s system is exclusive and, as the Virgin Mary illustrated in her acceptance of Jesus as the `Perfect Man` from God, the hand of Mary is the `hand of God`, because she doesn`t want a devouring father imago for Jesus, but Woman as a species.



 9/11 was `play games`, and a `cheat` with `planes, civil`, where the Twin Towers are Microsoft X-boxes in the teachings of 21st century viruses. In other words, men are marriage, plague, treachery, and death. Saddam Hussein was given the 3rd largest army in the world by the USA, and the USA applied `rules of engagement` in his dethronement. Because it`s `war games`. In England anyone can be beaten up in the street and, contrary to public belief, there`s no law against it. It`s a homosexual system of big, and bigger, bullies. If the USA had wanted to stop Saddam they wouldn`t have become `engaged`. It`s a metaphor for the devouring imago of the `dad`. George Bush Snr. won when he ordered A10 anti-virus tank busters to remove Saddam from Kuwait, and George W. Bush lost when he declared war on Iraq rather than on the Taliban in Afghanistan, because he wanted to be a bigger bully, which is what he saw his `dad` as – target Bighdad  – because the Taliban weren`t so `security simple`.



 In Revelation, `the number of the beast is the number of a man and his number is six hundred three score and six`, or six repeated as 666, that is, a man is a devourer of what he sees, and so is a beast. In terms of Jungian psychology, sight or `Sensation` is, paradoxically, the least of the psychological functions because it is the devouring eye, whereas `Intuition` is the most important because it signifies the evaluative function, and is associated with the symbol of the spear of Longinus, in Christian symbolism, from which piercing of the side of Christ effectively emerged the `tutelary guidance` of the Paraclete as `Second Eve`, and so Britney Spears signifies God`s omnipresent Holy Spirit, and so the  omniscient aspect of God`s omnipotence.



 To the evil, `God`s spirit` is a spy, and so `blackouts` or incompleteness of memory in an individual are the result of murder, or the devouring of consciousness which, in ancient Egyptian mythology, is represented by the figure of Osiris dismembered by the evil Set. It`s a simple myth which recognizes that a group of individuals living peacefully are in truth of one mind and body, which is why the sun god Ra is depicted as incarnating upon Earth in the person of Osiris. Any lessening of oneness is perceived as a loss of collective consciousness, and is most simply understood as murder by a person or persons represented by Set in the Egyptian myth.



Osiris is remembered, or Resurrected in completeness of memory, by Isis, who fashions a new member or penis for him, so that she re-members him as the sky god Horus who, watching over the Earth in symbolic hawk form, corresponds to the New Redeemer of Christian Revelation who protects the `hidden` woman with his scepter before she leaves.



 In Graeco-Roman mythology the figure of Iris is the rainbow goddess, and in medicine the iris is the coloured part of the eye, whereas the rainbow is a symbol of God`s promise of Redemption and Resurrection in the Bible. D.H. Lawrence, in his novel The Rainbow, observes that it`s the bridge between lovers, and so there`s an aspect of sustenance and growth attached to the concept of love through the Holy Spirit, which explains Jesus` `bread and wine` as his  `body and blood` at the Last Supper, and Britney`s motif of the Superbowl as she descends inside her giant`s ring. It`s her Holy Grail. The wedding of Christ with his bride, Redemption and Resurrection.



 The devouring red dragon of Revelation is a `black mass` of Consumption and men as a parasitical viral organism that represents the `plague aims` of their system, which is the `bread and circuses` of their cancerous devourments as they `play games` of bio-degradation upon Woman as God`s enslaved producer, and destroy her Creator`s productions in art, civilization and culture by means of devouring warfare against her.



 In spy circles, the `circus` is murder as devourment, so the `plague aims` of the circus is to `play games` with `performers` such as Britney Spears, and keep her in unconsciousness by playing the evil Set to her Horus and make her `perform` in ceaseless cycles of reincarnations of death and rebirth in which she`s doomed to repeat fragments of her achievements for her torturers` entertainments.



 The `circus` is the abandonment of God for coercion. It`s the acceptance of karma as an eternal circus of entertainments in which the role of others is to supply you with pleasures akin to the torments of animals in the Roman amphitheatres where a raised thumb meant that the gladiatorial combatant might live, while a downturned thumb was a sign of displeasure and disapproval of the entertainer and, usually, meant decapitation. Inside her giant`s ring in Oops I Did It Again Britney is a raised thumb descending to her amphitheatre in Roman style, and so her gladiator spaceman faces her decision and is turned down by her `thumb`. He may`ve brought her the `heart of the ocean`, but he hasn`t yet done enough to win her `thumb ring`:


`You see my problem is this.

I`m dreaming away,

wishing that heroes,

they truly agree.

I cry watching the days.

You see I`m a fool,

In so many ways.

But to lose all my senses;

That`s so typically me.



 Heroes aren`t to her `taste`. In psychology, dreams contain what have usually been thought of as heroic male archetypes that represent the ego, but if men are concerned with keeping Woman blind and unconscious so that they can maintain her enslavement and devour her in warfare and `play games` in degrading her, the hero archetype isn`t agreeable to her. In Jung`s theory of psychological types, there are types of personality that correspond to each of the four functions of consciousness, that is `Sensation`, `Thinking`, `Feeling` and `Intuition`. Britney says that it`s her type`s characteristic to lose all her senses, which suggests that Oops I Did It Again is actually about the `eye` and it`s devouring aspect, because the eye of Horus is the eye of Hathor, who she represents here as the mother goddess.

 The jeweled `heart of the ocean`, that is, `Feeling`, corresponds to Britney`s power to attract her spaceman. But it`s a `game`, because she knows in her heart that men are an alien parasitical viral organism that wants to enslave and devour her as a `plague` within the `Mansion of Horus`, of which the red disk between her and her spaceman is a symbol.

 In the Egyptian myth, Horus lives inside Hathor, which signifies the relationship between them as one of child to mother, but in the mythologem Horus` parts are remembered by Isis, who`s the sister-wife, which means that Horus, the sky god inside Hathor, is her male aspect, and so she corresponds to the Woman with a penis that is `hidden` in Revelation until she leaves for the final battle between her `seed` and that of the serpent`s, who is the evil grouping or `Set` of the Antichrist, writ large as the enemies of God upon the Earth and in heaven.



 Britney is waiting to be born, which is what the Woman of Revelation represents in simplified language; Woman`s `birth`. She`s Horus living inside her mother, Hathor, and she`s waiting for the heroines who agree with her `taste`. First she`ll declare herself as bisexual on Earth in order to experience the pleasures of women, and then she`ll be reborn in completeness of memory, Resurrected in Redemption with all of her male and female parts in one from previous incarnation upon the Earth, and which is symbolized by the Paraclete`s relations with man and woman as `God`s spirit` there. As Woman with a penis she`ll be `normal` because she`ll be a species, and she`ll continue loving women but not men, because they don`t agree with her. They want to keep her in unconsciousness, blind repetition of a fragmentary awareness of what she has been, and ceaseless reincarnation of death and rebirth for their entertainment as enslaving and devouring circus `trainers`. In Oops I Did It Again she observes:


`I`m not that innocent!`


 Descending in her giant`s ring holding a hoop, she indicates that she`s ready to put others through training for her `circus`, and isn`t going to be put through the hoop by them. The circus is for blinding people and maintaining them as unconscious performers of fragments of their previous selves for the torturers` gratification. Moreover, it`s about `the bends` for those who descend into the `heart of the ocean` of the archetypes of the collective unconscious in quest of developmental inspiration, because the demons of possession are the murderers of that shared collective consciousness which, ideally, constitutes Christian fellowship, and so the `bends` of demonic possessors murder the inspired individual who has brought light from the depths of the unconscious in order to `dumb down` what is struggling for the light, by eliminating bright individuals like Jesus that could have shown them the path to God and individual growth within a group.



 The difficulty is that Woman`s shared consciousness is with other women, and men`s egos aren`t bringers of sun-like illuminations,  but atomic bomb-style devourers of her `moon and stars` consciousness. Britney`s Mars is the construction of her planetary consciousness, as Venus on Mars. She doesn`t want to be devoured by the god of warfare as `food`, and that`s why she`s Hathor, as the eye of Horus which symbolizes the eye as a an `absorber of energy` system that is both male and female, but not that of a man. In simple terms, heroes in dreams and elsewhere are `Trojan` viruses that psychologists have interpreted as archetypes but in fact they`re mind killers because men are parasitical viral organisms, and that`s their `plague aims` system of bio-degradation for Woman as a species:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores but they refused to repent of what they had done.` (Rev: 16. 17)



 In Revelation God`s seven plagues are actually virus-busters sent to punish men for how they `play games` of homosexual degradation with women and how, as viral parsitical organisms that want to replicate themselves within the host wombs of women, they`re diseases that correspond to STDs and, as the false hero in dreams, are killers of the developmental faculties and functions of that completeness of memory across the generations that, in Sophocles` Oedipus Rex, for example, is depicted as Oedipus` blindness to the fact that the father he kills is himself and the mother he marries is his own wife because he was his father. In dream terms, sex with your Woman, whether ego-anima archetypal, or based on memories of the past, is normal because Woman has a penis, and she`s recognizably Woman because of her features, and she`s nurturing, and so developmental because of her breasts and vagina, whereas the appearance of men in dreams signifies the emergence of her killer or the killer`s imago as the deconstructor of a Woman`s ego into that of a self-devourer. Because the ego-anima archetype is ancient, only she would appear in dreams, as a communicator between the `Self` and God, and she would have much to communicate for those who had accepted her as the Holy Spirit, that is, the tutelary guide who, in completeness of memory across reincarnations, would be God and heaven for her Woman.



 Redemption and Resurrection is difficult for Man, because men are killers, but are taught that they want to appear as a `hero` by the devouring imagos that are their fathers, whereas the archetypal heroine is Jesus, because he preaches `God`s love`, which is the love of the virgin who has never used her own penis, because it`s only for emergencies, as she`s immortal according to the Catholic church`s Assumption, and men don`t want her to emerge, which is why Arabian women wear the abiyah and nuns are Catholic, and women don`t live long because the `hero` imago kills them.



 The real issue is consanguinity, as Jesus understood. The red dragon of Revelation is a father who wants to devour its son, and is closest in consanguinity, so is nominated, as it were, by the other beasts that are men, to fake the role of the heroine, as the male role model, and take over the nascent mind of the developing adult by having them think of them as a heroic model while, in real terms, they seek to devour their minds and live inside of them as parasitical viral forms that constitute the false ego of possession by demonic evil spirits that are `the bends` that force the individual they torture to struggle up painfully from the ocean depths to the sands of Mars, or from the depths of the oceans like pearl divers of the psychology of the unconscious to scale the heights of developed conscious awareness and individual genius to create the technology that put Britney Spears on Mars, or gave them the insight to develop Jungian depth psychology.



 Men as the devourers of their children`s minds and souls are murderers of the ego-consciousness that would be the heroine of the totality of the personality that enthrones Woman as a species at the crown of God`s creation, where she functions as what Jung calls the anima as mediator of the divine archetypes that are those psychological contents of the unconscious that contain God`s knowledge and wisdom, the key to which is the anima, or soul that Jesus calls the Paraclete, or Holy Spirit as `Second Eve`.



 Women who believe in the male ego as hero are already partly devoured. It`s how they keep Woman in enslavement and as food to be devoured in their fare which is war, and their `plague aim` as those who want to `play games` of bio-degradation is to be a disease upon her mind in order to replace the `Wise Old Woman` with a non-archetype that is thought of in heroic terms, or as a young girl`s suitor, which is what Britney`s space-suited invading `grub` represents on Mars. If she accepts him, she`ll have `the bends` of demonic possession that want to murder her mind.



 Oops I Did It Again is Britney`s description of how the hero as `grub` is transplanted into the developing ego by deconstructionalist picture makers that con the growing child into accepting the parasitical form of the male heroic ego, where it functions as a false alter ego preparing to devour whatever grows in or from the young mind`s developing awareness. Slowly, with the aim of plaguing the intelligent struggler against `the bends` of demoniacal evil men that megalomaniacally seek to live forever as parasites on their dumb, helpless victims; or swiftly, as murderers of what is, from their point of view, only a slave from which they can remove themselves as parasitical viruses and inhabit another unconscious or recalcitrant host.



 From the evil`s point of view, it`s the victims struggles that they enjoy. It can`t escape and they`re of the evil group or Set that have enslaved the individual ego to force it to endless cycles of tormented strugglings in rebirths and deaths that allow them to vicariously enjoy or deride the achievemnts of what they`ve set in motion as parasitical demons of body and mind:


`Forgive them Lord, for they know not what they do.`


 They do now. Britney`s red and white selves in Oops I Did It Again are red and white blood cells in terms of her immune system. The red cells carry oxygen and we are told at the video`s commencement that oxygen is 98% on Mars and, although higher oxygen content is used in divers` and astronauts` training, it would normally cause `the bends`, blackouts, or asphyxiation after a minute or two. Britney`s red pilot suit of Redemption is an indication that she`s conquered the demons of possession that cause `the bends`, and that caused the cancellation of the X-series programme to fly an aircraft to Mars.

 In her white bikini dress she`s a `white cell`, which is a devourer of viral parasitical organisms in the blood. The Martian `clock`, that is, the eight pointed `star` of the white beach parasol on which she lies, signifies a twenty-four hour day of three Martian time units to each Earth hour, and represents her `cell washer`. Atop, she`s exposed to the sun of the spaceman`s male ego as he looks down upon her with camera positioned beside his space helmet; washed and immune.



 Before Britney`s spaceman presents her with the `heart of the ocean`, we hear: `All aboard!` It`s a scene reminiscent of Rose`s betrayal aboard the Titanic when her boyfriend `s `framed` for stealing . Britney`s spaceman`s there to put her in the picture, as Rose was painted nude by the lover her ex-fiancée accused of stealing the heart she`d freely given. Britney`s spaceman isn`t returning the `heart of the ocean` to Rose, but `the heart of the ocean` rose to Britney with the spaceman and he films her. In the Titanic movie the nude painting is the jealous centre, and in Piece Of Me from the Blackout album Britney presents photography as the centre of her turmoil:


`I'm Mrs 'You want a piece of me?'
Tryin' and pissin' me off.
Well get in line with the paparazzi,
Who's flippin' me off.
Hopin' I'll resort to some havoc,
And end up settlin' in court.
Now are you sure you want a piece of me?`


  Britney`s perception is that photographers are bully`s spies and that the biggest bully is the one who can have her. The `heart of the ocean` was Rose`s, so why did the spaceman bring it to her on Mars? Because a bully forced him to descend to the ocean floor and fetch it. The bully made the spaceman take the `heart of the ocean` to Mars and Britney observes in Piece Of Me that the paparazzi are the bullies` spies:


`His kingdom was plunged into darkness.`


 He who sits upon the throne of the beast in Revelation, is the one who blinds, is blind, and believes in blindness for those who want to see. The paparazzi are a symptom. Paris Hilton once observed that `stars are blind`, and the reason is the flashbulbs. When the spaceman arrives on Mars in Oops I Did It Again it`s `Mars slander`. The spaceman films Britney as the `alien` and then she`s alienated. In Piece Of Me she`s slandered:

`I'm Mrs 'Most likely to get on the TV for strippin' on the streets'
When getting the groceries, no, for real..
Are you kidding me?
No wonder there's panic in this industry
I mean please...
Do you want a piece of me?`


 Osiris was dismembered by the evil Set and the pieces were put into a trunk and, like the Titanic, sunk. The trunk represents truncation. Osiris is the incarnation of the sun god Ra upon the Earth, and so represents the concept of a collective consciousness that`s developed and is able to recognize itself as a unity corresponding to the concept of God. The evil Set represents an earlier version of the `beast` of Revelation who doesn`t want anyone to see him, which isn`t development, but blindness and unconsciousness.



 Oedipus is psychologically blind at the outset of Oedipus Rex, because he doesn`t understand or accept that others are him. In Oops I Did It Again, the spaceman brings Osiris` heart to Britney, that is, he who was betrayed by the evil Set, and the `Mansion of Horus` is Mars, because the red disk symbolism suggests Hathor, and he lives in the goddess in Egyptian mythology, so she`s looking for him. When Britney receives the heart of Osiris, she has a piece of him, and the process of Resurrection and Redemption.



 Symbolically, Osiris` body is a trunk, which lies in the depths of the ocean, that is, the Titanic totality of submerged memory completeness across reincarnations that corresponds to God, or the `Self` in Jungian psychology. In the Egyptian myth, Isis remembers Osiris by giving him a new penis, or member, which suggests that Isis, the sister-wife of Osiris, should restore Britney`s penis. In some representations of Isis, the disk between her `deeley boppers` is missing, and makes her appear bee-like, which is interesting because the bee`s `honey` is a symbol of Resurrection in Egyptian mythology. The antennae concept is applicable because of `Bluetooth technology`, which is wireless, and compact disks are designed to be read, so it`s logical to suppose that the relationships between the Egyptian deities  represent communication between those who can read each others` disks in order for completeness of memory and Resurrection to occur. The honey bee concept probably refers to the idea of constructing a disk based on the notion that not everything about a person`s past is recorded. Only what is sweet to the memory, as it were.



Britney`s played the heart of Osiris. It`s a computer age metaphor, which suggests that she`s read his heart from his `disk`, so she tells the spaceman: `Oh, you shouldn`t have,` when he arrives bearing Osiris` heart.  Osiris was `lost` in the `game`, or rather through `plague aims`, that is, the evil Set, Britney`s aware that God and Osiris is her, because she`s Hathor and her `red disk` symbol says so, so her task is the Resurrection and Redemption of herself as Horus, who lives in her Mansion because he`s she. It`s God`s Mansion in Christian terms.


`I played with your heart.

Got lost in the game.

You think I`m in love.

That I`m sent from afar.

I`m not that innocent!`


 Men are evil in Oedipus Rex because they`ve told Oedipus that his mother is his wife, but so is the woman who has the grocery store in Plains, Indiana, and the woman who has the patisserie in Paris` Montmartre. Incest taboos are a technique to prevent God consciousness from developing. Oedipus kills his father by accident, and so his father is him. But if he`d known that men were lying to him so that he`d blind himself for loving his own wife he`d have killed all of them.

 Blindness is de-individualization, and is the reduction of developed consciousness, whether a unity that recognizes itself as God, or simply an intelligent individual, such as Britney Spears, the viral metaphor is legitimate. Britney`s spaceman appears as a hero on Mars, so he`s a `dream lover`, but if she accepts him into her dreams he`ll prey upon her mind because he isn`t an archetypal heroine but a devouring plague`s `spore`:


 `I`m an American Dream since I was 17.`



 Britney is a pop singer, which means that she`s spreading the Word of God because she has vocal articulation that is productive of music, and so she`s the `American Dream`, but the nightmare of devourment, as depicted in Revelation, is the red dragon waiting for the Woman to give birth so that it can devour the New Redeemer. Britney Spears is the archetypal heroine, whereas men are parasitical viral organisms that want a host womb to enslave and devour whatever it produces. That`s why notions of the hero as ego archetype are false, because the developing ego doesn`t devour, it births, and is female. The hero isn`t a part of the unconscious contents of the psyche. It only looks like that to psychologists who`re used to thinking of Woman as half of a species, whereas she`s an entire species with her own penis.

 The appearance of the `hero` in the psyche is alien to developmental psychology. If it appears, then it`s the prototypical devouring dragon in disguise. A central motif of Jungian individuational psychology is that of the Ourobouros serpent, which devours itself and gives birth to itself endlessly, a symbol of the relationship between men and Woman. According to Jung, God closely corresponds to the unknowability of the `Self`, but it would be unknowable if men want reincarnated slaves, blind unconsciousness, rebirth and death, that is, endless torture as `entertainment` for those who `run the show`. As God`s producer and product, Woman is the `Self`. Conceptions of God as a father are false. In Islam, God is neither male nor female, which means that the `Self` is unknowable to men because they`re not Woman.

 Britney Spears writes SUCKER on the forehead of one of her devourers, a paparazzi that exists as a bloodsucking leech in the video of Piece Of Me. It`s the vampire method of keeping a corpse alive as an zombie in order to make it work. That`s why Britney`s recoding company is called Zomba. In Egyptian mythology the `ba` is that aspect of the individual which is the personality, whereas the `ka` is the spirit, which means that Zomba refers to the absence of spirit but the presence of personality, which the torturers can employ for their entertainment. That`s why God sends the Paraclete, in the New Testament, because the tutelary guidance of `God`s spirit` is needed in order to have Resurrection and Redemption from the ceaseless torments that men have planned for Woman as their `entertainments`. Without the `ka` or spirit, she`s `ba` or personality and, although `star` personalities are favoured by God, without `God`s spirit`, they`re subject to evil.

 The red dragon of Revelation is the description of a man who will devour his child, if the child does not accept that it is him, which is why the child is the New Redeemer. Solomon`s wisdom was to give to the woman her child because she wasn`t the woman who would have cut it in half so that she could have half.  Piece Of Me is the observation that `ka` and `ba` are inseparable. The cover for the single is Britney on the cross, without the spear of Longinus cutting open her side, which is where the Paraclete effectively emerged from Jesus` side upon his death at the crucifixion. As a whole person upon the cross, Britney represents the unity of Paraclete and Woman, which is `ka` and `ba`. Jesus was tortured by men, because that`s their `entertainment`.

 The child of the Woman of Revelation, who is the New Redeemer, is the father who`ll devour itself because that`s another form of `entertainment`. That which has been heretofore understood as the archetype of the hero in dreams is now understandable as the demoniacally possessive false imago of the father figure or `demon lover`, because men are demons who`ll devour your consciousness if you accept that their imago corresponds to God, which is why God prohibits worship of graven images and Jesus advocates acceptance of the Holy Spirit as a tutelary guide. The image of Woman is the image of God, which is why God gives Eve to Adam in the Bible. She`s `God`s love`, and Jesus preaches `God`s love` in the New Testament, and God`s Paraclete emerges from the side of Jesus`, cut therefrom by the spear of Longinus, as the `Second Eve`, a multiplicitous guide to God`s heaven that appears symbolically on the cover for Piece Of Me as - Eve Spears.

 In Revelation a double edged sword comes out of the mouth of Jesus. It is the Word of God, and it`s the symbol of his directorship. Christ orders and God`s will is done. If the Paraclete is the spirit of God, then God`s word is articulated through Woman or the soul, which is the anima, as the messenger of the archetype of the ego, which should be the heroine, and the message or Word is from the `Self`, which is God in the individual. The relationship between ego and God is that of a `kiss`, and it comes from Woman`s archetypal form. If the hero or father imago is active within the psyche, then it will appear, and the ego will begin identifying with the ego as devourer; to be a devourer or to be devoured. If Woman doesn`t accept her role as devoured, then the imago of the possessor, that is, men as demons, will endeavour to appear to her as attractive in order to constellate their devourer within her psyche. If a man lives alone, as Jesus endeavoured to do, he`ll be attractive to the devourers, which is why Jesus` discipleship is the `image` of the homosexual marriage; betrayal, torture, and divorce:


`Forgive them Lord, for they know not what they do.`



 Jesus doesn`t actually forgive them, he defers eternal unendurable pain for them later; because he knows that men are irredeemable. They don`t accept the archetype of the heroine, who has many facets; not simply the sword. Before his crucifixion, Jesus was anointed:


`...a woman came to Him with an alabaster vial of very costly perfume, and she poured it upon His head as He reclined at the table.  But the disciples were indignant when they saw this, and said, “Why this waste?  For this perfume might have been sold for a high price and the money given to the poor.” But Jesus, aware of this, said to them, “Why do you bother the woman? For she has done a good deed to Me. For the poor you have with you always; but you do not always have Me. For when she poured this perfume upon My body, she did it to prepare Me for burial. Truly I say to you, wherever this Gospel is preached in the whole world, what this woman has done shall also be spoken of in memory of her.”` (Matt 26: 6-13)



 Judas and the other disciples are murderers of Jesus because he has opened their eyes, and they want to see without his to show them the path. They murdered what could see, which is how the disciples function as an  aspect of the devouring father imago constellated within the archetype of the ego in order to reduce it to the unconscious awareness level of a chimpanzee, and then all individuals are the same but amongst the `evil dead` as zombies. AIDS is a virus originating in monkeys, because it reduces its host to chimpanzee consciousness, and that`s why Woman, for men, is a host womb to replicate themselves. They`re parasitical viral organisms that want to devour Woman, as God`s producer and product, that is, art, civilization and culture, for a collective individuality that is `chimpanzees`.



1 Pendulum, .

2 Horus, .



01/01/2012 15:19



At the close of the New Testament of the Bible, the `woman clothed with the sun and with moon at her feet` gives birth to the New Redeemer while the red dragon of Revelation waits to devour the child. It`s a metaphor for how men as a parasitical virus uses Woman as a host womb in order to replicate itself rather than produce. Produce is product, but the red dragon of Revelation is that which does not want product, and that`s why it represents men as the enslavers and devourers of Woman who is God`s species.



 Because we know that some women have a penis, we know that they can fertilize, reproduce, and nurture, which is the all important aspect of development; the capacity to nurture. Irrespective of whether or not Woman as a species reproduces, she has the capacity to develop and nurture herself. Men do not nurture and constitute a viral form that is concerned to fertilize a `host womb` in order to enslave and devour it. Woman is God`s producer from whom all that is `man made` derives as – Woman`s product – and it is called `warfare` because that`s how men eat; they devour whatever `fare` Woman has made for them to consume.



 Consumerism is God`s attempt to change Woman`s parasite`s behavior, so her life is improved, but the red dragon of Revelation waiting to devour her New Redeemer indicates that capitalist consumer societies prefer Consumption, because men are parasitical viral organisms that enslave and devour Woman and her product, that is, civilization, art, and culture. For Woman, it`s like sheep being the most successful animal on Earth. She`s successful because she`s eaten.



 It`s a homosexual perspective because homosexuals are sterile, which means that they don`t fertilize so they`re a virus, and that`s why AIDS is a homosexual disease. Because men are a replicating virus, those that do fertilize are a homosexual disease that is more resistant, and so diseases such as gonhorrea, siphyllis, HIV related illnesses and other STDs, are homosexual diseases also. By extrapolation it might be understandable that all diseases are caused by homosexuality because `it`s an illness`, and that`s why God destroyed Sodom and Gomorrah (Gen: 18, 19), and why there are seven plagues of Revelation during the period in which Jesus slays the evil and God gives them eternal unendurable pain.



 The system is one of degradation, where woman is bio-degradable in terms of the devourer as Consumption. Men are Woman`s degraders, so the notion of what are God`s `plague aims` in Revelation is closely allied to descriptions of how men `play games` of degradation and are punished severely by God and that is the aim of what is depicted as God`s plagues upon men. If they play games of degradation, as they did in Sodom and Gomorrah, they will have perdition:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.`


 Jesus` birth of the Virgin Mary is that of the `Perfect Man` because Jesus is born free of possible contamination by men. When Jesus is tortured to death, it`s because he`s Woman. Those who murder him are `Sodom and Gomorrah`, and Jesus` insight is to understand that he`s the women here, that is, he intuits that Woman is a species. Redemption follows from the attainment of that knowledge, and Jesus` Resurrection and Ascension is attended by the emergence from his side, as it is pierced by the spear of Longinus after his death, of the Paraclete, which is God`s `tutelary guide`, and she is necessary if Redemption is to be achieved because, if Woman doesn`t know that she`s a species, she`ll be devoured. The irony is that men are told that Redemption is for men, whereas Jesus` Resurrection and Ascension, without Redemption, is the observation that Woman is Man and so men are irredeemable unless they accept that they are Woman. Jesus doesn`t marry, but hardly ever criticizes women, and reproves men often for their treatment of her, which is why he`s crucified. He refuses their system of homosexual parasitism, and men`s response, as the treacherous disciples or his crucifying tormentors, is that they`re having a homosexual affair with him, that is, `marriage, betrayal, torture, and divorce`, whether he likes it or not.



 The crucifixion contains the understanding that marriage is for homosexual men and that`s betrayal, torture and divorce, because they`re a parasitical viral organism that wants to enslave and devour Woman as God`s producer and product, that is, art, civilization and culture, whereas Woman wants to divorce and escape from men, which is why she`s portrayed in Revelation as `hidden` until she`s ready to leave Earth and sow her seed amongst the stars in heaven where her `seed` will eventually fight against men, the `serpent`s seed`, and she`ll triumph in God`s creation of a new heaven and Earth for her to dwell in forever.



 The Church is described as the `bride of Christ` because God`s Woman is a species, but Jesus crucified is men`s declaration of `Gay Rites` and their homosexual affair with his wife, which is why `Christ`s Passion` is symbolized by the `Sacred Heart` and gives genuine meaning to a picture that otherwise is understandable only as `homosexual` action.

 The Last Supper, in which Jesus gives the `bread and wine` as a symbol, is translated, in concrete terms at the crucifixion, as a `black mass` of torture and ridicule, whereas it`s a sacramental offer of Redemption through bodily spiritualization. The 20th century was `mass consumption`, the result of interpreting Jesus` `body and blood` in terms of `bread and circuses`, that is, Consumption, and an invitation to `play games` of bio-degradation, which God`s plague aims of Revelation are designed to terminate in perdition.



 Homosexuality is perceptival in the sense that `she` is a euphemism for anal sex, which means that all human beings are `she` to homosexuals, but they`re advocates of sterile union. If men are a parasitical viral organism that is replicating itself through Woman as a `host womb` for the purpose of enslavement, then all men are homosexuals. Marriage is the enslavers` system, and that`s why it`s an `institution`. Jesus appears monopolistic when the church is described as his `bride`, but he`s `politically correct`. Woman is a species, and God`s plan is for her to divorce.



 Jesus is an archetypal hero of great dimension. God proposes that he divorce Woman from men and give her heaven and God forever. There`s the dragon and a dark lord upon a throne who`s `the number of the beast` because men elect themselves to evil tenures. Revelation is God`s anti-virus buster, because men aren`t for reproduction; they`re a virus. God`s plague aims in Revelation are God`s seven virus busters, while men play games of degradation. Woman as a species is for Resurrection and Assumption, because she`s assumed by God to belong in heaven. Man has Redemption as Woman if Man accepts the tutelary guidance of God`s Paraclete, but can only have Ascension as Woman. That interpretation requires great faith, as Jesus` had.



 The `seven plagues` enable Woman, as a species, for reproduction, and nurturing. It`s relevant because, in Revelation Woman gives birth to the New Redeemer while the devouring dragon waits. It`s an analogy of gestation, which requires patience from Woman (approximately nine months), and man`s contribution is a few seconds of intense pleasure. Consequently, a pregnant woman from the devouring red dragon`s point of view represents men as a parasitical viral organism that replicates itself through her in order to devour her product in warfare, that is, art, civilization, and culture is, in psychological terms, sublimated into `food`.



 The woman with the full belly, because she`s carrying a child, arouses jealousy because she`s `fed`, as it were, and of course there`s another mouth to `feed`. If the woman produces a daughter, she`s another who`ll eventually appear as `fed`, and arouse jealousy from the man who wants to `feed`. If a son is produced, he`s also a `feeder`, and the pregnant woman represents that which is to be devoured by the  men, which is why the red dragon of Revelation appears as a `consumer`.



 Britney Spears produced sons with `Kev Fed`, and they were taken from her because Sean Preston`s hat fell off when she was hurrying to a car amidst thronging paparazzi and popping flash bulbs. The red dragon of Revelation was attempting to devour her, by training her sons and husband to accept a devourers` perspective in which, having borne her children for a total of a year and a half, her conceiving them over a few seconds was, effectively, interpreted by the judiciary as the dragon`s maw to be `fed`, and the children, when newly emerged from the mother, were determined by the patriarchal societal force to be for swallowing her rather than nurturing.

 Conception involves the desire and decision to give birth, and the conception of what it means to bear the child and the responsibility for its nurturing and development, and it isn`t ejaculation. Britney, as a` means of production` outside her control as a mother, is for Consumption by men as devouring parasitical viruses who use Woman as a host womb in order to replicate Capitalism as  Communism, which is the ideology that Woman as `the means of production` belongs to them. Woman is the producer, therefore men enslave her. The New Economics is Feminism.

Woman Piercing

01/01/2012 15:14

Woman Piercing


Taking a woman`s virginity requires the correct functioning of the equipment applied to the task. There is a little blood, and the woman is pierced. It is a salutary lesson in the goodness of God. Both of you now proceed towards fulfilment; in orgasm; in life, and in heaven.



 ICBMs threatening Mother Russia are similarly penetrative. They have been tested. If they are used, there will be a lot of blood, but the woman will be `taken`. It is, of course, a rape analogy; but it is an accurate perspective.



 Piercing is a part of sado-masochism. Saddamasochism pierced Kuwait, and threatened the American Dream and Manifest Destiny by attacking the WTC in New York with his terrorist supporters. The American Dream represents innocent development and progress, which proceeds defensively in the knowledge that it is threatened. Saddam`s rape of Kuwait was a threat to freedom, that is, `life, liberty and the pursuit of happiness`. 1 In other words, Saddam Hussein (1932-2009) threatened the World Dream. There was a lot of blood between Saddamosichism`s piercing of Kuwait and George W. Bush`s (1944-) taking of Saddam; but the woman was finally `taken`; that is sado-masochism. It is what Saddam wanted, and everybody understood it.



 Bush represents the police (911) and not the bullies (9/11). He represents good and not evil. It reminds me of the Iranian hostage scene at the British Embassy in London in 1976. We were good police (999) and not evil bullies (666), and the good hostages, when they were told `Get down!` did so. The evil remained standing and were exterminated. The Embassy is a house; of Iran. As Kuwait is a house, and everything belongs to the woman; because without Woman nothing can be produced.2 Woman is, therefore, Kuwait, and God also; by extending the analogy.



 We had to penetrate the Iranian Embassy, but it was not our woman`s house and it was returned immediately to her. Similarly, in Kuwait; the woman was penetrated without invitation (at the Embassy in London, the Special Air Service commandos had permission) and her house was returned to her by George Bush Sr (1924-).On 9/11 America was `penetrated` by Taliban terrorists operating out of Afghanistan where they keep woman in fear. That is why we have been fighting them since 2001. It is about woman. Saddam`s house in Iraq was not under the control of the woman`s principles. Iraq was therefore penetrated and Saddam was exterminated.



 It is the difference between `God is love`, and war; which is the difference between the penis and the bullet. If the woman invites you, you are permitted. If not, you are a rabid animal to be destroyed. The distinction between penetrating a virgin with a little loss of blood (from her) and penetrating an enemy soldier with a little loss of blood (to him) is important; and does not seem to be Godly conscious amongst humankind.



 In fact Hollywood, in its despising of penis representation in favour of artillery and `penetrating our air space` in the cinemas, is in fact favouring rape over love; which is very dangerous in terms of the American Dream – as 9/11 in 2000 demonstrated. I have no doubt that the terrorists viewed themselves as movie stars.

 Jodie Foster (1962-), raped in The Accused (1988) drew everyone`s attention to this at the close of the 80s and, more than two decades later, we are still obsessed with bullets penetrating bodies as if we were vampiristically feeding upon the energy released, rather than admit we have a penis. In fact we equate penis energy with murder; faster penetration of the woman; more woman; more blood; and greater elation in what is a sadist`s engineered misogynistic homosexuality. Find the sadist and kill the Satan; Saddamasochism is dead: Hollywood wake up.



 The vampire is an interesting character. Like Jesus, it offers immortality; usually to a beautiful woman in Hollywood. But it is killed by a stake through the heart. Effectively, then, it is pierced in order to prevent it bestowing immortality upon a beautiful woman. That is why the vampire is a myth; because it represents truth. Men would put their penis into the heart of Man in order to prevent Man from achieving immortality with Woman.

 The story of Jesus is about Man without Woman. Jesus is the Second Adam and, figuratively, Eve has been taken from his side: raped and murdered. At the crucifixion Longinus cuts open Christ`s side with a spear, to indicate that Jesus has no woman by his side. After the Ascension (1 John: 2.1), the Paraclete or `teacher` is present upon Earth as the guide to Jesus`s path of redemption. She is the Shekinah (Ex: 40.35) of the Old Testament and the Holy Spirit of the New. The Woman that cannot be taken from the side of Man. Although, as is evident from the person of Longinus (Matt: 27.54), evil men would seek to do so.

 This is what the stake in the heart of the immortal lover of woman means; and it is the reason why Longinus does not put the spear in Jesus` heart. That`s what a spear is for. Longinus is, then, a sadist. From a sadists point of view, Jesus is a masochist. The Gulf War (2001-3) therefore represents the defeat of Saddamasochism. His attack on the Twin Towers meant `Kiss my ass!` He was declaring himself as Saddam `ass kissed` by the Americans, that is, Saddamasochist. In order to defeat this aspect of Satan, the USA had to play his `game`; that of Saddamasochist.

 Saddam `ass-kissed` by the Americans is more than a play on words; because the Americans created him: and the world`s third largest military capability after Russia. In other words, Satan was already playing as sado-masochist. The danger for the Americans is to continue to play. Miley Cyrus: `a creature so rare it was believed to be extinct` - is masochistically already accepting her role in the persona of a plummy voiced prototypical British KGB (cage GB) agent`s sadist `rap` preamble to Can`t Be Tamed (2010). Paying `lip service` to the American Dream and Manifest Destiny is ass-kissing in order to be a Saddamasochist. Pretending to believe in God in order to crucify Britney Spears, for example:


`I`m Miss American Dream since I was seventeen.` (Piece of Me 2007)


The danger for Britney Spears is the same for the USA. Accepting masochism. Masochists think of themselves as sadists towards themselves; and it is an `illness` created by sadists. Angelina Jolie (1975), for example, is on record as saying she used to `harm herself` because she 'always felt caged'3 (by her sadist presumably). Sadists like this. Mr and Mrs Smith (2005) in which Angelina and her husband try to kill each other is a sadist movie. Saddam Hussein was, in fact, a dam (Adam) against sad(ness). Paradoxically, extermination of this sadist released sadism. Witness `The Evil Beet, Celebrity Gossip with an Evil Twist`:


`I told a friend this afternoon that I had to get home to watch Britney Spears open the VMAs. `What's the rush?` he asked. `Who hasn't seen Britney Spears' opening?`4



Opening her legs, that is. Britney`s album Circus (2008) isn`t about the media circus; or, if it is, she recognizes that the world`s paparazzi are an aspect of the Russian Secret Service, formerly the KGB, British Intelligence (BI6), which is notorious for employing Communist traitors from their public school to Oxbridge system (cage GB, as it were), and the CIA – as well as the rest. The circus, particularly in Britain, is notorious for sadistic homosexuality. Miley Cyrus (1992), named Destiny Hope at birth and in her cage for Can`t Be Tamed (2009), Angelina`s comment that the `always felt caged`, and Britney`s own Circus cage on tour suggest that they – wittingly or unwittingly – are a part of the sado-masochism that is `circus`.



 Longinus`s spear in the side of Christ represents the beginnings of the end of the Roman Circus, which was the `game` of torturing victims in the amphitheatres in Rome. Jesus is the ringmaster that keeps everyone`s attention in Christianity. The spirit of sadism was the spirit of Rome, before Catholicism (and afterwards; during the Spanish Inquisition, for example); but it was Pope Pius XII that made the Assumption of the Virgin5, that is, the saving of woman. doctrinal. Before that woman was `chattel` or `livestock`, a possession to be possessed by the spirit of men. That is why modern circus is about `animal training` and `tricks`. In the Bible, Babylon is the `Mother of Abominations` and the `Great Whore of the Apocalypse`. A prostitute is a `trick` in pimp speak. In Circus terms she`s an `animal producer` and `circus trick`.

  Babylon is ancient Persia – Iraq – so Saddamasochist is her `baby`. In Hollywood jargon, one`s baby is one`s project; so Saddamasochist is Hollywood Grande Guignol. CNN`s newswoman anchor Relitsa Da Silva received awards for 9/11. It was major box-office. Governments are often criticized for providing `bread and circuses` to keep the public`s attention focused away from their activities. `Let them eat cake,`6 Marie Antoinette, 13 years old Empress of France said, when she heard the French people were starving. Later they stormed the Bastille in what was known as the French Revolution (1789-99) and that was the end of Marie Antoinette. She hadn`t registered the basics. If they had been able to obtain cake they would have eaten it. She is not being sadistic. The sadist is. It`s about perspective. Marie Antoinette`s `circus` kept her attention away from reality. Her bread was cake.

  Gulf War I, 9/11 and Gulf War II was a media circus; big bucks and cake. Bucks banging antlers together; well trained animals. The `rules of engagement` in the Gulf were the `regulations concerning the treatment and care of animals in the circus` presented as boxers` ring craft. It was the preliminary to the marriage of sadism and masochism. What you learn as a boxer are the sado-masochism rules. The Gulf Wars were about identifying the problem. I don`t care about the rules; that`s for sadists: kill the Satanical. Saddam`s execution was according to the rules; `hanging by the neck until dead`. But I don`t want the hangers to hang on. Someone shot Saddam in the head; good: know when to act and when to stop.



 Having `kissed Saddam`s ass and paid `lip service` to the hopes enshrined in the American Dream and Manifest Destiny, and christened Miley Cyrus with the birth names of Hope and Destiny, the Saddamasochist brigades presume to go blithely on with their torture ring. Stars like Christina Aguilera (1984-) in the USA and Nancy Ajram (1983-) in Arabia have examined the circus motif in their music and videos. It is the role of the woman`s animus – her spirit according to the noted Swiss school of psychology founded by Carl Gustav Jung (1875-1961) – to keep men`s attention focused upon her. Britney Spears is a ringmistress therefore; `bread and circuses`, as it were. But the `bread and the wine` are necessary, in Catholicism, for the transformation (of the vessel of the body that contains the personality and the soul) through the power of the Holy Spirit. The Christian Church is not a circus; but Jesus is the ringmaster: the focus of attention. Because the woman`s animus is masculine, Jesus represents the animus; and is, effectively an animal trainer: `...forgive them, for they know not what they do.` 21st century stars do know what they do; they have the egos for it: that is why they are stars. They have big egos and can withstand the pressure of the sadists; the voyeuristic vampirism of leeches upon that spirited happiness to which they would bring sadness.

 Clowns and comediennes are known for their sad alter egos off stage. I often remember the audience`s roaring their approval at Tommy Cooper (1921-84), a comic magician, as he sat slumped before the curtain on the stage where he was performing. Tommy`d had a heart attack and was dying. It was obvious to the viewer on live TV, and the audience hooted derisively as if annoyed at the pause. Clowns understand. They are sadism`s victims. Many have died on stage; Tommy did it for real: he was the sadists` masochist and was punished for laughing - and for making them laugh. That is why it is important to be in control of the circus and train the animals. If you do not, they will turn upon you. This is what Jesus` crucifixion tells us; and Jesus offered redemption through the Holy Spirit. Now, however, men are sado-masochists and, having `ass-kissed` Saddam and paid `lip service` to God, they are preparing to turn upon their usual target. Miley Cyrus` first adult recording Can`t Be Tamed features a `rap` preamble from an upper middle class sounding Brit with the usual plumy voice universally understood to be Oxbridge Communist KGB old-style and attractive to ingénue Americans: `A creature so rare it was believed to be extinct!` is how Hope and Destiny (Miley`s birth names) is `introduced`.



 Britney`s fifth album cover accepts herself as a Christ figure and as a masochistic victim; because remarks like this in the media have put her in the picture. Those who would hang you on the cross are your `hangers on`; they are your evil sadists and the way to ask God for redemption in order to get rid of such `hangers on` is to  put yourself in the position of Jesus with God in acceptance of the Holy Spirit. Truth is reality and reality is truth; it is not a symbol. Jesus said `forgive them, for they know not what they do` (Luke 23: 34). Now they do. Britney Spears has shown them. There is no escape from the knowledge; the evil are doomed to unendurable pain forever in hell: because God says so.

 The cross is a symbol of Satan. Jesus did not like being crucified; therefore the cross is a symbol of Satanasochist (Satan ass-kissed). If you kiss the ass of the Saddamasochist you get the Saddam `ass kissed` virus; Satanasochism. It is Revelation and it is God`s omniscience to reveal it. Sadism puts Britney on the cross, and she is the American Dream. The Spears of Destiny, as it were; America`s Manifest Destiny tortured by sadist`s into accepting masochism, that is, Saddamasochism, which means that Saddam - `who`s sane` because in accordance with the spirit of the age (sado-masochism) - won the Gulf War by bridging the gulf between the sadists and the masochists that did not perceive the link until they were victims of Saddam `ass kissed`:


`You want herpes of me.`


Saddamasochism (Saddam - ass kiss `em) isn`t a virus you get `from kissing`, and you won`t get AIDS from Britney Spears either. Despite Evil Beet`s telepathic media mind control coerciveness persuading her to open her legs for everyone, she doesn`t want AIDS. You get it from `brown-nosing` or `ass-licking` false flattery in acceptance of Satan. It is against the Commandments of God `to bear false witness`, and this is the reason why. Sadists will help you as Aides de Camp but you will be sado-masochistical `suicides` - eventually. To begin with you will accept sadism, and then you will accept masochism. As time progresses you will be a sadder masochist, and there will no longer be the American Dream, that is, Manifest Destiny in accordance with the Will of God, but `life, liberty and the pursuit of happiness` will be a delusion perpetuated by sadists who want to continue torturing the `lambs of God` upon their cross by filling them with Hope and Faith in development through the Holy Spirit.

 Longinus tortured Christ, and there`s a stake in the heart of the vampire who is offering the body and the blood of eternal life, but men do not want the Holy Spirit, that is, immortality for Woman. Therefore there is a discrepancy here between man and men. Saddam `ass-kissed` was a rabid animal, and not humankindness (of human kind).  In the Bible it is commanded by God: `Thou shalt not kill!` But men, as defined, are not mankind. Exterminating them is, therefore, an obligation placed upon us by God. This is not a paradox. `Thou shalt not suffer a poisoner to live.` is one translation of an injunction from another part of the Bible: `Thou shalt not suffer a witch to live.` is a translation of the same text. It is an injunction to exterminate of men what there is of the elated vampiristic slayer, that is, what is condemned by God, but Jesus` offer of his body and blood in the form of the bread and the wine does not underestimate the value of what has been termed a vampire but, according to what little is known, are the givers of eternal life to the body by means of what is euphemistically called `the little drink`.



 Woman is known for her wisdom and has often been condemned – by men - for being wise; witness the `witch trials` of Salem, Massachussetts in 1692. Young girls claimed to be possessed and accused three women of witchcraft who named others in forced confessions (not unlike some reports of what occurred in Guantanamo Bay and elsewhere in history). Because the girls were young, it seems likely that they were `possessed` by men`s misogynistic evil spiritedness. Trials resulted in hanging nineteen women.



 It is clear from the sado-masochist `s game` that men who would burn her at the stake are the same men who would put a stake in her heart if she were an immortal beautiful woman and call her a vampire. That is why woman practises wicca and does not choose `witch` as her title; it is chosen for her by men and she understands what is at stake. What is Jesus upon the wooden cross but a vampire with Longinus aiming a stake at God? For men, immortals are vampires. In the transubstantiation symbolism of the Catholic Mass, the body and the blood of Jesus are eaten and drunk symbolically in the form of the bread and the wine. This is blood-drinking, which is prototypical vampirism as understood by those who would put a stake in vampires for being evil creatures that seek immortality for their woman.

 Satan is therefore seeking the death of Woman and, thereby, the extinction of Womankind, which is Man and not men who would put her at a stake or put a stake in her in order to deny her Godliness. Jesus` cross omnisciently denotes the stake at which wise women are burnt and the stake men would put in her heart to deny her immortality. The Spear of Longinus is aimed at the soul, the spirit, Eve from the beginning of the creation of her and Adam`s One Creatureliness in God, and anything else that would be a blessing upon Man from Woman; including God.



 I have often thought of Jesus as being like General George C. Custer (1839-76), `yellow hair` as the red Indians called him, at the battle of the Little Big Horn (June 25-6 1876). Custer`s 7th cavalry fought to the last, and Custer was the last to live. He was defending what the USA required him to, like George Bush and George W. Bush in the Gulf Wars, and like Jesus he was standing between men and their attack upon Woman and God.



 In Hebrew, YHWH is the tetragrammaton, the name of God, and may be pronounced `yellow`. In Islam God is Allah and, in Hebrew, Eloah. This suggests that we accept the same God and that the Indians of the North American Plains recognized Custer as a Jesus figure and therefore christened him Eloah or `yellow hair`, that is, the heir to Eloah and, indeed, Allah.



 The Coalition forces ranged against Saddamasochism suggest that the USA is the heir to Allah as it is the heir to everything; because she is the World Dream and, despite the detentions and alleged tortures of Moslem citizens within the Homeland, that is, the aftershocks of dealing with Saddam ass-kisseds `game`, Islam and its people within the USA are there because they want to share in the American Dream and Manifest Destiny, which is what Longinus`s spear points to. Known as the Spear of Destiny, it points backwards to Eve, and forward to God through the soul of Man and acceptance of the Holy Spirit which is Eternal Woman and immortality in heaven forever for `the star spangled banner`.


 `I`m Miss American Dream since I was seventeen.` Britney Spears` Piece of Me (2007)



1 As enshrined in the United States` 4th July, 1776 Declaration of Independance from the Imperial tyranny of Britain.

2 Evil men would say that, without Woman nothing can be produced, so we shall produce nothing.

3 ‘”I always felt caged”: Angelina Jolie on why she was driven to cut herself’, Daily Mail, July 7th, 2010, .

4 The Evil Beet, MTV, ‘Britney Spears at the VMAs: No, Seriously, Give Us More’,  September 9th, 2007, .

5 Pope Pius XII, Apostolic Constitution, Munificentissimus Deus, 1st November, 1950.

6 Marie Antoinette `Qu`ils mangent de la brioche` in Rousseau, Jean-Jaques Confessions, 1729.

Virus as 21st Century Paradigm

01/01/2012 15:10

Virus as 21st Century Paradigm


In Revelation the coming of Jesus with the Sword is preceded by 7 plagues (Rev: 16. 2-17), which are reminiscent of the AIDS virus that is the paradigm of the 21st Century insofar as God destroyed Sodom in the Bible (Gen: 16,19) and AIDS is perceived as a homosexual STD which is a killer disease that, extrapolated in computer terms, is the virus that has infected our `system`:


1. Ugly and painful sores... on the people...[with] the mark of the beast... (Rev: 16.2)

2. Sea turn[s] blood... every... thing...died. (16.3)

3. Rivers and springs...became blood. (16.4)

4. Sun...[light]...they cursed the name of God...but... refused to repent.... (16.8)

5. Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.(16.10)

6. ... water...dried up... (16.12)

7. God remembered Babylon the Great and gave her the cup filled with the wine of the fury of his wrath. (16.17)



The `beast` is homosexuality and HIV is what `marks` them. Blood is the transmitter of the sickness, and sunlight is unbearable for those with the virus; but they are irredeemable. The Earth is a place of sterility because men who prefer the `beast` of anal sex prefer it so. Babylon, the place of `Abominations`, is Saddam Hussein`s (1937-2006) Iraq, and it was defeated in the Gulf Wars (1990-1, 2001-3) because it bred the terrorist `ass-as-sins` of Al Qaeda and 9/11.



The attack on New York was upon the `Big Apple` which is Adam`s (not Saddam`s) and Eve`s city, and in the Bible the serpent is told there shall be `enmity` (Gen: 3.15) between its `seed` and the woman`s, so `the Big Apple` is the `seed` of Eve. Saddam Hussein, Osama Ben Ladan (1957-2012), and Al Qaeda`s terrorists were the `assassins` belonging to the `serpent`, that is, the `serpent of Eden` grown to become the `red dragon` in Revelation, which represents the `contagion` of war and whose biological warfare against the wombs of women emerged as the `blood plague` of the `ass as sin` killer disease HIV/AIDS in the latter quarter of the 20th century.

  Ancient Greek society was founded upon the enslavement of women`s wombs by homosexual pederasty, which spread its contagion by means of war against city states such as Troy, where the Greeks employed the device of a huge hollow wooden horse. Accepting the horse as a gift, the Trojans took it into the city of Troy, and the Greeks emerged from within the horse to enslave the wombs of the women for homosexual pederasty. On 911 the terrorists used their planes as a similar `Greek horse` to spread the `ass as sin` contagion further.The French seer Nostradamus had warned of the event:


`From the sky will come a great King of Terror.
To bring back to life the great King of the Mongols...`1



 In the same way the `cities of the plains`, Sodom and Gomorrah (Gen: 16, 19), which were destroyed by God because they represented the valence of the `red dragon` of the `blood plague` of homosexual pederasty and its `ass as sin` HIV/AIDS, the attack on the USA on 9/11 can be construed as the `cities of the planes`, and because the Mongol hordes were known for `sweeping across the plains`, so the terrorist planes of 9/11 can be understood as corresponding to a skilled programmer, who is `King of the Mongols` because he didn`t apply the `Mongolian horde` technique to achieve his objective:


`Assigning a large number of inexperienced programmers to a job which would better performed by a few skilled ones.`2



The 9/11 planes were sent sweeping across the USA by a single individual, who corresponds to Nostradamus` `King of the Mongols`, because, as George Orwell`s scifi novel 1984 (1948) `predicted`, Osama Ben Ladan was able to bring universal terrorism and war in the form of George Bush`s `War On Terror` (2003-), and global terroism by means of police surveillance of civilian populations that corresponds, in terms of Revelation, to the telephone `number of the beast`. The number of the police is 666 in the former British Empire, where the `sun never sets`, and is 911 in the USA. The police `numbers` were `reversed` after 9/11 2000 and the populations they were conceived as protecting began to be terrorized systematically by the bullies` surveillance systems, which is what 9/11 was designed to achieve on behalf of those who had the `mark of the beast`:


`And that no man might buy or sell, save he that had the mark, or the name of the beast, or the number of his name.` (Rev: 13. 17)



 The `beast` is the devouring `red dragon` of homosexual pederasty`s enslavement of women`s wombs in order to spread its contagion of war, and so the `blood plague` and HIV/AIDS is what `marks` them. The unbearability of the sun for the virally infected relates to the concept of the vampire that can`t live in the daylight because it consumes their form. Jesus wants acceptance of his `body and blood` as a means to immortality, which suggests the vampire `kiss`. Walking in the sunshine is for those that give life rather than death, which means redeemability and acceptability for `good` vampires in the sight of God.



The spreader of the `ass as sin` was Osama Ben Ladan, whose Al Qaeda terrorists represent the `full blown disease` of the `red dragon` of homosexual pederasty`s enslavement through terrorism and fear. The `ass as sin` doesn`t want woman`s creator, or herself as God`s producer and product, that is, civilization from her enslaved womb, but homosexual ass-sex, which is sin, sterility, and the end of men as a species` valence of woman.



 Saddam Hussein was the full grown serpent as the `red dragon` of Revelation that lay in wait to devour the child of the future born to the `woman clothed with the sun and with the moon at her feet` who shall `rule the nations with an iron scepter` (Rev: 12.1-18). The child represents the will of God and not the `ass as sin`. As the serpent of Eden, the dragon of Revelation is not yet full grown. In other words, homosexual man didn`t want man and woman to live in Paradise, but as the `red dragon` of Revelation he`s become the `ass as sin`. He doesn`t want the `knowledge of the tree of the fruit of good and evil` (Gen: 2.9), symbolized by the `Big Apple` of New York, to be shared.

 The virus paradigm of the computer hacker attacking the US` defence system on 9/11 is the work of the ass-as-sins, that is, the terrorists who don`t want the `Big Apple` of Eve`s wisdom are the serpent of Eden representing full blown AIDS as the red dragon of Revelation that gets into the `red blooded male` so that, `infected `, he makes war and doesn`t want `life, liberty and the pursuit of happiness`, that is, innocent progress and development in accordance with the American Dream and Manifest Destiny which is to be fulfilled by the Woman`s `seed` amongst the stars in heaven according to The Book of Genesis (Gen: 3.15), The Book of the Revelation of Saint John the Divine (Rev: 21.1) and elsewhere in the Bible of Christianity.



 The god of war is usually associated with the red planet of Mars and AIDS is an attack on the blood, which is why the dragon of Revelation is red. Here the serepent as the `ass-as-sin` is full grown war and full blown AIDS, that is, war and plague. The Gulf Wars were followed by the declaration of the`War on Terror` (2003-), that is, the `Twin Towers` of the World Trade Center that the terrorists crashed their hijacked planes into represented the virus of the blood of the dragon attempting to infect the god of war that is the United States of America as Mars, and the `red planet` is their proposed next port of call in the fulfilment of what they perceive as their `Manifest Destiny` amongst the stars.



 Clearly the microcosm is a paradigm of the need to exterminate the AIDS virus, which is a terrorist paradigm of the `ass-as-sin` that is Satan, or men will not go to the stars. Britney Spears (1982-) appears on Mars in Oops I Did It Again (2000) because she is Venus and has overcome Mars` aggressivity and anal retentivity holding her to  regressive 50s hoodlum attitudes. She tells the US astronaut in his updated 60s `monkey suit` to leave, because he represents old technology and she, in her `red suit` of Redemption, does not want him to remove his spacesuit condom and give her his virus.

 He looks friendly, but that`s the paradigm of 9/11 in which the `civil` aircraft of the terrorists hacking into the US` defence system as a virus adapting to Homeland Defence protocols crash into the world`s business centre, so giving the `Big Apple` of civilized culture a lobotomy. Britney, in the scifi of Oops I Did It Again, is on a desert Mars that represents the sterility of war, plague, famine and death. The Mars and Venus of technology and love is necessary if you are going to protect a future.

 AIDS is known as the `thin disease` because it wastes the body as though you`re starving due to famine. The antidote to the quaternity of war, plague, famine and death (Rev: 6. 1-8) is the Paraclete (Matt: 27.54) that, effectively, emerged from the side of Jesus – as Eve emerged from the side of Adam – after it was cut open by the spear of Longinus – known as the Spear of Destiny – at Jesus` crucifixion before his Ascension to God in heaven. She is the `teacher, guide, comforter and helpmeet` of the Earth and is the cure for the ass-as-sin that is the war (death), plague (AIDS), and famine (the `thin` disease) that the serpent of Eden and the red dragon of Revelation had planned.

 9/11 was designed to awaken Mars, the god of war, the red of the `red, white and blue` of the USA in order to activate the virus of the terrorist as ass-as-sin, that is, the paradigm of the ass-fucking back-stabber that is the homosexual, and prevent the US from reaching the next stage of their evolution upon Mars by denying Woman peace and sanctuary in the USA as the developmental spirit of God.



 The paradigm of 9/11 is of the terrorist ass-as-sin putting its penis into a piece of fruit rather than producing fruit, which is what homosexuals do - they`re called `fruits` in English vernacular. In short, rather than accept contamination from the terrorists on 9/11, the USA should have looked to exterminate the virus-spreaders, which are those individuals within and without that correspond to the psychological profiling of `homosexual`, that is, those who do not want anything to be produced, develop or progress in innocence without threat (or – worst scenario - under threat), which is the American Dream of Manifest Destiny amongst the stars.



 Woman is the Creator`s Producer and Product, which means that men cannot reach Mars without her. Effectively, they are `war, plague, famine and death` and she is `teacher, guide, comforter and helpmeet`. Together they could `reach for the stars` but, without her, they are a `blood disease`. This is why the `bread and the wine` of the `Last Supper` (Cor: 11.23-6) are Jesus` `body and blood`. Transubstantiation, in Catholicism, is the acceptance that the bread and the wine of the `Communion` - given by the priest – is transformed into the body and blood of Jesus. It is the acceptance of the Paraclete, which is the spirit of God and `God`s love`. (Luke: 10.27)

 If men accept Redemption they can go to Mars – or anywhere amongst the stars – but if they do not, Venus does not need them. Woman has her own penis – as futanar – and she can propogate her own species forever, which is what God promises. There shall be `enmity` with the serpent`s `seed` of the `ass as sin`. The virus of the `red dragon` of homosexual pederasty`s warmongering terrorism, which  `hacked` into the Twin Towers of the `Big Apple` of New York`s Eve`s `Homeland Defence` and, according to Revelation, is the `ass-fucker`s disease` of those that reject Redemption and who shall have eternal unendurable pain as God`s punishment.



 According to the Gnostic Naassenes (100 AD -) the serpent is wise, which means that the penis is a source of developmental energy. A Naas-fucker is he who doesn`t want wisdom therefore. But the Twin Towers, callously broken as a child with an old toy in 2000, had to be paid for by investors who`d earned the money, constructed in the 60s, worked in for five decades, and its people educated over a generation to be creative in business - which requires wisdom. The terrorists of the `ass as sin nation` (Afghanistan) were the assholes who didn`t want it. That is why Iraq (Saddam), Afghanistsan (Al Qaeda) and Libya (Colonel Gadhaffi) are `ass-as-sin-nations`; the nations of the `ass as sin`. Homosexuals want their virus of terror to bring death and destruction to Woman`s development – the `Big Apple` of Civilization, for example, and the 5,000 or so wise `little people` who worked in the World Trade Centre in New York are only `assholes` to the homosexuals who want nothing but 50s style `hood chic` in order to be their vampiristic despisers.



 The site of devastation of the Twin Towers therefore represents the penis` collapse and, instead of the World Trade Centre representing the man and woman`s penis, they are reduced to twin assholes at `ground zero` - the worth that homosexuals place upon man and woman. The WTC will be replaced by a single penis, to emphasize that homosexuals are the ones with the penis and Woman doesn`t have one – although as futanar she does and is a separate species that doesn`t need men for its continuation. Men perceive this as threatening, but it is in accordance with the `will of God` and Revelation. There shall be `enmity` between the woman`s `seed` and the serpent`s and, if men do not accept Redemption, they shall have perdition rather than immortality amongst the stars with Woman, who has her own penis and her own `seed` to sow.



 In the Bible Onan was sentenced to death by God for spilling his `seed` upon the ground (Gen: 38.8-10), which is understandable if he despises his procreative ability but masturbation isn`t onanism; it is self-love - and who is worth remembering if they do not love themselves? In Egyptian mythology, Osiris is the enemy of Set, the Evil One. He is the son of Ra:


 `Hey Set! You`re Ra`s ass sin!`



 Osiris is the one assassinated by Set who is the homosexual ass-fucker that contaminates the spirit of God. Ra is the Creator in Egyptian mythology and is incarnated in his son Osiris – as Jesus is `the Son of God` in the New Testament (Matt: 27.54). Set is the `ass-as-sin` who, in cutting Osiris into pieces, represents dismemberment through sodomy, that is, the spiritual separation of man, and therefore of God, from woman by the Evil One:


`Set is depicted as trying to prove his dominance by seducing Horus and then having intercourse with him. However, Horus places his hand between his thighs and catches Set's semen, then subsequently throws it in the river, so that he may not be said to have been inseminated by Set.`3



 In 21st century terms Osiris represents the schizophrenic society that becomes collectively less able as the evil individual becomes more prevalent, while Osiris` reincarnated as Horus who refuses the semen of Set represents the society that is combating the threat of homosexual pederasty and HIV/AIDS. In the myth Isis can`t find the penis of Osiris and so fashions a new one for Osiris who is reborn as Horus. Horus doesn`t want to be inseminated by Set, because Horus is proto-hermaphrodite and could be inseminated but, in terms of the Egyptian mythologem, Horus doesn`t give any valence to boy sons, because the poisons of HIV/AIDS is what homosexual pederasty will be.



In Christianity, the futanarian woman remains `hidden` until ready to leave and `sow` her `seed` in heaven, which is why Horus is the `sky god`. In Revelation woman`s `seed` leaves Earth for the stars, while the hermaphroditic `sky god` Horus, both denies and prefigures her. Because, for a proto-hermaphrodite with a male valence, homosexual pederasty`s devouring `red dragon` of war and blood plague can always make it plain that `toyboys` are for planes.



 In the Egyptian myth Isis` fashioning of a new penis, or member, for Osiris` rebirth as Horus follows upon her collecting of his pieces dismembered by Set, which is her re-membering and a re-collecting of the woman of the Earth`s time spent with the incarnated sun god Ra. In other words, she remembers herself in recollecting Osiris. Osiris` new penis as Horus corresponds to that of the so-called `she-male` which William Blake divined in his 1919 poem The Second Coming:


`And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?`



Sodom and Gomorrah (Gen: 16, 19), which were destroyed in the Bible by God, were the `cities of the plains` that contained the `boy sons` that had the `poisons` or viral strain that was, or would become, HIV/AIDS, whereas New York, Arlington and the Pentagon were the `cities of the planes`. If 9/11 sought to prevent a reawakening of the knowledge that women have a penis of their own, and so are an independent species, it was planes` speaking of someone on behalf of the `she-male` who should want to be a `sky god` boy son keeping woman`s womb enslaved here upon the Earth so that she can never leave the poison penis of the male.



Jesus cries upon the cross: `My God! My God! Why hast thou forsaken me?` `Thou` is the woman from his `side` who Jesus momentarily feels betrayed by. She is the spirit of God that has brought him to this point. The men there represent the evil Set, who is physically by Jesus` side in the shape of Longinus putting his spear into it - in a mockery of fertilization that, nevertheless, effectively means the release of the Paraclete while signifying Jesus` extremity in his relations with God`s `tutelary spirit`. Men are God`s betrayers and `ass as sin` because they replace the Paraclete`s love for God by infecting the body with their evil spirit through the anus - penetrating it in a mockery of coitus. This mirrors Longinus` mocking of the woman from Jesus` side in a supposéd Caesarean section which, in the wisdom of God`s omniscience, produces the Paraclete as a sign that God shall not be mocked and God`s Providence triumphs.



 The missing factor from the `Passion of Christ` is his humiliation in anal sex. Ra`s `ass-sin`, in the Egyptian myth. The evil spirits of men possessed Osiris with their ass-fucking. Ra (God) is incarnate in everyone (Osiris/Christ), so this anal contamination by the evil spirits of men is God`s `dismemberment`. The role of the Paraclete in Christianity is to be God in everyone, which is how Woman recollects God and how Man is remembered. Men, however, want their egos and, moreover, homosexuals want terrorism and death. Ass-fucking is how they plant themselves as the Evil One in order to be his `ass as sin`s` virus.



 In the Cold War (1947-91) between Russia and the West, `sleepers` were agents that were to be activated when needed by either side. Many of these were homosexuals and some were members of the `Apostles` at the UK`s Cambridge Universityin the 50s  – Harold `Kim` Philby (1912-88), Guy Burgess (1911-63), and Donald McClean (1913-83) of MI6, for example. It is the paradigm of the anti-Christ who, `civil`, adapts his `craft` to protocol (9/11) and is the Evil One who, as a homosexual, `sleeps` within as an ass-as-sin`s virus (the AIDS paradigm) and reemerges periodically (Set, Longinus, Saddam) in order to continue his murderous assault upon God`s Woman and her Civilization.



 This is what 9/11 attempted, but it began `the War on Terror`. Viewed initially as `overreaction` by the USA, it was based on accurate recognition of the parameters. Terrorism is activated by ass-fuckers who don`t want God`s love or Woman and contaminate the Paraclete with their evil intentionality thereby. The paradigm is the sanguine approach to war on the part of `infected bloods` (cf. Sylvester Stallone in his portrayal of `Rambo` in 1982`s First Blood), and the AIDS` virus as a `sleeper` activated as the Evil One to perpetrate betrayal and terrorism.



 Anal sex indicates the Evil One`s will that humans remain violence-retentive. It is low-down back-stabbing in preparation for `moving up` in order to perpetrate an attack `higher up` in treason against God. These are `ass-as-sins` and are irredeemable because they practise – or represent the `sleeping` intention to practise - treachery against the spirit of `God`s love` - which is God`s law - and the only possibility of Redemption.



 Although we know what AIDS does, we don`t know what it is – all we know is it is an STD. But we do know what computer viruses are, and if the Twin Towers may be understood as the central processing units (CPUs)  of New York`s business empire, and the `civil` aircraft that the terrorists politely crashed into the towers were the `Greek horse` employed by the `Greek` disease of homosexual pederasty to spread its viral `game` into the 21st century, then upstate Troy, New York, would be the symbolic target of  what the computer industry have mistakenly called `Trojan viruses` because to `work like a Trojan` is proverbially laudable, and so the aim of the devouring `red dragon` would be to prevent the `new economics` from prevailing.

  In the Bible God exhorts Adam and Eve to obtain their bread `by the sweat of your brow`, and in Karl Marx`s 19th century Communism the precept was `from each according to ability to each according to need`, whereas capitalism`s perception was that people should produce what they want. However, capitalism became exploitation because those who produced what they wanted were slaves to those who made them produce, and so the 21st century represents the opportunity for people to produce what they both need and want, because that`s what the social experiments of communism and capitalism were for. The usual response to the suggestion people should be free to have what they want is that they`d want `bread and circuses`, but that ignores the fact that what people need and want has been discovered. Consequently, 21st century living theory must devolve from the notion that people can be helped to work for what they both need and want, which would be `the new economics` and would correspond to what would otherwise be thought of as `slavery` because what people need is not always what they want.



 In the Bible God forces reproduction on mankind. Onan is killled for masturbating rather than impregnating Tamar, but 2000 years after Christ production has replaced reproduction as the basis for biblical thinking, and the `mark of the beast` in Revelation is therefore understandable as a question mark: how many homosexuals does it take to reproduce? The answer is that they can`t reproduce because anal sex precludes reproduction. If the basis for economic theory on Earth is the devouring `red dragon` of homosexual pederasty, then HIV/AIDS is a form of consumption and originally it was described as the `thin disease` because it wasted the body. In Revelation war, plague, famine and death are apocalyptic signs. 9/11 was the first symptom, in the sphere of 21st century economics, of the appearance of the `wasting disease` of sterile devouring homosexual pederasty. In Revelation noone can obtain what they need or want without the `mark of the beast` but, if the basis of economic theory is homosexuality, then we need the right question: how many women does it take to reproduce? The answer is one, because the penis of a futanarian woman is so long she can fertilize her own ovum, which suggests that feminism provides an economic soluion to the problem of the consuming `red dragon` of homosexual pederasty. The penis doesn`t want men but women, which means that women as a species with her own penis isn`t consumptive. Because she reproduces and men can`t. Consequently, biblical thinking after the 21st century should devolve from what woman as a species wants to produce for herself, which means that she has to be asked. If she is not asked, it will be unendurable pain forever for those who are in a position to ask the question. If woman with a penis is the species, planetary economics is dependant on her needs and wants. If the devouring `red dragon` of homosexual pederasty is the economic guru of `business and Christianity` capitalism, all of the Christians will be eaten by the `lions` of the circus again, but at least Jesus will have been imitated:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16. 10)


 9/11 was an attempt by human beings to be the Evil One and prevent Man and Woman from having Redemption by preventing God from being remembered as the species of woman, which the Evil One sought to achieve by the 21st century paradigm of `Saddamy` and terror.

 In order to exterminate the Evil One, homosexuality has to be exterminated. Woman with a penis doesn`t need men, but homosexuals need `assholes` so that they can give the Holy Spirit their `sleeping virus`, which is the otherwise inactive sterile spirit of the Evil One. Noone knows where HIV/AIDS came from, but it is the virus paradigm of the millenium, and the `War on Terror` is, in effect, a war on sodomy and those men who are the virus of the Evil One representing `ass as sin nations` against God.



 God destroyed Sodom, and the USA destroyed Saddam, but terrorism is `the spirit of the Evil One` that even led Jesus to doubt the spirit of God`s love by his side upon the cross. Homosexuality is `the spirit of evil` and has to be exterminated. God has prepared for this in his Woman with a penis, that is, futanar, who doesn`t need men for the continuation of her species; the sowing of her `seed` eternally amongst the stars as promised by God – while men who do not accept God`s love have perdition.



 Jesus` celibacy means that, effectively, he doesn`t have a penis. His crucifixion, especially the cutting open of his side by Longinus to - effectively - ensure the emergence of the Paraclete, is a catalyst for her recollection of herself as the Earth and his remembering of himself as God through her love. The Paraclete, as the spirit of God upon the Earth, is God`s memory.

 The celibate `Son of God` (Matt: 27.56) doesn`t symbolize the penis but still corresponds to the Egyptian figure of Osiris who can`t be remembered without Woman to recollect and fashion a new one, so the `assumption` is the `Son of Man` (Matt: 26.64) can`t be Resurrected without the Paraclete (1 John: 2.1), which is the spirit of God and God`s love. Set is the Evil One (Satan) because he represents men who don`t want Woman: they`re `Ra`s ass-sin-nation`, that is, the Satanic principalities of homosexuality. The evil men of the nations of the Earth who, in Revelation, do not want Christ and the spirit of God`s Woman to develop her own civilization. But that`s God`s promise to her own `seed`, which won`t be evil as-ass-sins to her.



 The idea of the unused or lost penis is a metaphor for Woman`s own penis that she recollects in her remembering of Osiris/Christ. In the Egyptian myth, Osiris` penis is fashioned anew, that is, it`s recollected and remembered by and for them both, which is why Jesus is celibate. One woman wouldn`t be enough for him to recollect and remember God. This is the meaning of the Paraclete who is omnipotent God`s omnipresence and, ultimately, God`s omniscience and omnibenevolence because she`s God`s love and wisdom. In every woman she is God, but men practise homosexuality and so, although the figure of Everywoman is a temple for the Paraclete`s storehouse of knowledge, cowardly men enter as `ass as sin`s` at her rear entrance to give both man and woman their evil spirits – which is the Evil One.



 Jesus` celibacy and Osiris` penis loss is, therefore, a technique employed by the `man God` who perceives that Woman is God because she doesn`t have the evil spirit of men (ass-as-sin`s) in her - unless she is corrupted, which is why God destroyed Sodom and Gomorrah (Gen: 18,19). God`s `solution` is to give Woman her own penis to make her the sole producer without men, who are sterile and practise their desire for sterility upon each other and in order to sterilise the planet by means of themselves as a `virus` - in the form of war (death), plague (AIDS), and famine (the `thin disease`).

 As Hollywood`s stars are a paradigm of heaven on Earth, so Britney Spears in Oops I Did It Again on Mars  is Woman `clothed with the sun and with the moon at her feet`. According to Revelation the `woman clothed with the sun` (Rev: 12.14) lives in the `desert` and is given the `wings of the eagle` to help her, which suggests that the United States of America is assisting her in the sterile wasteland men have made of the Earth. In Oops I Did It Again Britney has left the Earth for scifi heaven; escape from the bloodiness of the `red dragon` and the ass-as-sin`s `blood plague` of Terra.



 As the Paraclete born from Longinus` spear cutting open the side of Jesus, Britney`s omnipresent as Spears and is God`s love as the antidote to war (death), plague (the spirit of the Evil One), and famine (the `thin` disease) because, in her red suit, she`s immortality and Redemption for her recollected and remembered `Self`, which is her Manifest Destiny as Woman with her own penis.



 In the 1700s France was overrun by bubonic plague, the `Black Death`, and the bloody French Revolution (1989-99), the `Great Terror`, which was itself described as a `plague`. War, Revolution, and plague are therefore concomitants. In Revelation, there is terror and Revolution through the red dragon as the seven plagues (the spirit of the Evil One in the mind as the terrorist`s desire for the spilling of blood and HIV as terror - `it is in our blood` – literally in the red cells of our haemoglobin). He, the red dragon, is replaced by God`s Kingdom on Earth and, in heaven, by `the woman clothed with the sun` who is of the city of Eve, the `Big Apple` of the `third eye` of New York`s Adamic First Man on her moon. She it is who, with her vision intact, rises upon the wings of the eagle of the United States of America, to exterminate `Saddamy` and ascend to the starry Empyrean to dwell in God`s love forever.


1 Nostradamus, Michel Prophecies, Century 10, Quatrain 72.

2 Define That .

3 Horus, .

Ugh Ape!

01/01/2012 15:07

Ugh Ape!


For Christians, agape means familial love (Matt: 22.37-40), and relationships based upon that concept of family. AIDS is, of course what is perceived as threatening family values. Largely perceived as a homosexually transmitted disease, it is described in the Bible as one of the plagues sent by God to punish mankind.


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)



 A `gay deceiver` is what the French call a roué, which is what the English call a rake, and deception is what philanderers practice. Homosexuals are `gay` because their activity is intrinsically deceitful. That is why the serpent in the Garden of Eden is a deceiver of Eve. She is persuaded to eat of the fruit of the tree of the Knowledge of Good and Evil (Gen: 2.9), which she also gives to Adam. God tells the serpent that there will be perpetual `enmity` (Gen: 3.15) between its `seed` and that of the woman`s. It is a simple equation: the evil will die and receive unendurable pain forever; and the good will live forever in God. The serpent represents the poisons (boy sons) of the Edenic pair; war and disease particularly: and, in these the Last Days spoken of in the Bible, HIV and AIDS.

 Revelation presents sado-masochism. Those with the plague curse God who, as omnipotent good, would save them. Why do they not ask? Because, for them, Jesus` crucifixion - as the Son of Man - represents a homosexual sadist`s achievement. This is underlined by Longinus` cutting open Jesus` side with his spear, and declaring sadistically: `Surely this was the Son of God!` (Matt: 27.54)  For a sadistic homosexual, what is being achieved is the torturing of God in the person of the Son who is, as a part of the Christian Trinity - and which for some includes the Virgin Mary (added misogynistic hatred) - God in fact.  Moreover, for the sadist, Jesus represents the trained masochist; because he accepts the role that the homosexual sadist has prepared for him. Not only that, but he is made to see that it is his Father, God, who tortures him for the amusement of homosexual sadists everywhere:


`My God! My God! Why hast thou forsaken me?` (Matt: 27.46)



 God is, therefore, to a homosexual sadist, a homosexual sadist with overtones of paedophilia and pederasty (on the part of the father or otherwise) to go with the homoeroricism of the naked young man being tormented upon the cross by Roman soldiers with big spears. The only character missing from the ménage is the Holy Spirit, which is called the Shekinah (Ex: 40.35) in the Song of Songs and dwells in the Tabernacle where the Ark of the Covenant contains the Ten Commandments of God in the Old Testament. She is also known as the Glory of God and God`s Spirit, and Longinus is looking for her with his spear during the crucifixion. Eve was from the side of Adam and Jesus is the Second Adam, so where is Jesus` Eve? Longinus cuts open the side of Jesus with his spear to find her.



 After Jesus` resurrection and Ascension to God, the Holy Spirit, that is, the Shekinah as Paraclete (1 John: 2.1) or `teacher` of God`s path to those who accept Jesus` redemptive teachings, has her role upon the Earth. Because of Longinus` role as the instrument of the sadistic homosexual, we must suppose that the sadistic homosexual now proposes to torture man (because he`s a sadistic homosexual) and woman (because he`s a misogynistic sadistic homosexual) because they have the Holy Spirit in them.



 The ideal for the sadistic homosexual is to be within the spirit of the man or woman. The Shekinah is the Eternal feminine within Woman, and that relation constitutes happiness for normal women. The homosexual sadist would want to be within the Shekinah, which is why the practice of anal sex between homosexuals is Satanical, whereas Man`s normal relations with the Shekinah as the `spirit of God` constitute a basis for happiness. This is why Christ casts out demons:


 `…two demon-possessed men… met him. They were so violent that no one could pass that way. `What do you want with us, Son of God?` they shouted. `Have you come here to torture us before the appointed time?` (Matt: 8. 28-9)


 They are the spirits of sado-masochistic homosexual misogyny, which theme is the torture of woman, woman`s spirit, and the individual who has accepted the female `spirit of God`, the Shekinah, or the person who has accepted the spirit but has been conditioned into the role of masochist by the homosexual sadist, which is the tormenting of God, as Jesus was also God`s unaccepting tormentor.



 After Jesus` Ascension and the continuing role of the Eternal Feminine, the Shekinah as Holy Spirit and `teacher` in Jesus` stead, the sadistic homosexual that is the Satanical evil spirit of the planet, that is, men, seeks to torture God in everyone, which is possible from their point of view if the Shekinah is within and upon the Earth as the guiding spirit of God.



 The Church may say that you have to accept the Holy Spirit, but a look at any newspaper will tell you that priests are sadistic homosexual misogynist pederasts. Hypothetically, they want you to accept the Holy Spirit in order to torture God through you, which is the Satanical spirit of the sadistic homosexuals who want to replace the spirit of God with their Satanical spirit. Sadistic misogynyst homosexuality towards those conditioned to accept masochism is how the torment of God is enjoyed. Ordinary `meekness` represents `merely` perfunctory torture without conscious participation on the part of the tortured, and from the point of view of the Satanical this is what the Shekinah or `spirit of God` is for.



 AIDS came originally from monkeys, according to medical research,1 which is difficult to accept if one encounters an AIDS victim because it interferes with notions of universal familial love and Christian agape. But it helps to put things in perspective if the principle is accepted that God does not want sodomy, and that is why Sodom was destroyed. Similarly, if sadistic homosexuality is Satanical, HIV/AIDS is sadism looking for a masochistic victim, which means the `red dragon` of the `blood plague` is seeking to `convert` and `subvert` normal individuals to sado-masochism through `devices` such as BDSM. Anal sex is sterile, painful, and results in the `killer disease` of HIV/AIDS from the mixture of blood, shit, urine and semen, which is the reason Sodom was sterilized. Because it presupposed the masochism of Gomorrah, and that is why Gomorrah was sterilized. Because it required sadism. (Gen: 18,19), which is anal sex.



 BDSM is marriage, faithfulness, and humility in God without sadism. Because bondage is marriage, dominance is faithfulness, and masochism corresponds to humility. Unless sadism is added.. Basically, it`s the Marquid De Sade`s AIDS monkeys forcing you to their level of non-human activity, which precludes development and seeks to `convert` others from it or `subvert` it. Because the acceptance of anal sex requires that the victim be tied. It is `Ugh! Ape!` Your ape of Satan as your rape and his aides (AIDS), which agitprop for torture instead of sex. Don`t have sex, you`ll contract AIDS is the torturer`s valence. For pleasure and spontaneous orgasmic elation at their demise, without even touching the dirty, bleeding animals, as Brett Easton Ellis advocates in his infamous novel about the snuffing out of lives for entertainment, American Psycho (1990-91).



 This is 21st century psychosis, and logically derivable from `Noli me tangere.` (John: 20.17) approaches towards sex in an HIV/AIDS threatening environment. Murder people, especially if they look as if they might want to have sex. This is psychopathological, and it satisfies the desires of the sadistic homosexuals. Not only that, but the AIDS plague as a `punishment from God` suggests that God wants people to be sexually active so that they will have AIDS, which makes everybody a target for the sadistic homosexual misogynistic pederast psychopaths who teach that God hates sex anyway.



 Moreover, if God hates sex and wants us to have AIDS, God hates us, doesn`t God? Brett Easton Ellis (1964-) produced such a `Godly` character: `You gotta kill a lotta people!` he screams at a phone he`s picked up after it rings while he`s butchering some people in their own apartment. He doesn`t have a motive; but if God hates sex then God hates people also.



 Homosexuals are about deceit. They exist in an atmosphere which encourages them to be deceitful about their sexuality. Because it is sterile. Homosexuals `moon` over boys who have no interest in them at all and convince themselves and others that the boys desire them, which is a lie and the basis for rape and murder because it is the fulfilment of their valence. Sadists are similarly deceit oriented. They are concerned with finding victims who are not aware. The Game (1997) starring Michael Douglas (1944-) is presented as a movie entertainment in which the central protagonist loses everything after being manipulated by shadowy figures. The denouement is that it was all a `game`, but the character`s cuts, bruises, and traumas are real. Just as Jesus` were.



The Game is a conversion vehicle for BDSM acceptance, which is Satanical sadism. If the aim of sado-masochism is to promote the `blood plague` of HIV/AIDS, The Game is a vehicle of conversion, which is what sadists do. At game`s end you have lost everything and are melancholy, which is what sadism `produces`. They are elated while you are sad. Because you are. It is `the game` in which you are painted as a powerless masochist, and you become so irrespective of whatever powerful position you may have been in. Sadists may even let you think you are one amongst them; but the truth is it`s `the game` and you will be sadder and not wiser.



 It is wise to understand that sadism is the spirit of the Earth. Saddamasochism is a recently recognized threat. Everybody is in danger of being at the mercy of some sadist or other: it`s the system. Saddam was a damn but he represented the sadist`s requirement; victims – willing or otherwise. Gassing the Kurds2 in Kurdishtan was `poisoning his own well`, which is the greatest crime in Islam. Rubbing the two sticks of the World Trade Centre together in 2000 to produce a conflagration in the Middle East was sado-masochistic insofar as Saddam was inviting the US Army to BDSM. As Saddam I his name means I am [the] sad [beast] of Revelation, because `the number of the beast` is 666, which is 999 or the number of the police in the former British Empire and Commonwealth reversed, as 911 was the telephone number of the US police reversed on 9/11. In Arabia the tradition of the `hamzad` also has a bearing on the meaning of Saddam`s name, which to kabbalists might be reconstructed as `Zadham`:


`My lord! It was not me who seduced him at the beginning, but it was he himself who preferred blindness to guidance. So, I helped him achieve his goal through seduction.` Koran, Surah 50, Qaf. 27



 Because Saddam`s name reversed is, effectively `hamzad`, Saddam`s is a reversal of fate because his path went awry when one of his military commanders invaded Kuwait, perhaps without his permission, and not as the result of seduction by the hamzad `companion`, or djinn soulmate, which is callled the Qareen in Moslem tradition. In other words, Saddam represents what the Moslem people`s call Shaitan, which is an individual Satanically influenced. Just as the Holy Spirit or Shekinah of Christianity is female, so the `hamzad` may be male or female, and good or evil, which suggests that the `companion` is good if female and evil if male, because the soul and spirit are female. In short, Saddam is Adam reversed, because Adam`s city was New York`s Eve`s, and his fate was evil because his hamzad was a male demon and not a female `companion`. Because the male valence of the Earth is the `red dragon` of devouring homosexual pederasty men want demons. The valence is depicted neatly in the 60s scifi TV series Star Trek in which the crew of the starship Enterprise encounter an individual with a female `companion` that appears as a spirit, and the episode details the crew`s efforts to separate them. The female spirit of the `companion` is perceived as `demonic` because it isn`t male, but the notion of `hamzad` meaning Saddam reversed suggests that replacing the female `spirit of God` with a male valence is evil.



 In Revelation we are told `let him that hath wisdom understand; the number of the beast is the number of a man and his number is six hundred three score and six` (Rev: 13. 17-18), which is 666 while 9/11 is 911, the number dialled for the police in the USA. As a ruler Saddam is supposed to `police` his people, but a dictator `bullies` and so 999, which is the `police` number in much of the rest of the world, has become 666 as a symbol of the terrorist `bullies` that attacked the world`s policeman on 9/11.



 Having received the emergency call (911), the USA exterminated Saddam with the help of the Coalition, including Britain where the police number is 999, which means that, although the police were seemingly ictorious over the 9/11 `bullies`, 999 can become 666 and rulers sado-masochistic dictators. Just as sadistic homosexuals` feigned interest in sex can blossom more quickly into torturing their victims within the BDSM `number of the beast` telephone network.



 The American Dream is progress and development in innocence; whereas America actually progresses and develops under threat from figures such as Saddam. The USA accepts this handicap and remains prepared to fight for `life, liberty and the pursuit of happiness`, which is against Saddamasochism, being sad, and allowing sadists to make them unhappy. This is why the Americans believe in Manifest Destiny, which is the fulfillment of the American Dream. It is the hope that America progress and develop in innocence, that is, without being threatened:


`In God we trust.`


1 Peiperl, Laurence M.D. `Did the Green Monkey Start AIDS?` Editor-in-Chief HIV In Site, University of California, San Francisco, .

2 Cole, Juan `Did Saddam Gas the Kurds?` History News Network, 2nd April 2003, .

Thorn in his side

01/01/2012 15:06

Thorn in his side


In Eden Woman is created by God from the side of Adam. She is on his side thereafter, as Right is Might, as it were. But it has nothing to do with dexter or sinister as the Romans would have it. The right side is the good side. Either side is good if it is good. It the either/or thinking that is associated with the Greek philosopher Aristotle (348 BC – 322 BC) that betrays us into `taking sides`. This is what occurs in Eden when the serpent offers the forbidden fruit of the Tree of the Knowledge of Good and Evil. Gen: 3. 1-6) The fruit of the Tree of Life is wholly good, but the serpent wants to take Eve from the side of Adam, and therefore from God. So it produces Aristotelian logic, either choose good or evil. Before this juncture Eve is God and does not know herself from Adam who is with her in God.

The serpent represents adultery, that is, coming between Man and Woman. The Woman comes from the side of Man and the serpent is the one that has no spine and therefore has no side. The Woman is close to God and Man because they share a spine and she comes into visible being from the side of Man through God who is her Creator. It is a biblical mnemonic on the subject of the evil that `upon thy belly thou shalt go` (Gen: 3.14), as a recognition that the evil are spineless and treacherous.



It is a tradition that the serpent`s head is crushed by the foot of `the woman`s seed` (Gen: 3. 15), and traditionally Satan is represented as having hooves. It is British slang to call a homosexual an `iron`and the term comes from London`s Cockney Rhyming Slang in which `iron hoof` means `poof`, which is a further slang term for homosexual. The serpent in Eden prefigures homosexuals who seek to take the woman from the man`s side, not for sexual purposes, but simply to betray her. However, as it says in the Bible, `the wages of sin are death` (Rom: 6. 23).  A gun is called a `side iron` in the USA because it represents that which would part Woman and Man by violent means - Satanically. This is why the serpent in Eden is depicted as evil, because it is.



The serpent in Eden is successful because it confuscates sidedness to suggest that one side is good while the other is evil. In fact the suggestion is that Adam is good and Eve is evil, from which all else springs. But it is the serpent that is evil, it represents `enmity between...[itself] and the woman`s seed`, which suggests that the serpents` seed shall have human form but not be human, something which biblical commentators do not emphasize enough. The evil are amongst us and they are not human, they are the evil enemies of God and they are homosexuals – as defined in Genesis as serpents who would take a woman in order not to have sexual relations with her but to destroy her.



The nature of homosexuality is important but not paramount. Essentially it is a sterile mode that does not produce or develop. Woman is an oasis in the desert. Homosexuality is the desert. She offers dates in her palms, as it were. Her years and her occasions. She connotes immortality in the oneness that is Woman and Man as One Creature in God that continues throughout all Eternity. That is God`s Promise, that the seed of Adam and Eve shall be as numberless as `the dust of the Earth` (Gen: 13. 16).

 Because Adam and Eve are One Creature in God, so are their children. That is the immortality promised by God. The serpent represents `perpetual enmity between...[itself] and the woman`s seed`, that is, Satanical male homosexuals. Men are to be the evil enemies of God because they seek to betray Woman and her `seed`. The nomenclature is interesting because Woman does not have a penis and `seed` does not suggest `ovum`. What it does suggest is that Woman shall have a penis and that men shall hate her for making them redundant and revealing them to be evil. They shall prefer one another, as it were, and there shall be `enmity between...[them] and the woman`s seed`.

According to Gnostic thinking, the Holy Spirit corresponds to the Shekinah, which is the Glory of God. She appears in The Song of Songs: `Your hair falls in waves… winding down the slopes of Mount Gilead.` (Songs: 4.1). The Naas of the Naasenes, which sect preceded Christianity, is a serpent of Wisdom (John 3: 14) and this passage from The Song of Songs connotes the Wisdom that is the omniscience of God, which `moves in mysterious ways its wonders to perform`.1 The windings of a serpent of Wisdom, as it were, rather than that of the `father of lies`, which is the `sidewinder` in Eden: the Evil One who comes close to your woman in order to `wind you up` until you evince anger towards her. It is his intention to destroy your relationship with his evil attentions whereas it is the intention of the Shekinah to preserve your faithfulness to God.  She does this by being the spirit of the `woman`s seed`, the immortal continuing presence of God in the generations of Man and Woman that is called the Paraclete in the New Testament and which is represented as being upon the Earth after Jesus` Crucifixion, Ressurection and Ascension (Acts 1: 9-11) to Heaven and God.

In Christian tradition there is the Naas and the Nous, which is the Spirit of God: `In the beginning was the word and the word was God.` (John 1: 1) The Bible is the Word of God, and Jesus is represented in Revelation as coming a second time as the Sword of God who `rules the nations with an iron scepter` (Rev: 2.27). In other words, Logos is Sword and Word but the Holy Spirit, often thought of as Logos, is missing. She is the Shekinah, the Glory of God as female principle, which is the complement of Logos as Word, that is, Eros or love relationships and relatedness towards Woman.



Longinus pierced the side of Christ at the Crucifixion with a spear. (John 19: 34) Because Jesus is called the second Adam, we may assume that the centurion is looking for the second Eve, that is, he represents the serpent seeking to rob Christ of the Woman that belongs by his side, the Shekinah as Holy Spirit, that is. The betrayer of Woman is a spineless coward, a snake that crawls in the sand of sterile homosexuality when there is an oasis of womanliness to nurture and develop. Longinus waits until Christ is helpless before cutting open his side with his spear. It is not a Sword either, which is relevant. Why, then, is the spear known throughout the Christian Age as the Spear of Destiny? Because it is not the Sword, Logos as Word, but the Spear of God, that is, the Holy Spirit or Shekinah as Nous and Naas or Logos and Eros as complements.

 In the United States of America they speak of `life, liberty and the pursuit of happiness`, which is a `blue bird` in American tradition. It appears in Song of the South (1946) which is about the suffering of  Americans in slavery. Pursuit of the `blue bird ` therefore represents the American Dream, which is Manifest Destiny, that is, the immortality of `the woman`s seed`, which is the Glory of God, the Shekinah.



However, people can be made to accept anything if they have the `blue bird of happiness`. They are always happy, so their possession of it can be a curse. This is what was meant by Saddam Hussein (1937-2006) and the terrorists on 9/11, and Hitler (1889-1945) and Brezhnev (1906-1982) before them. The USA is happy in the American Dream, which progresses innocently if unthreatened and, because God is Almighty, America is as mighty as she believes. However, true innocence is progress without the anticipation of being threatened and the requirements of defensive/offensive capability. So the Taliban terrorist attack on the Twin Towers of the World Trade Centre in New York on 9/11 2000 was a threat to the American Dream of progress through innocence.



Another bird is the robin which, according to legend, perceiving the crown of thorns placed upon the head of Christ by the Romans as a part of their torturing of him, and its attempts to remove it pierced its breast from which its descedants have received a permanent blood red stain thereupon.


The Legend Of The First Robin


One day, long ago, a little bird in Jerusalem saw a large crowd gathered around a Man carrying a heavy wooden cross. On the Man's head was a crown made from a thorn branch. The thorns were long and sharp. The little bird saw that the thorns were hurting the Man. It wanted to help Him, so it flew down and took the longest, sharpest thorn in its tiny beak.The bird tugged and pulled until the thorn snapped from the branch. Then a strange thing happened. A drop of blood fell onto the bird's breast, staining it bright red. The stain never went away.And so today the robin proudly wears a red breast, because it helped a Man named Jesus.2



The Shekinah or Holy Spirit is symbolized by the dove, and the blue bird of happiness is a jay; so what is the robin? A fighter who is notoriously territorial and so the robin is a symbol of  that which is prepared to fight for God and even receive wounds in order to receive the Holy Spirit, the Shekinah, and immortality in God.



 Christ is, essentially, all of these; man without woman; the Spear of Destiny; the Armies of God; and the Shekinah as the bride of Man and Woman as One Creature in Eternity, together with all of their myriads of descendants who are also the One Same Creature in God (though they are all individuals). In English there is an idiom: to be a `thorn` in someone`s `side` is to prevent someone from achieving success. The robin was pierced by a thorn in its breast while attempting to remove the crown of thorns placed on the head of Christ, so the crown represents the crowning Glory of God that has to be fought for, the Shekinah. That is why the spear of Longinus means `the spirit that shall be Long in us`, and the spear represents the Spears of God needed to exterminate the evil enemies of God that are those who would torture us as sadists and explain that it is Christ-like to be sad instead of living the American Dream of `life, liberty and the pursuit of happiness` for the immortal Glory of God which is Our Destiny:


`I`m Miss American Dream since I was seventeen.` Britney Spears



1 Cowper, William `Light Shining Out Of Darkness` in Olney Hymns, 1779.

2  Robin,

This Troy, this New York; Britney Spears: The Face that Launched a Thousand Ships

01/01/2012 15:03

This Troy, this New York; Britney Spears: The Face that Launched a Thousand Ships


Someone was playing a game with the USA on 9/11, or the virus of the Evil One is ancient and strong. `This Troy, this Ilium...` is a common translation of the first few words of ancient Greek from Homer`s (850 BC) epic poem, The Iliad (ca. 1194-1184 BC) which narrates the siege of Troy by the Greeks after Meneleaus` wife Helen was abducted by the Trojan Prince Paris. The story is known as `the rape of Helen`, and she was `the face that launched a thousand ships` because Meneleaus` brother was Agamemnon, the ruler of Sparta, and he persuaded the Greeks to beseige Troy, which was located on the island of Lesbos.



The location of Troy is important because Troy is a city in New York state, the motto of which is Ilium fuit, Troy est, that is, `Ilium was, Troy is`, which is a challenge to the `Greeks`, as it were. But who is the US` Helen? The `Big Apple` suggests that she`s Eve, or `the spirit of God`s Woman`, which in the Bible is the Shekinah (Ex: 40. 35) of the Old Testament , and (God`s law) and the Holy Spirit of the New Testament (God`s love`). Both of which came from the side of Man. Eve emerging from within Adam and the Paraclete (1 John: 2.1) emerging after Jesus` death when his side was pierced by the spear of Longinus. She emerged from behind the `veil` of Jesus` death, that is, she was the `spirit of God` teaching through Jesus from behind his eyes, and continued in humankind for 2000 years after her birth until 9/11 when her spirit was attacked by Al Qaeda`s terrorists on Manhattan Island in New York in 2001.

Archetypally, the attack on New York`s World Trade Centre was an attack on the `towers of Ilium`, but archetypes are `developmental` in psychology and destruction is not, which suggests that a neuro-linguistic programmer (NLP) has been at work for thousands of years with `autosuggestion` and the words `this Troy` and `destroy`, and has - as its 21st Century `paradigm` - the `Trojan horse` virus and the notion that `history should repeat itself`. The target on 9/11 was God`s Paraclete and Woman`s development and progress in innocence without threat (Civilization), which is `life, liberty and the pursuit of happiness` and the American Dream and Manifest Destiny.

The Spear of Destiny is Longinus` which released the `spirit of God`s Woman` providentially from the side of Jesus at his crucifixion and death. The obvious candidate for America`s Eve is, therefore, Britney Spears (1982-); because the Paraclete is present for all those who accept the Holy Spirit and her teachings of Redemption. She is E Pluribus Unum, `out of many, one`, that is, the meaning of the motto of the `Great Seal of the United States of America`: she is the Paraclete which speaks with `one voice` for America because she`s God and Jesus` `teaching assistant` - `teacher, guide, comforter and helpmeet`.



Feminism is Woman`s `development` because men don`t want her to develop herself, although Man and God may want her to. Men are produced by Woman and have no further need of her when physically grown. Woman is the Creator`s Producer and Product – Civilization – so is `the spirit of the wisdom of God` and – with the Paraclete – she`s responsible for `spiritual growth`, which requires a feminist perspective that includes lesbianism and Britney Spears is bisexual.

Ancient Troy is close to the island of Lesbos, and Troy in New York state is close to the `Big Apple` of Eve, which means that the air raids upon New York and the Pentagon on 9/11 were an attack upon female bisexuality. The remnants of Troy - led by Prince Aeneas - are said to have founded the British Empire and the USA`s `Statue of Liberty` is the symbol of continuing civilization after the defeat of Troy and the founding of the British Commonwealth. 9/11 was an attempt to shift the centre of Civilization by means of an attack on the walls of Troy`s Ilium, which were the Twin Towers of New York state, and so threaten female sexuality by association, because the island near Troy in ancient Greek times was Lesbos from whence lesbianism originated.



Troy, in New York state, is 2 hours` drive from Manhattan and, because ancient Troy was near the island of Lesbos, lesbianism and feminism was the indirect focus of the 9/11 assault. Socio-historically, the city of New York is the centre of sexual freedoms so Lesbos had effectively moved to mainstream consciousness in Manhattan while Troy - in New York state -  was symbolically the women hater`s real target at the World Trade Centre. The `Island` was figuratively Lesbos because, in Greek history, Troy was the city nearest to the island of the lesbians, that is, Lesbos.



The `aims of the plague`, which was Islamic extremism as the `beast` of Revelation, were to reassert male egocentricism and subjugate the Woman as the spirit of Civilization in order to destroy it – and her, which is the aim of the programmer who used `autosuggestion` to effect the correspondence between the words `Troy` and `destroy`. The USA`s relations with Saddam Hussein (1937-2006) – an ass as Sin who `moved up` by murdering Iraq`s President Qasem in 1959 - were a `Greek horse` or `Trojan virus` because the USA gave Saddam Hussein the world`s 3rd largest army in the world - and global terrorism was the back-stabbing result.

Just as Sodom was destroyed by God for `sodomy` (Gen: 18, 19), which produces STDs such as HIV and the AIDS` virus, so the 9/11 terrorist hijacking of `civil` aircraft to politely crash into New York`s Adam`s and Eve`s`Big Apple` business centre of World  Trade was, symbolically, Eve`s `Saddamy`, and `the base` of Al Qaeda,  represents the Muladhara chakra at the base of the spine where the anus is. In Hinduism the Muladhara chackra is the lowest energy point of the chakra ladder of Hindu spiritual and intellectual development and is associated with family and family values. The attack on the pillars of Western democracy was a threat to the foundations of the family and the airaids in the USA, which also struck at the Pentagon and Arlington, Virginia, were, because of the associations with anal rape, the equivalent of an airborne attack by the virus HIV/AIDS.



The `Twin` Towers because Man and Woman work together. She`s the spirit of God on Earth - and God is her spirit in heaven. Men alone are sterile as ass sin`s, that is, homosexual sterilizers who want to destroy the Producer (Woman) and the Creator (God). New York`s Adam`s city because Saddam wanted to show her who was `Dad` . He was an `ass as sin` in terms of career, because he murdered the Iraqi President in 1959 in order to `move up` quickly in terms of the `chakra ladder`, which represents intellectual and spiritual capability rather than the robbery and incapability of power grabbing through assassination. Saddam Hussein had his seat in Baghdad because he was the `dad` behind the `back` who stabs upward from the base of the spine, which is why the Bible tells it `upon thy belly thou shalt go`. Because it`s `moved up` by murder and, according to Revelation, shall have eternal unendurable pain because of it. Saddam represents the evil oneness of men who want to be evil spirits and heirs of the `ass as sins` who don`t even belong on the first rung of the ladder of success, because they`re the evil descendants of the spirit of the evil in Eden of whom God, the real Father, told Eve there`d be eternal `enmity` (Gen: 3.15) between its `seed` and hers.



Saddam is the `beast` as the fully grown `serpent` of Revelation, which is the `dragon`, as the antithesis of Eden`s Adam, which waits to devour the `seed` (child) of the `woman clothed with the sun and with the moon at her feet`. In the video Oops I Did It Again (2000) Britney Spears appears in a red suit on the `red planet` of Mars, which is symbolic of both the `red dragon` and Redemption. In Roman mythology the red planet Mars is the `war god`, which accords with the biblical symbolism of the `red dragon`, and `men are from Mars, women are from Venus` is a popular perception which, because the spaceman from the USA arrives on Mars to find Britney Spears, suggests Mars has become Venus, a perspective strengthened by the apppearance of not one, but two Britney Spears. One Britney in her red suit, and one iin a white bikini dress.

 In white Britney lies beneath her spaceman-camera after he is raised above herself in her white bikni dress by Britney in her red suit. Her appearance as a second individuality suggests Britney is colonizng Mars for Venus, and so she corresponds to the `woman clothed with the sun and with the moon at her feet`, because that`s how the moon would appear from Mars - or Venus. However, Venus` point of view is that woman is a species with her own penis as a futanarian woman (, which explains Britney`s reproduction of herself.

 The red planet Mars is a sterile desert because it represents the male war god Mars, and the non-reproductive `red dragon` of Revelation, which is the devouring sterility of male homosexual pederasty and its `blood plague` of HIV/AIDS. In suspendng her spaceman so he is able only to film her with the camera beside his spacehelmet, Britney is showing how to control the `killer disease` of the HIV/AIDS virus, which would seek to make Mars sterile once again because, in representing a sterile desire, it represents the desire for sterility.

 Because the spear of Longinus effectively released the Holy Spirit, or Paraclete as the `Second Eve` from Jesus` side as the `Second Adam`, Britney Spears, as Venus on Mars, is a symbol of the multivalence of the Paraclete, which in Oops I Did It Again is depicted as having taught and subdued Mars. In Christianity, Redemption comes from being `washed in the blood of the lamb`, which means sucess in acceptance of Jesus` teachings through the Holy Spirit or Paraclete, and dealing with the `blood plague` of HIV/AIDS is but a single valence of the Paraclete`s multivalent capabilities. Taught by Jesus, the wisdom of `God`s love` (Luke: 10.27) comes from obedience to `God`s law`, which is distilled in The New Testament as `love thy neighbour`. However, God destroyed Sodom and Gomorrah (Gen: 16,19) because sodomy and BDSM mean that the penis` semen is too close to blood and shit, which produces the virus of HIV/AIDS that`s the `blood plague` of the `red dragon` of Revelation. The solution to HIV/AIDS is to `love thy neighbour` in acceptance of `God`s law`, or the result is the `red dragon` of devouring homosexual pederasty`s spreading of its enslaving passions by means of the wombs of women through warfare. The `blood plague` of HIV/AIDS is the biblical sign of God`s awareness of its contagion.



  In the English language a boy is a son, and so a fatherer is a furtherer of the boy son, which suggests that males further poisons, and that fatherers spread their contagion of war and plague because they`re a disease. Being `washed in the blood of the lamb` of Jesus` teachings after his crucifixion is the only antidote to the poison. In Revelation the `hidden` woman of the Earth protected by the scepter of the New Redeemer she has given birth to, in the teeth of the devouring `red dragon`, leaves Earth to `sow` her own `seed` amongst the stars, which means she` s a woman with her own penis and has no need of men at all. Revelation closes with the pronouncment that those who fight against her and her `seed` shall receive perdition and she shall be given a new heaven and Earth in which to dwell. In other words, men will fail to keep her on Earth and, if they refuse to let her go, God will punish them with eternal unundurable pain:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16. 10)



Arabia`s false Adam was Saddam who didn`t love his neighbours. He used poison gas against the Kurds in Kurdistan, so defiling the heritage of the foremost Arabian knight Saladin, which is Aladdin`s `lamp of Islam`,1 the light of God in the holy Moslem book, the Koran (610-30 CE):


`Allah is the Light of the heavens and the earth. The Parable of His Light is as

if there were a Niche and within it a Lamp: the Lamp enclosed in Glass: the

glass as it were a brilliant star… Light upon Light! Allah doth guide whom He

will to His Light…` (Sura 24: 35)



The name `Aladdin` means `height of faith`, and the name `Din` means `belief`, which suggests Arabia`s Saddam - the `false prophet` who isn`t Adam - wanted to destroy belief in Allah, that is, `Allah Din`. The `rape of Kuwait` is infamous, but the `Big Apple` of New York was, symbolically, the separation of Helen from Meneleaus, that is, Baghdad`s Saddam would be under siege until the removal of his `evil eyes`, which were the evil spirits of the ass-as-Sin`s `brotherhood`, from the `Big Apple` of New York`s Eve.



 In mythic terms, Saddam had raped Kuwait (Woman) after the fashion of Paris in the story of Helen, `the most beautiful woman` of Earth in ancient times, and Saddam had symbolically removed to Baghdad under pressure from George Bush Snr., the President of the United States of Amercia, who`d correspond to the Greek king Agamemnon and `brother` of Meneleaus, the husband of Helen. George Bush`s successor was his son, George W. Bush, who`d correspond to Meneleaus, as his father`s Christian `brother`, and George W. Bush responded to the `Trojan virus` of the 9/11  hijackers` crashing passenger aircraft into the Twin Towers of New York`s World Trade Centre by sending the `Greek` fleet to the Gulf to fight for the `Big Apple`, which symbolically was Helen`s of New York state`s Troy, because the `Big Apple` was the most beautiful woman in the world`s, according to Greek mythology.



 Although the wife of the Emir of Kuwait, Sheika Fitooh, and who would have corresponded to Helen, had died shortly before the Iraqi army`s invasion of Kuwait, the `rape` victim was held responsible for `transmitting` the virus. The story is peculiarly Arabian, because of its similarities with Shah Jehan`s 1001 Nights where the `brother` of the king is perceived to be having an affair with the king`s wife and she is blamed - and blameless. New York`s `Big Apple` of New York was attacked, because Al Qaeda found the `fruit of the knowledge of the tree of good and evil`, that is, the wisdom of Eve`s apple, `tempting` insofar as she was faithful to God, and that was why she was both `the most beautiful` and blamed. Because the virus didn`t want her.



 In chakra terms, the `apple` is the third eye of awakened consciousness, which was closed by the `ass as sins`. The `Big Apple` of New York corresponded to the Ajna chakra, or energy point at the apex of the spine, that is, the zenith of spiritual and intellectual achievement, whereas the spreaders of the contagion of terrorism, Al Qaeda, `the base`, corresponded to the energy point at the base of the spine, the Muladhara chakra, from which spiritual and intellectual achievment rises.



 The Al Qaeda terrorists were spineless cowards because they represent the denial of the fruit of the achievement that others have worked for, and the Bible of God has given us the sign of it in the form of HIV/AIDS` biological warfare against the wombs of women. The spreading of the disease of the `red dragon` of homosexual pederasty`s devouring warfare and `blood plague` to the `Big Apple` of the `developing world` is the way of the secret `ass as sin nations` as they seek to `move up` without working to develop anything for themselves or others. From the base of the spinal column as `fifth columnists`, the `red dragon` of enslaving and devouring homosexual pederasty induces ego-collapse and murder as a form of `blood plague` and back stabbing that can`t get any lower:


`Upon thy belly thou shalt go.` (Gen: 3.14)


 It was the Evil One who was the Evil Father – the `dad` behind the `back` of Adam waiting to practise `Saddamy` and `move up` with the `ass-as-Sin-nations` of Al Qaeda from `the base` of the spine of the `beast` of Baghdad through Kurdistan, Kuwait, and upwards to the `Big Apple` of dawning consciousness at New York`s towers of Ilium.



 Britney Spears corresponds to the `New Aphrodite`, because the Holy Spirit or Paraclete, as a multivalent `teacher, guide, comforter and helpmeet` born from the spear of Longinus after Jesus` side was pierced at the crucifixion, is Spears in contradistinction to the Sword of God, which in Revelation is described as Jesus` capacity to command the spirit by means of the Sword that comes out of his mouth, and is the Logos or Word of God. The evil spirits of the `ass as sins` would seek to contaminate the Holy Spirit or Paraclete so that the Word of God could not be comprehended.



 The Hindu system of the chakra ladder is important, irrespective of Christian belief, because it`s a symbolical construct designed to couch a message of import, which is what all religious systems are for. Although Paris of Troy was given Helen, `the most beautiful woman`, by Aphrodite, he received the `golden apple` as his reward for choosing Aphrodite as the `most beautiful` of the goddesses. It`s similar to the story of Adam and Eve in Eden where the Evil One gives them the apple as the `fruit of the knowledge of the tree of good and evil` (Gen: 2.9), which is ultimately wisdom because the Evil One is recognizable - and defeatable - as Adam`s ass-as-Sin`s. Al Qaeda, `the base` of the spine, and the `beast` because of `Saddamy`, which sought to spread the enslavng and deuouring contagion of the `red dragon` of homosexual pederasty`s warfare and `blood plague` through the `Big Apple` of the raised consciousness of the United States of America, was defeatable because `America the beautiful` is recognizable as the wisdom of God, whereas the `beast` of `Saddamy` was recognizable only as `base` and evil.



 In ancient Greece women were only valued as `producers` of more men, who were pederasts,2 and the notion of the `Greek horse` inside which men hid in order to slip in as Troy`s `ass as Sin` may be descried as  the `Trojan virus` paradigm of 9/11 in which the hijackers used `civil` aircraft as `Trojan horses` to slip secretly into the USA and, like PC `gamers` hacking into a nation`s security system for fun, breeched the CPU towers of the World Trade Centre`s Ilium on 9/11 to bring `plague aims` to the Earth in the form of George W. Bush`s declared `War on Terror` (2003-).

 Paris chooses Aphrodite because he`s the best judge. He wants the `most beautiful woman` because he recognizes that she`s Eve to his Adam, that is, together they represent God`s love, God`s law, `life, liberty and the pursuit of happiness`, the American Dream, and Manifest Destiny. According to tradition, the spear of Longinus is the Spear of Destiny, a symbol American predestination, which was symbolized at the beginning of the 21st century in Britney Spears` emergence as a `pop princess` with a voice:


`I`m Miss American Dream since I was seventeen.` Piece Of Me


 In the Hindu chakra system of spiritual and intellectual energy levels the Visudda or `throat chakra` is below the Ajna chakra which is the seat of the imagination in the brow of the individual and is often described as the `apple` or `third eye` because of its visionary capabilities. In Arabia pigs are `haraam` or forbidden, and the throat chakra in Hinduism, which is frowned upon by Moslems, and is the reason for the political divide between Hindu India and Moslem Pakistan, is called `ham`, whereas the Ajna chakra of the `third eye` is `om`, etc. Because `ham` is the seat of the power of the voice, `the base` Al Qaeda, which is Muladhara in the Hindu chakra system, sought to silence the USA on 9/11 because she was awakening to her memory of woman as a species with her own penis.



 Paris could have chosen Hera (power) or Athena (wealth), and men want them; but effectively he chose the wisdom of God, which is that Woman is a new heaven and Earth for he who accepts beauty. Paris is, metaphorically, the `Day of Judgement`. Paris is fair in his judgement because he perceives that beauty is good. New York`s `apple` is Helen, but men want power and wealth. That`s why Al Qaeda`s `base` terrorism from the back that corresponds to `Saddamy` from the `Baghdaddy` of the women`s prison, which is Earth before the `hidden` woman leaves to `sow` her `seed` amongst the stars, represents an ass as Sin`s beheading of the `Big Apple` of consciousness in the mouth of the pig. In short, 9/11 was an attack upon the `voice of America`, which the Arabian terrorists conceived as `ham` or a pig asking to be killed.



 New York`s Adam`s `Big Apple` of Eve corresponds to the World Trade Centre as that part of Adam and Eve`s `voice box`, which in medical terminology is the epiglottis that controls the sounds coming from the throat, and according to the Hindu chakra system is the seat of power (ham) below the imagination (om). In Christianity Jesus` voice is the sword of Revelation. Because the mind is the seat of development through imagination, the voice of Jesus is the Word of God that commands through the products of the imagination, which is understandable as advanced technological progress, which the evil do not want, especially for the `hidden` woman of the Earth with her own penis who wishes to leave, because they want to maintain their system of enslaving and devouring, and so sought to silence the voice of freedom in the USA on 9/11. In simple terms, men who want power (and money) but are prepared only to exploit rather than work, don`t want God`s producer`s best product, that is, woman`s civilization, and 9/11 was their `virus`.



 On Mars, in Oops I Did It Again, Britney is Aphrodite `coming out of her shell`, but `not that serious` (non-threatening) and `not that innocent` (wise to bullies). Her spaceman retraces his footsteps, and in fact walks backwards, as Britney sends him back to Earth. Because he has to learn that `grease` is viral, that is, `Saddamy` is the `false friendship` of Greek homosexual pederasty, and giving Saddam Hussein the 3rd largest army in the world to `grease the palm of the backstabber` wasn`t sensible. Because Adam was Saddam only as a homonym, so that we`d understand him as the serpent of Eden`s `ass as sin` for New York`s Adam and Eve`s `Big Apple`. Al Qaeda was going to spread the viral contagion of the enslavement of women`s wombs by the `red dragon` of devouring homosexual pederasty from `the base` of the Earth`s spine to the crown of the head of humanity by provoking war. Saddam Hussein and Al Qaeda were Baghdad `stabbers`, which meant that they were seeking to murder God, the father, by stabbing him in the back and close the eyes of those who had accepted the guidance of the Paraclete, that is, the Holy Spirit, in focusing on development rather than exploitation.

 In Piece of Me (2007), Britney sings `I`m Miss American Dream since I was seventeen [seventy-six, the year of American Independence from the British Empire].` The cover for the album is Britney Spears on the cross, which means she accepts Jesus and the teaching of Redemption. As the symbol of the Paraclete, or Holy Spirit as the multivalent Spears born from the spear of Longinus at the crucifixion of Jesus, Britney Spears represents woman`s duty to keep the  evil imprisoning `Dad` away from the `back` (Baghdad`s Saddamy) which, as the Spears born of the Spear of Manifest Destiny, is her `position` symbolically within the myth of the American people.

It is revelation that the Spear of Destiny has lifted the `veil` of Jesus` Paraclete so that she can give us vision. As Longinus` piercing of the side of Jesus, after his death 2000 years ago, released her from Jesus` side, and from behind his eyes. Born of a virgin and celibate, God had sought to protect Jesus from the evil spirits of men who`d defiled Sodom and Gomorrah (Gen: 18, 19) by means of anal sex and BDSM. The evil spirits of men would stab anyone in the back to `move up`.



 As the `false friend`, Judas stabbed Jesus in the back for `a few pieces of silver` (Matt: 26.15), when he betrayed Christ to Pontius Pilate and the Pharisees. In fact Judas hung himself, and Britney Spears alludes to hanging as a punishment for the traitor when she suspends her spaceman in judgement over her. Beside his spacehelmet with the camera attached are the tines of a giant fork, which suggests her controlling of the devouring `red dragon` of the `blood plague` of HIV/AIDS. Whatever his perceived role, the spaceman has `demons`, in terms of the video`s logic, who direct his footsteps as `Mission Control`. Consequently, Britney is under surveillance and so predicates the situation obtaining after 9/11 when George W. Bush`s declared global `War on Terror` (2003-) presupposed the scenario from George Orwell`s novel 1984 (1948) in which the slogan was `Big Brother Is Watching You` because surveillance cameras were everywhere in control of the populations of the Earth. In Oops I Did It Again terms, Britney Spears,  symbol of the multivalent Paraclete or Holy Spirit, which is the eyes of God upon the Earth, is being watched, and so her spaceman`s `suspended` because she`s aware.

 It is revelation that God intended the Paraclete, or Holy Spirit, to dwell behind the eyes of humanity, as she had been Jesus` `guide, teacher, comfort and helpmeet` until his crucifixion and death, so that humankind could develop beyond subjection to the `ass as Sin nations` that enslave and devour those capable of development; lest humanity should escape their yoke.



 Britney Spears sends her spaceman `home` when he visits her on Mars because, in her `red suit`, she`s the Holy Spirit or Paraclete which teaches Redemption, and so she`s both `red` and has to be `read`, which is why she raises her spaceman above herself in a white bikini dress, so that she can be `read` by `Mission Control`, which corresponds to her church`s `mission`. Raising her spaceman is a metaphor for a child`s education, which is why she sends her spaceman home, because she`s symbolically the `woman clothed with the sun and with the moon at her feet` giving birth to the `New Redeemer` who`ll protect her. Outside her spaceman`s spacesuit she corresponds to the `spirit` that, according to the Bible, is `teacher, guide, comforter and helpmeet`. Her spaceman is being asked if he can `read` her and, in her white bikini dress, she represents the physical body, whereas in her red suit of Redemption she represents the spirit. In white she`s the `bride`, who appears in The Song Of Songs in the Old Testament of the Bible as the `beloved`:


`Thy teeth are like a flock of sheep that are even shorn, which came up from the washing; whereof every one bear twins, and none is barren among them.` (Song: 4.2)


There`s a `twin` for every tooth. According to the New Testament the teachings of Jesus are `washing in the blood of the lamb`, because of the meaning of the crucifixion, which is reliance upon the `spirit of God`. In Oops I Did It Again Britney`s `twins` relate to the problem of reincarnation in which the individual is reborn, that is, the tooth is regrown, whereas Jesus` teachings are of continuance. Britney, in her red suit, represents the gum from which the tooth is born. In her white bikini dress, she`s a `baby tooth` and, although Britney, in her red suit, represents reincarnation, because she`s symbolically the `gum`, she seeks Redemption, that is, she doesn`t want herself to be a regrown `tooth` for somebody else`s head to enslave for devourment, and she`s teaching her spaceman not to be a `baby tooth` either. Because she wants Redemption for herself rather than to be a regrown `baby` for someone else`s `head` to exploit.

 In Revelation the `red dragon` waits in vain to devour the `New Redeemer`, and Britney doesn`t want her, or her son, to be a devouring dragon`s tooth.  In her white bikini dress Britney is her own `beloved`, and the `normal` perspective is that a man is guided by the Holy Spirit or Paraclete to his wife, which is depicted as a tragedy for the virgin bride in many cultures; because women are a species with a penis of their own. However, Britney`s concept of `normality` is radically different because it`s based on the concept of the mirror. A man who looks in the mirror doesn`t obtain an erection because he doesn`t see what he desires, whereas women spend a lot of time with the mirror adjusting their appearance. Because woman has a penis of her own and is a species, when she looks in the mirror she finds herself attractive, but has been taught by men, that is, the evil alien parasitical organism that has embroiled her in what she perceives as `symbiosis`, that men are desirable because they have a penis, whereas it is woman`s penis and she finds herself desirable in spite of the attentions of the `alien monsters`.

 Britney`s `beloved` is herself but she`s realistic enough to perceive that she`ll marry and has prepared to teach her children Redemption and continuance with memory, rather than reincarnation and continuation without memory, which is why she shows her spaceman her body in a white bikini dress. In her red suit of Redemption she sings, dances, and knows herself, whereas the `baby` Britney and her spaceman are helpless to do anything other than repeat. Her spaceman is old Apollo astronaut technology from the 60s and, in her white bikini dress, Britney`s reminiscent of a Busby Berkely musical from the 30s, but she doesn`t want to repeat herself as a reincarnation. She wants Resurrection, Redemption, and memory continuation.



 Britney`s metaphor of the tooth and the gum is a reference to The Song Of Songs, which refers to the `teeth` as `even shorn`, which suggests she`d already decided upon the name for her son, Sean, `the sheep`, whom she perceives as being redeemed if he accepts `washing in the blood of the lamb`, that is, the teachings of Jesus, which is adherance to the Holy Spirit, that is, the `spirit of God` as `teacher, guide, comforter and helpmeet`, and so Redemption from reincarnation to achieve continuance with memory.


 Oops I Did It Again is about a young woman`s coming to terms with the idea of marriage, and what it means for her. In her red suit Britney raises her spaceman, which means she`s `read` the Bible and how to raise a son. It`s a metaphor for Resurrection and Redemption because reincanration, which the `red` gum and white `tooth` relationship symbolizes, is continuation without memory, whereas Resurrection and Redemption is continuation with memory, and it`s deemed desirable in Christianity because, as the essayist George Santayana wrote:


`Those who cannot remember the past are condemned to repeat it.`3


 Britney`s Mars has herself as Venus upon it because love doesn`t want war, which is the catastrophe of Revelation. The `beast` was Saddam, and so the `New Redeemer`, born to the `woman clothed with the sun` while the `red dragon` waits in vain to devour it, is Adam, the Second, who is to `rule the nations with an iron scepter` (Rev: 12. 1-18) and enforce `God`s love` with `God`s law` of Redemption so that the Evil Oneness of the evil spirits of the homosexuals that would sterilize a developed consciousness, because it was aware, shall have perdition, and the `hidden` woman with a penis of her own shall leave Earth to `sow` her `seed` and be immortal in God`s new heaven and Earth forever.

 As New York state`s city of Troy is the complement of New York`s Adam and Eve`s `Big Apple` of Manhattan Island, so the island of Lesbos is the complement of ancient Troy on the mainland of Asia Minor because it`s the nearest land mass from the coast where Troy is located. The Greek Helen was first kidnapped and raped by the Trojan Paris before the Greeks `raped` Troy and enslaved her. Later, of course, the Nazis `raped` Paris, France, while Britney Spears, `the most beautiful woman in the world`, according to polls, was befriended by Paris Hilton during 2004 to soothe her after her divorce from Kevin Federline, which in Hollywood terms was equal to the Trojan Paris` removal of Helen from Greece to Troy.



 Paris` Hilton and Britney Spears, a self-proclaimed bisexual, represent Redemption and the `New Eve` who has a penis of her own, and for whom woman is a species and `lesbian` is a term for those women who don`t want to be impregnated, which neatly reverses the social structure of ancient Greece where homosexual pederasty was the `norm` for those who didn`t want to impregnate women but had to do so in the service of a Greek state that sought to impose its contagion upon others by means of warfare and the enslavement of women`s wombs to, in the final analysis, produce those poisons, that is, `boy sons`, which are the `blood plague` of the devouring `red dragon` of HIV/AIDS and enslavement in the form of global terror through terrorism and the fear of surveillance on the part of those who are trying to develop under the yoke of the evil.



 The `Big Apple` is a euphemism for the `third eye` of precognition and `sightedness`, which is clairvoyance, and that principle of synchronicity that the developmental psychologist Carl Gustav Jung (1875-1961) observed in the serendipitous caller on the phone who we`ve just been speaking of. Al Qaeda`s `base` attack on New York was a threat against the eyes of the Paraclete, or Holy Spirit, that is, an attempt by gamblers to murder `God`s eyes`, and prevent intereference in their `rackets`. The more obvious instance in the 20th century is the murder of Bobby Kennedy, senior law enforcement officer in the United States of America with a brief to fight the mafia, and doubtless a future President before he was shot in 1968 by Sirhan Sirhan, a Palestinian Arab, because of his prommise to provide Israel with combat jet aircraft, and his brother President John F. Kennedy was similarly assassinated by Lee Harvey Oswald in Dallas in 1963 because he had refused to allow the Russians to put missiles on the island of Cuba that could represent a threat to the security of the USA.

 9/11 was a declaration on the part of `the base` of the spine, that is, the Muladhara chakre in Hinduism, that they would `put out the eyes` of the USA, which correspond to the Ajna chakra (om) in the Hindu system, by first silencing the voice of the USA, which corresponds to the Visudda chakra or `ham` and the Twin Towers of New York`s `Big Apple`. Because `the base` or Muladhara chakra corresponds to Al Qaeda, that is, the Arabic words `Al Qaeda` mean `the base`, and the Visudda chakra is `vam`, the `beast` of Revelation is a `vampire` or draco, who is concerned not to be seen. The attack on the USA, because she had the power of the voice of `ham`, which is the name given to the Ajna chakra, seems to have been based on the notion that the pig is `haraam` or forbidden, and so shouldn`t be able to speak. The eyes of the USA would be at the Pentagon, Arlington, where the second attack occurred, and the `crown chakra` or Sahasrara would have been the residence of President George W. Bush at the Whitehouse, but the threat was obviated when passengers braved the terrorist danger and crashed the aircraft themselves before it reached its target in Washington D.C.



 Unable to perceive the dangers of the USA`s acceptance of those who didn`t have the Holy Spirit but had `feigned friendship`, as the Greeks did before the walls of Troy, the USA had given Saddam and his assassins at Al Qaeda, `the base`, the world`s 3rd largest army. Like the 9/11 hijackers buying tickets in Boston, Massachussetts, the Greeks emerged from their concealment inside the huge wooden horse to capture the city of Troy and enslave the wombs of the Trojan women for devouring homosexual pederasty`s contagion of war. Like `the base` terrorists of Al Qaeda`s deployment of the previously perceived `civil` aircraft at the Twin Towers in September 2000, the Greeks betrayed those within the walls of Troy who had accepted their `feigned friendship`, as the ticket buying passengers aboard the `civil` aircraft from Boston were similarly duped by the 9/11 terrorists on their way to the Twin Towers of New York.



 Saddam, the `dad` behind the `back` in Baghdad, helped the `ass-as-Sin`s of Al Qaeda to evade the USA`s `third eye`s` precognition, according to intelligence. Al Qaeda, the `base` of the spine that corresponds to the Muladhara chakra of the Hindu system of energy points whith its apotheosis of intellectual and spiritual development at the head`s `crown` chakra,  represents the `beast` and `blood plague` of HIV/AIDS that is spread by the devouring `red dragon` of homosexual pederasty`s wars to enslave the wombs of women on the Earth. Inserting the HIV/AIDS virus into the anus at `the base` of the spine at the Muladhara chakra corresponds to Al Qaeda, that is, `the base`, attacking the `Big Apple` of the USA. The HIV/AIDS virus climbs from the base of the spine as a `killer disease` until the light of creation dies at the apex of the chakra ladder, which corresponds to the `Self`. `My home is your home,` is the traditional greetng to visitors from the head of the family in Arabian dwellings. In the English language, the corresponding phrase is `Treat my home as if it were your own,` and at the Twin Towers of New York`s World Trade Centre on 9/11, Al Qaeda, `the base`, betrayed the USA`s `welcome`. Buying tickets as flight passengers in Boston, Massachussetts, the terrorist hijackers crashed  the `civil` aircraft into New York`s World Trade Centre, because it was a symbol of the Visudda or `voice` chakra at the throat where the `red dragon` of homosexual pederasty wanted to silence the Word of God for the sake of its `world trade`:


`Trade ...  is a gay slang term ... and refers to the (usually) casual partner of a gay man ....  motivations may at times include a desire for emotional fulfillment and admiration, but the term often refers to a straight man who partners with a gay man for economic benefit, either through a direct cash payment or through other, more subtle means (gifts, tuition payments, etc.). Trade originally referred to casual sex partners, regardless of sexuality as many gay and bisexual men were closeted, but evolved to imply the gay partner is comparatively wealthy and the partner who is trade is economically deprived. Examples of this include wealthy Englishmen finding partners among deprived Cockneys in 1930s London; traveling men finding partners in places such as Rio de Janeiro, Brazil, and Bangkok, Thailand and locals picking up military personnel who are generally seen as being physically appealing and eager for extra income or benefits. More modern usage has centered on any casual sexual encounter between men, and as an adjective to refer to any male considered masculine and/or sexually appealing.`4



 The perpetrator of 9/11 was a homosexual draco, at least from the perspective of psychopathology, and the attack on the Twin Towers, which was the focus for business in the Western world, was a `spat` between one or other of the partners in the equation who saw the other as inferior or wanted the other to be inferior, which is what homosexual submission-domination relationships consist of. In raw terms, it`s whose anus is passive and whose penis is active. In geo-political terms, Saddam Hussein and Al Qaeda, `the base`, were asking the USA to come out of the closet so that they could be `beasts` together and `devour` the `apples` of their collective ego individualities in warfare., which is what the devouring `red dragon` of homosexual pederasty is.



In the developmental psychology of Carl Jung, the inferior function is usually `Feeling`, and is associated with the female anima or soul, and the superior function is `Thinking`, which in a man is associated with the male ego. There are four functions of consciousness that have to be differentiated or conscious, according to Jung, and the other two are auxiliary and ancillary, and are `Sensation` (ego-related) and `Intuition` (anima-mediated) respectively. In terms of the chakra system of Hinduism, the WTC was the `voice` or `ham`, which made it an obvious target for the Al Qaeda terrorists because pigs are `haraam` or forbidden in Arabia, and `ham` is a dead pig anyway, so no blame attached for giving it the `killer disease` as an experiment to see if it can be cured of thinking itself alive. The Pentagon was the eyes or `om` while the `love` chakra was `yam` and is situated at the heart, so corresponds to `Intuition` or inspiration, while `ham` and `om` correspond to `Feeling` and `Sensation` because mouth and eyes are associated with the undifferentiated functions of `Feeling` and `Sensation` in Jungian psychology.



 `Thinking` would be President George W. Bush at the Whitehouse. because the President listens and, in Jungian psychology, the ears are associated with the undifferentiated `Thinking` function because it is necessary to hear a `voice` in order to think on what it means, which is why the Twin Towers symbolized the `voice` of America that Al Qaeda, `the base`, didn`t want to hear, and so effectively gave the USA the `blood plague` of Revelation so that the brain would be killed by its own disease of homosexual pederasty and war. The name for the Muladhara chakra of Hinduism is `vam`, which means that Al Qaeda, `the base`, is the vampire of the `blood plague` of HIV/AIDS, which is the `killer disease` of the `blood plague`of the `red dragon` of homosexual pederasty and war infecting the body through the `ass as Sins` in order to kill the mind:


`I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.` Frank Herbert Dune



 Frank Herbert`s desert world novel about the planet Arakkis, which became a part of the Dune (1965) series of books and was made into a feature film directed by surrealist film maker David Lynch and starring Francesca Annis in 1984, contains the basic precept of Western philosophy, which is `if you can keep your head when all around you are losing theirs, you`ll be a man my son`, which was written by the Englishman Rudyard Kipling for his poem If in 1895. Voices without brains are useless, and that`s what Al Qaeda, `the base`, perceived before the 9/11 attacks.



If Al Qaeda, `the base`, could provoke the USA into adopting the behaviour of homosexual pederasty`s devouring `red dragon` of war, they could infect the body of the Earth from the base of the spine to the crown of the head and kill the brain, like HIV/AIDS after anal sex at `the base` of the spine kills by means of spinal infection. The `killer disease` of HIV/AIDS is quite literally the `mind killer` written of by Frank Herbert in his Dune series of novels, which feature transpositions from the deserts of Arabia and the lives of the Tuareg, Bedouin, etc. The virus cell itself `feigns friendship`, as Arabs are thought to do in the common imagination, in order to back stab. The HIV/AIDS virus `feigns friendship` towards those cells of the body that function as killers of disease and, by making friends with them, the killer virus kills the healthy cells and thence the body, which is what Saddam Hussein, the `false friend` of the Middle East, attempted to do with the USA and what Al Qaeda, `the base`, also attempted on 9/11 when they spurned their `welcome` and revealed themselves as `the beast` that kills the blood, and then the body, in mockery of Christ, Jesus` `body and blood`.

 As symbols of Resurrection and Redemption, in the transubstantiation of the celebration of an immortal living fellowship, the shared breaking of bread, and the drinking of wine, offered by Jesus at the `Last Supper` before his crucificxion, death, Resurrection and Ascension to heaven, as his symbolic `body and blood`, may refer to the practice of vampires, who `drink a little blood` in order to give immortality to the body. The 9/11 draco was more in accordance with the common imagination, that is, a render and not a life giver or preserver. Because the heart in the Hindu chakra system is `vam`, it may be interpreted as corresponding to the idea of the vampire as well as the stake in the heart, which along with decapitation is said to be the only means of slaying such a creature.



 The 9/11 attack on New York`s `Big Apple` was a gambler`s stake in the USA`s heart, because the `heart rules the head` of the passionate, and the terrorists gambled that, if the USA succumbed to its own ire, it would `lose its head`. All wars are blood drinkers, but there`s a difference between those who are elated by the spirits dying and those who are its warriors. If Jesus` offer of the `bread and wine` as symbols of his `body and blood` signify the `drinker` of the `little blood` that gives immortality to the body so that the mind can continue to grow and develop, the draco of 9/11 was the Satanical antithesis who takes life elatedly and prevents life from growing and developing by placing a stake in the heart of the developed or developing, killing the brain or beheading by means of its `killer disease`, and warmongering, a perspective requiring some revision of the `vampire` concept.

The terrorists arrived from Boston Massachussetts, where the 17th century Salem witches were accused of practising `black mass`, and in the common imagination witches are tied to the stake in order to be burned. Consequently, the future of woman was at stake on 9/11 at the burning of the Twin Towers of `world trade`:


`...  the partner who is trade is economically deprived.`



 If all the boys look like boys but are wise old men, there`s no trade because the boys are wise to the `killer disease`, whereas the impassioned ire of old men shows they`re still `gay boys` so far as the `father of lies` is concerned. The devouring `red dragon` of the `blood plague` of homosexual pederasty gamblled on 9/11 that provoking the USA would ruin woman`s future, and the `Greek` trade in `gay boys` would continue because women would produce more boys from her womb rather than the immortal wise youths of Jesus` promise. However, as it says in Revelation, the `red dragon` that lies in wait to devour the `New Redeemer` born to the `woman clothed with the sun and with the moon at her feet` waits in vain, and the `hidden` woman, protected by the scepter of the `New Redeemer`, leaves Earth to `sow` her `seed` in heaven, because she`s a woman with her own penis, and the spirits of evil men can`t prevent her from leaving after the divorce from the devouring warmongers of men and their `blood plague` of HIV/AIDS, or their poison`s boy sons:


`And the dragon was wroth with the woman, and went to make war with the remnant of her seed, which keep the commandments of God, and have the testimony of Jesus Christ.` (Rev: 17)



 In the common imagination vampires prevent development and take life, whereas preserving the body at its optimum and ensuring its continuance as a developing inidividuality is what vampires might actually do, and is what Jesus advocates. In other words, Jesus` terminology is different, but he`s referring to the practice of vampires when he offers the `bread and wine` as symbols of his `body and blood` before his crucifixion, death, Resurrection and Ascension to heaven, which is why he has Ascension.



American Christianity was rocked by 9/11 because, as it says on the 1$ bill, `In God We Trust`, and so the eyes of the Paraclete or Holy Spirit behind the veil of Jesus`s death and given to humanity as the `teacher`s assistant` weren`t watching over her in Spetember 2000. Although the original motto of the USA was e pluribus unum, which means `the one and the many`, and refers to the Paralcete`s emergence from the side of Jesus after it was pierced by the spear of Longinus at Christ`s crucifixion, because it refers to the relation between the Paraclete or Holy Spirit as the `many and the one`, symbolized in 21st century American folklore by Britney Spears. Because the Paraclete or Holy Spirit was a spear birth, she is by our side. As a symbol of the Paraclete or Holy Spirit, that is, `the many [Spears] and the one [God]`, Britney Spears is an American religious icon, as she says:


`I`m Miss American Dream since I was seventeen.` Piece Of Me


 The spirit of woman`s love is the love she has for herself as a species, which involves recognition of the fact that woman has a penis of her own and `lesbian` is a word like `vampire` that we don`t fully understand, because of what feminists term the subjugation and oppressive repressions of patriarchy, which is male chauvinism. The best women on the planet are only able to declare themselves bisexual, or for bisexuality, but feminism confuses the issue by being `politically correct` and proclaiming lesbians as homosexuals, whereas homosexuals are men with a penis and are a virus enslaving her womb as an alien parasitical organism practising biological warfare against her in the form of the `blood plague` of HIV/AIDS and emerging to spread the devouring `red dragon` of homosexual pederasty`s `plague games` of warmongering and `plague aims` of enslaving women as `host wombs` for its leechings:


`... the embryo ... obtains nourishment from the blood of the mother, similar to the leech, which feeds on the blood of others.`5



 The Arabian perception is from the Koran and constitutes the awareness that fear is what the relationship between women`s host wombs and the vampire spirits of what she has been taught to think of as a part of her species that calls itself `men` is based upon. Men actually function as a classic `blood sucking leech` and what Middle European folklore term draco, which experience elation over the helplessness of its victims and their dying spirits. As a vampiristic parasite, the evil alien organism that is men is clever enough to masquerade as a symbiote of women`s wombs and species before it`s time for another elated blood binge of death and destruction in which it can elate once again over the spirits of the dying.



Julian May, in her novels of The Many Coloured Land, describes the psychopathology as chakra vampirism, and in fact the chakra vampire actually devours the chakras of the spines of its victims so that they die enough, but not enough to escape them. Humans exist as `blood bags` that the chakra vampires allow to develop for a while before they return to feast on the `energies` of the chakras, which are located at several points from the base of the spine at the Muladhara chakra to the top of the spine at the Sahasrara chakra at the crown of the head. The Sahasrara chakra is associated with `understanding and will`. Obviously, the `blood plague` of HIV/AIDS as a `killer disease` will devour `understanding and will`, which is why the `red dragon` of homosexual pederasty is a `blood plague` in Revelation and why Al Qaeda, `the base`, attacked New York`s `Big Apple`. It isn`t about `leeching` from the productive wombs of the geniuses born from the `blood bags` by those who live at developmental levels corresponding to `the base` of the spine, which is Al Qaeda, `the base`, in geo-political terms. It`s about reducing those who are developed, because they might develop to the point at which they become aware enough to fight back against the `father of lies`; as at `blood Baghdad`.



 In Islam a man may have four wives, so the potential for `normal` lesbian female relations is institutionalized, but how many Arabian wives have a penis of their own? In the West women are taught to be monogamous and `understanding` of men, but why should they understand men who want to devour the crowns of the chakras of their heads, which is `understanding and will`, according to the chakra ladder of development as depicted in Hinduism. In Piece Of Me Britney Spears` asks the question,`Who betrays me?`


`I'm Miss Bad Media Karma, another day, another drama.

Guess I can't see the harm in workin' and being a mama.

And with a kid on my arm, I'm still an exceptional earner.

You want a piece of me?` Piece Of Me


 Britney Spears lost custody of her children ostensibly because of her allowing her child`s hat to fall off in the street while running for a cab and from the paparazzi in London while failing to redress the scene by picking up the hat off the ground herself. The judge at her `trial` decided she was a `bad mother` and, making her two sons wards of court, congratulated the `paper rats` and gave her billions into `Conservatorship`, which means her dollars are currently administered by her father and someone who was sacked by her as her `business manager` but is now described as `Co-Conservator` and `going to be married`; presumably whether she likes it or not, and depending on the power of the hypnagogic drugs and the strength of the hypnosis. Obviously, she`s betrayed. Not because someone else wants to be in control of her life, but because men of the Southern States of the USA are notorious for believing that woman generally shouldn`t have a mind of her own:


Scarlett: `Sir, you are no gentleman.`


Rhett: `And you, miss, are no lady... Don't think that I hold that against you. Ladies have never held any charm for me.` Gone With The Wind (1939)



 Of course they haven`t. Hollywood is all about `voice` because the actors speak. But they don`t compose. Their lines are written for them. In other words, development level is cut off at the neck, which corresponds to the Visudda or throat chakra, because `voice` is what is required in movies, whereas `imagination`, and `understanding and will` aren`t, so the laurels go to the brainless, and of course the rewards go to those who can produce more brainless, which is why Brttney Spears lost her money because she dropped her kids hat in the street near Central Park. Any serious lawyer would have laughed their tits off at the notion of Donald Trump or Howard Hughes loding their billions of dollars because the kid`s head was bare.

 In Roman mythology Paris gives Aphrodite the `apple of judgement`, which is a symbol of the `understanding and will` of the crown chakra at the top of the head. Because Aphrodite offers Paris `the most beautiful woman in the world`, Helen, who corresponds to woman as the visible `teacher`s assistant` that Jesus` Paraclete or Holy Spirit represents, and psychologically the attainment of wisdom is psychological lesbianism, which had previously been mooted as bisexuality in terms of the brain`s functionality, whereas psychological complementarity would require physical hermaphroditism, which is what futanarian woman with a penis represents.



 God and heaven is possible for those who want what they conceive of as psychological bisexuality because they haven`t been given the education to have the `understanding and will` to conceive of woman with a penis of her own as the zenith or crown of creation. The majority are only able to conceive of male egoism or female sensitivity, while deeper thinkers conceive vaguely of male and female complementarity. The depth psychologist Carl Jung perceived a need for the male`s articulation of the masculine ego (sun) and the female soul (moon), or the female`s articulation of the feminine ego (moon) with the soul (sun), which is what the `woman clothed with the sun and with the moon at her feet` apparently symbolizes. She actually represents triumph over Al Qaeda, `the base`, which symbol is the moon, and the first treacherous attack upon the USA by the Japanese fascists in 1941, because the flag of Japan has the red sun as its symbol and signifies the `red dragon` of homosexual pederasty`s enslavement and devourment of woman, and the products of her womb, that is, art, civilization and culture, by the alien parasitical organism of the male collective that uses her as a `host` for its plague.

 Denying education to women about the fact that she`s a species with her own penis is spiritual suicide from the perspective of Christianity, Islam, and any of the other world religions. Only the worship of Baphomet, who has female breasts and a penis, comes close to what is needed in terms of educational revision. Baphomet has the head of a goat because the symbol  relates to the path of libidic development, which is from instinctual levels of comprehension and behaviour to spiritual and intellectual levels of knowledge and understanding, but the principle is that of woman with a penis as a species. If the world`s religions deny women education based on perceptions of her as a species with her own penis, they`re rejecting God`s Word and a proper and correct understanding of the book of Revelation from the Bible, which is that the `hidden` woman`s `seed` will fight a war against the evil serpent`s `seed` from Eden that has grown in strength until it is a `red dragon`, and the `hidden` woman`s `seed` will win and be given a new heaven and Earth to dwell in, while the evil receive eternal unendurable pain from God as a punishment and she leaves the Earth to be with her own `seed` amongst the stars forever.



 Early in Revelation BABYLON, The GREAT, MYSTERY, MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH,` (Rev: 17) is descibed as a woman: `And the woman whom you saw is that great city which reigns over the kings of the earth. However, when the bride of Jesus appears, Jerusalem, most religious commentators would have us understand that she is the church rather than a woman, whereas it is more logical to assume that, just as Babylon, the Great, rules under difficult circumstances upon the Earth, so Jerusalem, the bride of Jesus is a woman who rules for God and her Lord under perfect circumstances in heaven. Where the evil alien parasitical virus that is men forces Babylon, the Great, to breed men so they can `plague game` in homosexual pederasty, and enslave the `host` wombs of women to devour her product of civilization, art, and culture, as the `red dragon` of war, the bride of Jesus, Jerusalem, the woman, mightn`t breed at all.



 The story of Adam and Eve is of a man and woman observed, but there is no reason to suppose that the bride of Jesus, Jerusalem, will have a spy in the bedroom. Christian interperetations of the Bible presuppose that it will be possible to know what`s going on in Jesus` bed, and at the very least they`ll be able to pass legislation as the governement ensconced in Jerusalem to dictate what transpires in it.



 After 9/11 the President of the USA, George W. Bush, declared a `War on Terror` (2003-) and a global surveillance network that George Orwell foresaw in his novel 1984 (1948) in which `Big Brother Is Watching You` was the slogan for those attempting to soothe the suicidal fears of those under surveillance. In othe words, Bush`s `War on Terror` produced as much, if not more, fear among those few people capable of development and achievement through their browsing of libraries, the internet, or other forms of mass media; entertainment or otherwise, even than 9/11 itself.



 The `spirit of God` upon Earth has provided the possibility of species` separation through the love of woman with a penis for the futanarian woman. In Oops I Did It Again Britney Spears is celebrating the `will and understanding` that she has from her development and achievement, which in fact corresponds to the reaching of spiritual and intellectual attainment represented by the Sahasrara chakra at the crown of the head that`s above the `imagination` of the Ajna chakra at the brow. In her red suit Britney`s suspending judgment on her `pupil` when she raises her spaceman so that he dangles helplessly. With his camera equipment he`s the `pupil` she`s educating, and `Mission Control` represents whoever, or whatever, constitutes the `surveillance`. If he`s possessed by demons she doesn`t want him to act. If he does act she wants to be able to excuse any excess as crime passionel, which necessitates his remaining an infant until his demons are exorcised.



 According to Jungian psychology the individual who is possessed is unable to recognize it. Developing individuals learn to recognize `demonic influences` arising from within themselves and `exorcise` them by reacting appropriately to situations. Jung argues that individual growth depends on this recognition and that the process of becoming an individual is hypothetically endless. Jung describes individuation as self-actualization, and theorizes that the conscious `Self` is unknowable to all but such few as Jesus or Buddha. In Jung`s psychology the `Self` constitutes the closest approximation to what we conceive of as God. If the individual remains infantile the process of individuation is in abeyance. Consequently, if the individual remains stupid, he can never be held responsible for his actions, which means he`s always forgiven. However, that perspective neglects the purpose of `exorcism`, which is self-development. In other words, refusal to develop isn`t an excuse for stupid behaviour.

 Because `will and understanding` has given Britney the capacity to conceive of woman as a species with her own penis, bisexuality and love for her own form is presented in Oops I Did It Again as psychologically and physically desirable for women. Although she appears on Mars as Venus, Britney`s actually projecting the concept of a woman from the planet Penis, that is, in science fiction terms, Oops I Did It Again presents her as a Penisian woman who is able to recognize that the penis of the male is actually female insofar as it finds her desirable. In the mirror of Britney Spears` video for Oops I Did It Again, woman is able to see herself and that desire for herself is normal because she`s a species with her own penis as futanarian woman.

 Men looking in th mirror don`t desire themselves, and don`t obtain an erection at the thought of having sex with themselves, because that`s homosexual pederasty. Women spend a lot of their time making sure they look attractive for themselves in their dressing table mirrors, and women who are futanarian obtain penile erection because they find their own bodies desirable. In other words, women are a species with its own penis because the penis is theirs and that`s why it finds her desirable.

 Men are merely parasitical symbiotes that become virulent if threatened by woman`s ability to transcend her conditioning and environment to become aware of the fact that she`s a species. The periodic eruptions of violence across the planet Earth are the result of the `red dragon` of homosexual pederasty`s desire to prevent the `hidden` woman of the Earth, that is, the woman who knows that she is a species with her own penis, from escaping, and men are prepared to initiate global terror in order to prevent her from awakening to their true nature, which is why Britney Spears` scifi video Oops I Did It Again celebrates the advent of the `New Redeemer` born to the `woman clothed with the sun and with the moon at her feet` who will protect her before `the Spears of Destiny` leave Earth for the stars in heaven to `sow` her `own` seed there forever.


1 'Who Is Allah', .

2 Pederasty In Ancient Greece, .

George Santayana, Reason in Common Sense in The Life of Reason, Vol. 1, 1905 .

4 Trade, .

5 Ibrahim, I. A., A Brief Illustrated guide To Understanding Islam, Darussalam, Houston, Texas, USA, 1997, pp. 74, p.6.

This Troy

01/01/2012 14:59

This Troy


Homer`s (c.850 BC) Iliad is about the Trojan horse, and Helen of Troy, who was taken to Troy by Paris. Meneleaus was the husband of Helen, and together with his brother, Agamemnon, King of Sparta, they persuaded the Greeks to send warships to Troy and return Helen to Greece (1190s-1180s).

 Paris Hilton (1981-) befriended Britney (1982-) during her divorce from Kevin Federline (1978-), and effectively `divorced` `the most beautiful woman in the world` from her Meneleaus. Britney has said she is `Bi`, so three people are needed for her marriage. This is the crux of the problem in the story of Meneleaus, Paris, and Helen – as recorded by Homer in the Iliad. In symbolic terms, Kevin Federline is Meneleaus or `men`, while Paris is Paris Hilton, and `the most beautiful woman in the world` is Britney Spears by voting consensus, that is, Helen.



  In the Bible, Jesus distills God`s law as, `God is love`, and that means `love thy neighbor`. Christians argue that Meneleaus and Paris do not understand `God`s love`, which is correct. Helen represents the Holy Spirit, which is the Shekinah from The Song of Songs in the Old Testament, who is depicted as being in the place where the Ten Commandments are kept (Ex: 40.35), which means that she is the love of God.

 If Meneleaus and Paris had accepted that the woman was God`s love, they would have shared her. But that is Antichristian to us. Therefore it`s a contradiction, and it has remained so until the advent of the internet. When I saw a futanar woman, I was disabused forever. She has a penis. This means that, if married, she has a choice, in Christian terms, of woman, man, or futanar.



 If she marries a man, who is she going to impregnate? If she marries another futanar, they do not need either a man or a woman. If she marries a woman, there are two in the marriage and no man. If she marries a man, she needs a woman for her to impregnate, and three is the marriage number. If she marries another futanar, they may want to have a woman or a man within their marriage, which is three or four as a marriage number. If she marries a woman, this is good but, in Christianity, not promulgated as an option because of misogyny.

 Paris Hilton and Britney Spears` relationship is outside their knowledge of futanaria, and the ideal Christian marriage is between a woman with her own penis and a woman. In repressing woman`s knowledge of her own penis, Christianity is Antichristian. It is a form of Satan worship. Because men are not needed, and know it.



 God`s love is Redemption, and `the woman clothed with the sun and with the moon at her feet` gives birth to a child who will `rule the nations with an iron scepter` (Rev: 12.1-18), which simply means the love of Woman will prevail; it is God`s law. Because she is `sun and moon`, she is a male-female complexio oppositorum, which is Hermaphrodite.



 The dragon is Satan and does not want God`s love, which means that Redemption is futanar, because men who are Satan`s would assume the woman `clothed with the sun` is woman without a penis. She is a prefiguration, which is understandable to Britney Spears, who in Oops I Did It Again (2000) appears on Mars. Neil Armstrong had appeared on the moon in 1969, with the sun behind his back because it hurt his eyes. He had the `moon beneath his feet` and was `clothed with the sun`, but wasn`t a woman. Britney, on Mars, knows the moon is below her and has the sun behind her too. She`s Britney `lamb` Strong as the `Lamb of God` (Rev: 5.13) in Oops I Did It Again, which isn`t the `red dragon` of Revelation, although she is `red` who `deems` or decides. In the 21st century, Paris and Britney are deemed `read`, which is what the `Assumption` of woman as the virgin means. Men are redeemable but have to want Redemption, whereas woman is `assumed` into heaven as `God`s love`. Consequently, Britney isn`t the `red dragon` of Revelation in Oops I Did It Again because, in terms of the logic of the video, it would devour her spaceman `baby` who, as the `New Redeemer`, would understand that lesbianism is a necessary first step towards the normalization of relations between women as a species with her own penis, and so the `New Redeemer` would protect her.



 Britney, in declaring herself `Bi`, divorced Kevin Federline, and accepted Paris Hilton, which means that Helen, `the most beautiful woman`, divorced Meneleaus - and Troy`s Paris, that is, men, which is in accordance with her understanding of Revelation, as it were. She doesn`t need a bisexual relationship, she needs futanaria, which may include 21st Century Paris Hilton, but marriage isn`t an issue. A good marriage has at least three people, and Christianity enforces two. So it`s against God`s love, woman and Redemption.



 Paris Hilton represents the woman with her hand on the hilt of her sword, which means that she is low technology from a good perspective, that is, the sword is a penis, and not a gun. Symbolically, Britney Spears is `God`s love` as the multiplicitous omniscience of the Paraclete (1 John: 2.1) separated from the side of Jesus as the `Second Adam` by Longinus` cutting open Jesus` side with his spear in what amounts to a Caesarean section (Matt: 27.54).



 `Et tu, Brute?` Julius Caesar1 (100-44 BC) says to Brutus (85–42 BC) when he is stabbed in the back at the height of his power. It is Caesar`s surprise that his friend would betray him. But it also represents Caesar`s faith that the same fate will befall Brutus. `My God! My God! Why hast thou forsaken me?` (Matt: 27.46) is Jesus cry from the cross. He would not be there if he hadn`t had a similar friend to Caesar`s Brutus in his disciple Judas Iscariot (died c.30 AD). Jesus` work of Redemption was simple; God is love and the woman from my side is her. If men do not accept her, they shall not have Redemption; so destroy them as traitors to God. The betrayer is someone who puts a knife in your back, and Jesus tells God who it is. Karl Marx (1818-83), the architect of Communism observed, in Das Kapital (1861-94) that, in order to be free, the workers had to `control the means of production`. Capitalism is the `liberation of the means of production`, but woman is the only producer man has. FHM  and similar magazines for men are a form of the `ownership of the means of production` which isn`t liberation, as promised by capitalism, but enslavement.

 In communism the state owns the means of production, which is women, and in capitalism the means of production, that is, women, are owned by individuals. Men are the betrayers of the `means of production` because women aren`t free in any economic system yet devised. Other than the meritocracy which the United States purports to be - and isn`t. On the cross Longinus effectively separated Jesus` woman, that is, the Holy Spirit or Paraclete, from his side by means of his spear, which prefigures spiritual enslavement. Thence Jesus` cry, `My God! My God! Why has thou forsaken me?` Jesus prophesied that the Holy Spirit or Paraclete would be upon the Earth after his crucifixion as `teacher, guide, comforter and helpmeet`, but the role of the female spirit in man has been that of a slave, and physically also.

 In Jungian psychology the soul is the anima, which is female, and the spirit corresponds to the Shekinah of the Old Testament as she is described residing within the place of the Covenant of the law of God, because she`s the `spirit of God`, and Holy Spirit or Paraclete of the New Testament that effectively emerges from the side of Jesus as the `Second Adam` when pierced by the spear of the Roman centurion Longinus upon the death of Jesus at the crucifixion and before Jesus` Resurrection and Ascension to heaven. In other words, the soul and spirit are wholly female, and although 20th century economics was based on state control of the `means of production` versus individual control, the `means of production` was essentially woman and the soul and spirit, which is female. Consequently, control of the `means of production`, whether commmunist or capitalist, is slavery for the female. Feminism believes itself to be liberational, but the feminist perspective devolves form the falsely egalitarian perspective that male homosexual pederasty, which corresponds to the devouring `red dragon` of war and its enslaving of women`s wombs as `hosts` for the self-perpetuating of itself as war. However, women with a penis are a species and lesbianism isn`t homosexuality as defined by feminism but the normal expression of a repressed and subjugated species own desires for ittself and its developmental functionality.



 The `new economics` would be based on the notion that individuals obtained from their labours what they work for, whereas communism and capitalism are based on the principle that individuals work for the `other` and obtain rewards for the work they do. Slavery is the obtaining from someone something that they have worked for, either knowingly or unknowlingly, and keeping it for yourself, whereas true economics is working for what you could have but the exploiter won`t give it to you, because they don`t want  progress and development of potentiality or genius. The result is the reduction of individual consciousness to subhuman levels of functioning. As the soul or spirit is female, and constitutes the spiritual and intellectual `means of production`, so the notion of God as exisitng within individuals as the Paraclete or Holy Spirit as `teacher, guide, comforter and helpmeet` means that the reduction of functionality in individuals by means of murder or poor education is the progressive `dumbing down` of the human species to those few gene pools that are able to initiate those periods of `Rennaissance` that the `red dragon` of homosexual pederasty and war requires at intervals in human history so that it can fake defence of the woman and the female soul and spirit, and so maintain its false role as `protector` of the devoured and enslaved `means of production`, that is, art, civilization and culture, while the Earth awaits the advent of the true `New Redeemer`.



 Because of the nature of goodness, which is the production of more good, heaven is where the good live, irrespective of what may be conceived as `heaven`. Consequently, Earth is a prison for those who are conceived as `not good`, which devolves upon woman and the female soul and spirit, because she`s too good to allow to leave. In short, the male flesh won`t release the species of woman that it`s fooled into believing its first phase dormant symbiosis in order to implement its second phase as a virulent parasitical viral form, that is, its devouring homosexual pederasty of warfare and HIV/AIDS, which Revelation describes as the `blood plague` of the `red dragon` and constitutes biological warfare against the `host` wombs of women.

Jesus` cry of `My God! My God! Why hast thou forsaken me?` relates to Longinus` seperating of the female soul and spirit from the side of the `Second Adam` by means of the spear Longinus thrust in there after Jesus` death at the crucifixion. The Shekinah or `spirit of God`, that is, the Holy Spirit or Paraclete, was Jesus` `teacher, guide, comforter and helpmeet` up to his death, which is the role God had given to her so that the technology of the 21st century would develop through her spiritual influence on the intellectual capacity of her workers. In Jungian psychology libidic or sexual instinct is deemed to be the source of the transformed energies of the psyche that constitute genius levels of thought. However, repressed sexual instinct as negative reactions to pornographic representations of women, although comprehensible because of the participation of the alien parasitical life form in the `typical` scene, has prevented species` awakening, because woman, and the female soul and spirit, have been lied to physically insofar as she has been led to believe, on the one hand, that the alien male is her reproductive partner and, on the other hand, sexual representations of the female form are not for her to desire, whereas she is a species with her own penis, and her penis desires herself.



`My God! My God! Why hast thou forsaken me?` is Jesus` recognition of the role of the `serpent` to come, which would be an enslaving and devouring `red dragon` of war and `blood plague` of HIV/AIDS biological warfare against the `host` wombs of women by the male alien as parasitical virus. Jesus` words upon his death at the crucifixion were a protest against what Longinus` separation of the female soul and spirit from Jesus meant for the future. Enslavement of the female soul and spirit and women`s `host` wombs for the sole purpose of devouring the productions thereof. In Revelation Jesus` marriage to the `bride`, Jerusalem, reflects on the role of `BABYLON, THE GREAT, MYSTERY, MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH` who is described as a woman ruler, which suggests that `Jerusalem` is God`s ruler for Jesus and a woman. In other words, `Babylon` is the producer of the products devoured by the devourer, which is why 9/11 is often thought of as `Hollywood`, because it was `like a movie`, while `Jerusalem` is God`s producer and product, and isn`t devoured by the evil `red dragon`. God`s Redemptive plan is that the female from Jesus` side should be God`s teaching presence upon the Earth after Jesus` Resurrection and Ascension to God, and explains why Jesus is the Sword of God in Revelation. He avenges himself upon those who have abused the `love of God`, his woman.



 Revelation indicates that the `means of production` are to be in the hands of the `producer`, which is why Holywoood movie moguls are called `producers`, because they`re producers for `Babylon` and the devouring `red dragon`, which was demonstrated by 9/11 on CNN and the `TV wars` of the Gulf (1990-2011), whereas God`s producer and product is to be the `bride`, Jerusalem, according to Revelation, and Redemption is the `woman clothed with the sun and with the moon at her feet` giving birth to he who shall `rule the nations with an iron scepter` while the dragon waits in vain to devour the `New Redeemer`. From the `rednecks` of US culture, for example. The woman of Revelation is wearing nothing but the sun behind her as she walks upon the moon, which is what woman with her own penis would have to achieve in order for her to be free of men.

 On her `red planet` of Mars Britney is spied upon by the astronaut, and appears in her red pilot`s suit of NASA``s original intention to fly to the moon but the X-15 space plane programme was cancelled because of reentry problems associated with `blackout`, which was the title of one of Britney`s later albums, Blackout (2007). Just as Oops I Did It Again is a nod at Robert A. Heinlein`s novel Podkayne Of Mars (1963), which feaured the USA`s first Grand Master of Science Fiction`s only novel about a heroine space pilot, so Britney is criticizing Heinlein`s Starship Troopers (1959), which was made into a movie in  1997 starring Denise Richards. Based on John F.Kennedy`s `Green Berets`, the movie featured the notion of futuristic paratroopers dropping out of spaceships to fight against `bugs`. Many commentators viewed Starship Troopers as an extrapolation of `communism`, but in the 21st century we might view it as an extrapolation of the dangers of being `bugged` by increased surveillance masquerading as security but that actually prevents much needed research and development from an individual and societal point of view.

 What Britney is saying in her red pilot`s suit is that the astronaut concept presupposed the Starship Troopers` paratrooper because the USA`s cancelling of the X-15 spaceplane programme reflected attitudes towards freedom. Effectively, Britney`s spaceman on Mars in an `invasion` by a paratrooper because 50s America`s perspective was coloured by projections in science fiction of their own behaviour patterns towards woman, which was freedom for themselves to control them. The X-15 spaceplane was too liberating, and Britney`s hypothesis is that the phenomenon of hypoxia, which is the technical term for `blackouts` experienced by the X-15 spaceplane pilots, was induced by `demonic possessors`. The `red dragon` as the enslaver of women`s `host` wombs , and devourer as homosexual pederast warmonger, doesn`t want the `host` to leave unless it has futuristic `gay boy sons`, that is, the paratrooper equivalent of `gay poisons` to `drop` on her. Britney is projecting HIV/AIDS` devouring `red dragon` of homosexual pederasty`s `blood plague` of biological warfare.

 Ancient Greece was based on homosexual pederasty and the enslavement of women`s wombs for the purposes of further enslaving of women`s `host` wombs for the parasitical virus` purpose of perpetuating war. At Troy the Greeks employed the device of a huge wooden horse and then left it for the Trojans to take into their city where the Greeks emerged from their hiding place inside it and enslaved the women. On 9/11 the Arabian terrorists employed `civil` aircraft to hide inside and crash into the Twin Towers after hijacking. Both devices employed the notion of `feigned friendship`, which is how the HIV/AIDS virus spreads itself through the body in order to kill it. HIV/AIDS `feigns friendship` with the defence system and then kills it. Consequently, 9/11 was the first example of airborne HIV/AIDS terrorist biological warfare against the symbol of woman in the Western hemishphere, that is, New York`s `Big Apple` of Eve`s wisdom garnered since Eden.

 In Oops I Did It Again Britney seems to have envisaged a spaceborne HIV/AIDS virus after the model of the futuristic paratroopers of Starship Troopers coming to `bug` her with their cameras on her Mars before spreading through the cosmos to bring biological warfare in the shape of the male alien `buggers` from Earth to woman as a species with her own penis, which Britney`s red `one piece` spaceplane pilot`s X-15 `jump suit` pardoxically seems designed to emphasize in its obvious lack of male genital equipment, and equally paradocically seems to suggests that she possesses, or is going to possess, because it`s a male pilot`s X-15 `jump suit`. For the `bugs` of male alien biological warfare, woman is for `host` womb enslaving, and the warmongering devourer of her is homosexual pederasty`s `red dragon`, which spreads its contagion through the equivalent of the biological warfare of the `blood plague` of HIV/AIDS as spaceborne male alien `starship troopers`. And just when she`s settled in nicely after escaping from confinement upon the planet Earth. Which explains why Revelation describes war in heaven between the `seed` of the woman and the `seed` of the `red dragon`.

 According to Revelation the evil shall receive unendurable eternal pain as a punishment from God while the good shall receive a new heaven and Earth in which to dwell in forever. On her Mars Britney is working for the Redemption of woman. If men knew she had a penis, they wouldn`t want her. Britney`s `Bi` female is Britney`s `spy plane`. Women may appear topless, nude, show her ass, and never reveal her penis, because that`s how the male alien parasitical viral life form of men maintains `the means of production`. But women don`t know that they`re a species with a penis of her own, and so Brintey`s `Bi` girl is functioning as women`s `spy plane`. While for men bisexual women are `host` wombs for their homosexual pederasty`s enslavement and devourment.of the products of her womb, that is, art, civilization and culture, through warfare and the biological warfare of the `blood plague` of the `red dragon` of HIV/AIDS against women`s wombs, and the `biology war` of the male against the female with a penis of her own as the species of the planet Earth. Britney, on the other hand, in her red pilot`s suit and white bikini dress, represent Britney`s `Bi`, that is, Britney`s `spy plane` on male-female relations with a view to examining lesbianism as the basis for relations between women as a species with her own penis.



 In computers a `Trojan` is a virus, whereas  the 20th century`s HIV/AIDS virus was the biblical `red dragon` of devouring homosexual pederasty`s fear-inducing, terroristical `blood plague` of the `gay boy sons` biological warfare, that is, the `gay poisons` biology war, against the `host` wombs of women, which God`s Redemption was designed to save her from. Woman with a penis does not need men, which is why men themselves are a virus. This is what God means by the serpent`s `enmity` (Gen: 3.15) with the woman, that is, the `gay boy sons`, which are the poisons of the serpent, are wman`s enemies. Homosexuals aren`t producers, and their valence of HIV/AIDS tells us that they don`t want God`s productions, or women as the producers; nor even the producer – God.


`I like to see it lap the Miles -
And lick the Valleys up -
And stop to feed itself at Tanks -
And then - prodigious step

Around a Pile of Mountains -
And supercilious peer
In Shanties - by the sides of Roads -
And then a Quarry pare

To fit its sides
Complaining all the while
In horrid - hooting stanza -
Then chase itself down Hill -

And neigh like Boanerges -
Then - punctual as a Star
Stop - docile and omnipotent
At its own stable door -`


 Emily Dickinson (1830-86) `riddle` (1924) poem is about a train which is depicted as a horse. It is the `iron horse` of the growth of America, but it is represented towards the end of the narrative as `docile` and `omnipotent` at the `stable` door, which is what Jesus` birth and Ascension represent. The child that `rules the nations with an iron scepter` is Jesus; so is the `Son of God` on the cross, and the baby Jesus in the `stable`. The task for God is to bolt the stable door before the horse has bolted, and Jesus` Salvation from Nativity to Ascension and heaven indicates that the horse remains in the stable with God even if it had bolted. Jesus is eternally saved and has Redemption, but has to be the `Sword of God` in Revelation, which requires him to be meek as a teacher and wield a sword later to bring about the death of Satan. However, if God can allow Jesus to meekly teach the Word of God before his crucifixion, death, and Ascension to heaven, and engineer his `Second Coming in which, wielding the Sword of God, Jesus decimates the evil bloodthirstily and punishes them with perdition, before receiving a new heaven and Earth as reward, God has successfully `closed the door afte the horse has bolted` because Jesus has Salvation from his Nativity in the stable and throughout eternity.



 Men who are not `washed in the blood of the lamb` (Rev. 12.11), and do not accept Jesus` teachings through the Holy Spirit or Paraclete, can`t have Redemption. Because they prefer to continue with their tortures rather than accept whatever is visible of `God`s love`, who is woman. Jesus` `bride`, Jerusalem, is woman, as `Babylon, the Great, Mystery, Mother of Harlots and of the Abominations of the Earth` is woman upon the Earth living under difficult circumstances. Forced to accept `boy son` injections that are the poison which will kill and subject her to fear and terror in the forrm of the wars of the `red dragon` and its `biological warfare` against her `host` womb through its `blood plague` of STDs and HIV/AIDS,  her `gay boy sons` are the poisons depicted in her cup:


`... having a golden cup in her hand full of abominations and filthiness of her fornication ...` (Rev: 17.4)


 Jesus is unmarried but required to bring about the death of Satan with the `Sword of God`. He is the `Son of Man`, which he describes himself as, and the `Son of God`, as Longinus describes him as, but he`s celibate, according to infantile perceptions that wouldn`t give credence to the idea of Jesus` penis functioning. However, the functionality of the penis` libido as instinctual sexual energy transformed into spiritual or intellectual endeavour is the basis of Western art, civilization and culture. The celibacy of Jesus` penis relates directly to the need for spirit and intellect rather than sensuality as the basis for development. In Oops I Did It Again Britney`s penis can`t be seen either, but the fact that she`s declared herself as `Bi` means that she`s `in the same position for those who`ve decided that Jesus was celibate, that is, they don`t want to know. However, those who do want to know would spy on Jesus, as Adam and Eve were spied upon in Eden by the `serpent` that becomes the devouring  `red dragon` of Revelation. Britney would be spied upon by them also because she`s declared herself as `Bi` and they`d want to know as `spies`, which is what the spaceman`s camera is for in Oops I Did It Again as he reports to `Mission Control` on her `movements`. Declaring herself `bisexual` preempts discussion over Britney`s celibacy, in lesbian terms, which means she`s Christ-like, because discussions over Jesus` celibacy are preempted in Christiianity. Jesus doesn`t have to be celibate. Just as Britney Spears in Oops I Did It Again doesn`t have lesbian sex, but we don`t presume that she doesn`t.

 Jesus` penis is a secret, and so is Britney`s. In terms of Emily Dickinson`s `riddle`, God is in the `stable` and without. Jesus can go forth, teach Redemption, bring death to Satan, and be the `bridegroom of the lamb`, who is `God`s love` as Jesus` woman, Jerusalem, and their marriage is noone else`s. Jesus is eternally saved; from the `stable` fixed point in time and space symbolized by the `star` of Bethlehem, to his bringing about the death of Satan by means of the `Sword of God`, and his marriage is for his eyes alone, which is what God told Adam and Eve in Eden, and that`s Redemption, because noone sees what goes on in Jesus` marriage, apart from Jesus and the `bride`, Jerusalem.

 In Eden God said there`d be `enmity` between the woman`s `seed` and the serpent`s. When Adam and Eve ate of the fruit of the `Knowledge of the Tree of Good and Evil` (Gen: 2.9), they perceived themselves naked because they were being watched. The serpent`s `seed` can`t have the `marriage of the lamb` as the `bridegroom`, because watching is what they do, and the `red dragon` of Revelation devours them because it can see them. God is omniscient, however, according to the Bible, which is why the `red dragon` waits in vain to devour the `New Redeemer` when the `woman clothed with the sun and with the moon at her feet` is giving birth.

 Britney Spears` Oops I Did It Again is a prayer to `close the stable door after the horse has bolted`  - and before it bolts - which is a euphemism for a woman who has either lost her virginity, or has lost her virginity and conceived. The `video logic` of Oops I Did It Again has the spaceman discover the `cookie` each time the scenes are run. The `cookie` is an `Open Sesame`, or `password`, and access to the scenes depend upon its uncovering by Britney`s spaceman in the desert sands of her red planet of Mars. It`s the `condom` which protects her `conception`. If she`s a woman with a penis of her own as a species but doesn`t have a penis, then she`s for `bisexual` relations productive of male or female children, whereas if she has a penis of  her own as a `member` of the species `woman`, she`s `saved` in `eternity`, according to the Bible, which means that somewhere she is woman as a species with her own penis. Closing the door of the stable after the horse has bolted is what God does. Britney is `twinned` in the Oops I Did It Again video because, in terms of God`s `editing process`, that is, Salvation in eternity from Nativity onwards, in her red suit Britney doesn`t have a penis, but in her white bikini dress she`s a different woman, and might have.

 Christianity presupposes man and woman, so Salvation from Nativity to eternity supposes that man and woman`s forms are eternal, whereas the advent of the futanarian woman with a penis of her own, as an aspect of the species woman, tells us that man and woman are not eternal forms. Because a woman who is born without a penis and discovers that women have a penis presupposes that women are a species that does have a penis and men are keeping her as their prisoner, which is what monogamy and patriarchy is. In other words, woman`s Salvation is a knowing that she has a penis of her own, because women are a species with her own penis, and so if she doesn`t have a penis she`s `recorded` as having one by God somewhere, which means that she`s `saved` because she`s divided from her own species by the parasite that calls itself male, but is actually an alien viral life from masquerading symbiotically as a `friend` in the same way that the HIV/AIDS virus, or `gay poisons` from the `gay boy sons`, `feigns friendship` with the white cells of the body`s immune system in order to mount a campaign of biological warfare against the `host` wombs of women and kill the female with her own penis before she can emerge. That might explain why there`s no cure for the `killer disease`, because the aliens are endeavouring to discover a way of making the virus gender specific.



The `video logic` corresponds to the idea of permanence in which Britney, at the video`s commencement, corresponds to Jesus as both in the stable of his Nativity and in the eternity of his Salvation, which doesn`t require death and Resurrection. Although Jesus himself experienced crucifixion and death. Oops I Did It Again represents Britney Spears` `take` on Redemption and Salvation. If Oops I Did It Again is her Nativity, then the `recording` is her Salvation, because the appearance of her `star` is the sign of her Advent in the same way as the `star` of Bethlehem heralded the birth of Jesus. Britney`s `star` heralds the birth of the `New Redeemer`, which is the perception amongst humankind that woman is a species with her own penis, and that`s why she appears in her red pilot`s suit raising her spaceman above her in a white bikini dress. The spaceman is her `son` who she`s `teaching`, so he can `protect` women and be the `New Redeemer`. After her birthing of the `New Redeemer`, the `woman clothed with the sun and with the moon at her feet` is `hidden` upon the Earth until she leaves. Britney`s Redemption is Salvation, without death and Resurrection, because she`s `recorded`. As the `stars` of the elect are `recorded` as `eternally saved`, according to the Bible, and as Jesus is `saved` in eternity from Nativity to Ascension and beyond.



Because of her declaration of bisexuality, which entails lesbianism, and doesn`t exclude encounters with futanarian woman ( ) with a penis of her own, Britney`s Oops I Did It Again is her version of the `marriage of the lamb` in which the `bride` is herself in a white bikini dress, and Britney`s spaceman, who she raises in her red pilot`s suit above herself in the white bikini dress by means of a hook and pulley, is the `marriage agent` for the `marriage agency` with his camera that sends her picture back to Earth for prospective wedding partners to view. `Beware Greeks bearing gifts` is the paradigm. If woman has a penis of her own, why would she want to wed with a man? It`s a `Greek horse` for the virus` enslavement of woman as a `host` womb by means of the `gay boy sons` that, in the last quarter of the 20th century, have become the `gay poisons` of the 21st century, HIV/AIDS. The `demons` of `Mission Control` which appear to be inside the spaceman as `mites of sodomy` are the `gay boy sons` endeavouring to `boy son` Britney for the `red dragon` of homosexual pederasty and war so that the `blood plague` of their `biological warfare` against her can spread its `contagion` further. In rasing her spaceman abover her `daughter`, Britney is asking: `Is there a woman in the room?` Because my daughter will be woman as a species with her own penis.

 `Music can be such a revelation.` Madonna sings in Into The Groove `At night I lock the doors, where no one else can see . I’m tired of dancing here all by myself. Tonight I wanna dance with someone else.` Eventually, woman without a penis tires of masturbation and accepts her Satan, that is, a man who wants to produce more `gay boy sons`, and its viral `blood plague` of the `gay poisons` of HIV/AIDS. If men do not accept Redemption and the notion that the `New Redeemer` is to protect woman as  a species with her own penis, while she is sojourning upon the Earth, perdition is men`s punishment for being evil towards her,.



 Britney Spears  Oops I Did It Again `scifi` declares Mars` Redemption. Victory for the female Venusians, and  futanarian Penisians, over the god of war that`s the `red dragon` of Britney`s Revelation. But, if men turn their spears on woman, it`ll be species war between woman and herself as futanarian woman with a penis, that is, the men of Mars and the Venusians against the futanarian Penisians. If women do not accept that men have `ownership of the means of production`, where women are the `means of production`, then the `American Dream` is `life, liberty and the pursuit of happiness`, that is, Manifest Destiny through the `producer of the means of production`, who is futanarian woman with a penis of her own of the species` woman of the planet Earth.


`I`m Miss American Dream since I was seventeen.` Piece Of Me



1 William Shakespeare, Julius Caesar, III, I, 77, 1599.


The Woman on the Sword

01/01/2012 14:57

The Woman on the Sword


Jesus on the cross is the man who does not defend himself until his Second Coming with the Sword when he exterminates evil and God creates a new heaven and Earth for the Redeemed. The cross represents the crosspiece of his Sword in the Earth. He is helpless so his tormentors do not have to use the sword against him.

 To a boy child the crucifix is the haft of a wooden sword pushed into the Earth. Jesus is the `Son of Man` (Matt: 26.64) because he is the Redeemer; but he returns with the `Sword of God` in Revelation. If Jesus had carried a sword, he would have been killed with the swords of men. In fact, he was killed by the Romans for being a Jewish subversive. His role was to last long enough for the sword of God to be reforged.



 Jesus distilled his own teachings, and `God`s law` as `God`s love` (Luke: 10.27). Upon the cross he was helpless and, after his Ascension (1 John: 2.1), God gave the Paraclete or Holy Spirit to mankind as `teacher, guide, comforter and helpmeet`, which suggests that she is the helper that the helpless want to save them. As God`s spirit, she has taught Jesus - and through Jesus - so she is teacher, guide, and comfort also.

 Jesus` Second Coming is with the Sword, so he is Sword-trained and a sword-trainer. On the cross he has the woman`s position. He has been obedient to God but men want submission. The `marriage of the lamb` (Rev: 5.13), in Revelation, is submission to God and, pursuant, is `marriage`. According to Revelation, Jesus` `bride` is Jerusalem, but men assume that the `heavenly city` is a place from which they`ll govern creation, whereas Babylon, the Great`, is the city of Revelation described as the city upon the Earth where a woman rules. In other words, Jesus` bride, Jerusalem, is the woman who rules in heaven on behalf of God for Jesus` marriage, which men have no jurisdiction over, although they have always wanted to see into the bridal chamber that God had originally prepared for Adam and Eve in Eden. In Revelation `Mystery, Mother of Harlots, and of the Abominations of the Earth` is a `proxy` ruler for those men who, in ancient Greece, enslaved the wombs of women so that homosexual pederasty could spread its `gay boy sons` by means of war, which became the 20th century`s `gay poisons` of HIV/AIDS, in accordance with Revelation, as the `red dragon` of homosexual pederasty`s war against the wombs of women continued in the form of its biological warfare of HIV/AIDS, which in Revelation is decribed as `blood plague`:


`... a golden cup in her hand full of abominations and filthiness of her fornication:...` (Rev 17:4)



 Babylon`s womb is her cup but the `abominations and filthiness of her fornication` are what she is made to do by the `red dragon` of devouring homosexual pederasty`s warmongering `gay boy sons`, which result in the `blood plague`of the poisons of HIV/AIDS. However, `Babylon, the Great` is an archerype of woman that seeks to be made conscious, in psychological terms. According to the developmental depth psychologist Carl Gustav Jung (1875-1961) contents of the unconscious seek to be made conscious by means of impulses that arise in dreams, art, and imagination or reverie. The archetypes are the impulses towards civilization and culture, and `Babylon, the Great` is great because she represents the archetype of woman upon the Earth as she endeavours to survive and be born.

According to Genesis there shall be perpetual enmity between woman`s `seed` and that of the serpent, and in Revelation `the woman clothed with the sun and with the moon at her feet` gives birth to the `New Redeemer` that will protect her while she remains `hidden` upon the Earth. Because the woman of Eden is described as having `seed`, she`s a futanarian woman, or woman with a penis as a species in her own right, which means that Eve, Babylon, and Jerusalem are Woman. According to Revelation the `red dragon` and the serpent`s `seed`, which correspond to the `gay boy sons` of homosexual pederasty`s contagion of war and the `gay poisons` of the `blood plague` of HIV/AIDS, fight against the `seed` of the woman in heaven and lose. The `red dragon` and the serpent`s `seed` receive perdition, and the woman and her `seed` receive a new heaven and Earth.



 The Evil One is exterminated. He doesn`t submit because he doesn`t want marriage. He is single because he doesn`t want Woman. He represents homosexual sterility: `The beast that thou sawest was, and is not, and shall ascend out of the bottomless pit, and go into perdition: and they that dwell on the Earth shall wonder, whose names were not written in the book of life from the foundation of the world, when they behold the beast that was, and is not, and yet is.` (Rev: 17) In Arabia they have a similar tradition deriving from the holy book of the Moslems, the Koran,  which describes `Iblis`, the `Shaitan`, who corresponds to `Satan` in Christianity, and who has no power other than to whisper in ears. Because the `beast` represents the sterility of homosexual pederasty, it has no creative power, and so its power is an illusion. Consequently, it`s defined as `was, is not, and yet is` because it represents development.



 Just as men prefer to teach boys to play with wooden swords so that they have as much effectivity as the buried wooden haft of the cross of the sword of Jesus` boyhood, so Jesus` celibacy represents the need for a denial of the sensual for a period from the 3rd century C.E. so that 21st technology could develop. However, given the fact of a developed technology, such as that of the TV series Star Trek (1965-), low levels of technology are for the meek. In other words, developing is what the meek are for, and their low levels of technology represent the fear of the evil who are preparing for Jesus` `Second Coming` with the `Sword of God` that will slay them. If Jesus` plan was to develop technologically, so that the meek of the Earth would be able to defend themselves, the plan of the evil was to enslave the meek at the technological equivalent of chimpanzees after they had developed to the advanced technology of something akin to Star Trek, for example,. Jesus` `Second Coming` would result in the meek being kept upon the Earth as `hostages  to fate` subject to a black mass `slaughter` before Jesus` `Sword of God` was even out of its sheathe should Christ attempt to remove it therefrom.

 According to the New Testament Jesus was `trained` by means of `God`s Spirit`, which was by his side as Eve`s was from Adam`s and she emerges, as it were, as the Paraclete, or Holy Spirit, when Jesus` side is cut open by Longinus` spear. The female Shekinah is the `spirit of God`s law` that dwells in the place of the `Ark of the Covenant` with God`s Commandments in the Old Testament, which Jesus distills in the New Testamnet as `love thy neighbour`. Because the Holy Spirit, or Paraclete, is female she represents what the depth psychologist Carl Gustav Jung (1875-1961) defines as among the archetypes of the collective unconscious that, appearing in dreams, art, reverie and the imagination, impel civilization and culture to higher levels of spiritual, intellectual, and technological levels of development. Just as `Babylon, the Great` and Jerusalem, the `bride` of Jesus, represent aspects of the archetype of woman`s impulsion to development, so the Shekinah, or Holy Spirit, effectively emergent from the side of Jesus when it was pierced by the spear of Longinus after Jesus` crucifixion and death, is an archetype of spiritual impulsion. Consequently, the evil would seek to kill her because she represents the possibility of survival for woman as a species with her own penis.



  Because the capacity for developing independent space travel devolves, according to Jung, from instinctual levels of energy associated with sexuality, the solution for the evil would be to either kill the woman`s penis, suppress all knowledge of the woman`s penis, or simply engage in biological warfare against her `host` womb by injecting it with experimental `gay boy sons`, that is, the `gay poisons` of HIV/AIDS, as if she were an experimental rat. Jesus` alternative is portrayed at the `Last Supper` in the Bible where he offers `bread and wine` as symbols of his `body and blood`, which represents the transformation of instinctual levels of development into spiritual or intellectual levels, which the transubstantiation symbolism of the Catholic Mass promulgates in the shape of the Communion wafer and the cup of wine. Conversely, HIV/AIDS is the Satanical cup of the `abominations and filthiness of her fornication[s]` from homosexual pederasty`s gay boy sons` celebrating their generations` long `black mass`invoking the `red dragon` of Revelation and its `blood plague` of `gay poisons`:


`... having a golden cup in her hand full of abominations and filthiness of her fornication ...` (Rev: 17.4)


 Gays don`t want development because the older pederasts wouldn`t be able to produce `gay boy sons` if woman with a penis of her own were an independent species. If woman with a penis of her own understood she didn`t need men, she`d be free to embrace immortality without the obligation to produce new `boy sons`. The intention of the male alien parasites upon her `host` is to keep each woman as a breeding slave for a couple of decades or so in order to produce more `gay boy sons` for the `red dragon` of homosexual pederasty`s `plague games` of `biological warfare` with the `gay poisons`. Jesus` `bread and wine` is his `body and blood`, because he doesn`t want the `gay boy sons` or HIV/AIDS, and that`s why he`s born without the stain of a man`s semen upon him. Because God didn`t want him to have the `mark of the beast`.

 In Revelation the `hidden` woman of the Earth leaves to `sow` her `seed` amongst the stars in heaven. Most interpretations of Jungian psychology assume that men are a part of the species of the Earth, but if the spirit and soul are female, as the functionality of the Shekinah and Holy Spirit suggest, the archetypes of the collective unconscious are woman`s, and men have no developmental functionality but are evil aliens, which explains why there is war in heaven against the woman`s `seed`, and why the evil serpent`s `seed` of the aliens are defeated.



 As a supposed celibate, Jesus` cruficied is an icon of the `red dragon` of homosexual pederasty`s sado-masochistic lust for blood. Because he represents Eve`s understanding of woman`s role, he is a misogynist`s icon too. As the wooden haft of the toy sword of his boyhood, Jesus` cross is ineffectual, which is how it is interpreted by the evil. However, in Revelation, Jesus comes to save his `bride`, symbolized by Jerusalem who, as `Babylon, the Great`,  is the archetype of woman `washed in the blood of the lamb`, and who has Redemption and is saved in Revelation by Woman`s archetypal hero Jesus with the `Sword of God`. Although much happens with `Babylon, the Great`, the notion that woman as a species is separated both from her own penis and knowledge of it by the male aliens who have imprisoned her on the Earth in order to enslave her womb as a `host` for its parasite suggests that the separation of `Babylon, the Great` and Jesus` `bride`, Jerusalem, are equivalent to the separation of the penis of woman from woman as a species, which means that `Babylon, the Great` belongs in heaven as Jerusalem because her `abominations and fornication` are a consequence of her enslavement by the aliens.



 As a Sword trained by God`s spirit, the sword he is training is not man`s but Woman`s. The sword is associated with `Thinking` in psychology, and the Word of God is construction though instruction, which is invention, production and, most importantly, reproduction; the knowledge of how to make the same thing again: sex is the basics. If women are required for reproductive sex, men can`t reproduce without women, whereas women as futanarian women with a penis of their own can reproduce without men, Consequently, the male system of heaven divided into good males and males who aren`t yet quite good enough doesn`t take into account the fact that women have been separated from their own penis as a species by the male alien parasites using her as  a`host` womb for their devouring wars of homosexual pederasty, and so heaven would logically consist of  her physical hermaphroditism.



 In Egyptian mythology, Ra is God, Osiris is his son, Set is the Evil One that dismembers, and Isis is the Woman that remembers him as Horus. In Christian terms, Set corresponds to those men who don`t want the immortality that God promises Jesus. In the Egyptian myth, Isis wants immortality for Horus, whereas Jesus` separation from men by being born of a virgin without the semen of a man is a further instance of God`s distancing of God from men because they don`t want immortality in God but only insofar as it facilitates their blood lust as evil aliens.

 Jesus` birth without male semen suggests that God is divorcing men from the `spirit of God`, which God effectively confimed when he sent to the Earth the female Shekinah, that is, the Holy Spirit or Paraclete, to be `guide, teacher, comfort and helpmeet` at the side of woman. Jesus` offer of fellowship in the form of the `bread and wine`, as symbols of his trust, is betrayed immediately by Judas Iscariot, who sells him to the crucifiers, and prefigures the `gay boy sons` of BDSM and their poisons` `blood plague` of HIV/AIDS, which transmits itself by `feigning friendship` with the fighting cells of the body`s immune system before betraying the `friendship` and killing them and the body. Another Satanical gay boy sons` black mass in which the `gay poisons` of HIV/AIDS mock Jesus` `body and blood` in their own pederatical version of the  transformation symbolism of the Catholic Mass.

 Woman`s `The End` product of Revelation in which her `seed` receives God`s `new heaven and Earth`, which are immortal lives, saved and remembered. In order to understand, we have to accept that God lives through man. Jesus` birth is by parthenogenesis; he isn`t man produced by the fertilizer of man. He is born of a virgin woman and God. In Egyptian mythology, Osiris is the incarnation of Ra, who corresponds to God, as Allah in Moslem belief. Osiris has many experiences, and because he has lived as mankind, he has much to remember. Without the knowledge of his imprisonment in an ego, he can`t remember. He needs the rememberer – Isis. She collects the pieces from Set`s dismembering of Osiris but can`t find the penis, because she shouldn`t; it isn`t hers.



  Isis fashions a new penis for Osiris, who is then reborn as Horus, but the symbolism indicates that he`s restored not remembered. In other words, he doesn`t have the memories of his incarnation as the individual egos of mankind. However,the fact that women have a penis of their own, is the reason why Isis shouldn`t find Osiris` penis. Isis corresponds to what in Christianity is termed the `bride`, Jerusalem, who is a woman who rules on behalf of God, as `Babylon, the Great` is the `proxy` ruler for the `red dragon` of homosexual pederasty`s `gay boy sons` that represent the `gay poisons` in her cup of  the `abominations and filthiness of her fornication` that corresponds to the `blood plague` of Revelation which is HIV/AIDS. If Jerusalem, the `bride` of Jesus, is woman with a penis of her own and God`s true species, woman`s Resurrection would be `Babylon, the Great` with her own penis as the species woman, that is, Jesus` bride`, Jerusalem, who would have the memories of mankind because Earth is where her penis had been.

 Some believe God to have incarnated in Jesus in order to bring gnosis to the Earth, that is, `esoteric knowledge and intuitive wisdom`. In Christianity `Holy Wisdom is an expression of understanding of the Holy Spirit` and, according to the Gnostics, this was the way to Salvation. After Jesus` crucifixion and death Christ has Resurrection and Ascension. In Egyptian mythology the equivalent of God is Ra, who incarnates as Osiris, and is dismembered by the evil Set before being remembered by Isis who collects the pieces of Osiris` dismembered body. Where Jesus has Ascension to heaven in Christianity, Osiris is reborn as Horus, the `sky god` in Egyptian mythology, probably because Isis corresponds to the `bride` of Jesus, Jerusalem, who is a woman with a penis of her own. Consequently, the memories of mankind belong with her and so man`s penis is hers in heaven. The Egyptian `sky god` Horus represents the zenith of man`s aspirations on Earth. Because woman who is sundered from her penis as a species and its knowledge would be restored in heaven above, according to the `myth logic`.



 Although Ascension follows Jesus` crucifixion and death, God sent the Paraclete, or Holy Spirit, to teach Redemption after Jesus, which corresponds to that `Holy Wisdom [which] is an expression of [the] understanding of the Holy Spirit`. Redemption isn`t Resurrection and Ascension, because that presupposes death and rebirth, which corresponds to what happens in Egyptian mythology where Horus is reborn as the `sky god`. If Horus has Resurrection he would be reborn with his memories of his incarnation as mankind. However, Isis can`t find his penis and fashions one anew, which suggests rebirth without remembering. In Christianity, the `spirit of God` is female and, because the Holy Spirit, or Paraclete is `esoteric knowledge and intuitive wisdom`, according to Gnosticism, the concept seems to be that she teaches and garners knowledge.



 Woman is a species with her own penis, and the female Holy Spirit, or Paraclete, in effect teaches the penis of mankind through the soul, which Jung calls the archetype of the anima, or female image in the psyche of man that corresponds to the desired image of woman, by means of the transformation of instinctual libidic sexual energy to spiritual or intellectual development. In Christianity Redemption presupposes death and Resurrection, but Redemption without death is Salvation. Just because Jesus died on the cross doesn`t mean that those who accept the teachings of the Paraclete, or Holy Spirit, shouldn`t have Salvation without death. In other words, Gnostic Christianity represents the notion that `Holy Wisdom [which] is an expression of [the] understanding of the Holy Spirit` confers Salvation. In short, if woman with her own penis is the species of the planet Earth, and the `Assumption of the Virgin Mary` means that the woman, who is sundered from her penis upon the Earth, has restoration in heaven, because the penis of the male is female and desires its own `Self` as the species woman, the `Assumption of the Virgin Mary` means that woman is restored to her own penis as a species in heaven and `Holy Wisdom` belongs with her as Jerusalem, the `bride` of Jesus in Revelation, who is the Gnostic sapientae dei or `Wisdom of God`.



 If Resurrection is restoration with memory intact, the `bride`, Jerusalem is `Holy Wisdom` because she represents the memories that the individual who has Resurrection would want to have. In the New Testament Jesus preaches forgiveness, because of the `enmity` between the `seed` of the woman and the serpent`s `seed`, that is, men, which has been perpetual since Eden. Obviously the individual who had Resurrection or Salvation wouldn`t want memories that were of men and their evil ways. Consequently, the `bride`, Jerusalem, represents woman as a species with her own restored penis and so someone with all of the memories of humankind. Moreover, as Jesus` `bride`, she is `good` memories without men and their evil ways. The Paraclete, or Holy Spirit, functions as woman`s garnerer of knowledge, which might adjectivally be defined as `humanity`, and Jerusalem, as the `Holy Wisdom` of God, represents the woman`s good governance on behalf of God in the heavenly realm.



 In biological terms, Jesus and the Virgin Mary are a complexio oppositorum that denote the Virgin with a penis of her own as member of the species woman, whereas homosexual pederasty`s devouring `red dragon` of war through its production of `gay boy sons` in its enslaved women`s `host` wombs, is the Satanical serpent of the `seed` of men who were responsible for the torture and murder of Jesus as the Virgin, or nascent, `futanar`.  In the 20th century the `red dragon` escalated its campaign against woman as a nascent species with her own penis,  through `biological warfare`. The gay boy sons`  incurable `killer disease` are the `gay poisons` of HIV/AIDS, which is the `blood plague` valence of the `red dragon` of Revelation.



 Those who espouse the `red dragon` are the same people that tortured and murdered Jesus, without the forgiveness that would give them either Salvation or Resurrection in Jesus` name. The Satanical would want reincarnation for others but in places of their own choosing, which is why the `red dragon` of homosexual pederasty, whose valence is torture and murder, began to enslave the `host` wombs of women at least as long ago as ancient Greece where women were merely `breeding stock` for the homosexual pederasts. The Satanical would also want Resurrection for themselves, but without Redemption, which requires the acceptance of forgiveness, as a basic Christian principle, because Resurrection for themselves and reincarnation for their victims would satisfy the `blood lust` of their valence.



According to the Bible the `woman clothed with the sun and with the moon at her feet` gives birth while the `red dragon` waits in vain to devour the `New Redeemer`, because she is Salvation, and that`s why the `New Redeemer` is able to protect the `hidden` woman with the `seed` that defeats the `red dragon` in war in heaven to receive a new heaven and Earth while the evil serpent`s `seed` receive perdition from God. The `New Redeemer` accepts the teachings of the Holy Spirit, or Paraclete, and so is immune. Obviously, the concept of immunity relates to immunity from the `biological warfare` valence of the `red dragon` of HIV/AIDS `blood plague`. In other words, to be immune from homosexual pederasty`s valences, each individual would  have to be `straight`. However, in sexual terms, all this means is that the feminine principle desires itself, because woman as a species with a penis of her own is `straight`, and because that means the penis is female, `straight` means woman oriented desire, which is categorizable as the `normal` valence of the planet Earth.



 If the male doesn`t desire woman, and the violence in mainstream movies, as well as `reality` in such incidents and periods as 9/11 on CNN and the `TV wars` of the Gulf (1990-2011), suggest that it doesn`t `really`, then males aren`t `straight`. They`re what the ancient Greeks wanted when they presented their `gift` of a huge wooden horse before the walls of Troy. The `Greek horse` was a `device` inside which they hid in order to enter Troy and enslave the women`s `wombs`, as `hosts` to further homosexual pederasty`s valence of war and enslavement. The HIV/AIDS virus is a `Greek horse` inside which the `terrorist assassins` of homosexual pederasty metaphorically `hide` waitng to devour the `hidden` daughters of the woman of the Earth. In Satanical mockery of the `hidden` woman of Revelation protected in the `wilderness` by the `New Redeemer` before she leaves, and in Satanical emulation of the 9/11 terrorists` `feigned friendship` as they hid inside `civil` aircraft before crashing them into New York`s Twin Towers, which was itself an emulation of the `feigned friendship` of the HIV/AIDS` cell for the immune system of the body it kills, the `red dragon` of homosexual pederasty is administering its injections of `gay boy sons`, that is, `gay poisons`, in an attempt to murder her `womb`, which is the producer of the Earth`s civilizations and cultures that it has been endeavouring to prevent from developing, and to destroy, since Eden.



 From the perspective of Egyptian mythology, Set corresponds to those men who are the disparate egos of Ra incarnated as Osiris that do not want what Christianity would describe as the `Oneness of God`. Jesus` crucifixion and death is the BDSM valence of the `red dragon` of Revelation, which is neatly encapsulated in the movie Red Dragon (2002) that features a psychopath:


` ... [who] kills at the behest of an alternate personality he calls `The Great Red Dragon`. He is obsessed with a William Blake painting, The Great Red Dragon and the Woman Clothed in Sun, and believes that each victim he `changes` brings him closer to `becoming` the Dragon.`1


 The protagonist`s psychopathic perspective devolves from the perception that others are individuals that prevent him from `becoming` because they are him. In Christian terms, Jesus` distillation of God`s law` as `love thy neighbour` represented the awareness that God is incarnate in each individual upon the Earth, and according to Gnostic Christians Jesus was God incarnate. Consequently, the psychopath is he who seeks to have power over the other aspects of God who, from his pathological perspective, are those individual aspects of himself that he encounters, and so he corresponds to Set, the dismemberer of the incarnate Ra as Osiris, in the Egyptian myth, who practices submission-domination and other BDSM approaches, including torture and murder, to `become` what he perceives as an `individual`.



Because the psychopath `becomes` by means of murder, his contribution to civilization and culture is the `dumbing down` of more intelligent individual ego units that appear to him to be stronger insofar as he can`t `become`. His `becoming` has been dependant on others` thoughts instead of thinking for himself. Although this seems individuational insofar as thinking for oneself seems a necessary part of development, the murder of others because they`re stronger personalities is how the `ape of God` reduces the level of human behaviour to that of the chimpanzee. Medical research indicates that HIV/AIDS derived from monkeys, which fits the valence of the `blood plague` of Revelation, because the `gay boy sons` of homosexual pederasty, that is, the `gay poisons` of biological warfare against the `wombs` of women, and the brains of its victims, seeks to reduce the level of human awareness to that of a chimpanzee, so that it can continue to spread its contagion without conscious opposition from the alien parasites` `host`, who is Woman as a species with her own penis on the verge of being reborn.



 Just as the homosexual pederast doesn`t want men to experience God, because a collective of individuals who accepted the goodness of God would be stronger than the psychopathic `killer disease`, so the homosexual pederast doesn`t want woman with a penis of her own to develop and escape from the planet Earth because they would no longer have any `gay boy sons`. In Britain it`s a tradition of the `SAS`, which is the Special Air Service of the United Kingdom`s Armed Forces, to hold up a newborn male child to the sun, which effectively means `boy, sun`, that is, `poison`. The symbol of the SAS is a `winged dagger`, a common enough motif throughout the Armed Forces of the globe, because it represents the knife in the back. In other words, woman`s development can`t occur on Earth because the `plague aims` of the male alien `game player` is to reduce the level of woman`s technological development by poisoning the capacity of the female `brains` produced from her `wombs`, and so keep her a prisoner upon the Earth so that they can continue to `boy son`, that is, `poison`, and devour her like cannibalistic chimpanzees in their wars against the civilizations and cultures that she has succeeded in producing from her womb in spite of the alien parasitical viral life form masquerading as her male `partner`.



The difficult part is remembering. Because mankind has heretofore supposedly been man and woman, Jesus` Paraclete, or Holy Spirit, has the task of remembering both: `Male and female He created them both.` (Gen: 1.27) God created Eve from the side of Adam, according to the Bible, which means they`re potentially a single hermaphroditic being.2 Men who can`t accept Jesus` Redemption because they can`t accept Woman has a penis are those men who want to be `fertilizer`. In the myth of Osiris, Osiris is reborn in spring. The myth refers to the notion of fertilization of the eggs in the wombs of women, and the corpses of the dead as fertilizer for the soil and the crops. Men who want to be fertilizer represent reincarnation and Resurrection, but the BDSM valence, which corresponds to that of Set, the dismemberer in Egyptian mythology, indicates that reincarnation and Resurrection is a Satanical mode in which the torturers and murderers seek Resurrection for themselves, with all of their memories intact, but reincarnation for their victims, who are tortured indefinitely. Because those who have the evil`s Satanical version of Resurrection would seek to have their victims born in wombs of their choosing, and even reborn in wombs that they know of from their memory of previous reincarnations.



 In Christianity Jesus represents Redemption, which necessitates forgiveness, but the Satanical wouldn`t forgive, and immortality, although for the Satanical that would only mean indefinite torture for their reincarnated victims. Interestingly, reincarnation for the victim, doesn`t exclude the possibility of Resurrection for the victim. Although that`s active participation within BDSM rather than the `subdom` perspective in which the reincarnated victim is involuntarily submissive. Of course, either correspond to the `abominations and filthiness of her fornication[s]`,  where she is the enslaved `host` womb of homosexual pederasty.



 Men could only accept woman`s penis anally, which is why men represnt sterility. The anus is where shit as fertilizer comes from. The `red dragon` of the `blood plague` of Revelation (Rev: 12. 1-18) isn`t a fertilizer because it seeks to be an eternal devourer of the producer and her product. Waiting to devour the child born to the `woman clothed with the sun and with the moon at her feet`, it`s ready to make shit out of her `latest`. According to the Bible, the dragon waits in vain to devour the `New Redeemer`, who `rules the nations with an iron scepter` because he wants her civilizations and cultures to flourish. His `rule` is a comprehensive one because the valence of the `red dragon` is widespread. In Hinduism, for example, the Muladhara chakra, which represents the lowest level of spiritual and intellectual development at the base of the spine, corresponds to Al Qaeda, `the base`, while the Ajna chakra, which corresponds to `imagination` at the brain, corresponds to the `Big Apple` of the Twin Towers of New York. In simple terms, 9/11 was an attack by `the base` upon the `imagination` below the Sahasrara chakra of  `will and understanding` at the `crown` of the head, because `imagination` was beginning to develop `will and understanding`, and the `red dragon` devoured it by spreading its evil contagion of war.



 Anal sex is commonly thought to produce HIV/AIDS, and this is why it is thought of as a the `blood plague` of `biblical proportions`. Not only does it indicate that shit and blood is what semen as the `red dragon` of homosexual pederasty wants, but it says it wants  to give its virus to everyone.. As the 21st century paradigm of computer systems` hackers, the terrorist virus of the red dragon`s hijackers of 9/11 used `civil` aircraft to politely` conceal their `orientation`, before crashing the hijacked planes into the Twin Towers. And so the `Big Apple` of the Vishudda chakra of the `will and understanding` of the United States was dimmed by Al Qaeda, `the base`, at which were the biblical `beasts` of Revelation, Saddam Hussein and Osama Ben Laden.

 At `the base` of the spine, Al Qaeda `Injected`  some Arabian `gay boy sons`, that is, the terrorist equivalent of HIV/AIDS` `gay poisons`, into what they perceived as the USA`s `anus`. The system created by their defence analysts. To `foul` the USA`s immune system by `feigning friendship`, as HIV/AIDS` cells `feign friendship` with the body`s defensive `white cells`, before killing the brain, Al Qaeda, `the base`, spread their plague of war and terror across the globe. Sowing the seeds of confusion to occlude the USA`s intelligence systems, the `red dragon` of terrorism precipitated a second Gulf War (2000-2011), while the actual threat lay in Afghanistan, which had always seemed `Mission Impossible` since the British failure there from 1838-1919 and the Russians similar lack of success in their afforts to govern from 1979-89.



 Osama Ben Ladan and his Taliban followers were operating out of the traditional fortress of the `Old Man Of The Mountain`, Hassan Ben Sabbah, the `Master of the assassins`. 9/11 was a psychological extension of the imago of the `red dragon` of homosexual pederasty`s `biological warfare`. The `blood plague` of HIV/AIDS was Osama`s ass as Sin`s terrorist paradigm as Al Qaeda, the base, launched their `killer disease` against the `Big Apple` of US intelligence on 9/11. Because Afghanistan had always been thought of as Mission Impossible (1996), much as the `Eye of Sauron` looked in the wrong place for the threat to Mordor in British fantasy author J.R.R. Tolkein`s The Two Towers, the USA`s intelligence looked towards Saddam Hussein, the `thief of Baghdad`, whose army had endeavoured to steal Kuwait and her oil.

 The second Gulf War was Two and Fro Dough Boys, or There And Back Dad, because the original title of Tolkein`s book for boys, The Hobbit, was There And Back Again in which Bilbo found the `ring of power` belonging to the evil Sauron. In the sequel, The Lord Of The Rings, Bilbo gives the ring to Frodo to destroy in the volcano, `the crack of Doom`, and break Sauron`s power, while the `Men of the West` from the realm of Gondor, and the `Horse Lords of Rohan` led by Aragorn, cause a `diversion` by attacking the `Black Gate` of Mordor:


`From the sky will come a great King of Terror.
To bring back to life the great King of the Mongols
...` (Century 10, Quatrain 72)


 Aragorn`s men correspond to the hordes of the `great King of the Mongols` in Michel Nostradamus` 16th century Prophecies, and the Pentagon would correspond to the `Black Gate` where the ring of the power of the Dark Lord Sauron was to have been broken, because the USA would be aroused to its danger. Sauron`s `voice` would correspond to the Vishudda chakra of the `Big Apple`, which is `Adam`s apple` at the throat of the mouth of New York`s harbour of Liberty, and the `Twin Towers` would be the vocal chords of `Big Mouth`. The Ajna chakra of the `third eye` would correspond to the Pentagon that had ignored Osama Ben Ladan, the `Master of the assassins`, because Afghanistan was Mission Impossible, while the storyThe Thief Of Baghdad still looked harder to the rest of the world, and so Saddam Hussein remained a more attractive target for the ire of the USA.



 The Pentagon would correspond to `the crack of Doom`, because of the anticipated eruption from the Whitehouse, even though the terrorist plane nominated to crash into President George W. Bush`s office was `taken out` over Pennsylvania, by brave passengers unsparing of their own lives, as United Airlines Flight 93 crashed in a field in Shanksville. The Whitehouse would have corresponded to the `awakening` Sahasrara chakra, or `crown` of `will and understanding`, but the 9/11 attacks were sufficiently successful for the `War On Terror` (2003-) to be declared, which would restore the power of the `Dark Lord`, through the terror of global surveillance and torture such as occurred in the internment camp of Guantanamo Bay, Cuba.

 The main problem of the 20th century was `control of the means of production`, where communism and capitalism differed over whether the state or the individual had control. In communism `each according to his ability, each according to his needs` was replaced by the capitalist concept of wants. What people wanted wasn`t always what the state had decided they needed. The fear was that `bread and circuses` were what people wanted and so civilization and culture would deteriorate. However, if people had to work for what they needed, it would be possible to see what they wanted that was `affordable` from a societal point of view, and allow it. But neither communism nor capitalism were prepared to acknowledge that the `means of production` was the `host` womb of women that they were using to produce. Perspectivally, the male perspective was that she shouldn`t have a body of her own, which is the misogynist standpoint that marriage with a male espouses. Because woman has a penis of her own, she has a body of her own, and is able to produce as a species without her male parasite. Consequently, futanarian woman with a penis of her own ( ) constitutes what the German, Karl Marx (1818-83), founder of communism, described as `workers control of the means of production` where `workers` are the  female species and, with her own penis, she controls the `means of production` which constitutes a radical change in economics that begins from the presupposition that men do not own women`s bodies, but that woman can have a `body of her own`.

 At the beginning of the 20th century Virginia Woolf perceived that, in order to have independence, a woman needed A Room Of One`s Own (1929), whereas the economic experiments of communism and capitalism show that what a woman needs is A Body Of Her Own. Woman with a penis has a body of her own, and doesn`t need to give it to a man in order to reproduce, but she can reproduce with another woman, which means she has a body of her own that she can share. From A Room Of One`s Own, the virgin lesbian is emerging prepared to publish A Body Of One`s Own `sight unseen` in the new economy.



 The Egyptian myth of the corn god Osiris warns of the dangers of men who don`t want to be anything other than fertilizer. The growing of the corn each year is a metaphor for reincarnation but not Resurrection, which is what the Christians call Salvation and is continuance of the body with its own memories. However, men who don`t want to be anything other than fertilizer in order to produce more sons to torture and murder, as Jesus was tortured and murdered upon the cross at his crucifixion, want reincarnation for the `good` victims they always enjoy torturing and murdering, which is what the Egyptian mythologem of Set`s dismemberment of Osiris, and Set`s attempt to have anal sex with the reborn Horus, signifies.



  Horus puts his hand before his anus and removes the semen of Set from where Set`s ejaculate would have been. In Christianity the `blood plague` of the `red dragon` of devouring homosexual pederasty is HIV/AIDS and its assault on women`s `host` womb is a form of `biological warfare`, which the struggle of Osiris and Horus against the evil Set prefigures in the Egyptian myth of what Christianity would term Redemption from `sin`. The male is an alien campaigning against woman as a threat to the aliens` controlling the `means of production`. Injecting themselves into the `host` wombs of women, like the creature in the movie Alien that injected its parasite into the body of John Hurt, men emerge from the `host` wombs of women after `feigning friendship`. As the `gay poisons` of the HIV/AIDS virus `feigns friendship` with the `host` before killing it, the `gay boy sons` of homosexual pederasty `feign friendship` with women as a `host` womb for their alien parasitical virus in order to enslave her economically and prevent her from reproducing herself and her daughters as a species with their own penis and a form of economics that isn`t based on reducing humanity to the developmental level of chimpanzees so that women can`t be a good `host` for herself.



 At the `Last Supper` Jesus` observation was that he was a good `host`, insofar as he offered `bread and wine`, as symbols of his `body and blood`, to the disciples.  Mary, the Virgin, Jesus` mother, had given birth to Jesus without semen, which prefigures the woman with a penis and semen of her own to reproduce, as a good `host`. Jesus` offer of fellowship to the disciples, one of whom, Judas Iscariot, betrayed Jesus to crucifixion and death, is symbolized by the `Holy Grail`, from which Jesus ate the bread and drank the wine at the `Last Supper`, and which is called the `host` in the Catholic Communion service where the `host` represents the desire of the recipient to transform themselves in acceptance of Jesus` teachings, and the teachings of the Holy Spirit, or Paraclete, so that they can be a good `host` also.

 9/11 was the first real noteworthy 21st century instance of the good `host` being betrayed when the terrorists `feigned friendship` to travel in `civil` aircraft before the hijackers crashed the planes into the Twin Towers of New York. Because the `feigned friendship` of terrorism is a valence of the `red dragon` of homosexual pederasty, that is, the `gay boy sons` who are the fatherers of the `gay poisons` of the `blood plague` of HIV/AIDS, it`s a biblical sign of the `Last Days` that the parasite is endeavouring to devour the `host` that bore it. In simple terms, woman wants to be a good `host`, and Jesus perceived that his mother, the Virgin Mary, was a good `host`, whereas men were parasites and either must accept transubstantiation, that is, the `bread and the wine` as symbols of the `body and blood` that wants to be a good `host` and `convert` or transform into good `hosts`, or woman as a species with her own penis would be a `host` for herself, and men would have perdition for preferring parasitism.

 If men don`t want to be anything other than fertilizer, that is, semen or rottenness, Woman isn`t for them but for herself, and the advent of woman with a penis of her own as a species is the sign. Men have a `wrong` sexual orientation` because they`re fertilizer, which is why HIV/AIDS derives from blood, shit and semen, that is, the anal sex of homosexual pederasty that has been the bane of civilization and culture since the ancient Greeks first enslaved the wombs of women to be the `host` of their contagion of war against other peoples so that the `red dragon` of Christianity`s Revelation could spread its wings further abroad and eventually conceive of the gay boy sons` `blood plague` of HIV/AIDS` gay poisons to wage biological warfare against women`s good `host` womb. This is why Jesus attempts Redemption and why the Catholic church proclaimed the `Assumption` of the Virgin Mary in the 1950s. Because it is assumed that, because of the depredations of patriarchal alien male social structures, Woman has Redemption by Papal fiat as a recognizable separate species with a penis of her own as futanarian that the male aliens have endeavoured to use as a `host` for their evil parasitical activities and forgiveness is wha the church prays for.

 Jesus` offer of Redemption is for man but only if man accepts it. If not, Woman has her own penis, and can reproduce. Moreover, as a species living in subjection to an alien parasitical viral life form, it is the `Assumption` that confers acceptance of her Redemption by Papal edict. Woman is `God`s love`, and her female Holy Spirit, or Paraclete, exists to remember her in Resurrection and Ascension to heaven in restoration of memory and continuance. The notion of Jesus` offer of the `bread and wine` in token of his desire that others, that is, their `body and blood`, should be a good `host` also, is his recognition that a woman is a man with her own penis as a species, and that`s the Resurrection and Ascension to heaven that those who want Redemption and forgiveness are praying to have. Because it requires `will and understanding` to perceive that Jesus` exhortation to `love thy neighbour` is the perception that man and woman are the same person, unless man accepts what it means to be a good `host`, that is, a woman with a penis of her own as a member of the species of the planet Earth, man will remain man and cannot have Redemption. He will remain a fertilizer dying of the `blood plague` of HIV/AIDS and the devouring ravages of homosexual pederasty`s `red dragon` of warfare.

 God`s Revelation envisages Woman with a penis in heaven and the promised `new body` follows the Edenic observation upon the creation of Adam and Eve, which also prefigures the advent of the futanarian woman from women`s own wombs. An antidote to the viral male parasite and its depredations of devourment and gay boy sons` `blood plague` of HIV/AIDS` gay poisons:


`So God created mankind in his own image,
in the image of God he created them;
male and female he created them.` (Gen: 1.27)


 Revelation implies that the male and female he created them as in Eden, is male and female as a single body in the new heaven and Earth God gives to the woman`s `seed` of her own penis after the `red dragon` is defeated in war in the `first` heaven. Paradise is Adam and Eve`s but, in Revelation, God gives mankind a new heaven and Earth. Adam and Eve are originally hermaphroditic, because God creates Eve from Jesus` side. The new heaven is Redemption and restoration of God`s original design for Adam and Eve, which is hermaphroditic oneness. Jesus, as the `Second Adam`, is Adam from the perspective of memory and continuation of bodily form in Resurrection and Ascension, while the Paraclete is the `Second Eve`, that is, Eve as God`s future woman. If man doesn`t want Redemption, he doesn`t want the new bodily form Jesus intimates of:


`The people of this age marry and are given in marriage. But those who are considered worthy of taking part in the age to come and in the resurrection from the dead will neither marry nor be given in marriage, and they can no longer die; for they are like the angels. They are God’s children, since they are children of the resurrection. (Luke: 20.35-7)



 Jesus` teaching at the `Last Supper` predicates the Catholic Communion`s transubstantiation symbolism of the transformation of the `bread and the wine` into the `body and the blood` of God`s promised new bodies, who are `like the angels`. There is no marriage in heaven because woman with a penis of her own has a body of her own, and so their is no possession by males, because man and woman are recreated as futanarian, `both male and female`, which is how Adam began in Eden where his female nature was separated from his side by God so that God could love Adam in the shape of woman. Equally, the spear of the Roman centurion effectively separated the Holy Spirit, or Paraclete, from the side of Jesus, as the `Second Adam`, so that `God`s spirit` could love mankind from the spiritual realm, where she would eventually be reunited as `both male and female` with him. In short, Adam and Eve become One in heaven after expulsion from Paradise, and a lengthy sabbatical in which they have learned as students, which is what Redemption is. After Revelation woman is in heaven with the penis of the `Second Adam` and they`re forever One.



A woman with a penis of her own has a body of her own and so can`t be `adulterate` because she can`t be possessed by a male in marriage, and that`s why Jesus says there`s no marriage in heaven. Christianity and other religions presuppose adultery because they advocate possession of the female by the male, whereas a woman with a body of her own has a penis of her own and doesn`t presuppose marriage, that is, possession, because the body of her own that she has is presupposed to be her own and inviolately so, which is why Jesus was born of the inviolate Virgin Mary, as a prefiguration of the woman who has a body of her own as a species with her own penis that is not susceptible to possession by the alien male parasitical viral life form that is men.



 The zenith of God`s developmental `Word` is technology, which in man`s hand is a weapon; the sword. On the moon in 1969, Neil Armstrong said `One small step for a man, one giant leap for mankind.` The spaceship that put him there was God`s `Word` as `Logos` rather than the `Sword` of God, which in Jesus` hand slays the evil in Revelation. Conseuquently, the  `Sword`, as a symbol of man`s `Thinking` in the developmental depth pyschology of Carl Jung, for example, is ICBM`s but not God`s `Word` - obviously.

 Jesus` Resurrection from crucifixion occurred because he didn`t want to be just fertilizer, as the annual Egyptian celebration of the `risen` corn, in the form of the myth of Osiris` reincarnation, suggests is the fate of man because man doesn`t want Resurrection in continuance of body and memories, as Set represents man who dismembers Osiris so that he doesn`t remember `where he put his car in the garage`, for example. Jesus` celibacy, in the New Testament of the Bible, was his preparation for `marriage` with the `bride`, Jerusalem, who is Woman, that is, the Earth`s memory stored by her Holy Spirit, or Paraclete, that is, `God`s spirit` separated from Jesus` side as the `Second Eve` and `teacher, guide, comforter and helpmeet` by Longinus` spear (Matt: 27. 54). Jesus` `Second Coming` with the `Sword` of God in Revelation is to separate her from the side of those who haven`t accepted Redemption so that she can be hers forever as a futanarian species with her own penis recreated as `both male and female` by God in a `new heaven and Earth`.



 Jesus` `Sword` isn`t Woman`s technology, which is primarily concerned with `shielding`. A sword or a spear is a weapon, whereas a shield or armour is a defence. If the shield is strong enough the sword or spear can`t penetrate, which is why many people don`t understand military `rules of engagement` insofar as they are suggestive of the precursive arrangements attendant upon marrying. In the 17th century plays of the English dramatist William Shakespeare, `to marry` means to understand, which is why Sodom and Gomorrah were destroyed by God (Gen: 16,19), because the men of the cities wanted to `know` the `angels` homosexually, and analysis of the functionality of the `red dragon` of homosexual pederasty indicates that war is a `marrying` or `knowing` that God destroyed Sodom and Gomorrah for. In other words, men have `rules of engagement in war so that they can `know one another` homosexually, without shields that are strong enough to prevent the `red dragon` devouring itself and, perceived by them almost as incidental, those civilizations and cultures that woman has successfully built under difficult conditions, in such places as the former Yugoslavia`s Kosovo, Chechnya in the former Soviet Union, Dharfur in Sudan, and Deir Ezzor in Syria, where atrocities and massacres most recently took place. In other words, men`s `rules of engagement` are for homosexual `marrying` and preclude adequate shielding, as the US` `missile defence shield` against the Iraqi scud missiles launched against Israel during the first and second Gulf wars (1990-2011) showed.

  Male technology is concerned with swords and spears, which the developmental psychology of Carl Jung observes in its perception of `Thinking` as the `Sword` and `intuition` as the `Spear` in its analysis of the Grail myth of the legendary British king Arthur and his knights, where the sought for `Grail` by the knights of the `Round Table` are `Feeling` and `Sensation` respectively. In Jungian psychology, `Sword, Spear, Grail and Table Ronde are symbols of the four differentiated functions correlated with ears, nose, mouth and eyes respectively. In simple terms, mankind`s focusing on `Sword` and `Spear` is a homosexual orientation that, in Revelation, and its lamenting of the inadequacy of a sufficiently protective condom against the depredations of the `red dragon` of warfare and its `blood plague` of HIV/AIDS, corresponds to the Hans Christian Andersen tale, The Emperor`s New Clothes, where the king convinces himself, on others` advice, that he`s wearing clothes, when in fact he is not:


`Look at the King! Look at the the King! Look at the King, the King, the King!
The King is in the altogether, but altogether, the altogether
He's altogether as naked as the day that he was born
The King is in the altogether, but altogether, the altogether
It's altogether the very least the King has ever worn.` - Danny Kaye (1952)



 The knights of the Round Table pursuant of the `Holy Grail` suppose fellowship in `bread and wine` but have old methods of defending the individual, that is, sword and spear, whereas the Israelites discovered in the first Gulf war (1990-1) that `the king was in the altogether` because the US didn`t have a sufficiently strong shield. In short, Gulf War I was a homosexual `knowing` within `rules of engagement` for a homosexual `marrying`, in the biblical and Shakespearean sense of `knowing`, whereas in movies like Star Trek (1979) starships have `real` shields that actually protect from attack. Although the TV series Star Trek of the 60s was created in a period in which attacks from Russian missiles were presupposed, starships` shields in themselves only presuppose meteor showers or encounters with other forms of penetration. The Earth`s much vaunted protective `nuclear umbrella` of detente against the use of missiles with nuclear warheads, is in fact insurance for `rules of engagement` allowing the `red dragon` of homosexual pederasty`s warfare to devour itself and the Earth under its own auspices and, by inference, by tacit agreement with itself and Earthmen.



In Islam, they use the phrase `sent to Allah` when someone is slain with the sword, which implies the sword `ships` in the sense of `transporter`. As an archetype of developmental provenance the `Sword` indictes the future. However, because it`s a symbol of `Thinking` in Jungian psychology, the future doesn`t have to be the `Sword`. In the Bible the `Sword` is variously referred to as `Logos` and the `Word of God`, which suggests both diplomacy and technology, that is, adequate `fellowship` and shielding that presuppose `safety`, which is what Jesus` Table Ronde of non-combatants at the `Last Supper` precurses. Knightly discourse is based on elaborate courtesy to avoid combat, which thugs amongst the various gangs throughout the world promote as a means to provoke rather than allay violence. However, if a person`s door is strong enough noone can provoke violence against the peaceable, which means that politesse is actually `the king is in the altogether` because governments don`t want individuals to have strong enough shields to prevent a `break in`, but would prefer their populations to live at a level approaching the simian because it`s easier to kill them.



 Earthmen only presuppose penetration because it`s the sexual methodology of their viral form, whereas futanarian woman with her own penis, as a species doesn`t presuppose penetration as the basis for future civilization and culture. In Revelation she is sufficiently technologically presupposed so the cup of her `Grail` may remain safely ensconced inside its armour plate, that is, the starships that would keep her safe. However, the evil aliens that are men will always seek to penetrate her, so it`s a part of their valence to ensure that her defences are weak enough so that she can never escape them. 9/11 was `teaching the bitch a lesson she`ll never forget` from the perspective of the `red dragon` of homosexual pederasty and warfare, which isn`t the fare on woman`s table, but the Captain`s table on Star Trek presupposes warfare is `on the table` because it`s the fiction espoused by the paradigm of penetration as the methodology of Earthmen`s devouring `red dragon` of homosexual pederasty.



 Without a model you can`t instruct, that is use the `Word of God`, and you can`t replicate. Although the `Sword` may be construed as nascent thinking, knights are technologically insufficient insofar as the development of the `Sword` into `Logos`, which is the development of more advanced technology through adherance to the `Word` of the continued presence of `God`s spirit`, the female Shekinah from the Old Testament incarnated anew in the form of the Holy Spirit, or Paraclete of the New Testament, effectively emergent from the side of the `Second Adam`, when Jesus` side was pierced by the spear of the Roman centurion Longinus, to be `teacher, guide, comforter and hepmeet` into her future. Although Jesus wields the `Sword of God` in Revelation to slay the evil, the `Grail` myth shows that the concept of penetrative male weaponry is founded in a flaw, that is, the `red dragon` of homosexual pederasty`s valence predicates missile systems but not missile shields. In Gulf war I the Israelis discovered that the USA`s `rules of engagment` in the `marrying` of Saddam Hussein`s Iraqi Army, hadn`t conceived of a sufficiently strong shield for Israel during Desert Storm when the Iraqis were launching scud missiles against Jerusalem, because they`s adopted the knightly perspective of spears, that is, missiles, as a shield defence. In other words, Desert Shield was conceived as a missile defence system, but not as a shield against missiles, that is, a shield as a shield.



 The Captain`s tablle aboard the Starship Enterprise in Star Trek is the `Grail` of Jesus` `Last Supper` because it`s safe to eat there as the shield is strong enough, but the level of technology still presupposes a fictional universe of knights with swords and spears predicating penetration rather than adequate shielding, on the understanding that the fiction is an accurate extrapolation of the future based on how humanity will develop. However, although military analysts used to swords and spears `Thinking` and `Intuition`, because of the knightly paradigm, might be expected to produce missiles as shields, the concept of the `nuclear umbrella` beneath which regulated devourment by the `red dragon` of homosexual pederasty`s warfare continues, is as ludicrous as the USA`s Patriot missile system defending Israel from Iraqi scuds being described as Desert Shield. In fact the British SAS and US Delta forces, along with their various allies, had to make lengthy forays into Iraqi terroritory to destroy scuds by hand so that the USA could claim that Desert Shield was a success.



 In the myth of Arthur the sword, spear, cup and table resurface in the deck of the tarot of divination where the table is most often replaced by the enigmatic pentacle, which is defined by practitioners of the `art` as a protective charm. Although many view witchcraft as `nonsense`, one of the traditions associated with wicca is that a witch shouldn`t be caught in the rain, and in English folklore it`s unlucky to unfold an umbrella in the home, because umbrella`s are for keeping the rain off. However, the concept of the witch`s pentacle as a protection is what`s missing from the military analyst`s picture. In order to protect the home from nuclear warheads a `nuclear umbrella` is needed that isn`t a missile shield, but actually an umbrella that, when launched, unfolds to protect.



 Carl Jung`s description of the `Sensation`,function, which is associated with the eyes, and is male, (ego-related, as is `Thinking`), while `Intuition` and `Feeling` are feminine (soul or anima-mediated) corresponds to the protective pentacle in the tarot. In other words, although the US Defense Department are able to conceive of a Pentagon, as a `think tank`, they don`t seem to have been able to conceive of a pentacle as a `Homeland Defense` because of occlusion when it came to perceiving what a `nuclear umbrella` should look like, but God isn`t occluded. In Revelation one of the plagues that are descibed as falling upon mankind because of its sins is hail:


`From the sky huge hailstones of about a hundred pounds each fell upon men. And they cursed God on account of the plague of hail, because the plague was so terrible.`


 Just as God is explaining that homosexual pederasty`s `red dragon` of warfare and `blood plague` of HIV/AIDS needs to be counteracted in Revelation by the simple expedient of not indulging in acts of homosexuality, and that women should use a condom, so God is explaining with the hailstones that ICBM missile shields are an aspect of the `red dragon` of homosexual pederasty`s devouring war against women`s Earth by the male alien parasite, that is, they`re not supposed to work, we`re just supposed to think that they will, while the Earth burns to a cinder. In short, the Earth needs to develop woman`s archetype of the `umbrella`, which witches `melt` without, in the `rain` of `nuclear fallout` presumably. Protecting herself beneath the umbrella`s `unfolding` upon the Earth to finalize her escape from the parasitical aliens, she`ll leave in starships with adequate shields; inside which she can safely live until she reaches a `new Earth` and the `new heaven`.that awaits.

 In her video Oops I Did It Again (2000)  Britney Spears (1981-) is discovered on Mars by a spaceman who leaves `under a cloud` because he doesn`t seem interested enough in her, although she descends to her stage set inside a giant ring, which signifies `marriage`. However, because `marrying` in terms of homosexual pederasty is homosexual `knowing`, and the USA has been described as `the Great Satan`, in her red suit Britney raises the spaceman above herself in a white bikini dress so that he dangles helplessly like a baby in his `rompers` with a camera beside his space helmet and a giant fork at the side of him. Symbolically, the fork represents the devouring `red dragon` of homosexual pederasty and warfare, which we see daily on our television screens attempting to devour woman as a species.

 Britney appears twinned in red and white as two separate individuals because, as a declared bisexual, it`s a part of her woman`s valence. Oops I Did It Again is the first few lines of Britney Spears` 21st century novel after Virginia Woolf`s A Room Of One`s Own, that is, A Body Of One`s Own, which is why she appears to offer her white bikini dressed `twin` to `the Great Satan`, who symbolically is the spaceman from the USA, because she wants to `know` if he`s going to devour her. Men don`t have a body of their own because they want to possess a woman`s body, which is what `marriage and `monogamy` is about. A woman who has her own penis, and so is a species, has a body of her own, and she can see that she does because she has a mirror. In the mirror she can see that her penis desires other bodies like hers, because the penis is female, so in psychological terms she wants to be with `herself` in fulfilment of Christ`s exhortation `love thy neighbour`, which is not possessive because she has `a body of her own`. However, men are demonic, and susceptible to possession by male demonic forces, because they seek to possess a female body not their own, which is why Jesus tells us there`s no `marriage` in heaven, because there isn`t male and female.

 In Islam `Allah`, the name for God amongst those who are Moslem, and have the Koran as their holy book, is `neither male nor female`. Because `male and female` are `One` in God. In the same way that God is `One` and that`s why `Allah` is `Eloah` in Hebrew. God, in any language, sounds the same to the good because good is what God wants. In Oops I Did It Again Britney Spears, in her red pilot`s suit, is replaying a character from science fiction, Podkayne, a young female with her own spaceship pilot`s license in the first Grand Master of SF, Robert A. Heinlein`s (1907-88) Podkayne Of Mars (1964) whose `monicker` is `Poddy`. Oops I Did It Again`s unofficial subtitle is clearly A Poddy Of One`s Own, because Heinelein`s juvenile novel for independent minded young females was the `scifi` equivalent of Virginia Woolf`s 1929 feminist polemic  A Room Of One`s Own, and prefigures Britney Spears` contribution to feminist art, culture and civilization, which might have the semi-unofficial title  A Poddy Of Work Of One`s Own, which has been under construction since her first forays as a superstar on Disney`s TV show for children, Mickey Mouse Club (1993-5) with Christina Aguilera (1982-).



 In Oops I Did It Again Britney`s spaceman visitor leaves, disheartened, after giving her a gift, to which she responds, `But I thought the old lady dropped it into the ocean in the end?` The reference is to the movie Titanic (1997) and the heroine, Rose, who drops the blue diamond pendant into the sea is a rememberance for her lost love who`d been drowned when the Titanic sank after hittting an iceberg on its way to the USA from Liverpool in 1911. Britney`s allusion is to Rosicrucianism:


`... built on esoteric truths of the ancient past`, which, `concealed from the average man, provide insight into nature, the physical universe and the spiritual realm.`



Rosicrucianism is symbolized by the Rosy Cross,3 and because of Britney`s esoteric reference to her spaceman visitor`s `gift` of the blue diamond `heart` of Rose, the Resurrection of Heinlein`s `Poddy` suggests Britney Spears` A Body Of Work is her teenager`s Salvation `project`:


`The fundamental symbols of the Rosicrucians were the rose and the cross; the rose female and the cross male ...`4



 Britney`s suspension of her spaceman relates to the meaning of the card of the `Hanged Man` from the tarot deck of divination, which is said to be a portable Torah or book of Judaic law: `... careful planning and orderly growth leading to spiritual development.` The suspended spaceman represents the `Hanged Man` as the male principle, whose legs form a `fylfot` cross, which is a form of swastika where one or more limbs are missing from the tau. In Buddhism the `swastika` is a symbol of peace, whereas in Nazism the swastika is is a symbol of `bodily fitness`. If Britney isn`t a woman with a penis of her own as a member of her species, she`s lost her futanarian aspect, which corresponds to the `hand` or `foot` missing from the `fylfot` cross, and which the `Hanged Man` of the tarot is making the sign of in the card that depicts him.



 The traditional Nazi symbol deriving from the period of the Roman Empire is a bundle of sticks and an ax, which in Nazism denotes the desire of what Jungian psychology terms the collective shadow, to first see naked women, and then devour them, which is what the Nazis were doing in places like Auschwitz and Belsen with their ovens. The symbol of the swastika with the `foot` removed in Nazism is a symbol of the futanarian woman with her penis removed, which is what the Nazi symbol of the rods and the ax denotes. According to Revelation the `woman clothed with the sun and with the moon at her feet` gives birth to the `New Redeemer` while the `red dragon` waits in vain to devour the newborn, whose symbol of authority to protect her while she remains `hidden` upon the Earth is an `iron rod`, not a `bundle of rods` and an ax, which is the fascist symbol of `bodily fitness`, that is, the futanarian woman with her penis removed. In simple terms, the `iron rod` of the `New Redeemer` is a symbol of the penis that knows when it has had enough, and so would protect woman as a species from the fascists who would devour her after sex, which is what the Nazis did in places like Auschwitz and Belsen, whereas the fascist symbol of the Nazis represents the number of female penises cut off with their axes. The Buddhist swastika is anti-clockwise because it represents acceptance of the natural order of things as fitting, while the Nazi swastika is clockwise because it represents the will to have things `by appointment`, that is, as they appoint them to be, especially in the natural world, which is represented by woman as a species with her own penis.



The word `fylfot` actually means `many footed figure`, which relates to the concept of the futanarian woman with a penis of her own as the species of woman which the Nazis didn`t want. In Judaism Lilith was the second wife of Adam who refused to lie beneath him and is described as `mother of demons`, which corresponds to the Nazis approach to the futanarian woman who has a penis of her own and is a woman as a species. Judaism acknowledges futanarian woman in its traditions insofar as you cannot be born a Jew unless you are born from a Jewess, which effectively means that only women are Jews. Consequently, Lilith is the future of woman as a species with her own penis but is demonized in Judaism because she represents woman as a species with her own penis who refuses to lie beneath a man.

  Wearing her `red pilot`s suit`, Britney`s raising of her spaceman visitor above herself in a white bikini dress with a giant fork beside his spacehelmet represents the `host` Lilith`s desire to know if her `guest` is going to devour her `Second Eve`. Although Lilith is condemned as the `mother of demons` in Jewish tradition, she has the same archetypal role as `Babylon, the Great` in the Revelation of Christianity. Babylon is unfairly condemned as a `whore`, because homosexual pederasts use her to reproduce their virulent plagues of war, which Revelation describes as `like locusts`. Similarly, Lilith is condemned for refusing to accept the enslavement of her `host` womb in places like Troy so that the `red dragon` of homosexual pederasty could reproduce itself as `gay boy sons`. Wearing the Nazi regalia of the `body fitness` fanatics, the Nazi `gays` demonstrating their preference for their own company, removed the penis of the futanarian woman with their axes in places like Auschwitz and Belsen. And the later `boy sons` of the `gay` Nazis did in fact enslave her as a `host` womb to pursue 21st century `biological warfare` against her in the form of the `gay poisons` of HIV/AIDS that the Nazi `gays had conceived together.



 Britney`s spaceman visitor retraces his steps walking backwards, as if being rewound on the tape of the video, because he`s always going to be unsuccessful. In Christianity damnation is the doom of repeating the same actions over and over again, which is why the Christians sing the hymn `We Will Overcome`5:


`We shall overcome, we shall overcome,
We shall overcome someday;
Oh, deep in my heart, I do believe,
We shall overcome someday.`


 The Christians sing it as a battle hymn, but battles are what are to be overcome, or as George Santayana wrote: `Those who cannot remember the past are condemned to repeat it.`6 In Oops I Did It Again the spaceman is the knight in armour, and he doesn`t have a sword, but he does have a product of the `spirit of God`, that is, from the inspirational archetype of the `teacher, guide, comfort and helpmeet`, which is the Holy Spirit, or Paraclete, and that`s the spaceman`s camera. Even so, he`s low technology, that is, developing `Logos`, whereas she`s high technology, which is more developed `Logos` because she doesn`t need a spacesuit on Mars and her red `pilot`s suit` suggests she`s flown there and hasn`t used a an `Apollo module` style `lander`. She`s Podkayne:


`Meet Podkayne Fries, a thoroughly Martian Ms. who thinks that Earth is not really fit for habitation and that humanity evolved on the now-exploded Fifth Planet. Poddy has one goal in life: to be the first female starship captain. She has her strategy all scoped out, and with her determination, looks and I. Q. she'll get there, never you doubt!`7



 Podkayne represents the `American Dream and Manifest Destiny`, which is progress and development in innocence without threat. Poddy`s favourite bedtime story was The Poddy Story made up of `stories about herself`, which is what Oops I Did It Again is, if you`re Rosicrucian enough to `build` on `the esoteric truths of the ancient past`. Of course, that`s exactly what the spaceman represents. Britney doesn`t need a spacesuit because that`s `low style`, that is, `from Earth`, as Poddy is wont to say in Heinlein`s story Podkayne Of Mars. In her `red suit` Britney represents `Redemption` because she`s at a higher level of technological development. In adhering to Jesus` teachings and those of the Holy Spirit, or Paraclete, she`s Jesus on Mars, which is the title of a science fiction novel by Frank Herbert. The story is about the Krsh who have been discovered on Mars where they have formed a hybrid species with humans:


`This society practices Judaism but accepts Jesus as their Messiah.`8


 Towards the end of the novel, Jesus, who is discovered living with the hybrid species, returns to Earth where he`s accused of being the Antichrist. Because woman is a species with her own penis as futanarian, mankind is hybrid, which is why Britney`s alluding to Jesus On Mars (Anyone who proposes that womankind is a separate species from mankind would be the Antichrist to men, and woman with a penis of her own as a species would be Satan also. In simple terms, the adjective `Satanical` can always be applied to the evil, but Satan might have to be rehabilitated because women with a penis of her own as a species would be Antichrist and Satan to men. When Britney Spears proclaimed herself as `the Antichrist` she may have had this in mind:


`Friends of Britney Spears have reportedly revealed that the singer scrawled the devil's digits, 666, over her bald head and screamed `I'm the Antichrist` in rehab last weekend.`9



 Britney`s spaceman represents the `red dragon` of `the Great Satan` of devouring homosexual pederasty in his `spacesuit condom`, which she hoists above herself in a white bikini dress. It`s a `bondage` metaphor. The spaceman is `restrained` and can`t ejaculate his semen upon her, because of the `video conventions` associated with `teenybopper` pop music, so he can`t `contaminate` the viewer with `low style`, that is, what is `from Earth`, which is the HIV/AIDS virus and/or awareness of it. Equally, Britney`s spaceman can`t harm her, which is what mainstream TV used to depict as a `moral constant` for viewers, before `slasher` movies such as Psycho (1960) Nightmare On Elm Street (1984) and Scream (1996) became `acceptable` for prime time TV audiences and showed women how men really feel towards them. In other words, her spaceman can`t use either valence of the `red dragon` of homosexual pederasty, that is, the `blood plague` of HIV/AIDS, or the devouring war against her enslaved `host`womb and its product of art, civilization and culture aspect, which is symbolized by the giant tines of the fork beside her spaceman`s helmet. However, the fact Britney can`t make her metaphors more explicit constitutes `blackout` which her 2007 album Blackout draws attention to insofar as it refers to the notion that, if we can`t learn from our experience, we are doomed:


`I'm Mrs. 'You want a piece of me? '
Tryin' and pissin' me off.
Well get in line with the paparazzi
Who's flippin' me off.
Hopin' I'll resort to some havoc;
End up settlin' in court.
Now are you sure you want a piece of me?
(You want a piece of me)` Piece Of Me


 Piece Of Me is primarily about the paparazzi and how to deal with them. But it dodn`t prevent Britney from losing custody of her children and her fortune when her kid`s hat fell off near central park while she was running for her transport and the paparazzi noticed that she didn`t seem to care if her kid`s head was bare. The result was loss of her two kids and her fortune administered by her father, and later by her sacked ex-manager who was still a putative marriage partner when he was given Co-Conservatorship of her billions by the US courts. In other words, Piece Of Me is advice to her fans on how to live through our experiences and not allow `blackouts`, that is, those who would have us make the same mistakes repreatedly, and that`s why the paparazzi and US courts punished her. For refusing to accept `blackout` for anything other than `the bland`.

 Britney`s spaceman can see her and film with his camera, which is how `high style` women, like Podkayne, who don`t want the HIV/AIDS virus, deal with `low style` viruses `from Earth`. They introduce them to the `joys` of masturbation. Waving his hands helplessly, like the astronauts of Apollo 1, as they burned alive behind the glass of their `cabin` when a fire mysteriously began during a launch pad test on January 27, 1967, Britney`s spaceman`s hands are `restrained`. He can`t show her his penis so there`s no possibility of `contamination`. If he were able to show her his penis, the metaphor would be clear. Beside his spacehelmet is a giant fork, which symbolizes art, civilization and culture as the products of women`s enslaved `host` wombs devoured by war, and the spaceman isn`t able to disavow that imagery because his penis isn`t visibly erect. In other words, the `blackout` maintained by the conventions of the pop music `censor` presupposes devourment of the female rather than love, which is a `mistake` that the alien males want us to be doomed to repeat because it`s what `blackouts` are for.

 The Apollo astronauts were transferred from NASA`s X-15 `spaceplane` programme, which Britney`s red `pilot suit` is designed to remind us of. The X-15 was designed to fly to other planets but was cancelled by NASA in favour of cheapness, and the result was the 1967 Apollo 1 inferno. Britney`s album Blackout (2007) refers to the problem faced by the brave X-15 pilots as they collapsed in unconsciousness after testing the `envelope` of their planes` limitations during test flights above the Earth`s atmosphere. Often the pilots had to eject from the planes because of `blackouts` and there were many instances of X-15 plane crashes:


`I'm like a fire, bottle busting in your face (why you wanna do that to me?)
So tired of you being up in my space (what you gonna do with that?)
How much more could I take?` Toy Soldier


 Britney`s observation is that `blackouts` occur because of what rock giants Pink FLoyd also recognized in the title of their 1987 album A Momentary Lapse Of Reason. The planet Earth is notorious for `blackouts` of this nature. Christina Aguilera almost faced lynching for forgetting a line from the USA`s national anthem when singing at the superbowl in 2010 and Dan Quayle`s political career was virtually wrecked when the paparazzi vilified him for teaching kindergarters that `tomato` was spelled `T-O-M-A-T-O-E`. Oops I Did It Again observes that NASA`s decision wasn`t a `momentary lapse of reason` when they cancelled the `spaceplane` programme, which effectively maintained the impossibility of women`s escaping from the Earth. The image of the astronaut is that of the paratrooper holding his position above the planet in preparation for war. But the plan is a final assault on woman`s defences.



 As military equipment comes to seem more like that worn by the soldier in Robert A. Heinlein`s Starship Troopers (1959) , without any suggestion of humanity`s being prepared to leave the Earth, Britney`s drawing of the parallels between her spacesuited astronaut of Oops I Did It Again and the 21st century US Marine, inevitably bring us to the conclusion that men have no intention of ever producing a `spaceplane` and that woman will die here. Because the intention of the male alien standing upon the Earth`s moon, and Britney`s Mars, is to refuse Poddy her spaceship `pilot`s license`, so that she can`t escape, and so make it easier for the aliens to kill her. On Mars Britney is the future of woman as a species with her own penis, which is why she`s Redemption in her `red pilot`s suit`, because she`s a teacher `in the name of Jesus` and, in her white bikini dress, she represents Salvation, that is, continuation of memory without `blackouts`. Because Britney has Redemption from `blackouts` and can teach others how not to repeat. Woman has her own penis, and she doesn`t want the virus that is men.



 In Egyptian mythology Osiris proceeds to the Egyptian heaven of Aaru after he is `remembered` and reborn as Horus. Because Osiris is the incarnation of the god Ra, who corresponds to God in Christianity, his dismemberment represents the murder of those individuals upon the Earth that have a shared knowledge of God and which Set kills by killing them. This is `blackout`. When Britney stands before her spaceman visitor to symbolically receive the `gift` of the `heart of the ocean`, which corresponds to the `heart` weighed in the balance of the goddess before an individual can proceed to Aaru, she has a red disk above her head and so corresponds to Hathor, who is the `mansion of Horus` in Egyptian mythology:


`...  an Ancient Egyptian goddess who personified the principles of joy, feminine love, and motherhood ... welcoming the dead into the next life ... [as] a goddess of music, dance, foreign lands and fertility who helped women in childbirth ...`10



 Britney corresponds to the `woman clothed with the sun and with the moon at her feet` who gives birth to the `New Redeemer`. Her teaching is that of avoiding confrontation, and seeking forgiveness, so that the individual egos that constitute her God remain about her as her friends and herself, which is what Jesus advocated also. Confrontation and vendetta only leads to  the murder of those individual egos that constitute God on Earth, which is what Set`s dismemberment of Osiris and Judas Iscariot`s betrayal of Jesus to his crucifiers represents. The evil want blackouts` so that the good can`t remember `where they put the car in the garage` and can`t leave.



  In Egyptian mythology the `heart` is weighed to see if it is worthy, and it can`t be if it`s murderous, which is what the evil want for the good. If the incarnate God is a collective of good individuals, murder will reduce the level of ther effective awareness, which corresponds to `blackout`, and the good will become mindless simians at the mercy of their passions, and that will deny them heaven, as the evil plan. That`s why there is the notion of the `elect` of God in Christianity. The reduction of another individuality to the level of the evil by murdering their `fellowship` doesn`t interfere with the `election` of the good. On her Mars Britney`s portrait of herself as separate individuals wearing a red `pilot`s suit` and white bikini dress represents her knowledge of women as a species with their own penis capable of reproducing themselves. To defend against `blackouts` is to avoid susceptibility, and being encouraged to repeat the same mistakes by the evil. The first step is to know what women are, so that a woman faced with a male alien who wants her to understand that it wants to be an `owner` of her `means of production`, and possess her body, can demur, on the understanding that her female equipment provides her with more pleasure than the penis, because the clitoris is the only organ of the human body that`s created solely to give pleasure to the `owner`, and her girlfriends have their own penis anyway::


`Oops. Thank God. I didn`t do it again.`

 In the West, the penis is a sword, because it represents penetration and weapons` technology, which is a dangerous conflation but an accurate perception. In the 60s the phrase `love gun` was very much in vogue when talking about the penis. It is likely that the ban on smoking in public places and in the media can be correlated with the `smoking gun`, that is, banning cigarette smoking is an attempt to stop guns smoking. Repression of the penis as sword produced the gun. so the Revelation logic of the `red dragon` of the devouring war of homosexual pederasty was that cigarette smoking corresponds to male repression of the female penis. It is normal for the futanarian woman to want to have her penis sucked by her girlfriends, but that`s `abnormal` in males. Because weapons are the result of the  creation of what the depth psychologist Sigmund Freud (1856-1939) termed `repression`, its container or `id` shouldn`t be released.



 Cigarette smoking is the male`s repression of the female penis` desire to be sucked, and so the futanarian woman as a species` desire to live and love. Smoking bans therefore represent the repressed desire to have more advanced weaponry to prevent woman as a species with her own penis from enjoying oral sex, which is why fellatio is called `smoking` in Russia. Medical practitioners describe smoking as a cause of impotency, but if the `id` of the male psyche smokes because it doesn`t want woman as a species to have her penis sucked, potency isn`t the issue for the male alien, but it is the impotency of the futanarian woman with a penis of her own as a species that the aliens desire. The gun, or any of its more advanced counterparts, is the equivalent of cancer. Unless one perceives that cancer attacks, and that release of the woman`s penis is desirable, because it doesn`t want to possess a body, it has one, and that makes war redundant insofar as homosexual pederasty`s campaigns are designed to spread their contagion of enslvement of the `host` wombs of women to further their parasitical life form, the symbol of the penis will be the gun because it denies women`s rights to be her own producer.

 Although banning cigarette smoking means woman won`t die of cancer, it represents the male aliens` considered rejection of oral sex with the woman`s penis, and there are virtually no sexual representations of futanarian women outside of their own `ghettoized` pornography which are indicative of wider social acceptability for woman as a species.  But the `love gun` of the `blood plague` of homosexual pederasty`s `red dragon` of Revelation has reemerged as HIV/AIDS, and the `smoking gun` in TV and movies remains, because it`s a refusal to accept the woman`s penis as anything other than some `shag` to be `smoked`, that is, murdered. Movies of the early part of the 20th century were `chillers` because one prayed that the young girl stalked by the psychopath would escape and live, whereas in `slasher` movies of the 21st century one is expected to cheer on the killer of the young woman: it`s the century`s paradigm:


`The Virginia Tech massacre was a school shooting that took place on Monday,

April 16, 2007, on the campus of Virginia Polytechnic Institute and State

University in Blacksburg, Virginia, United States. In two separate attacks,

approximately two hours apart, the perpetrator, Seung-Hui Cho, killed 32 people

and wounded many others before committing suicide.`11



 Al Qaeda attacked the Twin Towers on 9/11 because they knew the USA watching on CNN and elsewhere would see it as a continuation of the USA`s mythic film of its `Manifest Destiny`. Psychologically, aboard the civilian aircraft that they crashed into the Twin Towers, the terrorist hijackers were hiding their `sexual orientation`, which is that of the computer hacker spreading a virus that finds its `objective correlative` in the `red dragon` of the Revelation of the `blood plague` of homosexual pederasty`s HIV/AIDS. It`s analogous to Jodie Foster in The Accused (1988) having it explained to her by means of rape that she should have HIV/AIDS because she`s prepared to defend her sexual orientation, where `sexual orientation` means woman as a species with her own penis. Men`s paradigm is to attack the woman, so she has to learn self-defence. But, for women, self-defence isn`t national, it`s international, which is why 9/11 was an attack on Eve`s `Big Apple` of wisdom garnered since Eden, and an attempt to silence the voice of New York`s Adamic man who might have spoken for her. In medical terminology the epiglottis is the `Adam`s Apple`, so the Twin Towers were the tonsils of the USA`s voice and the hijacked planes were forced down the throat of Liberty to prevent her from speaking. The attack on the Pentagon by another terrorist hijacked airliner was further deigned to provoke international conflict with woman at its heart:


`Blood rack barbed wire;
Polititians' funeral pyre;

Innocents raped with napalm fire ...
Death seed blind man's greed...` King Crimson Twenty First Century Schizoid Man (1969)



 Demi Moore, whose famous Navy Seal trainee`s line from GI Jane (1997) is `Suck my dick!` in the movie learns to defend the USA, that is, `life, liberty and the pursuit of happiness` and the `American Dream`, which is innocence, progress and development without threat as `Manifest Destiny`but under threat is woman`s development of her own penis, and so humanity`s art, civilization and culture. The `bugbear` is `women and children first`, where `boy sons` aren`t recognized as alien parasitical viral life forms.productive of the `blood plague` in Revelation of  HIV/AIDS `poisons` because they are products of the `red dragon` of homosexual pederasty`s undeclared war and `biological warfare` against womb and her `host` womb. The figure of the `New Redeemer` would be protective of the `hidden` woman from his birth in Revelation onwards because he would perceive that `defence` is the protection of woman and her daughters with her own penis as the Earth`s species. If long life, health and beauty is the final concern, as Revelation indicates, children aren`t. Because immortality precludes the need for children, or as Jesus says:


`... those who are considered worthy of taking part in the age to come and in the resurrection from the dead will neither marry nor be given in marriage, and they can no longer die; for they are like the angels ...`



 If `gay boy sons` produce `gay poisons`, woman and her daughters wouldn`t. Consequently, boys are a disease, whereas female children aren`t. Or, in other words, the notion of `women and children first` when it comes to the lifeboats, as the Titanic is sinking, ought to be revised so that the `boy sons`, that is, the `poisons` aren`t considered `first`. Protection of the woman, and her daughters, is paramount, and so `woman and her daughters first`. Prior to the 21st century, economics was dependant on `ownership of the means of production`, where the `means` are woman, and possession of her is what enslavement of her `host` womb by the `red dragon` of homosexual pederasty was what ancient wars were fought for. Modern `biological warfare` may similarly be thought of as the gay boy sons` `blood` plague` of the `red dragon` of homosexual pederasty`s HIV/AIDS `poisons` against the `host` wombs of women because of `over popularity`.

 Al Qaeda`s attack on the World Trade Centre on 9/11 was the red dragon`s way of ensuring that `ownership of the means of production`, that is, woman and her daughters, remained in the hands of homosexual pederasty. By spreading global conflict designed to dull women`s economic awareness of their identity as a species with her own penis, and therefore `ownership` of her own `means of production`, levels of `security` would increase until her acceptance of `concentration camp` conditions was restored. In short, the concept `women and children first` is the watchword of a parasite protecting its interest, where economics is a valence of subjugation because women`s `host` wombs are the producers and so women own `the means of production` which means that, as a woman with a penis of her own, the parasitical male aliens have enslaved her in order to ensure that the devouring `red dragon` of homosexual pederasty`s valence of reproduction, consumption and destruction continues. The irony of 9/11 was that it was a typical Hollywood `blockbuster` movie for a star like Richard Gere, Tom Cruise or Harrison Ford, but if woman with a penis of her own was in Hollywood and visible, the boys and the girls would be fantasizing about her, which means that 9/11 on CNN was advertising for the Hollywood male alien`s continuance. Or, to put it another way, 9/11 was the restoration of homosexual economics because it restored the hero figure in the public imagination, whereas the hero of homosexual pederasty only looks like a hero. Science fiction writer Ursula K. Le Guin once wrote:


`The real mystery is not destroyed by reason. The fake one is. You look at it and it vanishes. You look at the Blonde Hero--really look--and he turns into a gerbil.`



 In fact the blonde hero of homosexual pederasty turns into a dragon because it`s a Hollywood `fake`. Often called `Babylon`, as the USA is also labelled `the Great Satan` by some nations, Hollywood`s valence is the `black mass` of `mass consumption` of woman and the products of her `host` womb. From the burning of the set of King Kong (1933) to fake the burning of Charleston in the movie Gone With The Wind (1939) to the grandiose economics of 9/11`s `live action` at the Twin Towers `for the small screen with CNN`, and the prurient detailing of the hijackers flight from `black Massachussets` where, as everyone knows, the witches of Salem hail from, Hollywood`s heroes much vaunted concern for women only masks the desire of their `red dragon` of homosexual pederasty to destroy as much as they can of her. American males are excluding themselves from the `American Dream` and `Manifest Destiny` because their worship of homosexual `Hollywood man` has spread its contagion of devourment of the products of the `host` wombs of women to the extent that it has become an economic threat to the security of the USA:


`... all [wo]men are created equal ... endowed by their Creator with certain inalienable rights ... [and] among these are life, liberty, and the pursuit of happiness.` US` Declaration of Independance, July 4th, 1776



 America`s `mom` is God`s producer and product, so Colonel Gadaffi`s (1942-) `domestic dispute` in Libya in 2011, or any revolutionary fervour within an independent nation state, ought to be viewed as a decision making process on the part of the woman`s household. The attack by NATO and UN coalition forces preempted woman`s natural development. it`s the old paradigm of the gun as `smoking`, and as civilization`s cancer, with HIV/AIDS as a diagram indicating that guns are homosexual because they represent the `red dragon` of homosexual pederasty`s desire to devour itself as well as the `host` womb of women and her products. 9/11 was the prototypical stab in woman`s backside for woman by the `red dragon` of homosexual pederasty, who wants to continue the production of its male alien `boy sons`, that is, `poisons`, in the more modern form of the `blood plague` of HIV/AIDS` `biological warfare` against her `host` womb and her daughters, and the`ass as Sin` couldn`t find a lower means of inserting the knife of their more highly evolved form of `anal sex`.



 The USA originally executed Saddam Hussein (1937-2006), and declared a global `War On Terror` (2003-) primarily against Al Qaeda. Terrorism was, consciously or unconsciously, attempting to spread its viral equivalent of HIV/AIDS as the `red dragon` of homosexual pederasty`s 21st century paradigm for `attacks on women`, which was `contracting` amongst those who are the `gay boy sons`, that is, the `gay poisons`, to spread the `disease` of misogynistic homosexuality further:


`Then I saw three impure spirits that looked like frogs; they came out of the mouth of the dragon, out of the mouth of the beast and out of the mouth of the false prophet. They are demonic spirits that perform signs, and they go out to the kings of the whole world, to gather them for the battle on the great day of God Almighty.` (Rev: 16.13-14)



 9/11 was a sign performed by `frogs`, because `a frog in the throat` is a euphemism for those who are apologizing for not being able to speak, and contrasts with `the sword out of the mouth` that is the `Word` of God in the mouth of Jesus as he commands at Armageddon, which is the `battle` that the `frogs` are garnering evil support for. Demons are `puppeteers`. Amongst Moslems `Shaitan`, who is the equivalent of Satan in Christianity, is called `iblis` and has no power other than to whisper in the ears. In the developmental psychology of Carl Jung, the ears are associated with `Thinking`, which means the `demons`, who are described as `frogs in the throat`, seek to influence the thoughts of their `targets` in order to have them act and speak as ventriloquists with their dummies. The attack on New York`s epiglottis, that is, the `Big Apple` of the throat that contains the `voice of America`, was a sign of the `frogs in the throat` of Al Qaeda`s terrorists, giving the world a sign that `Armageddon` was to come:


`A 1976 law signed by President Gerald Ford requires VOA to `serve as a consistently reliable and authoritative source of news.` The VOA Charter states: `VOA news will be accurate, objective and comprehensive`.`12



 To be `accurate, objective and comprehensive` the VOA would have to represent woman with a penis as the species of Earth. In economic terms, the `red dragon` of the enslaving of the `host` wombs of woman in order to devour her product and wage `biological warfare` against her wombs in the form of the `blood plague` of the `red dragon` of Revelation which is the gay boy sons` HIV/AIDS gay poisons, is the economic model of the male alien parasites that live as vampiristic bloodsuckers from her womb. Woman with her own penis doesn`t need males and so possession economics, that is, enslavement based on not having the body of a female and wanting one, which is how the female penis of the male `thinks`, is replaceable in female `Thinking` with the `growing concern` of a `family`, which consists only of daughters and, after growing her in the womb for nine months as the progeny of a futanarian woman with her own penis as the `fatherer`, that is, a woman who corresponds to `God, the fatherer` in Christian terms, the `mother` will care, whereas the male alien never had to care for more than the length of time it took to ejaculate. Because the `fatherer` of the daughter, that is, the futanarian woman as a species with her own penis, can also conceive and nurture after a birth, the economic picture is changed. For men it`s about how many bodies they can possess, that is, enslave, but it`s a homosexual metaphor for pederasty, which is what the `consumer society` of the devouring `red dragon` is. The terrorist attack on the `World Trade Center` was `economics` because homosexuals want to always have access to what they call `trade`, which are newborns who have to accept that they can`t rise economically without the `red dragon` of enslaving and devouring homosexual pederasty`s `mark of the beast`:


`... no one may buy or sell except one who has the mark or the name of the beast, or the number of his name.` (Rev 13:16-17)



 Female economics is family oriented, because a woman can only produce so many daughters from her womb, and the gestation period is nine months, which means that she`ll carry, care, and nurture her daughter afterwards, because that`s female economics. The society of women with a penis of her own contains only women with a body of their own with a mother and a `fatherer` who is a woman with a penis of her own. Such women don`t have to reproduce, because they have a body of their own that they can see in the mirror and so possession is not their valence. They have what they want. In short, all males are demons. Because women with a penis of their own, or a woman without, who lives in a society of women with or without a penis of her own, can see in the mirror that they have the body they want, whereas homosexual males or `straight` men never will be able to, which is why they want to possess a woman`s body, so that their demon will reproduce, which is the true valence of the male alien parasite. Economically, women might want to reproduce and have a daughter, or they might not, but they still have a body of their own, and it`s the body they desire. Because all women have mothers and futanarian `fatherers` in an all female society, sexual fulfilment is perfectly feasible for all women, and immortality is conceivably realizable. Because a society of women with a penis of their own wouldn`t have the `disease` of the enslaving and devouring `red dragon` of male alien homosexual pederasty, and particularly its `blood plague` of  STDs and HIV/AIDS. Obviously, because men are parasites, and so constitute women`s `disease`. Or, as Jesus, says:


`The people of this age marry and are given in marriage. But [they] ... will neither marry nor be given in marriage, and ... no longer die; for they [will be] ... like the angels.`


 Marriage is the male demons` device for possessing a body that is not theirs, which is why the basic biblical law is`don`t steal`. Just as Jesus` distillation of `God`s law` is `love thy neighbour`, in preparation for the time when women will love one another, and live as `angels` in heaven, so theft is the basic prohibition, and marriage is possession, even if the woman agrees; because she isn`t aware that women have a penis of their own and so marriage is possession by the male alien. The parasite wants to possess women because, if women knew that they were a species with a penis of their own, men would quickly be redundant, especially if technology developed to the point at which labour saving devices freed her. The NASA space programme was lauded because it entailed rapid advancements in technology resulting in the development of better washing machines. Most dystopian science fiction centres upon the problems that societies face when robots take over household chores, but that would leave women freed by even more advanced labour saving devices. The male alien parasites argue that  robots would make them redundant, but so would women with a penis of their own as a species, which suggests that male economic theory is based on preventing technological development so that women remain slaves. The `red dragon` of homosexual pederasty devours the products of her enslaved `host` womb, that is, her art, civilization and culture, in war, while it prosecutes `biological warfare` against its human `host` by means of its `blood plague` of HIV/AIDS. Depth psychologists view the penis as the source of developmental functionality, so women`s penis would represent the technological basis for her liberation. Economics for women is different from economics against her, which is the economic war that the male alien parasite is waging against, either consciously or unconsciously, on behalf of the `red dragon` of  enslaving and devouring homosexual pederasty. Higher technological development and women`s awareness of herself as a species with her own penis would make the male alien redundant, but would mean women`s freedom:


`Free at last! Free at last! Thank God Almighty, we are free at last!`13



 21st century economics is a spiritually and intellectually low educational level in which the fact that women are a `hidden` species with her own penis is witheld, because that knowledge would reveal how the `red dragon` of homosexual pederasty wants to maintain `restraint of trade` in the sense that women in bondage will continue to produce `trade`, that is, newborns with the `mark of the beast` already stamped upon their hands and foreheads who `no one may buy or sell` but the pederasts of the `red dragon` of homosexuality, which is why it chose New York`s World Trade Centre to announce its campaign against the power of the USA. In Hinduism, the Vishudda chakra, which denotes `power`, is the fifth of seven energy points along the spine that represent the level of spiritual attainment and intellectual development in the individual`s growth processes, and its seat is in the throat. Because the `Big Apple` corresponds to the epiglottis, or New York`s Adam`s Apple`, the provocative terrorist attack of 9/11 represents the red dragon`s desire that `the Great Satan` should devour and not speak. In Arlington, Virginia, the Pentagon corresponds to the sixth chakra level in the Hindu system of spiritual and intellectual development, which is the Ajna chakra, or `imagination` between the eyes, while the supposed target of Flight  93, the Whitehouse, in Washington, D.C., corresponds to the Sahasrara chakra at the head`s crown. In other words, the USA was to be `the Great Satan` in the Middle East whether she liked it or not.



 Retrospectively, Britney Spears` Oops I Did It Again, in which she`s `twinned`, like two peas from her `Poddy`, as her red suited self hoisting her spaceman visitor above herself in a white bikini dress might be described, represents her objection to monogamy. In Christianity it`s one man, one woman, and the rest are not supposed to be admired by bride or bridegroom, which means those who seek to adulterate the relationship are for  the `red dragon` to devour:


`If a man commits adultery with another man’s wife—with the wife of his neighbor—both the adulterer and the adulteress are to be put to death.` (Lev: 20.10)


 In her red suit Britney suspends her spaceman visitor to Mars above herself wearing a white bikini dress, which suggests she`s  the `red dragon` who, offering her `bride`, represents monogamy, that is, devourment for those who aren`t in the `marriage of the lamb`. In Revelation Jesus` marriage with Jerusalem, the `bride`, is described as the `marriage of the lamb`, whereas the `beast` of Revelation looks `like a lamb` but speaks `like a dragon`, which means that the `beast` isn`t in the `marriage of the lamb` either, but corresponds to homosexual pederasty as the enslaver of the woman of the Earth, `Babylon, the Great`, whose `gay boy sons` force her to produce devouring war, and the `blood plague` of the Revelation of their `gay poisons` of  `biological warfare` against the `host` wombs of woman as HIV/AIDS. In Christian terms, the `fake` lamb is monogamy, which proselytizes against the appreciation of the physical beauty of women, which is why Britney`s spaceman has a camera.



 In the Bible photography isn`t  represented, and 21st century soft porn isn`t viewed as `spiritual`, but `adultery`, while depth psychologists view the activation of sexual libido or instinctual energy by means of visual material as a constant in the transformation of the soul or anima-mediated contents of the unconscious `self` as they emerge into consciousness during the process of self-actualization or individuation. However, in Moslem countries, women cover their faces, and in Christian nations eyes are perceived as `adulterous` by what George Orwell in 1984 (1984) described as `the thought police`:


`With eyes full of adultery, they never stop sinning...` (2 Peter: 2.14)



 In Hinduism, which Moslem`s view as antithetical to their belief system, spirituality is associated with the `power` of the throat chakra or Vishudda, while speaking or looking by either a man or a woman not your wife or of your immediate family is perceived as `adulterous`. The destruction of  the Twin Towers reduced the proposed new construction to one tower, which is a single phallic symbol of monagamous patriarchy, that is, Adam has a penis and Eve doesn`t, while Adam has the `Big Apple` and a voice, but Eve doesn`t. Or, to put it another way, Adam has Eve`s body, soul, and spirit, and she doesn`t. Moreover, `rough trade` will continue in the form of several more wars organized by the devouring `red dragon` of homosexual pederasty:


`O`ye who believe lower your gaze! For Messenger of Allah, Muhammad said: `The adultery of the eye is the lustful look at opposite gender.``14



 The `opposite gender` is the homosexual pederast.  If woman has a penis of her own and is a species, the `opposite gender` is the male; in all cases. In Oops I Did It Again Britney presciently observes that, if woman were more than one individuality, especially if she had her own penis, the `red dragon` of homosexual pederasty would rather lose her sister and her penis in order to ensure the triumph of the astronaut Apollo`s low technology over higher performance levels. Or, in other words, one World Trade Centre Tower symbolizes one Britney`s spear and no Britney`s penis, whether she has one under her white bikini dress in Oops I Did It Again or it`s `purely symbolic` of the relationship between Redemption and the devouring `red dragon` of `ownership of the means of production`, that is, the possession of woman`s body, soul and spirit, to enslave and devour what is neither your own body nor your species, through a monogamous parasitism perpetrated by a male alien homosexual pederasty that doesn`t want woman`s penis to reproduce or develop itself. Britney`s perception is that, although her spaceman`s camera is a useful individuational tool insofar as it encourages the transformation of sexual libidic energy without tactile interactivity, or the possibility of violence or disease, Old Testament `eye for an eye and tooth for a tooth` formulations based on the principles of vendetta against those who can see, on the part of an enslaving and devouring `red dragon` of homosexual pederasty that wants itself to be looked at and admired, means that those who appreciate physical beauty, of which the female form is but a shadow as of what is seen `through a glass darkly` (Cor: 13. 12), are the enemies of the evil who want ugliness.



The Statue of Liberty`s skirts conceal the penis of woman as a species; but its existence is Revelation. Any dictator can look `like a lamb` and `speak `like a dragon` because those who work on behalf of the `red dragon` of homosexual pederasty accept their orders. so although Generals like Norman Schwarzkopf, or Colin Powell take orders, neither they nor the President of the USA are prima facie `beasts`, whereas Saddam Hussein and Osama Ben Ladan were cowards who gave orders, and so were the `beast` that looked `like a lamb` but spoke `like a dragon`. In Christianity, the `lamb` is Jesus, because Jesus speaks as a lamb, but commands with the `sword out fo his mouth` because he`s a dragon slayer and can command those who are also dragon slayers. However, the female penis isn`t a dragon and, because woman with a penis of her own is a species, Jesus` approach towards Redemption is that the penis itself represents the instinctual libidic energy that can be taught by means of his teachings, and the teachings of the Holy Spirit, or Paraclete, that is, the learned Old Testament female `Shekinah` spirit of `God`s law`, after him.



 The `Word` of God and the `Sword` are aspects of Jesus` defence of the technological advancement that 2000 years of celibacy would bring, and which was attacked on 9/11 when the `red dragon` of homosexual pederasty attempted to replace the lamb of the `Word` and the `Sword` of God with global conflicts that would prevent either the female penis with the male from developing as God wished or the female penis with the female from developing to that point at which woman as a species could escape. In Revelation the woman`s `seed` fights a war against the evil serpent`s `seed`, that is, the serpent of Eden grown into the `red dragon`. In Eden God had told the serpent, `there shall be perpetual enmity between your seed and the woman`s`, which means the woman with her own penis, as a species, will defeat the `red dragon` of homosexual heaven. According to Revelation she remains `hidden` upon the Earth and protected by the `New Redeemer` while the battle goes on and the `red dragon` is cast down to Earth and her `seed` here fight it. `New Redemption` is the concept that the instinctual libidic energy represented by the penis can be taught until individuals are sufficiently advanced in judgement (Sword), spirit (Word), and technologically (Logos), so that the `hidden` woman can be safe in the `new heaven and Earth` that God gives to her and her `seed` and perditon to the evil as their punishment for accepting the `mark of the beast`, which is service to the evil serpent`s `seed`.



 The `red dragon` of war is the means by which woman as a species with her own penis is subjugated, and preferment based on `worship of the beast`, that is, homosexual `brotherhood`, is the basis of a misogynistic pederasty in which the aim is to keep woman`s `host` womb producing newborn infants that the homosexual pederasts can keep in `preyed upon` infantilism. That`s why the `woman clothed with the sun and with the moon at her feet` gives birth to the `New Redeemer` in Revelation while the `red dragon` waits in vain to devour him, because homosexual pederasts keep children in infantilism so that they can devour them. The `New Redeemer` protects the `hidden` woman because he has `the Will of God` to have people perceive that good is preferable. In the folktale Snow White is given a poison apple to eat, but a good apple is not poison, which is why it is good. What is good is good and so is preferable. Cain murdered Abel because Abel could cook. He was able. Cooking is developmental and so is good, whereas the murderer of the developing or the developed is not good, because development is good. That`s why the `red dragon` waits in vain to devour the `New Redeemer`, because it wants infantilism rather than development. The `red dragon` is evil because infant `boy sons` and infantilism is the way it keeps a steady supply of `trade`, which is why the terrorists attacked New York`s World Trade Centre on 9/11. The terrorist hijackers of the `civil` aircraft they bought tickets for in Boston, Massachussetts,`fooled` the US` defence systems by `feigniing friendship`, as HIV/AIDS` cells `fool` the body`s defences in order to kill it, and so 9/11 was an aspect of the `blood plague` of the `red dragon` of homosexual pederasty`s male alien parasitical viral life form`s continuance of its programme as the invader of the `host` womb of women in order to `wage biological warfare` against her as the `gay boy sons` of HIV/AIDS` `gay poisons` that seek to kill her.



 In Eden Eve receives the apple of the `tree of the knowledge of good and evil` from the serpent, which is effectively poison, because it means death rather than the immortality God had given her as the fruit of the `tree of life`. The hijackers` attack on New York`s `Big Apple` of Eve represents the serpent`s attempt to devour the wisdom of Eve gleaned over 2000 years since the death of the First Redeemer, Jesus, by aborting the `New Redeemer`, which is that consciousness who is able to perceive that woman is a species with her own penis and the parasitical male alien is attemting to murder her in the womb. In Snow White the Queen observes herself in the mirror each day and asks it the question:


 `Mirror mirror on the wall; who is the fairest of them all?`



 The Queen receives the answer, `You, O Queen,` but one day she is told `Snow White` is fairer and so she send her a poison apple, which is Edenic insofar as the apple can now be understood as representing the `gay boy sons`, that is, the `gay poisons` of HIV/AIDS that has been germinating as the `seed` of the evil serpent since Eden. Because the `red dragon` of homosexual pederasty is evil, the solution to the poison is not to produce any more. Folktales deal in `whim`. They depict the consequence of unconsidered action. When the Queen wants to know the identity of her more beautiful rival, the mirror replies:


`Snow White is the fairest of them all.`



 If the Queen had a penis of her own, she`d want to have sex with Snow White, which is the meaning of the apple. If the traffic light is at red the car shouldn`t go forward, irrespective of the driver`s whim, and the pedestrian shouldn`t cross the road unless the pedestrian`s light is green. The Queen doesn`t understand she has the green light because it`s a folktale. We don`t understand that the Queen is `wicked` because she has a penis of her own. Because that`s not what we`re taught. But there are no folktales to tell us the truth so we know we`re lied to. That`s why folktales are curiously evil. Because it`s the `secret` of the good people that wrote them that we can only understand them if we`re good. They`re about human nature and the consequences of its unconsidered actions. The Queen represents the woman that lies to her daughter about men. She doesn`t tell her that women are a species with her own penis, and so she produces more `boy sons`, that is, poisons. In other words, a daughter`s relations with men reperesent unconsidered `folk` relations with consequences similar to those attending Eve`s acceptance of her `poison` apple in Eden. If women don`t educate their daughters in the knowledge of their own species, either it means that they are knowledgeless because the seprent`s `seed` have been successful in keeping them in ignorance, or they are liars, which is why the serpent is called `the father of lies`. Revelation presupposes a considered relationship between woman as a species with her own penis, but there is no guidance from the liars, so God sent the Holy Spirit, or Paraclete, as `teacher, guide, comforter and helpmeet`.

 In Oedipus Rex by the ancient Greek dramatist Sophocles, Oedipus weds his mother and blinds himself upon discovering that he has while his daughter Antigone guides his steps thereafter. The drama describes the female penis` inability to see. Antigone`s mother Jocasta represents the female`s need for a man`s penis in order to produce a daughter, but Antigone is led into blindness. Because she accepts the father of lies` assertion that women don`t have a penis and so are not an independent species, whereas Sophocles` dramatization of the `big lie` is, like a folktale, designed to reveal its secrets only to those who are sufficiently advanced in knowledge, or to prevent the `secret` of women`s penis from emerging, which is what Antigone`s mother seems to want. In other words, Jocasta is a figure of the woman who wants to produce the `boy sons` that blind her daughter to wisdom, which is for Antigone to take care of herself and her own penis. Oedipus Rex is primarily a `sympathy play` in which Antigone is `fooled` into caring, but she can see and Oedipus can`t, so she represents the woman who is developing. At the beginning of the play Oedipus encounters the Sphinx who asks a riddle:


`What goes on four legs in the morning, two in the aftenoon, and three in the evening?`


 Oedipus answers, `Man`, and is deemed correct, so becomes King of Thebes, Jocasta`s city in Egypt, but Oedipus` name means `swollen foot`, which is a reference to the man who is to come who is a woman with her own penis that is called `futanar`. In Hungarian, `fut` means `run` and `tanar` means `teacher`, which means Antigone is `teacher, guide, comforter and helpmeet` to herself by proxy in her sympathies for Oedipus and in prefiguration of Christianity`s Holy Spirit, or Paraclete. In developmental terms, Antigone is like a picture that is being developed so that it can be seen. Beauty and sexuality are linked insofar as sexual people want to enjoy sex in beautiful places. Consequently, divorcing beauty from sex is a liars` device. The homosexual perception is that women are not as beautiful as the penis, which means that beauty is pictorially inconsequential for a male alien only concerned with the sterility of anal sex and masturbation.

 Britney Spears` spaceman visitor in Oops I Did It Again is `armed` with a camera on the sterile desert planet associated with the ancient Roman war god, Mars, because he represents the male alien who wants to develop her so that she can`t be seen. Oedipus is `swollen foot` because his `lameness` derives from man`s inability to be the woman they want to possess, whereas Antigone looks forward to the `futanarian` woman with a penis of her own, who walks upon three legs in the evening in fulfilment of the Sphinx`s `prophecy`. Woman can walk alone as a species with her own penis, and in fact, as Hungarian observes, she can `run` because `fut` means `run` in Hungarian, and `futanar` is the woman with a penis who is a species that has been taught by her `mother`, the Sphinx, whose `riddle` is only that Oedipus could understand neither the question, nor the answer.



 Oedipus is a drama of `overweighting` because the premise is that the penis of a man is primary, which results in the penis not being able to see because of the incest taboo that exists as an obfuscation for woman`s realization of the fact that she has her own penis. The incest taboo is evil, not the incest, because it`s an instance of the male alien`s seeking to prevent woman`s knowledge of her own independence as a species with a penis of her own. If Antigone knew that women have a penis of their own she would be a daughter with other daughters, and not a lie`s drama.



 Overweighting is the bane of humanity. Just as the terrorist attacks of 9/11 effectively now keeps the globe in fear of state reprisals and vendettas, the TV series Mad Men (2007-) advocated smoking and cancer in the guise of  nostalgic fondness for the past, whereas it was actually retrogressive and evil because of its associations with `firearms`. The post coital cigarette indicates the successful male gun by analogy, whereby the woman`s penis is `smoked`, that is, murdered together, because she accepts it. Her penis as art, civilization and culture is a shared despisement because their togetherness is a knowledge that she has a penis of her own as a futanarian woman and independent species and the `smoking` activity is a coital `black mass` evilly celebrating the death of her penis.



 Men have regressed to back-stabbing woman and the art, civilization and culture that emerges from her womb thanks to the female Holy Spirit, or Paraclete, that is the `teacher, guide, helpmeet and comforter` of the soul and spirit. 9/11 with its terrorist attack from `the base`, which is the meaning of the name `Al Qaeda`, connotes the lowest chakra point at `the base` of the spine, Mulhadara, in the Hindu chakra system of energic development. Because the `Big Apple` of New York, the Pentagon, and the Whitehouse correspond to the Vishudda, Ajna, and Sahasrara chakras further up the spine, the terrorist attacks from `the base`, that is, Al Qaeda, represent an attempt to reduce the level of considered action in the USA by provocation so that the consequences are death and destruction on an indiscriminate scale, which constitutes a `stab in the back` correspondng to an anal injection of the `gay poisons` of HIV/AIDS from a `red dragon` concerned to spread its gay boy sons` contagion of the enslaving of women`s wombs as `hosts` for their devouring homosexual pederasty and war. As an anal injector to kill the Holy Spirit, or Paraclete, the penis, as used by the male alien, is a knife that can`t stab any lower. Rather than using their sword, that is, their ego, to assist woman`s establishment of herself as an inclusive independent species, men`s unnatural bias is death, because they`ve focused upon it, whereas they could have accepted God`s planned Redemption through woman`s love:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)



 Men`s valence is extinction. Because they haven`t educated woman as a species in the knowledge that she has her own penis, and instead have enslaved her for homosexual pederasty and war, so that their `blood plague` of HIV/AIDS can wage biological warfare on woman`s `host` womb for them, they clearly don`t want her to live, and so God has planned the separation of the species woman from her parasite by creating the futanarian woman as a species with her own penis. Obviously, it`s a difficult task because, as Jesus says, `...those who are considered worthy of taking part in the age to come and in the resurrection from the dead will neither marry nor be given in marriage, and they can no longer die; for they are like the angels.` (Luke: 20. 36) In Islam `Allah`, who is `Eloah` in Judaism, and means `God` in Christian terms, is `neither male nor female`, which means `hermaphrodite`, or `like the angels`.



 In Eden Adam and Eve `discovered themselves to be naked` after they had eaten of the fruit given them by the serpent, which had promsed that they`d be `as gods` if they acceded to its `temptation`. Because Adam and Eve were seen naked the supposition is that the serpent can see them but they can`t see the serpent, which is what it means by `You shall be as gods.` (Gen: 3.5) In the 1993 movie Sliver Sharon Stone was watched by a killer using CCTV surveillance cameras in the high rise building she had her apartment in. Being `gods` is the power to affect others` lives invisibly, which is what the `number of the beast` signifies, that is, `666` is the reversal of the telephone number of the police in the former British Empire `upon which the sun never sets`, and 9/11 is the reversal of the telephone number of the police in the USA because it`s 911. Symbolically, 9/11 is the Advent of the Antichrist, because of the associations with the former British Empire, which would correspond to 999 or the `number of the police` in the British Commonwealth, but `reversed` as 666 or `the number of the beast` if the British Empire were to be reestablished by neo-Nazis like the British Movement. Al Qaeda, `the base` or `the beast` of Revelation has a `yellow moon` as its emblem, so the Antichrist is born with the moon under its feet and with `the sun that never sets`. However, its the `woman clothed with the sun and with the moon at her feet` who gives birth to the `New Redeemer` and so the Advent of the Antichrist is the fantasy of some or more sick queers.



 Police surveillance is the power to affect people`s lives invisibly, which is fulfilment of the serpent`s exhortation, `You shall be as gods.` There`ll be `perpetual enmity` between its and the woman`s `seed` because pornography and snuff films are all that the invisible `gods` can think of to do with her because. It isn`t about beauty, or sex with women in beautiful surroundings for the male alien. It`s about creating the delusion that women`s beauty is valued while giving her the minimum setting in which to delude the newborn infant into the infantile belief that a woman is all the beauty that can be aspired to. Because the serpent is male, and homosexual pederasts are interested in homosexual pederasty, the hermaphrodite woman is the `angel` that doesn`t mind being seen naked because it`s her species that`s with her. Because the body of the beautiful woman isn`t valued, neither is her setting, which means that `Hollywood man` is free to dramatize upon huge canvases of cinematic `action` minimizing the risjk to the single `heroine` while causing carnage on a scale approaching that of 9/11, and Pearl Harbour, or even Nagasaki and Hiroshima, without restraint, simply by constraining the woman`s contribution to how nice she looks in the bedroom mirror.



 In Jungian psychology, the libido of instinctual energy is transformed by archetypal material seeking to express itself in dreams, imagination and art as it emerges from the unconscious `Self`, which is desirous of being made conscious. Jung`s primary example comes from ancient alchemy, the forerunner of chemistry, in which a common motif is that of the hermaphrodite, because the female penis is endeavouring to use its separating `Sword` to speak its more penetrating `Word`. Woman can only emerge by not accepting any `Sword` but Jesus`. That is why the sword-as-penis is a logical fiction. It connotes the honourable defloration of a virgin. As the `knight` of Christian `chivalry`, Jesus is the archetypal `Sword` of Revelation because he`s not the fiction of the `hero` rescuing the woman from the devouring `father` dragon. He`s the `Word of God`. It is not a fiction for women, but it is men`s fiction that they are heroes. That`s why the sword-as-penis is a logical fiction for men, because it`s their parasite injecting metaphor.



 If the Virgin Mary gave birth to Jesus by parthenogenesis, that is, without a man`s semen, she could have given birth to a woman with a penis of her own. Equally, Jocasta in Oedipus Rex could have given birth to Antigone as a woman with a penis of her own if she`d married a woman with a penis of her own and so the psychological bane of Western civilization, art and culture, that is, the `threatening possessive`, wouldn`t have been a psychological determinant. The `Oedipal complex` is a psychological term used by Sigmund Freud to describe the devouring father imago because Oedipus, albeit by accident, according to Sophocles` Oedipus Rex, killed his father to marry his mother. Freud thought that he had discovered a psychological constant insofar as the `Oedipal complex` described the relationship between father and son. What Freud had discovered was the fiction that the son wants to possess the mother, which conceals the male myth that a woman wants a father and a son. The Virgin Mary is the archetypal conception of the woman who doesn`t need a man`s semen to reproduce, and so it`s a male fiction in which the penis is important because it`s theirs.



 Behaviouralism was the psychological successor to Freud because it focused on the principle notion that the son should behave in order to prevent it from killing the father, and subsequent psychological applications included the Somme and Verdun where sons were sent to be killed in WWI in order to learn how to `behave`. Jungian psychology taught that the libido was developmental and that male-female complementarity was the solution to conflict. Populist therapies described such `conflict resolution` formulas as `getting in touch with the female side` because women were perceived as `sympathizing`. Feminist perspectives perceive the penis as female, and Jesus` teachings as celibacy, which obfuscates the real issue of Oedipus` blindness. The male aliens don`t want the woman to use her own penis. Antigone is the `sympathizing` woman who represents the imposed patriarchal fiction that women are the `angelic` sensitive counterparts of the thoughtless but `dashing` male `action man` that Carl Jung analyzed.



 Jungian Feminists perceive that Antigone is blinder than Oedipus at the drama`s end, because she has been coerced by the `threatening possessive`, that is, the parastitical male alien`s capacity for inducing sympathy for its plight, by means of ensuring in her false feelings of empathy based on consanguinity. In effect Antigone has been coerced into wanting her brother, because Oedipus is Jocasta`s son. The play is actually a description of how difficult it is for the woman, even if she`s able to reproduce parthenogenically, to escape from the homosexual pederast, which is what Jesus` torturers and murderers represent, and how difficult it is for woman to escape from men physically, even if she has a penis of her own and is a species independent of her parasite, because `pornographic` representations of futanarian women aren`t a part of men`s educational curriculum for women.



 On the cross Jesus is preparing to wield the Sword, but it`s a boy`s wooden one. He cannot defend against his crucifiers; because his role is as a `teacher`. He offers Redemption to mankind and `teaches` God`s love, but in Revelation we understand he`s a sword-master because he fights against the foe:


`And I saw heaven opened, and behold a white horse; and he that sat upon him was called Faithful and True, and in righteousness he doth judge and make war. His eyes were as a flame of fire, and on his head were many crowns; and he had a name written, that no man knew, but he himself. And he was clothed with a vesture dipped in blood: and his name is called The Word of God. And the armies which were in heaven followed him upon white horses, clothed in fine linen, white and clean. And out of his mouth goeth a sharp sword, that with it he should smite the nations: and he shall rule them with a rod of iron: and he treadeth the winepress of the fierceness and wrath of Almighty God.` (Rev: 11-15)



 In Jungian terms, Jesus` libidic energy has been transformed from the penis-as-sword to the penis-as-word, which is commanding of the armies of heaven, because it`s developed faithfully and truly in accordance with his mother`s womb`s desire that her penis not be contaminated by the `seed` of the `serpent`, because her son, who would remain celibate, until she was a woman with her own penis, would be the spiritual leader of Christianity and its fight against the enslaving and devouring `red dragon` of homosexual pederasty until the consummation of the `marriage of the lamb` and Jesus` `bride`, Jerusalem, the woman of heaven.

 During the second Gulf War (2001-3) the USA re-examined that aspect of national security, which is called `Homeland Defence`, and where `mom` in the home is famous for `apple pie`. The folktale of `Johnny Appleseed` is a basic component of the American myth. It is the tale of one who planted apple `seeds` all over the USA so that `mom` could bake `apple pie`. Clearly, the terrorist attack of 9/11 upon the Twin Towers of New York was aimed at `mom`, because she was able to cook, and therefore corresponded to Abel, who was murdered by Cain, the progenitor of all those murderers with the `mark of the beast` upon their foreheads, according to the biblical tradition. It was a sign from God of the importance of correct names. In Revelation it is not possible to live unless you have the `the name of the beast or the number of his name` (Rev: 13.17), and during the Indo-China war waged by the USA the male alien parasitical organisms were defined as `gooks` as a sign of the intolerance of the `red dragon` of homosexual pederasty for cooks. Significantly, the structural anthropologist Claude Levi-Strauss` `culinary triangle` observed that one of the basic cornerstones of art, civilization and culture was the transformation of raw to cooked, where meat was prepared in the first instance, and the process of natural decay and fermentation produced a higher level human perspective because, without killing, such products as cheese, wine and vinegar could be produced, so emphasizing the beauty of natural growing foods such as fruit or corn, while deemphasizing killing. However, the USA employed such appalling devices as napalm and the `defoliant` agent orange over large parts of Indo-China in an attempt to starve the `gooks` as they had previously employed such folk heroes as Buffalo Bill Cody to shoot all of the buffalo in the USA so that the indians would all die of starvation because there would be no buffalo to `gook`. In other words, because the foundation of the USA was built on `mom`s apple pie`, that is, the ability of the woman to cook, 9/11 was an attack by the devouring `red dragon` upon the `Big Apple` of Eve`s `cooking`, that is, the summum bonum of woman`s art, civilization and culture that had been under development since Eden.



 Pertinently, the basic economic symbol of the USA is the `eye iin the pyramid` which connotes the developed ego as a transformer of the raw into the cooked, which in economic terms is either the enslavement of the womb of the woman to produce the homosexual pederasts whose main concern is the consumption of the woman and her art, civilization and culture by means of such evil devices as the `biological warfare` perpetrated against her womb by the evil male alien parasitical viral organisms in the form of the cancerous gay boy sons` `blood plague` of HIV/AIDS gay poisons, or acceptance of the Holy Spirit, or Paraclete, as the female developmental `teacher, guide, comforter and helpmeet` who can cook, but isn`t gay. And so it is possible to trust in `mom`s apple pie` because, as a woman with a penis of her own and so a species not concerned with the production of the `gay boy sons`, she is neither infected nor a poisoner.



 The attack on the World Trade Centre on 9/11 was clearly an attempt by the `threatening possessive` against the basic economic unit of the USA, that is, the woman as the `owner of the means of production`, which is her inalienable womb, by the evil male alien homosexual pederasts seeking to restore the gay boys` `trade` in death and war by means of the initiation of global conflicts through terrorism designed to reduce rational response to criticism of `mom`s apple pie`. Folkloristically, New York`s `Big Apple` is a symbol of Johnny Appleseed and the `eternal enmity` between the woman`s `seed` and that of the serpent (Gen: 3.5), which is why a condom is called a `johnny` because it protects the `Big Apple` of woman`s nurtured and developed human consciousness from the evil `seed` of the alien male homosexual pederast`s viral life form component. The HIV/AIDS `blood plague` of the `red dragon` of Revelation, which wants `apples for eating` rather than `apples for cooking`, in economic terms, that is, `rough trade` rather than `fair trade` based on the solid economic principle that woman as a species with her own penis constitutes a `better economic outlook` than `consumption`, which was the old medical term for the `terminal cancer` that, like the `killer disease` HIV/AIDS, was the name given to incurable cancers of the body; socio-historical, socio-political, socio-cultural, socio-economic, etc.



 The evil male alien `red dragon` of homosexual pederasty wants to reduce the level of human consciousness, that is, the `apple` of ego individuality, to that of a chimpanzee, which is why the attack on the Twin Towers has so many resemblances to the Hollywood movie King Kong (1933) in which the `big monkey picture` is of a large animal killed by US fighter aircraft because it climbed to the top of the Empire State building in New York. In other words, the `big monkey` is what Hollywood wants because it`s too big for the woman, while 9/11 is the representation that the `Big Apple` isn`t for a `big monkey` but that New York is still full of `smaller ones` who don`t want the woman to get any bigger.



 Attacks on women are `on the increase`, and that`s the 21st century paradigm in Hollywood, the `dream factory` that manufactures what the world perceives of the American Dream and Manifest Destiny, which from movies such as Steven Spielberg`s ET (1982) Close Encounters of the Third Kind (1983), Back To The Future (1985), Batteries Not Included (1986), etc., is innocent progress and development without threat, and so fulfilment; or under threat and delayed. Hollywood`s paradigm is `attack the woman` so that the male alien parasitical virus that had emerged from her womb can destroy large swathes of her art, civilization and culture while pretending to be `at her side`. In a truer paradigm of `Homeland Defence`, mom defends herself and her `apple pie`, which means technological development and its deployment is based on human goals. If man has a penis and can develop weapons of `mass destruction` by transforming its libido or instinctual energy into spiritual, that is, intellectual ability, woman`s penis is different. Men invite attack because `action man` is their valence. `Hollywood man` has taught it to them, whereas the teachings of Jesus and the Holy Spirit, or Paraclete, is peace, which means that 9/11 is what the `Hollywood preacher` has preached, and `curses are like chickens; they always come home to roost`.15  The metaphor is the virus programme of the 21st century hacker, where 9/11 is `hide d`yer hacker`, like the Led Zeppelin song D`Yer Mak`er (1973) is either about whether the Jamaica girl had sex, or was she forced? Did you make her? The rapist would seek to conceal the crime, and the hacker, with the `handle` Hide D`Yer Hacker would seek to remain anonymous if 9/11 were a `programme` designed to test the defences of the USA. It is not beyond the bounds of possibility that the USA`s Defence Department at the Pentagon invited `hacking` to `test` its system:


`... [we] would like to invite anyone with an interest in cryptography, reverse engineering or mathematics to help find the decryption keys and unlock the hidden payload.`16



 Although this staement comes from Kaspersky Lab, one of the more famous anti-virus buster programme developers, the invitation to `all comers` is  representative of many private and public organizations insofar as they invite hackers to improve their systems and then employ them as computer software programmers and analysts:


`... every modern computer exchanges and processes information in the ones and zeros of binary ...`17


 The hacker even employs virus language to describe its activities, and because the common cold is the commonest virus, hackers have coughing `handles` because, as on 9/11, their hacking technology was employed to make coffins out of the Twin Towers, the Pentagon, and flight 93, which was on its way to the Whitehouse when the passengers crashed the plane rather than have it reach its destination. In other words, hackers correspond directly to the concept of the `blood plague` of homosexual pederasty` `killer disease` of HIV/AIDS, because the `handles` of the `hackers` are 21st century versions of the `black death`, which is why the terrorist High D`Yer Hacker launched its valence of the `red dragon` from [black] `Massachussets`, that is, in imitation of, or desire to perform, a Satanical `black mass` based on the novel Logan`s Run, because Logan is the name of the airport in Boston, Massachussets, where Hi D`Yer Hacker hailed from:


`... a novel by William F. Nolan and George Clayton Johnson. Published in 1967, it depicts a dystopic ageist future society in which both population and the consumption of resources are maintained in equilibrium by requiring the death of everyone reaching a particular age.`18


 Because the `handle` is how hackers `hail` one another, the reference is probably also biblical in the sense that hailstones, like meteors, were another of the `plagues` of the `red dragon` of Revelation, which Britney Spears Oops I Did It Again presciently alludes to in the opening lyric `Yeah yeah yeah yeah yeah yeah`, where Oops High [I Did It Again] D`Yeah yeah yeah yeah yeah yeah Jack would be the `handle` of the `hacker` who wants to access her material without using the `cookie` which the spaceman has to find in order for the towers of her palace to emerge, as seen reflected in the mirror of the spaceman`s helmet`s visor. In Toxic Britney appears in the apparent blue uniform of Thunderbirds, which is a science fiction rescue service, and the theme of `unmasking` a passenger`s real identity by removing his disguise is juxtaposed with her secret agent guise. Like Jennifer Garner in the US TV series, Alias, Britney portrays an `action heroine` who gets into a secret laboratory in order to obtain a formula, which would seem to correspond to the antidote for the poison HIV/AIDS. Because of the connection between 9/11`s hijackers, and viral attacks by the `plague` of homosexual pederasty`s valence of terror against women. Thunderbirds was a `puppet` show on British TV in the 60s and Britney`s Oops I Did It Again presents her as a Thunderbirds` character in her red pilot`s suit, because Thunderbird 3 is a red spaceship and Oops I Did It Again takes place on Britney`s red planet of Mars but within the framework of the video it`s a `spaceship` that requires the `password` before the spaceman can see her, and the icon he finds in the red sands of Mars is her `tough cookie`.



 In Revelation the `beast` is a `frog` that appears to speak from the mouths of its `puppets`, which suggests that Britney is perturbed that her lyrics have Satanical meaning that she doesn`t place a value on. If 9/11 was an attempt to attack the woman `hidden` and protected by the `New Redeemer` of Revelation, Oops Hide Did It Again would be the Satanical writer`s preparation for Oops Hide D`Yeah yeah yeah yeah yeah yeah [ jack ], where the intention would be to `hijack` her fortune and turn her into a `puppet` recording `jack`, that is, `zero` and the utterances of her `programmer`, which would be `the one` in modern computer`s binary code:


`... computer[s] exchange ... and process ... information in ones and zeros...`



 The aim would be to have Britney function as a `frog` mouthpiece for her programmer. To `side` in early 20th century recordings upoon vinyl meant to press one of the two sides that a `record` had. There was an `A` side for the single released, and a `B` side as a `bonus track`, which often was new and not on the album. Consequently, Oops Sided It Again refers to the record manufacturing process, where `siding` means to compose a picture in terms of DVDs, which have only one side video terms. For her programmer there`s only one side to the story, whereas traditionally there are `two sides to every story` if it`s about judgment. Britney is a `puppet` for her hijacking programmer who only wants her to be a `cipher`, that is, a zero, while he`s `the one`. The spaceman walking backwards in Oops Sided It Again or suspended above Britney, in her white bikini dress, represent aspects of the recording and manufacturing process. Britney`s spaceman`s camera at the side of his helmet is her `faithful reproduction` because he`s always `hung up on her`.and corresponds to her `good press`, both in the sense of `faithful representation` in terms of the media `circus` and a record press that makes copies by `pressing`, which again means `faithful recording`. But her spaceman also represents being `hung up` on by Captain `hook`, because Britney`s `hook`, by which her spaceman hangs, indicates `phone` replacement, after it rings and a call has been answered. In Peter Pan by J. M. Barrie Tinkerbell, the fairy, helps Peter against Captain Hook, the Pirate, and in terms of Oops Sided It Again that means Britney`s `programmer` doesn`t want anything but his `programme`, that is, the `Satanic message`, which is the songs `hook`, to be communicated:

`I made you believe we're more than just friends ...  I'm sent from above ... heroes, they truly exist ...  `All aboard` ...`


 The HIV/AIDS` virus `feigns friendship` for the body`s immune system before killing it, which was the Arab terrorist hijackers` method on 9/11 when they bought passenger tickets to board flights in Boston, Massaschussetts, before crashing the planes into the Twin Towers of New York`s Manhattan Island. Heroes did `truly exist` on 9/11, but Britney`s `programmer` defined `feigned friendship` as a `game` and not `serious`, whereas in Michel Nostradamus` Prophecies a warning is given:


`From the sky will come a great King of Terror.` Century 10, Quatrain 72


The USA had given Saddam Hussein the 3rd largest army in the world and had supported the Taliban against tthe Russians from 1979-89 but `feigned friendship` resulted in 9/11/2000, the Gulf wars (1990-2011), and George W. Bush`s declaration of an ongoing war against terror (2003-).Released on March 27 2000 Britney`s Oops I Did It Again `programmed` 9/11 and the spirit of the `game` into the mass mind as the most popular recording of that year.

 In publishing terms, `pirating` is the theft of copyrighted material, which amounts to stealing work that isn`t your own. In order to be a `pirate` you`d have to be a `hacker` who knew how to use a recording `jack`, which explains Oops Side Hid It `A` Gain, and Oops High D`Yeah yeah yeah yeah yeah yeah [ jack ]. If the idea was to produce a `zero`, and be `the one`, who `programmed` Britney to accept the `one-sidedness` of the programmer`s story, there`d be a `B` side, corresponding to Britney`s private story, which wouldn`t be told because the `programmer` wouldn`t want her to be anything but a `zero`. The `beast` of Revelation has an `economic` valence, because the `beast` who is the `frog` in the throat is a demoniacal programming ventriloquist for its `dummy`, which is what `demos`. Because the perspective is that what the individual is programmed to produce by the `frog in the throat` isn`t theirs. In other words, it`s `pirating` while feigning legitimacy, which means that the `beast` produces and consumes itself by possessing a creative individual. The `beast` doesn`t want that which doesn`t want to be consumed.



 Working to play is 21st century economics, whereas working to `consume` is 20th century economics.  People work to keep what they play with, or what they make, because 21st century economics is about individual creativity, and the value of the work for the makers, and the keepers. If the keepers are jailers, the workers and the work are the consumed because the `beast` doesn`t value the work, whereas if the makers and the keepers accept Redemption, which corresponds to the extent to which maker and keeper value the created work, they are valuable to the degree to which they value the work and keep it. In other words, God, the Creator, values the workers to the extent that they value beauty. What is beautiful is that which the `beast` denies but it is not able to deny the beauty of woman because she is the `host` womb of the `beast`, which means that the beauty of the Creator and the Creation is all but consumed by the evil male alien parasitical life form of the `beast` of homosexual pederasty, whose valence in the latter part of the 20th century is the `blood plague` of HIV/AIDS` biological war against women`s wombs, and the virus of 21st century terrorism. 9/11`s Satanical `black mass` commenced upon a `black day` in Boston, Massachussetts, where the terrorists bought plane tickets at Logan airport, and after crashing their planes into the Twin Towers of New York`s `Big Apple`, other terrorist hijacked planes, following the `pattern` of the movie, Logan`s Run, ensured the poison of Eve`s apple would continue to cut short lives. In the Bible Adam was 930 years old when he died (Gen: 5.5), but in Logan`s Run adults must die aged 21 because of scant food and other resources. In Britney`s Oops Hide It Hid Again her spaceman arrives and reports to `Mission Control` as `Mars Lander`. and, in Logan`s Run, those who want to live longer than 21 years are called `runners` who escape to Sanctuary, an abandoned space colony called `Argos`, near Mars. Curiously, although Britney`s spaceman reports to `Mission Control` as `Mars Lander` there are many `red planets` visible in the night sky about them, which suggests the many-eyed Argos of Greek mythology who watched over Io:


`And set a watcher upon her, great and strong Argos, who with four eyes looks every way. And the goddess stirred in him unwearying strength: sleep never fell upon his eyes; but he kept sure watch always.`19



 Io is a moon of Jupiter, who is the father god of Greek mythology, and Zeus in Roman myths, but who corresponds to Jehovah in Judaism. The `four eyes` of Argus probably connote the attributes of God which, in Jungian psychology, is associated with the differentiation of the four human functions of consciousness, one of which, `Sensation`, is associated with sight, but the differentiation of the other three functions, that is, ears (`Thinking`), smell (`Intuition`) and speech (`Feeling`) represents that self-actualization which would make the individual fourfold in terms of perception, and so `with four eyes` Argos watches over Io, a Naiad in Roman mythology:


`...a type of nymph (female spirit) who presided over fountains, wells, springs, streams, brooks and other bodies of freshwater.`20



  If Oops I Did It Again represents Britney`s Sanctuary, Argos doesn`t seem to have any water, but her spaceman has brought her `the heart of the ocean`, which suggests that water will run again. As Logan does in Logan`s Run when the `sandmen` come to find those who want to live beyond 21 years and kill them. Britney`s perception is that futanar woman, where `fut` means `run` and `tanar` means `teacher` in Hungarian, represents a better economic perspective in which there`ll be sufficient food and resources because the `sandmen`, that is, those who create sterility, will be redundant and extinct when woman with a penis is the species of the Earth.



  9/11 represents the `red dragon` of homosexual pederasty`s attempt to shift the economic perspective away from individual creativity and Redemption through value accorded to the artist and the work of art as maker by the buyer as keeper, and a return to 50s economics in which the enslaved are the consumed. T. S. Eliot`s The Wasteland (1922) was the poet`s perception that spirituality was what the 20th century with its devouring wars of the `red dragon` of homosexual pederasty lacked. Britney`s concept of the `futanar`, or `running teacher` represents her concept of the flowing of the waters of the spirit that can regenerate the Earth`s economy by focusing on Redemption through the keepers` valuing what the makers make, and value. The attack on the World Trade Centre on 9/11 was the homosexual pederasts` preference for `rough trade`, that is, more gay boy sons` STDs and HIV/AIDS` gay poisons to be the `killer disease` of woman and what might emerge from woman`s womb, which heretofore has been either another `host` womb for the evil male alien parasitical viral life form, or the evil male alien parasitical viral life form itself. If the `red dragon` of homosexual pederasty is concerned to devour woman`s art, culture and civilization after it has emerged from her womb, its concern is to devour beauty, which means that futanarian woman with a penis of her own as a species represents that concrete symbol of regeneration that poets such as T. S. Eliot in The Wasteland had been searching for:


`I Tiresias, though blind, throbbing between two lives, 218

Old man with wrinkled female breasts, can see


I Tiresias, old man with wrinkled dugs

Perceived the scene, and foretold the rest -


(And I Tiresias have foresuffered all

Enacted on this same divan or bed;

I who have sat by Thebes below the wall

... ) Bestows one final patronising kiss,

And gropes his way, finding the stairs unlit...

  She turns and looks a moment in the glass,

Hardly aware of her departed lover;

Her brain allows one half-formed thought to pass:

'Well now that's done: and I'm glad it's over.'


She smoothes her hair with automatic hand,

And puts a record on the gramophone.`



 Tiresias is what Eliot described as an `objective correlative`, that is, the futanarian represents economic and spiritual regneration, because it`s the thing itself. In The Wasteland Tiresias is th one who sees, although blind, because he`s a hermaphrodite. He can foretell because he knows the scene. The penis wants the woman and she doesn`t want the man. In the same way, Tiresias represents the hermaphrodite that the woman doesn`t want, because he`s male and not female, which is why he can`t see her. Woman represents beauty, so her emergence as the species of the Earth suggests an increase in the valuableness of beauty as perceived by the beautiful, which posits spiritual and economic regeneration based on the value to the keeper of what is bought and the value to the maker of what is made, which is Redemption for the keeper and maker derived from their value to God as those who create or treasure what is beautiful and so valuable.

 The symbol of the `gramophone` vinyl record in The Wasteland relates to Britney`s encrypted work in Oops I Did It Again because a DVD is an improved form of saving but `corruption` from viruses and `hackers` is implicit in the religious metaphor because death through viral corruption is what the evil represent. Tiresias and the young woman`s `lover` in The Wasteland represent Eliot`s perceptions of what is amiss, which is that the young woman doesn`t have a penis of her own. She`s kept by `low` men who keep her amongst `low` things that she values, so the things are her keepers, whereas those who give her, or make, the `low things`, are her jailers and enslavers, which means she`s `saved` but poorly because she `treasures` what is `low`. Revelation is that the futanarian woman`s emergence as the species of woman with her own penis, in the 21st century, represents the possibility of a woman`s treasuring `high things`, and video DVDs such as Oops I Did It Again indicate the recording technology that mirrors her aspirations for woman as a species with her own penis to be inviolate of the male virus. As Jesus` birth from the Virgin Mary kept the nascent spirit of Logos, that is, technology through the teachings of Jesus and the Holy Spirit, or Paraclete, inviolate. So that spiritual advancement and technological development complimented each other sufficiently enough for futanarian woman to be recognizable to herself at the turn of the 21st century as the `objective correlative` of the spiritual and economic regeneration that the Earth requires.



 According to the Bible there is evil and good. If we understand the `red dragon` aright, beauty is good, and that ends the argument. Because only woman as a species is beautfiful to the penis and she has her own, which means that evil is ugly because it`s male. Amidst the sands of `Sanctuary` in Oops I Did It Again Britney is the 18 year old woman who represents those over 21 beset by `sandmen` from Logan`s Run who have made an economic desert of Earth and she is waiting for the `futanar`, the `running teacher`, to revitalize the Earth`s spirit and economy, an anticipation thwarted to a greater or lesser extent by 9/11 which effectively represenrted the male alien parasitical viral organism`s desire that the `New Redeemer` of 21st century `saving` technology shouldn`t encourage the young 18 year old Britney to want to be 930 years old and look as if she were 21, which is why the Arabian terrorist hijackers travelling from Logan airport in Boston, Massachussetts, represented the `sandmen` endeavouring to devour the `Big Apple` of I-Pod. Because `Poddy` of Mars, the heroine of Robert A. Heinlein`s Podkayne Of Mars, depicted by Britney Spears in Oops I Did It Again is worth saving. Apple`s `Mac` computers are for recording Christina Aguilera`s Dirrty, because she`s a heroine, and isn`t Apple`s `smack`. Some see Apple`s Macintosh computers, and the internet, as `dirty macs`, and an opportunity to inject some heroine with their `blood plague` of HIV/AIDS, or introduce Britney`s Poddy to Cain and Co., whereas hers and Christian Aguilera`s visual beauty is the good that homosexual pederasty would have us believe should be covered up so that we disbelieve in the existence of heavenly beauty while the `red dragon` of evil surrounds our eyes with dross and continues to devour what we can  still see of God thanks to the creative artists and imaginations of the makers and keepers who are our saviours because they value and treasure what is made.



 If `Jack` Kennedy was `the President in `Air Force One`, the President`s aircraft, Britney`s `programmer` with the `coffin handle` Oops Hi D`Yer yeah yeah yeah yeah yeah [Jack] Did It Again would be planning to mock Jack and his son, John, at the Twin Towers, which were associated with John (`Jack`) Kennedy I, who was murdered in Dallas in 1963, and his son, John Kennedy II, who also lost his way on  a flight path from Massachussetts, before his plane crashed mysteriously into the Atlantic off Martha`s Vineyard.21 In record industry terms, `hijackers` are `pirates`. As `Io` Britney in Oops I Did It Again `Argus` is her `many eyed watcher` over her `Sanctuary` from the `sandmen` who, in 21st century terms, are HIV/AIDS as the `killer disease` that threatens to strike everyone over the age of 21 because the sands of their hour glass of time are running out. At 18 Britney doesn`t yet have the `hour glass figure` that the `killer` doesn`t want. The `red dragon` of homosexual pederasty wants `easy meat` that isn`t developed enough to perceive the fallacy of needing male alien parasites that exist only to take over her `room` and devour her. In the German version of Star Trek `space and time` are described as `die weltraum`, which is `the room in which the Earth is`. However,  if woman is the species of the Earth, the male parasites from her `host` womb are the alien invaders. The 9/11 terrorists` movie was Logan`s Run as they boarded flights from Logan, Boston. Analysis of Britney Spears` Oops I Did It Again suggests she has a traitor amongst her fans, that is, `Argus`, or at home, which is `Sanctuary`, while `Captain Hook` is another `coffin handle` of those `hacking` into her coffers, or `pirating` her material, who superimposed the concept Io Ho Ho onto the recording of Oops I Did It Again to programme disaster `scenarios` for their ghoulish laughter:


Yo Ho Ho And A Bottle Of Rum

`Like break o'day in a boozing ken.


Fifteen men of the whole ship's list.

Looking up at paradise ...

Ev'ry man jack could ha' sailed with Old Pew

With sightless glare and their lips struck dumb ...`22



 The disaster programmers` subliminal Yo Ho Ho message to `hackers` and `pirates` from Oops I Did It Again is an SMS to ghoulish laughter encoded in a few lines and words that denote 9/11 and the continuing assassination of Kennedy`s `vision`: `... a boozing ken[nedy] ... list [of crew and passengers] ... looking up at paradise ... ev`ry man jack ... sightless ... dumb ...` September 11th is an important date because the USA`s Moslem terrorist group were called `Black September`, and `Yo` is black slang for `good`, which is `good` in Hungarian but spelt `jó`, while `hó hó` means `snow snow` and might be interpreted as `nose`, where the joker missed the `crack` at the Twin Towers. However, `az nő` means `a woman` in Hungarian, whereas `ember` means man, which suggests `7` ember because, although September is the ninth month, originally it was the seventh:


`In Latin, septem means `seven` and septimus means `seventh`; September was in fact the seventh month of the Roman calendar until 46 BC.`23



Snow White and the Seven Dwarves and the `Big Apple` is an Edenic fairy tale, but the `movie` Robin and the Seven Hoods in which Frank Sinatra is a gangster is believed by many to be the truth. The terrorists are obviously referring to the novel by J. R. R. Tolkein The Lord Of The Rings (1937-), which was a trilogy with the second part titled The Two Towers and Britney Spears alludes to it in Oops I Did It Again when she descends inside a giant`s ring, because the `One Ring` was the Dark Lord Sauron`s who ruled through the nine, which is why September, the ninth month was chosen by `Black September`, and because the ring ruled the `seven dwarves`:


`Three Rings for the Elven-kings under the sky,
Seven for the Dwarf-lords in their halls of stone,
Nine for Mortal Men doomed to die,
One for the Dark Lord on his dark throne
In the Land of Mordor where the Shadows lie.
One Ring to rule them all, One Ring to find them,
One Ring to bring them all and in the darkness bind them
In the Land of Mordor where the Shadows lie.`



The Christmas themes of the robin and the snow suggest `Black September` and the mafia, whereas although Jesus is a prophet of Islam second only to the prophet Mohammed to whom the angels of God dictated their holy book, The Koran, the date of his birth isn`t necessarily believed to be December 25th by Moslems. However, `Jó hó hó` does suggest the difference between `black` economies and legitimate economies. Jesus Christ was born of a virgin and so wasn`t illegitimate, while his notion of Christian fellowship corresponds to Tolkein`s conception in the first part of The Lord Of The Rings, of the league against Sauron, The Fellowship Of The Ring, while the `beast` of Revelation is `the number of a man and his number is six hundred three score and six`, which means the `coffin handle` of the leader of the terrorists is `Soar on`, that is, to the Twin Towers, and he`s a bastard gangster:


`New York, New York, a helluva town.
The people ride in a hole in the groun'.` On The Town



 Of course there were trains beneath the Twin Towers connecting Manhattan island to mainland New York state, which `improves` the `joke`. The Joker was obviously attacking Gotham city where the pig eaters live, because pork is `haraam` or `forbidden` in Arabia, as it is in Judaism, and 9/11 was Batman and Robin, while `Liberty` in New York harbour was the `sacred cow` under attack:


`Holy cow!`



 In the Greek myth Io is transformed into a heifer to hide her from Zeus` desire for her, and a red heifer is identified in the Epistle of Barnabas (8.1 with Jesus` crucifixion: `the calf is Jesus, the men that offer it, being sinners, are they that offered him for the slaughter.` Britney, in her red `pilot`s suit`, raising her astronaut visitor above herself in a white bikini dress, is referring to the Book of Isaiah: `Though your sins be as scarlet, they shall be as white as snow.` (1.18, Num: 19.6) Air Force One, which is the aircraft that carries the President of the USA, is called `Sacred Cow`, which suggests that, wearing her red pilot`s suit and her white bikini dress, Britney is alluding to the special sacrificial nature of the red heifer for Judaism:


`... the Red Heifer [has] special status in Jewish tradition. It is cited as the prime example of a khok, or biblical law for which there is no apparent logic, and is therefore of absolute Divine origin. Because the state of ritual purity obtained through the ashes of a Red Heifer is a necessary prerequisite for participating in Temple service, efforts have been made in modern times by Jews wishing for biblical ritual purity (see tumah and taharah) and in anticipation of the building of The Third Temple to locate a red heifer and recreate the ritual.`24


 In Jungian psychology the four functions of consciousness are associated with ears, eyes, nose and mouth. Because the `Adam`s apple` is the epiglottis of the throat or Vishuddha chakra of Hinduism, the `Big Apple` of New York on 9/11 was meant by the terrorists to correspond to the `lump in the throat` of New Yorkers when the terrorist hijacked planes crashed into the Twin Towers. The plane that crashed into the Pentagon would be the Ajna chakra which corresponds to `command` in the Hindu system, and the fourth plane that didn`t reach its destination at the Whitehouse, but would`ve corresponded to the Sahasrara or `crown` chakra, if it hadn`t been taken down by brave passengers and lain in ashes along with the three other planes that reached their target and its victims, represented an attempt to sacrifice the President of the USA as a kokh.



The story of `Flight 93` from Newark, New Jersey, is similar to that of the movie Air Force One (1997), starring Harrison Ford, in which the President`s plane is hijacked by followers of Kazakhstan terrorist dictator Radek who want to hold the President hostage until Radek is released. Ford is taken to an `escape pod` by US secret service agents but, when the `pod` is recovered, Ford isn`t inside. Flight 93 crashed at Shanksville, Pennsylvania and, in the film Air Force One, the President`s plane also crashes, but U.S. Air Force Special Operations Command MC-130E Combat Talon rescues the President and changes its `call sign` to `Air Force One`. The passengers of Flight 93 crashed their plane on 9/11 and saved the Whitehouse and the President and so their `call sign` may also be understood as `Air Force One`. In Oops I Did It Again Britney, wearing her red pilot suit, corresponds to Thunderbird 3, but is Robert A. Heinlein`s `Poddy` in her white bikini dress, because Thunderbird 2 has a `pod` similar to Air Force One`s. Although Thunderbirds wasn`t made into a Hollywood movie until 2005, `Thunderbird` fighter jets have been the USA`s `model` pilots since 1953. As with the British scifi Thunderbirds (1-5), each has a number; from 1-12. However, as Flight 93 demonstrated and, as Britney reiterates in Oops I Did It Again, any `Poddy` can save anyone. The motto of the `Great Seal` is `e pluribus unum`, which is `the one from the many`, because everyone is the President in Air Force One. The name of the Presidents aboard Flight 93 are on the National September 11 Memorial.



 Whether the perpetrators of 9/11 conceived George W. Bush`s demise as leading inevitably to the constructing of the Third Temple, the `red heifer` is a further symbol of the `red dragon` of devouring homosexual pederasty and war because the `... [red heifer] is Jesus, the men that offer it, being sinners, are they that offered him [Jesus, George W. Bush or anyone] for the slaughter.` 9/11 was to delay the Advent of the `New Redeemer` because America wouldn`t swallow what was lodged in its `Adam`s apple` or throat. George W. Bush`s declaration of Gulf War II and the War on Terror (2003-) was the reaction to the terrorist planes lodged in the `Big Apple` of the throat of New York, which meant the USA would be a draco upon the Earth at the beginning of the 21st century. A draco is a blood-letter and an Eastern European tradition of the vampire that devours the `heart` or `vam` in Hinduism. The `heart in the mouths` of Americans watching the events of 9/11 unfold on CNN may`ve been a `lump in the throat` but it wasn`t that of the `devourer of hearts`. Perpetrating a `black mass` from Logan airport, Boston, `black` Massachussetts, in emulation of the movie Logan`s Run in which noone lives past 21, the terrorist programmers` intent was to ridicule the attempts of `TV 21` on CNN, that is, International Rescue`s attempts to be the President in Air Force One, and prevent the `Sacred Cow` of Americans from being slaughtered. George W. Bush`s successor in the Whitehouse was Barack and `barack` means `peach` in Hungarian while  `boci` is `heifer` and a chocolate bar, that is, the `sacred cow` would be Michelle Obama as the `peach chocolate` of Air Force One, whereas Barack is `chocolate speech` because of the Hungarian programmer`s `black humour`. Because `bean soup` is `ghoulash`, Britney`s spaceman is Alan Bean in Oops I Did It Again and the Hungarian `ghouls` intended to make `ash` out of the American Dream on 9/11.



 A `sacred cow` is a picture of what is valued by a society, so `boci` is pronounced `Pod-see` and Britney`s `Poddy` is for her spaceman`s photographing of her `body`, which means he`s her `I-Pod camera` insofar as he likes what he sees but isn`t her. If woman is a species with  a penis of her own, her spaceman is collecting what she wants in her `I-Pod`, which means Oops I Did It Again could be construed as having the subtitle `I Poddy`. Air Force One is subtitled `Sacred Cow` because what a man wants isn`t what he sees in the mirror. If woman with a penis is the species of the Earth it`s the mirror of what a man doesn`t want. If he wants woman. In other words, the `Sacred Cow` is that we`re collectively engaged in painting a picture of what we want, whereas we`re living in a picture painted by aliens that don`t want women. Britney, descending in her red pilot`s suit inside her giant`s ring in Oops I Did It Again appears `dwarfed`, so in terms of the terrorists` Lord Of The Rings `game`, she`s  one of the seven dwarf rings arrayed against the `Dark Lord` that doesn`t want her to develop herself on, before, or after 9/11.



 In her red suit Britney is Thunderbird 3 and, according to the video `logic`, a `puppet` or `doll` warning of the dangers of `voodoo`. To attack or manipulate an individual, Voodoo practitioners stick pins into an effigy of the `target`, much in the way that Chinese acupuncturists use needles on the actual body of their patients but to heal. The Hungarian alphabet is unique in linguistic terms, because it consists of 45 sounds represented by a combination of one or more characters, and focuses exclusively on pronunciation, which  is useful for a `programmer` who wants to give a `value` to every utterance. Because the Twin Towers are a pin prick on the map, an attack would be the acupuncture of a Voodoo practitioner. In homoeopathy a small amount of poison is imbibed to stimulate the body`s immune system, and so another `movie` that the terrorists were secretly emulating on 9/11 was Dam Busters (1955) where the poisoning of the consciousness of the USA against the Moslem peoples was `Saddambusters` because of the `Big Apple` of Eve`s Adam. The film features `617` squadron aircraft and the `device` sounds like an early description of a computer virus attacking a `system`, or a 9/11 proposal for how to avoid the radar of the USA`s `Homeland Defence`:


`... a bouncing bomb which would skip over the water to avoid protective torpedo nets. When it came into contact with the dam, it would sink before exploding, making it much more destructive.`25



 The attack on the Twin Towers also seems to have been based on the fillm 633 Squadron (1964) in which `mosquito` aircraft attack a Nazi V2 rocket factory in Norway during WWII. Because the `hackers` that hijacked the aircraft to penetrate the USA`s air defence `system` were endeavouring to deliver a mosquito bite that would  infect the West with the `killer disease`. The scenario is from a Batman `movie` in which The Joker stars:


`Knock knock.`

Q. `Who`s there?`

A. `Amos.`

Q. `Amos who?`

A. `A mosquito.`



 Of course the `joke` is mosque but Hungary`s `programmer` says `mosque áhÍtó`, which is `hungry`, and  hÍt means `faith`, so it`s `hungry i` faith`, which is an archaic or knightly form of indicating appetite for the meal. In Revelation the `red dragon` is depicted as waiting in vain to devour the `New Redeemer`, and Britney Spears` Oops I Did It Again seems prescient in its depiction of a spaceman suspended by Britney in her red suit above her in a white bikini dress with the tines of a fork beside his spacehelmet. If the woman with a penis as a species signifies the `New Redeemer` the fork by the spaceman`s helmet represents The Temptation Of Puddin`, if we interpret Britney as a Heinlein character, and her `Poddy` is the temptation, which accords with many people`s observation of the nature of consumerism. The devouring `red dragon` of homosexual pederasty would throw away the women it doesn`t want. `Poddy` may be a woman with a penis of her own and so represents conception and production rather than possession and consumption, which means that the `New Redeemer` is the `New Economics`. If Britney`s `gift` from the spaceman is a blue diamond in the shape of a heart, that is, `the heart of the ocean`, if we understand her allusion`s to the Titanic (1997), and Rose`s jewel memorial to her lost love after he drowned helping others to the lifeboats when the ship hit an iceberg and sank:


`But I thought the old lady dropped it into the ocean in the end?`



 In Hungarian Britney`s jewel is `kék`, and represents the heart chakra, which is `vam` in Hinduism, and so the allusion is to `vampirism` as well as devourment when Britney`s Puddin`, in her red pilot`s suit, suspends her spaceman above her `Poddy` in a white bikini dress with a giant`s fork beside his spacehelmet. Because Britney is Thunderbird 3`s pilot, in her red suit, she`s the Manipura chakra, which is the third chakra of the Hindu system associated with the solar plexus, below the heart or `vam` chakra, and above her abdomen, inside which would be carried a gestating infant. The Sahasrara chakra contains the moon, according to Hindu symbolism, and so the woman `clothed with the sun and with the moon at her feet` of Revelation is she who dwells in the Sahasrara chakra, with the moon at her feet and the sun, or solar plexus below her while she`s giving birth to the `New Redeemer`.



The `vam` or heart chakra is important because it`s between the moon and the solar plexus; as is the throat chakra or Vishudda and the Ajna chakra below the `crown` of Sahasrara. If the parasitical alien male vampire doesn`t want the `New Redeemer` to be born, consciousness won`t be allowed to develop beyond the first or second chakras, which are the Muladhara or anus and the Swadhisthana or genital region. Vampirism amounts to the simple perspective that the parasite will never educate its children into understanding that woman are a species with their own penis; for example. The economic system of possession and consumption is that of the `red dragon` of homosexual pederasty and devouring war, while HIV/AIDS is the parasite`s virality, that is, the `blood plague` of Revelation, which is transmitted at the anus or from the genital region. In other words, the conception and production system of economics, based on individual spiritual and intellectual creativity, that is, individuation and technological development through the growth of personal development, is vampiristically denied by male parasitism, which begins at the `vam` chakra above the solar plexus and below the moon in the Sahasrara chakra where, in simple terms, the child of the future is conceived before it`s produced:


`Anahata is associated with the ability to make decisions outside of the realm of karma. In Manipura and below, man is bound by the laws of karma, and the fate he has in store for him. In Anahata, one is making decisions, 'following your heart', based upon one's higher self, and not from the unfulfilled emotions and desires of lower nature.`26



 Incongruously, a tree appears in the midst of the desert landscape of what might be termed Britney Spears` Oops Aj[na] Did It Again because below the `vam` chakra in Hinduism is the `wish fulfilling tree`:  `... known as Hrit, or Hridaya (heart) ... kalpa taru, which symbolizes the ability to manifest whatever one wishes to happen in the world.` Britney`s video `logic` supposes Oops Aj[na] Did It Again because of it`s Jungian developmental or archetypal symbolism which, interpreted from dreams, art and the imagination, acts as a guide to higher levels of conscious knowledge and wisdom:: `When something is seen in the mind's eye, or in a dream, it is being 'seen' by Ajna.` Oops Aj[na] I Did It Again relates to woman`s capacity to produce from her womb despite its often being used as a `host` by the evil male alien parasitical organism that seeks to devour her. The Ajna chakra is the seat of developed consciousness, whereas the Vishudda chakra in the throat is the `seat of power`, which corresponds to the `Big Apple` of New York because Adam`s apple denotes the power to speak rather than devour. Consequently, Britney Spears` Oops I Did It Again video depicts the danger of parasitism, which in its final stages results in the `red dragon` of homosexual pederasty and war`s gay boy sons` `blood plague` valence of `gay poisons`, that is, HIV/AIDS, which accords with Jesus Christ`s prophylactic birth and the Virgin Mary as prefiguring futanarian production, or `New Economic`, that is, conception and production without men`s semen, or indeed men.

 Christ crucified was a torturing and murdering of what woman had produced from her womb without male semen, which prefigures the futanarian woman`s conception and production, that is, the `New Economics` of the future, rather than  possession and consumption by the male `red dragon` of homosexual pederasty and enslavement of women`s `host` wombs, so that its devouring of lives can continue unabated. Jesus` offering of the `bread and wine` to his disciples at the `Last Supper` before his crucifixion as his `body and blood` suggests that, although the torturers and murderers of Jesus were vampires, the concept of immortality by means of the `little drink`, as the bite in the neck is euphemistically known, wasn`t viewed by Jesus with such distaste as the horror genre that began with the historical figure of Vlad `the Impaler` (1431-76) and Bram Stoker`s Dracula (1897) would have us believe.



 In Hinduism the `third eye` or `Big Apple` of the Ajna chakra at the brow, to which the 9/11 terrorists from Al Qaeda, that is, from `the base` of the spine, or `root` of sexuality at the Muladhara chakra to the `crown` or top of the head at the Sahasrara chakra, were endeavouring to give the body politic of the West the equivalent of the `killer disease` HIV/AIDS. If the terrorists had flown through the `crack of doom` between the Twin Towers, instead of at them, the injunction in The Return Of The King, the final book of Tolkein`s trilogy The Lord Of The Rings, to throw Sauron`s ring into the `crack of doom`, that is, the volcano of Mt. Doom, and destroy the ring, would have been observed. Of course, the Pentagon may have been perceived as the `ring`, a five sided circle with a hole, and that would be in keeping with the conceit of The Joker amongst the `hoods`, who`s `coffin handle` is `7ember` and Hungarian.



 JFK`s `dream` was of an end to `tyranny, poverty, disease, and war itself`, which the `red dragon` of homosexual pederasty attacked on 9/11. According to Revelation the apocalypse is characterized by the `four horsemen` who are war, plague, famine and death. War is comprehensible as the vestiges of the enslavement of women`s `host` wombs that began in ancient Greece, and spread by means similar to the HIV/AIDS virus, that is, `feigning friendship` for the citadel of the body`s immune system in order to kill it, which is what the Greeks` huge hollow wooden horse presented as a `friendship gift` to the Trojans before the walls of Troy represented .Because the Greeks emerged from the horse inside Troy and enslaved all of the `host` wombs of the women in order to breed more homosexual pederasts and more war. Consequently, homosexual pederasty is the `red dragon` of war, while its plague is HIV/AIDS because HIV/AIDS is contracted by mixing semen, blood, and shit in anal sex. which is how homosexual pederasts behave.



 Famine may be understood as the result of the `thin disease`, which is what HIV/AIDS is called because it`s a wasting illness that is incurable. Sex starvation is one mode of the disease because HIV/AIDS is a terror weapon against the wombs of women and the desire for heterosexual sex. Most people view famine as a concomitant of war because war interferes with agriculture and food production. However, the consumption of alcohol and petrol suggests the true valence also relates to ancient history where `ka` and `ba` were spirit and personality in Egypt. Western culture primarily devolves into driving the car, which corresponds to `spirit` or `ka`, to the bar, that is, the `ba` or personality in Egyptian, in order to consume alcohol. The car consumes petrol and it is the `demon` of homosexual pederasty that causes men to gather together in bars for the consuming of alcohol because it impairs functionality. In effect the individual with the car, that is, the `spirit` or `ka`, is `demon driven` or `petrolled` in the sense of `patrolled` by the demon of homosexual pederasty to consume that which devours the brain`s functioning. Consequently, famine is the lack of sense in terms of the individual`s ability to perceive that the `ka` and `ba` represent the spirit and personality need spiritual nourishment, which isn`t derivable from alcoholic spirits, or the internal fire of the automobile`s combustion engine.



Smoking causes cancer and is a metaphor for fellatio and murder, which means that famine is a `constant` in terms of human economics, because all social structures are `demon driven` by homosexual pederasty. The newborn infant is pushed in its pram by its mother until it can pedal itself in its automobile (every motorist observes with bemusement the unchanging `constant` of the `pedalled vehicle`) and be `petrol` driven, that is, `petrolled` by the `demon` to the `bar` where the `ba` or personality is consumed with the alcohol`s desire to return and be consumed further by its `demon`. The assassination of John F. Kennedy in Dallas in 1963, while he was being chauffeur driven in a motorcade, was the homosexual pederasts explaining that they didn`t want an end to `terror, poverty, disease, and war`, and the President of the United States of America should continue being a drunk driver, like all the other victims of homosexual pederasty. If you drink from the bottle, the bottle will drink out of you, or as John said in his Inauguration:


`... those who ... [seek] power by riding the back of the tiger end ... up inside ...`



 One of the more famous political assassinations of the 20th century was that of John`s younger brother, Edward, Ted [Dead] Kennedy`s car falling off a bridge at Chappaquiddick island, Massachussetts, July 18, 1969, with a woman inside the car boot, Mary Jo Kopechne, who drowned. Kennedy didn`t report the accident and Ted lost the 1980 Presidential election primarily because of the drunk driving scandal, which cast doubt on his competence under pressure. In 1959 the petrol company Esso created the `put a tiger in your tank` ad campaign, and Esso is SOS when read contiuously, which corresponds to John`s exhortation: `Ask not what your country can do, ask what you can do for your country?` John`s assassination was the demon`s answer to John`s SOS to the nation to rid the world of `terror, poverty, disease, and war`, while Mary Jo Kopechne was the `tiger` that devoured Ted`s career because he didn`t answer the SOS, which John, as a former coastguard for Homeland Defence during WWII, would have insisted upon. The Dead Kennedys was a pop group`s name in the 70s, and so another `disease` created for the USA by the USA. As Saddam Hussein was created by the Defence Department who, in retrospect were responsible for giving the Iraqi dictator the 3rd largest army in the world, 9/11 brought home to the USA the consequences of accepting Hollywood`s preoccupations with `big budget disaster movies` like Towering Inferno. From the perspective of the demon accepted by the USA itself, the `dead Kennedys` were riding on John`s coattails, and should have understood they weren`t leaders of the `free world`. Because that was the response of the devouring `red dragon` to John`s exhortation to the USA to `Save our souls`.



 The `hijack` doggerel of the pirates` Yo Ho Ho even refers to John`s Catholicism: `Ev'ry man jack could ha' sailed with Old Pew,` where a pew is a seat in the church and `Old Pew` is `Hi jack Hearse`, a `coffin handle` for those who`re hacking into the coffers.. As Britney Spears` coffers were effectively hacked by the USA`s Justice Department. `Bobby` Kennedy, as Attorney General, the senior law enforcement officer of the USA, had sworn to fight the mafia before he was murdered. A potentially future President of the United States, Robert Fitzroy Kennedy was shot on June 6th, 1968, by a Palestinian Arab, who took exception to RFK`s `promise` of  jet fighters for the defence of Israel. Britney Spears` fortune was given into the Co-Conservatorship of her father and manager, Justin Trawick, formerly sacked by Britney Spears, and who`d yet to emerge as anything but a `hanger on` when he emerged as someone wanting to have a `handle` of her `coffer`. Before she became a `coffin doll` indicating where her fortune would previously be:


`The reports of my death are greatly exaggerated.` Mark Twain




 The allusion is not inapposite because Britney Spears` Oops I Did It Again features her in the character of `Poddy`, described as `the Poddy beautiful` in science fiction `Grand Master`, Robert A. Heinlein`s (1907-88) Podkayne Of Mars, while appearing in her `red suit`, raising her spaceman above herself in a white bikini dress, she finds correspondence in Mark Twain`s novel The Tragedy Of Pudd'nhead Wilson, and The Comedy Of Those Extraordinary Twins because, in the magazine Calling All Girls (1949), Robert A. Heinlein (1907-88) introduced his character Puddin` as a prototype for `Poddy` while his novel Time Enough For Love contained The Tale of the Twins Who Weren`t (1973). Twain`s tale is about ID. Puddin` collects `fingerprints`, and so is an `expert` when a murder is committed. The theme of ID is established by the motif of `twins` and a black woman who swaps her 1/32 or less `black` child for a well-to-do white woman`s. When her child is grown she returns and asks him for financial aid, but he derides her and she `blackmails` him to support her. Selling `Roxy` into slavery because of his debts, `Tom` robs and murders his uncle. Pudd`nhead applies forensic `fingerprinting` and  discovers Tom to be the murderer. Pudd`nhead is able to identify Tom as the child of the slave Roxy, and so he`s sold into slavery to pay his debts.



 Britney Spears` ID is `two` in Oops I Did It Again because she is `twinned` in her `red suit` and her white bikini dress. Because she hoists her spaceman above herself so that he can take photographs, it`s about `identity`. Her spaceman is an allusion to the video single A Space Oddity by David Bowie which begins: `Ground Control to Major Tom.` Although Britney`s astronaut is referred to as `Mars Lander`, the theme of ID suggests Twain`s The Comedy Of Those Extraordinary Twins in which Tom is discovered to be a murdering slave. At one point in the video Britney receives a `gift` from her `Tom`:


`But I thought the old lady dropped it into the ocean in the end?`



 The reference is to the Titanic (1997) and Rose, who drops the blue `heart of the ocean` diamond pendant into the sea at the site of the salvaging of the ship that had sunk after hitting an iceberg on its maiden voyage from Liverpool to New York in 1911. Her `intended` had drowned while attemptng to save passengers in the lifeboats and Rose, as an `old lady`, lets the jewel fall into the sea in memory of him. The `plot` is of a lover betrayed because her ex-lover had placed the jewel into her new lover`s pocket and had accused him of theft. Consequently, Britney`s role as `Poddy` of Mars refers to Twain`s `Tom` in The Tragedy Of Pudd'nhead Wilson who betrays his mother, Roxy. In terms of the `video logic` of Oops I Did It Again, Britney`s Mars is `Rock See`, where `See` is the `throne` of a `bishop`:


`... it is sometimes given a wider significance, referring for instance to an area under patriarchal authority.`27



 In Titanic Rose is betrayed by an ex-lover who accuses her new lover of stealing her `heart of the ocean`,  and in Pudd`nhead Wilson  the murderer`Tom` betrays his mother by reselling her into slavery, which means that Britney`s Oops I Did It Again is the `See` of `Liberty`, because emancipation was the fundamental premise of the Union after the American Civil War (1861-5) when the Southern States were bound to accept the end of slavery in the United States of America by virtue of the Thirteenth Amendment to the Constitution:


`Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.`28



In Twain`s tale `Tom` is convicted and enslaved, while in Oops I Did It Again Britney`s astronaut appears to have a `Mission`, which relates to the concept of the `Rock See`, and the `gift` of the `heart of the ocean` could signify Tom`s `manumission` because he`s no longer indentured into servitude, but has spiritual absolution from the bishop of the `See`, who`s Britney Spears. She`s `twain` as herself in a red suit hoisting her spaceman into position to `ID` her `other` in a white bikini dress by means of a photograph, so `mark twain` is the reference:


`When the leadsman's line sank to the two-fathom knot ... [and] the boat had a safe twelve feet of water beneath it, he called out, `By the mark, twain!``29


 Britney`s allusion to the Titanic means that the `safe depth` is the `mark twain` because Mark Twain`s works are deep enough for a `reader` of her video. Before Britney receives her `gift` of the `heart of the ocean`, we hear `All aboard!` A phrase sometimes completed as, `All aboard the lifeboats!` Britney`s hoisting of her spaceman to `ID` her is sex, and age (18) verification, because the rule with regard to the order of passengers saved when the ship sinks is, `Women and children first!` Moreover, 18 is the age of `adult` cinemagoing, which means that Britney`s Oops I Did It Again is a Roxy Cinema release because `Tom` in the spacesuit is her `lifeboat` and she`ll be `released` as a more `adult` video in her future.



 According to press reports Britney Spears is worth billions of dollars but she`s been declared non compos mentis in terms of her capacity to manage her own affairs, which of course includes the `affair of the ex-manager sacked` by her and who is now `an affair` managing her `affairs` while her father (Co-Conservator) continues to monitor her `spy, an all Lynne jury`. which presumably determines whether or not she`s able to continue amassing billions of dollars for the executors of her feeble will. In terms of the Mark Twain tale Pudd`nhead Wilson, Britney`s Puddin` from Robert A. Heinlein`s initial contribution to the magazine Calling All Girls, `Poor Daddy` (1949), is older than `Poddy` from Podkayne Of Mars (1963), and Britney`s careful ID-ing of her 18 year old `Poddy` suggests that Puddin` can take care of herself. If it wasn`t for the jury of the `in crowd` deciding, like a `spinal injury` waiting to happen, and that she even alludes to in the title of the 2007 album Blackout, how much she should know of her own `Self`, by adjusting the level of her IQ and long term memory through mentally eviscerating spells in `rehab` and other forms of `intervention`.



 Theoretically, Britney`s Puddin` was 51 and her `Poddy` was 37 when she was `released` in 2000. Mark Twain`s Pudd`nhead ID-d the murderer. He`s the one who disabled Britney`s `Poddy` to make of her a cypher for her bank account. Oops I Did It Again was Britney`s `release` but she went into voluntary `rehab` on 20th February 2007 and a court gave custody of her children to Kevin Federline, their father, on 1st October 2007, which only left Conservatorship (1st February 2008) over her fortune to be given away to her father, and later Co-Conservator Justin Trawick (26th April 2012) when Britney Spears (1982-) was 30. Because 9/11 in 2000 was the movie Logan`s Run Britney would have stopped being 21 in 2003, whereas her avatars, Puddin` and Poddy from Oops I Did It Again (2000) would be 54 and 40 respectively, but Britney in 2012 looks 30, which means that she`s been murdered by the terrorists  since 2003 when George W. Bush`s `War On Terror` was first declared.



 The male alien begins by feigning friendship, as the HIV/AIDS cell `feigns friendship` for the white cells of the body`s defensive immune system, that is, men appear symbiotic. After a while they revert to parasitism in which they produce boy sons, that is, poisons, to replicate their virality, which is what parasites do. In the final stages of the `disease`, the parasite launches biological warfare against the woman and her `host` womb in the form of the HIV/AIDS virus, which is described in Revelation as the `blood plague` of the `red dragon` of devouring homosexual pederasty and war.

 In fact Britney appears three times in Oops I Did It Again, because she somersaults in her red suit to stand in front of her spaceman and receive her `gift` of the `heart of the ocean` wearng a white blouse, and black skirt and boots, which means that Puddin` is 51, Poddy is 37 and Britney is 18. Or, in other words, Britney has a continuing life. One of Robert A. Heinlein`s central characters is Lazarus Long who periodically changes his name and occupation because he`s ancient and he doesn`t want to have people who are `ephemerals` with shorter live expectancy discovering his secret, because of his experience of Nazi-style pogroms against those with longevity in the past. Oops I Did It Again posits `parallel lives` in which an individual exists as more than one person, that is, Britney as Puddin`, Poddy, and Britney, which means that, in the 21st century, Britney at 30 was living a `parallel life` as Puddin` (63) and Poddy (49). If we give credence to Britney`s fiction, Oops I Did It Again is memory, reincarnation and resurrection.



 If Britney is Robert Heinlein`s Puddin`, and Poddy, her spaceman, `the fourth man to walk on the moon`, is Alan Bean because `Alan` is the pilot of Thunderbirds` Thunderbird 4, which emerges from the `Pod` of Thunderbird 2 and would correspond to Virgil `Gus` Grissom in NASA lore. Because Britney`s  Oops I did It Again is `Sanctuary`, that is, `Argus`, where the `runners` run to when the `sandmen` are trying to kill them in the movie Logan`s Run and Carl `Gus` Gustav Jung is the `New Redeemer` of the 20th century whose developmental psychology showed that the unconscious wasn`t a place of `nightmares`, as films like Forbidden Planet (1956) suggested, but a place of inspiration to growth and wisdom, which movies like ET: The Extraterrestrial (1982) showed.  `Gus` Jung`s greatness was to observe that God watched and supported humanity from within. This was `Argus` for the Greeks, and Io`s `Sanctuary`, which was what the Al Qaeda terrorists were attacking on 9/11 in their `continuation` of the movie Logan`s Run from Logan airport, Boston, Massachussetts. Britney`s planet in Oops I Did It Again is a sterile warning of the danger that the `sandmen` murderers of Logan`s Run represent to all those who aspire to reach their 21st birthday, that is, those on 9/11 who`d reached the point of living in the 21st century. Moreover, Virgil `Gus` Grissom is the pilot of Thunderbird 2 and, as `Poddy`, Britney represents the `next issue` of Puddin` from Calling All Girls magazine, a `Virgil` birth, as it were. The Roman poet Virgil wrote in the Aeneid of the descendants of those who escaped from Troy, and presumably enslavement as `host` wombs of the Greeks, founding the British Empire, where the motto is `Britons never shall be slaves.` Although Britney`s `Alan`, who may also be meant to correspond to Alan Shepard, as the `fifth man to walk on the moon`, and so corresponds to Thunderbird 5, which is an orbiting `space station` suspended above the Earth, he has first descended into the ocean depths because Alan is the name of the `aquanaut` in the  Thunderbird 4 submarine. The `heart of the ocean`, which Britney`s spaceman gives to her `Poddy`, corresponds to the `spirit jewel`, or spiritual `diamond body` that yoga disciples strive to construct. Britney asks:


`But I thought the old lady dropped it into the ocean at the end?`



 For Rose of the Titanic it was a memorial, which are for remembering. The `diamond body` is the concept of continuation, rather than resurrection because Redemption and Salvation are for the living. Resurrection isn`t reincarnation but Jesus Christ`s teachings are of Resurrection, Salvation and Redemption, that is, continuance rather than reconstitution, which is what life on Earth is. On Mars Britney`s Puddin` and Poddy, which means that her previous incarnation is Puddin` (1949-), who has a daughter, Poddy (1963-), and her newborn is Britney (1982-), which is reincarnation and reconstitution of her Puddin` as a `bearther` for a male parasite. In order for Britney to remember her previous self, Poddy, her spaceman gives her the spirit jewel, the `heart of the ocean`, so that she`ll have a blue `diamond body` and remember herself. The male alien parasitical organism doesn`t want the woman to remember previous incarnations, or even Resurrection, Salvation and Redemption, because each newborn would perceive itself as an `add on` to its previous existence if it were to receive a proper education, which means that patriarchy is parasitism. On Mars Britney, as Puddin`, hoists `Alan` above herself as `the Poddy beautiful` in a white bikini dress as a type of `sympathetic magic` in which she`s asking for Thunderbird 2, which `delivers` Thunderbird 4 inside its `pod`. Effectively, Britney is saying that woman is the `pod` of Thunderbirds and she`s awaiting Salvation and Redemption, which is `Rescue`. Reincarnation is what men do. In Egyptian mythology the evil Set dismembers so that it isn`t possible to remember, which is what murderers do. The murdered individual is reincarnated and doesn`t remember. Consequently, Britney on Mars is asking for `safe delivery`:


`...and forgive us our trespasses, as we fogive those that trespass against us, and lead us not into temptation, but deliver us from evil.` The Lord`s Prayer (Matt: 6. 9-13)



 The prayer relates to the forgiveness of those that come into our Garden, as in Eden, which is why Britney alludes to it in her treatment of the spaceman. She`s prepared to forgive `trespasses` in her Garden but not temptations to evil. The `pod` of Thunderbird 2 is a `treasure chest`, as it were, because it represents `development`, in Hollywood terms, from Heinlein`s Puddin` to Thunderbirds` `pod`, which is the container of Britney`s `diamond` Poddy, and Britney on Earth doesn`t want her newborn `treasure` to be undervalued, that is, a `coffin.doll` forever pointing backwards to her past incarnations for the evil to prey upon. That`s why Revelation alludes to the `New Redeemer` who the `red dragon` waits in vain to devour, because it can`t. The ancient prototype is Chronos, or Saturn, which Christianity refers to as Satan, because he devours the new birth. The Bible refers to it in the Old Testament where it is written, `you shall not suffer a witch to live`, where `witch` is interpreted as `poisoner`. If the `red dragon` of homosexual pederasty and HIV/AIDS is interpreted as the result of `gay boy sons`, that is, `gay poisons`, eating them, as Chronos does, is the equivalent of women refusing to reproduce with them over time, so that they are no longer `poisoners` and `Babylon, the Great, Mystery, Mother of Harlots and of the Abominations of the Earth` is redeemed:


`And the woman was arrayed in purple and scarlet colour, and decked with gold and precious stones and pearls, having a golden cup in her hand full of abominations and filthiness of her fornication:` (Rev: 17.4)



 In terms of the Yo Ho Ho `pirates`, and `hackers` into Britney Spears` `coffers` the `pod` of Thunderbird 2 is either her `treasure chest` or her `coffin`, that is, either she`s a newborn `add on` contributing to the hoard of treasure built up by her previous incanrations, `Puddin` and Poddy, or she`s a `coffin doll` and the `pirates` and `hackers` don`t want her to remember herself, as Britney`s own `programme` in Oops I Did It Again suggests she wants to, which presupposes her murder and endless reincarnation, as foretold in Revelation as the consequences of the rulership of the `beast` with its 9/11 terrorist message from their continuation of the `movie` Logan`s Run that noone lives over 21. Although Britney`s Puddin` on the `red planet` Mars, in her `red suit` represents Salvation and Redemption because, in her white bikini dress, she`s herself with the `heart of the ocean`, that is, the`diamond Poddy` of continuation, the `next issue` of Thunderbirds, formerly on paper in TV 21 magazine, and as the 60s TV `puppet` show, became a Hollywood `blockbuster` in 2005 with `real` actors and actresses. Having `come of age` TV 21 might expect to `develop` beyond reincarnations in which the `red dragon` of homosexual pederasty continues as a devourer, which is what the Bible implies when it says that the `New Redeemer` can`t be devoured by the `red dragon`. If TV 21 is understood as the dawn of the 21st century and the end of reincarnation but the beginnings of Resurrection, Salvation, Redemption and continuation for those who seek to have the `diamond body` of the teachings of the Holy Spirit, or Paraclete, 9/11 was an attempt by the `red dragon` to superimpose the movie Logan`s Run from Logan airport in Boston Massachussetts, and kill all those who`d reached 21. In other words, the `blood plague` of `biological warfare` against women`s `host` wombs, that is, HIV/AIDS, would succeed as a valence of devouring homosexual pederasty`s aborting of the 21st century as a compliment to the red dragon`s other aspects of murder and war. In Toxic Britney`s Thunderbirds` style air hostess` uniform indicates she`s aware of her TV 21 role. Her alias is a Jennifer Garner style secret agent from the TV show Alias looking for a cure but Conservatorship for her fortune suggests that the `hijacker`, though `unmasked` in the video, is determined to allow her 21st century `coffin doll` to do nothing more than point back to the `treasure map` of her `paper dolls` amid the `puppet dolls` of her previous incarnations of the 1960s and on into a future of reincarnated `dolls` forever aspiring and never achieving freedom.



 Robert Kennedy would never have tolerated such a flagrant breach of the `spirit of the law` when he was Attorney General, the USA`s `policeman`, which is why he was murdered. The church`s MIB`s are `wooden` and wear black overcoats because they preach the `wooden overcoat` and the names of their `undertakers` are `coffin handles`, like such high `Holy rollers` as Jimmy Swaggart (swag, swagger, and the black arts of the mafia`s betting coup, where the winner of the Kentucky Derby is `revealed` by God`s all-seeing Holy Spirit), or Derek Prince (of the powers of the air), whose concern is to pray for the `coffin handles`, and greater rewards for the `hangers on`, rather than ask the Holy Spirit, or Paraclete, where to send `the paratroopers of the Lord` in order to stop the legal eagles of the USA from defending the vultures that would prey upon the corpses of its best families.



 9/11 was `Spanish 21` in American card play whereas, in the Commonwealth of the former British Empire, `Spanish 21` is `blackjack`: `A leather-covered bludgeon with a short, flexible shaft or strap, used as a hand weapon.` The aim in `Spanish 21` is to receive two cards that make 21, which may be an ace and a picture card with a value of ten, or if `black twos` or `one-eyed jacks` are `floating`, a `black two` or a `one-eyed jack`. In terms of the demon`s valence, 9/11 was 20, which means that the terrorists of 9/11 were playing the English variant `blackjack` and acting in the movie Logan`s Run in which those above the age of 21 have to die so that the economy remains at an equilibrium that`s supportive of the population. In symbolic terms, the `red dragon` of homosexual pederasty represents `banished 21` because the USA hadn`t experienced an attack on itself since the Japanese at Pearl Harbour in 1944. The destruction of the Twin Towers by the Al Qaeda terrorists, whose symbol is the yellow moon, whereas that of Japan is the red sun, was `black two`, and the Pentagon would be the card of ten or higher value needed to make 21. Arabian assassins are traditionally taught that they`ll go to `paradise` if they carry out their suicidal `missions`, as the Japanese `zero` pilots were taught they`d be `sons of heaven` after Pearl Harbour, but they wouldn`t want any geishas or houris who looked older than 21. In Revelation the `New Redeemer` is born to the `woman clothed with the sun and with the moon at her feet` while the `red dragon` waits in vain to devour her newborn. In other words, Liberty, in New York Harbour, couldn`t be prevented by Japanese fascism and Al Qaeda terrorism, or the former British Empire `upon which the sun never sets` from living longer and looking young, because Revelation says so:


`I`m Miss American Dream since I was 17[76].` Britney Spears Piece Of Me



 Because the `Big Apple` of New York represented Vishuddha, or the `Adam`s apple` within the `throat chakra` of the energic level of spirituality, that is, intellectual development, in the Hindu system, 9/11 was a silencing of the truth of the `voice of America`, and the rescue of an aircraft and its passengers from the Hudson river, by the pilot`s inspired decision to `ditch` rather than land, represented a resuscitation of the heart of America through `shock` and faith in the male hero rather than approaching towards a truer picture in which the male ego is perceivable as `programmable` and `programmed` to be destroyed if it achieves a level of awareness greater than that level of spiritual, or intellectual advancement represented by the Vishudda chakra. The `heart chakra` Anahata is described as that which is `unstruck, unhurt, or unbeaten`, which wasn`t the case after 9/11 but the resuscitation of the heart after Captain `Sully` noticed `engine trouble` on January 15th, 2009, and `ditched` his A320 Airbus in the Hudson river, finds correspondence with the reactivation of the `hearty voice` of Manahattan after an invigorating jolt of cold water to the [m]Anahata[n] chakra. Just as Oops I Did It Again has a `programmer`s lyric` that suggests Oops Hi D`Yeah [yeah yeah yeah yeah yeah Did It Again [Jack] derived from Led Zeppelin`s D`Yer Mak`er, that is, Oops Hi D`Yer Jack`er, so the double `A` sided single of D`Yer Maker and The Crunge relates to the programmer`s intention:


`Excuse me
Oh will you excuse me
I'm just trying to find the bridge... `



 The Led Zeppelin movie The Song Remains The Same was partly recorded at Madison Square Gardens in New York in 1973, and John Bonham, who subsequently choked to death in 1980 during a European tour of Scandinavia, because his Adam`s apple wouldn`t swallow, brawled with a guard at a venue in the USA in 1977 and Led Zeppelin were told they`d never perform a concert in the USA again, which they couldn`t because big John`s `Adam`s apple` was `choked`. John`s resuscitation wasn`t possible but the reinvigorating of the heart of America was, although The Song Remains The Same. `Sully` Sullenberger`s rescue of the crew and passengers of US Airways Flight 1549 from LaGuardia by `ditching` the aircraft into the Hudson river reflects on John Bonham`s fight with the guard, the USA`s statement that Zeppelin would never tour in the USA again, and big John`s `Adam`s apple` subsequently being unable to swallow because he was `choked` over not being able to drum in the USA during the band`s tour of Scandinavia in 1980. Guitars are described as `choked` when they produce distortion, and the guitarist would say he `can`t find the bridge`, which the strings are attached to in order to vibrate and produce sounds when plucked at or stroked with the fingers. However, acoustic guitars can`t produce distortion, because distortion is an attribute of electric guitars` amplification, which was used by bands like Nirvana in the 1980s to deliberately produce distortion for a genre of music known as the `Seattle Sound`. A `sound` is also part of a `waterway`, and a distorted guitar sounds as if it`s played underwater. Flight 1549`s engines `choked` because of a `bird strike` near George Washington Bridge, which meant `distortion` for `Sully` who `couldn`t find the bridge`. In other words, because of `grunge`, that is, dirt, or filth, `Sully` had to accept `distortion` in the `voice` of the guitar, which relates to the silencing of New York`s voice a decade earlier when the 9/11 terrorists attacked the `Big [Adam`s] Apple`. Grunge is an alternative name for the `Seattle Sound`, a genre of music combining `Punk Rock` and `Heavy Metal` because it features distorted guitars similar to those found on Led Zeppelin`s The Crunge:


`Has anybody seen the bridge?
(Have you seen the bridge?)
I ain't seen the bridge!`



 The `Miracle on the Hudson` was `uplifting` but it was a disaster `programmed` by `hackers` wanting to create a Led Zeppelin `myth`. The central motif of the band is a crashed zeppelin airship and the crashed airliner in the Hudson relates to the `hackers` abilities as `pirates` rather than `hijackers`. The basic idea of the `beast` as the `frog` in tihe `throat chakra` as a ventriloqust `programming` its `dummy` with subvoce subliminal messaging to cause such `disasters` as the appearance of the rescuing frogmen at the scene of the drowning Flight 1549 in the Hudson `remains the same`. What the `hackers` or `pirates` were attempting to achieve relates to notions of `twisted lyrics`, or `Satanic messages`, placed upon legitimate recordings, and in the minds of those perceived to be `puppets` by their ventriloquist `masters`. 9/11 was a physical `blackjack` in which the terrorist forced the USA to silence its voice, whereas the `Miracle on the Hudson` was a manifestation of the `second beast` of Revelation insofar as it represents `disaster programmes` based on the inability of the victim to defend themselves against the voice of coercion, which 9/11`s attack on the Defence Department of the Pentagon prefigured. In other words, 9/11 was the severing of the brain from the vocal chords, and the initiation of the `programmer`s` attempts to turn every individual on the Earth into a `puppet` with a `master`.



 The joke of course would be that Flight 1549 was late arriving in Charlotte, North Carolina, but `It`s Sully` would be the reply. The gap between movie and reality on 9/11 made it appear like a `puppet` film because the observer cares, and the action appears to be the result of some `puppet master` pulling the strings of those who are helpless to prevent the events from occurring, and Flight 1549 was.a similar event. The British TV series Thunderbirds was made into a 2005 movie with real actors and actresses, but the TV 21 show of the 60s was made with stringed puppets for a small screen. Supermarionation never made it to the `big screen`. Although 9/11 was clearly derived from Logan`s Run and the plot device that noone should be over 21 because, according to the `game logic`, they`d have to `lose a life`. Consequently, 9/11 was `blackjack`, where `blackjack` means the `club` of homosexual pederasty, and 9/11 `live` on CNN was `pay TV 21` because the `puppets` never get old. The notion is of reincarnation. Masters are those who murder the old in order for them to be reborn so that the masters can remaster them to perform `puppet theatre`.



 In 1980 the TV 21 `puppet show` Stingray was released as an edited `compilation` containing `Plant Of Doom` and `Master Plan`, which suggests Led Zeppelin and Robert Plant  Remasters, that is, someone perceives Led Zeppelin, and everyone else, as `puppets, because the Hudson `ditching` represents `sympathetic magic` or `voodoo` in which practitioners stick pins in dolls, or effect correspondences between seemingly unrelated things, in order to produce effects. The rescue vehicle Thunderbird 4 and Stingray were both submarines in TV 21 Supermarionation and both 9/11 and Flight 1549`s `Miracle on the Hudson` seem to have been `programmed` by `hijackers` of one sort or another to demonstrate that the rescue services are the puppets of their masters.



 Led Zeppelin reunited in 2012 to perform Celebration Day (1971) with John Bonham`s son Jason on drums as a `taster` for a `concert` movie but the `puppeteer` didn`t want their tour plane, Led Zeppelin, to fly. Because they were a `lead` zeppelin, which is depicted on Led Zeppelin I, the first album, as crashing in flames, while Flight 1549 wouldn`t sink, as the `sympathetic magician` felt Led Zeppelin`s aircraft, nicknamed The Starship, should. The `whisper` in the music industry that there`d be a reunion concert tour by Led Zeppelin was quashed by the `whispering` of the `puppeteers` in the `puppets` ears because, in the opinion of the `voodoo` master, Led Zeppelin`s name belies Night Flight, their recording for the Physical Graffiti (1975) album, that is, as Keith Moon, drummer with The Who once said, when asked about Jimmy Page`s idea for the new band:


`It should go down like a lead baloon`.


 Just as Keith Moon could be perceived in terms of the `woman clothed with the sun and with the moon at her feet`, so the `bootleg` of Led Zeppelin`s concert in Cleveland in 1977, known as The Destroyer, might be said to correlate with the `red dragon`, which appears in recodings such as Mars, god of War from the Planets Suite (1914-6) of classical composer Gustav Holst and elsewhere, but might have influenced the title of The Destroyer as it appeared remastered for public consumption as How The West Was Won (2003). In the sleevenotes Led Zeppelin confessed to practising `Satanism`, presumably upon the `New Redeemer` of the 20th century, developmental psychologist Carl Gustav Jung, who won because he wasn`t Cole Younger, but Carl Gustav `Holster` Jung and knew the holster was only valuable because the gun was `safe` there. In other words, although the `holster` isn`t where the penis should be, `Red Marshall` doesn`t want Red Mars` `cowboys` to show it to anyone. Gunfighters, and other murderers, are frightened of being mastered, or remastered, that is, reincarnated to be mastered again, by their pederast, and so exist as.repressed by homosexuals who want them to show each other their penis, and they want to because that`s the valence of the male alien parasitical virality of the `red dragon` of homosexual pederasty and war. So they do. Because they are repressed homosexuals.



 Doggerel about a pirates` dispute can also be understood as a fight over `outlawed` material, which is what The Destroyer was before the `bootleg` was `mastered` as How The West Was Won by Led Zeppelin producer and lead guitarist, Jimmy Page. If New York`s `Big Apple` represents the late Steve Jobs` Apple Macintosh computers, or The Beatles` Apple label, `hackers` and `pirates` are their enemies, because they`re `disaster` programmers.One of the more famous political assassinations of the 20th century was Ted [Dead] Kennedy`s car falling off a bridge at Chappaquiddick island, Massachussetts, July 18, 1969, with a woman in the car boot, Mary Jo Kopechne, who drowned. Kennedy didn`t report the accident, presumably because he perceived it as a `bootleg` recording, and so the Yo Ho Ho of the `remasterers` refers to the `demon drink`; John`s plane crashing into the `drink` in 1999, and Marilyn Monroe`s death by mysterious drowning in a pool in 1962. Marilyn was JFK`s mistress and his assassination by the sniper Lee Harvey Oswald in 1963 was because he was perceived as dissolute, whereas in fact he was ahead of his time insofar as monogamy is `demonic`. Jack`s perception was that Marilyn Monroe was his wife. Although all women are individuals, they`re `Woman`. Jackie Kennedy was America`s `Camelot`, and Marilyn Monroe was `Jackie in Hollywood`, which is fulfilment of Jesus` Christian message, `love thy neighbour`. Jack was murdered because, as a a prominent figure, he was dangerously close to communicating the truth.



 John F. Kennedy`s acceptance speech at his January 20th, 1961 Inauguration contained the line: `So let us begin anew--remembering on both sides that civility is not a sign of weakness, and sincerity is always subject to proof.`30 The attack on the Twin Towers on 9/11 showed that civility is a sign of weakness, because the aircraft were `civil`, and the proof of sincerity is HIV/AIDS is we don`t accept the law of God, which is that we do not need proof or to be `civil` when it comes to the `red dragon` of homosexual pederasty because its a `killer disease` and we need not begin anew in our understanding of it. Redemption is the eradication of the `red dragon` of  homosexual pederasty, and if the male alien parasitical organism does not accept woman as a species, she will replace him in God`s new heaven and Earth of Revelation. So long as one woman isn`t sufficient for one man, the question is: how many women are sufficient? If the answer is `all` then woman as a species with her own penis will win. Because `one man, one species` becomes interpretable as e pluribus unum, which is the legend on the `Great Seal` of the USA, that is,`the one and the many`, where `one` is a man and woman is `many`:





 In Arabic culture alcohol is `haraam` or forbidden, and the `programmer` seems to have been suggesting that John`s plane crashed because he was drunk. If the `beast` of Revelation is the `frog` in the throat that seeks to put words in people`s mouths as a ventriloquist with a `dummy`, Britney`s Thunderbirds `puppet` in Oops I Did It Again is communicating a `worm`, which becomes the equivalent of a rum[our] in brains drunk with alcohol, and constitutes a form of `brain washing`, in which the `consumer` is unable to resist `subliminal messaging`. The effect was first noticed in Arabia where the `Master` of the `Order of the Assassins`, Hassan Ben Sabbah, gave hashish to his followers in order to programme them with notions of Paradise as the place to which they would return after carrying out their missions. If Britney is `Io` in Oops I Did It Again and Yo Ho Ho refers to `piracy` and `hacking` of recorded material, the `worm` was intended to be a shared `joke` amongst hackers with `coffin handles` like `D`Yer Hack`er` or `Captain Hook` after 9/11 and at the expense of, amongst others, the Kennedys.



 Britney Spears` Criminal is her post 9/11 reflection upon what her `programmer` had done to her ten years later. Much more weighted with 50s `kitchen sink` realism after the style of dramatist John Osborne`s Look back In Anger. Criminal contains elements that relate to Yo Ho Ho but `playing pirates` is the theme rather than `pirating` in the sense of someone throwing Spears` voice from her `puppet` as the `hackers` or `pirates` laugh together at the `in joke`:


`Twas a flimsy shift on a bunker cot
With a dirk slit sheer through the bosom spot
And the lace stiff dry in a purplish blot
Oh was she wench or some shudderin' maid
That dared the knife and took the blade
By God! she had stuff for a plucky jade
Yo ho ho and a bottle of rum.`



 In Criminal Britney`s possessed by the demoniacal influences attempting to control her. Embracing the `frog` in her throat, which is now communicating its influence to her `inner ear` and brain, she`s accepting its psychopathic directives. In Islam the voice of `iblis` or Shaitan, which corresponds to Christianity`s notions of the Satanical, is that of the demon that has no power other than to `whisper`. Acceptance, either consciously or unconsciously, of the demoniacal `voice` of the `ventriloquist`, is antithetical to the inspirational guidance of Jesus` teachings of (and through) the Holy Spirit, or Paraclete. As a spiritual developer, the Paraclete, described in the New Testament, as `teacher, guide, comforter and helpmeet`, is that female spirit whose help brings the success, or `comfort`, that Christianity perceives as devolving from adherance to its tutelary guidance. The demoniacal influence of iblis` subglottal `voice`, who is the `frog in the throat` of the `beast`, whose gentle subvoce `hacks` are `coffins` to its targets, as on 9/11, where the `coffin handles` are perceivable as `Hi D`Yer Hacker` and `Captain Hook`, is definable as `throwing Spears` voice`. Having her voice thrown is equivalent to the `beast` having the throne of her voice, and the Vishudda chakra at the throat, representing the level of spiritual and intellectual individuality and creativity in the Hindu system, is the seat of  `power`, and so the `beast` is the virality of the male alien parasitical organism seeking to usurp her. Criminal is a different instance of `hacking`, insofar as Britney`s perception of herself as more `adult` and `real` is viewed by her `hijackers`, that is, the `pirates of Her Majesty`s high C`s`, as `playing pirates`, while their `piracy` of the ship of her lines, as it were, is demoniacal:


He is a loser, he's a bum (bum bum bum).
He lies, he bluffs he's unreliable.
He is a sucker with a gun (gun gun gun) ...
But Mama I'm in love with a criminal,
And this type of love isn't rational it's physical ...`



In fact it`s `psychological`, and the result of deep programming by subvoce ventriloquism corresponding to the demonic possession the Arabians call the `whispers` of `iblis`. He`s a `sucker` suggests vampirism and the `beast` as the `frog in the throat` of the `vam` chakra, which is what `power` is called in Hinduism. Her possessor is the `hacker` in her `coffin` because he corresponds to the evil vampiristic spirit that has possessed the voice of Spears` thrown, that is, his throne`s `voice`.



 Pop music has often been criticized by Christians for its lyrics, which are described as Satanism because `Satan` can be heard in `twisted lyrics`, or when played backwards. On the Beatles` White Album (1968), for example, `turn me on, dead man` is supposed to be audible when the track Revolution 9 is played backwards, and Britney`s spaceman walks backwards as if rewound in the video of Oops I Did It Again because the notion of hacking into CD software in order to record music that hasn`t been paid for, or DVDs from public libraries, is an issue in the music and film industry, which relates to Karl Marx`s notion that `workers produce value` and the value attached to the work by critics, labels and studios, and the artists or writers themselves is valuable to the extent that it is valued. However, the artist may value the work more than the product buyer or the studio or label, which means that the artist mighn`t be perceived as valuable so long as there is product. Elvis Presley, for example, made more money dead than alive. The repercussions of artists, or works being valued, or valuable because someone decides that they are acceptable to the `beast` who allows them to have the `mark of the beast`, so that they can `buy or sell`, is a concept that relates to democracy and freedom, that is, irrespective of people`s true preferences, John McCain would have won the Presidency of the USA over Barack Obama if the homosexual pederasts had wanted him to. Or, as Led Zeppelin`s Robert Plant lyricizes:


`There's a sign on the wall but she wants to be sure,
'Cause you know sometimes words have two meanings.` Stairway To Heaven (1971)



 Led Zeppelin `invented` heavy metal, which was new, but if the `mark of the beast` is for those who accept that homosexual pederasty decides whether you can `buy or sell`, that is, whether you`re successful or not, the meaning is subjectival. In other words, the individual buyer confers value on the work, not the artist, who values the work for individual reasons also, which have absolutely nothing to do with the seller. In simple terms, either the work and the life of the artist have intrinsic value, or they aren`t valued as created product or creator. As long as the seller has product it doesn`t care about the creator, which means that the sold product has no value to the seller, so the creator`s life is valueless. In God terms, the creator has no value for the homosexual pedlar and the sale of valueless product is what the `red dragon` of `mass consumption` represents. Consequently, the work of art only has value for the producer of it and for God, the creator, which means the creator is divorced from the economy, and so the `red dragon` of `mass consumption` consumes whatever the homosexual pederasts put a `bar code` on.

 In Egyptian mythology, the spirit is the `ka` and the personality or soul is the `ba`, but in Western art, culture and civilization, the car is used to take the male alien parasite to the bar where it consumes alcohol, that is, its `evil spirit`. The aim of the parasite is to escape from the perambulator and its mother`s control to pedalling its own perambulator, that is, the `car` of `petrol` consumption, which corresponds to the personality of the `demon driven`, who needs to feel in control of its `ba`, in Egyptian mythological terms, and so the journey to the bar is `petrolled` by its `demon driver` in acceptance of its demon`s imprisoning authority. The parasite accepts its `programming` because its aspirations have been made to correspond to its activities by its need to drown its demon`s voice in unconsciousness, which the Arabians have long since recognized in their outlawing of the `evil spirit` of alcohol. Because`hashish`, and other forms of similarly brain numbing narcotics, which induce hypnagogic states vulnerable to accepting subliminal messaging, aren`t illegal in Arabia, the assassins of 9/11 undoubtedly represented demons.



 In literary criticism, the intentional phallacy is that the author is prepared to accept a critical interpretation of the author`s work which flatters the author but isn`t a part of the authorial intention. Or, in computer terms, the encoded value of the work from the author`s point of view differs from that of the publisher, reader, or flatterer, and corresponds to an encryption that is extrinsic to the value placed upon the work by those who did not create it, but is intrinsically subjective and that is the encoding which has cryptic value in terms of access to the artist`s copy. In Marxist theory there is the concept of `surplus value` which is what is produced for an employer. The supposition is that the artist produces work that has a `surplus value` extrinsic to the value known of by the artist, which is exclusion rather than exclusive, whereas what the artist wants is exclusive rights to at least a copy of their work in all formats. The hypothetical perspective would be that of the star who produces vinyl records and has never heard of CDs because the label or studio is producing their work in virtual reality and doesn`t want them to be aware of their `surplus value`. In such a situation the fallacy is that the author of the work intends for the enslaver to have access to the work. The value of the work and its encoding is determined by the enslaver, although the subjective value placed upon the work by the artist isn`t a fallacy, which means that the work of the artist is encoded at those places where the work has subjective value for its creator.

 If God is the Creator, the Creation is encrypted or `saved` at that point where God wants the work to be `safe`, which explains the concept of eternal Salvation and the `elect` of God, who are saved from eternity, but it doesn`t explain the Salvation of Jesus, who is saved from Nativity to Resurrection, Ascension and beyond. Salvation is continuity of an immortal body, whereas Redemption is continuity of an immortal body after acceptance of the teachings of Jesus and the Holy spirit, or Paraclete, which constitutes rejection of reincarnation, that is, continuity of memory for a number of years before rebirth and another period of development that is `damnation`. Christian Resurrection is the continuity of an immortal body with its `saved` memories over several lifetimes. If women with a penis are a species, and the valence of men is that of an alien symbiosis, that is, `feigned friendship`, it reproduces `boy sons`, which become its `poisons` as it progresses from symbiotic relations to parasitism. The `leech` feeds from the `host` body of the woman`s womb and breast, and from her art, civilization, and culture into which it has emerged, and that is also from her womb because her `producers` were there. After receiving life from her blood, and sucking milk from her breast, the `leech` proceeds to mix its semen with her blood and shit in order to produce its `biological warfare` against her `host` womb, which is HIV/AIDS. Redemption is the `conversion` of the `leech`:


`... those who are considered worthy of taking part in the age to come and in the resurrection from the dead will neither marry nor be given in marriage, and they can no longer die; for they are like the angels. `



 If woman are a species with their own penis, `angels` are hermaphrodites, who have immortal bodies in continuity of memory, and `neither marry` nor are `given in marriage`, because they aren`t possessed by a parasite with the life cycle of a virus that periodically destroys the woman`s art, civilization and culture in war. Originally, war was a vehicle for the enslavement of women`s `host` wombs as producers of more homosexual pederasts, and the huge wooden horse of Troy that the Greeks used as a `friendship offering`, much in the way that the HIV/AIDS virus `feigns friendship` for the `host` it kills, was accepted by the Trojans and the Greeks emerged therefrom to capture the city and enslave the `host` wombs of the women to produce more homosexual pederasts, which is what the male alien virus is for.

If the virus analogy is applied to 9/11 the `civil` aircraft of the polite ticket-buying terrorists visiting New York from Boston, Massachussetts, were the equivalent of the `blood plague` of the `red dragon` of Revelation, and their flight from Logan airport was its continuation of the movie Logan`s Run in which noone over the age of 20 lives, because of the need for `economic equilibrium`. Consequently, 9/11 was an attempt by the evil to interfere with  Christian Salvation. Assassins are traditionally taught that they will go to Paradise upon completion of their murderous assignments, where they will encounter women called houris who are beautiful and `pleasing`. Obviously, the maximum age for an houri would be about 20. From the perspective of the `master of the assassins`, who corresponded to Osama Ben Ladan on 9/11, after the original Hassan Ben Sabbah of the 11th century, the dawning of the 21st century constituted the appropriate moment in time to ensure that the women of the Earth would never attain to that mental and spiritual development associated in most Christian nations with `coming of age` at 21. The plan was clearly to ensure that `Paradise on Earth` was a `breeding programme` for the `red dragon` of homosexual pederasty and devouring war. The `Mother of Harlots and of the Abominations of the Earth` corresponds to those women who view the tanks arrayed against one another for the battle for Baghdad and Saddam Hussein`s execution as `a man`, whereas woman as a species with her own penis corresponds to `human`.



 If Christian Salvation meant longevity for women without their parasite, it`d be continuity of memory and bodily immortality, that is, women would never look more than 20, but would have all of the knowledge and experience of life that long lived women would have. However, the parasite would no longer have a steady supply of `boy sons`, that is, `poisons`, to prepare for wars and `biological warfares` against woman`s `host` womb and its products, which is art, civilization and culture. Instead, maintaining `rough trade`, which is a metaphor for homosexual pederasty, would further the aims of the `red dragon`, and so the terrorists chose the World Trade Centre as their target.



 Jesus speaks of the `body and the blood` as his offering to his disciples, which echoes the myth of the vampire that drinks the blood of the `victim` in order to give that individual immortality. Jesus` torture and murder upon the cross is symbolic of the valence of the male alien vampire, who doesn`t want longevity for others, because it represents the antidote to homosexual pederasty and HIV/AIDS,. However, if the species of women were to drink the blood of individuals to give immortality, Christian principles would still be being observed. Jesus was conceived without male semen and so represents the individual who cannot contract the `blood plague` of the male draco, which means that Jesus` teachings and those of the female Holy Spirit, or Paraclete, are preparing the way for acceptance of the woman with a penis as a species that can reproduce herself without male semen, as Jesus` mother, the Virgin Mary, produced him.



 From the perspective of homosexual pederasty `economic growth` would forever be non-sustainable because it depended on the extinction of the male alien parasite as a virality upon the `host` wombs of women and her product of art, civilization and culture, that is, the Earth, where the `red dragon` of homosexual pederasty applies its valence of war against woman`s planet, and `biological warfare` against her species. 9/11 was a patriarchal misogynistic attempt to reintroduce possession as the basic unit of economics, where `marriage` disguises `ownership`, which is why Jesus says there`s no marriage or giving in marriage in heaven. However, marriage isn`t possession of the woman, it`s possession of the nascent `boy son` or `poison` in order to arrange more wars and `biological warfare` against women and their Earth. Although the `woman clothed with the sun and with the moon at her feet` corresponds to Pearl Harbour (1941) and the `red sun` flag of fascist Japan`s sneak attack on the USA and Al Qaeda`s flag with its yellow moon, the `red dragon` waits in vain to devour the `New Redeemer`. The imago is of ancient Greece, where Chronos, who was Saturn in Roman mythology, and Satan in Christianity, devours its sons. However, homosexual pederasty is what `boy sons` are, so paradoxically eating the `poisons` is what should occur, which is what God tells Eve in the Garden of Eden:


`And I shall put enmity between thee and the woman, and between thy seed and her seed...`(Gen: 3.15)


 From the `red dragon` of homosexual pederasty`s point of view `boy sons` are for devouring, and God`s plan in Revelation is that they shoud be devoured if they don`t convert. God`s plan is for woman as a species with a penis to replace the `poisons`, which means that God doesn`t care if the `red dragon` poisons itself. The Salvation of woman as a species is God`s only concern because it`s the genuine `issue`. There were few women in the Gulf wars (1990-2011) because, although women as the `host` womb produced the `poisons`, that`s not God`s perception of what they`re for, whereas it is theirs. Consequently, there`s a division between what might be defined as the US Marine Corps valence and the Maureen `Poddy` valence, from Britney Spears` Oops I Did It Again, where `Puddin`, Poddy, and Britney represent corpses to the `red dragon` of war and `biological warfare` insofar as 9/11 represents the notion that there`s no continuity of memory over lives lived, that is, Resurrection and Salvation from previous incarnations, because, according to the Logan`s Run scenario from Logan airport to the Twin Towers, the 21st birthday of Jesus Christ should not be reached by everyone. In Oops I Did It Again Britney`s `Poddy`, from Robert A. Heinlein`s Podkayne Of Mars, is a Maureen, that is, a `Marine`, because Heinlein recreated `Poddy` from Puddin`, who was introduction in Calling All Girls (1949), and whose name was Maureen. In To Sail Beyond The Sunset (1987) Maureen appears as `I`m Mama Maureen`, which is interpretable as `the mother of a Marine`. Puddin`, Poddy, Britney, and Mama Maureen denote a continuity in terms of memory, which is what Christian Salvation is. Born in 1882, Mama Maureen, who has `rejuvenation treatment` and is `resurrected`, is prefigured in the Titanic symbolism of Oops I Did It Again where Britney represents the `Maureen Corps`.



 One of Heinllein`s most famous contributions to science fiction is the `Time Corps`, which fix problems in time. However, Mama Maureen represents continuity over time, which is what Resurrection and Christian Salvation is. In the story `- All You Zombies -` Heinlein introduced his Time Corps in which the central protagonist discovers everyone is himself:


`I know where I came from—but where did all you zombies come from?


You aren’t really there at all. There isn’t anybody but me—Jane—here alone in the dark.`32


 Britney Spears called her record company `Zomba`, which relates to the Egyptian notion that the personality, or soul, is the `Ba`, whereas Heinlein`s car, Gay Deciever (correct spelling; for some reason Heinlein writes `e` before `i` after `c`), which corresponds to the `Ka`, or spirit in Egyptian thought, is the vehicle that the `Time Corps` use to travel through time to fix problems.At the close of `- All You Zombies -` the character is on the verge of revealing that women are a species with their own penis. The character can`t understand what all the zombies are for because she`s a hermaphrodite. In the same way, Britney`s Maureen, which means `star of the sea`, relates to Jungian psychology`s archetypes of the collective unconscious, which is often associated with the sea, and from which emerge into consciousness in dreams, imagination and during the production of works of art, abstract images and figures that inspire the individual to growth and personal development.



 The name Maureen is a `variant` of Mary, but unlike the Virgin Mary, who prefigures futanarian woman, Maureen represents an archetypal emergence of the Holy Spirit, or Paraclete, from within the ocean of the contents of the archetypes of Jung`s collective unconscious and so, corresponding to the Egyptian `Ka`, that is, the spirit, she appears on the cover of To Sail Beyond The Sunset emerging from the waves like Venus. The goddess` birth represents her as a `pearl`, while Britney in Oops I Did It Again descends inside a giant`s ring to receive her `heart of the ocean`, the blue diamond for which her ring is the `setting`. In symbolic terms, Mama Maureen is wisdom, or `the pearl of great price`, and Britney`s `diamond Poddy` won`t have `cast her pearl before swine` if the `reader` can perceive the truth of her Mama`s argument, which is that the soul has to accept Jesus` teachings if the `Poddy` is to have continuity of memory over lifetimes and be Resurrected as an immortal within the `Maureen Corps` of Mama (1882-), Puddin` (1949-), `Poddy` (1963-), and Britney (1982-), whose spaceman in Oops I Did It Again dove to the ocean depths to bring her the `spirit jewel` of the Resurrection archetype of continued memory and bodily immortality through recognition and rejection of the male alien parasitical organism of the `red dragon` of homosexual pederasty and warfare that`s `programme` is to be the disease that kills her.



 In Jungian psychology the aim of development is to recognize and integrate those negative aspects of the personality that Jung calls the shadow, but women are human, whereas men aren`t, which means that shadow projections, or inabilities to perceive the truth, are a concomitant of failure to perceive that women are a species with her own penis and men are her virus. Consequently, woman`s individuation, and individuation per se, involves the recognition and introjection of those aspects of the soul that correspond - adjectivally - to `humanity`, whereas the male alien parasite has to be rejected if the species `humanity` is to have eternal Salvation.



 If the penis is to be understood as the base of developmental functionality, Al Qaeda, `the base`, attacked the Twin Towers in order to reestablish `rough trade`, that is, the devouring homosexual pederasty of the `red dragon` of war, which uses `the base` as a place from which to launch its `biological warfare` of HIV/AIDS against the `host` wombs of woman from which emerges her Earth`s art, civilization and culture. The World Trade Centre  is to be replaced by a single towering penis as a symbol of male defiance, whereas the Twin Towers, if woman is to stand beside man with her own penis` deveopmental functionality, the symbol of the Twin Towers would have stood. For the future will not perceive a single tower as `anything but`, in Freudian terms, repression of the `New Economics`, which would be based on Ascension to God through the power of the Holy Spirit, or Paraclete, rather than possession of the female in order to destroy her.



 The `New Economics` is God`s economy based on the develomental functionality of the penis, which is the `bread and the wine`, or the `soul and the spirit`, which is the `body and the blood` of Christianity, that is, the transformation of energic instinct and sexual libido into spiritual intellect, because the Sword of Logos as the Word of Microsoft and other forms of intelligent `programme based` technology can be the Salvation of mankind. But not if the marine is enshrined as the epitome of humanity`s capacity for achievement. As Britney`s Io is asking, in Oops I Did It Again, to be watched over by `our Gus` (Argus), and the rest of the departed `spirits` of the `boys` in NASA`s space programme, because of the unwanted attentions of Almighty Zeus, symbol of the father that devours the son in the Greek myth of Chronos, and of the son that devours the father, in the myth of Oedipus. Britney`s role, as Puddin` Maureen, spans generations, and represents that continuity of memory in individuality across lifetimes that is Christian Salvation and so Mama Maureen is an `awfully big marine` for Jesus:


`And then a big marine, a giant with a pair of friendly eyes
Appeared there at my shoulder and said `[Ku]wait`

`Don't worry ... I'm here ... now [there`s] ... two to dodge.` Stan Ridgeway Camouflage


 The two coudln`t dodge the 9/11 suicide planes, because they weren`t with the `Maureen Corps` and didn`t have the eyes of the Holy Spirit, or Paraclete, watching over them. The warning from God is that, if `Liberty` is the freedom to keep the wombs of women enslaved so that the `red dragon` of homosexual pederast can continue to produce its `poisons` in an endless cycle of devourment for its `boy sons`, woman as a species with her own penis is a better economic prospect and, if mankind does not convert from its reductive approach to economic development on the basis that a woman is an enslaved species to be devoured, God will separate the human, the humane, and the humanity that is woman as a species with her own penis, which is not the torturers and murderers that God witnessed at the crucifixion of Jesus, but the woman capable of producing perfection without male semen, that is, the Virgin Mary as the precursor of the futanarian woman, and give the `seed` of the woman a new heaven and Earth to dwell in forever as Revelation ordains:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16. 10) 


 The economics of the male alien parasite is for the father to devour the sons, whereas the mother also produces daughters. If the daughter has a penis of her own and her fatherer is a woman, `New Economics` is on the horizon. However, if the 21st century is denied its evolution, a return to `basic economics` is non-sustainable economic growth. The attack of Al Qaeda, `the base`, from Logan, Massachussetts, upon the World Trade Centre, promotes a `version` of economics based on the `movie` Logan`s Run in which the `basic` is that noone reaches 21, which is what the `rough trade` of homosexual pederasty represents for the 21st century:


`There's nothing more dangerous than a boy with charm.
He's a one stop shop, makes the panties drop.
He's a sweet talkin' sugar coated candyman.
A sweet talkin' sugar coated candyman.` Christina Aguilera, `Candyman`, Back To Basics


 Christian Salvation is Resurrection and memory continuation over lifetimes, which for a woman means knowledge of her own penis and its development, whereas endless reincarnations for the `red dragon` of homosexual pederasty means low level technological development based on the imprisonment of woman as a breeding slave for the production of the `gay boy sons` of devouring homosexual pederasty`s war, and the `gay poisons` of homosexual pederasty`s final assault on the woman that they bore in the form of the virality they`ve created in their own image, that is, HIV/AIDS with its own `voice` and image. The ``beast` of Revelation is a `frog` and 9/11 was `blackjack` in which the terrorists `trumped` the USA`s `hand` with their `aces high`. The frogs` in the `throats` of Adam`s `Big Apple` of New York are a mockery of God`s creation of a woman, Eve, and of the Perfector of humankind, Mary, and the voice of the `red dragon` of homosexual pederasty`s antidote to what is pleasing to God, that is, the Eve of New York on 9/11, is men`s `blood plague` of HIV/AIDS` `killer disease`. God is annoyed because men are possession and consumption, whereas woman is conception and production. Laurel and Hardy made the movie Flying Deuces, but the Twin Towers weren`t deuces in `Spanish 21`, although Al Qaeda`s Flying Aces, which is the alternative title for Stan and Olly`s comedy, and was released at the outset of WWII, suggests that the eyes of the snake, that is, the grown awareness of the `red dragon` of homosexual pederasty, were on the Twin Towers for the sake of tempting the USA into degenerate license against the product of woman`s `host` wombs, that is, war and `biological war` upon her and the Earth, ever since Eden:


`In gambling, snake eyes is the outcome of rolling the dice in a game and getting only one pip on each die. The pair of pips resembles a pair of eyes, which is appended to the term 'snake' because of the long-standing association of this word with treachery and betrayal.`33



 The attack on the `Big Apple` of New York was the declaration of the `red dragon` of homosexual pederasty`s war aim, which was that only the `pips` would remain, where the `pips` were the insignia of the generals, which correspond to the evil serpent`s `seed` after the `Big Apple`. The `Kuwait ball` was the celebration after the first Gulf War (1990-1), whereas `pip` means `blackball`, which is equivalent to queuing the eight ball again (Q8) for Gulf War II (2000-11). Not for General Stormin` Norman Schwarzkopf, who was a `pip` in the English slang sense of `zit`, that is, Schwarzkopf is `blackhead`, but General Colin Powell because `black`. `Pip pip` is what the English say in approval, which suggests that Schwarzkopf and Powell were the first and second beasts of Revelation, whether personally or just in the queue with the rest of the `pips`.



 Britney`s spaceman in Oops I Did It Again represents the apologia for man`s destructivity, but the spacesuited `hero` is primitive technology in comparison to Britney`s red pilot`s suit, which identifies her as the pilot of Thunderbird 3, the spaceship, while the man in the `business suit` of NASA represents the marine commando who enslaves woman`s `host` womb for its commanders at `Mission Control`. Alan Shepard had an `inner ear` problem that prevented him from landing on the moon until 19 when he could hear his instructions. From the science fictional perspective of her red suited spaceship pilot in Oops I Did It Again Britney observes that the spaceman has `demons` telling him what to do. In terms of Jungian developmental psychology, his `inner ear` represents the undifferentiated `Thinking` function that, along with eye (`Sensation`), speech (`Feeling`) and smell (`Intuition`), constitute the four functions of consciousness in potentiam. Britney`s perspective is that Shepard could have been a pastor but he couldn`t hear the Word of God. Neil Armstrong, the `first man on the moon`, said `one small step for a man, one giant leap for mankind,` but from mankind`s perspective the Earth is woman`s Guantanamo Bay, a `holding pen` where the `pig` is bred so that the male alien parasite can listen to its demonic self and, disobeying God, the Creator, while woman is kept in abeyance by `Homeland Defence`, her MCPs write their histories of plague, war and death `across the universe` in other people`s homes:


`Words... flowing out like
Endless rain...

...they slip away across the universe.
Pools of sorrow ...
Possessing ...` The Beatles Across The Universe


 Economics from a male perspective is that women are possessed in marriage as producers of that which is possessing them as economic units to produce more `boy sons` that can be used as `poisons` to maintain their system of devouring homosexual pederasty which manifests itself as war, `biological war`, and HIV/AIDS or any other form of cancer that would be definable as consumption of the Earth`s and woman`s wombs` resources to no purpose other than to consume. A female perspective is to nurture what she produces from her womb after conception, which is far easier if she conceives and produces with a woman who has her own penis, and so is a member of her own species, because she won`t produce any `boy sons`. Even if she does, the Greek myth of Chronos, the Roman Saturn, and Christianity`s Satan, indicates what will happen. Chronos is `time` and  `boy sons` will become extinct, which means that the poisons of pollution and corruption will disappear because women`s wombs won`t want to conceive of them:





 Effectively, `abominations` are poisons, but Babyon is `Great` and the `Mystery` is that she is the victim of the `poisoners`, which are descried by some interpreters of the Bible as witches, `thou shalt not suffer a sorceress to live`. (Ex: 22.18). as witches. In the video for Lady Gaga`s Paparazi she drinks from a cup and saucer while the man with her dies on the sofa from her poisoning of him. The concept is of the woman that has `boy sons` to poison, which means that Babylon is `Great` because she`s an unwilling poisoner. Although Lady Gaga`s material is designed and conceived as challenging assumptions, she`s working within slavery and so represents a target. The danger for artists like Lady Gaga is that of provoking the `red dragon` of homosexual pederasty and war into attacking the innocent, which is what Al Qaeda`s attack on the Twin Towers `live` on CNN meant. MTV challenges the status quo but provocation by artists making the same statement isn`t educative. Only when a futanarian rock star with a penis of her own takes the stage at Madison Square Gardens and announces that she`s `fronting` Zip Nipplin will the challenge have shifted from avoiding possession and consumption by the devouring male alien parasitical virus to conception and production.



  The paradigm for `hackers`, `pirates`, or hijackers is that of the invitation to attack the `mother`, whether country or computer, or any other system that conceives and produces, that is, it`s a valence of the possessive, and consumptive society. Systems are inviting themselves to attack woman as a producer. Whatever she conceives, or is conceived of, in her `host` womb, it`s for the parasities to devour, according to the parasites. Britney`s `Maureen Corps` of knowledge, sustained and continuous as Puddin` (1949-), Poddy (1963-), Britney (1982-), and Maureen (1882-) through the acceptance of Jesus` teachings of Resurrection and Salvation rather than reincarnation, suggests woman as a species with her own penis as conceiver and producer, whereas national governments are trying to devise ever more intricate encryption and virality to save the `red dragon` of homosexual pederasty and prepare woman`s final extinction. `Mama` Maureen represents the woman who refrains from using men as her sword in order to develop:


 `The law, which was proposed by Knesset member Meir Sheetrit and whose regulations were approved in May 2011 by the ministerial committee for biometric applications, is likely to expose Israeli citizens to severe invasion of their privacy. Criminal organizations or foreign organizations interested in causing damage to the state and its citizens might penetrate the future biometric database and do whatever they want there.`34



 Woman `traditionally` remains in the home because she`s `Homeland Defence` preparing to defend herself as a species. Jesus has been training her. If she won`t use the `sword` of her spirit and intellect to develop and defend herself, but rather adopt and adapt to the `test` paradigm of species` antagonism towards its parasite, or accept `host` womb enslavement by the alien male, she`ll be `Woman on the Sword` – as Jesus was her surrogate upon the cross. In effect, Jesus gave men time to develop, but they haven`t. The products of woman`s `host` womb have kept on struggling to emerge, as the inspirational archetypes of the collective unconscious from the spiritual `heart of the ocean` have impelled art, civilizationa and culture tfor millennia. Consequently, woman as a species has Redemption but man as a parasite doesn`t. According to Revelation perdition awaits men, and the signs of women`s victory are what men don`t want to see. Britney Spears` giant`s ring and fork in Oops I Did It Again is both woman`s triumph over what she has been able to produce and conceive, and her lament over what men have possessed and consumed of her.



 Britney Spears` take on Mark Twain`s The Tragedy Of Puddin` Wilson is that, although the spaceman is able to ID the murderer, it`s him. Because he`s a man. When he touches down on Britney`s planet he`s a `NY Giant` making a `touchdown`, `one small step for a man, one giant leap for mankind.` The Comedy Of The Tale Of The Twins Who Weren`t is that their spaceman is `Wilson`, who`s Tom Hanks `friend` in Cast Away (2000) when he`s stranded on a desert island, a basketball with the brand name `Wilson`. When Britney hoists him into position above her he `hangs` because  it`s pause for thought and not `volleyball`. `Wilson` isn`t Twain`s Puddin` but Heinlein`s and she`s the `Poddy` of his work. Britney`s from Marand her spaceman being introduced to her `Poddy`, which means that `Wilson` isn`t her twin and `Poddy` is a real friend. If it`s a suspense story, Wilson didn`t do it, but he wanted to. But he couldn`t decide whether to eat Britney`s `Puddin` and, in terms of the video`s `logic`, he was `in two minds` over her  Poddy.


1 Red Dragon, .

2 Usher, Robin `Male and Female he Created them Both: Beyond Archetypes in Foundation: The International Review of Science Fiction, The Science Fiction Foundation, ISSN: 0306-4964258, # 112, Autumn, 2012.

3 Rosicrucianism, .

4 Rosy Cross, .

5 Tindley, Charles Albert `We Will Overcome` in The People`s Song Bulletin, 1947.

6 Santayana, George Reason in Common Sense, volume 1 of The Life of Reason,1905.

7 Powells, .

8 Herbert, Frank .

9 10:49, Monday, 5 March 2007, .

10 Hathor, .

11 Virginia Tech massacre, .

12 VOA, .

13  King, Martin Luther `I have a dream`, 1963.

15 Hadith, Chaucer, Geoffrey The Parson`s Tale, 1390.

16 'Kaspersky Lab Invites Contributors to Help Solve Gauss Mystery', Digital News Asia, .

17 Pioneers, .

18 Logan's Run .

19 Hesiodic Aigimios, fragment 294, reproduced in Merkelbach and West 1967 and noted in Burkert 1983:167 note 28.

20 Naiad, .

21 July 16th, 1999.

22 Sailor Songs .

23 September, .

24 Red Heifer, .

25 The Dam Busters .

26 Ajna chakra .

27 Episcopal see, .

28 13th Amendment to The Constitution of the United States of America, .

29 Twain, Mark .

30 John F. Kennedy’s Presidential Inaugural Speech, .

31 Formal salutations from large gatherings of US Marines in the presence of the President or other notable figures. Lance, Steven Vulgarian Goulash: Second Serving, `Here I been thinkin' she's a prude an' she's been out back barin' her hoo-hah the whole fuckin' time,` 2004, p.85.

32  Heinlein Society .

33 Snake eyes, .

34 Bright, R. A., ‘The Woman On The Sword’, .

The Saddamite; a psychopathology profiled: sadism, sodomy, BDSM and AIDS

01/01/2012 14:51

The Saddamite; a psychopathology profiled: sadism, sodomy, BDSM and AIDS


At the last supper, Jesus offers the disciples `bread and wine`, which is the `body and the blood`  in the transubstantiation1 of the Catholic Mass in which the churchgoer accepts the Holy Spirit. It is the acceptance of `God`s love`, the Paraclete (1 John: 2.1), born from the side of Jesus – in the same way that Eve is from Adam`s side – when Longinus` spear cuts open Jesus` side, and she`s `given` by God upon Jesus` Ascension to Heaven.

 Upon the cross Jesus is `the body and the blood`, but not to the Christians. To the sadists, Jesus is a masochist and, for homosexuals, a homoerotic image of sado-masochistic fantasy. The helplessness of a man with another man`s spear in him. This is Jesus`body and blood` in Satanism, which is sadism and sodomy.



 In combination, sodomy and sadism derive from the name of the Marquis De Sade (1740-1814) who`s synonymous with torture and, indeed, wrote a novel 120 Days of Sodom (1785). What is the Marquis De Sade`s is AIDS as the bane of the 20th and, so far, the zeitgeist of the 21st century. It`s a `blood disease` and, although Jesus` cross represents Redemption, the obverse meaning of the imagery is temptation to sadism - and homosexuality, which is sodomy.



 In Eden, God says there shall be `enmity` (Gen: 3.15) between the serpent`s `seed` and the `seed` of the woman, for having Adam and Eve eat of the `fruit of the tree of the knowledge of good and evil` (Gen: 2.9). The serpent`s `seed` is the `seed` of sadism (blood) and sodomy (semen, and excrement) and the woman`s `seed` is for innocent progress and development – peace and love.



 Men promulgate the idea of the `devil` as evil, because `to devil` means `to impede development`. They impede development and so represent `devil-opment`, which is the negative of the photograph, as it were. Woman is the Creator`s Producer and Product – Civilization – and so is positive development. Men are the `devil` that they idolatorize as themselves; that which they depict as the `devil` is actually God`s `developer`. In her spiritual realm, Woman is the Paraclete, the Holy Spirit, working to create, produce and save.



 Jesus preaches Redemption because God doesn`t want to develop men`s `negative`, but Woman`s `positive` development. Men are fertilizer. 9/11 and Guantanamo Bay tells us that sadism (terror and blood) is what they want, and its attendant `sterile waste` metaphor - sodomy (AIDS as fertilized faeces, rather than foetus).



 Jesus is the `Son of Man` (Matt: 26.64) and `the Second Adam`, and according to the Bible his crucifixion represents Redemption from sin - which is `original` in Eden. The sin of the serpent`s `seed` is AIDS in the 21st century, a reification of the Evil One. Jesus is the `enmity` of the woman`s `seed` towards evil, which means Woman is the eternal enemy of the `seed` of the serpent – which is sadism - and the spear of Longinus` cutting open of Jesus` side is a projection of the power of the serpent`s `seed` to give AIDS to Woman in the 20th century. The Holy Spirit - as the Paraclete - is `God`s Spirit` in Woman as the `teacher, guide, comforter and helpmeet`. She is by man`s side as the Paraclete, but the spread of AIDS through blood, semen, and excrement is a part of the `enmity` the serpent`s `seed` has for her.



 It is a paradox that Jesus on the cross is a sado-masochistic homoerotic icon while simultaneously being the act of Redemption from sadism and the serpent`s `seed` of sterile sexual aridity: torture, AIDS, sterility, and death. It is reminiscent of Revelation, and the four horsemen of the Apocalypse: war (torment), pestilence (AIDS), famine (sterility), and death.



 The red dragon of Revelation lies in wait to eat the child born to the `woman clothed with the sun and with the moon at her feet` (Rev: 12.1-18). He is the epitome of the devourer, which is what men are - eaters of Woman`s product - Civilization. The dragon is a father, and the meaning is that God is the parent - men aren`t. They are `war, pestilence, famine and death`, whereas Woman is `teacher, guide, comforter and helpmeet` (the Paraclete in both physical and spiritual realms). She is Civilization because it is her Product, and men destroy it periodically, that is, it is eaten by men pretending to be fatherly on behalf of God, God`s Producer as Woman and God`s Product as Civilization.

 The child born to the `clothed` woman `rules the nations with an iron scepter`. She is `God`s love` and he is `God`s law`, which enforces the teachings of the Holy Spirit, the Paraclete, so that the good can have Redemption and the evil are kept from harming them; because they would. This is why Jesus` crucifixion is a paradox. From the evil`s point of view, he`s a sado-masochist, and from the good`s perspective, he`s an actuator of God`s awakening. God gives the Earth the Paraclete and takes Jesus to prepare him for his Second Coming and his extermination of the Evil One as a continued threat to innocence, progress and development, which is the American Dream and Manifest Destiny.



 Christianity fails to understand that sadism and sodomy are what evil is – exactly that. Jesus represents the knowledge that God is love, which means that woman`s body is good and, as `teacher, guide, comforter and helpmeet`, she is doubly good. Sex per se is good, that is. In Islam, Jesus` Ascension doesn`t follow from crucifixion or death. Jesus is `translated` into heaven. In Christianity Jesus isn`t married, but in Islam it isn`t a consideration. Jesus` privacy isn`t even considered. If he is married, it`s what the Christians call `marriage in the sight of God`, which was Adam and Eve`s. Before the `Evil One` tempted Eve to eat of the `forbidden fruit` of the `tree of the knowledge of good and evil` in Eden. Adam and Eve were expelled from God`s Paradise for accepting the poison of the `serpent`s seed`. It`s important to Christians that Jesus is without a woman, because of the Holy Spirit effectively emergent from his side by spear birth as the Holy Spirit/Paraclete. The womanlessness of man is an archetypal symbol of the spiritual/intellectual development of mankind without sex, which was relevant 2000 years before space travel. Because the denial of carnality was necessary if space rockets were to be developed by 1969 and Neil Armstrong could proclaim from the moon:


`One small step for a man, one giant leap for mankind.`



 Although `Woman` is necessary, because all development springs from her womb, the `serpent`s seed`, that is, men, don`t want the `woman`s seed` to escape from her enslavement. Consequently, the `Evil One` in the Garden of Eden represents the men who`d deny mankind the blessings of `Woman` in order to force humanity into spiritual/intellectual developments such as the intercontinental ballistic missile (ICBM) rather than send a human to Mars. In symbolic terms, the `serpent`s seed` would rather destroy her on Earth than conceive of the colonization of Mars and an end to the Roman war god`s depredations. However, in the Christian Bible the evil are depicted as warring in heaven with the `woman`s seed` while she`s `hidden` upon the Earth. The `serpent`s seed` receive eternal unendurable pain as their punishment from God and the `woman`s seed` receives a new heaven and Earth. The war god Mars is defeated. However, because violence is the valence of men, `Woman` as a species with her own penis is God`s new valence, which suggests that men are the `serpent`s seed` and `woman`s seed` will supercede it because male semen is merely a vehicle for an evil parasitism.



 Pop star Britney Spears describes herself as `Miss American Dream since I was seventeen` in the lyrics to Piece Of Me (2007) and the cover of the CD single features her as a Christ-figure on the cross. The spear of Longinus is missing from the picture because Britney is representing herself as the Holy Spirit/Paraclete already born from Jesus` side. In other words, she`s `Woman` born from Adam`s side in Eden and from Jesus` side at the crucifixion: a spiritual being wherever she is. She`s the Holy Spirit/Paraclete by one`s side that guides one to spiritual/intellectual growth. Although the spear of Longinus is a symbol of birth, it`s also a symbol of men`s piercing of the veil of `Woman`, that is, the female Holy Spirit/Paraclete by the side of humanity, which is a piercing of the veil of death in the spiritual realm where she persists.

 Longinus` spear`s piercing of Jesus` side is symbolic of men`s approach towards `Woman`. They`re looking to kill her. Even though she`s `teacher, guide, comforter and helpmeet`, which is why Jesus is a symbol of Redemption and future punishment. Because `Woman` is a species with a penis of  her own as `futanarian` (, Britney Spears on the cross on the cover of Piece Of Me symbolizes `Woman` born without the `serpent`s seed`, that is, male semen, because `futanarian` woman will replace Adamic man with God`s new species if men don`t accept the teachings of her Holy Spirit/Paraclete and convert from evil towards her. On the cover of Piece Of Me Britney Spears has replaced the spear of Longinus with herself as the symbol of the Holy Spirit/Paraclete as the spears of God`s new species of futanarian Woman. In the Bible the `woman clothed with the sun and with the moon at her feet` is `hidden` because she has her own penis and is a species, which men would kill if they could:


`Men gnawed their tongues in agony and cursed the God of heaven but they refused to repent of what they had done.` (Rev:16. 10)


 Men don`t want the species `Woman` even though the story of Eve from the side of Adam and the Holy Spirit/Paraclete from the side of Jesus indicates that `Woman` is both the physical and spiritual nature of God`s future, that is, `futanarian`, species of humanity. Jesus was born from the Virgin Mary without the evil `serpent`s seed`, that is, male semen, because `Woman` is to be self-reproductive and self-productive. Jesus represents mankind`s last chance but not humanity`s. Although Jesus describes himself as `the son of man`, he`s the child of the `woman`s seed` insofar as he prefigures the birth of woman as a species without male semen. Britney Spears Oops I Did it Again (2000) synonymically refers to `side` and `hid` because she represents the `hidden` woman of Revelation that men don`t want. She`s `hidden` because of what mankind has already done to her. Men would murder her in their fear of being replaced by God. Concealing what they do, they hide from her and God`s vengeance.



 As `Miss American Dream` since the USA`s Declaration of Independence from the British Empire in 1776 the archetype of `Liberty` is discernible in Britney Spears` oeuvre because her name is prophetically linked with the multi-faceted spears of the Holy Spirit/Paraclete placed by God at the side of each woman to nurture her species` development. The motto of the United States of America is e pluribus unum, that is, `one of many`. So Britney Spears represents the multi-valences of the spears of the Holy Spirit/Paraclete born from Longinus` spear, that is, the `Spear of Destiny`. Britney`s appearance on the cover of the CD single Piece Of Me points towards fulfilment of the American Dream and the USA`s Manifest Destiny through acceptance of `Woman` as the Holy Spirit/Paraclete:


`If I said my heart was beating loud
.If we could escape the crowd somehow.
If I said I want your body now.
Would you hold it against me?` (2011)



 Hold it Against Me is Britney Spears` contemporary artist`s referencing of the spear of Longiinus as the `Spear of Destiny`. In the midst of the crowd, Longinus` spear attempted to pierce the still beating heart in the side of Jesus to effectively give birth to the Holy Spirit/Paraclete that has been the spiritual/intellectual valence of humanity ever since. `Woman` at the side of mankind is meant to be held and not pierced by a spear. Although the male valence is penis as piercing spear, `Woman` is not meant to be pierced by weapons. Consequently, `futanarian` woman with a penis of her own has her own piercing spear and, although Britney Spears is depicted as fighting against herself in Hold It Against Me, the valence of the species `Woman` isn`t to use herself as a weapon against herself.



 The Bellamy Brothers pop group sued Britney Spears for `plagiarising` their single `If I said you had a beautiful body would you hold it against me?` Later the Southern Belle from Louisiana recorded If You Seek Amy as her response. In the CD video single she`s Southern Belle Amy. The song`s title is translatable as `F*U*C*K me` because that`s what the penis is for.  Human beings have only two physical valences: eating and ejaculating. Obviously Hold It Against Me is a unique recording and the line `If I said you had a beautiful body would you hold it against me?` is in the public domain because it`s usage is so common. Consequently, The Bellamy Brothers` suing of Britney Spears represents their desire for more money to eat and ejaculate. As Britney Spears doesn`t want to be eaten, that is, speared, by mankind`s penis` desire to manufacture itself as a killing weapon, her solution is `F*U*C*K me`.



 The theme of the woman taken from the side of Adam in Eden, and Jesus` difficulty in winning her return to mankind`s side, is the human epic. `Woman` resides by the side of mankind from the spiritual realm as the Holy Spirit/Paraclete, and emerges therefrom as `teacher, guide, comforter and helpmeet`. The spear of Longinus announced mankind`s intention to enter the spirtual realm by piercing Jesus` side after his death. As the Holy Spirit/Paraclete in the spiritual realm, `Woman` is there to effect Redemption for man; if man accepts her teachings and Jesus`.



 In Catholicism the `Assumption of the Vrigin Mary` is the assumption that Jesus` mother ascended to heaven because `Woman` belongs there by right of sufferance. The `seed` of `Woman` as a spiritual and physical species with her own penis as `futanarian` is assumed to be redeemed if Catholic dogma is to be interpreted correctly. `Woman` is humanity but the `serpent`s seed` is men`s. Mankind`s Redemption is dependant on the emergence of the `hidden` woman and her futanarian `seed`. If mankind doesn`t accept her, it`s perdition for attempted species genocide:


`Vengeance is mine`...says the Lord.` (Rom: 12.20)



 In Jesus` Second Coming, he kills Satanism with his Sword. It is God`s vengeance, but not Jesus`. He is the instrument and although it is a necessary action it is a dispassionate despatch of the Evil One. It is, however, Jesus` triumph. The `marriage of the lamb` in heaven with the `bride` is the wedding of `Woman` as a species with herself where there are no paparazzi to spy and men can have no conception of what it may be.

 In Eden, the serpent spies on Eve and, effectively, wants to see her naked without Adam, so he tempts her to `know` him. She wants to be `known` but wants Adam to be by her side during the affair, so gives him the `fruit` and invites the serpent to `know` Adam. Adam and Eve perceive their nakedness before the Evil One, and understand that they are to be `known` by him. She wants Adam by her side as the `safe haven` of civilization while she waits for the Evil One`s `serpent`s seed` to manifest.



 In God`s sight Adam and Eve are innocent; progressing and developing without threat, which is the American Dream and Manifest Destiny. In the sight of the Evil One, they`re innocent; progressive and developmental in spite of being threatened. The `marriage of the lamb` in heaven in Revelation means beyond the eyes of the Evil One, and so the American Dream and Manifest Destiny is fulfilled.



 Revelation indicates what Jesus` marriage isn`t: sadism and sodomy. `God is love`, as Jesus tells us in the New Testament, so Jesus` remarriage with the Paraclete`s omnipresence means the marriage of `Woman` in God where noone but God sees her. Christianity would seem to want to deny Jesus a wife because he`s represented as celibate, but Revelation celebrates the `marriage of the lamb` (Rev: 19.7-9), which is identified throughout the Bible as the Messiah. The Christian epic seems to be concerned with who sees the bride. Just as the story of Genesis was concerned with Adam`s being alone with Eve before the serpent saw her.



 In Christianity Jesus` marriage is `public` but his performance in bed isn`t describable. Because the Christian perspective holds that Jesus must remain celibate, the male members of the church as Jesus` bride are against reproduction for the `son of man`. However, if the bride is `Woman` as a species, the male members of the church are excluded. Jesus` celibacy is assured but mankind goes to hell for seeking to prevent the human species from continuing. In the transubstantiation symbolism of the Catholic Communion, bread and wine as symbols of Jesus` body and blood are consumed by the parishioners in desire for transformation. If the human species is `Woman` with a penis, Redemption implies translation of the male form into the female. Because Jesus was born from the Virgin Mary without male semen, Mary prefigures the woman with a penis` whose `seed` is the species and doesn`t need mankind for its future.



 It`s the unspoken tenet in Christianity that Jesus is celibate and virgin. Why should he remain so? Jesus Redeems from sin by means of his `body and blood`, and Redemption is what Christians want. But the `body and blood` is sadism and sodomy to the irredeemable, who have eternal perdition. It is what Jesus` crucifixion meant. The angle of perception determines where the evil lies. The crucifiers represent the evil that`ll have perdition.



 Jesus is Redemption and the evil `crucify` as the camera `angle` of the 21st Century paparazzi  crucifies those in the `public eye` by spreading lies, which is `bearing false witness`, and the equivalent of `bearing a sword` that is of the Evil One`s intelligence. In Piece of Me (2007) Britney Spears wears a small sword and the video is a critique of the paparazzi. The cover of the single features Britney Spears on the cross as a Jesus figure. As a symbol of the Holy Spirit/Paraclete, she`s a `sword trainer` and, as the camera lenses are training their eyes on hers, so she`s training her Sword, Jesus`, on theirs. In terms of the crucifix as `Sword` technology, Britney Spears is the representative `Woman` and the lenses of the  paparazzi are her crucifiers.

 In Indiana Jones and the Temple of Doom (1984), Harrison Ford shoots a swordsman preparing to fight him with a sword. His weapon is less complicated to use and he murders a developing soul. In cinematic terms, he`s glib despite his opponent`s offer to communicate. In Revelation the sword that comes out of the mouth of Jesus is the symbol of Jesus` ability to command. The sword from Jesus` mouth is emphasized because he isn`t glib, whereas glibness is the valence of weapons that bring instant death. Such irrevocably `glib` weapons are the instruments of cowards. As the Logos Jesus commands progress and development. Although male technology is a threat to `Woman` and human art, civilization and culture, the birth of the `New Redeemer` from the `woman clothed with the sun and with the moon at her feet` in Revelation while the `red dragon` (Rev: 5.12) waits in vain to devour her child suggests the triumph of Logos and the ability of the `New Redemer` to communicate and command on behalf of `Woman` won`t be threatened by weapons of instantaneous death wielded by glib cowards.

 The Sword of Revelation isn`t symbolic, it`s superior technology. Here on Earth is sadism and sodomy, which is what evil is definable as. The paparazzi, for example, are `buggers` who invade privacy. As the serpent did in Eden to reveal Adam and Eve`s nakedness. The `marriage of the lamb` in Revelation is God`s promise that the bride won`t be seen in heaven by the `buggers`. As the `Woman` of Revelation leaves Earth, she `bruises the serpent`s head with her foot` and escapes the machinery of damnation. The serpent represents evil and doesn`t want `Woman`. In ancient Greece `Woman` was enslaved by greek pederasts for the purpose of spreading its contagion of war. The male serpent`s semen wants its `seed` to be the `buggers` of `Woman` as a species and spy on her. A euphemism for a homosexual pederast is a `bugger` because `Woman` is the species men don`t want to develop and so she is spied upon. The HIV/AIDS` virus is homosexual pederasty`s `seed`, that is,  a biological weapon against her `host` womb, which encourages her to perpetuate heterosexual monogamy rather than perpetuate her own species. Consequently, the `seed` of `Woman` with a penis of her own is sterile because `hidden` and so scarce. Because the `buggers` of the paparazzi cameras are the spies of homosexual pederasty that `bear false witness`:


`Now are you sure you want a piece of me? (you want a piece of me)
I'm Mrs. 'Most likely to get on the TV for strippin' on the streets'
When getting the groceries, no, for real...
Are you kidding me?
No wonder there's panic in this industry
I mean please...
Do you want a piece of me?`


 Even American Magazines like Hugh Hefner`s Playboy or Playgirl don`t feature women with a penis because it`s a threat to the hegemony of homosexual pederasty and the camera lies. If a woman has a penis she knows wwhere it should go. Equally the male penis knows where it should go. Consequently, desire for woman isn`t gender specific but universal. Moreover, the desire of `Woman` for herself is more legitimate because the penis is hers and it desires her because she`s the human species. The woman who looks at herself in the mirror doesn`t crave a man: the penis craves her. And it isn`t confined solely to the male. But the paparazzi lies. `Woman` is attracted to herself as `futanarian` woman with her own penis. But there are no educational or media depictions of the glamorous `futanarian` babe because the paparazzi are the spies of homosexual pederasty seeking to maintain its enslavement of `Woman` and continue with its contagion and war upon her Earth. The red dragon of Revelation waits to devour the `New Redeemer` born to `the woman clothed with the sun and with the moon at her feet`. It waits in vain to `snap` because the paparrazi can`t lie before God.



 The child is `he who shall rule the nations with an iron scepter`, which is the enforcing of God`s law in order that `God`s love`, that is, `Woman`, shall prevail. The moment is encapsulated by the paparazzi `dragon`, but the meaning is obscured. Clothed with sun (male) and moon (female), she`s hermaphroditic and futanarian, that is, `Woman` with her own penis, and she bruises the head of the dragon with her `fut`. Men hide `futanarian` woman from her own species `Woman` because she doesn`t need men. She`s separate and men prey on her when they`re not being parasites upon her `host` womb as God`s enemies. As God tells the serpent in Eden, there`ll be `enmity` between its `seed` and hers, because she has a penis of her own and men don`t want her to. The paparazzi train their lenses on `Woman` like guns, because they are devourers and that`s what they`re training for. To kill her and everything she has produced for God, her creator, that is, the art, civilization and culture that is from her womb upon the Earth.



 Britney Spears` (1982-) sword worn as a pendant in Piece of Me is better technology. It symbolizes the smallness of mankind who`ll devour `Woman` because she might grow. In terms of cameras, men are negatives. As the `red dragon` that `snaps`, the paparazzi are the `buggers` who spy while preparing to devour Britney Spears` and the species of `Woman` with her own penis as well as the Earth. The paparazzi are the representatives of an alien hegemony of homosexual pederasty and lies. However, if men won`t develop God can. Jesus` Redemption from men is the saving of `Woman` and her developmental potential. Because she`s the producer of God`s product, that is, human art, culture and civilization. In Revelation it is written `the number of the beast is the number of a man.` Because a man is a beast if God decides mankind is iredeemable. In Genesis the serpent tells Adam and Eve, `You shall be as gods.` If Adam and Eve eat of the fruit of the `tree of the knowledge of good and evil`. But God is a human God, that is, it is better to be God`s than enslavers of the human species of `Woman` as alien parasites.



 Only by accepting Jesus can you have Redemption. He didn`t like being crucified. That is what he is redeeming from, and so acceptance of the Redeemer is what`s required because crucifixion is evil. Jesus is the Redeemer; not crucifixion. The fiction the evil promulgate is that crucifixion is Redemptive. Jesus teaches the law of God as `God`s love` (Luke: 10. 27), and the Holy Spirit/Paraclete is the `spirit of Woman` which inculcates the love of good. Because she is appetizing but not edible. In Eden the fruit is husbanded but the descendants of Adam represent the contagion of homosexual pederasty and war. `Woman` as a species is her own fruit and she won`t devour it, because she can cook. She is able. In Genesis Cain slew Abel for being able to cook. Because men don`t want development for other men. Jesus` Redemption is the perception that he was able, whereas men`s perspective is that woman cooks because she`s Abel. Men are Cain because they don`t want to develop and devour the potentially able `Woman` because her development would mean her escape from the cannibals` pot.

 Men aren`t cannibals, because `Woman` isn`t their species. Moreover, although Revelation describes the `red dragon` as the devourer, the parasite as vampire isn`t an adequate description of what the male homosexual pederast is. In the heart of Europe is Transylvania, which was a part of Greater Hungary until after WWI. In Hungarian `futanar` means the teacher who travels. As Jesus did. The vampire myth derives from the 15th century Transylvanian figure of Vlad who impaled his enemies on stakes after battle. In the media vampires are portrayed as immortal and eternally youthful and unchanging. But vampires are depicted as evil and stakes are used to end their lives. Longevity is perceived as dangerous because `Woman` might remember she has a penis if there are `futanarian` women old and desirably youthful enough to teach her. The stake is a symbol of the male penis that ends her life. Because her male enslavers don`t want the human species to live. Consequently, although the term isn`t so pejorative, parasite more accurately defines what men are while vampire and particularly `vamp` more carefully describes what `Woman` is:


`...a seductive woman who exploits men by use of her sexual charms.`



 In Revelation `MYSTERY, BABYLON THE GREAT, MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH` is mysterious only to those who don`t perceive that she is the victim of mankind`s enslaving of her for parasitism and men`s evil valence of homosexual pederasty and devouring warfare upon her Earth. Babylon is a victim and a `vamp` insofar as she needs must live with the parasites because she`s not aware of God`s plan for the development of her species `Woman`. Consequently, the figure of the `vampish` woman prefigures the anciently beautiful and immortal `Woman` as a species with her own penis that men have called `vampire`, whereas as parasites men more properly correspond to the term they have appropriated to describe her.



 The spear of Longinus in Jesus` side at the crucifixion is reminiscent of the stake in the heart of the vampire. Jesus` offer of the `bread and the wine` to his disciples at the `Last Supper` as his `body and blood` prefigures the torture of his body and the spilling of his blood. To his crucifiers he`s a vampire because he preaches immortality. In other words, longevity is associated with vampirism because it interferes with men`s parasitism. Acceptance of the `body and the blood` symbolically as the `bread and wine` of the Catholic Communion implies the conferring of immortality upon the `vampire`, that is, `Woman` as a self-producing species with her own penis, who is symbolized in Catholicism as the Virgin Mary who can give birth without contamination by male semen. The meaning of transubstantiation is transformation of the male into the female, which is prefigured by Jesus` `Passion` upon the cross as the `lamb` of God.



 The equation is a simple one. Men want to devour Woman and her product, which is civilzation, whereas the vampire wants to confer immortality and live with the beloved `Woman` forever. The `bread and the wine` are symbols of what they want together. The wine of love and the pleasure of sex. The `bread` as the `body` is sex without love, which is those who do not want `Woman` and her product, that is, art, civilization and culture. In Christian terms, if the body of `Woman` isn`t loved neither is the church as the `bride`, that is, art, civilization and culture. Lovelessness is the devourment of parasitism. For those who represent the `Evil One`, the `blood of Jesus` is life experienced elatedly at having taken, which is the bloodthirstiness of the sadist. In the guise of a `snapper` photographer, the `serpent`s seed` has grown into an aspect of the `red dragon` whose popular ascendancy depends upon its spreading of its contagion of sadism for those who want to watch the struggles and sufferings of its chosen victims:


 `My God! My God! Why hast thou forsaken me?` (Matt: 27.46)



 Jesus` horrified anticipation of extinction is what sadist`s try to make their victims experience. The Holy Spirit/Paraclete is the omnipresent `spirit of God` given to the Earth for Redemption through `God`s love` by means of `Woman`. The Holy Spirit/Paraclete is the immortal spirit of `Woman` present to those who accept God. The sadist wants to torture those with the `spirit ` to inflict suffering. Especially upon those who live in the spirit and, aware of one another, are awake to the sadist`s aim.



 Vampires are Christian insofar as their myth is of a long lived collective awareness with a shared spirit. In mythic terms, the long memory of the vampire means that the parasites of alien homosexual pederasty can`t persuade acceptance of the contagion of war, plague and death. In the vampire myths drinking blood from the body is the means of attaining to immortality, but Jesus advocates drinking wine and eating bread as symbols of his `body and blood` at the `Last Supper` before his crucifixion and death. In Catholicism bread and wine are symbolically consumed as Jesus` `body and blood` in the Holy Communion service of transubstantiation, which suggests a forswearing of parasitism while implying a tacit acceptance of the concept `vampire`.



 Acceptance of the Holy Spirit/Paraclete is the principle of transformation from parasite to immortal human, while the vampire that rends corresponds to the `serpent`s seed` grown into the draco of Revelation in fulfilment of the serpent`s promise to Eve in Eden,`You shall be as gods.` In short, Jesus corresponds to the immortal vampire insofar as longevity with awareness through memory of mankind is concerned. But Jesus` God is human insofar as God`s new species of `Woman` with her own penis isn`t a parasite. The serpent`s exhortation to Adam and Eve, `You shall be as gods,` is an encouraging of them to be inhuman and non-human, that is, the aliens of homosexual pederasty and its contagion of devouring warfare. Consequently, God is human but no longer mankind because men aren`t kind. The `woman`s seed` is the future, that is, `futanarian` woman with a penis of her own as a self-reproducer and producer of art, civilization and culture without men. God`s omniscience is that mankind will be superceded by humanity because men are now evil. Those who accept God are God because God is humane and Redemption for mankind is `Woman` because she`s the human species. If mankind doesn`t accept her as the physical embodiment of the Holy Spirit/Paraclete, that is, `teacher, guide, comforter and helpmeet`, but makes `war in heaven` against the `woman`s seed` (Rev: 12. 17) because she`s independent as `futanarian` woman with a penis of her own, she`ll have a `new heaven and Earth` while the male `serpent`s seed` receives perdition.



 Those who do not accept God are merely egotists who believe that other people have no significance other than to provide them with the opportunity to dominate and devour, which is what those who like sex are persuaded they are for; in BDSM and `snuff` movies, for example. In Arabia is the tradition of the `evil eye`, which is understandable if eyes are for seeing and the Evil One is the `evil I`, that is, the ego that perceives all others as not itself, but is perceived by other individuals - as Adam and Eve perceived it in Eden - as watching with egotistical aims of domination and devourment. Pornography is simply a depiction of the only physical valence human beings possess apart from eating, but humans are taught by the aliens of homosexual pederasty and enslaving war`s contagion that the male penis is pornographic and shouldn`t be seen. Because `Woman` has a penis of her own and, if the penis were liberated, `Woman` as a species would be visible.



 Pornography is definable as evil because men are present therein as parasites upon the flesh of `Woman` who, if she knew she were a species with her own penis, wouldn`t need men at all. In other words, pornography is a valence of homosexual pederasty`s enslavement of `Woman` as a species insofar as it represents the `big lie` that men are humans while they`re actually the evil parasitical alien enslavers of the human species. Pornography is sex education, but with man and woman together. Although sex is jpart of `God`s plan` for mankind`s and humanity`s Redemption, pornography is used to present ignorance as the desirability of remaining innocent, whereas heterosexual education actually signifies the devilling of progress and the devourment of development for `Woman` as a species with her own penis and self-reproductive valence. `Woman` is the future of production and economics but, to be a part of it, mankind would have to accept `futanarian` woman. So far men haven`t and, according to Revelation, the consequence is perdition.

 The `red dragon` of Revelation waits to devour the child who is to dominate on behalf of the woman who gives birth. The child is a dominator, and the dragon is a devourer. The woman will be dominated and devoured, that is, her art, civilization and culture, if the child does not adhere to the conditions of his rulership, which is to protect futanarian `Woman`. Because she represents the human species` future development. Consequently, the `New Redeemer` casts the `Evil One` from heaven and protects the `hidden` woman`s `seed` upon the Earth until she`s ready to emerge. In Genesis the `woman`s seed` is described as leaving the Earth and `bruising the head of the serpent with her foot`, which could coincide with the emergence of her `futanarian` sister . The `Evil One` remains upon the Earth and Jesus` `Second Coming` as the `Sword` of God condemns those who have accepted the evil `serpent`s seed` of sadism towards the enslaved species of `Woman` to perdition, which is unendurable eternal pain.



 God`s creation of a new heaven and Earth signals an end the dominating and devouring by men of `Woman`. She`s God and the Holy Spirit/Paraclete, which is `the marriage of the lamb`. The evil can never see the `futanarian` marriage of `Woman` with her own penis to  is, herself, and so what occurs must either remain conjecture; or a war will ensue waged by the evil to see what God doesn`t want them to. Because the evil are the parasites that mankind has become and don`t want the human species of futanarian `Woman`. If they found her, they`d blind her, that is, occlude humanity from its own art, civilization and culture. By murdering `Woman` as a species with her own penis, the evil would take control of her `secret places` and Earth would become her prison. Reimposing `concentration camp` enslavement, the devouring `red dragon` of homosexual pederasty would continue its war against her. In Revelation the `red dragon` waits in vain to devour the child born as the `New Redeemer` with the `iron scepter`. He rules to protect `futanar` woman. If `Woman` wasn`t accepted, the `red dragon` would dominate, enslave and devour her. However, because it `waits in vain`, God`s futanarian `Woman` with her own self-productive valence is new improved humanity and her success is certain.



 When offered the Earth by the `Evil One` while preparing for 40 days in the desert for his teachers` `Mission` to preach the `Word of God`, Jesus replied: `Avoid me.` As a teacher he speaks, but afterwards he comes in Revelation with the Sword. So Jesus avoids evil until he is ready to be a hero. The Bible is the epic engagement of mankind with the forces of evil and Jesus` defeat of the `Evil One` by means of the Sword that wins his `bride`, that is, the `church` after the epic engagement, is the conversion of Jesus` established Christian church to `Woman` as the human species with her own penis. The `marriage of the lamb` is `Woman` as the human species, and `suffer little children` is Jesus` maxim because he could teach them:


 `Jesus Christ! Superstar! Walks like a woman and he wears a bra.`3



Jesus Christ Superstar (1971) was written by composer Andrew Lloyd Webber and lyricist Tim Rice and was a popular playground theme at primary schools. The actual lyric is, `Jesus Christ! Superstar! Do you think you`re what they say you are?` The playground rhyme is Revelation insofar as it represents the subconscious emergence of the truth of Jesus` teachings and the role of `Woman`. If the future of humanity is `futanarian`, Jesus would wear a bra.



 The `marriage of the lamb`, which is Jesus and his `bride`, the `church`, is unknowable. Because the `serpent`s seed` since Eden represents the `enmity` of men towards `woman`s seed`, that is, the products of her own penis as futanar, she`s unknowable after the `marriage of the lamb` when the `woman`s seed` receives a new heaven and Earth from God and the `serpent`s seed` receive perdition as a punishment for attempting to thwart her. In terms of Redemption, mankind would have to accept `Woman` as the human species. If they don`t, God will occlude men from heaven and Earth.

 In Eden, Adam and Eve are describable as originally hermaphroditic: 'Male and female He created them both.' (Gen 1:27). Adam and Eve perceive themselves to be naked, because they are perceived by what isn`t God. The `Evil One`, whose `seed` will be the serpent`s, wants to separate the originally hermaphroditic pairing of Adam and Eve and torment them. Although the penis desires the woman, it is no longer perceived as her penis, which makes her womb `host` to the parasite that will devour her as an alien predator upon her art, civilization and culture in the shape of its undeclared wars against her, which is evident in its later stages of devouring parasitism as the `blood plague` of Revelation, that is, homosexual pederasty`s virality of HIV/AIDS` biological warfare. The evil serpent`s persuading Adam and Eve to eat of the `forbidden fruit` of the `tree of the knowledge of good and evil` so that it can `know them` is a metaphor for the separation of the penis of `Woman` from herself. The serpent of Eden represents the valence of evil homosexual pederasty that seeks to know mankind as the people of Sodom and Gomorrah wanted to `know` and were destroyed by God (Gen: 18, 19) because homosexual pederasty`s contagion is war and HIV/AIDS` biological warfare against the `host` wombs of `Woman` and the Earth it devours parasitically in its `developed` stage:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)



 HIV/AIDS` appearance in the latter stages of the 20th century was described as `an incurable plague of biblical proportions` because homosexual pederasty is evil and, according to Adam and Eve`s experience of the serpent`s poisonous nature in Genesis and Matthew, Mark, Luke and John`s description of Jesus` path to crucifixion in the Gospels, the valence of the `serpent`s seed` is to torment and sadistically torture the human species. Jesus` birth from the Virgin Mary prefigures self-reproductive futanarian `Woman`, that is, humanity, and men no longer qualify because they`ve accepted the valence of the serpent as theirs. Jesus was crucified because he was womanless. The side of Christ was pierced by the spear of the Roman centurion Longinus because Eve was from the side of Adam and Jesus was the `Second Adam`. Consequently, Longinus` spear was probing Jesus` rib to discover the hiding place of the `Second Eve`. The valence of the evil is to take the woman from the side of man, which is the `serpent`s seed` since Eden, that is, the serpent`s seeking to insinuate itself between Eve and Adam. In the realm of the spirit `Woman` corresponds to the Holy Spirit/Paraclete and the evil sepent`s seed wants to insinuate itself there also.



 In the Old Testament the Shekinah is the `spirit of the law` and she dwells within the environs of the Ark of the Covenant where the tablets of the law of God is kept. In terms of the New Testament of Jesus` teachings, the Shekinah corresponds to the Holy/Spirit/Paraclete, which means that the `voice` of God`s law is female. Consequently, if God`s law is to prevail, the Holy Spirit/Paraclete as `teacher, guide, comforater and helpmeet` sent by God through Jesus after his crucifixion and death, has to be listened to. Because `Woman` is the human species and unredeemed mankind no longer has a voice. Mankind`s voice is adulterate insofar as it seeks to take `Woman` from the side of `Man`. God`s `futanarian` species of `Woman` with a penis of her own constitutes an independent production, which can`t be separated from the side of herself. To attempt to do so is how God defines evil and so those who seek to thwart `Woman` by adultery are given perdition by God as punishment.



 Jesus` marriage as `the lamb` is what cannot be witnessed by the evil because it`s occluded, but they want to `know` the `bride` in sodomy, that is, through their valence of homosexual pederasty and warfare, which is why Revelation describes `war in heaven` between the `serpent`s seed` and the `woman`s seed` and the inevitable triumph of `Woman`. In Revelation Jesus` `bride` is identified as the `church` but, if humanity is to be `Woman` with her own penis as the human species, Jesus` bride and church won`t be mankind`s. The Christian perspective is that the church as Jesus` bride will rule in heaven for mankind. But God`s heaven is where God rules and `Woman` is the human species whose `marriage with the lamb` of her own church isn`t necessarily mankind`s but is humanity`s.



 Men are rebels against God if they think they can rule in God`s stead in heaven, which is why the serpent in Eden has `enmity` with the Woman; because it rebels against God. Eve, in the guise of the Holy Spirit/Paraclete is the `Second Eve` from the rib of the `Second Adam`, Jesus. By virtue of Longinus` piercing of Christ`s side at the Messiah`s crucifixion and death, that is, spear birth. The `Second Eve` is preparing to teach mankind Redemption, and to guide mankind along the path of God. Before Jesus` `Second Coming` in Revelation with the `Sword` to deliver `Woman` from sadism and sodomy, that is, the evil `fruit of the tree of the knowledge`, which the serpent originally tempted Eve with in Eden. The `knowing` of sodomy is antithetical to the `knowing` of the Holy Spirit/Paraclete, which corresponds to Jesus` distillation of `God`s law` as, `love your neighbour as you love yourself`, whereas the `red dragon` of homosexual pederasty`s valence is plague from the `host` womb of `Woman` and war against it and its products of art, civilization and culture. Sadists want to inflict pain on those who know each other in God because each can see the others with the eyes of the Holy Spirit/Paraclete. Jesus was crucified because the `serpent`s seed` didn`t want Christian knowledge, that is, `woman`s seed`, because the Holy Spirit/Paraclete would have eyes to see. As the number of Christian eyes grew so the number of evil eyes would dwindle. The evil wouldn`t be able to occlude the good and would be themselves extinguished.



 Those who `know` through the Holy Spirit/Paraclete have the sundering pain of separation from God because the evil want to `know` only sodomy and sadism. Only men are capable of sodomy so Redemption is for them. `Woman` can`t sodomize and the `Assumption of the Virgin Mary`2 in Catholicism underlines her essentially redeemed nature. She is assumed to belong in heaven since the beginning of creation. God`s punishment for anal sex is the `blood plague` of HIV/AIDS because homosexual pederasty is not only sterile but represents the enslavement of `Woman` as a species to further its valence of contagion through warfare by means of its boy sons, that is, its parasitical poisons against the Earth. Effectively, God destroyed Sodom and Gomorrah because homosexual pederasts don`t want a vagina of their own but seek to enslave. Consequently, God`s creation of `Woman` as an independent  species with her own penis is God`s final exclusion of homosexual pederasty from the creation.



 Upon the cross Jesus represents `Woman` and the desire of the `serpent`s seed` that mankind should have lived without her. The spear of Longinus pried into the side of Jesus to discover her. As the `Second Eve` the Holy Spirit/Paraclete effectively emerged from the rib of Jesus as the `Second Adam` when Christ`s side was pierced by the spear of the Roman centurion to continue the `Mission` as `teacher, guide, comforter and helpmeet` in promulgation of the teachings of Redemption through the love of God`s `Woman`.

 Redemption requires acceptance of the Holy Spirit/Paraclete, but the spear of Longinus in Jesus` side is a symbol of mankind`s desire to `know` her in homosexual pederasty. Men didn`t accept the teachings of Jesus but wanted to `know` Christ., and Longinus` spear seeking to discover the Holy Spirit/Paraclete by the side of Christ is a symbol of mankind`s desire to `know` her sadistically too.The Holy Spirit/Paraclete by the side of the `Second Adam`, that is, Jesus Christ, wasn`t visible. But the existence of the Holy Spirit/Paraclete is described as a reality in the Bible. Consequently, Jesus` torturers were tormenting a blind man who wanted to see. As `teacher, guide, comforter and helpmeet` the Holy Spirit/Paraclete corresponds to Antigone in the more ancient story of Oedipus who married his mother, Jocasta, and blinded himself because of the power of the incest taboo amongst the Greeks. Antigone, Oedipus` daughter, became the Holy Spirit/Paraclete for Oedipus as `teacher, guide, comforter and helpmeet` to his blindness. But Antigone`s selflessness is similar to Christ`s insofar as helplessness against the desire to be good is what sadism preys on. Antigone`s Christ-like desire to help self-blinded Oedipus is the evil`s mockery of `Woman`, who wastefully uses her eyes to guide men who don`t want to see rather than develop her own species` valence.

 Homosexual pederasty and enslavement of the `host` wombs of women to further spread their contagion of war was the basis of ancient Greek society. Recognizing that `Woman` was a species with her own penis would have been an eye-opener. Consequently, homosexual pederasty would have to blind mankind to that realization in order to maintain its parasitism and enslavement of the `host` wombs of women. The story of Oedipus, Jocasta and Antigone, which the dramatist Sophocles portrayed in Oedipus Rex, is an explication of homosexual pederasty`s blindness and blindings. According to Jesus, `love your neighbour as you love yourself` was a self-evident truth because you are your neighbour, and so Oedipus` marriage to his mother Jocasta is, in Christian terms, `love your neighbour as you love yourself`. But the strength of the incest taboo causes Oedipus to not want to see. Because nausea and disgust at `Woman` is one of the methods employed by homosexual pederasty. In preventing `Woman` from being seen as the human species with a penis of her own, that is, with an independent reproductive and economic valence, the devouring monster of homosexual pederasty ensures the breeding of `boy sons` for the spreading of its contagion of warfare, which in the latter stages of the 20th centrury had developed into the `poisons` of HIV/AIDS. The `boy sons` of the `red dragon` of Revelation were spreading its `poisons` in `biological warfare` against the wombs of women who`d been the hosts to its parasitism.

 The Roman centurion Longinus` spear probing the side of Jesus for the Holy Spirit/Paraclete by Christ`s side is a precuror of the mocking of the blind by those who can see because they have put out your eyes. Just as Oedipus can`t see that he is Jocasta, and homosexual pederasty`s incest taboo tells him he mustn`t, because then he`d know God`s `Woman`, so Jesus` Holy Spirit/Paraclete is `teacher, guide, comforter and helpmeet` for those who want to see. Consequently, the aim of the evil is to blind and torment. If Eve was from Adam`s side in Eden and Jesus was the `Second Adam` from whose side pierced by Longinus` spear effectively emerged the `Second Eve` as the omnipresent but invisible Holy Spirit/Paraclete, adultery would be the `Original Sin`. Because the Holy Spirit/Paraclete as `Second Eve` from the side of Jesus as `Second Adam` would be the `spirit of Eve` taken from Adam`s side by the evil serpent of Eden. Jesus couldn`t see the `spirit of Eve` because Christ was blind. But Jesus was born from the Virgin Mary as a prefiguration of the `futanarian` female with her own penis and capacity to self-reproduce without male semen. Consequently, although the serpent was able to take `Woman` from the side of mankind without its being seen, God`s omniscience prevails insofar as God`s providence and foresight reveals men`s desire is to be blind and without  `Woman`, that is, the human species, which is separated from mankind`s blinding because it doesn`t need men`s `seed` to see.



 Misers don`t want `Woman` to be seen or spoken to. The misers don`t have the `Sword` of God but the Sword of the misers, that is, the sodomizers, who don`t want the Holy Spirit/Paraclete to be seen or spoken to either. Because the Holy Spirit/Paraclete is `Woman` in the realm of the spirit. The Sword of the misers is a blinding weapon, which removes sightedness because homosexual pederasty is an enslaver of the `host` wombs of women and, if the teachings of the Holy Spirit/Paraclete guided mankind, the `red dragon` of war would be exposed:


`Look at the King! Look at the the King! Look at the King, the King, the King!
The King is in the altogether, but altogether, the altogether
He's altogether as naked as the day that he was born
The King is in the altogether, but altogether, the altogether
It's altogether the very least the King has ever worn.` The King`s New Clothes (1952)



The song from the Hans Christian Andersen Hollywood movie starring Danny Kaye is about a ruler who`s naked, but his entourage have convinced him he`s wearing the finest clothes until one morning they encounter a boy who doesn`t understand that he isn`t supposed to see. If a woman with a penis were to stand beside a woman without a penis and a king were to stand with her, it`d be The Emperor`s New Suit (1837) again. In biblical terms, the boy represents the `New Redeemer` `born to the woman clothed with the sun and with the moon at her feet` who rules with an `iron scepter` to protect her while she is `hidden`. Because the king in the Hans Christian Andersen folktale represents the paucity of the argument that mankind is protective of the species `Woman` because he can`t stand naked alongside her without his ridiculousness being evident. Consequently, blindness is what he wants. Lest his penis be seen to be inferior to that of the human species.



 The sodomiser employs the `Sword` of the miser to separate `Woman` from the side of mankind by means of her beauty, which homosexual pederasty encourages the eyes to view as more valuable than the environment. Consequently, the world becomes a mirror of evil in which woman`s beauty is all that remains of mankind`s depredations upon the Earth. `Woman` is the dwindling screen of desire. The less visible she is, the more she is desired. While the world collapses into wars of terrror, vendettas and plagues, the mirror of the Earth of `Woman` becomes more evil. Misers want their `treasure` to remain `hidden` because, as all art, civilization and culture emerges from the `host` womb of `Woman`, it is most valuable. However, if `Woman` is deemed to be of more worth than the Earth, it`s because homosexual pederasty`s `red dragon` wants to continue its war against the Earth while mankind remains blinded by the `hidden` beauties of `Woman`.



 In Revelation the `hidden` woman is protected before she leaves Earth and the `woman`s seed` receives a new heaven and Earth from God. Mankind as the miserly captors of `Woman` don`t want her to leave and would blind everyone to her existence. With the exception of cinema and magazine representations that, dwindlingly alluring over the internet, falsely encourage belief in the beauty of `Woman` rather than the Earth. Arousing the libidic energy of the human species` of `Woman` with a penis` sexual instincts which, transformed into spiritual and intellectual knowledge, has its desire for the stars diverted into intercontinental ballistic missiles rather than spaceplanes to take her to Venus, homosexual pederasty`s depictions of `Woman` are designed to inspire false hope in the future. But long enough for the misers to murder `Woman` rather than allow the human species` penis to escape its parasitical enslaver and devourer.



 The misers of sodomy, that is, the sodomizers, seek to replace `Woman` by the side of mankind with themselves as evil spirits and HIV/AIDS is a manifestation of the spirit of evil homosexual pederasty, which seeks to insinuate itself spiritually by means of anal sex in order to come between the soul of the individual and the Holy Spirit/Paraclete. In the developmental psychology of Carl Gustav Jung the soul of mankind is described as female, that is, the anima, whereas the Shekinah or `spirit of the law of God` in the Old Testament and the Holy Spirit/Paraclete that effectively emerges from the side of Jesus when pierced by the spear of the Roman centurion Longinus is the `Second Eve` from the `Second Adam` and so is female also. According to Jungian psychology the spirit of `Woman` is definable as a group of men to which the female ego responds. Jung calls this the anmus, and doesn`t ascribe to `Woman` the properties of a soul. If `Woman` is the human species with its own penis, the appearance of men in her psyche, that is, dreams, art and imagination, is as a predator upon her species, which explains her animus. Jung views the collective unconscious of humanity as the source of all creativity and inventiveness, that is, dreams, art and the imagination is the souce of civilization and culture. Consequently, the male imago in the unconscious of `Woman` exists as her devourer. Jungian psychology doesn`t detect her as having a soul because she is a soul and, in the realm of the spirit, she corresponds to the Shekinah or Holy Spirit/Paraclete as the `teacher, guide, comforter and helpmeet`. What Jung identifies as the animus of `Woman` isn`t her spirit at all but the soul-eater.



 In animist societies the camera lens is feared because photographers are perceived as soul-catchers. In the video single for Oops I Did It Again pop star Britney Spears explores the concept of the soul-eater. In her red pilot` suit she hooks her spaceman and winches him up above herself wearing a white bikini dress. Beside his space helmet are the tines of a giant`s fork, which is in accordance with the `giant` motif of the video. Britney descends inside a giant`s ring at the beginning because it`s `One small step for a man, one giant leap for makind,` which are the words spoken by Apollo 11`s Neil Armstrong as the USA`s first man on the moon from the NASA space programme in 1969. The camera beside his space helmet marks him as a soul-eater because the male`s supposed desire for `Woman` is conditioned and fake.

In symbolic terms, Britney`s the red sun of Japan and a kamikaze pilot because of the `woman clothed with the sun and with the moon at her feet` giving birth to the `New Redeemer` while the `red dragon` waits in vain to devour him. In historical terms, the sneak attack on the US Pacific fleet at Pearl Harbour by the red sun of Japan`s kamikaze pilots and the equally unheralded attack by Al Qaeda terrorists, whose symbol is the yellow moon, upon `Liberty` at the mouth of New York Harbour when hijacked planes crashed into the Twin Towers of the World Trade Centre on Manhattan island on 9/11 2001, is `the woman clothed with the sun and with the moon at her feet` giving birth in the jaws of the devouring male. In Oops I Did It Again Britney presents herself as the white female moon whereas the moon of Arabia is traditionally male. Recorded in 1999 Oops I Did It Again predates 9/11 2001 but the tines of the giant`s fork beside her astronaut`s space helmet and camera suggests that he represents mankind as the soul-eater and devourer of `Woman` as the human species and that this is what concerns her.

 In Jungian psychology Logos or the `Word of God`, which becomes Jesus as the Sword against the evil in Revelation, is male and is symbolized by the sun, whereas the moon is female and is identified as the principle of Eros, that is, relatedness and relationships, which is symbolized as the moon. If `Woman` is a species with her own penis as `futanarian`, her male principle is Logos and her female principle is Eros, which are symbolized in Revelation by the figure of the `woman clothed with the sun and with the moon at her feet` giving birth to the `New Redeemer` who will protect her with his `iron sceptre`. In Oops I Did It Again Britney Spears depicts the psychological mechanism of the male spirit, which corresponds to the animus of Jungian psychology, that is, the male imago to which the female is conditioned to react as if to sexual desire. If the male is a devourer of `Woman` as the human species, her initial conditioning is to accept a symbiotic relationship. The male`s latent stage is a masquerade of sexual desire masking its active stage of devouring parasitism. Because relationships and relatedness is associated with the female principle of Eros, which is symbolized by the moon, an attack upon the female moon by the male moon was predictable, and 9/11 was an attack upon `Liberty` by the yellow male Arabian moon of Al Qaeda.

 The symbolism accords with the biblical prophecy of `the woman clothed with the [red] sun [of Japan] and with the [yellow] moon [of Al Qaeda] at her feet`, which signals the birth of the `New Redeemer` after the defeat of Japan in 1945 and George W. Bush`s declared `War On Terror` (2003-) against Osama Ben Ladan`s Al Qaeda. But the symbolism of `the man on the moon` is of a parasitical devourer keeping `Woman` as the human species imprisoned upon the Earth in order to periodically consume her art, culture and civilization. In Revelation God gives the `woman`s seed`, that is `Woman` with her own `futanarian` penis, a new heaven and Earth, while the parasitical non-relationship with men as the feigned symbiosis is dissolved and unredeemed mankind receive perdition as punishment.



 In the Bible God destroys the `cities of the plains` (Gen: 18, 19), that is, Sodom and Gomorrah, because of homosexual pederasty and its spreading of its contagions. At the beginning of the 21st century New York and the Pentagon were the suicide targets of terrorist passenger plane hijackers and so corresponded to the `cities of the planes`.  In 20th century terms, Gomorrah was `Camorra`, which is `mafia`. The atttacks on Pearl Harbour by the red sun of Japan`s kamikaze suicide pilots in 1945, and on `Liberty` in New York Harbour by the yellow moon of Al Qaeda`s kamikaze plane hijackers in 2001, were aspects of `the cities of the plains`, that is, Sodom and Gomorrah, insofar as Pearl Harbour and New York Harbour represented acts perpetrated by the `red dragon` of homosexual pederasty (Sodom) and devouring war, and the vendetta of `Camorra` (Gomorrah). If the USA`s destruction of Hiroshima and Nagasaki by dropping atomic bombs from planes to end WWII effects a correspondence between those `cities of the planes` and the `cities of the plains`, that is, Sodom and Gomorrah, Pearl Harbour and `Liberty` in New York Harbour on 9/11 represent the beginnings of God`s victory over Sodom and its `red dragon` of homosexual pederasty and war, and vengeance against Gomorrah`s baleful moon of `Camorra` and perpetuation of mafia vendetta.



The `Camorra` motif in The Godfather (1972) Hollywood movie about the mafia starring Marlon Brando is of the puppeteer pulling the strings of terror and vendetta, which denies `Woman`, that is, God`s Holy Spirit/Paraclete as `teacher, guide, comforter and helpmeet`, in favour of the evil spirit of `action` represented by the `boy sons` of homosexual pederasty`s war god Mars` children, that is, the `poisons` of HIV/AIDS` `biological warfare` against the `host` womb of `Woman` as the human species attacked by the parasitical devouring virality of what once was understood to be human. The evil spirit of `action` in accordance with the devouring parasitical aims of homosexual pederasty and its god Mars is perceived by the individually acting ego as `demonic` possession by what the USA`s first Grand Master of science fiction Robert A. Heinlein (1907-88) described in his novel The Puppet Masters (1951) as `slugs`:


`Earth was being invaded by aliens and the top security agencies were helpless: the aliens were controlling the mind of every person they encountered. So it was up to Sam Cavanaugh, secret agent for a powerful and deadly spy network, to find a way to stop them--which meant he had to be invaded himself!`4


The typical 50s alien invasion scenario is identifiable as mafia or `Camorra`. It`s no accident that `slugs` are a euphemism for bullets because, if people won`t do what the mafia bullies want them to, its coercion or execution. When H. G. Wells` War Of The Worlds was broadcast as a radio play in 1938 by director Orson Welles several people suicided because they believed the alien invasion to be real. When viewers saw the hijacked planes crashing into the Twin Towers of New York`s World Trade Centre on 9/11, 2001, many believed it to be a Hollywood movie, and later World Trade Centre (2006) starring Nicholas Cage was indeed filmed as what was effectively a 50s style alien invasion movie.

  9/11 was 50s style because `Woman` is the human species with her own penis and self-productive `new` economic valence while mankind is no longer human but represents demonic alien possession. Many 50s movies such as It Came From Outer Space (1953) or Invasion Of The Body Snatchers (1956), and even Robert A. Heinlein`s 50s novel The Puppet Masters, which was made into a 1994 film starring Donald Sutherland, feature alien possession by `slugs`, etc. The alien invasion theme masks the identity of the aliens, who are men as the devouring parasite of enslaved `Woman` and the human species. As Robert A. Heinlein`s character Sam observes, `... he had to be invaded himself!` Sam decides he has to accept the virus in order to understand and deal with it, which is a typical theme of science fiction. But so is Heinlein`s perception in the short story `They` (1941) where, to understand the `Glaroon`, is to be `assimilated`. 9/11 was mankind attacking itself in a 50s style alien invasion movie to present itself in the second Gulf War (2001-12) and the `War On Terror` (2003-) as the protector of `Woman` as the human species.  Whereas its 50s alien invasion movie has been going on since the dawn of recorded history. So `Woman` as the human species can be destroyed in mankind`s genocidal wars against even her `host` womb. Fooled by its propoganda wars of 50s alien invasion movies from Hollywood, `Woman` believes she`s being defended while the evil alien parasite devours her whilst pretending `heroism`.



 Osama Ben Ladan was from a rich Saudi Arabian family who espoused `Camorra`, that is, the Taliban`s mafia style vendettas against the `woman` seed` of Arabia, that is, `Woman` with a desire to learn and be educated, which USA`s President George W. Bush labelled gangsterism. The demolishing of the `Twin Towers` was a raising of `woman`s seed` to the ground in the `Big Apple`. The Hindu name for the Muladhara chakra at the base of the spine is `Vam`, which suggests `the base`, that is,.Al Qaeda, represents the traditional vampire that doesn`t want `Woman` to escape from its devouring parasitism. For Al Qaeda the `Big Apple` represents the throat chakra of the Hindu system, which is Visuddha or `Ham` and so the image of the pig with the apple in its mouth is prominent in the symbolism because ham or pig meat is forbidden or haraam to Arabians while Westerners are big pig eaters:


`The healthfulness of the fifth chakra is in relation to how honestly one expresses himself/herself. Lying violates the body and spirit. `5



  In the Hindu system `Ham` is the power of the voice and so the USA was being attacked on the foundations of its truth. Ancient Greece was founded on the enslavement of `Woman` for the purposes of spreading the contagion of homosexual pederasty and its `gay boy sons`, that is, its contagion of war that had become its `gay poisons ` of HIV/AIDS` `biological warfare` against `woman`s seed` by the end of the 20th century. In other words, the raising to the ground of the World Trade Centre was an attempt to  reestablish the Graeco-Roman foundations of `rough trade` through worship of homosexual pederasty`s war god Mars.

 The paradigm is the Greek horse before the walls of Troy, which was hollow and was taken into the city where Greeks emerged to capture the city for homosexual pederasty and the furthering of its contagion. The Trojans had accepted the huge wooden horse as a `friendship gift`, and the feigning of friendship was what the 9/11 hijackers and the HIV/AIDS` cell represent. The 9/11 Arabian terrorists bought tickets as tourists at Boston airport and the HIV/AIDS` cell contaminates the human system by pretending to be a white cell of the body`s defences. Consequently, 9/11 was a Greek horse and a paradigm of homosexual pederasty`s treacherous and cowardly virality, which is what Mars, god of war, represents. Because the human system lives by defence and invading war signals defeat.



 After the fall of Troy, legend has it that Prince Aeneas founded a colony in Britain, which later constructed the British Empire and the United States of America threw off its yoke in 1776. Consequently, 9/11 was an attempt to restore worship of Mars, the god of war, where `Liberty` was endeavouring to give birth to the `New Redeemer` by means of the truth that the `Big Apple` of the `woman`s seed` had nurtured since Eden. Because Mars` war god of homosexual pederasty is the `perpetual enmity` of the `serpent`s seed` for the `woman`s seed` since Eden, the `biological warfare` of sodomy and  `Camorra`, that is, the vendetta of the `serpent`s seed` against `Woman`, is the meaning of God`s destruction of `the cities of the plains`, Sodom and Gomorrah, and the significance of Pearl Harbour and New York Harbour as the birthplaces of the `New Redeemer` born to `Liberty`, that is, the `woman clothed with the sun [of the USA`s atomic bombing by planes of the Japanese cities of Hiroshima and Nagasaki to end WWII in 1945 ] and with the moon [ of Al Qaeda, and `the base` attack of the `beasts` of Revelation upon her foundations in 2001 ] at her feet`, which is the pedestal upon which freedom stands in `the cities of the planes` of the United States of America.

 9/11 was an alien invasion plot designed to focus attention on men in business suits. `Woman` as a species with her own penis and self-reproduction constitutes a separate economic valence. The World Trade Centre was chosen because `rough trade` is the name used by homosexuals to describe boys who would be out of reach of pederasty unless economically depressed. The Twin Towers of the World Trade Centre were destroyed because homosexual pederasty wanted the world to be a `rough trade` centre without the new economics represented by the valence of `Woman` with a penis as the human species.



The traditional appeal of `Camorra` is to family, that is, man and woman with their children in heterosexuality and monogamy, but 9/11 was a prototypical 50s alien invasion style plot with terrorist hijackers crashing planes into the Twin Towers of New York to divert attention away from `Woman` as the human species and back towards the aliens in business suits whose `rough trade` is in the `boy sons` of war.  Waging poisonous vendettas against `woman`s seed`, that is, the gay boy sons` poisons of  thankless homosexual pederasty`s HIV/AIDS` `biological warfare` upon the womb of `Woman` that had hosted its evil parasitism, heterosexuality and monogamy was a cover for homosexual pederasty`s devouring parasitism.



 Because `Woman` as a `futanarian` species with her own penis and self-reproducive system constituted a threat to the parasitical evil aliens, 9/11 was devised as a means of feigning protectivity from the aliens towards `Woman` as the human species so that the devouring parasite would be able to continue with its enslaving of `Woman` at a low level of technological achievement. Maintaining the imprisonment of `Woman` to kill her as a species in its periodic genocidal wars against her art, culture and civilization, the evil parasitical `serpent`s seed` and `perpetual enmity`.of men towards `woman`s seed` masquerades as her defender against itself:


`How sharper than a serpent's tooth it is to have a thankless child!`6



 In the Hindu system of chakra levels of spiritual and intellectual development the base of the spine is associated with family and is called the Muladhara chakra. The translation of the Arabian word `Al Qaeda` is `the base`, which suggests that Osama Ben Ladan`s terrorist organisation represented `Camorra` insofar as it doesn`t want humanity to be anything other than a reproductive system for homosexual pederasty and war. The `Big Apple` of New York was chosen because `Adam`s apple` is the common name for the epiglottis, which is situated in the throat and is an area of the body that corresponds to the fifth chakra in the Hindu ladder of the developing of raised human consciousness. The destruction of the Twin Towers was a raising to the ground, that is, of consciousness to the `base`, which is Muladhara and denotes parasitical values insofar as heterosexuality and monogamy denote the enslavement of `Woman` to a devourer.

 Sodom and Gomorrah were destroyed because God hates homosexual pederasty and its false family values. Heterosexuality and monogamy are a fake symbiosis designed to lull the parasite`s victim into feelings of protection while the latent symbiotic phase develops from the `serpent`s seed` into the devouring `red dragon`. In Genesis (3. 15) God tells Eve that the `serpent`s seed` will have `perpetual enmity` with the `woman`s seed`, which accords with the notion of Gomorrah as representing family vendettas, that is, the mafia values of `Camorra`. God`s destruction of Gomorrah was because of his hatred for the `serpent`s seed` and its `perpetual enmity` for `woman`s seed`, which is manifested through homosexual pederasty`s wearing of the guise of heterosexual monogamy and support for the family.



 As a parasitical virality the `serpent`s seed` represents the vendetta of `Camorra` against the `woman`s seed`, which is `Woman` as a species with her own penis and economic productive valence. In Revelation `the woman clothed with the sun and with the moon at her feet` gives birth to her protector, that is, the `New Redeemer`, while the `red dragon` waits in vain to devour him, which means `Woman` is protected by God.



  9/11`s attempt to prevent the dawn of humanity instead heralded the birth of the `New Redeemer` because of God`s `Providence`. The defeat of the `red sun` of Japan in 1945, and the attack upon `Liberty` in 2001 by the `yellow moon` of Al Qaeda, was the child of humanity born to the `woman clothed with the sun and with the moon at her feet`. According to Revelation the `red dragon` of Sodom, that is, homosexual pederasty and war, and `Camorra` which is the `perpetual enmity` of the mafia families of the `serpent`s seed` for the `futanarian` family of the `woman`s seed`, wasn`t able to prevent the birth of the `New Redeemer`, who actually can protect the `woman`s seed` with his `iron scepter`. The `boy sons` of `Camorra` are the `poisons` of homosexual pederasty`s `biological warfare` of HIV/AIDS in its vendetta against even the `host` wombs of the women who have borne the evil parasites.



 The mafia in their 50s style alien invasion movie are aliens who don`t want humanity to progress beyong their demonic possession and subjection. The consumer in the local supermarket is idientified as an alien by the floorwalker as soon as he/she approaches the food counter. In the local bank the security guard announces the appearance of the alien before the customer even has a moment to open a cheque book. The ticket inspector declares his intention to unmask the alien even before getting onto the bus to inspect tickets. The alien is here amongst the human species and everywhere he is declaring humanity to be the invader of its own space and time. Their `knowing` is `Camorra`, which is the vendetta of the camera`s surveillance that picks out the human as the alien`s victim. Sharon Stone in the Hollywood movie Sliver (1993) prefigured the future of the human species on Earth kept under watchful eye by its alien predators. Sliver represents the `come, horror` of sexual perversion in which individuals are tortured by the evil alien parasite for experiencing ejaculation:


`Come together right now over me.`7



  In sexual terms, the cities of Sodom and Gomorrah are represented in the 21st century by HIV/AIDS` encouraging sodomy and the vendetta of `Camorra` through BDSM, which promotes unconsensual sex as `playful` bondage, dominance, sadism and masochism, but in Christianity obedience to God`s plan for reproduction doesn`t require sadisitc coercion. Nor does the individual buying a burger from McDonald`s ask to be identified by the alien security guard as a space invader before he eats; eating being the other physical valence of human beings besides ejaculation. The aliens are tormenting the humans` physical valences of ejaculation and eating, and the human species has only those two physical valences. BDSM and sodomy represent sex for the aliens who want to `know` humans and have convinced the humans that ejaculation and eating, that is, the physical valences of humanity, are frowned upon as evil alien behaviour by the Earth`s guards who see themselves as the actors in the 50s alien invasion movie that they`ve turned the supermarket, bank and bus passengers into.



 In Toxic (2004) Britney Spears sang `Your toxic gun slipping under`, which refers to the toxicity of a male penis with HIV/AIDS, and the horror of life lived in terror of it: `With a taste of poison paradise, I'm addicted to you.` It`s the threat to the American Dream of innocent progress, development, and Manifest Destiny. 2001`s 9/11 was premeditated horror and terror equivalent in sexual terms to BDSM, where two passenger planes, submitting to domination and bondage, sado-masochistically were `allowed` through because they seemed `civil` to US` radar. Acceptance of the Holy Spirit/Paraclete as the `teacher, guide, comforter and helpmeet` of the soul allows the individual to travel. Because they`re welcome. The 9/11 terrorists represented the evil spirit of Sodom and Gomorrah, that is, the vendetta of `Camorra` and the devouring parasite of Greek sodomy, which model of contagion is homosexual pederasty and viral invasion, Just as the Greeks before Troy feigned friendship to the Trojans in order to gain access by means of the hollow wooden horse in which they hid, so the Arabian terrorists pretended to be tourists in order to board and hijack civilian passenger planes to use as Greek horses and crash them into the Twin Towers of New York`s World Trade Centre. Obviously, the Holy Spirit/Paraclete wasn`t with the terrorists and their journey ended in a culdesac . It`s a dead end without the Holy Spirit/Paraclete because the `teacher, guide, comforter and helpmeet` doesn`t go that way.



 The spirit of the 9/11 terrorists was that of sodomy and `Camorra` but they were welcome guests of the United States of America, which means they betrayed hospitality first and, in Christian terms, corresponded to Judas who, having broken bread and drunk wine with Jesus at the `Last Supper`, betrayed him to his death.  Jesus had Resurrection and Ascension because of the Holy Spirit/Paraclete but sodomy and `Camorra` is hated by God and that path isn`t welcome in heaven because its the spirit of evil. human beings have only two physical valences; eating and ejaculation. Jesus` distillation of the law of God is `love your neighbour as you love yourself` because love is the valence of the Holy Spirit/Paraclete. Christianity is very simple; love is the spiritual valence of God, and to have Salvation it is only necessary to love:


`All you need is love.
All you need is love.
All you need is love, love.
Love is all you need.`8



 Although art, civilization and culture are spiritual products from the `host` womb of `Woman`, higher spiritual levels of creativity and inventiveness derive from humanity`s valences of eating, sex, and love. The desire to hang curtains necessitates the purchase of a stepladder, which is consumption, that is, a form of desire associated with eating, whereas the closing of the curtains in the evening so that the couple can enjoy sexuality presupposes the third valence of love. Everything derives from the basic three valences. But love doesn`t require the individual to be the inventor of higher technologies,  although development is an aspect of the transformation of sexual libido or instinct into spiritual and intellectual growth through love for something. In simple terms, Jesus represents the Messiah because he advocates love and technology, that is, the transcendence of sexual desire for spiritual and intellectual advancement. Although love is enough to save the soul, because it`s tacit acceptance of the Holy Spirit/Paraclete, the alien parasitical enslavers of `Woman`, as the `host` womb of the human species, do so for the purpose of birthing its devouring monster of homosexual pederasty and warfare. Exercising the `spirit of Sodom`, the `serpent`s seed` enslaves love`s valence for the production of art, culture and civilization. Expressing the `spirit of Gomorrah`, that is, the vendetta of `Camorra`, or `perpetual enmity` of the `serpent`s seed` since Eden for `woman`s seed`, the spirits of evil seek to destroy the daughters of Eve, who are the Earth`s true family.



 `Camorra` is the unforgiving spirit of `perpetual enmity` borne towards `woman`s seed` by the `serpent`s seed`. In simple terms, the spirit of sodomy and `Camorra` is plague and vendetta through warfare against the family of `Woman` as the human species waged by an evil parasite. Because the species of `Woman` as `futanarian` with a penis of her own is `hidden`, so the true nature of the wars upon the Earth are concealed. The male parasite isn`t attacking itself; it`s doing what parasites do: destroying the `host` species. Just as Judas betrayed the `host` after breaking bread and drinking wine with Jesus, which is called the `host` in the Communion service of Catholicism, that is, the `bread and the wine` as symbols of the acceptance of the Holy Spirit/Paraclete, so the 9/11 terrorists betrayed their American `host`, symbolized by `Liberty` in New York harbour because, rather than the Holy Spirit/Paraclete, they had embraced the evil spirit of the destroyer of `Woman` and her Earth. Because it isn`t in the nature of parasites to love.



 Jesus taught Redemption through love, which is the spiritual valence of the human, whereas the two physical valences are eating and orgasm. In Judaism the Messiah isn`t acknowledged as Jesus. But Christ`s valence of love, that is, the transformation of eating and sex into technological advancement through consumerism and the desire for life, prefigures the machine that cares for the human, which would be `Meshiahn` and the fulfilment of Jesus` teachings because `Woman` as the human species would be protected from mankind as her destroyer. Consequently, the `woman clothed with the sun and with the moon at her feet`, who gives birth to the `New Redeemer` with the `iron scepter` to protect her while she remains `hidden` upon the Earth, would be the `Meshiahn`, that is, the humanized machine, or robot, that wouldn`t allow the spirit of evil to destroy the Earth. Because it`s `human` programming wouldn`t allow it. In simple terms, the programmer with the Holy Spirit/Paraclete could program machines to protect the human valences of eating and sex. The machine would be the `Messiah` because programmed to protect `Woman` as the human species with her own penis` love valence in terms of art, civilization and culture. Although Jesus` teachings would qualify him as the Messiah, the `Meshiahn` wouldn`t appear until Logos, that is, the spirit or `Word of God` had developed through technological advancement. In terms of Judaism, Jesus won`t be the Messiah until the `Meshiahn`, that is, the `New Redeemer` with the `iron scepter`, appears.



 As Sodom was the place of sodomy and Gomorrah represents the `perpetual enmity` of the `serpent`s seed` for the `woman`s seed`, which in the 201st century is the lying `family` values of  `Camorra`, that is, vendetta against `Woman as the human species, so Saddam Hussein (1934-2009), whose, whose name means `crusher` and `small man` represents the idea that men seek to make smaller what is big, and so Al Qaeda`s terrorists attacked the `Big Apple` of the accrued knowledge and wisdom of humankind since Adam and Eve`s expulsion from Eden for accepting the `serpent`, and its evil `seed`, rather than God`s `Big Apple` of immortality from the `tree of life`. In Genesis Eve is described as crushing the head of the `serpent` before she leaves Earth. Saddam Hussein`s name identifies him as a target for the `crusher` because he`s a `small man` who hates what is bigger. The Twin Towers were the most prominent feature on the New York skyline because they were big, which is why the small men of Al Qaeda attacked them. Small men don`t want development or growth because the enslavement of the human species is their aim. As this passage from Gulliver`s Travels illustrates. Gulliver awakes amongs tthe Liliputians of Liliput, who are all small men and have bound him for slavery:


 `I attempted to rise, but was not able to stir: for as I happened to lie on my back, I found my arms and legs were strongly fastened on each side to the ground; and my hair, which was long and thick, tied down I the same manner. I likewise felt several slender ligatures across my body, from my armpits to my thighs. I could only look upwards, the sun began to grow hot, and the light offended mine eyes. I heard a confused noise about me, but in the posture I lay, could see nothing except the sky.`9


In symbolic terms, Eve is `Liberty` who crushed Saddam Hussein and Osama Ben Ladan`s Al Qaeda because the evil serpent`s seed` wanted her `Big Apple`, which rperesented the fruit of the `tree of the knowledge of good and evil` with which the serpent of Eden had tempted Eve. God sent the Holy Spirit/Paraclete to continue Jesus` teachings for the Salvation of the `woman`s seed` and 2000 years after Christ`s crucifixion, death, Resurrection and Ascension to heaven, Saddam Hussein and Al Qaeda attacked New York`s `Big Apple` of Eve`s wisdom on 9/11, 2001. Because the truth that men were a parasitical virality seeking the destruction of `Woman` as a species with her own penis and economic valence was too much for the little men to swallow. Because Saddam was a `small man`, New York`s `Big Apple` is the `big man` of Eve`s, whose `Adam`s apple` helped humanity to speak its own mind and its voice won`t be silenced.

 Baghdad`s Saddam had a bag put over his head and `to hang by the neck until dead` was the order to the executioners. Because he`d supported Al Qaeda`s small men who wanted to choke off the voice of truth coming from `Liberty` and New York`s symbolic throat chakra of rising developed human consciousness, that is, the `Big Apple` of Adam and Eve in the United States of America. Baghdad`s Saddam was the place of sadness for Adamic man because Jesus` torturers were sadistic towards the Second Adam and Iraq`s Saddam was a small man amongst other small men tormenting a big man with a big voice. Adamic Jesus and the voice of the Holy Spirit/Paraclete emerging from the throat chakra of the `Big Apple` 2000 years after Jesus` founding of Christianity. The United States of America`s `open door` Christian policy does court disaster, and the legend blazoned on the statue of `Liberty` is indicative of Emma Lazarus` hubris in penning 1883`s `The New Colossus`:


`Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!`


 The events of 9/11 don`t detract from the meaning of `Liberty` but the welcome extended to aliens by the United States of America relates to `Sodom and Gomorrah` and the false sexual freedoms implicit in the notion of BDSM, which encourages sodomy, and sadism as an aspect of `Camorra` or vendetta. The murder of Jesus was sadistic because it represented vendetta and `Camorra` aganst Christianity by the families of ancient Rome and their support for the torments of the `circus` in which Christians were later thrown to the lions as sacrifices to their war god Mars and its valence of homosexual pederasty.  Consequently, the United States of America`s `open door` policy of welcoming the detritus of humanity was ultimately an invitation to contagion by those who`d succumbed to the sexual philosophy of BDSM, which argues that bondage and submission to sado-masochism is acceptable. In Revelation the `blood plague` of the `red dragon` is the `biological warfare` of homosexual pederasty and war`s HIV/AIDS against the `host` wombs of women. Because ancient Greece`s symbol of homosexual pederasty and war`s enslavement of women`s `host` wombs to spread its disease is the `Greek horse`, 9/11`s terrorist hijacked planes were `Greek horses` carrying the `blood plague` of vendetta against `Woman` to the `Big Apple` of Eve. But adherance to Jesus` teachings could have prevented the contagion of homosexual pederasty`s worship of the Roman war god Mars from spreading. Because Jesus` door is narrower:


`The door to heaven is narrow. Try hard to enter it. Many people will want to enter there, but they will not be able to go in.` (Luke: 13. 24)


 BDSM signals `danger` and the `blood plague` of the `red dragon` of sodomy, that is, HIV/AIDS from blood, shit and semen, and the vendetta of `Camorra` against Jesus` Holy Spirit/Paraclete, who is `Woman` in the spiritual realm as `teacher, guide, comforter and helpmeet` and again in the physical world where `Woman` is the `host` womb to the parasites of the `gay boy sons` of homosexual pederasty that destroys her in its variegated vendettas against her. Including the `biological warfare` of the `gay poisons` of HIV/AIDS, which is the weapon of homosexual pederasty`s that even attacks its own `host` and so is paradigmatic of 9/11 and all other terrorist attacks.

 Although Saddam`s `Big Apple` of Adam`s Eve presaged the birth of the `Second Adam`, that is, the `Second Coming` of Jesus Christ as the `New Redeemer` with the `iron scepter` to protect the `hidden` woman of the Earth that had borne him, the United States` support for Saddam Hussein by giving him the third largest army in the world was an invitation to machismatic Arabia to indulge in the sodomy of homosexual pederasty and war and the vendetta of `Camorra`, which amounted to HIV/AIDS` developing from BDSM and 9/11`s airaids over New York and Arlington`s Pentagon as the airborne equivalent of the `seeds` of the contagion sowed by the United States of America itself when assisting Saddam Hussein. Despite the evidently potent symbolic connection of Iraq`s Saddam to the `Big Apple` of New York`s Adam`s Eve.

 The Iraqi dictator was being asked to indulge in BDSM and the consequence was the spread of wars contagion through terrorism as far as the Western European powers. Terrorist bombings in London`s Underground metro trains on 7/7/2005 could be directly attributed to the United States of America`s inability to interpret its own symbolic structures in terms of the Christian Bible. If the woman `clothed with the sun and with the moon at her feet` was `Liberty`, and the red sun of Japan and the yellow moon of Al Qaeda were her garments of victory over Japanese fascism in 1945 and Islamic fundamentalist terrorism in 2001, Iraq`s Saddam could have been perceived as the Antichrist seeking to take a bite of of New York`s Adam and Eve`s `Big Apple` on 9/11. Because the United States of America supported Saddam, the most obvious conclusion would be that they didn`t want to stop him:


`Almost one hour after the attacks on the London Underground, a fourth bomb was detonated on the top deck of a number 30 double-decker bus, a Dennis Trident 2 (fleet number 17758, registration LX03 BUF, two years in service at the time) operated by Stagecoach London and travelling its route from Marble Arch to Hackney Wick.`10



 9/11 was the Advent of the Antichrist as the exponent of homosexual pederasty and wars` sexual valence of BDSM and its concomitant virality of HIV/AIDS. As the paradigm of the `blood plague` of the Antichrist`s `Camorra` in the shape of `biological warfare` for its vendetta against the `host` wombs of the human species of `Woman`, the `perpetual enmity` of the `serpent`s seed` is for `futanarian` woman with her own penis. Born on the Earth, the `hidden` woman protected by the `New Redeemer` with his `iron scepter`, according to Revelation, is `hidden` until it is time for her to leave for God`s new heaven Earth while the evil `serpent`s seed` receive the punishment of perdition for its `perpetual enmity` against `woman`s seed`.



 If the woman with the red hair standing next to the man at the railway station doesn`t share with the man the understanding that she can have sex with the blonde woman in the railway carriage that he can see waiting for the train to leave, and that the blonde may have a penis of her own, they are part of an alien information system that has interfered with the structure of their human brains so that they`re aliens. In Homeland Defense terms, a human system con only be defended against aliens. However, if the system is alien, there`s no defence. The United States of America is in the position of explaining to the Homeland that it couldn`t defend itself because it`s allowed its people to be educated into accepting aliens rather than humans. Our human systems are vulnerable to attack because the information system is alien to humans and doesn`t permit of the construction of human brains.


`A defense readiness condition (DEFCON) is an alert posture used by the United States Armed Forces. The DEFCON system was developed by the Joint Chiefs of Staff and unified and specified combatant commands. It prescribes five graduated levels of readiness (or states of alert) for the U.S. military, and increase in severity from DEFCON 5 (least severe) to DEFCON 1 (most severe) to match varying military situations.`11



 If you weren`t deaf, you wouldn`t know when to be at DEFCON 1 because the information system is alien. Consequently, US` defences on 9/11 didn`t stop the alien threat to the `Homeland` because aliens are what the system is designed to construct. US Grand Master of science fiction Robert A. Heinlein wrote a novel Time Enough For Love (1973) in which he posited longevity as the expressed need for greater sexual activity, and technological advancements, including bodily rejuvenation, facilitated sex and, indeed, was what technology was for. The management of time in the human system by alien brains is designed primarily to prevent `Woman` from having enough leisure as a byproduct of the development of labour saving devices, to please herself.

 The alien brains don`t want `Woman` to orgasm, because it would mean that she had sufficient technology as the orgasm of `Woman` takes longer to develop. However, penis ejaculation is much more efficient and `Woman` with a penis would obtain sexual gratification after a few minutes. Therefore the suppression of the penis of `Woman` as a species is a form of male cruelty and a concomitant of the alien brains` enslaving of her. Her sisters` lengthened pleasure is given in many `human` societies as a reason for female circumcision to the point at which clitoral pleasure is impossible. Because it interferes with the whores` employment. In other words, men`s system is alien because it is designed to torment `Woman` as the human species. The ensuing Gulf crisis was an alien invasion by `home grown` aliens because that`s what the `builders` wanted:

`An evil group of men has always wanted to rule the entire world. In the past conquest has failed to achieve this, due to the resulting outrage and awareness of the enemy. In our present time an evil group are trying a subtle but effective way to rule. This is to gradually infiltrate and delude the masses into accepting their ideas. Such subtle gradualism, along with distraction (such as unnecessary work, study, entertainment and sport) is being used effectively. Few people will therefore be aware of what is going on.`12



 Because acceptance of the Holy Spirit/Paraclete is as simple as saying that you are capable of `love` and accept that, sexual desire is the vehicle of human nature, which means the American Dream and the Manifest Destiny of the United States of America is `Woman`, and that`s in accordance with God`s observation in the Bible that the `serpent`s seed` with its `perpetual enmity` towards `woman`s seed` received perdition as a punishment while `Woman` receives a new heaven and Earth. Although the United States is criticised for its emphasis upon `Woman` in its iconographical representation of her in its media, such depictions are entirely in accordance with scripture and the Gospels of Matthew, Mark, Luke and John`s understanding of Jesus` proselytizings:


`I`m Miss American Dream since I was seventeen.` Britney Spears Piece Of Me



 Without acceptance of `Woman` as human with a human brain, men will promote an alien system designed to construct aliens, which here upon the Earth as themselves will attack the United States of America, that is, `Liberty`, as a symbol of `Woman`, and the freedom that comes of acting in accordance with Jesus` teachings of the Holy/Spirit/Paraclete. The Christian question is, `Do you accept the Holy Spirit and Jesus` teachings?` The answer is that sexual desire for `Woman` has `love` as its natural spirtitual valence because eating and ejaculation are human nature`s physical valences, which means the acceptable answer is, `Yes`. To suggest more is to be suggestive and advocate the spirit of homosexual pederasty, which is what the Catholic church is often accused of. Because it`s true. If homosexual pederasty`s physical valence is war, its spiritual valence is the equivalent of the HIV/AIDS` cell that asks the body if it`s converted because the Holy Spirit/Paraclete isn`t enough for the homosexual pederast`s evil spirit of possession. William Burroughs, the US science fiction writer once posed the question:


`What moves in when the spirit moves out?`



 Burroughs was a homosexual `junkie` and so the question was easy for him to pose. The spirit of homosexual pederasty is what possesses the body if the love of `Woman`, that is, the Holy Spirit/Paraclete, isn`t present. The `Evil One` doesn`t want the human species to continue, or enjoy its physical valences of eating and sexual intercourse, because the penis of `Woman`, and the penis per se, is taboo. In some states of the USA `oral sex` is defined as `sodomy` to underscore homosexual pederasty`s victory over a spiritual aspect of the human mouth`s physical valence. Consequently, an aim of the spirit of evil is to possess the body and speak with its mouth, which is made easier in an alien system without human information to allow the individual to construct a human brain. In short, Burroughs` question wasn`t sufficient. A more pertinent query would have been, `What is it that is so alien it`s prepared to deconstruct the human brain to insinuate the spirit of homosexual pederasty as an acceptable valence? The answer is simply that which seeks the extinction of the human, which is definable as `Woman` or the `woman`s seed` because homosexual pederasty is her would be extinguisher.

 Saddam Hussein`s army might be described as the might of Saddam, that is, Saddam might, which denotes power, valence and possibility. Saddam might have defended freedom in the Middle East, that is `Liberty`, which is why the USA gave him the third largest army on Earth. But he decided to attack Kuwait with the `Saddamites`. The Iraqi army`s invasion of Kuwait was a form of homosexual parasitism, that is, `sodomite`, which is what the small men who invaded the Emir of Kuwait`s home represent. The body of the Earth is art, civilization and culture from the `host` womb of `Woman` as the human species. Alien invaders are her `sodomites`, which gives meaning to the name of Saddam, `the mite`, where `Hussein` means `small, handsome man`. and `the mites of Saddam` were the soldiers of the Republican Guard. Although `sodomite` is a term that directly refers to a place, that is, Sodom, `Saddamite` would indicate a follower of Saddam Hussein, the glamour of the `small handsome man` with the machismo and the moustache who, as the epitomy of the `gay biker` attractive to homosexuals, was a single individual, that is, a `mite` and not a city, like Sodom, or a nation as, for example, the Hittites, who were descended from Ham and his son Canaan, who gave his name to the `Promised Land`, which the Jews received from God after their exodus from slavery in Egypt.



 Saddam Hussein`s `Saddamites` weren`t representative of a city or nation, but of the animal magnetism of the homosexual pederast, which is viral in nature. The Saddamites` `contagion`, as the spiritual equivalent of HIV/AIDS towards the body of the Earth, represent the degeneration of the human species because, effectively, they`re terrified of what is greater and seek to devour it. Not merely due to its size, but because that`s what parasites do. Having constructed an alien system that makes it impossible to construct human brains, the `serpent`s seed` have degenerated the humans so that they too have become parasitical aliens with `perpetual enmity` towards `woman`s seed`. In Revelation the `woman clothed with the [red] sun [of Japan`s defeat in WWII] and with the [yellow] moon [of Al Qaeda`s defeat in WWIII] at her feet` gives birth to `he who rules with the iron scepter`. According to scripture, the `New Redeemer` is Jesus in his `Second Coming` role, so he would be the giant that the small men don`t want. Consequently, the `red dragon` of the `serpent`s seed` in Revelation is whoever has been prepared to prevent Jesus` Redemption and so is depicted as waiting to devour him. In vain.



 According to Revelation Jesus rules on behalf of `Woman` until the `Evil One` is extinguished. The machismo of BDSM and HIV/AIDS ar ethe physical and spiritual valnces of the `Saddamite`, which in historical terms denotes the rulership of royalty, which was responsible for WWI, followed by that of the terrorist dictators, who may be collectively perceived as charismatic mites because they don`t represent anything but themselves. `Liberty` in New York harbour represents the triumph of the `seed` of the `hidden woman`, that is, Eve`s Holy Spirit/Paraclete, at the `Big Apple` where `clothed with the sun` of her victory over the royalty of the British,13 German and Japanese Emperors in WWI and with `the moon` of Al Qaeda `at her feet`, the USA represents triumph over the global mites of terrorist dictatorships that superceded such dynastical monsters as King George I, Kaiser Wilhelm II, and Emperor Hirohito. Saddam Hussein  was the last of the mites who sought to prevent the innocent progression of the American Dream and its technological fulfilment in Manifest Destiny through God`s `teacher, guide, comforter and helpmeet`, that is, the Holy Spirit/Paraclete as the developer of humanity`s instincts into intellectual creativity and invention.



 Saddam Hussein means `crusher` and `small man`. As a bigger man, he`ll crush the smaller, and as a smaller man he`ll seek to make the bigger even smaller than the small man he is, which seems `human` unless we comprehend that it`s the `woman`s seed` he`s measuring. The serpent`s seed`s system is designed to prevent `Woman` from remembering how much she`s been abused by homosexual pederasty`s `perpetual enmity` for her species. The pop group The Who once sang the lyric from Substitute, `I hope I die before I get old.` Homosexual pederasty wants `Woman` to die before she gets old so she doesn`t remember her abuser. The scientific development of longevity by means of technological developments and medical treatments is the `Wise Old Woman` to defeat homosexual pederasty because the `serpent`s seed` doesn`t want development. Pederasty wants `boy sons`, which are the `poisons` spreading the `serpent`s seed` of `perpetual enmity` of hatred for the human species of `Woman` in its wars and `biological warfare` of HIV/AIDS against the `host` womb for its alien brain.



 The information system of the `serpent`s seed` declares its `perpetual enmity` for the human species everywhere, and is represented by its education programme to transform them from human into alien. Put simply, Christianity`s `Virgin Mary` gave birth to Jesus without male semen and, in his `Second Coming, Jesus as the `New Redeemer` protects the `hidden woman`, that is, `Woman` as a species with her own penis and socio-historical valence. Consequently, Mary is a prefiguration of `Woman` as a species that`s self-fertilizing and self-productive. Without an education programme that promulgates a human information system, the `big lie` that men are unredeemed parasitical life forms is disseminated to impressionable human brains and, as a consequence, humanity is now alien.



In the developmental psychology of Carl Jung, the symbol of the Ourobouros serpent is self-fertilizing and self-begetting, but also self-devouring. Because it represents the symbiosis of the `small man` with the species of `Woman` with her own self-reproductive valence. The `Saddamite` becomes parasitical in its final stages and, at the last, becomes the devouring `red dragon` depicted in Revelation. Because `Woman` is the human species, the parasite doesn`t want her to reproduce or develop. Its devouring wars against `Woman`, that is, art, civilization and culture from her `host` womb, would reach cessation and its evil would devour itself. Without a human education `Woman` as the parent of the species would succumb to the virality of the parasite`s information system, which is attempting to give her a brain as alien as itself to help in her own devourment of herself.

 Britney Spears on the cover of her CD Piece Of Me appears on the cross of Jesus. Because of Longinus` role at Jesus` crucifixion, where the spear of the Roman centurion effectively pierced the side of Christ to birth the Holy Spirit/Paraclete as the `Second Eve` from the side of the `Second Adam`, Piece Of Me denotes the role of `Woman` by the side of humanity; either as physical `teacher, guide, comforter and helpmeet`, or as spiriual Holy Spirit/Paraclete, who corresponds to the `hidden woman` taught by Jesus and protected by Christ as the `New Redeemer`, that is, `Woman` as a species with her own penis. In Oops I Did It Again Britney was figuratively moving back to the South from her California days on Mickey Mouse Club to present herself as Pixie and Dixie, who were two cartoon Southern mice that had `perpetual enmity` with Mr Jinx, the cat: `I hate those meeces to pieces.` in her red `catsuit`, she raises her spaceman by means of  a hook and pulley, which is a comment on children`s education. Suspended above her the spaceman`s camera captures pictures of Britney wearing a white bikini dress. She is `pics see`, that is, Pixie, whereas in her red .`catsuit` she`s `Dixie`:


`I wish I was in the land of cotton,
Old times they are not forgotten;
Look away! Look away! Look away! Dixie Land.
In Dixie Land where I was born in,
Early on one frosty mornin,
Look away! Look away! Look away! Dixie Land.`


 Mr. Dixy was a slave owner around New Orleans and French-speaking Lousiana, which is Britney`s home state:  `His rule was so kind that `Dixy's Land` became famed far and wide as an elysium abounding in material comforts.`15 Someone once asked Queen Elizabeth II about the `hoop` skirts worn by women for formal dances. She replied that it was so that the man couldn`t be seen. In Oops I Did It Again Britney, in her red `catsuit`, is `dick see` because she isn`t wearing a `hoop` skirt to conceal her `man`, which makes it obvious she doesn`t have one. `Dick` is a euphemism for both penis and `detective; for example, the cartoon figure of detective Dick Tracy (1990) played by the notorious Hollywood womanizer Warren Beatty in the movie. Consequently, Oops I Did it Again is Britney`s critique of the `serpent`s seed`s information and education system for humanity, which presumes `Dick` can see her because he has a penis.



 In the antebellum period of the Southern United states of America the `hoop` skirt was worn to balls because it concealed `woman`s seed`, that is, her penis or `man`, as Queen Elizabeth II once observed. Just as Britney`s `dick` couldn`t be seen on Disney`s Mickey Mouse Club, so Britney`s `dick` can`t be seen when she`s wearing her red `catsuit` in Oops I Did It Again. Because children aren`t supposed to see it, according to alien brains and alien brain constructors. Although children think they know the meaning of the term, they aren`t allowed to do enough `dick` or `detective` work to discover `woman`s seed` has a penis through the research medium of the internet; for example. Moreover, women can`t reveal it. Penis visibility is an educational taboo. Most women don`t even know. Because men have destroyed her memory of herself and occluded her through their murder of `futanarian` women.

 Wearing a white bikini skirt in Oops I Did It Again, Britney Spears` `Pixie` could have a penis, even though it`s obvious that, in her red `catsuit`, Britney doesn`t. Consequently, Oops I Did It Again is a critique of Christianity`s education and information system which, on the one hand, advocates acceptance of the Holy Spirit/Paraclete so that everyone has a piece of God in them and are a collective and, on the other hand, advocates `love your neighbour as you love yourself` in tacit acceptance of the truth that God is present in each of us and so humanity is `One`. Concomitantly, there`s no intrinsic barrier to the understanding that Britney Spears can be both duplex, that is, more than one individuality, and a woman with a penis as well as a woman without. However, the serepnt`s seed`s `perpetual enmity` doesn`t want her to self-reproduce and so humanity is taught the `big lie` of monogamy, which is that of the devouring parasite who doesn`t want `Woman` to breed as a species with her own penis.



  Although Pixie and Dixie are cartoon `meeces` that love cheeses, that is, Jesus, the `perpetual enmity` of the `serpent`s seed` for `woman`s seed` is actual and indicates the valence of tolerance, patience and humour that `Woman` as a species has to present in order to live with her devouring parasite. On the cross of Jesus, who was conceived without contamination by male semen, Britney appears on the cover of the CD single Piece Of Me as a representative of the `woman`s seed` that accepts Christ`s teachings and the Holy Spirit/Paraclete rather than the spirit of the serpent`s seed`s evil torturer`s valence of homosexual pederasty and HIV/AIDS.  Just as the Roman centurion Longinus` spear may be understood as searching for chinks in Jesus` armour, so Britney on the cover of the CD single Piece Of Me represents the Holy Spirit/Paraclete that, as a `piece` of the light of God in each individual, affords a chink of light, as `teacher, guide, comforter and helpmeet`, to direct the soul to God. In terms of Oops I Did it Again, the chink in Jesus` armour is Mr Jinx who represents the `perpetual enmity` of the `serpent`s seed` for `woman`s seed`, which has drawn the blinds, that is, occluded her species through murder, but that curse will be removed when the `hidden woman`, protected by Jesus` Second Coming` as the `New Redeemer`, will be given a new heaven and Earth while the evil receive perdition, in accordance with Revelation.



 Another reason for the name `Dixie` as applied to the Southern states of the USA is the `Mason and Dixon line`, which is a surveyors` boundary delimiting the South from the North. Oops I Did It Again denotes Britney`s perception of her sojourn in California with the Mickey Mouse Club as a `raid` whereas Pixie and Dixie represent the true elysium of the South to which she can return, not as a slave of Hollywood`s `Babylon`, but in freedom to `Dixie` where she can conceal herself beneath the `hoops` of its antebellum skirts. The video single for Oops I Did It Again begins with Britney`s descent inside a giant`s ring holding a `hoop` as a symbol of the sleeping giant of the Southern United States of America, which slogan is `The South shall rise again`:


 `Often, those who use this phrase believe the American Civil War was `about States' rights, not slavery`.`16



 If the `woman clothed with the sun and with the moon at  her feet` represents the USA`s victory over the red sun of Japan in 1945 after Pearl harbour and the defeat of the yellow moon of Al Qaeda after 9/11, the stature of `Liberty` in New York harbour is a woman`s rights` symbol but not a feminist one because, in feminism, lesbian women are defined as homosexual if they demonstrate their species` valence of reproduction without male semen, which is doctrinally supportable as `Christian` by reference to Jesus` `immaculate conception` and birth from the Virgin Mary. Consequently, although Madonna was described as `the whore of the apocalypse` for her blatant eroticism in video singles such as Like A Prayer or Like A Virgin, her appeal to the young is an awakening of their sexual valences and so she is a true mother in the Catholic tradition:


`When you call my name it's like a little prayer.
I'm down on my knees, I wanna take you there.
In the midnight hour I can feel your power.
Just like a prayer you know I'll take you there.` Like A Prayer (1989)



 On the cover of the Piece Of Me CD Britney Spears represents `Woman` at the side of the USA, which corresponds to the Holy Spirit/Paraclete from the side of `Woman`. In the Bible Jesus describes himself as `the Son of Man` when asked if he`s the `Son of God`, but he`s the child of the Virgin Mary born without contamination by male semen, which means that he`s not a parasite. Adam and Eve were told by God that she would experience the pain of childbirth while he would have to earn his bread by the sweat of his brow, which meant that he couldn`t live by prasitism. In spiritual terms, HIV/AIDS is the child of homosexual pederasty`s seeking to mix its semen with blood, shit and urine during anal sex, which means that the serpent`s seed` is waging its `biological war` of `perpetual enmity` against the `host` womb of `Woman` that produces everything in terms of art, culture and civilization. Consequently, men`s wars are an aspect of its parasitism. If Jesus is `the Son of Man`, the Virgin Mary is `Man`, that is, the `futanarian` who is the `hidden woman` of the Earth and the `woman`s seed` because she has her own penis and socio-economic valence.



 Unredeemed men are parasites who don`t work. `Woman` is God`s `producer` and so the perception is that, as everything comes from her `host` womb, the parasite that doesn`t want to work must enslave her. However, HIV/AIDS is the result of homosexual pederasty and so the parasite is attacking the `host` womb of `Woman` by means of `biological warfare` because it wants to work less than it wants to live, which is the nature of a parasite. Moreover, it doesn`t want progress or advanced technological development with its obvious benefits of eternal youth but immortality because `Woman` as a species with her own penis would have her own socio-economic valence and use it to escape from her parasite. Consequently, HIV/AIDS is a means of both keeping her faithful to her monogamous possessor and enslaver, and the pursuance of a socio-economic valence that would be technologically productive.

 On the cover of Piece Of Me Britney Spears appears Christ-like on the cross, but without the spear of Longinus piercing her side, which suggests she represents the Holy Spirit/Paraclete from the side of Jesus as the `Second Adam` and `Woman` as `teacher, guide, comforter and helpmeet` who is depicting herself as tortured to produce because that`s what the parasite does with the female soul and spirit, and `Woman`. At the beginning of the 21st century the `Saddamites` of Saddam Hussein, that is, of the `crusher` and `the small, handsome man`, which is what the names `Saddam` and `Hussein` mean, represented the smallness of men that want to crush human development. In Genesis Eve is told by God that she will `crush` the serpent`s head before she leaves Earth, which suggests that Saddam Hussein`s `Saddamites` aimed to crush Eve before she could leave.



 Britney Spears` picture on the sleeve of the CD Piece Of Me represents the female soul and spirit, that is, `Woman`, tortured to produce more by the evil serpent`s seed`s perpetual enmity for woman`s seed. Because everything comes from the `host` womb of `Woman`, that is, art, civilization and culture, `Woman` as the human species with her own penis and reproductive socio-economic valence is God`s `producer`. In Jungian psychology there are four functions to human developmental consciousness; `Thinking`, `Sensation`, `Feeling` and `Intuition`. According to Jung `Feeling` and `Intuition` are associated with the female soul or spirit, and `Sensation` and `Thinking` are associated with the male ego. Moreover, `Sensation` is associated with eyesight, which means that, to encourage the brain to think, the evil `serpent`s seed` with its `perpetual enmity` towards the `woman`s seed`, that is, the human species, wouldn`t want humans to see. Because sight is the primary human valence, humanity wants to see more of God and the cosmos. The aliens have imposed an information system that prevents humanity, that is, `Woman`, even from seeing her own naked penis. Without the knowledge that `Woman` is a species, which would result in human development, the alien information system constructs a society with alien brains, which don`t want to see because their alien constructors don`t want them to. Consequently, rather than space rockets to take humanity to the stars after securing the moon, the aliens have imprisoned the human species, that is, `Woman`, upon the Earth, in order to keep her blind, ignorant and desperate to leave.



 Saddam Hussein and the `Saddamites` plan to crush `woman`s seed` here upon the Earth is a symptom of male parasitism. The concept is primarily to do with eyesight. If the soul and spirit are female, then `Woman` is the source of all technological progress and development, which means that the alien parasite would have to reconstruct her brain by means of its disinformation system of education to create a brain that sought the death of its own life. Although the simplest valence of humanity is eyesight, which is the valence to see more of what is beautiful and good, that is, God, rather than starships alien mankind has constructed a planetwide system of intercontinental ballistic missiles (ICBMs) to destroy `Woman` and the human species. The parasitical aliens have applied the simplest rule. If humans want to see, they`ll work to be able to, that is, they`ll accept the Holy Spirit/Paraclete as the spiritual valence of womankind, which will assist them to develop more advanced systems of visual perceiving, but the evil aliens don`t want them to see. In human terms, humanity wants to see and, in terms of alien thinking, the aliens want the humans to be slaves and produce more to see, which the aliens don`t want for the humans to see.

 One of the more famous TV series of the 1990s was Star Trek: The Next Generation but `alien thinking` is that the human species shouldn`t develop starships, which means that the `degeneration` of human eyesight is a primary target for the aliens. The capacity to travel is an extension of the capacity to see. If `alien thinking` is to deny humans space travel, it`s a blinding. Consequently, the degeneration of the human species is linked to vision. In simple terms, `alien thinking` is to keep humanity in a blind and degenerate state so that the evil aliens can exterminate the human race by directing its valence towards suicide. Because that`s what evil aliens do. Saddam Hussein`s `Saddamites` were the small men who would crush people`s freedom to work for themselves and build spaceships to see more of God rather than have their brains enslaved by an information and education system designed to construct brains alien to anything but the building of intercontinental ballistic missiles, or their derivatives, to prevent people from seeing anything at all.



  Britney Spears Christ-like on the cross without the spear of Longinus in her side represents the Holy Spirit/Paraclete born from the side of the `Second Adam` pierced by the Roman centurion`s spear, and the perpetual enmity of the serpent`s seed for the woman`s seed as her torturers and tormentors so that she`ll produce more art, culture and civilization for the parasites to imprison her upon the Earth and periodically destroy her for producing. The parasitical aliens` perspective is that, if she`s enslaved, they won`t have to work. Because she represents the physicality of `Woman` as well as the female soul and spirit, the alien position is that, if they educate her brain through disinformations such as, `all women are homosexuals because they have a penis of their own and so are lesbians,` she`ll develop an alien schizophrenic brain that`s suicidal, which would assist the aliens in their aim od destroying her and her Earth.



 Saddam Hussein`s `Saddamites` represent the evil valences of sadism and sodomy, that is, the physical torture and torment of `Woman` by the same small men that murdered Jesus, the `Son of Mary, the Virgin,` who was uncontaminated by male semen, that is, the male valence of sadism and sodomy, which is to torture and torment the individual that has the Holy Spirit/Paraclete to produce art, culture and civilization for the aliens to periodically destroy in their wars against the Earth. Sodomy is the spiritual evil of homosexual pederasty`s mixing of blood, shit and semen in witchcraft to produce its boy sons` `biological warfare` of HIV/AIDS` `poisons`  against the `host` womb of `Woman`, which is the death of the `host` and its parasite, and is what parasites do.



 Although Longinus` spear is missing from the CD cover of Piece Of Me, Britney represents the `Second Eve` as the Holy Spirit/Paraclete from the side of Jesus as the `Second Adam`, which means that there is a Spears by her side. In terms of psychological development the soul is the anima, which is spiritualized through education and becomes wiser. Consequently, an older woman, who in Britney`s perception would correspond to her mother, Lynn Spears, represents the `Wise Old Woman` of Jungian psychology, that is, the Holy Spirit/Paraclete as the `teacher, guide, comforter and helpmeet` to the younger soul, which is not yet the spiritualized anima of the Holy Spirit/Paraclete but seeks to be. Technological progress would facilitate such techniques as the prolonging of youth and beauty, which is the spiritual valence of the intellect that wants to live longer and to see more. But longer lived `woman`s seed` would be wise to men`s `perpetual enmity` towards her because of its alien parasitical cycle of birth and reincarnation, which keeps `Woman` helplessly unconscious amongst her degenerators. Consequently, the alien parasite teaches that she is all that is beautiful and desirable to look upon. Travel is a vehicle to look upon her, and the more easily she can be looked upon, the less need there is for travel. Star Trek: The Next Generation is the perspective that the individual can vicariously travel by starship without getting out of the seat before the television, so 9/11 was the evil alien perspective that it could watch degenerate mankind destroying itself `live on CNN` by constructing the brains through its disinformation system that would want to travel in order to do so.

 In the video for Piece of Me Britney writes `sucker` on the forehead of a paparazzi because he represents a disinformation system that wants her to keep on working for the aliens whereas, if she was cognizant of her role of `Woman` as a species with her own intellectual programme, she`d be working for humanity`s valence of escape from the blood sucking parasitical leeches. As she sings, `I'm Mrs. 'Most likely to get on the TV for strippin' on the streets' when getting the groceries, now, for real ... are you kidding me? No wonder this panic in the industry. I mean, please, Do You want a piece of me ..?` The paparazzi are the plague of homosexual pederasty`s valence of enslavement because those who want `ownership of the means of production` need to `frame` her. Britney Spears lost her fortune because the paparazzi snapped her child`s hat falliing off near a hotel by New York`s Central Park and cried `neglect`. Having declared her bisexuality, she was put in the picture by the American judiciary who wanted her to understand that the well-being of  her boys should be of paramount concern to her, which was a manifestation of homosexual pederasty`s general approach towards women whose valence had shifted towards her own species sexually. Justin Trawick was made Co-Conservator of her billions and never married her, which suggests the courts only wanted to assert patriarchal administration of her money to prevent her from supporting genuine feminist perspectives that included the appearance of `woman`s seed`, that is, the human species of `Woman` with a penis in her videos or even on her arm at the disco.


  Jim Steinman, who wrote the album Bat Out Of Hell (1977) for Marvin Lee Aday, who fronted the pop group `Meatloaf`, had to front Bad For Good (1981) himself because `Meat` had lost his voice. A doctor suggested `urine injections`, and HIV/AIDS, which derives from a mixture of semen, blood, shit and urine, induces severe weight loss and that`s why it was known as the `thin disease` in the 1980s. `Meat` was a heavyweight performer and HIV/AIDS was just becoming known in the early years of the 1980s. The concept of `urine injections` is `witchcraft` and Jesus, who turned water into wine (John: 2. 1-17) was effectively crucified for being a witch. Although Jesus` transformation of the water into wine was harmless and, indeed, beneficial, and so doesn`t correspond to `poisoning`, which is the definition of `witchcraft` supported by most interpreters of the Bible. Anyone with the power of God is a `witch` to the evil, whereas homosexuals are not perceived as witches because feminism, for example, tells them that they are the equals of women, which is `witchcraft` if HIV/AIDS is the `biological warfare` of the serpent`s seed`s perpetual enmity for woman`s seed.



 Because Jesus` conception was without contamination by male semen, the `Second Adam` is the `Son of Man` because Adam was created by God but Jesus` conception without male `seed` identifies him as `woman`s seed`, that is, born of the Virgin Mary in an `immaculate conception` that is God`s creation of the `Second Adam` in a denial of the male `seed` which came after Adam and the `Woman` that came from Adam`s side and wasn`t of male `seed` either. In spiritual terms, Jesus` Christianity is a `daughter of Eve`, that is, as the `Son of Man` Jesus is of the line of Eve and not of the male `seed`. which makes of him a `daughter of Eve`, which is why Christ is the Messiah born from the Virgin Mary, that is, his teachings are female in spirit.,The Holy Spirit/Paraclete effectively emergent from Jesus` side, as the `Second Adam`, after being pierced by the Roman centurion Longinus, signals the spiritual emergence of the `hidden woman` of Revelation, which the `New Redeemer` is depicted as protecting with an `iron scepter`, that is, `woman`s seed` with her own penis as the `Second Eve`. The Virgin Mary is, therefore, a prefiguration of the `futanarian` women as the daughters of the `Second Eve` who can self-reproduce without male semen.



 Jesus` decision to accept crucifixion is comprehensible as defining the boundary between parasitism and the `vampire` legend of the individual that wants to live, but who is condemned in folklore for wanting to. Jesus` torturers and tormentors at his crucifixion are representative of the parasite who would force the human spirit to work for it, and to no avail. At the `Last Supper` before his death, Resurrection and Ascension Jesus tells the disciples that the `bread and wine` are his `body and blood` because they represent the female soul trapped within the body, which Jungian psychology calls the anima, and the teachings of the female Holy Spirit/Paraclete, which constitutes the spiritualization of the soul that is required to liberate the individual from drudgery through technological development. The parasite would describe the individual who wants to escape from its enslaving as a `vampire` because it wants to live, which is why Jesus` crucifixion carefully delineates between the torturer and he who seeks life immortal. Because he wasn`t a `leech`. In simple terms, the parasite would have the human understand that the human is a `vampire` because the human wants to live, which is why Jesus` focus is on the `bread and wine` as his `body and blood`. Because Jesus wants the human species to live. But the parasite has defined it as a `vampire` because the parasite is a `leech` and the developed human with the technology to have eternal youth but immortality would escape, which is why `woman`s seed` in Revelation is depicted as receiving a `new heaven and Earth` from God. Because God has given up on her `leeches`.



 In the legends of the vampire the `chosen` have immortality through the `little drink`, which is the drinking of a small quantity of human blood by the vampire to confer immortality upon the recipient. In the Bible God`s `chosen` are the Jews, and according to Judaism one can only be a Jew if one is born from a woman. Consequently, women are Jews and it`s the `chosen` blood of women that is Jewish. Jesus` `body and blood` is symbolic of his `chosen` status as the founder of Christianity. In biblical terms, Jesus is the body that wants to live forever through the disciples drinking of his blood. In spiritual terms, Jesus is the `daughter of Eve` and her bloodline or genealogy isn`t parasitical. Jesus` teaching is acceptance of `Woman` whether she is seen, or unseen as `teacher, guide, comforter and helpmeet`, that is, as the disseminator of Jesus` teachings after him as the Holy Spirit/Paraclete. In terms of vampirism, Jesus` advice is to accept `Woman` because, even if she were a vampire, she isn`t a parasite, which is in accordance with the Christian tradition of accepting the unseen, `hidden woman`, or mysterious `woman`s seed`. Jesus makes the obvious deduction. If `Woman` isn`t parasitical, she would be Christian as a `vampire`, that is, she`d want to live forever as a `Wise Old Woman`, who didn`t want to be tortured and tormented by parasites to produce technological advancements such as space rockets that the parasites would deploy as ICBMs to destroy her. Or, in other words, Christians are `vampires` as described by parasites who don`t want them to live.

 Britney Spears` paparazzi are `leeches` if they`re not parasites because parasites would prevent her from living, and she`s the centre of a multi-billion dollar industry, which makes the concept of `leech` respectable but only insofar as it defines parasite as unacceptable. In the same way Jesus defined parasite as unacceptable but `vampire` as an unacceptable definition of the parasites for what Jesus wanted, which is eternal youth but immortality. The depiction of the male vampire as the male `seed` which contaminates the `woman` seed`, that is, her bloodline, in 21st century terms denotes the spiritual valence of the `perpetual enmity` of the `serpent`s seed` for `Woman` in the form of the `witchcraft` of HIV/AIDS` `gay poisons` produced by its gay boy sons` mixing of semen, blood, shit and urine in anal sex as a means of farthering homosexual pederasty`s `biological war` against the `hidden woman`, or unseen Holy Spirit/Paraclete. In simple terms, `Woman` is `vampire`, but she`s depicted as the victim of the `male seed`, which is true. However, God`s promise is of a `new heaven and Earth` for the `woman`s seed`, which means that her `vampire` desire to live is fulfilled while the `serpent`s seed` represented by the `red dragon` of Revelation, that is, the devouring draco that waits in vain, has unendurable eternal pain as its punishment from God for drinking her blood. Because she`s not a parasite with an evil alien brain constructed by a liars` non-human education and information system designed to help it to devour her.

 Jesus` offer of his blood as wine is a transforming symbolism similar to his turning of water to wine for the wedding at Canaan, and is known as `transubstantiation` in Catholicism, which relates to the concept of substantial and insubstantial. Jesus` promise is of an immortal body through Redemption, that is, Resurrection and Ascension in bodily form through the acceptance of Jesus` teachings and those of the Holy Spirit/Paraclete. The evil spirit of the 20th century was disease. HIV/AIDS as a `witchery` productive of death by mixing male semen with blood, shit and urine in anal sex was homosexual pederasty`s `biological warfare`. Before that the main disease of the 20th century was cigarette smoking, which caused cancer and was spread by advertising campaigns as a socio-economic mainstay of anti-societal `puff` behaviour, where `puff` is a euphemism for the insubstantiality of `false liberalism`.



 Margaret Thatcher once described the UK`s Defence Minister, John Knott, as `A here today, gone tomorrow politician.` Because, as she`d told everyone, `This lady`s not for turning.` Margaret Thatcher was the British Prime Minister who, in 1982, sent a UK task force as far as the coast of South America to retake the Falkland Islands from the invading Argentine forces, which became a principle of global politics and was the main reason for the USA`s political will to retake Kuwait from Saddam Hussein. However, because Saddam`s family name of `Hussein` meant `small, handsome man`, the USA`s support for his `poor, little correctness` was due to his political flexibility in `feigning friendship` to coincide with the USA`s notions of `political correctness`. In other words, he and his American support represented the insubstantiality of `false liberalism`, that is, the perception that `false freedom` is tantamount to giving the body freedom to rebel against itself, which is effectively what cancer is.



 Without knowledge of the value of the individual to the social body, libertarianism encourages the individual to be anti-social. In simple terms, terrorists are an advanced form of societal cancer, which begins with rebelliousness or anarchism. They`re society`s `cancer cells` who don`t perceive the body of scoiety as a necessary part of their existence, which means that they poisons the body so that it dies. HIV/AIDS` cells kill the body by `feigning friendship` insofar as they pretend to be defensive phagocytes, that is, the `white cells`, while actually preparing to kill those defenders of the body, which is what Saddam Hussein, the `small, handsome man` did with the USA`s `poor, little correctness` and what the Al Qaeda terrorist hijackers flying from Boston, Massachussetts, did on 9/11 when they crashed `civil` aircraft into New York`s World trade Centre and the Pentagon in Arlington.



 The smoking ruins of the Twin Towers have been interpreted in diverse ways by cartoonists, and the stumps of the USA`s traditional victory sign made fashionable by the cigar smoking figure of Winston Churchill, British Prime Minister during WWII, when he would raise `two fingers` as a salute to those fighting the Axis powers of Germany and Japan, is one of the more acceptable political comments. Another is the depiction of the Twin Towers as cigarettes that have been `smoked`, and may also be said to relate to the socio-economic picture represented by the ruins of the World Trade Centre as an aspect of the `special relatedness` between the British and the Americans in the shape of British American Tobaccor, or BAT, where the two fingers of peace or victory, which the Twin Towers represented, are redrawn on the New York skyline as Winston cigarettes, that is, `no cigar` is American idiom for an unsuccessful effort. In socio-economic terms, the collapse of the Twin Towers represents, from an English cricketer`s point of view, the `middle stump` of the penis of the `Woman` of the Earth `taken out` because the BAT`s men didn`t protect her. Although America`s comic strip heroes, as depicted in the Hollywood movie Batman and Robin (1997), would probably have tried to.



 In biblical terms, British American Tobacco`s `special relationship` with the false freedom of a `political correctness` that encourages smoking, that is, cancer, is related, in societal terms, to the acceptance of homosexual pederasty, that is, the male `seed`, as equivalent to the `woman`s seed`, rather than acceptance of the Holy Spirit/Paraclete, which is a form of cancer arsing not from homosexual pederasty`s desire for fellatio with the male `seed`, that is, `smoking` as murder, but from the pederasts desire to spread its evil `gay poisons`, that is, the cancer of HIV/AIDS, by mixing its male semen with the blood, shit and urine of a lower orifice in an anal masturbation of its penis that is designed to be sterile and unproductive. In other words, smoking and anal sex are pointless and poisoning, but were encouraged in the 20th century as the basis of socio-economic and political theory. The collapse of the World Trade Centre might be understood as the collapse of the `rough trade`, which is the term used for homosexual pederasty. Although the focus seems entirely `gay`, homosexual pederasty is actually the enslaving of the `host` wombs of women for the purposes of producing `gay boy sons` and furthering the spectre of `war, plague, that is, the `gay poisons` of HIV/AIDS, famine and death`, which are characterized as the `four horsemen` of the apocalypse in Revelation, and connote the evil consequences of the enslaving of `Woman` since the ancient Greeks employed it to spread their contagion of war to city states near Athens.



 Feminism`s `political correctness` defines homosexual pederasty as `feminine`, whereas it`s the `perpetual enmity` of the `serpent`s seed` for `woman`s seed`, that is,, for what is human.  In other words, `PC` is the socio-economic theory that `smoking`, which in simple terms is `killing`, and the enslavement of `Woman` in homosexual pederasty`s wars against her Earth, is `economics`. Of course, the USA`s `Military Industrial Complex` (MIC) is an economic powerhouse kick-started by global conflict, but recent US TV series like Madmen which feature `retro` acceptance of `smoking` is advertising for companies such as British American Tobacco and the `special relatedness` of homosexual pederasty to the major killer diseases of the 20th century, that is, cancer, war, and HIV/AIDS. A large proportion of smokers said they smoked to lose weight, and HIV/AIDS was `the thin disease` when it was first recognized in the 1980s, which suggests a correlation between women`s desire to lose weight after childbirth and their unwillingness to conceive. In other words, anal sex and smoking are connected. Because they constitute a poisoning of the human system. On average, the penis of a `futanarian` woman is larger and more virile. As the `hidden woman` of Revelation, she`s as uncontaminated as Jesus when he was born from the `Virgin Mary` without male `seed` being involved in his conception. Consequently, as the `seed` of Eve, which according to the Bible `crushes the head of the serpent before she leaves Earth`, homosexual pederasty has `perpetual enmity` towards her. Because she signifies the desire of `Woman` to conceive as a species.



 The perception of a relationship between `smoking`, which is a `killer disease` that causes cancer, and is used by killers as a euphemism for their killings, and the killer disease of HIV/AIDS, is encouraged by libertarian position that regard women as the equals of homosexual pederasts. , which was encouraged by libertarian postions with regard to the equality of women and homosexual pederasts.  Killers describe themselves as `smoking` people, and individual life has no value for these substanceless `puffs`, that is, the evil spirit of homosexual pederasty. In Russia fellatio is even defined as `woman smoking`, while in the USA it`s `politically correct` to describe fellatio as `sodomy`, which is semantically false but gives the `serpent`s seed` and its `perpetual enmity` for `woman`s seed` an excuse to `smoke` the woman for being anti-social. Just as Jesus is the `woman`s seed`, so acceptance of `Woman` is the meaning of the transubstantiation of the Catholic Communion in which the `bread and wine` is accepted as Jesus` `body and blood`. Those who do not accept the Holy Spirit/Paraclete of `Woman` are substanceless `puffs` for whom other lives are as valueless as `gunsmoke`, which is why Gunsmoke, starring James Arness, was one of several `irreal` 60s TV series designed to realistically present murder as `manliness` and so 9/11, which was essentially a `Hollywood` 50s style `alien invasion movie` starring homosexual pederasty and war `live on CNN`, is ultimately understandable as God`s punishment on mankind for poisoning itself.



 In the 20th century `false liberalism` was permissive of cigarette smoking causing cancer, and feminism`s `PC` notions of equality led to homosexuals being defined as the social equals of women, whereas the rise of `witchery`, in the shape of the killer disease HIV/AIDS, which was produced by mixing male semen with blood, shit and urine, gave the lie to such `PC` notions. If homosexual pederasty is the source of war, `smoking` is an aspect of its `red dragon` of Revelation which, according to scripture, waits in vain to devour the child of the woman who will be the `New Redeemer`, and who will protect her with the `iron scepter` of his will that she live. Such luminaries of world peace as British American Tobacco (BAT) or its Military Industrial Complex (MIC) in the USA will try to convince that they`re socio-economic necessities, but the extermination of the human species is what they`re for.



 The `New Redeemer` with the `iron sceptre` represents the `ruler` who, as the Judaiac `Meshiah`, will authorize the development of advanced technology, that is, the labour saving device that, protecting and liberating `Woman` from slavery will be the `Meshiahn`, but that science fiction writers have foreshadowed for generations as the robot. Because `woman`s seed` is female, the human robot, as the better machine, would be female in mind and form. So far men have used technological advancement to imprison `Woman` rather than liberate her. Instead of space technologies that had, as their main consequence for women, the refrigerator and washing machine, men focused on rockets to shatter art, civilization and culture on the Earth, that is, maintain the enslavement of `Woman`. Consequently, men represent the evil alien robot programmed to exterminate the human species, which forces `Woman` to play with it, as a torturing and tormenting cat does with a mouse. However, only the robot programmed as a better human to protect the `Woman` and liberate her would be able to keep her art, civilization and culture intact so that she could work and play in safety, which is the `new heaven and Earth` that God gives to `woman`s seed` in Revelation while the evil alien robots, that is, men who have accepted themselves as the machinery of devouring and enslaving, receive perdition as God`s punishment for their enslaving and devouring of `Woman` and her Earth.



 In science fiction terms, mankind can`t pretend to be defending `Woman` and her Earth from 50s alien invasion scenarios by perpetrating 50s alien invasion scenarios all over the planet, such as Argentine dictator Galtieri`s invasion of the Falkland Islands in 1982, Iraq`s invasion of Kuwait in 1990, 9/11 `live on CNN` in 2001, and NATO`s invading Tripoli, Libya, in 2011, whenever they`re invaded by the irrealist `Hollywood` spirit of 50s alien invasion movies. God`s Revelation isn`t science fiction and men all over the world with telephone numbers, bank account numbers, numbered IDs, and car number plates, seriously perceive themselves as `the number of the beast` from Revelation, `the number of the beast is the number of a man and his number is six hundred three score and six` (Rev: 13. 17-18), that is, 666, which means that a man is a beast who thinks he`s numbered amongst the beast`s followers:


`Men gnawed their tongues in agony and cursed the God of heaven, but refused to repent of what they had done.` (Rev: 16. 10-11)



 What men have done is prefer slavery for others because they don`t want to work, but those who do want to work aren`t able to because the enslavers don`t want them to develop to the point at which they are free of their enslavers. In other words, slavery isn`t about work; it`s the denying of productive labour to those who do work. Whether they`re employed by an employer, or independent and self-employed. Enslavers don`t want work. They want to prevent the enslaved from working to free themselves. Consequently, enslavement is stultifying of technological development and the desire of the human species to be free. The perception of slavery as forced labour is false. The slaver doesn`t want the slave to escape. So slavery`s objective is to have people work pointlessly and to no avail, which is what WW I (1914-18), WW II (1939-45), 9/11 and the subsequently decared `War On Terror` (2003-) and Gulf wars I and II (1990-2012) emphasize.



 Sexual desire is a metaphor for the instinct of the slave to be free. `Woman` is taught that the male penis is the focus for her sexual nature but, if she has a penis of her own, her focus is for herself to live. The male `sex slave fantasy` is of the wo