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Sunny Spears

07/06/2012 07:59

Sunny Spears of the Vine



The sharp green vine leaves,

Wrapped entwined.

Sun warmed blue grapes.

Oceans of sky and, shining through,

Britney`s spear tips.

Naked, Obscured By Clouds,1

Porn, know Woman.

The sunshine of her hair spilling upon her shoulders.

The sharp diamond blue of her heart`s eyes,

As her breast milk cascades.

Creamily she spunks as her penis throbs,

And the cunty wine of her womanness flows.

- Sunshine of Your Love The Cream


1 Pink Floyd`s Obscured By Clouds (1972) was the `soundtrack` for the movie La Valée, a woman`s mind altering quest for a paradise of sexual freedom labeled `obscured by clouds` on her map.

Britney`s Radar

25/05/2012 17:01

Britney`s Radar


Britney Spears recorded the single Radar, which appeared on the Circus album, although it was scheduled for Blackout, when she was filing for divorce from Kevin Federline, who`d `fed her a line` she`d believed in for a time. The video is about polo, which is a sport for men on horseback. Because Britney is from the Southern States of the USA, that is, Mississippi, she`s probably entitled to be a member of DAR, which is `Daughters of the American Revolution`, a membership open to any woman who had family that fought on either side, Union or Confederate, during the American Civil War (1861-65). Because Britney would need help from her sisters during the divorce, Radar is probably her distress call to DAR. Concerned over a possible Confederline `raid` during their `Civil War`, Britney`d want to ensure her sons` future with their mom after their Union had ended in divorce. Consequently, `raid` DAR (Radar) is a `distress signal` to the `Daughters of the American Revolution`.



 The symbolism is couched in terms of the tarot, that is, the Momluk tarot, which is Arabian and features the polo `mallet`; `clubs` in modern tarot decks of cards. Radar features a fountain with the statue of a polo player upon a horse. In symbolic terms, he`s a knight with a lance. The other three suits of the tarot deck are sword, cup, and dish. In the legend of the Grail, centering around the myth of King Arthur and the Knights of la table ronde,  the cup is the holy vessel from which Christ drank at the last supper before his crucifixion. The sword and lance are symbolic of the knights who eat (dish) and drink (cup) in fellowship. Because Britney Spears connotes `lance`, which is `club` in the more usual tarot deck, and the `lance` is a polo mallet in Radar, the polo player is both her symbol, and her signal to the `Daughters of the American Revolution` (DAR) that `clubbing` has caused the `break up`, which is why Paris `hilt on the Sword` became her confidante and, in effect, an auxiliary `brain` during Britney`s divorce.



 In the ancient world, Paris was the prince of Troy that kidnapped Helen, and provoked her husband, Meneleaus, brother of King Agamemnon of Greece. The result was war against Troy, resolved by the device of the wooden horse, left by the Greeks and taken into Troy by the Trojans. Full of Greek soldiers they emerged from the hollowed out horse by night and took the city. Britney, voted `most beautiful woman in the world`, is Helen in `modern` terms.  Paris Hilton, `the sword`, has the role of Paris of Troy to Kevin Federline`s `Meneleaus`. But Britney`s Helen is asking Paris for help because she`s bisexual. In ancient Greece, men were homosexual by `tradition`, and so Paris of Troy was heterosexual by analogy. In the Bible the `hidden woman` of the Earth is described as leaving to sow her seed amongst the stars where she`ll fight a victorious war against the evil `seed` and receive a new heaven and Earth from God as her reward. Because she has seed to sow she has a penis of her own, and so Paris `hilt on the sword` - and Britney Spears - represent the `hidden` woman`s love for her own species.



 According to the psychology of Carl Gustav Jung (1875-1961) there are four functions of consciousness and these correspond to the sword (`Thinking`), spear (`Intuition`), cup (`Feeling`), and dish (`Sensation`) of the tarot. Because the polo player in Britney`s Radar denotes the character from the Momluk tarot that corresponds to the knight with the lance, he`s `positionally` the Arabian knight Saladin.



 The Momluk Sultans were from Kurdistan, Saladin`s birthplace; significant because Saddam Hussein`s treatment of the Kurds in Kurdistan was the main reason given as justification for Saudi Arabia`s support for the Gulf Wars. The Momluks spread Islam by the sword, as far as Hungary in Western Europe (1541-1699). They gave themselves the title of `Custodians of the Holy Mosques`, a title which King Fahd of Saudi Arabia adopted in 1986 thereby `positionally` declaring Saudi Arabia`s support for the descendants of Saladin, the `Arabian Knights` of Kurdistan, and of course Islam.



 Polo is an aristocratic sport in which there are goals, two opposing teams, and a ball. Each period of play in polo is called a `chukker`, which derives from the Sanskrit `cakra`; circle or wheel. Britney`s Radar is alluding to `Fortune`s Wheel` in the tarot deck:


 `... we all change positions, some of us rising some of us falling, some dropping to a nadir, some reaching a zenith.`1



 Polo, as the `sport of kings`, is elitist. Knights have lances, and polo players, in each `chukker` or period of play, wield `mallets` as symbolic lancers, and their opponents are metaphorically `unhorsed` if they score goals; as knights jousting in `tourneys`, that is. The elitism of polo resides in the meaning of the sport, which is that knights aren`t racist.



Traditionally, knights have squires; apprentice knights. This is important because it ensures the continuity of the knightly tradition. In racist slang, blacks are `spear chuckers`, which explains why `clubs` replace `spears` in the modern tarot. The black African peoples have chucked their `spears` and only have `clubs`, that is, the South African Zulus were defeated by the British lancers at Ulundi (1879), for example. A `spear chucker` is in fact a `spear thrower`, a tool used by aboriginal peoples to extend their arm. It`s a piece of wood with a groove into which the shaft of the spear is inserted and then it is used as a `launcher`. After the spear has been thrown what`s left is the piece of wood with the groove, the `spear chucker`, which is in effect a `club`.



 A `club` is what Kevin Federline had after Britney Spears because he signed on for the seventh season of the `reality TV` show Celebrity Fit Club (2009). In Britney mythology, a `club` is for those who want Spears. In Radar terms, Federline had `chucked` his, a euphemism for ending a relationship. Britney`s Spears, not a `clubber`. However, after her divorce, she herself became a `night clubber`; because she`d been `thrown over` and had to `start over`. Her 2012 single Criminal suggests how `night clubbing` degenerates into `knight clubbing` where good knights are robbed by the evil.



 Britney lost control of her fortune to `Conservatorship` (her father, James) because she (and her children) were `chucked` by Federline for `clubbing` rather than `Christian fellowship`, which the `Daughters of the American Revolution` (DAR) might represent for Britney.  In terms of `knight clubs` Jesus` disciples from the `Last Supper`, symbolized by the Grail (cup and dish), are the precursors of la table ronde of the Arthurian knights (sword and lance) persisting into the modern age as a `Rotary Club` that denotes knightly `training` for those who`d `chuck` Spears, as it were, and become `clubbers`.



 Oops I Did It Again shows Britney Spears` early awareness of the meaning of the `Rotary Club`. The spaceman`s first words on perceiving her on Mars are `Whoa there horsey!` Wearing a red pilot`s suit Britney hooks and hoists him to where he`s able to look down where she lies; as if upon a white tablecloth in a white bikini-dress. He`s her knight, and not a polo rider. He`s not going to `chukka` because he doesn`t want to `chuck her` for a men`s `club`, which would be homosexual. Consequently, homosexuality would be defined as men `clubbing` a man who`s a good knight with his lady. The homosexual penis, as an AIDS spreading weapon, is a `members club` for subduing ladies, and their good knights; much in the way that the evil hate laughter and would promote AIDS rather than sexual pleasure. In sexual terms, `clubbers` are `spear chuckers` because they`ve developed homosexuality as a disease. Men`s penises are so small in comparison to futanar women who have their own that it could only be the result of a relationship with Woman that wasn`t supposed to last because they`re homosexual. Their penises are so small it seems almost certain that the rectum is their appropriate orifice.



 Beside Britney`s spaceman is a `giant fork`; one of several `giant` motifs in the video. Descending in her red pilot`s suit, Britney`s inside a giant`s ring and, dancing, she appears inside the rib cage of the giant. When the spaceman gives her a box containing a gift, she says:


 `But I thought the old lady dropped it into the ocean in the end?`



 Again it`s a `giant` reference to the Titanic movie in which the `heart of the ocean`, a blue diamond, is dropped into the sea at the site of the ship`s salvaging by Rose. The Titanic sank after hitting an iceberg on its maiden voyage in 1911. Described as `unsinkable` at its launch, the movie uses it as a metaphor for betrayed love.  Rose`s ex-fiancée `plants` the jewel in her new love`s pocket, accusing him of theft. Her love subsequently drowns while attempting to save people in the lifeboats and, despairingly, Rose drops the `heart of the ocean` jewel into the sea at the movie`s close. Appearing on Mars in Oops I Did It Again the heart, inside the giant rib cage, is a symbol of a titan`s love.



 The titans were gods and goddesses descending from Gaia, the Earth`s `mother, and Uranus. Britney`s allusion is to Tethys, the consort of Oceanus. Tethys would be the `heart of the ocean` in symbolic terms, a Titaness, and symbolically the Titanic would be her ship; the ship of Gaia, the Earth. Anyone trying to see the joke would laugh at the idea of Gayer and Your anus as `received pronunciation` for Gaia and Uranus but it fits the notion of the Earth being Resurrected because Greek culture in ancient times was predominantly homosexual and male, which probably meant that the Earth was the original home of a single species of Woman. The revisionist thesis is not a new one. The Russians have altered history to suit themselves almost since Russia began. It`s highly probable that Greek homosexuality, caring nothing for the enslaved wombs of women, created a mythology designed to create false heroes for posterity. The Lemaean Hydra, for example, protecting the Danaiads, women who have refused to marry, is slain by Hercules. The Hydra has many heads and is female, which suggests that it`s a woman`s collective response to homosexuality as a form of enslavement and parasitism. Hercules, however, is the prototypical Greek homosexual with a  `club`.



If you`d ever seen a statue of the purportedly superhumanly strong Hercules and his incredibly shriveled penis you would laugh out loud. It`s a homosexual lampoon, because they hate Mankind. All war derives from them. That`s why Hercules carries a big club and has a very tiny penis. Because it`s designed for non-reproductive sterile anal masturbation, which is what a tank is. That`s why Hercules carries a very big club, because he has a tiny penis and he doesn`t want to use that. In terms of men`s role as parasites on women`s `host womb`, they breed men with a very tiny penis because the extinction of Mankind is what homosexuals are for and that`s why Hercules has a tiny penis and a big club to compensate his homosexuals` feelings of inferiority. Doubtless Hercules had a large member, but penis envy is what homosexuality is all about. Mankind wants to reproduce with Woman, whereas the homosexual doesn`t. Ridiculing Hercules and giving him a big club is homosexuality`s way of planning Armageddon.



 Because Mars is a desert planet without water, the `heart of the ocean` is a metaphor for Resurrection. In his 1922 poem The Wasteland T.S. Eliot presents similar imagery to, as it were, `water` the imagination of the reader to produce:


`... a revelation of that vanished mind of which our mind is a continuation.`2



 Eliot sought to use what he called the `objective correlative` to foster those thoughts in the minds of his readers that would facilitate their own personal development, a process of correspondence between imagery and imagination which the psychologist Carl Gustav Jung (1875-1961) termed `individuation`. Jung called the elements of the human psyche that aroused inventiveness and creativity `archetypes` and argued that they appeared in mythology and dreams, as well as before and within imagination`s products.



 In The Wasteland T.S. Eliot used imagery similar to Britney`s `heart of the ocean` in Oops I Did It Again to stimulate the mind. The Wasteland refers constantly to the Grail legend and the role of the `fisher king` who is waiting for his kingdom to be restored:


`I sat upon the shore

Fishing, with the arid plain behind me

Shall I at least set my lands in order?` 425



  In Oops I Did It Again Mars is Britney`s `arid plain` and she`s `fishing`. Her spaceman having `landed`, in her red pilot`s suit, she hooks her `fish` and dangles him above her white bikini dressed self who corresponds to her `hidden` woman. In the Bible, the New Redeemer protects the woman of the Earth, who is `hidden` until she leaves Earth. According to Revelation the symbol of the New Redeemer`s authority is a `rod`. Because there are tarot motifs in Oops I Did It Again Britney`s future is present. She has a `ruler`. In astrological terms, her ruler is Mars, and so she`s ruling her red planet, which is unusual; because Mars is a war god.  Because Mars` sandy desert  is arid and barren, the god of war represents sterile homosexuality. Britney needs to overcome Mars `to set my lands in order`. In other words, Mars is the male ego, sterile and homosexual, so Britney has to replace Mars as her `ruler` so that her red planet can become green. Earth is described in science fiction as a `blue and green world` because it`s watery and verdant, so desert Mars should be red and green.



 The desert is important because one of the central figures of the holy book of the Arabian deserts, the Koran, is Khidr `the green one`, who emerges from the Red Sea after Joshua loses a fish he has for Moses` supper. Khidr begins to teach Moses who complains that Khidr does things that only Khidr knows the reason for. But that`s why Khidr`s wise, and Moslems believe in obedience to the `Will of Allah` (God),  because they don`t know the reason for everything that happens. In Judaism Moses receives the `law of God` on Mt. Siniai. They`re for Moses so that he can obey God and not have to know the reason why things happen. Jesus, whose symbol, like Khidr, is the fish, distilled `God`s law` into `love your neighbor as you love yourself`. It`s the simple Arabian perception that growing things need to be `watered`. If your neighbor has fruit trees, so will you.



 In the developmental psychology of Carl Gustav Jung (1875-1961) the fish symbol represents a content of the unconscious, in dreams, myth, and imagination, that is struggling to become conscious. The fish is a developmental symbol, which is why the `fisher king` is fishing in T.S. Eliot`s The Wasteland. Britney, in her red pilot`s suit in Oops I Did It Again, shows the spaceman to herself in a white bikini dress, to see if she`s sexually aroused.  If he`s sexually aroused, it means that her penis is erect, which is Christian in thinking but not yet Redemption for Mankind as woman with a penis of her own and a species in development. From the Earth`s moon, Earth is a `blue and green world`. From the Earth, the moon is silver. But it`s sterile. So men have been with their war god homosexuality, and Britney`s on Mars in Oops I Did It Again to observe that going back to the moon and pretending that you haven`t been there before isn`t Redemption. Altough it looks silver from the Earth, their moon is pock marked with what appear to be blast craters. God`s plan for Redemption is `green` because men as a parasite on the `host womb` of Woman are the war god homosexuality, whereas Woman with a penis is a developer`s species. Britney appears in three different guises on Mars. In her red pilot`s suit; in a white bikini dress; and in a white blouse with black leather skirt and boots. In her red pilot`s suit she hoists her spaceman and dangles him like bait above herself in a white bikini dress. He`s a small fish and she`s using him to catch a bigger fish. If a woman has a penis, she`d need a woman for sex, but because she`s a woman she also has a vagina, and so she would need a third woman with a penis for sex, which is why there are three Britneys in Oops I Did It Again. Woman as a species is the big fish of religious thought, which provides a solution to Mars` war god homosexuality and predicts a future for Mars as a red and green world.



 In Islam they say that, if you accept Jesus, you`re a Moslem. Because Khidr is the beard of Jesus. He`s `the green one` and all that`s required in Christianity is to accept the meaning of the symbol of the fish, which is the Arabian principle that all growing things need water. Life can`t be sustained without growing things, and so growth and development is what the fish, which lives in water, symbolizes. The lungfish, according to evolutionary theory, is the precursor of all animal life. Mankind has lungs, so men were fish. Jesus was a `fisher of men` because he believed in saving good men. Christian baptism is a symbolic immersion in water to remind Westerners that Jesus was Arabian and water is the stuff of life and those green growing things that can`t be lived without.



 A man will often say to a woman that he `can`t live without her` and that she`s `necessary` to his `well being`. In angling terms, Britney Spears was `fed a line` by Federline, before he chucked his Spears back into the water. In Jungian terms, he wanted to fish for `tuna` and do some `clubbing`. In American slang, a `tuna` is a vagina. In Japan fishermen surround the tuna in the water and club them to death, which is why `fed her a line` preferred `clubbing`. A `tuna boat` is a car with more than one woman, and so the spaceman in Oops I Did It Again represents Britney`s `little man in the boat`, that is, the clitoris. In simple terms, Britney masturbates and the penis gets bigger.



According to Jungian psychology there are four functions of consciousness; `Thinking`, `Feeling`, `Sensation`, and `Intuition`. The eyes are associated with the `Sensation` function and the clitoris is the only organ, male or female, that`s entirely concerned with sexual sensation. Consequently, the spaceman with his camera represents Britney`s `Sensation` function.  Her perception is that the penis gets bigger if she shows herself because the penis finds her desirable and libidic energy is transferred into activities designed to win her. Writing articles about Britney Spears, for example.



 9/11 is a further example. The Twin Towers represent development, which is in accordance with the concept of `the green one`, Khidr, in the Koran, that is, the WTC grew because the woman has shown enough of herself to make the penis grow. The `Islamic fundamentalists` of Al Qaeda were anathema to Moslems because they represented anti-life. Britney`s position is psychologically true and developmental. The penis gets bigger is the woman shows herself. In Islam the woman is only supposed to show herself to her man, and she wears the one piece coverall, the abiyah, in public. Pop stars like Dana, Nancy Aram, Myriam Fares, and Haifa Wahbi show more of themselves; and the penis gets bigger. It`s funny for young girls, but women are a species with their own penis. Consequently, the `bigging` of the penis is important to them because it`s their planet, and the Twin Towers are their erections also.



 Because Britney appears `twinned` in red and white in Oops I Did It Again  it`s a transition. In tarot terms, her red Mars planetary ruler is introducing herself in a white bikini dress to a new man. Britney, however, is bisexual. Her `daughter` is interested in science fiction, and that`s why the astronaut is wearing a spacesuit. Her libido is directed towards space and not Earth. In T.S. Eliot`s The Wasteland the fisher king`s rod is a symbol of the need for the fish that will restore the kingdom. In Christianity, Jesus` symbol  is the `fish` because of his teaching of Redemption. According to Revelation the redeemed are put in a new place, which is heaven. Moreover, the `hidden` woman, protected by the New Redeemer`s `rod`, leaves Earth to `sow` her `seed` amongst the stars, and her `seed` fights a war in heaven against the evil serpent`s `seed`, which is homosexuality, and receives a new heaven and Earth from God as a reward while the evil experience perdition. The `hidden` woman sows her own seed, so she has her own penis. The penis of the `fisher king`  is dysfunctional because of a wound given him by the `Spear of Destiny`, that is, the spear of Longinus that pierced the side of Jesus and, effectively, released the Paraclete or Holy Spirit as `Second Eve` from the rib of the `Second Adam` after Jesus` crucifixion and death. The `fish` is a symbol of development, and the woman with a penis is God`s new woman. Consequently, the `Spear of Destiny` is the liberator. Redemption is Woman with a penis as God`s new species, and Jesus` precept to `love your neighbor as you love yourself` is preparation for Man`s understanding that their future is Redemption as Woman with a penis.



 In symbolic terms, the `heart of the ocean` in Oops I Did It Again corresponds to what Jung terms the `Feeling` function in humans, which is symbolized in Christianity by the Grail or `cup` used by Jesus at the `Last Supper` before his crucifixion. A grail could contain both food and drink, that is, it`s a duplex vessel, but in the tarot deck the symbol is separated into suits of `cup` and `dish`. In Jungian psychology, the `dish` represents the `Sensation` function, which is associated with the sense of sight, whereas `Feeling` is associated with the mouth, eating and speech. Undifferentiated, the mouth is for eating, and the ability to speak is consequently indicative of a more differentiated or conscious `Feeling` function. Eating and drinking while conversing is, therefore, a sign of `fellow feeling`  to a refined degree, and as the `fish` on the `dish` on la table ronde Britney in her white bikini dress in Oops I Did It Again is equivalent to the fish supper that Joshua was keeping for Moses before it leapt into the Red Sea and reemerged as Khidr, `the green one`, who is wise and represents development. In real terms, Oops I Did It Again is Britney`s Beard because it represents her wisdom. The giant`s fork beside the spaceman`s helmet as he gazes down upon her is a cannibal allusion. Britney descends inside a giant`s ring to her stage in Oops I Did It Again so she`s supposed to appear as small. Because the eyes are associated with the `Sensation`  function and sexuality, `tuna clubbing` is the concomitant of a male sexuality that has become homosexual, that is, the fork gets bigger. It`s the Mr. Big idea. Who is it that`s developing the Earth in order to devour it? From the eyes point of view, there are never enough women to admire, but the desire to possess is demonic and can result in what the French call crime de passione, which is the murder of what`s desirable. In Jungian psychology `Feeling` is associated with the mouth and eating, whereas `Sensation` is associated with the eyes and sexuality. Cunnilingus and fellatio are definably `Feeling` because they`re associated with the mouth, but eyes and mouths that represent undifferentiated `Sensation` or `Feeling` mean devourment for the women they want. Britney`s Oops I Did It Again is about Britney`s ruler, but not from a tarot or astrological point of view. She hadn`t yet met first husband Alex, never mind Federline when she made Oops I Did It Again. Her ruler was going to introduce her to Federline, because it`s built into the video as a primary concept. In other words, the elements of the video aren`t predictive, they`re coercive. It`s a typically homosexual modus operandi in which the `star` is to be got into position rather than getting herself into a position to do what she wants, which is dangerous because homosexuals are interested in the man and not the woman. Consequently, Federline was theirs and not hers. In terms of the US, he represents the `Federal line`, which is that central government is more powerful than state government. Or, in other words, homosexuality is `the governor` of the women`s prison, which is the Earth before she leaves, and her family`s tree can begin to leaf everywhere amongst the stars. From a Mr. Big perspective, it`s about playing a `fish`. The line that Britney`s been fed is the bait, and then the line is paid out. She remains in the swim, as it were, until she`s reeled in exhausted.  It`s a `fish run` in which Mr. Big allows her to be in the swim, and even breed, but freedom is an illusion, Woman is a `breeding slave`.



 Jesus` symbol is the fish, and in the Koran Joshua loses a fish that he was bringing for Moses and himself to eat by the Red Sea. Upon its disappearance into the waters, the `wise old man` figure of Khidr appears. In symbolic terms, he`s the fish. Moses travels with Khidr, who explains that he rebuilds a wall so that the treasure beneath it isn`t found by evil doers. According to the Bible Moses doesn`t enter into God`s `Promised Land` of Canaan, but does receive the Judaiac law from God on Mt. Sinai. Joshua goes on to fight the Canaanites at the battle of Jericho and `the walls came tumbling down`.4 The analogy is of a small event, the wall, writ larger. The smaller event is as important as the seemingly greater. The wall rebuilt by Khidr refers to the treasure that`s Jesus, who`s to come after Jericho and is `reserved` for the New Testament. Similarly, Jesus was the `fish` because Christianity was yet to develop. As the `wise old man`, Khidr is Jesus` beard. Because Jesus` teachings are accepted in Islam. Jesus is the `fish` because, developing his teachings from infancy, Christianity is Jesus` beard writ large.



 In Oops I Did It Again Britney appears descending in a giant ring. Because Khidr is `the green one`, the giant is green. In the USA there`s a 55 foot high statue of the Green Giant in Blue Earth.5 Although Mars is the red planet and a desert, Britney`s conception is that it`s the bottom of the Earth`s blue ocean and a sterile wasteland is what men would make of it because they don`t value the wisdom of Jesus` beard.



 Britney, in her white bikini dress, revolving slowly upon her round white tablecloth beneath her increasingly rounded spaceman`s eyes (`Sensation`), is a science fictional la table ronde, and also a scifi image of the `Last Supper` at which Jesus offered `bread and wine` to his `knights` as a symbol of fellowship. However, Britney is a woman, and so the offer is physical love.



 Jesus` story is a typical `Greek` tragedy in which the man is murdered by homosexuals who want him to `know` them, in the biblical sense of Sodomites, and he doesn`t want to know. The story of the evil serpent in Eden is similarly about `knowing`. God creates Eve from the rib of Adam and the serpent begins the process of separating Eve from Adam. It`s a homosexual myth. After Jesus` arrest and trial, he`s crucified, and at the `Last Supper` he tells Peter, `the rock upon whom I will build my Church`, that Peter will not admit to knowing him the next  day:


 `A servant girl saw him seated there in the firelight. She looked closely at him and said, `This man was with him.` But he denied it. `Woman, I don't know him,` he said. (Matt: 26. 69-75)


 Peter doesn`t know Jesus, and denies being a Sodomite vehemently to a young woman who, effectively, is a sex slave, which is a normal reaction for a man with a penis to satisfy, whereas following a man who preaches love to men, and for men by men, is intrinsically abnormal. Physical love from a woman is the  sine qua non of development, which is denied Jesus in the New Testament because Mr. Big doesn`t want him to have it.


 In the New Testament  of the Bible, Judas` betrayal of Jesus` unspecific  love is a homosexual `parable`. The disciples criticize the woman who anoints Jesus with expensive oil before his crucifixion because they`re jealous homosexuals. Effectively, Jesus` reply is: `Don`t you think I`m worth a woman`s love?` (Luke: 7. 36-50)



 They don`t because what Jung terms the shadow of homosexuality is upon them, and that`s why the Paraclete or Holy Spirit effectively emerges from the side of Jesus when it`s pierced by the spear of the Roman centurion Longinus at the crucifixion. Afterwards the `spear of Longinus` was known as the `spear of Destiny`,  because the Paraclete, or Holy Spirit, is the `Second Eve` from the side of the `Second Adam`, Jesus.  As a `tutelary spirit` from God, the Paraclete, or Holy Spirit, emerging from the side of Jesus pierced by the spear of Destiny, confers the role of symbolic `vessel` upon Britney Spears:


`I`m Miss American Dream since I was seventeen.` Piece Of Me



 Manifest Destiny and the American Dream are basic tenets of faith in the USA. Consequently, Britney Spears is a symbol of the role of the Paraclete and the Holy Spirit as a `teacher`. The imagery of her videos is designed to promote individuation. As in T.S. Eliot`s The Wasteland, we are meant to decipher her meaning inwardly and outwardly develop because we are inspired. The key is sexuality. As a canalizer of penis arousal, Britney`s a `developer` who knows Woman has a penis. In Oops I Did It Again she appears in a red pilot`s suit to suspend her spaceman above herself in a white bikini dress because, in Jungian literary analysis, such `splitting` of a main character denotes the differentiation of a function. Here the `splitting` is that of man from woman with her own penis as an independent species. Britney, in her red pilot`s suit, is `androgynous`, but sexually desirable to her spaceman in her white bikini dress. He represents the penis, and the Christian `fellowship` imagery suggests he`s to be understood as being her. In her red suit she can only suggest bisexuality and lesbianism, but she has to in order to announce the Advent of the future of God`s plan for the Earth`s `hidden` woman, that is, the emergence of `Woman` as a species from Earth with her own penis.



 As Britney`s white bikini dressed figure revolves upon her white clothed table ronde she`s surrounded by an eight pointed `star`, a symbol of good knights and fellowship, and imagery suggestive of the `star` of Bethlehem that heralded the advent of Jesus upon the Earth. According to Jungian psychology, there are facultas praeformandi pre-existent in the psyche as latent images waiting to be awakened and that foster individuation, that is, developmental functioning. Jung calls these archetypes. In Oops I Did It Again Britney is attempting to constellate, from within the psyche of her suspended spaceman `watcher`, the archetype of the new Christ, described in Revelation as born to the `star woman` , `clothed with the sun and with the moon at her feet`. The `New Redeemer` will protect the `hidden` woman of the Earth before she leaves to sow her `seed` amongst the stars.



 Oops I Did It Again is analogous to the nursery rhyme in which the `dish ran away with the spoon` and the `cow jumped over the moon`. Britney`s the `dish` and the spaceman is the `spoon`. Knights were so heavy in their armour they had to be hoisted onto their horse. Britney suspends her space knight above her white bikini dressed self because she doesn`t want to be `ridden` by a `false knight` who has a controlling demon, which is what `Mission Control` represents. Beneath her white bikini dressed form is her white `saddlecloth`, but she isn`t `saddled` with the `spoon`, that is, her spaceman`s penis, because that`s Mission Control`s `handle`. When he lands on Mars, Mission Control contact him by radio:


`Earth to Mars lander. Report status please.`



 He`s `Mars lander`, that`s his `handle`. We never hear any other `handle`. It`s the `handle` by means of which the demons of Mission Control `spoon` with him. Spooning is sexual and is the placing of the penis between a woman`s buttocks while sleeping.  The Mission Control demons represent homosexual `spooning`, that is, contamination. According to Judaiac thought the Shekinah and the Paraclete or Holy Spirit are the `spirit of God`, which Christianity calls the `tutelary spirit`, and so it`s against `God`s will` to listen to the voices of men inside your mind because that`s `spooning` with demons and would contaminate your relations with your woman and prevent you from hearing the words of the `spirit of God`, accepting the teachings of Jesus as communicated by the Holy Spirit, and adhering to the `will of God`. The Shekinah is female, and `Mars slander` is the homosexual spirit of the war god that wants to discredit Woman`s God by slander, which is what Shaitan is purported to do in Islam. Although Shaitan only has the power to whisper, slanderous gossip based on `hearsay` can ruin relationships. Britney`s bisexuality means that she`s hated, because she`s not open to slanderous accusations about her sexuality. Therefore she was stripped of her fortune and her children, because Mr. Big is a demon who didn`t have a `handle` on her.



 As a hermaphroditic symbol of woman as a species, Britney`s `dish` and `spoon` in Oops I Did It Again suggest the future of sexual love and reproduction. Britney lost her custody battle over her children because the paparazzi noticed that she didn`t care when her youngest son`s baseball cap fell off. It`s the baby`s `spoon` and her demon saw that it could take the child away from her by drawing attention to her losing the `spoon`. Her baby is her egg, and the cap is what they call in English language a `warmer` before they get to the main part of the lesson. As a `trophy wife`, Britney`s the cup of her egg, that is, her child`s `trophy` too. The mouth is associated with the `Feeling` function in Jungian psychology and, in England, they say that aristocrats are born with a `silver spoon` in their mouths, which means that their feelings can be `contaminated` by money.



 In the `egg and spoon race` Britney dropped the spoon but saved the egg, her baby, which is not what her demon, Mr Big, wanted. Men aren`t a species, because women have their own penis, and so the `egg and spoon race` is homosexual. They`re interested in the baby because a `spoon` is interpretable as a male penis, and so the homosexual demons aren`t interested in her because she`s a woman, and the wrong kind of egg product, so they took Britney away from her son after she left his baseball cap in the street. If she`d left the baby with Federline that would have been the end of the `egg and spoon race`, because the baby is her egg product. But the baseball cap is the `spoon` symbol, which suggested to the homosexual demons that she didn`t want the product of her egg because it was male. They used it to `spoon` her son away from her.  In simple terms, homosexuals are the `egg and spoon race` because they`re only concerned with the `spoon`, that is, the penis. To them women are not important. It`s just balancing the egg on the spoon for the cup.



 In Revelation the red dragon waits to devour the child of the woman `clothed with the sun and with the moon at her feet`, which corresponds to Britney on Mars, Earth`s nearest planet and closer to the sun. The dragon is the son devourer, which is the cup that the homosexual wins. The `New Redeemer` is born, however, and grows to protect the woman `hidden` upon the Earth until she leaves, and defeats the evil serpent`s `seed` by sowing her own with her own penis and fighting a war in heaven against homosexuality. Mr. Big, Britney`s demon, is the son devourer who was able to get the `spoon` but not the baby, because she`s the cup and he couldn`t win.



 In Egyptian mythology the soul and the spirit are separate entities; Ba and Ka corresponding to personality and memory. In the myth of Ra the god is incarnate upon the Earth as Osiris who is `dismembered` by his evil shadow brother, Set, a symbol of the way men don`t want you to understand them. Osiris is a multiple personality or `Bau` that knows itself before it becomes evilled by split off components of the group mind that seek power and a reduced level of self awareness for the other elements of their `mind of God`.  Because the `Ka` is the memory, the collective mind is the `Kau`, and so the `cow` that `jumps over the moon` in the children`s nursery rhyme is a symbol of Ra`s return to heaven. In the Egyptian myth, `Ba` and `Ka` are united as the `magical personality` or `Akh` because Isis, the goddess, reassembles the `Ha` or parts of Osiris. All the parts are reassembled apart from the penis, so Isis makes another. It`s a metaphor for lost memory. The penis is the instrument of rememberment and sex is the restorer. Resurrection is the restoration of parts (Hau), personality (Bau), and memory (Kau), which is `Hau`, `Bau`, and `Kau`. The children`s nursery rhyme of the `dish and spoon` is a species` mnemonic. English pronunciation classes often feature the phrase `How now brown cow.` The reason for this is because it `sounds like` the Egyptian mythologem of Ra, and so is a mnemonic for the meaning of Ra:


 Hau Nau Bau Kau.


 `Nau` is the primal water from which all life came, and corresponds to what Jung calls the collective unconscious which contains all developmental archetypes. Consequently, it`s a species` memory. When all the parts of Osiris (Ha) are assembled`(Hau), the multiple personality (Ba) comprised of individuals (Bau) and its memory (Ka) is restored (Kau). Ra-Osiris becomes Horus, the `sky god`, because he`s remembered. He can ascend to the stars as a collective consciousness of individuals because he`s remembered how to.


 In Oops I Did It Again Britney, clothed only in her red pilot`s suit, is on Mars to receive her spaceman visitor in his spacesuit because she knows `Hau`. The spaceman needs `know Hau`, and so must become a `functioning personality` (Bau) with restored memory (Kau) to `jump over the moon` to Mars. If they don`t remember `Hau` it`s because men blind them, a euphemism for the murder of God as described in the Egyptian myth of Ra incarnated upon the Earth as a `multiple personality` murdered by his evil brother Set so that he can`t `see`.


 You can`t drive a car if you`re blind, and you can`t pilot a space rocket if you`re dead. Dead is progressive blindness to a `multiple personality`, which is defined erroneously as `schizophrenia` by psychologists. In fact it`s the `presence of God`, the Shekinah, and `schizophrenia` is, properly defined, a symptom of the murder of God by men who prefer blindness (for others), degeneracy (for all), and so they represent what is regressively evil and unhuman.



 In the Egyptian myth of Oedipus the problem is sight, that is, the central protagonist is metaphorically unable to see from birth and, at the story`s end, he`s physically unable to see. Because men don`t want him to remember. Oops I Did It Again is about the opening of eyes. The woman `hidden` upon the Earth is not able to be seen because men blind. In Arabia women wear the abiyah, a one piece coverall, so that they are `hidden` . Moreover, `Jennah` is the Arabian word for Paradise and translates as `hidden`. In the myth of Oedipus, dramatized by the Greek Sophocles in Oedipus Rex, Oedipus marries his mother, and blinds himself when he realizes; because he`s been taught the incest taboo by men. In other words, they`d murder him for being able to `see` that circumstances have directed him to the perfect woman for him. In dramatic terms, Oedipus is all of the characters; as he would be in Christ`s concept of `love your neighbor as you would love yourself `. Oedipus marries himself when he marries his mother Jocasta  but, if he were able to see that, he`d deduce that his penis is hers. That would reveal her as a species, and so men blind; because they want to continue their enslavement of woman`s `host womb` and remain as a parasite upon her and her Earth. In Islam men are even described as `leeches`3 in accordance with the teachings of their holy book, the Koran.



On Mars Britney Spears is `heaven` and the spaceman represents how men hide her by blinding. Man on her Mars doesn`t remember his `Starship` and, even if he did, men would murder him so that he`d remain blind in his incarnation. It`s director Stanley Kubrick`s 1968 movie 2001: A Space Odyssey in reverse.  Instead of the bone picked up by the monkey representing the evolutionary urge to travel to Jupiter, symbolized by the bone`s transforming into a space station as the monkey tosses it into the air after its having murdered a fellow monkey with it, the bone is the `club` symbolizing how degenerate men murder Man, so that Man won`t be able to travel to Jupiter. In `multiple personality` terms, if you want Britney Spears` God, you`ll have to learn Braille.



 In Islam the `embryo` is called alaqah, which means `leech`, `blood clot`, or `suspended thing`, and is what Britney`s spaceman represents. Suspended above her white bikini dressed self, he represents the `clot` who`s preventing the woman`s `consanguinity`, from the Latin consanguinitas, meaning `blood relation`, from flowing `incestuously` towards her own species. However, Britney`s spaceman has `Mission Control`, and so the real `clot` is the controller who functions as the `demonic possessor`, Britney`s Set, the evil `brother`. Dismembering Osiris in the Egyptian myth, Set represents the murder, and so progressive blinding, of the collective that can see well and know themselves to be God on Earth because they`ve consciously actualized the archetypes of the collective unconscious, the facultas praeformandi of dreams, myth, and imagination, placed in our unconscious selves by God for that purpose.



 Blinding would prevent Britney`s Man from reaching her through `know Hau`, that is, by murdering his `multiple personalities` (Bau), the Set `pieces`, that is, homosexuals with guns, would ensure memory loss (Ra would progressively be reduced from Kau to a single Ka) and the penis would lose its capacity to be remembered. From degenerate men`s point of view, the penis is a `blood clot` that wants to be remembered by the woman, who has her own `Bau`, or `multiple personalities`. Man and Woman`s conjoined parts would give them `know Hau`, and their `Kau`, that is, memory, would remember how to `jump over the moon` to the stars in faster than light (FTL) starships, for example. Otherwise Man will spend eternity with the Starship Enterprise lying in the garage forgotten under a tarpaulin while he tries to build a bicycle. Then, having forgotten how to build a bicycle because he`s murdered and reincarnated, the men`s `club` of evil degenerates will laugh at him as he tries to build a bicycle again.



 The 9/11 terrorists from Al Qaeda used the lowest form of space travel, hijacked lanes, to chuck them at the Twin Towers of New York`s World trade Centre in the USA. It represented the raw aim of the `spear chucker` mentality; to prevent successful development from continuing. Although the white Arabian Moslem population of Sudan received heavy criticism for their treatment of black Moslem West Africans in Dharfur, the Arabs have represented a civilizing influence over Sudanese culture.  In other words, elitism isn`t racism; but the problem of the `spear chucker` remains. Al Qaeda chucked spears at the World Trade Centre. Neither planes nor ticket purchasing genuine visitors to the USA will be coming back from the 9/11 inferno, and the Twin Towers of the World Trade Centre are gone. The `spear chuckers` don`t want Man (still less Woman) to get off the Earth. In Oops I Did It Again Britney, in her red pilot suit, represents those who flew the X-15 planes out of Earth`s orbit before experiencing `blackout` and, falling back through the Earth`s atmosphere, awoke to rue the impossibility of ever flying to the stars because their brains couldn`t sustain consciousness under the high gravities they needed to withstand in order to operate a plane`s controls:


`Whisper softly and the world just disappears

 Take me high and just wipe away my fears,

 When you're with me

 Oh boy, it's my heartbeat that I hear

 Ooh, ooh baby

 In your arms I finally breathe

 Wrap me up in all your love

 That's the oxygen I need, yeah ...

 You're fillin` me up with your love.`  Ooh Ooh Baby



 In Islam the figure that finds correspondence with Satan is the djinn Shaitan but according to the Koran the evil one only has the power to whisper. What the individual does in response to the `whisperer` is a matter for free will. In Islamic tradition each individual has a good and a tempting djinn, a `Hamzad`, who record the good and bad deeds of the person to whom they are given. Depending on their records, the actor either goes to hell or heaven.  It`s a metaphor for a `choice dish`. In Arabia it`s traditional to eat only the food on your plate that you want and to leave what you don`t. Oops I Did It Again presents Britney, in her red pilot`s suit, as a good djinn and, in her white bikini dress, as a tempting djinn.


 From men`s perspective a woman with a penis is `Satan` because she`s a threat to their parasitical enslavement of her as a `host womb`. Consequently, Shaitan`s `whisperings` in Islam might correspond to the `tutelary guidance` of the Paraclete or Holy Spirit. Actions in accordance with the `will of Allah`, that is, `God`s will` in Christianity, can produce no evil results; whichever `voices` are audible to listeners who have conscience as their guide.  The Paraclete or Holy Spirit is the `Second Eve` born effectively from the side of Jesus as the `Second Adam` after being pierced by the spear of the Roman centurion Longinus and known thereafter as the Spear of Destiny because of its `potency`. In the Old Testament the `spirit of God` is the Shekinah who, described as a female spirit dwelling within the tabernacle where `God`s law is kept, corresponds to God`s conscience and that`s why she`s associated in Judaism with the Paraclete or Holy Spirit:


`[A] table ... prepare[d] for her ... the bride ... in holy jewels ...`6


 Britney Spears` white bikini dressed self upon the tablecloth of her altar with the star of her Advent about her is a type of the Shekinah in Oops I Did It Again where her suspended spaceman gazes down upon her. Either he`s her `liege lord` and a knight, or he`s a `leech lord` and a parasite. Under the direction of `Mission Control`, these are his `blood-sucking parasites` from her point of view and they`d interfere with their union. The `law of God` must be applied to `test the spirits`, as the Christians say, and remove any `demonic` control. There are indications of `demonic control` because the spaceman is a `camera` from the point of view of `Mission Control`, which means that he can only see what they point him at, a form of blindness in which `seeing is believing` and you accept that what you are able to see is all that`s present.



 The Shekinah is described as the `divine presence of God`, and she contains `All Worlds`, which explains why Britney is surrounded in Oops I Did It Again by `planetary bodies` orbiting her Mars. The video itself is demotic. There are indications of worlds that exist but are `hidden`; even from those who are able to penetrate some of Britney`s story. Only those who accept `God`s law` may enter we guess, and 9/11 holds the key. Those who pretend friendship in order to attack the innocent are breaking the law of God and are haraam. At the outset of Oops I Did It Again Britney`s spaceman uncovers a small icon of her in the desert of Mars and – Open Sesame! – Britney`s `Grail castle` emerges gargantuanly from the sand. It`s as if her spaceman `clicks` on a Microsoft Explorer (ME) icon, and the website corresponding to Britney`s URL appears. After he`s `released`, he`s depicted walking backwards; presumably to his previous position. Shaped like a `cookie` from a jar, the icon is, in fact, a `cookie` in internet terms also, and the `intruder` is safely dealt with by the simple means of `rewinding` him; or anything else that is deemed illegal by Britney Spears: a smarter `cookie` than she might appear to someone not interested in all the stories of all the worlds that the Shekinah contains as `spirit of God`s law` and supreme arbiter of what constitutes a `good yarn`.



 In the psychology of Carl Gustav Jung  (1875-1961) the tarot suits are equated with the four functions of consciousness, that is, `Sensation` (dish), `Thinking` (sword), `Feeling` (cup), and `Intuition` (lance). In Marie Louise Von Franz and Emma Jung`s `Jungian analysis`, The Grail legend, they interpret knife (`Intuition`) and `dish` (`Sensation`) symbolism as relating to the differentiation of the `lance` function. It`s the `sword [`Thinking`] beaten into a ploughshare` concept, but here the `lance` becomes a utensil. In Oops I Did It Again the `giant fork` beside Britney`s spaceman is differentiated `Thinking`, that is, the sword as utensil indicating deliberation; or, in other words, the `choice dish` of which story to enjoy. Of course you have to be interested in a story, and willing to let it unfold and enfold you. Pressing ENTER isn`t enough. You have to pass muster with the supreme arbiter of `God`s law`, the Shekinah; otherwise you`re an unwanted `hacker` into an `Ivory Tower`, a `spear chucker` terrorizing New Work.





2 Eliot, T.S. `London Letter` in The Dial magazine, October 1921,




4 Thacker, G.A. `The Walls Came Tumbling Down` (c. late 19th early 20th century)


5 Blue Earth is a city in Faribault County, Minnesota, at the confluence of the east and west branches of the Blue Earth River.


6 Luria, Isaac Sabbath Bride


The moon is Qareen

03/05/2012 11:41

The moon is Qareen,

she`s maid of silver,

and the sun is orange;

and the orange is Qareen.

Back Cars, or Arse Backwards With Britney Spears

03/05/2012 11:28

Back Cars, or Arse Backwards With Britney Spears


Don`t drive a car, because it`s pedal-pushing to give the illusion of adulthood, rather than a trained monkey. Observing grown men, carefully watching the back of the car in front, especially in Saudi Arabia, where women are forbidden to drive, brings the monkey analogy into focus. Men aren`t watching the arse of the woman; it`s the backs of the men`s cars: to avoid recognizing a sublimated homosexuality in which the penis transmits sexually the disease (STD), HIV/AIDS` , an`incurable killer disease` through the asshole ahead, as a form of `biological warfare` against `woman`s seed`.



 Scientists believe AIDS derived from monkeys, although parasitical host womb slavery in homosexuality and pederasty for parasitoid devouring through war was institutionalized in ancient Greece. Moreover, God destroyed Sodom and Gomorrah (Gen: 18, 19), according to the Old Testament of the Bible, because men wanted anal, that is, monkeys are what HIV/AIDS produces. In Revelation everyone has the `mark of the beast`, while: `...ugly and painful sores broke out on the people who had the mark of the beast and worshiped his image.` (Rev: 16.2)



 The pseudo-psychology of behavioralism is the `mark of the beast`, because men behave as monkeys, if they`re homosexual, and homosexuality is defined as `brutality and violence` called `rough trade`, which is why the Twin Towers of the World Trade Centre were chosen by the Al Qaeda terrorist group operating under the auspices of the misogynist Taliban regime in Afghanistan on September 11, 2001. Homosexuality is `biological war` with AIDS as a terror weapon used to keep women in fearful faithfulness to men`s misogynistic ring slavery for host womb parasitism to feed their parasitoid nature as the devourers of `woman`s seed`. Men watch the back of the car in front because it`s behavioralism. They have car registration numbers to identify them, `phone numbers, and other numbered IDs, which is why the `number of the beast` is 666 in Revelation, that is, perversity, because the police are 999: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) They perversely prefer homosexual behavior, so 666 is 999 reversed, and the police are the bullies who enforce animal behavior.



 Traffic lights prevent motorists from going forward into the boot of the car in front, because it`s a bullet to go through the boot. Annoyed by the car ahead in traffic jams, the impulse is to `ram`, which is why Satan is often depicted with ram`s horns, as Satanism is sublimated homosexual behaviour opposed to Christian shepherding, because the `boot` of the car at the rear represents God`s foot`, which is `hidden` futanarian humanity. In Christianity Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent, Satan, with her `foot`, because God told the first woman, Eve: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) The serpent, Satan, was the angel placed on Earth for rejecting God`s plan that the human host should be greater than the angelic host, and he gave Eve the `fruit of the tree of the knowledge of good and evil`, which was death, `You shall be as gods.` (Gen: 3. 5) God had given Eve and the first man, Adam, `the fruit of the tree of life`, that is, immortality, and expelled Eve and Adam, who must labor, while Eve would experience labor pain, before Redemption, which Jesus born uncontaminated by male semen as the `foot` of God represented as the futanarian teacher of the human species: `Love your neighbour as you love yourself.` (Mk: 12. 31) Because human futanarian women can sexually reproduce brainpower with each other, they`re the `foot` of God that can crush the host womb enslaver of the race, Satan.



 Jesus` death, Resurrection and Ascension to heaven prefigured that of `woman`s seed`, whereas the motor car is a machine gun. Behavioralism suggests that repressed homosexuality will result in aggression, which materializes in the shape of the tank of petrol with the elephant gun on the turret as a symbol of the repressed penis` seeking to penetrate the futanarian race and spread homosexuality`s `incurable killer disease` throughout human nature.  Bored with watching the boot, tank battles ensue. The `hidden` face of homosexuality emerges with a gun, and a `biological bullet` for the plain of `Megiddo`, which is the location prophesied in Revelation for the last confrontation between good and evil. Human futanarian `woman`s seed` is expected to triumph over homosexual behavioralism, which is the system of those who`ve trained humans as animals, so they`ll be `beasts`. However, acceptance of the `spirit of God` is the `spirit` in the `Word` of the law of prohibition, that is, the promise that humans won`t have to steal, murder, or be jealous: `Thou shalt not [have to] steal.`


 Behavioralists rely on rules that treat humans as monkeys. Driving behind another`s car for decades in denial of anal desire resulting in `Armageddon` is behavioralism. Telling a monkey it mustn`t be anal encourages interest, but God isn`t a behavioralist. Adam and Eve are told not to eat the `fruit of the tree of the knowledge of good and evil` because it`s poison, that is, their boy sons will have HIV/AIDS if they encourage anal. Developmental psychology provides cogent reasons against anal, for example, it`s unproductive and sterile, that is, death rather than life. The serpent in Eden is a behavioralist, because it wants Eve to eat the fruit and die, which they do. Naked in Eden, Eve and Adam discover their nakedness after the serpent`s direction. Before God they`re unashamed, so their behaviour is directable, and boy sons, that is, poisons, result. Cain kills Abel because Abel is able, which suggests he won`t be trained as an animal by Cain, who kills him as a behavioralist. Evil people don`t want life, or to live, and Adam and Eve accept slavery in ephemerality in exchange for power, that is, death, which is what Satan offered Jesus, who replied: `Avoid me.`


 Because Jesus wants immortality amongst God`s planets and stars, which Adam and Eve lost when they accepted slavery in ephemerality, although human futanarian women`s penis` semen would sexually reproduce the brainpower needed to take humanity to heaven as `woman seed`. In Revelation the `hidden` woman is protected by the `New Redeemer`, who will `rule the nations with an iron sceptre`, until she`s ready to leave and sow her `seed` against the evil serpent`s `seed`, that is, those who`ll receive God`s punishment of eternal unendurable pain, while God gives the woman and her `seed` an eternal heaven and Earth. Because women have their own penis` `seed` as futanarian humanity, she`s `hidden` partly because men want to occlude humanity from knowing they`re a species enslaved by an alien. Men without futanarian women`s reproductive capacity are sterile parasitical organisms, which the late 20th century `incurable killer disease`, HIV/AIDS, spread by men`s mixing blood, shit and semen in each others` anuses, illustrates. As a viral life form, men are a parasite that somehow inveigled itself into women`s host wombs to steal her penis` semen and enslave her as a parasitoid nature which now breeds her to produce civilization, culture and art to devour in its `biological warfare` against women`s human futanarian nature. Emerging as viruses formed in women`s host wombs, men feed upon women as parasitical `leeches`, which is how they`re described in Islam, before devouring women`s human futanarian nature as dragon`s grown since their days as women`s symbolic paradise`s serpent:


`... the embryo ... obtains nourishment from the blood of the mother, similar to the leech, which feeds on the blood of others.`1



 In Greco-Roman times a roadside `herm` was a `signpost`, a symbol of Hermes, the god, an upright stone pillar with a penis carved on it, and a bust of the god`s head atop the column. Insofar as roads are homosexual behavioralism, the penis` herm is symbolic.  In Egyptian mythology, the `Shu` is the `feather of truth` of Ma`at,2 the goddess who balances it against the heart`s worth, and if the two balance the balanced human enters heaven, which is a metaphor for psychological balance deriving from the sexual reproduction of human futanarian brainpower. Traditionally, vampires can`t be seen in the glass of a mirror and so the mirror is the Shu`, which shows women why they`re not psychologically balanced, because the vampire has devoured their penis. Consequently, if a car is understood as having a rear view mirror, that is, the `Shu`, the `woman`s seed` can`t be seen, while the killers make a getaway in their vehicles, although the vampire`s there driving them on demoniacally with its HIV/AIDS` virus.



 Humans want to see what`s human, which is what sexual reproduction is for, although `human` is an adjectival, rather than a physical, characteristic. Men`s `Shu` isn`t women`s futanarian humanity, that is, the driven cars, are equivalent to the `Ka` or `spirit` of Egyptian mythology, represented in Moslem Islam by the Ka` Ba, which is the temple of Abraham in Mecca, Saudi Arabia, and where `Ba` is `soul`, because it represents Hajer, the Egyptian woman, who bore Ishmael, whose descendant Mohamed founded Islam after receiving the Koran (610-30 C.E.) from angels. Abraham`s wife, Sara, bore Isaac, founder of Judaism, and gave Hajer to Abraham after Sara became barren. Consequently, Islam is permitted four wives, which is why the Ka` Ba` represents women`s futanarian union of spirit and soul, whereas men`s cars (Kau) represent the prison bars (Bau) of the soul as they`re driven away from their crime of patricide against `woman`s seed` by their demons. 



 In the Greek drama Oedipus Rex (c. 429 B.C.) Oedipus kills his father without knowing him upon the road to Thebes. When Oedipus arrives he marries Jocasta and later discovers she`s his mother. Consequently, he`s metaphorically blind. Afterwards Oedipus blinds himself because of the incest taboo. However, because women are a single species, incest is a taboo designed to prevent them from sexually reproducing with each other, so Oedipus is an Everyman archetype demoniacally possessed. When Oedipus` daughter, Antigone, agrees to guide his steps, he`s a slaver, because women are humanly sympathetic, which is why they`re slaves.


 If Oedipus could remember being his father and mother, he`d have a penis with `vision`, because he`d have human ancestry, which is what Jesus` teaching of the Holy Spirit is for. Envisioned, Oedipus wouldn`t kill women`s human futanarian species, because he wouldn`t be alienated, but the `spirit of God` is women`s, which is why she`s depicted as dwelling with the law of God as the Jewish Shekinah in the Old Testament. Jesus` distillation of God`s law is `love`, which accords with the Shekinah`s female nature. Consequently, women are God`s species and men aren`t, although Jesus` teaching of shepherding `woman`s seed` is Redemption for men.  The Greek `herm` is a symbol of the killer`s getaway, which is why the Roman Empire built so many roads. Homosexuals don`t want humans to see, because they`d see the alien. Antigone can guide blind Oedipus, because she isn`t homosexual, whereas men deny the path to those who can see, because they`re alien pogromers. They don`t want Jocasta`s species to see enough to remember men are the alien enslavers of her host womb in parasitism for parasitoid entertainment dramas.


 The Greek `herm` is a symbol of the false path that men`s parasitoid natures want to be taken for truth, which is a part of their behavioralist program for reducing humanity to degeneracy through homosexuality in pederasty for war against `woman`s seed`. Humanity has a path, but the `ape of God`, as Satan is often described, represents the spirit of homosexual men prepared to kill the eyes of the penis that can see its alien nature, so that the monkey brained can live, which is why Revelation speaks of the `beast` on his `dark throne`, a symbol of blind unconscious ignorance: `...what rough beast, its hour come round at last, slouches towards Bethlehem to be born?`3


 Although women`s feelings for each other as aspecies with its own penis are repressed and condemned as homosexually `lesbian`, human futanarian women are sexually normal, and `lesbian` is a sexually perverse term devised by men as a tool to deprive women of their ordinary sexual heritage. The confusion arises from feminist assertions that women are homosexual if `lesbian`, whereas futanarian women are a sexually reproductive species, while men can`t sexually reproduce, and so even in democratic societies they`re a disenfranchising parasite upon the host wombs of the human society, which isn`t allowed to see that it`s belief in democracy is a lie promulgated by an alien parasitoid waging war against the human race.



 `PC` feminism argues that women are equal with men, although in Saudi Arabia, for example, women aren`t allowed to drive a car, because seeing a woman might cause `phantom` arousal, and rememberment, which the alien discourages because it interferes with the `prison system` of heterosexuals` producing a single male brained creature as a transvestite `TV` wearing each others` clothes for `snuff film` entertainments for men`s parasitoid natures, which is how the demon of homosexuality possesses, because it likes to torture its manifestations, for example, crucified Jesus was born uncontaminated by male semen, and so was attempting to escape as an unreconditioned `TV` producer the homosexuals wanted to repossess, because they want the `TV` for their human species` `snuff film`. Heterosexuals are conditioned into believing in heterosexuality, but imprisoning and enslaving women`s `host wombs` to demoniacally possess themselves of the `remnant` of women`s human futanarian race is what men`s parasitoid nature does. As a homosexual parasitical organism, it defines itself as `men`, whose `behavioralist` system is ignorance, even at the expense of species` extinguishing global thermo-nuclear war against `woman`s seed`.



 Kate Millett`s feminist polemic Sexual Politics (1968) is how the homosexuals put the gun in the hands of women, and have them shoot themselves, because homosexuals don`t want women. Heterosexuality is a `TV` argument, whereas women are a species, which doesn`t need the `gay` argument, whereas homosexuality is socio-historically the basis for slavery, war, plague and death. The `father of psychoanalysis`, Sigmund Freud (1856-1939), argued civilization, culture and art was `nothing but` expressions of the repressed penis, although he didn`t understand that it was the woman`s penis that was repressed. Modern psychologists believe the gun a repressed penis, which is a way of saying that male brained women are committing suicide, because men in misogyny want to kill them. Equating homosexuality with war, the anus is a ready made bullet hole into which the homosexual inserts his penis gun to kill the brain with HIV/AIDS` `biological warfare` bullets.


 Even if futanarian women practiced anal, she wouldn`t be homosexual, because men are, and women are the species, that is, in reality there` s no one else to see the women. Women are definable as `homosexual`, if they`re male brained killers of their own species, which is `the fall` for `woman`s seed`, that is, racial suicide, and that`s what the pseudo-attractive war god`s homosexual weapons are for.


 Nosing the bumper of the car in front metamorphoses into the tank with its barrel as a penis extension angrily denying its interest in sniffing the fumes emanating from the rear of the demon driven. In the developmental psychology of Carl Gustav Jung (1875-1961), there are four functions of consciousness associated with ears, eyes, mouth and nose in undifferentiated form, and `Intuition` is the function of consciousness associated with the `nose` or smell, and the feminine soul or anima in a man, which Jung views as an Antigone-like guide of the blind. Consequently, the tank is Oedipus` elephant gun, because he doesn`t want Antigone to see, that is, `woman`s seed` is the elephant, which is Jocasta and Antigone, who`re the species` pair in the tragedy.


 According to Jung, there are two feminine functions of consciousness (`Intuition`, and `Feeling`, which is associated with the mouth, that is, speech, kissing, eating and drinking), and two masculine functions of consciousness (`Thinking`, the ears; and `Sensation`; the eyes). Consequently, the car, with its four wheels, is analogous to the Jungian `Self`, with its four functions of consciousness, although the `Ka` spirit of Egyptian mythology aligned to the `Ba` soul, because futanarian women are humanity, suggest that men`s car has a problem with its tank, that is, what drives it. Tanks represent the undifferentiated `Self`, which has `Sensation` and `Thinking` (ears and eyes), but undifferentiated `Intuition` and `Feeling` (nose and mouth), because its elephant gun tank barrel is its killers` `Intuition`, and it’s a devouring maw, that is, men`s car (Ka) bereft of soul (Ba) is anti-life and productive of a planetary consciousness repressed by its parasitoid alien nature manifesting as a sadistic homosexual.



 If the demon driven refuses to accept the car behind doesn`t want to `get closer` to the `source of pollution`, and the tank barrel isn`t a big enough penis extension to hotly deny any suggestion of his homosexual parasitoid nature, he`ll resort to missiles, because men aren`t human. Insisting that sodomy isn`t contemplated, as distance is maintained from the rest of the demon driven, the planet will be destroyed by the parasitoid natures of the alien invaders, although homosexuality will have been denied by them, while the humans died sympathetic to the parasites` true feelings, whatever they might still be.


 Masculine `Sensation` and `Thinking` suggests that the ears and eyes of men, which hear and see women, are occluded by what Jung terms the personal shadow or subconscious that contains the inferior function(s), that is, the feminine functions of `Intuition` and `Feeling`, associated with air, food, water, and speech. Because, Jung argues, the shadow is often projected onto others who are seen as inferior rather than the person to whom the inferiority belongs, men are unable to hear, or see women, as the species of the planet Earth that they`ll destroy.

 In Islam, women are invisibled in their one piece black coverall, the burka. In pederastical occlusion men are everywhere visible in their white `thob`, but women are `hidden`, because their species isn`t expected to reappear. Men prefer that men hear and see each other. However, if women represent Jung`s human futanarian functions of `Intuition` (nose) and `Feeling` (mouth), that is, traditional desert concerns of air, food, water, and speech, modern men have repressed them, so they`ll have ears (`Sensation`) and eyes (`Thinking`) for each other only as an alien parasitoid nature`s telepathic communal understanding, which doesn`t want those who speak, because speech is `animal`. Men`s having to be polite with men, because men are all that`s visible, results in men`s deep hatred of men`s politeness, that is, war, and women, who`re their voiceless victims, are the humans.


 Eyes and ears are important, because they represent the tools necessary for understanding without telepathy. Eve, the first woman, and Adam, the first man, in Eden, perceived themselves naked, because they telepathically `sensed` the serpent spying, which is the basis for human occlusion, because the `serpent`s seed` of men don`t want others to see. In Islam, the serpent is `Iblis`, an evil genius, who whispers in the ears, which are the conduits to the brain, and so in Jungian psychology `Thinking` is associated with the ears. According to Moslem belief, `Iblis` hasn`t power; but it`s whispers affect the mind and, consequently, whatever is being performed for the voyeur. Adam and Eve`s nakedness in Eden, together with the phallic symbolism of the serpent, suggests pornography, but parasitoid nature is a devourer and so sex films are the appetizer for `snuff films`, which is why Satan is identified with Armageddon. The serpent`s evil is represented by the gun as an anal perversion, because HIV/AIDS is a `biological weapon`. In Revelation `666` is the `number of the beast`, and the `six shooter` is the infamous handgun of the American Wild West, which revolutionized killing by allowing the killer to shoot six times.  



 As the host at the Last Supper, Jesus had spoken to his disciples, offering food and drink in fellowship, that is, `bread and wine` as symbols of his `body and blood`, but Judas, who was known for stealing from the collection plate after a service, and had suggested that the expensive perfume a woman was anointing Jesus` feet with should be sold to raise money, betrayed the human host for `thirty pieces of silver` to the agents of the Roman Empire then occupying Jewish Palestine, and so Jesus was taken to the hill of Calvary outside Jerusalem and nailed to a cross of wood and left there until he died, although he had Resurrection and Ascension as a prefiguration of that of `woman`s seed`. Born from his mother, the Virgin Mary, Jesus was uncontaminated by male semen, and Judas betrayed him as a `dissident` threat to the male brained Empire of Rome because he didn`t want Jesus` `woman`s seed` to sexually reproduce with a woman and psychologically balance a parasitoid nature`s psychopathy to save women`s futanarian human species.


 Although it`s received wisdom that HIV/AIDS came from monkeys, in a case of Jungian shadow-projection, monkeys and HIV/AIDS would have originated with men, that is, monkeys are their degenerate` descendants. There are many videos of chimpanzees who`s actions, when threatened, are of an anal rape victim; behaving as children abused by strength.  Satan`s the `ape of God` because he `apes`, that is, behaves, which is what pederasts teach.  Because children are weaker, homosexual cowards want more children, which paradoxically is degeneracy. Hollywood movies depict the emulated male, but boys aren`t aware that the woman has their eyes, although the pederast encourages belief in the man, whereas the boy is closer in spirit to the woman, who is women`s futanarian humanity with her own penis` `seed` for the sexual reproduction of her species` brainpower for liberation from the `gay` scene in which the parasitoid nature is preparing to encourage the boy to devour the human host, women, in a glamorous battle against human nature.


 In the Greek dramatist Sophocles` Oedipus Rex, Oedipus is blind throughout, because he doesn`t understand that the homosexual doesn`t want Oedipus to see that Oedipus is Jocasta, that is, he doesn`t want Oedipus to see with Jocasta`s penis. Hollywood is notorious for homosexuality, and may be said to have even caused 9/11 by presenting movies like Towering Inferno (1973), starring Steve McQueen as a firefighter trying to prevent a tower from burning, as `entertainment`. In simple terms, the boy watching movies is expected to identify with the man who`s homosexual because he implies that the woman doesn`t have a penis, and therefore she is alien to boys, whereas movies are for boys who`re being educated without the understanding that women have a penis, that is, that women are the human futanarian species on the planet.  As the `spirit of God` is the species`, boys have the eyes of women, and see with their penis which, as `The Lord`s Prayer` suggests, is deliberately `hidden` in pederasty`s blinding, so that boys will worship their fathers: `Our father who art in heaven, hallowed be thy name...`


 Behavioralism is consistent with a homosexual degenerate`s approach to a labor camp, where humans are consistently reduced to creatures of lesser intelligence by those who want humans to be trained animals. Pedal-push cars painted to look futuristic are behavioralism`s `Pavlov`s dog`. If humans developed, they`d escape degeneracy, and host womb enslavement in parasitism to men`s parasitoid devouring nature. Reduced to `apes` by behavioralists` spying to ensure that hands are washed in the lavatory, for example, humans degenerate into mimicking what they see on the assumption that it`s fatherly and educative, whereas it`s routine slavery.



 In Islam the left hand is `forbidden` or haraam because it`s `unclean`. Associated with the anus, and gun, because HIV/AIDS is an `incurable killer disease` looking for a bullet hole, the left hand is, in psychological terms, associated with homosexuality. The Greek poet Homer relates in his Iliad (760-10 B.C.) how the Greeks left a huge hollow wooden horse outside the gates of the city of Troy, which the Trojans took inside, and the Greeks emerged therefrom to capture the city for institutionalized host womb slavery and the spread of the `Greek` contagion of homosexuality in pederasty for warfare against `woman`s seed`. When the Al Qaeda terrorists hijacked civil airliners on September 11, 2001, to crash them into the World Trade Centre to spread homosexuality in pederasty`s `rough trade`4 of `brutality and violence` across the globe, they were the equivalent of `Trojan horses` that had got through the system of defense as HIV/AIDS through the `Trojan` condom brand used widespreadly in the United States to prevent the spread of HIV/AIDS. The successors to the Greeks were the computer `geeks` who devised `Trojan horse` viruses to infect and kill computer brains, because they didn`t want `woman`s seed` to have permanent knowledge of human women`s futanarian nature. Consequently, the Al Qaeda terrorists were `unclean` in Islamic terms, because they were homosexually transmitting a `Trojan horse` virus designed to kill the brainpower of the USA and precipitate a Dark Age through warfare against `woman`s seed`. Behavioralism`s training humans as animals to wash their hands is provoking rather than educational. The 9/11 terrorists bought airline tickets as visiting students, before hijacking the passenger airliners and turning them into guided missiles to crash into the WTC, which is how dictator, Saddam Hussein, cultivated the right hand of the friendship of the US, before Iraq`s invading Kuwait city raised legitimate concern at the possibility of Moslem nations having chemo-biological weapons. Terrorism is directly attributable to Islam`s preoccupations with repression of the left hand, because repressed psychologies react.



 The car didn`t develop from basic mechanical operations in over 100 years, which suggests behavioralism, that is, `ape`, because it`s slave training, rather than progress. Apeing is what behavioralism encourages, so training is homosexual, because trainers want humans to ape behavior. War wants apes, so behavioralism is psychology imposed by an alien.  Jesus was killed, because he was peaceful, and afterwards he was labelled a coward for not fighting, which is how the evil kill. The perspective of the evil is that the peaceful should be killed for not fighting, and labelled cowards if they won`t be easily killed, because the peaceful shun evil and that`s how they live. In ancient Greece, a few men held a pass at Thermopylae allowing entry by single file only. Xerxes` Persian army was stopped and Greece defended. In psycho-symbolic terms, the pass was the anus, and Greece was wanted, because homosexuality in pederasty is war.



Women are the `device` used by the spirit of homosexuality upon the Earth to make war on her species` and its planet. The defence of the pass of Thermopylae is archetypal, that is, shun homosexuality, if you don`t want male brained Empire: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Gen: 3. 15) Women have their own bathroom cubicles, because they`re trained for secrecy, that is, to be courtesans, whereas men stand together, and are `trained`. What they`re trained for is not to look, which is the accusation that they`re spies, and the associated idea that they should be blind, so it`d be better if they had cubicles, like women, to prevent the `trainers` from blinding them, because they don`t want them to remember the women`s penis. Consequently, spying is what humans are persecuted for, because they need to know.  Who people are taught are spies, are killers, because governments in the male brained Empire don`t want humans to know, so movie characters like James Bond, British secret agent, 007, `licensed to kill`, is a killer because he`s a killer, whereas humans are those who want to know, but are accused of spying, and so are killed by the alien, which wants parasitoid devourment of the Earth, rather than `saving the planet`, as James` boss, `M`, for murder, tells Bond for the benefit of successive generations of gullible audiences that have been seeing James Bond on screen since the first movie, Dr No (1962), was made of the novel, Dr No (1958), written by `real` British `spy`, Ian Fleming.



 007 is British because homosexuality was endemic in the Empire, and the concomitant of spies is gangesterism, which wants whores and boys. Although gangsters and whores is easily explainable in terms of `Babylon`, that is, parasitical host womb slavery, which is why Hollywood was named `Babylon` after the woman in the Bible who gave her name to the capital city of the Persian Empire, gangsters want brainless senility, because homosexuality in pederasty for war is what the American Empire, like all the others, was for. Although female nudity is taboo in Britain, in the United States of America, female nudity is supposedly common, whereas human futanarian women with penis` semen of their own aren`t. Consequently, no one sees nude women, because either the spies and the gangsters have killed them, or everyone lives in the West`s reaction to Moslem Islam, where women can`t be seen publically and have to cover themselves beneath the one piece coverall of the burka from which only their eyes can be seen see, and Western gangsterism`s response is that they could still see, so they killed them. Spying to kill is what homosexuals do, because that `s what gangsters are. Evil aliens who want brain dead wombs for parasitism and brainless boys, or oldsters who seem childlike because they`re `senile`, which is a medical term for a human race that`s been killed so that it`s brain doesn`t function. Brainlessness produces low technology, whereas human futanarian women`s capacity for sexual reproduction is psychological balance, and advanced medical science for conferring immortality as the Redemption God promised Eve in Eden. Consequently, humans die because slavers kill them to produce new whores and boys, because high technologies would confer permanent knowledge to operate and maintain, which is why aliens kill humans; to prevent humans from escaping and living away from slavery. Paradoxically, spying to ensure men wash their hands ensures homosexuality, because gangsters are homosexual spies, that is, HIV/AIDS was a Western conceived terroristical `biological weapon` spread by men`s mixing blood, shit and semen in each others` anus. The aliens` murdering human futanarian women`s `seed` is killing God`s penis and brainpower, which is why homosexuals` spy, because gangsters are slavers of whores and boys and don`t want argument.


 The behavioralist pattern of trainer driven cars nosing behind to avoid anal results in men facing each other to deny their homosexuality through the barrels of their tank guns` penis extension, so men`s behavioralist paradigm of boys standing blindly ignorant, while urinating together, is the `spirit of homosexuality`, rather than the `spirit of God`, which is the female Shekinah, or Jesus` Holy Spirit, which he said would be sent to teach after him, and that was called the `Second Eve` because Eve emerged from the `Second Adam`, according to Genesis, that is, from his rib, and the Roman guard at Jesus` crucifixion, Longinus, pierced Jesus` side with his spear to perform a `caesarean` section on the `Second Adam` to birth the `Second Eve` as the Holy Spirit, which the Jews called `Shekinah` who indwelt as the `spirit of God` in the place where the `law` that Jesus distilled as `love` was kept: `Surely, this was the son of God.` (Matt: 27. 54) Consequently, on May 1st, `Labor Day` in Moscow, the `Red Army` parade `Satan`, which was the name US defense analysts gave in 2012 to a proposed new 100 ton Russian warhead, because slavers and gangsters prefer blind ignorance.



 In Revelation the `red dragon` waits in vain to devour the `New Redeemer`, who`ll protect the `hidden` woman of the Earth, who bore him, with an `iron sceptre`, until she leaves. Symbolically, fathers are `Satan`, the `red dragon`, and the `New Redeemer` isn`t their son. In Roman mythology Saturn (Satan) is given a stone by Rhea, Zeus` mother, to swallow, because he believes it to be Zeus. Saturn is the father who doesn`t want his son to inherit, so war is about inheriting pederasty, which boys don`t want, so they`re kept in blind ignorance by pederasts to prevent human futanarian women`s `seed` being known, as women can psychologically correct the unbalanced brain of human psychopathy, although their species doesn`t need either father or son.



 The `woman clothed with the sun and with the moon at her feet`, who gives birth to the `New Redeemer` while the `red dragon` waits in vain to devour her child, could leave as the Earth`s human futanarian species of women with their own penis` semen, that is, she`s a female child with male `seed`. Consequently, what passes for men here is an unredeemed alien parasite preparing its parasitoid nature`s devourment phase, and the Russian Red Army 100 ton Satan `warhead` represents her destroyer, because extinction of the human race is what Satan and Satanism planned, as women are God`s heirs.



 In her red pilot`s suit, `Oops! ... I Did It Again`, is Britney Spears` recognition of woman`s role. On her red planet, Mars, she`s `clothed with the sun and with the moon at her feet`, while the `red dragon`, symbolized by Mars, the Roman god of war, waits in vain to devour her child, the `New Redeemer`, who is represented by Britney in her white bikini-dress, while the US spacemen hangs poised above her with his `spy` camera, as a symbol of the global ICBM missile threat, while the red, white and blue `star spangled banner` symbolism is completed by the spaceman`s gift of the `heart of the ocean`, which is the blue diamond pendant dropped by 100 year old Rose into the sea as a remembrance of the ship that sank after hitting an iceberg on its maiden voyage to New York city from Southampton on April 15, 1912, `But I thought the old lady dropped it into the ocean in the end?` The Titanic (1997) film is about an ocean going liner, although the Hollywood, Babylon, propaganda film starring 007`s James Bond, British actor Sean Connery, The Hunt For Red October (1990), about a `rogue` Captain Marko Ramius` Russian submarine with nuclear capability, before the threat is nullified, isn`t a red ruby, because pederasty wants slave wars:


`I`m Miss American Dream since I was seventeen.`



 On the cover of the CD single, `Piece Of Me` (2007) from the album Blackout, a reference to censorship and occluding blindness through murder producing ignorant unconsciousness and senility in the human race, Britney Spears appears in the place of Jesus on the cross, and is construable as a reference to Longinus` piercing the side of Jesus with a spear to release the Paraclete, which is woman`s `tutelary spirit`. The North American Space Administration (NASA) used monkeys in its `unmanned` Space Program, before Apollo 11`s Neil Armstrong stepped onto the moon on July 21, 1969, UTC: 2. 56, `One small step for a man, one giant leap for mankind.` When Al Qaeda terrorists chose the World Trade Centre to crash their hijacked civil airliners into on September 11, 2001, it was because `rough trade`, that is, a re-establishing of homosexuality in pederasty`s `brutality and violence` would cause the US to invest in war, rather than the Space Program, that is, 9/11 was `nein` to 11 Apollo`s continuation, where `nein` is a German fascist negative, because the National Socialist (Nazi) Party`s elected dictator of 1933, Adolf Hitler, fought WWII (1939-45) to enslave the Earth by exterminating human women`s futanarian `chosen people`, the Jews, whose tradition is that Jews are born from women, because women are futanarian Jews. 2012`s proposed `Satan` 100 ton nuclear Russian warhead suggests that the monkeys want to destroy the Earth, rather than resolve the problem of the war god, Mars, symbolized by Red Russia, although US ICBMS are as devastating:


`I made you believe,

We`re more than just friends.

Oh baby!

It might seem like a crush;

But it doesn`t mean that I`m serious.`



 Satan is `the ape of God` in Christian iconography, because men can be trained to `ape` whatever the `serpent`s seed` decides for men is `man`. Men, who want to be thought of as `father gods`, train boys to be an ape from the neck up, that is, a nape of the neck for the facist axe of the beheader, which is why the Italian mafia sent a statue of a fireman to New York city two days before the Twin Towers burned on 9/11, with a fascist emblem on his back, that is, a bundle of wood with an axe in the centre, the fasces symbol of Rome, which the Italian fascists used as a symbol of the `death camps` constructed to behead the `chosen people`. Only if the brains of God`s penis` `seed` can see can Satan be defeated, which is why Britney Spears` twin in `Oops I Did It Again` is her.


1 Ibrahim, I. A., A Brief Illustrated guide To Understanding Islam, Darussalam, Houston, Texas, USA, 1997, pp. 74, p.6.

2 .

3 Yeats, William Butler `The Second Coming`, 1919.

4 .






Game: Conservation

27/04/2012 07:20

Game: Conservation



After reading The Criminalization Of Bad Mothers by Ada Calhoun, in The New York Times online for April 25th, 2012, and recalling how Britney Spears (1982-) was forced to give control of her wealth to her father, Jamie Spears, because she was defined as a `bad mother`, doesn`t it occur to anyone that there`s a certain incongruity in Jason Trawick, the formerly sacked manager of Britney Spears (indeed, sacked by Britney Spears), being given authority over her estate as Co-Conservator to her father? Why didn`t Jamie Spears implement the huge intellect of the USA`s legal system that made of him a Conservator and prevent Trawick, the failed ex-manager of Britney Spears` pop career, from ever being in a position to handle her? Moreover, didn`t the legal fraternity of the USA perceive the incongruity of Britney Spears losing her fortune to a Conservator primarily because her kids hat fell off as she was harried by paparazzi one afternoon and, not finding herself in a mood to be bothered to pick up the cheap headgear because she was worth billions of dollars and could buy a roomful, was labelled a `bad mother`, effectively on account of her `neglect` of the baseball cap rather than her kid?



Hope Ankrom, interviewed by Ada Calhoun for her article The Criminalization Of Bad Mothers, relates how, after her infant tested positive for cocaine, she was breast-feeding before they took her to jail: `I had toilet paper crammed in my bra. There is nothing more painful than needing to [nurture] and not being able to.`1 Hope was a `junkie`, whereas Britney Spears` kid lost his hat. Nevertheless, a mom is a mom; as Hope`s story reassures us and, having followed what seems a `crooked` path` to the law, to give Conservatorship to Britney Spears` father, on the strength of her being `unfit` to take care of her son`s hat, it`s surely within the Attorney General`s purview, as the chief law enforcement officer of the United States government, to take a serious look at a sacked `Svengali` wheedling his way back into Britney Spears` life to the point at which the interpreters of the law of the USA have given Trawick, a failed businessman, that is, failed according to Britney Spears` sacking of Trawick for mismanaging her career, Co-Conservatorship over her life and, effectively, without any actual social bond other than the reinterpreting of the title of putative fiancée to mean `leech`, the power of life and death over her ideas, image, music, and business empire.




Britney in Green

25/04/2012 20:54

Britney in Green


Britney`s Oops I Did It Again video features herself in a red pilot`s suit on the red planet Mars and, as it`s `science fiction`, there are genre references. The first `Grand Master` of SF was the US writer Robert A. Heinelin (1907-88), who wrote Red Planet amongst other juvenile stories for boys. However, Britney`s red suited character corresponds closely to that of Heinlein`s `Poddy` in Podkayne Of Mars, the only novel length story Heinlein specifically wrote for teenage girls. The story has two endings; Poddy dies shielding a baby `fairy` from Venus in a bomb blast, or she`s injured shielding a baby Venusian `fairy` from a bomb blast. Britney`s red pilot`s suit in Oops I Did It Again is explainable:


`Podkayne Fries, born and raised on Mars, has just one ambition: to earn her wings as a starship pilot and rise through the ranks to command deep-space explorations.`



 When Britney, in her red pilot`s suit, raises above herself in a white bikini dress a space suited astronaut who`s landed on her Mars, the spaceman looks down upon her `babe`. Descending inside a giant ring, Britney`s one of the `little people`, and so the `Babe` in the white bikini dress must similarly be one of the `fairy folk`. Britney uses a hook and winch to raise the spaceman, until he`s above her `baby fairy` in a white bikini dress, rendering him helpless to do anything but film her with the camera that `Mission Control` has attached to the side of his space helmet. The spaceman`s ineffectual helplessness at the hands of Britney underscores her protective role as the `body shield` of her `Babe` of Venus; just as Heinlein`s girl character in Podkayne Of Mars is Poddy shielding her Venusian `baby fairy`.



 In a white bikini dress, Britney`s `baby fairy` in Oops I Did It Again lies languidly upon what seems to be a white counterpane, while surrounding her bed are the eight points of a star. She`s the `baby fairy`; the `star` at the apex of the tree in traditional Christian celebrations of the nativity of Jesus Christ, which commemorate the appearance of the `star of Bethlehem` that announces the Advent of the infant Messiah in the New Testament. In Lucky Britney appears as the `star` herself, but she`s surrounded again by her avatars wearing red, which suggests that she`s continuing in her role of  body `shield` to her `baby fairy`, that is, her Poddy`s shielding her `star`.



 In Glory Road (1964) Robert A. Heinlein`s `star` character is the woman named `Star` who, as `Empress of the Twenty Universes`, advertises for a hero in a newspaper ad. Together, she and Oscar Gordon, subsequently embark on a fabulous adventure, and she becomes Oscar`s bride. In Lucky Britney`s `star` wins a Hollywood `Oscar`, that is, she`s the heroine that`s shielded her `star` qualities so she`s able to win her Oscar.



 The very first episode of Star Trek (1965-) was The Cage, which featured a character called `Vina`. Britney`s conceit is that actress Susan Oliver`s `star quality` is the `baby fairy` of Vina`s, which `star quality, if properly shielded, will win her an Oscar:


 `... the landing party discovers a camp of survivors from a scientific expedition that has been missing for 18 years. Among the survivors is a beautiful young woman named Vina.`



 The plot is that the alien race of Talosians keep Vina looking young and beautiful by means of their capacity to generate illusions through the power of their highly developed brains; although Vina is severely disfigured in reality. Captain Pike falls in love with her but leaves aboard the Starship Enterprise, so concluding the `pilot` episode:


`She has an illusion, and you have reality. May you find your way as pleasant.`



 The `pilot` episode of Star Trek was later remade as the two part The Menagerie in which Captain James T. Kirk takes now heavily disabled Pike back to the Talosians and Vina. The closing address to Kirk slightly adapts the original ending:


`Captain Pike has an illusion, and you have reality. May you find your way as pleasant.`



 Susan Oliver`s several roles in the Talosians` illusions required that, amongst other various guises, including that of the prototypical `Starfleet` blonde, she be seen as a green skinned `Orion` woman. Jestingly, she held up a placard at a Star Trek publicity event, enquiring of her `Oscar`.



 Britney`s spaceman gives her a gift in Oops I Did It Again, of which she enquires: `But I thought the old lady dropped it into the ocean in the end.` It`s an allusion to the blue heart shaped diamond dropped into the ocean at the close of the movie the Titanic (1997) by Rose, who`s love was betrayed by someone planting the jewel in his pocket and calling him a thief. Rose`s lover drowns when the Titanic hits an iceberg and sinks. Because Oops I Did It Again is `scifi`,  the `heart of the ocean` jewel, as it is known in the Titanic movie, refers to the Talosians of The Cage in which Vina`s `Keeper` is depicted wearing a blue jewel.



 The Talosian roles were all acted by women; although they appear manlike. Britney`s subject is `illusion`. In the British `scifi` series Dr Who, in which the central protagonist is a time-traveller, a Thal is a member of a blonde race of humanoids on the planet Skaro which is devastated by a doomsday weapon developed by the other humanoid species on their world, the Dal, who become Daleks after the holocaust, creatures directing their hatred for the Thal from inside machines, and whose vocabulary seems to consist of one word:





 The Talosians are women with the bodies of men, that is, men with the `souls` of women that, according to the psychology of Carl Gustav Jung (1875-1961), is a psychological truism; because a man`s soul, which Jung calls the anima, is female and feminine. The Talosians perceive the  necessity of preserving illusions, which is why Jung associates the anima with Buddhism`s `Maya`, the `goddess of illusion`. If women had their own penis, and they do as `futanarian` women, they`d be the species on planet Earth and the danger would be that men would become Daleks attempting to prevent them from living. The Talosians of The Cage in the Star Trek `pilot` episode are women because they represent the illusion that men are a species, whereas what is female inside of men corresponds to the `soul`, or Jungian anima, which in Hinduism is a sepaprate living entity with its own relationship with God. The anima, or soul, spins the necessary illusion that men and women represent species` love, whereas men aren`t of the same species but, existing as a parasitical `leech`, represent that which feeds upon woman`s `host womb`. In the New Testament of the Bible Jesus` disciples receive the Holy Spirit as their `teacher` after Christ`s death, Resurrection, and Ascension to heaven following Christ Jesus` crucifixion by the murderous torturers. The truth is that, without `God`s spirit`, men are bereft of that which can redeem them; because woman, and her `soul`, are the species on the planet Earth: and men aren`t. Dr Who`s Daleks are the epitome of the `soulless machine`, which is what a man is without a `soul` and its woman:





 In the Bible the  `hidden` woman of Revelation is depicted as being protected by the New Redeemer before she leaves to spread her `seed` amongst the stars and, presumably as a futanar woman with her own penis and  `seed`, ultimately fight a war in heaven against the evil serpent`s `seed`, that is, men, before God creates a new heaven and Earth for her to dwell in forever, while the evil `seed` receive perdition.



 In accordance with Poddy`s ambition in Podkayne Of Mars, Britney wears her her red jump suit in Oops I Did It Again to indicate her readiness to pilot her `starship`. In Revelation `the woman clothed with the sun and with the moon at her feet` gives birth to the New Redeemer. On Mars, Britney has the moon beneath her and the sun behind her, which means that the New Redeemer is he who keeps her. The wisdom of the Earth is to know that man and woman are one, which means that the woman is the man. Consequently, the wise man is he who understands that the woman with the penis, that is, the `futanarian` woman, is him. Consequently, the New Redeemer would be he who keeps that secret.



 In the New Testament Jesus preached `love your neighbor as you love yourself`, because you are your neighbor. The preaching of the New Redeemer would be `love woman as you love yourself`, because you are woman, and she is a species with her own penis, while men aren`t; because they can`t reproduce independently. If they do not wish to be perceived as a `parasitical organism` upon woman`s `host womb`, men must accept that they are woman, that is, redemptive love for oneself as another. In shielding herself as Venus` `baby fairy`, that is, herself in a white bikini dress, Britney`s demonstrating that love for another as oneself, and love for woman as a species, necessary for the female pilot of a `futanarian` woman`s starship who must know when to `cloak`, and put up her `shields`.



 Britney`s Talosian `heart` is the blue heart shaped diamond jewel which is the Thal `ocean`, that is, the ocean of life in which the Thal are blonde, blue-eyed, beautiful, and a `blue movie`. That`s why Britney`s spaceman in Oops I Did It Again films her as a `Babe` in a white bikini dress. Sex is life. The false illusion is that there`s more to life than love. Britney`s observation is that machines help us to love; even a camera. That`s what they`re for.


 The spaceman with the camera from `Mission Control` has a hook put into his backpack by Britney and, herself in a red pilot`s suit, winches him above herself in a white bikini dress to where he films her.



 For `Mission Control`, he `s a camera, but the analogy is `possession`. Anything that helps a person is something that a system that depends on demonic possession doesn`t want for that individual. If the camera is helping the spaceman, he isn`t a possession and so isn`t possessed.

 Britney employs the spaceman as her camera, which is analogous to being possessed, as he`s become a possession of hers. However, if she`s helpful she`s from God. A demon is whatever takes away what`s helpful, which is demonic possession. The demonic lie is that I am possessed by what is helpful, because those who are demons want to be helped by what it is that I have.


 If my camera`s taken away from me by Christians, it`s not because I photograph Britney Spears and so I`m being rescued by Christians from possession by the `demon of the camera`. The demons, that is, Christian businessmen, want my camera to help them, which is what `Mission Control` is. I won`t give up my self, so they possess it. Through coercion and, inevitably, violence if I don`t give up my self to `demonic possession`.


 Britney`s spaceman in Oops I Did It Again is a symbol of the struggle between the `demons` of `Mission Control`, and the destiny of Britney Spears` star. As the red suited `pilot` of `Starship` Oops I Did It Again, Britney wants `directorial control`. Anything taking control away from her is a `demon`, and is a manifestation of `demonic possession`. `Mission Control` is a `director` that wants control of Britney`s `movie`. To save her and her spaceman, Britney must stop `Mission Control` from possessing him, and using him as a possession to possess her `movie`.


 Oops I Did It Again demonstrates the spaceman`s `camera` function. In her red pilot`s suit Britney raises her astronaut to where he looks down upon her in a white bikini dress; as if he were upon a `camera gantry` on her `film set`. As the `camera` given to Britney by `Mission Control`, the astronaut represents the `demonic` aspect of men through whom the demons of `Mission Control` seek to possess Britney. It`s an analogy of relationships. Anyone who wants her `image` is a `demon`. To protect herself from `demons`, she must `pilot` her own `Starship`; as the beautiful `Poddy` wants to do in Heinlein`s Podkayne Of Mars. Avoiding `possession`, Britney`s `Poddy` won`t be `possessed`.

Oops Byzantium!

20/04/2012 08:24

Oops Byzantium!



In the Byzantine period of Christianity (330-1453 C.E.) the child of the Madonna is depicted as a small man rather than as an infant. In the prelude to her performance in the `scifi` promotional video for the single, `Oops! ... I Did It Again` (2000), Britney Spears descends inside a giant`s ring as a `small woman`, so inviting us to look for further signs of small `Byzantine` features in relation to giant size. Wearing a red pilot`s suit Britney uses a hook and pulley to lift up the spaceman `eagle` who`s `landed` on her Mars to where he`s looking down on another Britney lying below him wearing a white bikini-dress. Beside his space helmet are the `tines` of what appear to be a giant`s fork: `byzant` tines. In her red pilot`s suit, raising her spaceman above her own self in a white bikini dress, Britney is a `double headed` eagle, symbol of Byzantia,1 which signifies `doubling` or multiplication by means of an individual dividing into two, or more than two.


 In the Hindu belief system Vishnu is the god who can be all of the women, which is understandable if futanarian women, who can sexually reproduce with each other from their own penis` semen, are Vishnu. Jesus born uncontaminated by male semen from his mother, the Virgin Mary, represents the same principle. Although its gods and goddesses aren`t accepted by Christianity, Hinduism`s a reality critique, and Jesus is equivalent to Vishnu, because he represent women`s capacity for multiplying:


`... a thumb-sized being [is] known as the innermost self or soul [and] dwells in the heart ..`.2


 In the Bible Adam and Eve are exhorted by God: `Be fruitful and multiply.` However, according to Hinduism, the soul is thumb-size, living and spiritual. The five senses of sight, hearing touch, taste, and smell, are the limiters of the `physical` body, of which the conscious brain is that part which we define as the `I`. In `Oops! ... I Did It Again`, Britney is the Hindu `thumb`, as fairytale `Thumbelina`,3 descending inside a giant`s ring. She`s the giant`s soul that, according to Hindu belief, is a spiritual thumb-size being that, unlike the occluded ego of the individual, which here corresponds to the `giant`, can perceive the spiritual realm, and that`s why she doesn`t wear a spacesuit. She removes her spaceman`s helmet after he gives her a gift, of which she asks:


`But I though the old lady dropped it into the ocean in the end?`4



 It`s an allusion to the Titanic (1997) movie in which actress Gloria Stuart, as 100 year old Rose Dawson Calvert, drops the blue heart-shaped jewel, the `heart of the ocean`5 into the sea at the point where the ship is being salvaged where it sank after hitting an iceberg on its maiden voyage from Southampton on April 15, 1912. Rose`s love was subsequently drowned while helping people to the lifeboats. The story`s `framing device` is that of a jealous ex-lover of actress Kate Winslet, in the role of the young Rose, putting the `heart of the ocean` diamond into the pocket of Rose`s new love, accused him of theft and thereby betrayed her love.



 Because the soul dwells in the heart, as a thumb-size being, according to Hinduism, Britney`s descent inside her giant`s ring is symbolic of the soul that dwells in the `heart of the ocean`. If we accept the Hindu notion of the `Cosmic Man`, then the `heart of the ocean` is his. Or, in less anthropomorphic terms, the `heart of the ocean` contains the soul of the cosmos, and is Britney`s `Thumbelina`. The monarchical tradition of Europe is that their `thumbs` rule. In other words, they divide things between themselves in order to `manage` with each other, which is why the `double-headed eagle` is a symbol of empire. Thumbelina`s name is changed to Maia when she becomes a `Queen of Fairy`, and Maia means `Great Mother`, which is an archetype of Eastern religion, according to the developmental psychology of Carl Gustav Jung (1875-1961), who viewed archetypes as God`s impelling of human progress through figures and images appearing in dreams, art and the imagination. Britney`s a `Great Mother` because she`s a `thumb`, who makes more of herself. In the USA alone `Oops! ... I Did It Again` sold more than 10, 000, 000 copies and went `diamond`. `Oops! ... I Did It Again` is, therefore, the `heart of the ocean`, a `blue diamond`, which the English rock group, Led Zeppelin (1969-80), perceived as the collective unconscious of their audience. Led Zeppelin`s archetypal material emerged from a dialogue between themselves, their audience, and the archetypes, for example, in The Ocean, the archetype is the `little girl`:


`Now I'm singing all my songs to the girl who won my heart. She is only three years old and it's a real fine way to start.`6


 It`s the reciprocated love of the soul for her `giant`, whose spirit may first be awakened by his daughter`s first steps, although the `small woman` is much older and wiser, which is why Thumbelina`s name changes to Maia in the fairytale in which she marries her prince. The name Maia means `Great Mother`, but also `illusion`. The thumb-size living soul is wise, but the `giant` lives an occluded existence in which the `real` is only perceivable by the soul, which attempts to communicate what she sees and knows to be the truth to the `giant`, who is living an illusion and is taught to think of it as reality. In `Oops! ... I Did It Again` Britney is the soul of the blue diamond `heart of the ocean` pendant, which the English nursery rhyme, `Little Boy Blue`, identifies as an archetype seeking to awaken:


``Will you wake him?`

`Oh no, not I,

For if I do

He will surely cry.``7


 Thumbelina is Maia, the `Great Mother`, and `illusion`, because the `giant` is her `little boy`, and she keeps to herself the knowledge of what transpires with him in the realm of the spirit. He lives an illusion she doesn`t want to roughly awaken him from, so she creates stories like `Oops! ... I Did It Again` that contain enough discoverable truth to allow him to live within the illusion, for example, the lie that women can`t sexually reproduce with each other, without being disillusioned. The `giant` is `Purusha` in Hinduism, and is `Purusha Atman`, because the light of God, that is `Atman`, is visible to the soul, which Hindus call the `thumb`, through Purusha, the `Cosmic Man`.


 If man accepts there`s a separate living relationship between the soul, as `thumb`, and God, throughout the cosmos, that individual living soul is there to help man out of his occlusion. In `Oops! ... I Did It Again` Britney presents herself as a Byzantine `thumb` that, `doubled`, or dividing, represents the Christian concept of the Paraclete, or Holy Spirit which, according to the New Testament, emerged from the side of Jesus as `Second Eve`, as it were, when pierced by the spear of the Roman centurion Longinus; a spear that was consequently known afterwards as the `Spear of Destiny`. Symbolically, Britney Spears as a `doubled` or dividing ` thumb`, signifies the multitudinous Paraclete that, in Hinduism, is a separate living soul or `thumb` of the collective, or `giant` individual. This explains the existence of the `giant` motifs, of fork and ring, in `Oops! ... I Did It Again`. By asking us to understand their meaning, Britney`s `thumb` is pointing towards a more conscious awareness of `Purusha Atman`, the `Cosmic Man`, that is, she`s showing a path out of occlusion.



 In the language which was Byzantine`s a `byzant` is a gold coin. Britney appears below her spaceman surrounded by the points of a star. It`s a symbolic `pentacle` in which golden haired Britney in her white bikini dress is a `byzant`. In terms of Tarot symbolism, which has pentacles or coins, swords, spears, and cups to represent the Torah of Judaism`s advice to the soul journeying through life, CD sales of `Oops! ... I Did It Again` are highly anticipated. Britney lies abed betwixt the points of her star, a white circular counterpane stretching beneath her body. It`s a fairytale, and the giant `byzant` tines of its fork, that is, Spears` sword, is poised above the ogrish giant `s table.


 In the legends of King Arthur and la table ronde the symbol of the heart is the cup of the Holy Grail,8 the vessel containing food and drink used by Christ at the `Last Supper`, before his crucifixion, death, Resurrection, and Ascension to heaven. At the `Last Supper` Jesus offered `bread and wine` from the Grail as `tokens` of his body and blood. In real terms, eating and drinking in fellowship is good for the heart, and so the cup is the second of the four symbols of Britney`s Torah, that is, Britney`s spaceman`s `mysterious gift`, which is the box she opens:


 `But I thought the old lady dropped it into the ocean in the end?`




 The spaceman`s gift is a symbol of the heart`s love; the cup of the Holy Grail. Britney`s allusion is to the Titanic movie in which Rose drops the blue diamond, the `heart of the ocean` overboard at the scene of the salvaging of the sunken liner. It`s the story of how an ex-lover betrayed her by framing her new fiancée for stealing the jewel by placing it in his pocket. Rose`s love subsequently drowned in the disaster when the Titanic hit an iceberg and sank. She drops the heart-shaped blue diamond into the sea at the film`s close as a remembrance.


 The heart is a symbol of the cup that, for example, overflows with tears, and is among the four symbols of the portable Torah; the Tarot deck. Britney`s allusion is to the `byzant` as Byzantine gold, which in the Tarot deck is the pentacle, that is, `Oops! ... I Did It Again` was to be a big disk.



 Britney`s suspension of her astronaut relates to the figure of the `hanged man` of the Tarot, who hangs by his foot and represents treachery. She`s alluding to the ex-lover that betrayed Rose aboard the Titanic. In fact, before Britney`s spaceman gives her the gift of the `heart of the ocean`, a voice is heard calling `All aboard!` Although the Titanic sank, many lives were saved. Britney`s winching of the spaceman above her is the hanged man `reversed`. He doesn`t hang by his foot. Reversed, the card signifies `limbo`; a drifting lifeboat, for example.



 The giant`s ring, and the spaceman`s hands that contain the gift of the `heart of the ocean`, signify the Irish `Claddagh` or `friendship ring`,9 which is constructed in three parts;  a pair of hands holding a heart surmounted by a crown. `Oops! ... I Did It Again` is Britney`s `friendship`, and she recovers the spaceman from his `lifeboat` as a voice calls: `All aboard!` He`s the `heart of the ocean`, and she`s the safe pair of ship`s `hands` that receive him for `touchdown`. The giant`s `superbowl` ring is Britney`s small woman`s. The `crown` is Jesus`. Depicted born fully formed but small in Byzantine icons, Jesus is a `baby man` from the womb of his Madonna, whereas Britney`s a `small step`, that is, a representative of God and Jesus` plan for women`s futanarian future.



 Below her suspended spaceman Britney`s a `starfish`, a symbol of the archetype of the `Self` in Jungian developmental psychology. According to Jung the `Self` exists in an unconscious state but can be realized or made conscious by means of the individuation process, which Jung likens to the descent and ascent of a `pearl diver`. Jung`s characterological and symbolic `archetypes` represent stages in the growth or individuation of the psyche. Descent into what Freud termed `the oceanic` is a journey into the imagery of the unconscious self. The `starfish` symbolizes self-actualization or the individuation of the soul in accordance with the promptings of the `star` archetype, which is a symbol of God`s wisdom and knowledge from the heavenly realm of the spirit.

 In Jungian psychology the unconscious is instinct and so the `star` of the individuated `self`` is symbolized by the `starfish` hidden in the depths of the psyche. Jung argues that instinct is transformed into spirit and that water is a symbol of the deep unconscious. Consequently, the `starfish` is a symbol of instinct that`s transformed into a spiritual `star`. Symbolized by the `star of Bethlehem` at the Advent of Jesus, the beginnings of self-actualization in the Christian era appeared as a `star` in `heaven` in 1969, when the technology of the Saturn V rocket, representing the power of Christ, Logos, to transform instinct from within the New Testament of Jesus` Gospel, placed a man on the moon:


`One small step for a man, one giant leap for mankind.`10


 In `Oops! ... I Did It Again` Britney`s a `small woman` and her `place` is the red planet Mars. In Jungian psychology, red symbolizes instinct and so Britney appears in her red pilot`s suit. The `heart of the ocean` is a blue jewel, a symbol of spiritual love, because the colour blue is associated with instinct transformed into spirit in Jungian psychology. In her white bikini dress, beneath the visored eye of her spaceman`s helmet, and that of the camera lens affixed to its side, Britney is the anima or soul as archetypal guiding muse; the `wishing star` that increases desire and fulfils yearning. To live is to live comfortably, and financial development defines how comfortably life is lived. Consequently, the `star` archetype represents the desire to achieve and attain to a life within the `comfort zone` of high technological advancement represented by Britney`s `byzant` disk. In her white bikini dress she signifies sexual desire, and its zenith, which is to live `in the zone` of technological comfort:


`I’m not ashamed of the things that I dream.

The more I come to understand

The touch of my hand.`11


 `The Touch Of My Hand`, from the 2003 album In The Zone, is about `masturbation`12 and the spaceman above Britney, in her white bikini dress, is her pornographer. Filming her with the lens of the camera eye, his other eye is the visor of his spacehelmet, which is the focus of the consciousness contained within his spacesuit. He`s an ogrish symbol of the `sex starver`, who wants others to develop his `comfort zone`, and who is represented by `Mission Control`, which is `directing` the spaceman. When sexual desire for the woman is repressed, the `spiritual` aspect of the penis emerges as a `space rocket`, that is, technological development through repression. The repressed seek escape, and sexual fulfilment through technology, while the repressors enslave their desire for liberation, take the technology, remain in the `comfort zone`, and maintain the prisoners.


 The Earth`s social malaise became recognizable to the early pioneers of late nineteenth century psychology (Freud, Jung, Adler) with Communism, where the concept of `sharing` was perceived as excusing the powerful from dispossessing the less powerful, and Capitalism subsequently represented the dispossessing of the poorer by the wealthier. The 20th century was one of humanity dispossessed and demoniacally possessed. Although a space rocket represents `escape`, an Intercontinental Ballistic Missile (ICBM) doesn`t. Consequently, demonic repression is the same as demonic possession. Humanity can`t escape from the possessive demon it has created for itself upon the Earth. The ICBMs produced by demonic repression won`t allow it.



 The Apollo space programme `boosted` the growth of technological society, but Britney`s spacesuit-encased astronaut, helplessly suspended above her, represents her denying of sex to him. The camera affixed to his spacehelmet by `Mission Control` signifies her role as a soft core porn `star`. Suspended above Britney, who`s wearing her white bikini dress, the spaceman is repressed by her denying of sex to him and possessed by his desire to masturbate, which is denied him by `Mission Control`, that is, pop video conventions.


 In Jungian psychology there are two basic psychological types; the `Extraverted` and the `Intraverted`. Britney`s sexually inhibited spaceman is a metaphor for enforced technological development by means of the harnessing of intraverted sexual energy produced through sexual repression. In Britney`s apocalyptic `Hold It Against Me` (2011) her `star` is seen crashing into the Earth. The demons of introverted repression and extraverted possession (ICBMs) won`t allow her to leave. Its reminiscent of a short story by Grand Master Of Science Fiction, Isaac Asimov, `Hell-Fire` (1956), narrating the slow motion film of a detonated H-bomb:


`The oval fireball had sprouted projections, then paused a moment in stasis, before expanding rapidly into a bright and featureless sphere.

 That moment of stasis – the fireball had shown dark spots for eyes, with dark lines for thin, flaring eyebrows, a hairline coming down v-shaped, a mouth twisted upward, laughing wildly in the hell-fire-and horns.`13




 In Britney`s `Till The World Ends` (2011) there`s an apocalyptic vision of fireballs crashing into the Earth reminiscent of the `giant hailstones` Revelation depicts as plaguing mankind`s `last days`. Because meteors are largely composed of frozen water, Britney`s fireballs in `Till The World Ends` are `hailstones` that combust as they enter the Earth`s atmosphere. In Catholicism, hell is ice and fire, a symbol of that repression and demonic possession which has resulted in the production of `weapons of mass destruction` and the `nuclear winter` that`d follow upon the `Armageddon` of an ICBM  war. In `Hold It Against Me` Britney fights herself but doesn`t overcome self-hatred. The American poet Robert Frost, in `Fire and Ice`, describes the end of a relationship as the end of the world:


`Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To know that for destruction ice
Is also great
And would suffice. `14



 In `Hold It Against Me` Britney is the `Snow Queen`. The fairytale describes the mirror of an evil troll that fails to reflect all the good and beautiful aspects of people and things while it magnifies all the bad. However, the evil laughter of the mirror causes it to shatter:


 `... splinters are blown around and get into people's hearts and eyes, making their hearts frozen like blocks of ice and their eyes like the troll-mirror itself, only seeing the bad and ugly in people and things.`15


 The `troll mirror` is a metaphor for possession by the shadow, which in Jungian psychology is defined as the inferior aspect of the personality projected onto others so that they are perceived as evil. Jung argues that shadow-projection has to be recognized so that through projecting the personality can be made whole as the shadow receives integration. According to Jung the shadow makes one of the four functions of consciousness, that is, `Thinking`, `Sensation`, `Intuition` or `Feeling`, into an inferior or undifferentiated function. The shadow-contaminated anima is a concomitant feature of such `abnormal` psychologies. To become individuated an ego personality has to differentiate the inferior function (`Thinking`, `Sensation`, `Intuition` or `Feeling`) and integrate the projected shadow, which is a defragmentation of the psyche corresponding to the `introjection` of the shadow-contaminated anima, which corresponds to the thawing of the block of ice around the heart caused by the pieces of glass from the metaphorical `troll mirror` that have found their way into the eyes.




 In the `Snow Queen` the cure for one infected by the `troll mirror` is to spell `eternity` from the pieces of ice in the palace of the `Snow Queen`. Eternity represents those aspects of the soul`s wisdom occluded by the metaphorical splinters from the mirror of the troll who represents actual evil and not the shadow personality that merely feeling itself inferior, projects it upon others to where the individuating ego, perceiving it, reintegrates itself into a more consciously differentiated, and therefore less inferior, totality.



 In `Piece Of Me` Britney is again the `Snow Queen`. The CD cover features her upon the cross in the place of Christ. Those who tortured Jesus were the victims of the `troll`s mirror` insofar as they were projectors of their own inferiority upon the crucified, but evil insofar as they didn`t. In Jungian psychology the cross is a symbol of the four functions of differentiated conscious wholeness, that is, `Thinking`, `Sensation`, `Intuition` and `Feeling`. `Piece Of Me` therefore refers to Britney Spears` ice palace, while `Hold It Against Me` depicts the flaw in her oeuvre of immortality represented on the `small screen` of the television monitors as she fights herself assertively before her ego disintegrates with `Till The World Ends`:


`Next one on my hit list;

Baby, let me blow your mind tonight.`16



 In Jungian psychology the four functions of consciousness, in undifferentiated form, are associated with the ear (`Thinking`), eye (`Sensation`), mouth (`Feeling`), and nose (`Intuition`). `Hold It Against Me` focuses specifically on ear, eye, nose and mouth. Surrounded by microphones, Britney`s mouth (`Feeling`) and ears (`Thinking`). Promoting a perfume with the name `Radiance`, she`s alluding to a heightened sense of feminine `Intuition`, the nose and `smell`. Her brown eye, however, appears with two pupils, which suggests an abnormal `Sensation` function.



 `Sensation` and `Thinking`, the eye and ear, are usually associated in Jungian psychology with being masculine functions, whereas the functions of `Feeling` and `Intuition` are feminine. Masculine is `extraverted` whereas feminine is `intraverted`. The dual pupil in Britney`s brown eye suggests a struggle within a psychological type between `introverted` and `extraverted` `Sensation` in which repression and possession define her as someone with `bipolar disorder`:


 `... a mixed state in which features of both mania and depression are present at the same time.`17



 The `Intraverted` type is associable with repression, and consequently `depression`, and the `Extraverted` type is associable with possession or `mania`. In the promotional video for the single, `Lucky` (2000), Britney appears in front of a curtain with the masks of comedy and tragedy printed upon it. She is playing the role the fate of the Earth demands, which is to struggle between repression (depression) and possession (mania), that is, the manic depression of the artist who only experiences freedom as a slave to her art:


`All you people look at me like I'm a little girl. Well, did you ever think it'd be okay for me to step into this world?`18



 In `I`m A Slave 4 U`  Britney`s a `little girl`, and `Oops! ... I Did It Again` presents her as a `small woman` on Mars descending inside a giant`s ring, where she only appears to be a `little girl`. She`s the `Snow Queen` in the fairytale, `Hold It Against Me`, and on Mars she takes that `small step` for a `Byzantine` futanarian woman, before her spaceman arrives from the moon where he took that `small step` to reach her.


 On Mars her Apollo wears a spacesuit, while she`s appears `doubled` in a red pilot`s suit raising him above herself in a white bikini dress by means of a hook and winch. It`s a symbolic fantasy in which she doesn`t have to wear a spacesuit, because she`s women`s futanarian future in which pilot`s fly spaceplanes to Mars, but he does, or he can`t visit, because he`s trapped in the bullet from a gun conventions of male penetration, whereas human futanarian women with their own penis` semen are a single species without alien rape. Raised above her, he`s helpless to do anything other than look at and film her. It`s a woman`s illusion of power over men. Britney`s `small step` on Mars is `great leap` for herself, but a `giant step` on Earth, as a `small woman`, is Land Of The Giants (1968-70) territory:


`When those clothes you're wearing are full of holes, you'll be glad we collected these giant rags.`19



 In Land Of The Giants, a 60s TV show in which small people `crashland` their damaged spaceship on a planet similar to their own Earth`s, the inhabitants are `giants`. Britney`s giant`s ring and fork allude to her role as a `small woman` with her own Mars` `giant` to deal with. In the biblical Revelation the `red dragon` waits to devour the New Redeemer who protects the `hidden` woman until she and her `seed` are ready to leave. The giant fork by the spaceman`s helmet as he hangs over Britney in her white bikini-dress in `Oops! … I Did It Again` is a Byzantine`s symbol of the devourer in Revelation, which devours men and women born small, as Jesus is depicted in Byzantine`s icons of the Madonna, but fully grown. As a `small man`, Jesus` offering of the `bread and wine` (a symbol of his `body and blood`) from the `last supper bowl`, that is, the Holy Grail, is a test to see if he has friends. Judas betrays Christ to the Roman Empire. As a man born uncontaminated by male semen from his mother, the Virgin Mary, Jesus represents futanarian `woman`s seed`. As a `dissident` against male braining, Jesus is crucified before his Resurrection and Ascension to heaven prefigures that of futanarian human women`s own species. Britney descends in what is, symbolically, the last super bowl napkin ring, a symbol of her spaceman`s `touchdown` on the red planet, Mars, who`ll be a New York Giant in friendship and eat with her, rather than an ogrish giant devourer.



 On September 11, 2001, Al-Qaeda terrorists tried to put a viral worm in the `Big Apple` of New York`s city of the Giants and the Jets as the four horsemen of the apocalypse rode their four hijacked airliners as `Trojan horse` to crash them into the Twin Towers of New York city`s World Trade Centre, Arlington, Virginia`s Defense Department of the Pentagon, and President of the United States, George W. Bush`s Washington, D.C. residence, the Whitehouse, before passengers forced that hijacked plane to crash enroute at Shanksville, Pennsylvania. In American football terms, the Jets were devouring the Giants, that is, the terrorists, proclaiming an `Islamic jihad`, were spreading aggression as a plague virus promoting war, pestilence, famine, and death:


` The Arab Spring ... is a revolutionary wave of demonstrations and protests occurring in the Arab world that began on Saturday, 18 December 2010. To date, rulers have been forced from power in Tunisia, Egypt, Libya, and Yemen; civil uprisings have erupted in Bahrain and Syria; major protests have broken out in Algeria, Iraq, Jordan, Kuwait, Morocco, and Oman; and minor protests have occurred in Lebanon, Mauritania, Saudi Arabia, Sudan, and Western Sahara. Clashes at the borders of Israel in May 2011, as well as protests by the Arab minority in Iranian Khuzestan and a rebellion in Mali have also been inspired by the regional Arab Spring, while the Malian coup d'état has been described as `fallout`.`20



 Land Of The Giants relates what `small people` invariably discover; there are bullies. Repression of sexual desire leads to becoming possessed by insatiability. To satiate is to devour, which is what the `H-bomb` represented for the Japanese citizens of Nagasaki and Hiroshima when the jets, `Enola Gay` and `Bokscar`, dropped their bombs, `Little Boy` and `Fat Man`, on August 6 and 9, 1945, to leave those cities giants` craters. In simple terms, killing is what men possessed by insatiability do. The fork poised above Britney in her white bikini dress in `Oops! ... I Did It Again` is a symbol of the male brained `red dragon` of Revelation waiting to devour the New Redeemer, who`ll protect the `hidden` woman of the Earth`s futanarian `seed` from being farmed for cannibals, who`d murder `woman`s seed` after having enough sex; or eat her simply because she`s `bite size`. In primitivism mana or `power`21 personalities are devoured by those who want the power or mana that they have. As a `bite size` pop superstar, Britney`s `small woman` in `Oops! … I Did It Again` represents mana personality. The crew of the crashed spaceship in Land Of The Giants spend the entire series` attempting to repair their craft and leave. It`s a biblical metaphor for the perceived `smallness` of futanarian woman who, `hidden` from our knowledge of her as a species, seeks escape from the giant slave ring of the devouring ogres with their New York jets.



 Earth`s paradigm is that of the maniac who doesn`t want others to be bigger, and so the bigger man (or woman) is bullied until the bigger individual is depressed or `small`. Small can be best, but bullies want what is big to be `manageable`, which makes them identical to the paedophile, who wants sex with children rather than adults, because they can`t `manage` developed individuals. Their methodology is that of the bully who wants children to remain undeveloped and `smaller`, which of course is suicide in terms of societal growth.


`Small-mindedness` is a concomitant of the mentality of the bullying paedophile as a viral form reducing everybody in size by means of what might be described as the `cowardice` infection. The 9/11 terrorists that began the `Islamic jihad` hijacked their planes to transform themselves into the transmitters of warfare as a viral infection inside the `Trojan horse` jets they crashed into New York city`s giant Twin Towers of the World Trade Centre, and through the wall of the Pentagon. The `small minded` want human women`s futanarian nature smalled and managed, while in Moslem Islam four wives are permissible in marriages that afford the possibility of sexual reproduction between women. In the United States of America `Trojan` is a brand name for condoms, while American women without penis` semen of their own as futanarian humans are condoms spreading the infection.


 In Revelation the biggest bully, amongst the cowards who have the virus, is the `beast` who sits upon their throne: `Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16. 10) The virus that represses, and possesses demoniacally, is HIV/AIDS which promulgates fear of sex as a `demon driver` channelling sexual libidic energy into activities other than sexual fulfilment, and so represents enslavement by a coward or cowards. In Revelation the coward is identified as the `beast`. Enslavement by men as a parasitical organism is that which the cowardly men ruled by the `beast` refuse to repent of. Scientists believe that AIDS originated with monkeys, which Sir Charles Darwin, in his seminal The Origin Of Species (1859) depicted as being the evolutionary antecedents of men. Men who want futanarian humanity to be smaller are a cowardly virus equivalent to AIDS, a regressivity that will result in the success of the biblical `plague aims` of reducing the Earth to the rubble of monkey men`s evolutionarily regressive `play games` system of producing ICBMs for the Earth`s `shoot-em-up` destruction, rather than Saturn V rockets for humanity`s expansion to the stars.



 In Revelation the `hidden` woman of the Earth is explicitly protected by the New Redeemer born to the `woman clothed with the sun and with the moon at her feet`. The concept of expansion by humankind to the stars is no longer a proposition and the `hidden` woman is depicted as escaping with her `seed` to live amongst the stars where she and her `seed` shall fight a war against the evil serpent`s `seed` and God shall create a new heaven and Earth for her and her `seed` to dwell in forever while the serpent`s `seed` shall have eternal unendurable pain in hell. Because the `hidden` woman has `seed`, the implication is that she has her own penis. If so, then woman is a species and men are `leeches`, which is how they`re defined by the Koran of the Moslems: `... the embryo ... obtains nourishment from the blood of the mother, similar to the leech, which feeds on the blood of others.`22



 Women with a penis exist upon the Earth, are intrinsically beautiful, and are described as `futanarian`. But they are `hidden` because the only medium where a person unaware of the system of ignorance perpetrated upon the Earth could discover them pictorially is pornography, which is a male braining `taboo`. In `Hold It Against Me` Britney`s `Snow Queen` fights herself. Bisexual, her struggle is with repression and possession, symbolized by her brown eye with dual pupils that signify a `Sensation` function that wants to touch something she can`t yet see. Because of pop video conventions, the viewer can`t detect whether Britney`s alter ego has a penis; but she could have.



 In `Oops! ... I Did It Again` Britney appears `doubled` in a red pilot`s suit and white bikini dress, and the filmmaker`s metaphor is a girl`s innocent struggle with narcissistic self-love and intimations of a lesbianism that she accepts as psychological bisexuality, rather than knowledge of women`s futanarian humanity which would heal a schizophrenia induced in male braining`s taboos so that young women don`t want what they see in the mirrors of their dreams. In `Hold It Against Me` Britney struggles with herself in symbolic differentiation of the `Sensation` function, which wants to touch what she only intuits. Her earlier divided nature in `Oops! ... I Did It Again` represents an intuitive grasp of woman`s hermaphroditism as a futanarian species. The perfume `Radiance` in `Hold It Against Me` signifies sudden enlightenment and Britney surrounded by microphones symbolizes her desire to broadcast her newfound woman`s self-knowledge: `If I said you had a beautiful body, would you hold it against me?`23




 In Revelation a sword is depicted coming out of the mouth of Jesus, because he speaks with true feeling from the heart and, therefore, authority to be heard. In Jungian psychology, the `Feeling` function is associated with the mouth, but the `Thinking` function is associated with the ear that listens with `Feeling`. Britney, surrounded by microphones in `Hold It Against Me`, signifies a heart that`s listened and is speaking authoritatively.



 Although Britney`s `Mission Control` in `Oops! ... I Did It Again` symbolizes sex starvation, the spaceman is denied sex, though he`s required to film her. She`s `soft core` pornography and, although Draconian restraints have often been used to curb it, masturbation is enjoyable. In Islamic culture, hand restraint is common, to persuade the individual to use the right hand in eating etc., because use of the left hand in is `forbidden` or haraam as `unclean`. In Western culture the fork is used in the left hand, but left handed people naturally use the knife in the left hand, so are often `trained` to use the right. Draconian measures to cure `handedness` involved restraints akin to those employed in curbing masturbation.



 In `Oops! … I Did It Again` the giant tines of a Byzantine`s fork are visible beside the spacehelmet of Britney`s astronaut, because it`s a symbol of a gigantic repressed desire to see the ejaculate, rather than fertilize the ovum, that is, waste the penetration, which is what the hijacked jets crashed into the giant twin towers of the WTC symbolize. The giant`s fork suspended over Britney`s small woman is the `biz` & tines, because the business of devourers, and those who cater to them, is to farm to produce small men and women, whose concentrated mana or power is wasted by cowards for `live` entertainment.



 In the icon art of Byzantium Jesus is the `baby man` born fully grown but `small`, so vulnerable to the ogre who`d eat him for the mana power he contains as a `small man`. What passes for human amongst ogres are the babies they reproduce themselves as, which is what men correspond to. In `Oops! ... I Did It Again` Britney`s spaceman finds her icon in the sands of Mars as Byzantine`s `small woman`, that is, a `baby woman` who`s human futanarian. Her spaceman is from the jets and the giants` New York city, but the ogrish symbols in the video, that is, Britney`s butcher`s hook and giant`s fork, are draconian images of human futanarian desire repressed through sex starvation to create a giant ogrish ego before its unleashing as the Earth`s insatiable devourer.


 The draco, that is, the `red dragon` of Revelation, waits to devour the New Redeemer born to the woman `clothed with the sun and with the moon at her feet`, who symbolically corresponds to Britney on Mars in `Oops! ... I Did It Again`, where the sun is behind her and the moon is beneath her feet as Mars is closer to the sun than the Earth and its satellite. The New Redeemer protects the `hidden` woman of the Earth until she`s ready to leave. The symbol of the power of the New Redeemer is an `iron sceptre`, which represents the `will of God`. According to Revelation the `seed` of the `hidden` woman will fight against Earth`s evil serpent`s `seed` in heaven, and win, before God creates a new heaven and Earth for her and her `seed` to dwell in while the evil serpent`s `seed` receives perdition, which is unendurable eternal pain.


 The role of the New Redeemer is of one who fights repression and possession, which means that the New Redeemer is a meritocrat; the raising of people on merit. However, Britney raises her spaceman above her in `Oops! .. I Did It Again`, because he`s meat on her butcher`s `hook`, while the viewer sees a giant`s fork beside his spacehelmet, as he films her with his camera eye, because she`s meat too. In Communism or Capitalism, which are the basic socio-economic principles of Earth, the focus is on state power (serfdom) and wealth (wage slavery), where Communism is `collective ownership of the means of production`, that is, women, and Capitalism is the individual ownership and disposal of property, that is, the civilization, culture and art that women perforce are still able to produce from their host wombs in parasitism; despite their parasitoid devourer`s depredations in its wars against futanarian human nature`s `woman`s seed`.


 Descending inside her giant`s ring, Britney is alluding to the fairytale of the giant that cannot be killed, because his heart, a symbol of love for the image of the soul which brings knowledge and wisdom, that is, woman as an anima figure, is `hidden` outside his body. The giant`s ring suggests that Britney`s `married` to the giant. In symbolic terms, the setting for the `heart of the ocean` blue diamond is Britney`s giant`s ring. Her heart is, metaphorically, a giant`s. Because the spaceman brings her the heart shaped blue diamond, he`s a Jungian diver into the developmental depths of the unconscious to bring her the archetypal `treasure` of immortality. Suspended above Britney in her white bikini dress, he looks down upon her as his `fish` surrounded by the points of her `star`; a `starfish` in her white bikini dress representing wisdom discovered by means of the journeyings of the soul into the depths of the unconscious.




 Britney`s star has eight points, which means that it`s Arabian, rather than Judaic, which is the six pointed star of Solomon, the wise, who advised women, who were quarrelling about which of them a child belonged to, to cut it in two, whereby the true mother`s more genuine concern became evident. In her red pilot`s suit and white bikini-dress Britney`s `starfish` points to the Koran of Moslem Islam for an Arabic solution. In `The Cave` Moses travels to the Red Sea where he loses a fish he`s brought for a meal. The fish disappears in the waters,24 but the figure of the wise Khidr emerges and teaches Moses to bear with patience what he doesn`t comprehend. Khidr corresponds to the `Wise Old Man` archetype of Jungian psychology, although there isn`t a `red sea` on the arid red planet of desert Mars in `Oops! ... I Did It Again`, where water and `starfish` are rare.


 In novelist J. R. R. Tolkien`s Lord Of The Rings Sméagol is a member of a people that dove and ate fish from the river,25 so he`s analogous to Britney`s spaceman/diver, while she`s Jung`s `Wise Old Woman` of the soul, his counterpart. Sméagol discovers a ring of power in the river cut from the hand of the `Dark Lord`, Sauron, which devours him if he wears it. Consequently, Britney`s giant ring inside which she descends to her stage set in `Oops! … I Did It Again` is a symbol of the devourer, Dark Claude. Although the `fish` is also a Christian symbol, Khidr`s wisdom is that life is water, and the fish is nature`s power to sustain, rather than devour. To want power for anything other than living or helping others to live, is evil. When Britney`s astronaut arrives he relays to `Mission Control`: `Ninety-eight per cent oxygen.`




 Humans, with bodies comprising 60-70% water, are like fish. They extract oxygen from water, which is why `the fish` is both a Christian and Moslem symbol. Jesus feeds five thousand people with five loaves and two fish, which precedes his offering `bread and wine` as his `body and blood` to the disciples at the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven. Christianity`s birth ceremony of `baptism` is a protection against evil and requires total submersion of the infant, and conscious reaffirmation in later life, which is the meaning of the `fish` symbol. Just as the eating of `bread and wine` as a wafer and sip from the officiate`s chalice connotes acceptance of `woman`s seed`, betrayal is represented by Jesus` `body and blood`, that is, Jesus` crucifixion and death. Consequently, the symbolism of `starfish` and desert aridity on the red planet of Mars in Britney Spears` `Oops! … I Did It Again` signify that what`s needed is water. In the miracle of the loaves and fishes, Jesus observes that bread, water and fish are for life, that is, the power to give life, and live, whereas the giant ring inside which Britney Spears` `small woman` descends to her stage set in `Oops! … I Did It Again` is the symbol of her devourer.


 In `The Giant Who Had No Heart In His Body` the heart of the giant is `hidden`,26 so that he can`t be killed. It`s reminiscent of the `hidden` woman of Revelation whom the New Redeemer is able to protect knowing that the `red dragon` can`t devour him. The New Redeemer`s heart is `hidden`; because she`s the woman of Revelation who`ll defeat the evil serpent`s `seed` and receive a new heaven and Earth as her reward through Jesus` rule. Consequently, that giant can`t be killed, because she`s his heart.



 In Revelation God punishes by means of a plague in which all water turns to blood and every living thing dies. In other words, water is most `precious`, which is the name Sméagol gives to his ring of power as it devours him. The blood disease AIDS, which is transmitted by homosexuals mixing blood, shit and semen in each others` anuses in rejection of `woman`s seed`, is men`s `biological weapon` keeping women in fearful faithfulness to monogamous ring slavery of their host wombs for the parasitoid alien devourer, and which corresponds to Britney Spears` ring of Dark Claude , who is attempting to kill the `heart` of the giant, Jesus, that is, the `hidden` woman`s.



 If the blue diamond `heart of the ocean` is given to Britney by her spaceman in `Oops! ... I Did It Again`, together with a red-suited Britney and a Britney in a white bikini dress, it signifies the red, white and blue of the `star spangled banner`; blue for water, red for haemoglobin, and white for the phagocytes, 27 which kill the viruses that would harm the body of Hinduism`s `Cosmic Man`, futanarian Vishnu. The virus is the 21st century metaphor for terrorism (AIDS), and Britney Spears is the soul of the `giant` that lives, in the heart, so that the giant cannot be killed, as she`s `hidden` there: `I`m Miss American Dream since I was seventeen.`28



1 Khutarev, Vladimir `From Byzantium To Present-Day Russia, The Double-Headed Eagle Still Soars`, Russia Beyond The Headlines, July 13, 2014,

2 Tatar, Maria The Annotated Hans Christian Andersen, W. W. Norton & Company, 2008, pp. 193–194, 205.

3 Andersen, Hans Christian `Thumbelina`, Fairy Tales Told for Children, C. A. Reitzel, Copenhagen, 1835.

4 Martin, Max, Rami Yacoub Britney Spears `Oops! … I Did It Again`, Oops! … I Did It Again, Jive, 2000.

5 Stuart, Gloria Titanic, 20th Century Fox, 1997.

6 Bonham, John, John Paul Jones, Jimmy Page, and Robert Plant Led Zeppelin `The Ocean` Houses Of The Holy, Swan Song, 1973.

7 Field, Eugene `Little Boy Blue`, America, Chicago, 1888.

8 Troyes, Chrétien de Perceval, The Story of the Grail, 1135- 90.

9 .

10 Armstrong, Neil July 21, 1969, 2: 56 UTC,

11 Harry, Jimmy, Balewa Muhammad, Shep Solomon, Britney Spears, Britney Spears `Touch Of My Hand`, In The Zone, Jive, 2003.

12 .

13 Asimov, Isaac `Hell-Fire`, Fantastic Universe, May, 1956.

14 Frost, Robert `Fire and Ice`, Harper`s Magazine, December, 1920.

15 Andersen, Hans Christian `The Snow Queen`, New Fairy Tales, Vol. 1, December 21, 1844, .

16 Gottwald, Lukasz `Dr. Luke`, R Kelly, Alexander Kronlund,  Max Martin, Nicki Minaj, Kesha Sebert and Britney Spears, Britney Spears, `Till the World Ends`, Femme Fatale, Jive, 2011.

17 WebMD .

18 Hugo, Chad, and Pharrell Williams, Britney Spears `I`m A Slave 4 U`, Britney, Jive, 2001.

19 Lund, Deanna as Valerie Scott, Land Of The Giants, `Double Cross`, Season 1, Episode 10, December 8, 1968.

20 .

21 .

22 Ibrahim, I. A., A Brief Illustrated Guide To Understanding Islam, Darussalam, Houston, Texas, USA, 1997, pp. 74, p.7.

23 Bellamy, David `If I Said You Had a Beautiful Body Would You Hold It Against Me` The Two and Only, The Bellamy Brothers, Warner Bros., March, 1979.

24 Koran, Al Khaf (The Cave), Sura (Ch.) 18, ayat (verses) 65-82.

25 Tolkien, J. R. R. `Riddles In The Dark`, The Hobbit, Ch. 5, George Allen & Unwin ,1937.

26 Asbjørnsen, Peter Christensen, and Jørgen Moe Norwegian Folktales, 1841-.

27 .

28 Åhlund, Klas, Christian Karlsson, and Pontus Winnberg, Britney Spears `Piece Of Me`, Blackout, Jive, 2007.

Is Britney Spears Widow Twanky?

29/03/2012 18:14

Is Britney Spears Widow Twanky?



The theatre tradition of the `principal boy` being played by a girl is to be found in `Pantomime`, which is a type of musical comedy based on folktales. Aladdin is the story of a boy who finds a `magic lamp` that summons a genie.



 The mother of Aladdin is `Widow Twanky`, usually played by a man, and his brother is `Wishy Washy`, which is a reference to the laundry owned by Aladdin`s mother, the fulfillment of desire by means of the lamp, and the need to be certain about what one wants rather than `wishy washy`. The boy, Aladdin, is played by a girl, because the `lamp` she rubs is the symbol of a woman`s penis, which is the true fulfillment of any boy`s desire; to be the penis of the woman he loves. For a boy to want to be a woman with a penis is brave, and certainly not `Wishy Washy` in terms of wish fulfillment.



 During her 2009 Circus tour, Britney Spears` media circus focused on her `Chinese laundry` shoes. Women with a penis are `futanar`, so Britney`s `Chinese laundry` shoes refer to the woman`s desire to be the penis of the boy she loves, and the boy`s desire to be the penis of the woman he loves. Her `fut`.



 Aladdin indicates the underlying sexual metaphor. `Self-love` is love for a woman from the woman`s point of view. The masturbator`s fantasy is to be her, and for her to have a penis. Aladdin`s mother is played by a man because, without women, who are a species with their own penis, men are `widowed`. A euphemism for the penis is `key`, to unlock the secrets of a woman, so men bereft of women, because they know they`re futanarian, are `widowed to wank keys` (Widow Twanky`s).



 In the Bible the red dragon of Revelation is depicted as waiting to devour the New Redeemer who`ll protect the `hidden` woman of the Earth until she`s ready to leave for the stars where her `seed` will fight against the evil serpent`s `seed` and win. God will reward her with a new heaven and Earth, and the evil will receive eternal perdition. The `hidden` woman has `seed` of her own because she`s a progenitor with a penis of her own. She`s `hidden` because men would kill her to prevent her from escaping from her womb enslavement to them as `blood sucking leeches`.

Islam`s Koran (23:12-14) actually defines men as `leeches`:


`... the embryo ... obtains nourishment from the blood of the mother, similar to the leech, which feeds on the blood of others.`1



 The pronouncement is similar to Jesus` offer of his `body and blood` because his disciples are `leeches` and he`s man born of parthenogenesis, which is by woman alone. Consequently, he`s not a `leech`. In Catholicism transubstantiation is the transforming of the `bread and the wine` of the `Communion Service` into the `body and the blood` of Jesus, which is what the priest offers to the congregation, and Jesus offers to his disciples. To Become as Jesus, who was born without acceptance of the Holy Spirit, which is the Paraclete that, effectively, emerged from the side of Christ after it was pierced by the spear of the Roman Centurion Longinus.


 Because the Paraclete is God`s omnipresence, and those who accept her are accepting `Eve` born from their side with all the wisdom of woman since Eden as their `tutelary guide`, the spear of Longinus, known as the `Spear of Destiny`, produces `Spears of God`, which is why Britney Spears appears on the cross in the place of Jesus for the cover of her CD Piece Of Me. Corresponding to the `Second Eve`, because Eve in Eden emerged from the side of Adam 2000 years before, the wisdom of the Paraclete is the `spirit of God`, the `Shekinah`, described as `dwelling` within the tabernacle that contains the Commandments of `God`s law` in the Old Testament. The `Paraclete` of the New Testament is the `Shekinah` of the Old Testament because Jesus distils `God`s law` as `God`s love`. In other words, the `spirit of God` is needed if `leeches` are to become humans. Both the Koran and Bible agree men are `leeches` and, in Revelation, the turning of seas and rivers to blood is how the Bible focuses on men`s refusal to repent:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.`


 AIDS is an `immuno-deficiency virus`, which means that, in destroying the body`s immunity to disease, it leeches away its strength. Because the virus destroys the white cells that protect the red cells that carry oxygen, in AIDS the blood effectively kills the body. If the waters of the Earth were blood, the Earth would die, which is why the Bible uses it as an analogy for men`s refusal to accept Redemption from vampiristic parasitism and remain leeches. In Piece Of Me Britney writes SUCKER in red lipstick on the forehead of a paparazzi with a secret tiny camera concealed beneath his shirt to `take pictures`. He`s an art thief leeching the life`s blood of her career.



 Because women have vaginas, the correct receptacle for semen is unmistakable. Anal sex is how AIDS is spread; through blood, shit and semen. The disease AIDS that leeches the strength of the woman of the Earth`s body away from her is, by analogy, consequent to leeches having anal sex with each other, which is why God destroyed Sodom and Gomorrah in the Old Testament. If a woman has a penis, and she does, as futanarian, then she doesn`t need leeches, which is why Jesus was born of a virgin. Because a woman needs neither men`s semen nor their leech, and her species has a penis of her own. Men, according to Revelation, have had their chance at reproduction, Redemption, and will have perdition. A man and not a leech, that is, he who is as Jesus, the `New Redeemer`, shall protect the `hidden` woman of the Earth who`ll leave to sow her own seed with her own penis. Only leeches will remain. According to the Bible, man has appeared on Earth on only three occasions; as Adam, Jesus, and shall appear in the person of the `New Redeemer` of Revelation. Others may have had Redemption, but man has appeared only as Adam, Jesus, and will appear in the future again as the figure of the `New Redeemer`.



Britney`s Sucker

26/03/2012 17:49

Britney`s Sucker


The `fourth wall`1 is a well known concept in drama, that is, the audience. In Pantomime the phrase that acknowledges the existence of a `fourth wall` is, `Look behind you!`2 Left, right, and behind are the three walls of the living room, or the theatre, with the television, or stage set, as the focus, which is important if others` focus is upon you. Then it`s alarming, `Look behind you!` As Revelation warns, `The number of a man is the number of the beast`. Mobile `phones give men the opportunity to target the individual as their `fourth wall`, while they can`t be seen by the targeted. The result is a dramatis personae in which the target is `gamed` by shadowy protagonists who`re capriciously helpful or hindering, because the `fourth wall` prevents their `game` from escaping.


   In the developmental psychology of Carl Gustav Jung (1875-1961) a woman`s animus or `spirit` appears in dreams as a group of men that form her opinions. An `opinionated` woman is a woman that hasn`t had her opinions formed for her by a group of men corresponding to her animus. Consequently, as the more vulnerable members of society, women are the focus for the `bull ring` of cowardly men with phones who, encircling her as tormentors, ultimately constitute a `snuff ring`. The Pantomime exhortation is directed at the girl who, traditionally, plays the principal male lead in the `Panto`, `Look behind you!` Because women have to learn to defend each other from men as the cowardly `beasts` that would murder her as a species.



 In `Piece Of Me` Britney has the role of the fairytale Princess, in `Cinderella`,3 who`s a `rags to riches` family slave but goes to a ball at the palace where the Prince falls in love with her, because her foot fits the `glass slipper` he uses to find the woman with the perfect `foot`, that is, she`s futanarian human `woman`s seed`, which is depicted in Christian iconography as Jesus, mother, the Virgin Mary, crushing the head of the serpent with her `foot`, because Jesus is `woman`s seed` for the sexual reproduction of human brainpower uncontaminated by male semen, which is why Jesus is killed: `Love your neighbour as you love yourself.` (Mk: 12. 31) The angel, Satan, was expelled from heaven by God for rejecting God`s plan that the human host would be greater than the angelic, and Satan was placed in God`s garden, Eden, on Earth as a serpent. Tempting the first woman, Eve, with the `fruit of the tree of the knowledge of good and evil, that is, death, the serpent told Eve, `You shall be as gods.` (Gen: 3. 5) God`s `fruit of the tree of life` was immortality, and God told Eve and the first man, Adam, that Redemption would occur after the pair were expelled for disobedience if Adam labored, although Eve would experience labor pain: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) As `woman`s seed` Jesus was Eve`s labor, because futanarian women`s brains have the power to crush Satanism, which is host womb parasitism to ephemerality in death to the human race in a war waged against humanity by a parasitoid nature, men`s.

 In Egyptian mythology, the `Shu` is the `feather of truth` of Ma`at,4 the goddess who balances it against the heart`s worth, and if the two balance the balanced human enters heaven, which is a metaphor for psychological balance deriving from the sexual reproduction of human futanarian brainpower. Cinderella`s mind can be seen by looking at her `foot` through her `glass slipper`, which is the `Shu` of the Prince. In simple terms, he`s asking if he can see her penis. Traditionally, vampires can`t be seen in the glass of a mirror and so Britney`s promotional video for `Piece Of Me` features the mirror, that is, the `Shu`, which shows women why they`re not psychologically balanced, because the vampire has devoured their penis. Now they have the unbalanced psychopathology of the male brained victim that wants to be killed by the misogynist`s parasitoid nature.  Futanarian women can see their penis in the glass `Shu`, and so are psychologically balanced, whereas women who like what they see in the mirror of their dreams are told they`re `lesbian` abominations, although sex between women is normal for their species, which isn`t men`s.


 Identifying herself with Jesus Christ on the cross for the cover of the `Piece Of Me` CD single, Britney`s observing how the male brained Roman Empire balanced without a futanarian `foot`. Jesus was crucified after the disciple Judas, who was used to stealing from the collection plate after a service, saw a woman anointing his feet with expensive perfume and suggested that the perfume be sold to raise money. As the human host at the `Last Supper`, Jesus offered `bread and wine` in fellowship to the disciples as symbols of his `body and blood`, and Judas betrayed the human host to agents of the Roman Empire then occupying Jewish Palestine as a `dissident` who threatened to introduce `woman`s seed` to restore balance to human nature. Taken to the hill of Calvary outside the city of Jerusalem, Jesus was nailed to a cross of wood and left there until he died, although he had Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed` with the brainpower to build starships and escape from Satanism in colonization of the planets and stars, along with the medical science conferring permanent knowledge of how to maintain the operation and live.




 Vampires can`t be seen in the `Shu` of balance, that is, the mirror, because they don`t want the human race to have brainpower through sexual reproduction as the futanarian species, but rather blind ignorant unconscious brainlessness in decapitation without women`s capacity for sexually reproducing brainpower from their own penis` semen. The vampire lives at the expense of the human host, which was Judas` sin. It`s stake in the human species is as a parasitoid creature that`s stolen the penis of women to enslave her host womb for the production of whatever human civilization, culture and art she`s still able perforce to produce, before the parasitoid nature of the draco emerges to destroy `woman`s seed`, which is why the evil nihilists breed her.




 In `Piece Of Me`, Britney writes `sucker` on the forehead of a paparazzi with a tiny camera concealed under his shirt, because he`s a vampire bred in blind ignorant unconsciousness to accept his role. A reference to the incredible microminiaturization that has preceded the development of tiny moving pictures for `phones, the biblical prophecy of Revelation that phone numbers are the beast`s `name` represents the cowardly secret of the vampire that has bred in heterosexuality a single male brained creature corresponding to a `TV` transvestite wearing each others` clothes in a `snuff film` masquerading as a continuing socio-historical report on the doings of the people of Earth, who`ve been duped at least since Vlad, `the impaler` of Wallachia, known in the Middle Ages for impaling his victims on stakes, was romanticized in the film capital, Hollywood, Babylon, with actor Christopher Lee as Dracula (1958) based in the novel, Dracula (1897), by Bram Stoker, who depicted young beautiful women receiving immortality after their blood was drunk out of their bodies by a suave gentleman.


 The desire of evil vampires is to murder, and parasitoid men`s nature is the desire is to be immortal, so that they can continue to murder women, which is `vampirism`, and a concomitant of parasitism, although parasites aren`t necessarily parasitoid, which is the beginnings of Redemption: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was institutionalize `Greek` democracy, which was host womb slavery for homosexuality in pederasty to wage war on `woman`s seed`, which is what Empires are.


 Hollywood, Babylon`s Mogul Empire similarly promotes male braining for war movies to ensure the absence of `woman`s seed`: `… women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`5 In the mirror of the Hollywood `Shu` women`s unseen futanarian species can`t be a part of a balanced `scene`: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)  In `Piece Of Me`, Britney and her go-go dancers` glass is Cinderella`s `Shu`, and the `sucker` is the vampire who can`t see her penis in the mirror, which represents immortality through brainpower, rather than parasitoid devouring in parasitism. Cinderella`s sisters are `ugly`, as they`re futanarian, although she wants to `ball` with them, that is, they`re beautiful women with penis of their own, but the fairytale convention is that they`re `ugly`, as they aren`t men, because men don`t want human brainpower to interfere with their host womb slavery and vampirism.




 `Cinderella` is an illegal fiction because it tells girls looking in the mirror what to expect to see. Consequently, the socio-economic history of the Earth`s democratic nations is based on the illegal fiction that women can`t sexually reproduce with each other as a potential voting majority to outvote men`s psychopathological imbalance based on warfare against `woman`s seed` to enforce host womb slavery for parasitoid devourment. Or, in other words, men`s fiction is illegal because it depicts the depredations of their vampirism as human nature. When Britney Spears had her fortune and sons taken away from her by a United States` court, who gave custody of the children, Sean and Jayden, aged two and one, to their fatherer, Kevin Federline, and financial control to her fatherer, Jim, and someone who said he knew her well, Jason Trawick, it was an illegal vampiristic fiction, although the star`s earnings weren`t.


 The 20th century was the vicarious enjoyment of large scale murder in the form of `historical` depictions of `epic` wars in wide screen cinemas with film formats such as `Cinemascope` and `Panavision`. The audience`s `enjoyment` of battlefield carnage from the American Civil war (1861-5) at `Gettysburg`, the `Somme` battle in Imperial Germany`s WWI (1914-18) attempt to enslave the Earth, Japan`s December 7, 1941, `sneak attack` on the US Pacific fleet at Hawaii`s `Pearl Harbour`, the Allied `D-Day` landings at France`s Normandy beaches in the overthrow of the German`s second attempt to enslave the Earth in WWII (1939-45), and World Trade Centre (2006), the movie of the news report, `live on CNN` and other networked `TV` channels, of September 11, 2001, when Afghanistan`s Al Qaeda terrorist group hijacked civil airliners to crash into the Twin Towers of New York city`s World Trade Centre, which precipitated what came to be known as the `Video Game War` in the Persian Gulf, after Iraq`s dictator, Saddam Hussein, offered his support to Al Qaeda, and his deposing on December 30, 2006, was watched on `TV` as a vicarious `shoot-em-up` that the `couch potatoes` didn`t have to touch their `Play Station`, `Saga`, and `Microsoft X-box` consoles to enjoy as nihilistic psychic vampires feeding upon the energy of elation as they vicariously experienced the life force draining from the bodies of the slain.


 In `Piece Of Me` Britney`s `sucker` comment in red lipstick on the forehead of a paparazzi with a small `phone camera is about Salvation. Although Christians associate Salvation with the salvage of vessels, that is, those sunken and downtrodden by vicissitudes, and the re-training of such `down-and-outs`, Salvation is memory of who one is, and where one was, so that one is saved there with others who want Salvation with you. Although it sounds science fictional, Salvation is being saved as a memory with those you want to be remembered by. In the Bible the `red dragon` of Revelation waits in vain to devour the new born New Redeemer who would protect the `hidden` woman of the Earth, whereas Britney`s `sucker` is for those who spurn Salvation as `blood-drinkers` who want moving pictures to be a cowardly bully with, secretly on I-phones` `shoot-em-ups`, and other torment and torture `games` of memory deletion, rather than a `hard drive` for `PC` permanence, where `pc` means `politically correct`, which feminist `pc` isn`t. Taught `pc`, women are encouraged to believe that lesbians are homosexuals so equal to men, whereas lesbians are human futanarian expressions of what futanarian women`s species are, and men can`t sexually reproduce with each other, because they aren`t women`s human species, which is why they practice homosexuality. `PC` is permanently correct, because Salvation is the saving of human futanarian women`s memory for `woman`s seed` as the Earth`s species.


 Enjoyment in the 20th century was defined as the vicarious thrill of seeing identifiable actors murdering actors with whom you didn`t identify, because you knew who the successful murderer was. Clint Eastwood dares the forgotten young actor in the film, Dirty Harry (1971), and then cold bloodedly murders him with the popular Magnum .45 of the period, `Go ahead punk. Make my day!` Fourth wall convention tells the viewer that, as both are actors, it isn`t a real `snuff film` in which real people are killed for the entertainment of the viewer, whereas that`s what humans are being prepared for in wars against `woman`s seed`.


 Women in Moslem Islam are unidentifiable actresses `hidden` beneath their burkas in public, because they`re human futanarian women`s species. In Islam four wives are permissible in marriage because of an Old Testament story of Abraham `s wife, Sara, who became barren after birthing Isaac, founder of Judaism, and gave Hajer, her Egyptian maid, to Abraham, and Hajer birthed Ishmael, founder of Islam through his descendant Mohamed, who received the Koran (610-30 C.E.) from the angels, according to tradition, which is the basis for Islam`s four wives. Because the women are unidentifiable, they`re Clint Eastwood`s `punks` in the Gulf wars against women`s futanarian humanity. After the deposing of Saddam Hussein, Abu Bakr Al Baghdadi declared the Independent Levant (IL) of Iraq and Syria, as a `pun` on September 11`s (a Levant`s) declaration of war. Because women`s sexual reproduction would mean they`d outvote men, `woman`s seed` is `elephant` for which `big guns` are wanted. 9/11`s US President, George W. Bush`s, `Dead Or Alive!` warrant for Saddam Hussein was a `big game` hunter`s `post`. By the late 20th century, Hollywood, Babylon, movies like Scream (1996) had ceased all pretense at sympathy for the murdered, and simply accepted the murdered was the cowardly audience, who cheered addictedly as the helpless woman was slain. In short, the biblical `beast` was their hero, the coward who`d murder some heroin.



 The heroine of movies like Scream represented the programers, who wanted women to die. They`d become pogromers, so they could have more `snuff film` promotions based on real life reportage; for example, `ethnic cleansing` of Islamic communities in Bosnia by Christian Serbs during the Bosnian war (1992-5), who set up `rape camps` to male brain a generation of Moslems, and Sudan`s Dharfur province, where black West African Moslems weren`t of the `white` Arabian Moslem rulership. Those promotions led to more `Video Game War` for cowards addicted to smoking some unidentifiable heroine, after the first `TV war` in the Gulf (1990-1), in which aerial `TV` pictures of Kuwait relayed `live` made the US` destruction of the invading Iraqi army seem fun and simple.


 Rejecting the hero as a role model, Hollywood, Babylon`s audience had been prepared to accept the killer and blame the `producer`, women, used as a breeder of men for war since ancient Greece, when male homosexuality was `normalled`. Effectively, women are a `host womb` for men as the alien parasitical organism seeks to live as a cowardly murderer, and vicariously so in modern snorts of life energy inhaling elatedness. Because women have their own penis, as futanarian woman does, she`s a species. Consequently, unredeemed men are identifiably  women`s parasites, and the entertainment associated with the biblical `Baal worship`, which is traditionalized in modernity as `ball` sports, where the ball is the ovum and men play with `woman`s seed` because she can`t fertilize. In the Old Testament God punished the `chosen people` of the Jews for `Baal worship`, because `Baal` was male and the idol had a bull`s horns, whereas in Judaism Jews are born from women, because Jews are women, that is, although `Baalat` was the female `Baal`,6 human are futanarian, so `Baal` and `Baalat` were that `TV` transvestism created by heterosexuality as a single male brained creature wearing each others` clothes in a bullies` `snuff film` of the human race, which is why ball sports involve people running madly.




 God punished the Jews because history is the worship of the biggest bully, supported by the bullies (police). In German National Socialism (Nazism), Adolf Hitler became leader after the 1933 election, and pogromed 20, 000, 000 Jews in `death camps` before and during WWII (1939-45). In Revelation, 666 is `the number of the beast`. Globally, the `bull`, that is, the `player` with the `ball`, is supported, as Roman Emperors by their `police`, the Praetorian Guard, or `sucker` fans. Apart from the telephone number, 911, in the USA, the telephone number of the police globally is 999, whereas it`s 666 Satanically reversed, and a popular choice for taxi companies, because the local `bully` wants to levy taxes on travellers, and so the local taxis are there to offer `protection`. 911 was 9/11 because the Italians exported a `fireman` statue to New York two days before Manhattan`s Twin Towers were destroyed there by hijacked planes, and the local bullies wanted a war economy to reduce the level of technological investment in transportation, so that local taxi drivers continued `screwing`, where `screw` is the term used for `fixers`, as the replacers of the nails that kept Jesus` hands and feet in place, remain within the bosoms of their families.


 9/11 was `breaking the fourth wall`, which is a dramatic term for what occurs when reality is observed to merge with the drama, so that the distinction between the dramatic production and reality no longer obtains, which is what propaganda does. Many Americans thought the CNN reporting of 9/11 was a `movie` because they`re used to films like Steve McQueen`s Towering Inferno (1973), in which the fictional Glass Tower in Chicago is burned by fire, and Harrison Ford`s Air Force One (1997) in which the US President`s plane`s hijacking probably contributed to the passengers crashing the civil airliner hijacked by Al Qaeda terrorists at Shanksville, Pennsylvania, when it was reportedly on its way to crash into the US President George W. Bush`s Whitehouse residence in Washington, D.C. Britney Spears` `Piece Of Me` lyricizes the breaking of the boundaries between private and public, which propagandizes to the extent that fiction becomes reality:


I'm Miss bad media karma;

Another day another drama,

Guess I can't see the harm

In working and being a mama;

And with a kid on my arm

I'm still an exceptional earner:

And you want a piece of me?`


 Al-Qaeda broke the boundaries between what the USA perceived as `entertainment`, and Arabians watching Arnold Schwarzenegger in Terminator (1984), and its prequels and sequels on MBC Action, who`d accepted such `action` as prescribed:


`...  action in the world ... [is] extended [to] the idea ... [of] the ... imaginary boundary ...  acknowledging the audience through the ... imaginary wall ...  is considered a technique of metafiction, as it deconstructs the boundaries ... `7


 Movies like Enemy Of The State (1998) starring Gene Hackman, in which the US` National Security Administration`s (NSA) `spy-eye` intelligence satellite cameras watch an individual`s movements and `engineer` his life, irrespective of criminal involvement, suggests the bullies won the Gulf Wars, because all power is now in the hands of whatever passes for `police`, and CCTV `security` surveillance. As George Orwell`s prophetic 1948 post-Nazism novel of a dystopian future (1984) warned, `Big Brother is watching you!` What the Earth`s enslavers don`t want is Adam who`s sane, and `Baal` worship is fascist `snuff film` propaganda, that is, as 19th century natural philosopher Charles Darwin argued in Origin Of Species (1859), real intelligence loses to the bullies in the `big game` of species` survival, which is the human race.




 Enemy Of The State shows `Baal` worship, or `bullying`, as what men`s intelligence is for. The `hero` of Enemy Of The State is black actor Will Smith in what amounts to a slave film about an escaper bullied into accepting an evolutionary cul de sac, because he`s black. Will has the woman`s role, as pop singer John Lennon intuited, `Woman is the nigger of the world.`8 The viewer who identifies with Will is human,  because Will is the victim, which is what black people represent, a last bastion of male misogyny where the black man becomes the woman for a sympathetic audience unable to accept `woman`s seed`, but willing to be sympathetic to blacks with their history of slavery before the American Civil war (1861-5) of manumission. As Saddam Hussein`s army of Iraq was evicted from the Emir of Kuwait`s home during the Gulf war (1990-1), black US President, Barack Obama, during 2011`s deposing of Libya`s dictator, Colonel Ghadaffi, gave his sympathetic black support to `Baal worship`, that is, bullying, in a `domestic dispute`, where the legal fiction was of a woman`s house being restored to her. In short, black Obama gave his supporters over to `Baal worship`, although bullying by men of any color waging wars of vendetta is what parasitism for parasitoid nature`s devouring of human nature is.



 On the cover of the CD for the pop song, `Piece Of Me`, Britney Spears appears on the cross in the place of Jesus. She`s the `Second Eve` from the side of Jesus crucified after being pierced by the spear of the Roman guard, Longinus. Eve was the woman that emerged from the side of Adam in Eden, and so the Paraclete or Holy Spirit, which Jesus told his disciples would teach after him, represents the wisdom of Eve gained since Eden and that Longinus` sought to birth by `caesarean` section upon Jesus` death on the cross. Jesus` subsequent Resurrection and Ascension to heaven owes something to Longinus` intervention: `Surely, this was the son of God.` (Matt: 27. 54) Because Jesus was born uncontaminated by male semen from his mother, the Virgin Mary, he was `woman`s seed`, so prefigured the Resurrection and Ascension of human women`s futanarian nature through their own cycle of sexual reproduction as women with women producing brain capacity for technological Salvation in colonizing escape to the planets and stars away from enslavement to a parasitoid devourer.



 Eve`s symbol on September 11, 2001, was the `Big Apple` of New York city`s World Trade Centre, which symbolized `rough trade`, that is, that `brutality and violence` which is associated with `Greek` homosexuality in pederasty for warfare against `woman`s seed`. 9/11 was an attack on the wisdom of God`s Paraclete, because it released the Holy Spirit from the side of Christ, Jesus, which is why Longinus` spear was the spear of Destiny, and Britney Spears` `Piece Of Me` alludes to the Paraclete`s absence being due to what women can`t see of themselves in the broken glass of the pieces of humanity`s mirror:


`Don't you know I still believe

That you will be here

And give me a sign

Hit me baby one more time.`


 If the Gulf Wars hadn`t occurred, the future would`ve been symbolized by Britney Spears, whose initial album, … Baby One More Time (1999), contained the hit single, `… Baby One More Time`, which implied revenge against misogynists who`d hit her again even though women in male braining are bred to be submissive victims of their assailants. The `second fruit` of Eden was pears, symbolized by Britney Spears, as the Earth`s futanarian species. Revelation describes the `New Redeemer` protecting the `hidden` woman, who leaves to sow her `seed` amongst the planets and stars before war with the evil `serpent`s seed`, and a new heaven and Earth from God for `woman`s seed` to live forever, while the `serpent`s seed` receive perdition as God`s punishment.




 The election of US President Barack Obama was significant in biblical terms, because of the black `First Lady`, Michelle. Blessed is `barack` in Arabic, and in Hungarian, `peach`, so Michelle is the `black peach` in the Whitehouse. The bullies` `game`, which was that of Libya and the US` `global policeman`, during the continuation of George W. Bush`s `War On Terror`, received the Obamas supporters, which is the third `fruit` of Eden`s wisdom, supporters aren`t the supported, that is, `bullying` or `Baal worship` is for the `players`, whereas the bullied are the unsupported, rather than the unsupportable, which is voting for insupportable `Baal`.



 Although Britney Spears` name is penetratingly male, like the spear of the Roman, Longinus, piercing the side of Jesus to effect a `caesarean birth, Spears symbolizes `woman`s seed`.  In `Piece Of Me` Britney`s reaction to bullies is defiant on behalf of humanity: `You want a piece of me?` Because being bullied into acceptance of slavery in host womb parasitism to a devouring parasitoid is human history. When the Jews were removing themselves from slavery in Egypt, with the Ark of the Covenant, that is, God`s promise of liberty, because it contained God`s law, which Jesus taught was `love`, the female Shekinah or `spirit of God` dwelt therein, who is the Holy Spirit of Jesus` teaching. In Judaism a `Sukkah` is a lean to such as they`d use during the exodus from Egypt, which is remembered in the `Sukkot` festival, and Britney Spears` writing `sucker` on the forehead of the paparazzi in `Piece Of Me`, that is, `Sukkah`, because the Shekinah is the `spirit of the law`:

`Blessed are You, Lord, our God of the universe, who has sanctified us with the commandments and commanded us to dwell in the sukkah.`9


 The Sukkah is built without a `third wall`, that is, it`s open at front and side. There are two areas for receivers and guests, and two vantage points. In `Oops! ... I Did It Again` Britney in her red pilot`s suit descends to her stage set inside a giant`s ring, which looks like a `Sukkah`, and she suspends her spaceman visitor with a hook above herself in a white bikini-dress, that is, her `Sukkah` has two distinct areas, in accordance with tradition, which is the indwelling of the `spirit of God` amongst friends. The hook means Britney`s `Sukkah`, that is, the spaceman is a guest where the `spirit of God`, the Shekinah indwells: `All aboard!`



 `Oops! ... I Did It Again` is pinball too. Captain Hook lost his hand to a crocodile in J. M. Barrie`s play, `Peter Pan` (1904),10 so Britney`s hooking of the spaceman makes her `Hook`, which is a well-known pinball game, and she does make `bumper` movements with her hands linked outwardly, and emphasizing the `skirt` repelling pinballs from the bumper, although the figure in her red pilot`s suit isn`t actually wearing a skirt: `But I though the old lady dropped it into the ocean in the end.`



The scene shifts to Britney`s spaceman`s gift giving, which alludes to the movie, Titanic (1997), and 100 year old Rose`s dropping of the `heart of the ocean` diamond blue pendant into the sea at the point of salvage of the ship that sank on its maiden voyage from Southampton to New York after it hit an iceberg on March 15, 1912. The diamond`s a symbol of Cal, her ex-fiancée, who betrays Jack, her new boyfriend, by planting the `heart of the ocean` into his coat pocket and accusing him of theft. Rose`s boyfriend was amongst the drowned, which is why she laments his loss. Assisting passengers to the lifeboats, while some were throwing women and children into the sea to take their places in the boats, he wasn`t her ship`s hand, which is why she`s `Hook`, who lost a hand.



 In Egyptian mythology, the goddess Ma`at weighs the heart to see if it`s worthy, that is, to see if the individual is psychologically balanced in acceptance of `woman`s seed`,  but Ammit, the goddess with the jaws of a crocodile, devours it if it`s evil. Consequently, the crocodile in Peter Pan is Ammit, and Captain Hook is eventually devoured entire. When Britney in her red pilot`s suit raises her spaceman visitor above herself in the white bikini-dress, he`s suspended there like the feather of Ma`at, while his heart is weighed in the balance. The giant fork looming adjacent to the spaceman`s spacehelmet, as he hangs suspended, is Ammit`s. `Hook` suggests the Moslem tradition of cutting a thief`s hand off, and the `spy` camera attached to the spacehelmet of this paparazzi suggests thievery, although the invisibly suggested presence of Ammit suggests a curb to masturbatory impulses too as a form of theft, whereas human futanarian `woman`s seed` would argue that`s how sexual desire between women produces:


`I`m Miss American Dream since I was seventeen.`


 Descending inside the giant`s ring onto her red suited part of the two stage set of her `Sukkah` in `Oops! ... I Did It Again`, Britney suspends her spaceman visitor so he can watch her below in the second area of the `Sukkah` in her white bikini-dress, as she breaks the `fourth wall` to comment on the reality attending the fiction that the owners of the CDs she sells of herself aren`t masturbating while they watch her perform, so the tradition of the `Sukkah` leaves her open to attack, just as the tradition of issuing visas to students left the United States of America open to terrorist attack from Boston, Logan airport, when hijacked civil airliners were crashed into the Twin Towers of New York city on 9/11.





 The propaganda film that programed 9/11 was Logan`s Run (1976) in which actress Jenny Agutter as Jessica 6 is a `runner` in a society where everyone must die at the age of 21 to keep a socio-economic system with scarce resources viable. Actor Michael York has the role of Logan 5, a `sandman` who helps Jessica 6 to `run`, and the allusion is to women`s futanarian race, which can`t escape parasitoid devourment. The Al Qaeda terrorist attack on 9/11, 2001, was designed to prevent the 21st century from being born, and on the anniversary of the sinking of the Titanic, on April 15, 2013, the Boston Marathon was attacked by terrorists to prevent the human footrace from running.



 Britney`s invitation to her game is a modern `cookie`, which is a code used by online gamers to give them access to internet websites so that they can resume their `play` where they paused, and a similar codex is used in video film technology to pause the `play`. Britney`s `cookie` is shaped like a traditional `cookie`, which is a biscuit. Britney`s spaceman visitor finds her image in the sand, a `cookie` miniature, and her giant`s `Sukkah` emerges from the arid desert of the red planet, Mars, as if she`s the plaything of some external power - and the spaceman can`t leave either. He walks backwards, as if the video is being rewound by a giant resetting the pinball game, Hook, and he`s returning as the ball to be relaunched in an attempt by the `player`, represented by `Mission Control`, to obtain more pictures.




 The giant ring`s for cock, and Britney`s `Sukkah`, which again breaks the `fourth wall`, that is, the `spirit of God`, which is the Shekinah, is succour, because human women`s futanarian species is single, whereas the single male brained transvestite creature produced by heterosexuality as its `TV` is a blood `sucker`, where `cock` is the raising of the hammer of the gun, rather than women`s human species of futanarian`s `woman`s seed`.  In H. P. Lovecraft`s Necronomicon,11 the labyrinth of Iot Sokkot alludes to the Jewish `Sukkut`, and denotes a spiral that encircles, so affording the illusion of protection, while imprisoning, because men are blood-suckers, rather than succour. The prisoner is a `sucker` of the imprisoner, and the spiral `Sukkah` is a prison. Consequently, the movie Spiral (2007), starring actress Amber Tamblyn as Amber, features a painter of nudes, actor Joel David Moore as Mason, who murders Amber when she discovers he`s painted other women nude. He`s a psychopath, and she`s unaware of the nature of his prison, which is a `Sukkah` for the blood of women. In `Piece Of Me` Britney`s dancers look at their `Shu`, that is, the `glass slipper` of the mirror, which doesn`t show their futanarian nature, while Britney writes `sucker` on the paparazzi photographer`s forehead in blood-red lipstick, because although vampires can`t be seen in the mirror, women can see that they`ve been there.



 In US slang a `piece` is a gun, and a murderer is a `modern vampire`, so `Piece Of Me` presents Britney Spears` as a modern `piece`, which is how she appears in the promotional video for the song from the Femme Fatale (2011) album, `Criminal`, in which it`s implied that, although she uses a gun to terrorize a supermarket cashier, she`s made to steal by a man: `He is a sucker with a gun (Gun, gun, gun) ...` On the cover of the CD single, `Piece Of Me`, as Jesus crucified, the allusion is to Jesus` Resurrection after, at the `Last Supper`, he offered his `body and blood` to the disciples, which is what a vampire master might do, if he were offering to confer immortality upon his followers. Modern blood-drinkers don`t offer immortality, which is what gunmen don`t do, and what the murderers of Jesus didn`t do, because Jesus` Resurrection and Ascension prefigured that of `woman`s seed` by nature`s sexual reproduction between women. In `Piece Of Me` Britney criticizes the paparazzi who use her public appearances as an excuse for `going on a shoot`, which is a dangerously apposite hunting analogy in the `snuff movie` era.



 Vampires didn`t want Jesus to live, because `woman`s seed` poses a threat to host womb slavery in ephemerality. Modern phones` with moving pictures narrow the theatre goer`s vision to ignore the externality, which deteriorates and dissolves, devoured by the diminishing screen, which is what `TV` does. War is the only panorama remaining, and T.S. Eliot warned of that in his poem `The Wasteland` (1922), which was designed to effect a regeneration of vision and, like Britney Spears` `Oops! … I Did It Again` contained desert imagery contrasting to that of oases:


`April is the cruellest month, breeding

Lilacs out of the dead land, mixing

Memory and desire, stirring

Dull roots with spring rain.`12



 9/11 was what narrowing of vision produces. Technophiliacs with the tiniest cinema screens for `phones  desensitizing individual responses to `action` until 9/11 became a visual appetizer for a second Gulf War and global terror reporting was presented as a `TV event`, because it`s a programed `snuff film` arranged by Hollywood Babylon`s unofficial propaganda ministry. Reality is now a media-mediated hiatus, which the killers produce as a program menu. War is `action`, then `small screen`, before becoming scarcely observed on the tinier `phone screens. Amusement arcade culture that celebrated body counts in `pinball` games, Big Guns, and Lethal Weapon 3, is now a central feature of TVs adapted for games consoles that primarily celebrate the `shoot-em-up` in top 50 body count games, Abuse and Abductor, and even tinier `phone games, the early devouring Pac-Man and the later, Critter Crunch, celebrating trivialization of life to the point of inconsequentiality and doom.

2 Christopher, David British Culture: An Introduction, , Routledge & Kegan Paul, London, 2002, p. 74.

3 Basile, Giambattista `Cenerentola` (Cinderella) Pentamerone, Naples, 1634.

4 .

5 .

6 .

7 .

8 Lennon, John, and Yoko Ono `Woman Is The Nigger Of The World`, Some Time In New York City, Apple, 1972.

9 .

10 Barrie, J. M. `Peter Pan`, Premiered December 27, London, 1904-1913.

11 Lovecraft, H. P., `The Hound` Weird Tales, February 1924.

12 Eliot, T.S. `The Wasteland`, `The Burial Of The Dead`, I, Horace Liveright, 1922, l. 1-4.




Britney Spears and Leviathan, Behemoth, Ziz, and Chronos in Oops I Did It Again

23/03/2012 15:07

Britney Spears and Leviathan, Behemoth, Ziz, and Chronos in Oops I Did It Again



In Oops I Did It Again (2000) Britney Spears plays the red dragon of Revelation, which is associated in Judaism with Leviathan from the Book of Job in the Old Testament of the Bible. Leviathan is interesting because the `sea monster` is equated with Satan in Christianity, and in Judaism forms part of a triumvirate of creatures; the others being Behemoth and Ziz, `monsters` of the land and air. Britney`s spaceman arrives on the arid desert world of Mars with a gift for her. Dressed in red, she asks:


`But I thought the old lady dropped it into the ocean in the end?`


 Britney`s Oops I Did It Again is about a sunken `Leviathan`, because of the allusion to `the heart of the ocean`, which is the blue diamond in the shape of a heart dropped into the sea by Rose at the site of the salvage of the Titanic liner that sank after hitting an iceberg on its maiden voyage in 1912 from Liverpool to New York. The movie Titanic (1997) details the story of Rose who`s heart was betrayed by her ex-fiancée`s placing of the `heart of the ocean` jewel into her new boyfriend`s coat pocket and accusing him of theft. Rose`s new beau subsequently drowns and, lamenting her loss at movie`s end, she allows the jewel to slip through her fingers and into the sea.



 In Egyptian mythology, the `feather of truth`, which is the goddess Ma`at`s, is weighed against the heart of the deceased and, if it balances, the `Akh`, that is, the personality (`Ba`) and spirit (`Ka`) conjoined, travel beyond the Earth to heaven. The heart of Rose`s drowned love is symbolized by the `heart of the ocean`, and Britney`s weighing of it. Red suited she hoists her spaceman on a pulley until he sees her from above in a white-bikini-dress.



The spaceman is  suspended, or `balanced`, above Britney in her white bikini-dress, who represents the feather of Ma`at. In her red suit, she`s Seshat, the Egyptian goddess of `building`, whose emblem is a rope. Descending inside a giant`s ring, a `superbowl ring`, her spaceman has `touchdown` (TD) on Mars. She `hooks` him with a `block and tackle`, lifting him above herself in a white bikini-dress. It`s American football and her `hook` is a quarterback `play` where the `eligible receiver` runs upfield, stops, and turns back to take the `pass`. We see Britney in red running to `hook` the spaceman with her `block and tackle`. When `hooked up`, she`s ready below in her white bikini-dress.  It`s Seshat`s `scientific romance`. Oops I Did It Again is her builder`s  bildungsromans.



 If the QB is `tackled` in American football, he`s `sacked`. In Oops I Did It Again he gives Britney a gift, and so he`s `sacked`, that is, she has a present from his `sack`. However, Britney in her red suit is the `real` Santa; because she`s Ma`at weighing Rose`s `heart of the ocean` against the `feather of truth`, and `love`s `heavenly reward` is what she has in her sack. In short, the spaceman is an `investor`, but isn`t supposed to know. He thinks he`s Santa. He gives Britney the `heart of the ocean`, which is a symbol of what the developmental psychology of Carl Gustav Jung (1875-1961) calls the `God archetype`. According to Jung there exist in the psyche of each individual images and figures that, in dreams and reverie, assist creativity and knowledge. Because the `ocean` is a symbol of the unconscious `Self` of the world, the `heart of the ocean` would contain the collective archetypes of God. Consequently, Britney`s been given the Earth, moon, and stars.



 Britney`s Till The World Ends begins with a `meteor ` crashing upon the Earth and, in Australian aborigine legend, the `coalsack`, or Black Magellanic Cloud, is personified as `Utdjungon`, who has the power to destroy the Earth with a `fiery star`. The world`s `Self` is `balanced` in Oops I Did It Again because Britney has the `heart of the ocean` from her spaceman`s `sack`, that is, the developmental capacity of the collective archetypes; or, in other words, the potential to leave Earth and moon for the stars. ICBM`s are men`s `fiery stars`; but you need a relationship to leave.



 The history of men is of devouring anything that doesn`t accept them; including woman. Or, to put it another way, if women don`t accept that they are men, that is, that women are men, men will devour them; as they devour everything else that isn`t themselves. If women have a penis of their own, they`re a species. Revelation describes how the `New Redeemer` protects the woman `hidden` upon the Earth before she leaves for heaven where her `seed` and that of the evil serpent`s fight a war in which she`s victorious and God creates a new heaven and Earth for her to dwell in forever. The red dragon of Revelation waits to devour the `New Redeemer` as the child born to the `woman clothed with the sun and with the moon at her feet`. It can`t. But the `New Redeemer` can protect the `hidden` woman. The meaning is simply that the `hidden` woman is a species with her own penis and doesn`t need to be defended. She only needs to hide. Men defend what they want to attack. If they`re declare they`ll defend you, they`re asking for you to be attacked. The `New Redeemer` protects the `hidden` woman by hiding her. She`s a species with her own penis who`s to sow her `seed` amongst the stars in preparation for the evil serpent`s `seed` final defeat and perdition. She doesn`t need men, so if they`re looking for her it`s because they`re the evil serpent`s `seed` that wants to attack her.



 In Oops I Did It Again Britney `has her own space` but, according to aboriginal legend, Utdjungon is the `lawman` who punishes lawbreakers. Utdjungon is the `devourer` of Britney`s woman because she `isn`t a man`. In Britney`s `gangster` video I Wanna Go, in which she`s `Bonnie` to Guilermo Diaz`s `Clyde`, and Criminal, in which she`s romantically `involved` in  murder, she`s `being a man` because men won`t accept anything else. By the late 20th century Britney had defined herself as `bisexual` and, in Oops I Did It Again, she has the role of `spirit`, in her white bikini-dress, and `soul`, in her red suit, which is indicative of her `self-love`. The `path` of the `hidden` woman of the Earth who leaves to spread her `seed` amongst the stars of heaven, in  preparation for her victorious war against the serpent`s `seed`, is that of the woman with her own penis, which is what Britney`s psychological bisexuality and self-love is preparing her for. The red dragon of Revelation represents men who`d destroy woman here on Earth rather than allow her to leave and develop herself as an independent species. Till The World Ends, I Wanna Go, and Criminal are indicative of her possession by the devouring imago of men, which wants her to be as they are. Effectively, they don`t want her to live because she `isn`t a man`.



 `Santa` is an anagram of `Satan` and, in Egyptian mythology, the goddess Ammit devours the heart of the deceased if he isn`t `heaven worthy`, and therefore she corresponds to Satan in Christian iconography, which is understandable if woman is equated with `Satan` who wants to leave Earth but is to receive perdition from God. However, according to the Bible, the serpent of Eden gave Eve the `poisoned apple` to give to Adam, which means that Eve isn`t evil but `temptable`. Symbolically, the serpent`s saying `Eat her.` However, if she leaves she can`t be eaten. Ammit, in Egyptian mythology, is Ma`at and Seshat`s `man-eater` who devours the hearts of the evil men who`d destroy the `hidden` woman who has her own penis and is an inviolate species in her separateness from mankind`s. In other words, she`s `Satan` to men but isn`t male, and so represents the aspect of God which redeems `Satan`, which is identified in Genesis with the snake, that is, the penis. If the penis is no longer a male Satan`s, then it`s woman`s and she`s redeemed the male.



 According to Judaism, `Behemoth` lives `East of Eden` in an `invisible desert`, and Britney Spears` Mars in Oops I Did It Again is a desert in which she`s invisible before the spaceman visits. In Hebrew `behemoth` means `great` and is a feminine plural noun. Similarly, Elohim means God as a plurality, corresponding to the Holy Spirit, or Paraclete, of Christianity. Britney, in her red suit, and in her white bikini-dress, represent `plurality`. For Piece Of Me she appears on the cover of the CD as Jesus` Paraclete. At the crucifixion Jesus` side is pierced by the spear of Longinus and, effectively, the Paraclete emerges therefrom as the `Second Eve`, the `tutelary guide` with the wisdom of her species that had been developing since her emergence from Adam`s side in Eden. Britney crucified doesn`t have the `Spear of Destiny` in her side but she symbolizes the Paraclete or `Spears of God` that, emergent from Christ Jesus` side when pierced by Longinus` spear, afterwards was known as the `Spear of Destiny`, because it released the Paraclete or `Spears of God` from the side of Christ. Consequently, as a feminine plurality,  `Behemoth` might be the Paraclete, or `Spears of God`, and refers to woman with a male penis; `be he mother`. However, `Behemoth` is  described as `he`, depicted in battle with `Leviathan` in the Jewish prayer book or `siddur`.


 `... they will interlock with one another and engage in combat, with his horns the Behemoth will gore with strength, the fish [Leviathan] will leap to meet him with his fins, with power. Their Creator will approach them with his mighty sword ... the righteous ... will eat the meat of the Behemoth and the Leviathan amid great joy and merriment.` (Artscroll siddur, p. 719)


 They`re male, and therefore they`ll be eaten; because that`s what males do. The `righteous` are those who`ll eat them because they`re male. In truth `Leviathan` is that `hidden` content of the unconscious that, repressed into unconsciousness by men over thousands of years, that is, the knowledge of woman`s penis, emerges from the `heart of the ocean` as a sparklng blue jeweled heart of love and desire for her own species` development.


 In Christianity, the exhortation is `to love your neighbor as you love yourself` because your neighbor is yourself, which men are unable to do because they want to `devour` their neighbours (Cf. Hitler`s Anschluss of Austria in 1938, and Saddam`s invasion of Kuwait in 1990). `Behemoth` is a plural feminine noun because the female aspect is God`s. Similarly, the female aspect of `Leviathan` and `Ziz` denote the `hidden` woman of the Earth that wishes to leave, and that`s why she`s `Satan` to men who want to keep her here as an enslaved `host womb` for the promulgation of their devouring wars against her species, the Earth`s `builder` from whose `womb` everything emerges that time contains. Chronos (Saturn/Satan) is the male aspect that `devours`, and `space` is what the `hidden` woman needs so that she can build God`s heaven and dwell there amongst the stars forever. Consequently, the `Behemoth` of the `invisible desert` in Oops I Did It Again is Britney`s `hidden` woman, the female aspect of the red dragon of Revelation, that is, Ammit, the `devourer` of men`s evil hearts, and `Ziz` is the `unmanned` Mars` lander, which was named `Phoenix` by the USA because the mythological bird is a symbol of Resurrection:


 `From the [ashes] ... of [its] ... parent [it]... issues [from its nest to] ... the city of Heliopolis in Egypt, and deposits it in the temple of the Sun.`1


 In Judaism, `Ziz` finds correspondence with the Arabian `Simurgh`. However, whereas Ziz is male, Simurgh is female and wholly benevolent. Consequently, the devouring of Ziz at the end of time, `amid great joy and merriment`, isn`t surprising; if he represents the male as the `devourer` of women.


 If `Mars lander` were `Simurgh` in Oops I Did It Again and, according to legend, the Simurgh has that attribute of the `Phoenix`, Britney`s alluding to the Titanic movie in which Rose, grieving for her lost love, drops the `heart of the ocean` into the sea at the place of salvage where, Phoenix-like, the Titanic is to rise from the ocean`s depths. Rose`s boyfriend aboard the liner many years before had painted her nude, wearing the blue heart-shaped jewel, the `heart of the ocean`. Rose`s `picture` is the `zimmer frame`, which helps her to walk in her grief. Her boyfriend was `framed` by her ex-fiancée for stealing the `heart of the ocean`,  a `Ziz` character because male, and so she doesn`t grieve for him, whereas `Simurgh` is God`s benevolence, and Rose is able to walk in her grief, because the `Simurgh frame` of God`s benevolence is the `heart of the ocean`, which is her `Self` in the picture. Her Earth, moon, and stars.


 In spying, `sleepers` are those who steal secrets from companies, governments, or individuals, by `method acting`, that is, they play the role assigned to them until `activated`. Because the archetypes of the collective unconscious are the `jewels of God`, `demonic possession` results from a `sleeper` who wants what God`s given you to work with, and the work that you`ve produced. Rose`s `Titanic` story is hers, but Hollywood made billions of dollars from her memoir. In literary circles, `ghost writing` is a mode available to authors who can`t write, and so writers are employed. As the product of a `sleeper`, Rose`s story is `demonic possession` so that Hollywood can make `big bucks`. The `sleeper` is a `demon` that takes possession of a writer to `whore` the `jewels` of the writer`s archetypal creativity.



 When Britney`s spaceman picks up her picture from the Martian sands, it`s a `Simurgh frame`. He`s a `Ziz`, a creature of the air of Earth in his sealed spacesuit. Britney`s the benevolent Simurgh, which is why Mars has 98% oxygen. Her spaceman is encouraged by the picture in the `Simurgh frame` to walk towards her home, `the city of the sun`. She`s the Phoenix of legend and her home, Heliopolis, miraculously emerges from the desert floor of Mars as the spaceman `takes her picture`. With a camera beside his space helmet, he`s a `picture taker`. The `geek` at `Mission control` is the `demon` for whom he `takes pictures`. Britney`s the spaceman`s `dream girl`, the archetype of Resurrection in the spaceman`s unconscious `Self`, corresponding to his `soul` (Britney, in her red suit) and `spirit` (Britney, in her white bikini-dress), but she`s being `whored` by the `demon` of `Mission control` who wants the spaceman`s `pictures`.


 In Egyptian mythology, the Phoenix is the `Bennu` bird, which is represented as `bursting` from the heart of the god Ra: `I am the Bennu bird, the Heart-Soul of Ra, the Guide of the Gods to the Tuat.` According to the Egyptians, the Tuat was the `Other World` and a guide was required to negotiate dangers, such as devourment by evil creatures, in order to progress into the `heavenly realms`.



In Oops I Did It Again, Britney`s `temple`, Heliopolis, appears reflected, rising majestically, in the visor of her spaceman`s helmet, as he picks up her `cameo brooch` from where he discovers it lying in the desert. However, when he gives Britney the `gift` of Ra`s `heart of the ocean`, her guide isn`t the `Bennu` bird:


`Iranian legends consider the bird so old that it had seen the destruction of the World three times over. The Simurgh learned so much by living so long that it is thought to possess the knowledge of all the Ages.`2



 `Simurgh` is also the Iranian word for `rocket`. According to legend, the Simurgh has the attribute of a `firebird`, that is, Resurrection from destruction, but she`s female and `wholly benevolent`.



In terms of Christian symbolism, Britney`s `clothed with the sun and with the moon at her feet` on Mars, and `Ra`, the sun god, is the `heart of the ocean` because he corresponds to the `archetype of God` in Egyptian mythology, that is, the Earth`s `Self`, which is the `womb` of the `hidden` woman of the Earth that contains all that`s to emerge in time. But the woman of the Earth needs `space and time` to emerge fully, and the red dragon of Revelation represents men as the devourers that would prevent her from escaping into space, which is why the `woman clothed with the sun and with the moon at her feet` is depicted as giving birth to a `New Redeemer` that protects the `hidden` woman until she`s able to leave and `have her own space`.



 In her red suit, Britney represents the `clause` of Santa, that is, if you`re good you`ll receive your `heavenly reward`, but she`s also the `claws` of Satan, that is, if you`re evil you`ll go to hell. Surrounded by giant steel claws throughout Oops I Did It Again, Britney`s red suited heroine symbolizes Redemption through `good work`, and Resurrection, but also the rending claws and teeth of the red dragon of Revelation.



  Suspended above her with the eye of his bulbous space helmet`s transparent faceplate complimented by that of the camera lens attached to its side like an ear that can also see, Britney`s spaceman is a `Buddha`. His ear is trained to see what`s `hidden` by adhering to what the Egyptians call `Kheru`, the `Voice`, corresponding to the `tutelary guidance` of the Paraclete in Christianity, but `demoniacal possession` if the `voice` is proven evil, represented by the `geek` at `Mission Control` who`s in `possession` of the spaceman`s `soul` (Britney, in red) and `spirit` (Britney, in white) so that he can `take pictures`.


 Christians are exhorted to `test the spirits to see if they are evil` (1 John: 4.1), which implies that the spirits can be seen. By listening they become manifest to the eye, according to Buddhism. In terms of the archetypes of the unconscious `Self`, Britney`s spaceman is dreaming in colour. But the demonic `geek` won`t let him out of his suit to have sex with her. He`s `Mission Control` and she and her spaceman are possessed by the `geek`. Hoisting her spaceman into `position` where he can `take pictures` for the `geek`, her spaceman`s desire is impotent.


 Ma`at`s `test of truth` is symbolized by the fork beside the helmet of Britney`s spaceman. If his heart`s worthless, Ammit will devour it. Conversely, if he`s worthless, he`d devour Britney, and so it`s a sexual `meta-fork`, as it were, for the desire to devour when sexual activity is satiated. Britney, and her spaceman`s `geek` at `Mission Control`, represent masturbation. Her spaceman`s there to `take pictures` for `Mission Control` and so Britney and her spaceman represent the possessed ego and the archetypes of the collective unconscious, which are the `jewels of creation`. The masturbator wants pornography, so the demonic `geek` wants `pictures`. Theoretically, the masturbator is more harmless than the sexually satiated, because the masturbator doesn`t have access to the `flesh` of the desired.  Satiation precedes devourment of the `finished with` work, no matter how much time was taken in the development of the `product` (e.g., film) or relationship.  However, if the `sleeper`, as demoniacal possessor of the `soul` and `spirit` of the `sexual athlete` or `masturbatory fantasist` is insatiate, it`s imago of male devourer, constellated within the unconscious of the individual by movies like Silence Of The Lambs, which features the character of Hannibal `the cannibal` Lecter, will devour the in potentiam `Self` of the individual.


 In Revelation the red dragon attempts to reverse the consequences of its sexual desire, that is, the `New Redeemer`  born to `the woman clothed with the sun and with the moon at her feet`, by devouring the child which is destined to protect the woman `hidden` in the desert before she leaves Earth. Men would devour her and the `New Redeemer` rather than allow her to leave Earth because they are, by nature, cannibals. Sexual satiation precedes this `awakening`. Usually projected outside themselves as the god Mars, cannibalism characterizes their collective as `devouring war`. Consequently, woman is most vulnerable when she`s sexually satiated men, because they will devour her; as they do in warfare: a `metafork` for cannibalism.


 Britney`s spaceman, with the eye of a camera attached to his helmet where an ear would be, is a `Buddha` in his spacesuit. He`s able to see Britney because his ear is `trained` and he can see her from within himself as a `spirit`, which accords with the notion that she has the role of the goddess Ma`at weighing the heart of the deceased to see whether Ammit`s to devour it, or her spaceman`s to journey further into her `heavenly realm`.



 The camera eye is Britney`s spaceman`s `devouring mechanism`. In Egyptian mythology, the `Ba` is the soul as `personality`, and so the notion of `capture` relates to the notion of `image` and slander, that is, the personality or `soul` can be tormented by lies if someone is using their captured image to lie about them as Hollywood paparazzi are infamous for doing. The first spacecraft to land on Mars was the unmanned `Mars lander`. `Maa`, in ancient Egyptian, is the word for `truth`. Insofar as Maa derives from the name for Ma`at, the goddess of truth, Britney`s spaceman is Maa`s `lander`, but Maa`s `slander` if he`s a paparazzi there to propogate devourer`s lies about her.



 Piece Of Me is about cannibalism also. The paparrazi are depicted as her devourers, and the cover for the CD features herself as Jesus upon the cross. The symbolism refers to the effective emergence of the Holy Spirit or Paraclete as `Second Eve` from the side of Jesus when pierced by the spear of the Roman centurion Longinus at the crucifixion. Afterwards Longinus` spear came to be known as the `Spear of Destiny`, and Britney Spears` symbolic acceptance of the role of the `hidden` woman by the side of man is an allusion to the Paraclete as the `Second Eve`, that is, Christians` acceptance of  the Holy Spirit`s `tutelary guidance`. Britney`s presented as `the Spears of Destiny`, but Piece Of Me suggests cannibalism and, in Egyptian mythology, the god Osiris is dismembered by the evil Set, which can be construed as a metaphor for schizophrenia. Britney`s similarly `torn apart` by the paparazzi`s slander of her `image`:


`Oh Oh

Tell me have you seen her

Because I'm so


I can't get her off of my brain

I just want to go to the party she gonna go

Can somebody take me home

Ha ha he ha ha ho.`



 In If You Seek Amy Britney`s lyrics are `schizophrenic`, which is a result of media slander. The personality becomes `split` into `I`, and what the paparazzi want. When the ego of the individual is identified with the collective shadow, that is, other people`s negative perspective, you`re `captured` by cannibals who`re `tearing you to pieces` and `devouring` you. Britney, in Piece Of Me, is in danger of being `captured`:


 `You want a piece of me?`



 If You Seek Amy is her way of dealing with `them`. In Hollywood it`s called `method acting`. The `star` doesn`t act, she is the `role`, which requires faith in yourself, and God, because your own personality (and ego) disappears  while `in character`. If You Seek Amy is `F-U-C-K me`, which relates to Piece Of Me, and Oops I Did It Again where, in her red suit, she hoists the spaceman above herself in a white bikini-dress. She`s made a `grab` for him and it should be a `piece of cake`. All he has to do is `grab` the giant`s fork. But it`s too big for him to hold because he isn`t a giant. Nor is he a cannibalistic ogre. That`s the idea in the demoniacally possessive mind of the `geek` at `Mission Control` who`s staged the `Set`.



 Britney`s spaceman represents the god Thoth or `thought` and, as Ma`at,  goddess of truth, she`s Ma`at`s feather. Because `Ba` is `personality` and `Ka` is spirit, Ma`at, the goddess of truth, is Britney`s `Ka` or spirit. Her `personality` is represented by the Masonic goddess Seshat, her `Ba`, and Seshat the builder`s bildungsromans is about the relationship between `physical and spiritual love`. The spaceman hoisted above her can`t `grasp` her in `truth`. He has a camera from the cannibals at `Mission Control` who want to `capture` her. He thinks she`s `heaven`, but he`s sold his soul to the `meat trade`.



 In the psychology of Carl Gustav Jung (1875-1961), the feminine component of the soul is the anima, and those who fear their soul`s capture by cannibals are defined as believers in `animism`. Britney`s spaceman`s anima corresponds to Britney Spears, or any woman that`s desirable, but he`s `capturing` her for the cannibals he`s agreed to sell his soul to, which makes of him the red dragon seeking to devour the child of the woman who, according to Revelation, will protect the woman `hidden` upon the Earth before she leaves for the stars of heaven. Because he doesn`t want to sell his soul and eat it too, which is what the `fork` beside the spaceman`s helmet alludes to:


`You can have your cake and eat it too.`


 Piece Of Me, Fuck Me and Oops I Did It Again are about forgiveness for a desireful love that has become `a devour ring`. As the goddess Seshat, red-suited Britney has `balanced` the `heart of the ocean`, represented by the spaceman from which she`s `taken heart`, with the goddess Ma`at`s `feather of truth`, who is represented as herself in her white bikini-dress. Descending inside her giant`s ring, it`s a wedding or a cannibal feast. In Jungian psychology, `balance` means `healthy`, and `ocean` is a metaphor for the unconscious self which contains facultas praeformandi or `archetypes` that, appearing in dreams or reverie, assist conscious development. Archetypes can be figures, or images, and the `heart of the ocean` corresponds to the `God archetype` which, according to Jung, is `unknowable`, but visible in those who have achieved self-actualization or individuation (Buddha, Mohammed, Jesus).



 Jesus offered his `body and blood` to the disciples at the `Last Supper` before his crucifixion, death, Resurrection, and Ascension to God`s heaven. In Catholicism Jesus` `body and blood` is represented in `Communion` by the `bread and the wine`, and the Catholic `ritual` of drinking and eating is called `transubstantiation`, whereby the `tutelary guidance` of the Paraclete is invoked. In Jungian psychology, the `bread and the wine` are equated  with the soul and the spirit, or the `Ba` and the `Ka` of Egyptian mythology. But the symbolism remains the same. If your heart`s evil, you`ll be devoured.


 Jesus enacts the typical myth of the vampire who offers his `body and blood` so that his `disciples`can receive eternal life. The crucifixion of Jesus is a torture and murder, and although  Jesus` has Resurrection and Ascension the indication is that he`s an immortal `blood drinker` offering to `drink a little blood` from the body, and give the recipient life eternal; rather than rend and murder as his tormentors had done. In short, Jesus is a messianic vampire who understands the nature of reality. Either you accept `God`s love` from whichever vampire wants to give you eternal life, or you`ll be a possession and tortured to death by vampires who are devourers and don`t want you to live.


 According to Judaism, the three creatures (Leviathan, Behemoth, and Ziz) slain by God at the end of time, are eaten amidst great jubilation, which is logical if they represent the devouring male imago that sought to devour the Earth. In the Graeco-Roman tradition, the god Chronos (Saturn) devours his children, and so corresponds to the figure of the red dragon (Satan) of Revelation in the Bible that waits to devour the `New Redeemer` that protects the woman `hidden` upon the Earth; presumably from being eaten. The red dragon waits in vain because unable to devour the New Redeemer. Evidently, there are those who`ll be eaten in a godly way, and those who remain undevoured because godly. Clearly the `hidden` woman is godly while Leviathan, Behemoth, Ziz, and Chronos (Saturn/Satan) are masculine `principalities` or `powers`.



 Leviathan, Behemoth, Ziz, and Chronos (Saturn/Satan) constitute a quaternio in which the sea (Leviathan), the air (Ziz), the land (Behemoth), and time (Chronos/Saturn/Satan) are represented. In symbolic terms, Leviathan, Behemoth, and Ziz are to be absorbed into God in the course of history while Chronos (Saturn/Satan) receives eternal unendurable pain for cannibalistically devouring his children, which the figure of the red dragon of Revelation waiting in vain to devour the `New Redeemer` symbolizes.



 The dimension missing from the quaternio of sea (Leviathan), air (Ziz), land (Behemoth) and time (Chronos/Satan) is `space` which, according to Revelation, is the destiny of the woman `hidden` upon the Earth before she leaves; `Britney Space`. In Lucky Britney is depicted amongst Lucky`s stars, where the `hidden` woman and her `seed` await the final victorious battle with the evil serpent and its `seed` before God creates a new heaven and Earth for her and hers to dwell in forever while the evil serpent and its `seed` receive eternal perdition as their punishment.



 Woman with a penis is called `futanar` and she`s God`s basic survival pattern for her species. She has milk in her breasts, and semen from her penis can fill a bucket with protein. In species` survival terms female vampires are indispensable too. Futanarian woman has the male aspect of her species, and the rising of her penis to God is, effectively, the Redemption of Satanӓel, the first of angels, and the `Leviathan` of the masculine component of woman, sunk without trace like the Titanic, and emerging into a `Salvation` that isn`t the devouring homosexual sterility of men. Satan is redeemed in the shape of this female `Leviathan`, `Behemoth` or `Simurgh` and, as it says in the Bible, the evil shall still experience eternal unendurable pain. Because they`re evil and not because of their name.





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