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Guy Forks

01/01/2012 15:40

Guy Forks


Britney Spears` `Oops! ... I Did It Again` (2000) features an astronaut suspended above her as she lies upon a white star-shaped apparatus resembling a fireman`s blanket used by ground crews at aerodromes to catch falling bodies from aircraft on fire as desperate people throw themselves from open windows towards where waiting fire fighters hold between them a trampoline from which the occupants of the planes bounce unharmed caught by the rescue services` expert skill with stretched tarpaulin:


 `During World War II, the United States Navy Flight School developed the use of the trampoline in its training of pilots and navigators, giving them concentrated practice in spatial orientation that had not been possible before. After the war, the development of the space flight programme again brought the trampoline into use to help train both American and Soviet astronauts, giving them experience of variable body positions in flight.`1



 Britney`s fire blanket doubles as a trampoline because she`s alluding to NASA`s early failure to get off the ground, because of a fire in Apollo 1 during `tests` on January 27, 1967, at Miami, Florida state`s Cape Kennedy Air Force Station Launch Complex 34: `We’ve got a bad fire, let’s get out, we’re burning up! We’re on fire, get us out of here!` As Britney in her red pilot`s suit places a hook in the backpack of her spaceman visitor, `Mars Lander`, to her red planet, in the promotional video to her single,  `Oops! … I Did It Again` (2000), to hoist him above her white bikini-dressed self atop the trampoline, he`s helpless like a baby, whereas during the disaster it was the crew of the Apollo 1 space module that were the helpless babes atop the North American Space Administration (NASA) rocket when it caught fire: `They ran toward the command module only to discover they could not approach due to billowing smoke and heat. In mission control, some reported they could see White’s hand moving behind the window of the command module on the monitors.`2

In `Oops! … I Did It Again`  Britney, in her white bikini-dress is remembering `White`, who was one of the three astronauts who lost their lives in the Apollo 1 fire, that `s, Command Pilot Virgil I. `Gus` Grissom, Senior Pilot Edward H. White II, and Pilot Roger B. Chaffee. Reincarnation, death and rebirth, is the continuation of experience, rather than Salvation, which is continuity of memory. In terms of the symbolism of `Oops! … I Did It Again` Britney represents the three astronauts; in the red pilot`s suit, she`s Virgil, and in the white bikini- dress, she`s White II, whereas in the white blouse with black skirt and boots she`s transformed into wearing as she somersaults through the air to stand before her spaceman visitor to receive her gift inside a `black box`, which doubles as a symbol of the flight recording all Apollo spacecraft contained, and which would be listened to intently after the disaster, she`s `Roger, over and out!`

 Nigel Dick`s directed the `scifi` short, `Oops! … I Did It Again`, while Britney`s album Blackout (2007) is another allusion to the failures attending the early days of the NASA Space Program, which was preceded by the X-series of planes flown by pre-astronaut training pilots, whose initial program had flying to the moon in `spaceplanes` as the goal. Pilots trained to `push the envelope`, that is, the parameters of their planes` capacity, experienced `blackout` at high altitude and crashed, while the Apollo program was cheaper, which is reflected in the name chosen by Britney`s Jive recording company, Blackout, for the 2007 album containing the successful single, `Gimme More`, that featured her dancing around a pole similar to those traditionally used by fire fighters for descending to the vehicle level, where their tenders are kept in readiness with their pumps. Consequently, the `Gimme More` promotional video is presented as a celebration of the fireman`s `hose`, although the doubling of a blonde Britney, sitting with her girlfriends at a bar, while her dark haired self pole dances, reflects on the absence of the futanarian woman`s hosiery from the short film directed by Jake Sarfaty.

 Britney`s Blackout also contains the video single, `Piece Of Me`, which features a cover in which she`s in the place of Christ crucified, because human futanarian women with their own penis` semen and capacity for sexual reproduction are. Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, is `futanarian`, while his Resurrection and Ascension to heaven after being taken to the hill of Calvary outside Jerusalem and nailed to a cross of wood before being left there to die as a `dissident` by agents of the Roman Empire, because they didn`t want `woman`s seed` to sexually reproduce human brainpower, prefigures the Resurrection and Ascension of futanarian women`s human species.



 In `Oops! … I Did It Again` Britney receives her gift of the `black box` and her reaction to the contents suggests that the video is conceived as a memorial to Apollo 1, `But I thought the old lady dropped it into the ocean at the end?` In the film Titanic (1997) Rose drops the blue diamond pendant, the `heart of the ocean` into the sea at the place where the ship, Titanic, sank after hitting an iceberg on its maiden voyage from Southampton on April 15, 1912, when she`s 100 years old. Britney`s astronaut, in his ghostly Apollo 1 spacesuit, replies: `Well, baby, I went down and got it for you.` In her red pilot`s suit and her white bikini-dress in receipt of the gift of the blue diamond `heart of the ocean pendant, Britney` represents the red, white and blue of the `star spangled banner` of the flag of the United States` remembering Apollo 1.

 God`s punishment of eternal unendurable pain for the evil is for those who reject `woman`s seed`, and Jesus` said the Holy Spirit would teach after him, so the Roman guard Longinus at his crucifixion pieced Jesus` side with his spear to effect a `caesarean` birth, as Eve emerged from the side of Adam in Eden, according to the Bible: `Surely, this was the son of God.` (Matt: 27. 54)  Consequently, Britney Spears` position on the cross for the cover of the single, `Piece Of Me` is as futanarian human `woman`s seed`, that is, the `Second Eve` from the side of Jesus as the `Second Adam`, who is the Holy Spirit continuing Jesus` teaching: `Love your neighbour as you love yourself.` (Mk: 12. 31)

 Jesus` Holy Spirit corresponds to the `Shekinah` of the Old Testament, that is, the `spirit of God`, who dwells in the place where the Ark of the Covenant is kept, and which contains the law, before Jesus` fulfilling of God`s promise of Redemption to `woman`s seed`. The spear of Longinus isabsent from the cover of the `Piece Of Me` CD, because Britney Spears represents human futanarian women`s Paraclete born from the side of Jesus as the `Second Eve` after Longinus` piercing of Christ upon his death.

 Blackouts indicate memory gaps, whereas Resurrection is completeness of memory, that is, `Piece Of Me` from the Blackout album, represents a single lifetime`s memory, whereas Resurrection is several lifetimes`, which Britney aspires to. Reincarnation is bodily with consciousness without memory. In ancient Egypt, the myth of the evil Set, who dismembers his `brother`, Osiris, the incarnation of God, who the Egyptians called Ra, dismemberment is the murder of unity of consciousness, that is, transpersonality, so `blackout` represents those memory gaps indicative of murder.



 The NASA Apollo Space Program to land a man on Earth`s satellite, the moon, was almost cancelled, because of those who don`t want `woman`s seed` to leave, and the lunar program only survived because it produced the automatic washing machine that kept women subdued: `One small step for a man, one giant leap for mankind.` The human futanarian species of `woman`s seed` would remain household slaves.



 In Christian iconography Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent with her foot, because God told Eve in the paradise of Eden, `You will crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) Eve and the first man, Adam, are expelled by God from Eden for accepting the `fruit of the tree of the knowledge of good and evil`, that is, death, from the serpent, Satan, who was the angel transformed by God into a serpent and placed in Eden for rejecting God`s plan that the human host would be greater than the angelic. God gave Eve and Adam the `fruit of the tree of life`, which is immortality, but they accepted death from Satan, who told them, `You shall be as gods.` (Gen: 3. 5)   Expelled, God told Adam he`d labor, while Eve would experience labor pain before Redemption, because human women`s brainpower would crush Satanism through women`s sexual reproduction with each other. Consequently, women`s `foot` is absent from NASA`s Space Program, while US President Ronald `Ray Gun` Reagan`s `Strategic Defense Initiative` (SDI) of March 23, 1983, authorizing a `ground and missile based system` of ICBMs to deter `rogue states` effectively imprisoned `woman`s seed` upon the Earth so that human futanarian women`s nature couldn`t leave without permission from her host womb enslavers in parasitoid for warfare against `woman`s seed`.

 In Judaism, `Meshiah` is the Hebrew for `Messiah`, which is what Jesus is called in Christianity, that is, Christ, the savior, because `Meshiahn` means `machine`, which saves labor. Low level technology for humans is approved, and `rules of engagement` ensure technological destruction and waste, rather than defense of `woman`s seed` through labor saving inventiveness, and permanent knowledge of operational technologies through immortality conferring medical science.  Technological development is God, whereas slavers want a devouring system, rather than a permanent, developed, safe and saved system, which is what Jesus` `Meshiahn` age of the machine savior promised. Fathers don`t want development, because labor saving devices and life-prolonging medical science oppose slavery.



 Apollo 1`s astronauts would have played `Spaceball` on trampolines as a part of their training for weightlessness, which is why Britney in her red pilot`s suit in `Oops! … I Did It Again` hooks her spaceman visitor`s backpack and winches him up above to where he can see her in a white bikini-dress on a trampoline. `Spaceball` was invented in the early 1960s by George Nissen, and is `the best conditioning exercise for space travel`,3 according to Mercury Earth orbiting astronaut, Scott Carpenter. Players time their jumps by using horizontal or vertical trampoline surfaces, and score by putting the ball past each other. Atop her trampoline in `Oops! … I Did It Again` Britney`s spaceman looks as if he`ll score easily, as he hangs there suspended, but there`s Britney`s `hook`, that is, the `Oops! … I Did It Again` music, and he films her with the camera eye attached to his spacehelmet, rather than take the opportunity afforded by the `time jump`, that is, Britney`s time-travelling, and the spaceman doesn`t understand `Spaceball`, because he`s expected to score, but `Mission Control` want picture transmissions, which interfere with the spaceman`s own desire.


 Jesus` cross is a mousetrap for those who reject his teaching of `woman`s seed`, and Britney Spears` `Oops! … I Did It Again` resembles the board game, `Mousetrap`, by Ideal (1963), where the players try to avoid being trapped.  Jesus` Christianity has the flavour of `Mousetrap`, where people must avoid perdition, and pornography is the danger for Britney`s spaceman with a camera. Unaware that `woman`s seed` exists, humans are trapped in male braining, whereby heterosexuals produce a single transvestite `TV` creature wearing each others` clothes. Working with `Mission Control`, Britney`s spaceman is trapped within `CCTV` Closed Circuit Television, which prevents his being able to penetrate the occlusion to see that, in her red pilot`s suit and white bikini-dress, Britney represents women`s futanarian humanity`s capacity to multiply in sexual reproduction, which slavers don’t want people to know and so pornographers are a part of the occlusive system. Even though futanarian pornography exists, men participate (, whereas logically women should. Jesus` left the mousetrap for the Paraclete, that is, human women`s futanarian teaching of `woman`s seed` means perdition for those who reject Jesus.



 In Britney`s version of the Ideal `Mousetrap` game, the trampoline is a condom, which doesn`t `catch`. Consequently, the precautionary condom is `fire prevention` equipment, which rescues by obviating emergencies. If there`s no virus, there`s no fire, which is the anti-virus principle of computer `firewalls`, where viruses can`t destroy the brain of the machine that saves in memory, because of the condom. `Oops! … I Did It Again` is Britney`s system for dealing with viruses, and the spaceman visitor, who keeps himself in suspense with pornographically filming her, is trapped as `spyware`. Her `Spaceball` trampoline, in the Ideal Mousetrap game, represents Britney`s `firewall` for catching viruses, which is what men who enslave and devour women through fire (warfare), while keeping them in fearful faithfulness to ring slavery through their `biological weapon` of HIV/AIDS, are.



 To prevent being devoured by men`s viral fire, that is, their parasitism which, invading women`s host wombs, enslaves, and devours, as a parasitoid nature, what she produces of civilization, art, and culture in warfare against `woman`s seed`, women must construct `firewalls` to obviate the virus, rather than use condoms to deal with the viral form, as firefighters use trampolines in emergencies, which is why Britney declares herself for her Ideal Mousetrap game, rather than the Apollo astronaut, an `ideal` man:


`I`m not that innocent.`


 The memorial statue of the fireman with its fasces bundle of wood and axe prominently displayed in front of the Emigrant Savings Bank on East 43rd Street between New York city`s Madison and Fifth avenues, which depicts a firefighter on bended knee and was commissioned by the Firefighters Association of Missouri and cast in Italy before it arrived on September 9, 2001, was presented as a gift to the city after 9/11, is an ironic comment on the Arabian practise of decapitation, `When it comes to beheadings ISIS has nothing over Saudi Arabia.`4 The axe has a genuine role in the history of `woman`s seed` in Northern India`s Agra too, where Mumtaz Mahal`s tomb is. In the primarily Arabian, 1001 Nights, an 8th century collection of tales, the framing device is the tale of the Indian Mogul, Shah Jehan, who had his wife`s head cut off at for allegations of unfaithfulness with his brother which weren`t true. Taking a new wife each day and beheading her each evening, Shah Jehan was eventually stopped by Scheherezade, because he wanted to hear her complete her stories, and so she saved the women. Because human futanarian women sexually reproduce their own brains` powers, Shah Jehan was beheading the species.



 The symbol of Imperial Rome in the time of Jesus was the fasces, that is, the axe closed within a bundle of wood, because Romans secretly beheaded `woman`s seed` behind wooden screens, as the German National Socialist `Nazi` Party would later do with the Jewish `chosen people` during the Second World War (1939-45). Jews can only be born from women, which is a human women`s futanarian tradition. Consequently, Italian dictator Benito Mussolini`s adoption of the Roman fasces as his symbol, when elected in 1922, led to Chancellor Adolf Hitler of Germany adopting the symbol after his election as `Nazi` dictator in 1933, because decapitation of futanarian women`s humanity`s `chosen people` was the aim. Moreover, when the Al Qaeda terrorists crashed hijacked planes into the Twin Towers of New York city`s World Trade Centre on September 11, 2001, they were fascist axes provoking war against `woman`s seed` in the Middle East, where marriages in Islam contain four wives affording the possibility of sexual reproduction between women, whereas fascism doesn`t want human brainpower, because it interferes with slavery and parasitoid devouring in war against the species. The subsequent emergence of Abu Bakr Al Baghdadi`s Independent State of Iraq and Syria (ISIS), after the execution of Al Qaeda`s supporter, Iraq`s dictator, Saddam Hussein, on December 30, 2006, and where Isis is a female Egyptian symbol of Resurrection, represented a concerted attempt by misogyny to behead `woman`s seed` and prevent humanity from progressing technologically.



 When Jesus` feet were being anointed by a woman, the disciple Judas, who was known for stealing from the collection plate, said that the perfume, which was expensive, should be sold to raise money, and Jesus replied: `Leave her alone.` (Mk: 14. 6) At the `Last Supper`, when the host, Jesus, offered `bread and wine`, as symbols of his `body and blood`, to the disciples, Judas betrayed the human host to the Romans, because he didn`t want `woman`s seed` to breed, that is, he sought to behead the human race as its traitor. Men cut off the species` head after she`s bred, because the Earth is a `cargo cult` in which the native inhabitants try to remember the technological level of development they`ve previously realized and labor to recreate it. Cargo cults, especially in the Pacific, where islanders, who`d never seen aeroplanes, constructed replicas from what they remembered, caused anthropologists to speculate that`s what all humans do.



 Condoms indicate the desire to save women as a species. If men don`t want her, they don`t want any other race, which is why aliens are depicted as evil. The tale of Shah Jehan indicates that men want to behead the human futanarian race of women to maintain slavery to devouring parasitoid nature. Woman with penis` semen of her own for the sexual reproduction of human brainpower isn`t alien to intelligence, whereas men are, because they don`t want intelligence for humanity. Consequently, humans aren`t xenophobic, whereas men are xenophobically opposed to humans, who`re conditioned to accept host womb enslavement in parasitism for parasitoid devourment, when their intelligence has produced a high enough technological level of development for the parasites to appropriate it, and pogrom humanity to a lower level at which it slaves again.



 Women don`t want men`s Holy Spirit if it`s theirs, which poses a problem for Christianity. Futanarian, with her own penis` semen, women doesn`t want a viral form using them as a host womb to parasitically develop life, civilization, art, and culture to devour it as a parasitoid. In ancient Greece men institutionalized slavery of women`s host wombs to spread homosexuality in pederasty`s contagions of war and plague. By the late 20th century the `incurable killer disease`, HIV/AIDS, spread through men`s mixing blood, shit and semen in each others` anuses, was their `biological weapon` keeping women`s futanarian human species of `woman`s seed` in fearful faithfulness to monogamous ring slavery. Women don`t want HIV/AIDS, because they`re not a `disease`, whereas in the Bible`s descriptions of `blood plague` (Rev: 11. 6), and the angels` destruction of the `cities of the plains`, Sodom and Gomorrah (Gen: 18, 19), it suggests men are. In Britney`s `Oops! ... I Did It Again`, the condom is a symbol of `fire prevention`, because she doesn`t want to `lose her head`:


`You see my problem is this;

I'm dreaming away:

Wishing that heroes, they truly exist.

I cry, watching the days;

Can't you see I'm a fool in so many ways.

But to lose all my senses;

That is just so typically me:

Baby, oh!`


 If `woman`s seed` is rather to spread amongst the planets and stars, which is what Revelation says she is `hidden` for, then her spirit must be God`s, that is, the Holy Spirit, rather than men`s, which poses a problem for Christianity, because it is part of an occlusive system conditioning a futnanarian species into not wanting what it sees in the mirror of its dreams. Consequently, Britney Spears` `fireman`s trampoline` in `Oops! … I Did It Again` is a metaphor for a woman who wants to time her jumps carefully, because she doesn`t want the HIV/AIDS beheading virus at her tower`s block. As a futanarian species with a penis of her own stolen by a parasitical organism which seeks to kill her brainpower,  women aren`t anal, whereas men`s `unclean spirit` is.



 Of course it`d be better to have `woman`s seed` as an anal `spirit`, but that`s for women, rather than men, who are definable as a virus, because they can`t reproduce together, whereas women`s human futanarian species can. Consequently, women represent an antidote to HIV/AIDS` `biological weapon` keeping women in fearful faithfulness to host womb ring slavery and Western democracy, whereas Moslem women in four wived Islamic marriages represent an 80% to 20% democratic `split` in terms of the potential human futanarian vote available to `woman`s seed` through enfranchising sexual reproduction between women.



 On Earth women are associated with `Mother Nature`, because God`s natural futanarian species, whereas men would be an `outer space` virus. Consequently, God`s heavenly creation of the planets and stars would be safer with `woman`s seed` colonizing than men`s virus. According to the Bible, war in heaven occurs between `woman`s seed` and the serpent`s, presumably because God`s creatures don`t want to be enslaved in parasitism and devoured by men`s parasitoid nature:


`The Spirit of the LORD will rest on Him,
The spirit of wisdom and understanding,
The spirit of counsel and strength,
The spirit of knowledge and the fear of the LORD.
And He will delight in the fear of the LORD,
And He will not judge by what His eyes see,
Nor make a decision by what His ears hear...` (Isa: 11. 2-3)


 God`s plan is for `woman`s seed` to be the steward of God, but war in heaven would be with those who don`t want women`s futanarian human species. Taught by the Holy Spirit, rather than men, who want to use her anus as a `spirit entrance` to kill her, women aren`t responsible for the irredeemable: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) In the book of Isaiah there are `seven gifts`: `Wisdom, understanding, counsel, fortitude, knowledge, piety, and fear of the Lord.` Britney asks the spaceman about the gift he gives her in `Oops! … I Did It Again`: `But I thought the old lady dropped it into the ocean in the end.` It`s the blue diamond pendant, `heart of the ocean` from the Titanic (1997) movie, dropped by the 100 year old Rose as a remembrance into the ocean at the point where the ship is being salvaged where it sank after hitting an iceberg on its maiden voyage from Southampton to New York city on April 15, 2012. Actress Kate Winslet has the role of the young Rose whose jilted fiancée, Cal, puts the `heart of the ocean` into her new lover Jack`s pocket and accuses him of being a thief, before he drowns helping people to the lifeboats during the sinking of the Titanic ship: `All aboard!` The call to the lifeboats is heard in Britney`s `Oops! … I Did It Again`, because men are women`s disaster: `I played with your heart. Got lost in the game.`



 In the developmental psychology of Carl Gustav Jung (1875-1961), seeing and hearing is associated with the predominantly masculine functions, `Sensation` and `Thinking`, associated with the male ego, while `Feeling` and `Intuition` are largely associated with the feminine soul or anima in men, or woman`s consciousness.



 In Jungian psychology, the spear of Longinus, which penetrated the side of Jesus Christ upon his death at the crucifixion, in a `caesarean` section designed to free the Holy Spirit from the rib of the Jewish `Messiah`, is an archetypal symbol. According to Jung archetypes exist within the collective unconscious as impulses from God that appear as figures and images in dreams, art and the imagination to inspire progress. Consequently, Jesus` Holy Spirit was the `Second Eve` after the first woman Eve, who emerged from the rib of the first man, Adam, according to Genesis, because Jesus was the `Second Adam`, who`d promised that there`d be a Holy Spirit that would teach after him. Jung associated the spear with `Intuition`, and the `tutelary spirit` of God as an actuating principle. Consequently, Britney`s `Oops! ... I Did It Again` is about `Intuition`, that is, Spears is interesting for the audience because she`s developmental.



God destroyed the city of Sodom in the Old Testament, from which the practise of sodomy, that is, putting the penis into a man`s anus, rather than the woman`s vagina, derives. The spread of HIV/AIDS in the late 20th century revealed that sodomy was penetratingly evil, whereas the spear of Longinus` `Intuition` was a genuine penetration, which released the Paraclete. According to Jung, the four functions of consciousness, `Thinking`, `Sensation`, `Feeling` and `Intuition` are associated in undifferentiated form with ears, eyes, mouth (speech) and nose, that is, sense of smell. `Thinking` is associated with the ear, so the ear is anal, that is, listeners turn to hear, which was early prehistoric humans` response to predators; or anal rape by viral forms seeking to take over the brains of their victims as well as the host wombs, which isn`t the presence of God`s Holy Spirit in Christian `Thinking`. Because men want to stop women from functioning incomprehensibly, she`s a `witch` in her `Intuition`, because the Holy Spirit is women`s futanarian humanity. Consequently, Britney`s fire imagery reflects upon men`s practice of burning women as witches for having power from God. So women need rescue equipment; such as trampolines, `firewalls`, and condoms.



 Britney Spears` archetype is `Paracletia`,: `You think I`m sent from afar. I`m not that innocent.` For men women are a washing machine, and although the NASA Space Program produced the technology needed to develop the first automatic washing machines, those who like to demonstate what things are for, want machines they can demonstrate, so they`re demons who keep the level of technological development low enough to ensure training and enslavement. The cancellation of the X-plane program to pilot passenger `spaceplanes`, because of `blackout`, led to the development of automatic washing machines to ensure that the coloreds were separate from the whites:


`We tell her home is the only place she should be;

Then we complain that she's too unworldly to be our friend.

Woman is the nigger of the world, yes she is.

If you don't believe me take a look to the one you're with.

Oh woman is the slave to the slaves.`5



 Astronaut Neil Armstrong became the first person to set foot on a surface other than Earth`s when Apollo 11 landed on the moon on July, 21, 1969, and pop singer John Lennon`s lyric to his song, `Woman Is The Nigger Of The World` (1972), represents the observation that, because of `blackout`, the human futanarian species of women are a `cargo cult` that can`t remember their previous technological level, as slavers have beheaded them.  `Getting the black out` is racism, whereby people of color are evicted, or removed from their employment for refusing to be bullied. Consequently, Britney Spears` Blackout, which was released in October 2007, represents her rejection of being bullied into being dispossessed of her children and property, which occurred in October 2007 when a court in the United States of America gave custody of sons, Sean, two years old, and Jayden, one year old, to their father, Kevin Federline, and later custody of her fortune to father, Jim, and Jason Trawick, whose claim to be marrying her was subsequently proven false:


I'm Mrs 'You want a piece of me?'

Tryin' and pissin' me off.

Well get in line with the paparazzi,

Who's flippin' me off.

Hopin' I'll resort to some havoc,

And end up settlin' in court.

Now are you sure you want a piece of me?`


 In `Oops! ... I Did It Again` Britney Spears is the red-suited X-plane pilot, who doesn`t wear an old Apollo spacesuit, because she`s timed her `Spaceball` jump as a `scifi` time-traveller, which is what Britney`s `Spaceball` game is. Her astronaut visitor to the red planet, Mars, represents `blackout`, because he`s a `cargo cult`, who can`t remember her level of technology, and so he`s a washing machine representative, but Britney doesn`t `buy` it, because Earth`s `cargo cult` is a decapitators` parasitoid slave trap.

 As the ship sank, passengers ran along the tilting decks assisted by crew using bedsheets stretched across to stagger their progress and prevent them falling into the looming ocean, and so Britney`s `trampoline` in `Oops! … I Did It Again` is her `bedsheet`, because it`s a time-travel tale of `Spaceball` where timed jumps will allow her to `score`, that is, live, and for that she`s awarded the `heart of the ocean` diamond blue pendant by the astronaut.

 In the Titanic film men are depicted throwing the women and children into the sea to get into the lifeboats, and although Rose`s lover, Jack, is drowned directing passengers to the boats, her ex-fiancée, Cal, who sought to frame her beau for stealing the `heart of the ocean`, lives: `I`m dreaming away. Wishing that heroes [dear Rose] they truly agree.`

 Painted nude by her beau, Jack, Rose is treasured as valuable. The Paraclete`s a teacher whose eons` experience isn`t that of individual lifespans. Men`s training programs are for beheaded children, because they want slaves rather than intelligence. Blamed for ineptitude, by their slavers, men, humans can`t remember enough to function, or achieve permanent knowledge for the operation of even the simplest equipment, or to perform the simplest tasks, in beheadings` `blackout`. Rose`s ex-fiancée, Cal, lives because he`s intelligent, whereas her lover, Jack, dies because he`s brave, and the men who throw the women and children into the sea to get into the lifeboats themselves are `blackout`, because women`s futanarian humanity`s the species` sexual reproducer of brainpower, which the painting of Rose nude reminds men of, although in occlusion and `blackout` humans are told it`s pornography:


`Women and children first.`6



 Britney`s `heroes` are there to row for their Rose, but they`re `diff`rent strokes`,7 that is, they`re representative of the general conflict, because men aren`t taught to be shepherds of women`s futanarian humanity, in accordance with acceptance of Jesus` teachings in Christianity, but rather `stud farmers`, or hornéd rams with flocks of sheep, whereas futanarian women`s humanity is a single species, which accepts or rejects men as redeemed, or irredeemable, depending on their shepherding, and women`s nudity isn`t pornographic but mnemonic.


 Britney`s spaceman in `Oops! … I Did It Again`, whose spacehelmet looks like that of a deep sea diver, represents the resurrected hero, Jack, who brings her the `heart of the ocean`, `Oxygen content 98%.` Astronauts trained in high oxygen content to prevent `blackout`, and Britney takes off his spacehelmet without argument:


 `...pressure in space is so low... that your blood would boil. You can actually survive in space for a very short while, if you are in space for under 20 seconds and then restored to a pressurized container you could escape with no permanent damage.`8



 Hooking his backpack she uses a pulley to winch him above herself in a white bikini-dress to where he can film her with the camera eye attached to his spacehelmet, that is, she`s the technological equivalent of Rose painted nude as a mnemonic designed to ensure that the women and children get into the lifeboats so that the species keeps its head in an emergency, rather than that men lose theirs.



 Britney`s spaceman can see her atop a `star`, like a traditional `angel` on a Christmas tree, the symbol of the birth of Jesus from his mother, the Virgin Mary, and which was heralded by the appearance of the star of Bethlehem, his birthplace in Jewish Palestine. Israel was then occupied by the Roman Empire, which Jesus` teaching was designed to fight against for women`s futanarian humanity, who were also born uncontaminated by male semen and denied sexual reproduction of the brainpower needed to restore balance to human nature possessed by male brained psychopathology: `Love your neighbour as you love yourself.` (Mk: 12. 31) After crucifixion, Jesus had Resurrection and Ascension, so Britney`s suspension of her astronaut refers to Judas` hanging himself after betraying the human host to the Romans. In the Tarot, which is thought to be a pictorial Judaic Torah depicting the journey of the soul through life, the character of the `Hanged Man` is `The Traitor`, which suggests Britney`s spaceman is Cal, who sought to discredit Jack by placing the diamond in his jacket pocket, and calling him `thief`:


`Thief! Thief, Thief, Baggins! We hates it, we hates it, we hates it forever!`9



 Inside her giant`s ring as she descends to her stage set in the `Oops! … I Did It Again` video, Britney remembers the river elf murdered by Gollum, the character from J. R. R. Tolkien`s The Hobbit (1937), and from whom Bilbo Baggins took the ring he`d found that conferred the invisibility Gollum used to murder the elf. Bilbo wins the ring in a `riddle game` with Gollum, who can`t tell what the hobbit has in his pocket, and so Britney`s allusion is to the Titanic film and Cal`s having the diamond pendant placed in Jack`s pocket to discredit his rival for Rose`s affections by accusing Jack of being a thief. No one would know what Jack had in his pocket unless Cal told them, which is why Cal is symbolically, Sauron, the evil Dark Lord of Tolkien`s novel, The Lord Of The Rings (1954-5) whose ring it was. Although Britney`s spaceman gives her the pendant, rather than the ring of Dark Claude, the giant, which she already has, it`s a narrative framing device, like Scheherezade`s tale of the decapitator, Shah Jehan, in 1001 Nights, for relating stories of men`s betrayal of `woman`s seed`:


Spaceman : `Britney, before you go. There`s something I want you to have.`


Britney: `Oh, that`s beautiful. But wait a minute. Isn`t this?`


Spaceman: `Yes. Yes it is.`


Britney: `But I thought the old lady dropped it into the ocean in the end.`


Spaceman: `Well baby, I went down and got it for you.`


Britney: `Aw. You shouldn`t have.`


 It`s a mnemonic of `woman`s seed` and betrayal, which he represents as her `porn camera` In Hans Christian Andersen`s `Rose Red and Snow White`, a bear warns the sisters of a `little man` the girls have rescued on several occasion, who tells the bear to eat them, but he eats the `little man` instead. Surrounded by the bears` claws in `Oops! … I Did It Again` Britney in her red pilot`s suit is `Rose Red`, while she`s her sister, `Snow White`, in her white bikini-dress lying upon her `fireman`s trampoline` waiting to time jump as a traveller protected by the bear.

 Besides the spaceman`s spacehelmet as he hands suspended are the bears` claws, although they appear like the tines of a fork, because the giant, Dark Claude, is preparing a tines` jump to devour her. The bear, however, doesn`t want to eat her, although the `little man` ordered him to, and so Britney`s `Spaceball` game with the `fireman`s trampoline` is to avoid being made to jump through tines, but rather time jump and be rescued by the bear from the roasting flames.



 It`s `Guy Forks` because women don`t want to be persecuted for having the power of God as witches. Although Guy Fawkes` plan to blow up the English Parliament of king James I in 1605, which was punished by his being executed and burned in effigy every November 5th, was practical it wasn`t Godly, whereas the burning of witches in fire for having God`s power is neither Godly nor practical. In England, `Bonfire Night` is preceded by Walpurgisnacht, which is the witches` Sabbath, October 31st, so although Guy Fawkes isn`t burned as a witch he isn`t Godly, whereas Walpurgisnacht is celebrated as Hallowe`en, which is All Saints` Eve, when the Holy Spirit`s presence can be felt, according to tradition. Godly, and in accordance with God`s plan for `woman`s seed`, that is, the presence of God`s power in women as the Earth`s human futanarian species, who`re burned as witches to maintain slavery. Britney`s spaceman is slaved by `Mission Control` as her `porn camera`, so he doesn`t sexually desire her, although that`s how futanarian humans reproduce. Consequently, the spaceman isn`t consumed, because he`s making a mnemonic; to remind men that women are humans, so he isn`t a gay`s fork, but rather a groom`s dick, which is better for a bride without her broomstick, although doubtless she`d prefer to have something of her own species to ride.



 The `fork` is a symbol of what is fork-given in Christianity, that is, fellowship at table, rather than the reincarnation of the enslaved futanarian human species and the concomitant ascending of the fork with the `foot` on the end of it, which is why God promises a new heaven and Earth to `woman`s seed` after Resurrection, that is, remembering, while the evil are not forgiven and receive unendurable eternal pain as their punishment for keeping the human race in brainlessness and `blackout` to prevent Ascension to the planets and stars to escape being devoured.

 Atop her `star` Britney`s allusion is to the `woman clothed with the sun and with the moon at her feet`, who gives birth to the New Redeemer, who will `rule the Earth with an iron sceptre` until the `hidden woman` is ready to leave. She corresponds to the women in Islam where, publically concealed beneath their burkas, privately the four wife Moslem families afford the possibility of futanarian sexual reproduction of human brainpower between women. So Jesus` `rule` is `iron` on their behalf, because men are women`s host womb enslavers for their parasitoid devouring nature, which is parasitically viral and requires a host womb to emerge from. Devouring what women are still able to produce of civilization, art and culture, despite their predator`s depredations, which is represented by the `red dragon` of Revelation waiting in vain to devour the child of the `hidden woman`, the shepherd.

 Britney`s spaceman`s arrival on Mars, the red planet, is as an archaic Roman god of war, because she represents `spaceplane` technology and `time jumps` in her `Spaceball` game, while he`s anachronistic, but representative of men`s viral washing machine salesman representative, who seeks to make her brainless and technologically impoverished so she`ll be his slave host for warfare against `woman`s seed`.



 In the science of astronomy, the `Bear` is the `Spoon`, Ursa, whereas the `Little Bear` is the star cluster, Ursa Minor, and so the complement of the fork in `Oops! … I Did It Again` is the bears` claws, which is apposite if the bear is there to protect the twins and eat the `little man`, who is understandable as whoever won`t allow brains to function and develop in order to eat and drink, rather than devour.



 The  four tines of Britney`s spaceman`s `fork, in terms of Jungian developmental psychology, represent the actualization of the four functions of consciousness, that is, `Thinking`, `Sensation`, `Feeling` and `Intuition`. If the `little man` isn`t eaten by the `bear`, that is, if the mind is undeveloped, or harmed, the brain cannot function, symbolized by the emptiness of the spoon as the undifferentiated `Feeling` function associated with the mouth, that is, speaking, kissing, drinking and eating.

 In the Bible `don`t suffer a witch to live`, where `witch` translates as `poisoner`. Consequently, Guy Fawkes is burned in effigy on November 5th in England, because of his treachery, that is, he`s a poisoner. In the Bible the evil are defined as `dead wood`, which is for burning, that is, unendurable eternal pain, where `witch` is defined by men as `woman`s seed`, whereas men are her humanity`s poisoners spreading their contagions of HIV/AIDS through institutionalized host womb slavery of futanarian women`s humanity for homosexuality in pederasty and warfare against `woman`s seed`. Women are identifiably a single species with their own penis` semen, whereas men are definable as a sexually transmitted disease (STD), that is, a `funereal disease`, which slaves humans for parasitoid devouring. The witch burned at the stake isn`t the biblical `dead wood`, whereas men are poisoners. Consequently, witch burning is a `black mass` antithetical to `Christ`s Mass`, or Christmas, which celebrates Jesus` birth, that is, the burning of witches is analogous to the burning of `woman`s seed`.

 Britney, as the `Spaceball` player, in her white bikini-dress, atop the `fireman`s trampoline`, as Salvation`s `star`, times her jumps in the `scifi` world of `Oops! … I Did It Again` to escape from witch burners, who condemn her as ungodly.  She has the Holy Grail, which is Jesus` cup, the `heart of the ocean`, brought to her by the spaceman, because she`s accepted Jesus` teaching: `Love your neighbour as you love yourself.` (Matt: 27. 54)

 Christ`s `body`, along with the wine of communion, is given to the parishioner by the officiating priest in the Christian mass as transubstantiation, that is, transformation through Jesus` teaching of `metanoia`, which is conversion through repentance from the `original sin` of rejecting `woman`s seed`. Longinus` spear was named `Destiny` after he pierced the side of Jesus to free the human futanarian spirit, while the USA`s doctrine of `Manifest Destiny` to colonize the planets and stars, in fulfilment of the `American Dream`, doesn`t accept `woman`s seed`, although in the lyrics to `Piece Of Me`, and on the cover of the CD single as Jesus crucified, Britney Spears` does accept that destiny: `I`m Miss American Dream since I was seventeen.`



 The `little man` is `dead wood`, which are those who reincarnate others without memory of previous experience, that is, `blackouts` through beheadings, whereas in Hollywood terms `continuity` is Redemption through acceptance of `woman`s seed`, and Salvation as permanent memory and knowledge, that is, Resurrection of `woman`s seed` through sexual reproduction, and immortality conferring medical science, and Ascension to the planets and stars through `starship` technology for colonization.



 Hung over her `twin`, Snow White, in a white bikini-dress, where he`s suspended like a Christmas `bauble` by Britney as Rose Red, in her red pilot`s suit, the spaceman prepares to give her the gift of the diamond blue pendant, that is, the `heart of the ocean`, for her tree`s `star`, herself.  In terms of Jungian archetypes, it`s the `Sensation` function associated with the eyes, because an audience that can understand is individuated, that is, developed psychologically into the acceptance of Jesus` vision of God`s plan for the future of women`s futanarian humanity.

 Rose White is sexually tempting in `Oops! … I Did It Again`, although Rose Red represents the Edenic apple, because the pair represent `bigamy`, where bigamous marriages represent the desire for more than a single wife. In 2009`s `If You Seek Amy` (F*U*C*K Amy), Britney explores the concept of bigamy further, as `big Amy`, who represents the single unmarried species of `woman`s seed`.  Futanarian women are sexually tempting to each other, although they don`t have to accept they`re for enslavement and devourment, which is why the Paraclete is the `Second Eve`, because the Edenic apple was men`s temptation to enslave and devour Eve`s `seed`.



 In the fairytale, `Snow White`, the young woman is tricked into eating a poisoned apple, which is marriage in slavery to a beheader. The revealing aspect to the story is the queen with the mirror who is told Snow White is more beautiful and so tries to poison her with an apple. Futanarian women would admire their own penis in the mirror and seek an assignation with the beautiful woman, which is why men are evil with children. If women don`t know that human futanarian women can sexually reproduce with them, the species is brainless in host womb slavery to a parasitoid devourer.



 As a virus, men who do not accept the Holy Spirit and Salvation through the tutelary guidance of the Paraclete, who is the `Second Eve`, will experience unendurable eternal pain, that is, perdition, in accordance with the `God`s law` from the Old Testament for the `chosen people`. The Jews were persecuted by Christians and others, so God`s `eye for an eye` law is for them. Although Jesus was a Jewish `Messiah`, who said that `love` was the `law` in the New Testament, the Jews are vengeful. Consequently, Jesus` words to his betrayer, Judas, the disciple known for stealing from the collection plate, as Judas saw a woman anointing Jesus` feet with expensive perfume, and suggested it be sold to raise money, were on behalf of `woman`s seed`, but are ultimately the words of a warrior:


`Leave her alone.` (Mk: 14. 6)


 Men can`t leave human futanarian women`s species alone because they`re parasites from women`s host wombs emerging to devour `woman`s seed` as parasitoid nature, which is evil. Judas` betrayal of Jesus as the human host at the `Last Supper`, for `thirty pieces of silver`, was equivalent to Satan`s betrayal of God`s plan that the human host be greater than the angelic, which led to Eve`s `seed` being enslaved by the devourer. Taken to the hill of Calvary outside the city of Jerusalem Jesus was nailed to a cross of wood and left there until he died, because Judas didn`t want a man born uncontaminated by male semen from his mother, the Virgin Mary, to sexually reproduce as futanarian `woman`s seed` and so pose a threat to the male brained Empire of Rome`s warfare upon `woman`s seed`.

 Britney`s stage is a `bear trap`, because she`s surrounded with bears` claws, and the fork that appears beside the spaceman`s spacehelmet is a `bear`s paw`, as `paw` is colloquially `father` in the Midwest of the United States of America. Descending inside her giant`s ring to the stage set of `Oops! … I Did It Again` she has a father-ring, although fathering for human futanarian women with their own penis` semen is species` normality. The `red dragon` of Revelation symbolizes Satan, that is, the false father as devourer, which appears as a leitmotif in the myths of the Greek god, Chronos, and the Roman god, Saturn (Satan), who`re fathering gods that devour through time as representative of men`s parasitoid nature.



 Satan is different to the Greco-Roman devouring time gods, because he is perspectival, that is, `woman`s seed` of women`s futanarian humanity is what men devour in their parasitoid nature. As a futanarian species with her own penis` semen, women are devoured because `hidden` from her daughters` knowing, because slavers want their `cargo cult` system of training the brainless to perform routinely, while keeping `woman`s seed` in blind ignorance and occlusion, lest she understand that the host womb she`s enslaved for to produce civilization, culture and art is for dessert. Consequently, `Oops! … I Did It Again` is set in the desert world of the arid red planet, Mars, where Britney Spears is dessert with a giant`s fork poised above her beside the spaceman`s spacehelmet as he films her deliciousness for `Mission Control` who`re `snuff movie` devourers, rather than pornographers working to help humans remember `woman`s seed`. Now Britney`s `paw` is understandable as Satan`s `fork`, symbol of the devouring `red dragon`, the false father who wants dessert. In terms of Britney`s Ideal game, it`s `bear trap`, rather than Mousetrap, where male braining produces a woman who wants to be eaten, as Alice observes in the famous children`s story, Alice In Wonderland (1865), written by maths` professor, Charles Dodgson:


`Eat me.`10



 Dodgson`s nom de plume was Lewis Carroll, and Alice eats a piece of cake to grow bigger, which is what she`s for: to develop in order to be eaten. Consequently, perspectivally she`Satan, because she wants to be devoured. Satan is nomenclature, that is, a woman who wants to be eaten by a misogynist who`s male brained women so that he can practice misogyny and devour her is Satanism, although the woman is perceived as evil. In simple terms, Christians recognize God as their father, because men are parasitoid devourers of their progeny, and in recognition of that Christians pray to God that they aren`t devoured by their fathers, because that`s why Satanists breed.

 Animal form confuses, because sheep, for example, are for production, that is, meat. Women aren`t animals, they`re a futanarian species. `Satan` is the name of their virus, that is, men`s parasitoid nature and women`s male brained acceptance of devourment. Because that`s what men (Satan), as her parasitical virus, want her for.

 Nihilism is philosophy of producing to devour, which is what evil is. Consequently, Satan is an archetype, rather than a creature, because a woman who wants to be eaten is Satan from a Christian perspective, although the male parasitoid nature that wants to devour her is Satan from the same perspective. For women Satan is Christianity because it defines men`s devouring parasitoid nature through ring slavery. To men human futanarian women are Satan, because they want to sexually reproduce with each other and use their brainpower to have a democracy of their own to plan their escape to the planets and stars through colonizing starships. Consequently, women are Satan`s rebels to men, but freedom fighters to human women`s futanarian species, that is, Satan is the archetype of escape from men`s nihilistic devourment of their race. Unable to perceive what is `Satan`, women are occluded and aren`t aware of being a species seeking escape from evil nihilistic devouring by a consciously aware and irredeemable parasitoid nature.

 What is described as Satan (by men) is women`s desire to leave for the new heaven and Earth that God promises her in Revelation, where she`s described as remaining `hidden` for a time upon the Earth and protected by her `ruler` until she leaves, as a species who is not `bred` as an `animal` for the parasitical viral organism to devour, and that somehow managed to inveigle itself into her host womb eons ago to steal her penis and slave her for men`s parasitoid nature to feed off.



 That `bread and wine` is the `body and blood` of Jesus, which appears in the transubstantiation service of the Christian church, because men have to accept `woman`s seed` as another `small  step` in the process of transforming through human women`s futanarian humanity, which could result in men`s being incarnated as women, or reborn as resurrected futanarian women they`d been before through remembrance. Humans don`t want to be bred as animals, they want a parent who won`t allow them to eat or be eaten. In Alice In Wonderland, after eating the cake to become bigger, Alice drinks to become smaller, which is communion `wine`, because God doesn`t devour God`s smallness, so God can be as small, or as big, as God likes.



 The bear in the tale of Rose Red and Rose White is an acceptable form of Jesus, because the bear isn`t a man. The nihilist embracer of parasitoid devouring would starve others and eat them later, after they`d produced enough to feed themselves in the way of technological progress, and Christianity supports the nihilist perspective by falsely labeling woman`s escape archetype, `Satan`, whereas God`s plan is for `woman`s seed` to leave Earth and colonize the planets and stars after sexually reproducing the futanarian species` brainpower to devise starships to take humans there.

 In Rose Red and Rose White`s tale, the `bear` assures the girls he won`t eat them, but he kills the `little man` who represents whatever prevents human functioning. In Revelation Jesus slays the evil, but doesn`t devour them, and so God creates a new heaven and Earth for the slayers, which justifies warfare against the `serpent`s seed`: `In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer.`11 As a role model, actress Sarah Michelle Gellar, as Buffy Summers, in the television series, Buffy The Vampire Slayer (1997-2003), is an archetype of `woman`s seed`, whereas `Spaceball` playing Britney Spears carries a hoop in `Oops! … I Did It Again` to jump through in `scifi` time to escape being trained to jump through hoops by the `vampire circus`, which is another term for the Empire of Rome`s devourer, who`s stolen the woman`s penis in order to have a stake in the future of the `chosen people` of God`s Bible.


1 Trampolines, .

2 Apollo 1 Fire Disaster, .

3 Hammacher Schlemmer, 'The Spaceball Trampoline', .

4 Di Giovanni, Janine, Newsweek, October 14th, 2014, 5. 56 PM.

5 Lennon, John, and Yoko Ono `Woman Is The Nigger Of The World`, Some Time In New York City, Apple, 1972.

6 `The Birkenhead Drill`, a code of conduct first documented as being applied in the 1852 evacuation of the Royal Navy troopship, HMS Birkenhead.

7 Urban Dictionary, `An expression meaning that everyone has their own way of doing things or approaching life,` .

Apollo 1 Fire Disaster, .

9 Tolkien, J. R. R. `Riddles In The Dark`, The Hobbit, Ch. 5, George Allen & Unwin , 1937.

10 Carroll, Lewis Alice In Wonderland, 1865.

11 Prologue, Buffy The Vampire Slayer, 20th Century Fox Television, 144 Episodes, March 10, 1997 to May 20, 2003.