8 https://en.wikipedia.org/wiki/Colonel_White

Grave Robbers and Oops I Did It Again with Britney Spears, Or What Have You Done With The Humans, Man?

Foxy Lady

Britney Spears, Toxic and Dr Thunder PhD`s Argot

Britney Spears` video singles to complement her CD single releases are noteworthy for their startling resemblance in some instances to the style adopted by Gerry Anderson`s Supermarionation British TV `puppet` shows, which were themselves complimented by the TV 21 comic they appeared in as cartoon characters during the 1960s when Anderson was developing the concept.

 One of the more famous TV 21 productions was International Rescue in the Thunderbirds (1965-6) show rescuing a futuristic airliner, which was made into a `super space theatre` feature film for the US market from two episodes. The very first episode of the series, `Trapped In The Sky`, and the thirteenth `Operation Crash-Dive`, which were released as Thunderbirds To The Rescue (1981). Consequent to the publicity garnered Thunderbirds (2004) for the big screen was made with Vanessa Hudgens as Tin-Tin, the beautiful adolescent daughter:

`Tin-Tin becomes involved in their first rescue mission when she is onboard Fireflash which due to sabotage by her half uncle The Hood has to be rescued by International Rescue.`1

 Britney Spears` Toxic (2004) video follows some of the plot. Britney unmasks a character aboard a plane in which she appears to be wearing a Thunderbirds uniform but has the role of air hostess while the man she reveals underneath a rubber mask pretending to be an older uglier man would correspond to `The Hood`. The principle of Toxic is that the intruder represents HIV/AIDS, that is, if a woman doesn`t know who she is having sex with, how can she know that she`s safe from contracting the `killer disease`?

`With the taste of your lips,

I'm on a ride.

You're toxic. I'm slippin' under.`

 As the air hostess Britney Spears pours a fluted glass of white wine, before she sees the suspicious character with bread standing in the aisle holding bread, which symbolically suggests Jesus` `Last Supper` at which he invited the disciples to `bread and wine` as symbols of his `body and blood`. According to the developmental psychology of Carl Gustav Jung (1875-1961) the body and the blood of Jesus symbolize the instincts or shadow which would remain unconscious and unused without the anima or feminine soul to stimulate men`s desire to make a better place in which to live with her.

 Picking the pocket of `The Hood` after removing his disguise to reveal a younger and more handsome criminal than the rubber mask had suggested, the scene changes dramatically and reveals Britney Spears as a flame haired agent, similar to that of Jennifer Garner in the US TV series Alias (2001-6), who is a CIA agent concealing her identity as she assumes multiple aliases to carry out her missions.

 Standing in a street in Paris, France, Britney takes the pillion seat on a motorcycle in her black leathers and arrives at a secret laboratory. Taking the item she`s stolen from the pocket of `The Hood` she uses it as a key to give her access to the research establishment. Before a bench with a serum upon it inside a glass flask, the scene is interspersed with shots of a gay couple in a shower before Britney Spears is revealed once more in a new superheroine costume and with black hair:

`It's getting late

To give you up.

I took a sip

From my devil's cup.

Slowly, it's taking over me.`

Leaping from the balcomy of a man`s apartment, after she`s been with him and has dropped a little serum into his mouth as he lies supine in unconsciousness, the scene shifts dramatically again and she`s discovered as if transforming from the woman with the black hair and the superhero costume into the figure of the air stewardess in her Thunderbirds uniform landing cat-like on her feet inside the plane after completing her mission. Smoothing her hair, the International Rescue agent attends a passenger as the plane disappears with her into bright sunlight.

 The passengers trust the hostess, but she represents the `host` womb, which the parasitical alien would transmit its HIV/AIDS to if it were evil, which is why she unmasks `The Hood`, who is disguised because he`s evil. There isn`t another reason for it. Otherwise he`d be who he shows himself as. He represents HIV/AIDS because no one knows who has it, and if someone is disguised as one with whom we are familiar as a sex partner, he`s a spreader of contagion because he`s sexual gratification under false pretences, or simply maliciously evil.

 Britney Spears` agent resembles the character of `Poison Ivy` from the Batman (1989) franchise who, though profiled as a criminal, is an Earth heroine. Because `Woman` is the hostess and the Earth is her planet, just as her body is the `host` womb of her species and not of the boy sons, which are the poisons of her Earth and  have produced the toxins that are killing it and her, HIV/AIDS produced by their male witchery of mixing blood, shit and semen in sterile anal sex with each other is their latest toxic attack upon the mother of humanity. Although `Poison Ivy` is presented as a supervillian in the Batman franchise, her resume depicts her as a misunderstood Earth heroine, because the evil wouldn`t want her to interfere with their system of poisoning the Earth through pederasty and war, and its contagions:

`Poison Ivy is depicted as one of the world's most prominent eco-terrorists. She is obsessed with plants, botany, and environmentalism. She uses toxins from plants and mind controlling pheromones for her criminal activities, which are usually aimed at protecting the natural environment.`2

 In `super space theatre` Thunderbirds To The Rescue the `Fireflash` airliner is going to crash, but the Thunderbirds rescue vehicles save it from disaster. Tin-Tin is the niece of `The Hood` , and Britney`s `niece` Spears, in terms of the video logic, because Tin-Tin has the role of showing how to avert disaster; even if your relations are evil: as `The Hood` is.

 Most 21^st century videos are watched on laptops, or `tins`, because it`s for `tinagers`. Tin-Tin is like any  `tinager` who seeks advice on how to avoid the dangers of modernity such as terrorism and HIV/AIDS when criminals seek to be cleverer than their victims. The obvious source of information is the laptop or `tin` in the `tinage` and, in terms of the video`s transformation symbolism, it correspond to the `politically correct` (PC) self-censoring through using the laptop as a `police box` rather than a Tardis, which allows the researcher to travel through time and space on the internet without moving from their chair but censored or, without knowledge of what to look for, the familiar parentally guided `PG` picture of man and woman pervades all of the material.

 Without researching into socio-sexual conditioning there`s little or no information for young women on the subject of themselves as a species with her own `futanarian` penis, and which makes her potentially socio-economically independent. Everywhere she looks the parasite looks back at her in the guise of the impregnating penis and sole breeding partner for her species. However, the fact that the parasite is her enslaver, and devourer through pederasty and its contagion of war and plague, is evident from its producing the `killer disease` of HIV/AIDS due to its not wanting woman as a species but its own sterile anus from which it has produced death by mixing blood, shit and semen, and Jesus` birth uncontaminated by male semen forewarns against. As pederasty`s biological weapon HIV/AIDS reduces the life expectancy of individuals to even less than `three score years and ten`, because homosexuals want women to remain ignorant:

`The days of our years are threescore years and ten; 
and if by reason of strength they be fourscore years, 
yet is their strength labor and sorrow; 
for it is soon cut off, and we fly away.` (Ps: 90)

 The evil use this verse to justify the truncation of our lives in accordance with the Bible, that is, it`s taken as an injunction that individuals shouldn`t live beyond 70 years, whereas it`s only an old observation based on the shorter lifespans of those living upon the Earth after the time of Methuselah, who was, according to the Bible, 969 years old when he died.

 The reduction of our lifespans is important because the wise are old, and the only justification for their being taken away from us is that their bodies are decayed, whereas medical science presupposes what God promises in the Bible, which is a `perpetual body`; as opposed to the `perpetual enmity` that the `serpent`s seed` has for the human species. According to God, Eve shall have `perpetual enmity` with the `serpent`s seed` and she `shall crush the serpent`s head with her foot as she leaves` (Gen: 3. 15) Earth, but won`t be able to if she doesn`t know herself as a species, and as `futanarian` woman she has her own penis and socio-economic reproductive and productive capacity, as well as all of the physical equipment to match the technological achievements of men, who would keep her here as a slave in pederasty. Men`s desire to continue their `perpetual enmity` against the human species is manifest in their wars upon the Earth and their creation of a `killer disease`, that is, the plague described in Revelation as the `blood plague` made for themselves through their rejection of `Woman` and preference for their own homosexual sterility, which is a symptom of the devouring `red dragon`:

`Men cursed the God of heaven because of their pains and their sores but refused to repent of what they had done.` (Rev: 16.11)

 In ancient Greece the women were enslaved by the devourers of homosexual pederasty who wanted to use the `host` wombs of women to produce boy sons, that is, poisons, to wage war against nearby city states and spread their contagion. Greek society was a model for Western civilization and the basic premise is friendship feigning, which the Roman poet Virgil formulated as `Beware Greeks bearing gifts.`3  Constructing a huge wooden horse, the Greeks left it outside Troy and the Trojans took it into the city where the Greeks emerged to enslave it and the host wombs of the women to further spread their contagion of pederasty and war.

 HIV/AIDS also feigns friendship for the white cells of the body that fight against viruses and, after they`re accepted the HIV/AIDS cells, kill the body. 9/11`s terrorist hijacking of airliners to crash into the Twin Towers of New York and spread their contagion of war operated on the same principle as the visiting Greeks feigning friendship for the Trojans, and in fact there is a city in upstate New York called Troy and `working like a Trojan` is proverbially good. `Trojan horse` is a misnomer created by computer geeks who are afraid of offending `Greek`, which  is a euphemism for pederasty, but the geeks don`t mind offending an extinct race of Trojans in Asia minor. The extinction of `Woman`, as the human species, through the Greek horse, is `geekspeak` for plague games of pederasty and war, which is the Greek language of the computer nerd. By creating `Trojan` viruses to work against humanity`s own future, those spreading the contagion of the geek language, that is, censorship and media `blackout` of all knowledge of `Woman` as a species, ensure shorter lifespans for women by preventing them from speaking human in the race`s endlessly unfinished future.

 The momentary scene of two gay men kissing in a shower follows that of Britney Spears` red head at the laboratory taking the green liquid serum and its flask with her. It precedes her reappearance as a woman with black hair climbing up the side of a skyscraper, and she`s then discovered with a man in the bedroom up there. Pouring green droplets of fluid from the flask into his mouth as he lies unconscious, she leaps from the balcony. The important scene is the `transcision` where Britney Spears` action heroine with the red hair is superceded by her superheroine with black hair intercut with a momentary glimpse of two gay men kissing in a shower:

Baby, can't you see,

I'm calling.

A guy like you should wear a warning.

It's dangerous,

I'm falling.`

 Although the British Thunderbirds puppet series made the big screen, the show that needed to make the transition to the big screen as a Hollywood movie was Doctor Who, which had been a TV favourite in Britain since 1963. In Doctor Who the character`s transportation is the time-space machine, the Tardis, which is disguised as an English `police box` in which police officers go to change into or out of uniform and perform other activities associated with their role in the community. In the `board toilet` Britney unmasks `The Hood` aboard the plane in which she`s the air hostess, so the `shower unit` corresponds to Doctor Who`s UNIT, that is, the Unified Intelligence Taskforce, which is presented as a homosexual `shower` because it`s English army slang used by officers to recruits they can`t turn into soldiers, whereas war is pederasty`s contagion and so the transformation of humans into killers is homosexuality. The `transcision` scene is where UNIT, that is, Britney Spears, as Unified Intelligence Taskforce, is revealed as in command and as not having been under the `shower head`, that is, the commanding officer of that `shower` UNIT, which is transvestite or transsexual, and so she continues with her operation as a part of her ongoing mission to preserve the human species` integrity.

 Unified Intelligence Taskforce in Doctor Who, like Men In Black (MIB) in the United States of America, exists to `police` aliens. Unlike the `telephone kiosk` in which Superman occasionally has to use to change into his costume in the Superman (1978) movie, Britney Spears uses her AIRFONE at the beginning of the Toxic video without change because it`s the plane`s phone, and she`s wearing her Thunderbird uniform so change isn`t required, but the `board toilet`, the `shower UNIT`, and the `police box` Tardis denote the `small room` where `change` is needed. In Doctor Who the protagonist undergoes metamorphosis, or change, inside his `police box`, before continuing with his policing of the aliens, which in the 21^st century constitute the pornographers who would surgically alter the bodies of men to suit their killers` disease.

 In Japan `futanarian` women`s testicles sometimes aren`t visible, whereas most caucasian and black women, who are `futanarian`, have testicles that are plainly visible, along with their female reproductive and nurturing system, that is, vagina and breasts. The basic human principle is that women with a penis have testicular semen producing organs, either hidden or visible, and women have vaginas that are capable of receiving fertilizing semen for their ovum to produce children. However, much of the pornographic internet material found on the World Wide Web features surgical adaptation.

 Slitting the testicle`s scrotum to feign a vaginal entry for the penis is a common surgical method for pornographers who want transvestism and transsexuality. But `Woman` as a species is `futanarian` with a penis of her own. The pornographer `feigns friendship` for the human species by advocating transvestism and transsexuality, that is, the alien virality of the homosexual pederast. The `perpetual enmity` of the `serpent`s seed` towards `woman`s seed` is furthered by the pornographer who feigns friendship for the confused, because they`re the confusers who want us to believe aliens are human, whereas they`re evil men.

 9/11 was a `space invaders` scenario in which aliens were created by men who wanted aliens, whereas humans don`t. Hollywood had been feeding the Earth a diet of alien invasion movies since the 1950s with such titles as Invasion Of The Body Snatchers (1956), I Married A Monster From Outer Space (1958), Breeders (1986), Virus (1999), Contamination (1980), The Brain Eaters (1958), and It Conquered The World (1956), which telegraphs the punchline like King Kong (1933, 2005) atop New York`s Empire state building swatting away aircraft trying to kill him, and Steve McQueen`s fireman in Towering Inferno (1974) coaxing people to jump out of the highrise windows of the burning tower block to where its safe. 9/11 was pederasty`s encouraging its virality to invade the spirit of humanity in its usual guide of macho virility because homosexuality is the alien that `Woman` is expected to embrace and reproduce.

The scene aboard the plane where Britney is the air hostess is important because of the wine she pours for the passengers and the bread that `The Hood` is holding when she takes him into the `board toilet`, which indicates `bread and board` because it`s the traditional role of the `host` to provide `bread and wine`, as Jesus does at the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven. Jesus offers the disciples `bread and wine` as his `body and blood`, which is also how, according to legend, vampires offer themselves if they want to confer immortality.

 Although the bread and wine are symbolic, Jesus` `body and blood` isn`t. His  crucifixion, death, Resurection and Ascension to heaven demonstrates his immortality. It`s the difference between evil vampires that rend and don`t confer longevity and the `little drink`, which is how the biting of the neck with the fangs of the vampire that gives eternal life is euphemistically described.

 In the 21^st century the `red dragon` and the `blood plague` of Revelation describe homosexual pederasty`s enslaving and devouring war and its contagions, which include the `killer disease` of HIV/AIDS, but the `red dragon`, which is a draco and a term often used to describe a vampire, is in fact a parasite, that is, the term vampire could be ascribed to Jesus, but custom creates.

 Hollywood`s Dracula is depicted as dying with a stake in his heart as a romantic villain who likes women, but the stake in the heart of the female vampire is the penis of the men that don`t like `Woman` because, if she were able to use her own penis as `futanarian` women do, she`d be independently immortal of the parasite that wants to kill her and `Man` that loves `Woman`.

 In the movie Spiderman Peter Parker is bitten by a spider in a laboratory and it`s toxic properties result in his character, `Spidey`, developing superpowers enabling him to climb up the side of buildings, and suggests Britney is Spiderwoman when she`s ascending the skyscraper clinging to the side of the building like a spider.

The gay pair showering denote the possibility of toxicity, and Britney Spears pours a few drops of the serum from the flask she`s taken from the laboratory into the unconscious mouth of the man she has sex with after she climbs up to his apartment.

 `Spidey` receives superpowers from a toxic spider bite, but HIV/AIDS doesn`t confer superpowers, which is the meaning of the shower scene. Although Britney Spears` action heroine is a thief she isn`t evil. She obtains the serum which allows her to live, whereas the HIV/AIDS virus would result in her losing her life, and so homosexual pederasty isn`t glamorous but toxic.

Jesus` body and blood is represented in Catholicism as imbibed to propogate the Holy Spirit/Paraclete. Without it there can be no Redemption and the `perpetual body` promised by God to those who accept Jesus` teachings against embracing the `perpetual enmity` of the `serpent`s seed`s` enslaving pederasty`s war and its `killer disease` contagion. If HIV/AIDS results in less long lived people they`ll have less wisdom and no knowledge of `Woman` as an independent species with a future without the parasitical alien.

 Only longevity through medical science can produce wise individuals who can teach the truth about the human species. Current education and propaganda argues that women and homosexuals are equal, which is to accept enslaving pederasty, war, and its contagions of species` blindness through early death by means of the `serpent`s seed`s` biological weaponry of HIV/AIDS as pederasty`s preferred `killer disease` for humanity although it doesn`t turn its nose up against plague as a general theme.

 As Revelation indicates, the antithesis to the Holy Spirit/Paraclete, that is, `teacher, guide, comforter and helpmeet`, is `war, plague, famine and death`, and HIV/AIDS is all of them because the `thin disease`, as it was first described when it appeared recognizably in the 1980s, is a wasting illness that represents spiritual malnourishment through bodily torment, which is what Jesus` crucifiers advocate. Jesus` advocacy of the Holy Spirit/Paraclete as the soul`s assistance, as it seeks technological advancement to liberate the individual from drudgery, and so permit more interesting and good work, is Jesus` antidote.

 Wasters would keep humanity on a low level of technological development, so that they`d have slaves in what nineteenth century anthropologists called `cargo cult`, where tribes that had seen aeroplanes constructed effigies of the machine, and would ultimately have built genuine flying machines. In terms of HIV/AIDS, human sex drive is concerned with constructing places in which to enjoy family life, and so the wasting disease that keeps the sex drive in fear of work is because the evil don`t want humans to rise from the low level of technological development that has them enslaved in pederasty`s `cargo cult`.

The torments of the body as its wasting diseases constitute the `perpetual enmity` of the `serpent`s seed` rather than the development of a `perpetual body` through longevity and the spiritual nourishing that would increase lifespan and individual wisdom and knowledge through medical science and technological growth. Because `Woman` is an independent species with her own penis and technological valence men don`t want her to live long, because she`d become wise to them and leave.

 Jesus` story recognizes the difference between parasitism and blood transfusion to save lives in medical terms. His `body and blood` is `woman`s seed` because he`s born from the Virgin Mary uncontaminated by male semen. Although his crucifiers have the role of traditional vampires insofar as they`re renders of Jesus` body as bloodthirsty evil doers, the creature that gives immortality by means of the `little drink`, which is a transfusion of life`s blood from one body to another, doesn`t represent parasitism but medical science. Jesus offers his `body and blood` to the disciples as an advocate of medical science, and in particular of the blood transfusion as a medical practitioner, because he wants long life for `woman`s seed` rather than the parasitism of its wasters as a `cargo cult`.

 There is a difference between witchcraft and Earth science, which is sometimes called `mother science`, that is, witchery is the mixing of blood, shit and semen in the anus of men during ejaculations of the penis to create their biological weapon of HIV/AIDS, whereas Earth science is what the character of `Poison Ivy` in the Batman movie franchise represents. `Poison Ivy` uses toxins to assist nature, which is homoeopathy. Its serums are small amounts of toxicity that permit of the body`s immune system producing a defense against the poison, which may be HIV/AIDS, or any other viral attack upon the body`s defences.

 The HIV/AIDS virus spreads its contagion by feigning friendship because the penis knows where it should go, and any contrary suggestion indicates the presence of the false friend who wants to kill you. Even the HIV/AIDS cell feigns being a white cell of the body`s defence system to kill the individual. Judas killed Jesus in the same way, and 9/11 was the result of `guests` from Arabia. Because homosexuality is a disease. Jesus was killed because, in metaphorical terms, his was the face of the woman, and Judas could no longer bear to show the woman Judas` false face. In the Batman movie franchise `False Face` is the name of a villain, because he represents the evil who fake friendship until they`re sure of their victim:

`Surely this was the son of God.` (Matt: 27. 54)

 The Roman centurion Longinus` recognition of Jesus` role is that the evil weren`t sure if they had to continue showing a false face to Jesus because of the power of God. Suicide is the tool of the evil against the good, and the psychology of behaviouralism has taught the evil how to show a good but false face, which is how 9/11`s terrorists were able to live in the USA from Arabia and board planes at Boston, Logan airport, before hijacking them and crashing them into New York`s Twin Towers.

Although Jesus` crucifixion wasn`t suicide it illustrates the pressure on those who are good without true fathers, and so only remain unassailable because they rely on God, as a father, which gives them the strength to appear independently indifferent to the false faces the evil wear to encourage the good to be evil with them, and that strength in God is what the statue of `Liberty` symbolizes in the United States of America. Freedom not to be fooled by the false face of the evil encourager of the good to commit suicide is what strength in God and `Liberty` represents because `Woman` is enslaved in pederast and war`s contagions, which is suicide if she`s fooled by the false faces of the evil:

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 The notion of independence with God as a father is what Jesus represents, because death is what human fathers want for their sons, as the figures of Chronos, and Saturn from Greek and Roman mythology illustrate. Both attempt to devour the future as their sons, Zeus and Jupiter. In Revelation the devourer is Satan, because Saturn was the original father-god devourer, according to the Greek model, which is enslaving pederasty and its contagions of `war, plague, famine and death` that appears in Revelation in the guise of the `four horsemen of the apocalypse`.

 In Britney Spears` video Toxic she has three guises, which place her in the category of Holy Spirit/Paraclete, that is, `teacher, guide, comforter and helpmeet`. She`s the hostess aboard the aircraft, who is the guide for the passengers, and the blonde in her transparent body stocking laced with stars, who appears as sexual glamour but represents physical comfort, while the teacher is her red head who has trained the viewer to understand her actions in stealing the flask containing the cure from the laboratory, and the Britney with black hair is the helper of the HIVAIDS` community, who administers the serum to the man she`s just had sex with after the `transcision` scene of the two gay men in the shower, which warns the audience of the dangers of pornographers` promulgation of homosexual pederasty and its concomitant contagions of transvestism and transsexuality.

 Although Britney Spears has declared herself as `bisexual`, that`s human, because it excises homosexuality from her purview as a sexual partner. Feminist assertions that women are homosexual because they might be lesbian and so equal to men is sophistry. It`s designed to reduce `Woman`, as a species with her own penis, and `futanarian` independence from men, as her parasitical alien virality, to a mere cipher for inducing schizophrenia, which is the psychological vivisection of her human species. Women who`re taught to look to men for approval sexually are either denying their own `futanarian` species with its own penis and socio-economic valence for independence, or they`re sexually attracted to their own bodies in the mirror but feel abnormal because they`re unaware of their species` sexuality, which is schizophrenic. The social system that encourages `Woman` to believe that the penis of a man is his, whereas in fact he`s a parasite that has inveigled its way into her species` belly and its rather her penis desiring its sexual partner as herself, is practicing psychological vivisection on her species, which is what pornographers` promulgation of transvestism and transsexuality is.

 Britney Spears role in Toxic refers to the non-sexual relations between Doctor Who and his assistant in the Tardis, who is always an attractive young woman. Although it`s a tradition in British television that the actor in Doctor Who transforms on screen in a transmogrification in which the visage of the previous actor changes into the new Doctor, there has never been a woman in the role. Britney`s Toxic video interpolation of the gay men in the `shower unit` scene, where UNIT is comprehendable as Doctor Who`s Unified Intelligence Taskforce, indicates there should be. The homosexual `shower` are pejoratively just that, in terms of British army slang for gays in the military. HIV/AIDS developed from pederasty, which women are antithetical towards, because they`re responsible for the mothering of the human species, that is, they are the Unified Intelligence Taskforce, and it`s mothering, Britney Spears` implies, includes science and science fiction. For yesterday`s speculation is tomorrow`s reality.

 According to the developmental psychology of Carl Jung the four functions of consciousness, that is, `Thinking, Sensation, Feeling and Intuition` need to receive differentiation in order for the `Self` to be actualized with the ego as its centre. Wisdom requires longevity for the `Self` as well as functional differentiation and actualization represented by the idea of the spiritualized soul or feminine anima as the Holy Spirit/Paraclete, which mediates the bringing to consciousness of the contents of the unconscious `Self` that, as `Thinking, Sensation, Feeling and Intuition`, corresponds to the spiritualized soul as `teacher, guide, comforter and helpmeet` and that is portrayed in action by Britney Spears in Toxic.

 Britney`s Toxic  presents longevity as necessary for `Woman` as a species to retain its knowledge of men as her `perpetual enemy` insofar as the `serpent`s seed` refuses to pray for Redemption. Delaying medical science and the technology of liberating machines is a concomitant of accepting HIV/AIDS as incurable, and indeed HIV/AIDS is a tool of the male enslaver and imprisoner who doesn`t want `Woman` as a species to live long and have wisdom enough to develop the space technology to escape men on Earth. Even though she has all of the equipment, and is better than men insofar as the `futanarian` species of `Woman` has  her own penis, brain, and womb, which confers upon her independence as the human species foretold in the Bible by God to Eve as the `woman`s seed` who `shall crush the head of the serpent as she leaves`.

 Jesus` intentions are that he`s to be perceived as non-parasitical, that is, as an antidote to the virus, and his approach to the `body and blood` is that of transfusion, which recognizes the difference between the creature of nature that seeks to give life by means of blood rather than to take it in bloodthirstiness. The vampire is confused with the parasite, but is construably good with the Holy Spirit/Paraclete because its role is dependent on intentionality. The concept of the vampire denotes longevity and wisdom through medical science, which always begins in nature but, as with transfusion, or injection with serums, develops into science, and so the correct term for what has been defamed as `vampire` is parasite. However, we`re stuck with the terms of reference of the vampire myth. Because men want to put a stake in the heart of the long lived woman as a symbol of their rejection of her `futanarian` penis and desire to develop beyond men to the stars.

 The solution to the HIV/AIDS virus could probably be found by looking at the natural immunity of the long lived but it`s the same as smoking related illnesses. Those who live long do so because they take care of themselves and live healthily. Those who`re dying because of cancer through smoking have the same problem as those with HIV/AIDS. A society in which `smoking` is a euphemism for its killings and its `snuff movie` culture of the screen action movie hero, or through its small screen news bulletins of massacres at local schools by kids who`re too bored and lazy to want to live, and take as many with them as they can shoot at, will maintain pederasty and devourment in war through the enslaving of the `host` womb of `Woman` rather than research longevity. People have HIV/AIDS because the societal program is that they should have it, and that`s supported by the Bible where the `blood plague` is sent by God to convert those who prefer the `red dragon` of war and its contagions to Jesus` teachings of Redemption.

 Britney Spears` role is fourfold in the Toxic video and, in terms of the Thunderbirds theme, she`s Tin-Tin, but doesn`t need to be rescued, as Tin-Tin does in the Thunderbirds To The Rescue `super space theatre` movie where she`s a passenger on the `Fireflash` plane, whereas in Toxic Britney Spears saves the plane by exposing the HIV/AIDS terrorist, who is `The Hood` holding the globe in fear because he won`t give the serum to the public. Just as smoking is a euphemism for killing, so the `killer disease` of HIV/AIDS is a `snuff` variant of the tobacco industry`s smoking campaigns, which advertise ground tobaccos in `snuff tins`.

 Britney Spears` Thunderbirds` air hostess, Tin-Tin, is the `snuffed in tin` movie of `The Hood` if it isn`t the plane in Thunderbirds To The Rescue because, as smoking is a euphemism for killing, so `snuff` is a euphemism for killing in movies, and filming it as a sales` item. The suicide planes hijacked by the Arabian terrorists on 9/11 and crashed into New York`s Twin Towers, `live on CNN`, were their `snuff tins` and the World Trade Centre were the `snuff boxes` of pederasty`s wasting disease.  Britney Spears` observation is that, just as HIV/AIDS is related to homosexuality`s enslaving of the hostess, that is the `host` wombs of women to spread its contagion of war, so smoking and its variants are also related to pederasty and its contagions.

 In Russia smoking is a euphemism for fellatio, but the image becomes vile if we know that `Woman` is a species with her own penis as `futanarian` because it suggests that she`s been snuffed before and is still being snuff for the evil `serpent`s seed` and its pogroms of `perpetual enmity` against `woman`s seed` through its hate-filled wars upon the Earth.

 Although Britney`s superheroine isn`t named, because of Thunderbirds and the unspoken question posed by Doctor Who, Britney Spears is Dr Thunder PhD.  Her heroine`s `vampish` activities seem escapades, but escaping AIDS is what `Woman` as a species needs to do. Otherwise she`ll be just heroin addicts` `smokes`. The parasite is evil and represents addiction to parasitism, which is homosexual pederasty and its contagions. Because the `vamp` is the woman who `uses her sex to entrap and exploit men`,4 she is what women perforce are if their species has to live with men. As Dr Thunder PhD Britney Spears is the vampire, because she represents what Jesus understood, which is that the term parasite should be applied where the term vampire had been applied.

 The long lived woman is what the term vampire actually designates insofar as men don`t want her to have the wisdom and knowledge of her own species` reproductive capability, which would be women`s if they were to be long lived and could pass on their understanding to new generations but, as God observed with Onan in the Bible, men would rather look at young women`s bodies and masturbate than have any thought for their intelligence.

 God killed Onan, but God`s promise of a `perpetual body` as opposed to the `perpetual enmity` of the `serpent`s seed` for `woman`s seed`, suggests the eternally young woman with wisdom and knowledge still wouldn`t be wanted by men because the women with their own penis` reproductive capacity and socio-economic valence wouldn`t want them. So blood science is what men don`t want to know because it would mean `Woman` as a species` independence and freedom.

 Jesus` crucifixion scene upon the hill at Calvary outside Jerusalem is his understanding of parasitism, which is described by reference to legend as vampirism, but the long lived woman with her own penis as `futanarian` human species seems to have always been the target of those addicted to torturing, and that`s why the witch riding her broomstick is a ubiquitous symbol of the misunderstood wiccan wisdom of women, because her broomstick and brush denotes the female penis and mons veneris.

 Jesus` offer of his `body and blood` to the disciples is his recognition that he`s engaging with a parasite. Humans have been taught that longevity is vampirism, whereas it represents blood science, and Jesus` torture by those addicted to bloodthirstiness represents opposition to the scientific concern of Jesus, as representative of `woman`s seed`, with medicine and the lengthening of lifespans, which would result in the constructing of the individual human`s `perpetual body` of Salvation; through science but as promised by God.

 In the 21^st century the Earth corresponds to the `Woman` as a spcies` `host` womb for its parasitical alien that seeks to emerge and spread its contagions further. Britney Spears` role as Dr Thunder PhD in Toxic is the prototypical role of the medical practitioner whom the patient can trust, but the doctor can`t trust the patient to take the medicine. Britney can be trusted but, as any woman living with the threat and fear of HIV/AIDS disguising itself as a caring professional man, she can`t trust anyone else, because desirability attracts desirefulness, and men have no respect for themselves as a disease when it comes to preferring sexual gratification over longevity and immortality for `woman`s seed`.

 Earth has become a game of `space Invaders` developed for the human species by the parasitical aliens that have feigned friendship as symbiotes and taken over the `host` wombs of the species of the planet Earth, which is `woman`s seed`. God gives the `serpent`s seed` a chance to stop its `perpetual enmity` for `Woman` in Revelation, but perdition is the punishment for the evil who do not repent, and God`s depiction of the devourer as a smoking `red dragon` isn`t accidental. Nor is God`s `blood plague`, which represents HIV/AIDS feigned friendship for its victims in homosexual pederasty and its witchery of mixing blood, shit and semen to produce its `killer disease` and biological weapon. The HIV/AIDS` cell itself feigns friendship before practicing treachery against the body it kills, and so the fake friendship of the serpent`s pederasty since Eden is what God is punishing.

1 https://en.wikipedia.org/wiki/The_Hood_(Thunderbirds)

2 https://en.wikipedia.org/wiki/Poison_Ivy_(comics)

3 Virgil The Aeneid, Bk II, 19 B. C.

4 https://www.thefreedictionary.com/vamp

Man, Brain and Penis Dysfunction in Britney Spears` Oops I Did It Again

Britney Spears` video for the CD single Oops I Did It Again (2000) features the eye of the camera. Appearing as three distinct personalities in the course of the action she represents the Graeae of Greek mythology who share a tooth and an eye because they represent the development of a woman. Upon what appears to be the red planet Mars, observing through the eye of its control centre, `Mission Control` tells its spacesuited astronaut , `Earth to Mars Lander. Report status please.`  The Apollo style spaceman replies, `Mars Lander here. Oxygen status 98%.` Penis inflation requires blood, and the general opinion is that the brain`s functioning is focused solely on sexual intercourse during arousal, which means a loss of reasoning power in favour of lust and so it is necessary to interpret the meaning of the video with the mind in order not to be evil.

 Desire is what Britney Spears arouses in the penis, but the myth of the Graeae is of the three women who have one eye and one tooth, because its one mouth and one vision, which they must share, and although nothing is said about the penis, `futanarian` women have a penis of their own and so constitute a nascent species` alternative to `Man`. God tells Eve there`ll be `perpetual enmity` between `woman`s seed` and the serpent`s before `woman`s seed` receives a `perpetual body` and a `new heaven and Earth`, which is why Jesus` birth is from the Virgin Mary because he`s `woman`s seed` uncontaminated by male semen.

 In Oops I Did It Again Britney Spears appears in a tight plastic body suit, which clearly reveals no dimensionality with regard to the penis, but beneath her spaceman suspended above her in a white bikini dress, so that he can film her with the camera attached to his spacehelmet, she may have a penis of her own, and because the astronaut has been raised above her by herself in her red plastic body suit by means of a hook and pulley, Britney in white constitutes a second self, so it`s not possible to know whether or not she has a penis underneath her bikini skirt, but she might because it`s an alternative.

 In the next scene Britney`s spaceman presents her with a gift, and she runs towards him in her red plastic body suit, before launching herself to spin through the air and land in front of him. The eye of the camera follows her progress, and she transforms as she spins so that she`s wearing a white blouse and black skirt with matching black boots when she accepts from the spaceman a black box:

`But I thought the old lady dropped it into the ocean in the end?

 The reference is to Rose from the Titanic (1997) movie in which she drops the heart shaped blue diamond, `the `heart of the ocean` into the sea where the Titanic ship is being salvaged many years after it sank on its 1911 maiden voyage from Liverpool, England, to New York in the United States of America and hit an iceberg enroute. The token of sadness is for her dead lover, who drowned after assisting passengers to the lifeboats. Boarding the ship as a fiancée, she finds herself abandoning him for a lover who paints her nude wearing the pendant, and the jilted fiancée attempts to frame him by placing the diamond in his coat pocket and labeling him as a thief.

 In Britney Spears` video Oops I Did It Again her astronaut visitor, having  put into her hand the black box, which symbolically contains the `heart of the ocean`, that is, the blue heart shaped diamond from the Titanic, says:

`Well, I went down and got it for you baby.`

 In Revelation the `woman clothed with the sun and with the moon at her feet` gives birth to the `New Redeemer`, and the `heart` of the infant would be located in the belly of the woman before birth which, according to the chakra system of developmental energy centres located upon the human spine, according to Hinduism, places the child between the moon of the Swadhishthana chakra in the sacral or the child bearing hip region of the body, and the sun of the Manipura chakra, which is called `the city of the sun`, and is located within the solar plexus or womb of `Woman`. The blue diamond and `heart of the ocean` represents the infant `New Redeemer` before the breaking of the birth waters .

 In the Swadhishthana chakra is a crocodile, which exists as a symbol of primeval instinct, which in the developmental psychology of Carl Gustav Jung (1875-1961), represents that libidic energy which receives transformation in the course of individual development or consciousness rising, which is represented by the Hindu chakra system of energy points along the spine that culminates at the `crown` or Sahasrara chakra above the mind. However, the crocodile is also a symbol of the devourer, which drives the individual on to feats of great endeavour and accomplishemt, before the ego succumbs to the contagion of pederasty and war, which the individual ego perceives all about itself as the behaviouralist pogrom devised for it by the evil alien reptile since Eden. In the Titanic movie the jilted fiancée is the reptile who seeks to prevent the `heart of the ocean`, that is, the child of Rose`s love, from being borne by her, which is why the Titanic hits the iceberg. He`s the devourer.

 Britney`s descent inside a giant`s ring at the beginning of her Oops I Did It Again video represents the ring of the devourer, which it is impossible to escape because men are the evil alien parasitical viralities that prey upon `woman`s seed` and want to keep `Woman` in thrall to its desire to devour her in `perpetual enmity` forever:

`All aboard!`

 The allusion in Oops I Did It Again to the boarding of the ship, the Titanic, as she somersaults through the air to stand In front of her spaceman guest and receive the gift of the `heart of the ocean` in the black box, also refers to the lifeboat, and the iceberg in the ocean that sank the Titanic as a tooth in the mouth of devouring undeveloped instinct, which corresponds to ignorance, and is depicted in Revelation as waiting in vain for the `New Redeemer` because development will win.

 Suspended above Britney, wearing her white bikini dress, the tines of a fork are visible next to the helmet of the astronaut, which suggests the devourer is a giant, and in Revelation the `red dragon` grown in size since it`s inception, as the `serpent`s seed` of Eden, waits in vain to devour the `New Redeemer`, who is to protect the `hidden` woman of the Earth carried to a `place of safety` upon the wings of an eagle, according to Revelation, where she waits for the `new heaven and Earth` God has promised to give to `woman`s seed`.

  If Britney represents the Graeae, the eye of the camera, which she shares amongst her three selves, is the Graeae`s eye, and the tooth is the symbol of the one mouth with which they speak rather than the one mouth of the devouring ogre, which speaks with many voices but has only one ambition, to eat her. Ancient Greece is the model for Western civilization, but enslavement for women`s `host` wombs in homosexual pederasty is how the Greeks spread their contagion of war and enslaving pederasty, which is the mouth of the devouring ogre, and not the voice of `woman`s seed`, which speaks to the eyes. If `woman`s seed` desires herself sexually, it`s competition for the evil alien parasitical alien virality that is the pederast who has enslaved her `host` womb, and has been keeping her in fear by waging the `biological warfare` of HIV/AIDS against her since the early 1980s.

 The `hidden` woman of the Earth is `futanarian`, with a penis of her own, which has a lot of haemoglobin or oxygenated red cells when inflated, because that`s how oxygen travels. Consequently, `98% oxygen` on Britney Spears` Mars in Oops I Did It Again is for the war god, who in Roman mythology is brainless but aggressive, which is what kind of men are wanted in pederasty and its contagion of war and the concomitant `killer disease` HIV/AIDS constitutes the `blood plague` of Revelation sent by God to force men to convert and accept Jesus` teachings of Redemption, or experience eternal unendurable pain for refusing:

`Men cursed the God of heaven because of their pains and their sores but refused to repent of what they had done.` (Rev: 16.11)

 Britney Spears on Mars isn`t the Roman war god, which suggests that Mars has been conquered by her, and as she has a penis of her own,` 98% oxygen` on the Mars of Britney`s Oops I Did It Again represents an inflation that won`t interfere with the socio-economic potential of the species `Woman` as an independent producer and product on God`s behalf in the `new heaven and Earth` promised `woman`s seed` in Revelation, but the inflated penis of `Woman` does represent a socio-economic threat to her enslavement by the evil alien virality, that is, the `perpetual enmity` of the `serpent`s seed` for `woman`s seed`, which is what men represent. Because they don`t have a socio-economic valence of their own as producer and product inofar as they lack the `host` womb to function as God to humanity. In Revelation the `hidden` woman is carried on eagle`s wings to the desert where she waits. `The Eagle has landed,` were the words spoken as Apollo 11 prepared to put a first foot on the moon:

`One small step for a man, one giant leap for mankind.`1

 If Britney Spears` foot is smaller inside her giant`s ring on Mars, it`s a bigger step for mankind if she has her own penis and is an independent species as `futanarian`. The wings of the American eagle are symbolically her deliverer, and the `New Redeemer, who is Jesus Christ in his `Second Coming` is `he who shall rule with an iron scepter` over the Earth to ensure that her deliverers remain protective. The protection racketeers have lived amongst us as the evil `serpent` seed` because they feign caring. In the Bible the `number of the beast is the number of a man and his number is six hundred three score and six`, which is 666 and the reverse of the telephone number of the police (999) in most of the world, as 9/11 was the reverse of the number of the police in the United States of America, which is 911.

 Just as the ancient Greeks spread their contagion of pederasty and war by means of faking friendship, such as the huge hollow wooden horse before the walls of Troy, which taken into the city permitted the Greeks to emerge from within and enslave the `host` wombs of the women there for pederasty and further war, so the Arabian terrorist hijackers that flew planes into the Twin Towers of New York on 9/11 were spreading the contagion by faking friendship as visitors to the United States of America, which is what HIV/AIDS cells do with the white cells of the body`s immune system in order to infect and kill it.

 9/11 was the attempt to promulgate the contagion of pederasty and war to kill developed humanity, symbolized by the `Big Apple` of New York`s Eve`s wisdom garnered since Eden, and the evil serpent`s offer of enslavement in a `rough trade` of pederasty for power over others through war and death, which is `the wages of sin` for which God expelled Adam and Eve from Paradise.

 The globe`s security forces live among fearful populations standing to attention made to feel as if they should perceive that they`re protected, whereas humanity is being shunned. What the `beast` is saying is that `woman`s seed` is inferior, and the `protect shun` racket is being practiced against `Woman` by having everyone stand to attention as if patrolled by guards, which is what men are in the imprisoning `concentration camp` of enslavement and devouring pederasty within which `woman`s seed` lives. `Woman` is the producer of God`s product, that is, art, culture and civilization, through the `host` wombs of her body, and the evil alien parasitical virality, that is, men, periodically devour her in their  ceaseless wars of `perpetual enmity` against `Woman` and her Earth.

 Standing to attention as if made to feel respectful for those who are actually shunning the human is sexual lying. The image is of a virile man with a strongly erect penis, but with clothes the picture is an illusion promulgated by the evil serpent as the `father of lies`. It`s an old method of the pederast to suggest cowardice because the boy doesn`t look brave, and so the evil `serpent`s seed` is able to persist while sending the new crop of babes to whichever Gettysburg, Rourke`s Drift or Somme is currently available for the devourer to consume lives as `cannon fodder`.2

 Standing to attention appears virile but isn`t penis driven, which is what fools the sex drive. The delusion is that manliness is an erect body demanding fear, which is what security guards in supermarkets, banks, post offices, and other places of daily routine represent: false heroism. As a role model the false hero is perceived as erect and virile, but without its clothing the serpent is a symbol of repression because women have a penis of their own as a `futanarian` species, which has been enslaved by the false heroes`rigid stance, which an artist might label, ` posing with erection suggested` that might fool the innocent into believing that there`s something to respect rather than to fear. Obviously the boy fears being naked with the coward, who refuses to take off his clothes and be revealed to be not wearing any, as the boy in the Hans Christian Andersen folktale The Emperor`s New Clothes observes when the naked king appears who`s been told he looks grand in his new threads but is actually unclothed and knows it. Unfortunately, the gullible perceive that the false heroic pose that shuns them is an accusation of cowardice from a pederast and immediately hurl themselves at the cannons in such binges as World War II and the Gulf wars.

 In Oops I Did It Again Britney Spears observes that, with one eye and one mouth, `Woman` has had to raise herself as a species, whose development has been arrested by the falsely heroic `policeman` standing to attention to feign protection like the HIV/AIDS cell pretends to be a part of the body`s immune system before infecting and killing it. The `policeman` pose is `protect shun` racketeering, which a smalled Britney Spears` descent inside a giant`s ring in Oops I Did It Again symbolizes. Her threefold role as Graeae refers to `Woman` as a species with her own penis, because although a woman without a penis may be impregnated by a woman with a penis, the woman with the penis may still want to be impregnated, and therefore `Woman` is threefold. Britney Spears` Mars has 98% oxygen because the penis of `Woman` requires more oxygenated blood to inflate because it`s generally bigger than the male penis of its apparent symbiote, which feigns interest in her sexually, but is her devouring parasite and the art, culture and imagination, which the innocent of her human species produce from her `host` womb emerges only for the evil alien to devour in its wars of enslaving pederasty as it seeks to spread its contagion of `perpetual enmity` against her Earth and further.

 Because oxygenated blood is needed for the penis to inflate, sex between more than two people represents the dangers of `penis envy`, because a deflated penis can see what it would like but can`t have because it isn`t ready. Consequently, the number of brains in the room will decline to the extent that `penis envy` prevails because the parasite of enslaving pederasty and war will kill those who are sexual to ensure its continuance and spread its contagion. Because `Woman` has a threefold reproduction and production system, `penis envy` is `relative`, which is what the Greek myth of Oedipus is designed to illustrate in the drama by the ancient Greek Sophocles, Oedipus Rex.

 Oedipus kills his father in an altercation. He hasn`t known his father, and marries Jocasta, his mother. When he discovers his mistake, he blinds himself because of the incest taboo, which might exist to prevent a younger penis from replacing an older and wiser man. But in pederasty, which is `Greek`, men don`t represent wisdom, whereas `woman`s seed` does. In simple terms, Oedipus and his father are blind anyway, because they`re pederasts in Greek, which is why Oedipus doesn`t `know` his father in the biblical sense of the word, that is, `pederasty`, which kills all those who can see, and so the number of brains in the room diminishes because the alien enslaver doesn`t want `Woman` to breed as an independently free species and escape from the evil devourers.

 The pederast encourages the gullible to believe that they`re brave with their clothes on, which suggests to the ignorant that keeping one`s  clothes on is brave, and so wars are keeping one`s clothes on in order to demonstrate bravery to the cowards who are afraid to be seen naked together, which is the truth. Penis envy would result in more pederasts and less brainpower from `Man`. Homosexuals aren`t interested in `woman`s seed`, which is why the evil alien promotes keeping its clothes on; to spread its contagion of war and enslavement of women`s `host` wombs, and send `Man` to his deaths. In pederasty action takes place with the clothes on, and that`s why MBC Action, which is one of the most important movie channels in the Middle East, can be cited as a cause of the Gulf wars, because 9/11 `live on CNN` was what the Arabians had been taught by Hollywood was sex `action` by the United States of America.

 In Oops I Did It Again Mars is inhabited by Britney Spears and her dancers for the video, and the impression is of preparations for a Roman orgy, which would necessitate the exposure of a lot of human flesh and penis. In `penis envy`, idiomatically` the `eyes are bigger than the belly`, which means  that desire for women at a `Roman orgy` is brain activity but the brain of `Man` isn`t conscious enough to perceive that it`s the penis of the woman, which is satisfying her. The males perceive that they`re receiving sexual gratification, but not that their penis is that of the women. The individual ego of `Man` has been taught by Jesus, `Love your neighbor as you love yourself,` which is the perception that each penis is spiritually a collective, but egos perceive bodies as independent entities, and are correct in so doing because, as Jesus` torture during his crucifixion for sedition by the Romans illustrates, he`s the one feeling the pain.

 Because blood flow to the brain is replaced by blood flow to the penis during desire the brain is functioning in a different way, which relates to the notion of `woman`s seed`. If the penis of `Woman` is absent, the penis of her parasitical devouring alien is present, which means the presence of `Man` would be recognizable at a Roman orgy because he would want to receive sexual gratification from the women, whereas the evil `serpent`s seed` would be concerned with his murder so that his brains would be removed as opposition to their enslavers` ambitions.

 Jesus` life is that of the `Man` whose penis has escaped the orgy but he can`t flee forever from the revenge of the pederasts, which means he`s a freedom fighter for `woman`s seed`, and so his birth from the Virgin Mary uncontaminated by male semen marks him as special from inception to Resurrection and Ascension to heaven.

 Jesus is identified both with the `Word of God`, `In the beginning was the word and the word was God,` and Logos, which is progress through the development of instinct into spirit, that is, intellectual brainpower, is what we call technology, and a higher level of technological satisfaction represents the detachment of the brain from penile desire, which is figuratively what happened in `1969 when the lunar module landed on the moon and Neil Armstrong walked there after discarding the rocket that got Apollo 11 there. Throwing their brains away in SDI`s `game plan` of holding the moon and preparing to hurl rockets with nuclear warheads at the Earth may be satisfactory from the perspective of the prevailing paradigm of the devouring alien pederast, but not from the point of view of `Woman` as a species with her own penis and socio-economic and technological goals.

 Jesus` birth as `woman`s seed` uncontaminated by male semen and God`s promise of a `new heaven and Earth` to `woman`s seed` suggest that the technology of `woman`s seed`  is based on the penis` developmental functionality. The system on Earth isn`t human because it`s technology is concerned with satisfying an alien appetite for destruction, which is male and parasitical, because ``Woman` as a species with her own penis is independently human and not male.

 In terms of the Roman orgy, `Woman` has already been removed from the scene, because her `brainpower` represented a threat to the aliens, who could see by her capacity to express sexual desire for her own species that she was human development and not alien. In terms of the aliens` enslaving system, human sexual desire for `woman`s seed` by `Man` is anathema to its plan for devouring the `Woman` in an endless cycle of raised hopes in new art, culture and civilization that correspond to the rise of Empires in male socio-economic terms and their fall due to the devouring political expediencies of enslaving and devouring pederasty and war.

 The brain power of the human is measurable directly in proportion to the size of its penis, because of the potential to transform the libidic energy represented into spiritual and intellectual work, which seems regressive but, in terms of individuational psychology, that`s what sexual drive is for when directed to technological development, and so Jesus` celibacy is celebrated by the slave driver because it provides the basis for a society driven by penis taboo and sexual starvation of a human species that has only two physical valences, sex and food.

 In emphasizing low level technological development to maintain species` imprisonment for `Woman`, the role of the devouring male is made clearer. Having repressed the penis of `Woman` almost to extinction, the male has repressed its own penis` capacity for technological development. At the point of space travel it holds `Woman` upon the Earth from the moon and threatens her with what US President Ronald Reagan in 1983 described as  a ground and space based missile delivery system known as Strategic Defense Intitiative or `SDI` but which corresponds to the size of its new penis from the perspective of an enslaving and devouring alien that had only borrowed her `host` womb as a parasitical virality to ensure its continued slaying of her.

 In a Roman orgy with male aliens the sexual desire of the human is recognizable by enslaving pederasty and the devouring aliens, which means that the humans will be killed and the aliens will live. The absence of the penis of `Woman` from the stage means that the `perpetual enmity` of the `serpent`s seed`, which is described in Revelation as the `red dragon` grown since Eden and waiting in vain to devour Jesus in his `Second Coming` as `Man`, is now being directed towards human remains because the devourer is believed to win. Britney Spears` giant`s ring in Oops I Did It Again is the ring of the devourer, which is plain because of the tines of the giant`s fork placed temptingly beside the spaceman`s helmet as he hangs above her toothsome form in its white bikini

dress.

 Britney`s dancers look human because they`r e not participating in the elided Roman orgy, which the video suggests her `smalled` conquering Venus descending inside the giant `devour ring` is to participate in, because she`s edibly bite size to the viewer, which is the perspectival programming that the tines of the giant fork beside her astronaut`s space helmet is designed to promote as he films her from above, and in film terms that`s a `snuff` movie. In other words, her dancers are depicted as a `snuff movie crew`, which is alien to humanity.

 Penis functionality is unnecessary to brain function from the perspective of the technologically satisfied, but the socio-economic valence of `woman`s seed` is sexual and technological, and isn`t satisfied. Male technology is that of the devourer. Once sexual satiation is reached the male seeks to devour the female, that is, when technological superiority has been achieved, the brain is disconnected from the penis` libidic developmental energy as its transformer of instinct into spirit/intellect. Because the orgasm of `Woman` is slower to build towards its climax, sexual depletion in the male requires further males or what the 21^st century sex technologists have created as a sex machine.

 The Roman orgies were ostensibly for the satisfaction of women when males were sexually depleted and the rotation of availably erect members was the purpose of the orgiastic rituals of `service`, but the penis of the male was the enslaver and the Roman orgy would take place so that the sexual could be murdered by the asexual, which how such secret organizations as the Briitsh military`s `Special Air Service` (SAS) arose.

 The Arabian predecessors of the British Special Air Service were in Afghanistan, where the Old Man of the Mountain, Hassan Ben Sabbah, would drug young men into believing that what they then experienced was Paradise on Earth, before sending them on suicide missions to depose political opponents of Islam with the promise of Paradise after success. 9/11 was a suicide mission designed by Afghanistan`s latest Old Man of the Mountain, Osama Ben Ladan, to reestablish `rough trade`, that is, a return to pederasty and war, by having Al Qaeda`s terrorists crash planes into the Twin Towers of New York`s World Trade Centre. The triumph of the asexual alien is the United States of America`s acceptance of the plot: penis envy.

 Because pederasty is enslavement of `woman`s seed`, murder and blindness is the means of establishing it. The removal of the brains of `Man`, which is what the terrorist attack on the `Big Apple` of New York`s WTC on 9/11 represented insofar as it reestablished the `game` of pederasty and war that had been going on since the USA in 1979 began supporting Osama Ben Ladan`s Taliban insurrectionists against the Soviet Russian backed regime in Afghanistan and  Iraq`s Saddam Hussein in his war against Iran, which had fallen to Islamic revolution in 1976.

 `Woman` with her own penis represents the `futanarian` threat to the ambitions of the enslaving aliens of asexual pederasty. If `woman`s seed` is Jesus` Holy Spirit driven desire for escape to the `new heaven and Earth` promised by God and obtainable through the socio-economic valence of woman`s own penis` technological development program, the `hidden` or `futanarian` woman and her `seed` is what the aliens of devouring pederasty and war want to remain `hidden` and taboo, which is what the story of Oedipus` self-blinding, due to his unwittingly incestuous marriage with his mother, Jocasta,  prefigures.

 Oedipus is a prefiguration of Christ insofar as he is ultimately unable to live because he wanted to. His blindness is a metaphor for his inability to accept `Woman`, which is what Jocasta tells him when she says that the incest is a thing of little consequence for her. In species` terms, Jesus is `woman`s seed` and accepts that, because he`s born from what amounts to incest, insofar as he`s born uncontaminated by male semen from the Virgin Mary and so is `futanarian` in design, which is what Jocasta`s indifference to the incest taboo means. She`s uncontaminated by the male taboo against seeing and living with `Woman`. Men are born with the taboo against seeing and living. Because their fathers prohibit them from their mother, or their sister and other close female relatives, which isn`t a factor to consider if `woman`s seed` is understood to be `futanarian` woman with a penis because sexual access to females is then so simple as to be unremarkable.

 9/11 was a Roman orgy insofar as it was a setting for the assassination of `Man` by pederasty`s promotion of war, which was at the orgy for the sole purpose of murdering the brains of `Man` if he showed his interest in sexual activity with the females. The asexual suicide attack on the `Big Apple` of Eve`s wisdom in New York aimed to take the men of America to a pederast`s party in which the true goal was the expression of the parasites` cycle of activity once out of the `host` womb of `Woman`, which is the cancerous destruction of the art, culture and civilization she manages to produce through `woman`s seed`, that is, Jesus` Holy Spirit, insofar as it has been able to give `Man` Redemption from its devouring parasitism.

 As Venus on Mars Britney Spears in Oops I Did It Again  represents the brains of the penis of `woman`s seed`, which isn`t visible in terms of its brainpower, but the symbolic Graeae tapestry of the three aspects of Britney Spears sharing the camera eye as a toothsome female beneath a  giant`s fork and smalled inside a giant devourer`s ring in the midst of allusions to the tooth-like iceberg of the Titanic movie that, although it swallowed the `heart of the ocean` blue diamond, `Man`, in the shape of Britney`s astronaut in Oops I Did It Again, has put on the diving suit of the depth psychologist and has descended into the waters of the unconsciosus `Self` of `Woman` in order to salvage her species from extinction.

  The Roman orgy metaphor is the most important aspect of the video`s setting in Oops I Did It Again, because the inflated penis of `Man` represents the human brain`s desire to live with `Woman` and the desire of `futanarian` woman with her own penis` desire to live with herself. In an orgy attended by asexual assassins concerned to propogate pederasty through enslavement of `woman`s seed` to maintain its alien `perpetual enmity` for her in its endless wars against her `seed`, the brains of the humans are removed by murder and so the vision of humanity is blinded to what was its destiny amongst the stars.

 The analogy is of the blood oxygenation required for brainpower, and in Oops I Did It Again on Britney`s Mars oxygen is `98%` so denotes the power of the `woman`s seed`. Because it doesn`t envy its own penis. In a Roman assassination orgy the number of brains in the room decreases to the extent that the brains of `Man` are using oxygen that the penis` desire for inflation wants for itself. The penis` desire to inflate wins over the brains desire to function, and collective brain death ensues amongst the humans because the penis envies the oxygen being used by the humans` brains, which the aliens of pederasty and enslavement recognize and, manifesting as demonic possession, kill the brains that are using the oxygen, which the penis wants for its inflated megalomaniacal desire for orgasm.

 As an independent  species` alternative `futanarian` woman with her own penis has the advantage of not being envious of other females` sexual possession of the female because she is female, which means her brain will continue to function because she`s entirely human. The `serpent`s seed` doesn`t want `Woman` to progress technologically and escape from the Earth, so `woman`s seed` is the `hidden` or `futanarian` woman with her own penis as the independent human species.  But  she doesn`t appear in public because the aliens have killed her before, and they don`t want the human species of `Woman` to remember.

 Jesus Christ`s teachings of Redemption through the Holy Spirit are of the `perpetual body` created through such `elixir of immortality` technologies as rejuvenation, and the erasure of disease through medical advances in science, while Christian forgiveness is opposed to the `perpetual enmity` of the evil `serpent`s seed` and its ceaseless vendettas against `Woman` as the human species. The eternal body of `Woman` is the memory of her experiences with her alien antagonist manifesting itself as pederasty and war, but without knowledge of her enemy she can`t fight for freedom, and so myths of self-blindings and taboos against incest are evil obfuscations designed to prevent `woman`s seed` from being able to recognize and remember its ancient enemy, the `father of lies`.

1 UTC 2.56 July 21 1969. 

2. Gettysburg (1863) was a battle in the US Civil War, Rourke`s Drift (1879) was a battle in the Zulu wars fought by the British in Africa, and the Somme (1916) was one of several battles of World War I that resulted in carnage and the almost depletion of male populations in towns and cities throughout Europe, so the pimps could enslave the women`s `host wombs for whoredom and future pederasty, which is what protection racketeering is about.

Britney Spears and the Graeae

Britney Spears` video single for `3` (2009) features the self-declared `bisexual` Britney dancing with black women. Britney, in a white leotard, and black women in black leotards, `1 2 3. Not only you and me. Peter, Paul and Mary. Gettin` down with 3P.` Peter, Paul and Mary were a pop group most famous for the song, `Puff The Magic Dragon` (1963), A dragon lives forever but not so little boys. Painted wings and giant rings make way for other toys.` In Oops I Did It Again (2000) Britney Spears descends inside a giant ring wearing a red plastic suit, while women breathe fire, which means that Britney`s `3` self-references the fire breathing dragon of Oops I Did It Again as well as Peter, Paul and Mary. In Japanese slang, `3P` is menage a trois, that is, a sexual relationship between a woman and two men, which is perceived as `adult`. But it`s a smaller ring in the sense that the woman is reduced in size and importance because diluted or adulterated in adulterousness. In Revelation the `red dragon` waits in vain to devour the `New Redeemer`, who is Jesus in his `Second Coming`, born from the Virgin Mary as `woman`s seed` uncontaminated by male semen, that is, Peter and Paul in terms of Britney`s self-referencing, which is blasphemous. Peter and Paul were the names of Jesus` disciples in the Bible while Mary was Jesus` mother. The ring of faithfulness is bigger, and isn`t adulterate.

 Oops I Did It Again features a spaceman visitor who Britney Spears in her red plastic suit raises by means of a hook and pulley above herself in a white bikini dress so that he can film her with the camera attached to his spacehelmet. Beside his head are the tines of a giant`s fork as a symbol of the devouring `red dragon` of Revelation, because adultery devalues the human species to the point at which `Woman` and her art, culture and civilization is no longer valued to the enslaver of her `host` womb, `Man`. In the Lord Of The Rings (1954) by J. R. R. Tolkein the `one ring` is the ring of the enslaver, Sauron, and there are `nine men doomed to die`, who soar on winged Nazgul to do the bidding of their lord. The novel chronicles the passing of the elven race and the ascendancy of `Man`, and so the second part of the Lord Of The Rings` trilogy, The Two Towers, correlates with the terrorists use of hijacked `civil` aircraft to attack the Twin Towers on 9/11 because it`s Nazgul nine, elven.

 The meaning of Britney`s `3` is adultery, and it`s one tooth, three because, in Greek mythology, the Graeae were three women who had one eye and one tooth between them. In terms of meaning, the Graeae are a pre-Christian description of `Woman`. She has one vision, and one mouth, but is a growing baby. Because she`s a species that has only `cut` one tooth insofar as she doesn`t know that the penis of `Man` isn`t its own. Britney Spears` `3` represents a developing consciousness of `Woman`, because `futanarian` woman with a penis  ( https://www.futanarian.com ) is her independent species for whom menage are trois is an oxymoron because one `futanarian` woman with a penis of her own can reproduce with a woman who doesn`t have her own penis, but a third `futanarian` woman is needed to fertilize the fertilizer.

 Britney Spears` `3` mixes black and white to produce `grey eyes`, which is the meaning of the Graeae`s perception; as a symbol of a unified species of `Woman` with eyes only for herself. Colour isn`t important to the species, `Woman`, but it`s been used by men to maintain what God describes for Eve in the Bible as the `perpetual enmity` of the `serpent`s seed` for the `seed` of the `daughters of Eve` because women are the species and men are the racists:

`What we do is innocent
Just for fun and nothin' meant
If you don't like the company
Let's just do it you and me
You and me... 
Or three... 
Or four... 
- On the floor!` Britney Spears 3

 `Woman` without a penis can`t reproduce and is defined as `lesbian` if she wants a sexual relationship with another woman without a penis, and if a `futanarian` woman with a penis wants sex with a woman without a penis, as a species` reproducer, how is the woman without a penis going to fertilize the `futanarian` woman? Obviously, a second `futanarian` woman is going to be needed in the `marriage`, which means the basis for `Woman` as a species is `three`, but `marriage` is a concept of the `serpent`s seed` in order to maintain pederasty. In other words, `3` indicates the concept of `futanarian` and `Woman` as a species for whom traditional `marriage` with `Man` is `ownership of the means of production` by men in slavery to pederasty. In simpler terms, jealousy is a male construct and noone within the species, `Woman`, cares how many of them are together. Being seen by men isn`t what they`re for. Adam and Eve weren`t for being seen outside the garden of Eden before they were tempted into pederasty and slavery by the serpent. As written in Revelation, God gives a `new heaven and Earth` to `woman`s seed`, and the `serpent`s seed` are punished with eternal unendurable pain, that is, perdition, because they`d enslaved the `host` wombs of `Woman` in pederasty for wars against her own `seed`, whereas making the Hollywood `scene` isn`t what she`s for.

 Although it is written of Adam and Eve in the Bible that `male and female he created them both`, God has also created them female with a penis of her own as `futanarian` woman, which is another tooth in terms of human development. There`s no perception, from what we call `Woman`, to suggest the penis is masculine, because `Woman` has one of her own, which means the correct definition for `Woman` is `the species with a penis`, breasts, and a vagina, but not in contradistinction to a parasitical organism that is an alien endeavouring to resemble `Woman` so it can continue to enslave and devour her in its periodic culling in its wars upon her Earth`s art, culture and civilization that might produce the space technologies which could facilitate her escape from `Man`.

 The meaning of the Graeae`s one vision, one mouth, and one baby `riddle` is similar to that of the Sphinx`s `riddle` in Sophocles Oedipus Rex, a drama about the ancient Egyptian city of Thebes, `What walks on all fours in the morning, two in the afternoon, and three in the evening?` The answer is, `Man` and Oedipus, the questioner, assumes that`s good because it means him and he`s solved the `riddle` but he doesn`t know the meaning of the answer, and the meaning is that man is blind and needs a cane because, in biblical terms, he`s Cain the murderer. Oedipus discovers this as the play runs its course because he murders his father and blinds himself as a self-punishing for his crime.

 The Graeae are all women and so they don`t have a man because they don`t need one. That`s why they represent a baby `Woman`, because she`s a species. In the Bible there`s a similar passage in which a `woman` is described, `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` Men assume that means her, whereas it means them because she`s a slave of pederasty, which has been the model of Western civilization since the ancient Greeks began to spread their contagion of war and enslavement of the `host` wombs of women by first enslaving their own women at home for pederasty and then attacking nearby cities, which ultimately produced `Greek` biological warfare against women`s `host` wombs in the form of HIV/AIDS and, because of the shortening distance between neighbours due to air travel, 9/11.

 Before the walls of Troy, the Greeks used a huge wooden horse, which they hid inside and the Trojans welcomed into the city as a gift for the goddess Athene, whose symbol was the horse. Emerging from their hiding place, the Greeks enslaved the `host` wombs of the Trojan women for further pederasty and war. On 9/11, 2000, Arabian terrorists used their welcome to disguise themselves as tourists and hijack `civili` aircraft as `Trojan horses` to crash them into the Twin Towers of New York and spread their contagion further.

  In 2000 Britney Spears released the pop video CD Oops I Did It Again in which she suspends her spaceman visitor after hooking him by his backpack in her red plastic suit and winching him up until he`s able to look down upon herself in a white bikini dress. Attached to his spacehelmet is a camera and beside him are what appear to be the tines of a giant`s fork. The `giant` motif is underscored by her appearing at the video`s commencement descending inside a giant`s ring, which denotes the smallness of the woman inside it. The astronaut is in Apollo NASA `period costume`, and the allusion is to Neil Armstrong, `One small step for a man, one giant leap for mankind,` who was the first man on the moon. The apparent setting for Oops I Did It Again is Mars, which means that Britney, inside her giant`s ring, is `One small step for a woman, one giant leap for womankind.` In terms of the Graeae myth, it`s one vision, one mouth and one foot. Because Britney Spears appears in a red plastic suit on Mars, and a white bikini dress, she`s a reproductive species of woman and that`s `futanarian`, which is why the spaceman with his visor resembles a toe. Although he first set his foot on the moon, she`s the first `futanarian` on Mars.

 Jesus` birth from the Virgin Mary meant that he was `woman`s seed` uncontaminated by male semen, and so Jesus` teachings of `Redemption` mean that `Man` can be saved if he isn`t serpent`s seed`, but `Woman` is the future of the human species. Just as four wives are a hand in Arabia with a thumb to control them because four wives are allowed to a man, so Britney Spears on Mars is the woman who, even though she has a penis and is a species in her own right, is prepared to go forward into the future as a `futanarian` while always putting her big toe first and leaving him at home until he`s big enough to put the ring on his finger, and not finger her for his pederast`s `ring`. Because `Woman` is enslaved by pederasty, that is, the `perpetual enmity` of the `serpent`s seed` for `Woman`, which in Revelation appears as the devouring `red dragon` of pederasty grown since Eden, but that waits in vain to devour the `New Redeemer`, who protects her from the `serpent`s seed` in its devourer`s wars against her.

 The tines of the giant`s fork beside Britney Spears` spaceman`s spacehelmet, as he films her with his camera in Oops I Did It Again, are a metaphor for the one vision, one voice, and one child that is `Woman`. The three Graeae represent, with their one eye, one tooth, and eyeless or toothless companions, who should decide if the others should eat or see. Because `Man` doesn`t want her to: it`s an ogre with one eye and one tooth, and is an idiot that wants to feed its `id`, which is the eyeless and toothless child of undeveloped `woman`s seed`.

  A faux pas is to `put one`s foot in one`s mouth` for having said something regrettable, whereas `sticks and stones may break my bones but words will never hurt me` is a proverb that all of  Jesus` teachings illustrate. But the simple message is that God listens, and if anything hears you that isn`t God, it`s evil. Consequently, it`s important to know what idiom means. How is it possible that a faux pas can be understood as `putting your foot in your mouth`? Because the idiots are stupid enough to kill you for a faux pas, and the `id` of the `serpent`s seed` is quite happy to arrange for the `woman`s seed` to be devoured through its `perpetual enmity` for `Woman`, with or without her own `futanarian` penis in her mouth, because she`s the human species and the aliens don`t want `woman`s seed` to live. Britney Spears` video for her CD single Oops I Did It Again begins `Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah. I think I did it again. I made you believe. We're more than just friends.` `Woman` has to pretend to believe in `Man` because it`s not her species, and so she has to learn to `play the game` of duplicity. Her first word is `yea`, because `touchdown` on Mars confirms belief in God:

`Yea though I walk through the valley of the shadow of death,
I will fear no evil: for thou art with me;
Thy rod and thy staff, they comfort me.
Thou preparest a table before me in the presence of mine enemies;
Thou anointest my head with oil; my cup runneth over.`

 In Revelation the `New Redeemer` rules with an `iron rod` to protect the `woman`s seed`, and the woman who bore him is `hidden` after being carried to a `place of safety` on `eagle`s wings`. The rod is the device by means of which the good measure the distance between themselves and the evil. As Jesus says to the evil one when he seeks to tempt the first of `woman`s seed`, `Avoid me.` (Matt: 4.10) The rod is the power to see how far the evil are from you and to keep the distance between you. The staff is the shepherd`s crook, which is used like the hook in Britney Spears` Oops I Did It Again to lift the spaceman with his camera so that he can see. He`s able to see, but as Jesus says, `Touch me not.` (John: 20. 17) If you can see the evil coming, you can avoid them, and you can help anyone as long as they`re not able to touch you if you don`t want them to.

 In her red plastic suit Britney Spears raises her visitor spaceman by means of her `shepherd`s crook`, that is, her hook and pulley, so that he can see herself in a white bikini dress. The meaning is that she doesn`t want her `futanarian species to be touched by `Man` if she doesn`t want him to, and she`s the measure of him. The tines of the giant`s fork are suspended beside the spaceman`s helmet, so from the spaceman`s point of view the giant is measuring the distance between itself and the woman beneath the camera. In other words, `Woman` is the measure of `Man`, and Revelation says that the `red dragon` waits in vain to devour her. If `Man` were to be such an idiot as to eat her himself, the devourer would win. `Woman` isn`t that big idiot.