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Britney Spears and Leviathan, Behemoth, Ziz, and Chronos in Oops I Did It Again

23/03/2012 15:07

Britney Spears and Leviathan, Behemoth, Ziz, and Chronos in Oops I Did It Again



In Oops I Did It Again (2000) Britney Spears plays the red dragon of Revelation, which is associated in Judaism with Leviathan from the Book of Job in the Old Testament of the Bible. Leviathan is interesting because the `sea monster` is equated with Satan in Christianity, and in Judaism forms part of a triumvirate of creatures; the others being Behemoth and Ziz, `monsters` of the land and air. Britney`s spaceman arrives on the arid desert world of Mars with a gift for her. Dressed in red, she asks:


`But I thought the old lady dropped it into the ocean in the end?`


 Britney`s Oops I Did It Again is about a sunken `Leviathan`, because of the allusion to `the heart of the ocean`, which is the blue diamond in the shape of a heart dropped into the sea by Rose at the site of the salvage of the Titanic liner that sank after hitting an iceberg on its maiden voyage in 1912 from Liverpool to New York. The movie Titanic (1997) details the story of Rose who`s heart was betrayed by her ex-fiancée`s placing of the `heart of the ocean` jewel into her new boyfriend`s coat pocket and accusing him of theft. Rose`s new beau subsequently drowns and, lamenting her loss at movie`s end, she allows the jewel to slip through her fingers and into the sea.



 In Egyptian mythology, the `feather of truth`, which is the goddess Ma`at`s, is weighed against the heart of the deceased and, if it balances, the `Akh`, that is, the personality (`Ba`) and spirit (`Ka`) conjoined, travel beyond the Earth to heaven. The heart of Rose`s drowned love is symbolized by the `heart of the ocean`, and Britney`s weighing of it. Red suited she hoists her spaceman on a pulley until he sees her from above in a white-bikini-dress.



The spaceman is  suspended, or `balanced`, above Britney in her white bikini-dress, who represents the feather of Ma`at. In her red suit, she`s Seshat, the Egyptian goddess of `building`, whose emblem is a rope. Descending inside a giant`s ring, a `superbowl ring`, her spaceman has `touchdown` (TD) on Mars. She `hooks` him with a `block and tackle`, lifting him above herself in a white bikini-dress. It`s American football and her `hook` is a quarterback `play` where the `eligible receiver` runs upfield, stops, and turns back to take the `pass`. We see Britney in red running to `hook` the spaceman with her `block and tackle`. When `hooked up`, she`s ready below in her white bikini-dress.  It`s Seshat`s `scientific romance`. Oops I Did It Again is her builder`s  bildungsromans.



 If the QB is `tackled` in American football, he`s `sacked`. In Oops I Did It Again he gives Britney a gift, and so he`s `sacked`, that is, she has a present from his `sack`. However, Britney in her red suit is the `real` Santa; because she`s Ma`at weighing Rose`s `heart of the ocean` against the `feather of truth`, and `love`s `heavenly reward` is what she has in her sack. In short, the spaceman is an `investor`, but isn`t supposed to know. He thinks he`s Santa. He gives Britney the `heart of the ocean`, which is a symbol of what the developmental psychology of Carl Gustav Jung (1875-1961) calls the `God archetype`. According to Jung there exist in the psyche of each individual images and figures that, in dreams and reverie, assist creativity and knowledge. Because the `ocean` is a symbol of the unconscious `Self` of the world, the `heart of the ocean` would contain the collective archetypes of God. Consequently, Britney`s been given the Earth, moon, and stars.



 Britney`s Till The World Ends begins with a `meteor ` crashing upon the Earth and, in Australian aborigine legend, the `coalsack`, or Black Magellanic Cloud, is personified as `Utdjungon`, who has the power to destroy the Earth with a `fiery star`. The world`s `Self` is `balanced` in Oops I Did It Again because Britney has the `heart of the ocean` from her spaceman`s `sack`, that is, the developmental capacity of the collective archetypes; or, in other words, the potential to leave Earth and moon for the stars. ICBM`s are men`s `fiery stars`; but you need a relationship to leave.



 The history of men is of devouring anything that doesn`t accept them; including woman. Or, to put it another way, if women don`t accept that they are men, that is, that women are men, men will devour them; as they devour everything else that isn`t themselves. If women have a penis of their own, they`re a species. Revelation describes how the `New Redeemer` protects the woman `hidden` upon the Earth before she leaves for heaven where her `seed` and that of the evil serpent`s fight a war in which she`s victorious and God creates a new heaven and Earth for her to dwell in forever. The red dragon of Revelation waits to devour the `New Redeemer` as the child born to the `woman clothed with the sun and with the moon at her feet`. It can`t. But the `New Redeemer` can protect the `hidden` woman. The meaning is simply that the `hidden` woman is a species with her own penis and doesn`t need to be defended. She only needs to hide. Men defend what they want to attack. If they`re declare they`ll defend you, they`re asking for you to be attacked. The `New Redeemer` protects the `hidden` woman by hiding her. She`s a species with her own penis who`s to sow her `seed` amongst the stars in preparation for the evil serpent`s `seed` final defeat and perdition. She doesn`t need men, so if they`re looking for her it`s because they`re the evil serpent`s `seed` that wants to attack her.



 In Oops I Did It Again Britney `has her own space` but, according to aboriginal legend, Utdjungon is the `lawman` who punishes lawbreakers. Utdjungon is the `devourer` of Britney`s woman because she `isn`t a man`. In Britney`s `gangster` video I Wanna Go, in which she`s `Bonnie` to Guilermo Diaz`s `Clyde`, and Criminal, in which she`s romantically `involved` in  murder, she`s `being a man` because men won`t accept anything else. By the late 20th century Britney had defined herself as `bisexual` and, in Oops I Did It Again, she has the role of `spirit`, in her white bikini-dress, and `soul`, in her red suit, which is indicative of her `self-love`. The `path` of the `hidden` woman of the Earth who leaves to spread her `seed` amongst the stars of heaven, in  preparation for her victorious war against the serpent`s `seed`, is that of the woman with her own penis, which is what Britney`s psychological bisexuality and self-love is preparing her for. The red dragon of Revelation represents men who`d destroy woman here on Earth rather than allow her to leave and develop herself as an independent species. Till The World Ends, I Wanna Go, and Criminal are indicative of her possession by the devouring imago of men, which wants her to be as they are. Effectively, they don`t want her to live because she `isn`t a man`.



 `Santa` is an anagram of `Satan` and, in Egyptian mythology, the goddess Ammit devours the heart of the deceased if he isn`t `heaven worthy`, and therefore she corresponds to Satan in Christian iconography, which is understandable if woman is equated with `Satan` who wants to leave Earth but is to receive perdition from God. However, according to the Bible, the serpent of Eden gave Eve the `poisoned apple` to give to Adam, which means that Eve isn`t evil but `temptable`. Symbolically, the serpent`s saying `Eat her.` However, if she leaves she can`t be eaten. Ammit, in Egyptian mythology, is Ma`at and Seshat`s `man-eater` who devours the hearts of the evil men who`d destroy the `hidden` woman who has her own penis and is an inviolate species in her separateness from mankind`s. In other words, she`s `Satan` to men but isn`t male, and so represents the aspect of God which redeems `Satan`, which is identified in Genesis with the snake, that is, the penis. If the penis is no longer a male Satan`s, then it`s woman`s and she`s redeemed the male.



 According to Judaism, `Behemoth` lives `East of Eden` in an `invisible desert`, and Britney Spears` Mars in Oops I Did It Again is a desert in which she`s invisible before the spaceman visits. In Hebrew `behemoth` means `great` and is a feminine plural noun. Similarly, Elohim means God as a plurality, corresponding to the Holy Spirit, or Paraclete, of Christianity. Britney, in her red suit, and in her white bikini-dress, represent `plurality`. For Piece Of Me she appears on the cover of the CD as Jesus` Paraclete. At the crucifixion Jesus` side is pierced by the spear of Longinus and, effectively, the Paraclete emerges therefrom as the `Second Eve`, the `tutelary guide` with the wisdom of her species that had been developing since her emergence from Adam`s side in Eden. Britney crucified doesn`t have the `Spear of Destiny` in her side but she symbolizes the Paraclete or `Spears of God` that, emergent from Christ Jesus` side when pierced by Longinus` spear, afterwards was known as the `Spear of Destiny`, because it released the Paraclete or `Spears of God` from the side of Christ. Consequently, as a feminine plurality,  `Behemoth` might be the Paraclete, or `Spears of God`, and refers to woman with a male penis; `be he mother`. However, `Behemoth` is  described as `he`, depicted in battle with `Leviathan` in the Jewish prayer book or `siddur`.


 `... they will interlock with one another and engage in combat, with his horns the Behemoth will gore with strength, the fish [Leviathan] will leap to meet him with his fins, with power. Their Creator will approach them with his mighty sword ... the righteous ... will eat the meat of the Behemoth and the Leviathan amid great joy and merriment.` (Artscroll siddur, p. 719)


 They`re male, and therefore they`ll be eaten; because that`s what males do. The `righteous` are those who`ll eat them because they`re male. In truth `Leviathan` is that `hidden` content of the unconscious that, repressed into unconsciousness by men over thousands of years, that is, the knowledge of woman`s penis, emerges from the `heart of the ocean` as a sparklng blue jeweled heart of love and desire for her own species` development.


 In Christianity, the exhortation is `to love your neighbor as you love yourself` because your neighbor is yourself, which men are unable to do because they want to `devour` their neighbours (Cf. Hitler`s Anschluss of Austria in 1938, and Saddam`s invasion of Kuwait in 1990). `Behemoth` is a plural feminine noun because the female aspect is God`s. Similarly, the female aspect of `Leviathan` and `Ziz` denote the `hidden` woman of the Earth that wishes to leave, and that`s why she`s `Satan` to men who want to keep her here as an enslaved `host womb` for the promulgation of their devouring wars against her species, the Earth`s `builder` from whose `womb` everything emerges that time contains. Chronos (Saturn/Satan) is the male aspect that `devours`, and `space` is what the `hidden` woman needs so that she can build God`s heaven and dwell there amongst the stars forever. Consequently, the `Behemoth` of the `invisible desert` in Oops I Did It Again is Britney`s `hidden` woman, the female aspect of the red dragon of Revelation, that is, Ammit, the `devourer` of men`s evil hearts, and `Ziz` is the `unmanned` Mars` lander, which was named `Phoenix` by the USA because the mythological bird is a symbol of Resurrection:


 `From the [ashes] ... of [its] ... parent [it]... issues [from its nest to] ... the city of Heliopolis in Egypt, and deposits it in the temple of the Sun.`1


 In Judaism, `Ziz` finds correspondence with the Arabian `Simurgh`. However, whereas Ziz is male, Simurgh is female and wholly benevolent. Consequently, the devouring of Ziz at the end of time, `amid great joy and merriment`, isn`t surprising; if he represents the male as the `devourer` of women.


 If `Mars lander` were `Simurgh` in Oops I Did It Again and, according to legend, the Simurgh has that attribute of the `Phoenix`, Britney`s alluding to the Titanic movie in which Rose, grieving for her lost love, drops the `heart of the ocean` into the sea at the place of salvage where, Phoenix-like, the Titanic is to rise from the ocean`s depths. Rose`s boyfriend aboard the liner many years before had painted her nude, wearing the blue heart-shaped jewel, the `heart of the ocean`. Rose`s `picture` is the `zimmer frame`, which helps her to walk in her grief. Her boyfriend was `framed` by her ex-fiancée for stealing the `heart of the ocean`,  a `Ziz` character because male, and so she doesn`t grieve for him, whereas `Simurgh` is God`s benevolence, and Rose is able to walk in her grief, because the `Simurgh frame` of God`s benevolence is the `heart of the ocean`, which is her `Self` in the picture. Her Earth, moon, and stars.


 In spying, `sleepers` are those who steal secrets from companies, governments, or individuals, by `method acting`, that is, they play the role assigned to them until `activated`. Because the archetypes of the collective unconscious are the `jewels of God`, `demonic possession` results from a `sleeper` who wants what God`s given you to work with, and the work that you`ve produced. Rose`s `Titanic` story is hers, but Hollywood made billions of dollars from her memoir. In literary circles, `ghost writing` is a mode available to authors who can`t write, and so writers are employed. As the product of a `sleeper`, Rose`s story is `demonic possession` so that Hollywood can make `big bucks`. The `sleeper` is a `demon` that takes possession of a writer to `whore` the `jewels` of the writer`s archetypal creativity.



 When Britney`s spaceman picks up her picture from the Martian sands, it`s a `Simurgh frame`. He`s a `Ziz`, a creature of the air of Earth in his sealed spacesuit. Britney`s the benevolent Simurgh, which is why Mars has 98% oxygen. Her spaceman is encouraged by the picture in the `Simurgh frame` to walk towards her home, `the city of the sun`. She`s the Phoenix of legend and her home, Heliopolis, miraculously emerges from the desert floor of Mars as the spaceman `takes her picture`. With a camera beside his space helmet, he`s a `picture taker`. The `geek` at `Mission control` is the `demon` for whom he `takes pictures`. Britney`s the spaceman`s `dream girl`, the archetype of Resurrection in the spaceman`s unconscious `Self`, corresponding to his `soul` (Britney, in her red suit) and `spirit` (Britney, in her white bikini-dress), but she`s being `whored` by the `demon` of `Mission control` who wants the spaceman`s `pictures`.


 In Egyptian mythology, the Phoenix is the `Bennu` bird, which is represented as `bursting` from the heart of the god Ra: `I am the Bennu bird, the Heart-Soul of Ra, the Guide of the Gods to the Tuat.` According to the Egyptians, the Tuat was the `Other World` and a guide was required to negotiate dangers, such as devourment by evil creatures, in order to progress into the `heavenly realms`.



In Oops I Did It Again, Britney`s `temple`, Heliopolis, appears reflected, rising majestically, in the visor of her spaceman`s helmet, as he picks up her `cameo brooch` from where he discovers it lying in the desert. However, when he gives Britney the `gift` of Ra`s `heart of the ocean`, her guide isn`t the `Bennu` bird:


`Iranian legends consider the bird so old that it had seen the destruction of the World three times over. The Simurgh learned so much by living so long that it is thought to possess the knowledge of all the Ages.`2



 `Simurgh` is also the Iranian word for `rocket`. According to legend, the Simurgh has the attribute of a `firebird`, that is, Resurrection from destruction, but she`s female and `wholly benevolent`.



In terms of Christian symbolism, Britney`s `clothed with the sun and with the moon at her feet` on Mars, and `Ra`, the sun god, is the `heart of the ocean` because he corresponds to the `archetype of God` in Egyptian mythology, that is, the Earth`s `Self`, which is the `womb` of the `hidden` woman of the Earth that contains all that`s to emerge in time. But the woman of the Earth needs `space and time` to emerge fully, and the red dragon of Revelation represents men as the devourers that would prevent her from escaping into space, which is why the `woman clothed with the sun and with the moon at her feet` is depicted as giving birth to a `New Redeemer` that protects the `hidden` woman until she`s able to leave and `have her own space`.



 In her red suit, Britney represents the `clause` of Santa, that is, if you`re good you`ll receive your `heavenly reward`, but she`s also the `claws` of Satan, that is, if you`re evil you`ll go to hell. Surrounded by giant steel claws throughout Oops I Did It Again, Britney`s red suited heroine symbolizes Redemption through `good work`, and Resurrection, but also the rending claws and teeth of the red dragon of Revelation.



  Suspended above her with the eye of his bulbous space helmet`s transparent faceplate complimented by that of the camera lens attached to its side like an ear that can also see, Britney`s spaceman is a `Buddha`. His ear is trained to see what`s `hidden` by adhering to what the Egyptians call `Kheru`, the `Voice`, corresponding to the `tutelary guidance` of the Paraclete in Christianity, but `demoniacal possession` if the `voice` is proven evil, represented by the `geek` at `Mission Control` who`s in `possession` of the spaceman`s `soul` (Britney, in red) and `spirit` (Britney, in white) so that he can `take pictures`.


 Christians are exhorted to `test the spirits to see if they are evil` (1 John: 4.1), which implies that the spirits can be seen. By listening they become manifest to the eye, according to Buddhism. In terms of the archetypes of the unconscious `Self`, Britney`s spaceman is dreaming in colour. But the demonic `geek` won`t let him out of his suit to have sex with her. He`s `Mission Control` and she and her spaceman are possessed by the `geek`. Hoisting her spaceman into `position` where he can `take pictures` for the `geek`, her spaceman`s desire is impotent.


 Ma`at`s `test of truth` is symbolized by the fork beside the helmet of Britney`s spaceman. If his heart`s worthless, Ammit will devour it. Conversely, if he`s worthless, he`d devour Britney, and so it`s a sexual `meta-fork`, as it were, for the desire to devour when sexual activity is satiated. Britney, and her spaceman`s `geek` at `Mission Control`, represent masturbation. Her spaceman`s there to `take pictures` for `Mission Control` and so Britney and her spaceman represent the possessed ego and the archetypes of the collective unconscious, which are the `jewels of creation`. The masturbator wants pornography, so the demonic `geek` wants `pictures`. Theoretically, the masturbator is more harmless than the sexually satiated, because the masturbator doesn`t have access to the `flesh` of the desired.  Satiation precedes devourment of the `finished with` work, no matter how much time was taken in the development of the `product` (e.g., film) or relationship.  However, if the `sleeper`, as demoniacal possessor of the `soul` and `spirit` of the `sexual athlete` or `masturbatory fantasist` is insatiate, it`s imago of male devourer, constellated within the unconscious of the individual by movies like Silence Of The Lambs, which features the character of Hannibal `the cannibal` Lecter, will devour the in potentiam `Self` of the individual.


 In Revelation the red dragon attempts to reverse the consequences of its sexual desire, that is, the `New Redeemer`  born to `the woman clothed with the sun and with the moon at her feet`, by devouring the child which is destined to protect the woman `hidden` in the desert before she leaves Earth. Men would devour her and the `New Redeemer` rather than allow her to leave Earth because they are, by nature, cannibals. Sexual satiation precedes this `awakening`. Usually projected outside themselves as the god Mars, cannibalism characterizes their collective as `devouring war`. Consequently, woman is most vulnerable when she`s sexually satiated men, because they will devour her; as they do in warfare: a `metafork` for cannibalism.


 Britney`s spaceman, with the eye of a camera attached to his helmet where an ear would be, is a `Buddha` in his spacesuit. He`s able to see Britney because his ear is `trained` and he can see her from within himself as a `spirit`, which accords with the notion that she has the role of the goddess Ma`at weighing the heart of the deceased to see whether Ammit`s to devour it, or her spaceman`s to journey further into her `heavenly realm`.



 The camera eye is Britney`s spaceman`s `devouring mechanism`. In Egyptian mythology, the `Ba` is the soul as `personality`, and so the notion of `capture` relates to the notion of `image` and slander, that is, the personality or `soul` can be tormented by lies if someone is using their captured image to lie about them as Hollywood paparazzi are infamous for doing. The first spacecraft to land on Mars was the unmanned `Mars lander`. `Maa`, in ancient Egyptian, is the word for `truth`. Insofar as Maa derives from the name for Ma`at, the goddess of truth, Britney`s spaceman is Maa`s `lander`, but Maa`s `slander` if he`s a paparazzi there to propogate devourer`s lies about her.



 Piece Of Me is about cannibalism also. The paparrazi are depicted as her devourers, and the cover for the CD features herself as Jesus upon the cross. The symbolism refers to the effective emergence of the Holy Spirit or Paraclete as `Second Eve` from the side of Jesus when pierced by the spear of the Roman centurion Longinus at the crucifixion. Afterwards Longinus` spear came to be known as the `Spear of Destiny`, and Britney Spears` symbolic acceptance of the role of the `hidden` woman by the side of man is an allusion to the Paraclete as the `Second Eve`, that is, Christians` acceptance of  the Holy Spirit`s `tutelary guidance`. Britney`s presented as `the Spears of Destiny`, but Piece Of Me suggests cannibalism and, in Egyptian mythology, the god Osiris is dismembered by the evil Set, which can be construed as a metaphor for schizophrenia. Britney`s similarly `torn apart` by the paparazzi`s slander of her `image`:


`Oh Oh

Tell me have you seen her

Because I'm so


I can't get her off of my brain

I just want to go to the party she gonna go

Can somebody take me home

Ha ha he ha ha ho.`



 In If You Seek Amy Britney`s lyrics are `schizophrenic`, which is a result of media slander. The personality becomes `split` into `I`, and what the paparazzi want. When the ego of the individual is identified with the collective shadow, that is, other people`s negative perspective, you`re `captured` by cannibals who`re `tearing you to pieces` and `devouring` you. Britney, in Piece Of Me, is in danger of being `captured`:


 `You want a piece of me?`



 If You Seek Amy is her way of dealing with `them`. In Hollywood it`s called `method acting`. The `star` doesn`t act, she is the `role`, which requires faith in yourself, and God, because your own personality (and ego) disappears  while `in character`. If You Seek Amy is `F-U-C-K me`, which relates to Piece Of Me, and Oops I Did It Again where, in her red suit, she hoists the spaceman above herself in a white bikini-dress. She`s made a `grab` for him and it should be a `piece of cake`. All he has to do is `grab` the giant`s fork. But it`s too big for him to hold because he isn`t a giant. Nor is he a cannibalistic ogre. That`s the idea in the demoniacally possessive mind of the `geek` at `Mission Control` who`s staged the `Set`.



 Britney`s spaceman represents the god Thoth or `thought` and, as Ma`at,  goddess of truth, she`s Ma`at`s feather. Because `Ba` is `personality` and `Ka` is spirit, Ma`at, the goddess of truth, is Britney`s `Ka` or spirit. Her `personality` is represented by the Masonic goddess Seshat, her `Ba`, and Seshat the builder`s bildungsromans is about the relationship between `physical and spiritual love`. The spaceman hoisted above her can`t `grasp` her in `truth`. He has a camera from the cannibals at `Mission Control` who want to `capture` her. He thinks she`s `heaven`, but he`s sold his soul to the `meat trade`.



 In the psychology of Carl Gustav Jung (1875-1961), the feminine component of the soul is the anima, and those who fear their soul`s capture by cannibals are defined as believers in `animism`. Britney`s spaceman`s anima corresponds to Britney Spears, or any woman that`s desirable, but he`s `capturing` her for the cannibals he`s agreed to sell his soul to, which makes of him the red dragon seeking to devour the child of the woman who, according to Revelation, will protect the woman `hidden` upon the Earth before she leaves for the stars of heaven. Because he doesn`t want to sell his soul and eat it too, which is what the `fork` beside the spaceman`s helmet alludes to:


`You can have your cake and eat it too.`


 Piece Of Me, Fuck Me and Oops I Did It Again are about forgiveness for a desireful love that has become `a devour ring`. As the goddess Seshat, red-suited Britney has `balanced` the `heart of the ocean`, represented by the spaceman from which she`s `taken heart`, with the goddess Ma`at`s `feather of truth`, who is represented as herself in her white bikini-dress. Descending inside her giant`s ring, it`s a wedding or a cannibal feast. In Jungian psychology, `balance` means `healthy`, and `ocean` is a metaphor for the unconscious self which contains facultas praeformandi or `archetypes` that, appearing in dreams or reverie, assist conscious development. Archetypes can be figures, or images, and the `heart of the ocean` corresponds to the `God archetype` which, according to Jung, is `unknowable`, but visible in those who have achieved self-actualization or individuation (Buddha, Mohammed, Jesus).



 Jesus offered his `body and blood` to the disciples at the `Last Supper` before his crucifixion, death, Resurrection, and Ascension to God`s heaven. In Catholicism Jesus` `body and blood` is represented in `Communion` by the `bread and the wine`, and the Catholic `ritual` of drinking and eating is called `transubstantiation`, whereby the `tutelary guidance` of the Paraclete is invoked. In Jungian psychology, the `bread and the wine` are equated  with the soul and the spirit, or the `Ba` and the `Ka` of Egyptian mythology. But the symbolism remains the same. If your heart`s evil, you`ll be devoured.


 Jesus enacts the typical myth of the vampire who offers his `body and blood` so that his `disciples`can receive eternal life. The crucifixion of Jesus is a torture and murder, and although  Jesus` has Resurrection and Ascension the indication is that he`s an immortal `blood drinker` offering to `drink a little blood` from the body, and give the recipient life eternal; rather than rend and murder as his tormentors had done. In short, Jesus is a messianic vampire who understands the nature of reality. Either you accept `God`s love` from whichever vampire wants to give you eternal life, or you`ll be a possession and tortured to death by vampires who are devourers and don`t want you to live.


 According to Judaism, the three creatures (Leviathan, Behemoth, and Ziz) slain by God at the end of time, are eaten amidst great jubilation, which is logical if they represent the devouring male imago that sought to devour the Earth. In the Graeco-Roman tradition, the god Chronos (Saturn) devours his children, and so corresponds to the figure of the red dragon (Satan) of Revelation in the Bible that waits to devour the `New Redeemer` that protects the woman `hidden` upon the Earth; presumably from being eaten. The red dragon waits in vain because unable to devour the New Redeemer. Evidently, there are those who`ll be eaten in a godly way, and those who remain undevoured because godly. Clearly the `hidden` woman is godly while Leviathan, Behemoth, Ziz, and Chronos (Saturn/Satan) are masculine `principalities` or `powers`.



 Leviathan, Behemoth, Ziz, and Chronos (Saturn/Satan) constitute a quaternio in which the sea (Leviathan), the air (Ziz), the land (Behemoth), and time (Chronos/Saturn/Satan) are represented. In symbolic terms, Leviathan, Behemoth, and Ziz are to be absorbed into God in the course of history while Chronos (Saturn/Satan) receives eternal unendurable pain for cannibalistically devouring his children, which the figure of the red dragon of Revelation waiting in vain to devour the `New Redeemer` symbolizes.



 The dimension missing from the quaternio of sea (Leviathan), air (Ziz), land (Behemoth) and time (Chronos/Satan) is `space` which, according to Revelation, is the destiny of the woman `hidden` upon the Earth before she leaves; `Britney Space`. In Lucky Britney is depicted amongst Lucky`s stars, where the `hidden` woman and her `seed` await the final victorious battle with the evil serpent and its `seed` before God creates a new heaven and Earth for her and hers to dwell in forever while the evil serpent and its `seed` receive eternal perdition as their punishment.



 Woman with a penis is called `futanar` and she`s God`s basic survival pattern for her species. She has milk in her breasts, and semen from her penis can fill a bucket with protein. In species` survival terms female vampires are indispensable too. Futanarian woman has the male aspect of her species, and the rising of her penis to God is, effectively, the Redemption of Satanӓel, the first of angels, and the `Leviathan` of the masculine component of woman, sunk without trace like the Titanic, and emerging into a `Salvation` that isn`t the devouring homosexual sterility of men. Satan is redeemed in the shape of this female `Leviathan`, `Behemoth` or `Simurgh` and, as it says in the Bible, the evil shall still experience eternal unendurable pain. Because they`re evil and not because of their name.