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Britney`s Sucker

26/03/2012 17:49

Britney`s Sucker


The `fourth wall`1 is a well known concept in drama, that is, the audience. In Pantomime the phrase that acknowledges the existence of a `fourth wall` is, `Look behind you!`2 Left, right, and behind are the three walls of the living room, or the theatre, with the television, or stage set, as the focus, which is important if others` focus is upon you. Then it`s alarming, `Look behind you!` As Revelation warns, `The number of a man is the number of the beast`. Mobile `phones give men the opportunity to target the individual as their `fourth wall`, while they can`t be seen by the targeted. The result is a dramatis personae in which the target is `gamed` by shadowy protagonists who`re capriciously helpful or hindering, because the `fourth wall` prevents their `game` from escaping.



 In the developmental psychology of Carl Gustav Jung (1875-1961) a woman`s animus or `spirit` appears in dreams as a group of men that form her opinions. An `opinionated` woman is a woman that hasn`t had her opinions formed for her by a group of men corresponding to her animus. Consequently, as the more vulnerable members of society, women are the focus for the `bull ring` of cowardly men with phones who, encircling her as tormentors, ultimately constitute a `snuff ring`. The Pantomime exhortation is directed at the girl who, traditionally, plays the principal male lead in the `Panto`, `Look behind you!` Because women have to learn to defend each other from men as the cowardly `beasts` that would murder her as a species.



 In `Piece Of Me` Britney has the role of the fairytale Princess, in `Cinderella`,3 who`s a `rags to riches` family slave but goes to a ball at the palace where the Prince falls in love with her, because her foot fits the `glass slipper` he uses to find the woman with the perfect `foot`, that is, she`s futanarian human `woman`s seed`, which is depicted in Christian iconography as Jesus, mother, the Virgin Mary, crushing the head of the serpent with her `foot`, because Jesus is `woman`s seed` for the sexual reproduction of human brainpower uncontaminated by male semen, which is why Jesus is killed: `Love your neighbour as you love yourself.` (Mk: 12. 31) The angel, Satan, was expelled from heaven by God for rejecting God`s plan that the human host would be greater than the angelic, and Satan was placed in God`s garden, Eden, on Earth as a serpent. Tempting the first woman, Eve, with the `fruit of the tree of the knowledge of good and evil, that is, death, the serpent told Eve, `You shall be as gods.` (Gen: 3. 5) God`s `fruit of the tree of life` was immortality, and God told Eve and the first man, Adam, that Redemption would occur after the pair were expelled for disobedience if Adam labored, although Eve would experience labor pain: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) As `woman`s seed` Jesus was Eve`s labor, because futanarian women`s brains have the power to crush Satanism, which is host womb parasitism to ephemerality in death to the human race in a war waged against humanity by a parasitoid nature, men`s.



 In Egyptian mythology, the `Shu` is the `feather of truth` of Ma`at,4 the goddess who balances it against the heart`s worth, and if the two balance the balanced human enters heaven, which is a metaphor for psychological balance deriving from the sexual reproduction of human futanarian brainpower. Cinderella`s mind can be seen by looking at her `foot` through her `glass slipper`, which is the `Shu` of the Prince. In simple terms, he`s asking if he can see her penis. Traditionally, vampires can`t be seen in the glass of a mirror and so Britney`s promotional video for `Piece Of Me` features the mirror, that is, the `Shu`, which shows women why they`re not psychologically balanced, because the vampire has devoured their penis. Now they have the unbalanced psychopathology of the male brained victim that wants to be killed by the misogynist`s parasitoid nature.  Futanarian women can see their penis in the glass `Shu`, and so are psychologically balanced, whereas women who like what they see in the mirror of their dreams are told they`re `lesbian` abominations, although sex between women is normal for their species, which isn`t men`s.



 Identifying herself with Jesus Christ on the cross for the cover of the `Piece Of Me` CD single, Britney`s observing how the male brained Roman Empire balanced without a futanarian `foot`. Jesus was crucified after the disciple Judas, who was used to stealing from the collection plate after a service, saw a woman anointing his feet with expensive perfume and suggested that the perfume be sold to raise money. As the human host at the `Last Supper`, Jesus offered `bread and wine` in fellowship to the disciples as symbols of his `body and blood`, and Judas betrayed the human host to agents of the Roman Empire then occupying Jewish Palestine as a `dissident` who threatened to introduce `woman`s seed` to restore balance to human nature. Taken to the hill of Calvary outside the city of Jerusalem, Jesus was nailed to a cross of wood and left there until he died, although he had Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed` with the brainpower to build starships and escape from Satanism in colonization of the planets and stars, along with the medical science conferring permanent knowledge of how to maintain the operation and live.



 Vampires can`t be seen in the `Shu` of balance, that is, the mirror, because they don`t want the human race to have brainpower through sexual reproduction as the futanarian species, but rather blind ignorant unconscious brainlessness in decapitation without women`s capacity for sexually reproducing brainpower from their own penis` semen. The vampire lives at the expense of the human host, which was Judas` sin. It`s stake in the human species is as a parasitoid creature that`s stolen the penis of women to enslave her host womb for the production of whatever human civilization, culture and art she`s still able perforce to produce, before the parasitoid nature of the draco emerges to destroy `woman`s seed`, which is why the evil nihilists breed her.

 In `Piece Of Me`, Britney writes `sucker` on the forehead of a paparazzi with a tiny camera concealed under his shirt, because he`s a vampire bred in blind ignorant unconsciousness to accept his role. A reference to the incredible microminiaturization that has preceded the development of tiny moving pictures for `phones, the biblical prophecy of Revelation that phone numbers are the beast`s `name` represents the cowardly secret of the vampire that has bred in heterosexuality a single male brained creature corresponding to a `TV` transvestite wearing each others` clothes in a `snuff film` masquerading as a continuing socio-historical report on the doings of the people of Earth, who`ve been duped at least since Vlad, `the impaler` of Wallachia, known in the Middle Ages for impaling his victims on stakes, was romanticized in the film capital, Hollywood, Babylon, with actor Christopher Lee as Dracula (1958) based in the novel, Dracula (1897), by Bram Stoker, who depicted young beautiful women receiving immortality after their blood was drunk out of their bodies by a suave gentleman.

 The desire of evil vampires is to murder, and parasitoid men`s nature is the desire is to be immortal, so that they can continue to murder women, which is `vampirism`, and a concomitant of parasitism, although parasites aren`t necessarily parasitoid, which is the beginnings of Redemption: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was institutionalize `Greek` democracy, which was host womb slavery for homosexuality in pederasty to wage war on `woman`s seed`, which is what Empires are.

 Hollywood, Babylon`s Mogul Empire similarly promotes male braining for war movies to ensure the absence of `woman`s seed`: `… women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`5 In the mirror of the Hollywood `Shu` women`s unseen futanarian species can`t be a part of a balanced `scene`: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)  In `Piece Of Me`, Britney and her go-go dancers` glass is Cinderella`s `Shu`, and the `sucker` is the vampire who can`t see her penis in the mirror, which represents immortality through brainpower, rather than parasitoid devouring in parasitism. Cinderella`s sisters are `ugly`, as they`re futanarian, although she wants to `ball` with them, that is, they`re beautiful women with penis of their own, but the fairytale convention is that they`re `ugly`, as they aren`t men, because men don`t want human brainpower to interfere with their host womb slavery and vampirism.



 `Cinderella` is an illegal fiction because it tells girls looking in the mirror what to expect to see. Consequently, the socio-economic history of the Earth`s democratic nations is based on the illegal fiction that women can`t sexually reproduce with each other as a potential voting majority to outvote men`s psychopathological imbalance based on warfare against `woman`s seed` to enforce host womb slavery for parasitoid devourment. Or, in other words, men`s fiction is illegal because it depicts the depredations of their vampirism as human nature. When Britney Spears had her fortune and sons taken away from her by a United States` court, who gave custody of the children, Sean and Jayden, aged two and one, to their fatherer, Kevin Federline, and financial control to her fatherer, Jim, and someone who said he knew her well, Jason Trawick, it was an illegal vampiristic fiction, although the star`s earnings weren`t.



 The 20th century was the vicarious enjoyment of large scale murder in the form of `historical` depictions of `epic` wars in wide screen cinemas with film formats such as `Cinemascope` and `Panavision`. The audience`s `enjoyment` of battlefield carnage from the American Civil war (1861-5) at `Gettysburg`, the `Somme` battle in Imperial Germany`s WWI (1914-18) attempt to enslave the Earth, Japan`s December 7, 1941, `sneak attack` on the US Pacific fleet at Hawaii`s `Pearl Harbour`, the Allied `D-Day` landings at France`s Normandy beaches in the overthrow of the German`s second attempt to enslave the Earth in WWII (1939-45), and World Trade Centre (2006), the movie of the news report, `live on CNN` and other networked `TV` channels, of September 11, 2001, when Afghanistan`s Al Qaeda terrorist group hijacked civil airliners to crash into the Twin Towers of New York city`s World Trade Centre, which precipitated what came to be known as the `Video Game War` in the Persian Gulf, after Iraq`s dictator, Saddam Hussein, offered his support to Al Qaeda, and his deposing on December 30, 2006, was watched on `TV` as a vicarious `shoot-em-up` that the `couch potatoes` didn`t have to touch their `Play Station`, `Saga`, and `Microsoft X-box` consoles to enjoy as nihilistic psychic vampires feeding upon the energy of elation as they vicariously experienced the life force draining from the bodies of the slain.

 In `Piece Of Me` Britney`s `sucker` comment in red lipstick on the forehead of a paparazzi with a small `phone camera is about Salvation. Although Christians associate Salvation with the salvage of vessels, that is, those sunken and downtrodden by vicissitudes, and the re-training of such `down-and-outs`, Salvation is memory of who one is, and where one was, so that one is saved there with others who want Salvation with you. Although it sounds science fictional, Salvation is being saved as a memory with those you want to be remembered by. In the Bible the `red dragon` of Revelation waits in vain to devour the new born New Redeemer who would protect the `hidden` woman of the Earth, whereas Britney`s `sucker` is for those who spurn Salvation as `blood-drinkers` who want moving pictures to be a cowardly bully with, secretly on I-phones` `shoot-em-ups`, and other torment and torture `games` of memory deletion, rather than a `hard drive` for `PC` permanence, where `pc` means `politically correct`, which feminist `pc` isn`t. Taught `pc`, women are encouraged to believe that lesbians are homosexuals so equal to men, whereas lesbians are human futanarian expressions of what futanarian women`s species are, and men can`t sexually reproduce with each other, because they aren`t women`s human species, which is why they practice homosexuality. `PC` is permanently correct, because Salvation is the saving of human futanarian women`s memory for `woman`s seed` as the Earth`s species.

 Enjoyment in the 20th century was defined as the vicarious thrill of seeing identifiable actors murdering actors with whom you didn`t identify, because you knew who the successful murderer was. Clint Eastwood dares the forgotten young actor in the film, Dirty Harry (1971), and then cold bloodedly murders him with the popular Magnum .45 of the period, `Go ahead punk. Make my day!` Fourth wall convention tells the viewer that, as both are actors, it isn`t a real `snuff film` in which real people are killed for the entertainment of the viewer, whereas that`s what humans are being prepared for in wars against `woman`s seed`.



 Women in Moslem Islam are unidentifiable actresses `hidden` beneath their burkas in public, because they`re human futanarian women`s species. In Islam four wives are permissible in marriage because of an Old Testament story of Abraham `s wife, Sara, who became barren after birthing Isaac, founder of Judaism, and gave Hajer, her Egyptian maid, to Abraham, and Hajer birthed Ishmael, founder of Islam through his descendant Mohamed, who received the Koran (610-30 C.E.) from the angels, according to tradition, which is the basis for Islam`s four wives. Because the women are unidentifiable, they`re Clint Eastwood`s `punks` in the Gulf wars against women`s futanarian humanity. After the deposing of Saddam Hussein, Abu Bakr Al Baghdadi declared the Independent Levant (IL) of Iraq and Syria, as a `pun` on September 11`s (a Levant`s) declaration of war. Because women`s sexual reproduction would mean they`d outvote men, `woman`s seed` is `elephant` for which `big guns` are wanted. 9/11`s US President, George W. Bush`s, `Dead Or Alive!` warrant for Saddam Hussein was a `big game` hunter`s `post`. By the late 20th century, Hollywood, Babylon, movies like Scream (1996) had ceased all pretense at sympathy for the murdered, and simply accepted the murdered was the cowardly audience, who cheered addictedly as the helpless woman was slain. In short, the biblical `beast` was their hero, the coward who`d murder some heroin.

 The heroine of movies like Scream represented the programers, who wanted women to die. They`d become pogromers, so they could have more `snuff film` promotions based on real life reportage; for example, `ethnic cleansing` of Islamic communities in Bosnia by Christian Serbs during the Bosnian war (1992-5), who set up `rape camps` to male brain a generation of Moslems, and Sudan`s Dharfur province, where black West African Moslems weren`t of the `white` Arabian Moslem rulership. Those promotions led to more `Video Game War` for cowards addicted to smoking some unidentifiable heroine, after the first `TV war` in the Gulf (1990-1), in which aerial `TV` pictures of Kuwait relayed `live` made the US` destruction of the invading Iraqi army seem fun and simple.

 Rejecting the hero as a role model, Hollywood, Babylon`s audience had been prepared to accept the killer and blame the `producer`, women, used as a breeder of men for war since ancient Greece, when male homosexuality was `normalled`. Effectively, women are a `host womb` for men as the alien parasitical organism seeks to live as a cowardly murderer, and vicariously so in modern snorts of life energy inhaling elatedness. Because women have their own penis, as futanarian woman does, she`s a species. Consequently, unredeemed men are identifiably  women`s parasites, and the entertainment associated with the biblical `Baal worship`, which is traditionalized in modernity as `ball` sports, where the ball is the ovum and men play with `woman`s seed` because she can`t fertilize. In the Old Testament God punished the `chosen people` of the Jews for `Baal worship`, because `Baal` was male and the idol had a bull`s horns, whereas in Judaism Jews are born from women, because Jews are women, that is, although `Baalat` was the female `Baal`,6 human are futanarian, so `Baal` and `Baalat` were that `TV` transvestism created by heterosexuality as a single male brained creature wearing each others` clothes in a bullies` `snuff film` of the human race, which is why ball sports involve people running madly.

 God punished the Jews because history is the worship of the biggest bully, supported by the bullies (police). In German National Socialism (Nazism), Adolf Hitler became leader after the 1933 election, and pogromed 20, 000, 000 Jews in `death camps` before and during WWII (1939-45). In Revelation, 666 is `the number of the beast`. Globally, the `bull`, that is, the `player` with the `ball`, is supported, as Roman Emperors by their `police`, the Praetorian Guard, or `sucker` fans. Apart from the telephone number, 911, in the USA, the telephone number of the police globally is 999, whereas it`s 666 Satanically reversed, and a popular choice for taxi companies, because the local `bully` wants to levy taxes on travellers, and so the local taxis are there to offer `protection`. 911 was 9/11 because the Italians exported a `fireman` statue to New York two days before Manhattan`s Twin Towers were destroyed there by hijacked planes, and the local bullies wanted a war economy to reduce the level of technological investment in transportation, so that local taxi drivers continued `screwing`, where `screw` is the term used for `fixers`, as the replacers of the nails that kept Jesus` hands and feet in place, remain within the bosoms of their families.

 9/11 was `breaking the fourth wall`, which is a dramatic term for what occurs when reality is observed to merge with the drama, so that the distinction between the dramatic production and reality no longer obtains, which is what propaganda does. Many Americans thought the CNN reporting of 9/11 was a `movie` because they`re used to films like Steve McQueen`s Towering Inferno (1973), in which the fictional Glass Tower in Chicago is burned by fire, and Harrison Ford`s Air Force One (1997) in which the US President`s plane`s hijacking probably contributed to the passengers crashing the civil airliner hijacked by Al Qaeda terrorists at Shanksville, Pennsylvania, when it was reportedly on its way to crash into the US President George W. Bush`s Whitehouse residence in Washington, D.C. Britney Spears` `Piece Of Me` lyricizes the breaking of the boundaries between private and public, which propagandizes to the extent that fiction becomes reality:


I'm Miss bad media karma;

Another day another drama,

Guess I can't see the harm

In working and being a mama;

And with a kid on my arm

I'm still an exceptional earner:

And you want a piece of me?`


 Al-Qaeda broke the boundaries between what the USA perceived as `entertainment`, and Arabians watching Arnold Schwarzenegger in Terminator (1984), and its prequels and sequels on MBC Action, who`d accepted such `action` as prescribed:


`...  action in the world ... [is] extended [to] the idea ... [of] the ... imaginary boundary ...  acknowledging the audience through the ... imaginary wall ...  is considered a technique of metafiction, as it deconstructs the boundaries ... `7


 Movies like Enemy Of The State (1998) starring Gene Hackman, in which the US` National Security Administration`s (NSA) `spy-eye` intelligence satellite cameras watch an individual`s movements and `engineer` his life, irrespective of criminal involvement, suggests the bullies won the Gulf Wars, because all power is now in the hands of whatever passes for `police`, and CCTV `security` surveillance. As George Orwell`s prophetic 1948 post-Nazism novel of a dystopian future (1984) warned, `Big Brother is watching you!` What the Earth`s enslavers don`t want is Adam who`s sane, and `Baal` worship is fascist `snuff film` propaganda, that is, as 19th century natural philosopher Charles Darwin argued in Origin Of Species (1859), real intelligence loses to the bullies in the `big game` of species` survival, which is the human race.



 Enemy Of The State shows `Baal` worship, or `bullying`, as what men`s intelligence is for. The `hero` of Enemy Of The State is black actor Will Smith in what amounts to a slave film about an escaper bullied into accepting an evolutionary cul de sac, because he`s black. Will has the woman`s role, as pop singer John Lennon intuited, `Woman is the nigger of the world.`8 The viewer who identifies with Will is human,  because Will is the victim, which is what black people represent, a last bastion of male misogyny where the black man becomes the woman for a sympathetic audience unable to accept `woman`s seed`, but willing to be sympathetic to blacks with their history of slavery before the American Civil war (1861-5) of manumission. As Saddam Hussein`s army of Iraq was evicted from the Emir of Kuwait`s home during the Gulf war (1990-1), black US President, Barack Obama, during 2011`s deposing of Libya`s dictator, Colonel Ghadaffi, gave his sympathetic black support to `Baal worship`, that is, bullying, in a `domestic dispute`, where the legal fiction was of a woman`s house being restored to her. In short, black Obama gave his supporters over to `Baal worship`, although bullying by men of any color waging wars of vendetta is what parasitism for parasitoid nature`s devouring of human nature is.

 On the cover of the CD for the pop song, `Piece Of Me`, Britney Spears appears on the cross in the place of Jesus. She`s the `Second Eve` from the side of Jesus crucified after being pierced by the spear of the Roman guard, Longinus. Eve was the woman that emerged from the side of Adam in Eden, and so the Paraclete or Holy Spirit, which Jesus told his disciples would teach after him, represents the wisdom of Eve gained since Eden and that Longinus` sought to birth by `caesarean` section upon Jesus` death on the cross. Jesus` subsequent Resurrection and Ascension to heaven owes something to Longinus` intervention: `Surely, this was the son of God.` (Matt: 27. 54) Because Jesus was born uncontaminated by male semen from his mother, the Virgin Mary, he was `woman`s seed`, so prefigured the Resurrection and Ascension of human women`s futanarian nature through their own cycle of sexual reproduction as women with women producing brain capacity for technological Salvation in colonizing escape to the planets and stars away from enslavement to a parasitoid devourer.

 Eve`s symbol on September 11, 2001, was the `Big Apple` of New York city`s World Trade Centre, which symbolized `rough trade`, that is, that `brutality and violence` which is associated with `Greek` homosexuality in pederasty for warfare against `woman`s seed`. 9/11 was an attack on the wisdom of God`s Paraclete, because it released the Holy Spirit from the side of Christ, Jesus, which is why Longinus` spear was the spear of Destiny, and Britney Spears` `Piece Of Me` alludes to the Paraclete`s absence being due to what women can`t see of themselves in the broken glass of the pieces of humanity`s mirror:


`Don't you know I still believe

That you will be here

And give me a sign

Hit me baby one more time.`


 If the Gulf Wars hadn`t occurred, the future would`ve been symbolized by Britney Spears, whose initial album, … Baby One More Time (1999), contained the hit single, `… Baby One More Time`, which implied revenge against misogynists who`d hit her again even though women in male braining are bred to be submissive victims of their assailants. The `second fruit` of Eden was pears, symbolized by Britney Spears, as the Earth`s futanarian species. Revelation describes the `New Redeemer` protecting the `hidden` woman, who leaves to sow her `seed` amongst the planets and stars before war with the evil `serpent`s seed`, and a new heaven and Earth from God for `woman`s seed` to live forever, while the `serpent`s seed` receive perdition as God`s punishment.

 The election of US President Barack Obama was significant in biblical terms, because of the black `First Lady`, Michelle. Blessed is `barack` in Arabic, and in Hungarian, `peach`, so Michelle is the `black peach` in the Whitehouse. The bullies` `game`, which was that of Libya and the US` `global policeman`, during the continuation of George W. Bush`s `War On Terror`, received the Obamas supporters, which is the third `fruit` of Eden`s wisdom, supporters aren`t the supported, that is, `bullying` or `Baal worship` is for the `players`, whereas the bullied are the unsupported, rather than the unsupportable, which is voting for insupportable `Baal`.



 Although Britney Spears` name is penetratingly male, like the spear of the Roman, Longinus, piercing the side of Jesus to effect a `caesarean birth, Spears symbolizes `woman`s seed`.  In `Piece Of Me` Britney`s reaction to bullies is defiant on behalf of humanity: `You want a piece of me?` Because being bullied into acceptance of slavery in host womb parasitism to a devouring parasitoid is human history. When the Jews were removing themselves from slavery in Egypt, with the Ark of the Covenant, that is, God`s promise of liberty, because it contained God`s law, which Jesus taught was `love`, the female Shekinah or `spirit of God` dwelt therein, who is the Holy Spirit of Jesus` teaching. In Judaism a `Sukkah` is a lean to such as they`d use during the exodus from Egypt, which is remembered in the `Sukkot` festival, and Britney Spears` writing `sucker` on the forehead of the paparazzi in `Piece Of Me`, that is, `Sukkah`, because the Shekinah is the `spirit of the law`:


`Blessed are You, Lord, our God of the universe, who has sanctified us with the commandments and commanded us to dwell in the sukkah.`9


 The Sukkah is built without a `third wall`, that is, it`s open at front and side. There are two areas for receivers and guests, and two vantage points. In `Oops! ... I Did It Again` Britney in her red pilot`s suit descends to her stage set inside a giant`s ring, which looks like a `Sukkah`, and she suspends her spaceman visitor with a hook above herself in a white bikini-dress, that is, her `Sukkah` has two distinct areas, in accordance with tradition, which is the indwelling of the `spirit of God` amongst friends. The hook means Britney`s `Sukkah`, that is, the spaceman is a guest where the `spirit of God`, the Shekinah indwells: `All aboard!`



 `Oops! ... I Did It Again` is pinball too. Captain Hook lost his hand to a crocodile in J. M. Barrie`s play, `Peter Pan` (1904),10 so Britney`s hooking of the spaceman makes her `Hook`, which is a well-known pinball game, and she does make `bumper` movements with her hands linked outwardly, and emphasizing the `skirt` repelling pinballs from the bumper, although the figure in her red pilot`s suit isn`t actually wearing a skirt: `But I thought the old lady dropped it into the ocean in the end.`



 The scene shifts to Britney`s spaceman`s gift giving, which alludes to the movie, Titanic (1997), and 100 year old Rose`s dropping of the `heart of the ocean` diamond blue pendant into the sea at the point of salvage of the ship that sank on its maiden voyage from Southampton to New York after it hit an iceberg on March 15, 1912. The diamond`s a symbol of Cal, her ex-fiancée, who betrays Jack, her new boyfriend, by planting the `heart of the ocean` into his coat pocket and accusing him of theft. Rose`s boyfriend was amongst the drowned, which is why she laments his loss. Assisting passengers to the lifeboats, while some were throwing women and children into the sea to take their places in the boats, he wasn`t her ship`s hand, which is why she`s `Hook`, who lost a hand.

 In Egyptian mythology, the goddess Ma`at weighs the heart to see if it`s worthy, that is, to see if the individual is psychologically balanced in acceptance of `woman`s seed`,  but Ammit, the goddess with the jaws of a crocodile, devours it if it`s evil. Consequently, the crocodile in Peter Pan is Ammit, and Captain Hook is eventually devoured entire. When Britney in her red pilot`s suit raises her spaceman visitor above herself in the white bikini-dress, he`s suspended there like the feather of Ma`at, while his heart is weighed in the balance. The giant fork looming adjacent to the spaceman`s spacehelmet, as he hangs suspended, is Ammit`s. `Hook` suggests the Moslem tradition of cutting a thief`s hand off, and the `spy` camera attached to the spacehelmet of this paparazzi suggests thievery, although the invisibly suggested presence of Ammit suggests a curb to masturbatory impulses too as a form of theft, whereas human futanarian `woman`s seed` would argue that`s how sexual desire between women produces:


`I`m Miss American Dream since I was seventeen.`


 Descending inside the giant`s ring onto her red suited part of the two stage set of her `Sukkah` in `Oops! ... I Did It Again`, Britney suspends her spaceman visitor so he can watch her below in the second area of the `Sukkah` in her white bikini-dress, as she breaks the `fourth wall` to comment on the reality attending the fiction that the owners of the CDs she sells of herself aren`t masturbating while they watch her perform, so the tradition of the `Sukkah` leaves her open to attack, just as the tradition of issuing visas to students left the United States of America open to terrorist attack from Boston, Logan airport, when hijacked civil airliners were crashed into the Twin Towers of New York city on 9/11.



 The propaganda film that programed 9/11 was Logan`s Run (1976) in which actress Jenny Agutter as Jessica 6 is a `runner` in a society where everyone must die at the age of 21 to keep a socio-economic system with scarce resources viable. Actor Michael York has the role of Logan 5, a `sandman` who helps Jessica 6 to `run`, and the allusion is to women`s futanarian race, which can`t escape parasitoid devourment. The Al Qaeda terrorist attack on 9/11, 2001, was designed to prevent the 21st century from being born, and on the anniversary of the sinking of the Titanic, on April 15, 2013, the Boston Marathon was attacked by terrorists to prevent the human footrace from running.

 Britney`s invitation to her game is a modern `cookie`, which is a code used by online gamers to give them access to internet websites so that they can resume their `play` where they paused, and a similar codex is used in video film technology to pause the `play`. Britney`s `cookie` is shaped like a traditional `cookie`, which is a biscuit. Britney`s spaceman visitor finds her image in the sand, a `cookie` miniature, and her giant`s `Sukkah` emerges from the arid desert of the red planet, Mars, as if she`s the plaything of some external power - and the spaceman can`t leave either. He walks backwards, as if the video is being rewound by a giant resetting the pinball game, Hook, and he`s returning as the ball to be relaunched in an attempt by the `player`, represented by `Mission Control`, to obtain more pictures.



 The giant ring`s for cock, and Britney`s `Sukkah`, which again breaks the `fourth wall`, that is, the `spirit of God`, which is the Shekinah, is succour, because human women`s futanarian species is single, whereas the single male brained transvestite creature produced by heterosexuality as its `TV` is a blood `sucker`, where `cock` is the raising of the hammer of the gun, rather than women`s human species of futanarian`s `woman`s seed`.  In H. P. Lovecraft`s Necronomicon,11 the labyrinth of Iot Sokkot alludes to the Jewish `Sukkut`, and denotes a spiral that encircles, so affording the illusion of protection, while imprisoning, because men are blood-suckers, rather than succour. The prisoner is a `sucker` of the imprisoner, and the spiral `Sukkah` is a prison. Consequently, the movie Spiral (2007), starring actress Amber Tamblyn as Amber, features a painter of nudes, actor Joel David Moore as Mason, who murders Amber when she discovers he`s painted other women nude. He`s a psychopath, and she`s unaware of the nature of his prison, which is a `Sukkah` for the blood of women. In `Piece Of Me` Britney`s dancers look at their `Shu`, that is, the `glass slipper` of the mirror, which doesn`t show their futanarian nature, while Britney writes `sucker` on the paparazzi photographer`s forehead in blood-red lipstick, because although vampires can`t be seen in the mirror, women can see that they`ve been there.

 In US slang a `piece` is a gun, and a murderer is a `modern vampire`, so `Piece Of Me` presents Britney Spears` as a modern `piece`, which is how she appears in the promotional video for the song from the Femme Fatale (2011) album, `Criminal`, in which it`s implied that, although she uses a gun to terrorize a supermarket cashier, she`s made to steal by a man: `He is a sucker with a gun (Gun, gun, gun) ...` On the cover of the CD single, `Piece Of Me`, as Jesus crucified, the allusion is to Jesus` Resurrection after, at the `Last Supper`, he offered his `body and blood` to the disciples, which is what a vampire master might do, if he were offering to confer immortality upon his followers. Modern blood-drinkers don`t offer immortality, which is what gunmen don`t do, and what the murderers of Jesus didn`t do, because Jesus` Resurrection and Ascension prefigured that of `woman`s seed` by nature`s sexual reproduction between women. In `Piece Of Me` Britney criticizes the paparazzi who use her public appearances as an excuse for `going on a shoot`, which is a dangerously apposite hunting analogy in the `snuff movie` era.

 Vampires didn`t want Jesus to live, because `woman`s seed` poses a threat to host womb slavery in ephemerality. Modern phones` with moving pictures narrow the theatre goer`s vision to ignore the externality, which deteriorates and dissolves, devoured by the diminishing screen, which is what `TV` does. War is the only panorama remaining, and T.S. Eliot warned of that in his poem `The Wasteland` (1922), which was designed to effect a regeneration of vision and, like Britney Spears` `Oops! … I Did It Again` contained desert imagery contrasting to that of oases:


`April is the cruellest month, breeding

Lilacs out of the dead land, mixing

Memory and desire, stirring

Dull roots with spring rain.`12



 9/11 was what narrowing of vision produces. Technophiliacs with the tiniest cinema screens for `phones  desensitizing individual responses to `action` until 9/11 became a visual appetizer for a second Gulf War and global terror reporting was presented as a `TV event`, because it`s a programed `snuff film` arranged by Hollywood Babylon`s unofficial propaganda ministry. Reality is now a media-mediated hiatus, which the killers produce as a program menu. War is `action`, then `small screen`, before becoming scarcely observed on the tinier `phone screens. Amusement arcade culture that celebrated body counts in `pinball` games, Big Guns, and Lethal Weapon 3, is now a central feature of TVs adapted for games consoles that primarily celebrate the `shoot-em-up` in top 50 body count games, Abuse and Abductor, and even tinier `phone games, the early devouring Pac-Man and the later, Critter Crunch, celebrating trivialization of life to the point of inconsequentiality and doom.



1 Fourth Wall, .

2 Christopher, David British Culture: An Introduction, Routledge & Kegan Paul, London, 2002, p. 74.

3 Basile, Giambattista `Cenerentola` (Cinderella) Pentamerone, Naples, 1634.

4 Shu, .

5 TV Tropes, 'Foot Poppin', .

6 Baalat, .

7 Fourth Wall, .

8 Lennon, John, and Yoko Ono `Woman Is The Nigger Of The World`, Some Time In New York City, Apple, 1972.

9 Sukkot, .

10 Barrie, J. M. `Peter Pan`, Premiered December 27, London, 1904-1913.

11 Lovecraft, H. P., `The Hound` Weird Tales, February 1924.

12 Eliot, T.S. `The Wasteland`, `The Burial Of The Dead`, I, Horace Liveright, 1922, l. 1-4.