The Safe Pear
The most recent development in terms of culture, civilization and art, is the rise to greater prominence of the futanarian woman with penis` semen of her own for the sexual reproduction of human brainpower between women, which means that `woman`s seed` is now perceivable as a productive species, and for which knowledge and, indeed, wisdom, the instantaneous telecommunications` system known as the `information superhighway`, connected to each home, has become the teacher. Although internet `porn` is criticized, living without the awareness that women have a penis of their own is a lack of education that can only be remedied by recourse to moving pictures within the prevailing model of heterosexual marriage as received wisdom, because there`re no pop icons, movie stars, political figures, writers, artists, news reports, or anything else, visible of woman as a species.
One of the more interesting aspects of futanar women is that it takes more than two to make a marriage if one partner has a penis and the other doesn`t, because if the partner with a penis wants to reproduce she needs another woman with a penis even though she`s `married`, as it were, to a woman without a penis, because the woman to whom she`s pledged her love doesn`t have a penis to fertilize her.
In Eden the first pair were Adam and Eve, and their symbol, the apple, represents the dichotomy between the fruit of immortality, and the fruit of good and evil, depicted as an apple in iconography. The serpent tempted Eve, and she shared the apple with Adam, which represents achievement by the `sweat of the brow` for Adam, and the `pain of childbirth` for Eve, after the pair`s expulsion from Paradise for eating God`s `forbidden fruit`, which is acceptance of host womb parasitism to ephemerality in slavery, that is, death, rather than brainpower through sexual reproduction that confers immorality through science, and freedom by means of labor saving technology. The apple also represents knowledge and wisdom, according to the New Testament of the Bible, because of Jesus` promise of Resurrection and Redemption for those who accept his teachings and guidance through the medium of the Holy Spirit, which is known as the Paraclete. After the crucifixion, the Paraclete effectively emerged from the side of Christ, when pierced by the spear of Longinus that, afterwards was known as `the Spear of Destiny` for its ability to release God`s `tutelary spirit`, and is also known as the `Second Eve`, because of Eve`s emergence from the side of Adam`s rib in the biblical book of Genesis, but with her wisdom increased since Eden, and the capacity to teach as the soul of `woman`s seed`:
`You shall crush the head of the serpent with your foot but he shall bruise your heel.` (Gen: 3. 15)
God turned Satan, the angel, into the tempting serpent of Eden for rejecting God`s plan that the human host be greater than the angelic, and Eve was told she`d have `enmity` with the `seed` of the serpent, who`d told her: `You shall be as gods.` (Gen: 3. 5) God`s `foot` in Christian iconography is Jesus` birth from his mother, the Virgin Mary, who is represented as crushing the head, that is, the brainpower of the serpent, with her `foot`, because born uncontaminated by male semen, Jesus is futanarian human women`s `seed`, who were born after Eden and repressed as male braining`s sexual alternative, which provides the psychological balance needed to avoid extinction through war. When Jesus was taken to the hill of Calvary by agents of the male brained Empire of Rome and nailed to a cross of wood to be left there until he died, he experienced Resurrection and Ascension to heaven as a prefiguration of that of `woman`s seed` raised from the Earth to colonize the planets and stars through the futanarian sexual reproduction of human brainpower for colonization in starships.
The attack on the `Big Apple` of New York on 9/11, 2000 years after the birth of Christ, represents a threat to civilization, art, and culture, which is woman`s as `God`s producer and product`, because everything that`s mankind emerges from her womb but, if she has her own penis, she doesn`t need men, who appear in the shape of the red dragon of Revelation that, waiting to devour the child of the woman `clothed with the sun and with the moon at her feet`, fails. According to the book of Revelation in the Bible, her offspring, the New Redeemer, protects her upon the Earth until she`s ready to leave and sow her `seed` amongst the stars in heaven, whereas the evil serpent`s `seed`, that is, the `red dragon`, fights against her in heaven and is defeated. God gives her the new heaven and new Earth prepared for her, while those men who remain unredeemed by Jesus` teaching have unendurable eternal pain as their punishment for enslaving and devouring her in their wars: `Love your neighbour as you love yourself.` (Mk: 12. 31)
In the psychology of Carl Gustav Jung (1875-1961), woman is depicted as having an animus, which is the male aspect of the anima, as man`s female soul. The animus is depicted as a crowd of men who admire the woman, and so she is encircled. If woman is a species, men correspond to her `demons` for whom she`s attractive. In biblical terms, the anima is the soul of man, and the animus is the soul of woman, and both are female, because the animus, as conceived by Jung, corresponds to men as the devouring imago depicted in Revelation as a `red dragon` waiting to devour its child, and her. In other words, Jungian psychology mistakenly assumes that the image of men is developmental, whereas the appearance of the male imago in the dreams or imagination of women, because they are a species with a penis of their own, is indicative of the presence of the `false hero`, as devouring imago, that appears to surround her, as the ancient Greeks surrounded Helen of Troy`s citadel, to attack, possess, and destroy her. In other words, the archetypal hero of dreams and imagination, whether Menelaus, the Greek husband of kidnapped Helen, Paris her kidnapper, Achilles, the archetypal Greek hero, or his `friend` Patroclus, the archetypal Greek homosexual `norm` of male perpetuation as the enslaver of woman`s `womb`, represent the devouring imago and not a savior, who`s Jesus in Christianity, because Christ, the Jewish Messiah, represents `God`s love`, and not torture, murder, and the homosexual aim of the perpetuation of war upon the Earth as the Earth`s devourer.
The appearance of the `red dragon`, in Revelation, indicates the role of the devouring imago to consume woman upon the Earth before she leaves, and so the Earth has to be aware of heroes appearing in familiar guise, because they represent the devourer. Consequently, Revelation warns of the `False Prophet` that had `horns like a lamb and spake like a dragon`, and is given perdition with the `beast` while the `red dragon` is defeated in the war in heaven waged against `woman`s `seed`, and for which the supporters of the male brained Empire of war receive eternal unendurable pain thereafter.
Actor Arnold Schwarzenegger`s `Terminator` character, in the Hollywood movie, Terminator (1984) and its prequels and sequels, is a famous example of the `false` hero as devouring imago, and a symbol of the `False Prophet` that is Hollywood Babylon`s `direction`. Arnold`s role, as the time-travelling humanoid machine, is to kill the child of the woman, Sarah Connor, because the future of the Earth is better with her child who, in movie terms, is the `New Redeemer` of Hollywood Babylon. Although Schwarzenegger portrays a child killer, the demonic `false hero` of the devouring imago he represents didn`t prevent him from gaining the position of governor of Los Angeles` Hollywood`s state of California on the West coast of the United States of America, which is what Revelation warns of, that is, accepting the `false hero` as the Hollywood director`s image of the future, rather than Redemption from the sin of male braining for war through repentance and acceptance of `woman`s seed`, so that humanity will have the planets and stars:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
In the Bible `Babylon` is `a woman` and the capital city of the Persian Empire, Babylon (c. 4000 B.C.), while Hollywood movie capital is `Babylon` because human futanarian `woman`s seed` is repressed there, that is, unseen. Schwarzenegger`s Terminator movies correspond to the `red dragon` of Revelation, and so Babylon Hollywood`s devouring imago, while the ancient ruins of Babylon are to be found in modern Iraq at Hillah near the summer palace of dictator, Saddam Hussein, whose support for Al Qaeda`s terrorism resulted in the US` army`s March 2003 invasion and his execution on December 30, 2006, although Hollywood Babylon`s male brained Empire had created the scenario. Amongst other Hollywood `programers`, directors Merian C. Cooper and Ernest B. Schoedsack, gave cinemagoers King Kong (1933), the story of the giant ape that, climbing the world`s tallest building, the Empire State in New York, provided a model for Al Qaeda`s terrorist hijacked planes crashing into the World Trade Centre, while the `Hays code` (1930-67) banned women for being seen to be able to sexually reproduce human brainpower to balance male aggression through sex scenes in films, and so made war: `… women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1
Hollywood is `Babylon` in the film industry, because Saddam Hussein`s male brained Iraq was Hollywood Babylon in the Middle East. Moslem marriages in Islam have four wives and so futanarian sexual reproduction between women is afforded but `hidden` from Westerners, so 9/11 was `programed` by `Hollywood` as an attack on `woman`s seed`; for example, in White Heat (1949) actor James Cagney, screams `Top of the world!`, and immolates himself atop a gas tower, while Towering Inferno (1974) featuring a conflagration reducing to ruin The Glass Tower, Chicago`s fictional 1,800 ft `tallest building in the world`, and higher than New York`s `real` WTC by 400 ft, encouraged the terrorist pyromania that resulted in war against women.
God, in Eden, makes a distinction between good fruit, because it`s safe, and fruit that isn`t good, because to want to eat that means devourment. Earth provides sustenance as fruit, and from the breast of the woman, `mother`s milk`, which is why the Earth is `mother`. As the Paraclete is the `tutelary spirit` from the side of Jesus, like the `First Eve`, who emerged from Adam`s side in Eden, according to the Bible, Woman is God`s producer, and product. The art, civilization, and culture of humankind emerge from woman`s enslaved host womb in parasitism, which means that, with a freed penis of her own, she`s the Earth`s futanarian species, whereas if God`s `foot` remains subject to men`s parasitoid nature, women are a race devoured by men`s unbalanced psychopathy before they can run.
The `fruit` of Eden that was eaten by Eve and Adam wasn`t safe, whereas ordinary fruit is safe, that is, the `apple` of Eden is symbolic of what is forbidden, because it encourages devouring, which is why the `Big Apple` of New York city was chosen for the act of terrorism by Al Qaeda that precipitated war against `woman`s seed`. If women have their own penis` semen, the Earth is mother to her own futanarian species. If the Paraclete is the male animus of Jungian developmental psychology, women are designed to watch over themselves, whereas the appearance of the animus in dreams, art and the imagination as a staring throng in `bloodlust` suggests the reality `snuff movie` is closer to the truth about men`s imago. Although women`s futanarian animus might guide their minds within the bodies, conditioning teaches women to reject that `spirit`, while within men the anima-figure of `woman`s seed` struggles as the human soul to be `teacher, guide, helpmeet, and comforter` to the Earth`s species.
The symbol for a new Edenic pair would be the pear rather than the apple. Although Adam and Eve were `conventional` as a heterosexual pair in Eden, heterosexuality is transvestite `TV`, that is, the production of a single male brained creature wearing each others clothes, which is what the Hollywood Babylon media Empire promoting war against the human race became after the invention of television `TV` in 1926 by Scotsman, John Logie Baird, and the `Hays code` banning `woman`s seed` from films was established in 1930. The model is `Greek`, because in ancient Greece host womb enslavement by men for homosexuality in pederasty and war was institutionalized. Consequently, the `apple` in Eden was Eve`s arse, and the pair were expelled for practising the sterility of anal sex, which God later punished (Gen: 18, 19) by destroying the `cities of the planes`, Sodom and Gomorrah, and which the Al Qaeda terrorists repeated in their `cities of the planes` attacks on New York City`s WTC, the Defense Department of the Pentagon, and the aborted attack on George W. Bush, at the United States` President`s residence, the Whitehouse in Washington D.C., when passengers crashed their plane at Shanksville, Pennsylvania, to prevent it from reaching that target. From the perspective of `woman`s seed`, America` s penisless women aren`t human, but rather TVs producing homosexuality for the recording of the reality `snuff movie` of war against futanarian humanity in Satanism: `Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16. 11)
They`re experiencing AIDS, and the woman `clothed with the sun and with the moon at her feet`, who gives birth to the New Redeemer that protects the woman `hidden` upon the Earth, is a complexio oppositorum, a sun and moon symbolism that refers to Jesus` birth from his mother, the Virgin Mary, as futanarian humanity`s anti-virus. Jesus had Ascension after being tortured to death because he rejected men`s sickness, that is, `brutality and violence`, which is associated with `rough trade`,2 a euphemism for pederasty and, after 9/11`s terrorist attack on the World Trade Centre in New York city, institutionalized `Greek` homosexuality in pederasty for war against `woman`s seed`.
The simplest New Testament message is that the Virgin Mary and Jesus born uncontaminated by male semen didn`t want men`s `demons`, that is, STDs, while in Revelation men are effectively depicted as being tortured and murdered by the `incurable killer disease`, HIV/AIDS, which they`ve spread in homosexuality and pederasty as a `blood plague` (Rev: 11. 6) for `brutality and violence` in `rough trade` by keeping women in fearful faithfulness to misogynist ring slavery through their deployment of . HIV/AIDS as their `biological weapon`, and refusal to repent. Analogous to men`s functioning as a devouring imago, HIV/ AIDS is the microcosm mirroring their macrocosmic cancer of an unnatural homosexuality which God punishes to prevent its spreading.
Although in the first book of the Bible, Genesis, the Old Testament God of the Jews is depicted as destroying Sodom, and Gomorrah, which contained what modernity calls BDSM `training`, that is, acceptance of HIV/AIDS through bondage, and submission to sado-masochism, in Revelation, the last book of the Bible, and the Christian New Testament, men are still disobeying God and mixing blood, shit and semen in each others` anuses in rejection of women, which spreads HIV/AIDS. According to Revelation Jesus returns to the Earth as the New Redeemer to `rule the nations with an iron sceptre` and protects the `hidden` futanarian woman, because `woman` seed` must grow, before she leaves to colonize the planets and stars to prepare for the war against the `serpent`s seed`, symbolized by the devouring `red dragon` of Revelation that, grown in size since its days as a `serpent` in Eden, waits to devour.
The symbol for a women with a penis, that is, the human futanarian species of `woman`s seed`, is the pear, because it`s their shape, rather than male `fruit`. Consequently, tulip and pear are the matriarchal symbols for male and female in Hungary, where `fut` means `run` and `tanar` means teacher, that is, `futanar` is the futanarian race, because humans need God`s `foot` for balance. Although the term `futanari` is Japanese for that form of `manga` cartoon which features women with their own penis` `seed`, `futanar` is Hungarian too. In Japan the ancient practice of `foot binding` to prevent women from running signifies ancient misogyny, and `futanari` manga is BDSM. Women with their own penis` semen need women to fertilize, so there was a second woman in Eden, Lilith, who refused to accept submission.
Lilith is described as the `mother of demons`, because the devouring imago constellated within men, which corresponds to the animus of Jungian psychology as a crowd of male watchers of the human futanarian species of women, is homosexual and enslaving of woman`s `host` womb` as a parasitoid devouring virus. As the `hidden` futanarian `woman`s seed`, Lilith`s demonized as a `witch` preparing to ride the `broomstick` of her brains` powers for liberation from slavery to host womb parasitism, and ephemeral death, through the sexual reproduction with other women of immortality conferring science and labor saving technologies maintainable through permanent knowledge.
Men`s ring slavery is monogamous, whereas for women, who`re a single futanarian human species, marriage is what they are. Consequently, a woman with penis` semen of her own needs a woman`s womb, but also a woman with penis` semen of her own to fertilize her, that is, three women constitute a possibility, which is absent in monogamy, because it`s ring slavery. In Christianity the single species, with its shepherds, rather than its slavers, is represented by the term `agape`, which is `universal love`. Because, for women, as Jesus taught, there isn`t any marriage:
`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)
Conventional heterosexual marriage is God`s plan for man`s Redemption, but unless the woman is `Paracletian`, that is, she has the psychological bisexuality that denotes love for her own species, and her own male part that is `hidden`, which is manifest in her acceptance of what she is often led to believe is the only penis for her, that is, man`s, there can be no Redemption, because heterosexuality is a `TV` culture of transvestism for a single male brained creature wearing each others` clothes to participate in a devouring parasitoid `snuff film` of the human futanarian race of women represented in `TV` television and the movies as a socio-historical record. Heterosexuality, especially for men, constellates homosexuality, that is, a desire for the male brain and the male penis` `seed`, which is the devouring imago of HIV/AIDS, whereas `lesbian` love between women is `normal` futanarian sexuality for those who don`t want their host wombs to be parasitically enslaved for parasitoid devourment by a self-perpetuating viral form, and so the real danger for women is species` self-hatred, and unconscious collaboration in women`s extinction.
Lilith is unfairly described as `mother of demons`, because the devouring imago constellated in homosexual activity is non-reproductive sterility, whereas the Lilith archetype is women`s futanarian humanity. Homosexuals are evil, because in anal penetration they don`t need the penis of the `other` to function, whereas futanarian women need the other`s penis to fertilize their ovum. Consequently, the `red dragon` is the devouring `serpent`s seed` of homosexuality in pederasty for war, which hates woman, and her penis.