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Men Stole My Penis by Britney Spears

01/01/2012 15:49

Men Stole My Penis by Britney Spears



Britney Spears` Oops I Did It Again begins with a dialogue between herself and Earth, which revels in the Western tradition of the Sandman, Lukoi, who sprinkles magical sand in children`s eyes to prevent them from seeing that they don`t want him. Because dreams are what God and the angels gives them to reveal what it is that they do want:


`...his coat...changes from green to red, and from red to blue as he turns from side to side. Under each arm he carries an umbrella; one of them, with pictures on the inside, he spreads over the good children, and then they dream the most beautiful stories the whole night. But the other umbrella has no pictures, and this he holds over the naughty children so that they sleep heavily, and wake in the morning without having dreamed at all.`


Umbrella, Lokoi


 Britney isn`t Lokøi, the Sandman, she`s the Sandwoman. She introduces her story in Lucky: `This is about a girl called Lucky.` The song begins: `Every morning she wakes up. Knock, knock, knock! On her door.` It`s the Hollywood dream factory, and Lukoi, the censor, wants to tell her what to dream: `Isn`t she lucky. She`s a star. But she cry, cry, cries with her lonely heart, thinking; if there`s nothing missing in my life, why do these fears come at night?` It seems like a nightmare, because she`s struggling to dream:


`Lost in an image, in a dream,
But there's no one there to wake her up.
And the world is spinning and she keeps on winning,
But tell me, what happens when it stops
- Baby.`



 A baby is what happens when it stops; the cycle of death and rebirth which is reincarnation, but not Resurrection and Redemption. This is why her dreams are nightmarish. She`s successful, but she doesn`t have it. She `keeps on winning`, but that`s only a repetitive cycle. To break it, Woman thinks `baby`, but Resurrection and Redemption are indestructible immortality, so why would she want a baby? Because men need a `host womb` for their continuance, and so Lukoi, the Sandman, allows her to have dreams that are good for men, but censors her when she is `naughty` enough to dream truly good archetypal material that would allow her to live – as Woman.



 Oops is an earlier self-reflecting single. Britney has an eclecticism that allows her to parade her references, self-knowledge, and wisdom. `Ground control to Major Tom...` is the line that begins Ziggy Stardust and the Spiders from Mars` Space Oddity. It`s a single by David Bowie, a bisexual, and relates to the idea of being an `oddity` as equivalent to an Odyssean journey as well as referring obliquely to Arthur C. Clarke`s A Space Odyssey in which the central protagonist, by reduction, is the monkey that, hurling the bone of an animal skywards, is projected into the future by the science fiction writer as Man travelling aboard a spaceship to Saturn. The story is, virtually, free of Woman, which is indicative of the problem. The first `astronaut` was a monkey and, effectively `man in space` excludes Woman.



 Britney, on Mars in Oops, is `Gerund control to Major Red`. It`s about continuity, that is, -ing is the `gerund`, which is affixed to words in English in order to indicate that the activity is continuous. In Lukoi terms, her Sandman `changes from green to red, and from red to blue as he turns from side to side`, that is, Earth is green and blue, and reflects an aspect of the personality, while Mars is red and reflects a different aspect of the personality.



  In symbolic terms, green is the colour of eternal life, represented by the Virgin Mary in Catholicism. Blue is the colour of the spirit in the equally eclectic psychology of Carl Gustav Jung (1875-1961), and red is associated with instinct, that is, the transformation of instinct into spirit, which is Redemption and eternal life through Resurrection, rather than reincarnation, death and continuing rebirth. That`s why Britney on Mars is `Gerund control to Majorette.` She`s direct-ing her parts` ensemble, and is a `superconductor` as she announces her circus` perform-ing. Her goal is to develop a multi-faceted personality to deal with Lukoi as, `turning from side to side`, he changes from green (life) to red (warring instinct), and from red to blue (spirituality). This methodology is continuity, but such events as the Gulf War (1990-1) interrupt her `work`, as it were. It interferes with her American Dream:


 `I`m Miss American Dream since I was seventeen.` - Piece of Me (2008)


  Lukoi is the one who doesn`t want the children to see that they don`t want him. He is the liar. Because he wants war, and Britney is the true American Dream; because she perceives that war is evil, but instinct (red) for Redemption (Earth`s green and blue, life and spirit) is being  perverted by Lukoi to promote the sterility of reincarnation, death (war, plague and famine) and rebirth (more war, plague and famine) rather than Resurrection. Men are Lukoi. Because they want Woman to remember only that they are her penis, whereas she wouldn`t need one if she had eternal life in an immortal – because indestructible body – given to her by God.



 David Bowie`s A Space Oddity is, therefore, a child`s request to be Woman with a penis. Virginity is precious, but the Virgin Mary gave birth to a penis as a virgin – Jesus – who according to scripture remained virgin and celibate. Why? Because virgin, immortal, indestructible, and celibate (with her own penis) is what Mary, and by analogy Woman, wants. This is freedom from Lukoi`s  enslaving of her by deciding what `good dreams` are. It isn`t that the `umbrella` of blindness is because her child is `naughty`; it means that the child`s dreams are moving away from men, whose dreams are for reincarnation, death and rebirth (the heroic buffoon), and towards genuine Redemption, which men don`t want for Woman; because she`d leave and they`d lose the `host`.



 In Catholicism, the `host` is the body of Christ, symbolized as a wafer that represents the bread given by Jesus to Judas, and the other disciples, at the `Last Supper` before his being tortured and murdered by Lukoi (men) for having good dreams – of Woman, and his mother, who represent `God`s love` for him – and Catholicism. But, from the perspective of men as parasitical viral organisms, the body of Christ (the church), is Woman as the `host`. This is why the `hosts of God`, the angels, are often depicted as hermaphrodites, because they`re not the `hosts of men`, and God`s plan is, clearly, that Woman is to be among the hosts of God; because she`s their dream.



 In Catholicism women are often told to cover their hair in church, lest the angels are enamoured of them and want to be with them. They don`t. They want her to be with them – as they are – in heaven and in God. The prohibition is men`s. They don`t want her to leave; because they want reincarnation, death and rebirth (for themselves). She is only a host womb, and if she leaves they`ll lose the `host` of God, Woman`s Holy Spirit that`s God`s developer on Earth, and which is depicted in Christian iconography as `the devil`. Because men don`t want `red (instinct), to green (life) blue (spirit), and Red-emption. They want `turn and turn about`; green (life) to red (war), and red (instinct) to blue (spirit). In other words, life is for war, and development is for destruction; from men`s angle.


Britney`s red dragon showing its claws.


 Without indestructibility, humans may be immortal, through reincarnation, death and rebirth, but are the victims of Lukoi, who is men as the torturer and murderer of the Earth and Woman. Britney is `the woman clothed with the sun and with the moon at her feet` from Revelation, which is the fulfilment of God`s covenant insofar as the evil receive unendurable eternal pain as their punishment, and a new heaven and Earth is created by God for Woman to dwell in. The child she gives birth to in the teeth of the `red dragon` of the Apocalypse `rules with an iron scepter` on behalf of her who is `hidden` until she is ready to depart.



 In Oops there`s a `choke chain` , seemingly newly emptied, which means `animal training` in the circus, but there are only men and women in the Oops video. Although, as Marilyn Monroe indicates in Diamonds are a Girl`s Best Friend, she indicates what they`re for – Ring-a-Ring-a-Roses (All Fall Down), that is, war, plague, famine and death; followed by reincarnation, death and rebirth, which is a prefiguration of the eternal unendurable pain that God has prepared as a punishment for the evil upon the Earth. Marilyn`s men all shoot themselves, and fall down, as she begins to sing.

 Her affair with John F. Kennedy led to her suicide; allegedly. However, in Diamonds are a Girl`s Best Friend, she`s being told what she can dream of as the American Dream of the 1960s – suicide. Lukoi is developing from torture and murder, in Jesus` case, to species` suicide. Men aren`t her protectors and Lukoi doesn`t want her to know, so he shows her a seemingly good dream in which her men are instantly resurrected to dance with her. Her Ring-a-Roses are women:



 Britney`s `animal chain` alludes to BDSM. Lukoi tells you what you can dream of. Here he wants her to dream of `woman as an animal` but, as the developer upon the Earth, she`s what Carl Jung has identified as the anima, that is, the soul. According to Revelation, `the number of the beast is the number of a man`, so a man is a beast, and BDSM is the methodology of the Antichrist who`d explain that Jesus` torture and death is sexual, and that that`s what women are for. It`s `suicide training`. That`s why BDSM symbolism is often misconstructed as `training`, and by extension all `training` is men`s imposition of torture and death as a methodological approach towards intelligent life. Here or on Mars. Lukoi depicts it as Woman`s `naughty` ideas in Oops, and doesn`t want us to see the real picture; although Britney`s Sandwoman can.

Britney has described herself as the Antichrist, but Lukoi has shown us that  Christ`s self-sacrifice is to be perceived as suicide. Having tortured and murdered Jesus, Woman is to understand that` she`s their victim and give herself over to them as a sacrifice, which is suicide. It`s a Christian picture; but not an archetype. It` s a distortion. Britney corrects it, in Oops. The men fall and the women remain standing. As in Marilyn`s Diamonds, they resurrect; but it isn`t Resurrection. It`s a symbol of reincarnation, rebirth and death. In other words, she`s for Redemption but has to `dance the dance of death` with men, who won`t let her escape – and that`s suicide.



 She tells her spaceman to leave; because he`s a baby. Oops is a suicide programmer`s vision of himself as the god Mars. He`s a coward who doesn`t want to have to fight Woman, who`s a danger because she represents a growing intelligence of her independence as a species, so he`s programmed her to accept Jesus, as the `baby spaceman`, and suicide as a false archetype. He`s Lukoi who`s conditioned her to believe that salvation lies in babies, who`re Jesus; whereas they`re reincarnations, that is, death and rebirth of what`s been before, rather than Resurrection, which necessarily contains memories of what men have done to Woman before. As used by Christianity, Jesus is Woman`s suicide archetype. Hence Britney Spears` (1982-) declaration of herself as the Antichrist.

 Britney`s Mars` stage of development is the `ribs` of her defence `umbrella` for the child she`s conceiving. The good dreams are for her green and blue (Earth), whereas `...the other umbrella has no pictures... [held] over the naughty children so that they sleep heavily, and wake in the morning without having dreamed at all.` In other words, she wants to keep the birth secret from men. She`s Mars – Sand – Woman and it`s a `natural` or `Lamaze` birth, which is pronounced `lamb Mars`. Britney`s `spaceman` represents the USA which has been described as the Great Satan:


 `Then I saw another beast, coming out of the earth. He had two horns like a lamb, but he spoke like a dragon. He exercised all the authority of the first beast on his behalf, and made the earth and its inhabitants worship the first beast, whose fatal wound had been healed. And he performed great and miraculous signs, even causing fire to come down from heaven to earth in full view of men. Because of the signs he was given power to do on behalf of the first beast, he deceived the inhabitants of the earth. He ordered them to set up an image in honor of the beast who was wounded by the sword and yet lived. He was given power to give breath to the image of the first beast, so that it could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 11-15)


 On Mars, Britney is actually the Great Satan, because she`s its mother. That which is perceived as the Great Satan is the `birth pangs` of Woman as she prepares to leave the Earth. It`s her revenge. Woman is a species with her own penis, and Jesus brings a sword to kill the evil and give them unendurable eternal pain. The passage continues: `...the number of the beast is the number of a man...` Who? All of them. That`s why it`s 666. They`re all the same.  Only those who can remember that they`re a woman, and accept it, can have Redemption; because that`s Resurrection with memory, not the acceptance of continuing reincarnation for death and rebirth. That`s why homosexuality is to be feared. Because it`s real, and evil, but gives a real man intimations of the truth, which is that she`s Woman`s penis, and Redemption and Resurrection is the remembering of Woman with her own penis – and that`s Revelation.



 In effect Britney`s SDI (Strategic Defence Initiative) on Mars. It`s the `umbrella` for her pregnant self`s belly. The colours red, green and blue are used for making television pictures and, in this case, transmitting them to - and from - Mars (red) to Earth (green, blue). Pictures beyond Mars aren`t descryable; because `anger management` has to be accomplished first.

 In effect, she represents the constructionalist principle of an `umbrella defence` that is all-encompassing in terms of that which is to be protected – as a woman is with an infant. Men want green (life) to red (war), and red (instinct) to blue (spirit), that is, life to fight and Woman (developments) to destroy:

`God, lost in the game.`



 The game is `mummy`s and daddy`s`, and God`s been forgotten. Like a child left behind. Lukoi is calling himseIf PG. But Britney is Woman and is `parenting`, not playing `mummy`s and daddy`s`, which is what God is – a parent. In other words, she`s censoring the pictures she doesn`t want for her child:


`Ooh, baby, baby.`


 But that`s dangerous. Because it`s playing with `mummy`s and daddy`s`, who think that they`re a species. It`s okay to play at `mummy`s and daddy`s`, but as Britney says:


`I`m not that serious.`


 She mustn`t be, because Woman is a species. From her point of view on Mars, she has to be able to transmit the pictures that are educational, while censoring out those that are non-developmental. Consequently, her video is interpretable. Obviously, she knows who Lukoi is, and he`s German, so we won`t be surprised to discover that `szív`, in Hungarian, means `heart`:


`I played with your heart.`


 She`s Eve, who emerged from the rib of the Anthropos or Adamic `first man` of Earth and, as Neil Armstrong was Eve`s `first man` on the Moon. She`s on Mars when he arrives, so her transport is more advanced. We`re told that `gravity is defective`, so she`ll develop gravity, and there`s `98% oxygen`. In premature births, and spacesuits, a higher percentage of oxygen is used; but 98% oxygen is poisonous, according to medical science. In other words, her spaceman is definitely a baby. He has baby oil, on Earth. For cars. In Hungarian, there is a sign of Lukoi Lamaze birth:





 It`s a sign of her baby`s car. Britney`s spaceman runs on baby oil, because he`s from Earth; but she doesn`t want it. Because Earth is reincarnation, death and rebirth – continuation - not Resurrection with all of her memories, and so Redemption from having more babies (men as parasites). On Mars, she`s `anger` because she knows the truth. In Hungarian, `hold` is Moon, so `the man on the moon` was her child on `hold` there. When he discovers she has a penis and she`s him, he`s her hybrid, and when he`s her as futanar, Woman with a penis, he`ll have reached escape velocity, whether she`s on Earth or not, and that`s the picture being transmitted:


`I`m not that innocent.`


 On Mars, Britney represents `anger management`. Woman would leave Earth, and man would seek to prevent her. Her child is `lost in the game`, because unaware of what Woman is. In the 80s there was an English sitcom called Whoops Apocalypse in which a `Quark bomb` destroys Israel and the US army there.  Eight years later, Gulf War I was concerned with Saddam Hussein`s stockpile of `weapons of mass destruction` to use against Israel. Britney`s video is, therefore, Oops- Apocalypse - I Did It Again. It`s her  Revelation in which, as `the woman clothed with the sun and with the moon at her feet`, she gives birth, in reach of the `red dragon`, to a child which it cannot devour; the New Redeemer which will `rule with an iron scepter` until Woman can leave Earth.



 Jesus` teachings are the Word of God, whereas the red dragon is a `thunder lizard`, and could reach out with its prehensile equipment, strangle the child, and crush it in its jaws before chewing and swallowing; but it can`t. It isn`t the Word of God. Consequently, the Bible explains in Revelation that men are no longer human, but are alien, and this is the definition of alien: that which is not a species. If men are not a species, then it`s more than likely that they don`t breathe the same air mix, which is what Britney`s saying in Oops. Woman can`t breathe the same air – and live – because their air is, literally, poison to Woman.  In short, men are strangling her by means of anoxia.



 In Hungarian `nok szia` is `hello and goodbye from/to women`, which translates as `Woman`s air`, because `noxia` is `breathe`, that is, in order to live she has to leave Earth, and is saying so. Otherwise her blood vessels will rupture, and she`ll experience the physical and mental agonies of Osiris torn apart by the evil Set, as scuba divers do who experience the `bends` if their air supply isn`t regulated correctly. In other words, the myth of Isis is of Woman who can`t remember her own penis. She thinks that Osiris` penis is god, and the `sky god` Horus is fashioned a new one by her so that he can return to heaven. But that`s resuscitation, not Resurrection and Redemption through her remembering of their `joint` penis. In other words, Osiris and Isis are `handicapped` by their breathing the same air. Earth is a prison where men don`t breathe the air that women do, and it`d be poisonous to Horus, her man, who needs to be born with - or through – her, which is the information that Oops is encoded to deliver. It`s an Odyssean structure, similar to James Joyce`s Ulysees, in which Woman is remembered:


`I played with your heart.`


 Ulysees takes place on a single day in Dublin and the chapters of the novel relate to the different organs of the body. In the final chapter, 18, Molly Bloom, muses on the desirability of a matriarchy. In terms of the chapters` characterological structures, she`s Penelope, to whom Odysseus returns; because he can remember who he and she is. If he could remember that she is him, he`d know that she was everywhere around him and wouldn`t hurry, as indeed he doesn`t. That`s why Molly meditates on matriarchy because, as every woman, she`d be everywhere for her Odyssean. Ulysees is a `stream of consciousness` novel and the musings of Molly`s heart. Obviously, it`s carefully written, and edited; but the fleetingness of thoughts, some held and some momently glimpsed, is conveyed. Similarly, Oops conveys depth, and requires depth perception, in analytical terms, as well as depth psychology, in mythic and archetypal terms, in order to perceive the extent of the Odyssey she has planned for her `child`. The ocean deep is on the menu. Her spaceman gives her a gift:


`But I thought the old lady dropped it into the ocean in the end?`


`Well, baby. I went down and got it for you.`


 She isn`t the baby, he is. That`s why we don`t like her tone:


`Oh, you shouldn`t have.`


 It`s reminding, but he`s too egotistical to understand it. She doesn`t want him to waste time, but if that`s what he`s done... The important criteria is that it was a good thing to do. It`s a reference to The Titanic (1997) in which Rose drops the `heart of the ocean` into the – ocean. It`s a blue jewel, so she`s Blue Molly, because Hungarian`s signatures are surname first. Symbolically, blue rose. Her beau is, presumably, Blue.

 In other words, the gift that the spaceman brings, rising from the depths from where it lay, is a flower from the ocean, which is clearly of some value because, although the `old lady dropped it into the ocean`, he `went down and got it for you`. In other words, it`s still a blooming rose, and she is still the Old Lady, which is a name often given to the Virgin Mary. In practical terms, the spaceman is saying that he wants better transport. However, the `Hungarian` is saying `Blue Mol`, because oil is `olaj` (Bluem Olaj, Blue Molly) and cars use it, not spacemen.



Woman has a penis of her own, so is a species; and men are a parasitical organism that needs a host womb in order to continue its existence as a virus and, indeed, a plague that has enslaved woman so that, rather than eternal life off Earth, as it were, she is made to anticipate reincarnation, death and rebirth which, without Resurrection, that is, memory of who she has been, is a repetitive cycle of her achievements for those who want to see her `perform` - as was – and which is necessarily futile for those who`re aware that they are resurrected. This would, of course, be the methodology of the torturers, who are, effectively, men as `aliens` making her live in a poisonous atmosphere, a rich mixture of carbon monoxide and other toxic elements, which even clean would be unbreathable, to enjoy the `choke chain` of enslavement through anoxia-inducing brain debilitation, which of course is no `joke chain`.

 Britney on Mars is her Sandwoman`s continuation of the American Dream, and faith in Manifest Destiny. That`s why she`s Britney Spears, because of the Spear of Destiny, which is the spear of Longinus that, penetrating the side of Jesus upon the cross, effectively released the Paraclete as the Holy Spirit and `teacher`. The correct flow of libidic energy is from red (instinct) to (blue) spirit and on to green (eternal life) which, without God`s Plan, is reincarnation, death and rebirth, but Resurrection and Redemption are on - if starship Earth can be made to change course. Without indestructibility, eternal life is only painful. That`s why, in alchemy, the albedo or whitening is described as the `false dawn` that comes after the omnes colores, the many colours of the rainbow that symbolizes God`s Covenant, and Britney in her white bikini dress in Oops is symbolic of the truth. An immortal body is often called a `diamond body`, so the `blue diamond` would be the heart of her. In other words, it represents the beginning of Woman`s Redemption – Diamonds are a Girl`s Best Friend.

 The icon for her single Piece Of Me is herself on the cross as Jesus; `I`m Miss American Dream since I was seventeen.` It`s interesting, because the Holy Spirit is a `teacher`, and appears in dreams. As an archetype, Britney is Christian. According to Carl Gustav Jung (1875-1961), there is a facultas praeformandi that exists in the unconscious, and the soul or anima mediates there in order to constellate creative contents of the self which, appearing in dream material, are productive of conscious activities directed towards the improvement of human life, through inventiveness and what can often appear as spontaneous genius. We are supposed to dream about Britney, and develop.



 The facultas praeformandi is, according to Jungian psychology, the closest approximation that can be made to what is called God, although Jung defines it as the archetype of the `Self`, the totality of which is knowable but, for the majority, unknown; because they`re unconscious. Jung calls the process of becoming conscious, individuation, and dreaming in faith with God, is natural. Britney, as archetypal Woman, is both anima and Great Mother, a dream for Woman and her daughters.



 Britney`s icon of herself on the cross, without the spear of Longinus, indicates her developmental role. There is Spears, but the spear isn`t there. In other words, the spear that released the Paraclete has released God`s omnipresence, which is the Holy Spirit everywhere upon the Earth; the archetype of Woman, the anima, which teaches in the invisible and visible world – as Woman, that is, `God`s love`. Without this faculty, which informed Joseph that the Virgin Mary would conceive without his intervention, and that he and Mary should leave from Bethlehem for Egypt, before returning to Nazareth, Jesus would have been killed by Herod in the `massacre of the innocents`; the murder of male infants who`d feared that a new king was to be born to replace him.



 The Sandman Lukoi represents men, as Jesus demonstrated when he cast out the evil spirits into pigs.  As God`s discerning creatures, they immediately drowned themselves. The real `Gabardene swine` were the men from whom he cast out the evil spirits. Jesus was tortured and murdered as a dreamer, because the `living God` , the facultas praeformandi, speaks through them –of dreams that men don`t want to have faith in; because it`s too hard for their egos that can`t entertain even the notion that they`re a hybrid, never mind the idea that they`re a woman, or that the goal of God is that they be a woman with a penis.

 Men are, in fact, predetermined for baby eating. Because babies are what continue their viral form. It`s their larval stage. Pregnancy `reveals` it – to them. The baby `bigs` the woman, and men`s psychology is that that`s where babies are for – and babes. That`s why they call women `babes`, because civilization is for destruction (devouring), and so are women; because that`s why they produce. It`s a psychological mechanism interpretable from Lukoi, whereby men don`t want good dreams and dreamers, so the colour coding is green (life) to red (war), and red (instinct) to blue (spirit), which is development for destruction. That`s why the red dragon seeks to devour `New Redemption`, because men are for eating babies, and Woman is for giving birth to them.



 It`s an old story. In mythology, Chronos in Greek, Saturn in Roman, and Satan in Christianity, as the red dragon of Revelation, are all baby eaters. Satan can`t eat the child of the Woman of Revelation. Because Woman is Satan, and the dragon is, in fact, men`s evil. Woman`s Satan because she wants to leave, has her own penis, and is a species. Men don`t want her to leave, so are evil, which is what the Satan concept is for. It`s God`s Redemption of Satan`s spirit. What remains is evil. So what? Slay it in battle Jesus, so God knows where it belongs, and God`ll give it undendurable eternal pain.

 As the archetype of the Holy Spirit, Britney sings: `You think I'm in love. That  I'm sent from above.`  The Paraclete was `sent from above`, according to the New Testament, after the torture and murder of Jesus, and the Paraclete was to continue the teachings of Jesus, that is, Resurrection, Redemption, and the promise of an indestructible `diamond bodied` immortality in a new heaven and Earth, while the evil had unendurable eternal pain as a punishment.

 Britney, in Oops, is singing about the inadvisability of being `in love`, and she sings that she isn`t `innocent`; the Holy Spirit was `sent` and has been here among us for 2000 years.  God`s love is Woman, so she`s not `in love`: she is love. She isn`t `innocent` after 2000 years either. She`s wiser. The astronaut in Oops is the Spear`s Man, the Spear of Woman`s  Destiny and, as Spears, she`s the omnipresent spirit of Woman which nourishes with, at the least, the milk of her breast from the heart of her earthly being.

 We know that the `fork` is a `given` in the video. It`s a symbol meaning `fork-given`. In other words, the only `given` in Oops, is the `fork`, and everything else is latent but present, because that`s how dream interpretation and creative individuals function. The heart is a symbol of a titanic task. To ask that the `fork` be assumed as a `given`, that is, that Jesus forgives his tormentors first, and then has Ascension, because he says: `Forgive them for they know not what they do.` It`s  a matter of emphasis. Britney`s Oops observes that the `fork` is `given`, but it`s not her decision to be pierced by it - as it was not Jesus` decision to be pierced by men with nails.

 The Virgin Mary has the Assumption, because she`s Woman. She`s assumed by God to be for heaven and not Earth, which is why Revelation features `the woman clothed with the sun and with the moon at her feet`, giving birth to `he who shall rule with an iron scepter` - for her until she leaves – Woman, that is. Jesus forgives Woman on behalf of God: `Forgive them for they know not what they do.` He has Ascension for that, which is what the Virgin Mary is the archetype for; she doesn`t know what men do until they show her son that they don`t want men. Consequently, she appears as the archetype of Woman in Revelation also.  Her child is born in the teeth of the red dragon, the devourer, which is men, so s/he has teeth to defend her; because the dragon cannot harm her; Revelation says so.


 In Hungarian, the words for diamonds is `káró`, which means that, if the Woman of Revelation is an archetype, she is the equivalent of a `ka manufacturing complex` because `Ka` is spirit in Egyptian mythology, so `káró` is a `car production line`, in which diamond bodies are the goal of the process. Woman`s problem would be that, if she were to produce diamond bodies here upon the Earth (virtually impossible because she doesn`t function in the same air mix), then men`d want them for themselves, and as evil spirits of possession, they wouldn`t want her to escape. Indeed, they`d seek to leave Earth themselves, in diamond bodies of women that they`d usurped, as evil spirits that possess - the `Gabardene swine` -  to return her to bondage if she tried to leave.

 If Woman leaves Earth, then she must leave for immortality in God, so won`t need to reproduce, which is why Mary is a Virgin birth. There are women with a penis upon the Earth, and they are called futanar. In a new heaven and Earth, promised by God in Revelation, there`d be heaven in which Woman lived – immortally – and Earth, in which she lived productively, so her penis would be everywhere – virgin in heaven because immortal, and productive on Earth, until heaven and God.  Man`s Redemption would be an acceptance of Woman, and the faith that his penis would continue – as Woman`s.  According to Revelation, there`s war in heaven after Woman leaves, presumably because men want her to remain a slave. 



 It requires inspiration from dreams (or a dreamer), to read the Bible, whereas Bible `thumpers` perpetuate the unbelievable: that the Word of God is literal and can`t be interpreted. If nothing else, tone is important. What is emphasized, when, why, and how much it is emphasized: `Forgive them for they know not what they do.` The Bible is a big book, and it can be used to construct lies and untruths. Similarly, Oops can be used to tell truth from lies, because Lukoi wants us to believe lies rather than truth; so we have to look hard for it. Britney, in Oops, isn`t Major Tom Thumb from Space Oddity, but a character from Robert A. Heinelein`s called `Poddy` from the novel Podkayne of Mars, a bildungsromans for young women, and the only one extant among a dozen or so juveniles written between 1947`s Rocketship Galileo and 1959`s Starship Troopers, which received the `thumbs down` from `mummy`s and daddy`s because, written in accordance with the principles of ancient Rome, it was deemed fascist. However, it wasn`t  about `murder in the circus`, which is butchery under the umbrella concept of gladiatorial endeavour. It`s a fight for citizenship, and acceptance. Poddy`s fight is for `Woman`s World`, and acceptance of the Holy Spirit, Ressurection and Redemption through Revelation. In the Roman circuses, it was a tradition to give the sign of the `thumbs down`, which meant the coup de grace, or death blow, to gladiators who were deemed not to have entertained.



 Britney`s Major Red is A Space Poddity. Her small song is an I-Pod `ditty`, because I-Pod`s store and produce `music and pictures`. As Poddy, the `body beautiful`, she descends thumb-size in a giant`s ring, but isn`t `thumb down` for anyone. She is, however, concerned about `thump her`, when her spaceman arrives. Is he from the Bible class? Does he read the good book well; or, indeed, does he read good books well? Heinlein was the first Grand Master of science fiction, so the giant`s ring is, symbolically, his. However, as she`s a `thumb` it seems that it`s a thumb-ring; so she`s a woman who doesn`t belong on a marriage ring finger. She`s independent, and is meant to be so. I-Podkayne also refers to Cain who murdered Abel and the riddle of the Sphinx:


`What goes on all fours in the morning, two in the afternoon, and three in the evening.`


 The answer is `man` who`s blind, is Cain, and uses a cane to feel a way for his feet to walk upon because he`s blind. He can`t see because Lukoi doesn`t want him to. Cain murdered Abel because Abel could cook, so preventing further development. Cain preffered to wait for the fruit to appear. Similarly, I-Pod `Kane` refers to Citizen Kane, which is the `greatest film of all time`, according to cinema critics. It`s the story of a media mogul whose life is told in `flashback`. His last words, as he holds in his hand `a snow globe award` are `Rosebud...` It`s an enigma until, in the last scene of the movie, we discover that it`s his childhood sled, which is burned as unimportant and useless by those who don`t accept its value. In Hungarian, it`s `az nó globusz`, which is `Woman`s World`, that is, I-Pod is the New Redeemer who`ll show her man the path to travel; even if he is a blind murderer. On Mars, she`s the `City Zen`, and uses Zen Buddhist `thinking` to achieve her ends. Zen Buddhism was founded by Bodhidharma:


`It both is and is not;

Neither is, nor is not.`


 Zen is the perspective that a thing can both be and not be; which is translatable as `evil doesn`t exist`. Poddy is Bodhidharma, which means `nature`s thinking`, but Cain is the devourer of what is grown, rather than what is `cooked` or developed, so Poddy is the developer. Men don`t want to cook. Because it`s Woman`s work, which is developmental, but God preferred Abel. Woman cooks, and therefore she`s `able`. Because Cain murdered Abel, the logic is that men want women to be the `fruit` rather than develop (cook), that is, they want to devour her and whatever`s developed. Because Cain didn`t want Abel, the Bible says so. They want to be blind and without Woman`s aid, and that`s why Jesus says that acceptance of the Holy Spirit is a prerequisite for gaining entrance to God`s heaven. Men don`t want it. Jesus` words are for Woman, who can cook. That`s all Woman was for. With the advent of technology, men can eat her. Development is what she was for. That`s why the Woman of the apocalypse gives birth in front of the dragon and her baby lives. She can cook. As the euphemism has it, `she had a bun in the oven`, which is what she was for. Edibility, because she looks `good enough to eat`. But her child `rules with an iron scepter, and she`s `hid` for a while upon the Earth before escaping from her would-be devourers.



 Britney sends her spaceman away, and he`s `walking backwards fork Christmas`. He doesn`t have his sled, but it`s a `trudge through the snow scene`, in which red-suited `Poddy` is Santa but it`s backwards. The scene of her spaceman going backwards strangely reminds the viewer of the sled that should be being pulled by Britney`s `postman`. He`s post Man, because he`s New Man, and she`s the Redeemer, who deems him. She doesn`t doom him. As Sandwoman, she`s `nature thinking`, and sends him back to green (life) and blue (spirit), while red (instinct) is hers, and Redemption is possible through transformation.

 Britney`s perspective is that those Christians who accept Redemption are `fork given`, as it were (men are the `devils` with pitchforks of Christian iconography), and she doesn`t want to be Bible thumped by Christians for believing truth, that is, she`s dev-eloped to Mars with the `bride` of God concept, and knows that her church is Woman. Her Bible is well-thumbed, because she can reveal it. In Moslem countries, it`s the custom to leave what you don`t want on your plate, whereas in Western Christianity it`s commonplace to tell children to eat whatever is on their plate. Consequently, devouring is what Christians are for. It`s like sex. Having enough isn`t satiating, and that`s why Satan is depicted in Revelation as the devourer of babies. Woman is a species, so if she`s not developed, she`s all daughters, who don`t all have their own penis – we have pictures. Men devour civilization, art, culture, science , literature, and Woman – through war. This is what is defined as paedophilia. Not the desire for sex with children, who are Woman, but men`s desire to satiate Woman as her aliens, and then devour her. The `number of a man is the number of a beast`. Because the beasts are paedophiles who don`t want Woman to grow. They want to eat her – by definition. In fact, they want to eat her while she is still living.

 Britney` has the role of an independent `thumb` on Mars because, in Islam, a senior married woman is a `thumb`, and a man with four wives has a `hand`. Consequently, a Christian `thumb` is more important than a wife. On Earth, Britney may be married; but her independent Martian war goddess doesn`t want to be eaten by the ogres.

The `fork` is what is `given` in Oops, because you don`t need a knife to eat cake. As she spaceman looks down upon Britney, the giant tines of the fork are by his shoulder. Britney`s white bikinied body actually refers to an earlier version of `Poddy` called `Puddin`, who appeared in three original short stories written for magazine Calling All Girls, and intended for a collection Men Are Exasperating.  Two of the  stories were `Poor Daddy` (1949), and `The Bulletin Board` (1951). The Bulletin is the newsletter of the Science Fiction Writers Association (SFWA), and the `bullet in` is what `daddy` seems to be `for giving` her. `Puddin` or `Pud`  is, clearly, `fork cake`; or, in other words, `fork ache`, the paedophiles desire to devour developing lives. Hence the title of the third story, `Cliff and the Calories` (1950), which may be understood as a cliffhanger for those who`re addicted to `heroine`, that is, fork-cake and a few gob-smacking calories consumed by sexual appetite, or `galleries` for those who are addicted to `shoot `em ups`.  Poddy I , Heinlein`s Empress of science fiction is, clearly, `bluetooth`; but is she transmitting an SOS in Hungarese, or offering her older self as a pay gun sacrifice, in the language of all well Hung Ares everywhere, to `Hungreek Cliff and Thug Galleries` for their news single Heroine Shoot `Em Ups – and to what extent is the SFWA involved?

 Acceptance of God means `forgiven` and heaven.  Britney`s ring is that of the `bride` of Christ, the church, in Revelation, which is, obviously, Woman. If `Poddy` and `Puddy` are a giant snuff ring, then they`re Heinlein`s `Boddy of work`, and whether he`s a PhD or not, Jesus is the teacher.  Confusion for Woman  arises with the idea that Jesus is a man: `The Son of Man.` This is how he describes himself, which is why science fiction is important for understanding the Bible. A man is a beast, according to Revelation, which is why Jesus doesn`t say he`s a man. Mary`s parthenogenesis, and her giving birth to the `perfect man`, is God`s preparation for her understanding that Jesus is her hybrid counterpart, and that in heaven and God they`ll be One.

  Mary is Virgin with Jesus, but not with Joseph, that is, Joseph has a Mary, and so does Jesus. That`s why there`s `Poddy` and a `Puddy` in Britney`s Oops. An earlier, and a later version. It`s about the space-time continuum. Jesus` birth and Ascension are represented in Christianity as a single moment in eternity, which is why Jesus is Alpha and Omega, the first and the last, because it`s Jesus` saving; from inception to – and through – Revelation, and the creation by God of a new heaven and Earth. Poddy`s inception is after Puddy`s, and they`re in different stories; but they`re the same character. If they were to be Resurrected, they`d be separate characters with different memories. However, if reincarnation were the goal, they`d be a single character, with no memory of itself, doomed to repeat fragments of their former productive achievements in an unconsciously futile circularity of continuing death and rebirth, which is a torturers` parody of Redemption and indestructible immortality.



 Poddy`s perception is that Mankind is one creature, and hybrid; but isn`t kind. So, man and woman must be one creatureliness in God, as Adam and Eve were before they began to obtain the `knowledge of the fruit of the tree of good and evil`, and that`s what the Ascension and Assumption prefigures; the attainment of a return to the perfect state by means of wisdom and faith in its attainment.  Adam and Eve were One, before God separated them, and Mary and Jesus are One, despite Joseph`s later `claims` upon her earthly flesh, as it were. That Mary (emphasis) is for Joseph, but  Revelation promises Jesus and Mary, Man and Woman`s original Paradisal  hermaphroditism in God`s heaven – which requires faith: as it would for Joseph.

 In symbolic terms, Mary is Jesus before Jesus is born, and afterwards. Joseph is Woman`s `condition`. In religious terms, Joseph would have to accept that he was married to Jesus as Mary, as Woman with a penis, or to Joseph`s Mary, who doesn`t have a penis. But Mary does have her own penis, which is her hermaphroditic self as Mary and Jesus, who`re One creature in God. It`s the work of Redemption. Joseph isn`t human, without Mary, and can only be human, that is, Woman as a species, if he accepts a hermaphroditic unity with what he perceives of as his Mary. The two Marys are, as Poddy and Puddy, separate; but characterologically  identical. They simply have different memories; as Mary the Virgin and Mary, as Joseph`s wife, represent different aspects of Resurrection and Redemption. In other words, there is Mary and Poddy, the Virgin, and Joseph and Puddy, the wife. Both are redeemable, both are individual., and both are characterologically identical but separable. It`s how Resurrection and Redemption would work. Without the concept of memory, it`s only the Boddy`s reincarnation, which is the continuing cycle of death and rebirth, in which bodies with some capacity for functionality, are doomed to work for nothing except intimations of what they were.



 Saul of Tarsus experienced a conversion on the road to Damascus, which represents a `fork` on the road, that is, he chose Christianity after conversion, and he had been a persecutor of Christians. In other words, conversion, Redemption, Resurrection, Revelation, and a new heaven and Earth are `given` for those who are `fork given`, that is, who`ve made the choice not to be devouring paedophiles. Saul became Paul, a disciple of Jesus. In Oops terms, Britney is observing that she`s successful because she`s a convert, so why is the media persecuting her? Isn`t the material enough?  She`s `for king` of the `chosen`, who`ve decided not to be devourers, and conversion takes place in eternity, as does Saul`s conversion and Jesus` birth, and Redemption, when he said he must be about his parent`s business (God`s), Resurrection after being tortured and murdered by men, who effectively  are Mary and Jesus` aliens, and Ascension.



`Those who punish retrospectively, because they arrogate authority, are evil. The `fork` symbol denotes the choice to either be a persecutor or a Christian. You can`t be `fork given`, that is, in Oops pitchfork means the tone of the persecutor, and not the judge`s after prosecution, conviction, and verdict. In other words, sentences from the Bible, as preached by pastors, are persecutive`, not `judgement`. The commandments, for example, begin: `Thou shalt not...` Which may be interpreted as `You needn`t ...` Because God shall fulfil all your needs. Similarly, in the Old Testament:


`And if he smite out his manservant's tooth, or his maidservant's tooth; he shall let him go free FOR his [italics mine] tooth's sake.` (Ex: 21-7)


 God is saying that he is the tooth, and the abuser is abusing because he`s being abused; otherwise he mightn`t. Britney`s analogy is, similarly, of the tooth of God, as it were. Herself as `bluetooth` may also be understood as `fog kék`, that is, a sweet tooth that is for cake will result in toothache. In terms of Britney`s Oops: A Space Podyssey, she`s Blue Molar, but her `bluetooth` is in danger of Blue Mol station, that is, Mol is an oil company in Hungary with stations, and `olaj` in Hungarian is `oil`, but sounds like `a lie`. In other words, her beau has a molester who lies in wait for him religiously at `service` stations with `olaj`, that is, he`s the `father of lies`. This means that, if the molester is causing her beau to knock out her tooth, that is, her `bluetooth`, it`s because the molester is abusing her, and she doesn`t accept that. Her `bluetooth` is wisdom`s tooth, and has the Holy Spirit of God. She perceives that oil is holy, but molesters aren`t.  It`s the `cake tomorrow` syndrome. As Jesus observed to the disciples, when they evinced hatred towards him and a woman who`d anointed him generously with oil of great value:


`Leave her alone,` Jesus replied. `It was intended that she should save this perfume for the day of my burial. You will always have the poor among you [italics mine] but you will not always have me.` (John 12. 7-8)


 Jesus observes that this is God`s omniscience, and the woman is, according to researchers, known only as Mary. He says that Judas and the others will `always have the poor among you`, because they, the disciples, are mean and evil. They`re saying so. They don`t want a woman to love. Jesus represents their idea of `cake tomorrow`. Mary`s love isn`t for Jesus, they`re saying, and theirs isn`t either. So it`s crucifixion tomorrow, and no cake. In other words, men don`t want a woman to love, and they want to pretend that they want to do it for Jesus. But the disciples effectively arrange Jesus` crucifixion, which is the culmination of men`s hate campaign  and the end of their feigned reverence towards the master:


`This very night you will all fall away on account of me, for it is written: “I will strike the shepherd, and the sheep of the flock will be scattered.”’(Matt: 26. 31)

 In Odysseus` journeyings with the Argonauts, Polyphemus is the one-eyed creature that, in Oops terms, is Britney`s spaceman. In Hungarian, he`s the `ajtó ablak`, which means `a door window`, and corresponds to the idea of a spaceman as a `one-eyed toe` that, in American football terms, signifies ajtó `war block` (ablak), because that`s how Hungarian is pronounced.



 Mars` lander has contrived to find a launch `window` for `adore` but, after taking his spacehelmet off, she decides he`s unsuitable. She sends him back to Earth, in an allusion to the way in which Saddam Hussein`s Iraqi army was turned away from Kuwait in the first Gulf War (1990-1). The deserts of Mars are her Sandwoman`s, and the simplest way of defending is to close the door, and don`t have a `window` for it. The USA gave Saddam Hussein the 3rd largest army in the world and waited for him to select a `window` to use it against  them. They didn`t defend.



The one-eyed toe is a blind penis. It`s a metaphor. Men are blind. Some have observed that a gun is a penis extension, but it`s an anus extension, that is, it farts. Guns make loud noises because they`re used by those who don`t want to listen. `You see?` is a phrase often used by people who want you to understand. They often can`t be understood because their interlocutors  don`t want to listen. Eventually, the `interrogated` use their anus extensions to stop you from speaking, and they don`t see you. Because they`ve devoured you. It`s a blindness that comes from analysing. The penis is for sex, but it can`t see. Because it`s looking from the wrong place. It`s Woman`s. It`s also looking in the wrong way. The spaceman`s one-eyed spacehelmet is technology`s. The eye of the penis, but it`s an ogre`s. In other words, the USA created Saddam Hussein as an ogre, so that they could justify spending on being ogres themselves, rather than spaceflight.



 In mythology, Oedipus is blind from beginning to end of Sophocles` Oedipus Rex, because he has the `mark of Cain`, that is, he`s murdered his father, Laius (unknowing him), and married his mother, Jocasta (unknowingly). At the last he has a cane, symbol of his role, to find his steps, his own self-punishment for his blindness – blinding himself.  Symbolically, he doesn`t want to know his father, he wants to know his mother. In other words, his penis isn`t blind. It`s Woman`s, and she wants to know herself. Jocasta`s hanging of herself is alluded to in Britney Spears` video by the `choke-a-star` motif of the animal trainers` chain, and the spaceman suspended by a chain as the `hanged man` of the tarot, which is the `portable` Torah, or Book of God`s Law, in Judaism. The `hanged man` is, simply, the traitor. Britney is indicating that her beau has a betrayer, and that he`s Cain, whereas the story of her Martian Sandwoman is that of the `City, Zen`, where she lives, and evil doesn`t exist.

 Oedipus` daughter, Antigone, guides Oedipus in his blindness – as his cane. In terms of the movie Citizen Kane, `Rosebud` is the last word spoken by the movie mogul. It`s the name of the `sled` of his infancy, a symbol of Santa, Xmas, innocence strangled, and finally burned.  A mnemonic for Christianity, because Jesus` birth, Resurrection, and Ascension are eternalized as a single moment in time, that is, the hero of Citizen Kane succumbs; but Christianity promises Resurrection, Redemption, and Ascension for those who accept God.

 Jocasta`s hanging of herself doesn`t mean that she`s a traitor; it means that she`s still blind to the meaning of what she does. In the same way, Britney proclaimed herself the Antichrist in 2004 during post-natal depression, so she doesn`t recognize herself as Antigone who guides the blind, rather than Jocasta, who hangs herself. In other words, she`s cane and not Cain, but Jocasta is blind to what she does, and needs guidance also. Jocasta understands that she doesn`t care if Oedipus is her son or not. Symbolically, she becomes Antigone to guide Oedipus. But she can`t. Antigone is Antigone. So, what is Jocasta blind to? Oedipus is her. She`s blind to that, but not to the understanding that she doesn`t care about her penis – Oedipus.

 Jocasta`s despair leads her to place a noose about her neck; as a thumb tightens in masturbation – or a condom about the penis. In other words, her `conditioning` by men (aliens) tells her it`s over; but it`s only just begun. Her hanging self reveals it, and that`s what the dramatization is for.  She is a penis, because she`s Woman and she has a penis of her own, and that`s what she`s blind to – what Woman is, a species.



 It could be argued that, symbolically, Jocasta hangs herself in order to be Oedipus` guide as Antigone but, in psychological terms, that`s developmentally backwards. In Woman`s terms, she represents the aliens` (men`s evil spirits`) approach; that is, if she has a penis of her own, she`ll have to have a masturbator, and they`ll function as her condom insofar as they`ll tell her when she can breed. The masturbators are they that hang her. They`re those that have blinded Oedipus, hung Jocasta, and Antigone is Britney Spears on Mars as the Sandwoman who`s not the Antichrist but the tutelary guide, that is, the Holy Spirit. Her perception is that men (aliens) are with her, masturbating her as evil spirits:


 `Got lust in the game.`


 As Woman she knows – or intuits - that she has her own penis, and that`s the reason why they`re evil aliens possessing her spirit with their own. Some Bible `thumpers` don`t even know what Woman is. It`s good advice to let a person leave who wouldn`t want to remain – like Woman on Earth – and that`s what he who `rules with an iron scepter` is for. However, `an eye for an eye and a tooth for a tooth` is a recipe for World War III. It`s what defence analysts call `threat escalation`. In Medieval times, the `pair of anguish` was a torture device used to torture women. Prince Philip of England once explained to me that they called Britney, Britney`s `pears`, which I wasn`t supposed to comprehend.



` A pear-shaped instrument was inserted into one of the victim's orifices [vagina, anus, mouth] ... [it] consisted of four leaves that slowly separated from each other as the torturer turned the screw... expand the "pear" to its maximum and mutilate the victim.`

 Britney`s observation in Oops is that the `fork` is a `given`, and signifies `choice`. In Hungarian, `fog kék` means `bluetooth`, so Britney`s fork is for cake, and means that her tooth is sweet, which means `decay` in dentistry. It is obviously `bluetooth` decay, or decadence, that concerns her, and what is available to her child on the `wireless`. But it`s actually about blindness. The radio was once called `wireless`, before video and `bluetooth` technology for the internet, and `brail` is the code for blind people to touch with their fingertips to grope at reading. In torturers` terms, they`d rather her child was blind and understand that she`s `a pear of anguish`, because it sets the tone for the 21st century – asinine 11.



X Marks the spot


(Plague Aims)


 The X-plane programme was designed to fly planes to the moon, and beyond. Instead, the US spent trillions on Saddam Hussein`s 3rd largest army in the world, and then trillions spent on their own to fight it. Effectively, Revelation X-planes 9/11 by criticizing US defence expenditure. In Hungarian, `körte` means `pear` but also `light bulb`, that is, intelligence. In Jungian psychology, there are four functions of consciousness that, differentiated or become conscious from the unconscious-self, constitute the totality of the individuated `Self` that, according to Jung, is indistinguishable from what we believe is God.



 The collective archetypes of the unconscious, especially the anima as mediator in terms of dreams and experiential life, assist the individual to grow and develop by means of, in effect, revelations. The notion that, in Hungarian, pear means light bulb, and so intelligence, relates to the idea of the apple and Eden, that is, the pear represents transcendent knowledge, which the `Big Apple` of 9/11 was designed to `nip in the bud`, as the mogul`s `Rosebud` was, that is, Santa`s Xmas `sled`, his child`s dreams that, crashed, eventually, in flames.



 The `pear of anguish` is for those who`ve achieved what Jung felt only two or three people had ever achieved upon this Earth; Mohammed, Jesus, and Buddha. In short, individuation requires the differentiation of `Thinking, Sensation, Feeling, and Intuition`, which men as aliens want to torture with their fourfold `pear of anguish` because they don`t want Woman to be intelligent. Hence Prince Philips description of Britney Spears as Britney`s `pears`:


` A pear-shaped instrument was inserted into one of the victim's orifices [vagina, anus, mouth] ... [it] consisted of four leaves that slowly separated from each other as the torturer turned the screw... expand the "pear" to its maximum and mutilate the victim.`


 Four leaves - consciousness. In Hungarian, `körtér` means `circus, which is what Britney`s Majorette (Major Red) is introducing on Mars. However, in spy-ring circles, `circus` is the secrets` war and, in Roman times, `circus` meant torture - in the Roman `amphitheatres` – of captives. However, her red-suit`s  intentionality indicates that she`s `majoring` in Redemption.



 By means of SFX transitions, Britney`s costume changes take place as a seamless continuity; from red, through white, and on to white with black skirt and black `pixie boots`. In Hungarian, `blouse` is `blúz`, which again suggests that she is Blue`s, even though her blouse is white. It may be a reference to the star spangled banner, the red, white, and blue; or it may simply be that blue is the colour of the Holy Spirit, which flows from green (life) to blue (spirit), and from red (instinct) to blue (spirit). If life and development is accepted as reincarnation, that is, death and rebirth in circular futility of remembered fragments of what we`ve already been, then that`s a `circus`, and a spy-ring is for taking advantage of what the intelligent have rediscovered of themselves and God. It`s green to blue, with spies and, indeed, murderers attached. Resurrection, with memories, is the refusal of reincarnation, and developing an understanding of instinct (red) that is, ultimately, Redemption; or, in other words, red (instinct), green (life), blue (spirit), and Redemption. Those who don`t want Redemption, that is, memory and Resurrection for those who have accepted the Holy Spirit, and have rejected the circus of futility that is men`s concept of reincarnation,  are those who they`d torture with the `pear of anguish`, however that might be construed.



As a `thumb-size` star, Britney symbolizes the bread of Catholic transubstantiation, which is contained, for journeying pastors, within a `pyxides` or luna.  Because Britney`s on Mars, it`s Oops Ides of March, which is the `window` in which Julius Caesar was stabbed in the back by his `best friend` Brutus. As `thumb-size` Woman, her `City, Zen` ship is her pyx in which she, as the `pixie`, as it were, is the Holy Spirit that, in the Old Testament, dwells in the Ark of God`s Covenant, that is, God`s pyx, wherein she`s called the Shekinah or `spirit of God` and, in the New Testament, she effectively emerges from the side of Jesus, as God`s omnipresent Paraclete, when Jesus` side is pierced by the spear of Longinus after his torture and murder. Judas was the representative betrayer, although all the disciples denied their master at the last. This is why God`s law has to be obeyed.



 The pyxides is a luna because it represents the Holy Spirit as the feminine principle, and the woman `clothed with the sun and with the moon at her feet` giving birth to the New Redeemer is small or great, depending on how much you value her. Her betrayer is the one who would eat her. That`s why she gives birth before the jaws of the red dragon of Revelation; because it is men`s alien instinct subluna to devour her. This is why the pyx contains a wafer which denotes the bread that Christ gave to the disciples as a symbol of his bodily Resurrection and Ascension because, as he says, when he comes again he`ll come with a sword to slay the evil and give them eternal unendurable pain. Because the wafer denotes Woman`s Holy Spirit of tutelary guidance  and not cannibalism towards her; either sublimated into wars against civilization and culture, or direct attacks upon her by means of whatever `pears of anguish` are available to threaten her developing intelligence.

 As Britney`s  spaceman `baby` makes faltering steps to her, she`s Bodhidharma (nature`s thinking), and he`s Buddha (the one who is enlightened by her). He is `risen` (raised by her), and is `körte` in Hungarian, that is, pear, light bulb, and `pear of anguish` because he`s the fruit after the Edenic apple, that is, after the `fruit of the tree of the knowledge of good and evil` has been digested. Anguish, because torture and death is what he can expect from men for penetrating the secret of Woman. That she`s a species with her own penis, and they are evil aliens that, controlling her planet and enslaving her to breed more of them, are effectively parasitical organisms using the concept of the `host` to jeer at her inability to escape from their virus; reified in Revelation as, amongst others, AIDS:


`...ugly and painful sores broke out on the people who had the mark of the beast and worshipped his image ... [water] ... turned into blood... and every living thing... died... and they cursed the name of God, who had control over these plagues, but they refused to repent... gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores...` (Rev: 16. 1-17)


 Interestingly, `God remembered Babylon the Great and gave her the cup filled with the wine of the fury of his wrath.` In other words, Babylon, the Great, Mother of the Earth, is the instrument of God`s wrath. Because she`s Woman. Although Babylon is described as the Great Whore and the Mother of Abominations, this is not her choice. Men are evil alien spirits that are devolved from her. It`s a rapprochement towards understanding. Effectually, Woman is the Great Satan from men`s point of view, because she has her own penis and wants to leave Earth forever, and the Bible says Satan will never leave but will experience unendurable eternal pain with the evil.  Consequently, Woman and men are, by definition, Satan; but men are evil aliens, and she`s Satan. In other words, the evil shall experience unendurable eternal pain because they`re evil, and God doesn`t care what Woman`s name is; Babylon, Britney, or Bodhidharma. The pear is a symbol of her eternal love, and the evil would have us understand that it`s a symbol of her and our eternal pain.



 Actually, the `pear of anguish` is the pregnant mother, and the `woman clothed with the sun` that gives birth in front of the red dragon of Revelation is giving birth to the New Redeemer as the dragon of Redemption.  In Men In Black, Lara Flynn Boyle arrives in a tiny spacecraft looking for `the light of creation`, and her spacecraft resembles a pear. She`s beautiful, as a woman, but evil as a monster, and symbolizes the red dragon of Revelation that can`t devour `the light` of Woman - asinine 11`s `Big Apple` - which leaves Earth.



 The `light of creation` is Woman, which is why Lara`s spacecraft is a tiny pear.  The `pear of anguish` is Woman`s role upon the Earth, because she`s a species. Lara Flynn Boyle`s role is of the woman that is an alien that comes to devour the light that is also woman as alien, which is ridiculous, and that`s why it`s Men In Black. Because the perception is that Woman wants to devour herself, whereas that`s what the history of the Earth tells us that men want. It`s a deconstructionalist `picture`, by which is meant that the premise is designed to be unconstructive rather than constructive - or constructionalist. If it was a constructionalist picture, Woman would be rescuing herself. Similarly, with the red dragon of Revelation; the `pear of anguish` is the birth of the `New Red`: Jesus` Second Coming:


`In his right hand he held seven stars, and out of his mouth came a sharp double-edged sword. His face was like the sun shining in all its brilliance.`


  The pear should be that of `the light of creation, which is constructionalist, that is, the `pear of anguish` is a torturers` tool that, inserted into the mouth, produces a rising intensity of pain. However, Jesus` mouth contains the `sword that cuts both ways`, which means that Jesus` word is good, so what is evil it destroys for ignoring it. A `pear of anguish` is designed to torture someone`s mouth, but the mouth of someone with the `light of creation` within them would correspond to that of the Hungarian `körte`, which means `pear` or `light bulb`.



 The child of the Woman `clothed` with `the sun shining in all its brilliance` has `the moon at her feet` because `luna` is `hold` in Hungarian, that is, the source of the Holy Spirit, in Catholicism, is the wafer of transubstantiation which is contained within that which is called the luna and that, in Hungarian, would be the `dragon`s hold` because that`s where the red dragon of Revelation is kept as Satan. In other words, the birth of the `pear of light` is Satan`s, but the evil want to torture the birth with a `pear of anguish`.

 According to tradition, Satanӓel is the elder brother of Jesus, and Jesus always preaches Redemption for his `brother`. Earth is where Satan has Redemption when the red dragon has learned not to devour the woman or her child, which is Woman who shall leave as a species with her own penis. What is evil remains in unendurable eternal pain, and Jesus doesn`t care if they call his brother, Satanӓel, Satan or not. It`s about perspective, and perception. The dragon of Revelation is, actually, the child of the Woman that watches over its own birth with the promise of Resurrection and Redemption, which is why it doesn`t devour itself.



 In US politics there`s a saying:


`You can fool all of the people some of the time, some of the people all of the time, but you can`t fool all of the people all of the time.`


 Britney outlines the problem in Oops. Heroes don`t `truly agree` in her `dreams`, because Lukoi wants her to believe in them, and she mustn`t if she`s to avoid being fooled in her birthing. She laments:


`I cry watching the days. You see I`m a fool in so many ways. But to lose all my senses; that is just: so typically me - baby!`


 Her `baby` is her brother, Satanӓel, the elder, who`s been taught, as has she, that men are her species, but the evidence is contrariwise. Woman produces and develops, whereas men destroy. Satan is called the Great Deceiver, but he has to be if men are liars. Lukoi, their sandman, doesn`t want people to dream of Woman as she is, her own species. She`s to dream of men or nothing, because that`s men`s sandmen`s idea of a `good dream`, which in fact is an evil dream or nightmare that always ends in her doom because men want to torture her forever through reincarnation, death and rebirth: ` lose all my senses; that is just: so typically me.` In other words, Lukoi isn`t just. She`s to be a stereotypical woman who`s an `airhead`. However, Britney`s well `read` dragon of Revelation is deceptive Woman as `the Great Deceiver`, which is what women are often accused of being.

 Britney`s a `fool in so many ways`, but she doesn`t `fool all of the people all of the time` because she doesn`t want to. If they`re fools, they`re fools. Let them be slain by Jesus. She`s of the `elect of God` and so, paradoxically, is Satan. Because men have made Satan of her who is a species, which is why Satan, according to tradition, refused to accept men as superior to the angels, and was cast down upon the Earth. He preferred Woman, so persuaded her to his point of view, and that`s why he gave her the fruit of the `knowledge of the tree of good and evil`, so that he could make of her a pear.



 It`s traditional that liars speak with a `forked tongue`, which means that Britney`s fork in Oops isn`t Jesus`: `...out of his mouth came a sharp double-edged sword`.  It`s the tongue of the `Great Deceiver`, but is she `fork given` and `forgiven`, that is, has she learned more than Pseud`s psychology  of `nothing butt tits` and the Buthits karma of death and rebirth as an enslaved f**k, or is she to be a permanent star in God`s heaven?  Oops begins:


Earth:  `Earth to Mars Lander, report status please.`

Mars:  `Mars Lander here. Gravity device status defective, oxygen status 98%.`

Earth:  `Any sign of habitation?`

Mars:  `Not so much as a... whoa there horsey! What the..? `

Earth:  `Cute.` [mission control can see the small icon depicting her – religiously – as small; in the hand of the spaceman]. What is it?`

Mars:  `Oh, it's cute alright, it couldn't be?`

| pause |

Earth: `Mars Lander, what's happening up there?`

| pause |

`Yeah yeah yeah yeah yeah yeah.

I think I did it again.`


 As the `thumb` she sends the `toe` away. Because `hold` is moon in Hungarian, it`s a toehold, that is, Neil Armstrong was the `first man on the moon`, and so there can`t be a toehold on Mars, because it isn`t the moon. It`s a `thumbhold`, which is `remek erὅd` in Hungarian. In Vladimír Remek is accounted the first European Union spaceman because, in 1978, he was a Czechoslovak cosmonaut on the Soyuz 28 mission. Britney is saying that her thumb isn`t under anybody else`s, so Mars is `Remek erode` if she doesn`t want him coming up the path to her `door`, which is `ajtó`, in Hungarian; because of the toes that stair.

 If Britney does want what`s coming up her path, it`s `thumber road`. It`s a play on words. The iguanadon dinosaur was long believed to have thumbs that were like sharpened spear points, but this picture was revised when archaelogists decided they weren`t thumbs. Many pictures of the iguanadon with thumb-spears are still extant, however. It`s a metaphor. For those she likes, her thumbs are helpful, but for those she doesn`t, her thumbs are spears.



 Men pretend:


 `I made you believe we're more than just friends.`


 So Britney has to be careful not to allow her thumbs to be `spiked`, which is what Great Deceivers do. They`re not fooled by words that have two meanings. Spy king is what Lukoi is. He spies on dreamers, and `spikes`, that is, stops them, if they dream of God.

 According to one 1859 account, the native proverb that the `white man spoke with a forked tongue` originated as a result of the French tactic of the 1690s, in their war with the... [North American Indians] ... of inviting their enemies to attend a Peace Conference, only to be slaughtered or captured.1 Britney`s icon for the single Piece Of Me is her on the cross, but a `piece` is a gun in the USA, and she`s saying that she knows how to take care of herself:



 Woman isn`t men`s species – she`s God`s. Britney`s Woman and wants to leave Earth. Her symbolism indicates she`s accepted that she` fork given`, that is, she can read lies and `doublespeak`, but has accepted Jesus` teachings, knows she has 21st century Redemption because of it, is therefore forgiven, seeks Resurrection, and embraces Revelation - and  God`s new heaven and Earth. If so, why Criminal as a single?


`I`m in love with a criminal.

He is a loser, he's a bum, bum, bum, bum.

He lies, he bluffs, he's unreliable.

He is a sucker with a gun, gun, gun, gun.

But mama I'm in love with a criminal.`


 In fact, Britney has Resurrection. Because she isn`t a knowing plagiarist. The original song , lost in the space-time continuum, is I`m in love with the President. It was one of Marilyn Monroe`s. In other words, this is Resurrection and Revelation; she`s revealed as resurrected by those who don`t want her to remember her `precedent`, that is, what she was before and, although she is revealed as resurrected, her mind is criminalized; because it advocates murder as glamour.

 Britney`s possessed by men`s evil spirits, that is, coerced by these aliens into believing in reincarnation, that is, death and rebirth, rather than Resurrection, and eternity with an omnipotently good God with whom she`d be immortal.  Because men want Woman to have unendurable eternal pain, which is reserved for men. Irrespective of conversion, Redemption, Resurrection, Revelation, or a new heaven and Earth created by God – for her.

 In Hungarian, `ful` means `ear`, so her `fool` has to listen, and tól Isten, in Hungarian, means `God`s pen`, which is a reference to the `fool` of the tarot which, according to some scholars, is a portable Torah or `God`s law`:


`The Fool settles beneath a tree, intent on finding his spiritual self. There he stays for nine days, without eating, barely moving. People pass by him, animals, clouds, the wind, the rain, the stars, sun and moon. On the ninth day, with no conscious thought of why, he climbs the tree and dangles from a branch upside down like a child. For a moment, he surrenders all that he is, wants, knows or cares about. It seems to him that his perspective of the world has completely changed, as if his inverted position has allowed him to dangle between the mundane world and the spiritual world, able to see both. It is a dazzling moment, dreamlike yet crystal clear.  Timeless as this moment of clarity seems, he realizes that it will not last. Very soon, he must right himself, but when he does, things will be different. He will have to act on what he's learned [italics mine]. For now, however, he just hangs, weightless as if underwater, observing, absorbing, seeing.`



 The `fool` is a planner. Because of the reference to the greatest movie of all time, Citizen Kane, we must assume a reference to that which was thought of as the greatest ship of all time, the `unsinkable` Titanic, which encountered the tooth of a dragon in the iceberg that, reportedly, gouged a hole in the hull of the vessel, so causing it`s descent to the ocean`s floor.  The `heart of the ocean` motif is echoed in the `Rosebud` motif from Citizen Kane, which is that of loss. Her red-suited and white-bikinied selves are `rosebuds`, and the `fog kék` motif is the blue tooth, which emerged icily cold from the fog, and the ocean blue, to sink the Titanic. In Oops Britney`s about to embark. Her spaceman says, `Britney, before you go..,` which is immediately preceded by `ALL ABOARD!` She`s given the `heart of the ocean` from the Titanic, and the character `Rose` dropped it into the ocean at the place where the salvage teams were raising the ship. So Britney`s ship isn`t the Titanic.



 `Britney, before you go, there's something I want you to have.`

`Oh, it's beautiful, but wait a minute, isn't this...?`

`Yeah, yes it is.`

`But I thought the old lady dropped it into the ocean in the end.`

`Well, baby. I went down and got it for you.`

`Oh, you shouldn't have.`


 Because she doesn`t want her ship associated with the Titanic. It`s the ship Britney Spears, a spaceship because of the spaceman. At one point in Oops, she throws herself as a spear. First she passes a gnarled tree, which is symbolic of the Irish shelelagh, that is, her ship is `Irish`, which means simple to the good, and impossible for the evil. In Irish tradition a shelelagh is a spear, a `fighting stick`.



  It`s also a symbol of the National Guard`s `fighting` 69th, whose motto is:

`Gentle when stroked, forceful when aroused.`


 The shelelagh is a metaphor for `cock-fighters`, that is, those who fight as cocks, or those who fight for them. Men are cowards who want others to fight for them, and women are cowards because they won`t fight for their own species (Woman). George W. Bush was accused of cowardice for doing National Guard service instead of serving in what came to be called the Vietnam War (1955-74). But his path was a secure one – a future President.

 John F. Kennedy was responsible for the `Bay of Pigs` debacle in 1959, when the US marines invaded Cuba and were slaughtered on the beaches, and the Cuban missile crisis which nearly plunged the globe into thermonuclear holocaust, while George W. Bush, implementing US policy largely formulated by his father, George Bush Snr., former head of the CIA, who wasted US defence expenditure on defeating an Iraqi army built over a generation as the world`s 3rd largest by the US themselves, so leaving the Earth to count another `hollow cost` - as Woman. In other words, holocaust is what men are known for; US Presidents being no exception to the general rule. Richard `Snuffmill` Nixon instituted carpet bombing of one of the world`s tiniest countries, Cambodia, and authorized the creation and use of `agent orange`, a biochemical weapon designed to defoliate the entirety of South East Asia so that nothing would ever grow there. George W. Bush was in the National Guard until the end of the South East Asia `campaign` (1955-74).


Agent orange


 Christina `X` Aguilera, whose surname means `from the nest of eagles`, was ridiculed for singing the National Anthem backwards, or in Swahili while exposing her penis - or something; whereas she was, in fact, inaugurated at the Hít Gyulakazet, Faith church, in Budapest, as the Xth Special Airborne before the Gulf conflicts, and prior to the endless futility of prosecuting a war against terra from behind the local park`s rose bushes, and from within the Snoopy pencil sharpener in the kindergarten.

 Christina hates those who ridicule Woman for believing in fighting for her country, while jeering her further for not understanding that she`s a species and is fighting with them, rather than for her own species, while condemning  her for cowardice;  because she doesn`t fight.



 However, `Ír` is the Hungarian word for `Irish`, and so the God of the Irish is `Isten`, because `Isten` is `God` in Hungarian, but is pronounced `Ishten`; in other words, God is `Isten Ír `. Or, in other words,  Hungary`s `Easter near` (Resurrection, Redemption and Ascension) in the `near East` of Europe. Of course, `Ír` sounds like `ear`, and in Hungarian `want` is `kell`, so `kell Isten` means that you have to `want to listen` if you want God. Moreover, `tól Isten` means the `pen of God`, so you have `to listen` to the soul, or your works can`t be acceptable in terms of God`s `tutelary spirit`, the Paraclete.  Men are analysts, that is, according to Jungian psychology, the `ear` is connected to the masculine `Thinking` function but, if superior (`super ear`), it is connected with the anus (`super rear`), which means that, undifferentiated in terms of the four functions of consciousness (masculine `Sensation` , feminine `Feeling` and Intuition`), male `Thinking` is concerned only with penetration, that is, of  Woman (civilization and culture), and that`s `anal thinking` in which the male identified itself as an `anal virus` (STDs, AIDS, etc.), which explains recent wars in the Gulf of Arabia, Afghanistan, 9/11 (a `viral` attack on the USA`s defence systems), the `War on Terror`, and Libya, etc. `



 In terms of the four functions of consciousness, differentiation would consist of East and West, as `Thinking` and `Sensation`, and North and South, `Feeling` and `Intuition`, for an individual; but in conjunction with Woman, her ears would like as not be `Feeling and Intuition`, that is, attuned to the womb of her developments, that is, vaginal, rather than anal, which is why she`s developing her own penis as a species – futanar rather than futile.



 The war against Iraq has another meaning, therefore. ` Ír` is Ireland, in Hungarian, and `ear rack` is how the English pronounce Iraq, because they believe in `Thinking` and anal, that is, the Íraq war was an excuse to to live Ír  (export their experience of Irish terrorism and `live fear`) that is, an opportunity to continue being what is commonly thought of as `Irish`, that is, stupid. The USA was culpable also in its support of organizations and governments that, directly or indirectly, supported terrorism; for example, the Taliban originally, and `Aids to Northern Ireland` (NORAIDS). In other words, the global war on terra, is actually a war for terror in which the `ears` and `eyes` of the Earth are upon the rack of the torturers - and the tortured.



 In Hungarian, of course, NÓ means Woman, who doesn`t want RAIDS or AIDS from anyone and, in America, Woman`s `rack` are her breasts while `eye rack` is torture for those who care for them, and `ear rack` is torture for those who hear about their not being cared for. In Old Testament terms, the Iraq wars were: `an eye for an eye`, and an ear for an ear; if we understand that `foreign ears` are `torture` because they hate you if you`re `foreign hear`, that is, a foreign tongue, which is Woman`s: because `Feeling` is associated with mouth and speech.



 `Sensation`, a male function, is connected to sight, which means that, without `Feeling`, the desire to communicate, the eyes want to devour, which is why  9/11 was an anal attack by Saddamites penetrating the US defence system as viral AIDS (helpful, civil aircraft) analytically deceiving themselves into `geek belief`, that is, hacking into Microsoft`s  latest X-Box software and killing 5,000 people is all one to the `plague aims` interactions that characterize the 21st century thinking of the devourers. The British and the US are `Thinking` and `Sensation`, but they did speak diplomacy with Iraq, so their `Feeling` and `Intuition` wasn`t atrophied. However, men`s preoccupation with terrorism and anti-terrorism indicates that they`d rather Woman was terrified than that she `leave fear` (live here).



 Christina`s `rack` is beautiful. But, for men it isn`t `an eye for an eye`, it`s `an eye for a woman`, that is, they`ll murder her if she`s yours, which is what warfare is for. The EmÍr of Kuwait`s wife had the EmÍr telephone Lauren Bush when Saddam`s forces invaded Kuwait. Because Saddam was eyeing her. Global terrorism is a war against Woman, because it`s designed to terrorize her; as is the war against it. In Oops, Britney observes that, in the Old Testament, it`s `an eye for an eye and a tooth for a tooth`, so Woman needs to develop her dragon`s tooth to defend her.



 Christina`s first big single was Genie In A Bottle. It`s important because she`s a genius and, according to the Muslim Koran, the djinn were created by God, who is `Eloah` in Judaism and `Allah` in Islam – as God is Isten in Hungarian. In 1001 Nights, the tales are a device whereby Sheherezade saves Woman by narrating `cliffhangers` to Shah Jehan, who had his wife beheaded for speaking with his brother, `thinking` that they were having an `affair`. Sheherezade tells her stories to prevent the women of `the kingdom` from being similarly beheaded each evening as Shah Jehan marries a new bride each day and has her beheaded each night. The djinn assist her. Consequently, Genie In A Bottle is, from a genius` perspective, how to avoid being forced into saving Shah Jehan, who`s a monster.



 In 1001 Nights, there`s the tale of The Old Man of the Sea, who`s a `marid djinn` that attaches itself to the back of a sailor and drives him on as a demon to disaster and despair. In Arabian tradition, shaitan are djinn that are demoniacal in this sense, and Satan is deemed to have been a shaitan. Ironically, the `marid djinn` of The Old Man of the Sea is, undoubtedly, homosexuality. In Aladdin and his Magic Lamp, the `lamp` is the `light` of genius, which can see to achieve. As Thomas Alva Edison, the US inventor of the electric light bulb (1879), was helped by his genius to see.



 Genies are often depicted as spirits, which assists us to think of them in terms of the Holy Spirit, which is the `tutelary guide` released from the side of Jesus Christ when pierced by the spear of Longinus at the crucificion, and before Jesus` Ascension to God. In terms of spiritual symbolism, djinn would correspond, if female, to the spirit of nature. In Arabian tradition, Satan existed upon the Earth as shaitan before man. It`s Woman`s tradition that men are `iblis`, that is, they don`t really exist because they`re shaitan. In other words, their tradition is of Woman, and the Holy Spirit of Christianity would correspond to mother nature`s spirit without men`s `contamination`.



 The `lamp` is an interesting motif. Ancient versions look like a `slipper` with a hole at the toe. In Arabia it`s considered impolite to show the soles of the feet, which relates to the idea of the `slipper`. It`s the notion that the spirit of mother nature rises from the Earth and develops. That`s why Britney`s astronaut in Oops appears as a `big toe`; it`s archetypal. Mobile telephones follow the same design principle. If we imagine the spirit of the Earth rising to consciousness, then we can envision how the djinn `travels` upon our feet, that is, mother Earth needs us as her vehicle, whereas the Old Man of the Sea is a homosexual predator.

 In Aladdin the genie is male, and Aladdin makes the `lamp` work; much in the way that Thomas Alva Edison made the electric light bulb work. Britney on Mars lives without a spacesuit because she has superior technology, that is, she`s super `ear`, her thinking is for better development than the spaceman `toe`. It`s often observed that what distinguishes men from monkeys is the `thumb`, but Britney indicates that they`re `toes` because they can`t think beyond the `lampwork`, that is, she`s represents the `lamb of God` because Aladdin is an enslaver, whereas the knowledge that good is God is enough instruction for Woman and djinn. In science fiction there`s a principle:


`Any sufficiently advanced technology is indistinguishable from magic.`2


 The difference between the ego that forces the spirit of the lamp to obey him in Aladdin and the symbol of the lamb of God, that is, Jesus, in Christianity, is simply the observance that those who think like toes won`t have thumbs. Because they won`t accept the technology that they have; they`d rather devour the Earth like ogres than have the stars in the heavens.

 Saladin was the great knight of the Muslim peoples, who fought against Richard I of England and others during what was known as the Crusades to capture for Christendom, Jerusalem , the Holy City where Jesus was crucified. The myth of the Holy Grail, which is the `heart` of Jesus and Christianity, symbolized by the drinking vessel at the `Last Supper`, is at the centre of the knightly tradition, and Aladdin`s `lamp` is in direct correlation. In Jungian terms, the wine is the symbol of the libidic instinct which, transformed, means spiritual development within the body (symbolized by Christ`s giving also of bread at the `Last Supper`). Effectively, it`s the relationship between Woman and the penis.



 It`s the spirit within, which can produce tremendous effects by the power of the personality and faith. In Egyptian mythology, the genius of the `lamp`, that is, the `light within`, is the `Akh`, or `magic personality`, which a `star` like Britney Spears, and is the envy of those who don`t have it - and want it. The Arabian `magic lamp` is for a child`s sympathies, and the `lamb` of Christianity is, similarly, directed:


`Truly, I say to you, unless you turn and become like children, you will never enter the kingdom of heaven.` (Matt: 18. 3).


 It`s not a recipe for enslavement through reincarnation and the cycle of repetitive futility that is death and rebirth. It`s not a recipe for possessing demoniacally the infant spirit so that the evil aliens that are men can enter into God`s kingdom by killing themselves and taking over the bodies of the good. It`s a recipe for developing in accordance with the teachings of the Holy Spirit, which are simply that God is good and accept it. If the apple of the `tree of the knowledge of good and evil` is development, accept God`s goodness in the pear of wisdom and embrace it.



 In Oops Britney is the red dragon of Redemption, which might be construed as the dragon of wisdom, which has developed the four functions of consciousness, `Thinking`, `Sensation`, `Feeling` and `Intuition`, and is a pear unfolded, not a torturing pear; although, like a starship from Star Trek she`s able to defend herself. Because, behind her, is `super rear` technology. Resurrection, Redemption and Ascension is the knowledge of what has been, whereas men are reincarnation, death and rebirth, that is; `resistance is futile`3; do not try to escape: there is no God.



 It`s Adam`s `poisoned apple` and it`s Saddam`s `pear of anguish`. In Christian terms,  the `host` is the Holy Spirit, but the `host womb` for Jesus is the Virgin Mary, that is, she represents the `host womb` for that which is `the Son of Man` who is Jesus, but Jesus is not a man.  He isn`t a parasitical virus organism that wants to enslave her in a futile cycle of reincarnation, death and rebirth. They couldn`t get him in the bottle, and they can`t put him back in the bottle. In Christianity, the `host` is the Holy Spirit, so the `host womb` is that which contains the Holy Spirit, but Jesus was `the Son of Man`, although as perfect as Mary and God could produce, and not the Holy Spirit. In short, Woman and mother nature, that is, God`s spirit, are the Holy Spirit because she`s the `host`, not of men but of her daughters; understanding of which is wisdom and Redemption, in anticipation of Resurrection and Ascension, for Woman.



 The name Oedipus means `swollen foot`, because of his incestuous relationship with his mother. It`s an ancient Egyptian myth, which depicts the problem of the future, that is, futanar, instead of the futility of reincarnation, death and rebirth. If Jocasta remains psychologically `stuck`, her star will be choked (`choke-a-star`). The Egyptians, a Muslim people, are `those who limp`. In the Egyptian myth of Osiris, the penis doesn`t work after Resurrection because it`s lost, and Isis gives him hers.  Fatalism is faith`s enemy, that is, the acceptance of reincarnation, death and rebirth, which denies the `Will of Allah` to the Muslim peoples. It is the `Will of Allah` that Woman shall have the victory over men who, as the Egyptian myth illustrates, must lose their own penis to Woman. If  Woman has her own penis, she can produce, but that`s reincarnation, death and rebirth without Redemption, Resurrection and Ascension, which is knowledge through faith and action in accordance with the `Will of Allah`. However, in the absence of a woman with a recognizably potent penis in the history of the world`s civilization, those who are `limp`, because they don`t have a penis, can`t revitalize her.

 In the Western tradition, Iris is the `rainbow` as a sign of God`s covenant with the `chosen people`. Jungian psychology uses the eye as a symbol of ego and self, which indicates that the ego detaches from the self in order to perceive its wholeness. In the science fiction story Stranger In A Strange Land, the central protagonist, Michael Valentine Smith, uses the term `grok` to explain what he knows; that everyone is God. Consequently, this is the missing aspect of the Egyptian myth of Ra, in which the sun god is incarnated in Osiris, who is resurrected by Isis as Horus. The Greek Iris bridges the gap between Egyptian mythology and the Bible, where the symbol of God`s covenant is the `rainbow`, that is, God is God`s pupil.



 In Oops, Britney`s Poddy is Robert  A. Heinlein`s archetypal Woman, and the `heart` symbolism is because of the character of Valentine Michael Smith who, raised by Martians, becomes a Christ-like figure who teaches the concept `grok`, which he had been taught by the Martians. As Britney`s Sandwoman, Poddy teaches that it`s necessary to suspend judgement in order to think and plan; that`s what she raises her spaceman for: so he can be the `hanged man` of her planning.  It`s what `grokking` means in Heinlein`s Stranger In A Strange Land (1961); that which is grasped in its totality before an approach is decided upon.

 Britney, in Ír (Irish thinking), represents the `grok of gold at the end of the rainbow`. Oops! I – Boddy – Did It Again is Oops! `eye` [for an eye] Did It Again. She`s an `Abel bodied` person who can cook, whereas those with the `mark of Cain` are murderers, and it isn`t accidental. Oops! I – Buddy – is Robert A. Heinlein, Ph.D (Puddy) who, using his surrogate Valentine Michael Smith, preaches a `Gospel` of love and, at the end of the novel, a crowd hurl rocks at him until he`s dismembered, while afterwards his disciples eat him to `grok` his  `fullness`.



 The `grok` of gold is the understanding that those who teach, as an example, suicide, murder and cannibalism, are insane.  Valentine Michael Smith and Jesus don`t. Suicided, murdered and, plagiarized (cannibalism as literalism) is what happens to them, which is what Heinlein is saying. The Christian church, effectively, preaches suicide, murder and cannibalism; albeit programmed. That`s why Heinlein`s Fuddy:


`I`m not that serious.`


- Britney Spears Ph.D



 It is only possible to be Jewish if you`re a woman, because you can`t be a jew unless you`re born from a woman, so a woman is a jew. In the myth of Oedipus, Jocasta`s having sex with her son without knowing who he is. Discovering he`s her son, and an unwitting fratricide, he puts out his own eyes. Because the taboo is that incest is anathema, whereas he`s less blind, in psychological terms, when he accepts Woman, effectively, as a `fatherer`, which is what Woman with a penis (futanar) is. In other words, the incest taboo is to prevent Woman from seeing further into her own conditioning. If she perceives that man is her, she`ll understand a) that she`s a hybrid creature and men are a parasitical viral organism that seeks to perpetuate itself as a species` enslaver, or b) that she`s a hybrid and can attempt genuine communication because she has a penis of her own, and quickly search the internet for futanar to begin making `alien` contact with her `man` and/or living as a species.



Men`s spirits are evil and possessive, as Jesus observed when forcing them out into the `Gabardene swine`, who drowned themselves rather than have the pigs in them. Pigs are `haraam` for both Muslim and Jew because the evil spirits of men aren`t allowed in – Woman – and that`s why it seems archaic and meaningless. Because it`s to remind Woman that she isn`t a pig. Men thinks she is, and that`s why it`s to remind Woman that she isn`t.



 In the Bible it`s proverbial that it is `as easy for a camel to pass through the eye of a needle, as it is for a rich man to enter the kingdom of heaven`. In Riyadh, Saudi Arabia, there`s the `Kingdom Tower`, which looks like a needle`s eye. Britney`s Oops I [eye] – Did It Again – is about the mythic threads of her meanings. Myths are archetypal revelations, but you can only `sew` if you have the `needle`s eye`. It`s like the `eye of the hurricane`, you can work because you have an eye for it. As it says in the Bible: `An eye for an eye, a tooth for a tooth.` You need an eye to thread the eye of a needle, so that your work can continue. It`s a metaphor for continuity rather than the futility of reincarnation, death and rebirth, which a vengeful interpretation of the proverb denies. By extension, a `tooth` is `for a tooth` and not against it; or, in other words, Woman as a species is for Woman and she`s not her own antagonist. God`s word is interpretable, but experience of men make it difficult because they want to imbue everything with their own spirit, which is that of themselves as an evil alien.



 Similarly, if you can`t see Britney`s `sewing` of her archetypal material in Oops, you can`t pass through the `eye` of her `needle`. You don`t bear examination. You`d have to be in heaven to have the leisure to decipher it, and that`s the needlepoint. Pointing to eternity isn`t enough. How am I to pass through the eye of the needle if I can`t see the woman`s sewing? If she`s with God, `in the spirit realm`, then I can`t see what she has sewn either. Men would want me to understand that they can see her, and I shall have reincarnation, death and rebirth in continuing futility, while I want to pass through the eye of her needle and see what she` sewn after accepting Redemption, the Resurrection (of memory, that is, spirit and body), and Ascension to God. The proverbial assertion that it`s `as easy for a camel to pass through the eye of a needle, as it is for a rich man to enter the kingdom of heaven` is based on the idea that men want my wife`s riches in heaven, and they don`t want it for the `camel` who is my wife and I – Woman (with or without her penis). It`s blasphemy. It`s easy for Woman to pass through the eye of a needle. It`s as big as Riyadh`s Kingdom Tower. Woman`s greatness isn`t about the size of her eyes or the eyes of her needles. It`s God`s greatness.


Penelope sewing her Odyssey


The enemy is nihilism. Those who focus on what is small, perceive everything as small, and men always perceive themselves as big after they`ve worked. So Woman is always small to them; especially after sex when they`ve finished `working`. That`s why she encourages them to hold her afterwards. To ensure that she`s perceived as being - at least - the same size. Men who`ve finished, especially in group sex, are likely to look on Woman as `nothing but`, as Freudian psychologists say, that is, she`s `reduced`. That`s why Jehovah is `jealous`, that is, in the `husbanding` of Woman as his `chosen people`, because she`s likely to be murdered like a pig when they`ve finished with her, and that`s why pigs are `haraam` in Judaism and Islam, because it`s to remind Woman that she  isn`t a pig, and the `Gabardene swine`, that is, the pigs themselves, who wouldn`t accept the spirit of the evil aliens that are men? Why, then, should Woman? In simple terms, men are only `bigs` to women – devouring ogres.



 The Kingdom Tower in Riyadh is the obvious observation that men have worked to build a huge needle`s `eye`, whereas Woman`s `needle` is small. If sex is `work`, then they`ve finished with her when it`s over. Consequently, the Kingdom Tower represents the need to work. As God says, in Genesis:


`By the sweat of your face you shall eat bread, till you return to the ground, for out of it you were taken;

for you are dust, and to dust you shall return.` (Gen: 3. 19)


 Jesus offers the bread and the wine at the `Last Supper`, as symbols of bodily and spiritual Resurrection. If men don`t work, it`s because they`ve finished with women, and then it`s war. That`s why they admire tanks and aircraft carriers; their `toys` used to destroy Woman everywhere, return her to dust, and reincarnate themselves in her so that she can develop more for them to destroy ad infinitum.



 In Arabian tradition, a woman is a `camel`, because she sustains with milk from her breasts, but camels are sometimes slaughtered by the Bedouin or Tuareg for `drinking water` when there is none in the desert. That`s Woman`s `role` to men;  continuing by finishing her. They`ll reincarnate and there`ll be more `camel riding`, a euphemism for `sex` in the early 20th century. However, towards the end of the 20th century, `riding a camel` was a euphemism for homosexuality and, therefore, `water carriers`, that is, Woman as the spiritual vessel that gave birth to Jesus, had become debased into `putative AIDS` carrier`.



 In religious terms, man cannot enter into the kingdom of heaven, rich or otherwise; because he`s degraded Woman. As a camel, she can pass through the eye of the needle because she`s assured of her smallness by men everywhere; they want to penetrate the womb of her woman`s vagina with their needle`s point, and then she`s `sowed`. Making more pigs is what she`s for, from men`s point of view. The `Kingdom Tower` is Woman`s `pillar of Islam`, and they don`t want to be seen here forever.



 Britney`s spaceman in Oops is the `hanged man` of her tarot which, according to tradition, is the law of Jehovah in simplified pictorial form. In terms of the picture she`s painting in Oops, she`s suspended her camera. In Russia and other parts of Eastern Europe, a `teacher` is a `camera`. Consequently, the spaceman`s `camera` is `Jesus teaching`. Otherwise the spaceman wouldn`t be on Mars. He`s Britney`s US pending judgement. Is he a fool for investing in war? If she`s `fog kék`, that is `bluetooth`, in Hungarian, then she`s either `fork cake` (devouring), or`for cake` (wedding), that is, serial monogamy, and the `blue` aspect relates to the tradition of the bride to wear `something old, new, borrowed or blue`. Serial monogamy is marriage to the same man in reincarnation (borrowed), rebirth (new) and death (old), with the promise of God`s covenant fulfilled; or, in other words, memory restoration in bodily indestructibility, Resurrection through spiritual knowledge (blue) and Redemption.



 Britney`s `spaceman` is `well Hung Ares`, that is, Hungarian, because he spends all his money on war `toys` to destroy her as Woman, and that`s why he`s `hungry`. Because he`s a baby – again. However, she doesn`t want to breast or spoon feed him anymore. Hence the `fog kék`, `bluetooth` and `fork cake` symbolism. It`s her SMS. If he wants `f**k cake`, she`s not going to be the `dust of the Earth`, except and insofar as God fulfils God`s promise:


`I will make your offspring like the dust of the earth, so that if anyone could count the dust, then your offspring could be counted.` (Gen: 13. 16)


`I will surely bless you and make your descendants as numerous as the stars in the sky and as the sand on the seashore.` (Gen: 22. 17)


 In other words, Earth is f**k cake, but the new heaven and Earth that God promises in Revelation is for those who have Resurrection and Redemption, and that`s what she wants. If he wants that, he has to accept Jesus` teachings and the Holy Spirit, which is that Woman isn`t f**k cake. She`s for God – and good.

 Her spaceman is a baby without a penis. Because it should be long enough to `spoon`. On Mars, Britney`s hypothesizing that `man on the moon` is a memory of what`s gone before;  so if man has left Earth before, and is being kept prisoner here in order to be fooled into being `man on the moon` again, that is, reincarnation, death and rebirth in futility of repeated fragments of lives already lived, then his `seed` has already colonized the cosmos, and he`s being kept here so that his jailers can `glut` themselves on `techno-babe ice-cream`, which is what her `fork cake` self symbolizes, as she writhes seductively, in her white bikini dress, wishing upon a star, beneath the great `I` of his helmet.



 The skies of Earth are blue, and Horus is the `sky god`, the rememberment of the sun god Ra who, incarnated as Osiris, lives upon the Earth in the Egyptian myth; until Isis, giving of him her penis, resurrects and remembers him.  In Britney`s Oops this isn`t translated into: `Is this guy God?`  She isn`t the North American `Red Indians` innocently meeting `white man who speaks with fork tongue`:


`I`m not that innocent.`


 She can see the fork from where she lies. In other words, she can speak with `fork`. It`s her symbol. As `fog kék`, it`s her Hungarian `bluetooth`, that is, she`s secretly speaking rather than secretly lying. In Oedipal terms, she`s aware that she`s her own baby, to whom she`s transmitting pictures from `heaven`; to remind herself of Horus, the `blue sky god`. Oops is, effectively, a `baby shower` for her white bikini-dressed self. Rain, of course, results in rainbows; so Oops looks towards God`s covenant, Resurrection and Redemption. If man on Mars is to be merely a repeated fragment of a previous life reincarnated, it`s time to collect the baby`s things, and forget the shower that`d keep her reincarnating in death and rebirth on Earth forever, while they slurp on the `silver` teething `spoon` her baby had in her mouth when she was born.4



 Work for men is necessary, because it prevents them from devouring Woman, and her civilizations. The concept of the `spoon` can be applied to starfields: ursa minor and ursa major are the `little bear` and `big bear`, or `little dipper` and `big dipper` respectively; the penis and the brain symbologically. The penis produces flesh, and the brain produces technology. The bare flesh and the bare brain, as it were.  But, if the heir to the heavens is imprisoned upon the Earth in reincarnation, death and rebirth, she`s communicating, `bluetooth` paste – and copy: do you read? In Hungarian, `tooth fairy` is `fog tünde`, so Britney in Oops is telling her child she`s her `birthday spoon`.


 In Hungary,  `fog tünde`  are traditional with children. It`s a sex education concept. Adults are women with a penis – as futanar, which means `fast teaching programme`. Woman with a penis is for sex with girls (or boys) who have an instinctual desire for it. However, as Britney sings in Oops:


`You think I'm… sent from a farm.`



 Farming women is what men do; to be big f**kers. That`s what `fog tünde` breeding programmes are for. Then the `Gaberdene swine` murder what they don`t want, and gloat over their sex-starving what remains of the `stock`, which is what the Hungarian tradition of the `stork` is about. Traditionally, stock/stork are serially monogamous, and the idea relates to the idea of the `stork` as the bringer of the child, and the stalk that is left after the harvest. In Egyptian mythology, Osiris` is reborn when the corn grows, and death is symbolized by the stalk that is left after harvest. In other words, it`s a myth, at this stage, of reincarnation, death and rebirth in futility, where Osiris is `risen` each year as a metaphor for his role as fertilizer (sexual potency), and fertilizer (men as nitrogen for the soil from their corpses` rottenness).



 In terms of `stork` symbolism, the baby brought by the stork, according to tradition, is understood to be in the cycle of reincarnation, death and rebirth, unless the serially monogamous Woman (stork) is able to educate the child in who they have been – or indeed are. This is Resurrection and Redemption through education, in accordance with the acceptance of the teachings of Jesus, which is called futanar, or `fast teaching programme` in Hungarian. To learn it is to understand that Hungarian`s `talk`, that is, their language is `stalk` because, if you`re old stock, they`ll want to suck on your silver spoon, and your antecedent relationships won`t survive. In other words, if you lose your life in war, and your wife doesn`t know where you`ll be reincarnated, your chances of Resurrection and Redemption through educated memory are limited, which is what wars are for. To prevent us from remembering we`re Osiris, which is why Osiris is dismembered by the Egyptian god of evil, Set. It`s a metaphor for the process by which the evil men that are aliens seek to have reincarnation, death and rebirth into futile repetition of fragments of lives lived previously, rather than memory retention and Resurrection and Redemption through education, which is what Revelation, decoded, is for. Woman`s memory of her own penis, and a warning to her of men`s devouring aspect in the form of the red dragon.



 There`s a similar tradition in British folklore in which a castle`s walls are built and collapse each time they`re constructed. It`s discovered that there are a red and white dragon that, antagonistic towards each other, cause the walls to be rebuilt. It`s a metaphor for the difference between reincarnation, death and rebirth in futility, and Resurrection and Redemption, which is permanent and indestructible. Just as Oops is about the supposedly unsinkable Titanic, so it`s about the necessity for Resurrection and Redemption to follow from one another; otherwise there`s only reincarnation, rebirth and death (construction and collapse) rather than Resurrection and Redemption through education from one`s serially monogamous - and faithful to Jesus` teachings of the Holy Spirit - Woman.

 In Britain, the red dragon is Wales, and the white dragon represents the Saxons, which were the invaders defeated by the Welsh who, living in Wales are deemed by some to be Britons, while the English aren`t true British; they`re Saxons from the continent of Europe. It` s a simple lesson; men are an evil alien virus and, in order for Woman to continue, she needs to be able to educate herself in the Holy Spirit, or Resurrection and Redemption cannot occur; because men prefer to enslave her in a constantly recurring cycle of reincarnation, death and rebirth, which denotes the futility of repeating fragments of previously lived incarnations.



 In Oops terms, the red and white Britneys need to teach each other of their family`s history, so that they`re able to use the silver spoons that were born within their mouths. Then the walls of their family`s castle won`t collapse, but remain eternal.  The `bluetooth` motif is then for her child to use in order to research over the internet:


`Hey diddle, diddle;

The cat and the fiddle.

The cow jumped over the moon.

The little dog laughed,

To see such fun –

And the dish ran away with the spoon.`


 The children`s nursery rhyme is about the `confidence trick`; the parenatal liars: conscious or otherwise. In Egyptian mythology, the `Ka` is the spirit, and so the `Kau` are many, which relates to the idea that the `Ka` has many occasions or lives to remember in terms of Resurrection and Redemption, which is why Britney`s Oops takes place on Mars where she is the Mars `Ba`, that is, the `Kau` has `jumped over the moon` and may be the multi-experiential spirit, but the `Ba` is the personality, which necessarily is different according to the experiences of the spirits many lifetimes. Consequently, the `Ba` corresponds to the soul, whereas the spirit is the reusable component, as it were, a space shuttle that`s experiential, but can`t maintain the same `personnel`, that is, personalities, each time it is relaunched. This is why, in Egyptian mythology, the personality becomes `magical` when `Ba` and `Ka` are joined. The `Akh` is, as it were, the Egyptian fulfillment of the promise of God enshrined within the Ark of the Covenant, that is, Resurrection and Redemption as a single. However, because Woman is a species with her own penis, genuine Resurrection and Redemption is fraught with difficulties, which is why she has to have faith; or a Great Mother – Britney Spears.



 The spoon is the privileged role, and the dish is the `chosen`. The dog can see, so laughs. It`s a metaphor for sightedness. She can see through the `confidence trick`, that is, that life isn`t ephemeral; because her `Kau` is `over the moon`. She`s the `Ba` personality who`s been taught to see everything as `nothing but`, as the Freudians say; but she believes her eyes because she`s `sighted`. That`s why she`s the `BaKa` and, in the myth of Oedipus, she corresponds to Antigone who, after her father blinds himself because of what he`d been taught, guides him on the path. In Britney`s Oops, she introduces her `fork` and herself as `cake`, that is, that she`s `fog kék` or `bluetooth` in Hungarian, and the `dish` is a satellite, which means the child of her planet. She`s `read dish`, as it were; because of Redemption. In other words, the internet has served her purpose.  To men as evil alien ogres, she`s `fork-cake`, because she`s `for cake`, a sex icon. However, as Robert A. Heinlein, once wrote: `We are what we see.` The `dish` can see because of the spoon`s `bluetooth`, which means that the `cow` is the multi-experienced `Kau`, and the `dog` is the soul or `Bau`. Consequently, the `dish` and the `spoon` are the `Ka` and the `Ba` that constitute the magical Akh or personality that, running a way together, is the `fast teaching programme` for Britney`s futanarian future.



 It`s the tradition of the spacer. Woman gives birth to her own man; as the Virgin Mary with Jesus. It`s similar to the story of Adam and Eve. They`re innocent until `seen`. Similarly, the tradition in Arabia is that women shouldn`t be seen, and they have a tradition that men are `iblis`, which is that, if men are visible, they`re evil spirits, and if invisible are evil spirits. In other words, men are evil spirits, and that`s why Jocasta`s story in Sophocles` Oedipus Rex is a tragedy. Oedipus` name means `swollen foot`, because she`s handicapped. Her penis is blind, and she can`t see from his penis` blind eye that what she needs is her own – as futanar women have. In other words, Oedipus` blinding is a metaphor for Jocasta`s inability to see. Britney`s projected Resurrection and Redemption is futanar, which means dodging  the maws of the `Hungrians gums`. However, like the Arabians, they can learn `fast`;  so we may assume that, like Jesus, he`s multi-experienced, in spiritual terms, and ready to spread he/r `Gospel`.



 The Muslim people are women, as are jews, so a woman with a penis and four wives shows that Allah has thought much. In Arabia, the eyes are important, and in Irish mythology there`s a `crock of gold` at the end of the rainbow, and the rainbow is, in Greek mythology, Iris, which is the coloured part of the eye. There`s gold at the end of the rainbow because of the alchemical aurum philosophicorum, which is associated with the wisdom of the soul or anima that is the mediator of the teachings of the Holy Spirit; personified as the Virgin Mary in Catholicism. It`s the colours of the rainbow, as it were, that teach the black pupils that Woman – snigger - has her own penis.5



 Britney, in her red suit in Oops, is speaking `reddish` and `spoon`, that is, she`s looking for one who speaks with the `silver tongue`, like she does. As the Buddhists search for their reincarnated Dalai Lama when he is reborn. Britney, however doesn`t want rebirth. In `bluetooth` terms, her • • • T • • •Mobile• communicator would be `T – spoon`, and `kanál` means `spoon`in Hungarian, so • • • T • • •Mobile• would be Britney`s root `kanál` work, her `fog kék`, `bluetooth router` for `Eastern` (`Isten` means `God`, and is pronounced `Eastern` in Hungarian).  Because `Christ`s sake` is an epithet, tooth`s szék is `the seat of Christ`, so refers to the seat of some pain; Britney`s `ache king`, `fog Christ`, as it were, and the internet  is where God can be rediscovered. Just as Britney`s `sex icon` is educative if understood correctly, so `T` Aguilera is understandable as a mother. As God says in the Bible:



`I will make your pains in childbearing very severe; with painful labor you will give birth to children. Your desire will be for your husband, and he will rule over you.` (Gen: 3. 16)


 Obviously not good news. But it`s clear that this is `woman`s work`, that is, she`s to appreciate the value of her offspring, and is to nurture development rather than devour it – as men who`re evil aliens do. Men like to enjoy the `crack` together:


Q. How many guys has Christina Aguilera fucked?
A. We don't know no onr has ever been able to count that high.6


 Christina Aguilera`s family motto means `from the eagle`s nest`, and she doesn`t enjoy `crack`. In Hungary, `Kedd` is `Jewsday`. In the 30s the Nazis pogrommed the Gypsies because of the tradition that they were the 13th `tribe of Israel`, and the Hungarians and Gypsies are still antagonistic towards each other on many levels of the social strata:


`A Hungarian, a Gypsy and a Romanian go fishing. One of them catches a goldfish and they are all allowed to make one wish. The Hungarian wishes for a big Hungarian country where all Hungarians can live freely and without foreign interference. The Hungarian disappears to his promised land. The Gypsy wishes for a big country where all Gypsies can live together in peace and harmony. The Gypsy also disappears. The Romanian is last and asks the goldfish: “Hey goldfish, so the Hungarians are all gone and so are the Gypsies? In that case, I wish for nothing but a glass of beer.`

 Alchemically, the fish`s a symbol of the anima as aurum philosophicorum, which is the `philosopher`s gold` or wisdom. Here wisdom inheres in the notion of the possibility of a different order of being in which God `speaks` - from the waters of the unconscious as a psychic content - archetype - here as the `goldfish` or anima-mediator of `good crack`, that is, the perception that the Hungarians and Gypsies are antagonists, so it`s better to have a friend.7



 It`s common for children to make baking powder submarines that, filled with sodium bicarbonate, sink to the bottom before rising to the surface. It`s a metaphor for sinking children`s lives and feigning salvation. Baking powder is an essential ingredient in the making of `crack`, which is made by mixing it with cocaine.  The `toy` submarines look like `crack pipes`; because the principle by which they operate is the same; sinking lives into despair and feigning salvation. All forms of addiction are the same; it`s a methodology to prevent individuation and education enough to transcend the futile cycle of reincarnation, rebirth and death, in order to have Resurrection through memory, and so Redemption and Ascension in accordance with the fulfillment of God`s covenant and plan.



 Salvage is often confused with salvation because it`s a nautical term, and sailors are more frequently associated with such organizations as the Salvation Army because of their penchant for rescuing `derelicts` and perceiving them as salvaged `ships`, whereas `salvation` simply equates with `heaven after death`8 and it isn`t repeatable:


`…some who do not understand… thinking if sin is forgiven, the process of salvation can be repeated over and over again [which it cannot].` (Cf. Mark 3: 29) 




 In Hungarian, `béka` means `frog`, which is the symbol of the `crack` British Special Boat Service (SBS) and a Hungarian `béka` needs `baking powder` in order to make their `crack` about `Jewsday` (`Kedd` is `Tuesday` in Hungarian), and Jesus` birthday (INRI, the `King of the Jews`) putatively. Consequently, Hungarians are `crack` kings on Jewsdays.


 In ancient times, heat (`HÍt` is `Faith` in Hungarian) was applied to cocaine solutions from a spoon, so it`s `Nó szex`, in Hungarian, that is, `nose sex` because f**king is passé. Or, in other words, Hungarian is `for King of the mouth` (Jesus` teachings), but `spooning` is `resting comfortably front to back,`9 and first `Nó` has to be `thawn`, that is, the `snow` melted by the `HÍt` in the `spoon` (the thawing of the first `no` by faith), and then it`s `Nó drinking`, which is the scented perfumed essence of her. However, the `crackheads` want `Nó smoking`, which means `Nó` becomes `hail`, in accordance with biblical Revelation, where Woman`s eyes turn to God because she doesn`t want to `smoke`, and God`s ice falls upon men.


`And they cursed God on account of the plague of hail, because the plague was so terrible.`(Rev: 16. 21)



Britney Spears Hold It Against Me


 Those who don`t love fall like cold, hard rain upon those who do. In Hold It Against Me Britney is `nὅk`, which means `women` in Hungarian. She fights against herself, and at the video`s onset there`s a meteor, a huge chunk of ice describable as a `hailstone`, crashing to the Earth. Possession is what she`s warning against, and her solution is `nὅk water` because, in birthing, `liquid from around her baby flows out of ... [Woman`s] ... body ... [as] the baby is ready to be born`.10 The allusion is to Led Zeppelin`s (1969-) No Quarter:


`Walking side by side with death
The devil mocks their every step...

... news that must get through
To build a dream... ` Houses of the Holy (1973)


Hailstones, in Revelation, are `plague`, and this is `no quarter`  from God. In Christianity, the `good news` is the Bible, which is HÍt in Hungarian, that is, `faith` , and is pronounced `heat`. Britney`s `pear of anguish` is her birthing of the New Redeemer under her umbrella of red (instinct) life (green), and blue (spirit) beneath a rain of hailstones despite the darkening of her dreams by Lukoi and, in the `heat` of `faith`, before the jaws of the fire-breathing red dragon of Revelation ; to the New Redeemer who`ll protect her on Earth before she leaves for the new Earth and heaven promised by God.



 The red dragon of Revelation has been postulated as a part of a symbol code that needs someone to `crack` it. The simplest solution is that it`s about `head cracking`, that is, analytical thinking is penetrative because it wants possession, and men are anal thinkers: homosexual. They`re addicted to their `crack`, which is an `own joke` similar to an `own goal` in soccer. The subject of The Book of the Revelation of St. John the Divine is how men attempt to destroy the planet Earth and the civilization of Woman, that is, the species that lives upon it. They`re `good crack`, no?

 Britney`s metaphor in Oops is of the eyes of men as `ice` upon which the ship of Woman can be broken, as a Titanic upon a `mountain of eyes`, as it were. In other words, men are the ice between them, and women are the eyes between herselves. However, as the Titanic was sunk by an iceberg emerging from the `fog`, which is `tooth` in Hungarian, so she`s saying that, even if she has only a single tooth, she`ll defend her child`s Earth.

 In Hold It Against Me, her eye is depicted as having two pupils because it`s `no quarter` in her battle for Woman and, with a single pupil, Britney has `birthed her daughter` through `nők water` (Woman`s water).



 Possession means that you`re `taken over` by an `icy` person (`I see`, not you). Britney indicates the danger. To be possessed means that you`re held by the eye of someone else. It`s the aim of the possessor to have you unable to be yourself; so Britney has a single pupil at the video`s end because she`s fought possession. It`s a motif implicit in the myth of Osiris and Set; the evil one who dismembers Osiris and is his brother. In fact, Set is the evil ones (Evil One`s) who grow stronger by becoming evil towards Osiris, and Osiris knows that they are him. Just as Jesus says in the New Testament:


`Forgive them [italics mine] for they know not what they do.`


 He is `the Son of Man`, and `them`; but men are evil and he is observing that he knows that they are he. The more evil men become, the less of Osiris and Jesus there is; and so God becomes unable to know God: this is evil because God is good. In Egyptian mythology, he is Ra, the sun god, which is the light or eye of life, so there is only one pupil for the Earth; God. That is why, in Hungarian, HÍt, which means `faith` is pronounced `heat`; because life cannot grow without the sun. The converse, of course, is `hailstones`, which `crack` the `heads` of those without the protectiveness of Britney`s Sandwoman`s green, blue and red umbrella upon Mars, that is, Earth is green (life), and blue (spirit).  The `riddle of the sphinx`, in Sophocles` Oedipus Rex, suggests instinct is the problem, which symbolically is Mars, the `red` planet`s domain:


`What goes on four legs in the morning, two in the afternoon, and three in the evening?`


 The answer, which Oedipus gives, is `Man`, but he doesn`t understand the answer, because it`s given to him by a soothsayer, Cassandra; as a `cheat`, as it were, in a `computer game`. Oedipus is `man` because he`s Cain, that is, Oedipus` self-blinding is a concomitant to his discovery that he`s effectively his father, whom he`s murdered, and so he has a blind man`s cane because he`s a follower of Set, an evil one, and can`t have Redemption without Antigone, his daughter, who is also effectively himself, to guide his footsteps.



 Oedipus fails to conceive the true solution to the basic question, that is, men blind and are blind, which is why `cheats` are deemed unhelpful. It`s the `plague`s same` to make you believe that cheating is the same as success. Those who know you to be blind, and can help you see, can`t alter you. That is your responsibility, and the correct answer to the `riddle` is to understand that `four legs` are instinct (red), which has to be understood before you can progress. The `forelegs` are the `front two` of the sphinx, which is what has gone before of man that he can remember, and the back two are what is going to come if he doesn`t. It`s a simple mnemonic, but the answer `Man`, which Oedipus gives as the `cheat` answer, is for the theatre audience to consider. If Oedipus remembers what isn`t good for man, he`s a fool in his blindness; because he doesn`t simply accept that he`s his father and Jocasta, and has been made to make a mistake in his child`s nature by men who`re liars. Men are Set, the `Evil One`, because they promote Oedipus` false perspective with respect to the incest `taboo` and, in effect, so `plan` his continuing blindness.

 The sphinx assists Oedipus by giving him a `crack` or a `cheat`, but he doesn`t have the light of God in him; so what befalls are the equivalent of the `hailstones` of Revelation, which are for `cracking heads`. On Mars, Britney`s Sandwoman`s `umbrella` is for developing her child`s instinct (red), through life (green) and, in the spirit (blue), to Redemption. God`s `hailstones` of Revelation are for those who`re addicted to media representations of `crack` special forces, that is, men who are the best `cheats` because they`re able to destroy much of the Earth during Revelation, which self-destructive `crack` addicts are known for. Consequently, God`s `hail` is a metaphor for `crack`, which is to satisfy an immediate need without the `foresight` that would allow the perception that unendurable eternal pain is God`s punishment for those who `cheat` .

 Oops is Britney`s `fog` or `tooth`; for her `Hungarian learner` to `crack`. The `fog kék` is her bluetooth `fork cake` motif, which is present in the shape of the giant tines of a fork appearing above her `tooth fairy` in her white bikini-dress. Above her, the spaceman she`s raised, films her. Traditional to wear something `blue` (kék) at a wedding, the allusion is to a `wedding cake`, and the `cheat` is he who`d `crack` her `blue`, who`s her spirit for Redemption.

 Britney`s employing the `crack plague` metaphor to those who `taught Jesus`. He didn`t `crack`, but `crack` is the spirit of the 21st century, with regard to systems, addictions, viruses and, of course, torture. In other words, that which is for `crackheads` are `hailstones`; because they want to satisfy an immediate need without the `foresight` that would allow the perception that unendurable eternal pain is God`s punishment for the `crack head`, where `crack` is expert and `head` is intelligence that functions as a `safecracker`. Having tortured Jesus on the cross, they want to explain:


`Taught you rack.`



 `Jesus saves!` is a common mnemonic. But the `crackhead` is addicted to satisfying immediate needs without the `foresight` to allow the perception that unendurable eternal pain is God`s punishment for those who want to `cheat` Jesus out of his `savings`, as it were, by torturing us on the rack for our achievements through his teaching of `God`s love` through the power of the Holy Spirit.



 CDs have encryption that doesn`t allow of their being played, but the spirit of the 21st century is for `crack` and `cheat`, a sexual metaphor for sodomy and unfaithfulness which Britney incorporates into Oops by alluding to `spooning` as a complement to `forking`, that is, `spooning` is the penis between her buttocks and against the `root canal` or `carnal route`, which is her `út kanále` in Hungarian, that is, `spoon`s path`, and that`s why `spoon` and `fork` are connected with `bluetooth`; because `forking` and `bluetooth` are a euphemism for cunnilingus and fellatio, or `tongues` speaking `; whereas `spooning` is  `spoon bending` because, with the penis against the buttocks, it`s a `gender bending` position that encourages homosexuality and bisexuality, which effectively is the same. Clearly, Oops is `communication` and `education`. Without the knowledge that Woman has her own penis as a futanar, and that lesbians are, therefore, `normal` species` behavior, the Earth`s `child`, that is, the New Redeemer, would need the internet, which is why Oops recommends `bluetooth`.



 Britney`s `for king of the ways`, who is Hermes, the god of ancient Greece often depicted as a simple stone with a penis that denotes the path of the traveler, but is also the `messenger` and the `healer` by means of the caduceus, which is a symbol of wisely useful, because good, intelligence that considers sexual `libido` and `instinct`, represented by the spinal column as an elder antecedent to the developing brain, the transmitter of archetypal knowledge from the unconscious self to conscious development and practical realizations in the form of inventiveness uncovered by the adept through the `magic` of dreams, or apparently `inspirational divinations` that, in reality, require deep - and prolonged – thoughtfulness.



 Britney`s fork and spoon motifs denote the division of the sexual and analytical paths, and the `bluetooth` motif denotes her forthcoming `bisexual`, as opposed to `lesbian` choice. An unsteady tooth in dreams often denotes the need to change.  However, a `wedding cake fork` (`kék fog`) indicates that her `bluetooth` isn`t for `cracking`.



 The Hungarian word for `brush` (`kefe`) means `affair`, and `kék kefe` is `blue` brush, so the `bluetooth` brush is in the keeping of her `rack` (`kék` ever/affair), that is, her breast. As I-Poddy from Robert A. Heinlein`s Podkayne of Mars, she has the `heart of the ocean` awarded to her. She`s a 21st century Britannia and, `ruling the waves` of `Feeling` through the wisdom she has gained over the internet from its ocean of knowledge`s `bluetooth` technology, she has achieved `victory over` the `icies`  (`I see`, not you). Held by the eye of Ole Lukoi, as a telepath who `pathed` her life to others, she`d be in possession of those who, applying Old Testament `anal thinking`, that is, `eye for an eye and a tooth for a tooth` revenge logic, would `punish` her for imaginary misdemeanours by having her live in darkness while they were able to see.



  The myth of Osiris is similar, because Osiris` dismemberment by his evil brother Set is a metaphor for how evil grows by murdering, that is, closing the eyes of those who can see. Jesus` perception was that he had brought light to the Earth; because he could see. He was opening the eyes of others; so that they could see. He was murdered by the evil because they didn`t want him to. Oedipus` myth is also similar; born psychologically myopic, his later blindness is in accordance with men`s plans. In Oops Britney`s `giant ring` is their symbol of darkness for good, and evil`s continuance, that is, reincarnation, death and rebirth in endless partial sightedness, and enslavement for Woman as a species of blindworm giving birth to men as evil parasitical aliens that exist to close her eyes in darkness and truncate her development until she`s blindness and nothingness.

 In H.G. Wells` War of the Worlds, Martians die on Earth because the atmosphere contains viruses. In Oops, Britney is the `alien`, which can breathe on Mars. H. G. Wells` aliens are, therefore, recognized by her as extrapolations of Woman.  Men are truly alien viruses because they`re parasites needing a `host` and, as the `Thinking` function in Jungian psychology is identified with the `ear`, so Oops celebrates the defeat of `ear-rack` in the first Gulf War (1990-1). Britney`s Sandwoman on Mars, however, knows it`s `anal thinking`, which means that 9/11 was a victory for `C-rack`, that is, victory in the first Gulf War represented `sense`, that is, the differentiation of the `Sensation` function which is associated with the eye, whereas the second Gulf War denotes `blinding`, because 9/11 represents anal thinking`s approach to penetrating – or `cracking` - the air defence system of the USA, that is, their `cheat` was `civil` (polite) aircraft that was invisible to US` radar and so was able to `hack` the Twin Towers` World Trade Centre, thereby inaugurating the second Gulf War (2001-3) that resulted in global terrorism (masquerading as 2003`s `War On Terror`), and which delayed humanity`s (Woman`s) differentiation of the four functions of her consciousness; as `Sensation` (eye), `Thinking` (ear), `Feeling` (mouth), and `Intuition` (nose).



 In Oops Britney observes that, if `Intuition` is employed, the desire for sex from behind is a device that transcends speech and kissing, which is another reason for `teeth dreams`; the fear of not being able to talk. Oops Psi  takes that desire a stage further, and postulates that the desire for sex from behind is a displacement of the desire to communicate telepathically, that is, mind-to-mind rather than face-to-face, which is men`s confrontational approach and is reified in anal sex and anal thinking; or, in other words, war against Woman as Earth`s genuine species.

 Typically, telepaths are tested by asking them to tell you which card you are going to show from a deck. Britney shows us `the fool`, her `hanged man`; because in 2000 she could see and plan. Beneath her spaceman`s camera and `fork`, she`s `fancy cake`, which is `torta` in Hungarian, on a `cake rack`; but she isn `t `kék crack`, that is, `blue crack`:


`Yeah, he's actually quite nice when he's not surrounded by people.`11


 Men aren`t `nice` when with other men; because it`s a collective of `anal thinkers`, which would put the fork in her rather than engage in oral pleasures; including eating, sex, speech, and other forms of `intercourse`. Because `torta` sounds like `daughter`, we may assume that `Hungry` wants to share this `crack` with his sadist `pathics`:


`Taught her daughter.`


 If we suppose that one`s friends are being murdered and tortured, and are murdering and torturing you, and the `paths` let one know by `pathing`, then they`re the telepathic equivalent of `safecrackers`, who`re torturing Jesus` saved. In terms of biblical Revelation, they`re `in hail`, which means that they`re a manifestation of the plague that is `anal thinking`, and the inhalation of Woman as Earth`s civilizing influence`s death - by men as aliens - which is `Nó smoking`, as it were, because `smoking` is a euphemism for murder and, in Hungarian, `Nó` means Woman.


Journal Of Women


 It`s the supposition that, at the HÍt Gyulakazet (Faith Church) in Hungary, this `crown of thorns` will be removed, as Jesus` was, by `the bird of faith`, the robin in folklore, which was pierced by a `thawn` (Old English) and stained red as a symbol of Redemption. The crack savers of the HÍt are symbolized by their `spoon`; because of Isten (Eastern), and Resurrection, represented by the `Eastern eggs`, where the traditional `egg and spoon` race, symbol of the `spooning` between lovers that precedes fertilization of the woman`s ova, is replaced by the `crack` and `spoon` of homosexuality.



Fly Eagle, Fly


`Today I saw an eagle flying
His colors they were red and white and blue…

And I said, Fly Eagle, Fly!
Go spread your freedom wings across the sky;
Don't let 'em bring you down, they'll chain you to the ground.
You gotta be strong to travel alone in the sky.
So Fly Eagle Fly! So Fly mighty Eagle fly!`


The `crack` British Special Air Service, `sas`, means `eagle` in Hungarian - and American. In Britney`s Oops, however, the sandman is the evil alien Lukoi, feared because he brings an end to Woman`s `adult dreams` of Resurrection and Redemption; the American Dream. Kim Bassinger is the outsider in the 1988 movie, My Stepmother is an Alien, for children on Earth are men enjoying their `crack` of sterility, and so for them the sands of the planet Mars are `read`. They're evil aliens who want the singer to `free base` with them. Don`t be a `cokehead`. If you`re a woman, the evil aliens that are men are addicted to being cockheads, and cocking their guns. They got 3,000,000 of you in WWII, and that was only a `half-cocked` idea. Britney, of course, is the Martian Red Princess of Edgar Rice Burroughs` Barsoom stories; especially A Princess Of Mars. On Mars, of course, she`s the understated goddess of war for her species, and Oops is a celebratory paean to her victory in the sands of the Gulf (1990-1), when Saddam Hussein`s Iraqi army was removed from Kuwait. With assistance from the`sun and sand` (Special Air Service) of Saudi Arabia, and the other allied nations.



 Oops is Britney`s `VR training film` for a child who`s made to believe the `scene` on Earth, whereas it`s the equivalent of a CD Rom. The Sidhe (CD) are the Tuath De Danaan of Irish mythology, the `fog kék` as Britney conceives of them, that is, the `Blue Tuath `, or Sidhe (CD), which are pronounced `she`, `who must be obeyed`, according to H. Rider Haggard in She, his Woman`s novel.


`Oops! I did it again.

I played with your heart.

God lost in the game.`


 God didn`t, and she`s US. Where Jesus saves. If we`re to save, we must `read` and `copy` her, that is, understand and implement her programme for Salvation, and her appeal is to the telecommunications industry not to be the `number of the beast` of Revelation. The phone industry`s reading and copying of the Bible is evident in its use of words like `spoon`, `tooth`, `axe` and `dish` to give itself a spurious glamour as the `beast` that preys on those who don`t have its `mark` of consensus, which is that communications` technology is for `spoon feeding` the developable. Afterwards the `telephone numbered` employ the `axe` and devour what remains of the `toothsome` dish.



1 Transactions of the New York State Agricultural Society, Vol 19, 1859, p. 230.

2  Clarke, Arthur C. Profiles of the Future , 1973.

3 Fantômas se déchaîne, 1965.

4 `To be born into wealth and privilege`,'s)-mouth .

5 Bright, R. A. `Woman`s the snigger of the world` in Spears, B. J. Men Stole My Penis, 2011.

6 Jokes4Us, .

7 Cf. The wise Khidr, whose appearance from the Red Sea coincides with the disappearance of Moses and Joshua`s `fish` in the Koran, Sura 18, `The Cave`.

8 Salvation, .

9 Spooning, .

10 Macmillan Dictionary .

11 Urban Dictionary, .