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Mars` Barbarella, Jane Fonda and Britney Spears` Oops I Did It Again: The Washing Machine and The Camera

14/02/2013 19:55

Mars` Barbarella, Jane Fonda and Britney Spears` Oops I Did It Again: The Washing Machine and The Camera



The opening credits of Barbarella (1968) starring Jane Fonda (1937-) are of a spaceship`s porthole, and the camera moves inside to observe her while she spins in weightlessness and removes her clothes sexily until she`s nude. After the movie Jane was very careful in choosing her roles because she feared to be typecast as a pornstar. In other words, Jane Fonda wanted to be taken seriously. Britney Spears (1982-), on the other hand, in the video for her pop single Oops I Did It Again (1999), tells the spaceman`s camera suspended above her, `I`m not that serious.` In her red pilot`s suit she`s placed a hook into his backpack and,  raising him until he`s suspended above, by the `miracle` of the camera technology attached to the astronaut`s spacehelmet, Britney`s now discovered in a white bikini dress underneath him.



 Neither Jane Fonda nor Britney Spears would accept the definition `pornstar`, but either of them would be prepared to admit that the `body beautiful` contributed to their career. In Barbarella Jane Fonda represents the zenith of technological aspiration and achievement, which is the woman who has her own spaceship. Although the Apollo space programme was criticized for expense, its development of the technology to produce a washing machine as a labour saving device to free women from drudgery can`t be overestimated. In effect, the camera watching Jane through the porthole of the spaceship, as she removes her clothes, is depicting woman`s need for a washing machine, which NASA`s Apollo space program fulfilled.



 According to Revelation, `woman`s seed` receives a `new heaven and Earth` from God while the `serpent`s seed` receive perdition as a punishment. Effectively, for stalling the NASA space program`s technological valence so that women remained happy with a `Space Age` automated washing machine rather than a machine that took care of them, that is, a robot.  21st century internet technology reveals that `woman`s seed` isn`t a euphemism. Women have a penis of their own and are called `futanarian`. Consequently, the `serpent`s seed`, that is, men who have denied women a machine to care for `woman`s seed`, receive eternal unendurable pain from God as a punishment for keeping the human species on a low level of technological development so that she will remain a slave.



 In Oops I Did It Again Britney Spears is `twinned`. She hooks her spaceman and raises him until his camera eye is looking down upon her in a white bikini dress. Although the audience can`t see her penis, the `twinning` of her suggests the biblical socio-economic valence of `woman`s seed`. In her red pilot`s suit, Britney`s allusion is to the cancellation of the X-15 `spaceplane` program of NASA`s, which would have afforded women the opportunity to pilot themselves to the moon. Whereas Neil Armstong`s 1969 fulfillment of NASA`s Apollo space program as the first man on the moon, `One small step for a man, one giant leap for mankind,` represents woman`s imprisonment by the `serpent`s seed`, which doesn`t want an advanced technology that would allow `woman`s seed` to escape.



 Descending inside a giant`s ring in Oops I Did It Again, Britney is `One small step for a woman, one giant leap for humanity,`where `woman`s seed` is the human species, and she`s conquered Mars, the god of war. In the New Testament Jesus is the `woman`s seed` because he was born from the Virgin Mary without contamination by male semen, that is, the Virgin Mary is a prefiguration of `futanarian` woman with her own penis and reproductive valence, while Jesus` teachings of Redemption represent the simple observation that, unless mankind accepts `woman`s seed` as the human species, and ceases being a parasite emerging from her `host` womb to enslave and devour her in its periodic wars against art, culture and civilization, it`s perdition.



 Just as Jane Fonda`s stripping in weightlessness seen through the porthole of the spaceship represents the invention of the labour saving washing machine in the 20th century, which is a symbol of women`s almost freedom, so Britney Spears` spaceman`s camera is a depiction of her almost independence from men. In Judaism `Meshiah` is the word for Christ, and the adjective is `Meshiahn`, which is pronounced `machine` because Jesus is the `Word` and the `Logos`, who advocates technological development through acceptance of the Holy Spirit/Paraclete, that is, the transformation of sexual instinct into intellectual capability.



 The Catholic Communion represents Jesus` offer of `bread and wine`, as symbols of his `body and blood`, to his followers in fellowship. In the Catholic service the `bread and wine` are a `transubstantiation` symbol representing the transformation of the soul and the spirit through the valence of libidic energy. However, the human desire for God and heaven is appropriated by the enslaver. Jesus` supposed celibacy is the rationale for depriving humans of their sexual valence, and so `woman`s seed` is given a `new heaven and Earth` by God. Because men have denied her penis` socio-economic power, that is, the freedom to develop a technology of liberation through libidic transformation of her own penis` strength.



 The machinery of enslavement is most easily recognizable from ancient Greece where the homosexual pederasts enslaved the `host` wombs of women to make war and spread their contagion, which in the 21st century had become the `biological warfare` against `woman`s seed` of HIV/AIDS. The Greeks employed the device of the huge hollow wooden `Greek horse` to hide inside before the walls of the city of Troy and be accepted in by the Trojans, which is the device employed by the 9/11 Al Qaeda terrorists who hijacked `civil` aircraft to crash them into the Twin Towers of New York`s World Trade Centre in 2001. The aim was to reestablish the `rough trade` of homosexual pederasty`s contagion of war against `woman`s seed`. Jesus` advocacy of acceptance of the Holy Spirit/Paraclete rather than the `gay plague` would have saved Troy, and perhaps the USA wouldn`t have given the 3rd largest army in the world to Hollywood`s `moustache`, the bandido of Babylon, macho Saddam Hussein.



 Although Jane Fonda in Barbarella and Britney Spears on Mars in Oops I Did It Again don`t seem to be serious science fiction, they`re primeval in terms of human development, which means that less is more. In director Stanley Kubrick`s movie version of Arthur C. Clarke`s 2001: A Space Odyssey (1968) a chimp throws an animal bone into the air that it has just used to kill and, by the `miracle` of camera technology, the bone is transformed into a space vessel, while the socio-economic valence of humankind is defined as murder. However, Jane Fonda`s stripping off of her clothes while the camera observes her `spinning` weightlessly through the porthole of her spaceship in Barbarella redefines the best technology in terms of the `washing machine`. She`s not concerned with her clothes.



 In Oops I Did It Again Britney Spears` `camera` is the spaceman she hooks up above her so that she can be filmed. The weight of the contents of the `washing machine`, which corresponds to the astronaut`s journey inside the `Mars lander`, that is, Mars` laundry, isn`t an issue. Britney Spears` wait to take her clothes off depends on the `watching machine`. In the movie Sliver a terrorist uses surveillance cameras inside Sharon Stone`s building to stalk her, while 9/11 `live on CNN` was written by the terrorists who were its `stars`.  Hollywood, Babylon`s `leading men`, were Saddam Hussein`s and Osama Ben Ladan`s Al Qaeda, which constitute Hollywood`s `dirty laundry`.



 The 9/11 `movie` was encouraged by the audience`s increasingly insatiable desire for sensationalism fed on a diet of blood and gore since the inception of cinema at the end of the 19th century. However, being safe and nude is what `watching machines` are for. Although Britney Spears isn`t watching Mars` laundry in public in Oops I Did It Again, she`s critical of wars which won`t allow her to feel safe. Jane Fonda`s stripping in safety in Barbarella conceives of the `washing machine` as essential to woman`s liberation, while Britney Spears` observation is that the `watching machine` is essential to the maintaining of `Liberty`, that is, the machine that washes her clothes and watches over her is `Meshiahn`. Because it`s program`s human.

Britney Spears` 50s Alien Invasion Movie And The Culinary Triangle

06/12/2012 11:07

Britney Spears` 50s Alien Invasion Movie And The Culinary Triangle


 In the video single for Oops I Did It Again Britney Spears` planet is `invaded` by a spaceman who wears an Apollo spacesuit similar to Neil Armstrong`s when he was the first man to walk on the moon in 1969: `One small step for a man, one giant leap for mankind.` Although the pop video isn`t couched as an `alien invasion` Britney, in her red suit, and in her white bikini dress, have to deal with the alien invader who doesn`t fit into their scene because they`re wearing futuristic costumes in a planetary setting that isn`t a throwback to 1950s alien invasion fears. In her red pilot`s suit Britney represents the original NASA space program`s aim of having a `space plane` piloted to the moon, but that project was terminated because of `blackouts` experienced by the pilots. Britney`s album Blackout contained Piece Of Me, and the famous line:


 `I`m Miss American Dream since I was seventeen.`



 The `American Dream` is of space and the `final frontier`, as the TV show Star Trek (1965-) describes it, of going `where noone has gone before`. Originally the TV series had the line `where no man has gone before,` in the `voiceover` to its original credits, which was changed because of the USA`s growing awareness of feminism and its commitment to `Liberty`, which was once again threatened by the terrorist hijackers crashing of planes into the Twin Towers of New York on 9/11, 2001. Blackout means `censorship, but also unconsciousness, which is the result of memory loss, but can also be understood as the result of a lack of education or ignorance, which is unconsciousness through `censorship`.



Britney Spears` Blackout refers to Oops I Did It Again insofar as, in her red pilot`s suit, she`s reflecting upon NASA`s cancelled `space plane`, which constitutes a reduction, in consciousness terms, of aspiration, and acceptance of slowed technological development. Although the lyric `I`m Miss American Dream since I was seventeen` is about American optimism `since` 1776, which enabled them to put a man on the moon in 1969, the destruction of the Twin Towers, which were constructed in 1970, suggests development was being slowed once more is a form of `censorship`, or `blackout` of conscious aspiration, and knowledge and wisdom symbolized by the `Big Apple` and the statue of `Liberty` in New York harbor.



 Read correctly, Britney`s spaceman in Oops I Did It Again is 1969 and Britney, `twinned` in her red pilot`s suit and in her white bikini dress, represent the `Twin Towers` constructed in 1970. In her red pilot`s suit she hoists her spaceman above her so that,  looking down upon her, he can film her wearing a white bikini dress with his spacesuit`s camera. It`s an `eternal triangle` with a difference. Britney`s `set` is 1969 television`s, because the spacesuited astronaut represents the 1960s Apollo space program that saw the first man on the moon, Neil Armstrong, `live` on television.



 In Egyptian mythology Set is the evil brother of the `sky god` Horus, who fight continuously. Consequently, when Britney suspends her astronaut above her with a camera, she`s depicting the relationship between `Babylon`, that is, the Hollywood movie industry, and `MYSTERY, BABYLON, THE GREAT, MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH`, who represents the women of Horus, the `sky god`, insofar as they cry `Whore us!`



 Ancient Greek society was based on the principle of homosexual pederasty`s enslavement of women`s `host` wombs as a biological parasite to produce more homosexual pederasts to wage war against other city states and convert them to biological parasitism by enslaving women`s `host` wombs further. Consequently, the `blood plague` of the `red dragon` of Revelation is HIV/AIDS, which is homosexual pederasty`s valence of `biological warfare` against the `host` wombs of women. In simple terms, Britney`s spaceman is the `sky god`, Horus, being prepared for the USA`s airstrikes against targets in Arabia and Afghanistan after 9/11.



 Oops I Did It Again depicts the `eternal triangle` of mother, daughter, and son is being depicted, but because Britney`s `twinned` she represents self-production, which is a movement away from the dragon and the whore towards the female valence of woman with a penis of her own as a species with its own economic valence that won`t accept `rough trade` as the product of its `host` wombs any longer, that is, woman will no longer raise hordes as the whored for television`s Set and Horus` periodic onslaughts against her art, culture and civilization, so that Hollywood can magnetically assert in the personae of its `leading men` that socio-history is the story of how they won, while the penis of the woman is repressed as an aspect of homosexual pederasty`s preference for violence against woman and her Earth. Despite keeping her close throughout the `movie` in order to fill the camera lens with her `protected` image and mask the true meaning of the taboo against the male penis. By not revealing anything but a protection racketeer`s weapon the `red dragon` of devouring homosexual pederasty conceals its true valence, which is male violence towards women as the true species of the Earth.  Insofar as it`s the aliens` parasitical intention to devour woman`s flesh by means of the `blood plague` of HIV/AIDS` `biological warfare`, and her planet through more `conventional` marriage between the dragon and the whore of war.



 In Hold It Against Me Britney engages in a bare knuckle fist fight with herself, because women`s valence must be trained not to accept being the whored of the bloodthirsty devouring male draco`s warring hordes against her `host` womb and its product of art, civilization and culture. Surrounded by television`s Set, she resists `Whore us!` As the 15th century seer Nostradamus had predicted:


`From the sky will come a great King of Terror.

To bring back to life the great King of the Mongols,

 Before and after Mars to reign by good luck.`1



 Mars was successful in Gulf wars I and II (1990-2011) because the winning valence is perceived as succeeding, whereas the kings of terror and Mongols correspond to what the Bible describes as the first and second `beasts` of Revelation, which denote the evil valence of television`s Set and his endless struggle with the horde of Horus, the `sky god`, to whom the women of `the whored` willingly cry, `Whore us!` In Oops I Did It Again Britney descends inside a `giant`s ring` to greet her spaceman visitor, `Mars Lander`, but `the rules of engagement` with Mars are changing. She places a hook into his backpack and hoists him above herself in a white bikini dress so that he can see what he isn`t fighting for, `Liberty`.



 Woman with her own penis as `futanarian` has an economic valence that is human and not alien. In her red pilot`s suit Britney represents NASA`s decision not to develop but to keep `Liberty` a prisoner upon the Earth to produce wars for television`s Set and cry `Whore us!` Twinned, in her white bikini dress, she`s a self-producer, that is, a prefiguration of woman as a species with her own reproductive valence prefigured by the Virgin Mary who gave birth to Jesus, the `Perfect Man`, without male semen, 2000 years before 9/11.



 September 11th 2001 was an attempt by terrorists to prevent the `Second Coming` of Christ, the `New Redeemer`. He is described as the `protector` of the `hidden` woman of Revelation who`s `seed`, that is, the seed from her own penis - as opposed to the evil serpent`s `seed`. It is told by God that it shall have `perpetual enmity` with her `seed`, who receive a new heaven and Earth from God while the evil serpent`s `seed`, that is, the `seed` of the `pre-nuptial agreement` between the dragon and the whore, receive unendurable eternal pain as a punishment.



 In the structural anthropology of Claude Levi-Strauss, the mainstay of his socio-economic theory is the `culinary triangle`,2 which is depicted as the geometric formula for historical advancement through technology. The BBCTV series Triangle (1981-3) takes place aboard a European ferry, but the series doesn`t seem to be about technology. It`s about `love triangles` as the basis for female subjugation, repression, and unconscious ignorance. In Oops I Did It Again Britney`s spaceman gives her a ship`s `gift`:


`But I thought the old lady dropped it into the ocean in the end.`



 The heart shaped blue diamond is a pendant dropped into the ocean by Rose, the `old lady`, in the Titanic (1997) movie. Because the `eternal triangle` of love and betrayal sorrowed her. Her former lover had placed the jewel into the pocket of her new lover to frame him for theft, and he was subsequently drowned when the Titanic hit an iceberg and sank in 1911. The BBCTV series reflects on `love triangles`, that is, `love affairs` between `shipmates`, while their more permanent relationships on land remain unconsciously unaffected. In short, the concept of the successful `love triangle` in Triangle is shown to be dependent on ignorance, that is, if women with a penis, and an economic valence of their own, as the human species `futanarian`, knew they were ignorant of men`s true nature, they`d prefer a `love triangle` that consisted of women as fatherers, and daughters of mothers. Women are `fartherers` in the sense they`re concerned with their species` nurturing and development. So they can progress to the stars in heaven before men devour them as possessors and consumers through enforced unconsciousness, that is, `blackouts`.



 Effectively, the couple who are having an affair require `blackout`, that is, the blinding and stupefaction of their `permanent mainstay` by themselves or their `confederates`. Analogously, those who fought for the Confederacy against the Union Army of the United States of America in the Civil War (1861-5) were, in terms of Hollywood`s `Babylon`, television`s Set and the `sky god` Horus, whose whored horde cry `Whore us!`. As did all those who knowingly sent their men to lose their lives in World War I (1914-18), World War II (1939-45) and the Gulf wars (1990-2011). However, if women have a penis of their own, and so constitute the human species, which is not a valence of the evil serpent`s `seed` in its wars against women, that is, the fake symbiote`s periodically alien parasitical devourings of woman`s art, culture and civilization in its wars against her `product`, they represent the valence of humanity that doesn`t want to be blacked out in censorship and unconsciousness. Because they want to escape to the stars. Away from the `red dragon` of devouring homosexual pederasty, war, and its whores that produce it and its `biological wars` against woman`s enslaved `host` wombs.



 In Revelation the virality of homosexual transmissions during the apocalypse `live` on television Set is the `gay boy sons` of the `red dragon` of pederasty`s evil serpent`s `seed` and its killers` murder valence. They`re the `gay poisons` of the whores` child, that is, HIV/AIDS, and its undeclared war against the `host` womb of the `woman clothed with the sun and with the moon at her feet` as she gives birth to the `New Redeemer` while the `red dragon` waits in vain to devour. Although George W. Bush immediately backed the `War On Terror` (2003-) with US$ trillions, the budget for defence against HIV/AIDS, that is, the killer disease produced by the dragon and the whore, for the `hidden` woman of the Earth and the `New Redeemer` of her `futanarian` future, isn`t that great.



 Cooking is the basis for socio-historical progress. As evidenced by Cain`s murder of Abel in Genesis because Abel was able to cook and Cain wanted the laziest life that was possible outside of Eden, which was picking fruit and eating it. Consequently, Cain was the protypical murderer and thief, because he represented the individual who would rather take from others, including taking their lives, rather than work. Cookery is the prototype of work, which has been thought of as women`s work for generations because Cain, that is, the evil serpent`s `seed` since Eden, would rather someone else worked.



 In terms of Claude Levi-Strauss` theory, Cain couldn`t construct a `culinary triangle` with Abel, although Abel was able to cook, which means the evil serpent`s `seed` are those criminals who murder the cook after the meal has been prepared, because they`re only concerned with picking fruit as monkeys from the trees rather than grow food. In simple terms, trees are analogous to humans from the murderers perspective, which is why murderers aren`t human, in accordance with God`s laws for humanity.



 According to Claude Levi-Strauss the first stage in human development is growing food, and the second stage is cooking, while the third stage is fermentation, which produces cheese, wine, etc. However, Cain didn`t get to the second stage because he doesn`t want to produce, or reproduce, with Abel, and doesn`t want to. He wants to pick fruit and murder those who prepare food for him. Because he`s evil and that`s what the Bible tells us. Consequently, if Cain doesn`t want to cook and Abel wants to, Cain will murder Abel for the food he`s cooked. If Abel is able enough to marry and build a house, where his wife can cook, Cain will murder Abel for his wife who cooks, and murder her so that he can have the house. Moreover, if Abel is able enough to build a civilization and culture, Cain will murder him because, if Abel and his wife can escape him, he`ll have no one to steal cooked food and property from.


                            rotten (cheese, yoghurt)

cooked                                                                     raw


If a woman produces a daughter who can `cook` as she can, it means that the pair correspond to what Claude Levi Strauss describes as the `human valence`, which is that of the individual that can grow and `cook` food. Not because Cain can have a free meal, if he murders Abel and his wife, but because Cain can have a house that he hasn`t built, which is the response of the evil serpent`s `seed` to the `human valence`.



 Clearly the `human valence` is inadequate from the able person`s point of view. If Claude Levi-Strauss` `culinary triangle` is growing food, cooking food, and allowing milk to rot in order to produce cheese, a woman doesn`t need a man.  Consequently, she`s escaped if she can reproduce without a man, and women have a penis of their own as `futanarian`, which means the `human valence` has woman as a species, whereas men isn`t because men can`t reproduce without women. In terms of the `culinary triangle`, men can`t reproduce together, which means that the triangle has only one side insofar as the mother-daughter reproductive valence represents an `eternal triangle` in which the daughter can marry with her own species as the third woman in the triangle, because she has a penis of her own as `futanarian` woman.



daughter                                                                 mother


 Because men can`t reproduce together, the `culinary triangle` collapses at the picking fruit stage, because Cain murders Abel. The more able person is identified as a threat, because they might escape, and Cain would have to work rather than steal and murder. Consequently, because Cain and Abel`s valence is that of the evil serpent`s `seed`, insofar as they can`t reproduce together, and they destroy whatever emerges from the `host` wombs of the women they have parasitically enslaved in their periodic wars against her Earth, the `human valence` is woman`s, as a nurturing species with her own penis` reproductive capacity, and what`s to emerge in women`s future as art, civilization and culture that isn`t preyed upon by the male parasite.





 If you`re Abel you can escape, but if you`re not Abel you can`t. And Cain won`t let you escape, so you must be disabled from Cain`s perspective.  Consequently, the aliens have emerged upon the Earth as the locusts of the Bible that are foretold in Revelation, and they don`t want to improve technology because that would enable those who didn`t want to be locusts to escape. Ancient Greek society was based on the principle of homosexual pederasty`s enslavement of women`s `host` wombs so that wars could be waged and there`d be more homosexual pederasts.



 In the Bible the `red dragon` is depicted waiting in vain to devour the `New Redeemer` while the woman of Revelation is giving birth. `MYSTERY, BABLON, THE GREAT, MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH` is a mystery because she is enslaved by the parasites of homosexual pederasty to produce `gay boy sons` to fight the red dragon`s wars. In the late 20th century warfare had become `biological` insofar as the `gay boy sons` had produced `gay poisons`. HIV/AIDS prevented the woman `clothed with the sun and with the moon at her feet` from giving birth to the future of humanity. By forcing her to cleave to monogamy as the basis of her enslavement by homosexual pederasty`s misogynist devourers of the products of her `host` womb in their endless wars. `Babylon` is woman as the enslaved species, which is why she`s `the great`, because she`s in thrall to the warring aliens and represents woman`s unwilling subjugation. The woman giving birth to the `New Redeemer` is freedom because she represents the `futanarian` valence of woman with her own penis as a species with a human economic valence that resists enslavement.



 Most 20th century literary critics perceive that aliens are extrapolations of men`s fears, but few have conceived that the aliens are men and that what they fear is that the `hidden` woman of Revelation, whose `seed` is to receive a new heaven and Earth while the evil `seed` receive unendurable eternal pain as a punishment, will escape. Consequently, events such as 9/11 are the marriage of the devouring dragon and the willing whore, whose child is war against woman and her womb, and is designed to prevent her new economic valence as the human species of woman with a penis of her own from emerging as `new humanity`, which is why the World Trade Centre was attacked. Because `rough trade` is war and homosexual pederasty.



 The hijacked planes that crashed into the Twin Towers from Logan airport represented men`s fears couched as a 50s `scifi` movie, that is, the fear that women would escape them. In the movie Logan`s Run (1975) everyone over the age of 21 is murdered, and so 9/11, 2001, was the attempted murder, at the beginning of the 21st century, of woman`s human valence, whereas Revelation describes the advent of the `New Redeemer`, who protects the woman of the Earth with an `iron scepter` after the dragon waits in vain to devour him, which probably corresponds to the events of 9/11, and the subsequent second Gulf War (2001-11) and the War On Terror (2003-).



 9/11 was a 50s `scifi` movie because men are the alien threats that they use to enslave woman as the Earth`s species, whereas the typical 50s scenario is of aliens threatening to enslave humanity, which is in fact what men do. As aliens that are living as parasitical devourers of the species woman on the planet Earth. The aim of the 9/11 `alien invasion movie` starring men as the 50s aliens was to reestablish business suited males as the `owners of the means of production`, that is, women, and restore the 50s `alien invasion` movie they`d been the 50s aliens in. Threatened by a 21st century that was 50 years too far ahead of them, further advances in technology might result in women`s escaping the 50s and its men who had invaded and enslaved them as their devouring aliens.


1 Nostradamus, Michel Les Prophecies Century 10, Quatrain 72, 1555.


2 Lévi-Strauss, Claude in Brooks, Peter (transl.) `The Culinary Triangle` in The Partisan Review , Autumn, 1966, # 33, pp. 586–96.

Ooh Baby! Baby!

03/12/2012 10:58

`Ooh Baby! Baby!`



There is a mythology associated with baby teeth. In Hungary, Woman`s childhood is the story of the fog tuned, which is the `tooth fairy`. Britney Spears shows she knows the story in Oops I Did It Again (2000) because of her fork symbol. Cake is eaten with a fork, and `kék`, in the Hungarian language is `blue`, and ``kék fog is `blue tooth` technology, whereas fog/fork kék is `toothblue` technology, which is for the hungry devourer of women.


When her spaceman is raised above Britney Spears, with a camera attached to his space helmet, so that he can film her in her white bikini dress, it`s as if he`s upon a camera gantry. The giant tines of a fork are in the picture, so she`s cake. It`s a titillating `blue movie`, which is `fog kell` in Hungarian, that is, the tooth of the devourer that wants to eat her. If Brintey Spears was a porn star in the video she`d be satisfying the `fork ache`, because sexual satisfaction takes away the desire to devour. Partly dressed, Britney Spears is ostensibly for satisfying the masturbator`s ache. However, the fork motif indicates that the true desire is to eat her, which is why the woman of Revelation gives birth to the New Redeemer in the teeth of the dragon. It`s a `displacement`, as psychologists say.


Electric Blue Tooth


Masturbation is ostensibly what Britney Spears is for, and although she doesn`t have her own penis visible in the video, women do have them. That`s why `for kell` is about what sexual desire is for. The penis is supposed to want women, but if women have their own - and they do - masturbation is only a metaphor for either development or devourment. Because masturbation represents the dawning emergence of the desire to live with a woman in an environment improved because of desire, or it doesn`t. As a species with her own `futanarian` penis women can remain virgin and experience penile, clitoral, and vaginal orgasm, without being penetrated by men`s `fork ache`, which is the desire to devour women, and is what men`s history of war teaches.



 In species terms,`f**k ache` is women`s desire for themselves, which their own penis can`t show them if it`s not visible in the mirror of reality. Without knowledge of their own species it has to be obtained from internet porn, so it`s a `puppet` show, which is why Britney Spears in her red plastic one piece pilot`s suit looks similar to the Supermarionation puppets of Gerry Anderson`s British `scifi` TV series Captain Scarlet. The `bluetooth` internet is often called  `wireless`, but without knowledge of herself as a species, `Woman` is men`s puppet. They need to be free of men`s penis through a careful study of pornography without becoming enslaved by it, which is what Britney`s dramatic appearance descending in her slave ring at the outset of Oops I Did It Again highlights.



Oops I Did It Again is a diluted `scifi` sex fantasy similar to Jane Fonda`s Barbarella (1968) movie where Britney is Mars` Barbarella because she`s discovered on the red  planet by `Mars Lander`, that is, her spaceman, and so she`s `eye candy` with an advertiser`s sidelong glance at the Mars Bar chocolate bar. In fact Britney Spears went on to design a range of clothes for Candie`s clothes` store to please fans and other trendies in July 2010. The `eye candy` video for Oops I Did It Again is for the masturbator to satisfy his desire, which is euphemistically defined as `toothache`, which is what `fog kék`, that is, internet `bluetooth` is used for by masturbators.In the Hungarian language `scifi` is for `az kép`, that is, `escape pictures`. Consequently, the giant fork is what happens when the naturally great desire for a `f**k` becomes a devouring obsession.



Men want women to perceive they`re for being kept and rekept, through death and rebirth, whereas they don`t want her: it`s feigned or perfunctory. In reincarnation she`s her female parts, and so her male parts recollect her as the `host` womb for its parasitism. Previous collectings is what `wireless` internet, `blue tooth`, and the satellite `dishes` record and transmit. Careful research reveals women are lied to, because they can perceive they have no connection with men. Recollection is remembering her own penis, which means that, as an immortal rather than a reincarnated woman, that is, eternally embodied woman, as Jesus promises to `woman`s seed`, she could reproduce or remain virgin and enjoy clitoral, vaginal, and penile orgasm as a species independent of man.


Nὅ az kép


The Virgin Mary is the archetype of `woman`s seed` uncontaminated by male semen. According to the New Testament, Jesus never had sex, or even masturbated, but was tortured to death for preaching ` love`, which is `Woman` as the eternal virgin of her species who never gives birth to herself.  Men don`t want to conceive because they`re the parasitical dragon of Revelation, that is, the sterile devourer. Jesus was the `perfect man` because men torture his virginity to death, as a means of the underscoring their belief that the Assumption of the Virgin Mary means that `Woman` will never give birth to her own species` self.



As Jesus said to the woman `taken in adultery`: `Go, and sin no more.` He didn`t reprimand. Men were evil, then, as now. `God`s love` in heaven is `Woman` because she`s the Earth`s species. Men are her parasitical viruses that give her war, plague, famine, and death. Jesus said, `Forgive them for they know not what they do.` But he meant that the women should forgive the ignorant. However, there`s no forgiveness from Jesus for the deliberate.



In Revelation Jesus comes with the `sword that came out of his mouth` to order perdition for the `serpent`s seed` and heaven for the `woman`s seed`. God creates a `new heaven and Earth` while the woman who has given birth to the `New Redeemer`, that is, Jesus in his `Second Coming`, who `shall rule the nations with an iron scepter`, protects she who gave birth to him in the teeth of the devouring dragon`s jaws. Jesus` distillation of `God`s law` is `love your neighbor as you love yourself`, because woman is a species, and so they share the same spirit, which is the Holy Spirit/Paraclete, and the concept of Redemption requires that men convert to `woman`s seed`, that is, `love your neighbor as you love yourself` because you can`t be `woman` seed` in heaven if you don`t accept her.



 In Britney`s Oops I Did It Again she asks her spaceman about the gift he bestows upon her. `But I thought the old lady dropped it into the ocean at the end?` In terms of Catholic symbolism, the Old Lady is the Virgin Mary, who gave birth to Jesus uncontaminated by male semen, and so gave birth to herself as the `woman`s seed`, which has `perpetual enmity` with the `serpent`s seed`, according to God (Gen: 3.15), and so the `serpent`s seed` corresponds to male semen, which Jesus is uncontaminated by. In Revelation the `woman clothed with the sun` gives birth to Jesus, in his `Second Coming` as the `New Redeemer`, while the `red dragon` waits in vain to devour him. The `Sacred Heart` is a tradition in Catholicism because of `Christ`s Passion`, that is, Jesus` desire to demonstrate the love of God. Britney`s spaceman gives her the `heart of the ocean` because it`s a symbol of Christ, Jesus, and the Redemption that he promises to those who accept his teachings of the Holy Spirit/Paraclete so that they will experience death, Resurrection and Ascendance to heaven as he did.



 God`s emphasis upon the `woman`s seed` presupposes `futanarian` woman as a species with her own penis and socio-economic independence of men, but it`s too prosaic for Christianity. Prosaic symbols are too ordinary for the spiritually egotistical. In Hungary there`s a chain of superstores called Auchan, which has a robin as its symbol, which is a mnemonic for the `heart`. According to folk tradition, the robin removed the largest thorn from the crown of thorns placed upon the brow of Jesus, but was itself pierced in the attempt, and so it`s breast is blood red, as a figure of Christ`s own `Passion`, which metaphorically means that the robin is saved through Jesus` blood because it has accepted Jesus` teachings of humanity. 



The mnemonic of the Christian symbolism of the Auchan superstore in Hungary, that is, the robin, lets the reader who knows Hungarian understand that Britney Spears, in Oops I Did It Again, represents the robin in her red plastic one piece jump suit, and the `Sacred Heart` of `Christ`s Passion` because of the `heart of the ocean`, which prosaically corresponds to the Auchan superstore in Hungary and Europe. In depth psychology the ocean is a symbol of the unconscious `Self` from which emerges helpful figures or images in dreams, art and imagination to guide the individual ego to greater developmental functionality. The traditional Graeco-Roman symbol of the female anima or soul as mediator of the ego`s relations with the external and internal reality of the psyche is Venus Aphrodite, who is depicted rising from the ocean upon the half shell of a scallop, which sometimes contains a pearl, and so Venus Aphrodite represents the pearl of wisdom that is the knowledge of `Woman` as a species independent of men because of their own penis. The Revelation symbol of the devouring `red dragon` is the heart`s devourer, that is, the absence of fellow feeling for others which results in callous disregard for humanity, and so the symbol of the blue diamond` heart of the ocean` in Oops I Did It Again risng from the Earth`s oceans brought by the astronaut:


`Well baby I went down and got it for you.`



 The astronaut was a diver at the site of the salvage of the sunken liner Titanic and so is a symbol of Salvation, which is what Christians describe as occuring after being `washed in the blood of Jesus`, that is Redemption and transcendence of death through acceptance of the teachings of Jesus and the Holy Spirit/Paraclete. In her red jump suit Britney Spears symbolizes the heart, which the `red dragon` of the devourer wants to eat, that is, `Woman`, who can`t develop beyond men`s enslaving of her `host` womb for the wars of the `serpent`s seed` against itself and her `seed`. In Nazi Germany the Jews were consumed in ovens in extermination camps by the devourer and the ashes were made into cakes of soap. In Hungarian `kék` means blue which, in terms of the symbolism of Oops I Did It Again, corresponds to the diamond blue heart of the ocean received by Britney as a `gift` from her spaceman, who she raises above herself in a white bikini dress so that he can film her with the camera attached to the side of his space helmet.



 Wearing her red jump suit Britney Spears attaches a hook to the astronaut`s backpack and winches him up above her. Looking down upon her wearing the white bikini dress, he`s `bungee jumping`. Invented in Australia, `bungee jumping` involves being attached to a length of springy cord so that the intrepid adventurer can throw themselves off a bridge, for example, and hang suspended over the ocean while they gently jounce there. Britney`s spaceman jounces gently above her as `bungee` while below she`s the blue heart of the ocean or `kék`. In prosaic terms, the tableau is `spongey cake`, where he represents the `red dragon` waiting in vain to devour the diamond blue `heart of the ocean`, which is `futanarian` woman as the human species independent of men. The tines of the giant`s fork visible beside the astronaut`s spacehelmet are a symbol of the devourer, and Britney Spears underneath is a diamond`s hope insofar as her spaceman represents a cake of soap, that is, `soap on a rope`, which is a type of soap sold as a gimmick for people who like to have their hands free to wash in the shower. The allusion is to the Nazis making soaps from the hopes of the ashes of the Jews, who were told they were going to the showers but they were poison gas chambers where they were gassed before being consumed in the ovens. Britney Spears` Oops I Did It Again may have been influenced by stories of the hope diamond, which was described as blue but, according to one newspaper story was `white`:


`... [and] once ... formed the single eye of a great idol`.1 



 The single great eye of the spaceman`s visor is the most idolized image of America in the 20th century, and the appearance of Britney Spears in her video Oops I Did It Again is preceded by her spaceman`s discovering a miniature cameo picture or icon of her in the sand, which marks the encounter as Christian rather than idolatrous, because icons in Christianity are perfectly acceptable if the meaning is spiritual. Descending inside her giant`s ring at the beginning of the Oops I Did It Again video Britney Spears represents the marriage of Venus Aphrodite, who is `the pearl of great price` of the Bible, because she`s `woman`s seed` pearl:


‘Again, the kingdom of heaven is like a merchant in search of fine pearls; on finding one pearl of great value, he went and sold all that he had and bought it.` (Matt: 13. 45-6)



Below the astronaut`s camera eye in her white bikini dress Britney Spears lies upon a couch that appears as the eight rays of her diamond emanating from her. Because `jumping` a woman is a euphemism for `rape`, here `bungee jumping` is `Gee, bun!` Because of the tines of the giant fork of the devourer beside the camera eye of the spaceman`s helmet, Britney`s `cake` for the devourer`s `sweet tooth`, which is why `kék fog` is Hungarian for `bluetooth` but sounds like `cake fork`. As Britney sings she turns her head rapidly from side to side so that her cheek can plainly be seen offering the other cheek to the spaceman above her because he`s `Bun, gee! Cake! In other words, he represents the `hands free` masturbator`s image of her, and she shows the cheek to the pun, which is that she`s just an ache in the tooth of the devourer who wants to eat her. The joke is that she`s cake, but not to those who`re blue`s hope diamonds who don`t want `Woman` as a species with her own penis to be devoured by those who want to put her diamond`s hopes on a rope so that they can see that she`s well hung:


`Observers at public hangings noted that male victims developed an erection, sometimes remaining after death (death erection), and occasionally ejaculated when being hanged.`2



The scalloped half shell is a traditionally prosaic domestic soap dish, and the notion that cake can be bought at the Auchan superstore in Hungary, with its symbolic icon of the robin as a symbol of Christ`s `Passion` for Salvation, isn`t an invitation to the hungry devourer to leave the hopes of people in ashes. Similarly, soap on a rope isn`t what a woman`s diamond`s hopes are for. The symbol of the ring worn about the neck of a young woman is a band of hope, and not a cake of soap. Although the image of Venus Aphrodite rising upon the scallop half shell is a symbol of the `pearl of great price`, which is the knowledge and wisdom of the species of `Woman`, typical representations of Venus Aphrodite don`t reveal her as Hermaphrodite with a penis of her own, and so it`s more difficult for women as a species to emerge from the ocean of what developmental psychologist Carl Gustav Jung (1875-1961) terms the archetypes of the collective unconscious of humanity, that is, the images and figures that, emerging into the consciousnesses of those who seek spiritual elevation, constitute the engine of the imagination of the Earth`s species. Because the devourer wants to kill them in its exterminations.



The `unsinkable` Titanic was reported sunk by an iceberg that holed it after a collision on its maiden voyage in 1911 from Liverpool, England. The movie is about `women and children first`. The men throw the women out of the lifeboats in order to survive. It`s a story of betrayal triumphing love. The heroine, Rose, allows herself to be painted; just as the cameraman films Britney in Oops, and her painter is framed (more than ironically) by `placing` the jewel in his pocket and accusing him of theft.



Many years later, the old heroine, her younger self played by Kate Winslet in the film (and painted wearing the jewel), drops it into the ocean where the Titanic is being raised by 20th century divers, and so Britney Spears says to her spceman when receiving the `gist` he has for her: `But I thought the old lady dropped it into the ocean in the end.` Her astronaut replies: `Well baby I went down and got it for you.` Effectively, he`s saying he`s the one who`d `dive for her`, that is, `die for her`, which makes him her corresponent: `I played with your heart. Got lost in the game.` Landing on the red sandy planet of Mars he`s made `touchdown` as a spaceman resembling a US American football hero (TD) and deep sea diver, which is the game she`s engrossed him in. However, despite the oh-so-touching `down` and `got it for you`, that is, the `heart of the ocean`, his `pointing` at her with the camera mirrors how Kate Winslet is `painted` in the Titanic (1997) movie. Britney knows the `reel game`, which is not to `get lost in the plot`.


Nő means `Woman` in Hungarian


Britney Spears, at the end of a fork, doesn`t want to be a nice cake. She wants her Titanic to emerge unscathed from the fog, where `fog` can mean the `giant`s tooth`, in Hungarian, because it corresponds to the `fog kék`, that is, the `bluetooth`, which may be construed as the cake fork that has emerged as the search tool of the internet out of the ocean blue of the archetypes of the collective unconscious, through the medium of the imagination, to be the technology that will assist the development of humanity. The Titanic hit what was reportedly a giant ice cake, which in Oops I Did It Again is the `eyes berg` (iceberg) of those who are watching Britney Spears, including those behind the camera eye of `Mission Control` who, seeing what her spaceman sees on their monitors, correspond to the giant devourer of the `red dragon` of Revelation as it waits in vain o devour `woman`s seed`.



 In William Shakespeare`s play A Midsummer Night`s Dream (c.1590-6) Titania corresponds to the `tooth fairy`, and so Britney Spears` allusion is to the Titanic that sank to the bottom of the ocean. Bottom is Shakespeare`s `rude mechanical` whose head is turned into that of an ass, while Titania is the fairy that wakes from a delusion that she`s in love with him. Britney`s spaceman bringing of the `heart of the ocean` from the Titanic looks like an ass because she`s not wearing a spacesuit. Because he was at the bottom of the ocean, he`s the ass who`s deluded but she isn`t any longer:


`I played with your heart. Got lost in the game.`



 Homosexuals are often called `fairies` and, because ass sex between men produces HIV/AIDS through the witchcraft of mixing blood, shit and semen, Bottom`s head turning into that of an ass because he`s been with the fairies is a 20th century metaphor for the brain death that slowly ensues when contaminated male semen gets into the bloodstream. Because they`d rather give Titania an ass`s head through her Bottom. Consequently, Britney`s spaceman appears as a giant condom in his spacesuit and gives her the uncontaminated blue diamond `heart of the ocean` as a symbol of earnestness.



 It was asinine 11 a year later when terrorists hijacked planes to collide with the Twin Towers of New York on 9/11/2001 with the eyes of the world watching their attempt to have the ship of the United States of America sunk by their `eyes berg` because the Americans wouldn`t be able to save face without accepting another devourers` war. US defence spending built Saddam Hussein`s army, and the USA spent their money on war with Iraq. 9/11 coined a new term for the dictionaries, `asinine 11`, because 9/11 ensured that the US space program would flounder for lack of funding, and that it effectively ended with Neil Armstrong and Apollo 11`s first moon walk, `One small step for a man, one giant leap for mankind.`  In Oops I Did It Again Britney Spears appears as a small woman wearing a red plastic one piece pilot`s suit inside a giant`s ring before her Apollo astronaut arrives, `One small step for a woman, one giant ring for a kind man.` Before the Apollo moon landing, the plan had been to fly a spaceplane to Earth`s nearest satellite, which is what Britney`s red plastic pilot`s suit alludes to. The X-15 program was cancelled because it was too expensive, and US spending turned from spaceplanes to rockets that were the basis for intercontinental ballistic missiles (ICBMS) and the moon became a symbol of women`s imprisonment.



 Britney`s `tooth` is `blue`, and her words are airborne. Even in Hungarian, the world`s most difficult language, she`s communicating, and she doesn`t know. Accepting the heart of her dismembered Earth, she`s the dish that ran away with the fork, that is, from the `fog` that concealed the giant`s tooth that would have sunk her ship, and is broadcasting Redemption by means of herself and her satellite `dishes`, such as Tina  • • •T• • • Mobile Aguilera: `Dirty. Filthy. That`s Christina Onassis. Too dirty to clean my abdom.` Although Christina agrees, at the beginning of her Dirrty video, she isn`t Christina Onassis and it seems a slur on Jackie Kennedy`s daughter. The word that isn`t fully completed is `abdomen`, which means that men aren`t fit to clean Christina`s `abdom`. Although Christina might be expected to call herself `T`, she`s `X` to the public, because that`s how she wants to be known X-posing issues. Like Britney, she`s preparing to be born, and borne as an indestructible ship on the oceans of the language of the spirit; even in the teeth of the evil Set {men} of vampire`s teeth who leech life from women as pimps. She`s X-men and New Woman: `It`s about time for my Arrival. Uh. Wet.` The vampire bites deep, or the child is born.



It says in Revelation: `Out of his mouth comes a sharp sword with which to strike down the nations. He will rule them with an iron scepter. He treads the winepress of the fury of the wrath of God Almighty.` (19: 15) He is the child of the `woman clothed with the sun and with the moon at her feet` born in the teeth of the dragon and who protects the woman of the Earth before she leaves for heaven.


Dragon looking good. The protection racket.


The `number of the beast is the number of a man` and 666 has long been thought of as a reference to the telephone by means of which communication is instantaneous – as is surveillance. • • •T• • • Mobile  is but one telephone company that affords its customers bluetooth use of the internet. In mythology the Graeae are three women with one tooth and one eye between them, which suggests an ogre and `Woman`. Metaphorically, the women can`t see because of the ogre, that is, men are preventing her from knowledge that will allow her to develop. The meaning isn`t entirely negative, because the one tooth suggests the developing of a single voice, and a single eye suggests a unified vision, while the eyeless and toothless amongst the three women who have to share a single mouth and a single vision suggests a developing infant. In the species, `Woman`, there are three aspects; the woman with a penis of her own as `futanarian` and the woman without. However, if the woman with the penis fertilizes the woman without a penis, the fertilizing woman needs a third woman to fertilize her with her own penis.



 The Graeae represent threefold `Woman` as a species, which can`t develop because of men as her devouring ogre refusing to allow her to emerge from blindness and schizophrenia. Tina Aguilera and .T Mobile represent the possibility of women speaking with one voice and having a single vision, but that depends on a unified will to live as a species independent of their ogre. Seti is another form of the name Set, the Evil One of Egyptian mythology, while SETI is the Search for Extraterrestrial Intelligence, and in Oops I Did It Again Britney has been discovered on Mars as `Woman`, the human species, by the alien ogres that have invaded her `host` womb as parasites and want to use the technology that has emerged from her womb to devour her Earth and its human species. Britney Spears is toothsome to the ogres, and the dish to the bluespoon communication headset, which the spoon `ran away with`, according to the English children`s nursery rhyme:


`Hey diddle diddle, the cat and the fiddle, the cow jumped over the moon. The little dog laughed to see such fun, and the dish ran away with the spoon.`



To `diddle` means to masturbate, or to cheat. The English children`s nursery rhyme suggests an association with Hathor, the mother goddess of Egyptian mythology, and even the Hungarian word for lesbian is `leszbika`, which means `woman like a bull`. In cows this is a known phenomena in which the female attempts to have sex with other females, and it`s described as the effect being born as a `twin` of a `male bull`: `... an imperfectly developed female calf, usually sterile, born as the twin of a male.`3 In freemasonry, whose adherents believe themselves to be inspired by God, as the Great Architect, the woman with her own penis and vagina is perceived as a `sport` of nature, which is harmful to women.The myth of the Christian church is of demons and devils in the image of men because men are women`s antagonists. There is no commandment against sex in the Bible. The closest is, `Thou shalt not covet.` In effect, sex is, `Thou shalt not lie.` If women have a penis, and they do, then freemartins represent men`s aim of making women sterile and to kill their brains, replacing them with themselves, so producing male women. In order to do this, they`d have to effect what is commonly called a demonic possession in which they are the devils and the women experience it as `demons`.



It`s a `cuckoo` concept in which, for example, a robin is born, and the `cuckoo` is placed with it, and the `smaller` bird is pushed from the nest by the bigger cuckoo, as it grows stronger while being fed unrecognized by the robin`s mother. In human terms, this is why Jesus was born of the Virgin Mary. Jesus` teachings are that `God is love`. He is God`s robin, as it were, because the robin was the bird that attempted to remove the crown of thorns placed upon the head of Christ by Jesus` tormentors.



 Men`s perception was that Jesus was for torturing to death, and they`re methodologically unchanging. Rather than have `Woman` think with her own brain, she`s the robin that`s kept confusedly homosexual, because unaware of her species` identity as independent, with her own penis and socio-economic valence, but fearful of remaining infertile, and so in thrall to men, which is how the demons possess her. Jesus and Mary indicate the direction from which the enemy will come at her, that is, the pederast `cuckoo` who`ll attempt to explain that the child is a weak homosexual who should be engaged in war. Whereas, `Woman` is a creature of God and, indeed, a species, which isn`t a parasitical virus feigning friendship for the species in order to kill it, as HIV/AIDS cells do, and as men are proving themselves to be, with only sterility and death as their teleology.


`Forgive them for they know not what they do.`



 Forgiveness for men isn`t possible, but God can still forgive `Woman` and her `seed`. The Assumption of her virginity as Mary is her vouchsafe, and her Achilles` heel. Assuming she`s saved because her own penis is denied to her is to assume that she`ll be in heaven because she was once a virgin. In Hungary the word for teacher is similar to the word `futanarian`, which means `woman with a penis`, that is, `tanar` means `teacher` whereas `fut` means `afoot`, and so `futanar` is a teacher who travels to spread the word about `woman`s seed`.



To allow men to demoniacally possess women in the expectation of virgin rebirth with the Judas figure of the  homosexual `cuckoo` repeatedly incarnated in her `host`  womb as her future devourer is a cowardly denial of the potential of women to develop as a species. In Middle Eastern traditions of death and rebirth, familiar from Egyptian mythology, the sun god Ra is incarnated as Osiris and reborn as Horus, but Jesus` message rejects this. Acceptance of reincarnation is the repeated sterility of pederasty`s enslavement of women`s `host` wombs to spread its parasitical contagion of war against her. Accepting being fertilized by the `corn god` rather than having eternal life as a species with the excuse to Jesus on `Judgement Day` that women were virgins to their own penis isn`t brave enough.




 In Egyptian mythology the `Ka` and `Kau` is its plural, so the `cow jumped over the moon` corresponds to the space traveler who has created the advanced technology of the spaceship by means of a desireful spirit. Britney Spears in Oops I Did It Again is `the woman clothed with the sun and with the moon at her feet` of Revelation because she`s jumped over the moon from Earth and has arrived on Mars. In her red pilot`s suit she`s the fulfillment of the NASA spaceplane dream and, in her white bikini dress, she`s the fulfilling of the `Ka` who becomes a `Kau`, that is, one spirit becomes two, in accordance with Jesus` principle of `love your neighbour as you love yourself``, because you are yourself as the Holy Spirit/Paraclete is in everyone who accepts that.



 Because `Woman` is a species with her own `futanarian` penis her spirit is `Kau` if she has the wisdom and knowledge of herself, but if men keep her in ignorance of `woman`s seed` they can maintain `perpetual enmity` against her by dividing the human spirit or `Kau` against itself simply by fooling each of her `Ka` into believing that the parasite is from her womb whereas it only uses her as its `host` before emerging to enslave and cull her in its wars to maintain its slavery and her ignorance. According to Revelation the `woman clothed with the sun and with the moon at her feet` gives birth to Jesus, in his `Second Coming`, as the `New Redeemer`, who `shall rule the nations with an iron sceptre`, while she is carried to a place of safety on the `wings of an eagle`, which corresponds to the United States of America, as the nation that protects her before she goes, `crushing the head of the serpent as she leaves`, but `hidden` before God gives a `new heaven and Earth` to `woman`s seed` for the new `heaven and Earth that God` has promised her. On Mars, in Oops I Did It Again, Britney Spears remembers the American Dream of Manifest Destiny, which began with Neil Armstrong`s words to `Mission Control`, `The eagle has landed.` When the Apollo 11 space module made touchdown on the moon.



 In Christianity the spear of Longinus is the `Spear of Destiny`, because it pierced the side of Jesus on the cross, and so effectively released the Holy Spirit/Paraclete, as the `Second Eve` from the side of the `Second Adam`, just as Eve had emerged from the rib of Adam in Eden. Because the Holy Spirit/Paraclete represents the spiritualization of the soul or female anima of Jungian psychology, which is the desireful developmental catalyst that will construct space technology to carry `Woman` to the stars. If `Woman` has her own penis, the anima is her own desireful catalyst, and so her own penis` desire will have the power to take her to the planets of the solar system. If she isn`t lazy and doesn`t fail to live up to her icon, the statue of `Liberty` in New York harbor.  As Spears on Mars, in her red pilot`s suit and white bikini dress, Britney Spears is the fulfillment of the promise to `woman`s seed` of the Spear of Destiny, which is the `Ka` of the individual as spear, that is, of the spirit of `Woman`, which becomes `Kau`, represented by Britney Spears, as her multiple self in red pilot`s suit and white bikini dress, through  her self-reproducing `woman`s seed` by means of which she`ll jump over the moon to the heavens.


Britney, after the moon jump, as Hathor on Mars with the red disk


 William Blake prophesied of `a rough beast that slouches towards Bethlehem to be born`, and some might suggest that the she-male more closely resembles the description of `he who shall rule with an iron scepter`, but there`s a perceived intention to prefer male over female, which determines the she-male. In some versions of the Bible, the phrase is `he shall rule with an iron rod`, which is a euphemism for gun in the United States where mafia men are defined as `soldiers` but have no legitimate authority and are only enforcers with guns for their family`s evil wants. God destroyed the cities of Sodom and Gomorrah (Gen: 16, 19) because of pederasty and vendetta, which translates into the 20th century and beyond as sodomy and `Camorra`, which is the mafia term for family quarrel.



 Mafia families are the `perpetual enmity` of the `serpent`s seed` for `woman`s seed` because they perpetuate family vendetta, or `Camorra`, which God attempted to eradicate, along with pederasty and the enslaving of `Woman` to spread its contagion of war, when God destroyed the cities of sodomy and Gomorrah (Camorra). Taboos against the penis stengthen the power of the gun, and blind `woman`s seed` to the power of her own penis, which pornographers` depiction of the she-male as a transvestite or transsexual surgical `abomination` reinforce by making the `futanarian` woman with her own penis and socio-evolutionary path unpalatable to the normal sexual instincts of women whose own penis desires her own self. Because everything human emerges from the womb of women upon the Earth, men are her parasites if she has her own desireful penis, and so the `New Redeemer`, who `shall rule with an iron scepter`, is God`s maker, producer and developer. upon the Earth and her `futanarian` valence is her escape plan, which men want to abort by having her perceive herself as an ugly abominated she-male with an iron rod to enslave her rather than Jesus` scepter that will free her.



The she-male concept of the bearded male with breasts and vagina represents the abomination of those who`d prefer the `rod` of the gun over the `scepter` of the spirit, which is the violent dispossessing of those who work for a developed art, civilization and culture. Those unfortunates who are she-male, that is, cuckoo-wed in the ovum, by a male or female cuckoo, must accept the Holy Spirit/Paraclete as `teacher, guide, comforter and helpmeet` in Redemption, because they need to have faith in what Catholicism terms `transubstantiation`, which is transformation through the power of God so that they`ll be `Woman` as `futanarian` in the `new heaven and Earth` God proises to `woman`s seed` in Revelation after the `serpent`s seed` has been given perdition as a punishment for its rejection of `Woman` in a `perpetual enmity` of her enslavement in pederasty for war and its contagions.



Jesus and Mary were clearly in the Middle-Eastern tradition of `woman`s seed` rather than freemartins, which are the twin sisters of bulls who have no testicles or penis but seek sexual intercourse with females, and represent the female desire to reproduce with her own penis that is realized in the `futanarian` aspect of `Woman` as a species independent of men. In Hungary, `bika` means `bull` and `leszbika` means `would-be bull`, which suggests that lesbians are freemartins, whereas the freemason would understand that the lesbian is the woman that seeks to reproduce with her own species as `futanarian` woman. In Hungary, the men drink `Bika Ver`, where `ver` is `blood` and so the wine is `bull`s blood`, because men perceive themselves as human, whereas they`re the parasite upon the `host` womb of women as the human species. Jesus` birth from the Virgin Mary presages the woman who can self-reproduce without contaminated male semen, which is what men in war`s enslaving pederasty and its `killer disease` contagions of HIV/AIDS and other STDs represent. In freemason terms, Jesus is the `Master Builder` who sees that those who drink `Bika Ver` drink the blood of women and her children as the vampires of the serpent`s seed`s `perpetual enmity` in its draco wars against her.



 Jesus was betrayed by Judas and his disciples, who didn`t assist his avoidance of the cross, because he represented `Woman`, as a species, and they wanted her to die. In Hungary, the Hungarians wait for the robin to come over from Africa so that they can shoot the Christmas bird that symbolizes Christ, Jesus` `Passion`, and `barack` is `peach` in Hungary, where they make `peach brandy` to drink to their Christmas kills. Doubtless, US President Barack Obama and Michelle would have been just a couple of `blackbirds` to the Hungarian hunters, who`re always threatening to exterminate their Gypsy population because they`re `nem Magyar`.



 The Gypsies are the thirteenth `lost tribe` of Israel, according to some traditions, and the discovery of the Felasha Jews of Ethiopia supports the idea of exiles. To be a Jew one has to be born from a Jewess, and only those who are born from a Jewess are Jews, which is a sorites, that is, women are Jews. Consequently, to pogrom the Gypsies is to exterminate the Jews, who is `Woman` because you can`t be a Jew if you`re not a woman. Hungarian Gypsies are thought of as mafia pimps, but that`s what men are.



Britney Spears appears to her spaceman descending as a thumb-size small woman inside a giant`s ring. In Irish `diddied` is to take or provide nourishment from a woman`s breast, and so Oops I Did It Again is `diddied` again, which is a metaphor for birth and rebirth, that is, incarnation and reincarnation, from a woman`s point of view, and that`s called the Kore in Greek mythology, where mother and daughter are the same person. As Jesus observes in Christianity, with the exhortation `love your neighbor as you love yourself`, `woman`s seed` share the same spirit. The `little people` in Ireland are called Tuath De Danaan, and are the Sidhe, which is pronounced `she`. Britney Spears in Oops I Did It Again is `she` because of the thumbnail size pictures visible of her on the internet, which represent the life`s blood of her being taken by the thumbscrews of her tormentors as Jesus` life`s blood was spilt by his torturers before his death, Resurrection and Ascension to heaven.



 According to Jungian psychology `Sensation` and `Thinking` are male functions associated with the eyes and the ears, but men don`t want women to see or hear anything of themselves. Britney Spears` Oops I Did It Again makes her audible and visible, but under the screw of the crucifiers of her spirit to make her produce more of herself for the ignorant to see and hear while they remain unaware of the true nature of `Woman` as  a species. Oops I Did It Again reveals more of `Woman` than the censor of men would want to show. Nude women`s thumbnails are easily discoverable on the internet and correspond to what has been pulled out of her finger ends by her tormentors. Britney`s Oops I Did It Again video is a false picture of young women because they`re not understood to have a penis of their own as an independent `futanarian` species,.and the censor wants to block her eyes and ears, that is, the development of her `Sensation` and `Thinking` functions, by maintaining her in ignorance. In psychological terms, men don`t want women to see or hear, which means that they don`t want to listen to, or speak with her. Because she should be blind and deaf to her own species existence from their point of view as alien parasitical devourers preying on the human species from the `host` womb.



In her red pilot`s suit and white bikini dress Britney Spears is a `thumb pair`, and the allusions to the Bible suggest she`s a Bible `thumb pair` in the sense that those who strongly preach the Bible are called Bible thumpers, and Britney`s copy of Revelation seems well thumbed. In her early career,she worked with Disney`s The All-New Mickey Mouse Club (1993-6) where `Thumper`s rule` is the  rabbit`s from the studio`s animated bildungsromans, Bambi (1942), and is a Disney principle and fundamental tool of the critic, which Britney Spears` developing starlet would have appreciated. When Thumper observes that Bambi is `kinda wobbly` his mother admonishes:


`If you can`t say something nice, don`t say nothing at all.`



 BAMBI was Ballistic Missile Boost Intercept, and `Project Thumper`, that is, the USAF program preceding President Ronald Reagan`s SDI ground and space based missile intercept system. In Oops I Did It Again the giant`s fork poised above Britney in the white bikini dress, and her spaceman`s `gift` of the blue diamond `heart of the ocean`, makes Britney `kék` for the `tooth` of the Tuath De Danaan, that is, for the devouring ogres of men who are depicted as the `red dragon` of Revelation that wait in vain to devour Jesus, in his `Second Coming` as the `New Redeemer`, and take photographs of naked women to apprise them of their nudity as a species without their own penis, which appear on the internet as the `thumbnails` torn from their fingers. Britney Spears` raising of her spaceman beside the tines of the ogrish giant fork so that the huge single eye of the spacesuit can stare at her while the camera eye attached to the spaceman`s helmet rips some more thumbnails from her fingers rather than allow the music video`s thumbnail clips to manicure the spirit, is her observation that either the Earth develops or the giant fork of SDI will devour it like cake.



 Another torturer`s device is the shoe in which a man or woman, or both together, are encased to see what the `hybrid` can produce for the `screws`. The `couple` has to learn to live as one shoe, and `cipő orra` is `shoed toe` in Hungarian, which could be understood as a reference to Britney`s Apollo spaceman, who looks like the toe of a foot rather than the thumb of a hand, and so corresponds to her shoe. Appearing outside the spacesuit she`s the fingers of the hand and he`s the foot in the shoe because her `futanarian` penis hasn`t yet appeared outside the shoe of her spaceman`s suit, which resembles the iron maiden of the torture chamber. The video represents her as a maiden of iron, whose `futanarian` can`t be seen as the small woman`s printed foot in the sand, because she remains `hidden` beneath her white bikini dress and inside the spacesuit of her spaceman`s shoe, where her spirit is being tormented until her own penis emerges.



 In Hungarian `shoed toe`, that is, `cipő orra`, is pronounced `see poorer `. Within the shoe of the iron maiden, the tortured pair are blind and deaf. Jesus` observation was to `love your neighbor as you love yourself` is how you love yourself, while those who can`t see that are blinded and deafened in their show by its iron maiden`s torturers who don`t want the woman to be able to see that she`s her own species` `fut`.  As a spacewoman in her man`s suit, a woman can have Redemption through the soul, that is, the Jungian anima, which corresponds to God`s greater `Self ` for her as `futanarian `Woman` with her own penis and socio-evolutionary destiny, through her man`s suit`s acceptance of the teachings of Jesus` Holy Spirit/Paraclete. As demonic `shoers` a whore is what men`s thumbscrews make of her, which is a breeding slave for pederasty and war.



In Egyptian mythology, the parts of a woman`s personality are her `Ba`, so Britney Spears` twin Mars `Bas` in their red pilot`s suit and white bikini dress are a part of her collected parts, which in Egyptian are `Bau`. It`s not unusual for Britney Spears to present herself as Bau or Kau, that is, as more than one personality or developing spirit in the reproductive mode of `futanarian`, for example, in the video for the single Lucky (2000) she appears as her own make-up girls, and in Piece Of Me (2007) she appears as copies of herself. In the children`s nursery rhyme, the `cow jumps over the moon` while the dog laughs `Bau`, that is, the `Kau` is the spirited and the `Bau` are the unrecognizing of themselves.



`Ba` and `Ka` are represented as conjoined in heaven after death in Egyptian mythology as the magical personality or Akht. Without admiration for the triumphs of others there`s a disjunction between those with spirit and those who prey parasitically upon them. The first line of the children`s rhyme is `Hey diddle diddle, the cat and the fiddle`, because `the fiddler calls the tune` in English idiom, which means those with intellectual and spiritual capacity are enslaved by the slavers because that`s their goal and those with their eyes of the heavens have a wider vision that doesn`t see their enemy until it`s too late to save themselves. 



 The nursery rhyme represents a developing Christian perspective because the Grail as the bowl from which Christ ate and drank at the `Last Supper` isn`t accompanied by a cup, which is what many people believe the Grail to be. In the rhyme the Grail or bowl is the dish but it has the spoon as the tool for eating that is absent from Christ`s table. A woman who is attractive is often called a `dish`, which suggests that the spoon is the man who is her parasite. In Britney Spears` Oops I Did it Again the tines of the giant fork beside the spaceman as he films Britney with the camera attached  to his space helmet represent `Bluetooth` technology, and the `dish` in the children`s nursery rhyme would correspond to the satellite dishes that are connected to Bluetooth often through mobile phones which transmit videos such as Oops I Did It Again and can be listened to using Bluespoon `hands free` headset technology, which is what Britney`s spaceman is doing when he`s filming her in her white bikini dress singing:


`Oops!... You think I'm in love,

That I'm sent from above.

I'm not that innocent.`



 The picture transmitted by satellite dish and watched through Bluetooth and listened to by means of Bluespoon is sent from above but the metaphors are of devourment, that is, the woman is the dish and the spoon and the tines of the Bluetooth fork are ogrish symbolism.  The imagery of dish and spoon is of eternal human nature, that is, man and woman, where the man is the spoon of the penis and the woman is the dish of the receiver. However, the metaphor is that of the devourer and devoured, which isn`t what Jesus` Grail at the `Last Supper` is meant to symbolize. As `woman`s seed` born from the Virgin Mary uncontaminated by male semen, that is, men`s spoon, Jesus` birth presages the spoon of the woman`s penis and the dish of herself, which is that of `Woman` as a self-reliant `futanarian` species independent of her erstwhile parasitical devourer. Jesus` is the Holy Grail because it represents the self-contained vessel that is `Woman`.



`Love your neighbor as you love yourself` is to know that you are your neighbor, and so a woman. It requires faith to know and accept that `Woman` is hybrid, and man`s Redemption is dependant upon his understanding that, without transubstantiation, that is, transformation through the Holy Spirit/Paraclete, he remains a parasite upon her `host` womb. In Egyptian mythology the goddess Isis fashions a new penis for the dismembered Osiris, and he is resurrected as Horus, but `Woman` is a species and Horus` continuing fight against the dismemberer Set indicates that men are a viral organism that seeks the permanent schizophrenia of a human species that doesn`t know or accept that it`s tripartite.



A woman`s parts are called her `haw`, that is, each of her parts is a `ha`, so her completed state is her `haw`, including her penis, which is what the myth of Osiris and Isis relates. In Hungarian `ajtó` means `door` but sounds like `eye-toe`, which is what Britney`s spaceman looks like with the huge single eye of his helmet`s mirrored faceplate. Thumper, the rabbit in the animated feature film Bambi, similarly endeavours to teach Bambi a few words:


`He succeeded in teaching Bambi a few words, notably `bird` and `flower` which Bambi accidentally used to name a young skunk. Thumper tried to correct Bambi but the skunk said, `That's alright. He can call me Flower if he wants to. I don't mind`.`



 In the Bible Jesus says, `Make every effort to enter through the narrow door, because many, I tell you, will try to enter and will not be able to.` (Luke: 13. 24) Here the giant ring and the giant eye of the spaceman, which is the toe of the giant, `One small step for a man, one giant leap for mankind,` seem linked with Jesus` `ajtő`, that is, Britney Spears is teaching a few words of Hungarian, where `ajto` is the `door` in Thumper`s Bible. In English idiom the eyes are the `window of the soul` but the mirror is the door to the truth. Men don`t see what they desire in the mirror, whereas women who have their own penis as `futanarian` do. In other words, Britney Spears is a thumb because she can grasp that, whereas her spaceman is a toe because he can`t. If you look for a window that isn`t open to you, you`re only announcing your intention to break in, whereas a mirror tells you whether or not you`re desired, which is what women`s mirrors don`t tell them because they`re schizophrenically encouraged not to want what they see, which is species` suicide. Britney Spears` ring is the symbol of  her marriage with her species` self, because the mirror of her spaceman`s toe allows her thumb to grasp the knob of the door to the future.  



 Britney Spears` self in the white bikini dress is `weepy`, `I cry, watching the days, can`t you see I`m a fool in so many ways?` Because her spaceman is a toe, he`s `Bluto`, who is the villain of the animated short series of cartoon films, Popeye The Sailor, that is, in terms of technological development, `Bluto` represents the next step, which would be `Bluetoe`. In Popeye The Sailor his girlfriend is Olive Oyl, and the baby`s Swee` pea, which is why Britney`s crying in her white bikini dress beneath the eye of her spaceman and camera:


`You see my problem is this,

I`m dreaming away.

Wishing that heroes, they truly exist.`



 In Hungarian `ful` means `ear`, which corresponds to the `Thinking function in Jungian psychology, whereas `Sensation` corresponds to vision, but men don`t want women to see or think of themselves as a species with their own penis and socio-evolutionary destiny, so they make them blind and unable to hear: Britney Spears is a `ful` in Hungarian, which means that she can hear and understand, and so her `Thinking` function is differentiated or conscious, and she`s `crying in the wilderness` for others who have the sense to see, that is, with the eyes of the differentiated and conscious `Sensation` function that she has and that is causing her distress:


`But to lose all my senses,

 That is just so typically me.

 Baby, oh.`



 There aren`t any heroes because they don`t want her to see or think. In Jungian psychology the archetypes of the collective unconscious are the creative engine of humanity that emerge through art, dreams and the imagination but, if men don`t want women to see or think, men`s appearance in dreams, art and the imagination is as a devourer`s assassin rather than a hero. Or, in simpler terms, because men are women`s parasites, men don`t belong and are aliens. In Popeye The Sailor the plot usually revolves around Bluto`s wanting to take Olive Oyl away from Popeye, and so Britney Spears on Mars, in her red pilot`s suit, is Olive Oyl, while her baby is herself in the white bikini dress as  Swee` Pea.  Because she`s `weepy`.



 As Olive Oyl preceded Popeye as a comic strip heroine by 10 years, so Britney Spears is already on Mars when her spaceman `Bluto` arrives. The correspondence between Bluto`s name and that of the animated Disney character Pluto, who spoke originally, but not later on in the cartoon pointer dog`s career, relates to what is known and unknown. Pluto is the god of the underworld or Dys in Greek mythology, so Bluto and Olive Oyl represent the Kore myth of Greece in which Persephone is abducted by Pluto and has to spend winter in Dys before returning in the spring. In Oops I Did It Again Britney Spears, in her red suit and white bikini dress are mother Demeter and daughter Persephone, which is the mother-daughter Kore of Greek mythology because they represent `futanarian` woman as a species with her own penis enslaved by men and forced to die and be reincarnated rather than immortal so they can keep her blind and deaf to the truth of her own species` independence.



 Pluto, the dog, doesn`t speak because he has nothing new to say, and he`s the guard dog of Dys, because the mother-daughter Kore is the future of humanity. The discovery of Eris as the tenth planet of the solar system beyond Pluto with its moon Dysnomia is what Pluto, the pointer, is indicating. Dys corresponds to the underworld of the collective archetypes of the unconscious `Self` of humanity, which emerges with difficulty because men don`t want `Woman` as a species to become conscious. Eris means `discord` and Dysnomia means `lawlessness`, which is what `woman`s seed` represents for men. She`s against the `laws of nature` and God. However, as God tells Eve in the Bible, `she shall crush the head of the serpent as she leaves,` and `woman`s seed` will receive a `new heaven and Earth`. Because God`s law, as distilled by Jesus, is `love your neighbor as you love yourself`, which is what `woman`s seed` is for.



 The concept of `Bluetoe` as opposed to `Bluetooth` relates to the notion of blue `futanarian`, where `blue` is a euphemism for pornographic movies. In Greek mythology the Graeae are three women who have one tooth and one eye between them because they represent thr triune `Woman` who can`t speak with one mouth or see with one vision because she`s blind in some of her parts. The woman with a penis of her own can fertilize the woman without a penis of her own but need s woman with a penis of her own to fertilize her, which means she`s Trinitarian. Bluetooth technology disseminates pornographic representations of women that aren`t truthful, whereas `Bluetoe` signifies the technology that is necessary to disseminate knowledge of her `futanarian` species to herself.



 In Hungarian, `fut` and tanar` mean ` teacher afoot`, while `futanar` in Japan means `woman with a penis`. Jesus was the teacher afoot in Palestine who was the `woman`s seed` that didn`t run and was tortured to death. Britney on Mars` `Blutoe` represents the future of `Woman` as a `futanarian` species who can`t go back because men want her to. She has to go forward as a species. At the end of Britney Spears` video of Oops I Did It Again her spaceman is seen walking backwards as if the tape is being rewound so that he can make another attempt on her. In her red suit Britney represents Santa, which is an anagram of Satan, because `Woman` is Satan to men who want to keep her a slave on Earth and prevent her from developing and escaping. Although her spaceman gives Santa a `gift`, that is, the blue diamond `heart of the ocean`, in fact he gives her nothing:


`But I thought the old lady dropped it into the ocean in the end?`



 It isn`t his heart, it`s the heart of `Woman` as a species with her own penis. Britney`s Santa but won`t give her heart to the alien parasite to be eaten, so she`s Satan, because she`s `Woman`. The spaceman goes backwards as the tape is rewound to give her the same gift, which she doesn`t want, which is why men are backward and women must go forward into their own destiny, with or without men:


`'m walking backwards for Christmas,

To prove that, I love you.`5



 Vampires are about teeth. Normally the aged lose their teeth while babies grow new teeth, but vampires keep theirs, because they`re fangs that suck the blood of the `host` through them as nourishment, which is why Jesus` description of his body and blood as bread and wine is identified as the `host` in the Catholic Communion because Christ offered it to his disciples at the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven. According to legend vampires give immortality through offering their body and blood, to drink from, which is what Jesus does at the `Last Supper`,. However, the vampire that uses the body as a `host` for parasitism is evil, which is what Jesus` teachings of Redemption mean. Acceptance of the Holy Spirit/Paraclete in the transubstantiation symbolism of the Catholic service, which constitutes a request for transformation, that is, conversion from ignorance, is the knowledge and wisdom that `Woman` as a species` `host` womb is being used as a parasite`s, which has to convert from life-taking to life-giving.



 The Hungarian word `ajtó`, which means `door`, is the observation that the eye is a door and not just a `window of the soul`.In Jungian psychology the soul or female anima is projected, that is, the individual tries to find correspondence between the soul and the woman that meets the eye, which is either correspondent to the soul or not, depending on what the woman is actually like. Jung used the word projection to indicate the disparity between the soul and the woman as perceived, which meant that the eye as the window of the soul permitted the individual to see the difference between its anima and its reflection. According to Jung negative aspects of the personality, which he called the shadow, made it more difficult to see.



 Those who don`t want it to be perceived that women are a species want to confuse the eyes with censorship and media blackout of information and education systems so that the female soul has a shadow that makes it difficult to perceive `Woman` as a species with her own penis, which in women results in a schizophrenic dislike for their own reflection in the mirror of the world. The Hungarian concept of `ajtó` is that of the eye which is a door because, when a projection is recognized, and integrated into conscious knowledge and wisdom, the projection is described as being introjected, which means it`s shadow-contaminated personality aspect has become conscious or differentiated. The window becomes a door of the eye of the functioning personality, which closes or opens as the individuated, or developed individual, chooses;  insofar as the eye is adoring of what it sees of God`s beauty, or isn`t accepting of what it perceives is evil.



 In Hungary it`s a prison, where the word for shop is `bolt` and the security is there to ensure that the `food` remains imprisoned. If the door is the `ajtó` of the eye, that is, the mirror for `Woman` as a species to know whether she wants her own `futanarian` self or not, it`s the prison for the devourer of her `futanar`, which in Hungarian is Jesus` the `teacher afoot`, who is `woman`s seed`, born uncontaminated by male semen, and his mother, the Virgin Mary, the presager of the `fut` of the `tanar` of `Woman`, which is the Holy Spirit/Paraclete as the `teacher afoot` of `Woman` as a species, the `futanar`. However, if the individual human`s eyes can be locked like a door with a `bolt`, the soul within the body constitutes the `snuff tin` or `snuff box` for Hungary`s `snuff movie` makers who want to kill the `woman`s seed` behind closed doors. The prison security for the hungry devourer of `woman` seed` is there to ensure that there`s a `bolt` where the `fut` has to be paid for, that is, whatever`s `afoot` needs to pay the `tanar` or teacher, who is the devourer of `woman`s seed`, that is, of the `futanar`, while feigning to be a security chief.



 The concept of fakery is almost universal across the globe nowadays after the HIV/AIDS virus which is the paradigm for feigning friendship and killing, just as 9/11 was. In Hungary the local church is called Faith, and the word for `church` in Hungarian is gyülakezette, which suggests there`s a right track and a wrong track gyülakezette. If the aim for `Woman` as a species is to go forward then she won`t want to be rewound and put back on the wrong track gyülakezette by the Dracula cassette rewinders who want to drink her blood rather than give her eternal life. As a breeding program the enslaved `host` womb of the women`s ova might produce a new house in the future, but if the breeders have records of who breeds with who they can always put them together and rewind the cassette after evicting them to steal the house and have them build another from the womb they were born in, which is the unspoken theme of movies like Straw Dogs (1971, 2011) starring Susan George and Kate Bosworth, where the householder and his wife are attacked and murdered, ostensibly for `snuff movie` style entertainment, though in reality for property and the possession of it.



 The individual dies, loses its teeth, and is reborn as a teeth developer, which is reincarnation, whereas the vampire keeps its teeth so that it can remove others` teeth, and that`s the principle of Straw Dogs, where the householder, Dustin Hoffman in the original movie, and his wife, Susan George, are born from the womb to be the teeth removed by the parasites who want somewhere to live that they haven`t worked for. In growth terms, the adult is an infant with baby teeth, and the parasites teeth are longer and sharper, because their vision is narrower and more focused. The adult infant who has baby teeth is dreaming behind closed eyes if he thinks that he is secure. Once his dreams are realized, his eyes are narrowed in death by those whose vision was narrow to begin with.



 The Americans are admired because of the American Dream, and their belief in God and Manifest Destiny, because it`s a wider vision that interferes with the narrower perspective of the devouring parasite. Britney Spears corresponds to what the Hungarians call a `fog tünde` in Oops I Did It Again, which is a `tooth fairy`. One tradition is to put the baby tooth under the pillow when it has been supplanted by the new adult tooth and the `tooth fairy` replaces it. The tradition is useful because, in ancient Greece pederasty was the basis of society, and the motion put before the Athenean senate that sex with babies was wrong was once loudly ridiculed and rejected by the Greek state, which in 21st century terms means HIV/AIDS babies and the teeth of the vampiristic parasite unless the child is protected by its angel.



 One of the twelve labours of Hercules was to clean out the Augean stables, which is a metaphor for police corruption, where police constable is PC but police corruption isn`t politically correct (PC) because the constables correspond to what Revelation describes as `the number of the beast is the number of a man and his number is six hundred three score and six`, which is 666 and the telephone number of the police reversed, that is, 999, and a reversal made most plain on 9/11 when the city of the planes was New York and the emergency service number was 911. God destroyed Sodom and Gomorrah, the cities of the plains, for practicing sodomy and pederasty, whereas New York was attacked to reestablish it insofar as war is its `Greek` contagion.



 Because America is often thought of as the world`s policeman or PC, it wasn`t doing it`s job. Politically correct or `PC` thinking had devolved into the political expediency of assisting Al Qaeda and Saddam Hussein, who were given military support by the USA from 1979 in Iraq`s war against Iran and the Taliban`s war against Soviet Russia in Afghanistan. Moreover, politically correct (PC) feminism is that homosexuals are equal to women, whereas women are an independent self-reproducing species and homosexuals aren`t.



 The idea of the PC terminal is common computer jargon, but like `Trojan horse` it`s a misnomer because the horse is `Greek` insofar as it represents pederasty and its contagion of war and HIV/AIDS whereas `to work like a Trojan` is proverbially laudable. Computer  `geek speek` presents the terminal as vulnerable to the `Greek` virus, and so the USA as the global policeman, or PC, was both dying and corrupt, by order of the `computer geek` fraternity on 9/11 when the hackers cut down New York`s Twin Towers by penetrating the US defense system like a virus.



 Because of political expediency and a false perspective with regard to what is politically correct the Earth has been condemned by corrupt law enforcement as a terminal case, which accords with the observation in Revelation that the reverse of 999 or 911 is 666 or 9/11 and that`s `the number of the beast`, which is a man who spreads the `Greek` contagion of pederasty and war.



 Saddam Hussein`s name means `crusher` and Bashar Assad of Syria`s original family name of `Wahash` means `beast`, but God tells Eve she `shall crush the head of the serpent as she leaves` Earth while in Revelation the `red dragon` waits in vain to devour Jesus, the `New Redeemer`, in his `Second Coming`, to give the evil perdition and `woman`s seed` a `new heaven and Earth`.



 The notion of the Hungarian `ajtó` as the door that Jesus was speaking of as being difficult to enter once closed relates to the individual who can open their eyes to adore but can close their eyes to abhor, and because the eyes are `the windows of the soul`, in Jungian psychology, the feminine anima constitutes that aspect of the individual which is protected when the eye is closed. If the `ajtó` corresponds to the notion of the `Woman` as a species who needs to be `afoot` to teach of `futanarian` humanity, because the mirror is the beginning of her `futanar` journey as a teacher afoot, and so is a door for the eye of her toe, or `ajtó`, the closing of the door of her eye by someone who wants to extinguish her soul is the locking of a `snuff tin` or `snuff box` for a `snuff beast` who wants to kill humanity.



The Augean stables are often associated with whoredom in the sense of `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth`, which is a metaphor for the woman who is kept to breed by homosexual pederasts for the purpose of making war and spreading its contagions of death and plague. The typical policeman has the truncheon or nightstick that resembles the club of Hercules, but it`s a gay club if the law enforcement officers are corrupt. Then the constables of the Augean stables are the promoters of pederasty and war because the club is the symbol of the penis of the `futanarian` woman who is repressed by the police bullies on behalf of a state that wants to maintain its gay clubbing.



 In England the term for policeman is `copper` because of the connection with the Augean stables, which needed to be cleaned because of huge amounts of faeces. Those who like faeces are called coprophiles, and so those who clean the Augean stables of corruption are the constables or those set against the coprophiles of the Augean stables and so are called `coppers`. On the other hand, those police who are corrupt are coprophiles and so the term `copper` is applied as a reproof because coprophiles are the same as the criminals who want whores to remain in the Augean stables while art, literature, culture and civilization remains degenerately based on pederasty and its contagions of war, death and plague.



 Britney Spears` Hungarian lesson is that being able to adore and open oneself to adoration while closing oneself to abhor what one doesn`t want is basic. She`s said she`s bisexual, so she can reproduce with her own `futanarian` species with its own penis if she chooses. In Hungarian `szaj` is `mouth`, so Britney`s Oops I Did It Again video might refer to language, that is `szaj` as `mouth`, and the mistake that men make of devouring `woman` seed` as if they can be forgiven for a linguistic slip of the serpent`s tongue. Inside her giant`s ring, which could be a symbol of men`s devouring of the human species of `Woman`, Britney descends in Oops I Did It Again as a representative `small woman`, whose `host` womb faces the danger of enslavement in pederasty and war. Because men are parasitical devourers of the species `Woman` through its wars of `perpetual enmity` against her art, culture and civilization emergent from her `host` womb, they`re not even cannibals because she isn`t their species. Because the ring is too big for her finger, Britney Spears small woman is inside a penis ring, which is euphemistically described as a cock-ring because cocks fight. The Gulf War (1990-1) was a cock-fight engineered by those who enslaved woman as `Babylon the great, mother of harlots and of the abominations of the Earth` because pederasty and its contagions of war, death and plague is what men are for.


PC Yoga


 In the colloquial language of the United States of America a woman`s `rack` are her breasts, while American`s pronounce Iraq as `eye-rack`, which suggests that the breasts of a woman are being eyed, and in fact the ancient seat of the rulers of Persia was in Iraq, `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth`, who is described in Revelation as `a woman`. So the Americans are eyeing the `rack` of Babylon, who is a euphemism for Hollywood in the USA as much for the debauched lifestyles of its filmstars as the excesses of the films produced in Los Angeles, California. In the popular imagination Iraq is eye-rack and Babylon, `mother of harlots and of the abominations of the Earth`, whereas in fact the women of Arabia are especially modest and very rarely is a visitor fortunate enough to be invited into a household so that the women can be seen without the one piece coverall that they wear in public called the burkah or abiyah and from which all that is visible are the woman`s eyes. The mystery of Babylon is how `Woman`, as a species with her own penis, allows herself to be enslaved by the parasites.



 In Hollywood`s Babylon, the glamorous woman is invariably associated with pederasty`s thirst for war, which is doubly mysterious. Effectively, the eye-rack war was fought over a woman`s breasts because the Arabians don`t want the Americans to see theirs. 9/11 `live on CNN` for the `small screen` was inevitably turned into a Hollywood `blockbuster`, World Trade Centre (2006) because pederasty prefers to watch its boy sons, that is, its poisons, in action movies rather than see Babylon exposing her breasts and penis, and the `War On Terror` (2003-) was the eye-rack war because a woman`s rack are her breasts. Pederasty wants boys eyes to be on a woman`s breasts rather than that women`s eyes should be open to her own penis, and her potential independence as a species, which is why the `rough trade` in war`s boy sons was reestablished at the World Trade Centre, when the terrorists crashed their planes into the Twin Towers of New York`s Manhattan island to precipitate another Gulf war (2001-) with its poisons grown from the `host` womb of Babylon.



 In Arabia the breasts of women are covered by the one piece coverall of the burkah or abiyah but that ensures their `futanarian` penis can`t be seen either, which means that they correspond to the `hidden` woman of Revelation taken to a `place of safety` upon the `wings of an eagle` after she has given birth to the `New Redeemer`, Jesus, in his `Second Coming`, who protects her with his `iron scepter` before God gives a `new heaven and Earth to `woman`s seed`. The notion that a woman`s breasts shouldn`t be eyed contains the primary principle of Arabian `woman`s seed`, which is that there should be no distinction between a woman with a penis and a woman without.  Moreover, eyeing the breasts of a woman is secretly punishable in the thoughts of men, which means that they would torture an individual upon the rack of their possessivity because the `rack` of a woman`s breasts for them represent the rack of the torture chamber for which her breasts are exposed, that is, to entice their eye their rack and fall into their hands as torturers to death of the appreciative infant upon their rack, which is essentially what they did to Jesus, who reprimanded the disciples on the morning of his crucifixion, because they thought the woman anointing his feet was using perfume that was too expensive:


`Leave her alone.` (Mk: 14. 6)



 In the West they don`t want the woman to breed so they want to keep boys` focus on her breasts alone, but they want you to understand that they`ll kill you for looking at her breasts. Because to know women is to be in a position to discover a woman`s penis, and men don`t want you to know. Sex yoga is one form of bodily discipline that can raise consciousness to higher levels. Tantricism is the activation of energy points along the spinal column in preparation for intellectual and spiritual work, and these are called chakras. According to the tradition of Tantric yoga, the kundalini serpent is the energic princiople corresponding to instinct at the base of the spine, that is, the Muladhara chakra, which is raised to the Sahasrara chakra at the crown of the head by means of sex yoga or other bodily forms of exercise associated with the yogic method.



 The duplicity of the serpent in religious traditions is well known. The serpent of Aescalapius is a healing serpent in the tradition of Greek medicine and the wand of Hermes, the Roman god of communication, has two serpents wrapped around it as a symbol of intelligence. Christianity teaches that the serpent is evil because it`s instinctual, whereas Tantric yoga posits the male and female principles as necessarily instinctual, and so associates them with twin serpents, which rise to consciousness in desirefulness, because the serpents represent the male and female penis, and a man would have to be intelligent to realize that. In Eden the serpent is pederasty and Adam and Eve are enslaved by it and the `serpent`s seed` of homosexuality that will go on to wage war upon her Earth in its `perpetual enmity` against `woman`s seed` represented by the birth of Jesus in Christianity from the Virgin Mary uncontaminated by male semen.



 Men are cuckoos because `Woman` is the species with her own penis and the parasite has tricked her into a symbiosis that is designed to breed her and emerge as a parasite that has ousted the original species from its own womb. From women`s bodies it lodges through her art, culture and civilization as a `serpent`s seed` before grown into a `red dragon` of Revelation it devours her in the `perpetual enmity` of its wars against `woman`s seed`.



 Often researchers pore over things minutely and then like shrinking violets when they perceive the scale of their achievement as developed technology. They`re like movie stars who work on a film for years but have never seen it because their interest wanes. Artists are similar in that they care only about the work`s completion.  It`s an illness in which the individual is demon driven but afterwards the results seem less important because the demon wants it and that`s why it`s been driving you.



 The film Spiral features a woman, Amber Tamblyn, who meets a man who paints several pictures of her before murdering her, because that`s what demon driven parasites do. They`re narrowly competent, and the result is reversion to parasitical devourment as a psychological mode and behavior pattern. In Oops I Did It Again Britney Spears appears inside a giant`s ring because she`s an artist and understands that art is for devouring if the individual relinquishes artistic control. Socio-history teaches her that men would devour her and her art if they could, which is why the woman of Revelation gives birth while the `red dragon` waits in vain to devour her child. Because men are devourers of children who might grow to have teeth of their own and babies don`t yet have teeth. In Greek mythology Hercules slew the hydra to ensure that the Danaiiads had husbands, and the hydra was female, which means that the woman was attempting to defend her species against the Greek`s gay club represented by Hercules.



 In the Greek story of Odysseus` return from the Trojan war, the teeth of a hydra are sown to produce an army. Britney Spears` concept of the ` heart of the ocean` spaceman`s `gift` in counterpoint to the tines of the giant`s fork, which is for `kék`, that is, the blue heart-shaped diamond, is the understanding that `woman`s seed` must be able to defend herself against the devouring `red dragon` of Revelation and that the diamond heart is impervious to the tooth of the devourer. Britney Spears` giant`s cake fork in Oops I Did It Again suggests the ogre`s sweet tooth is a Bluetooth because, in Hungarian, `kék fog` means the tooth that is blue, and Bluetooth technology represents the wisdom `Woman` can obtain through researching the internet and recover knowledge of herself as an independent species with her own penis:


`I`m mad as hell and I`m not going to take this anymore!`



 In Catholicism the symbol of Jesus` `Sacred Heart` seems sentimental, but Britney Spears` observation is that the heart of the `woman`s seed` has to be that of a diamond`s hardness if she`s to grow beyond Earth and Jesus` condemnation of the evil `serpent`s seed` to perdition suggests that his heart is adamant when he returns in the `Second Coming` as the `New Redeemer` born from the `hidden` woman he protects.



 Jesus` teachings are to be disseminated after his crucifixion, death, Resurrection and Ascension to heaven by the Holy Spirit/Paraclete, which is represented in the Old Testament by the Shekinah, the female spirit that dwelt in the tabernacle where the book of the law, the Torah, was kept in the Ark of the Covenant, that is, God`s Promise to the `chosen`, which Jesus teaches as Redemption, and which is fulfilled in Revelation when the evil are given unendurable eternal pain as a punishment for their sins. In God`s new heaven and Earth `woman`s seed` doesn`t need men`s evil spirits.



 The principle of transubstantiation is `the changing of one substance into another`,6 which suggests that the `serpent`s seed` can convert and become `woman`s seed` through the transformative power of the Holy Spirit/Paraclete in the Catholic Communion service where the bread and the wine is accepted supplicant as tokens of Jesus` body and blood.  Because `Woman` has her own penis as `futanarian` and so is an independent species, the possibility arises that transubstantiation is the transformation of the parasitical male into `futanarian` woman. If you`re a woman with your man`s penis, then you`re your man, and that`s transubstantiation.



 The word `remek` means `toe` in Hungarian, and Vladimír Remek is credited as being the first European Union spaceman. He was a part of the Russian `Soyuz 28` mission as the first Czechoslovakian in space in 1978, which was thirty-six years before the Czech Republic was accepted into the EU. Britney`s descent as a thumb-sized woman inside her giant`s ring, and her red suited self`s the winching up of her spaceman with his mirror-reflecting, single-eyed visor, above herself in her white bikini dress so that he can film her as what looks like a `toe` in Oops I Did It Again  is a homage to the contributions made by Europe to space exploration.



 From the perspective of the torturer and the shoe, which is a euphemism for `iron maiden`, the spaceman is a shoe who resembles a `toe` to remind `Woman` of her `foot`, that is, her `futanarian` nature rather than astronaut Neil Armstrong`s words as NASA`s Apollo 11`s first man on the moon for the United States of America, `One small step for a man, one giant leap for mankind.` In symbolic terms, Britney Spears represents the soul or Jungian anima that has been tortured out of the `shoe` of the man until she lives an existence independent of him. Britney`s breasts aren`t visible in the video, but the idea that the spaceman is in a `shoe` or `iron maiden` being tortured is a metaphor for the individual who is being killed for eyeing the breasts of a woman whose husband knows `black`.



 In white magic the world is visible, whereas occult or black magic isn`t `hidden` unless the individual is blind. Consequently, black magicians blind, which is why the Holy Spiirt/Paraclete  is described as `teacher, guide, comforter and helpmeet` because she has eyes to see. On Mars Britney Spears represents the invisible realm that`s visible to the black magician, which is where those who eye the breasts of women are murdered, because they`re `shoed`. In Oops I Did It Again Britney could be said to represent the soul or anima of the spaceman, which black magicians use in `snuff movies` so that the punished individual can understand that he`s being murdered.



 In Judaism `Sheol` is a place of broken pots, and a part of hell, which would correspond to the anima or soul being tortured outside the blind and broken pot of the individually `shoed`  body by black magicians. The body would correspond to `Sheol` leather, and the Greek myth of Piramis and Thisbe, where the lovers have a crack in a wall, through which they can hear each others` voices in their separate rooms. The shoed individual would know of the soul of the beloved`s fate but wouldn`t be able to intervene between the blinding black magician and his victim.



 Enjoying the `crack` is Irish for laughing together at something, but neither Pyramis nor Thisbe are enjoying the `crack` in Shakespeare`s play A Midsummer Night`s Dream in which Bottom s head is transformed into that of an ass. In the movie Titanic Kate Winslet has the role of Rose while Leonardo Di Caprio is the lover whose attentions are thwarted by Rose`s ex-fiancée who puts her diamond pendant into the pocket of his rival and accuses him of theft. When the ship Titanic hits the iceberg and sinks, Di Caprio`s character drowns. The audience are enjoying what the couple don`t know, because Titanic is a historical drama based on events that actually occurred in 1911 when the Titanic sank on its maiden voyage from Liverpool to New York after hitting an iceberg. Analogously, if 9/11 had been foreknown, no one prevented it because that`s what they wanted. So they could enjoy the `crack`.



 Pyramis and Thisbe represent what men like to do, and the individual who is `shoed` and can`t see his soul, anima, or wife is how men and black magicians enjoy their `crack`. The couple are kept in torment with a `crack` to listen at or see through so that the evil can enjoy their `crack` more. In Shakespeare`s play A Midsummer Night`s Dream Bottom`s head is turned into that of an ass because that`s the `crack`. Titania corresponds to Rose in the Titanic movie who awakes from the dream of the movie as Kate Winslet while, in A Midsummer Night`s Dream, Titania similarly wakes from her love for Bottom who has the head of an ass because a `piece of ass` is American vernacular for `Woman`. On the cover of Britney Spears` `Piece Of Me` CD single she appears as Jesus on the cross, so the `crack` is that Britney Spears and Jesus are just another `piece of ass` to the pederasts.



 In terms of the `smoking` metaphor, where it`s a euphemism for killing, `crack cocaine`, which is a form of the drug cocaine that is smoked but usually taken through the nose, translates as `Cain`s cock` to those `snuff movie` makers who use smoking as a metaphor for the cocking of the hammer of the gun, and the `crack` is the killing of the asshole or vagina of the `woman`s seed`. In the Bible Cain was the first murderer, and so the `crack` or `joke` would be woman`s penis, which is euphemistically described as `cock`, while the asshole of a man is his `crack`, and her vagina is her `crack`, and so their murderer is cock Cain – crack!



 In Britney Spears Oops I Did It Again her spaceman represents the `iron maiden` or `shoe`, `One small step for a man ,` whereas only Britney can be the `futanar`, that is, the teacher who`s `afoot` as a disseminator of God`s `Word`, because it`s her own penis and species` potential that the spaceman as `toe` has imprisoned on the Earth. In psycho-symbolic terms, her `fut`, and her `tanar`, which means active teaching in Hungarian, is imprisoned by the `shoe` of the spaceman`s suit, and in Christianity Jesus` solution is the spiritualization of the feminine soul or anima so that the individual can develop through what Christ terms acceptance of the Holy Spirit/Paraclete, which is the spiritual and intellectual capacity to create the technology that will allow her to escape the evil. In the stories of Sherlock Holmes, the detective is an adherent of the beneficial properties of the `five per cent solution` of cocaine as a sharpener of the mind`s faculties when there`s a crime to be solved, and his famous phrase is:


`The game`s afoot.`7



 Murder is `the game` for the genocidal and `Woman` is the species on the planet Earth dealing with an alien parasite that has enslaved her `host` womb for `snuff movie` making and refuses to repent, `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` The pederasts have even manufactured HIV/AIDS in their black magicians` way by mixing blood, shit and semen in their anus to produce the poison of the `serpent`s seed` that seeks to keep women in fear. Even if women discover that they don`t need men because they have their own penis as a separate species, they`re conditioned not to want herself or her own penis by media censorship and blackout. There`s no information and education on how the aliens have murdered their mother`s penis save transvestite and transsexual images found on porn sites through the internet, where genuinely `futanarian` women appear only as a curiosity. The name of the album from which Britney Spears ` single `Piece Of Me` was released was Blackout because for Christians, Jesus is `woman`s seed`, and so not a joke to be censored, whereas homosexuals are a joke because they can`t reproduce and don`t want to produce anything, because the sterility of pederasty and its enslavement of the `host` wombs of women to spread war and its contagions of death and plague, is nihilism which doesn`t want anyone to produce anything.



 In Judaism, Sheol is a part of hell, that is, Gehenna, while Djennah is the name for `paradise` in Arabia but the words sound similar, which gives the opportunity to interpret the abiyah or burkah, that is, the one piece coverall, as a `shoe`, rather than as the `hidden` place of the `futanarian` species, `Woman`. In Arabia the `iron maidens` of those `shoed` in the abiyahs and burkahs are Gehenna or Djennah, depending on whether the `futanar` is there outside the `shoe` in the invisible realm as `teacher, guide, comforter and helpmeet`, that is, the Holy Spirit/Paraclete as `futanar` or active teacher.



 In Arabia men are discouraged from looking at women, because women represents the `thumbs` of the four fingered Moslem marriage with a `futanarian` woman at its centre as the `thumb`. Thumbs can grasp the truth and accept it, whereas unredeemed men are `toes` that have a penis, but `shoed` don`t have a `fut`, that is, active teaching from the `tanar` which is the Holy Spirit/Paraclete, and its knowledge of the `futanar`, who is the teacher that can convert and redeem the human species from the lies that are disseminated about it by men as the alien parasitical virality that has imposed censorship and media blackout on `woman`s seed` so that she can be secretly stifled.



 Without Redemption men can`t grasp the meaning of `Woman`, and so the traditional Middle Eastern garb of the white thob for men, and the black abiyah, or burkah for women, represents a `toe-ogre` party, where `toga party` is the Western name for a bath house orgy in the Roman style, because the Romans were the rulers of Palestine at the time of Jesus 2000 years before 9/11. A `toe-ogre` would be a man or woman who didn`t want to be `afoot` as a teacher of Christ, that is, a `futanar`, because they`re devourers of `Woman`, which is what the `serpent`s seed` and its `perpetual enmity` for humanity is for, according to God.



 In Egyptian mythology, Ra is the sun and Osiris is the incarnation of the sun, that is, of the light from the sun, upon the Earth. Set is the evil `brother` who dismembers Osiris, while Asset is she who remembers Osiris, because the evil blind and kill the good and so the knowledge of God is lost and the humans are kept in a state of enslavement by the pederasts who want to breed the women for war and more blindness and killing because it`s what the alien parasitical virus emerges from her womb for. Only the teachings of religion prevent men from being what they are: brain eaters.



 In Egyptian myths Osiris is the `pupil` of the eye, and the Set of the parts of humanity are his Asset, but the evil brother doesn`t want the parts of the human species, that is, `Woman` with her own penis, to know herself, and so the eye of the `pupil` is blinded in killing by the parasite so that the human species can`t develop. 9/11 was the prototypical conflict between the resurrected Osiris as Horus, the sky god, and television Set, `live on CNN` and across the globe, because that`s what men are for. Knocking down complex structures such as the human brain, or the tripartite human species that includes man, woman and `futanarian` woman, and then waiting for it to be rebuilt, before knocking it down again, which is what the United States of America`s war with Iraq and the further degeneration of humanity into barbarism and slavery to pederasty and its contagions of death and plague was intended to reimplement.



 In Greek mythology, Iris is the name for the rainbow, which is used in eye science as the name for the coloured part of the eye. In the Old Testament the rainbow is a symbol of God`s covenant with the chosen people, because it`s the bridge between the eyes and souls, which correspond to the feminine anima of Jungian psychology that is occluded by the shadow until the individual becomes conscious or individuated through the process of introjection, that is, growth through recognition of the false projections it has about others such as women don`t have a penis and aren`t capable of species independence from men who in fact aren`t species independent and can`t reproduce without women.



In the Egyptian traditional representations of the eye of Horus, the symbols of upper and lower Egypt are crowns worn by a winged eagle and a minah bird. In the Merry Melodies cartoon Inki and the Minah Bird (1943). The black boy and the lion fight while the minah bird continues unconcerned, which can be understood as a metaphor for the Gulf war and its precipitant, Osama Ben Ladan, whose name means `lion`, and whose Al Qaeda terrorist group crashed planes into New York`s Twin Towers, and first balck presidential incumbent of the United States, Barack Obama, who`d correspond to the `black boy` in the Whitehouse, and after 9/11 he authorized Osama`s assassination, which occurred in 2011.



 In Egyptian terms, the eye of Horus represents the human brain that accepts God and so is unconcerned because it can`t be eaten by the evil Set and Horus, the sky god, who correspond to the USA and its enemies in the Middle East and Africa from 1979 onwards who were hell bent on tearing the world apart. Because the eye of Horus is the eye of `Woman`, the brain is that of woman as the human species and the brain eaters would seek to recognize her appearance by the manifestation of God in the external reality, which is why her penis is repressed and taboos exist about the penis generally, so that what the eye of God wants for humanity can`t become manifest because men are her brain eaters.



Tradition says that women`s eyes are for men, but her eyes are for women, which means that the rainbow eyes of Iris to the Holy Spirit/Paraclete, who is `teacher, guide, comfort and helpmeet` for `Woman` because, as the species on Earth she belongs to God in heaven, which is why the Virgin Mary has the Assumption in Catholicism, that is, `Woman` is assumed to always belong in heaven, whereas men have to accept the Holy Spirit/Paraclete to have any chance whatsoever of Redemption from being her brain eaters. `Woman` as `futanarian` with her own penis isn`t encased within the male as the feminine anima or soul, but has what has been thought of heretofore as the male aspect of humanity, which is the penis of the woman and doesn`t belong to the alien parasitical virality that has symbiotically supplanted her own self as the fertilizer of her womb. Obviously, anthropology can`t apologize enough for blinding us with the science of its false biological premise.



 In Egyptian mythology, Asset gives the reborn Osiris a penis she has fashioned for him because he has been dismembered by his evil brother, and the penis can`t be found. Although Asset restores the penis of the symbiote the continuing battle between Set, the evil brother, and Horus, the sky god, is what God warns Eve of in the Bible, that is, the `perpetual enmity` of the `serpent`s seed` for `woman`s seed`, which will result in the species of `Woman` leaving, and `she shall crush the head of the serpent with her heel as she leaves` for the `new heaven and Earth` that God has prepared for her while the evil receive perdition as a punishment. Consequently, the woman with the penis that belongs to her, that is, her own penis as `futanarian`, belongs in heaven, in accordance with the Catholic principle implicit in the Assumption of the Virgin Mary as the mother of Jesus uncontaminated by male semen, which is the parasitical alien virality manifested as the `blood plague` of homosexual pederasty, HIV/AIDS, as a contagion attendant upon its `perpetual enmity` for `woman`s seed` in the shape of `biological warfare` against her `host` womb as her brain eater.


Isis with penis (Osiris)


 What the Osiris myth teaches is how God remembers through his persecution of the good man Job, that is, an aspect of his omniscience, that is, God`s plan for the Redemtion of humankind, represented by Jesus who, as `woman`s seed`, again reminds God of the omniscient aspect of the creator, because unless God remembers, Satan partakes of God`s omnipresence. What Osiris` myth explains is that `Woman` is a species and men might be her slaves if she were stronger, which is what the battle is about. Because `Woman` doesn`t need men`s penis, as she has her own, and so the symbiote could be either her devouring parasite, building slave, or partner, depending on her will.



 In one version of the Egyptian myth Osiris is dismembered and, put into a trunk, which is floated down the Nile and becomes entangled in the branches of a tree before becoming a part of its trunk, and Asset discovers him and restores his penis. In Norse mythology Odin, the father of the gods, is crucified on a tree because he`s been told that it will increase his powers, `in order to learn the wisdom that would give him power in the nine worlds,`8


1. Muspellsheimr: World of Muspell (fire, in the south)

2. Alfheimr: World of the Ljósálfr ('light elf')

3. Vanaheimr: World of the Vanir

4. Goðheimr: World of the Æsir

5. Manheimr: World of the Maðr ('human')

6. Jǫtunheimr: World of the Jǫtunn ('giant')

7. Svartálfaheimr: World of the Svartálfar ('dark elves', aka Dvergar 'dwarves')

8. Helheimr: World of Hel (the realm of the dead)

9. Niflheimr: World of Nifl (arctic 'mist' and ice, in the north)



 The cross of Jesus is defined as the `tree of the cross` in some traditions, so the concept of the spirit trapped within the individual is an archetype. Jesus` side is cut open by the spear of the Roman centurion, Longinus, after his death on the `tree of the cross`, which suggests that the Holy Spirit/Paraclete emergent from the side of Jesus, as the first Eve emerged from the side of Adam, is `teacher guide, comfort and helpmeet` for what is described in Norse mythology as the `nine worlds`. Emerging as the `Second Eve` from the `Second Adam` as Jesus, that is, `woman`s seed`, the Holy Spirit/Paraclete is effectively the teacher afoot or `futanar`, in Hungarian, as educator on the subject of `Woman` after Jesus` death, Resurrection and Ascension to heaven, which would correspond to the nine planets of the solar system before the discovery of Eris, the tenth, and its moon, Dysnomia.  The `tree of the knowledge of the fruit of good and evil` is what the serpent persuades Eve to eat of in Eden, and she gives some to Adam to eat. The pair are expelled from Eden`s paradise on Earth, and are told they`ll have to wait for heaven, in the course of the Bible. Jesus` crucifixion on the `tree of the cross` is equivalent of Odin`s exchange of crucifixion for power, but Jesus didn`t enter into an agreement, because his reward is heaven and not the solar system. In fact the evil one had already offered him the Earth and his response was:


`Avoid me.`



  The myth of Osiris is similar because he has restoration from Asset but she has a penis of her own as `woman`s seed` and so his restoration is a limitation insofar as he`s fertilizer, and building slave for her devouring parasites rather than partner. In terms of the female soul or anima trapped within the trunks of men as her `tree of life`, In Oops I Did It Again Britney Spears` spaceman is her spacesuit and, to make more Holy Spirit/Paraclete in the world that is invisible to all but the black magicians, men make `iron maidens`, male or female, by making them the equivalent of spacesuits for the dying somnambulants inside the walking coffins and `snuff boxes` of humankind, who are tormented with the knowledge of what the evil `snuff movie` makers are doing to their souls.



 An `iron maiden` is a torturer`s symbol. Consequently, the iron woman in the movie Iron Man (2008) Gwyneth Paltrow, denotes either living without a man, and assisting her species` development, or possession by a male `cuckoo`. The character of `Iron Man` is Robert Downey Junior`s and he has heart problems, which cause him to construct the iron man suit so that he becomes a superhero, but the scenes of Iron Man in the Gulf war are representative of the concept of the `iron maiden` which the Arabian women in their abiyahs and burkahs are a reflection upon.




 In Britney Spears` Oops I Did It Again she receives the gift of a diamond heart form her spaceman, which is not from his suit as Iron Man because it`s not his.  The metaphor suggests that it`s her heart, because it`s a symbol of `Woman`, as an unconscious content of the archetypes of the collective unconscious. The heart of Iron Man is sick because he`s a symbol of pederasty and war`s contagions. He has the heart of a devourer of his anima or soul, which appears to him in the environment as `Woman` and her art, culture and civilization insofar as it emerges from her `host` womb without the parasitical devourer consuming it after its larval stage.



 In terms of the symbolic metaphor, because the `Woman` corresponds to the soul or anima, Iron Man is consuming both himself and her in the Gulf wars. The women in the abiyahs and burkahs represent the iron women, who are in mourning black as iron maidens, because they know that they have a `cuckoo` who is consuming them both within and without as a parasite upon their `host` wombs.



 In Jungian psychology a woman`s spirit or animus is described as a throng of male admirers but, if men are her devourers, that`s not what they represent, and they`re alien to her if she`s an independent species, so their appearance in dreams, which is how Jung discovered his definition, by analyzing dream material in female subjects, is as a ring of killers in a `snuff movie` because the role of the male spirit in `Woman` is of the subduer of the human brain that resists their subversion.



 The Virgin Mary is an archetype of the `Iron Woman` that refuses contaminated male semen, and God gives her `woman`s seed`, that is, Jesus` birth from the woman uncontaminated by male semen. Men torture him to death because he was born without a `cuckoo` to subdue and subvert his human brain from within as the evil spirit of the animus as devouer`s imago. Although there`s war in heaven between the `serpent`s seed` and `woman`s seed`, it`s clearly for spiritual and bodily possession of `Woman` by the `cuckoos`.. The `New Redeemer`, who `shall rule the nations with an iron scepter` ,and is Jesus in his `Second Coming`, represents Christ`s further support for the development of `Woman`, who has her own `futanarian` penis, so that humanity can spread itself amongst the stars.



I n his novel She (1895) H. Rider Haggard, describes the archetype of the soul, the anima, as `she who must be obeyed`, according to Jung, after Sigmund Freud had declared art, culture and civilization as `nothing but` the expression of men`s repressed penis, whereas in fact it`s suppression of `Woman` and her penis by men`s desire to remain thieves and murderers of the human intelligences they have enslaved. Haggard`s novel is of a strong woman who keeps men as slaves because she doesn`t want her species to be subjugated, which is why Haggard calls her `she who must be obeyed` as God doesn`t want `woman`s seed` to be enslaved either.



 Britney Spears` spaceman in Oops I Did It Again removes his spacesuit`s helmet so that he can breathe the atmosphere of Mars, which has `98% oxygen` content. She is a visibly present woman in the space outside the man`s suit, and is revealing the truth of the Holy Spirit/Paraclete, which is `teacher, guide, comfort and helpmeet`, because men who seek Redemption only think they`ve accepted `woman`s seed`, but they haven`t fully accepted her unless `Woman` as a species is visible with her own penis as `futanarian` on the planet Earth, and she can`t be visible if there`s noone to take her blinkers off.



 Britney Spears` astronaut exclaims when he sees a miniature cameo of her in the sand, `Whoah there horsey!` In Britney Spears` atmosphere he isn`t blinkered. As he picks up the icon, it`s as if the video has needed an encrypted `password`, `cookie`, or `cheat` to activate the `hidden content` within the program`s software, which is often found as an additional feature of some recordings, and Britney Spears` ship emerges suddenly from the desert floor, `All aboard!` It`s the spaceship Titanic and, because the giant`s fork is `fog kék`, that is, `for cake`, because `fog kék` is Bluetooth in Hungarian, and Britney Spears in her white bikini dress beneath her spaceman`s camera appears as the fairy on the cake of the giant`s wedding, which is why she appears descending inside the giant`s ring at the beginning of the Oops I Did It Again video.



 In Hungarian she`s the `fog tünde` or `tooth fairy`, because of the blue sweetheart and the Bluetooth of the tines of the giant`s fork, which represents her knowledge that the giant`s for cake, which is `fog kék` or Bluetooth in Hungarian because of the blue diamond of the sweetheart, which Britney in her red plastic pilot`s suit descending inside the giant`s ring receives as the stone for the setting for her ring. In the Titanic movie the tooth is the iceberg that swallowed the `heart of the ocean`, that is, the blue diamond of the sweetheart, which was Rose`s dream in the Titanic movie. In the 20th century it was fashionable to have a diamond inserted into the tooth, which suggests a conflict between the ring and the tooth.



 In Shakespearean terms, Britney`s fairy is Titania, who falls in love with Bottom, even though his head is turned into that of an ass, during it`s A Midsummer Night`s Dream, but she wakes as Kate Winslet does at the end of the Titanic movie. Because Kate isn`t Rose but a character actress, although Rose was a real person in the Titanic disaster and the film is based on her memoir. It`s an implicit assumption of the Titanic movie that the jilted lover has sunk the woman`s hope of a diamond ring for her wedding finger because he wants a diamond in his tooth. Because knowledge of `Woman` with a penis of her own is scantly proferred by her art, culture and civilization that she produces from her womb, the Titanic implication is that of her disappearance because men don`t want to see her well married.



 Woman is visibly present in the space outside men`s suits, as God`s omnipresence, and that`s why the spear of Longinus is called the Spear of Destiny. It pierced the side of Christ and Jesus` spiritualized soul or anima emerged as the Holy Spirit/Paraclete, that is, the `futanar`, which in Hungarian means the new `teacher afoot` in the stead of Jesus, because she`s for teaching `woman` s seed` of her role as the future of humanity with her own penis and socio-evolutionary valence; in terms of reproduction and production. In Oops I Did It Again Britney Spears` appearance on Mars outside the spacesuit of her astronaut without a spacehelmet is analogous to how the Holy Spirit/Paraclete would appear if she were visible.



Curiously, Britney Spears` spaceman tells `Mission Control` that there`s `98% oxygen` almost as soon as the video begins but waits for Britney to remove his helmet. In Barbarella (1968) Jane Fonda strips off her spacesuit, including her spacehelmet, in weightlessness inside her spaceship, so in Oops I Did It Again Britney is Mars` Barbarella but doesn`t remove all of her spaceman`s spacesuit; because of the censor. In symbolic terms though, she`s preparing to release the penis, just as Jane Fonda is activating it. But the release isn`t so simple because `Woman` as `futanarian` has a penis of her own.



 Britney Spears` spaceman leaves after she has heard what he has to say, and has given her the gift of the blue diamond `heart of the ocean`. The denouement is that, in her red plastic suit, she has the giant ring and, in her white bikini dress atop the wedding cake as the fairy, she has the giant`s fork, which not only suggests `fork cake` but, in Hungarian, `fog kék`, which is Bluetooth, the diamond in the tooth of the devourer, or the diamond in the ring of herself, depending on whether `woman`s seed` is successful or not



. Britney`s story has much in common with Hans Christian Andersen`s tale, The Steadfast Tin Soldier (1838), in which the Holy Spirit/Paraclete is once again `afoot` as a `teacher`, that is, `futanar` in Hungarian, and so disseminator of the truth about `woman`s seed` and its penis. Noticing that the ballerina is also `afoot` insofar as, like him, she stands on one leg, although he`s `afoot` because there wasn`t enough tin to make more than a single leg for a foot, he falls in love:


 `… a goblin among the toys angrily warns the soldier to take his eyes off the ballerina, but the soldier ignores him. The next day, the soldier falls from a windowsill (presumably the work of the goblin) … into the fire. A wind blows the ballerina into the fire with him; she is consumed at once but her spangle remains. The tin soldier melts into the shape of a heart.`



 In terms of Britney Spears` Oops I Did It Again video the spaceman is her `tin soldier` and the blue diamond is the `stone of the wise`, which the alchemical philosophers sought to produce in their laboratories through chemistry. In Jungian psychology the alchemists` endeavours are represented as projections of the desire for spiritual and psychological unity, which is often symbolized as the hermaphroditus, that is, a homunculus, which is male and female, because women are, but because of ignorance and/or the secluded nature of their ambition the alchemists weren`t aware of this. Britney Spears` spaceman isn`t for a `tin age` ballerina, but for a 21st century `space age` laptop dancer, so the blue diamond heart isn`t tin.



 An avowed goal of the alchemical procedure was the elixir of life and immortality, which transformed the `carbon based life form`, as Mr Spock from the science fiction TV series Star Trek (1965-) sometimes referred to bodily form, into an immortal diamond boded life form, and in fact diamonds are produced, from coal, under the terrific pressure of millennia underground, while in Eastern traditions the individual`s `diamond body` is produced through the practicing of certain yogic disciplines, which include exercise, breathing and meditation. Britney`s Oops I Did It Again suggests that the exercise, regulated breathing and preparation, which divers and astronauts practice, is productive of a diamond heart, under pressure, which is how Rose perceives the death by drowning of her fiancée, while he`s assisting passengers to the lifeboats, as the Titanic is sinking. Britney`s spaceman replies, `Well baby I went down and got it for you,` when Britney looks at the gift in the box he gives her and says, `But I thought the old lady dropped it into the ocean in the end?` He`s a diver and a spaceman which means he`s used to working under terrific pressures and, although the diamond heart isn`t his, he has it in his power to bestow it. In the tale The Steadfast Tin Soldier the ballerina is paper and only her `spangle` isn`t:


`To adorn or cause to sparkle by covering with or as if with spangles.`9



 The dictionary definition tells us what to look for in Britney Spears` Oops I Did It Again and `spangle` is what the icon appears to be when her spaceman takes the cameo miniature from the sands of the red planet to precipitate a quake and the emergence of the deck of Britney`s ship from subterranean Mars. The icon is made of stone and corresponds, in alchemical terms, to Britney`s own lapis philosophorum, or `stone of the wise`, as well as the `spangle` of the ballerina, who is consumed in fire until there is nothing left of her but the `spangle`, according to the plot of The Steadfast Tin Soldier, and there are fire-breathing circus performers, as a part of the Oops I Did It Again pageant:


`O say, does that star spangled banner yet wave,

O'er the land of the free and the home of the brave?`



The metaphor in Oops I Did It Again seems to be of the heart and the spangle consumed by the fiery `red dragon` of Revelation, which is represented by the small boy in The Steadfast Tin Soldier who, against the traditions of `the star spangled banner` of the United States` Old Glory, uncaringly sweeps the pair into the domestic fireplace where the flames consume them both. The symbolism is that of pederasty and consuming war as its contagion because the child hasn`t been taught to care for its things. If the blue diamond and the spangle represent immortality it`s because longevity depends on the inculcation in the individual of care for things as well as selves. If a person doesn`t care about their things, then they`re not likely to care about themselves. Or, in other words, immortality is based on the perception that things are as long as you, and so if they`re taken from you it`s attempted murder. The boy in The Steadfast Tin Soldier is suicidal because he doesn`t care about his things.



 The spaceman picks up the cameo miniature of Britney and brings her the `heart of the ocean` blue diamond pendant because they`re things, and although the woman is important a man can only eat and ejaculate so much, which means that things are as important to him and the woman as each other. He`s demonstrating to the woman that he isn`t a suicide because he cares about things. Because he cares about things, he`s likely to care about her as a thing, which might seem inhuman, but wanting to keep a thing is the essence of the desire for eternal youthful immortality. Alchemy was the beginnings of rejuvenation therapies and medical treatments, and the process began with the projection of psychic contents into what the alchemists called the prima materia, which could be anything, just as long as the adept had something to focus upon. Consequently, caring for things and discovering the elixir of immortality amounted to the same thing, which was care for things and care for the individual who cared for the things of the individual.



 Alchemy and medicine recognize that theft is murder, because without things a person can`t live. In terms of Oops I Did It Again the tooth of the devourer with the diamond in it, and the diamond ring, represent the difference between someone who does care about `rings and things`, and someone who doesn`t. The Titanic sank because noone noticed the iceberg in the ocean as they believed the ship was `unsinkable` and so didn`t care about the thing, and so they were devoured by nature, which is what happens to men who don`t care about things. They`re the same as those who don`t care about people.



 Britney Spears` spaceman brings her the `heart of the ocean` blue diamond pendant from the ocean depths, where Rose had dropped it as a memorial to her loss, because a woman is worth as much as any other thing, but no more. If the woman is valued more highly than things, the enslaver in pederasty and war will reduce the owner to penury or death in order to steal the woman and her `host` womb to produce more penury and death. Consequently, the woman has to be valued like any other thing, or the owner becomes a prey to `the game` of the goblins, which is that of the young woman who is marrying for property and money so that the goblins can possess themselves of it and her again. In Oops I Did It Again Britney Spears, in her giant`s ring and veiled references to Bluetooth technology through the giant tines of the fork beside the spaceman`s helmet as he films her with the camera attached thereupon, that is, the medium of transmitted video pictures with its potential for pause, replay, fast forward, analysis, and copying, as well as plagiarism, and other copyright issues, is saying that she values herself and her `rings and things` very highly:


`I played with your heart. Got lost in the game.`



 Getting lost in the game is what happens when you stop valuing things because you value people more, and they cheat you. An `Iron Man` is a blind toe in a shoe in need of a `teacher afoot``, that is, a `futanar` in Hungarian, which corresponds to anyone who has the Holy Spirit/Paraclete with them and can educate and give information to `woman`s seed` so that she can avoid being cheated by those supposedly `spiritual` leaders who want her to understand that her possessions are possessing her because they want to have them for themselves.



Britney Spears is pulling the spaceman`s toenail out when she removes his spacehelmet. Because it`s torture for a man who doesn`t know that women are a species to begin to be able to see the truth. Jesus` perception is `love your neighbor as you love yourself`, which is the understanding that everyone is Jesus if he doesn`t have an ego. Not to have an ego is to recognize that you`re not God, because immortals aren`t God, which means that they`re human, and that`s something that egoists can`t grasp. God confers immortality, and so acceptance of the Holy Spirit/Paraclete, and Jesus` teachings of Redemption, are what is required for the spiritualization of the anima or soul, so that the individual`s soul can grow into the immortal body that God promises through the Holy Spirit/Paraclete as the `teacher afoot`, that is, the `futanar` in Hungarian, who teaches the `futanarian` knowledge of woman as a species with her own penis, and the processes of transubstantiation, which is transformation of the body by means of the desire for `Woman` and to be `woman`s seed`.



 Immortality is simply the knowledge that `woman`s seed` needs to protect itself from its predatory parasite, and in Revelation Jesus in his `Second Coming` protects the `hidden` woman who has given birth to him with an `iron scepter`,  because she is `Woman` and he is `woman`s seed` born originally from the Virgin Mary uncontaminated by male semen, which suggests that the second mother of the `New Redeemer` is `futanarian` woman with her own penis, and that`s why she`s `hidden`. According to Revelation the `red dragon` waits in vain to devour Jesus, which suggests that the `woman`s seed` is protected by his `iron scepter` long enough for it to have learned how to defend itself from the parasitical predator, that is, men, and have longevity or immortality because of its ability to protect itself.



 The god-like ephemerality of the media star or rich personality is the `Hollywood syndrome`. Earthly power confers egoism, which confers the illusion of invulnerability, which is perceived by the ego as feelings of omnipotence that are confused with immortality. In Hollywood women are lauded if they`re an asset to the film studio, which means that, in terms of Egyptian mythology, they correspond to Asset, who is the rememberer, and who gave a new penis to Osiris to resurrect him , which is what memory and desire represent: the remembering of the woman by means of the penis` arousal to what is remembered. When an asset is on set, she`s powerful because of the memories and desires she arouses, but in Egyptian mythology Set is the dismemberer, because the penis of the woman isn`t visible on account of the taboo that prevents knowledge of it from being obviously disseminated to a cinema audience, and that effectively blinds and keeps in ignorance, through censorship and media blackout, `Woman` as a species independent of men. Being on set is the beginning of the liquidation of her as an asset in Hollywood, but liquidation is a term used by the Nazis at the onset of the extermination of `woman`s seed`, that is, her Asset, during WWII (1939-45), where the Jews were `chosen` because you could only be a Jew if you were born from a woman, which effectively means that only women are Jews. Without her Asset `Woman` can`t remember herself, that is, the penis of the `futanarian` woman as independent species is her Asset.



 Gwyneth Paltrow`s character in Iron Man is an `iron maiden` but she doesn`t wear a suit. She represents the Arabian woman in the burkah or abiyah and we see many of them in the movie Iron Man because some of it takes place during the Gulf war (2001-) as the setting for Iron Man`s superheroism. Gwyneth is the assistant, who represents the anima figure in the movie and, although, she represents `Woman` she`s a woman not visibly wearing a burkah or abiyah. The concept of her as an `iron woman` is that of the Arabian woman who looks as if she`s wearing the shoe of an iron maiden, which is designed to crush her spirit and soul so that what appears outside of herself is herself. The role of Iron Man in the Gulf is that of the devourer of woman`s species` art, culture and civilization. She `s being preyed upon by Arabian `Man` as well as Western `Man`, which is what God warns Eve of in the Bible. The `serpent`s seed` has `perpetual enmity` for `woman`s seed` and it is clever, but she `shall crush the head of the serpent as she leaves` Earth, according to God, and who are we to argue with God?



 Iron Man is the `cuckoo` in the movie. Western portrayals of individual heroes are depictions of a single figure, who is effectively a dictator in terms of the film`s action, and the role of the cowboy is still the central feature of most Hollywood movies. Harrison Ford in Raiders Of The Lost Ark (1981) as a 1930s American cowboy fighting the Nazis, or as a space cowboy fighting the Empire in Star Wars (1977) doesn`t sit so well as a President of the United States fighting terrorist hijackers in Air Force One in the aftermath of 9/11 because the role of the cowboy is redundant and has been since the 1880s when it appeared as a socio-historical phenomenon because of the USA`s beef economy for a period of approximately ten years. Half a million US soldiers in Iraq, who all perceive themselves to be Robert Downey Junior as Iron Man in the Gulf war, isn`t desirable. But the figure of Iron Man presupposes pederasty and war, and so is the cuckoo, because the action hero is the focus for boys` attention as educable devourers of `Woman` as a species, the planet`s resources, and the art, culture and civilization which manages to struggle out of her womb to become visibly devourable to the `cuckoos` as her parasites.



 If Carrie Fisher were in the role of Indiana or Han Solo from Star Wars, the purpose and function would be comprehensible, because the actress would be interesting for the audience, as the discoverer of the Ark of the Covenant, rather than the ever-elided discovering as the focus of the audience`s attention because pederasty wants to produce more boys like Harrison Ford for whom neither the action nor the things are important save that they present themselves as attractive to other boys. From the point of view of `Woman` as a species, Carrie Fisher as the explorer is desirable for the boys` penis, who are what Harrison Ford is ostensibly appealing to, but also for her own species of `Woman`, who has her own penis, which is a breakthrough in human terms because it permits of the woman without a penis to experience Carrie Fisher as sexually exciting. In the American TV series Heroes (2006-10), Hayden Panettiere has to accept her title is `hero` and not heroine, which means that she`s accredited with a penis symbolically, irrespective of whether she supports the argument or not, and the argument is that the hero is a cowboy.



 Cowboys were exigent as demon-driven cattle drivers for the beef trade and became visible as a socio-cultural phenomenon during the inevitable `range wars` over driving rights, which caused farms to be enclosed within fences that signaled the end of the cowboy lifestyle around 1890. The cowboy is a notorious homosexual icon, because of the displacement of the penis to the gun, as a metaphor for pederasty`s sterile devouring of culture, and the emphasis in Hollywood on the action hero as a role model for boys` penis activity is the reason why Hollywood is described as Babylon, `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth`, because the whore is made to produce pederasty and war as its contagion.



 In the Western movie High Noon (1952) Gary Cooper is made to face a gunman by his wife, Grace Kelly, and the plot was so dull and tedious that the song Do Not Forsake Me Oh My Darling had to be played as the theme for the film almost constantly throughout the three hour prelude to the gunfight to keep the audience hypnotically focused on the `action`. Even as late as the Vietnam war and the movie Apocalyse Now (1979) the US 7th cavalry were depicted as flying their helicopters into assaults on harmless Vietnamese villagers with Richard Wagner`s Ride Of The Valkyrie blaring from speakers affixed to the side of their `choppers` because of the need for autosuggestion from Wagner`s third opera of the Ring Cycle (1848-74), Die Walküre,, to keep them interested in the boring `action`, which seems to be what pop music is changing into.



 Most girl bands are based on sexual allure, which is useful for a young girl, who needs information about her own species and is concerned about her own sexual awakening, because it helps to know that your own species, that is, `futanarian` woman with her own penis, finds her sexually normal because she finds herself desirable, from the mirror, and so desires other women too. What is abnormal is that a man should find himself sexually desirable in the mirror, and that`s what the Hollywood action movie represents, with the added displacement factor of the gun as representing homosexuality`s penis and preference for men rather than women. In terms of the Earth, it`s the mirror of homosexual pederasty and war as its contagion.



 The idea that boy bands such as Boyzone (1993-) and Take That (1990-) are sexually alluring to young girls is an aspect of the blinding through conditioning that `Woman` as a species with her own penis is subject to because, in effect, male oriented pop is just the cowboy in different clothes, because it`s for boys who are taught to prefer men, and so bands like The Sweet (1967-) and Kiss (1973-) were very popular because the men wore makeup. The rise of all girl bands like All Saints (1993-),  The Spice Girls (1994-), The Pussy Cat Dolls (1995-), Sugababes (1998-), Girls Aloud (2002-) are `Woman` as a species without her penis visible bands. Elvis Presley was once banned for having a length of hose down his pants where his penis might have been when performing on stage, because it was taboo and he was accused of sexual enticement. The appearance of a woman on stage with a penis down the side of her jeans throbbing suggestively would bring down the walls of Jericho insofar as the `Promised Land` of the human species and women`s liberation was concerned.



 Bands like Boyz II Men (1991-) or The Saturdays (2007-) are gender role reinforcement models, and the reaction to the appearance of the glamorous `futanarian` chanteuse with her own penis would be `tear her eyes out`, which is what 9/11 tells us terrorizing us is for. To prevent us being able to see that `Woman` is an independent species with her own economic and socio-evolutionary bias through `terrorize singers` who reinforce negative stereotypes associated with pederasty and war:


`And now I know what they're saying,

As the drums begin to fade;

And we made our love on wasteland

And through the barricades. Spaundau Ballet (1979-)



 The lament is for pederasty`s virus, which forced the New Romantics of the early 1980s and onwards into reactionary rebelliousness that ultimately only reinforced the status quo, and is what occurred on 9/11 when the United States of America`s George W. Bush  reacted to Osama Ben Ladan`s Afghanistan terrorist group Al Qaeda`s attack on the Twin Towers of New York by declaring war on Iraq to emulate his father, George Bush`s simple police excursion in removing Saddam Hussein and his army after they`d invaded Kuwait in 1990. In sociological terms, 9/11`s World Trade Centre events reestablished `rough trade`, which is a euphemism for pederasty`s exploitation of boys` financiel dependence on richer men, who in the final analysis are their fathers. George W. Bush was simply reestablisging pederasty and war as the United States` family values as a Hollywood cowboy from Babylon, Texas.



Gwyneth Paltrow`s character in Iron Man is as an iron woman but not an iron maiden, because she doesn`t wear the burkah or abiyah and so represents `Woman` as a species who may not be showing her penis or hiding it, but has rejected the principle of the tormented soul within the iron maiden of the shoe so that her `futanarian` will be seen. Britney Spears as a `small woman` descending inside the giant`s ring at the beginning of the video for her single Oops I Did It Again represents the giant devour ring of men`s sublimated appetite for destruction, while her thumb-size self suggests she can grasp the meaning of the spaceman`s toe, because she`s `tanar` afoot, that is, an active Hungarian `teacher`, who understands that the astronaut isn`t a `futanarian` because men can only grasp their own penis.



 Britney Spears looks small inside her giant`s ring as she descends in Oops I Did It Again, but it symbolizes `Mothering`, which is her role as a `teacher afoot`, that is, a Hungarian `futanar`, which is the woman who has accepted the Holy Spirit/Paraclete and is a teacher of `woman`s seed` as a `futanarian` species with her own penis. Men`s great fear is to be exctinct because the woman will leave them and so there`d be no self-reproduction facility for their parasitism. Although they pay lip service to the notion of God, God specifically says in the Bible that Eve is `woman`s seed` and she `shall crush the head of the serpent as she leaves` Earth, which means that those men who don`t accept that she`s God`s species won`t be going with her because they prefer their own penis, pederasty and war in `perpetual enmity` as the `serpent`s seed` with `woman`s seed`.



 Thumb sucking in infancy is widely greeted with horror by conditioned parent who want their child to grow normally, whereas it`s a substitute for a woman`s milk nipple, and the concept of oral sex with the penis and the mouth of the woman is the reason for the abhorring of the baby`s sucking on its thumb because of the parents` taboo against advertising their adult activity. Because `Woman` is a species with her own penis, oral sex between the species is survivalist. Women in the desert know the things in their environment, and each other`s equipment, which means that milk from the breast and semen from the penis are nutrient survival capacity, and women alone in the desert without men don`t need them because they have their own reproductive cycle. Because of taboos against homosexuality, men would rather kill their camel transport and drink its blood rather than drink semen from each other`s penis, which might seem grotesque but it represents basic male conditioning in falsity. Sexual activity between women is normal, whereas sex between men isn`t normal or desired because they`re parasites and we don`t want them to survive anyway.



 In October 1972 there was an Andes plane crash in which the survivors of Uruguayan Air Force Flight 571 lived by eating the dead that were preserved in the snow. The rumour was that the homosexuals in the air crash drank each other`s semen, which begs the question: who crashed the aeroplane into the mountain? 9/11 occurred because men wanted to start a war because that`s the contagion of pederasty. Women are a species and so their survival capability is based on sexual instinct, whereas men`s sexual instincts are to crash a plane so that they can have a gay party:


`… some equated the act of anthropophagy to the ritual of Holy Communion. Others initially had reservations, though after realizing that it was their only means of staying alive, changed their minds a few days later.`10



 In Britney Spears` Piece Of Me she writes the word `sucker` on the brow of a photographer who is revealed to have a tiny camera inside his shirt, which appears to be a spy camera. Britney`s relations with the paparazzi have been that of a `host` body to a bloodsucking leech, while the concept of thumb-sucking similarly presumes a leech-like relationship between the thumb of the woman who can grasp things intellectually and the leech, who is the bloodsucker that, according to zoologists, doesn`t have an identifiable brain. Psychologically the infant sucking on its thumb represents the child that remembers its species is `Woman` because thumb sucking is as close to grasping the woman`s nipple and her `futanarian` penis as it can express to itself.



In the film  Titanic Rose is painted nude by her lover who is then framed by her jealous ex-lover by planting the diamond in her new lover`s pocket, and he drowns while helping passengers towards the lifeboats. Men are depicted stealing the lifeboats, or throwing the women and children out. Rose drops the diamond pendant into the sea at the future salvaging of the Titanic as a sign of her despair at homosexual pederasty and its contagions of jealousy and vendetta. Her ex-lover becomes homosexual because he`s jilted and so begins the spreading of contagion that results in the death of her new lover.



 Britney Spears in Oops I Did It Again appears in her red plastic jump suit and in her white bikini dress as two distinct characters, and so corresponds to Rose Red and Snow White in the Hans Christian Andersen story of the two sisters who are saved by a bear who kills a dwarf that is disturbing their equanimity. The denouement is of the two women living independently, which is what Britney`s spaceman finds on Mars. In fact the dwarf is an irascible teacher and the girls don`t want to be taught. The story is more like a dissident being killed because he knows too much about how the authorities keep women in ignorant blindness about their own species. `Woman` is the God that men don`t want because she`s a species with her own penis, which is `Satan` from their enslaver`s and devourer`s perspective because she wouldn`t allow men to eat her. In Rose Red and Snow White the bear ask the girls:


`Snow-white and Rose-red, will you beat your wooer dead?` 



 He says this while the pair of girls are roughhousing with him. But the dwarf is killed by the bear, so the dwarf is the wooer. His irascibility revolves around their helping him out of entanglements by cutting off his beard, which is a metaphor for his age and knowledge. When the dwarf complains that his beard is gone, the bear kills him. At the end of the tale the bear turns into a prince, who says he has been imprisoned by the dwarf in the form of the bear, which fulfils the bear`s curse, `Snow-white and Rose-red, will you beat your wooer dead?` The dwarf is dead because the bear killed him so that, as the prince, it could keep them in ignorance and sloth rather than that they receive an education from the wise beard who would assist them to grow the equivalent of their own beards in independence.



 Britney Spears` spaceman in Oops I Did It Again leaves; walking backwards as if the film is being rewound, so that he can represent her with the gift of the `heart of the ocean`, after again diving to the depths of the sea to recover it from the sunken Titanic. The delusion for the video operator is that they can make the spaceman dive into the ocean depths again to bring Britney Spears the diamond blue pendant from the sunken ship. But the film is designed for an analyst not a `puppet master`. As she descends inside her giant`s ring in Oops I Did It Again Britney Spears` character in her red plastic pilot`s suit is reminiscent of the Supermarionation techniques applied by Gerry Anderson studios in Britain for such `scifi` puppet TV shows as Thunderbirds (1965-6) in which the protagonists` strings can be seen to be being pulled to make them perform the tasks required of the director of the International Rescue team`s efforts.



 The concept of rewind in Britney Spears` Oops I Did It Again video single suggests the `puppet master` who can make the spaceman repeat his task endlessly because he has strings. On 1 August 1976 James Hunt pulled Formula 1 motor racing champion Niki Lauda out of a wrecked car during a Grand Prix live on BBC TV and the recording was discussed for several weeks afterwards with very clear colour footage of what transpired. Hunt pulled Lauda from the wreck of the car which caught fire and blew up while the track marshals used fire extinguishers to put out the fire. An ambulance arrived and Hunt went in it with Lauda.



If you watch You Tube on the internet what you get is a vague, confused, obfuscated revision of the actual event, where James Hunt, the following year`s Formula 1 champion, doesn`t figure at all, which suggests that the `puppet masters` can`t alter the scene as it originally happened, because Hunt and Lauda weren`t puppets, but the `puppet masters` can make it look as if they`re pulling the strings, and prevent genuine emulation of heroic acts by suppressing them. Neither Hunt nor Lauda had strings. Lauda`s car went out of control and he was trapped, whereas Hunt had to stop his car and save Lauda, which was human action.  The `puppet masters` want us to understand that human action isn`t what they want, which means that they`re aliens and responsible for such events as the prototypical 1950s alien invasion scenario that was 9/11 because the `puppet masters` don`t want anything else.



 Britney Spears` album Blackout from which `Piece Of Me` was taken represents the dangers of the `cargo cult` where people are made to repeat the steps required to invent such things as telephones because the `puppet masters` have forgotten how to make them. `Piece Of Me` is the notion that there are component parts and that they can be put together if there`s know how, but Blackout suggests that the `puppet masters` want censorship and media blackout so that they can force Britney Spears to record the album again, for example, after recording it on a previous occasion, which makes her a `puppet` of the alien and `cargo cult` its method of enslavement because it`s subhuman and can`t invent such things as the telephone for itself but must have intelligent human inventiveness to practice its parasitism on.



When Britney Spears receives the gift that her spaceman will deliver to her ad infinitum by means of the `magic` of video technology he`s a representative of the human species` subset {men} that is either a slave or an enslaver, which means that`s he`s a slave of pederasty or of `Woman`, who mistakenly believes that pederasty exists to keep her in idleness, and that she won`t be devoured in the `perpetual enmity` of the wars of the `serpent`s seed`, because she`s unable to perceive that making war against her is what her parasite does. As long as the war is being waged in someone else`s nation, `Woman` feels a successful enslaver of aggressive macho males, which she has tacitly agreed to produce as `Babylon, mother of harlots and of the abominations of the Earth`, and that`s `false economy`. Because she`s preparing the devourer of her art, culture and civilization as what she`s taught herself to perceive as her protective slave, whereas it`s her jailor and enslaver for its own purpose of devouring parasitism.



 Britney Spears` references to the Titanic movie and betrayal by a man relate to the notion of `Woman` as a species and her need for a `lifeboat`, which is the `futanarian` woman with her own penis a `woman`s seed`, who has Redemption because she has accepted herself and rejected parasitism and pederasty`s contagion of enslavement for the purposes of war, death, and plague. If a woman has her own penis, the wasting disease of HIV/AIDS corresponds to the `fourth horseman` of the apocalypse of Revelation, `war, plague, famine and death`, where famine is the dearth caused by men`s wasting of women as the devouring parasite that preys on her from its host`s womb, and enslaves her through HIV/AIDS` enforcement of faithfulness in monogamy.



 According to Revelation `woman`s seed` will receive a `new heaven and Earth` and Jesus, as the `New Redeemer` in his `Second Coming`, `shall rule the nations with a scepter of iron` as the `protector` of the `hidden` woman who is taken to a `place of safety` upon `wings of an eagle`, which suggests that `she`s the lifeboat while there`s war in heaven between the `serpent`s seed` and `woman` seed`. Britney Spears hooking of her spaceman and suspending him above her as a camera eye suggests that she`s preparing a `lifeboat` in the sense that she raises her astronaut as a young woman in a red plastic jump suit above herself in a white bikini dress, which is a program for woman`s survival insofar as we are asked to understand that they are separate but not twins, that is, a `futanarian` couple who look identical to emphasize the concept of the replication of `Woman` as a species as her actual reproductive nature.



 God`s program is immortality, which means that birth isn`t the aim, whereas production of art, culture and civilization by immortals is, and that`s what the Bible calls the `heavenly city`, Jerusalem, the golden, and `the bride of the church`. In Eden Eve is told by the serpent `you shall be as gods`, but not immortal, whereas the concept of gods is immortality, which suggests that God`s immortality for the human species requires acceptance of God and that humans aren`t gods. The notion of gods without immortality is what the serpent represents, and that`s encouraging the father to devour the child because the infant prodigy is a threat to the father as god, who isn`t immortal. Consequently, Graeco-Roman and Christian tradition represent gods or god-like figures, that is, Chronos, Saturn, and Satan, devouring, or waiting to devour, children who might replace it.



 The Catholic church`s `transubstantiation program` is of immortality through God, that is, acceptance of the Holy Spirit/Paraclete is `love your neighbor as you love yourself`, because your neighbor is you, which increases the presence of God, and confers immortality through God`s immortal omnipotence, but that requires faith to reject the will to devour, and to reject the devourer`s will. Britney Spears` suspension of her spaceman with the tines of a giant`s fork beside his spacehelmet represents the temptation to devour the `woman`s seed` from which her new apple of wisdom has grown, that is, `futanarian` woman, `the fruit of the tree of the knowledge of good and evil`, which is God`s Redemption for humanity, according to Jesus and the New Testament of the Bible:


`Leave her alone.` (Mk: 14. 6)



 In Revelation Jesus is the ruler with the iron sceptre who, as the `New Redeemer`, protects the `hidden` woman while there`s war amongst the stars in heaven between the serpent`s seed and hers, because she`s to be the progenitor of her own species. Britney Spears in her red pilot`s suit is Redemption, because she can pilot, and the dragon of Revelation is `read`, that is, it can`t devour the `New Redeemer` who`ll protect the `hidden` woman. In Oops I Did It Again Britney Spears visibly has the claws of a bear about her on set, and so represents the danger of accepting a prince that will curtail her development, which is what the bear, who turns into a prince, represents in the Hans Christian Anderson tale Snow White and Rose Red, and the claws or teeth of the dragon that can`t devour her. These are the teeth of her hydra, which was sown after the mythological Hercules` gay club had removed the Danaiad women`s defender, the Lemaean hydra, which represents the older and wiser woman who knows that women have their own penis and don`t need men. Britney Spears` hydra`s teeth represent the protection of the `New Redeemer`, that is Jesus in his `Second Coming`, who now has teeth and claws but isn`t a `prince of darkness`, who is blinding and death.



 Britney Spears` first husband was Jason Alexander, and the myth of the teeth of the hydra appears in the movie Jason and the Argonauts, where the hydra`s skeletal teeth emerge from the Earth. It isn`t apparent that the skeletons are men, but the hydra defends the Danaiiads, women imprisoned by men because they wouldn`t marry them. Dana is the name of the singer labeled `the Arabian Britney Spears` in the Middle East at the time of the second Gulf war (2001-), and so was the 21st century type of the Danaiads, who were kept prisoners by men. Beneath her abiyah or burkah when she isn`t performing her songs, Dana`s existent or non-existent penis is nevertheless paradigmatic of a species independent of men, who aim to convince `Woman` they`re her protectors. Saddam Hussein`s invasion of Kuwait in 1990 and Al Qaeda`s terrorist attack on the Twin Towers in 2001 revealed this as a sham. Because `Woman` is made to produce the invader, she`s in fact become her own devouring parasite`s meal, as `Babylon, mother of harlots and of the abominations of the Earth`.



 The tale of Snow White and Rose Red could only be satisfactory in terms of its denouement if the girls were the bear and then their prince would be the claws of the bear as Jesus, the protector of her `hidden` development, which the dwarf`s beard represents in the tale. Because of the implied US football metaphor in the `touchdown` of the `Mars lander`, which is how the spaceman is described by `Mission Control` at the beginning of the Oops I Did It Again video, the astronaut is distinguishable by his spacehelmet, which is a more technologically developed form of the US football helmet. Britney Spears is making the one point. which follows a `touchdown` in US football when the ball is played upfield into the opposing team`s `end zone` for six points (TD) that is followed by a symbolic one point kick into a net suspended between two flagpoles.



 Britney Spears` new Chicago Bear was to be President Barack Obama because he`d have the wings of the eagle of the United States of America which protects the `hidden` woman. Britney`s allusion is to `Soldier Field`, which is very cold in the winter and William Perry, `the Refrigerator`, was probably their most famous player, who made a TD on the one yard line during a Superbowl victory for the Bears (1985) because he was too big to stop. Just as the Titanic and the iceberg were too big to avoid each other. In US football a `snap` is setting up the ball to be kicked for the one point, and a cold `snap` is what footballers fear in Chicago because they can`t play so well in the ice and snow, whereas a photographer`s `snap` is a picture. Jesus can`t be stopped, and neither could William Perry, which is what US football is for. The pilot of the Titanic was blamed for not stopping the ship, because he didn`t think the iceberg was a danger. In her red pilot`s suit Britney Spears` ship is her Titanic and her `snap`, in US football terms, is her `take` on the issue, which is Jesus, as the `New Redeemer` in his `Second Coming`, where `taking the snap` is the responsibility of the player analyzing the position of the kicker in relation to the posts and the ball as the kicker prepares to kick between the uprights for the one point. You can protect the `hidden` woman by maintaining photographers` interest in photographing her without her penis. But Britney Spears` ship is unstoppable anyway because she has a better pilot than the Titanic`s, Jesus:


`Jesus, Savior, pilot me

Over life’s tempestuous sea;

Unknown waves before me roll,

Hiding rock and treacherous shoal.

Chart and compass come from Thee;

Jesus, Savior, pilot me.`10



 After Britney Spears` spaceman has taken the snap for her, she`s head over heels in celebration and we see her flying through the air doing somersaults before she lands in front of her spaceman in his spacesuit to receive her gift of the `heart of the ocean`, which is the blue diamond pendant from the salvaged Titanic, according to the video`s logic. She represents the one point that`s been made, which is that the `Sacred Heart` of Jesus is indomitable. and it`s seventh heaven after the Calvary of Jesus` sad departing, because he`ll return to protect the `hidden` woman through the `eagle`s wings` of the United States` 7th cavalry.



 Britney Spears is `Woman` hiding her parts, apart and `hidden` on Mars in her own `apartheid`, which means `separateness` and was the term used to describe the enforced segregation of whites from blacks in South Africa before its democratic overthrow by Nelson Mandela`s African National Congress in 1994. Britney Spears in Oops I Did It Again wearing her red pilot`s suit and her white bikini dress indicates how women are forced to accept the segregation of woman without a penis and `futanarian` woman with her penis. The `concentration camps` of nations exploit her `host` wombs, and prosecute international extermination pogroms by means of invasions and terrorist attacks initiating invasions against the art, culture and civilization she manages to develop in each nation where she is held captive. Prevented from seeing herself as a separate species independent of men`s devouring parasitism, she perforce has to secretly disseminate woman`s belief in independence and `Liberty` for her species because, even in that great nation where freedom is constitutionally revered, she is enslaved in blindness and ignorance of her Manifest Destiny as the future of `woman`s seed`;


`Woman is the nigger of the world.`11



 The United States of America declared independence from the British Empire in 1776 but `Liberty` was only espoused and never declared. General George C. Custer`s 7th Cavalry died to the last man and so did many of the North American plains` Indians from June 25-26, 1876, at the battle of Little Big Horn, while the British Empire`s men of the thin red line died with their Zulu counterparts in South Africa at Rourke`s Drift (1879) at the beginning of white apartheid, because that`s how men separate themselves from `woman`s seed`.



 The iceberg that sank the Titanic was identified as a `blue berg`, which gives further credence to the giant`s fork beside Britney Spears` spaceman`s helmet in Oops I Did It Again as `cake fork`. Beneath the eye of her spaceman`s camera, in her white bikini dress, because he`s been winched up by her `twin` wearing a red pilot`s suit, Britney Spears is atop the fairy cake as he looks down upon her, where she`s `fog kék` in Hungarian, which is `Bluetooth` but may be understood as `fork ache`, which is the aching of the sweet tooth of the devourer to stab her with its fork. In English `fog` means thick mist, and fog banks on the water obscured perceptions of the giant tooth of the devouring iceberg as the Titanic approached close to midnight while it was endeavouring to set a speed record for the fastest crossing from Liverpool to New York:


At 11.40 pm on 14 April (ship's time), lookout Frederick Fleet spotted an iceberg immediately ahead of Titanic and alerted the bridge. First Officer William Murdoch ordered the ship to be steered around the obstacle and the engines to be put in reverse, but it was too late; the starboard side ofTitanic struck the iceberg, creating a series of holes below the waterline. Five of the ship's watertight compartments were breached. It soon became clear that the ship was doomed, as she could not survive more than four compartments being flooded. Titanic began sinking bow-first, with water spilling from compartment to compartment as her angle in the water became steeper.`12



 The desire to get to New York and make a speed record was equivalent to the aching sweet tooth of a devouring giant, and that was suicidal. Because of the passengers and crew, the aching desire was murderous, but similar to the desire of the suicidal Japanese pilots that attacked the US Pacific fleet at Pearl harbor in 1941 by crashing their Mitsubishi `zero` fighter planes into the US ships, and the Al Qaeda terrorist hijacked suicided passenger planes that crashed into the Twin Towers of Manhattan in 2001 where `Liberty` is espoused in New York`s harbor. According to Revelation the `hidden` woman who gives birth to Jesus, as the `New Redeemer`, is `clothed with the sun and with the moon at her feet`, which corresponds to `Liberty` and her victories over the red suns of the Japanese suicide pilots at Pearl harbor and over the terrorist suiciding hijackers of Al Qaeda, whose flag has the moon upon it, at New York harbor.



 Britney Spears is suggesting that the modern age is befogged by what amounts to a demon-driven desire to devour, and that this is tantamount to a desire to be devoured. The United States of America`s decision to invade Iraq after being attacked by what would have been understood as Afghan rebels, because the United States had been supported them since 1979 against the Soviet Russian regime in Kabul, seems both the act of a devourer as well as a suicide, because pederasty`s `killer disease` is war and HIV/AIDS is one of its suicider`s tools. `Bluetooth` means wireless devices and Britney Spears is suggesting that the desire of modernity`s demon-driven consumer is equaivalent to puppets on strings and model aircraft on wires, that is, the demon driver is a devouring destroyer. `Bluetooth` represents the principle of freedom from manipulation by demonic influences that seek to make puppets and evil tools out of people and things.



 Just as `fog` means `tooth` in Hungarian, and corresponds to the tooth of the devourer in the story of the Titanic, so Britney Spears` `twins` are `Ka` and `Ba`, which suggests the car and the bar of modernity, that is, in Egyptian mythology, `Ka` means `spirit` and `Ba` means `personality`. Britney Spears` Mars Barabarella seems to be saying that the car driver is prepared to negotiate the fog to get to the bar and be foggy in their thinking through alcohol, and that`s what the pilot of the Titanic was accused of. In Egyptian mythology `Ka` and `Ba`  are the `magical personality` when conjoined, but Western culture is of the car and the bar where the demon-driven go to drown their sorrows, that is, `Ba` and `Ka`, which are `personality` and `spirit` in Egyptian tradition, are translated in the West as the desire to drown their spirit and personality in alcohol and other poisons, which is suicidal.



 In the Egyptian myth of Osiris, his parts are, placed inside a trunk after his dismemberment by the evil brother, Set, and thrown into the Nile, which is equivalent to loss of spirit and personality, that is, `Ka` and `Ba`, through not being a careful driver but allowing the demon to take possession of the car. In human terms, the development of the personality is preeminent, but the spirit is that which desires to be a person. If the goals of the spirit are chosen for it by a demon then the car will arrive at the bar and the ship of the individuality`s `magical personality`, that is, the `Akht`, in Egyptian mythology, will be sunk. Britney Spears` receiving the `heart of the ocean`, that is, the symbolic blue diamond pendant of Rose from the Titanic movie, corresponds to what the Egyptians called `Ib` and the `Ib` is weighed to see if the hero has the heart to journey onwards, which explains why Britney Spears` spaceman is raised above her. His fate is in the balance as he hangs there suspended with the tines of the giant`s fork visible beside his spacehelmet. If he has the heart to develop the `magic personality` of his `Akht`, Britney`s twins are a `Ka` and `Ba` that won`t suicide. In other words, he represents the man who, if he can accept `Woman` as a species independent of men, can go on with them in humanity.



 In accordance with the Egyptian myth, the heart that the spaceman has brought to Britney Spears, which is Rose`s from the Titanic. must be read to see if Rose can go further. In the myth of Osiris, he is given a new penis by Asset, and is reborn as Horus, the sky god, because he is not `woman`s seed` and so is bound to the Earth, whereas Asset is `Woman` and, according to Revelation, Rose of the Titanic would be for God`s `new heaven and Earth` because she is a woman, and `shall crush the head of the serpent as she leaves`. On Mars in Oops I Did It Again Britney Spears, as `Rose Red` and `Snow White` is saying that she`s through with these skies and is leaving for God, that is, Rose`s heart is read and those who are pure as white snow can go to heaven.



Britney Spears` guide is the teachings of Jesus Christ. The Virgin Mary`s `Immaculate Conception` was to give birth to `woman`s seed` uncontaminated by male semen, which means that Resurrection for `woman`s seed` doesn`t include the memories of men unless they have Redemption. In simple terms, what men remember of women is their image, and women have memories of their own, which doesn`t have to include the image of men, and that`s why men keep them on a low level of technological development, so that they can be the machine operators.



 In Arabia women aren`t even allowed to drive, because men don`t want them to operate machines that would make them obsolete. Men are obsolete if women don`t have to remember them, and God`s promise in Revelation is that `woman`s seed` will receive a `new heaven and Earth` so either advanced technology; in the form of robots, for example, that are better than humans, and so care for humans to give humans the `Liberty` that feminist liberationists have long hoped for, will provide as the best machines can, or  men will tie women to the kitchen sink by limiting the technology available to her in the home. The NASA space program`s lunar module looks like a washing machine, because that`s the level of technology that men feel is sufficient to keep women as slaves in the kitchen, and US President Ronald Reagan`s Strategic Defence Initiative or SDI, which is the ground and space base missile system designed in 1983, seems intended to keep her there – or else.



 Jason Alexander was Britney Spears` first husband, and they were married for 55 days in 2004 when both were 22. Her reference to Hercules` `gay club` defeating the hydra, which is protecting the Daniads who don`t want to marry men is from the Hollywood movie Jason And The Argonauts, but since her first marriage Britney Spears has declared herself bisexual, although not gay, contrary to some reports, which suggests she`s converted to an understanding of her own species as `woman`s seed` through Christianity, despite her shaving her head and, proclaiming herself `the Antichrist`, during a sojourn in a drug rehabilitation centre, losing custody of her children due to the courts` perception of her unfitness as a mother.



 According to Egyptian mythology the house of Hathor is the home of Horus, and Hathor is an aspect of Asset, who is a mother with the horns of a cow, which corresponds to the children`s nursery rhyme of `the cow that jumped over the moon` because `Kau` is the plural of the Egyptian word for spirit, that is, `Ka`, and so Britney Spears` Mars in Oops I Did It Again would be the house of `woman`s seed` because many `Ka` are needed to produce a `Kau` spiritual enough to manage an escape from the Earth through a collective intellectual and creative endeavour that will result in sufficient technological advancement to get `Woman` off the Earth and into the stars despite pederasty and war`s will to prevent her.



 Appearing standing with her astronaut Britney Spears has the red disk of hathor seemingly above her head because of a red planet`s presence there amongst the `scifi` stars in her video Oops I Did It Again. She has the `twin` roles of `Ka` and `Ba` on Mars, where she`s following in the footsteps of Jane Fonda`s space heroine Barbarella as the type of `personality` NASA selection processes described as having the `right stuff` for space travel. But Britney Spears` Mars Barbarella is made of sterner stuff insofar as `woman`s seed` will have the stars and men might not pass God`s selection. `Woman` doesn`t need the parasite men infesting her womb any longer with the hoarse men displaying their virality in the biblical apocalypse by giving her `war, plague, famine and death`. She wants new life and new civilization for her species. The slogan for the sweet toothed is, `A Mars a day helps you work, rest and play,`13 and Britney`s Barbarella isn`t a `s Mars `Ba` for the giant`s fork.


1 `Two Famous Diamonds` in Hawke`s Bay Herald, Vol. 23, # 8036, 25 April, 1888.








5 The Goons `I`m Walking Backwards For Christmas`, 1956.


7 Shakespeare, William Henry V, Act III, Scene 1, 1599.


10 Hopper, Edward `The Sailor`s Hymn` in The Sailor’s Magazine and The Baptist Praise Book, 1871.


11 Lennon, John and Ono, Yoko `Woman Is the Nigger of the World` from Some Time in New York City, 1972.





Value Added Material

20/11/2012 19:02

Value Added Material


The terrorist attacks on the Pentagon, Virginia, and the World Trade Centre, Manhattan, New York, didn`t seem to have any significant meaning outside of terrorism, whereas the `Big Apple` on New York`s Twin Towers eve of destruction represented the established wisdom of civilization, art and culture garnered since Eden by the descendants of Adam and Eve after they ate of the `fruit of the tree of the knowledge of good and evil` given to them by the evil serpent (Gen: 3. 5), and which appeared on 9/11 as Saddam`s `apple`, that is, the dictator of Iraq, in the guise of his Al Qaeda supporters, took a bite out of Manhattan`s `Big Apple`.



 Al Qaeda means `the base`, which is the Muladhara chakra in Hinduism at `the base` of the spine, and is where the infection HIV/AIDS begins. The Ajna chakra at the brow is called the `third eye` because it’s the seat of perception, and corresponds to the seat of vigilance, which is the Pentagon, Virginia, while the `Big Apple` of Manhattan corresponds to the throat chakra in which the `Adam`s apple` functions  as an articulator. The `heart` chakra of Hinduism is `Anahata`, which is similar enough to `Manhattan` to suggest that the terrorists were aiming at the heart. Abbreviations of the states of Virginia and Manhattan are VA., and M., which is the sound of the heart, according to Hinduism, that is, `VAM`, while a `dragon` is a draco, or what is commonly described as a `vampire`, which suggests the draco of the Gulf war (1990-1) wanted to continue drinking blood and 9/11 was the device it employed to attain its goal.



 In Revelation HIV/AIDS is the `blood plague` of the `red dragon` of war, because civilization in the West began with Greek homosexual pederasty`s enslavement of women`s `host` wombs for the purposes of furthering its contagion. Just as the HIV/AIDS virus feigns friendship for the body it kills, so the Greeks feigned friendship in the construction of the huge hollow wooden horse that the Trojans unwittingly took into their city of Troy, so allowing Greek warriors to emerge and enslave the `host` wombs of the women, and further their `blood plague`, which is spread by the `red dragon`, in the Christian Revelation, and appears in the Prophecies of the 16th century seer Michel Nostradamus as `terror from the skies`,1 because of the 9/11 hijackers` feigning of friendship by boarding flights as `visitors` in Newark, New Jersey; Boston, Massachussetts; and Dulles, Virginia to spread homosexual pederasty`s `disease` of `rough trade`, that is, enslavement of the heart through terror and war, by demolishing the Twin Towers of the World Trade Centre.



 The terrorist hijackers from Logan, Mass., represented an evil `black mass`, which is against Christianity, and the terrorists chose Logan because of the movie Logan`s Run (1976), which is a scifi tale of a society which kills all those who`ve reached 21. Consequently, 9/11 2001 was an attempt to prevent the birth of the child born to the `woman clothed with the sun and with the moon at her feet`, that is, the `New Redeemer` of the 21st century. Because Revelation says the `red dragon` waits in vain to devour the child, `Liberty`, in New York harbor, may be understood as the `woman clothed with the sun and with the moon at her feet` as the moon was reflected in her `waters`, that is, the yellow moon of the flag of Al Qaeda, while the red sun of the flag of Japan had been defeated since Pearl Harbour in 1945.



 In alchemy `the pearl of great price` is associated with the attempt to produce an elixir of immortality through chemistry, medicine, and ultimately physics. The developmental psychologist Carl Gustav Jung (1875-1961) saw that alchemists understand the soul and spirit as the human mind`s efforts to transcend what it thought of others, and physicists perceived that the material world at the quantum level behaved differently when humans were watching, which suggests Christian Redemption, based on `forgiveness`, is necessary to achieve that `detachment from the world` Eastern religions and philosophies teach gives entrance into `heaven`.



 In Central Europe`s Hungary, where their Eastern European word for God is in fact `Isten`, `Faith` is translated as `HÍt` because, although the Buddha advocated `detachment` from the world, or Samsara,  `cold fusion` physics requires what would seem to be belief , faith and prayer. At least judging from exhortations to `objectivity` from those reacting to experimenters` `subjective` claims of success. Atop `star mountain`, in the cold air of Buda`s Csillaberc, Hungary`s ` Martians` at the Research Institute for Particle and Nuclear Physics (KFKI), represent that detached objectivity which needs warm subjectivity if callousness isn`t to be the result of `detachment` from such events as Pearl Harbour, Hiroshima, Nagasaki and 9/11. The logical supposition is that `cold fusion` doesn`t work for the faithless:


 `Technological development is much too fast to be matched by biological adaptation of man. Moses showed the Promised Land to his people, but then he led them around for forty years in the wilderness until a new generation worthy of it had grown up.`2



 Equally those who`re able to objectively verify for themselves that they`re in heaven after detaching themselves from the world of Samsara don`t need another subjectivity to verify it for them. In short, `cold fusion` works for them. Or, in other words, the `detached` don`t want to be reattached to the world, or Samsara, to work for the unattached serpent`s `seed` who`ve verified `cold fusion` works and don`t want it to. Because it`d be economical and liberating for woman as a self-producing species with her own penis` valence as `futanarian` non-Martian.



 In the pop video Oops I Did It Again Britney Spears `Martian` is brought a `gift` by her spaceman, which is interpretable as `value added material` or `VAM`, in economic terms, while in terms of the Hindu chakra system, it`s Anahata, the `heart`:


`But I thought the old lady dropped it into the ocean in the end?`



 The `old lady` is Rose, in the movie Titanic (1997), who drops the diamond blue pendant, the `heart of the ocean`, into the sea as a memorial to her love who lost his life helping passengers to the lifeboats after the liner sank when it hit an iceberg on its maiden voyage to New York from Liverpool, England, in 1911. Britney`s spaceman replies:


`Well, I went down and got it for you baby.`



 In symbolic terms, the Earth represents the Muladhara chakra at `the base` of the spine, while the Swadhisthana chakra, which is symbolized by the moon, and the waters of birth, is where the `heart` of the infant beats in the woman`s nurturing belly. Consequently, Britney`s Oops I Did It Again is Manipura, the third chakra in the Hindu system of nurturing, and development, which means the `value added material` is what can be seen that`s `hidden` from those who can`t pay:


` … all material on a DVD that is in addition … ` (VAM)



 The `heart` is `hidden` from those who don`t attend to the `teachings`, which is `the base`, and the value added material (VAM) is individual development and economic growth represented by the Swadhisthana chakra through protection afforded to the child of the `woman clothed with the sun and with the moon at her feet` by the `New Redeemer` with the `iron scepter` to woman as a species with her own penis and new `futanarian` economic valence that the `red dragon` of homosexual pederasty waits in vain to devour. In short, the `heart of the ocean`, in Britney Spears` Oops I Did It Again, is the `new economics`, which is why she`s `baby` to her spaceman. Trudging through the sand to find her in the waterless desert, he represents the `New Redeemer`, who won`t accept the sterility of the `red dragon` of homosexual pederasty and brings to Britney the `heart of the ocean`, which is her economic valence.



 The `value added material` is what can be read from the spare information she gives in terms of the video`s message and meaning, because only those who are genuinely interested in others are welcome in their presence. As Britney`s suspension of her spaceman with the tines of a giant fork beside his helmet indicate. In her red suit she hoists him by means of a hook and pulley above herself in a white bikini dress. If he`s interested in taking her picture with the camera affixed to his spacehelmet, he mightn`t devour her, which is the meaning of the `baby` metaphor; for the `heart` of the child beats above `the base` or Muladhara chakra in the chakra of Swadhisthana (VAM) from the woman`s belly, and woman doesn`t want to be in a man`s; metaphorically or otherwise. Consequently, the `heart` in the woman`s belly is that of the `New Redeemer`, whom the `red dragon` can`t devour, because he who is to rule with an `iron scepter`, and protect her from the `red dragon` of homosexual pederasty and warfare, doesn`t want to devour her.



 Although Britney Spears has been voted the `most beautiful woman in the world`, beauty can blind, which is the meaning of the `value added material` (VAM) that requires the taught to attend to the teaching rather than the teacher. Jesus was tortured and murdered, because his torturers and murderers didn`t want `Woman` to self-reproduce, which effectively is what the Virgin Mary had done when Jesus was born from her without semen from the male alien parasitical virality of the `red dragon` of torture and murder, that is, the evil serpent`s `seed` attempting to live through her `host` womb since Eden and, in the 20th century, use its valence of devouring homosexual pederasty and war to wage `biological warfare` against her - as yet unborn - through its `blood plague` of HIV/AIDS.



 If the `reader` of the video Oops I Did It Again can see past Britney`s sexualiciousness and glean from the material knowledge and wisdom, the `pupils` have been educated, and the Swadhisthana chakra has been transcended so that the third chakra or Manipura has been achieved in terms of the Hindu system of self-actualization, which is called the `city of jewels`. According to the system, `meditating on Manipura, one is said to attain the siddhi, or occult power, to create, destroy or save the world.`3 Britney`s dwelling place emerges from the desert with a huge quaking roar, and she descends inside a giant`s ring, which suggests the `blue diamond`, that is, the `heart of the ocean`, symbolizing the `New Redeemer`, is her `ringstone`.



 The main fear after 9/11 was that the `red dragon` of vendetta and `blood feud` against women, in the form of homosexual pederasty and war against her Earth, and enslaved womb that `hosts` the evil alien parasitical virality and its valence of the `blood plague` of HIV/AIDS, would implement its politically correct (PC # 999) global surveillance to watch and, aborting her should she show signs of new life, reveal itself as her impolitically correct` PC # 666. Feminism has already defined lesbian women as `homosexual` without even considering giving a label to `futanarian` woman with a penis and contemplating the possibilities of a new economics of feminism based on woman as a reproductive species capable of `new production`, so there`s no point in telephoning the YWCA for help against the devouring `red dragon` of homosexual pederasty and its alien vendetta against the human species.



 The cowardly attacks of Japan at Pearl Harbour and Al Qaeda, `the base`, at New York harbor, were designed to keep the `pearl of great price` in the oyster, that is, the birth of the 21st century and its `New Redeemer`,  by perpetuating what the mafia call `vendetta`. `Blood feud` between warring families or peoples is another valence of the `blood plague` of the `red dragon` of Revelation,  and goes against Christian Redemption through forgiveness, which perpetuates that enmity between the evil serpent`s `seed` that God tells Eve shall exist between it and her `seed`. 9/11 was an attack on Eve`s `seed` in the `Big Apple`. Although the valence of the devouring `red dragon` of homosexual pederasty is war, woman`s `seed` isn`t visible; because her reproductive valence is enslaved. She would have to have a penis for her own economic valence to be visible, and she has one as `futanarian` woman, which is `Woman` and her semen as `the pearl of great price`.



 New York was the `city of the planes` on 9/11, and Sodom and Gomorrah were called `the cities of the plains` in the Bible, which were destroyed by God for homosexual pederasty, while in the 20th century `Camorra` is the name of one of the oldest mafia families. If 9/11 was the mafia`s precipitating the Earth into terror and vendetta, New York`s `city of the planes` was `Saddam and Camorra`. The terrorists `plot`, based on the movie of the novel The Two Towers by J. R. R. Tolkein and the film Logan`s Run from Boston`s Logan airport, was incorporating Stephen Donaldson`s rite of grief for the giant in his novel Lord Foul`s Bane, that is, the `camora`, which is a catharsis based on fire and pain. In terms of psychopathology, the terrorists saw themselves as `agents` of the Dark Lord of Tolkein`s The Lord Of The Rings trilogy, Sauron. Lord Foul is the giants` enemy in Stephen Donaldson`s own work of regeneration in adversity, Lord Foul`s Bane, and the society of Logan`s Run was built on the premise that those who reached 21 had to die. 9/11 2001 aborted the birth of the 21st century and was Saddam`s `Big Apple`, but should have been Adam`s, that is, the giant`s grown since Eden, while Saddam`s surname `Hussein`, which means `small handsome man`, is explained as those men who aren`t big enough to forgive or accept forgiveness.



 New York is infamous for mafia, which originated in Sicily, a largish island off the coast of Italy. 9/11 was part of a mafia campaign for the hearts of Italians in a `vendetta` against Moslem peoples to perpetuate a `blood feud` that had prevented the woman`s `seed` from emerging since God told Eve there`d be perpetual enmity` between her `seed` and the serpent`s, which grown into the `red dragon` of Revelation sought to precipitate the globe into a `blood feud` which would submerge the woman`s `seed` forever.



 What was missing on 9/11 was an adequate surveillance system to prevent hijackers from boarding `civil` aircraft and using them as flying missiles, and the war between the government of the USA and organized crime has always depended on surveillance. On the `grassy knoll` in Dallas, no one perceived the sniper Lee Harvey Oswald as he prepared to assassinate President John F. Kennedy in 1963, or the murderer of his brother, senior `policeman`, and Presidential Candidate, `Bobby`, in 1968. Equally, no one foresaw the attempt to assassinate President Ronald Reagan by the side of his car when he was shot in 1981. In 2001 noone stopped the Arabians as they bought tickets as `visitors` in New Jersey, Massachussetts, and Virginia, to intitiate `black` Mass., and penetrate VA., and M., that is the Pentagon of Virginia and the Twin Towers of Manhattan, which represented the `vam` or heart chakra of the USA, while the Whitehouse in Washington D.C. escaped because the passengers crashed the plane before it could get there.



 In `Italian` `air surveillance` is VAM, `vigilanza aeronautica militare`, which accords with the abbreviations of the states of Virginia (Pentagon) and Manhattan (Twin Towers), that is, VA.M., as the mafia targets of the airborne assassins of the Italian hearts of the USA, who`re traditionally vengeful and revenge minded when it`s `family`. In fact `vam` may be understood as the waters of `Liberty` in New York harbor on 9/11 as she gave birth to the `New Redeemer`, because `yam` is actually the sound of the heart in the Anahata chakra of Hinduism, whereas the sound of the baby`s heart would be at the Swadihisthana chakra, which is the belly and is associated with the moon and water.



 The hijacked planes functioning as missiles aimed at the heart of the birth of the `New Redeemer` in the belly of `Liberty` were the `stork` of terrorism`s attempt to replace the newborn economic valence of woman as a species, through her own penis` productions, with draconian surveillance systems to monitor the development and growth of the self-producer. As if the beast `666` were pretending to be the `kiddy alarm` of `politically correct` PC 999, or `911` were the telephone number for the `weathermen` of the CIA to get the FDNY to organize 9/11`s `baby shower` for the reincarnation of the `red dragon` of homosexual pederasty and war`s `rough trade` at the World Trade Centre.



 General George Washington, who commanded the defeat of the British Empire and presided over the birth of the USA in 1776, gave his name to Washington D. C. which the terrorist hijacked plane as flying missile didn`t reach; because passengers crashed the plane in Shanksville, Pennsylvania. Washington believed slavery `economically unsound and morally indefensible`, and the town to which he gave his name is associated with the Christian precept of `washing in the blood of the lamb` after 9/11 by direct spiritual current from the Whitehouse to the hearts of `Liberty` aboard Flight 93:


`Alternating current is characterized by periodic reverse, while direct current is unidirectional.`4



 In spiritual terms, Washington D.C. is `the town of washing`, and one of the great symbols of American art, culture and civilization is the washing machine, which technology developed out of the NASA space programme. The earliest forms of mechanism for washing were `tuns` that had contained wine but which, filled with water, laundry and soap, were compressed by hand. Women in wine regions used their washing `tuns` to press grapes with the same process and mechanism which, in England, is called the `dolly and tub`. The events of Revelation are described as the `pressing of the grapes of wrath in the winepress`, while `washing in the blood of the lamb` is for those who have been baptized and have accepted the teachings of Jesus, and the Holy Spirit, or Paraclete, and have fought for God. Women are fighting for their economic valence against the `red dragon` of homosexual pederasty`s evil serpent `seed` of war and HIV/AIDS, that is, `the abominations and filthiness of her fornication` (Rev: 17.4) who zestfully reproduces the male alien parasitical virality to be a periodic devourer of the art, civilization and culture born from woman`s `host` womb. Women of `Liberty` have pounded clothes and grapes in the `dolly tub` to be `washed in the blood of the lamb` and have `pressed the grapes of wrath in the winepress` so that, in 1969, NASA`s Apollo astronaut Neil Armstrong could say:


`One small step for a man, one giant leap for mankind.`5



`Liberty` is a universal constant for women, and they don`t want enslavement for their humanity by the bloodthirsty devourer. The Whitehouse is white because the President lives in Washington D.C., not because he`s white (Barack Obama was widely considered the first `black` incumbent). Consequently, it`s `washing tun DC` because the valence of the enslaving parasite is to deny electricity `directly` to those that own washing machines and make electricity available for `tuns of washing` dollys.



 In symbolic terms, the statue of `Liberty` functions soulessly, because it`s an idol and so freedom`s machine can`t be understood. Humans are enslaved by the evil `red dragon` of homosexual pederasty and war`s machinery because machines haven`t liberated humanity and so progress in art, culture and civilization can`t be attained. Even the Apollo astronauts asked for the controls of the command module to be `dumbed down` so that they could operate as humans because the controls had been automatic for the chimpanzees that had been first into space. What they didn`t realize was that more advanced technology is more human and they were asking to be less human.They`d set course for Return To Planet Of The Apes (1975) in `movie` terms, whereas humanity wanted I Robot (2004) in which the notion of the film isn`t of the machine as slave but as liberator.



 In electrical terms, AC/DC denotes `valence` distinct from the `fixed determination` of the 9/11 terrorists. The passengers of `Flight 93` were directed by the spirit of  `current` President George W. Bush to prevent disaster, and were able to do so because their `valence` was to choose `Liberty`. However, if the `red dragon` of homosexual pederasty is defined as AC/DC, that is, a term used to connote male bisexuality, its feigning of sound economics and moral defensibility merely preserve the illusion of `Liberty` as something more than a woman waiting for a machine to do the washing for her.



 The ancient Greeks had a word for `periodic reversal`, enantiodromia, which means an overweighting in terms of the good so that bad consequences result, and feminist `political correctness` defines `AC/DC` male bisexuality as `PC`, but defining lesbians as `homosexual` isn`t acceptable from the perspective of woman as a species with her own penis and economic valence fighting against the `red dragon` of homosexuality and war, which has as its valence the `biological warfare` it`s waging against the products of woman`s `host` womb, that is, her art, culture and civilization, by the parasitical alien virality of men that has created the enantiodromia of HIV/AIDS out of its sexual repression of humanity`s natural valence of reproduction and nurture so that blood, shit and semen mixed together seems attractive, rather than sterile and evil.


1 Century 10, Quatrain 72







Looking Class War: Britney Spears` Criminal

17/11/2012 09:47

Looking Class War: Britney Spears` Criminal


The video for the `pop` single Criminal by Britney Spears is about `class`. The album from which the sinlge derives is Femme Fatale, but the title of the previous album Circus (2008) is a euphemism for `spying`.  Alice Through The Looking Glass (1871) by Lewis Carrol, the pseudonym of the 19th century logician, Charles Dodgson, is interpreted by criminals as `looking class`, whereas the intelligence `circus` is about the mirror. Essentially, criminals want the picture you`ve painted for yourself. Because you`re not in their class. Or, in other words, criminals aren`t in the same glass with you, because it`s your picture. You`ve painted it and they want it. Because they want to see themselves in the `looking glass` so that they can be `looking class` instead of you.



 The `secrets war` is often called the `looking glass war`, because the `looking class` want the picture you`ve painted, and to see themselves instead of you in your mirror, which is no secret to those who`ve worked to create the picture they`re living in, and that they can see all around them, as the mirror of themselves, and their own personalities. Demonic possession is the perspective that the criminal can be you in your `looking glass` and `look class` in the picture you`ve been living in, which is the difference between possession through marriage and so `ownership of the means of production`, and possession of the body of the producer of the production, which is what men as parasites do. If `Woman` has a penis of her own as `futanarian`, and so is a species with its own economic valence, she doesn`t need the male alien, which means that she`s producer and product. Consequently, what she sees in the mirror is herself and all men become criminals because they want to be in the picture.



 Circus, the name of the Britney Spears` album preceding Femme Fatale, which is another name for a `Mata Hari`, or female spy,1 is the label given to the world`s intelligence networks, but doen`t mean criminal. It`s about pictures, and the mainitaining of pictures without demonic possession, that is, ensuring that the individual in the mirror is you. In the movie Face Off (1997) starring John Travolta and Nicholas Cage the pair swap identities and the criminal has the face of the `circus`. Because the criminal looks like the `good guy` but isn`t. In terms of the `looking glass` of the movie screen it`s only possible to perceive that Cage and Travolta are enemies, which is the desired confusion. As in Mr and Mrs Smith (2005) in which Angelina Jolie and Brad Pitt, a `real life` married couple, and `happily` married in the context of the film, strive to kill each other on the orders of the `circus`.



 Hollywood`s schizophrenia depicts the hijacking of Airforce One (1997) by megalomaniac Russian dictators of Middle Eastern provinces and tsunamis drowning New York The Day After Tomorrow (2004) but are surprised when the Twin Towers become the Two Towers (2002) from the novel The Lord Of The Rings and flying aircraft like winged Nazgûls crash into the World Trade Centre `like we`ve seen it on TV`. In J. R. R. Tolkein`s trilogy the nine men who are enslaved wraiths of the Dark Lord, Sauron, ride winged Nazgûl into battle against the forces of the West and so 9/11 was chosen because he nine are the slaves of Sauron, who presumably `soared on` in movies like Saw and Saw II (2005).



 In `Tolkein picture` terms, 9/11 was the nine against the two, where the two are the descendants of Adam and Eve, and the `Big Apple` and the nine are the `seed` of the apple given to Adam and Eve in the garden of Eden so that they could know good from evil. The evil serpent grown into the `red dragon` of Revelation on 9/11 is described as waiting in vain to devour the `New Redeemer`, who is the child of the `woman clothed with the sun and with the moon at her feet`. She`s the statue of `Liberty` with the sun above her and the moon reflected in the waters. A symbol of the USA`s defying of the red suns of the flag of Japan at Pearl Harbour in 1941 and the yellow moons of the flags of Al Qaeda at New York harbor in 2001, her child would be the `New Redeemer`. Because New York`s `Big Apple` of Adam and Eve represents the wisdom of the Bible, and its fruit of 2000 years since God sent the Holy Spirit, or Paraclete, as humanity`s `developer` after the crucifixion, Resurrection, and Ascension of Jesus, who taught in the `spirit of God` of life eternal for humans.



 9/11 is the homosexual pederast that wants to be in the picture with Adam and Eve as their owner. The World Trade Centre was chosen because for the devouring `red dragon` of homosexual pederasty New York and the `Big Apple` represented a threat to `rough trade` in which `boy sons` are produced that they can use as `poisons` against the `host` wombs of women in their `biological warfare` of HIV/AIDS against her. Because she might develop into her own species as `futanarian` woman with a penis of her own and escape from economic slavery with her own economic valence as producer and `production`.



 In ancient Greece, women`s wombs were enslaved by homosexual pederasty as an institutionalized form of `production`. The role of Greek warriors was to enslave the `host` wombs of nearby city states by means of war in order to spread their `contagion` further, and the Greek model of the state was the basis for 20th century ` democracy`, which is why the film of 9/11 was so bad. Against Troy the `Greek horse` was employed. Huge wooden and hollow the Trojans took it into Troy and the Greek warriors emerged to enslave the women`s `host` wombs. Equally, on 9/11 the Americans welcomed the Arabian terrorists boarding planes at black Mass., near Salem in Lynn county, scene of the notorious witch trials of the 17th century. Although Britney Spears` mother`s name is Lynn, doubtless she wasn`t amongst the adepts in the black arts endeavouring to sail `em in on 9/11 with Sauron and the other Nazgûls:


`All the [Nazgûls] … girls love a sailor.

He falls in love with Kate and Jane, then he's off to sea again,

Ship ahoy! Ship ahoy!`2



 J. R. R. Tolkein`s fictional languages were mainly based on Finno-Hungarian, and in Hungarian `két` is `two`, while Jane may be understood as `chain`. Consequently, if 9/11 was perpetrated by Tolkein `fans`, it was an attempt by `black magicians` and their accomplices to reimplement homosexual pederasty and its economic valence of possession and devouring through war and the enslavement of women`s `host` wombs through terrorism by means of their alien parasitical virus that had manifest itself in the latter part of the 20th century as the `blood plague` of Revelation, HIV/AIDS.



 The hope of the `red dragon` was that fear of HIV/AIDS, that is, the homosexual pederast`s valence of terrorism would strengthen the bond between monogamous heterosexuals while their `owner`, the evil spirit of the serpent`s `seed` since Eden, continued to work them in the guide of capitalism and prevent the woman`s economic valence of `futanarian` female with her own penis from being born out of relationships of which she`d have no obvious means of obtaining knowledge outside of lesbian movies that are promoted by male alien propagandists as `abnormal` but that indicate woman`s true sexual potential as a species. However, that`s too late for those ensnared in homosexual pederasty`s web of refusal to educate woman as at species with her own penis and economic valence as a producer that men are not business partners but her death and parasite.



 Obviously, pornography is an educator`s valence, which is why it`s taboo in alien homosexual pederasty and, because the taboo is perceivable, the Earth is in the grip of the `red dragon`, which wasn`t readily visible on 9/11, but George W. Bush`s declared `War on Terror` (2003-) may simply have been an aspect of the `red dragon` of Revelation proclaiming terrorism for all and a surveillance network of intelligence determined to enforce (999/666) it while preventing daughters from understanding that `political correctness` from groups such as `PC` feminism (911), who would have us believe that lesbians are homosexuals by slapping `PC` bans on their daughters` internet usage and so make it impossible for them to discover, until too late, and a misogynistic monogamist slave ownership contract later, that  mom might`ve had a penis of her own; without dad being attached to it:


`I'm starting with the man in the mirror.
I'm asking him to change his ways.
And no message could have been any clearer.` (1988)



 In criminal terms `Woman` isn`t being shown herself in the mirror and so has to accept what pop star Michael Jackson called The Man In The Mirror (1988) because it`s the picture she`s taught, whereas the man in the mirror is the enslaver who wants to steal her picture, which is why many supposedly primitive societies make the taking of photographs taboo and perceive it as soul-stealing.



 In Britney Spears pop video Oops I Did It Again (1999) she`s depicted beneath a camera attached to a spaceman`s helmet with the tines of a giant`s fork beside it, which is Moslem insofar as the `star` upon which she reposes has eight points, rather than the six of Judaism, and it`s traditional to leave what you don`t want from the fare in Arabia. Consequently, the question being posed is whether or not the man behind the camera is a devouring `red dragon` of homosexual pederasty, who`d `chuck` Britney`s Spears after he`d had his fill of her, or genuinely finds her `delectable`. In Piece Of Me the pizza refrain `You wanna piece of me?` is directed against the paparazzi that subsequently deprived her of her fortune of billions of dollars on the strength of her kid`s cap falling off near Central Park while she was running for a car. The court, deciding she was a `bad mother` for not stooping to pick the child`s cap up off the floor in late May 2006, gave `Conservatorship` to her dad, and later Co-conservatorship to a `hanger on` claiming to be marrying her.



Apparently all the American judiciary require is an e-mail instructing them that you`re marrying Britney Spears to be in immediate receipt of at least half of her hard earned cash. Obviously, the mirror and the picture is distorted. In myths of parasitism, the parasite can`t be seen in the mirror, because the woman can see herself there when she is alone.



 Although Britney Spears is a `vamp`, she isn`t a parasite. In Hinduism `vam` is the heart chakra and vampires are the parasites that can`t be seen in the mirror but drink the heart`s blood, according to the male alien myth of parasitism. In the New Testament Jesus` offer of his body and blood to the disciples precedes his torture and murder by parasites who don`t want him to spread the word of God`s plan for immortality, which would mean that people would be older and wiser and wise to the parasite. Moreover, Jesus` offer of his body and blood may be taken as literal in the sense that what is termed `vampire` may be understood as Holy Spirit, or Paraclete, which lives from the blood or soul of the body of the individual that accepts the `host` in the Catholic transubstantiation service in which the wafer and the wine are consumed as symbols of friendship and acceptance of Jesus and his teachings through the power of the Holy Spirit.



 For a woman the `host` is herself and her collective wombs are the `hosts` of God that are to emerge when her valence of woman as a `futanarian` species with her own penis is economically independent from men upon the Earth. In other words, the male myth of the vampire is of themselves as the parasite that keeps `Woman` in terror and fear of hell, whereas the Holy Spirit is the image of themselves and, whenever she`s visible, she isn`t visible as men, who`re women`s parasites. Consequently, if women are visible, they`re the Holy Spirit, whereas the male parasite, whether visible or invisible, is a parasite and remains so. Jesus was born from a virgin without male semen and didn`t contaminate the `production` with his own. In essence the picture is of the murderer and the victim. The murderer is the draco who devours and the woman is the pursued. It`s Scream (1996) in which Drew Barrymore and Neve Cambell as Everywomen are pursued by the murderer as Everyman until she`s extinct. Eventually, the mirror will contain only the space where the woman had been. However, because the parasite can`t be seen in the mirror, they`re not in the `picture` with her, which is what Revelation says. Woman`s `seed` receives a new heaven and Earth while the serpent`s `seed` receive perdition.



 From a male point of view, if you can see a man in the mirror, it`s the vampire, because he should be seeing a woman with or without a penis in the `looking glass` war, which means that the man in the mirror is losing the `looking class` war because the criminals want him to understand that he` s a man, whereas Jesus said `love thy neighbor as you love yourself` because women are human and yourself. Consequently, the human species is being devoured by a draco and the evidence is the man in the mirror because he`s a non-human blood-drinker who hasn`t accepted Jesus` and the Holy Spirit`s teachings of Redemption, which is why he sees a parasite in the mirror that`s invisible because he know that he`s there, otherwise he wouldn`t be recognizably `not in the picture` so far as God`s heaven is concerned.



 The `looking class` are the criminal class because they want to be you in the mirror looking at your picture, which is why spying is known as the `secret war`, or the `looking glass war` after Lewis Carrol`s Alice Through The Looking Glass. However, the evil don`t want anyone to be seen in the mirror, or in the picture, because they`re nihilists who don`t want life and that`s an aspect of the sterility of the `red dragon` of homosexual pederasty that breeds `boy sons` in order to have them devour the woman`s Earth, that is, civilization, art and culture, as it emerges from her `host` womb for the parasitical organism to consume in fire, while its `boy sons` valence of disease is present in the form of its `biological warfare` against woman`s `host` womb as the fear of `poisons` that prevents her as the species of woman with her own penis from giving birth to the `hosts` of God that, `neither given nor taken in marriage`, that is, ownership through misogynist possession, which is marital slavery, are rather `as the angels` (Matt: 22. 30) in heaven; because the serpent`s `seed` has perdition for its sins.



 Arguably, there are differences between criminals, spies, and the `red dragon` of homosexual pederasty`s valence of devouring war. If the churches support misogynistic enslavement of women`s `host` wombs for the purpose of devouring her civilization, art and culture in periodic male alien parasite wars against her, which are identified in Revelation by their valence of `blood plague` through anal ejaculations, which is the valence of the `red dragon` as HIV/AIDS` that attacks the wombs of women so that they`re terrified out of the desire for the knowledge that they`re a species with its own penis as `futanarian` capable of reproducing with each other, and developing their own societies within their own family economy.



 The concept of the Mafia family in the popular American imagination began with Don Corleone played by Marlon Brando in The Godfather (1972) movie but was brought home to the public when `Bobby` Kennedy was `gunned down` in 1968 as Presidential Candidate, after his brother `Jack` was similarly murdered in Dallas, Texas, in 1963, when John Fitzgerald Kennedy was President. Robert Fitzroy Kennedy was Attorney General, which is the senior law enforcement officer in the USA, with a remit to fight organized crime. Jack Ruby `gunned down` Lee Harvey Oswald, who was linked with the CIA and the KGB in Russia, that is, the `circus`, which suggested that intelligence gathering was contaminated by criminality. English University life was a breeding ground for communist sympathizers in the 50s and a significant proportion were homosexual pederasts, which meant the `red dragon` has mafia, spies, and pederasts as its primary valence within the world`s more secretive organizations:


`The Cambridge Five was a ring of spies who passed information to the Soviet Union during World War II and at least into the early 1950s. Four members of the ring have been identified: Kim Philby, Donald Maclean, Guy Burgess and Anthony Blunt. Both Blunt and Burgess were members of the Apostles, an exclusive and prestigious society based at Trinity and King's College, Cambridge University.`3



 If Hollywood is perceived as primarily concerned with ensuring the primacy of its leading men, while concealing the woman`s penis from itself, and such groups as the Apostles are allied with the churches` valence to support `ownership of the means of production` through marital enslavement of women`s `host` wombs, the `looking glass` picture of the world that is mirrored for the `looking class` is of men as the devouring `red dragon` of misogyny, which is what it represented at the beginning of the 21st century in movies like Scream and Saw (2004). Or, in simple terms, the `looking class` society of America is the `looking glass` society that`s taught itself it`s `classless` but hasn`t accepted the teachings of Jesus and the Holy Spirit, so that the movie Dracula is what it can`t see is a true reflection of its `glasslessness`.


2 Traditional British song made popular in 1909 by music hall entertainer Hetty King.




16/11/2012 12:55



In the video for Womanizer there are four Britneys. At the beginning she`s cooking a square egg, which has four sides and so is symbolic of the four Britneys that appear in the video. In the developmental psychology of Carl Gustav Jung (1875-1961) the ego sits at the centre of a growth process that requires the differentiation of each of the four functions of consciousness, which correspond to ear (`Thinking`), eye (`Sensation`), mouth (`Feeling`) and nose (`Intuition`). In Jungian literary analysis it has often been observed that characterological schemata has been used by writers to describe the process whereby the individual ego grows in knowledge and wisdom.


 In the science fiction novel The Number Of The Beast (1980), for example, by science fiction Grand Master, Robert A. Heinlein (1907-88), the four characters correspond to Jung`s delineation of the four functions as paired male and female valences representing the distinction between conscious and unconscious `Self`.  According to Jung the male ego associates itself usually with the male valences of `Thinking` and `Sensation`, which are superior and auxiliary functions respectively, whereas the female functions that are associated with the unconscious and the anima as a mediator of the archetypal contents of the collective unconscious that emerges into consciousness through dreams, art and the imagination in the form of inspiring imagery, are `Feeling` and `Intuition`, which are ancillary and inferior functions respectively.



 Robert Heinlein`s four characters travel through time and space squabbling and bickering over who is to drive until all are competent pilots, that is, differentiating each others` functionality, they`re representative of growth through interaction and differentiation of Jung`s functions of consciousness. In short, Jake, Zeb, Deety, and Hilda correspond to the unconscious `Self` of Jungian psychology, which is actualized as the individual becomes more competent and independent.



 Four Britneys isn`t a new phenomenon in Britney Spears` `growing economy` of video pop. As well as the four in Womanizer (2008), in Lucky (2000) at least four Britneys share the same scene, and in Oops I Did It Again (1999) two are `paired` on set. In Toxic (2004) Britney shares the limelight with herself through variegated costume changes, while in Hold It Against Me (2011) she engages in bare knuckle fist fighting with another Britney. Obviously, she`s a star who doesn`t spare her own ego. Just as scifi `Master` Robert Anson Heinlein didn`t spare his characters egos in the novel The Number Of The Beast. In fact the car, Gay Deciever, became a character in her own right in later works of the author; particularly in The Cat Who Walks Through Walls (1985), and To Sail Beyond The Sunset (1988) where she represents the yearning for immortality in the afterlife.



 Bob Heinlein was a technician by profession and he had a `nuts and bolts` approach to life that perceived Jungian psychological theory as the basis for constructing a `Self` out of the material of the psyche, which he developed as his time-space car with its four functions as the `wheels` of its `chariot of Ezekiel` (Ezekiel 1: 1-3. 27) style motion, and a female voice as the `autopilot` of the space-time continua vehicle corresponding to Jungian notions of the soul as spiritualized anima and Christian notions of the Holy Spirit, or Paraclete, as `teacher, guide, comforter and helpmeet` within the many different worlds that Robert A. Heinlein expected to be encountering as a futuristic Candide with `the best of all possible worlds`1 to choose from in `his concept of scifi heaven`.



 In Womanizer Britney Spears appears as cook, chauffeur, office manager, and hostess, which accords with the media`s understanding of her as `MYSTERY, BABYLON, THE GREAT, MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH` (Rev: 17. 5). Britney`s `hostess` carries the cup of the `filth of her fornications`, which is the full glass from the wine tray she gives to one of the `boy sons`, that is, the `poisons`, who are her men.



 Babylon is great because she is `Woman` who lives with the spectre of homosexual pederasty, and the cup of the `filth of her fornications` is HIV/AIDS. The valence of society deriving from the ancient Greek`s practice of enslaving the `host` wombs of women for the purpose of producing `boy sons` to enslave the women of nearby city states as more `host` wombs, remained the 21st century`s valence that `poisons` after the appearance of the `red dragon` of Revelation on 9/11 in the form of homosexual pederasty`s devouring terrorism and war.



 9/11 echoed the fall of Troy, insofar as the Greeks gained access to that city by leaving a huge hollow wooden horse outside the gates. When the Trojans took the horse into the city the Greeks emerged to enslave its women`s `host` wombs. `Liberty` had reluctantly accepted the Arabian terrorists` boarding of `civil` aircraft in Boston, but the `hosted` guests had  hijacked the aeroplanes as flying missiles aimed at New York and elsewhere.



 Although `Liberty` had accepted the `friendly firers` of Gulf war I (1990-1), because they apologized for `accidentally` killing American service personnel, she couldn`t accept the terrorists of 9/11 as `friendly virus`. The humane immune system accepts the HIV/AIDS virus as `friendly` before it kills the `host`, which is `Liberty` as the `hostess` for the parasitical male `boy sons`, that is, the `red dragon` of homosexual pederasty`s `poisons` of HIV/AIDS, and its `biological warfare` against women`s `host` wombs. `Liberty` accepted the Arabians in Boston as `friendly virus`, but couldn`t accept the terrorists as `friendly firers` after they attacked New York. Consequently, George W. Bush declared a `War on Terror` (2003-) and pursued Gulf War II (2001-11), which included a campaign against the Taliban in Afghanistan and the capture and execution of Al Qaeda`s leader, Osama Ben Ladan, who was being supported by more `friendly firers` and `friendly virus` in Moslem Pakistan.



 Although the cup of Babylon contains the `filth of her fornications`, woman`s `host` womb is the producer and product of civilization, art and culture. Consequently, she is the `hosts` of God. As Jesus says, ` At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30) If woman is to be `as the angels` in heaven, she must stop producing the `boy sons` of homosexual pederasty, that is, the `poisons` of HIV/AIDS `biological warfare` against her `hosts` womb, and the `poisons` of the `red dragon` of terror and war. Because the `hosts` of God are to emerge therefrom.



 The Arab terrorists hijacked what would pass for `huge hollow wooden horses` in the ancient world to fly them into the Twin Towers of New York and elsewhere to spread the contagion of the `red dragon` of homosexual pederasty of war and terror in order to implement `rough trade` by means of the collapse of the `Big Apple` of the World Trade Centre, which represented the awakening brain of the world to the possibility of new economic growth based on woman`s capacity to nurture and develop her offspring rather than men`s capacity to possess and devour her.



 As the producer of everything upon the Earth from her `host` womb, woman`s daughters are producers too, whereas the `boy sons` of the devouring `red dragon` of homosexual pederasty has produced the `poisons` of HIV/AIDS as its `biological warfare` against her. The `boy sons` of the `red dragon` seek to be the possessors of the angelic `hosts` of God born from the wombs of women, and their consumers  through unholy marriage with women as their `great whore of the apocalypse`. Consequently, in order to obviate the problem of the `boy sons` of homosexual pederasty and war, and the `poisons` of Babylon`s cup, which contains the `filth of her fornications`, and is HIV/AIDS as the `blood plague` of the `red dragon` of Revelation, which is what women`s `host` womb is used for by the evil alien parasitical `seed` of the serpent since Eden , God has created a woman with  a penis who`s `futanarian` and represents the economic valence of woman as a species, because she doesn`t need men to produce for herself.



 In Womanizer Britney`s `hostess` carries the cup of wine and so represents woman`s `host` womb, who is Babylon to the `boy sons` of the devouring `red dragon` of homosexual pederasty`s `poisonous` valence of its boys an` us terrorism and war, but Britney Spears is the `host` of the Catholic mass of transubstantiation to those who believe in Redemption and to live `as the angels` in heaven through the power of the Holy Spirit, which is symbolized by Jesus as the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven, by his offering of the bread and the wine as symbols of his body and his blood to those seated with him and to one who would betray him, Judas Iscariot, who corresponds to Saddam Hussein and Osama Ben Ladan insofar as the Americans sat at the negotiation table to give them the 3rd largest army in the world and support in Afghanistan (1979-89) against the Soviet Red Army, which is almost universally known in Russia as `the big red one` and would undoubtedly never have allowed an attack on New York by Islamic fundamentalist terrorists operating from Russian controlled airspace.



 Red`s a colour and is present in the `red, white and blue` of the USA`s own flag. Consequently, jingoistic statements as `better dead than red` are anti-American as well as unrealistic. The `red dragon` of Revelation is `red` because it represents the blood of war and contamination of the human brain through the `host` wombs of women by means of its production of `gay boy sons` of homosexual pederasty and devouring war. The red `blood plague` of Revelation is the `poisons` derived from the `gay boy sons`, which the `red dragon` wages as its `biological war` of HIV/AIDS against the `hosts` of God`s emergence from the `host` wombs of women.



 Womanizer denotes woman as machine, that is, the wine carried by Britney`s hostess symbolizes the `spirit of God` and the woman`s body is its producer and product, which doesn`t have to produce `boy sons` so that they can call her a `great whore` and, as evil alien parasitical `seeds` of the serpent of Eden, give her the `poisons` of the `red dragon` of homosexual pederasty`s `blood plague` of HIV/AIDS. Any woman is a whore whose wombs men use to spread their plague of fear and terror through wars that spread their contagion further by enslavement of `Liberty` as their `host`. But the production machinery of woman as a species with her own penis doesn`t have to be the `host` of evil. She can produce herself.



 God tells Eve there`ll be `perpetual enmity` between its `seed` and woman`s. In Revelation the woman`s `seed` defeats the `red dragon`, now grown and, having waited in vain to devour the `New Redeemer` born to the `woman clothed with the sun and with the moon at her feet`, it and its `seed` receive eternal perdition while the woman`s `seed` receive a new heaven and Earth. Men`s economy is `possession` through feigned symbiosis in marriage  and `consumption` of woman through enslaving her host` womb as a parasite for which `ownership of the means of production` means devourment of the product, that is, civilization, art and culture, in war. Women`s economy of nurture and development through her daughters is better, because men`s `biological warfare` against her in the shape of the `red dragon` of the `blood plague` of HIV/AIDS tells her that God`s `hosts` from her womb will be `as the angels` without men.



 In the New Testament Jesus, the teacher of Christianity, is born from the `Virgin Mary` as the `Perfect Man`, who was tortured and murdered by `critics` after his betrayal by Judas Iscariot. At the `Last Supper` Jesus offered the `wine and the bread` as symbols of his `body and blood`, because of `friendship`, but Judas `feigned friendship`, as the HIV/AIDS virus `feigns friendship` for the body it kills, and as the 9/11 terrorists `feigned friendship` for the USA they attacked.



 Jesus was born without male semen, which prefigures the birth of the `futanarian` woman as the valence of woman as a species with her own penis, who doesn`t need male semen. Consequently, Jesus as the `Perfect Man` is perfect because he`s neither a carrier nor a transmitter of the `disease`, whereas the Virgin Mary is a carrier of God and can produce without the evil serpent`s `seed`, which prefigures `futanarian` woman with her own penis as a valnce of the species `Woman` and her economy.



 Britney Spears in Womanizer cooks a square egg because she`s an economist. As well as cooking, she `hosts`. In the Bible Cain murders Abel because he`s able enough to cook, while Cain is too lazy to know how, which is the valence of the homosexual that doesn`t function but waits for others to function and then murders them for functioning because the functioning reveal the non-functioning as sterile thieves whose valence is to reduce humanity to the level of chimpanzees so that they can prime humans to produce more for them to steal.



 In Womanizer Britney is able because she `cooks` and `hosts` insofar as she represents the valence of woman as a species whose cup is the `Holy Grail` of Jesus` `Last Supper` that contained the spirit of the wine of the body, which doesn`t need the murderous `boy sons` of devouring homosexual pederasty, and its `poisons` of war and `biological war` against woman`s Earth and her`host` wombs. As an `office manager`, Britney photocopies her own `ass`, which suggests she can make copies of herself as a woman who is a species with her own penis and economic valence.



 As a chauffeur Britney is the fourth `wheel` of her car. She can `cook`, and produce the `hosts` of God from her womb through her `futanarian` valence of woman as a species with her own penis, which is why she photocopies her `ass` as the `office manager` and so she corresponds to the Jungian individual who can differentiate the four functions of consciousness that, in Robert Heinlein`s The Number Of The Beast, are the car`s occupants. Although she`s chauffeur to a man in the video, herself in the guise of `office manager` photocopies his head and his ear, which is symbolic of the `Thinking` function, according to Jung, because in undifferentiated form the `Thinking` function corresponds to the ear, while the eye corresponds to the `Sensation` function and so, after Britney`s sauna at the video`s commencement, another man wipes away condensation from the glass of the sauna, which means he corresponds to the other male function of `Sensation` and the `eye`. However, as the four Britneys, who`re `cook`, that is, nose or smell, because of the pungency of the `square egg`, mouth as taste and `Feeling`, which is the wine of the `hostess`, and the `office manager` as eye or `Sensation`, because of  the photocopier, whereas the `chauffeur` is the ear or `Thinking` because Britney`s `driver` listens to the other three Britneys about direction and they throw the man who represents male `Thinking` out of bed at the end of the video, which means `Sensation`, that is, the eye, has become men`s superior function, because her fourold Jungian nature doesn`t now need men for anything.



1 Voltaire Candide (1759)

Britney Spears` Oops I Did It Again, Supermarionation, and Thunderbirds

03/10/2012 13:57

Britney Spears` Oops I Did It Again, Supermarionation, and Thunderbirds



Descending onto her stage set in Oops I Did It Again Britney Spears` science fiction pop extravaganza pays homage to the British `puppet` series Thunderbirds, created by Gerry and Sylvia Andersen in the 60s. Made into a Hollywood film starring Vanessa Hudgens and directed by Star Trek`s Will Ryker, Jonathan Frakis, in 2004, Thunderbirds featured `International Rescue` and a cast of puppets with strings often visible as they captured the hearts and minds of a generation of kiddies. Appearing in the kids` comic TV 21, the Thunderbirds cast were closer in conception to the movie version because the characters appeared better drawn without signs of a `puppeteer`. One of the more obvious `scenes` resembling Thunderbirds of `Tracey Island` is that in which Britney gesticulates and the male dancers collapse around her like the palm trees collapsing around Thunderbird 2`s `take off ramp` as it prepares to leave on a `mission` for `International Rescue`.



 Britney, in her red pilot`s suit, is depicting Thunderbird 3 too, which is a bright red spaceship, while her appearance also alludes to the bright red nose cone of Thunderbird 1. Raising her spaceman visitor, who has arrived from Earth, he dangles helplessly above her as she takes the role of the `puppeteer`. Below the spaceman Britney appears in a white bikini dress, and so the spaceman `hovers` above her like Thunderbird 2.



 Britney`s Oops I Did It Again `scifi` is referring to the novel The Puppet Masters by the USA`s first `Grand Master` of science fiction, Robert A. Heinlein (1907-88), in which `slugs` take over the bodies of the people of Earth and can only be perceived if the people are naked. Many critics have thought the `slugs` refer to the USA`s 50 `s fears of `communism`, which often transpired as aliens in the movies of the period and appears in a later 1959 Heinlein juvenile novel as the `bugs`. Starship Troopers was made into a movie in 1997, and Podkayne Of Mars is Heinlein`s  juvenile girls` novel that Britney`s alluding to when she suspends her spaceman above her like Thunderbird 2.



 The feature of Thunderbird 2 was that it had a `pod`, so Britney hoists her spaceman above `Poddy`, that is, herself in a white bikini dress, because she is playing the role of the character in Heinlein`s  Podkayne Of Mars. Her spaceman is Thunderbird 2 hovering above its `Pod`, which corresponds to Thunderbird 4 because the `pod` of Thunderbird 2 contains Thunderbird 4, as a baby in a mother`s womb.



 If women have a penis of their own, as futanarian women do ( ), it would only be possible to see that they were a part of the species of woman if they were naked. According to the Bible there will be perpetual `enmity` between the serpent`s `seed` and that of the woman`s `seed` and war in heaven, which her `seed` will win. Because `seed` is semen the woman described as `hidden` has a penis of her own and is the true species of the planet Earth.



 The aliens are men because `slugs` is the word used to describe bullets and `shots` of alcohol, which denote the method applied to those who are conscious, or capable of awakening to the fact that the people on the planet Earth are murdered if they show signs of intelligent life, or are `dumbed down` by means of the fake attractions of alcohol poisoning.



`According to the developmental depth psychology of Carl Gustav Jung (1875-1961) the collective consciousness of mankind functions at such a low level that it corresponds to what Jung terms the subconscious or collective shadow that functions much in the way that Heinlein envisions the `slugs` as functioning in The Puppet Masters. Britney`s perception is that woman as a species with her own penis can`t be free because of the collective shadow of the alien subconscious of men possessing her as a female collective unconscious of its role as `host` womb to the parasite, and based on unconscious acceptance of the male alien seeking symbiotic relations:


`... the embryo ... obtains nourishment from the blood of the mother, similar to the leech, which feeds on the blood of others.`1



The `blood plague` of the `red dragon` of Revelation corresponds to the HIV/AIDS virus which became virulent in the last quarter of the 20th century as an incurable `killer disease` that functioned as a form of men`s biological warfare against women`s `host` wombs. As a parasite men function as the HIV/AIDS virus does insofar as it `feigns friendship` for the woman in order to infect her with its parasitical alien life form, or `slug` as Heinlein refers to it in The Puppet Masters. The `slug` might be interpreted as a euphemism for the penis that isn`t sexually interested in the woman.



 Western civilization began in ancient Greece with a society that wasn`t sexually interested in women at all but promoted the spread of its homosexual pederasty by means of the enslaving of women`s wombs through devouring wars against her, which is what the `red dragon` of Revelation represents, and its `blood plague` is its continuation of war against her in the form of HIV/AIDS` biological warfare  against her daughters.



 Against Troy the Greeks employed a huge wooden horse inside which they hid and, when the Trojans, believing the horse to be a `friendship gift`, took it into the city, the Greeks emerged to enslave the wombs of the women for homosexual pederasty. On 9/11 the Arabian terrorists similarly `feigned friendship`, like the HIV/AIDS virus, when boarding a flight from Boston, Massachussetts, and crashed the hijacked planes into the Twin Towers of New York to spread homosexual pederasty`s contagion of terrorism and war further.



 In Oops I Did It Again Britney focuses on Thunderbirds as an `International Rescue` force, with the main emphasis on herself in a white bikini dress as Thunderbird 4`s `pod` because of her referencing `Poddy` from Heinlein`s Podkayne Of Mars, but she`s also referring to the `pods` from the 50`s movie The Invasion Of The Body Snatchers, where `Poddy` would be the `body` to be `snatched`. In other words, it`s difficult to see the difference between an alien and a human if you`ve been taught that men are human and they`re aliens.



 Although Britney`s spaceman appears to be alone we are given glimpses of `Mission Control`. Her spaceman has a camera fixed to the side of his space helmet, and we see `Mission Control` observing Britney through its lens from inside a `control centre`, which corresponds to Thunderbird 5, the `Space Station` of the Thunderbirds TV series and the research and surveillance technology Britney needs in order to `unmask` the aliens.



 Thunderbird 5 appears to be in the hands of the `aliens`, because the personnel of `Mission Control` are males. Although the suggestion is `Mission Control` is on Earth, Britney`s suspension of the spaceman above her `Poddy` suggests that he`s Thunderbird 5, the `Space Station`, and that there are `aliens` inside him, which correspond to `demons`, who constitute the equivalent of a hijacking of Air Force One, which is the plane of the President of the USA, by terrorists seeking to spread their plague.



 In Revelation the `woman clothed with the sun and with the moon at her feet` gives birth to the `New Redeemer` while the `red dragon` waits in vain to devour the child. In Oops I Did It Again Britney, in her red pilot`s suit, corresponds to Redemption, because she`s mothering, and that`s why she descends inside a giant`s ring at the beginning of the video. The spaceman is being taught Redemption, because the `New Redeemer` protects the woman after she`s given birth, which is why the spaceman corresponds to her `deliverer`.



 In Thunderbirds Thunderbird 2 delivers Thunderbird 4, usually a submarine, and collects it later. Britney, in her white bikini dress, corresponds to Heinlein`s `Poddy`, that is, Podkayne of Mars, but also Thunderbird 4, which Thunderbird 2 picks up after each Thunderbirds ` mission` and so corresponds to her spaceman who, at one point gives her a gift.



 `Beware Greeks bearing gifts` is an adage deriving from the Trojans` experience of the Greek gift of the wooden horse at Troy that the Greeks emerged from once it was inside the city so that they could enslave the wombs of the women within for homosexual pederasty and the spreading of its plague through warfare:


`But I thought the old lady dropped it into the ocean in the end?`



 Britney`s alluding to the `heart of the ocean`, a blue diamond that the heroine of the Titanic (1997) movie dropped into the sea at the film`s ending in memory of her love who`d lost his life helping others into the lifeboats when the ship, the Titanic, hit an iceberg and sank on its maiden voyage to the USA from Liverpool, England, in 1911. Because Thunderbird 1 is blue, and it`s an Earth rocket, which `International Rescue` use to respond quickly to disaster situations on the Earth, the blue diamond, or `heart of the ocean` and Britney, in her red pilot`s suit`, symbolize the blue rocket and the red nose cone.



 In Jungian psychology, `Feeling`, which is associated with the heart, and `Intuition`, which is associated with the nose, or sense of smell, are female functions, because they are associated with the female soul or anima in man. Conversely, `Thinking` and `Sensation` are associated with the ears and eyes, and it`s because of the `demons` that have taken over the `Mission Control` centre. Britney`s spaceman is her Thunderbird 5 `Space Station`, but the `demons` are preventing him from hearing and seeing, and she appears in `98% oxygen` without a spacesuit to indicate that.



 According to Jung individual development, or self-actualization, depends upon conscious differentiation of the four functions of consciousness, and the `Thinking` and `Sensation` function in man is associated with the ego. Britney`s perception is that `demons` are occluding `Thinking`  and `Sensation`, that is, the ears and eyes, so that the individual can`t progress towards self-knowledge and wisdom because he can`t differentiate the functions of `Feeling` and `Intuition` by means of the ego, and these functions are associated with the soul or anima, which is the mediator of unconscious contents of the `Self` struggling to become conscious, according to Jungian psychology. Consequently, the `blue diamond`, as a symbol of the unconscious `Self`, is the `heart of the ocean` because, in Jungian psychology, the ocean is a symbol of the unconscious from which the archetypes emerge as impulses to development or individuation.



 Britney employs the symbol of the `blue diamond` archetypally. Thunderbird 1 is a rocket ship but traverses the Earth, not the heavens, while Britney`s pilot, in her red suit, is the spaceship pilot of Thunderbird 3. Although the nose cone of Thunderbird 1 is red, like Britney`s red pilot`s suit and, in Jungian psychology, the nose or smell signifies `Intuition`, Britney`s symbol of `Feeling` is the `blue diamond` at the `heart of the ocean` of the collective archetypes of the unconscious. Britney`s `red planet` of Mars is an arid desert, because it corresponds to the individual who lacks `Feeling` and so needs the `blue diamond` of the `heart of the ocean` from Earth. Insofar as the blue heart of `Feeling` complements the red nose of `Intuition` of Thunderbird 1, Britney represents the red `nose cone` of Thunderbird 1 in her red pilot`s suit, and her spaceman is its `blue heart`. In her red pilot`s suit, Britney`s the `pilot` of the Thunderbird 3 spaceship but, as Thunderbird 1, Britney in her red pilot`s suit corresponds to the red nose cone of the Earth rocket of the Thunderbirds` International Rescue organization. Because `Red Nose Day`, is an annual British day of clownish fun, the `red nose` of Britney`s Thunderbird 1`s pilot`s suit relates to the concept of a sense of humour, whereas the `blue heart` relates to `blue` as pornographic material. Britney`s material becomes more humorous and pornographic.  For example, in her video for Toxic, Britney appears in a uniform of Thunderbirds blue:


 `Your toxic gun slipping under.`

 Her super heroine is pictured breaking into a top secret laboratory in order to steal a phial of liquid, and the suggestion is that a cure for HIV/AIDS has been kept from the public. Because the parasitical aliens of the Earth want to improve their biological warfare against the `host` wombs of women to make it gender specific against her. Britney perceives that the `blue heart` and the `red nose` of Thunderbird 1 belong together. Because, although sex might be fun, HIV/AIDS isn`t funny to her.



 Because the ego is associated with the spirit, religion is a `game` in which the faithful believe in their hearts and have intimations of heaven, while the `demons` occlude their ability to think and hear. It`s a `game` because the `demons` correspond to those who want neither men to develop, or women to have knowledge of their own penis, and so awareness of themselves as a species. Either scenario threatens to expose the aliens` striving to achieve and maintain global hegemony.


1 Ibrahim, I. A., A Brief Illustrated guide To Understanding Islam, Darussalam, Houston, Texas, USA, 1997, pp. 74, p.6.



The Moral Of The Bible: Virality Is Not Virility

29/08/2012 15:02

The Moral Of The Bible: Virality Is Not Virility


Oops I Did It Again is Britney Spears` science fictional mimodrama after the fashion of Marcel Marceau, the mime. The video single takes place on Mars because she mimes her meanings as Marcel does, and the first allusion is to the original Star Trek episode, The Cage, which is an environment created for two crippled space explorers. Tab Hunter, the disabled first captain of the starship Enterprise, and Susan Oliver, the only survivor of a ship`s crash landing on the planet Talos. The big brained Talosians create The Cage by the power of their minds, which is what science fiction is before it becomes reality of course. The Cage is a `cell`, but the hero and heroine are kept because otherwise they could not live.



 Oops I Did It Again is `Mars cell`, that is, Star Trek, The Cage, which is an illusion but real, because the big brained Talosians have created it on a video CD, and Britney is a storyteller in the tradition of the Arabian Scheherezade`s who picaresquely `sew` their story into a fabrication pleasing to the eye or ear. Consequently, she is `Mars cell`, and alluding to the proverb, `it is easier for a camel to pass through the eye of a needle than it is for a rich man to enter into the kingdom of heaven`, she is `Mars sew` because Oops I Did It Again is a reference to the pricking of the finger as the Sheherezade attempts to push and pull the thread through the needle`s eye.



 The `framing device` for One Thousand And One Nights is Sheherezade`s story of Shah Jehan, who had his faithful wife`s head cut off, after accusing her of unfaithfulness, so that he could marry a new woman each day, and cut her head off in the same way, but Sheherezade kept her head, and the heads of the other women, by telling him a long `cliffhanger`, so signifying that it is possible for faith to exist in the imagination and for it to be real.



 Sheherezade must keep the thread of her story going, according to the One Thousand And One Nights and, by keeping her head, the women will be saved. Britney appears in at least three different guises during the video. She is shown in her red suit hooking her spaceman `visitor` before suspending him above herself in a white bikini dress, and afterwards she somersaults in her red suit while transforming in mid-air into herself wearing a white blouse, black skirt and boots. When the spaceman visitor presents her with a gift, she asks:


`But I thought the old lady dropped it into the ocean in the end?`



 The reference is to the `heart of the ocean`, a blue diamond pendant dropped into the ocean at the end of the movie Titanic (1997), because of the heroine`s mourning of her lost love, who downed when the Titanic hit an iceberg. Hooked on her crochet needle the spaceman is in suspense. Britney is `creating [the] fabric [of her story] from yarn, thread [and] ... other material strands [of fiction] ... ` 1 The three Britneys are symbolic of the women to be saved by Sheherezade, and the spaceman `visitor` who appears part of the thread of the fabric of her story has brought her `the heart of the ocean` from the deep. She shows him the `deeper space` of her heart, and he dependant above. He is enthralled and she must tell the story that will save her.



The book of Revelation in the Bible contains ideas similar to One Thousand And One Nights because it requires faith in the imagination, and Britney`s Oops I Did It Again can be read as a biblical commentary on `the woman clothed with the sun and with the moon at her feet` while the `red dragon` waits in vain to devour the `New Redeemer` she is giving birth to, and who corresponds to the `deep pendant`, that is, the `New Redeemer`, as the `heart of the ocean` of the archetypes of the collective unconscious. Posited by the developmental depth psychologist Carl Gustav Jung (1875-1961) as necessary for individuation or personal growth, the `New Redeemer` represents abstract and personified images contained within dreams, art and reverie, which are the impulse engines of the instinctual drive of the spirit of humanity to the stars.



 The distinctive emblem of Marcel Marceau is a red `pom pom`. Britney mimodramatically acknowledges his influence in Oops I Did It Again as `Mars cellphone video technology, and `Mars sew` because of her employment of the crochet motif in the fabrication of her fictional web. Britney, in her red suit, is `Major Red`, that is, a majorette, whereas `pom pom girls` are `cheerleaders`, which is just one of the roles she has in the video single, Hit Me baby One More Time:


`In the past few years, a practice called yarn bombing, or the use of knitted or crocheted cloth to modify and beautify one's (usually outdoor) surroundings, emerged in the US and spread worldwide. Yarn bombers sometimes target existing pieces of graffiti for beautification.`2



 A `pom pom` is crocheted using a `pom pom circle` that resembles a CD. Because Britney is carrying a `hoop` when she first descends to her set in Oops I Did It Again inside a giant`s ring as a `small woman`, her mimodrama is both mourning and celebrating NASA`s space programme. Such hoops as the one she carries are used in the construction of a `pom pom wreath` and Britney is lamenting the lack of political will in the United States of America to actually get from the moon to Mars. The giant`s ring inside which she descends with her hoop is a symbol of her preparing to lay a wreath at the temple of greatness, but `yarn bombing` is the beautification of achievement, whether small or large, which is a parallel theme of the mimodrama because the hints and clues with regard to meaning often reveal surprising depths if penetrated.



 In terms of technology, a `pom pom` is like a CD because it is made flat but opens out to reveal its `valences`. Oops I Did It Again is Britney`s red, white and black `pom pom` because she wears these three colours in the making of the video. Her `sphere` of endeavour is the crochet work of beautification through `yarn bombing`, where the embroidering of a story`s valences is a part of the interactive enjoyment that a viewer can have with her image `on screen` to decipher her meaning and develop their own personal growth through depth analysis of the archetypal material she presents.



 One Jungian archetype is the `New Redeemer` of the Bible, who protects the `hidden` woman of the Earth in Revelation until she is ready to leave and `sow` her `seed` in heaven, which suggests that she is a woman with a penis of her own, that is, futanarian, and so definable as a species apart from men. Revelation describes how she and her `seed` fight and win a war in heaven against the `red dragon` and the evil serpent`s `seed` grown since Eden. She receives a new heaven and Earth and the evil receive perdition. Because the woman with a penis, that is, futanarian woman, is `hidden`, Revelation requires faith in imagination, and belief in God`s storytelling. Otherwise it would not be possible for the thread of the story to be perceived. The proverb `it is easier for a camel to pass through the eye of a needle than it is for a rich man to enter into the kingdom of heaven` relates to the perception that men`s valence is not enough to carry them through the `needle`s eye`, and so `yarn bombing`, which is the beautification of what is unsightly using a crochet `hook`, and not a needle, is Britney`s consoling alternative.



 The `red dragon` of Revelation may be considered to be `nature red in tooth and claw`, which is a line from Sir Alfred Lord Tennyson`s 19th century poem In Memoriam and is often used to support capitalism and the economics of `survival of the fittest`, which is essentially the observation that consumption is success. Of course it begs the question: what should be produced? The 20th century put Neil Armstrong on the moon but used rocket technology to threaten the world with nuclear holocaust, which corresponds to the devouring `red dragon` of Revelation as a consumptive. The `New Redeemer` of Revelation is depicted as helping to hide the woman and facilitate her escape from the Earth, whereas the red dragon is associated with the `blood plague`, which was revealed in the last quarter of the 20th century as HIV/AIDS, a valence of homosexual pederasty`s psychological and biological terrorism against the wombs of women.



 In ancient Greece the wombs of women were enslaved by homosexual pederasts that spread their plague by means of war. At Troy they constructed the prototypical medium for infecting other societies with their virality in the form of a huge wooden horse inside which they hid and pretended to be leaving it as a gift for the Trojans who took it into the city of Troy where the Greeks emerged and enslaved the wombs of the women for the future of their `boy sons`, that is, the future `poisons` of HIV/AIDS and other STDs communicated by the devouring red dragon`s valence of homosexual pederasty and `blood plague`.



 On 9/11 the friendship feigning of homosexual pederasty`s valence saw terrorism emerge in Boston, Massachussetts, when hijackers pretended to be visiting New York and crashed their `civil` aircraft into the Twin Towers of the World Trade Centre so promulgating machismo virality and plunging the globe into terror. That the HIV/AIDS virus, or `blood plague` of Revelation, is a valence of the devouring `red dragon` of homosexual pederasty and war is unmistakable because of the methodology of the HIV/AIDS virus. During its attack upon the defence systems of the body, it feigns friendship for the white cells that defend the red cells that are its life and, after they have been accepted, like the `Greek horse` or the hijackers` plane ticket, the virus kills the body. 9/11 was a viral attack because it wasn`t designed to defeat the United States of America but spread its valence of terror.



 Microsoft, and other computer oriented companies, assisted the virus by defining virality as `Trojan` rather than `Greek`, which is a worldwide euphemism for homosexual pederasty, and an insult not only to those of the rescue services who `worked like Trojans` on 9/11 but also to those living in upstate Troy, New York, which was on the flight path of the terrorist `plague game` and could have been next.



 Britney Spears is a genius in Oops I Did It Again because she perceives that it is the eye that is deceived in its relations with the world. Much of the imagery is of the eye of the camera and how she appears beneath it. At one point she appears in her red suit to suspend her spaceman visitor above her `double` in a white bikini dress, so that the spaceman can film her with the camera attached to the side of his space helmet and relay pictures back to `Mission Control`, who are observable watching her through the lens of the camera which appears as an eye. The symbolism is sexual because the eye is that of the penis because it finds her desirable.



 Suspended by the side of the spaceman`s helmet are the tines of a huge fork, which suggests the devourer, and indicates the problem. If women have a penis of their own, as futanarian, and so are a species, then men are an alien viral parasite that seeks to enslave and devour her. In other words, the penis of men sees with the eye of the devourer. In the New Testament Jesus` dead and crucified body is pierced by the spear of the Roman centurion Longinus, and the Paraclete effectively emerges from the side of the `Second Adam` as the `Second Eve` to be the spiritual `guide, comfort, helpmeet, and teacher`.



 Men are not women, and if women have a penis of their own, the Holy Spirit or Paraclete corresponds to the female `spirit of God`, that is, the Shekinah of the Old Testament. She who dwelt in the place of the law in the Ark of the Covenant of God`s promise to the `chosen` becomes, after Jesus` Resurrection and Ascension to heaven, the spiritual `guide, comfort, helpmeet, and teacher`, and so the eyes of the penis of woman as a species` guide has female eyes in the person of the Holy Spirit.  However, if men`s eyes do not accept women, or men and women`s eyes are possessed by the eyes of the evil serpent`s `seed` of homosexual pederasty, and cannot see with the eyes of the spirit of God, they have accepted the devouring `red dragon` of the red planet Mars, the god of war, and HIV/AIDS` `blood plague` of terrorism, which is foreshadowed in Jesus` torment and crucifixion, and God`s warning is the destruction of Sodom and Gomorrah, which were the `cities of the plains` (Gen: 18,19) thousands of years before 9/11`s terrorists` reawakening of the devouring `red dragon` of the `blood plague` of homosexual pederasty and war at the `cities of the planes`, New York, and Arlington`s Pentagon, Virginia, 2000 AD.



 In the developmental psychology of Carl Gustav Jung (1875-1961) the `transference` is the single most important aspect of the individuation process whereby the individual achieves self-actualization or consciousness. According to Jung the process is determined by the individual`s recognition of projections of the soul or female anima, in the case of a man, which is an archetype amongst many that exist in dreams, imagination, art, or reverie. The archetypes function as images or personified aspects of the psyche that impel consciousness, and the Holy Spirit is archetypal insofar as it impels individuation. A successful transference is the awareness that, if you are not looking with the eyes of a woman, you are not looking with the eyes of the penis, because women with a penis are the species of the planet Earth, and so the penis is female. If you are looking with the eyes of a man, you are possessed by the `demon` of homosexual pederasty and devourment, because you are looking with the eyes of that which is neither human, that is, female, nor Godly, because it is not you if it is not female, and that is the secret of God.



 Oops I Did It Again refers to a woman`s dilemma with regard to how she appears to the eyes of those with the penis that watches her. Obviously masturbation is an aspect of the relationship between her image and the viewer, which means that the eyes of the devourer are upon her. Oops I Did It Again means that an `I` can see, and it masturbates because it wants to see more. The Holy Spirit is the guide for the eyes that want to see, but the evil do not want the Holy Spirit. Because they don`t want the eyes to see. That is why they encourage the false machismo of the virality of the `red dragon` of the homosexual pederasty of war; for example, Saddam Hussein and those who are like him. Because true humanity is the virility of women with a penis of their own as the species of the Earth, and they don`t want her to see either.



 One of Marcel Marceau`s more famous mimodramas was also called The Cage, which again helps us to penetrate the clues and hints of Britney`s science fiction mimodrama in Oops I Did It Again. When her spaceman `visitor` arrives on Mars, she in her red suit is discovered living with herself in a white bikini dress, which is both an interesting reference to the Jungian transference by way of the ability of the Talosians in Star Trek, The Cage, to transform the hero and heroine by mental power so they can live together, and a representation of the valence of women`s love for each other, which is often defined as psychologically `abnormal`. However, because women are a species with a penis of their own, lesbianism is the human species` natural valence, and corresponds to Sheherezade`s faith in imagination in One Thousand And One Nights through which all of the women are saved.



 Because lesbianism is the valence of the human species, sexual desire for the woman is female, and so is the penis. Consequently, the machismo of devouring homosexual pederasty, symbolized by the `red dragon` of Revelation, and its `blood plague` of HIV/AIDS, is what men define as masculine, whereas maleness is rather virality than virility. Appearing as the Gemini twins, Britney in her red pilot`s suit and white bikini dress is an allusion to NASA`s `Gemini` space programme, but Britney is also calling herself `Chairman I` because of the commonly held 50s precept that science fiction should portray Chinese communists as identical aliens (Britney`s `triplets`) who share a `hive mind` that is antithetical to capitalism. Indeed, the movie Starship Troopers (1997), where the brave `boy sons` of Earth fought against the undifferentiated `bugs`, was a metaphorical release of hatred, that is, the `poisons` of the real `red dragon` of homosexual pederasty and war against communal life, which appeared alien because peaceful. Starship Troopers was originally a 1959 juvenile novel by the American Grand Master of science fiction, Robert A. Heinlein (1907-88), and celebrated the founding of the USA`s Green Berets by President John F. Kennedy, so representing tacit acceptance of President Richard Millhouse Nixon`s subsequent deployment of the Green Berets to dehumanize and exterminate Indo-China`s `gooks` in Korea, Vietnam, and Cambodia with carpet bombing, napalm and the defoliant `agent orange`. Before Mao Tse Tung`s (1893-1976) China stopped it. Mao founded Chinese communism, and his `little red book` contained over four hundred realpolitik insights:


`No political party can possibly lead a great revolutionary movement to victory unless it possesses revolutionary theory and a knowledge of history and has a profound grasp of the practical movement.` 2



 The notion that communism is the product of an alien `collective` is no more obvious than that `Germany`, which word has a pronunciation similar to `Gemini`, was what Jung termed a shadow collective of inflated negative personality traits in the 1930s. Britney`s video Oops I Did It Again is her `little red book` in `letter box format` presenting her manifesto for change. At one point she somersaults in the air to stand before her spaceman, and transforms en l`air from red pilot`s suit to white blouse with black skirt and boots, which was the uniform of the girls of the `Hitler Youth` in the 30s. Receiving a gift from her spaceman, she asks:


`But I thought the old lady dropped it into the ocean in the end?`



 The allusion is to the movie Titanic (1997) in which the `heart of the ocean`, a blue diamond pendant, is dropped into the ocean at the end of the movie because the heroine is mourning her lost love who drowned when the Titanic hit an iceberg and sank. Although Britney appears `mousey` in Oops I Did It Again, she is the Mouse, `Say Tongue` because of her former life as a child star with the Mickey Mouse Club, who later provided the impetus for `Saytonguism`, that is, sinking her marital relationships by plaguing her with slander. In fact the video opens with `Mission Control`:


`Earth to Mars Lander. Report status please.`



 They are asking for the latest gossip on Britney Spears` relationship with herself, that is, the `Mars slander`, but Britney`s message from her `little red`s e-book` is a universal one. Don`t believe what you`re told. The Chinese aren`t identical and neither is she and her `Martian` sister. The devouring `red dragon` of homosexual pederasty and war would eat her because she is a woman, not because she is part of a `hive mind`, or `Hitler Youth`. In the Bible the `chosen` have a `little Red Sea book` of their own. God promises a `land of milk and honey` if they obey the `book of the law` and traverse the Red Sea.



 For Britney it is faith in imagination, because the mind of God is revealed to the faithful as the story unfolds, and they read it from the Bible. Oops I Did It Again is imagination in faith, because the red planet Mars is a sterile place of sand without the waters of a Red Sea and, as T.S. Eliot`s 1920 poem The Wasteland advocates, imagery from the archetypes of the unconscious have to be employed by the writer attempting to stimulate spiritual growth in the sterile mind of the reader, and on into the world outside of the poem or, in the case of Britney`s Oops I Did It Again, after stimulating the arid mind of the viewer, the world outside the video will bloom.



 Britney employs mimodramatic effects to stimulate the imagination of the viewer at an unconscious level but in a determinedly awakening style that presupposes enough faith in the watcher to want to decipher her meanings and so grow and develop spiritually through her `teaching`. Her mimodramatic movements are difficult to understand, but they are neither for the blind or the deaf, and her lyrics are not for those who can`t read. Several times in the course of the video Britney makes the sign of the wine glass by raising her hands, which is both a symbol of the Holy Grail, that is, the bowl from which Christ ate and drank at the `Last Supper` before his crucifixion, or the cup from which `Babylon, the Great, mother of harlots, and of the Abominations of the Earth` drinks in Revelation. The cup of Babylon contains `fornication and abominations` because it is a poison cup full of HIV/AIDS and STDs that represent the `blood plague` as a valence of the `red dragon` of homosexual pederasty and war. Jesus` cup denotes `the body and the blood`, because the Holy Grail is a bowl from which he ate and drank. In offering the `bread and the wine`  in fellowship, Jesus was indicating that his `body and blood` was not diseased, which is why he was conceived without the semen of a man and born of a virgin. In other words, everyone must be born without the semen of a man, that is, from the futanarian woman who has a penis of her own, and is the species of the Earth as woman. `Babylon, the Great` is great, because she is able to survive with the virality of men, and the cup as the symbol of the `mother of harlots and of the Abominations` is of the `Greek whores` who are forced to give birth to the `boy sons`, who are the `poisons` that make of her womb a `Greek horse` from which they emerge to make war upon her citadels of culture and civilization to enslave her, and further spread their plague of devouring homosexual pederasty and war.



 In Oops I Did It Again Britney is intelligently appealing to the penis of the woman, that is, the several eyes of the camera which are depicted within the video, and are aspects of the eye of the video itself, which the viewer perceives as a single eye also, is representative of the eye of the penis which cannot see, but is the desireful focus of the visual material. If the video is purely sexual, the meaning is the erection of the masturbator`s penis, whereas if the video contains material designed to be thought upon, its meaning is developmental. Consequently, there is an admixture, in terms of meaningfulness, between the cup of Jesus and the cup of Babylon, that is, desire stimulates development. Britney is aware that she must communicate sexually in order to communicate. For the penis of the woman sex is good and not `poison`, because `boy sons` will no longer be produced when futanarian woman with a penis of her own ceases fornicating with the virus, that is, men, and so stops producing the `abominations`. Britney`s mimodramatic depiction of herself as a `glass of red wine` represents desirefulness as good per se, because it`s developmental. Whereas the Bible describes the woman drinking from the `cup of her fornications and abominations`, that is, her `boy sons` who are `poisons`, the penis is the woman`s. What is attached to it is only a valence of virality, that is, the `poisons` of male homosexual pederasty`s `boy sons`. Although the penis represents the source of all developmental functionality, it is the valence of woman as the Earth`s species, which is `futanarian`, and the measure of virility is development, represented by `scifi` Britney in Oops I Did It Again, and not the developing of better valences for the virality of the `red dragon` of devouring homosexual pederasty, which is represented in Oops I Did it Again by `Mission Control` who appear to be guiding the spaceman, but actually function as misleading demons because they have confused the penis into believing it is virile whereas it is in fact viral.



 Britney`s feelings of being `misled` found her adopting the title `Miss American Dream` for Piece Of Me (2004), and the cover sleeve for the single featured her crucified. Identifying with Christ`s work of Redemption is what her `piece of ass` had been led to. However, as a `piece of work`, Britney is the `American Dream`. Christ`s side was opened by the spear of the Roman centurion Longinus at his crucifixion, which effectively signaled the emergence of the Paraclete or Holy Spirit from the side of Jesus as the `Second Eve` from the `Second Adam` as humanity`s `guide, teacher, comforter, and helpmeet`. The spear of Longinus was afterwards known as the Spear of Destiny and the USA adopted it as a symbol of Manifest Destiny and the American Dream, which is why Britney Spears` name insofar as it is symbolic of the Paraclete or Holy Spirit as a `piece` of the female `spirit of God` represents the `dream` of e pluribus unum, `the many and the one` God:


`I`m Miss American Dream since I was seventeen.` Piece Of Me



Celebrating an airship disaster in New Jersey 1939 on the cover of their first album was miss `American Dream` for `misled Zeppelin`, which was what Keith Moon, the drummer of The Who, said of the `69 inception of rock band Led Zeppelin, `It will go down like a lead balloon.` Jefferson Airplane knew enough to change their name to Jefferson Starship, but the idea of naming the future of pop music after a First World War German balloon most famous for dropping bombs on Liverpool was obviously retrogressive. The second studio vinyl album Led Zeppelin II (1970) featured a gatefold sleeve for the vinyl recording that depicted a gold Zeppelin airship, which reflected upon alchemy, that is, the transmutation of lead into gold as a metaphor for artistic and individual development. However, in WWI it was simply the precept that people stay alive if you don`t shoot them, which was the idea behind the Led Zeppelin `live` career celebration CD How The West Was Won (2003).



 The goal of the alchemical opus is described variously as `the pearl of great price` or `the elixir of immortality`, but in essence it`s that lead is poisonous, which means that Led Zeppelin was `misled` Zeppelin. In the `publicity blurb` on the cover of the `live` CD album, How The West Was Won, Led Zeppelin are described as `Satanists`, which essentially entails killing the penis so that it can`t see, that is, preventing development, and so the first Led Zeppelin symbol was a crashed airship because `misled` rivalry doesn`t want to see anyone else at the top, even if it`s desirable.



 In Britney`s Oops I Did It Again Mars has `98% oxygen`, which is certainly enough `air` for the penis, which needs blood oxygenation to inflate its desirefulness for woman and development. John Bonham, Led Zeppelin`s drummer, died in 1980 after a `choking fit` and Moby Dick had been the title of John`s Led Zeppelin `signature` drum solo which title was chosen from a novel by Herman Melville that had the first line:


`Call me Ishmael.`



 In Arabia the `Eid` is the `feast` that celebrates God`s sparing of Isaac when Abraham is asked to take Isaac up the mountain to be sacrificed. God relents and the Eid is the celebration of the sparing of Isaac, which is paradoxical because the line of Isaac founded Judaism, while the line of Abraham`s son Ishamel became Islam. If John had lived, his son Jason`s band Bonham would have been the rival of Led Zeppelin, but Satanism, which Led Zeppelin are proclaimed as espousing on the `press blurb` for How The West Was Won, would have killed Jason Bonham`s band. Jason would have been sacrificed to Satanism, if Led Zeppelin had been Satanists. But the `Eid` celebration of Arabia is a symbol of how disparate development is not rivalry. If God had commanded Abraham to sacrifice Isaac on the mountain, Judaism would not have existed, and the line of Ishamael would have prospered. But God did not require Isaac to be sacrificed, because that would have been Satanism, and Led Zeppelin did not prevent Jason Bonham from forming the Bonham band, which means that they aren`t Satanists either because the principle of disparate development has been embraced.



In Melville`s tale Moby Dick, the white whale, has enough `air` to dive into the ocean of the unconscious contents of the psyche, where the archetypes exist as impulses to development. Indeed, Melville`s symbol of the white whale is perceived in literary criticism as the penis, because of its untamed sexuality, and men`s intention to kill what is in fact the developing futanarian woman`s penis of the future, in Melville`s Moby Dick becomes the quest of Ahab aboard the whaling ship Pequod to kill the white whale as the female penis surrogate, so that woman`s archetype remains an abstract hermaphroditic symbol of male-female esoteric unity murdered in the ocean of the unconscious, whereas the hermaphrodite is in fact a real picture of woman as she is.



 In the novel Moby Dick, Moby Dick is a white whale which is killed by a whalers` harpoon. However, `dick` is a universal euphemism for penis, because the developmental functionality of the planet Earth devolves from it as the source of instinctual libidic energy transformed into intellect and spirituality through the penis` aspirational desires. Because the developmental penis is, properly understood, futanarian woman`s, putting a man on the moon was a declaration of war against her, which is why the flag of Al Qaeda`s `yellow moon on black` is a symbol of an intention to kill the woman`s penis that is attached to men`s virality, and then her penis won`t be able to see with the eyes of her Holy Spirit.



 The valence of virality is important because surveillance is what the globe has had to endure since 9/11. If 9/11 is to be understood as a distortion of 911, the number of the police in the USA, and the biblical injunction from Revelation, `the number of a man is the number of a beast, and his number is six hundred three score and six`, refers to 666, which is the reverse of 999, the number of the police in the former British Empire and Commonwealth. The Holy Spirit is the `guide, teacher, helpmeet, and comforter`, because she is the eyes of heaven, whereas surveillance is what the evil `serpent` has been since Adam and Eve felt themselves naked in Eden. Consequently, police surveillance corresponds to what is not the Holy Spirit, because the Holy Spirit wouldn`t require it. In other words, police surveillance is supportive of the criminal, because the Holy Spirit is perceived as `too good`. However, people eat, fuck, and have bowel and urinatory functions, which is physically all that the body is for. A surveillance system that wants to watch that is evil, because behaviouralism is all that surveillance systems are designed for. Good behavior is `nothing but`, as repression psychologist Sigmund Freud could have observed, eating, fucking, urinating and defecating. Anything else, from a police perspective, is unmanageable, because it doesn`t fit ideas of simian behaviour patterns. An astronaut fucks, eats, urinates, and defecates. From a surveillance point of view, the astronaut is functionally normalized while fucking, eating, urinating and defecating, which means that surveillance is designed to reduce the developed individual to fucking, eating, urinating and defecating, so that the police can manage `the zoo`.



 In pop terms, `the woman clothed with the sun and with the moon at her feet` that gives birth while the red dragon waits in vain to devour her `New Redeemer` is framed by Sun Records, which produced Elvis Presley, the `King of Rock `n` Roll, and Keith Moon, `the loon` of The Who, who was deemed crazy for warning `misled` Zeppelin at the beginning of their `career` in `69 that lead balloons weren`t gold.



 Satanism is a difficult concept to grasp, because the men of the Earth seeking to prevent woman from escaping perceive her as Satan, which means that, properly understood, Satanists are the women who want to leave with their own penis, and those who want to keep her here so that they can continue their `plague games` of destruction are nihilists. The first man on the moon was Neil Armstrong, and the nihilism of Al Qaeda`s terrorist crashing of planes into the Twin Towers of New York`s World Trade Centre, beneath the flag of a yellow moon on black, with the motto `There is no God but God`, is perceived as antithetical to Neil`s words:


 `One small step for a man, one giant leap for mankind.`


 However, if the `game` is to prevent woman from leaving the Earth, Neil`s foot has become that of the nihilist on the neck of woman prior to chopping her head off because her penis might be able to see with her, which is what the Arabian Sheherezade works against in One Thousand And One Nights, while Britney`s Sheherezade, in her red pilot`s suit, in Oops I Did It Again, appears as `twin girls` in the eye of the penis of woman as the species for whose freedom she is working in her science fiction mimodrama. One of the more famous Led Zeppelin album sleeves features the band in astronaut suits, which mimics Neil Armstrong`s inspirational landing on the moon but, if the aspiration of men is to use `moonbase ` to keep women here as enslaved host wombs for the spreading of themselves as the virality of the devouring `red dragon` of homosexual pederasty and war, the imagery is delusory.



 Neil Armstrong flew as pilot on 7 occasions in the X-15 space plane, which was designed to fly to the moon and return, but was cancelled because of `expense`. In simple terms, the United States of America didn`t want to fly to the moon. Al Qaeda, `the base`, whose flag is the masculine moon of Arabia, whereas in the West the moon is female, proclaimed the moon is for men on 9/11, 2000, and they don`t want her.



 The Led Zeppelin symbol is important because the band bought a plane with the Led Zeppelin logo emblazoned, and after 1977`s concert at Madison Square Gardens John Bonham and Led Zeppelin were told they`d never perform in the United States of America again because John threw a punch at a member of the NYPD backstage. In 1973 and 1977 New York was the `city of the plane` of Led Zeppelin, because they toured in `73 and `77. In developmental, or intellectual and spiritual terms, Led Zeppelin had elevated themselves to the `plane` of Led Zeppelin.



 Zeppelin airships attach themselves to towers for refueling, or taking on passengers etc., and so the Twin Towers of New York`s World Trade Centre were a symbol for Led Zeppelin even if they were not for Zeppelins. Al Qaeda`s terrorist demolishing of them by `feigning friendship` and hijacking `civil` aircraft to use as incendiary devices was reminiscent of the airship on the cover of Led Zeppelin I, which `spontaneously combusted` while attached to its tower on a `friendship` visit to New Jersey from Germany in 1937. Al Qaeda`s cowardly 9/11 attack on the Twin Towers was `Satanism` insofar as they `feigned friendship` to plant the funereal `yellow moon on black` of their flag upon the ruins in mockery of the aspirations of NASA`s and Led Zeppelin`s `astronauts`, who are those `inspired` by achievement to aspire to their own intellectual and spiritual `plane`.



 On 9/11 New York was the `city of the planes`, as Sodom and Gomorrah were the `cities of the plains` (Gen: 18,19) destroyed by God for practising Marquis De Sade`s activities likely to cause AIDS activities. The Marquis De Sade was a 19th century writer who advocated sado-masochism and sodomy, and so De Sade`s activities produce AIDS, because of the blood, shit, and semen admixture associated with sadistic sex. From the perspective of the `red dragon` of homosexual pederasty, Led Zeppelin, the Led Zeppelin `plane`, the Twin Towers of Led Zeppelin`s New York, and the aspirations of NASA`s and Led Zeppelin`s `astronauts`, was a `penis inflation` that threatened to take the boys away from the homosexual pederast.



In Jungian psychology shadow-inflation is quite common when the ego identifies with instinct and experiences a sense of power rather than power itself, which D.H. Lawrence describes as the `gods of the blood` in his semi-pornographic novel Lady Chatterley`s Lover (1928) and elsewhere. Because the shadow represents libido or instinctual sexual energy, `shadow-inflation` is also describable as `penis inflation`, which occurs when the individual believes that they are successful because they are intelligent. The Led Zeppelin airship is a `penis inflation` if the `dark gods of the blood` are worshipped instead of development, which is what success actually depends upon. If individuals aspire to the moon and the stars of heaven, but the `dark gods of the blood`, that is, Sodom and Gomorrah, are worshipped, the `red dragon` of the `blood plague` of HIV/AIDS and the war of homosexual pederasty will devour the Earth, and the `hidden` woman with the penis of her own, who is woman as a species and futanarian, will experience only `penis inflation` and the repeated crashing sounds of a Led Zeppelin.



 Men prefer ICBMs to space pilots, because it is basic to men`s `Greek philosophy` that women won`t escape, whereas Britney, in her red pilot`s suit in Oops I Did It Again, symbolizes the desire of the woman`s penis to leave Earth and the moon for Mars. But not for Mars, the god of war, who`d be the `red dragon` on her `red planet`. In her red`s suit, Britney is `New Red`, because the symbolic mimodrama of Oops I Did It Again deems woman with a penis of her own to have `the right stuff` for space colonization:


`Yeah yeah yeah yeah yeah yeah.`



 Oops I Did It Again begins with Britney referencing Chuck Yeager, the X-15 space plane pilot, and astronaut who never was, because NASA dropped all those who didn`t have a college degree from the 1960s space programme; although Yeager was deemed to be the best. The concept of `the right stuff` was enshrined in Tom Wolfe`s book The Right Stuff (1979), filmed as a Hollywood movie in 1983 with Sam Shepard as Yeager, and `the right stuff` was the title that all successful astronauts were labeled with, because it was what they were deemed to be blessed with. The `woman clothed with the sun and with the moon at her feet` is deemed good by God in Revelation because she demonstrates `the right stuff`. The `New Redeemer`, to whom she gives birth, also demonstrates `the right stuff`  in desiring space travel for women as a species with her own penis, that is, the `hidden` futanarian woman, which the New Redeemer protects before she leaves.



 The symbol of the rulership of the New Redeemer is an `iron scepter` or `iron rod`, which denotes a developed perspective that is unshakeable rather than a `penis inflation` or `shadow-inflation` of `the dark gods of the blood`, which in the 1930s produced the extermination camps of the Nazis because of an inability to perceive that women were Jews and that was why the Germans didn`t want them to escape or live. In Judaism you cannot be born a Jew if you are not born from a Jewess, which effectively means that women are Jews. Consequently, the Nazi pogroms of the 30s and ethnic cleansing up until the 21st century and beyond were based on the unconscious principle that the woman should neither live nor escape. Viral masculinity perceives the `iron scepter` or `iron rod` of the `New Redeemer` as a gun, because a `side iron` is an old metaphor of the `Wild West` for a Colt .45 worn in a holster at the hip and employed by gunmen. The claim that Led Zeppelin worshipped Satan in the publicity notes for How The West Was Won refers to the concept of gunmen who `pump lead`, which won`t inflate an airship, but murdering the developing penis of the `hidden` futanarian woman as the Earth`s species tries to develop beyond the repeated sounds of a crashing Led Zeppelin is Satanical.





 2 `The Role of the Chinese Communist Party in the National War`, Selected Works, October 1938, Vol. II, p. 208.

Britney Spears with Goldmembers

24/06/2012 19:00

Britney Spears With Goldmembers



The Britney Spears` single that was supposed to be a puzzle when released was `If You Seek Amy` (2009), which was translated as, `F*U*C*K Amy`. Like Madonna`s Dita, Britney`s character, Amy, is a schizophrenic persona allowing her to explore aspects of herself that were `out there`. Dita was the persona Madonna adopted for her book, Sex (1992), and so she `appeared` on the `Erotic` single released from the album, Erotica, with the book Sex inside its silvered plastic wrapper:


`My name is Dita, I'll be your mistress tonight.`


 Britney`s personality seems dual in `If You Seek Amy`, where she appears in bedroom scenes after what appears to be an orgy, and then in public as a perfect wife and mother giving `mom`s apple pie` to the press while her children and husband look on adoringly. `If You Seek Amy` refers to the star`s `binary` nature in that she`s `twinned`, that is, necessarily schizoid, because private acts are radically different to public appearance. Her plurality, that is, her on screen `split` personality, was evident as early as the `scifi` promotional video for the single, `Oops! ... I Did It Again` (1999), where she appears in a red pilot`s suit hoisting her spaceman visitor to the red planet, Mars, above herself `twinned` in a white bikini dress so that he can film her with his camera, which suggests she`s desirous of `bigamy`, and that`s the reason for the injunction to the viewer to pick `Amy` as the desirable persona in `If You Seek Amy` (F*UC*K Amy). Britney`s a multiple personality, which is `big Amy`, that is, `bigamy`, and has to be divorced from Britney, because `normal` for men is monogamy, although for women who`re futanarian with their own penis` semen species` sexual reproduction with each other isn`t bigamous but `Monarch Amy` (monogamy), because they`re a single race, that is, `bigamy` is women`s human nature.



 In the promotional video for the single, `My Prerogative`, from her Greatest Hits album, My Prerogative (2004), Britney` has a dual personality also. In the grey and white sequences she appears merely celluloid, because colourless, and that`s related to `noggering`, which is a practice illegally deployed by Masons, often with the tacit consent of local governments, who keep people known for creativity imprisoned in virtual isolation within communities to force them to create and produce, that is, add `local color`, whereas the creative individual seeks to escape from their prison and go to Hollywood, for example, and make movies.


 Because `big Amy` signifies `Monarch Amy`, that is, a monogamy of women, which is `bigamy` to men`s perception of the human futanarian race of women, although the term is redundant for a single species, rather than a host womb enslaved in parasitism to produce a single male brained transvestite creature who wears men`s and women`s clothes, which is what `TV` is. Although sexual repression is the basis for slavery`s `noggering` of the imprisoned and isolated human to produce creative `local color`, rather than international `blockbuster` movies, sexual freedom is necessary if human women are to change Hollywood, which is what `nogger` means for them, so Britney`s `snog` with Madonna and Christian at the VMA MTV Awards represents a desire to espouse technicolor, rather than the `drab` of `My Prerogative`, who is depicted as being `noggered` in slavery, although the grayed out colorless film suggests Britney`s is a `snuff film` character being prepared to `star` in monogamy, that is, the singles` game of `TV` transvestite entertainment, which is mourn, `nogger` me.



 Britney was married for less than three years in total; to Jason Alexander in January 2004, before annulment, and Kevin Federline in September 2004, before divorce in July 2007. `My Prerogative` suggests she`s a `multiple personality`, because she`s `noggered`: `People can take everything away from you.` She`s developed schizophrenia as a means of producing herself in slavery to escape the `noggerer`.



 Britney performs the single Boys immediately after the main title sequence to Goldmember (2002) where she appears with guns in her bra, which she aims and fires at Mike Myers, the character actor who plays the spoof sixties` style secret agent, Austin Powers. Dr Evil is Myers` antagonist, and he has a clone called `Mini Me`, because he isn`t `Bigger Me`, that is, `bigamy`, who is evil because he represents the `one game` of `snuff films` in which men aren`t `big Amy`, that is, `Monarch Amy`, who is the single species of human futanarian women, but `bigamy` as the parasitical single male brained creature in monogamous enslavement of the host womb of a species not its own to devour it as its parasitoid.



In character as Austin Powers, comedian Mike Myers appears in Boys alongside Spears making `rabbit`s ears` signs, which are Playboy magazine`s symbol for women in male braining, who aren`t futanarian women with penis` semen of their own for the sexual reproduction of their species` brains` powers for liberation. Playboy features nude women without penis of their own, and Boys features Britney`s `bra guns` as well as her head exploding, because humans are bred by men as `snuff film` entertainment:


`Cry, baby bunting,

Daddy’s gone a-hunting,

Gone to get a rabbit skin

To wrap the baby bunting in.`



 America`s national sports are baseball and American football, where `punting` is a part of the `game`. In baseball `bunting` is a `rib`, which is defined as a `suicide run` in which a success isn`t assured. Because Eve, the first woman, emerged from the `rib` of Adam, the first man, created by God, according to the Bible, human futanarian women`s success isn`t assured in Playboy America. In the promotional video for Britney`s single Hold It Against Me (2011) she appears fighting an alter ego, that is, a woman by her side, which suggests she`s against women from women. In America the baseball legend is Babe Ruth, while the name `Ruth` means `companion`, that is, `bunting` the `companion` by one`s side is suiciding her, which is what heterosexuals do to the human futanarian single species of women who they don`t want by their side or hers either.


`In a sacrifice bunt, the batter will put the ball into play with the intention of advancing a baserunner, in exchange for the batter being thrown out. The sacrifice bunt is most often used to advance a runner from first to second base, although the runner may also be advanced from second to third base, or from third to home.`1



 The `bunt` is similar to the `punt` in US football, where a kicker has to `punt` if the team can`t make the ten yards needed to move forward and so, rather than have the opposition start from where they`ve failed to progress further upfield, the kicker `punts`, that is, kicks the ball as far away from the now defending team`s end zone. Then the opposition, in their turn, have to move the ball upfield and get the ball into the hands of one of their players in the end zone for six points and a `touchdown`. After that the kicker has an opportunity to increase his team`s score another single point by kicking the ball through the goalposts before the ball is given back to the other side and it’s the turn of the other team again to try to score. When Britney Spears` spaceman, `Mars Lander`, arrives on the red planet, Mars, to visit her, it`s a `touchdown`, which was the term adopted by the North American Space Administration (NASA) to indicate the landing of Apollo 11`s astronauts on the moon`s surface in 1969 and has been used ever since:


`One small step for a man, one giant leap for mankind.`2



 Because women`s human futanarian species` `egg` is what the spaceman and the American footballers are playing with, `punting` is a celebration of the `game`, that is, the race`s ova, because women`s futanarian `foot` ( won`t ever be on Earth`s satellite, the moon.  The race`s over. Snuff movies are torture for the loved ones as well as the pitchers` victims. Consequently, the movie Sophie`s Choice (1982) is a `baseball` film where Meryl Streep decides whether to give her son, or her daughter, to the `Nazis` for extermination in the 1940s, because it`s a `suicide run` in the reality `snuff movie` game against human futanarian women`s desire to be a single species, and with no chance of success for the child Sophie decides to `bunt` from her side. In Judaism Jews are born only from women, that is, women are Jews, so Sophie `bunts` her son, rather than suicide the species. In Goldmember, Britney`s Playboy character`s `bra guns` indicate that, when it comes to `bunting`, she celebrates with the `snuff film` crew:


`Run rabbit, run rabbit

Run! Run! Run!

Run rabbit, run rabbit

Run! Run! Run!

Bang! Bang! Bang! Bang!

Goes the farmer's gun

Run rabbit, run rabbit

Run! Run! Run!

Run rabbit, run rabbit

Run! Run! Run!

Don't give the farmer his fun!

Fun! Fun!

He'll get by without his rabbit pie

So run rabbit, run rabbit


2 Armstrong, Neil July 21, 1969, 2: 56 UTC.







Onan On

09/06/2012 09:53



A man and a woman were divorcing on the grounds that he wanted anal sex but she didn`t. `You`re an asshole`, said the shit. `Perhaps, but I`m rejecting you,` she replied. `I have AIDS,` said he.  `I have a penis of my own,` she explained, `and I don`t want you. ` She took out her penis and masturbated it gently so that he could see the tumescent tomato of its blushings before, ejaculating creamily. `I have another,` she said. `Who is he?` demanded the shit. `I`ll kill him,` he asseverated vehemently. `She`s not you,` said the woman, `and we`re founding a species together. God says we can. It`s in the Bible:


The woman fled into the wilderness, where she has a place prepared by God, that there she may be hidden for time, times, and half a time again, before her time to be delivered comes, Revelation twelve six.`


The Shit: `So the two of you are staying with your mother?`


The woman: `The Bible says that the woman who is `hidden` in the desert shall be protected by the New Redeemer, who is born from `the woman clothed with the sun and with the moon at her feet` and the red dragon of Revelation, who`s the shit in the story, wants to devour the New Redeemer but can`t. The woman leaves to sow her seed amongst the stars, fights the dragon and the other shits that are its `seed`, and God gives the woman and her `seed`, that is, me and my girlfriend`s, a new heaven and Earth to dwell in forever, while the shits receive unendurable eternal pain for concealing the fact that women have a penis, are a species, and men want to murder us and the planet with AIDS or – anything else?`


`I guess I`ll just have to cast my seed upon the ground,` said the shit.



Onan On


Britney`s spaceman arrived on Mars having negotiated Freudian symbolism, that is, the `father of psychoanalysis`, Sigmund Freud`s (1856-1939) psychological interpretation of civilization, culture and art, including space rockets, as `nothing but` the repressed expression of men`s `thingies`. Masturbating for millennia, Mankind has succeeded in ejaculating as far as Earth`s nearest neighbour planet, Mars, according to Britney Spears` futuristic `scifi` promotional video for the single, `Oops! … I Did It Again`. When the spaceman, `Mars lander` reports to `Mission Control`, the audience understands it`s `nothing but` an affair: `98% oxygen.`


 In the Bible Onan is punished by God for masturbation, that is, visible ejaculation, which is which is what space travel is from a psychological perspective. Onan`s brother, Er, is slain by God (Gen: 38. 7-10), for some unspecified evil, and God tells Onan to impregnate Tamar, his brother Er`s wife. Onan applies the principle of coitus interruptus because he doesn`t want to give her his `seed`, and so is also slain by God. Onan`s `sin` is masturbation, that is, `casting his seed upon the ground`, according to Christian commentators, who follow the teaching of Jesus from the New Testament of the Bible that many feel supersedes the Old Testament of the Bible, which is the law and history, the Torah and Talmud of the `chosen people`, the Jews: `Love your neighbour as you love yourself.` (Mk: 12. 31) Jesus is wholly celibate, according to those same commentators, which suggests that, when Jesus was taken from the city of Jerusalem to the hill of Calvary by agents of the Empire of Rome then occupying Jewish Palestine and nailed to a cross of wood and left to die, he was being slain by men for not impregnating a woman, that is, for being a de facto masturbator or Onanist.


 Jesus` Resurrection and Ascension to heaven after his death belies his celibacy and onanism in a declaration by the Roman guard present at his crucifixion: `Surely, this was the son of God.` (Matt: 27. 54) Because Jesus was born uncontaminated by male semen from his mother, the Virgin Mary, he was God`s futanarian `foot`, that is, Jesus` Resurrection and Ascension to heaven prefigures that of `woman`s seed`, which is women`s capacity for sexually reproducing with each other to produce human technological progress through their own brains` powers for liberation from Earth to the planets and stars in colonization: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) God`s words to Eve, the first woman, are repeated iconographically in Christian symbolism by Mary`s `foot` crushing the head of the male serpent, because Jesus represents women`s futanarian human nature. Consequently, although rocketry represents male masturbation, which includes all forms of projectile; for example, bullets and missiles, starships are `woman`s seed`, which is why Onan was punished for masturbation. God ostensibly killed Er for unspecified `wickedness`, so that Onan could have sex with Er`s wife, which was recognized by Onan, who refused to accept that, to have sex with a woman, you can kill her husband. However, God`s point of view is that `woman`s seed` is for starships, whereas men are for intercontinental ballistic missiles (ICBMs), that is, specific `wickedness`, which is why he kills Er and Onan.


 Onan, whose name means `strong`, perceived the logical fallacy, which is that God will murder Onan for not having sex with Er`s wife, and God does. Similarly, Jesus Christ doesn`t have sex at all, according to the mythmakers, and so he was murdered too; even though his teaching is about how to develop and progress without murder: as God effectively orders `Onanists` to do. Onan is murdered by God because he refuses to `move up` after God has killed his brother Er and has given him Tamar to impregnate. In short, `moving up` by murder is what God advocates, and that`s rejectable. Because Onan precedes Moses and the law of God in Deuteronomy, his refusal to `move up` by murder is an example of God`s unconscious omniscience, rather than conscious knowledge. Onan`s represents the nascent perception in human futanarian nature that God is wrong in murdering Er and Onan, whereas the teachings of Jesus show how to `move up` through self-development. In modern terms, God wanted Onan to reproduce; like a photocopier. Jesus wants humans not photocopies, that is, through that process described by developmental psychologist, Carl Gustav Jung (1875-1961) as individual progress, or individuation. What is thought of as heterosexual reproduction equates to modernity`s photocopier, that is, a byproduct, rather than a product meeting the specifications of the designer, God.


 Society is an important aspect of Jung`s individuation process, because of notions such as `political correctness` and `politically sound`. Feminists argue that homosexuals and lesbians are `gay` and so equal, whereas futanarian women who have a penis of their own are `normal` humans by definition, that is, so-called `lesbians` are expressing love for their own futanarian human species, whereas homosexuals don`t, which is because unredeemed men are rather a parasitical organism grown in the `host womb` of the species of women. Consequently, in perceiving men and women as a species, feminism can`t be `politically correct (PC). In artistic terms, the painter Constable isn`t `PC`, because there are men in paintings such as `The Hay Wain` (1821), whereas a picture painted by God, the Artist, would have women in it, while men would be notable by their absence, or by the presence of those few shepherds who, like Jesus, were accepting of `woman`s seed` and so redeemed. Feminism is used as a barrier to genuine political correctness. The concept of equality between homosexuals and lesbians is similar to socialism in that it represents the ideology that everyone has an equal share, whereas the futanarian race of human women with their own `seed` don`t have to share: it`s their species and host womb. Men`s conservative tradition is that women share their womb, whereas the future of feminism is, as writer Virginia Woolf hinted in A Room Of One`s Own (1929), a womb of one`s own, which is politically correct.



On the red planet, Mars, Britney Spears represents `woman`s seed`, who`s endeavouring to get Onan`s masturbatory `seed` off the subject of rockets, and although the spaceman is called `Mars Lander` by `Mission Control`, a space vehicle is conspicuous by its absence. Britney appears in a red pilot`s suit indicative of her disapproval of rocket technology used to develop nuclear missiles to destroy the Earth, because the original X-15 `spaceplane` program that was cancelled in favour of the Apollo rocket program to put an astronaut on the Earth`s satellite, the moon, after pilot`s experienced `blackout` at high altitudes, and which caused planes to crash, should have been persevered with as a solution to men`s obsession with combustion, that is, fuelled explosion as a means of travel. The astronaut in Britney`s `Oops! ... I Did It Again` music video represents the Onanist`s sublimation of libidic energy into space rocket development sufficient enough to ejaculate himself from inside a Freudian `thingy` as far as the red planet, Mars. However, without `woman`s seed` the result is species` defeating. Preference for rocketry, rather than the `spaceplane` technology represented by Britney Spears` pilot on the red planet, Mars, means the development of ICBM technology for a future race war. Men who sexually repress human futanarian women, and the nascent brain power `woman`s seed` has for the developing of labor saving technology and immortality conferring medical science, prefer host womb parasitism for parasitoid devourment in warfare against her.


 Britney`s spaceman gives her a `black box`: `Britney, before you go, there's something I want you to have.` A `black box` is a recording of a plane`s progress discoverable in the event of the loss of a plane; or otherwise inexplicable malfunction: `But I though the old lady dropped it into the ocean at the end.` Britney is interpreted as alluding to the `heart of the ocean`, that is, a blue diamond pendant, which at the beginning of the movie, Titanic (1997), is dropped as a remembrance into the sea by Rose, where the salvaging of the ship is taking place. The Titanic sank on its maiden voyage to New York, the United States of America, from Southampton, England, on 15 April, 1912, after collision with an iceberg, and the call to boarding in `Oops! … I Did It Again` suggests it`s the ship Britney Spears is alluding to: `All aboard!`


 Rose`s dropping of the blue diamond into the sea is a gesture of remembrance that laments the events of the movie in which she boards the Titanic with a fiancée but takes a lover, who her fiancée seeks to discredit by having the `heart of the ocean` placed in his jacket pocket where it`s discovered. The subsequent disaster, and loss of her lover, who is drowned while helping people into the lifeboats, while her selfish fiancée lives, is the `heart of the ocean` inside the Titanic, which is Rose`s `black box`. Britney`s spaceman tells her: `Well, baby, I went down and got it for you.` The `black box` contents are the Earth`s `heart of the ocean`, that is, it`s a coffin for those who prefer ICBMs to colonization of the planets and stars as `woman`s seed`.


 In effect the story of Onan says that God is evil in the Old Testament because God invites Onan to `move up` through God`s murdering of Onan`s brother Er and God`s telling Onan to have sex with Er`s wife. In refusing, Onan effectively declares Mankind to be more interested in sublimating its sexual desires in favour of space rocket design, and is murdered by God, because ICBMs would destroy God`s creation. Although Jesus is depicted as endeavouring to change God`s consciousness through his `sacrifice`, Jesus` Resurrection and Ascension to heaven is a prefiguration of that of `woman`s seed`, which represents colonization through `starships`, rather than masturbatory missile ejaculations. Britney Spears` `Oops! … I Did It Again`  represents the perception that space rocket design, and other forms of creative endeavour, are doomed, because they`re `Onanist` sublimations of the male masturbatory impulse to propel projectiles by means of combustion.


 Er was murdered by God, because God wanted Onan to reproduce with Er`s wife, and Onan refused as, effectively, Onan wanted to `invent` which, although described as `masturbation`, corresponds to that visual ejaculation sublimated as the emission of projectiles through combustion, or bullets from a gun. Jesus was killed because he represented invention. When a woman was anointing his feet with oil, the disciple Judas, who was used to stealing from the collection plate after a service, suggested that the expensive perfume be sold to raise money. When Jesus offered `bread and wine` to the disciples at the `Last Supper`, as symbols of the `body and blood` of the human host, Judas betrayed him to the Romans as a `dissident`, because he was `woman`s seed`, and so a threat to the male brained Empire of Rome. At his death, the Roman guard, Longinus, pierced Jesus` side with his spear because, as the `Second Adam`, the Holy Spirit Jesus spoke of as teaching after him, was expected to emerge from his side as the `Second Eve`. Because Jesus` teaching was a continuation of God`s plan for futanarian humanity, that is, sexual reproduction between women for liberation through human brainpower, he didn`t represent the male braining transvestite `TV` in which men and women are a single creature wearing each others` clothes that the Roman Empire wanted as `entertainment`, which is why Jesus was too inventive. God`s plan for humanity wasn`t bullets from a gun, but `starship` colonization.



 Longinus` spearing of Jesus` side was representative of men`s desire to penetrate, whereas Jesus` body represented the spirit`s shield, which is analogous to the meteor shields of `starships` in science fiction, for example, Star Trek (1966-69), which is sufficient for colonization, but men want phasers and photon torpedoes to penetrate, because their `masturbatory` impulse is to see the ejaculate, rather than have it accepted by a woman. Parasitical slavery of women`s host wombs by men produces scientists like, Albert Einstein, who posited that the universe was created by a `Big Bang`, that is, combustion, which suggests God is a bomb-maker. In parasitism, libido is channelled into intellectual work, rather than sex, which results in `masturbatory` models and technologies, for example, interstellar travel through `wormholes` by means of combustion, that is, ships like bullets, and ICBMs, whereas the human body is physically designed only for imbibing sustenance and ejaculation. Because parasites upon a host body become parasitoid in devourment of the host, that`s what men`s socio-economic history describes them as. In coercing others into sex-starved isolation sublimated as `masturbatory` activities, perverted technologies are produced. Imprisoned and stimulated by images linked to the pleasure centres of the cerebral cortex, for example, internet porn, `captives` are isolated and so `tortured` until the slaved `creatives` produce better ideas for technologies for combustive penetration in `shoot-em-up` games` systems; for example.


 Britney Spears` `Oops! … I Did It Again` image on Mars is designed to examine the `masturbatory` impulse. When men have finished masturbating, they`ll be extinct. As Onan recognized in Genesis, when he refused to impregnate Tamar, because God had murdered Onan`s brother, Er. For God, fertilization is reproduction, but it isn`t production so far as `Onanism` is concerned, which wants television, Playboy magazine, and Star Trek, so that he can fantasize and develop perverted `combustion` technologies. Onan is a Christ-like figure, because he`s a victim of host womb slavery for parasitoid nature, whereby the amphitheatres of the Roman Empire, in which individuals killed each other for the entertainment of the Romans, become the theatres of warfare where `woman`s seed` is devoured as slavery`s reality `snuff film`, rather than have the Roman war god red faced with embarrassment instead of having the red planet, Mars, named after him.



 In Genesis God kills Onan for not being satisfied with reproduction, and that`s because human futanarian `woman`s seed` isn`t present in the Bible except for allusions to God`s `foot` in Genesis and Christian iconography, that is, men have almost extinguished the foot that could have afforded humanity psychological balance. Imprisoned and coerced into isolated sublimated masturbation fantasies, women would doubtless produce perverted `shield` technologies that contain to devour, although women are better technology because they have the capacity to sexually reproduce all humanity`s brains with each other. Men`s `masturbatory` technology of ejaculation through combustion is universal death in a further `Big Bang`, which is why women are described as `hidden` (Rev: 12. 6) before they leaves to `sow` their own `seed` amongst the planets and stars as colonists.


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