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It`s A Britney Spears` Pie Film

01/12/2013 18:14

It`s A Britney Spears` Pie Film


In the promotional video for the single `If You Seek Amy` Britney Spears is a woman seen amidst the detritus of a party at her house who reappears in the traditional style of a housewife to take what all Americans would recognize as the iconic fare of `mom`s apple pie` from off the kitchen table to take it out into the garden where she greets the photographers of the press with her children and husband. Because the man in the garden with her resembles John F. Kennedy Jnr, `If You Seek Amy` is about how the United States of America makes spies.



 John could have been President of the United States of America, but for his light aircraft being lost at sea enroute to a local airport at Martha`s Vineyard, Massachussetts, on July 16, 1999, aged 38. The `hidden` title of Britney Spears` song, `If You Seek Amy`, is `F. U. C. K me`, because Britney Spears appears in the garden dressed as Marilyn Monroe, who had an affair with John-John`s father, President John F. U. C. Kennedy, while he was married to Jaqueline Bouvier. John Jnr got his nickname when a press reporter heard his father say his name twice. He wasn`t qualified to fly the Piper Saratoga II HP by instrumentation, which meant he drowned although he could have flown, whereas his father was killed when he could fly, that is, he was qualified by his office to ride in Airforce One, whether he could pilot or not. Their asssassins didn`t want an able person in the Whitehouse:


`Let every nation know, whether it wishes us well or ill, that we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty. This much we pledge – and more.`1


 The `mom`s apple pie` symbolism is a metaphor for brain death because the `apple` is the brain. If a woman wants to cool pies after baking in the oven she puts the pies on the windowsill, but thieves steal. Because the thieves don`t want the woman to remember that she put the pies on the windowsill they want her to lose her mind. If she learns how to bake after being reincarnated she`ll put the pies on the windowsill again, but thieves are animals. She`ll have forgotten how to build starships. Spies are those who look to see if the woman makes pies. President John F. Kennedy died because he was shot in the head by a sniper during a visit to Dallas, Texas, by motorcade in 1963, which is `mom`s apple pie` in medical circles because it`s a mess if you have to operate.


 Operators are spies in intelligence circles. If the plane had auto-pilot, John-John wouldn`t have been needed to fly the two women, wife Carolyn and sister-in-law, Lauren, because the technology would have been better. If one or both of the women were `futanarian` with their own penis` semen, John-John wouldn`t be needed. But he was flying to his cousin Rory`s wedding. As a woman Rory was marrying a man, but God`s warning to Eve in the Bible is that the `serpent`s seed` will have `perpetual enmity` of `woman`s seed`, because the woman Eve was tempted into slavery by the serpent in the garden of Eden when it gave her the `fruit of the tree of the knowledge of good and evil`. Because Eve produced `futanarian` human women with their own penis` `seed` from her host womb these are `woman`s seed` while Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, is `futanarian`, that is, `woman`s seed` again, but men have killed or suppressed woman`s human species, which is God`s `seed`, and so the `serpent`s seed` has wormed its way into the apple of her brain to give her brain damage and make `mom`s apple pie` there. Because the aim of the `serpent`s seed` is to damage the brains of the humans so the `futanarian` woman with her own penis` `seed` can`t escape in starships of her own bred brains devising, for example, technology has to be kept at a low level so she can`t:


`Simple Simon met a pieman,

Going to the fair;

Says Simple Simon to the pieman,

`Let me taste your ware.`

Says the pieman to Simple Simon,

`Show me first your penny`;

Says Simple Simon to the pieman,

`Indeed I have not any.``2


  Simple Simon is a `cargo cult` because pies are easy for people who don`t have to make one themselves, which is what spies and thieves look for. A genius who can produce something they might want before they make `mom`s apple pie` out of the brain they`ve discovered and wait for it to produce something else, which is reincarnation or simply brain damage and that`s what John F. Kennedy received. The `serpent`s seed` don`t want the human `seed` to develop because the woman might escape and they`d have no host wombs to breed in as the parasites of her `cargo cult`, which is the name given to the phenomenon discovered in the South Seas amongst isolated peoples who built from copies of what they`d seen of aircraft. John-John`s plane crashed into the sea off Hyannis Point where the wedding of his cousin, Rory, was to occur. It`d be difficult to make him President of the United States of America from there. Even if the enslaved `cargo cult` of the Earth was to try, and forcing people to make the attempt is what spies, thieves and assassins do.


 Britney Spears in `If You Seek Amy` is in the role of the enslaved host womb of the parasite, and she has the brains to make `mom`s apple pie`, which is what the `serpent`s seed` would say John F. Kennedy`s mother, Rose, was for after they`d made `pie` of his brain. The song narrates as a meditation by a schizophrenic on her circumstances because women are taught that men are their sexual reproductive partners whereas what she sees in the mirror each day is the mirror image of her sexual counterpart but most women don`t have penis` semen of their own and so are made schizophrenic in denial of their own sexuality and feelings for their own human species of woman which has penis` semen of her own as `futanarian` and so is sexually reproductive of her own brains` powers to be something much more than `mom`s apple pie` for the `serpent`s seed`:


`I can't get her off of my brain. I just want to go to the party she gonna go. Can somebody take me home? Ha ha, he he, ha ha ho.`


 Britney Spears is `in two minds`, which is a euphemism for schizophrenia. She wants to go to the party that Amy`s going to go to, but she wants to be taken home. In the video single Britney is seen `partying` at her house before becoming the Presidential housewife in the garden for the paparrazi, which means she`s been to the party with Amy, but is herself in the garden again with `mom`s apple pie`, that is, the husband and kids, because they all represent schizophrenia, which is the brain damage caused by breeding with the male `serpent`s seed`.


 The `party` is a euphemism for the Democratic Party of the Kennedys because women with their own penis` `seed` are 66% of any equation for sexual reproduction without the male which is 33% of nothing if the women won`t sexually reproduce with what is deducible as her parasite by means logic. The Democratic Party is `votes for women` because men aren`t human if women can sexually reproduce their own human species` brains by means of their own `futanarian` penis` semen. A woman looking at her own penis in the mirror knows she`s the human species if she can breed with another woman, whereas men can`t breed without women, which means 100% voting stock in the Democratic Party for the humans who can breed the `serpent`s seed` of men out of their system and disenfranchise it of voting stock democratically:


`We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.`3


 In American slang `dick` means `nothing` and the male penis, so the role of the husband in `If You Seek Amy` is `Democrat Dick`,  because `futanarian` humans with their own penis` `seed` are those who are legitimately enfranchised by the Constitution of the United States of America while the `serpent`s seed` of men isn`t. It`s a `cargo cult` in which `Democrat Dick` doesn`t work because it`s slavery and not democracy. The woman produces from God`s spirit and the human soul while her own penis` `seed` has been stolen by the parasite that has inveigled itself into her host womb to have itself reborn as `Democrat Dick` in endless reincarnations and `perpetual enmity` for the `futanarian` woman who actually had her own penis` semen before `Democrat Dick` killed her:


`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)


 The statue of `Liberty` in New York harbor is a woman bearing the torch of freedom but beneath her skirts she conceals the `mystery` of women`s own penis` `seed` which, in human democracy, would make her the 100% enfranchised `voting stock`, whereas men can`t sexually reproduce together because they`re alien parasites and so have no voting rights amongst the humans.


 In English television history the children`s program Blue Peter (1958-) is legendary for its longevity because of its consistent appeal to young minds. The central premise of the show is `Simple Simon` because the presenter is required at some point in each show to demonstrate to the viewer how to make a telephone out of two paper cups and a length of string, for example. The construction of each new thing for the delight of the child culminates in the adult producing from underneath the workbench a complete version of the components assembled so far:


`Here`s one I made earlier.`4


 Obviously a reference to an earlier legend, which derives from a proverb attributed to 16th century humanist, Desiderius Erasmus, `In the land of the blind, the one-eyed man is king.`5 Because a `one-eye` made earlier is what men have made of woman. Young girls are blinded to their own human ancestry as `futanarian` humans with their own penis` `seed` and capacity for sexually reproducing their own minds, that is, knowing their own minds, and breeding the `serpent`s seed` out of their own race, because they`re made schizophrenic by the pie makers of the `serpent`s seed` who ensure they`re born brain damaged for reincarnation and the struggle for intelligence and life once more in the `cargo cult` that`s enslaved them. Although the Blue Peter presenter says, `Here`s one I made earlier,` there`s no evidence to suggest they did or they can, which is what `cargo cult` is. The South Sea islander produces from photographs or wreckage of aircraft, because the assumption is that there`s something to be produced, so `Democrat Dick` gives the children something to work at, and they produce the technologically advanced concept of electricity generated from wind because they`d seen how to construct a windmill on Blue Peter.


 The children`s `presenter` becomes the `operator` in the `spy ring`, because they`re concerned to spy for the thieves to see if the individual with a brain can make pies, `Here is one I made earlier.` Operators have one eye on the child, and one eye on the future, because Blue Peter is about reincarnation. The possibility of something new is limited, because the spies, thieves and, in the final analysis the assassins, are only interested in stealing the pies from the windowsill, reincarnating the woman to make more pies, and preventing her from remembering what spies, thieves and assassins do. The brain of the human `futanarian` woman with her own penis` semen and a capacity for breeding her own species` brainpower is concerned with remembering where she put her starships after they were built by her so she can escape from the murderers and reincarnators of the `cargo cult` that has enslaved her:


`Love me hate me, say what you want about me, but all of the boys and all of the girls are begging to [F. U. C. K me] …`


 The promotional video single for `If You Seek Amy` came from the album Circus (2008) which is a euphemism for spy rings, just as the previous album released by Britney Spears was titled Blackout (2007) because blacking out is what spies do when their spies have discovered someone who has made a pie and the assassin kills them for their product to begin the process again through reincarnation and the Blue Peter `presenter` starts to operate once more on the brain of the young genius. Much of Blackout is devoted to the idea of media censorship and children`s education in promotional videos for singles like `Piece Of Me` where the paparazzi are accused of interfering between mother and new editions to her family, Sean and Jayden:


`Guess I can't see the harm in working and being a mama, and with a kid on my arm I'm still an exceptional earner, and you want a piece of me?`


 Britney Spears was accused by the paparazzi of being a `bad mother` when dropping the cap of her infant, Sean, in the street near a New York hotel off Central Park while running for a car. The US court ruled she should give her fortune over to her father as Conservator, and someone who said he was a `friend`, Jason Trawick, who subsequently wasn`t. The Constitution of the United States of America is the `supreme law`, which means Britney Spears, as a human woman of a species with her own penis` `seed`, outvotes the US judicial system in respect of her own children, because the `serpent`s seed` of men are alien parasites attempting to enslave the woman`s host womb to have `mom` make more `apple pie` and give her further brain damage in reincarnation.


 For the cover of the CD single `Piece Of Me` from Blackout, Britney Spears appears on the cross in the place of Jesus crucified, because the Roman `circus` didn`t want the Messiah to teach others to see, `In the land of the blind, [where] the one-eyed man is king.` Britney Spears is teaching in the tradition of Jesus. `Circus` was what the Roman called `games` in which gladiators, for example, were combatants. Within huge stadia named `amphitheatres`, crowds of people gathered to watch spectacles. Christians were thrown to lions, for example, as a Roman `game`. Spy rings for thieves and murderers represent the Roman `games` because they don`t want humans to see. Whoever they`re working for is the Roman Emperor and they`re anti-Christian because Jesus` teachings are for those who want to see heaven:


`Surely, this was the son of God.` (Matt: 27. 54)


 The Roman centurion Longinus` words at Jesus` crucifixion for being a Jewish dissident in Palestine crown the Messiah and explain the subsequent role of the Pope in Rome`s Vatican City as global head of the Catholic Christian church after Jesus` disciple Peter, `the rock on who I [Jesus] will build my church`. (Matt: 16. 18) Presenters aren`t teachers, they`re operators for spies, thieves and murderers, whereas Jesus was a teacher for developers, producers, and those who sought immortality through scientific advances in medicine, for example. On September 11, 2001, terrorist group Al Qaeda, `the base`, hijacked civil airplanes and crashed them into the Twin Towers of New York`s World Trade Centre, which was presented `live on CNN` and other `small screen` television channels owned by Hollywood, Babylon. The `presenters` were programing the future pogroms of the `serpent`s seed` against `woman`s seed`, that is, what woman is able to produce from her host womb in the way of art, civilization and culture despite men`s depredations against her through war:


`Beware Greeks bearing gifts.`6


 In ancient Greece women`s host wombs were enslaved in institutionalized homosexual pederasty to spread the viral contagion of warfare further, which is what actor, Brad Pitt, presents as the hero Achilles before the gates of the city in the Hollywood, Babylon movie Troy (2004), where a huge hollow wooden horse is placed as a friendship gift for the unsuspecting Trojans to take into the city where the Greeks emerge from inside the horse to enslave the host wombs of the women in institutionalized homosexual pederasty and spread their viral contagion of warfare further. As visitors to the United States, the Al Qaeda terrorists were employing the planes as `Trojan horses` against the host, which is what Judas Iscariot was to Jesus at the `Last Supper` before his crucifixion as a dissident betrayed by his disciple to the Roman authorities. Jesus` offer of the `bread and wine` as the host wasn`t understood by Judas even though Christ explained that it was symbolic of the `body and blood` of the host. Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus represents the `Word` of God about the `seed` of humanity, which is `futanarian` woman with her own penis` semen as the future host of the human species from her own womb, so Judas` betrayal of Jesus as a dissident was treachery against the future of humanity.


 Because the terrorist attack of Al Qaeda, `the base`, against mom`s `Big Apple` pie of New York`s World Trade Centre was designed to precipitate global conflict with Saddam Hussein of Iraq, who`d promised bases to Al Qaeda there, the `Trojan horses` of the hijacked planes crashed into the Twin Towers were a virus spread by those engaged in `rough trade`,7 that is, the `brutality and violence` associated with homosexual pederasty and the spreading of war`s contagions, which seem now to have included what the Bible calls `blood plague` (Rev: 16. 2-6). Understandable as `blood feud` and vendetta, which Jesus` teachings of forgiveness and repentance reject, `blood plague` is also identifiable as HIV/AIDS, which was spread in homosexual pederasty by men mixing blood, shit and semen in their anuses during mockeries of human sexual reproduction. The HIV/AIDS virus had the effect of keeping women in fearful faithfulness to her enslavers and so constituted a `biological weapon` against her attempts to escape through sexually reproducing her own brains` power for freedom through technological progress:


`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)


 HIV/AIDS begins to infect the body at the base of the spine, because that`s where the penis` semen of the infected male in homosexual pederasty, engaged in secret warfare against the human species of woman`s seed, injects with its penis, which explains why the terrorists were Al Qaeda, `the base`. As the centre of art, civilization and culture in the Western hemisphere, the `Big Apple` of New York represents the brain of the human species and so was the logical target for an engagement with homosexual pederasty`s `rough trade` of `brutality and violence` perpetrated in symbolic form against the World Trade Centre. The United States` subsequent involvement in a third global altercation represented the mind of the West going berserk after contamination by the `blood plague` sent by God, according to scripture, to convert men from their `original sin` of enslaving the host womb of woman for homosexual pederasty and war:


`For all the nations have drunk the maddening wine of her adulteries.` (Rev: 18. 3)


 In the Middle East the women wear the one-piece coverall of the burkha in public so all that can be seen are their eyes and nothing of what a woman is beneath her traditional costume. The office of the authority of the President of the United States carries the power of the `Great Seal`, which bears the symbol of the eagle:


`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the desert, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)


 Although the US Navy Seals of `Team Six` killed terrorist leader, Osama Ben Ladan, on May 2, 2011, the role of the office of the Presidency is to protect the woman who has given birth to the `New Redeemer` and remains in the desert while the battle between the `serpent`s seed` and the `seed of the woman` continues. The Navy Seals represent the hymen of the women who are the `futanarian` penis` `seed` of the human species who is `hidden` as the Moslem women of Islamic Arabia are traditionally concealed beneath their burkha in accordance with the teachings of the Prophet Mohammed in the Koran (610-30 CE) as dictated by the angelic host of God for the edification of the human host there.


 As `mom`s apple pie` is the brain, so the `futanarian` women of Islamic Arabia and the Moslem world with their own penis` `seed` beneath their burkha are `burger` to the evil and not `mom`s apple pie`, because the misogyny of the `serpent`s seed` doesn`t want women`s brains at all. Traditionally the pig is `forbidden` in islam and Judaism as an `unclean animal`, which makes the women `hamburger` to the perpetrators of institutionalized homosexual pederasty and warfare. But the `futanarian` woman with her own penis` `seed` beneath her burkha can make `apple pies` as `mom` without contamination from male semen, if `apple pies` were what she wanted to make; bearing in mind that it`s a euphemism for murder and reincarnation after the brain has produced something useful for the enslaver. The other traditional term for the `burkha` is `abiyah`, which suggests `a pier`, someone who prefers `apple pie` to burger, that is, a mother who bears brain damage in reincarnation, despite the `unclean animals` who are her pig, men. Jesus` casting out of demons from men into pigs that promptly drowned themselves is indicative, because the evil spirits preferred men:


`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)


 Because `futanarian` woman with her own penis` `seed` are of the family, human, whereas men have become the parasitical alien `serpent`s seed` inveigling itself into her blind womb as she unknowingly accepts their semen without recourse to the wisdom of her generations yet to have Resurrection and Ascension to heaven at the last judgement of God upon irredeemable and redeemed mankind alike, while according to scripture God has already decreed perdition for the `serpent`s seed`, that is, eternal unendurable pain, but the planets and stars of God`s heaven for `woman`s seed` because she will:


`… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)


 Her `foot` is the `futanarian` human race of woman with her own penis` `seed` and capacity to sexually reproduce her own brainpower to take her to the planets and stars of God`s heaven where she can be free of men, who are no longer kind to her, if they ever were her kind of man, `Two women will be grinding with a hand mill; one will be taken and the other left.` (Matt: 24. 41) Jesus` words on the last judgement don`t speak of favouritism. The serpent and its followers go to perdition while `woman`s seed` have heaven. Evil women go to hell just the same even though they`re human because they prefer enslavement for their host wombs to `the whore` riding `the beast`:


`Come, I will show you the judgment of the great whore … a woman sitting on a scarlet beast … in her hand a golden cup full of abominations and the impurities of her fornication …` (Rev: 17. 1-4)


 The `blood feud` of vendetta in homosexual pederasty`s `perpetual enmity` and war`s contagions, such as the `biological weapon` of HIV/AIDS` incurable `killer disease` of men`s late 20th century`s `blood plague`, deployed against `woman`s seed` in `biological warfare` against her host womb, are the `abominations and the impurities of her fornication`, which are ascribable to the brain damaged victim and inflicted upon her by her enslavers` breeding with her. The contaminating `serpent`s seed` of men is a blood thinned genetic ancestry, but woman`s own species of `futanarian` woman with her own penis` `seed`, who might have saved men from living as a brain damaged parasite, has been killed before by them and is awaiting Resurrection and God`s promised retribution for men`s parasitism upon her host womb:


`… the great winepress of the wrath of God.` (Rev: 14. 19)


 Because Britney Spears shaved her head in a `schizophrenic episode` during the period when she was being unseated from her role as a mother of two sons in October, 2007, `If You Seek Amy` denotes `pie` and `bald`. Because `Piebald`, that is, `the Pie`, was the name of the horse ridden by Elizabeth Taylor to victory in the English Grand national steeplechase horserace as a twelve year old, Velvet Brown, in the movie National Velvet (1944), Britney Spears` shaving of her head to become bald in February, 2007, and her wearing of a blonde wig in the video `If You Seek Amy` to make `the Pie` means that she`s `the Piebald`, which wins the race, because `futanarian` woman may be the `futrace` of humanity but the safe bet is on God`s `seed` rather than the whores`.


 The rival English children`s television show to BBC TV`s Blue Peter was ITV`s Magpie (1968-80), which is a bird described for its black and white colouring and so `piebald is the term for a horse of a similar colour because it seems to have bald patches as well as coloured. Before she made the album Blackout Britney Spears would be seen as `going through a bald patch`,8 in idiomatic terms, because she didn`t make an album for four years after In The Zone (2003), that is, she didn`t perceivably grow after the single `Toxic`, which described her perceptions of the danger of HIV/AIDS:


`I’m on a ride. You're toxic I'm slipping under. With a taste of a poison paradise. I’m addicted to you. Don’t you know that you’re toxic.`


 The TV show Magpie was based on ingredients as the essence of the `magazine` format, which is what artists need before they create. It`s `the tortoise and the hare`9 insofar as Aesop`s fable describes how the race isn`t to the swift but to the more persevering, that is, the human `futrace` will win over those of the `serpent`s seed`, who don`t want her to fly, or even drive in Saudi Arabia, where women are forbidden to drive cars:


`I took a sip from my devil's cup. Slowly it’s taking over me.`


 Although Britney Spears` car tyres seemed to be bald in February, 2007, her star`s vehicle took her through to regain success with Blackout in spite of a supposed `breakdown` when she committed herself to a West Indies` drug rehabilitation centre on the island of Antigua having found herself `toxic`. As a `magpie` her concern is with collecting the ingredients to make her `pie`, that is, her mind is her oeuvre contained in potentiam and appearing but sporadically creative to external observers. The human mind is perfectly methodical, however. Britney Spears was bald before she was `the Pie` in `If You Seek Amy`, which demonstrates the independent planning and forethought of the human mind. The `Piebald` will win the human race even though the pieces of the picture lack colour in patches; because the artist has the right ingredients to make more than a pie baldly.



1 John F. Kennedy`s inaugural Presidential address, 12:51 (ET), Friday, January 20, 1961.


2 Cf. `Simple Simon's Misfortunes and his Wife Margery's Cruelty` (1685) in Opie and P. Opie, The Oxford Dictionary of Nursery Rhymes, Oxford University Press, 1951, pp. 333-4.


3 March 4, 1789.


4 The phrase was originally attributed to Christopher Trace, a Blue Peter presenter since the initial airing of the bi-weekly children`s television program from 16 October 1958 to 24 July 1967.


5 Erasmus Roterodamus, Desiderius, Collectanea Adagiorum, 1500.


6 Virgil The Aeneid, Bk II, 19 BC.


7 .


8 patch .


9 Aesop's Fables or the Aesopica is a collection of fables credited to Aesop, a slave and story-teller believed to have lived in ancient Greece between 620 and 560 BCE.

In The Boy Zone With The Witch Queen Cannibal Vampires

23/11/2013 07:10

In The Boy Zone With The Witch Queen Cannibal Vampires


Britney Spears` album In The Zone (2003) relates to her role as a dancer in the pop videos she makes to promote her music and songs. Because of their physical fitness routines, dancers describe the state of mind reached, when the exercise seems effortless, and the body is running as a machine, where neither pain nor the pressures of time are present, as `the zone`. Timed alarms are used to tell the dancer when to stop their physical workout because, `in the zone`, all worldly concerns are forgotten and the mind goes with what Hungarian `positive` psychologist, Mihály Csíkszentmihályi, called `the flow`:

`It is a single-minded immersion and represents perhaps the ultimate experience in harnessing the emotions in the service of performing and learning. In flow, the emotions are not just contained and channeled, but positive, energized, and aligned with the task at hand. To be caught in the ennui of depression or the agitation of anxiety is to be barred from flow. The hallmark of flow is a feeling of spontaneous joy, even rapture, while performing a task although flow is also described as a deep focus on nothing but the activity - not even oneself or one's emotions.`1



 In young women `the flow` is manifest as feelings approaching vaginal ejaculation during intense physical activity, like horse riding, for example, as practised by the young film star, Elizabeth Taylor, in the Hollywood movie, National Velvet (1944), `I want it all quickly 'cause I don't want God to stop and think and wonder if I'm getting more than my share.` The 12 year old actress had to ride with her legs astride the back of the powerful animal, as if it were an extension of her own body, and not side saddle, which is how women were taught to ride, because the movie concerned the English steeplechase race, The Grand National, in which jockeys bestride their horses:

`I wanna get in the zone, I wanna get in the zone. If you really wanna battle, saddle up and get your rhythm.`



 As Britney Spears` lyric from `Me Against The Music`, featuring Madonna Ciccione from the album In The Zone reprises, riding side saddle was obligatory for young women, because of the sexual feelings aroused with a horse between their legs, which men didn`t want to encourage. Orgasmic ejaculation resulting from the woman`s `going with the flow` during a ride upon her horse might have reminded her of `woman`s seed`, which God tells Eve in the Bible will have `perpetual enmity` with the `serpent`s seed` after Adam and Eve accepted the `fruit of the tree of the knowledge of good and evil` from the parasite in Eden, rather than the `fruit of the tree of life` and immortality, because they`d have enslavement of their species as a reward:

`You shall be as gods.` (Gen: 3. 4-5)



 Because `woman`s seed` is `futanarian` woman with her own penis` semen she`s the enemy of the serpent and the `serpent`s seed` that wants to enslave her host womb for pederasty and war, which was the institutionalized mode of the Greeks before the Roman Empire and its occupation of Palestine during the time of Jesus of Nazareth, who was crucified as a `dissident` because he was born of his mother, the Virgin Mary, uncontaminated by male semen, and so born of the `futanarian` species of human woman with her own penis` `seed` God tells Eve will:

`… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)



 Jesus` teachings are of Resurrection because `woman`s seed`, that is, women with their own penis` semen are in a 50/50 relationship with what could be her parasite emerging from her host womb, that is, men, while her own species of humanity with its penis` `seed` for sexually reproducing herself and her own brains` power is 100% of the human `futanarian` race if she looks in the mirror. Because two women together who can sexually reproduce with one another are 66.6% of the species in any given space where they are alone, men who can`t sexually reproduce together aren`t even 33% of the human race, so Jesus` advocation of Redemption through acceptance of the host in the Catholic Communion service, for example, is an aspect of `brain transformation` or metanoia (Mk: 1. 4) which is conversion from maleness to femaleness necessary if men are to have Redemption and Resurrection in heaven through the body of the `futanarian` woman with her own host womb and capacity for sexually reproducing with her own penis` `seed`:

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)



 In ancient Greece the giant wooden horse before the walls of the city of Troy was paradigmatic of the way that women`s host wombs are enslaved by pederasty for war and its contagions, which include viruses like the biblical `blood plague` (Rev: 16. 6) HIV/AIDS that`s a homosexual STD. In fact 21st century `geeks` have replaced Greeks in the picture because they produce `Trojan  viruses` to infect the machine brains constructed by the spirit of God in the human to assist humanity`s functioning as it labours beneath the handicap of brain damage resulting from generations of breeding between the woman and her virus, men:

`Beware Greeks bearing gifts.`2



 At Troy the Greeks emerged from the hollow insides of the wooden horse to enslave the host wombs of the women for pederasty and its contagions. The Bible describes what happens when a woman is enslaved by homosexuality:`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Hollywood is often called `Babylon` in books and other media because of its homosexual attitude towards women. The production code of the 1930s, which lasted until 1968 and set the stamp of male homosexual misogyny on the movie industry, insisted that a woman`s foot should remain on the floor during bedroom scenes, to reinforce the taboo against the penis being seen in films, because men don`t want the `futanarian` foot of `woman`s seed` to rise from the Earth and leave in starships of her own human species` brain`s devising, because of her capacity to sexually reproduce it herself.



 In the movie of Margaret Mitchell`s Gone With The Wind (1936), which details the fall of slavery in the Southern States of the United States of America (1661-5), Scarlett O` Hara is depicted as `liberated` because she rides bestride rather than side saddle, which is depicted as a delightful anachronism but the move was made in 1944 when the `Hays code` for production studios was in full force to prevent women`s `futanarian` foot from ever being seen in Hollywood, Babylon, three hundred years after the historical events depicted in the film Gone With The Wind (1939) and almost two thousand years since the tme of Jesus, Christ, who preached `woman`s seed` after God`s warning Eve of the `serpent`s seed` and its desire that her `futanarian` foot shouldn`t `crush` its head as she left Earth for the planets and stars of God`s promised heaven:

`There was a land of Cavaliers and Cotton Fields called the Old South... Here in this pretty world Gallantry took its last bow … Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave ... Look for it only in books, for it is no more than a dream remembered. A Civilization gone with the wind...`3



 Scarlett O Hara`s conflation of masters and slaves with knights and their ladies is fair, which is the tragedy of mankind. Gone With The Wind is about the flow of time and human progress within it, and the antebellum period of the United States of America had much in common with the rise of the Moslem faith of Islam in the Middle East. In the South women of the period wore long flowing dresses that concealed everything but their ankles and face, which left what lay beneath their corsets a secret, much as the Arabian women`s adherence to the teachings of modesty in the holy book of Islam, the Koran (610-30 CE), as dictated to the Prophet Mohammed by the angels of God, exhorts them to wear the black one-piece coverall of the burkha that leaves everything covered but their eyes. In the United States, Babylon Hollywood present nudity as the apex of sexual activity within the genre, but the penis is still invisible, and the females within the cinema-going audiences aren`t aware of their own `futanarian` human species` capacity for independent socio-economic production.through their own penis` `seed` and normal sexuality rather than the `schizophrenic` abnormality imposed upon their psyches by the movie industry`s defining of them as host wombs for its parasitism.



 At the `Last Supper` before his crucifixion Jesus Christ gave the disciples `bread and wine` as symbols of his `body and blood` because he was the host. Betrayed by his follower, Judas Iscariot, who didn`t accept Jesus` teachings of Redemption, because he was a parasite, Christ, the Messiah, was sold by Judas to the Romans for `thirty pieces of silver`. Judas was a follower of Jesus as a psychopathic `stalker` rather than representing the disciplined acceptance of the disciples. Jesus represents the host body of the human race, that is, his `futanarian` mother, prefigured in the Virgin Mary, who is to receive Resurrection and Ascension to God`s heaven, as Jesus himself after his death. Jesus` teachings are quite explicit. The Messiah envisions nothing less than a heaven with a single family of God in a biunity that`s woman no longer enslaved by her knights but living as a species new born and resurrecting the human spirits through her host wombs amongst the planets and stars after she raises her foot from off the Earth by crushing the head of the Earth`s `serpent`s seed` with it:

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)



 Because they`ll be the `futanarian` species of human woman with her own penis` semen and capacity for sexual reproduction and the race`s continuation after the Resurrection, which is essential, because she`s been killed by the `serpent`s seed` and, to conceal the crime, monolithic organizations like Hollywood, Babylon, have presented homosexual pederasty and war`s contagiousness as human behaviouralism, whereas it`s parasitical devourment of what woman is able to produce of civilization, culture and art from her host wombs despite her parasites` depredations in the ceaseless `perpetual enmity` of war that her enslavers can`t conceive her for. Although the HIV/AIDS `blood plague` seems a misfortune it functions as homosexual pederasty`s maintaining of women in fearful faithfulness to 50/50 monogamous relations with her jailers and so constitutes `biological warfare`:

`Let he that has wisdom have understanding, the number of a man is the number of the beast and his number is six hundred three score and six.` (Rev: 13. 18)



 Because 66.6% is the percentage of human sexual reproductive capacity between women of the species who are `futanarian` with their own penis` semen, whereas men`s 33% of sterile incapacity without a female host womb for its paraistism to prey upon is actually capable of being bred out of the race in a very brief timespan if `woman`s seed` begins to be fertile. In Islam the notion of marriage is much more sensibly oriented towards the needs of women, because the ratio of males to females within a Moslem union can be 80% to 20%, that is, four women to one person with a penis. As`futanarian` women have penis` `seed` of their own, the ratio of penises withi n a Moslem marriage can be much higher, and so the possibility for raising the human level within the Islamic breeding program is greater. In fact the tradition of Islamic women is of the `devil` as `Iblis`, who has no power other than to whisper in their ears, which is true if women are perceived as the human species socio-economically independent of men, who`d then be definable as their parasites. Because women with their own `futanarian` penis` semen`s capacity for the sexual reproduction of their own brains` powers for technological development are truly free of slavery:

`I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character. I have a dream today!`4



 The `Nation of Islam` was the `Black September` terrorist organization that grew out of Martin Luther King`s speechifying on the nature of Civil Rights in the United States of America, which reached its apotheosis in the Al Qaeda terrorists` hijacking of `civil` aircraft to crash them into the Twin Towers of New York`s World Trade Centre on September, 11, 2001. The attack precipitated and reestablished, as the Earth`s paradigm, that global `rough trade` of `brutality and violence` in homosexual pederasty, which meant the spreading once again of those virulent abominations, war and plague, amongst the women based populations of humanity in the Gulf war (2001-11) against Saddam Hussein, the dictator of Iraq, who`d offered bases to Al Qaeda publically on national television after the events of 9/11, 2001. The Moslem peoples with their marital ratio of 80% women, that is, `four little children`, represent Martin Luther King`s `dream`:

`I still have a dream, a dream deeply rooted in the American dream - one day this nation will rise up and live up to its creed, `We hold these truths to be self evident: that all men are created equal.' I have a dream . . .`



 33% of nuthin` is still nuthin`. Before and after the first World War, Emmilene Pankhurst was a leader of the rights for votes for women campaign as a `suffragette` which , resulting in women`s being provisionally given the vote by men on February 6, 1918, perhaps not coincidentally preceded the end of the war with Kaiser Wilhelm II`s Imperial Germany on 11 November, 1918. If women are able to sexually reproduce through their own `futanarian` penis` `seed` and men can`t, women are the humans. The naturally enfranchised `civil` population, from whom men should ask forgiveness for their sins, as they`re parasites upon their host wombs, mightn`t have to accept any other amendment to their constitution:

`We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.`5



 The manumitting movie Gone With The Wind represents `the flow` insofar as the history of peoples is a movement from stagnation and sterility towards progress and technological development, but that`s dependent on all things being equal and the absence of `woman`s seed` from the human stage is telling. The 20th century`s preoccupations were with feminist `political correctness`, which was more or less adopted by the United States of America as an amendment to the constitution. But `PC` had a virus because lesbians were perceived as abnormal homosexuals by feminist thinking, which deduced that women were equal to men because of that, whereas it was a schizophrenic acceptance of their own loss of sexual desirability towards their own `futanarian` human species of woman with her own penis` `seed` everytime they looked in the mirror:

`At night I pray that soon your face will fade away.`



 Britney Spears` lyric from `Everytime` and the album In The Zone tells the truth. When a dancer like her is `in the zone` of physical and spiritual `flow`, she feels free rather than determined, which is what the mirror and a man represent. The Irish band, Boyzone (1993-), represent the antithetical position to freedom, that is, father based determinism, where homosexual pederasty and its contagions of war and plague are congenitally present in the lyrics of a song like `Father and Son`:

`You're still young, that's your fault; there's so much you have to know. Find a girl, settle down; if you want you can marry. Look at me, I am old, but I'm happy.`



 The HIV/AIDS virus emerged at the end of the 20th century and remained incurable because of men`s preoccupations with war rather than medicine. If woman as a `futanarian` species with her own penis` `seed` and capacity for sexual reproduction and socio-economic independence from men lives as an ephemeral rather than an immortal she will never remember her own species penis` `seed` unless, as Jesus preaches, there`s Resurrection and she`ll have Ascension in heaven after her `futanarian` foot has crushed the `serpent`s seed` upon the Earth as she rises. It`s in the interests of the enslaver and devourer of her civilization, culture and art to keep her as an infant and an infantile without brains or knowledge of herself. As Britney Spears` lyric to `Toxic` from the album In The Zone observes, life-prolonging medicines are intrinsically anathema to the `killer disease` of men created in each others` anuses. By mixing blood, shit and semen there in mockery of human sexual reproduction between the `futanarian` human race of women with their own penis` semen that men have despised and killed before because they hate her, men can employ sexuality to spread their contagion further unless an antidote is found to the poison:

`With a taste of your lips I'm on a ride. You're toxic I'm slipping under. With a taste of a poison paradise I'm addicted to you. Don't you know that you're toxic.`



 Britney Spears` superheroine in the video promotion for the CD single `Toxic` breaks into a secret laboratory to obtain the serum, which is kept from humanity to ensure its extinction, while Boyzone`s emphasis upon blameworthiness for the young in `Father and Son` is a celebration of the `happy` parasite who is ancient, as God says the serpent will be after Eden, but its poisonous nature is reincarnated in the host wombs of women and so it shan`t die. Even if the human race is reduced to grubbing for worms under rocks, men have ensured that she can`t breed her own brains` power to develop liberating technologies to resurrect her `seed` and give her the longevity she needs to preserve the wisdom and knowledge of her own race`s destiny in her own memory, which is why the `killer disease` of homosexual pederasty`s enslaving terrorism of HIV/AIDS is preferable to a cure and war is the parasite`s means of spreading its collective contagions further:

`Sexy as I wanna be. Got these fellas chasin' me. It's 'bout time I hit the streets. All my girls still feelin' me.`



 Britney Spears` `Outrageous` lyrics from her album In The Zone represent her perception that the `boy zone` is different to the `zone` where she`s with `the flow` and indeterminate, that is, she feels a part of the collectivity of woman, who is human as the `futanarian` penis` `seed` of her own species` capacity for sexually reproducing her own brains` power, which she can feel in the orgasmic sensations experienced `in the zone` of her dancers` routine performed throughout the promotional video for the song. The chasin` fellas are the parasites. In The Zone was succeeded by Blackout (2007) which lamented her unconsciousness and blindness in the title because censorship and media blackout had prevented her from recognizing the possibility of sexual union with a member of her own species of `futanarian` woman with her own penis` semen and she`d married Kevin Federline on September 18, 2004, before producing two boy sons, Sean Preston and Jayden James, who may be perceived as `poisons` born from the host womb of the mother enslaved by men for that purpose:

`She held a golden cup in her hand, filled with abominable things and the filth of her adulteries.` (Rev: 17. 4)



 For men to experience the metanoia (Mk: 15. 39) of repentance they would have to be reborn from the host wombs of women as `futanarian`, that is, as `woman`s seed`, which was Jesus` teachings as the `first` of the ` seed` born from his mother, the Virgin Mary, uncontaminated by male semen. The initial stage is forgiveness for the sin of enslaving and devouring her through men`s spreading of their contagions of war and plague by means of their homosexual pederasty of creating `boy sons`, that is, `poisons`, to produce the `abominable things and the filth of her adulteries`, which is Hollywood, Babylon:

It's getting late to give you up. I took a sip from my devil's cup. Slowly it's taking over me.`



 As Britney Spears` lyric in the song `Toxic` from the album In The Zone indicates, the film industry`s usage of woman`s `cup`, that is, her host womb, to promulgate racist `blood feud` and  `mafia` vendetta is socio-historically understandable as propaganda posing as `action` movies. Hollywood Babylon`s `boy sons` are `poisons`, while Britney Spears` preoccupations are Christian rather than American because she seeks a solution to the problem of homosexual pederasty and HIV/AIDS which isn`t addressed by either her country`s spiritual guides nor its politicians:

`I`m Miss American Dream since I was seventeen.`



 Appearing on the cross, like Jesus Christ, for the cover of the CD single, `Piece Of Me`, Britney Spears represents the concept of `woman`s seed`; although her lower body is concealed by a sarong. Once again the theme is of the human `futanarian` species of `woman`s seed` with her own penis` semen as the collective biune family of humanity`s future since Jesus` death, Resurrection and Ascension to heaven two thousand years before. According to the Bible Jesus`s side was pierced by the spear of Longinus, the Roman guard upon the hill of Calvary outside the walls of the city of Jerusalem where Christ was killed upon the wooden cross that was raised thereupon for his torture and eventual death. Jesus` preachings said that the Holy Spirit would be the teacher after him and, because Christ was called the `Second Adam`, Longinus` perception was that the `Second Eve` must be by his side and so pierced the ribs of Jesus with his spear, where Christian tradition said that Eve was born from the side of the first Adam in Eden:

`Surely, this was the son of God!` (Mk: 15, 39)



 According to European tradition Adolf Hitler of the National Socialist Party, that is, the Nazis, had the spear of Longinus, which was called the `spear of destiny`, for his campaign to enslave {Eastern Europe and implement a pogrom of genocide against the `chosen people` who were the remnants of the Jewish state of Israel globally before the United Nations edict of 1948 restored Palestine to them after the Second World War (1939-45) to defeat German Imperialism. The United States` belief in `Manifest Destiny` makes the `spear of Longinus` a symbol of the `American Dream`, which is represented by the `statue of Liberty` in New York harbor, whose skirts conceal as much as Britney Spears` sarong on the cross for the cover of her CD single, `Piece Of Me`:

`A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. She was pregnant and cried out in pain as she was about to give birth.` (Rev: 12. 1-3)



 Christian tradition is that the `New Redeemer` is Jesus Christ in his `Second Coming` after Calvary, and `the sun` the `woman` of Revelation is `clothed with` can be interpreted as the red sun of the flag of Japan defeated by the United States of America after the `sneak attack` by the Japanese on the Pacific fleet at Hawaii`s Pearl Harbour on 7 December, 1941. WWII ended when the USA unleashed the power of the sun to destroy Japan`s cities of Hiroshima and Nagasaki in 1945. Because the flag of Al Qaeda was the moon, `Liberty` had it at her feet in her birth waters of New York harbor after 9/11, 2001, that is, she had borne a child who:

`… will rule all the nations with an iron scepter.`` (Rev: 12. 6)



 The concept of the betrayal of the host permeates the Christian tradition and the `sneak attacks` on Pearl Harbour and New York, where `the statue of Liberty` resides in New York harbor, represent the same basic truth, which is that the host is the woman because she`s the womb of humanity and treachery consists in attacking her under whatever circumstances. Although the Gulf war was perceived as a great American victory, the torture and betrayal of the Arabian Moslem women that took place at Cuba`s internment facility, Guantanamo Bay, betrayed the trust that Christianity placed upon the office of the President of the United States, whose seal under George W. Bush remained the eagle:

`And to the woman were given two wings of a great eagle, that she might fly into the wilderness, into her place, where she is nourished for a time, and times, and half a time, from the face of the serpent.` (Rev: 12. 14)



 Although Navy Seal Team Six killed Osama Ben Ladan at his hideout in Pakistan within the shade of that nation`s Military Academy on May 2, 2011,, there`s no evidence that the hymen of the women of Arabia`s `futanarian` human penis` `seed` concealed beneath their own-piece coverall, the burkha, as women of the antebellum period of the Southern United States may once have kept theirs beneath their flowing skirts, were afforded protection by the skirts of `Liberty`, beneath which her eagles had been bred:

`I'm Miss bad media karma. Another day another drama. Guess I can't see the harm in working and being a mama, and with a kid on my arm I'm still an exceptional earner and … you want a piece of me?`



 As a symbol of the women who have borne the eagles of the United States of America, Britney Spears upon the cross for the promotional cover of her CD, `Piece Of Me`, represents the spears of their destiny, that is, the `bad media karma` of the lyric, where `karma` in Hinduism is the cause of reincarnation, because `boy sons` are the `poisons` that force breed women`s host wombs to produce the parasites` contagions of war and pederasty, which became 9/11, 2001, `live on CNN`, and the Hollywood, Babylon `blockbuster` movie, World Trade Centre (2005), based on the terrorist attack by Al Qaeda on the World Trade Centre of New York, when the Arabian hijackers of `civil` aircraft betrayed their host to crash them into the Twin Towers of Manhattan island, New York state:

`No wonder there's panic in this industry. I mean please... do you want a piece of me?`



 The `Second Eve` from the side of the `Second Adam`, pierced by the Roman centurion Longinus in order to release her from the rib of the Messiah, is `futanarian` woman with her own penis` semen who is teaching mankind through the spirit of her future Resurrection and men`s need for Redemption by asking her for forgiveness through the worship of God rather than that they show support for Mars, god of war, or they will receive God`s punishment, which is perdition, that is, eternal unendurable pain, after the `serpent`s seed` is defeated in the `war in heaven` against God`s host of angels when the parasites attempt to re-enslave the host wombs of `futanarian` woman with her own penis` `seed` to maintain their slavers` system of homosexual pederasty and devouring warfare upon the Earth:

`I'm Mrs 'You want a piece of me?'`



 It has been Catholic dogma since 1950 that the Virgin Mary ascended to heaven like Jesus . All women are technically virgin insofar as they haven`t been able to use their own penis` semen to sexually reproduce their own brains` power without being interfered with by men, whether priests or otherwise.  Britney Spears` `Piece Of Me` is a critique of her own role as a slave to the industry`s making of her a `piece`, which is a slang term for a gun in the United States and  a woman who produces more for boy sons, that is, poisons, for their blood feuds and vendettas:

`Tryin' and pissin' me off. Well get in line with the paparazzi who's flippin' me off. Hopin' I'll resort to some havoc [and] end up settlin' in court. Now are you sure you want a piece of me? `



 The constitution of the United States of America is the supreme legal authority in the nation and Britney Spears` fortune was taken away from her to be put into the hands of a Conservator, her father, and a fiancée who didn`t even marry her, Jason Trawick, but was awarded Co-conservatorship of her property because he was `around`. If women are the human species, because she`s `futanarian` with her own penis` `seed` from God, men aren`t even enfranchised by the US Constitution, so Britney Spears` mother, Lyn Spears, ought to have been Conservator if it were proven she needed care after her divorce from Kevin Federline on 30 July, 2007. The decision by the courts was based on her leaving her child`s hat on the pavement while running for a car near New York`s Central Park, which was snapped by a paparazzi as evidence of her neglect:

`I'm Mrs 'Most likely to get on the TV for strippin' on the streets' when getting the groceries, no, for real … are you kidding me?`



 Just as rules of engagement were applied to conventional war during the Gulf crisis, so rules of engagement apply to conventional marriage, but just as the rules of conventional war limit a nation`s capacity to construct defensive shields adequate to prevent aggression from being successful, that is, the shields have to be weaker than the spears, and so promote war rather than prevent it, so a woman`s conventionality is used against her to limit her defences in the case of an attempt to invade her privacy and take possession of her personal worth, which is the principle that the first Gulf war (1990-1) to evict Saddam Hussein`s invading army from Kuwait illustrated:

`They're still gonna put pictures of my derriere in the magazine. You want a piece of me?`



 A `piece of ass` is US slang for a woman, but it is also used as a term to describe an attack upon someone, which is why Saddam Hussein`s invasion of Kuwait was greeted with slang invective about getting a `piece` of his `ass`, where dismemberment and possession is the issue. In Egyptian mythology Ra, the sun god, is incarnated as the god Osiris who is dismembered by the god Set, as the United States was dismembered on the television set `live on CNN` and other channels on September 11, 2001, because television is TV, that is, transvestism, where the `futanarian` species of woman with her own penis` semen is sundered from her own selves, so the ghouls can watch women in men`s clothes killing themselves in the Gulf war, for example, which was precipitated by the Al Qaeda terrorists` crashing hijacked planes into the World Trade Centre of New York to reestablish the `rough trade` of homosexual pederasty`s `brutality of violence` in warfare. Because men represent the penis` `seed` of `futanarian` woman split off from herself in transvestite torment, Jesus` celibacy symbolizes the desire of `woman`s seed` to be reunited with herself outside of brain damaging contaminated male unions with women. Jesus Christ`s  a `TV` from the ghouls` point of view, that is, a transvestite, because he`s sundered from the body of woman to which his penis should be affixed as hers. The older Egyptian story of Osiris` dismemberment by Set refers to the `schizophrenia` induced in the human race by its sundering and what the ghouls think of as its subsequent transvestism, the consequences of which are depicted on Hollywood Babylon`s `small screen` televisions every day as the women in men`s clothes commit suicide in the various global conflicts and are watched by the `serpent`s seed`` as TVs, that is, transvestites. In the Egyptian tale Osiris is remembered by the goddess, Isis, who refashions his penis because she can`t find the original and that`s representative of the new birth of Osiris as Horus, the `sky god`, who can never return to being his father, Ra, because he is now `futanarian`, like Jesus, with the penis of Isis, his mother, and so isn`t treacherously male like Judas, for example, or the Egyptian god, `television` Set.:

`Penis envy in Freudian psychoanalysis refers to the theorized reaction of a girl during her psychosexual development to the realization that she does not have a penis. Freud considered this realization a defining moment in the development of gender and sexual identity for women - the parallel reaction in boys to the realization that women do not have a penis being castration anxiety. In contemporary culture, the term sometimes refers inexactly or metaphorically to women who are presumed to wish they were men.`7



 In Judaism women are the mothers and it isn`t possible to be born into Judaism unless born from a Jewess, which makes of women the `chosen people` and explains why Nazism was such a fascist misogyny planning her extermination in `concentration camp` pogroms during WWII. Sigmund Freud (1856-1939), the `father of psychoanalysis`, argued that women were envious of the male penis, but God`s exhortation to Eve that she should heed the warning that the `serpent`s seed` would prosecute a `perpetual enmity` against her own penis` `seed` refutes Sigmund Freud`s argument. Freud`s theory itself suggests boys` castration fears would disappear if their mother had a penis, because their own fathers` envy for the woman`s penis  has resulted in her `futanarian` penis` `seed` almost being extinguished by them. Britney Spears` lyric to the song, `Break The Ice`, from the album Blackout, recognizes that a woman can`t wait forever for a man:

`Can you rise to the occasion? I'm patiently waiting, cos' it's getting late, and I can't get enough, so let me get it up.`



 A `futanarian` woman with her own penis` semen can sexually reproduce without a man and she`s tired of the male chauvinism that tells her she has to accept a man when she`s got her own penis` `seed`.  If men don`t assist her to sexually reproduce it might be too `late` and she`ll be the extinct human species of `woman`s seed` because she couldn`t raise her `futanarian` foot up from the Earth and crush the `serpent`s seed` with it.



 The other `foot` in the drama of humanity is Oedipus`, whose name means `swollen foot` because he`s lame, which in the United States means a poor excuse and probably derives from the central protagonist of Sophocles` ancient Greek drama, Oedipus Rex (c. 429 BC), having no real reason for blinding himself when he discovers he`s killed his father, Laius, and had children by his mother, Jocasta, inadvertently, because `futanarian` women are the human biune family and so men`s incest taboo is used to prevent her from having sexual intercourse that would produce children from her own penis` semen.  Britney Spears` album, Blackout, relates to the problem of Oedipal blindness and unconsciousness due to censorship , taboo, and media blackout on the subject of  woman`s true nature, for example, most classicist scholarship describes the `riddle` solved by Oedipus as `man` derivable from the question, `what walks on three legs in the evening?` The solution is that man uses a cane to walk with because he`s old, but the `foot` of Eve is described by God as rising from the Earth to crush the head of the serpent for `woman`s seed` , which suggests `futanarian` woman is the third `foot` of humanity which is triune in the evening of mankind`s Advent upon the Earth but only if men will allow her to walk beside them. If not, the answer is `man` because the blind old murdering beggar will have to go alone. The Bible makes this very plain in th story of Cain and Abel, where Cain may be understood as the cane of blindness and Abel the able man who is blindly murdered by Cain because his broither is able to cook and so he hinders the progress of the human species by `putting out` its intelligent eyes in murder. Cain is the lazy fool who doesn`t want to cook but to pick fruit because it`s easier, and so he`s the figure of the man wit the rifle walking alone in the evening because he`s killed his own race:

`Wonder if he knows, he's on my radar. On my radar, on my radar, on my radar.`



 Britney Spears` lyric to the song, `Radar`, from Blackout, relates to blindness but the central motif of the fountain with the polo player at its centre and footage of a polo match, which is a sport played by men on horseback using mallets to direct the ball into the goal, derives from the Persian Empire of the Sasanians (224-651 CE), who invented it. In card games of the region, polo games depicting men on horseback were the `clubs` of the modern `pack`.  In `futanarian` terms the sexual union of women as a `race` with her own penis` `seed` is metaphorically a horse and rider, while men prefer horses and the `gay club` that they`ve murdered her with.



 The phrase `swords beaten into ploughshares` is biblical but the idea of swords as spades in the `pack` relates to the concept of `futanarian` women being `spayed` so they can`t sexually reproduce, where `spayed` means to surgically remove testicles. Spades then refer to her burial as an extinct species. The other two `suits` are diamonds and hearts, which translate as cups and pentacles in the tarot deck of divinatory cards that are traditionally believed to be a portable Jewish Torah, that is, a version of the Judaic `book of the law`, saved from the burning of the library at Alexandria when the Roman Empire began to supercede that of the ancient Greeks.



 In terms of the Arthurian myth cycle of ancient Britain, cups are symbolic of the Holy Grail, which was the bowl from which Christ ate and drank at the `Last Supper` before his crucifixion, while the pentacles signify coins or the money Judas Iscariot obtained as payment for his treachery. In simple terms, diamonds and hearts are food and drink at table prepared by a woman for pay, which is how the knights have enslaved her. The meaning is that men are blind to anything but their appetites because they`re animals:

`Got you on my ... radar … think I can't handle that animal in the sack.`



 If the human species of `futanarian` woman with her own penis` `seed` can`t get out of the sacral sac of the scrotum, because the spermatozoa from the testicles of the woman is extinct due to the occluding homosexual black masses of sexual intercourse, without human reproduction between men and women, then that `animal` has been handled by the Satanists` husbanding in the sack, which is a metaphor for species` sexual exclusion and occlusion ending in the pogromed death of the human race by the `serpent`s seed` of men because nothing human can emerge from her host womb if only the alien parasite is breeding with her.



 Games are revealing, The sack race is a children`s game in which a child is placed in a sack and has to compete with others by running inside the sack to the finish line, which is a metaphor for the `futanarian` human species of woman with her own penis` `seed` who can`t get out of her testicle sack because her `seed` is extinct.  The three-legged race in which two children are tied together at one leg is a metaphor for the `futanarian` woman with her own penis` `seed` who can`t escape from the Earth to crush the `serpent`s seed` with her `foot` because she`s bound. In the egg and spoon race an egg has to be carried to the finishing line on a spoon, because women`s eggs are human and her husband isn`t:

`Some species of snake are ovoviviparous and retain the eggs within their bodies until they are almost ready to hatch.`8



 The characters used to frighten children into being controlled by supposed adults in homosexual pederasty are revealing. The witch riding her broomstick is a metaphor for the woman riding the penis` `seed` of her own `futanarian` woman`s species and that`s the reason why `wise women` were burned at the stake in places like Salem, Massachussetts, in the United States of America, between February 1692 and May 1693. The stake was a wooden representation of her penis to which she was tied during the conflagration because men didn`t want her `seed` to flourish.



 The concept of the stake is translatable to Vlad III, `the impaler`, of Wallachia (1431-76), who similarly impaled his victims on wooden stakes. Vlad was the prototypical historical figure for the myth of the vampire who lived forever by drinking the blood of his victims, which is what men do who enslave women as ephemeral `blood bags` for the production of brain damaged `boy sons`, who are effectively `poisoned`  from the host womb for use in propaganda and warfare against `woman`s seed` because it`s human.



 The stake in the heart of the vampire to kill him is actually a transposition of the woman`s penis` semen, that is, the brains to rid herself of him through `woman`s seed`, which in the Bible is depicted as defeating the `red dragon` waiting in vain to devour Christ in his `Second Coming` by means of an `iron scepter` corresponding to the transposed woman`s penis as the stake in the heart of the draco.  Vampire men don`t want women to have longevity, because it interferes with their parasitism upon the host of the human species, that is, the womb of the woman, who has her own penis` `seed` as `futanarian`, and so is a threat to the continuation of the draco, because he can be bred out of the human system.



 The `killer disease` of HIV/AIDS` `blood plague` is spread by the male penis as their stake in homosexual pederasty, which infects by mixing blood, shit and semen in each others` anuses by means of a plague injector, their penis.  Because HIV/AIDS is a metaphor for what men are, they`re the `killer disease` of the human race of woman with her own `futanarian` host womb and penis` `seed` that can breed out of her species the brain damage that the draco male has inflicted upon her. In the Bible God envisions `war in heaven` between humanity and the draco with its supporters, who receive perdition as a punishment, while the humans have heaven. Because behavior defines what is human, heaven is for those who behave well, and the host womb of humanity, that is, woman, is where the Resurrection of those who have behaved well can take place, or simply by Ascension, like Jesus and Mary, after an individual metanoia and so through Redemption.



 Behaviouralism has been used in clinical psychology as a form of animal training, that is, individuals who behave are trained, but societally the training of animal men, which is identified as `the beast` in the Bible, is to perceive women as animals. Topless photographs of nubile nude women may be common in the United Kingdom, for example, and `adult` magazines` may contain photographs of naked women, which make plain the absence of the species` penis, and so the behavior pattern is of demonic possession, where the husband is the demon and the female is possessed, because neither are aware that the human species of `futanarian` woman with her own penis` semen isn`t a part of their relations. European `liberalism` presents transvestism and heterosexual pornography as variegated human activity whereas the human `seed` of women`s penis remains excluded from the picture. In the United States surgical procedures to remodel flesh in the desired form is technologically feasible as a richer version of the variegated activities of humanity purveyed by the pornographers, but the lie can`t conceal the truth, which is that women as the human species of `futanarian` woman with her own penis` `seed` can sexually reproduce independently of men, who can`t, and so woman is the enfranchised human on the planet by `God`s law`.



 Clinical behaviouralist psychology may actually be understood as having been created by animal men for human women and children, because they`re not behaving slavishly enough. Bondage, domination, sadism and masochism, known as BDSM, is presented as a training program, but it`s teleology is to make animals from humans, while suggesting that sexual intercourse is central to the variegated activities, which is why `the beast` is depicted in the Bible as being `worshipped`. BDSM seems to be about power but it`s about powerlessness, because power is the ability to sexually reproduce humans, which is what `futanarian` women with their own penis` semen are for. Devotees of BDSM represent sex without power, because they represent sex without reproduction. BDSM is animal training, because the animals are not desired to be sexually reproductive, that is, it`s a torture club for animals, so no one would want them to reproduce humanly, and they can`t because they`re not humans, who are the `futanarian` women with their own penis` `seed` for the furtherance of the race.



 Although clinical behaviouralist psychology may be interpreted as the basis for BDSM, human behavior is otherwise, because the presupposition isn`t that of the human woman and her children needing to be trained as slaves by animal men`s psychotherapy. In the US television series, Buffy The Vampire Slayer (1997-2003), actress Sarah Michelle Gellar has the role of Buffy Summers, who is trained to kill vampires.  The metaphor is inaccurate because what her enemies represent are parasitism preventing her from developing as an individual through high school and college to grow into an adult human woman, which requires the presence upon the scene of a `futanarian` woman with penis` `seed` of her own so brainpower can be perceived as the aim of sexual reproduction for women ridding themselves of their vampires. Armed with her stake to drive it into the hearts of the parasites that have enslaved her human species of `futanarian` woman with her own penis` semen and capacity for self-reproducing her own brains` powers, Buffy Summers`  penis` semen is transposed into the primitive tool she has to use in order to kill the vampire, that is, she has a sharp piece of wood, which illustrates men`s contempt for the brains of women, because it`s a grave plot device for her buried `futanarian` corpse. In technological terms, Buffy Summers has a sharpened twig while Captain Kirk of Star Trek (1965-), a television series about interstellar travel, had the starship USS Enterprise:

`In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer.`9



 21st century perceptions of witchcraft were largely shaped by Buffy The Vampire Slayer and the television series Charmed (1998-2006), which starred three actresses in the first three seasons, Shannen Doherty, Holly Marie Combs and Alyssa Milano as the female witches, sisters Prue, Piper and Phoebe.  Charmed was produced by Aaron Spelling, who`d produced Star Trek, but the basic imagery remained consistently `lesbian`, because women are defined by feminism as `politically correct` or PC if they don`t find themselves sexually attractive in the mirror. For actresses this is doubly difficult and induces clinically diagnosable schizophrenia because women are `futanarian` as a species with its own penis` semen for self-reproducing her own brains` powers, which is the unspoken message implied by the relevance for young girls of the three adult female witches in Charmed. Piper replies when asked by Phoebe what she`d wish for Prue:

`If Prue would have sex with someone other than herself this year.`10



 The death of Shannen Doherty`s Prue in the season three finale meant her replacing by the sibling the Halliwell sisters had thought they`d lost, Paige, played by actress, Rose McGowan. Shannen, who`d been the glamorous teenage star imported from the hugely successful television drama series for young adults, Beverly Hills 90210 (1990-2000), had dominated Charmed sexually because that`s what she was hired for, but Piper`s wish wasn`t related to masturbation. Because all of the `Charmed Ones` are sisters, they`re family, which means they`re representative of the human species of `futanarian` woman with her own penis` semen who`s told that it`s incest and taboo if she attempts to breed herself. If Prue were having sex, she could only be having sex with herself, because `futanarian` woman is her species` mirror. The loss of Prue and the arrival of Paige actually represent `lesbian` `schizophrenia`, because women are a `futanarian` slave race not allowed to find themselves sexually attracted to each other, which was an issue already explored in Beverley Hills 90210 between Shannen and the other sexy star on that show, Jenny Garth.  In season eight of Charmed, actress Kaley Cuoco was introduced to as the character, Billie Jenkins, who has a sister that isn`t a Halliwell and eventually Billie has to kill her after she and some `demons` attempt to turn Billie against the `Charmed Ones`, who in psycho-physical terms are `spellbound` because they don`t have penis` `seed` of their own, which is their spellbinding `charm` in the homosexual circles of pederasty and parasitism that`s Hollywood, Babylon. Although the dialogues between the Halliwell sisters are `jokey` the theme is serious. When asked for a solution to their plight during an escapade, Paige writes in her notebook:

`Kill Monkey`



 If the human `futanarian` species of woman with her own penis` `seed` doesn`t rid herself of her simian ancestry, she`ll die from `sex starvation` and men`s jailing of her in technologically reducing circumstances that leave no possibility for escaping a lowering of intelligence that will result in her returning to the trees as a `monkey` herself. The TV shows Buffy The Vampire Slayer and Charmed were probably the two most influential series of the late 20th and early 21st century because they presented women as technologically inferior, but somehow powerful, which is what feminism was taught about itself.



 Women are `normal` if `lesbian` and `homosexual` because that gives them equality with men, who are actually 33% of a sterile minority that prefers itself unless `futanarian` woman with her own penis` semen, that is, 66.6% of the human race, but 100% in the mirror of her own self-love for her species, is forced by her parasite to breed with him. This can only be achieved by starving the woman of technology and so preventing her from breeding her own brains` power with her own penis` `seed` is the method of starvation employed, that is, `sex starvation`.



 TV series like Buffy The Vampire Slayer and Charmed, featuring nubile young women without a penis of their own, are effectively sex slaves to the Hollywood, Babylon, movie industry, because the attraction is of sexual fulfillment elided. The women don`t have sex with each other, but it`s obvious that they should, which makes Buffy The Vampire Slayer and Charmed perverse and that`s the aim. The women are presented as powerful without technology, which isn`t possible, so the focus is on the nubile body of the young woman, which functions as a cynosure, but that`s counterproductive in terms of the need for technological advancement by means of the development of woman`s human species through her own `futanarian` penis` `seed` and her capacity for sexually reproducing her own brainpower.



 Perceptions that women are powerful because they`re `sex` ignore the fact that she lacks technological power in Buffy The Vampire Slayer and Charmed, which derives from the absence of her own penis` `seed` and its power for sexually reproducing her own brains, so the ostensibly powerful Phoebe in Charmed finds herself bemusedly asking the revealing question, `Since when do demons use bullets?` Guns are for men and spells are for women because it`s a feminist fantasy without substance. The TV shows Buffy The Vampire Slayer and Charmed are a picture of the future insofar as focus upon the nubile body of the young woman to the detriment of her real surroundings means that the future is less likely to transpire. Hollywood Babylon is observing the world through the wrong end of its telescope. As the world shrinks around her and everything else goes to hell, Phoebe still looks pretty:

`Flow has many of the same characteristics as … hyperfocus …  spending `too much` time playing video games, or of getting side-tracked and pleasurably absorbed by one aspect of an assignment or task to the detriment of the assignment in general. In some cases, hyperfocus can `grab` a person, perhaps causing him to appear unfocused or to start several projects, but complete few.`11



 Hollywood, Babylon, is hyperfocused on racial extinction, which is why young nubile women are placed in the forefront of the `action` movie, while the Arnold Schwarzenegger Terminator character destroys large swathes of the civilization, culture and art women have been able to produce from their host wombs despite her parasites depredations over the eons. The wiles of the `serpent`s seed` are legendary as well as biblical. Cannibalism is presented as a great evil perpetrated by humans, whereas humans aren`t parasites, which is what the term `cannibal` actually refers to, that is, the devouring of the human species of woman with her own `futanarian` penis` `seed`. The parasite has inveigled itself into woman`s host womb to steal her penis and devour her in its ceaseless wars of `perpetual enmity` against her. By replicating itself as her devourer, it`s an apparent `cannibal`, which makes of it an erring child to the woman, but actually it`s a parasitical non-human viral organism injecting itself into her system by means of her own now genetically impure penis` semen  and so is representative of men`s stolen technology used to destroy woman in its making of war upon her Earth, which is what Hollywood, Babylon, documents and programs in its productions without the `futanarian` human woman with her penis` `seed` for saving her own brains` future:

`In the poison'd entrails throw -
Toad, that under cold stone,
Days and nights has thirty-one;
Swelter'd venom sleeping got,
Boil thou first i' the charmed pot!` (IV, i)



 The witches from the Elizabethan dramatist William Shakespeare`s MacBeth (1603-7) are associated with poison, and the Bible exhortation `don`t suffer a witch to live` (Ex: 22. 18) is usually translated as `poisoner`, because a `boy`s owner` breeds `boy sons`, that is, `poisons`, in homosexual pederasty for the `boy zone` of war  and, on the evidence of the late 20th century, for `biological war` in the shape of the HIV/AIDS virus. War is humanity`s devourer but the problem can be resolved if the `boy sons`, that is, the `poisons`, are symbolically devoured by breeding men out of the human system as `boy sons` to be replaced by `futanarian` woman with her own penis` semen and capacity for sexually reproducing women only. The witches` broomstick upon which she is depicted as riding is symbolic of her own `futanarian` penis` `seed`, and eugenics is why she`s persecuted by men because she wants to breed herself rather than be bred by the boys` owner.



 The boys` owners are of course `the beast` and `the great whore of Babylon` who is depicted as riding it. The number of the `emergency services` in the United States of America is 911 and so the terrorist attack upon the Twin Towers of the World Trade Centre on 9/11 is a sign of `the beast`. `666` is the number of the beast and of the `emergency services` turned upside down in Saudi Arabia and most of the rest of the world on September 11, 2001, because 999 is the number of the `emergency services` almost everywhere but the United States due to the influence of the British Empire (1497-). The Twin Towers of the World Trade Centre was chosen by Al Qaeda to crash its two hijacked planes into because it was actually an attack on King Fahd of Saudi Arabia, who in 1986 had declared himself `Custodian of the Two Holy Mosques`, Al-Masjid al-Haram in Mecca and Al-Masjid al-Nabawi in Medina.



 `Custodian of the Two Holy Mosques` is a traditional title of the Persian Emperors and assuming the mantle constituted an attempt by Fahd bin Abdulaziz Al Saud to unite the former Persian Empire under Moslem spiritual rulership. His rival was Saddam Hussein of Iraq and Osama Ben Ladan, the Saudi Arabian, was the leader of Al Qaeda, so the Twin Towers assault was a transposed assault on the `Custodian of the Two Holy Mosques`, Fahd, and Islamic spiritual guidance. The `beast` and the `whore` were those who wanted to reestablish the global `rough trade` of homosexual pederasty and war`s `brutality and violence`12 by an attack upon the Twin Towers of New York that would be seen as an attack by Islam upon the United States of America but was actually an assault upon Saudi Arabia and Fahd as the `Custodian of the Two Holy Mosques` and the Koran as spiritual guides for the Moslem peoples.



 Saddam Hussein wasn`t the policeman, but policing was the problem because censorship and media blackout is a form of blinding to what is truth, which `the beast` and the `whore` don`t want humanity to be able to perceive. The security forces are used to keep people in ignorance and unconsciousness of their real situation with regard to global issues, which on 9/11, 2001, was the relationship between Judaeo-Christianity and Islam. Both are the people of Abraham by descent from his son, Ishmael, who was of the line of the Prophet Mohammed, and his son, Isaac, who was the patriarch of the tribes of Israel. Obfuscation prevents that truth from being realized and so occlusion is the tool of the `secret police` who`re working to blind the sighted:

`Cameras are flashin while we're dirty dancin`. They keep watchin, keep watchin'.`



 Britney Spears` song lyrics in `Gimme More` seem inconsequential, but the title of the album, Blackout, suggests George Orwell rather than George oil well, which is what the US President, George W. Bush, was accused of going after during the Gulf wars, that is, the `black gold` of the Kuwaiti and Iraqi oil wells to fuel the US economy founded on the Military Industrial Complex (MIC) for the foreseeable future. George Orwell wrote the novel 1984, which was a reversal of the actual date, 1948. George foresaw that reversals, which the Greeks termed enantiodromia, were what liars and blinders to the truth were about:

`War is peace `



 The US economy built on the MIC is exactly that. Another Orwellian enantiodromia from 1984 is `Freedom is slavery,` but the slogan of the totalitarian dictatorship of the novel wasn`t ridiculous in the 21st century when `futanarian` woman with her own penis` semen couldn`t be seen anywhere in mainstream culture and, as 66.6% of the potential starting population and 100% in her own mirror, as against 33.3% male population unable to sexually reproduce together, heterosexual women were expected to understand that the enslavement of their host wombs by men for the purpose of spreading their contagion of war and homosexual pederasty was `freedom`:

`Ah, you gonna have to remove me, `cause I ain`t goin nowhere.`



 Nate `Danja` Hills concludes Britney Spears` `Gimme More` with a speak-song line, and the words can be seen as protective, or as intimidation on the part of the `security guard`, who`s a parasitical `hanger on` refusing to be removed. Most people in the United States or anywhere else upon the Earth are used to being intimidated by the `generals` at the General Store where security guards seem to have nothing else to do other than frighten the customers into realizing that they`re being watched by George`s `Big Brother` cameras and surveillance equipment, ostensibly to protect the sugar and the eggs, but in reality to maintain women`s terrified existence as slaves blind to her devouring by her parasite in its wars of `perpetual enmity` against her human `seed`.



 Because the policing surveillance organizations, posing as `national security` agencies, are `the beast` that doesn`t want to be seen riding their `great whore`, censorship and media blackout, constituting unconscious blindness for the woman, means brain damage in breeding with the parasites, and brain death through murder, to prevent her older eyes from seeing in knowledge and wisdom, while her body remains youthful, thanks to the advanced medical technology, which the evil deny her in the prosecution of their wars against her `futanarian` human penis` semen that is capable of sexually reproducing her own brains` power for liberation from men`s enslaving and devouring of her growth in the sciences of humanity:

`It`s Britney bitch.`



 Britney Spears` spoken introduction to `Gimme More` place her in the role of the female dog, because that`s what bitches are. Britney sits at the bar as a blonde while her dark haired `other` self dances around a pole as a bar dancer on a stage where she can be seen by herself. Because the pole is symbolic of the `futanarian` woman with her own penis` semen, her blonde self waiting for a drink represents the woman `tapping her foot`, patiently or otherwise, `If you're on a mission. You got my permission.` Although drinks are `on tap` at the bar, the possibility of fellatio with woman`s own species of `futanarian` woman remains tantalizingly unfocused because of the censor. Clearly Britney`s scantily clad pole dancer doesn`t have penis` `seed` of her own, but her blonde self with two blonde girlfriends might have. They`re `dogs` to her bitch, or they could be. The pop video conventions `police` the scene and Britney is depicted as a `lesbian`, but that`s a `schizophrenic program` for any daughter who may be watching, because the `bitch` on the podium is admired by herself and she`s with two other female `dogs`, if they`re women with a penis of their own and the video logic is followed:

`I see you, and I just wanna dance with you.`



 Young women who are taught that their image in the mirror is for a man are being lied to, because they`re sexually normal if they find themselves desirable, but schizophrenic in species terms if they`re attracted to the man sitting alone at a table in the `Gimme More` song promotion video. Because of the video censorship it`s a media `blackout` on the album Blackout from which the song `Gimme More` was released as a single, which means that the only penis` semen `on tap` is the man`s, which has `tapped` the penis` `seed` of woman by somehow inveigling its way into being born from her host womb as her invasive parasitical enslaver and devourer:

`The center of attention, even when we're up against the wall.`



 Britney Spears was accused of being a `drugaholic` when she reportedly shaved her head in a `schizophrenic` bout of fame rejecting insanity and went for rehabilitation to save her marriage to Kevin Federline and keep custody of her two sons. But `pole dancing` isn`t `tap dancing`, whereas for men a `tap dancer` is a TV, that is, a transvestite, because she`s a woman sundered from her own `futanarian` species with her own penis` semen, and so `tapped` because they watch while they booze and urinate from her own stolen penis in misogynistic release of their pent up feelings of hatred for her `tap water`:

`… tell me have you seen her? 'Cause I'm so ... Oh,  I can't get her off of my brain! I just want to go to the party she gonna go. Can somebody take me home? Ha ha, he he, ha ha ho.`



 The single `If You Seek Amy`, which was interpreted for the media as F. U. C. K me, is `schizophrenic` because Britney talks about herself as if she`s a separate personality, which is defined in clinical psychology as `multiple personality` schizophrenia, where `split-off` aspects of a fragmenting personality take on life and identity of their own for the besieged mind of the individual.  Just what is laying siege to the mind is difficult to say, but censorship and media blackout over the existence of `woman`s seed` is obviously a very serious problem.  In the video promotion for the song, `If You Seek Amy`, Britney Spears is `Amy`, the `party girl`, and afterwards the `perfect homebody` with `mom`s apple pie` in her hands posing for the cameras as a `model housewife` with a `suitable husband` and two `regular` kids:

` Love me hate me, but can't you see what I see? All of the boys and all of the girls are begging to [fuck me] …`



 Because Britney Spears is wearing a wig after shaving her head, she`s actually bald, so `mom`s apple pie` signifies `piebald`, which was the name of the horse ridden by Elizabeth Taylor in National Velvet, her debut movie, that is, the film that began her sundering from the human race of `futanarian` woman with her own penis` `seed` to be ridden. Britney Spears and her female dancers celebrate the riding of Elizabeth Taylor as best they can under the `watchful eye of the censor` while they enthusiastically jounce upon the couch. Elizabeth died on March 23, 2011, but Jesus` promise is of the Resurrection of `woman`s seed` in heaven.


1 .

2 Virgil The Aeneid, Bk II, 19 BC.

3 Leigh, Vivienne Gone With The Wind, MGM, December 15, 1939.

4 .

5 Preamble to the Constitution of the United States of America, ratified March 4, 1789.

6 By Pope Pius XII`s exercising of the principle of `papal infallibility` during the Apostolic Constitution Munificentissimus Deus, November 1, 1950.

7 .

8 .

9 Head, Anthony Stewart as Buffy Summers` `mentor`, Rupert Giles, voice over in the opening sequence to each episode of the television series, Buffy The Vampire Slayer, 20th Century Fox Television, March 10,  1997 to May 20, 2003.

10 Combs, Holly Marie as Piper Halliwell in `Something Wicca This Way Comes`, Episode 1, Series 1, Charmed, October 7, 1998.



The Humans Are Coming!

03/10/2013 16:46

The Humans Are Coming!

MDMA (3,4-methylenedioxy-N-methylamphetamine) is an empathogenic drug, known as `ecstasy` in the street pill form that`s illegally sold because it`s a clinical psychologist`s tool for inhibitions. In Britney Spears` video single CD ,`Work Bitch` (2013), she appears standing on a plinth that looks like a pill of ecstasy while sharks gather around her in the water, a euphemism for the vulnerability young women are exposed to when they take the uninhibiting drug `e` that`s known for reducing sexual resistance to zero.
 In the developmental school of psychology founded by Carl Gustav Jung (1875-1961) the waters of the unconscious are a metaphor for the images that appear in art, imagination and dreams to impel the individual ego-consciousness to creative endeavour, that is, work, whereas the school of psychology, founded by Sigmund Freud (1856-1939), perceives the unconscious `id` as being made up of repressed material that the collective unconscious of society doesn`t want to remember and so is repressed into unconsciousness where it appears in dreams, art and imagination as `monsters from the id`, for example, the sharks appearing to surround Britney Spears in the water during her performance of the CD video single, `Work Bitch`, else they`ll devour her:
`Monsters. Monsters from the id.`1 
 Planet Hollywood`s restaurant sign features in the CD video single, `Work Bitch`, because Britney Spears` allusion is to Forbidden Planet (1956), the movie in which `Robbie the robot` is the machine creature that serves the humans while they`re being attacked. The franchise `Forbidden Planet` is a science fiction wharehouse of memorabilia and `scifi` toys and books, while Britney Spears herself is associated with a clothing retail chain, Candy. Her `scifi` CD video singles present her as `eye candy`, because that`s what women are to the devourers of the human race. Britney Spears` alter ego, `Candy`, places her in the tradition of movie educators like director, Steven Spielberg, who had millions of people around the world concerned over the safety of an ugly green alien in E. T. The Extraterrestrial (1982), who wanted to `phone home` to his parents for rescue. It`s evident from Britney Spears` `scifi` video singles that the human species is a little girl being devoured in planet Hollywood, Babylon`s restaurant because ogres are all they`re now producing:
`Here comes the smasher. Here comes the master.`2
 Ever since the early 19th century men have hated machinery, because it made them redundant. The `Luddites`, named for Ned Ludd, who reportedly smashed two `stocking frames` in 1779, were English artisans in the textile industry who protested against labour saving devices from 1811-17. Although machines do take care of humans, men remain `Luddites` who want to limit technological advancement for women as the human species host womb, because freedom through the aid of the machine would prevent men`s enslavement of her human species in drudgery and ignorant blindness to their delimiting of woman`s capacity to escape to the planets and stars through liberating technological achievements that would leave men behind her as an unwanted parasite seeking to devour her here rather than as a `take out`. Britney Spears` perception is that women are E.T and her female dancers in the CD video single, `Work Bitch`, are the ultimate `scifi fantasy` of women with their own penis` semen:
`We're all part monsters in our subconscious, so we have laws and religion!`3
 The spaceman character, Commander John J. Adamson, in the movie Forbidden Planet, speaks for men, but his observation isn`t necessarily true for women, whose brains are contaminated by men`s breeding with her. Just what the unconscious `id` of Freudian psychology contains is a mystery without study, but Freud argued that `penis envy` was at the root of men`s psychology and women have their own as `futanarian` with her own penis` `seed`. In Britney Spears` video single, `Work Bitch`, which is a metaphor for the need of young women to develop rather than stand still, she whips her female dancers on to perform while a luxury sports` car is driven around her. The imagery is `slave, car go`:
`Now get to work bitch (Ahhhh).`
 The car in Britney Spears` `Work Bitch` CD video single is a lotus esprit, because the lotus chakra at the crown of the head is the energy centre in the Hindu system of libidic development, which begins at the base of the spine and culminates at the top of the head in a growth process that raises the individual from the level of animal sexual instinct to developed conscious intellectual and spiritual progress:
`Go call the police. Go call the governor. I bring the trouble. That means the trouble's on.`
 `Ecstasy` or `e` is an unininhibitor but not an intelligence enhancer, because it`s a sexual trap. E-learning is computer based `electronic education` through the research facility of the public internet as a form of distance learning, for example, which produces intelligence through spiritual and intellectual work, and that`s what the Hindu chakra ladder of seven ascending energy levels, from the base of the spine to the crown of the head, represents.
 Lotus sports` cars have an electronic transmission system invented by a developed individual, because the lotus chakra is the crown of the head, not some spiritual nirvana that grants sports cars once the individual has consumed enough `ecstasy`. That notion supports the enslaving of the intelligent human species by an ignorant drug-pushing pillhead`s blinding of the human race to her own destiny amongst the planets and stars of God`s heaven.
 In Britney Spears` video single CD `Work Bitch` mannequins are featured, because they represent the growth of human endeavour to the point at which machines like `Robbie the robot` in Forbidden Planet are created to assist the humans to live, that is, robots that have human form. But `ecstasy` or `e` teaches women sexual capitulation to men`s penis. Britney Spears` female dancers in the `Work Bitch` video CD single are `slave cargo` if they don`t work to be free of their sexual enslavement, and the `manga` style of her female dance team suggests `futanaria`, which are Japan`s cartoons of women with their own penis` semen.
 In Japan the tradition of `foot binding` delimited women`s movements and is a metaphor for the enslaving of `futanarian` woman with her own penis` `seed`, which corresponds to the warning God gave to Eve in the Bible of the `serpent`s seed` and its `perpetual enmity` for the `woman`s seed`, although she:
`... will crush the head of the serpent as she leaves.` (Gen: 3. 15)
 At one point in the Britney Spears` video single CD `Work Bitch` a woman is depicted walking across a desert scene carrying a mannequin that`s wearing a veil because Saudi Arabian women, in particular, aren`t allowed to drive cars. Britney Spears` point is that `slave drivers` are visible. If technology doesn`t develop, women will remain souless shells rather than humans, because their `fut` is bound. As the teacher born from the womb of his mother, the Virgin Mary, uncontaminated by male semen, Jesus is the `tanar`, which means `teacher` in the Hungarian language, while `woman`s seed` in Japanese manga is `futanar`. Because `fut` means `run` in Hungarian, Jesus is a teacher of the `futanarian` or `woman`s seed`, which is the program that God wants to `run`. Because `pillango` is `butterfly` in Hungarian, Britney Spears` video single CD, `Work Bitch`, is `slave, car go` and `pill & go`, where `e` is an enslavers` drug that wants women to remain ephemeral butterflies breeding with the evil `serpent`s seed` rather than her own human species of `futanarian` woman with her own penis` semen to develop her own species` brainpower:
`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)
 The perception that drug dealers who sell `e` are criminals is a false perception because a criminal is what Jesus was convicted as. Disagreeing with his society, Jesus was murdered because he was `woman`s seed`. Those who killed him were `monsters from the id`, because they didn`t want the teaching of woman with her own penis` `seed` to spread. Those who deal in `e` are `monsters from the id` who want to enslave women to her sexual desire rather than that she breed her own brains` power by sexually reproducing as an independently liberated species uninhibited by men`s `penis envy`, which causes her to grope blindly along her path to the planets and stars of God`s heaven, because men have bound her `fut` here and worse:
`Hold your hands high; fingers to the sky. They gon' try to try ya, but they can't deny ya. Keep it building higher and higher.`
 Jesus` teachings are of the Resurrection of `woman`s seed` because men have killed the human species here as her `monsters from the id`, which is what the sharks represent in Britney Spears` waters of the unconscious surrounding her Hungarian `butterfly`, that is, her ephemeral `pillango`, in the video single CD, `Work Bitch`. The sharks are `e` for evil enslaving drug dealers that envy the woman her own penis` `seed` and live in her mind as `monsters from the id` surfacing to kill her if she tries to live as a human breeder of her own brains` socio-economic liberation through technological endeavour:
`So hold your head high; fingers to the sky. Now they don't believe ya, but they gonna need ya. Keep it building higher and higher.`
 In hospitals machines keep people alive so that`s what machines are for, but humanity is an ephemeral `pillango` butterfly, because men refuse to develop technology for anything other than imprisoning the women to make it easier for them to enslave the human spirit. As the drug `e` promotes women`s breeding with the `serpent`s seed`, it`s a suicide pill that ensures her ephemerality without technological advancements in hospital machines to prolong her life and maintain her memory of herself as the human `futrace`, which needs to breed its own species` brains to get its `fut` off the treadmill:
`You better work bitch.`
 Britney Spears` video single CD, `Work Bitch`, presents mannequins rather than robots, because robots are better machines and so more human insofar as humans care for themselves, but robots do it better and so are more human, which is not what humans are taught by the evil, who pretend that machines are enemies and present technology as the threat to employment, whereas machines liberate humans to work, and that`s how humans live; by working:
`Work work work ... work it out work it out ...`
 In Jungian psychology the individuation process is a process of self-actualization arrived at by means of conscious development, that is, work, which is human endeavour, because it`s how humans live and grow. In men`s slave system women`s wombs are hosts for men`s parasitism, because they`ve learned that the human spirit can be enslaved by denying women their own penis` semen to breed her own brains` power. She`s kept blind and ignorant through their killing of her human species` capacity for self-reproduction so her Earthbound `fut` can`t `run`.
 The accusation `lazy` is the basis for slavery, according to Britney Spears` video single CD, `Work Bitch`, but women aren`t slaves if they work to live. Kept in blind ignorance to her own potential for socio-economic liberation through breeding her own brains` power as the `futanarian` human `futrace`, woman can`t work for herselves and so is conditioned to accept men`s false teaching as parasites living lazily and indolently on the spiritual and intellectual fruits of her human race`s host womb.
 What men don`t teach is that those people who work, and aren`t rewarded for the work they do, aren`t rewarded because they`re trying to work for themselves to live and men want them to be slaves. We know that it`s men`s policy because women are the human `futanarian` species with its own penis` semen for self-reproducing its own brains` power and socio-economic independent developed technology for liberating her as a species from drudgery so she`ll remain a slave to the tradmill of her human `futrace` going nowhere but the grave for her willingness to produce art, culture and civilization for men to destroy periodically in their wars of `perpetual enmity` for the human race`s true `seed` and with only Jesus` promise of Resurrection to console her:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
 It`s no mystery, men are her abominations, because they keep a-bombing her nations. Even 9/11 was an attempt to restore the pederasty of war worship by reestablishing the `rough trade` of homosexual `brutality and violence`4 through the terrorist`s crashing of hikjacked planes into the World Trade Centre of New York in 2001 to precipitate global conflict in the Gulf War (2001-11) to depose dictator, Saddam Hussein, who supported Al Qaeda, `the base`, and offered Iraq as a base for their operations against the United States of America.
 What the picture doesn`t tell is that women`s host wombs aren`t in freedom; although the statue of Liberty in New York harbor is what the war was fought over. Britney Spears` penis` semen isn`t visible in the soft porn video single CD, `Work Bitch`, but she drives on her female `devils` as slaves, whereas in truth women are the developers of the race rather than its `devils` because she has her own penis `seed` to fertilize her own ovum in the host wombs of her `futanarian` human species.
 The notion of the woman as `devil` is another lie promulgated by men who are her `devils`, because they want the human race to be devilled so it can`t develop and they can continue whipping her on as a lazy slave who`s not producing enough from her host womb for their parasitism to consume. Whipping on her slave devils is how men perceive themselves, because the developer is the spirit and intellectual power of humanity to live in socio-economic freedom and independence from its enslaver:
`She's just a devil woman with evil on her mind. Beware the devil woman. She's gonna get you from behind.`5
 Babylon the great is depicted as `a woman` in the Bible who has been forced to accept her enslavement, but that`s the image of the `devil` woman, which men have branded her developer`s host womb with and, although it isn`t truth, young women aspire to live up to the picture because they mistakenly perceive it as rebellious, whereas it`s imprisoning because the woman`s penis` `seed` remains invisible and so do her own bred brains` powers for genuine liberation and escape from her captivity in humanity`s slavery to men`s devilling lie, which is that they`re working and fighting for the freedom of the human race.
 If men`s breeding of woman is contaminatory, as Jesus` teachings of respect for the host rather than betrayal, which is what Christ`s giving of `bread and wine` to Judas and the other disciples as tokens of his `body and blood` meant before his crucifixion as a political dissident, the devils want to give the human species brain damage so she can`t work to live as an independent species. As it`s her host womb, she can`t work more than she does for men, but she could work for herself, which is what Britney Spears` `Work Bitch` CD video single is about. Women have to take control of their own host wombs so they can breed their own brains` power.
 Capitalism is the perspective that work is necessary for workers to live by producing goods and services for employers, but picking fruit from one`s own tree is work enough to live. What employers represent is ownership of humanity`s `family tree` so that men can have the fruit and women are the slaves who produce it, whereas what humans have been taught is they`re selfish if they want to work for themselves, which makes them `lazy` in societal terms, and `public enemy number one` if independent of the enslaver. Criminals can attack you, because you`re antisocial in behavioural terms, insofar as you don`t need society`s permission to live, as you`re socio-economically viable without it, which means you can`t work to live because you don`t accept slavery.
 Jesus` preaching is of the Resurrection rather than reincarnation, because slavery is rebirth from the womb that bore you, which requires acceptance of men as women`s parasite. `Liberty` is the symbol of freedom to live by means of the fruit women have from their own family tree, that is, by their own brains` power. But men won`t let her breed because it interferes with their enslaving of her by means of the `e` drug `ecstasy`; for example. MDMA canalizes women`s brains to accept men`s penis in an exclusive `ownership of the means of production`, which German socio-economic philosopher, Karl Marx, whose ideas in Das Kapital (1867) formed the basis of humanist ideology, argued was the basis of human slavery. Redemption is the knowledge that `eternal unendurable pain` is God`s punishment awaiting men who`ve enslaved the host womb of the human species of `futanarian` woman with her own penis` semen for breeding her own brains` technological power instead of repenting from parasitism:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
 Now what men are doing is keeping women in fear and faithfulness to her misogynist enslaver by means of its `biological weapon` of HIV/AIDS` `blood plague` of Revelation, which they`ve created as the human species` endangering `killer disease` by mixing blood, shit and semen in woman rejecting sterile anal non-sexual reproduction with each other as a parasite expressing its devourers` virality, while the virility of `woman`s seed` is extinguished by the enslaving devourer in its wars of `perpetual enmity` with a species not of its own host womb. The metaphor is of the `fut` as food, because the `monsters of the id` eat the contents of the womb of the woman and that`s the business of the restauranteur of planet Hollywood, Babylon, where men don`t want `fast food` to become a `futrace`, so the human species can`t make a `quick getaway`, before she`s `taken out` by the hunters gatherer of the meat packing guns` industry, which is what the `gay` action heroes of movies without women are.
 Women have their own penis` semen and there`s no sign of a woman in Hollywood, Babylon, save for the alien, who stands in for her while the Hollywood honcho kills her vicariously for sport, because the cowards daren`t show her penis on the screen lest the `futanarian` human woman`s species get her foot of the floor in the bedroom scenes and, `shoot the moon`, builds herself a launch pad at Florida`s Cape Canveral space centre in the United States of America and goes to ask God the question, `Where`re the humans?` Men can`t sexually reproduce together, so women with their own penis` semen are the humans. But where are they? Hollywood, Babylon, presents the human `futrace` as extinct, or she`s secretly being extinguished by the `gay cabelleros`:
`Son of a gun, it's a pleasure to see such fine gentlemen ...`6
 Sons of guns are fine gentlemen who prefer each other as women`s slavers rather than that the human race should run. Ellen Degeneres isn`t a degenerate, but the hostess of the Ellen Degeneres Show (2003-) is a lesbian interviewer who`s perceived as `gay`, whereas she`s a member of the `futanarian` human species of woman with her own penis` semen and sexual reproductive capacity to produce her own brains` power and so is `normal` by definition:
`The only thing that scares me more than space aliens is the idea that there aren't any space aliens. We can't be the best that creation has to offer. I pray we're not all there is. If so, we're in big trouble.`7
 The space aliens are the `gay` community who want women like Ellen to think of themselves as aliens who don`t sexually reproduce with women because they`re homosexuals, whereas lesbians are manifesting the sexual desire of the human `futanarian` species of woman to sexually reproduce her own brains` power and prevent her `futrace` from being exterminated by the aliens in their `perpetual enmity` for the Earth`s humanity so it can`run` away and live somewhere else where it won`t be enslaved and eaten by the alien parasites emerging from her host womb ensuring her of their normality as a non-reproductive cancerously self-replicating virus that prefers itself, but will eat her because it`s what she`s well, bred for.
1 Stevens, Warren Doc Ostrow Forbidden Planet, 1956.
2 Spears, Britney `Work Bitch`, 16 September, 2013.
3 Nielsen, Leslie Commander John J. Adams Forbidden Planet, 1956.
4 trade.
5 Richard, Cliff `Devil Woman`, I`m Nearly Famous, EMI, 1976. 
6 Garay, Joaquin [voice of] Panchito Pistoles The Three Cabelleros, Walt Disney Productions, 1944.
7 Degeneres, Ellen Ellen, Telepictures, Warner Brothers Studios,  Studio 1, Burbank, California, September 8, 2003-.

20th Century Fox Hole

03/09/2013 12:27

20th Century Fox Hole

Britney Spears` `Oops I Did It Again` (2000) is a science fiction video for her CD single and features herself `twinned` in a red pilot`s suit and a white bikini dress. The main action sequence involves the appearance of a spaceman wearing a spacesuit like those worn by the North American Space Administration`s (NASA) astronauts for the Apollo space program, which reached its first culmination on 20 July, 1969 (UTC) when Neil Armstrong of Apollo 11 became the first man to set foot on the moon. A Saturn V rocket, launched from the NASA Space Centre at Cape Canaveral, Florida, went into orbit around Earth`s satellite before delivering the lunar module onto the surface:
`One small step for a man, one giant leap for mankind.`
 The original intention at NASA had been to fly a spaceplane to the moon and the X-15 program had been initiated to find pilots to test planes. Unable to overcome the problem of `blackout`, which occurred when pilots reached an altitude at which they became unconscious, NASA cancelled the X-15 program in favour of rocket propelled module delivery. Already on the red planet of Mars when her spaceman arrives, Britney Spears in her  red pilot`s suit represents the success that the X-15 program wasn`t. The title of her album Blackout (2007) again refers to the NASA space program`s problems. The Space Centre from which the Saturn V rockets were launched was named for murdered President of the United States of America, John F. Kennedy, which was itself a `blackout`:
`I`m Miss American Dream since I was seventeen.`
 John had a dream of a future expansion of humanity into space, but was killed by a sniper`s bulllet as he passed through Dallas, Texas, in a Presidential motorcade. On the CD cover of the main single from the album Blackout, `Piece Of Me`. Britney Spears is depicted on the cross as the crucified Jesus before his death, Resurrection and Ascension to heaven. In `Oops I Did It Again` she`s two `pieces` insofar as she appears in a red pilot`s suit and, placing a hook in the spaceman`s pack, hoists him up so she can film herself revealed in a white bikini dress beneath the camera eye of `Mission Control`, which is attached to his spacehelmet.
 Because Jesus was betrayed by Judas Iscariot for `thirty pieces of silver`, Britney Spears` observation is that the NASA space program slowed because of `blackout`, that is, John`s death preceded cancellation of the `spaceplane`, which was partially revived by NASA`s  Space Shuttle program that began launching from Cape Canveral from 1981 through 2011 as a reusable `spaceplane` that caught a piggy-back from a standard rocket before flying off into space and the nearby International Space Station (ISS) where the manned spacecraft to Mars would be constructed. Jesus was `the first of woman`s seed`, because of his birth uncontaminated by male semen from his mother, the Virgin Mary, and Britney Spears is suggesting betrayal of the human species is all that can be expected from a space program that only wants to keep an eye on women.
 In the 21st century spaceplanes became de rigeur and 200,000 $US would book a passenger a seat. Descending to her stage set from above at the beginning of `Oops I Did It Again` inside what looks like a giant`s ring, Britney Spears in her red pilot`s suit resembles a Century 21 TV character, Captain Scarlet, the star marionette of British science fiction film maker, Gerry Anderson`s `Supermarionation` television show set in 2068, Captain Scarlet And The Mysterons (1967-8) in which Spectrum was the secret organization created to deal with the evil Mysterons. The hero in red appeared regularly in the British magazine TV 21, which featured Anderson`s  `puppet` series` characters, and especially Joe 90 (1968-9), who`d enter a sphere to receive hypnagogic programs enabling him with talents he`d otherwise not possess. Britney Spears` descent inside the giant`s ring in her red pilot`s suit, resembles Joe 90 inside his sphere, because she`s a `futanarian` trying to `run` a saving TV 21 `program` for the human race with her own penis` `seed`.
 TV 21  characters were British rivals to the USA`s Marvel comic superheroes, such as `Spiderman` and `The Fantastic Four`, which were made into successful Hollywood movies. Although the TV 21 `puppet` studios were perceived as inferior, in fact they represented a step up from comics` appeal, which the USA`s Marvel didn`t afford to its young adult market. When the `puppet` television series Thunderbirds (1965-66) became a 2004 Hollywood movie of the 21st century, TV 21 studios had come of age and Britney Spears donned her blue Thunderbirds` uniform in the video for the CD single `Toxic` from Blackout to play herself and two other characters as celebrative superheroines.
 The theme of `Toxic` was HIV/AIDS and the need for a cure for the late 20th century`s `killer disease`. Disguised as an air stewardess, Britney Spears` character takes a young man into the restroom where she distracts him in order to steal from his pocket an electronic key. Transforming into her red haired super persona, she bestrides the pillion passenger seat of a motorcycle hurtling through the streets of Paris to her target destination. Breaking into a secret laboratory, she steals a serum. Thereafter her heroine is discovered in another guise walking up the side of an apartment block, like Tobey Maguire as Spiderman (2002) in the seminal Hollywood movie, to pour the elixir into a revivable young man`s open mouth and cure information `blackout`.
 In `Oops I Did It Again` Britney Spears` spaceman appears to have the tines of a giant`s fork suspended by his spacehelmet as he gazes down upon her lying upon what looks like a white tablecloth in her white bikni dress. As a TV 21 character she`s not Twentieth Century Fox, but the image is of a `fox hole`, that is, a hidden someone is preparing to devour her and so `fork soul` is the imagery depicting a woman devoured by a giant ogre. The Hollywood mogul who has the slave ring of Babylon, `a woman` in the Bible:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17.5)
 Because Britney Spears is Captain Scarlet, from the TV 21 `puppet` series, Captain Scarlet And The Mysterrons, Mr Ron is the `mystery` here. US President Ronald `Ray Gun` Reagan initiated the 1982 `Strategic Defence Initiative` (SDI), known as Star Wars (1977), after the Hollywood, Babylon movie starring Carrie Fisher as the `rebel` Princess Leia trying to rid herself of the clutches of her enemy, Darth Vader. Mr Ron`s plan is to ring the globe with `a ground and space based missile system`, so Mr Ron`s `Ray Guns` are the ring-wielding giant ogre of Britney Spears` fears in her persona of Captain Scarlet And The Mysterons, while Star Wars` Princess, Leia, will never escape her `father, death`.
 In ancient Greece women`s host wombs were enslaved in institutionalized pederasty to wage war against what God calls `woman`s seed` in the Bible. Warned of the `perpetual enmity` of the `serpent`s seed` for hers, God promises Eve she`ll, `crush the head of the serpent with her foot as she leaves` (Gen: 3. 15) for the `new heaven and Earth` given to her by God. The Greek god of death was Thanatos, which they indirectly worshipped in war. The 20th century`s `killer disease` was HIV/AIDS, which is but one aspect of what is called in the Bible the `blood plague` of the devouring `red dragon` of Revelation, and a result of men`s rejection of women in the mixing of blood, shit and semen during anal sex together. HIV/AIDS is a symptom of what is euphemistically known as the `rough trade` of homosexual `brutality and violence` meted out to men deemed inferior because of money or position. This was evident in Al Qaeda leader, Osama Ben Ladan, the rich oil sheikh of a Saudi Arabian family, who planned the terrorist attack upon the World Trade Centre on 9/11, 2001, and was designed to reestablish homosexuality`s devouring god in the `rough trade` of pederasty`s war worship:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
 Because women have their own penis` `seed` as `futanarian` humans, men are not needed for fertilization, which makes them alien to the species. Enslaved by their giant ogres` rings, women`s host wombs produce civilization, culture and art for their devourers. Mr Ron Ray Gun`s giant ogre`s ring of `ground and space based` missiles, which surround the planet of the human species of `futanarian` woman, could devour her before she gets to even run her own footrace. Established media entertainment Hollywood Babylon movie moguls have denied women`s penis` `seed` a place in the hearts and minds of cinema audiences at least since the `foot on the floor` rule in bedroom scenes was enforced from 1934 onwards as a means of preventing the `futanarian` human race from ever getting her foot off the ground:
`From the sky will come a great King of Terror.
To bring back to life the great King of the Moguls,
Before and after Mars to reign by good luck.`1
 The 16th century French seer Michel Nostradamus saw a connection between movie moguls and terrorism, and the Al Qaeda attack on the World Trade Centre, where hijackers crashed civil aircraft into the Twin Towers of New York, was made by Hollywood, Babylon, as the movie World Trade Centre (2006) starring Nicholas Cage as a New York fireman. The event itself precipitated the Gulf war (2001-11) to depose Al Qaeda`s supporter, President Saddam Hussein of Iraq, where his ancient capital, Babylon, was founded around 4000 B.C., and so Saddam Hussein was Nostradamus` `last King of the Moguls`. His Iraqi army had invaded his peaceful neighbour, Kuwait, before the first Gulf war (1990-1) to remove it, which means the Roman god of war, Mars, reigned `by good luck`, `before and after` 9/11, 2001, in accordance with Nostradamus` prophecy.
 The `fox hole` is a traditional hidden sniper`s device, which was employed in the assassination of President John F. Kennedy, and in `Oops I Did It Again` Britney Spears` suspended fork beside the spacehelmet of her astronaut as he hangs suspended above herself in the white bikini dress to film her with the camera eye of `Mission Control` attached to his suit`s helmet, suggests the giant tines of the hidden ogre preparing to `fork soul` into his ravenous maw, while Mr Ron`s devouring `red dragon` of `SDI` does lies in wait in the `fox hole` missile silos of `Ray Guns` Intercontinental Ballistic Missile (ICBM) `ground and space based` system to do exactly that.
 As a TV 21 character Britney Spears isn`t 20th Century Fox, that is, she`s not for Hollywood, Babylon`s real or imaginary `snuff` movie industry that promotes war, rather than technologies that prolong life and afford `woman`s seed` more than the possibility of men`s escapist movie of her enslaving and devouring. Living in a media `blackout` that denies women`s own penis` `seed` and capacity to breed her own brains` power to leave the aliens of the Earth in starships of her own devising, women can`t see beyond the 20th century`s `killer disease` because they have only Jesus` archaic biblical language to learn from and no information system to guide because of the media`blackout`.
 Hollywood Babylon produced the movie Logan`s Run (1976), which the Al Qaeda terrorist `moguls` used as the paradigm for 9/11. The science fiction story is of `sandmen` who kill anyone who reaches their 21st birthday, and the hijackers took planes from Boston`s Logan airport in an attempt to kill the 21st century for `woman`s seed` before it was birthed. In Hollywood Babylon `studio war` terms, 20th Century Fox and TV 21 were rivals, because `puppets` are what the studios want their actors and actresses to be, but humans aren`t mannequins.
 The Thunderbirds (2004) movie was a breakthrough for `puppet` theatre because the actors and actresses could be seen in terms of human behaviour, and so could the puppets`, that is, human is behaving towards others with humanity, whereas `puppetry` is just another aspect of women`s being conditioned to accept their enslavement by aliens. TV 21 was guidance for young humans because the scenes were staged and obviously artificial, whereas the movie Thunderbirds featured real actors and actresses, but the theme was `saving` because Thunderbirds are the organization International Rescue, and so the guidance system developed by Gerry Anderson`s Century TV 21 studio was proven successful as a guide to paths humanly acceptable to humans.
 In `Oops I Did It Again` Britney Spears is a small woman with a small foot descending to her red planet of Mars in a giant ring who doesn`t want the 21st century ogres to devour her `futanarian` soul with its forks as the 20th century had. Without `puppet` theatre humans would have grown into ogres that don`t want women with their own penis` `seed`.  Human behaviour needs guidance to produce movies that guide, which is essential if boys are to be guided into accepting `futanarian` woman as the species of the planet Earth and the host womb of the humans upon it.
 If Neil Armstrong`s `small step` on the moon was a preliminary to women being made into hamburger for Ronald`s McDonald`s, on the dubious supportive strength of the Presidential arm of the giant ogre, Mr Ron, and his ring of `Ray Guns`, Britney Spears` TV 21 spaceplane pilot in her `Scarlet suit` needs to extricate her `futanarian` self, with her own penis` `seed` beneath her white bikini dress, and take herself to the next star system, or beyond, and escape from the evil alien Mr Rons that have taken control of the Earth and threaten to inhabit her host womb in parasitical virality forever.
1 Nostradamus, Michel Les Propheties, Century 10, Quatrain 72, 1555.

Britney Spears` `Oops I Did It Again` Is Abhorring Cain

28/08/2013 19:01

Britney Spears` `Oops I Did It Again` Is Abhorring Cain

Descending inside her giant`s ring at the beginning of her pop music video `Oops I Did It Again` (2000), Britney Spears` announcer cries `All aboard!` because all abhorred Cain as a murderer who killed Abel, his brother, in the Bible story, because Abel was able to cook while Cain wanted an easy life as a
fruit picker, which is what murderers want.
 In her red pilot`s suit Britney Spears has the role of Podkayne from US science fiction `Grand Master` Robert A. Heinlein`s (1907-88) juvenile for girls, Podkayne Of Mars (1963). When an astronaut appears in Britney Spears `Oops I Did It Again`, wearing a spacesuit similar to those worn by the crew of the first Apollo moon landing of July 20 1969 (UTC), which put Neil Armstrong onto the lunar surface as the first man on the moon, a `Mission Control` like the North American Space Administration`s (NASA) is perceived looking at the scene through the eye of the camera attached to the astronaut`s spacehelmet:
`Earth to Mars Lander, report status please.`
 Britney Spears is Heinlein`s Podkayne on Mars, who `more than anything` wanted to be a `spaceship pilot`, which is what the `mothers` are in Robert A. Heinlein`s juvenile for boys, Starship Troopers (1959). The `mothers` `drop` their `boy sons`, that is, their `poisons`, onto `the Bug` planet, where the giant alien arachnoids represent `biological warfare`, because genetic alterations are a consequence of uncontrollable weapons; for example, mutations were a feature of the medical aftercare provided to irradiated Japanese women`s babies, consequent to the dropping of the atomic bombs, `Little Boy` and `Fat Man`, on the Japanese cities of Hiroshima and Nagasaki by the United States of America in ending World War II (1939-45).
 `Oops I Did It Again` is a cane for the bored who can`t see, that is, the bored cane is for the blind, and Podkayne of Mars is the Heinleinian character Britney Spears has chosen to explain that the boring don`t want the good to see and that`s why they murder them, but what do they stand to gain from the bored? That`s the question posed by Podkayne. What does the company board gain from the bored? Because it`s the company of fruit-pickers that don`t want the human species to be able:
`Politics is good even when it is bad ... because the only alternative is force - and somebody gets hurt.`1
 The `company` blinds people so they remain bored, which is why Britney Spears chooses the role of Podkayne on Mars in her video single `Oops I Did It Again`, which title mocks those who apologize for murdering and then expect to be entertained by those who can still see. In the ancient Greek drama, Oedipus Rex (c. 429), Jocasta entertains Oedipus, who blinds himself, because of the incest taboo against his having sex with his mother, whether unwitting or not. Afterwards, Oedipus, the blind man with the cane, expects to be bored (and boring), but entertained by Antigone, his daughter, that is, she`ll entertain assisting him further. The incest taboo of the Greeks, who institutionalized the enslaving of women`s host wombs to `drop` their `boy sons`, that is, their `poisons`, in worship of the homosexual god of war in pederasty, was designed to prevent women from seeing. Women`s species is a single biune `futanarian` family with its own penis` `seed` and capacity for breeding her own brains` power to free herself from men`s devouring of the civilization, culture and art she`s able to produce from her host womb despite men`s depredations:
`... [she] will crush the head of the serpent as she leaves.` (Gen: 3.15)
 God tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed` because `woman`s seed` is `futanarian` with her own penis` semen, as prefigured in the birth of Jesus uncontaminated by male semen from his mother, the Virgin Mary, who has the role of Jocasta in the Christian story, because Jesus was made to see what Oedipus wasn`t able to, which is that Jocasta`s penis was in the wrong place.
 In `Oops I Did It Again` Britney Spears is `twinned`, because we see her hooking her spaceman in her red suit and raising him above herself in a white bikini dress to film her with the camera attached to his spacehelmet, which suggests she`s a `futanarian` woman with her own penis` `seed` and capacity to breed her own brains as a self-reproducer and producer of her own technological advancement, which is what the human race of `futanarians` are for: progress. The phrase `board gain` is how the boring progress in socio-economic terms, so Podkayne represents `futanarian` human progress through her own `pod`, which is her womb. To make gains across the board is what `board gains` are, so Podkayne`s aim is to gain all of the host wombs of women for the human race, which doesn`t include the enslavers and devourers of her species in pederasty`s wars of homosexual viral contagion:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
 Pederasty produced the HIV/AIDS virus because of men`s desire to mix blood, shit and semen in their anuses during homosexual acts, and HIV/AIDS was the `killer disease` of the late 20th century, and the `biological weapon`, described as the `blood plague` in Revelation, which kept the human species of `futanarian` woman with her own penis` `seed`  in fear and faithfulness in enslavement to the supposedly monogamous alien parasite that had invaded her host womb at some distant point in the Earth`s past to masquerade as her partner and steal her penis` `seed` to breed itself as her death:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
 The terrorist attack by Al Qaeda on the World Trade Centre on September 11, 2001, was designed to reestablish the `rough trade` of homosexuality`s `brutality and violence` in the worship of the god of war in pederasty, Mars. In the Bible `Liberty` is `the woman clothed with the sun and with the moon at her feet` giving birth to a child while the `red dragon` waits in vain to devour him. The moon of Al Qaeda`s flag and the red sun of the flag of Japan clothe `Liberty` in triumph.
 In her red pilot`s suit Britney Spears is the red sun of Japan, while herself in a white bikini dress is the moon of Al Qaeda. According to the developmental psychologist Carl Gustav Jung (1875-1961) archetypal material emerges from the depths of the unconscious in the form of images in dreams, imagination and art to impel the developmental functionality of humankind. Recorded in 2000, `Oops I Did It Again` by Britney Spears preceded the events of 9/11, 2001, but the archetypal material supports Jung`s assertion that archetypes appear through imaginative works to propel the mind`s development. Because of this, the perception of Britney Spears in the role of the `red dragon` of Revelation in `Oops I did It Again` is archetypal. The red sun of Japan was defeated, after the Japanese `sneak` attack upon the US Pacific Fleet at Pearl harbor on 7 December, 1941. `Liberty` thereafter protected `the pearl of great price` (Matt: 13. 45-6), that is, `the Kingdom of God` on Earth, from the `red dragon` of Russia.
 While her white bikinied self reclines on what looks like a white serviette, her spaceman is poised above as her `camera` with what look like the giant tines of a fork beside his spacehelmet. `White` Russia was supported by the United States, before the Communist revolution that began on March 17, 1917, ended the so-called `white` Russian army of Tsar Nicholas II`s participation in WWI (1914-18) and began the emergence of what was known as `red Russia`s` Soviet Union as the devouring `red dragon` after Japan, because Russia occupied Eastern Europe illegally after WWII. In `Oops I Did It Again` Britney Spears is the white `serviette`, while in red she`s Sophie yet, that is, Sophia, the wisdom of God, because women`s host wombs are neither red nor white but what Karl Marx, the German author of Das Kapital (1867) termed `the means of production` enslaved and devoured, in whichever political system is prevalent amongst men`s `owners` at any given epoch.
 In what became known as the Korean war (1950-3), communist `red` China prevented the United States from placing the Korean peninsula under its control during the war between the South and the North. Invading North Korea, `red China` swallowed up half the nation, leaving the South free. Sun Myung Moon, the South Korean `Messiah` of the subsequent `worldwide` Unification church (1954-), thereafter preached Jesus` Redemption was `spiritual` but not `physical`, which required `True Parents`.2 If Britney Spears, in her red pilot`s suit, represents `futanarian` Asia, then she`s `Liberty` from the United States, in her white bikini dress, with her own penis` semen under her skirts as Sun Myung Moon`s `True Parents`:
`Oops! ... I did it again to your heart. Got lost in this game, oh baby. Oops! ... You think that I'm sent from above. I'm not that innocent.`
 If Sun Myung Moon`s `True Parents` are `archetypally` represented in `Oops I Did It Again` by Britney Spears as `red` China and the South Korean, Moon, `Oops I Did It Again` provides a `key` to understanding the `woman clothed with the sun` in the light of Liberty`s victory over Japan and `with the moon at her feet`, that is, the events of 9/11, 2001, when the moon of the flag of Al Qaeda was flown into the World Trade Centre as the terrorist hijacked civil aircraft crashed into the Twin Towers. Britney Spears is neither `innocent` nor prescient, but archetypes are useful in the hands of qualified practitioners; like her Jungian `selves`:
`Oops! ... I did it again. I played with your heart, got lost in the game.`
 Board `gains` can also be about `board` games, which is what popular games are. In Waddington`s Monopoly or Risk the `game` mirrors the gains made in business and global politics, which is socio-economic reality. Women with their own penis` seed` and socio-economic valence for self-reproducing their own brains` power to develop technologically, and escape her imprisoning jailers on the planet Earth in starships of her own devising, are real socio-economic agents fighting for the survival of their species` interdependence and independence. Men`s system is a liar`s, because women are taught that men have the only penis, which is how women are kept out of the picture: totally.
 Britney Spears` Podkaynes in `Oops I Did It Again` are `board gains` in the `board games`, where men are playing their `bored games` as bored Cain`s. Once able like Abel, men are now blind and Cain`s. In dullness without progress, they`ve disabled their `boy sons` in ignorance to pretend they`re something other than boys` owners, that is, poisonous `demons`, who wage wars vicariously for their god of pederasty and homosexuality, Mars. Britney Spears` `Poddy` isn`t Cain`s, because he can`t hurt the child of `Liberty` born in `futanarian` freedom from men. The host womb of `the Poddy beautiful`, as Heinlein`s character is called in the novel, Podkayne Of Mars, is `a gain` made for the `body politic` of women`s human species by Britney Spears:
`Oops! ... I did it .... [! A gain].`
 A `pod` Cain is an abortionist, and men have aborted the human species of `woman`s seed`, because she isn`t in the picture with herself`s own penis` `seed`, and so men are liars and the boys` sons of liars in the poisons of demonization of the human species of woman who has lyingly been taught that love for her own species is an abominable abnormal anathema vilified as `lesbianism`, whereas  the species of women with their own `futanarian` penis` `seed` are a single biune species` family, condemned by men in demonism as `incest` to prevent her from recognizing her own species` genus, that is, the normal sexual desire of the human race for itself.
1 Heinlein, Robert A. Podkayne Of Mars, G. P. Putnam & Sons, 1964, p. 34.
2 Moon, Sun Myung `The Kingdom Of Heaven and True Parents` in True Parents, `True Parents And The Nation`, Bk II, Chapter 5, Section 6.

Podkayne`s Eon Economics and Britney Spears` `Oops I Did It Again`

19/08/2013 10:40

Podkayne`s Eon Economics and Britney Spears` `Oops I Did It Again`

The theory of the economist John Maynard Keynes said that the `free market` would strengthen the economies of Western Europe by applying the pressures associated with `supply and demand` to manufacturing industry and retail businesses, because industry would supply what people demanded. Applied in Britain and the European Union, Keynes` `free market` approach to economic growth was known as `Keynesian` economics. In her video single `Oops I Did It Again` (2000) Britney Spears examines `Podkaynesian economics`.
 Podkayne Of Mars (1963) was a juvenile novel written for girls by the first `Grand Master` of science fiction, Robert A. Heinlein (1907-88), which featured a young woman who wanted to be a space pilot. Known as `Poddy` for short, and described as `the Poddy beautiful`, Podkayne`s name was a pun on the `pod` theme of science fiction as well as the name of Cain, who was responsible for killing his brother, Abel, in the Bible story, because Abel could cook and so was too able for Cain, who wanted an easier life picking fruits, which is what murderers do.
 The big three science fiction writers of Heinlein`s era were himself, Isaac Asimov, and Arthur C. Clarke. Poddy`s brother is called Clarke and he inadvertently kills her at the denouement of Podkayne Of Mars when, kidnapped to hinder their politico relative, Tom, Clarke employs a nuclear device to kill their imprisoners and Poddy also loses her life. Heinlein`s publisher objected to the ending and subsequent reprints featured a resurrected Poddy. Arthur C. Clarke was British and Heinlein`s publishers may`ve been observing that his government hadn`t been responsible for the deaths of all those Japanese women at Nagasaki and Hiroshima when the Americans dropped `fat man` and `little boy`, the atomic bombs, that ended WWII (1939-45) and erased those two cities of Japan along with its schoolgirls as `collateral damage`.
 In the video single for `Oops I Did It Again` Britney Spears` argument is that, although a murderer says `Oops!` he has a mark of Cain, according to the Bible, which is why he does it - a Cain. Britney`s thesis is that Clarke kills the young Poddy because that`s his nature. Appearing in a red pilot`s suit, which suggests she`s a space pilot, like Heinlein`s Podkayne, Britney Spears` dance routine and song take place on the red planet, because the spaceman who arrives on the desert scene is referred to as `Mars Lander` by `Mission Control`, who are depicted observing through the camera attached to the astronaut`s spacehelmet. In science fiction `pods` are used in alien invasion scenarios. Because `alike as two peas in a pod` is proverbial, the appearance of Britney Spears in a white bikini dress beneath the camera eye of her spaceman in `Oops I Did It Again`, from where he`s been winched up above herself by Britney Spears in her red pilot`s suit, suggests Britney Spears and her twin self are from the same `pod`, that is, Poddy`s, which means Resurrection again for Heinlein`s character but `multiple`.
 The concept of `multiple personalities` has long been thought of as representing schizophrenia by literary critics, but the theme of Cain suggests murder and women as a single biune species of `futanarian` with her own penis` `seed` is so scarce upon the Earth that murder by men is the only possible solution to her whereabouts as the `seed` from her `pod`. In the Bible `woman`s seed` is described by God to Eve as having `perpetual enmity` with the `serpent`s seed`, but she `will crush the head of the serpent as she leaves` (Gen: 3. 15) for the `new heaven and Earth` promised her.
 `Podkaynesian economics` is men`s perception of the independent socio-economic valence afforded women by their own penis` `seed`. Woman`s capacity for self-reproducing her own brains` power to facilitate her escape through technological advancements would allow her to leave for the planets and stars of `heaven`. By killing her `futanarian` human race to enslave women`s host wombs, men are able to devour the civilization, culture and art `woman`s seed` is able to produce in wars of ceaseless depredation against her.
 Britney Spears is Abel Poddy`d in `Oops I Did It Again` because Cain`s eon economics is what the Age of Man is founded upon. Although psychologists perceive lesbianism as an abherration from the norm, it`s perceived as harmless. The term homosexual is applied gaily to both male and female `homosexuality`, whereas women have penis` semen of their own as an independently single biune species with its own socio-economic valence for development, and so descriptions of woman`s love for her own species as lesbianism are designed to make her schizophrenic. As a single biune `futanarian` species with her own penis` `seed`, `Woman` is a `multiple personality` by nature.
 Britney Spears is a `multiple personality` in `Oops I Did It Again`, in her red pilot`s suit and white bikini dress, because women are `seed pods` for her own biune species` single spiritual growth as `futanarian`. Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, as the first of `woman`s seed`, prefigures the `futanarian` woman as a single biune species which doesn`t marry into enslavement and devourment by the parasite that has attached itself to her penis and won`t let go:
`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22.30)
 The ancient Greek dramatist Sophocles` Oedipus Rex (c. 429 BC) focuses on the self-blinding that ensues when Oedipus discovers he`s broken the incest taboo, which exists to prevent women from self-reproducing, that is, she`s blinded by Cain, because he`s murdered her species, which is why `Man` is the answer to the riddle of the Sphinx which Oedipus has to solve before he can wed:
`What has four legs in the morning, two in the afternoon, and three in the evening?`
 `Man` because infants crawl, and as adults they walk on two legs, but need a cane when they`re old. They don`t want Cain, but murderers live by blinding. Oedipus` mother Jocasta doesn`t see Antigone, who becomes her father`s guide in his blindness, as `woman`s seed`. But the two women represent the desire for sex within the single biune family of woman as a `futanarian` species, while the absence of the knowledge of their own penis` semen prevents it, and that`s what men`s incest taboo is for.
 Oedipus can`t wed because he isn`t `woman`s seed`, but he is the the type of her enslaver and devourer, because he blinds himself as a punishment for breaking the incest taboo, which is designed to prevent `futanarian` women with their own penis` `seed` from reproducing with each other in what men must have called `incest` because it excluded them from their slave ring. Britney Spears is `Poddy` in `Oops I Did It Again`, because it`s a `Whodunnit?` The answer to the Sphinx`s `riddle` is `Man`, and the answer to Britney`s is the same, man. It`s Poddily Resurrection because the `Poddies`, that is, Britney Spears in her red pilot`s suit, and in her white bikini dress, are found. Just as Heinlein`s `Poddy` had Resurrection in Podkayne Of Mars, because she`s `woman`s seed`, and that`s `God`s plan`, so `Man` is Cain to Heinlein`s `Poddies`, because men don`t want the `futanarian` woman`s `seed` bodies, with their own penis` semen, to live.
 The space invaders` theme of amusement arcade machines during the latter part of the 20th century before the personal computer afforded the theme greater expression, was a large part of the Hollywood, Babylon movie industry where science fiction films featured the `pod` theme extensively. From the 1930s it was a Hollywood taboo for women to be seen with their `foot off the floor` in bedroom scenes, because `futanarian` woman`s penis` `seed` was still receiving suppression in mainstream culture as `alien` in movies like Invasion Of The Body Snatchers (1956) through `reverse racism`:
`The Pod People are a race of nomadic, extraterrestrial parasites ... they would replace the dominant species by spawning emotionless replicas; the original bodies would then disintegrate into dust once the duplication process was completed.`1
 Reverse racism is `discrimination against members of the dominant group, especially when resulting from policies established to correct discrimination against members of a minority or disadvantaged group`,2 which means women`s reproductive cycle is defined as `alien` in the Hollywood, Babylon remake of Invasion Of The Body Snatchers (1978) so women will perceive themselves as aliens and practice racism against normal `futanarian` and sexual `lesbian` women who are either conscious of their own penis` semen or unconscious as a concomitant of their being made blind to their own species` role in male chauvinism:
`They would then consume all of the planet's resources, only to then leave in search of yet another new world. Such a consumption was apparently the fate of the civilizations that once inhabited Mars and the Moon.`
 The alien invasion movie featured `pods` from outer space seeking to take over the humans of the Earth as a vestigial remnant of the argument against women`s bodies being for themselves to reproduce with rather than be hosts for the parasitical alien organisms that she`s been taught are her male counterparts amongst the human race. The fear was that `futanarian` woman with her own penis` `seed` would reproduce from her own Poddies:
`The Pods' sole purpose in life was that of individual survival, with no attention given to the civilizations they conquered or the resources they squandered.`
 The descriptions of Invasion Of The Pod People (2007) applies to men who can`t sexually reproduce together whereas, if Heinlein`s Poddies are `futanarian` woman with her own penis` semen, she can self-reproduce as a single biune species without marriage. Britney Spears` role of `Poddy` in `Oops I Did It Again` is a comment also upon other movies featuring `pods`, such as Body Snatchers (1993), because men have killed women`s `futanarian` Poddies` capacity for self-reproduction and have snatched what remains for enslavement in parasitism:
`Here I am, you pod bastards! Hey, pods! Come and get me you scum!`3
 The astronaut character in `Oops I Did It Again` represents another of Heinlein`s juveniles, but for boys, Have Space Suit - Will Travel (1958) in which Kip encounters the alien `Mother Thing`. Together they find themselves appealing for the human species before an `intergalactic court`, which has sentenced the Earth to lose its star, the sun, and Kip, the boy, enunciates his belief that human love is enough to merit a reprieve and the other species of the cosmos accept that prior to an investigation. If men are the bane of the `futanarian` race, the `footrace` represents humanity`s love for herself, and the desire to get her foot off the floor:
 `One small step for a man, one giant leap for mankind.`4
 First man on the moon, Neil Armstrong, Apollo 11 astronaut, is represented on Britney Spears` Mars by the spacesuit. Her Poddy`s the `Mother Thing`, while the spaceman is Kip`s representative from Have Space Suit Will Travel, and the investigation continues. With no sign of a space vehicle of her own, Britney Spears is a `Marvel superhero` in her red flying suit. The astronaut is reminded by `Mission Control` that his concern is with the conditions for life on Mars:
`Oxygen 98%.`
 The desert landscape suggests there`s no water, so he`d have to be an `iron man` to live. In the comic book cosmos, Pepper Pots is the `assistant` of Tony Stark, the Marvel superhero character made into the Hollywood movie Iron Man (2008), which suggests Britney Spears in `Oops I Did It Again` not only has the role of Pod Cayenne, that is, as the red pepper `seed` pod, who corresponds to Podkayne Of Mars in Heinlein`s juvenile bildungromans, but is Pepper Pods, because `woman`s seed` pods are the prefacultas praeformandi of the archetypally human `iron` suit she grows into, while herself in the white bikini dress is Pepper Pod`s `alt`, that is, the `alternative reality`, where she`s euphemistically the `salt of the Earth` because woman with her own penis` `seed` is stronger and wiser.
 In Podkayne Of Mars Clarke feels responsible after the death of his Poddy, but he`s irresponsible before the death of his Poddy because he`s distant from the effect of his act, which is to detonate the bomb that kills his tormentors and her. Iron Man has the same problem because his seemingly invincible strength makes him irresponsible by virtue of being uncontrollably powerful, which is what atomic bombs are. Heinlein`s publishers had Heinlein resurrect Clarke`s Poddy because the juvenile is a bildungromans and Clarke had to be seen to have learned that acts have consequences he mightn`t want, so he`d better think further. Britney Spears` `Poddy` is an iron woman because her perception is that her spaceman lives in a suit because he needs oxygen, but he doesn`t want water outside of his suit, or indeed any life, because he`s representative of men as a devouring sterility, while Britney`s `Poddies` represent the self-reproducing `futanarian` human species of woman with her own penis` `seed`, that is, life.
 The Mars of `Oops I Did It Again` is a desert, which is what atomic bombs leave after them. Britney Spears literary reference is T. S. Eliot`s The Wasteland (1922) poem, Part One `The Burial Of The Dead`, so the opening line from `Oops I Did It Again` is a homage to the `Guardian Angels`, a worldwide volunteer group, who act to maintain `public safety` and wear a red beret. In her red suit Britney Spears is Podkayne of Mars` `berry`:
`Yeah yeah yeah yeah yeah yeah. Yeah yeah yeah yeah yeah yeah [love the dead].`
 Because her `futanarian` species of woman with her own penis` seed` is all but dead; killed by men and ready for burial. Eliot`s poem was about the need for spiritual baptism, symbolized by water, which the sterile barren land of the poem was in sore need of because woman with her own `futanarian` penis` semen wasn`t there to vivify her human species. However, God`s love for `woman`s seed` says God loves her even though she may be dead temporarily and she`ll have Resurrection, which is the theme of Heinlein`s Podkayne Of Mars worked out with his publisher, G. P. Putnam`s Sons, as well as Eliot`s poem:
`Out of this stony rubbish? Son of man, you cannot say, or guess, for you know only a heap of broken images, where the sun beats, and the dead tree gives no shelter, the cricket no relief, and the dry stone no sound of water. Only there is shadow under this red rock (come in under the shadow of this red rock), and I will show you something different from either your shadow at morning striding behind you or your shadow at evening rising to meet you; I will show you fear in a handful of dust.` (l.19-30)
 In the perennial British `scifi` television series, Doctor Who (1963-), his enemies are the `Daleks`, which crying `Exterminate!` at the humans are often described as `pepper pots`, because that`s what they look like, while `the doctor`, as his own female assistant calls him, tries to avoid being exterminated by the Dalek `pepper pots`. The `bosses` on the sloping sides of the `pepper pot`  shaped Daleks of Doctor Who are identical to those on the walls of Britney Spears` stage set in `Oops I Did It Again`. Britney`s constructed a Dalek to protect herselves, that is, for Pepper Pod in her red flying suit and her `futanarian` twin, Pod`s `alt`, in her white bikini dress, who represents the alternative future for the human species. After investigation by the intergalactic court has judged self-love for `woman`s seed` to be humanity`s salvation.
 In her red flying suit Britney Spears is a Marvel superheroine, while the astronaut, reminiscent of Kip from Heinlein`s Have Space Suit - Will Travel, represents the human who first needs oxygen to breathe, and Britney`s `twin` self in the white bikini dress is the `baby` of the human species, because she`s `futanarian` woman`s penis` `seed`.  She`s Pepper Pod inside her Iron Man suit, which functions as an exterminating Dalek to defend `woman`s seed` because men have made dust of her species. God`s promise is of Resurrection for `woman`s seed` and eternal unendurable pain as men`s punishment, which is T. S. Eliot`s `fear in a handful of dust` from Part One, `The Burial Of The Dead`, but Britney Spears` `woman`s seed` is refusing to die.
 In symbolic terms Britney Spears` spaceman has oxygen, pepper Pod and Pod`s `alt`, that is, pepper and salt, but there isn`t any water in the wasteland of the Martian desert, so what will he eat? If men think of themselves as iron men on iron rations, because they`ve murdered `futanarian` woman to get their foot to the moon first, which was previously sterilized, perhaps from the Earth without even bothering to go there, then men have already devoured the woman`s `fut`. Men have read themselves to Mars before,  because it`s the name of the red faced war god of pederasty they worship. Britney Spears` question is: do they want salt and pepper on it? Sandy`s obviously enough to test the bravery of what`s afoot on Mars, but what`s a `futanarian`? The `serpent`s seed` don`t want to be bothered with the `riddle`, because it interferes with their sterilization pogrom against the human race of `woman`s seed`, which still isn`t small enough for men`s devouring mouths:
`Summer lovin' had me a blast. Summer lovin', happened so fast.`5
 Descending to her stage set in `Oops I Did It Again` wearing a red flying suit inside a giant`s ring, Britney Spears is a small woman with a small foot, but she doesn`t look to sterilize the place before she makes a `great leap forward` (1958-61), which was the phrase used by Communist leader Mao Tse Tung for his `industrialization` campaign against an agrarian economy, which resulted in `The Great Famine`6 in `red` China. US astronaut Neil Armstrong, the `first man to set foot on the moon`, `borrowed` the `great leap forward` slogan for his `giant leap for mankind` speech on the sterile luna surface in 1969, while 21st century Communist China discourages female births to the point of euthenasia. Mao Tse Tung`s China only has `mouth` to say with its tongue to the devoured woman with her own penis` `seed`, and the US` spaceman is shucking the dust off his foot on the moon to place his foot on the sandy deserts of Mars because he doesn`t like aliens before, or that they`re `behind` either.
 Hoisting her spaceman above herself in a white bikini dress in `Oops I did It Again`, the tines of a giant`s fork are visible beside the astronaut`s helmet as he films Britney`s `alien`. In a white bikini dress she reclines beneath on a white star-shaped serviette. Britney`s giant`s ring is revealed to be an ogre`s serviette ring. Red wine and white bread were the fare at table for Christ`s `Last Supper` in fellowship with his disciples. As the host, Jesus was representing his `futanarian` mother, the Virgin Mary, who`d hosted a child uncontaminated by male semen, so hers is the host womb of the future of the human species Jesus was asking acceptance for. 
1 .
2 .
3 Goldblum, Jeff as Jack Bellicec in Invasion Of The Body Snatchers, 1978.
4 July 20 1969 (UTC).
5 Travolta, John in character as `Danny` on the subject of his relationship with Olivia Newton John`s Sandy in the movie Grease, 1978.
6 .

Yeah, Rico!

08/08/2013 17:15


Yeah, Rico!
In her red pilot`s suit on her red planet of Mars in the video for the single `Oops I Did It Again` (2000) Britney Spears is making a science fiction statement, which begins, `Yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah yeah -` because the spaceman who has arrived looking like an Apollo 11 astronaut in his spacesuit is meant to be understood as `trooper in training`, Juan `Johnny` Rico, from Robert A. Heinlein`s (1907-88) novel for boys, Starship Troopers (1959), in which `the boys` are dropped onto `the Bug` worlds by females piloting spaceships who are known as their `mothers`:
`Yeah yeah yeah yeah yeah yeah, yeah yeah yeah yeah yeah yeah [Rico] -`
 Jericho was the city in Canaan, the land given to the `chosen people` by God, according to the Bible, because it was promised to the Jews. Because it`s only possible to be born a Jew from a Jewess only women are Jews, which is in accordance with God`s observation to Eve that her `seed` and the `serpent`s seed` will have `perpetual enmity` but she `will crush the head of the serpent as she leaves` (Gen: 3. 15) Earth for a `new heaven and Earth`. In her red pilot`s suit on Mars Britney Spears is in `heaven above` from a science fiction point of view, and she has a companion, in a white bikini dress, who duets with herself and looks as if she`s her twin:
`You see my problem is this: I'm dreaming away wishing that heroes, they truly exist. I cry, watching the days. Can't you see I'm a fool in so many ways? But to lose all my senses, that is just so typically me.`
 Jericho was built during the Age of the Crab, which is the sign of the Great Mother, Cancer, who has a hard shell to protect her `arthropod` body, which is soft, and so city and boat building were associated with the crab of the mother who protected her `arthropod` soft-bodies within, lest the women lose thir `senses` over heroic imagos in her fantasies that would in reality kill her. In Robert A. Heinlein`s Starship Troopers (1997), the movie,`the Bugs` are finally seen as `arthropods`, because it`s a science fictional metaphor for how civilization, culture and art emerges from the host womb of woman as the human species to be devoured by her parasites that have somehow attached themselves to her penis in order to replicate.
 Although audiences are familiar with camera trickery, there`s a very serious point being made as Britney Spears attaches a hook to the astronaut`s backpack and hoists him up above herself in a white bikini dress so that he can film her with the camera attached to his spacehelmet as she lies beneath. Woman with her own penis` `seed` is `futanarian` and, although Britney Spears` penis can` t be seen under her bikini`s skirt, she could be self-reproductive because there are two of her in the picture she`s painted:
`All aboard!`
 A ship being announced seems incongruous because there`s no sign of a vessel. But the subject of discourse is Cancer, the Great Mother, whose symbol is the crab and who`s associated with the hard outer shell of the boat and the city walls. Looking at the `gift`, the NASA (North American Space Administration) astronaut has given her, Britney says:
`But I thought the old lady dropped it into the ocean in the end?`
 In the movie Titanic (1997) the heroine Rose drops the heart-shaped pendant, the blue diamond `heart of the ocean`, into the sea at the place where the ship sank after hitting an iceberg on its maiden voyage in 1912 from Liverpool, England, to New York harbor in the United States of America, where `Liberty` was waiting. Rose, played by Kate Winslet, as a young woman, is now old. She drops the diamond at the sight of the passenger liner`s being salvaged in memory of lost hope:
`Well baby I went down and got it for you.`
 Britney Spears` spaceman says he`s a diver. Because Robert A. Heinlein worked on pressure suits at the Philadelphia Navy Yard`s in 1944 with Isaac Asimov, who wrote the story collection,  I, Robot (1951), which was made into a movie by Hollywood, Babylon in 2004, and condemned slavery for robots because they represent freedom from drudgery for humans. As Isaac Asimov indicated by means of his `three laws` of robotics, which were designed to prevent humans from being harmed by themselves, robots are better humans too because they`re programed to be more caring. Another `scifi` writer at the Philadelphia Navy Yard was Murray Leinster, who imagined not only the first computer, a `logic`,1 but the first `internet server`, the `tank`, that is, a home research library for independent humans, women, while L. Sprague De Camp was the `scifi writer` who believed there was no such thing as racism, which was `ethnocentricism`:
`... no scholar comparing the merits of various ethnicities has ever sought to prove that his own ethnicity was inferior to others.`2
 Because men have hijacked civilization, culture and art away from women as the host womb of her own penis` `seed`, L. Sprague De Camp`s own `ethnocentric` explanation for conflict is a blinders` shield for men`s perpetration of racism aginst women as a species, while telling her they`re superior due to the male penis` uniqueness. The different civilizations, cultures and arts devoured by men in the `perpetual enmity` of their wars against `woman`s seed` are men`s obfuscations of their own parasitical behavioural patterns that occlude women from realizing their own uniqueness as an intgral species independent of their ensalver and devourer.
 In the 1950s Robert Heinlein was famous for juveniles, amongst which was the novel, Have Space Suit - Will Travel (1958), and the astronaut reporting to `Mission Control` in Britney Spears` `Oops I Did It Again`, `Oxygen 98%`, is wearing one of the Philadelphia Navy Yard`s suits developed from the `scifi` writers` work for the X-15 spaceplane pilots who experienced blackouts during high altitude flights that often resulted in crashes. In her red pilot`s suit Britney Spears is a deep sea divers` encouragement to aspire to the planets and stars.
 In the developmental psychology of Carl Gustav Jung (1875-1961) the sea is a metaphor for the unconscious that contains the archetypes, imagery to be found in dreams, art and the imagination as inspirations to human progress and growth. The symbol of Cancer, the crab, is of the Great Mother as the boat and the city, as well as the spaceplane and the spacesuit, which is the archetype of defense for an arthropod, who has a soft belly:
`To the woman God said, `I will make your pains in childbearing very severe; with painful labor you will give birth to children. Your desire will be for your husband, and he will rule over you.`` (Gen: 3. 16)
 Couched as a punishment, the words seem prophetic. Because the woman is an arthropod, she needs the protection of God and Eden, but she`s given up for the `fruit of the knowledge of the tree of good and evil` for enslavement by the devourer, the serpent. Jesus` teachings of Redemption are of `woman`s seed`, because he`s born of his mother, the Virgin Mary, uncontaminated by male semen:
`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)
 If women breed as `futanarian` with their own penis` `seed`, she`ll have her own brains and develop the technology of escape from Earth. But she can`t if her skin isn`t thick enough to avoid being penetrated by men`s missiles. In 1982 US` President Ronald `ray gun` Reagan began to implement the `Strategic Defense Initiative` (SDI) to ring the globe with missiles, which would be useful if men didn`t want women to leave as the human species enslaved by her aliens:
`I`m Miss American Dream since I was seventeen.`
 From the album Blackout (2007), the CD single cover for `Piece Of Me` features Britney Spears as Jesus on the cross protesting at woman`s being sold everywhere for `thirty pieces of silver`, as Judas Iscariot sold Christ to his critics to be tortured to death on the cross of his crucifixion. The NASA spaceplane program was cancelled because of `blackouts` experienced by the X-15 pilots. If woman isn`t breeding her own brains to build ships to build cities in space because the USA`s `SDI` won`t let her leave, the human species is dead, because woman as a biune `futanarian` human species` `seed` will continue in acceptance of its enslaving and devouring by its alien parasites.
 Science fiction is about eating, drinking and breeding, but the genre is handicapped by taboos against sexual themes. The male symbol is the spear and the female symbol is the shield, but women who are biune have their own penis, so they don`t need men`s spears. What `futanarian` woman with a penis` `seed` of her own needs is a stronger shield to withstand men`s spears, as Britney Spears sings of in her `Stronger` video single:
`Stronger than yesterday. Now it’s nothing but my way. My loneliness ain’t killing me no more. I’m stronger.`
 Because men can`t reproduce without women`s host womb, shields for women will mean the extinction of her alien parasites, so the aliens don`t want her to have the brains to construct shields, which is why `futanarian` woman, who can self-reproduce with women, isn`t visible upon the Earth; although she`s potentially one third of the host wombs of the human species of woman. `Stronger` is much more optimistic than `... [Hit Me] Baby One More Time` (2000), which treats of how women need support from their own female `selves`, because `hit men` are the murderous blinders of the female species` opened eyes to keep her blind, enslaved, and devoured:
`My loneliness is killin' me.`
 Men`s `conventional wars` of limited capacity to penetrate armour is what their `conventional marriage` is. Stronger shields for women would mean men`s inability to gain penetration, so the arms race of ICBM (intercontinental ballistic missile) capacity is rather a race to keep the woman from running everything herself. The Great Seal of the United States` eagle is written of in the Bible, and the US Navy has its own seals to protect the hymen of the woman `clothed with the sun and with the moon at her feet`, who gives birth to the `New Redeemer`, Jesus in his `Second Coming`:
`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the wilderness, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)
 `Liberty` is the woman, clothed with her victories over the red sun of Japan after `kamikaze` suicide fighters committed `hari kiri` by crashing their planes into the decks of the US carriers of the Pacific fleet at Pearl harbor on 7 December 1941 in a `surprise attack` that precipitated the USA`s entry into World War II (1939-45). The yellow moon of Jesus` birth waters, seen in New York harbor at the foot of the statue of `Liberty` for the `futanarian` footrace of humanity, was Al Qaeda`s hijacking of civil airliners to mount a suicide terrorist attack upon the Twin Towers of the World Trade Centre to precepitate the `rough trade` of brutality and violence, which is pederasty`s war god. The execution of Osama Ben Ladan, the Saudi Arabian terrorist leader, by US` Navy Seal `Team Six` on May 2 2011 at his hideout, where he lay protected in the shadow of the Pakistan Military Academy, was the sign from the United States of America that they`ll not live in pederasty and will protect the hymen of the woman of the Earth.
 The Gulf wars to depose Iraq`s military dictator, Saddam Hussein, for his support for Al Qaeda (2001-11) and invasion of Kuwait (1990-1) were for sexual maturity. The taboo against incest imposed by males upon such historical figures as Oedipus, for example. He inadvertently kills his father and, unknowingly marrying his mother, Jocasta, blinds himself because of the power of the incest taboo present in his recognizing her. The taboo is against the woman`s seeing herself as an independent species with her own socio-economic valence because she has penis` `seed` of her own as a single biunity whose relations have been tabooed as incestuous by men who fear she`ll escape their `serpent`s seed`. L. Sprague De Camp`s novel Rogue Queen (1951) presents the taboo in its simplest form:
`... forced to abandon her vegetarian worker diet [to] ... eat meat, which is deemed poisonous to all females except queens. Its actual effect on her is to cause her to mature sexually, making her a queen herself, though one without a community to rule.`3
 God`s telling Eve her man will rule over her is because she`s left herself unprotected for the future birth of her own penis` `seed`, so childbirth will be painful for her after Eden. Men`s taboos are the forbidden fruit, which prevent `woman` seed` from ruling herself with her own `sceptre` Jesus is described as ruling `the nations` with in his `Second Coming`, because women need to breed with their own penis` `seed`, and have exclusive births uncontaminated by male semen, as Jesus` was, so she can think for herself.
 In Arabia the genie of the bottle and the magic carpet are symbolic of the genius of `woman`s seed` if she were bred for brains. Her magic carpet is her mons veneris covered by its carpet, while the uncorked bottle containing the genie is her released potential for breeding her own brains` genius. In `Oops I Did It Again` Britney Spears` observation is `woman`s seed` is kept as an arthropod without protection, because men don`t want to release Britney `Jeanie` Spears from the bottle of her own penis` `seed`, so she can wing her way aloft on her own magic carpets. Suspending her spaceman above so he can look down upon her in a white bikini dress, he`s the `bottled` genius and the Jeanie of the magic carpet awaits him. It`s an allusion to another version of the American Dream, I Dream Of Jeannie (1965-70), a US` `sitcom`:
`The show starred Barbara Eden as a 2,000-year-old genie, and Larry Hagman as an astronaut who becomes her master, with whom she falls in love and eventually marries.`4
 Larry Hagman went on to star as the cowboy oilman, J.R. Ewing, in the US` TV show Dallas (1978-91), but was most famous for `branding` his wife on the show, Sue Ellen (Linda Gray), `A drunk, a whore and an unfit mother`, which is how Britney Spears lost her fortune to the lawyers, because someone branded her `an unfit mother` and the orignal accusation from J.R.  to Sue Ellen on Dallas `stuck` when Britney lost her son`s cap in the street after leaving a hotel near Central Park, and she couldn`t be bothered to pick it up when running for a car jostled by New York`s paparazzi. Larry Hagman, as the `Master` of Jeannie who condemns Sue Ellen, represents the problem of demonic possession, because a small footed woman, as Britney `Jeannie` Spears is perceived to be, as she descends inside her giant`s ring to the set of `Oops I Did It Again`, can breed without a Dallas cowboy, dressed as a spaceman to invade her space, man:
`I have to make dinner - I mean actually make it without magic. We are liable to die.`
 Much has been said about demons but the esscence is of the alien parasite masquerading as the male of the human species choking woman`s penis to stop her breeding. A true master would simply observe colloquially to the genie that she needs `a bun in her oven`, that is, pregnancy, but as a self-breeder so she can be a greater genius amongst her own species. Men only put their `seed` into women so they can eat what her host womb produces of civilization, culture and art as her enslavers and parasitical devourers in wars of `perpetual enmity` against her human species of `futanarian` woman`s smaller `futrace`.
 If Jeannie doesn`t have her own species` brains through self-reproduction as `woman`s seed` she will die for lack of escape technology to the planets and stars in rocketships; for example. In the Bible Cain slew Abel because he could cook and Cain wanted only to choose the best fruit from the branches of the tree, which is what men who don`t want to develop do, and that`s why Jeannie says, `without `magic` they`ll die because she needs some to `cook`, that is, develop spaceflight, so she can escape. Jesus` birth uncontaminated by male semen of a mother, Mary, who`s a virgin, suggests that Christ, `the first of woman`s seed`, also addressed as `Master` by his disciples, was the predecessor of `futanarian` women with their own penis` `seed`, who won`t be contaminated by humanity`s alien enslaver and devouring parasite. Just because he`s `dressed up` as an `astronaut` to choke her chickens.
 Murray Leinster`s word `tanks` for independent home research through the internet library relates to the idea that women need armour to protect their arthropod species from penetration by tank shellers while she`s developing, which is the metaphor for the tank battles of the Gulf wars, where the struggle was for women`s independence. Britney Spears` `Oops I Did It Again` features the spaceman as her mother ship pilot`s prototype `trooper` in his space armour, which is what the Apollo astronauts were, preparing to be dropped onto `the Bug` planet of arthropods, while the `little woman`, and Britney Spears does descend to her stage set in `Oops I Did It Again` inside a giant`s ring, which suggests she a woman with a small foot, as opposed to Neil Armstrong`s great one when he put his foot on the moon as the first man there:
`One small step for a man, one giant leap for mankind.`5
 Britney Spears` question is, if she and her `futanarian` species of woman with her own penis` `seed` are arthropods in need of a Great Mother, represented by the Age of the Crab, Cancer, and the period in socio-history represented by city and boat building, are men her species, or just aliens eating her kids; for not having a big enough hard hat to protect their mother when she`s not wearing hers. In her red pilot`s suit in `Oops I Did It Again` Britney Spears` observation  that cancellation of the X-15`s `spaceplane` program to fly to the moon was followed by Ronnie Ray Gun`s SDI`s ringing of the globe with missiles to prevent women`s escaping, while planes were crashed into the Twin Towers of the World Trade Centre to precipitate global `rough trade`, that is, the homosexual brutality and violence of the god of pederasty, war.
 Construction workers wore hard hats for the building of the Twin Towers in 1971 and they were designed to be for hard to penetrate on Manhattan island, New York state, so people could live and work inside. If the aim is to protect women as the `futanarian` arthropod human species, before she becomes the Great Mother with a hard hat big enough to cover herself, as the burkha wearing women of Arabia do, why are men engaged in constructing her coffin? The aliens are upon the Earth as the enslavers and devourers of the arthropods of the human species of woman unprotected by their mother. Hollywood, Babylon, in California, Los Angeles, USA, is no better than Iraq, where Babylon was the name of the orginal capital city of enslavement and devouring for `a woman`:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
 Presenting Robert A. Heinlein`s Starship Troopers without proper analysis of its meaning for women as an arthropod species in need of her own armour through the `tank` and `logic` of Murray Leinster`s independent home research centre, that is, the uncesnored internet, because `futanarian` woman with her own penis` `seed` and capacity for socio-economic independence through the breeding of her own brainpwer to develop technology and escape from  her enslaving and devouring parasites is occluded, men are the dictatorship of the alien to the human species, which is what Saddam Hussein`s support for Al Qaeda`s terrorist `airplane` program meant.  Hollywood, Babylon, in the movie World Trade Centre (2005), used the events of September 11, 2001, to put more bums on seats for cash.  A pretty good investment for Babylon, and no `Mystery`.
 If men don`t stop `dumbing down` the human species of `woman`s seed`, trees will still bear fruit but only for cave dwellers. Blackouts prevented the NASA `spaceplane` program from continuing, perhaps because of `demonic possession` by the spirits of men who didn`t want women to escape to the planets and stars in starships of their own devising, but the cancellation of the `spaceplane` meant the evolution of the rocket as missile or `spear`, rather than the feminine vessel as `shield`.
 Jesus` bowl is the Holy Grail of Arthurian legend, that is, the legend of how King Arthur of the Briton`s knights protected the bodies of the women, that is, the `bods` of Arthur, or the `arthropods`, as they quested for the inspirational archetype of the Holy Grail. Jesus was the host offering `bread and wine` to the disciples` fellowship, rather than his `body and blood`, because he didn`t want to die. Christ`s bowl is a vessel because it represents the host womb of the species` woman, symbolized by Jesus` mother, the Virgin Mary, who was Christ`s `host`. The vessel of the Holy Grail is symbolic of the host, because it represents the womb of the human species, and the shield she needs from Jesus Christ`s teachings to protect her:
`Leave her alone.` (Mk: 14. 6)
 Britney Spears` `Oops I Did It Again` is her species` appeal because her spaceman is just another protoypical enslaver of `woman`s seed` and arthropod devourer; as Robert A. Heinlein`s Starship Troopers demonstrates. The `mother`s boys` in their powered armour drop onto `the Bugs`, who are her own soft-bodied arthropods in extrapolation, to kill the queen. Because she`s a `hard case` who, like Britney Spears with the newspapermen of New York, needs to know enough to protect her own head when `It` thinks `It` might  reign.
1 Leinster, Murray `Tanks` in  Astounding Stories, January 1930, and `A Logic Named Joe`, March 1946.
2 De Camp, L. Sprague `The Breeds of Man` in Analog Science Fiction and Science Fact, April 1976.
3 De Camp Rogue Queen, Doubleday, 1951, 222 pp.
4 .
5 July 20 1969 UTC.

Help! I Can`t Breed!

02/08/2013 17:06


Help! I Can`t Breed!
Britney Spears` pop video `Oops I Did It Again` (2000) borrows its subject material from science fiction Grand Master Robert A. Heinlein (1907-88), Podkayne Of Mars (1963), a story about a young woman written as a juvenile entertainment for girls featuring the character Poddy, who was herself based on Puddin`, a teenager created by Robert Heinlein for the story `Poor Daddy` in the magazine, Calling All Girls (1949), where she explains that it doesn`t suit Puddin` that her mother `ice-skates` with other men and so her daddy had faked a `fishing trip` to learn how. In `Oops I Did It Again` a spaceman arrives, `Mars Lander`, in a spacesuit typical of those worn by the Apollo astronauts of the NASA space program and almost identical to that used by Neil Armstrong on July 20 1969 (UTC) as `the first man on the moon`. He looks incongruous beside her as she dances unfettered by a suit but the representative Apollo astronaut is there as a reminder:
`To what extent civilization is retarded by the laughing jack-asses, the empty-headed belittlers.`1
 Have Space Suit - Will Travel (1958) was a juvenile entertainment written primarily for boys, and features a protagonist, Kip, who refurbishes an old spacesuit he calls `Oscar` before an encounter with a spaceship containing Peewee, a girl, and the `Mother Thing`, an alien. The spacesuit comes in handy as Kip appears before a cosmic jury defending the Earth:
`The Mother Thing and a representative of another race argue that the short-lived species are essentially children who should be granted more time to learn and grow.`2
 In `Oops I Did It Again`, the `Oscar` has come looking for Britney Spears, as they say in Hollywood. She descends to her stage set inside a giantess` for `Spears` ring, because its first `Grand Master`, Robert A. Heinlein, was the `giant` of science fiction, and so his `SF` ring is for Britney`s `Poddy`. The `fishing trip` of the father of Poddy`s earlier avatar, Puddin`, is important, because Heinlein is Britney`s `fisher king`. In the legends of the Grail, that is, the bowl used by Jesus at the `Last Supper` before his death, Anfortas, whose Grail kingdom is sterile and infertile, because of a mysterious wound at his groin, patiently fishes while waiting for his lands to be restored. Used by T. S. Eliot in `The Wasteland` (1920) poem, `... fishing in the dull canal,` (l. 189) to highlight the need for spiritual renewal and growth after WWI (1914-18) , Britney Spears uses the canals of Mars in `Oops I Did It Again` as the setting for her giantess` explanation as to why the human race is under judgement.
 Puddin`s father, who didn`t want other men to be with his wife, is Robert A. Heinlein, who wrote of a `continua car` in The Number Of The Beast (1980) called `Gay Deciever` in which two pairs of couples, Zeb and Deety and Jake and Hilda, are pursued through all possible worlds, fictional or real, by the `black beast`, who are the men who want to `ice-skate` with Robert A. Heinlein`s wife. Because `gay` is a euphemism for homosexuality, Robert A. Heinlein`s perspective is coloured by socio-history. Western society is based on the model of ancient Greece where women`s host wombs were enslaved for pederasty and war, while Revelation descries `a woman` in the East:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
 In T. S. Eliot`s `The Wasteland`, the `fisher king` is the man who waits to receive an explanation as to why his lands are sterile and barren, and the `blood plague` of Revelation, that is, the homosexually transmitted `killer disease` of the late 20th century, HIV/AIDS, is another explanation. Keeping women`s host wombs in fearful faithfulness to the enslavement and devourment of men`s pederasty and war is the reason for the sterility and death in the lands of the fisher king:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
 Producing HIV/AIDS in mixing blood, shit and semen in the sterility of anal sex together is punished by God with perdition, that is, eternal unendurable pain, because it`s an aspect of the `red dragon` of Revelation which waits in vain to devour the `New Redeemer`, that is, Jesus Christ, in his `Second Coming`, but is the enslaver of Eve`s human species since God warned her in Eden of the serpent and the `serpent`s seed` that would have `perpetual enmity` for her `seed` before she`ll `crush the head of the serpent with her heel as she leaves` (Gen: 3. 15) for the `new heaven and Earth` promised by God to `woman`s seed`.
 Born uncontaminated by male semen, Jesus` crucifixion, death, Resurrection and Ascension to heaven as `the first of woman`s seed` is because his mother was the Virgin Mary, and women who are `futanarian` have their own penis` `seed` and can reproduce with each other, so that women`s species` brain can develop exclusively of her parasite. From the perspective of Robert A. Heinlein`s cosmic court, determining whether or not the human race will be allowed to continue in Have Space Suit - Will Travel, woman can win the footrace as a single biune `futanarian` species, but men must pray for Redemption because of their treacherousness.
 At the `Last Supper`, where Jesus was the host offering `bread and wine` to the disciples as tokens of his `body and blood`, he was remonstrating with Judas Iscariot`s lack of respect for the host and betraying `woman`s seed` to her devourers because `futanarian` woman is God`s future `angelic host`:
`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)
  In `Oops I Did It Again` there`re three central characters, the spaceman, that is, `Mars Lander`, and Britney Spears in her red pilot`s suit, because `Poddy` in the girls` juvenile novel, Podkayne Of Mars, which is also set on the `red planet`, wanted to fly spacecraft. Britney Spears in a white bikini dress, who the camera of `Mission Control, attached to the spacehelmet of the astronaut, is able to film, is `the Poddy beautiful`, which is how Podkayne is described in Heinlein`s novel, and she places the hook of her `fisher king` in the spaceman`s backpack to hoist him up where he can see the `Mother Thing` who sings about her `baby`, the Earth:
`Oops I did it again! I played with your heart, got lost in the game. Oh baby, baby. Oops! You think I'm in love. That I'm sent from above. I'm not that innocent.`
  The `Mother Thing` won`t allow anything to cloud her judgement. At one point in the video we hear, `All aboard!` The ship motif is explained when Britney Spears` spaceman gives her a gift, `But I thought the old lady dropped it into the ocean in the end?` He replies, `Well baby I went down and got it for you.` There doesn`t seem to be a catch on the small black box, so Britney Spears` hook in her spaceman`s back to support his suit must be a clasp for the necklace belonging to the `heart of the ocean`, from the movie, Titanic (1997), that is, a blue diamond pendant in the shape of a heart dropped into the sea by surviving passenger, Rose, at the place where the Titanic ship sank in 1911 after it hit an iceberg on its maiden voyage from Liverpool, England, to New York, USA, in remembrance.
 In symbolic terms, the spaceman of Britney Spears` `Oops I Did It Again` is suing the `Mother Thing` for mercy. In the Hollywood movie, Titanic, Rose is betrayed by a suitor who frames a new boyfriend for theft by placing the `heart of the ocean` in his pocket. It`s still there when the ship sinks and the men are depicted throwing the women from the lifeboats so they can survive. Rose has played the `game`, like Britney Spears` `Mother Thing` in `Oops I Did It Again`, and she`s been betrayed, but woman with her own `futanarian` penis `seed` hasn`t been tried and proven, so the human race is reprieved, which is what the Bible foretells:
`Then war broke out in heaven. Michael and his angels fought against the dragon, and the dragon and his angels fought back. But he was not strong enough, and they lost their place in heaven. The great dragon was hurled down - that ancient serpent called the devil, or Satan, who leads the whole world astray. He was hurled to the Earth, and his angels with him.`
 Woman`s seed is Satan to those who don`t believe in God, and so God is called Satan by the evil. The war is over the enslaving of the human species of `futanarian` woman with her own penis` seed by a parasite masquerading as men who believe in Jesus Christ, and so Britney`s opening lyric is taunting of men who wear suits in the name of Jesus, that is, Jesuits:
`Yeah yeah yeah yeah yeah yeah. Yeah yeah yeah yeah yeah yeah [suit appears] I think I did it again. I made you believe. We're more than just friends.`
 The spaceman in the spacesuit is `Yeah, suit.` As Jesuit he appears to make her believe in human love, and she can, `Oops! I did it again to your heart.` But the scene of Britney Spears, in her red pilot`s suit as `the Poddy beautiful` of Heinlein`s Mars` `future history` alongside herself in a white bikini dress that might conceal her `futanarian` penis `seed`, is more believable to the `mother things` of the human species too:
 `.. people who will not take the trouble to raise children should not have them.`3
 In the novel Podkayne Of Mars `Poddy` and her brother, Clarke, are kidnapped, because Tom, their uncle, is a politico. Poddy is killed at the end by Clarke`s detonation of an atomic bomb to foil the criminals. As an avatar of Puddin`, `Poddy` is also Maureen from Robert A. Heinlein`s final novel, To Sail Beyond The Sunset, because Puddin` was Maureen Wilson. She appears on the cover of the book as a new Venus upon her half shell, because woman with a penis` `seed` of her own is the new pearl of the species` future as Robert A. Heinlein again attempts to speak of many sexual matters frowned upon by the chauvinistic male genre of science fiction:
`The adventures of Maureen are a series of sexual ones, starting with Heinlein describing her as a young girl who, having just had her first sexual intercourse, is examined by her father, a doctor, and finds herself desiring him sexually. Her sexual life story then continues featuring various boys, her husband, ministers, other women's husbands, boyfriends, swinging sessions, and [...] she continues a lifelong pursuit of her father sexually, encourages her husband to have sexual intercourse with their daughters, and accompanies him when he does; but forbids a son and daughter of hers from continuing an incestuous relationship, primarily for the sister's reluctance to share the brother with other women.`4
 As is usually the case in works by Robert A. Heinlein most synopses and literary criticism are directed at his liberal treatment of incest, rather than conducting a critique of the theme, which recurs throughout his later works. Especially those featuring the `continua car`, Gay Deciever, which curiosity of spelling probably means `I who am ever deceptive`, and those which include Heinlein`s longest lived and reputedly wisest character, the albeit immortal, Lazarus Long. Amongst those novels are Time Enough For Love (1973), and The Number Of The Beast (1980) in which Jake tells his daughter Deety, `get... the best possible training in self-defense,`5 and commits incest with her. The incest taboo is given short shrift because, although it isn`t explicitly stated within the texts, due to traditionalist genre restrictions with regard to male-female relations, women are a single `biune` species and the taboo against both the penis` visibility within society and the incest taboo are against mother and daughter becoming aware of their own species` penis` `seed`:
 `Right and wrong [are] the correct words, used exactly as they would be used in any other human relation.`6
 Asked in `Oops I Did It Again` by `Mission Control` about the atmosphere, `Mars Lander`, that is, Britney Spears` spaceman, replies `98% oxygen`, which means there`s enough air to breathe on the red planet of Mars, and Britney Spears, in her red pilot`s suit, together with the `Mother Thing`, as herself in the white bikini dress, who represents the host female womb and what it contains of civilization, culture and art, that is, `the catch` in fishing terms,  have enough space to breed the species` brainpower, which she`ll need if she`s to obviate the incest taboo and build starships to escape from the wasteland of men`s enslaving and devouring `red dragon` of pederasty and its gods: wars.
1 Heinlein, Robert A. Have Space Suit - Will Travel, Charles Scribner`s Sons, 1958, p. 39.
2—Will_Travel .
3 Heinlein Podkayne Of Mars, G. P. Putnam`s Sons, 1963, 159.
4 .
5  Heinlein To Sail Beyond The Sunset, G. P. Putnam`s Sons, 1987, p. 121.
6 Heinlein The Number Of The Beast, G. P. Putnam`s, 1980, p. 98.

Britney Spears` Jesuit

01/08/2013 15:04


Britney Spears` Jesuit
In her video single `Stronger` from the album Oops! ... I Did It Again (2000) Britney Spears dances with a chair and cane in almost total darkness, and at one point she`s on all fours apparently looking up at something that the camera doesn`t show the audience. Darkness is the basic theme of the Greek dramatist Sophocles` play Oedipus Rex (c. 429 BC) in which the character Oedipus, blind metaphorically at the beginning of the drama, is blind literally at the play`s end, because he hasn`t learned. At the outset Oedipus encounters the Sphinx, who asks:
`What goes on all fours in the morning, two legs in the afternoon, and three in the evening?`
 Oedipus doesn`t know and consults a seer who tells him `Man` because, as an infant he crawls, while adults are bipedal, and he walks with a cane in old age. In `Stronger` Britney Spears has a cane, with which she dances, but when she`s `on all fours` she`s `baby`:
'Cause to lose all my senses ... that is just so typically me. Oh, baby; baby.`
 Oedipus loses his senses at the start when he `accidentally` kills his father, Laius, unrecognized. Afterwards, he marries Jocasta, his mother, and loses his senses again as, discovering he`s broken the `terrible` incest taboo, he blinds himself. The `riddle` of the Sphinx is that `man` is a blinder because he is Cain, who murdered Abel in the Bible because he was able to cook and Cain wanted an easier life.  In the video `Stronger` Britney Spears `on all fours` is the Sphinx, as the `Terrible Mother`, because she preaches conversion to men who don`t want to convert.
 Britney Spears is the `baby` of the human foot race in `Stronger` because she`s `futanarian`. Oedipus` name means `swollen foot`, because he thinks his penis` `seed` is important, whereas it`s the penis` `seed` of the `futanarian` woman that is. As a single species, women aren`t blinded by the incest taboo, which is for a parasite that, forming an initially symbiotic relationship to enslave and devour her, that is, Eve`s being tempted by the serpent to eat of the `fruit of the knowledge of good and evil` in Eden, makes single species sex between women with a penis and `seed` of her own taboo, that is, mother incest. God warns Eve of the `perpetual enmity` of the `serpent`s seed` for `woman`s seed` and she`ll `crush the head of the serpent as she leaves` (Gen: 3. 15) for the `new heaven and Earth` God has prepared for her:
 `So I say to you: Ask and it will be given to you; seek and you will find; knock and the door will be opened to you.` (Luke: 11. 9)
 Born uncontaminated by male semen, Jesus Christ is the `first of woman`s seed`, according to the Bible, and he teaches discovery. In her darkness inside the video `Stronger` Britney Spears is alone, while her cane says she`s also blind, and she has the ribs at the chair`s back to remind her of how Eve was born from Adam`s `rib cage`. In Jungian psychology there are four functions of consciousness; Sensation (eyes), Thinking (ears), Feeling (mouth, taste) and Intuition (nose, smell), which become differentiated or self-actualizing during the personal growth and development Jung calls individuation, which is guided by the anima or soul as inner `psychopomp`. Through those `projections` the individual is perforce required to make, as the basis for judgement after `adult` educators have painted their confused and confusing pictures of the world, the internalized anima, which is the image of `woman` in the mind, prompts the human to self-realization by means of her archetypes, that is, images associated with imagination, dreams and art arising in the unconscious until they become conscious and their meaning is understood:
`Here I go, on my own. I don’t need nobody, better off alone. Here I go, on my own now. I don’t need nobody, not anybody. Here I go, alright, here I go.`
 In Britney Spears` `Stronger` video her chair is a symbol of Adam`s `rib cage` because she`s a prisoner of men`s refusal to develop technology. On all fours looking up, she`s seeking a way out of her darkness. The cane she dances with in her darkness is a symbol of the absence of men`s intelligence, because Cain is the murderer who blinds human progress. The room appears sinister as if it were a torture chamber for extracting information from its occupant. In the 15th century the `Spanish Inquisition` (1481-1834) of the Catholic Jesuits tortured many people to discover what they could tell them. Because women are a single species, to find out about her you would need `cheats`, that is, men, who know they aren`t human and it`s just `a game` for them, and `cheats` in the sense of a `game system`, where information obtained through torture gives access to more victims. Men don`t see themselves as women because they want power over her, whereas knowledge of `woman`s seed`, that is, `futanarian` woman with penis` `seed` and self-reproductive capability of her own reveals `woman` as the human species, but `the game` is to blind people to that through murder and censorship so that they don`t know and can`t see.
 Born uncontaminated by male semen, Jesus` maxim was `Love your neighbour as you love yourself,` (Matt: 22. 39) because he was `the first of woman`s seed` insofar as he accepted women as himself, whereas men were the `serpent`s seed` who tortured him to death and weren`t even interested in what he knew because they were parasitical vermin and wanted to remain so. In her first chart success, `[Hit Me] ... Baby One More Time` (1998) Britney Spears sings, `My loneliness is killing me.` In `Stronger`, her feelings are changed, `My loneliness ain`t killing me no more,` but the meaning of the chair in the darkened room is the Jesuit, that is, someone who is her `cheat`, which hasn`t altered since `... Baby One More Time`:
`Chair! `S you! [Hit!]`
 Oedipus is given a `cheat` by a seer, `Man`, but he doesn`t have a solution, which results in men`s incest taboo blinding him to the truth, that is, women are a single species as `futanarian` woman with her own penis` `seed`  and so men`s incest taboo is a way of preventing single species sex because it presupposes not only that daughters can`t reproduce with mothers but that women shouldn`t reproduce with each other. In `game` terms, Oedipus represents `Man` as the `cheat`, because he isn`t human. `Man` walks on three legs in the evening because his saurian reptile nature isn`t transformed as demanded by spiritual and intellectual development from instinct, that is, he still has his tail. Because the `serpent`s seed` of Cain`s don`t use their brains for anything but murdering and blinding the human species. The cane `Man` uses to walk with in the Sphinx`s `riddle` corresponds to what the North American Plains Indians euphemistically described as a `fire stick` when the first settlers from Europe began exterminating them with their rifles:
`There’s nothing you can do or say, baby. I’ve had enough. I’m not your property as from today, baby. You might think that I won't make it on my own, but now I’m [stronger] ...` 
 In `Stronger` Britney Spears drives a car across what appears to be the North American desert, which represents freedom, although cars haven`t changed since the first model-T Ford rolled off the mass production line in 1908. They still have pedals and control the occupant more than the occupant is in control. The four wheels represent the four functions of Jungian psychology, that is, Sensation, Thinking, Feeling and Intuition, but in undifferentiated state, because the level of technology is low, and kept so deliberately to prevent `woman` seed` from escaping the Earth in starships of her own brains` devising, for example, when she`s able to free her own intellect and spirit through self-reproduction as `futanarian` woman with her own penis` `seed`:
`I, I`m stronger!`
 `Stronger` closes with Britney Spears walking towards the audience with her arms raised while a giant ring is superimposed upon her. Because `woman` seed` is a single, self-contained gigantic `biune` species, married to itself. In terms of the `game system` a woman`s functions are her car `keys`, while a man is a `cheat` who wants to drive her like a possessing demon and doesn`t want her to have or to use `keys` because then she`d be free of her imprisoner and escape. Britney Spears` character is `stronger` because her species of `futanarian` woman with her own penis` `seed` has discovered itself and is socio-economically independent of `cheats` who don`t want her to have `keys` of her own, that is, the independently functioning brain power of her species to free herself from her prison.
 The chair in the darkness of Britney Spears video `Stronger` is the four of swords in the Jesuits` `game system` of the anima or soul imprisoned within the `rib cage` of Adam, that is, the ribs of the chair`s backrest, which in the tarot card is represented by the sarcophagus with the stone figure of the knight resting upon it with his hands in the prayerful position of the petitioner, because the anima is the mediator of the woman`s desire to be free. Because the `Thinking` function is associated with the sword in Jungian psychological interpretations of the tarot and Grail legend symbolism. Jesus was trained as a carpenter and so the chair is representative of `Thinking`. A `chair`s sword` is a `Jesuit`, that is, a `chair suit`, and so the four of swords is a knight suing for help from God.
 Because the tarot deck of divinatory cards is believed to have originally been a secret portable Jewish Torah, that is, a prayer book, so the four of swords represents the level of technological development arrested at the carpenter`s four-legged chair in terms of the Jungian four functions of consciousness, but Britney Spears` driving of the car in the video `Stronger` is because her knight has developed wheels through divinely inspired prayer, that is, men have reached a level of technology through petitioning God for spiritual guidance but have stalled because they want to keep the woman as an animal. Because the victim tied to a chair is a prototypical torture scene, Britney Spears` wooden chair is the level of development and functionality she must escape from and so the knight must pray for her, but he`s entombed her at the car level of technology, which she is now expected to feel gratitude for as all hearse:
`I used to go with the flow. Didn't really care 'bout me. You might think that I can't take it, but you're wrong.`
 Jesus` wooden bowl from the `Last Supper` before his crucifixion and death is known as the Holy Grail and is the symbol of his offer of `bread and wine` instead of his `body and blood` to the disciples. Jesus was recommending acceptance of the host, that is, himself and his mother, the Virgin Mary, as the host of the human species in God, rather than betrayal. Consequently, the Holy Grail is the `suit of cups` in the tarot deck. In Jungian psychology the Holy Grail corresponds to the mouth, because it communicates `Feeling` through speech, which the torturer forces from the lips of the victim to have `keys` and so `cheats` in the `game`.
 The spear used by the Roman centurion, Longinus, to pierce the side of Christ at his death is a symbol of the anima or soul trapped within the `rib cage` of the `Second Adam`, Christ, where she resides as the `Second Eve`, and is described by Jesus as the teacher that will come after him, that is, the Holy Spirit, which Jung associates with the function of `Intuition` and the `suit of spears` in the tarot. On the cover for the CD single, `Piece Of Me` (2007) from the album Blackout, Britney Spears appears on the fourfold wooden cross, mock crucified, in an allusion to Judas` betraying Jesus to his crucifiers for `thirty pieces of silver`. Britney Spears has the role of Holy Spirit teaching the `cheats` not to murder, blind and censor `woman`s seed`, because she wants her `keys` and `Intuition` isn`t enough for her archetype to keep a set for herself:
`Guess I can't see the harm in workin' and being a mama and with a kid on my arm, I'm still an exceptional earner. You want a piece of me?`
 The `suit of pentacles` in the tarot deck of cards are the `keys`, because nothing can be seen without the `Sensation` function associated with the eyes, and so differentiation of the functionality of the brain or `pieces` means envisioned and visionary technological achievement. Because the penis is often called a `key`, a woman`s `keys`, that is, the four functions or `pieces` of consciousness, Thinking, Sensation, Feeling and Intuition, are associated with the differentiation of an exclusively female brain, that is, bred by her as `woman`s seed` with her own `futanarian` penis and semen in accordance with God`s exhortation:
`Be fruitful and multiply.` (Gen: 1. 28)
 But she can`t if she doesn`t have penis` `seed` of her own, because she`s been murdered; blinded and censored from being able to see herself. In `game` terms she needs the right `key` to begin and men have denied it to her species so that the human brain can be played with. The parasitical aliens are controlling the human species by pretending to be human and forcing her to work for no progress or development in pointless nihilism so that they can continue as her enslavers and devourers in `perpetual enmity` as warmongering pederasts. 
 The concept of the Jesuit is that of the man in the suit who tortures the woman to give up her `key` and is a `cheat`, that is, he`s a `chair suit`, who sits in a chair and pretends to be human, whereas in fact he`s a parasite that has attached itself to woman`s penis as a means of enslaving and devouring her species through `perpetual enmity` in war`s pederasty while feigning desire for her and for technological developments to liberate her.
 Jesus was a trained carpenter, and in Revelation `out of his mouth comes a sharp sword` (Rev: 19. 15) to command perdition as a punishment for the `serpent`s seed` and `heaven` for `woman`s seed`. The constructor`s functionality represented by the concept of the sword as `Thinking` and the wooden four-legged chair of Jesus` thoughtful carpenter, that is, the `chair`s sword`, is  symbolic of the woman who seats herself and doesn`t cheat her species. Expecting the human species to be your slaves, because you can`t or won`t make a chair for yourself to sit in, is species` suicide and betrayal, which is what real aliens do.

What Walks On Three Legs In The Evening?

27/07/2013 18:52


What Walks On Three Legs In The Evening?
In the story of Oedipus, as conceived by the Greek dramatist, Sophocles, in his play Oedipus Rex (c. 429 BC), Oedipus encounters the Sphinx outside the city of Thebes in Egypt, where his mother, Jocasta, awaits unbeknownst to Oedipus after he has killed his father unknowingly, and the Sphinx asks Oedipus to solve her `riddle`:
`What goes on all fours in the morning, two legs in the afternoon, and three legs in the evening?`
 Oedipus consults a seer, who tells him the answer is `Man` because, as an infant man crawls, whereas an adult walks, and in old age needs a stick to help. The drama is about Oedipus` inability to see, so the stick is a blind man`s cane, which relates to the biblical story of Cain and Abel. Cain kills Abel because he is able. Abel can cook while Cain is a picker (of fruit). Abel represents development and Cain is the killer of development because he doesn`t want Abel to see that Cain develops Abel for his inventiveness and then kills him when Cain is ready to pick and choose from Abel`s developed civilizational, cultural and artistic product, which is what happens with the fuit of woman`s womb and that`s why she`s enslaved by Cain, who doesn`t want her to see. The third leg in the evening is Cain, because he`s Oedipus` shadow following him to pick off the fruits of his endeavours by killing him.
 In the developmental psychology of Carl Gustav Jung (1875-1961) the shadow is perceivable by means of what Jung calls the `projection making factor`, which is the perception of the individual that he doesn`t like someone for no discernible reason. Jung explains that the shadow is an aspect of the personal unconscious that isn`t consciously recognized and integrated into consciousness during the process he calls individuation or the growth of individuality. The creative and inventive individual is `individuated` because he`s able but shadow-recognition and integration is the awareness of Cain, that is, `Man` is an endangered animal because men don`t want him to succeed and so are the `collective shadow` of Jungian psychology preventing human development so they can pick off the inventor and enjoy the fruits of his invention and inventiveness, which is a short-sighted approach to technological advancement that will result in the blindness of the human species as it descends perforce back into the trees:
`Upon the belly thou shalt go.` (Gen: 3. 14)
 Adam and Eve were tempted by the serpent in Eden to eat of the `fruit of the tree of the knowledge of good and evil`, because the serpent represents the temptation to kill the human species and live off the fruits of its development before it can reach the point at which it can`t be stopped. God tells Eve she`ll have `perpetual enmity` with the `serpent`s seed` before she `will crush the head of the serpent as she leaves` (Gen: 3. 15) for the `new heaven and Earth` promised her by God who calls Eve `woman`s seed` because `futanarian` women have a penis of their own and so semen or `seed`. Jesus was born uncontaminated by male semen from his mother, the Virgin Mary, because he wasn`t `serpent`s seed`, but the `first of woman`s seed`. Jesus` teachings are of the host because women are the host wombs of human civilization, culture and art, whereas men enslave her in devourment, which are the wars of `perpetual enmity` God warns her about:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
 In Sophocles` drama, Oedipus kills his father, Laius, in a bout of anger after he encounters him upon the road, which led many commentators to suggests Laius` was the spirit of the play because he`d represent the man who didn`t want the woman, Jocasta, to be seen by any other man after his death. Before his Resurrection and Ascension to heaven after being crucified as a dissident within the Roman Empire, Jesus` teaching was `love your neighbour as you love yourself`, because you are your neighbour, that is, the `woman`s seed`, while the perceptions of the superior man who has accepted the teachings of Jesus are that inferiors want to enslave the woman`s host womb, and that`s the rational explanation for the unrecognized and unintegrated shadow of the man who can`t understand why he perceives others as evil without apparent cause. The blinding man is inferior and doesn`t want the superior man to see that man and woman are enslaved in death by murder by their `serpent`s seed` inferiors.
 Laius is King of Thebes before his murder, and Jesus was mockingly proclaimed `King of the Jews` before his. Thebes contained civilization, culture and art, which Oedipus received after Laius` death by marrying his mother, Jocasta, because he was the `cheat in the game` and was vouchsafed the answer `Man` to the Sphinx`s `riddle` by fiat. Upon discovering he`d married his mother, Oedipus succumbed to men`s taboo against incest and blinded himself because the spirit of the drama was Laius` and he didn`t want Oedipus to see the fruits of the womb of civilization, culture and art, that is, the city of Thebes, as a `cheat`. Jesus` teachings were of seeing and so the `serpent`s seed` killed him because they didn`t want him to see either.
 After Oedipus` self-blinding, his daughter Antigone was his guide because, in the second level of the `game`, she was the `cheat`. The `game` is about seeing but Oedipus and Jocasta represent a `game level` that`s pre-futanarian `woman`s seed`, because woman is a single biune species with her own penis` seed, and capacity to breed her own brains so that she can see for herself, without a parasite emerging from her host womb to enslave and devour her in its wars of `perpetual enmity` against her `seed`. Because woman is single she doesn`t need a man at all, who`s the `cheat` within the `game` of monogamy as a vehicle for her enslavement and devouring by her parasite during its plan for her species` death through blindness.
 The serpent is the misogynist who doesn`t want the woman to have brains through her own breeding of herself as a species with her own futanarian penis` seed. The `serpent`s seed` are the women who are brainless because they`re bred by the serpent and not themselves. Their brains are maled. In feminism `political correctness` is that homosexuals are equal to women and lesbians, whereas lesbianism is the natural expression of the desire of the biune species of `futanarian` woman with her own penis` seed to breed herself. In ancient Greece women`s host wombs were ensalved in institutionalized pederasty for the furtherance of war and slavery of more host wombs, which is what men are for. They are homosexuals.
 By the late 20th century the enslaving `killer disease` of HIV/AIDS was keeping women in fear and faithfulness to monogamous enslavement as homosexuality`s `biological weapon`, created in their anuses during sterile penile masturabtions together in rejection of women. Evolving into the computer virus, created by  the `geeks`, HIV/AIDS had become the 21st century`s paradigm for `feigning friendship` for the host in order to kill, which is what the Al Qaeda plane hijacking terrorists did before crashing civil airliners into the World Trade Centre of New York to spreading their contagion of `rough trade`, that is, homosexuality`s `brutality and violence`, further.
 In the United States Glee (2009-) was one of the more successful situation comedies of the early 21st century and derived its title from the `Glee Club`, singers of short songs. The first `glees` were to be heard at Harrow school, England, from 1787. Glee was host to Britney Spears as a guest star, which is relevant to the 21st century theme of host and parasite, because those who mock `woman`s seed` are definable as `gleek` because of the `Glee Club`. United States` Navy Seal Team Six`s killing of Al Qaeda leader, Osama Ben Ladan, on May 2 2011, was greeted with glee in some places. But Navy seals have a more than pejorative relationship with the `Great Seal` of the United States` eagle:
`... the woman will be given the wings of a great eagle. She will fly away to a place prepared for her.` (Rev: 12. 6)
 The seals are for the hymen of the `woman`s seed` but `seal clubbing` is a biannual event in the perceived need for `seal culling`, that is, the killing by men of what they view as an over numerous aquatic mammal, the seal, which takes place in Newfoundland, Northern Canada, Namibia and elsewhere, and suggests that Navy Seal `clubbing` has a more corrupt meaning amongst slavers.
`Glee Club` is a corruption if it means the murder of the seed of woman ridiculed in situation comedies like Glee through Britney Spears` songs for their audience of fans who actually call themselves `gleeks`  as a term derived from `Greek` and `geek`, where the original meaning of `geek` was a sideshow freak at the funfair who ate the heads of chickens. For the Japanese, it`d be all `gleek` to them, because the joke amongst English speakers has always been that they pronounce `l` as `r` and vice versa, and so `greek` is the spreading of the `gleek` virus of pederasty and war by means of the computer `geek`, who is a virus that believes in enslaving and devouring the brains of women to plague aims:
`...  the young audience `basically witnessed an endorsement of narcotics abuse, [and] public masturbation ... `1
 Glee Club member, cheerleader Brittany, experiences a nitrous-oxide induced dream-fantasy during her dental appointment in which she recreates various iconic Britney Spears moments during renditions of `I’m A Slave 4 U` (2001)  and  `Oops I Did It Again` (2000). Brittany emerges convinced of her own Britney-ness, brimming with confidence, sexiness, and bravado. Soon the glee-clubbers are visiting the dentist for self-empowering nitrous-oxide trips. The numbers showcase plenty of girl-girl bumping and grinding. Even prudish, prissy Rachel Berry turns heads in her `... Baby One More Time` (2000) naughty schoolgirl outfit and the high school sports` coach Sue discovers Jacob masturbating in the library, lecturing him in her office while he sits in a chair in front of her, completely naked:
`Britney is a genius pop-culture provocateur and a gateway drug to every out-of-control impulse ever created. This school is a powder keg of sexual deviance ...`
 Japanese Karaoke is a `gleek club` whereas Britney Spears is a unique pop star.  Any number of women can sing `3` (2009) in `glee`, that is, in Karaoke without brains, which had been enslaved and devoured by the `geeks` by 9/11 2001. Arabians betrayed their host to crash planes into the World Trade Centre and reestablish `rough trade`, that is, World War II (1939-45) Japanese homosexual `brutality and violence` in the `concentration camp` of Earth`s technological meltdown. Crashing the US` defense system might have been a Japanese `computer geek` virus program. Perceiving humanity`s brains were women`s, Japanese computer  `geeks` replaced hers with maled brains to launch another sneak attack on `Liberty` in New York harbor and laugh like `gleeks` as the US` defenders in ran around like headless chickens, because they didn`t have the brains of women.  In Glee club members performed `Toxic` (2004) at homecoming, while an overweight girl yells:
 `Mister Shu! Let me be your Britney! I want your baby!`
 The Japanese are known for binding the foot of a woman so that she can`t walk in her shoe, because it`s a metaphor for Japanese enslavement of the `futanarian` woman`s penis` `seed` in the `concentration camp` for her maled brains` development in pederasty and plague aims, which is what 9/11 was.  The girl who wants Britney`s `futanarian` penis out of her shoe is a `gleek` scriptwriter laughing with the Japanese foot binders.
 According to Revelation `the woman clothed with the sun and with the moon at her feet` gives birth while the `red dragon` waits in vain to devour. The sun is the red flag of Imperial Japan which sneakily attacked the US` Pacific fleet at Pearl harbor in 1941 to repcipitate global conflict, while the yellow moon is the flag of Al Qaeda, and the Japanese are known as the `yellow peril`, which means that `Liberty` in New York harbor represents victory over Japanese misogyny, that is, a nation where they even bind the feet of the women to deform and prevent their even walking to remind the `futanarian` of her captivity:
`1, 2, 3 Peter, Paul, and Mary. Gettin' down with 3P. Everybody loves me. Count em.`
 Peter, Paul and Mary were the English `Glee Club` trio most famous for the song, `Puff The Magic Dragon` (1963), which was interpreted as an allusion to the drug heroine, smoked or injected by needle and syringe. In the vernacular a `puff` is a euphemism for a homosexual who `smokes`. Whereas a heroine is a female who says `no` to `smoking`, because it`s a euphemism for `gunsmoke`, that is, the murder of those women who say `no` to enslaving homosexuality`s devouring pederasty for war, and so sharing needles as those addicted to `smoking` heroine is productive of the `biological weapon` of homosexuality`s `killer disease`, HIV/AIDS, that is, a `smoking related illness`.
 In Revelation it is written `let he that has wisdom have understanding; the number of the beast is the number of a man,` and Britney Spears` single is a warning of `Puff The Magic Dragon`, that is, `the beast`, because the `futanarian` species of `woman`s seed` with her own penis to reproduce her own brains independently of men is fulfilment of God`s biblical exhortation:
`Be fruitful and multiply.`
 In Revelation `the beast` is the `red dragon` waiting `in vain` to `devour` while the `woman` is giving birth, because women are numbers to men while they`re brain power to themselves as a single species. The `blood plague` of the `red dragon` of  Revelation is the enslaving and devouring `killer disease` of homosexuality`s HIV/AIDS because it`s produced by pederasty`s rejection of women in preference for mixing blood, shit and semen together by men during the sterility and life-prohibiting of their anal sex together:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
 The annotative `3P` from Britney Spears` song `3` means `pedigree, progeny and performance` in animal breeding, and unless women breed themselves with their own biune species as `futanarian` woman with her own penis` seed, she`s being bred with an animal that only wants numbers and not brains, because it`s a `beast` that wants the flesh for its host womb as the enslaving and devouring parasite of `woman`s seed` in its wars of `perpetual enmity` in remorseless wastefulness of the Earth`s resources that could give provide woman with the technological impetus to escape form her tormentors.
 The name Oedipus means `swollen foot` because his excuse for not wanting to see Jocasta is `lame`. Men don`t want women to breed as `futanarian` because that`d make them socio-economically independent. As a single species all sexual reproduction between women is incest, which Oedipus is on the verge of realizing when Jocasta tells him that she doesn`rt care that he`s her son, but men`s taboo against incest, that is, women reproducing with themselves as a single biune `futanarian` species with her own penis` seed, is too strong for Oedipus, beleaguered by the spirit of his murdered father, Laius, and he succumbs to what men want for those who`re close to penetrating through the occlusion and censorship to the truth, and he blinds himself.
 Antigone`s role is of the woman who can see but she`s handicapped by her feelings of sentimentality towards her father, Oedipus, who is himself blinded by the spirit of his murdered father in the form of the `collective shadow` and its prohibition against incest, because recognition of the meaning of the prohibition against incest would free women to be a single reproductive species. Oedipus is `Man` from the Sphinx`s point of view because men kill the able to have the fruits of their labours, which means that Oedipus has the `mark of Cain`, which is the cane he must walk with as a blind murderer and, in Sophocles` drama Oedipus Rex, Antigone is now become the spirit of Cain`s target, Abel. Unless she`s able to escape from Oedipus, who walks with a cane because he is Cain and will prevent the woman from seeing herself as a self-reproducing biune `futanarian` species because that`s why those with the `mark of Cain` have it.
 Neither `futanarian` woman nor woman per se is ridiculable by `gleek` dramatists. In Jungian psychology shadow-inflation is the egoism that occurs when the individual perceives itself superior when it isn`t, which is what happens when men worship their penis as God. Oedipus` name means `swollen foot` because he`s unable to see that his penis is but an aspect of `futanarian` woman`s, while what we think of erroneously as the human male has appropriated it parasitically after somehow managing to inhabit woman`s host womb.
 According to Jung each person has an inferior function associated with the shadow and the most important is the `Sensation` function because it`s related to vision, that is, the eyes, and the individual can`t live without being able to see. The other functions are `Thinking`, `Feeling` and `Intuition` and the individuated individual has all four functions differentiated or actualized because they represent the intellectual and spiritual development of eyes, ears, taste (mouth), and smell (nose) as a unity. To prevent individuation murder blinds the single species of woman`s biunity, that is, she no longer has her own `futanarian` penis` seed visibly as the human species because men have killed her and imposed taboos, censorship surveillance and `media blackouts` etc., to keep her in ignorance and slavery for the production of their wars of devourment in pederasty upon her Earth.
 Jung says that the `Sensation` and `Thinking` functions are male, while the `Feeling` and `Intuition` functions are female, because he believed that men were human, whereas the male functions more properly belong with the `futanarian` woman with her own penis` seed and the woman without a penis is what Jung thinks of as female. In Arabia men have four wives, in accordance with the Moslem faith of Islam, enshrined in the book, the Koran (610-30 CE), dictated to the Prophet Mohammed by the angels of God, while in Jungian terms that fourfold structure denotes functioning `Woman` who`s `four` herself and can see. Because Oedipus was pre-Islamic Egyptian Thebes, his answer to the Sphinx`s `riddle`, `Man`, is obsolete. Islam is the future because women as a single species with her own `futanarian` penis won`t accept a `lame` excuse from `Man`, who blinds himself and her because he doesn`t want a `stepchild`:
`One small step for a man, one giant leap for mankind.`
 Those words spoken by Apollo 11 astronaut Neil Armstrong, as he set foot as the `first man on the moon` for the United States of America, 20 July 1969 (UTC), didn`t take into account Japanese foot binding as the basic principle for imprisoning the `futanarian` woman and her penis` seed upon the Earth as a Japanese `concentration camp` for woman`s maled brain. In 1982 US President Ronald `ray gun` Reagan began the implementation of the `Strategic Defense Initiative` (SDI), which rings the planet with ground and space based missiles lest the human species of `woman`s seed` get her `futanarian` foot off the Earth. Oedipus` excuse was `lame`, but even more blinding are the ray guns of the sun.
1 Parents Television Council comments on `Brittany/Britney`, Episode 2, Season 2, Glee, # 24, 2010, .
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