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The Humans Are Coming!

03/10/2013 16:46

The Humans Are Coming!

MDMA (3,4-methylenedioxy-N-methylamphetamine) is an empathogenic drug, known as `ecstasy` in the street pill form that`s illegally sold because it`s a clinical psychologist`s tool for inhibitions. In Britney Spears` video single CD ,`Work Bitch` (2013), she appears standing on a plinth that looks like a pill of ecstasy while sharks gather around her in the water, a euphemism for the vulnerability young women are exposed to when they take the uninhibiting drug `e` that`s known for reducing sexual resistance to zero.
 In the developmental school of psychology founded by Carl Gustav Jung (1875-1961) the waters of the unconscious are a metaphor for the images that appear in art, imagination and dreams to impel the individual ego-consciousness to creative endeavour, that is, work, whereas the school of psychology, founded by Sigmund Freud (1856-1939), perceives the unconscious `id` as being made up of repressed material that the collective unconscious of society doesn`t want to remember and so is repressed into unconsciousness where it appears in dreams, art and imagination as `monsters from the id`, for example, the sharks appearing to surround Britney Spears in the water during her performance of the CD video single, `Work Bitch`, else they`ll devour her:
`Monsters. Monsters from the id.`1 
 Planet Hollywood`s restaurant sign features in the CD video single, `Work Bitch`, because Britney Spears` allusion is to Forbidden Planet (1956), the movie in which `Robbie the robot` is the machine creature that serves the humans while they`re being attacked. The franchise `Forbidden Planet` is a science fiction wharehouse of memorabilia and `scifi` toys and books, while Britney Spears herself is associated with a clothing retail chain, Candy. Her `scifi` CD video singles present her as `eye candy`, because that`s what women are to the devourers of the human race. Britney Spears` alter ego, `Candy`, places her in the tradition of movie educators like director, Steven Spielberg, who had millions of people around the world concerned over the safety of an ugly green alien in E. T. The Extraterrestrial (1982), who wanted to `phone home` to his parents for rescue. It`s evident from Britney Spears` `scifi` video singles that the human species is a little girl being devoured in planet Hollywood, Babylon`s restaurant because ogres are all they`re now producing:
`Here comes the smasher. Here comes the master.`2
 Ever since the early 19th century men have hated machinery, because it made them redundant. The `Luddites`, named for Ned Ludd, who reportedly smashed two `stocking frames` in 1779, were English artisans in the textile industry who protested against labour saving devices from 1811-17. Although machines do take care of humans, men remain `Luddites` who want to limit technological advancement for women as the human species host womb, because freedom through the aid of the machine would prevent men`s enslavement of her human species in drudgery and ignorant blindness to their delimiting of woman`s capacity to escape to the planets and stars through liberating technological achievements that would leave men behind her as an unwanted parasite seeking to devour her here rather than as a `take out`. Britney Spears` perception is that women are E.T and her female dancers in the CD video single, `Work Bitch`, are the ultimate `scifi fantasy` of women with their own penis` semen:
`We're all part monsters in our subconscious, so we have laws and religion!`3
 The spaceman character, Commander John J. Adamson, in the movie Forbidden Planet, speaks for men, but his observation isn`t necessarily true for women, whose brains are contaminated by men`s breeding with her. Just what the unconscious `id` of Freudian psychology contains is a mystery without study, but Freud argued that `penis envy` was at the root of men`s psychology and women have their own as `futanarian` with her own penis` `seed`. In Britney Spears` video single, `Work Bitch`, which is a metaphor for the need of young women to develop rather than stand still, she whips her female dancers on to perform while a luxury sports` car is driven around her. The imagery is `slave, car go`:
`Now get to work bitch (Ahhhh).`
 The car in Britney Spears` `Work Bitch` CD video single is a lotus esprit, because the lotus chakra at the crown of the head is the energy centre in the Hindu system of libidic development, which begins at the base of the spine and culminates at the top of the head in a growth process that raises the individual from the level of animal sexual instinct to developed conscious intellectual and spiritual progress:
`Go call the police.
Go call the governor.
I bring the trouble.
That means the trouble's on.`
 `Ecstasy` or `e` is an unininhibitor but not an intelligence enhancer, because it`s a sexual trap. E-learning is computer based `electronic education` through the research facility of the public internet as a form of distance learning, for example, which produces intelligence through spiritual and intellectual work, and that`s what the Hindu chakra ladder of seven ascending energy levels, from the base of the spine to the crown of the head, represents.
 Lotus sports` cars have an electronic transmission system invented by a developed individual, because the lotus chakra is the crown of the head, not some spiritual nirvana that grants sports cars once the individual has consumed enough `ecstasy`. That notion supports the enslaving of the intelligent human species by an ignorant drug-pushing pillhead`s blinding of the human race to her own destiny amongst the planets and stars of God`s heaven.
 In Britney Spears` video single CD `Work Bitch` mannequins are featured, because they represent the growth of human endeavour to the point at which machines like `Robbie the robot` in Forbidden Planet are created to assist the humans to live, that is, robots that have human form. But `ecstasy` or `e` teaches women sexual capitulation to men`s penis. Britney Spears` female dancers in the `Work Bitch` video CD single are `slave cargo` if they don`t work to be free of their sexual enslavement, and the `manga` style of her female dance team suggests `futanaria`, which are Japan`s cartoons of women with their own penis` semen.
 In Japan the tradition of `foot binding` delimited women`s movements and is a metaphor for the enslaving of `futanarian` woman with her own penis` `seed`, which corresponds to the warning God gave to Eve in the Bible of the `serpent`s seed` and its `perpetual enmity` for the `woman`s seed`, although she:
`... will crush the head of the serpent as she leaves.` (Gen: 3. 15)
 At one point in the Britney Spears` video single CD `Work Bitch` a woman is depicted walking across a desert scene carrying a mannequin that`s wearing a veil because Saudi Arabian women, in particular, aren`t allowed to drive cars. Britney Spears` point is that `slave drivers` are visible. If technology doesn`t develop, women will remain souless shells rather than humans, because their `fut` is bound. As the teacher born from the womb of his mother, the Virgin Mary, uncontaminated by male semen, Jesus is the `tanar`, which means `teacher` in the Hungarian language, while `woman`s seed` in Japanese manga is `futanar`. Because `fut` means `run` in Hungarian, Jesus is a teacher of the `futanarian` or `woman`s seed`, which is the program that God wants to `run`. Because `pillango` is `butterfly` in Hungarian, Britney Spears` video single CD, `Work Bitch`, is `slave, car go` and `pill & go`, where `e` is an enslavers` drug that wants women to remain ephemeral butterflies breeding with the evil `serpent`s seed` rather than her own human species of `futanarian` woman with her own penis` semen to develop her own species` brainpower:
`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)
 The perception that drug dealers who sell `e` are criminals is a false perception because a criminal is what Jesus was convicted as. Disagreeing with his society, Jesus was murdered because he was `woman`s seed`. Those who killed him were `monsters from the id`, because they didn`t want the teaching of woman with her own penis` `seed` to spread. Those who deal in `e` are `monsters from the id` who want to enslave women to her sexual desire rather than that she breed her own brains` power by sexually reproducing as an independently liberated species uninhibited by men`s `penis envy`, which causes her to grope blindly along her path to the planets and stars of God`s heaven, because men have bound her `fut` here and worse:
`Hold your hands high; fingers to the sky. They gon' try to try ya, but they can't deny ya. Keep it building higher and higher.`
 Jesus` teachings are of the Resurrection of `woman`s seed` because men have killed the human species here as her `monsters from the id`, which is what the sharks represent in Britney Spears` waters of the unconscious surrounding her Hungarian `butterfly`, that is, her ephemeral `pillango`, in the video single CD, `Work Bitch`. The sharks are `e` for evil enslaving drug dealers that envy the woman her own penis` `seed` and live in her mind as `monsters from the id` surfacing to kill her if she tries to live as a human breeder of her own brains` socio-economic liberation through technological endeavour:
`So hold your head high;
fingers to the sky.
Now they don't believe ya,
but they gonna need ya.
Keep it building higher and higher.`
 In hospitals machines keep people alive so that`s what machines are for, but humanity is an ephemeral `pillango` butterfly, because men refuse to develop technology for anything other than imprisoning the women to make it easier for them to enslave the human spirit. As the drug `e` promotes women`s breeding with the `serpent`s seed`, it`s a suicide pill that ensures her ephemerality without technological advancements in hospital machines to prolong her life and maintain her memory of herself as the human `futrace`, which needs to breed its own species` brains to get its `fut` off the treadmill:
`You better work bitch.`
 Britney Spears` video single CD, `Work Bitch`, presents mannequins rather than robots, because robots are better machines and so more human insofar as humans care for themselves, but robots do it better and so are more human, which is not what humans are taught by the evil, who pretend that machines are enemies and present technology as the threat to employment, whereas machines liberate humans to work, and that`s how humans live; by working:
`Work work work ... work it out work it out ...`
 In Jungian psychology the individuation process is a process of self-actualization arrived at by means of conscious development, that is, work, which is human endeavour, because it`s how humans live and grow. In men`s slave system women`s wombs are hosts for men`s parasitism, because they`ve learned that the human spirit can be enslaved by denying women their own penis` semen to breed her own brains` power. She`s kept blind and ignorant through their killing of her human species` capacity for self-reproduction so her Earthbound `fut` can`t `run`.
 The accusation `lazy` is the basis for slavery, according to Britney Spears` video single CD, `Work Bitch`, but women aren`t slaves if they work to live. Kept in blind ignorance to her own potential for socio-economic liberation through breeding her own brains` power as the `futanarian` human `futrace`, woman can`t work for herselves and so is conditioned to accept men`s false teaching as parasites living lazily and indolently on the spiritual and intellectual fruits of her human race`s host womb.
 What men don`t teach is that those people who work, and aren`t rewarded for the work they do, aren`t rewarded because they`re trying to work for themselves to live and men want them to be slaves. We know that it`s men`s policy because women are the human `futanarian` species with its own penis` semen for self-reproducing its own brains` power and socio-economic independent developed technology for liberating her as a species from drudgery so she`ll remain a slave to the tradmill of her human `futrace` going nowhere but the grave for her willingness to produce art, culture and civilization for men to destroy periodically in their wars of `perpetual enmity` for the human race`s true `seed` and with only Jesus` promise of Resurrection to console her:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
 It`s no mystery, men are her abominations, because they keep a-bombing her nations. Even 9/11 was an attempt to restore the pederasty of war worship by reestablishing the `rough trade` of homosexual `brutality and violence`4 through the terrorist`s crashing of hikjacked planes into the World Trade Centre of New York in 2001 to precipitate global conflict in the Gulf War (2001-11) to depose dictator, Saddam Hussein, who supported Al Qaeda, `the base`, and offered Iraq as a base for their operations against the United States of America.
 What the picture doesn`t tell is that women`s host wombs aren`t in freedom; although the statue of Liberty in New York harbor is what the war was fought over. Britney Spears` penis` semen isn`t visible in the soft porn video single CD, `Work Bitch`, but she drives on her female `devils` as slaves, whereas in truth women are the developers of the race rather than its `devils` because she has her own penis `seed` to fertilize her own ovum in the host wombs of her `futanarian` human species.
 The notion of the woman as `devil` is another lie promulgated by men who are her `devils`, because they want the human race to be devilled so it can`t develop and they can continue whipping her on as a lazy slave who`s not producing enough from her host womb for their parasitism to consume. Whipping on her slave devils is how men perceive themselves, because the developer is the spirit and intellectual power of humanity to live in socio-economic freedom and independence from its enslaver:
`She's just a devil woman with evil on her mind.
Beware the devil woman.
She's gonna get you from behind.`5
 Babylon the great is depicted as `a woman` in the Bible who has been forced to accept her enslavement, but that`s the image of the `devil` woman, which men have branded her developer`s host womb with and, although it isn`t truth, young women aspire to live up to the picture because they mistakenly perceive it as rebellious, whereas it`s imprisoning because the woman`s penis` `seed` remains invisible and so do her own bred brains` powers for genuine liberation and escape from her captivity in humanity`s slavery to men`s devilling lie, which is that they`re working and fighting for the freedom of the human race.
 If men`s breeding of woman is contaminatory, as Jesus` teachings of respect for the host rather than betrayal, which is what Christ`s giving of `bread and wine` to Judas and the other disciples as tokens of his `body and blood` meant before his crucifixion as a political dissident, the devils want to give the human species brain damage so she can`t work to live as an independent species. As it`s her host womb, she can`t work more than she does for men, but she could work for herself, which is what Britney Spears` `Work Bitch` CD video single is about. Women have to take control of their own host wombs so they can breed their own brains` power.
 Capitalism is the perspective that work is necessary for workers to live by producing goods and services for employers, but picking fruit from one`s own tree is work enough to live. What employers represent is ownership of humanity`s `family tree` so that men can have the fruit and women are the slaves who produce it, whereas what humans have been taught is they`re selfish if they want to work for themselves, which makes them `lazy` in societal terms, and `public enemy number one` if independent of the enslaver. Criminals can attack you, because you`re antisocial in behavioural terms, insofar as you don`t need society`s permission to live, as you`re socio-economically viable without it, which means you can`t work to live because you don`t accept slavery.
 Jesus` preaching is of the Resurrection rather than reincarnation, because slavery is rebirth from the womb that bore you, which requires acceptance of men as women`s parasite. `Liberty` is the symbol of freedom to live by means of the fruit women have from their own family tree, that is, by their own brains` power. But men won`t let her breed because it interferes with their enslaving of her by means of the `e` drug `ecstasy`; for example. MDMA canalizes women`s brains to accept men`s penis in an exclusive `ownership of the means of production`, which German socio-economic philosopher, Karl Marx, whose ideas in Das Kapital (1867) formed the basis of humanist ideology, argued was the basis of human slavery. Redemption is the knowledge that `eternal unendurable pain` is God`s punishment awaiting men who`ve enslaved the host womb of the human species of `futanarian` woman with her own penis` semen for breeding her own brains` technological power instead of repenting from parasitism:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
 Now what men are doing is keeping women in fear and faithfulness to her misogynist enslaver by means of its `biological weapon` of HIV/AIDS` `blood plague` of Revelation, which they`ve created as the human species` endangering `killer disease` by mixing blood, shit and semen in woman rejecting sterile anal non-sexual reproduction with each other as a parasite expressing its devourers` virality, while the virility of `woman`s seed` is extinguished by the enslaving devourer in its wars of `perpetual enmity` with a species not of its own host womb. The metaphor is of the `fut` as food, because the `monsters of the id` eat the contents of the womb of the woman and that`s the business of the restauranteur of planet Hollywood, Babylon, where men don`t want `fast food` to become a `futrace`, so the human species can`t make a `quick getaway`, before she`s `taken out` by the hunters gatherer of the meat packing guns` industry, which is what the `gay` action heroes of movies without women are.
 Women have their own penis` semen and there`s no sign of a woman in Hollywood, Babylon, save for the alien, who stands in for her while the Hollywood honcho kills her vicariously for sport, because the cowards daren`t show her penis on the screen lest the `futanarian` human woman`s species get her foot of the floor in the bedroom scenes and, `shoot the moon`, builds herself a launch pad at Florida`s Cape Canveral space centre in the United States of America and goes to ask God the question, `Where`re the humans?` Men can`t sexually reproduce together, so women with their own penis` semen are the humans. But where are they? Hollywood, Babylon, presents the human `futrace` as extinct, or she`s secretly being extinguished by the `gay cabelleros`:
`Son of a gun, it's a pleasure to see such fine gentlemen ...`6
 Sons of guns are fine gentlemen who prefer each other as women`s slavers rather than that the human race should run. Ellen Degeneres isn`t a degenerate, but the hostess of the Ellen Degeneres Show (2003-) is a lesbian interviewer who`s perceived as `gay`, whereas she`s a member of the `futanarian` human species of woman with her own penis` semen and sexual reproductive capacity to produce her own brains` power and so is `normal` by definition:
`The only thing that scares me more than space aliens is the idea that there aren't any space aliens. We can't be the best that creation has to offer. I pray we're not all there is. If so, we're in big trouble.`7
 The space aliens are the `gay` community who want women like Ellen to think of themselves as aliens who don`t sexually reproduce with women because they`re homosexuals, whereas lesbians are manifesting the sexual desire of the human `futanarian` species of woman to sexually reproduce her own brains` power and prevent her `futrace` from being exterminated by the aliens in their `perpetual enmity` for the Earth`s humanity so it can`run` away and live somewhere else where it won`t be enslaved and eaten by the alien parasites emerging from her host womb ensuring her of their normality as a non-reproductive cancerously self-replicating virus that prefers itself, but will eat her because it`s what she`s well, bred for.
1 Stevens, Warren Doc Ostrow Forbidden Planet, 1956.
2 Spears, Britney `Work Bitch`, 16 September, 2013.
3 Nielsen, Leslie Commander John J. Adams Forbidden Planet, 1956.
4 Rough Trade, trade.
5 Richard, Cliff `Devil Woman`, I`m Nearly Famous, EMI, 1976. 
6 Garay, Joaquin [voice of] Panchito Pistoles The Three Cabelleros, Walt Disney Productions, 1944.
7 Degeneres, Ellen Ellen, Telepictures, Warner Brothers Studios,  Studio 1, Burbank, California, September 8, 2003-.

I`m A Hit Single, Hit On Me Woman And Have More Brains

22/07/2013 15:01


I`m A Hit Single, Hit On Me Woman And Have More Brains
Britney Spears` single ... Baby One More Time is a paean to reproduction. In the video she appears as a schoolgirl and as a collegiate, which is a feature of Britney Spears` career, that is, appearing as different selves within a single video. In the scifi pop video for the hit single Oops I Did It Again, it`s clear there are two Britney Spears, one in a red pilot`s suit and another in a white bikini dress, because Britney in red films herself. In Lucky Britney Spears has herself as her assistants and, in If You Seek Amy, which is a clearer directive even than ... Baby One More Time, that is, F*U*C*K Me, she has the normal `schizophrenic` role of private sex siren and public life`s model wife:
`Oh, oh. Tell me have you seen her because I'm so, oh I can't get her off of my brain.`
 The obvious parallel is Hollywood, Babylon`s sex symbol, that is, actress Marilyn Monroe`s affair with President John F. Kennedy, who was shot dead by a sniper in 1963 while riding in a motorcade in Dallas, Texas, after Marilyn`s apparent suicide and Kennedy`s jilting of Jackie Kennedy, his wife. In mafia terminology a hit is an execution and some suppose John to have been hit, because of his `hitting` on Marilyn while married to Jackie, where `hitting on` is a euphemism in American slang for `demanding sex politely`. `JFK` was felt to be abusing his position:
`Oh baby baby. The reason I breathe is you. Boy you got me blinded.`
 Being blind to what boy sons represent is the bane of mothers, because they`re the poisons from her parasite-hosting womb, who kill her if her eyes are opened in relaization of what they are. The concept of suiciding an era, and John was the one who spoke of `the American Dream` as something he wanted realized, is not unknown to the United States. In 1918 the Germans declared `unrestricted submarine warfare` against all shipping, which precipitated America`s involvement in World War I and its cessation, but it was an attempt by the Germans to suicide the `American Dream` and so the United States began a period of socio-economic `isolationism`:
`The New Deal was a series of domestic economic programs enacted in the United States between 1933 and 1936. They involved presidential executive orders or laws passed by Congress during the first term of [New Redeemer] President Franklin D. Roosevelt. The programs were in response to the Great Depression [caused by World War I] ...`1
 Isolationism ended with the Japanese mitsubishi zero suicide `fighter` pilots crashing their planes into the decks of the US carriers of the Pacific fleet at Pearl harbor, Hawaii, in 1941, which precipitated the USA into World War II (1939-45). The terrorist attack of Al Qaeda`s Arabian suiciding hijackers crashing airliners into the World Trade Centre on 9/11, 2001, precipitated conflict in the Middle East and was yet another attempt to reintroduce the `rough trade` of homosexual `brutality and violence` to suicide the `American Dream`:
`I`m Miss American Dream since I was seventeen.`
 In Revelation `the woman clothed with the sun and with the moon at her feet` is depicted giving birth to the `New Redeemer`, while the `red dragon` waits in vain to devour him, and so she corresponds to `Liberty` after the defeat of the flags of the red sun of Imperial Japan in WWII and the moon of the flags of Al Qaeda after 9/11, 2001, as she stands in New York harbor with the sun and moon reflected in her birth waters there. America`s `isolationist` philosophy has been criticized as her greatest flaw, but she`s been trying to give birth to the `American Dream` since liberating herself from the yoke of the British Empire with her `Declaration of Independence` in 1776, but they keep `hitting on her`:
`Hit me baby one more time.`
 The abused child often responds to a physical attack by a parent or another adult with the admonition, `If you hit me one more time ..,` and the threat is usually perceived as an empty one. But not with the United States of America, because `Liberty` has been going into the `confinement` of isolationism for generations in preparation for giving birth:
`My loneliness is killing me.
I must confess I still believe.
When I'm not with you I lose my mind.
Give me a sign.
Hit me baby one more time.`
 Because women are a biune species with her own penis` seed and independent brain breeding socio-technological valence, men`s enslaving and devouring of the civilization, culture and art she is able to produce from her host womb despite her parasites depredations, is because her `futanarian` partner with her own penis` seed has been killed by men and so woman doesn`t have a mind of her own.
 Jesus` teaching is respect for the host, which is what he tells the disciples before his crucifixion and death upon the cross of the torturers to whom he`d been sold for `thirty pieces of silver` by Judas Iscariot, the disciple. On the single cover for the CD Piece Of Me Britney Spears appears almost nude upon a cross, because it`s `woman`s seed` that has been suicided in the course of the generations since Jesus` Advent two thousand years before 9/11:
`Guess I can't see the harm in working and being a mama,
and with a kid on my arm I'm still an exceptional earner,
and you want a piece of me.`
 Jesus, born uncontaminated by male semen from his mother, the Virgin Mary, is `woman`s seed` and the host of her `futanarian` species of woman with her own penis` seed, which God forewarns Eve of in the Bible when he tells her the `serpent`s seed` will have `perpetual enmity` with hers, although she `will crush the head of the serpent as she leaves` (Gen: 3. 15) for the `new heaven and Earth` promised her `seed` by God. The human species of woman is biune. Jesus gives `bread and wine` to the disciples as tokens of his `body and blood`, because woman is the host to parasites who`ll eat her from the womb as she endeavours to produce culture, civilization and art despite its depredations:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 16. 11)
 In global political terms Marilyn was the whore of Hollywood, Babylon, who was used to suicide John Kennedy`s `American Dream`, which is the fate of the `woman`, Babylon, ancient seat of Iraq, who is made to be the whore of war. In ancient Greece women`s host wombs were enslaved in institutionalized pederasty to spread war to her civilizations, cultures and arts. Friendship was the basis of ensavement and devourment.  Leaving a `friendship gift` of a huge hollow wooden horse before the walls of Troy, the Greeks emerged when the Greeks took the `Trojan horse` inside and enslaved the host wombs of the women to spread war further:
`Beware Greeks bearing gifts.`2
 Al Qaeda`s Arabian terrorists, posing as guests of the host on 9/11, 2001, hijacked planes and crashed them into the World Trade Centre to reestablish the `rough trade` of homosexual pederasty`s viral contagion of `brutality and violence`, while the `biological weapon` that keeps women in fear and faithfulness to her parasite is the `killer disease` of HIV/AIDS created by men in mixing blood, shit and semen in their anuses together in preference to women`s host wombs. The `killer disease` of HIV/AIDS, which is described as the `blood plague` of Revelation, even fakes similitude as a white defender cell of the human body`s immune system, before killing it, and so the computer `geek` virus has replaced the original `Greek horse`.
 As the 21st century`s defence systems crashed on 9/11, 2001,  while its architects ran around like headless chickens, the new `Greek`, the `geek`, had devoured their heads, because eating chickens` heads is why those who provide the `bread and circuses` of Hollywood, Babylon`s movie fare of war and pederasty, rather than respecting the `bread and wine` of the host, employ chicken head eating geeks for their entertainment, and so World Trade Centre (2005) was just one more `geek` movie:
`When I'm not with you I lose my mind. Give me a sign. Hit my willy one more time.`3
 Britney Spears` hit singles are a paean to her own biune `futanarian` species of woman and its socio-economic independence from her enslaving and devouring parasite through self-reproduction with her own penis` seed (`willy`) and capacity for breeding herself and her own brain power because women are a single species, and she doesn`t want men hitting her.
1 The New Deal, .
2 Virgil The Aeneid, Bk II, 19 BC.
3 An English euphemism for a penis is `willy`, so Britney Spears is singing about her penis being `hit`, .

Grave Robbers and Oops I Did It Again with Britney Spears, Or What Have You Done With The Humans, Man?

11/07/2013 14:55


Grave Robbers and Oops I Did It Again with Britney Spears, Or What Have You Done With The Humans, Man?

The concept of the `cargo cult` is well known. South sea islanders were found to have built model aeroplanes based on what they`d seen. The theory is that, given long enough, they`d build real aeroplanes, or something similar. The idea of the Earth as `cargo cult` is to show people something and wait until they produce from what they have seen from their imaginations. In the developmental psychology of Carl Gustav Jung (1875-1961) the engines of human endeavour are the archetypes, which appear in the dreams, imagination and art of the unconscious before becoming realized through the intellectual efforts of the individual who perceives their meaning. According to Jung the archetypes correspond most closely to what humans think of as the unknowable God.
 In India`s Hindu religion, karma is the Hindu belief that reincarnation, that is, rebirth after death, is the repetition of circumstances and events that are repeated until individuals have progressively learned humanity so that God can accept them into heaven. The learning method is applied in schools where children are required to `repeat after me` by their teacher in order to learn something that, according to the reincarnation theory, they`ve repeated before but haven`t learned from the archetypes.
 The concept of the media is that everything is recorded and so can be repeated. In Britney Spears` Oops I Did It Again (2000) accompanying video for the pop song a spaceman appears on Mars where he delivers a gift:
`But I thought the old lady dropped it into the ocean in the end?`
 The reference is to the Titanic movie (1997) in which Rose wears a blue diamond in the shape of a heart called `the heart of the ocean`, which is a metaphor in psychology for the unconscious depths of the psyche from which the archetypes emerge. Seen walking backwards in the video, the spaceman is symbolic of the Earth as `cargo cult` and karma:
`Well baby I went down and got it for you.`
 The spacesuit was developed by science fiction writers, Robert A. Heinlein, L. Sprague de Camp and Isaac Asimov, at the Philadelphia Navy Yard from 1943, when they were asked to adapt divers` pressure suits for the North American Space Administration (NASA) Apollo space program to put a `man on the moon`, which eventually happened in 1969 when Apollo 11`s astronauts landed the lunar module spacecraft there and Neil Armstrong proclaimed:
`One small step for a man, one giant leap for mankind.`2
 Britney`s spaceman in Oops I Did It Again tells her he`s dove into the ocean of the unconscious and has developed a spacesuit to bring her the `heart of the ocean` from the wreck of the ship, the Titanic, which sank when it hit an iceberg on its maiden voyage from Liverpool, England, to New York in 1911. Towards the end of the Oops I Did It Again video the spaceman astronaut`s space age technology is displayed for the viewer`s edification when he`s whimsically shown walking backwards to his starting position at the beginning of the recording. He`s recorded and can be replayed as a `workslave` of the `cargo cult` and, as a  human `space monkey`, he`s learned. Monkeys were used when the original NASA spacecraft were `too advanced` for men to feel `in control`.
 Like the automobile industry, which has been controlling humans with its pedal vehicles and little or no progress in terms of the controls since the first cars were mass produced by the Ford company in the USA in 1908, men`s fetish for control over the machine has led to humanity`s allowing of itself to be disabled by the automotive and other industries` disabling of humanity`s machines because men fear women`s liberation from enslavement to them and the kitchen sink drudgery they`re used to. In Arabia men don`t allow women to drive cars, because they`re disabled. The men have disabled the cars so that they can feel in control with their pedal vehicles, and so have disabled themselves, and the women are disabled because they can`t drive and travel, because the men are frightened they`d escape.
 In Britney Spears` video Oops I Did It Again she appears in a red pilot`s suit because the original NASA spacemen were pilots in the X-15 spaceplane program, which was cancelled because of expense and `blackouts`. Pilots discovered that, outside of the Earth`s stratosphere, the pressure upon the suit to provide oxygen was too great for the occupants of the X-15 and some planes crashed because the pilot fainted. One of the more famous incidents involved Chuck Yeager, who was discovered in the desert standing to attention by his crashed plane and the legend arose of the NASA chosen who had the `right stuff`:
`... to fall one hundred goddamned thousand feet in a flat spin and punch out and make a million-dollar hole in the ground and get half his head and his hand burned up and have his eye practically ripped out of his skull ... while screen doors bang and the pictures of a hundred dead pilots rattle in their frames ... `3
  Britney`s album Blackout (2007) contained the single, `Piece Of Me`, and the cover of the single was of her as Jesus upon the cross, because Christ was sold to his torturers for `thirty pieces of silver` when he was betrayed by one of his disciples, Judas. As the founder of Christianity, Jesus became a hero of the Earth`s `cargo cult` and repetition, because of the Bible. Born of the Virgin Mary, uncontaminated by male semen, Jesus was the first of `woman`s seed`, because women have their own penis and `seed` as the independent `futanarian` human species. But men don`t preach that; they catechise, "repeat after me, `Jesus has redeemed me from my sins`, hasn`t he?" without explanation. The meaning of Britney`s Blackout album is `censorship`, because men don`t want women to know the truth, which makes men betrayers of the human species, and so Britney Spears appears crucified on the cross of Jesus on the cover of her CD single release, `Piece Of Me`:
`I'm Miss bad media karma; another day another drama. Guess I can't see no harm in working and being a mama. And with a kid on my arm, I'm still an exceptional earner. You want a piece of me...`
 Britney Spears` observation in Oops I Did It Again is that the Earth`s a `cargo cult` based on reincarnation and repetition through what the Hindus call `karma`, and so it`s possible that the spaceplane program had been run before, so `woman`s seed` could have gotten to Mars first, which is why Britney Spears is able to appear there in her red pilot`s suit.
 Placing a hook in the backpack of the astronaut she suspends him above herself in a white bikini dress so that he can film her `space alien` with the camera attached to his spacehelmet while herself in the red pilot`s suit looks on. Although it isn`t explicit, the penis beneath the white bikini skirt of the second Britney is implicit because she represents the `futanarian` human species of woman, who has her own brains if she`s bred with herself and so could make it to Mars faster if she didn`t have to learn how to pedal herself:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
 Britney`s `bad media karma`, because she gets the message through like Jesus. The pop phenomenon of the 20th century was the combination of the drug `ecstasy` with what was called `techno music` that gave rise to often illegal `rave parties` in giant abandoned warehouses where the party goers consumed huge quantities of the sexually stimulative drug `E`, which contained a mixture of amphetamine, known as `speed`, and the hallucinogenic mind-altering substance lysergic acid or `LSD`, while viagra, the wonder cure for impotence among the exhausted male popultaion, was used to revivify the male to satisfy the insatiable sexual demands of the females high on the `love drug`.
 What the males discovered was that they didn`t like women, because women liked each other. Pop bands like The Spice Girls (1994-) or Destiny`s Child (1990-) with Beyonce Knowles represented the `girl power` phenomenon of women with brains, but that could only materialize if the women were able to breed with each other, and so God created women with a penis and their own `seed` as `futanarian` breeders of their own human species` socio-economic independence and future without men.
The band 10cc (1972-) was named for the average amount of male ejaculate, and the average time taken in ejaculating for a male is perhaps a few seconds, whereas a `futanarian` woman`s ejaculated semen could fill a bucket and take minutes. Moreover, she is female and so has a vagina, which is also capable of ejaculation and, for a woman, orgasm may build for hours without release. Because of the perfunctory nature of the male orgasm, the human species is dealing with a parasite that, having fertilized its host womb, has finished with her. The woman will live only as long as it takes to produce another parasite, which explains the amount of money spent in devouring wars and the paucity of expenditure on curing the parasite`s killer disease of HIV/AIDS, which is just one of its devices to prevent the woman from living and learning about herself as the human species.
 The emergence of the `snuff movie` as an all but acknowledged Hollywood, Babylon, genre in mainstream cinema during the latter part of the 20th century, when the action hero removed his mask to reveal a woman stalker, in movies like Silence Of The Lambs (1991) and Scream (1996), represented the males` discovering that pop culture`s description of their penis as a `love gun` wasn`t metaphorical, because when they`d finished ejaculating, their role as `serpent`s seed` was to `snuff out` her life with guns, because the `biological weapon` of homosexual pederasty`s HIV/AIDS `blood plague` sent by God to convert men from their sin wasn`t quick enough for the numbers of the beast:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
 The giant fork rave symbolism is of a giant for a grave, that is, the death of the human species of `futanarian` woman with her own penis` seed, because her enslaving and devouring parasites didn`t want her:Beside Britney`s spaceman`s  `camera helmet` are what appear to be the tines of a giant fork, which is in keeping with the metaphor of the spaceman as `giant` and of herself as a small footed woman, that is, the human species` `futanarian` woman, who descends upon her film set inside what seems to be a giant`s ring to begin a `rave party` with her dancers:
`I think I did it again. I made you believe we're more than just friends. Oh, baby; it might seem like a crush, but it doesn't mean that I'm serious. 'Cause to lose all my senses... that is just so typically me. Oh, baby; baby.`
 Britney Spears` performance in Oops I Did It Again suggests she isn`t for grave parties, where the parasitical enslavers and devourers prepare to satisfy their giant`s fork cravings for a `snuff` party. The women, `love drugged` on ecstasy, are killed by the almost immediately sexually satiated males who, having made the women believe in their love, lose their senses, frustrated at watching others receiving sexual satisfaction from the still capable, and vent their impotence in snuffing the orgiastic, so expressing the devourers` functionality of their enslaving `serpent`s seed` origins.
 Usually the spade is a gravedigger`s tool, but Britney Spears` take on set is that the fork is also the gardener`s tool since Adam and Eve were expelled from Eden, because even  if women are well bred, the devouring and enslaving `red dragon` and its `serpent`s seed`, symbolized in Christian iconography with their fork tails as what devils humankind, have ensured that men only have a grave mouth yawning open for what remains of her species:
`You see my problem is this: I'm dreaming away; wishing that heroes, they truly exist. I cry watching the days. Can't you see I'm a fool in so many ways?But to lose all my senses... that is just so typically me. Baby, oh.`
 If the `woman`s seed` is culled by the `snuff` industry, or even by assassins, who are called `gardeners` by their grave-digging employers, she`s lost her `senses` and remains a brainless slave of her devouring parasite. In Revelation Jesus is born while the `red dragon` waits in vain to devour him in his `Second Coming` after his crucifixion, death, Resurrection and Ascension to heaven, as described in the corroborating histories of the Gospels of the Christian New Testament of the Bible written by the traitor Judas` passive accomplices in his crime, the apostles Mark, Matthew, Luke and John. Born uncontaminated by male semen from the Virgin Mary, his mother, Jesus gave `bread and wine` to the disciples at the `Last Supper` before his death, as a reminder to them that his mother and he were good hosts, that is, neither the `futanarian` woman nor Jesus are parasitical devourers of humans.
 In the developmental depth psychology of Carl Jung the devouring imago is the dragon ourobouros archetype that represents the woman bred so that the parasites can devour what she produces from her womb in the way of civilization, culture and art despite the depredations of the parasites that emerge thereform to wage their wars of `perpetual enmity` that God warned Eve the `serpent`s seed` would have with hers before she left Earth, `crushing the head of the serpent with her heel` (3. 15). Consequently, the hero imago in dreams, imagination and art is the enemy of `woman`s seed` and not her support:
`I`m dreaming away; wishing that heroes, they truly exist.`
 The `woman`s seed` will only  have heroines of her own when she`s able to breed herself and be self-possessed of her own brain power, which is exclusive of the enslaving and devouring parasites that want to be in the movie with her so they can fake friendship before killing her, which is the method adopted by homosexual pederasty since at least the time of the ancient Greeks when institutionalized enslavement of women`s host wombs to spread war further was the foundational principle of what came to be Western civilization.
 Rave parties were known for permissive sex in which condoms were instantly forgettable in the naive belief in the love drug `E` as a panacea. Because HIV/AIDS was the main fear in sexual matters at the end of the 20th century, warehouse parties with their plentiful suppliers and supplies of the uninhibiting drug `ecstasy`, were places to surrender the life of the human species` potential. HIV/AIDS spread like wildfire from sharing and injecting from drug-filled syringes with needles dirtied by unclean blood. Women who discovered love for their own species when their inhibitions were lost through ecstasy found their rejected boyfriends feigned love turned to killers` lust because their sex slave was liberating herself for self-reproduction as `futanarian` woman with her own penis` independent socio-economic human capacity to exclude men and produce her own species` brains exclusively. Because men`s brains aren`t human, and they`re seeking to kill the women`s, whose brains are those of the human race, and it won`t have the brains to run from its parasitical devourers until it`s told.
 All Britney Spears was able to with Oops I Did It Again is try to deal with the censorship `blackout` by alluding to the penis of the woman beneath the skirt of her white bikinied self and ask the viewer to understand that she, in her red pilot`s suit, isn`t a trick of the camera, but someone with her `futanarian` bride, and the space program needs to be wrested away from such `Strategic Defense Intiatives` (SDI) as President Ronald `ray gun` Reagan`s ogrish 1982 plan to `ring` the planet with missiles and prevent `woman`s seed` from escaping in the spaceplanes she might conceivably construct by means of her own brain power.
 The Arabian terrorists that crashed hijacked planes into the World Trade Centre of New York on 9/11 2001 were guests of their American host, `Liberty`, reestablishing the `rough trade` of pederasty and war, which would ensure that women would remain enslaved and devourable. Britney Spears, in her red pilot`s suit, would never leave in her spaceplane with her `futanarian` bride in white because the technology of `woman`s seed` would be devoted to escaping her devouring parasites and men don`t want her to.
 The argument would be that the American men were the hosts of the terrorists, but Jesus is born from `the woman clothed with the sun and with the moon at her feet` in his `Second Coming` (Rev: 12. 2). The red sun of Japan precipitated the USA into global conflict after its unnanounced attack on the US` Pacific fleet at Pearl harbor in 1941. The attack upon the Twin Towers of New York by the moon of Al Qaeda`s flags on 9/11, while the statue of Liberty observed from her birth waters in New York harbor, means she`s the host of Jesus in his `Second Coming` as the `New Redeemer`.  Born from the woman, `clothed` in her victories over the red suns of the Japanese flags and the yellow moons of the flags of Al Qaeda, the silver moon of the Earth is reflected in the waters of Jesus` birthing at New York`s harbor.
 Not only is the Earth a `cargo cult` in which the enslaving parasites of the `serpent`s seed` devour the products of the host wombs of women in its ceaseless wars of `perpetual enmity` for her `seed`, they`re robbing the grave of the human species they`ve killed, that is, the self-reproductive `futanarian` woman with her own penis` seed, and to whom God gives a `new heaven and Earth`, according to Revelation, because like Jesus and his mother, the Virgin Mary, she`s remained uncontaminated by male semen, before she leaves with the bride.
1 Tech-Archive, .
2 21 July, UTC 2: 56.
3 Wolfe, Tom The Right Stuff, Farrar, Straus and Giroux, 1979.

Britney Spears with Goldmembers

24/06/2012 19:00

Britney Spears With Goldmembers



The Britney Spears` single that was supposed to be a puzzle when released was `If You Seek Amy` (2009), which was translated as, `F*U*C*K Amy`. Like Madonna`s Dita, Britney`s character, Amy, is a schizophrenic persona allowing her to explore aspects of herself that were `out there`. Dita was the persona Madonna adopted for her book, Sex (1992), and so she `appeared` on the `Erotic` single released from the album, Erotica, with the book Sex inside its silvered plastic wrapper:


`My name is Dita, I'll be your mistress tonight.`


 Britney`s personality seems dual in `If You Seek Amy`, where she appears in bedroom scenes after what appears to be an orgy, and then in public as a perfect wife and mother giving `mom`s apple pie` to the press while her children and husband look on adoringly. `If You Seek Amy` refers to the star`s `binary` nature in that she`s `twinned`, that is, necessarily schizoid, because private acts are radically different to public appearance. Her plurality, that is, her on screen `split` personality, was evident as early as the `scifi` promotional video for the single, `Oops! ... I Did It Again` (1999), where she appears in a red pilot`s suit hoisting her spaceman visitor to the red planet, Mars, above herself `twinned` in a white bikini dress so that he can film her with his camera, which suggests she`s desirous of `bigamy`, and that`s the reason for the injunction to the viewer to pick `Amy` as the desirable persona in `If You Seek Amy` (F*UC*K Amy). Britney`s a multiple personality, which is `big Amy`, that is, `bigamy`, and has to be divorced from Britney, because `normal` for men is monogamy, although for women who`re futanarian with their own penis` semen species` sexual reproduction with each other isn`t bigamous but `Monarch Amy` (monogamy), because they`re a single race, that is, `bigamy` is women`s human nature.



 In the promotional video for the single, `My Prerogative`, from her Greatest Hits album, My Prerogative (2004), Britney` has a dual personality also. In the grey and white sequences she appears merely celluloid, because colourless, and that`s related to `noggering`, which is a practice illegally deployed by Masons, often with the tacit consent of local governments, who keep people known for creativity imprisoned in virtual isolation within communities to force them to create and produce, that is, add `local color`, whereas the creative individual seeks to escape from their prison and go to Hollywood, for example, and make movies.

 Because `big Amy` signifies `Monarch Amy`, that is, a monogamy of women, which is `bigamy` to men`s perception of the human futanarian race of women, although the term is redundant for a single species, rather than a host womb enslaved in parasitism to produce a single male brained transvestite creature who wears men`s and women`s clothes, which is what `TV` is. Although sexual repression is the basis for slavery`s `noggering` of the imprisoned and isolated human to produce creative `local color`, rather than international `blockbuster` movies, sexual freedom is necessary if human women are to change Hollywood, which is what `nogger` means for them, so Britney`s `snog` with Madonna and Christian at the VMA MTV Awards represents a desire to espouse technicolor, rather than the `drab` of `My Prerogative`, who is depicted as being `noggered` in slavery, although the grayed out colorless film suggests Britney`s is a `snuff film` character being prepared to `star` in monogamy, that is, the singles` game of `TV` transvestite entertainment, which is mourn, `nogger` me.



 Britney was married for less than three years in total; to Jason Alexander in January 2004, before annulment, and Kevin Federline in September 2004, before divorce in July 2007. `My Prerogative` suggests she`s a `multiple personality`, because she`s `noggered`: `People can take everything away from you.` She`s developed schizophrenia as a means of producing herself in slavery to escape the `noggerer`.



 Britney performs the single Boys immediately after the main title sequence to Goldmember (2002) where she appears with guns in her bra, which she aims and fires at Mike Myers, the character actor who plays the spoof sixties` style secret agent, Austin Powers. Dr Evil is Myers` antagonist, and he has a clone called `Mini Me`, because he isn`t `Bigger Me`, that is, `bigamy`, who is evil because he represents the `one game` of `snuff films` in which men aren`t `big Amy`, that is, `Monarch Amy`, who is the single species of human futanarian women, but `bigamy` as the parasitical single male brained creature in monogamous enslavement of the host womb of a species not its own to devour it as its parasitoid.



In character as Austin Powers, comedian Mike Myers appears in Boys alongside Spears making `rabbit`s ears` signs, which are Playboy magazine`s symbol for women in male braining, who aren`t futanarian women with penis` semen of their own for the sexual reproduction of their species` brains` powers for liberation. Playboy features nude women without penis of their own, and Boys features Britney`s `bra guns` as well as her head exploding, because humans are bred by men as `snuff film` entertainment:


`Cry, baby bunting,

Daddy’s gone a-hunting,

Gone to get a rabbit skin

To wrap the baby bunting in.`


 America`s national sports are baseball and American football, where `punting` is a part of the `game`. In baseball `bunting` is a `rib`, which is defined as a `suicide run` in which a success isn`t assured. Because Eve, the first woman, emerged from the `rib` of Adam, the first man, created by God, according to the Bible, human futanarian women`s success isn`t assured in Playboy America. In the promotional video for Britney`s single Hold It Against Me (2011) she appears fighting an alter ego, that is, a woman by her side, which suggests she`s against women from women. In America the baseball legend is Babe Ruth, while the name `Ruth` means `companion`, that is, `bunting` the `companion` by one`s side is suiciding her, which is what heterosexuals do to the human futanarian single species of women who they don`t want by their side or hers either.


`In a sacrifice bunt, the batter will put the ball into play with the intention of advancing a baserunner, in exchange for the batter being thrown out. The sacrifice bunt is most often used to advance a runner from first to second base, although the runner may also be advanced from second to third base, or from third to home.`1



 The `bunt` is similar to the `punt` in US football, where a kicker has to `punt` if the team can`t make the ten yards needed to move forward and so, rather than have the opposition start from where they`ve failed to progress further upfield, the kicker `punts`, that is, kicks the ball as far away from the now defending team`s end zone. Then the opposition, in their turn, have to move the ball upfield and get the ball into the hands of one of their players in the end zone for six points and a `touchdown`. After that the kicker has an opportunity to increase his team`s score another single point by kicking the ball through the goalposts before the ball is given back to the other side and it’s the turn of the other team again to try to score. When Britney Spears` spaceman, `Mars Lander`, arrives on the red planet, Mars, to visit her, it`s a `touchdown`, which was the term adopted by the North American Space Administration (NASA) to indicate the landing of Apollo 11`s astronauts on the moon`s surface in 1969 and has been used ever since:


`One small step for a man, one giant leap for mankind.`2



 Because women`s human futanarian species` `egg` is what the spaceman and the American footballers are playing with, `punting` is a celebration of the `game`, that is, the race`s ova, because women`s futanarian `foot` ( won`t ever be on Earth`s satellite, the moon.  The race`s over. Snuff movies are torture for the loved ones as well as the pitchers` victims. Consequently, the movie Sophie`s Choice (1982) is a `baseball` film where Meryl Streep decides whether to give her son, or her daughter, to the `Nazis` for extermination in the 1940s, because it`s a `suicide run` in the reality `snuff movie` game against human futanarian women`s desire to be a single species, and with no chance of success for the child Sophie decides to `bunt` from her side. In Judaism Jews are born only from women, that is, women are Jews, so Sophie `bunts` her son, rather than suicide the species. In Goldmember, Britney`s Playboy character`s `bra guns` indicate that, when it comes to `bunting`, she celebrates with the `snuff film` crew:


`Run rabbit, run rabbit

Run! Run! Run!

Run rabbit, run rabbit

Run! Run! Run!

Bang! Bang! Bang! Bang!

Goes the farmer's gun

Run rabbit, run rabbit

Run! Run! Run!

Run rabbit, run rabbit

Run! Run! Run!

Don't give the farmer his fun!

Fun! Fun!

He'll get by without his rabbit pie

So run rabbit, run rabbit




1 Sacrifice bunt, .

2 Armstrong, Neil July 21, 1969, 2: 56 UTC.







Onan On

09/06/2012 09:53



A man and a woman were divorcing on the grounds that he wanted anal sex but she didn`t. `You`re an asshole`, said the shit. `Perhaps, but I`m rejecting you,` she replied. `I have AIDS,` said he.  `I have a penis of my own,` she explained, `and I don`t want you. ` She took out her penis and masturbated it gently so that he could see the tumescent tomato of its blushings before, ejaculating creamily. `I have another,` she said. `Who is he?` demanded the shit. `I`ll kill him,` he asseverated vehemently. `She`s not you,` said the woman, `and we`re founding a species together. God says we can. It`s in the Bible:


The woman fled into the wilderness, where she has a place prepared by God, that there she may be hidden for time, times, and half a time again, before her time to be delivered comes, Revelation twelve six.`


The Shit: `So the two of you are staying with your mother?`


The woman: `The Bible says that the woman who is `hidden` in the desert shall be protected by the New Redeemer, who is born from `the woman clothed with the sun and with the moon at her feet` and the red dragon of Revelation, who`s the shit in the story, wants to devour the New Redeemer but can`t. The woman leaves to sow her seed amongst the stars, fights the dragon and the other shits that are its `seed`, and God gives the woman and her `seed`, that is, me and my girlfriend`s, a new heaven and Earth to dwell in forever, while the shits receive unendurable eternal pain for concealing the fact that women have a penis, are a species, and men want to murder us and the planet with AIDS or – anything else?`


`I guess I`ll just have to cast my seed upon the ground,` said the shit.



Onan On


Britney`s spaceman arrived on Mars having negotiated Freudian symbolism, that is, the `father of psychoanalysis`, Sigmund Freud`s (1856-1939) psychological interpretation of civilization, culture and art, including space rockets, as `nothing but` the repressed expression of men`s `thingies`. Masturbating for millennia, Mankind has succeeded in ejaculating as far as Earth`s nearest neighbour planet, Mars, according to Britney Spears` futuristic `scifi` promotional video for the single, `Oops! … I Did It Again`. When the spaceman, `Mars lander` reports to `Mission Control`, the audience understands it`s `nothing but` an affair: `98% oxygen.`

 In the Bible Onan is punished by God for masturbation, that is, visible ejaculation, which is which is what space travel is from a psychological perspective. Onan`s brother, Er, is slain by God (Gen: 38. 7-10), for some unspecified evil, and God tells Onan to impregnate Tamar, his brother Er`s wife. Onan applies the principle of coitus interruptus because he doesn`t want to give her his `seed`, and so is also slain by God. Onan`s `sin` is masturbation, that is, `casting his seed upon the ground`, according to Christian commentators, who follow the teaching of Jesus from the New Testament of the Bible that many feel supersedes the Old Testament of the Bible, which is the law and history, the Torah and Talmud of the `chosen people`, the Jews: `Love your neighbour as you love yourself.` (Mk: 12. 31) Jesus is wholly celibate, according to those same commentators, which suggests that, when Jesus was taken from the city of Jerusalem to the hill of Calvary by agents of the Empire of Rome then occupying Jewish Palestine and nailed to a cross of wood and left to die, he was being slain by men for not impregnating a woman, that is, for being a de facto masturbator or Onanist.

 Jesus` Resurrection and Ascension to heaven after his death belies his celibacy and onanism in a declaration by the Roman guard present at his crucifixion: `Surely, this was the son of God.` (Matt: 27. 54) Because Jesus was born uncontaminated by male semen from his mother, the Virgin Mary, he was God`s futanarian `foot`, that is, Jesus` Resurrection and Ascension to heaven prefigures that of `woman`s seed`, which is women`s capacity for sexually reproducing with each other to produce human technological progress through their own brains` powers for liberation from Earth to the planets and stars in colonization: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) God`s words to Eve, the first woman, are repeated iconographically in Christian symbolism by Mary`s `foot` crushing the head of the male serpent, because Jesus represents women`s futanarian human nature. Consequently, although rocketry represents male masturbation, which includes all forms of projectile; for example, bullets and missiles, starships are `woman`s seed`, which is why Onan was punished for masturbation. God ostensibly killed Er for unspecified `wickedness`, so that Onan could have sex with Er`s wife, which was recognized by Onan, who refused to accept that, to have sex with a woman, you can kill her husband. However, God`s point of view is that `woman`s seed` is for starships, whereas men are for intercontinental ballistic missiles (ICBMs), that is, specific `wickedness`, which is why he kills Er and Onan.

 Onan, whose name means `strong`, perceived the logical fallacy, which is that God will murder Onan for not having sex with Er`s wife, and God does. Similarly, Jesus Christ doesn`t have sex at all, according to the mythmakers, and so he was murdered too; even though his teaching is about how to develop and progress without murder: as God effectively orders `Onanists` to do. Onan is murdered by God because he refuses to `move up` after God has killed his brother Er and has given him Tamar to impregnate. In short, `moving up` by murder is what God advocates, and that`s rejectable. Because Onan precedes Moses and the law of God in Deuteronomy, his refusal to `move up` by murder is an example of God`s unconscious omniscience, rather than conscious knowledge. Onan`s represents the nascent perception in human futanarian nature that God is wrong in murdering Er and Onan, whereas the teachings of Jesus show how to `move up` through self-development. In modern terms, God wanted Onan to reproduce; like a photocopier. Jesus wants humans not photocopies, that is, through that process described by developmental psychologist, Carl Gustav Jung (1875-1961) as individual progress, or individuation. What is thought of as heterosexual reproduction equates to modernity`s photocopier, that is, a byproduct, rather than a product meeting the specifications of the designer, God.

 Society is an important aspect of Jung`s individuation process, because of notions such as `political correctness` and `politically sound`. Feminists argue that homosexuals and lesbians are `gay` and so equal, whereas futanarian women who have a penis of their own are `normal` humans by definition, that is, so-called `lesbians` are expressing love for their own futanarian human species, whereas homosexuals don`t, which is because unredeemed men are rather a parasitical organism grown in the `host womb` of the species of women. Consequently, in perceiving men and women as a species, feminism can`t be `politically correct (PC). In artistic terms, the painter Constable isn`t `PC`, because there are men in paintings such as `The Hay Wain` (1821), whereas a picture painted by God, the Artist, would have women in it, while men would be notable by their absence, or by the presence of those few shepherds who, like Jesus, were accepting of `woman`s seed` and so redeemed. Feminism is used as a barrier to genuine political correctness. The concept of equality between homosexuals and lesbians is similar to socialism in that it represents the ideology that everyone has an equal share, whereas the futanarian race of human women with their own `seed` don`t have to share: it`s their species and host womb. Men`s conservative tradition is that women share their womb, whereas the future of feminism is, as writer Virginia Woolf hinted in A Room Of One`s Own (1929), a womb of one`s own, which is politically correct.

On the red planet, Mars, Britney Spears represents `woman`s seed`, who`s endeavouring to get Onan`s masturbatory `seed` off the subject of rockets, and although the spaceman is called `Mars Lander` by `Mission Control`, a space vehicle is conspicuous by its absence. Britney appears in a red pilot`s suit indicative of her disapproval of rocket technology used to develop nuclear missiles to destroy the Earth, because the original X-15 `spaceplane` program that was cancelled in favour of the Apollo rocket program to put an astronaut on the Earth`s satellite, the moon, after pilot`s experienced `blackout` at high altitudes, and which caused planes to crash, should have been persevered with as a solution to men`s obsession with combustion, that is, fuelled explosion as a means of travel. The astronaut in Britney`s `Oops! ... I Did It Again` music video represents the Onanist`s sublimation of libidic energy into space rocket development sufficient enough to ejaculate himself from inside a Freudian `thingy` as far as the red planet, Mars. However, without `woman`s seed` the result is species` defeating. Preference for rocketry, rather than the `spaceplane` technology represented by Britney Spears` pilot on the red planet, Mars, means the development of ICBM technology for a future race war. Men who sexually repress human futanarian women, and the nascent brain power `woman`s seed` has for the developing of labor saving technology and immortality conferring medical science, prefer host womb parasitism for parasitoid devourment in warfare against her.

 Britney`s spaceman gives her a `black box`: `Britney, before you go, there's something I want you to have.` A `black box` is a recording of a plane`s progress discoverable in the event of the loss of a plane; or otherwise inexplicable malfunction: `But I though the old lady dropped it into the ocean at the end.` Britney is interpreted as alluding to the `heart of the ocean`, that is, a blue diamond pendant, which at the beginning of the movie, Titanic (1997), is dropped as a remembrance into the sea by Rose, where the salvaging of the ship is taking place. The Titanic sank on its maiden voyage to New York, the United States of America, from Southampton, England, on 15 April, 1912, after collision with an iceberg, and the call to boarding in `Oops! … I Did It Again` suggests it`s the ship Britney Spears is alluding to: `All aboard!`

 Rose`s dropping of the blue diamond into the sea is a gesture of remembrance that laments the events of the movie in which she boards the Titanic with a fiancée but takes a lover, who her fiancée seeks to discredit by having the `heart of the ocean` placed in his jacket pocket where it`s discovered. The subsequent disaster, and loss of her lover, who is drowned while helping people into the lifeboats, while her selfish fiancée lives, is the `heart of the ocean` inside the Titanic, which is Rose`s `black box`. Britney`s spaceman tells her: `Well, baby, I went down and got it for you.` The `black box` contents are the Earth`s `heart of the ocean`, that is, it`s a coffin for those who prefer ICBMs to colonization of the planets and stars as `woman`s seed`.

 In effect the story of Onan says that God is evil in the Old Testament because God invites Onan to `move up` through God`s murdering of Onan`s brother Er and God`s telling Onan to have sex with Er`s wife. In refusing, Onan effectively declares Mankind to be more interested in sublimating its sexual desires in favour of space rocket design, and is murdered by God, because ICBMs would destroy God`s creation. Although Jesus is depicted as endeavouring to change God`s consciousness through his `sacrifice`, Jesus` Resurrection and Ascension to heaven is a prefiguration of that of `woman`s seed`, which represents colonization through `starships`, rather than masturbatory missile ejaculations. Britney Spears` `Oops! … I Did It Again`  represents the perception that space rocket design, and other forms of creative endeavour, are doomed, because they`re `Onanist` sublimations of the male masturbatory impulse to propel projectiles by means of combustion.

 Er was murdered by God, because God wanted Onan to reproduce with Er`s wife, and Onan refused as, effectively, Onan wanted to `invent` which, although described as `masturbation`, corresponds to that visual ejaculation sublimated as the emission of projectiles through combustion, or bullets from a gun. Jesus was killed because he represented invention. When a woman was anointing his feet with oil, the disciple Judas, who was used to stealing from the collection plate after a service, suggested that the expensive perfume be sold to raise money. When Jesus offered `bread and wine` to the disciples at the `Last Supper`, as symbols of the `body and blood` of the human host, Judas betrayed him to the Romans as a `dissident`, because he was `woman`s seed`, and so a threat to the male brained Empire of Rome. At his death, the Roman guard, Longinus, pierced Jesus` side with his spear because, as the `Second Adam`, the Holy Spirit Jesus spoke of as teaching after him, was expected to emerge from his side as the `Second Eve`. Because Jesus` teaching was a continuation of God`s plan for futanarian humanity, that is, sexual reproduction between women for liberation through human brainpower, he didn`t represent the male braining transvestite `TV` in which men and women are a single creature wearing each others` clothes that the Roman Empire wanted as `entertainment`, which is why Jesus was too inventive. God`s plan for humanity wasn`t bullets from a gun, but `starship` colonization.



 Longinus` spearing of Jesus` side was representative of men`s desire to penetrate, whereas Jesus` body represented the spirit`s shield, which is analogous to the meteor shields of `starships` in science fiction, for example, Star Trek (1966-69), which is sufficient for colonization, but men want phasers and photon torpedoes to penetrate, because their `masturbatory` impulse is to see the ejaculate, rather than have it accepted by a woman. Parasitical slavery of women`s host wombs by men produces scientists like, Albert Einstein, who posited that the universe was created by a `Big Bang`, that is, combustion, which suggests God is a bomb-maker. In parasitism, libido is channelled into intellectual work, rather than sex, which results in `masturbatory` models and technologies, for example, interstellar travel through `wormholes` by means of combustion, that is, ships like bullets, and ICBMs, whereas the human body is physically designed only for imbibing sustenance and ejaculation. Because parasites upon a host body become parasitoid in devourment of the host, that`s what men`s socio-economic history describes them as. In coercing others into sex-starved isolation sublimated as `masturbatory` activities, perverted technologies are produced. Imprisoned and stimulated by images linked to the pleasure centres of the cerebral cortex, for example, internet porn, `captives` are isolated and so `tortured` until the slaved `creatives` produce better ideas for technologies for combustive penetration in `shoot-em-up` games` systems; for example.

 Britney Spears` `Oops! … I Did It Again` image on Mars is designed to examine the `masturbatory` impulse. When men have finished masturbating, they`ll be extinct. As Onan recognized in Genesis, when he refused to impregnate Tamar, because God had murdered Onan`s brother, Er. For God, fertilization is reproduction, but it isn`t production so far as `Onanism` is concerned, which wants television, Playboy magazine, and Star Trek, so that he can fantasize and develop perverted `combustion` technologies. Onan is a Christ-like figure, because he`s a victim of host womb slavery for parasitoid nature, whereby the amphitheatres of the Roman Empire, in which individuals killed each other for the entertainment of the Romans, become the theatres of warfare where `woman`s seed` is devoured as slavery`s reality `snuff film`, rather than have the Roman war god red faced with embarrassment instead of having the red planet, Mars, named after him.

 In Genesis God kills Onan for not being satisfied with reproduction, and that`s because human futanarian `woman`s seed` isn`t present in the Bible except for allusions to God`s `foot` in Genesis and Christian iconography, that is, men have almost extinguished the foot that could have afforded humanity psychological balance. Imprisoned and coerced into isolated sublimated masturbation fantasies, women would doubtless produce perverted `shield` technologies that contain to devour, although women are better technology because they have the capacity to sexually reproduce all humanity`s brains with each other. Men`s `masturbatory` technology of ejaculation through combustion is universal death in a further `Big Bang`, which is why women are described as `hidden` (Rev: 12. 6) before they leaves to `sow` their own `seed` amongst the planets and stars as colonists.

Sunny Spears

07/06/2012 07:59

Sunny Spears of the Vine



The sharp green vine leaves,

Wrapped entwined.

Sun warmed blue grapes.

Oceans of sky and, shining through,

Britney`s spear tips.

Naked, Obscured By Clouds,1

Porn, know Woman.

The sunshine of her hair spilling upon her shoulders.

The sharp diamond blue of her heart`s eyes,

As her breast milk cascades.

Creamily she spunks as her penis throbs,

And the cunty wine of her womanness flows.

- Sunshine of Your Love The Cream


1 Pink Floyd`s Obscured By Clouds (1972) was the `soundtrack` for the movie La Valée, a woman`s mind altering quest for a paradise of sexual freedom labeled `obscured by clouds` on her map, .

Britney`s Radar

25/05/2012 17:01

Britney`s Radar


Britney Spears recorded the single Radar, which appeared on the Circus album, although it was scheduled for Blackout, when she was filing for divorce from Kevin Federline, who`d `fed her a line` she`d believed in for a time. The video is about polo, which is a sport for men on horseback. Because Britney is from the Southern States of the USA, that is, Mississippi, she`s probably entitled to be a member of DAR, which is `Daughters of the American Revolution`, a membership open to any woman who had family that fought on either side, Union or Confederate, during the American Civil War (1861-65). Because Britney would need help from her sisters during the divorce, Radar is probably her distress call to DAR. Concerned over a possible Confederline `raid` during their `Civil War`, Britney`d want to ensure her sons` future with their mom after their Union had ended in divorce. Consequently, `raid` DAR (Radar) is a `distress signal` to the `Daughters of the American Revolution`.



 The symbolism is couched in terms of the tarot, that is, the Momluk tarot, which is Arabian and features the polo `mallet`; `clubs` in modern tarot decks of cards. Radar features a fountain with the statue of a polo player upon a horse. In symbolic terms, he`s a knight with a lance. The other three suits of the tarot deck are sword, cup, and dish. In the legend of the Grail, centering around the myth of King Arthur and the Knights of la table ronde,  the cup is the holy vessel from which Christ drank at the last supper before his crucifixion. The sword and lance are symbolic of the knights who eat (dish) and drink (cup) in fellowship. Because Britney Spears connotes `lance`, which is `club` in the more usual tarot deck, and the `lance` is a polo mallet in Radar, the polo player is both her symbol, and her signal to the `Daughters of the American Revolution` (DAR) that `clubbing` has caused the `break up`, which is why Paris `hilt on the Sword` became her confidante and, in effect, an auxiliary `brain` during Britney`s divorce.



 In the ancient world, Paris was the prince of Troy that kidnapped Helen, and provoked her husband, Meneleaus, brother of King Agamemnon of Greece. The result was war against Troy, resolved by the device of the wooden horse, left by the Greeks and taken into Troy by the Trojans. Full of Greek soldiers they emerged from the hollowed out horse by night and took the city. Britney, voted `most beautiful woman in the world`, is Helen in `modern` terms.  Paris Hilton, `the sword`, has the role of Paris of Troy to Kevin Federline`s `Meneleaus`. But Britney`s Helen is asking Paris for help because she`s bisexual. In ancient Greece, men were homosexual by `tradition`, and so Paris of Troy was heterosexual by analogy. In the Bible the `hidden woman` of the Earth is described as leaving to sow her seed amongst the stars where she`ll fight a victorious war against the evil `seed` and receive a new heaven and Earth from God as her reward. Because she has seed to sow she has a penis of her own, and so Paris `hilt on the sword` - and Britney Spears - represent the `hidden` woman`s love for her own species.



 According to the psychology of Carl Gustav Jung (1875-1961) there are four functions of consciousness and these correspond to the sword (`Thinking`), spear (`Intuition`), cup (`Feeling`), and dish (`Sensation`) of the tarot. Because the polo player in Britney`s Radar denotes the character from the Momluk tarot that corresponds to the knight with the lance, he`s `positionally` the Arabian knight Saladin.



 The Momluk Sultans were from Kurdistan, Saladin`s birthplace; significant because Saddam Hussein`s treatment of the Kurds in Kurdistan was the main reason given as justification for Saudi Arabia`s support for the Gulf Wars. The Momluks spread Islam by the sword, as far as Hungary in Western Europe (1541-1699). They gave themselves the title of `Custodians of the Holy Mosques`, a title which King Fahd of Saudi Arabia adopted in 1986 thereby `positionally` declaring Saudi Arabia`s support for the descendants of Saladin, the `Arabian Knights` of Kurdistan, and of course Islam.



 Polo is an aristocratic sport in which there are goals, two opposing teams, and a ball. Each period of play in polo is called a `chukker`, which derives from the Sanskrit `cakra`; circle or wheel. Britney`s Radar is alluding to `Fortune`s Wheel` in the tarot deck:


 `... we all change positions, some of us rising some of us falling, some dropping to a nadir, some reaching a zenith.`1



 Polo, as the `sport of kings`, is elitist. Knights have lances, and polo players, in each `chukker` or period of play, wield `mallets` as symbolic lancers, and their opponents are metaphorically `unhorsed` if they score goals; as knights jousting in `tourneys`, that is. The elitism of polo resides in the meaning of the sport, which is that knights aren`t racist.



Traditionally, knights have squires; apprentice knights. This is important because it ensures the continuity of the knightly tradition. In racist slang, blacks are `spear chuckers`, which explains why `clubs` replace `spears` in the modern tarot. The black African peoples have chucked their `spears` and only have `clubs`, that is, the South African Zulus were defeated by the British lancers at Ulundi (1879), for example. A `spear chucker` is in fact a `spear thrower`, a tool used by aboriginal peoples to extend their arm. It`s a piece of wood with a groove into which the shaft of the spear is inserted and then it is used as a `launcher`. After the spear has been thrown what`s left is the piece of wood with the groove, the `spear chucker`, which is in effect a `club`.



 A `club` is what Kevin Federline had after Britney Spears because he signed on for the seventh season of the `reality TV` show Celebrity Fit Club (2009). In Britney mythology, a `club` is for those who want Spears. In Radar terms, Federline had `chucked` his, a euphemism for ending a relationship. Britney`s Spears, not a `clubber`. However, after her divorce, she herself became a `night clubber`; because she`d been `thrown over` and had to `start over`. Her 2012 single Criminal suggests how `night clubbing` degenerates into `knight clubbing` where good knights are robbed by the evil.



 Britney lost control of her fortune to `Conservatorship` (her father, James) because she (and her children) were `chucked` by Federline for `clubbing` rather than `Christian fellowship`, which the `Daughters of the American Revolution` (DAR) might represent for Britney.  In terms of `knight clubs` Jesus` disciples from the `Last Supper`, symbolized by the Grail (cup and dish), are the precursors of la table ronde of the Arthurian knights (sword and lance) persisting into the modern age as a `Rotary Club` that denotes knightly `training` for those who`d `chuck` Spears, as it were, and become `clubbers`.

 Oops I Did It Again shows Britney Spears` early awareness of the meaning of the `Rotary Club`. The spaceman`s first words on perceiving her on Mars are `Whoa there horsey!` Wearing a red pilot`s suit Britney hooks and hoists him to where he`s able to look down where she lies; as if upon a white tablecloth in a white bikini-dress. He`s her knight, and not a polo rider. He`s not going to `chukka` because he doesn`t want to `chuck her` for a men`s `club`, which would be homosexual. Consequently, homosexuality would be defined as men `clubbing` a man who`s a good knight with his lady. The homosexual penis, as an AIDS spreading weapon, is a `members club` for subduing ladies, and their good knights; much in the way that the evil hate laughter and would promote AIDS rather than sexual pleasure. In sexual terms, `clubbers` are `spear chuckers` because they`ve developed homosexuality as a disease. Men`s penises are so small in comparison to futanar women who have their own that it could only be the result of a relationship with Woman that wasn`t supposed to last because they`re homosexual. Their penises are so small it seems almost certain that the rectum is their appropriate orifice.

 Beside Britney`s spaceman is a `giant fork`; one of several `giant` motifs in the video. Descending in her red pilot`s suit, Britney`s inside a giant`s ring and, dancing, she appears inside the rib cage of the giant. When the spaceman gives her a box containing a gift, she says:


 `But I thought the old lady dropped it into the ocean in the end?`


 Again it`s a `giant` reference to the Titanic movie in which the `heart of the ocean`, a blue diamond, is dropped into the sea at the site of the ship`s salvaging by Rose. The Titanic sank after hitting an iceberg on its maiden voyage in 1911. Described as `unsinkable` at its launch, the movie uses it as a metaphor for betrayed love.  Rose`s ex-fiancée `plants` the jewel in her new love`s pocket, accusing him of theft. Her love subsequently drowns while attempting to save people in the lifeboats and, despairingly, Rose drops the `heart of the ocean` jewel into the sea at the movie`s close. Appearing on Mars in Oops I Did It Again the heart, inside the giant rib cage, is a symbol of a titan`s love.

 The titans were gods and goddesses descending from Gaia, the Earth`s `mother, and Uranus. Britney`s allusion is to Tethys, the consort of Oceanus. Tethys would be the `heart of the ocean` in symbolic terms, a Titaness, and symbolically the Titanic would be her ship; the ship of Gaia, the Earth. Anyone trying to see the joke would laugh at the idea of Gayer and Your anus as `received pronunciation` for Gaia and Uranus but it fits the notion of the Earth being Resurrected because Greek culture in ancient times was predominantly homosexual and male, which probably meant that the Earth was the original home of a single species of Woman. The revisionist thesis is not a new one. The Russians have altered history to suit themselves almost since Russia began. It`s highly probable that Greek homosexuality, caring nothing for the enslaved wombs of women, created a mythology designed to create false heroes for posterity. The Lemaean Hydra, for example, protecting the Danaiads, women who have refused to marry, is slain by Hercules. The Hydra has many heads and is female, which suggests that it`s a woman`s collective response to homosexuality as a form of enslavement and parasitism. Hercules, however, is the prototypical Greek homosexual with a  `club`.



If you`d ever seen a statue of the purportedly superhumanly strong Hercules and his incredibly shriveled penis you would laugh out loud. It`s a homosexual lampoon, because they hate Mankind. All war derives from them. That`s why Hercules carries a big club and has a very tiny penis. Because it`s designed for non-reproductive sterile anal masturbation, which is what a tank is. That`s why Hercules carries a very big club, because he has a tiny penis and he doesn`t want to use that. In terms of men`s role as parasites on women`s `host womb`, they breed men with a very tiny penis because the extinction of Mankind is what homosexuals are for and that`s why Hercules has a tiny penis and a big club to compensate his homosexuals` feelings of inferiority. Doubtless Hercules had a large member, but penis envy is what homosexuality is all about. Mankind wants to reproduce with Woman, whereas the homosexual doesn`t. Ridiculing Hercules and giving him a big club is homosexuality`s way of planning Armageddon.

 Because Mars is a desert planet without water, the `heart of the ocean` is a metaphor for Resurrection. In his 1922 poem The Wasteland T.S. Eliot presents similar imagery to, as it were, `water` the imagination of the reader to produce:


`... a revelation of that vanished mind of which our mind is a continuation.`2



 Eliot sought to use what he called the `objective correlative` to foster those thoughts in the minds of his readers that would facilitate their own personal development, a process of correspondence between imagery and imagination which the psychologist Carl Gustav Jung (1875-1961) termed `individuation`. Jung called the elements of the human psyche that aroused inventiveness and creativity `archetypes` and argued that they appeared in mythology and dreams, as well as before and within imagination`s products.



 In The Wasteland T.S. Eliot used imagery similar to Britney`s `heart of the ocean` in Oops I Did It Again to stimulate the mind. The Wasteland refers constantly to the Grail legend and the role of the `fisher king` who is waiting for his kingdom to be restored:


`I sat upon the shore

Fishing, with the arid plain behind me

Shall I at least set my lands in order?` 425


  In Oops I Did It Again Mars is Britney`s `arid plain` and she`s `fishing`. Her spaceman having `landed`, in her red pilot`s suit, she hooks her `fish` and dangles him above her white bikini dressed self who corresponds to her `hidden` woman. In the Bible, the New Redeemer protects the woman of the Earth, who is `hidden` until she leaves Earth. According to Revelation the symbol of the New Redeemer`s authority is a `rod`. Because there are tarot motifs in Oops I Did It Again Britney`s future is present. She has a `ruler`. In astrological terms, her ruler is Mars, and so she`s ruling her red planet, which is unusual; because Mars is a war god.  Because Mars` sandy desert  is arid and barren, the god of war represents sterile homosexuality. Britney needs to overcome Mars `to set my lands in order`. In other words, Mars is the male ego, sterile and homosexual, so Britney has to replace Mars as her `ruler` so that her red planet can become green. Earth is described in science fiction as a `blue and green world` because it`s watery and verdant, so desert Mars should be red and green.



 The desert is important because one of the central figures of the holy book of the Arabian deserts, the Koran, is Khidr `the green one`, who emerges from the Red Sea after Joshua loses a fish he has for Moses` supper. Khidr begins to teach Moses who complains that Khidr does things that only Khidr knows the reason for. But that`s why Khidr`s wise, and Moslems believe in obedience to the `Will of Allah` (God),  because they don`t know the reason for everything that happens. In Judaism Moses receives the `law of God` on Mt. Siniai. They`re for Moses so that he can obey God and not have to know the reason why things happen. Jesus, whose symbol, like Khidr, is the fish, distilled `God`s law` into `love your neighbor as you love yourself`. It`s the simple Arabian perception that growing things need to be `watered`. If your neighbor has fruit trees, so will you.



 In the developmental psychology of Carl Gustav Jung (1875-1961) the fish symbol represents a content of the unconscious, in dreams, myth, and imagination, that is struggling to become conscious. The fish is a developmental symbol, which is why the `fisher king` is fishing in T.S. Eliot`s The Wasteland. Britney, in her red pilot`s suit in Oops I Did It Again, shows the spaceman to herself in a white bikini dress, to see if she`s sexually aroused.  If he`s sexually aroused, it means that her penis is erect, which is Christian in thinking but not yet Redemption for Mankind as woman with a penis of her own and a species in development. From the Earth`s moon, Earth is a `blue and green world`. From the Earth, the moon is silver. But it`s sterile. So men have been with their war god homosexuality, and Britney`s on Mars in Oops I Did It Again to observe that going back to the moon and pretending that you haven`t been there before isn`t Redemption. Altough it looks silver from the Earth, their moon is pock marked with what appear to be blast craters. God`s plan for Redemption is `green` because men as a parasite on the `host womb` of Woman are the war god homosexuality, whereas Woman with a penis is a developer`s species. Britney appears in three different guises on Mars. In her red pilot`s suit; in a white bikini dress; and in a white blouse with black leather skirt and boots. In her red pilot`s suit she hoists her spaceman and dangles him like bait above herself in a white bikini dress. He`s a small fish and she`s using him to catch a bigger fish. If a woman has a penis, she`d need a woman for sex, but because she`s a woman she also has a vagina, and so she would need a third woman with a penis for sex, which is why there are three Britneys in Oops I Did It Again. Woman as a species is the big fish of religious thought, which provides a solution to Mars` war god homosexuality and predicts a future for Mars as a red and green world.



 In Islam they say that, if you accept Jesus, you`re a Moslem. Because Khidr is the beard of Jesus. He`s `the green one` and all that`s required in Christianity is to accept the meaning of the symbol of the fish, which is the Arabian principle that all growing things need water. Life can`t be sustained without growing things, and so growth and development is what the fish, which lives in water, symbolizes. The lungfish, according to evolutionary theory, is the precursor of all animal life. Mankind has lungs, so men were fish. Jesus was a `fisher of men` because he believed in saving good men. Christian baptism is a symbolic immersion in water to remind Westerners that Jesus was Arabian and water is the stuff of life and those green growing things that can`t be lived without.



 A man will often say to a woman that he `can`t live without her` and that she`s `necessary` to his `well being`. In angling terms, Britney Spears was `fed a line` by Federline, before he chucked his Spears back into the water. In Jungian terms, he wanted to fish for `tuna` and do some `clubbing`. In American slang, a `tuna` is a vagina. In Japan fishermen surround the tuna in the water and club them to death, which is why `fed her a line` preferred `clubbing`. A `tuna boat` is a car with more than one woman, and so the spaceman in Oops I Did It Again represents Britney`s `little man in the boat`, that is, the clitoris. In simple terms, Britney masturbates and the penis gets bigger.



According to Jungian psychology there are four functions of consciousness; `Thinking`, `Feeling`, `Sensation`, and `Intuition`. The eyes are associated with the `Sensation` function and the clitoris is the only organ, male or female, that`s entirely concerned with sexual sensation. Consequently, the spaceman with his camera represents Britney`s `Sensation` function.  Her perception is that the penis gets bigger if she shows herself because the penis finds her desirable and libidic energy is transferred into activities designed to win her. Writing articles about Britney Spears, for example.



 9/11 is a further example. The Twin Towers represent development, which is in accordance with the concept of `the green one`, Khidr, in the Koran, that is, the WTC grew because the woman has shown enough of herself to make the penis grow. The `Islamic fundamentalists` of Al Qaeda were anathema to Moslems because they represented anti-life. Britney`s position is psychologically true and developmental. The penis gets bigger is the woman shows herself. In Islam the woman is only supposed to show herself to her man, and she wears the one piece coverall, the abiyah, in public. Pop stars like Dana, Nancy Aram, Myriam Fares, and Haifa Wahbi show more of themselves; and the penis gets bigger. It`s funny for young girls, but women are a species with their own penis. Consequently, the `bigging` of the penis is important to them because it`s their planet, and the Twin Towers are their erections also.

 Because Britney appears `twinned` in red and white in Oops I Did It Again  it`s a transition. In tarot terms, her red Mars planetary ruler is introducing herself in a white bikini dress to a new man. Britney, however, is bisexual. Her `daughter` is interested in science fiction, and that`s why the astronaut is wearing a spacesuit. Her libido is directed towards space and not Earth. In T.S. Eliot`s The Wasteland the fisher king`s rod is a symbol of the need for the fish that will restore the kingdom. In Christianity, Jesus` symbol  is the `fish` because of his teaching of Redemption. According to Revelation the redeemed are put in a new place, which is heaven. Moreover, the `hidden` woman, protected by the New Redeemer`s `rod`, leaves Earth to `sow` her `seed` amongst the stars, and her `seed` fights a war in heaven against the evil serpent`s `seed`, which is homosexuality, and receives a new heaven and Earth from God as a reward while the evil experience perdition. The `hidden` woman sows her own seed, so she has her own penis. The penis of the `fisher king`  is dysfunctional because of a wound given him by the `Spear of Destiny`, that is, the spear of Longinus that pierced the side of Jesus and, effectively, released the Paraclete or Holy Spirit as `Second Eve` from the rib of the `Second Adam` after Jesus` crucifixion and death. The `fish` is a symbol of development, and the woman with a penis is God`s new woman. Consequently, the `Spear of Destiny` is the liberator. Redemption is Woman with a penis as God`s new species, and Jesus` precept to `love your neighbor as you love yourself` is preparation for Man`s understanding that their future is Redemption as Woman with a penis.



 In symbolic terms, the `heart of the ocean` in Oops I Did It Again corresponds to what Jung terms the `Feeling` function in humans, which is symbolized in Christianity by the Grail or `cup` used by Jesus at the `Last Supper` before his crucifixion. A grail could contain both food and drink, that is, it`s a duplex vessel, but in the tarot deck the symbol is separated into suits of `cup` and `dish`. In Jungian psychology, the `dish` represents the `Sensation` function, which is associated with the sense of sight, whereas `Feeling` is associated with the mouth, eating and speech. Undifferentiated, the mouth is for eating, and the ability to speak is consequently indicative of a more differentiated or conscious `Feeling` function. Eating and drinking while conversing is, therefore, a sign of `fellow feeling`  to a refined degree, and as the `fish` on the `dish` on la table ronde Britney in her white bikini dress in Oops I Did It Again is equivalent to the fish supper that Joshua was keeping for Moses before it leapt into the Red Sea and reemerged as Khidr, `the green one`, who is wise and represents development. In real terms, Oops I Did It Again is Britney`s Beard because it represents her wisdom. The giant`s fork beside the spaceman`s helmet as he gazes down upon her is a cannibal allusion. Britney descends inside a giant`s ring to her stage in Oops I Did It Again so she`s supposed to appear as small. Because the eyes are associated with the `Sensation`  function and sexuality, `tuna clubbing` is the concomitant of a male sexuality that has become homosexual, that is, the fork gets bigger. It`s the Mr. Big idea. Who is it that`s developing the Earth in order to devour it? From the eyes point of view, there are never enough women to admire, but the desire to possess is demonic and can result in what the French call crime de passione, which is the murder of what`s desirable. In Jungian psychology `Feeling` is associated with the mouth and eating, whereas `Sensation` is associated with the eyes and sexuality. Cunnilingus and fellatio are definably `Feeling` because they`re associated with the mouth, but eyes and mouths that represent undifferentiated `Sensation` or `Feeling` mean devourment for the women they want. Britney`s Oops I Did It Again is about Britney`s ruler, but not from a tarot or astrological point of view. She hadn`t yet met first husband Alex, never mind Federline when she made Oops I Did It Again. Her ruler was going to introduce her to Federline, because it`s built into the video as a primary concept. In other words, the elements of the video aren`t predictive, they`re coercive. It`s a typically homosexual modus operandi in which the `star` is to be got into position rather than getting herself into a position to do what she wants, which is dangerous because homosexuals are interested in the man and not the woman. Consequently, Federline was theirs and not hers. In terms of the US, he represents the `Federal line`, which is that central government is more powerful than state government. Or, in other words, homosexuality is `the governor` of the women`s prison, which is the Earth before she leaves, and her family`s tree can begin to leaf everywhere amongst the stars. From a Mr. Big perspective, it`s about playing a `fish`. The line that Britney`s been fed is the bait, and then the line is paid out. She remains in the swim, as it were, until she`s reeled in exhausted.  It`s a `fish run` in which Mr. Big allows her to be in the swim, and even breed, but freedom is an illusion, Woman is a `breeding slave`.



 Jesus` symbol is the fish, and in the Koran Joshua loses a fish that he was bringing for Moses and himself to eat by the Red Sea. Upon its disappearance into the waters, the `wise old man` figure of Khidr appears. In symbolic terms, he`s the fish. Moses travels with Khidr, who explains that he rebuilds a wall so that the treasure beneath it isn`t found by evil doers. According to the Bible Moses doesn`t enter into God`s `Promised Land` of Canaan, but does receive the Judaiac law from God on Mt. Sinai. Joshua goes on to fight the Canaanites at the battle of Jericho and `the walls came tumbling down`.4 The analogy is of a small event, the wall, writ larger. The smaller event is as important as the seemingly greater. The wall rebuilt by Khidr refers to the treasure that`s Jesus, who`s to come after Jericho and is `reserved` for the New Testament. Similarly, Jesus was the `fish` because Christianity was yet to develop. As the `wise old man`, Khidr is Jesus` beard. Because Jesus` teachings are accepted in Islam. Jesus is the `fish` because, developing his teachings from infancy, Christianity is Jesus` beard writ large.



 In Oops I Did It Again Britney appears descending in a giant ring. Because Khidr is `the green one`, the giant is green. In the USA there`s a 55 foot high statue of the Green Giant in Blue Earth.5 Although Mars is the red planet and a desert, Britney`s conception is that it`s the bottom of the Earth`s blue ocean and a sterile wasteland is what men would make of it because they don`t value the wisdom of Jesus` beard.

 Britney, in her white bikini dress, revolving slowly upon her round white tablecloth beneath her increasingly rounded spaceman`s eyes (`Sensation`), is a science fictional la table ronde, and also a scifi image of the `Last Supper` at which Jesus offered `bread and wine` to his `knights` as a symbol of fellowship. However, Britney is a woman, and so the offer is physical love.



 Jesus` story is a typical `Greek` tragedy in which the man is murdered by homosexuals who want him to `know` them, in the biblical sense of Sodomites, and he doesn`t want to know. The story of the evil serpent in Eden is similarly about `knowing`. God creates Eve from the rib of Adam and the serpent begins the process of separating Eve from Adam. It`s a homosexual myth. After Jesus` arrest and trial, he`s crucified, and at the `Last Supper` he tells Peter, `the rock upon whom I will build my Church`, that Peter will not admit to knowing him the next  day:


 `A servant girl saw him seated there in the firelight. She looked closely at him and said, `This man was with him.` But he denied it. `Woman, I don't know him,` he said. (Matt: 26. 69-75)


 Peter doesn`t know Jesus, and denies being a Sodomite vehemently to a young woman who, effectively, is a sex slave, which is a normal reaction for a man with a penis to satisfy, whereas following a man who preaches love to men, and for men by men, is intrinsically abnormal. Physical love from a woman is the  sine qua non of development, which is denied Jesus in the New Testament because Mr. Big doesn`t want him to have it.

 In the New Testament  of the Bible, Judas` betrayal of Jesus` unspecific  love is a homosexual `parable`. The disciples criticize the woman who anoints Jesus with expensive oil before his crucifixion because they`re jealous homosexuals. Effectively, Jesus` reply is: `Don`t you think I`m worth a woman`s love?` (Luke: 7. 36-50)

 They don`t because what Jung terms the shadow of homosexuality is upon them, and that`s why the Paraclete or Holy Spirit effectively emerges from the side of Jesus when it`s pierced by the spear of the Roman centurion Longinus at the crucifixion. Afterwards the `spear of Longinus` was known as the `spear of Destiny`,  because the Paraclete, or Holy Spirit, is the `Second Eve` from the side of the `Second Adam`, Jesus.  As a `tutelary spirit` from God, the Paraclete, or Holy Spirit, emerging from the side of Jesus pierced by the spear of Destiny, confers the role of symbolic `vessel` upon Britney Spears:


`I`m Miss American Dream since I was seventeen.` Piece Of Me


 Manifest Destiny and the American Dream are basic tenets of faith in the USA. Consequently, Britney Spears is a symbol of the role of the Paraclete and the Holy Spirit as a `teacher`. The imagery of her videos is designed to promote individuation. As in T.S. Eliot`s The Wasteland, we are meant to decipher her meaning inwardly and outwardly develop because we are inspired. The key is sexuality. As a canalizer of penis arousal, Britney`s a `developer` who knows Woman has a penis. In Oops I Did It Again she appears in a red pilot`s suit to suspend her spaceman above herself in a white bikini dress because, in Jungian literary analysis, such `splitting` of a main character denotes the differentiation of a function. Here the `splitting` is that of man from woman with her own penis as an independent species. Britney, in her red pilot`s suit, is `androgynous`, but sexually desirable to her spaceman in her white bikini dress. He represents the penis, and the Christian `fellowship` imagery suggests he`s to be understood as being her. In her red suit she can only suggest bisexuality and lesbianism, but she has to in order to announce the Advent of the future of God`s plan for the Earth`s `hidden` woman, that is, the emergence of `Woman` as a species from Earth with her own penis.

 As Britney`s white bikini dressed figure revolves upon her white clothed table ronde she`s surrounded by an eight pointed `star`, a symbol of good knights and fellowship, and imagery suggestive of the `star` of Bethlehem that heralded the advent of Jesus upon the Earth. According to Jungian psychology, there are facultas praeformandi pre-existent in the psyche as latent images waiting to be awakened and that foster individuation, that is, developmental functioning. Jung calls these archetypes. In Oops I Did It Again Britney is attempting to constellate, from within the psyche of her suspended spaceman `watcher`, the archetype of the new Christ, described in Revelation as born to the `star woman` , `clothed with the sun and with the moon at her feet`. The `New Redeemer` will protect the `hidden` woman of the Earth before she leaves to sow her `seed` amongst the stars.



 Oops I Did It Again is analogous to the nursery rhyme in which the `dish ran away with the spoon` and the `cow jumped over the moon`. Britney`s the `dish` and the spaceman is the `spoon`. Knights were so heavy in their armour they had to be hoisted onto their horse. Britney suspends her space knight above her white bikini dressed self because she doesn`t want to be `ridden` by a `false knight` who has a controlling demon, which is what `Mission Control` represents. Beneath her white bikini dressed form is her white `saddlecloth`, but she isn`t `saddled` with the `spoon`, that is, her spaceman`s penis, because that`s Mission Control`s `handle`. When he lands on Mars, Mission Control contact him by radio:


`Earth to Mars lander. Report status please.`


 He`s `Mars lander`, that`s his `handle`. We never hear any other `handle`. It`s the `handle` by means of which the demons of Mission Control `spoon` with him. Spooning is sexual and is the placing of the penis between a woman`s buttocks while sleeping.  The Mission Control demons represent homosexual `spooning`, that is, contamination. According to Judaiac thought the Shekinah and the Paraclete or Holy Spirit are the `spirit of God`, which Christianity calls the `tutelary spirit`, and so it`s against `God`s will` to listen to the voices of men inside your mind because that`s `spooning` with demons and would contaminate your relations with your woman and prevent you from hearing the words of the `spirit of God`, accepting the teachings of Jesus as communicated by the Holy Spirit, and adhering to the `will of God`. The Shekinah is female, and `Mars slander` is the homosexual spirit of the war god that wants to discredit Woman`s God by slander, which is what Shaitan is purported to do in Islam. Although Shaitan only has the power to whisper, slanderous gossip based on `hearsay` can ruin relationships. Britney`s bisexuality means that she`s hated, because she`s not open to slanderous accusations about her sexuality. Therefore she was stripped of her fortune and her children, because Mr. Big is a demon who didn`t have a `handle` on her.

 As a hermaphroditic symbol of woman as a species, Britney`s `dish` and `spoon` in Oops I Did It Again suggest the future of sexual love and reproduction. Britney lost her custody battle over her children because the paparazzi noticed that she didn`t care when her youngest son`s baseball cap fell off. It`s the baby`s `spoon` and her demon saw that it could take the child away from her by drawing attention to her losing the `spoon`. Her baby is her egg, and the cap is what they call in English language a `warmer` before they get to the main part of the lesson. As a `trophy wife`, Britney`s the cup of her egg, that is, her child`s `trophy` too. The mouth is associated with the `Feeling` function in Jungian psychology and, in England, they say that aristocrats are born with a `silver spoon` in their mouths, which means that their feelings can be `contaminated` by money.



 In the `egg and spoon race` Britney dropped the spoon but saved the egg, her baby, which is not what her demon, Mr Big, wanted. Men aren`t a species, because women have their own penis, and so the `egg and spoon race` is homosexual. They`re interested in the baby because a `spoon` is interpretable as a male penis, and so the homosexual demons aren`t interested in her because she`s a woman, and the wrong kind of egg product, so they took Britney away from her son after she left his baseball cap in the street. If she`d left the baby with Federline that would have been the end of the `egg and spoon race`, because the baby is her egg product. But the baseball cap is the `spoon` symbol, which suggested to the homosexual demons that she didn`t want the product of her egg because it was male. They used it to `spoon` her son away from her.  In simple terms, homosexuals are the `egg and spoon race` because they`re only concerned with the `spoon`, that is, the penis. To them women are not important. It`s just balancing the egg on the spoon for the cup.

 In Revelation the red dragon waits to devour the child of the woman `clothed with the sun and with the moon at her feet`, which corresponds to Britney on Mars, Earth`s nearest planet and closer to the sun. The dragon is the son devourer, which is the cup that the homosexual wins. The `New Redeemer` is born, however, and grows to protect the woman `hidden` upon the Earth until she leaves, and defeats the evil serpent`s `seed` by sowing her own with her own penis and fighting a war in heaven against homosexuality. Mr. Big, Britney`s demon, is the son devourer who was able to get the `spoon` but not the baby, because she`s the cup and he couldn`t win.

 In Egyptian mythology the soul and the spirit are separate entities; Ba and Ka corresponding to personality and memory. In the myth of Ra the god is incarnate upon the Earth as Osiris who is `dismembered` by his evil shadow brother, Set, a symbol of the way men don`t want you to understand them. Osiris is a multiple personality or `Bau` that knows itself before it becomes evilled by split off components of the group mind that seek power and a reduced level of self awareness for the other elements of their `mind of God`.  Because the `Ka` is the memory, the collective mind is the `Kau`, and so the `cow` that `jumps over the moon` in the children`s nursery rhyme is a symbol of Ra`s return to heaven. In the Egyptian myth, `Ba` and `Ka` are united as the `magical personality` or `Akh` because Isis, the goddess, reassembles the `Ha` or parts of Osiris. All the parts are reassembled apart from the penis, so Isis makes another. It`s a metaphor for lost memory. The penis is the instrument of rememberment and sex is the restorer. Resurrection is the restoration of parts (Hau), personality (Bau), and memory (Kau), which is `Hau`, `Bau`, and `Kau`. The children`s nursery rhyme of the `dish and spoon` is a species` mnemonic. English pronunciation classes often feature the phrase `How now brown cow.` The reason for this is because it `sounds like` the Egyptian mythologem of Ra, and so is a mnemonic for the meaning of Ra:


 Hau Nau Bau Kau.


 `Nau` is the primal water from which all life came, and corresponds to what Jung calls the collective unconscious which contains all developmental archetypes. Consequently, it`s a species` memory. When all the parts of Osiris (Ha) are assembled`(Hau), the multiple personality (Ba) comprised of individuals (Bau) and its memory (Ka) is restored (Kau). Ra-Osiris becomes Horus, the `sky god`, because he`s remembered. He can ascend to the stars as a collective consciousness of individuals because he`s remembered how to.

 In Oops I Did It Again Britney, clothed only in her red pilot`s suit, is on Mars to receive her spaceman visitor in his spacesuit because she knows `Hau`. The spaceman needs `know Hau`, and so must become a `functioning personality` (Bau) with restored memory (Kau) to `jump over the moon` to Mars. If they don`t remember `Hau` it`s because men blind them, a euphemism for the murder of God as described in the Egyptian myth of Ra incarnated upon the Earth as a `multiple personality` murdered by his evil brother Set so that he can`t `see`.

 You can`t drive a car if you`re blind, and you can`t pilot a space rocket if you`re dead. Dead is progressive blindness to a `multiple personality`, which is defined erroneously as `schizophrenia` by psychologists. In fact it`s the `presence of God`, the Shekinah, and `schizophrenia` is, properly defined, a symptom of the murder of God by men who prefer blindness (for others), degeneracy (for all), and so they represent what is regressively evil and unhuman.



 In the Egyptian myth of Oedipus the problem is sight, that is, the central protagonist is metaphorically unable to see from birth and, at the story`s end, he`s physically unable to see. Because men don`t want him to remember. Oops I Did It Again is about the opening of eyes. The woman `hidden` upon the Earth is not able to be seen because men blind. In Arabia women wear the abiyah, a one piece coverall, so that they are `hidden` . Moreover, `Jennah` is the Arabian word for Paradise and translates as `hidden`. In the myth of Oedipus, dramatized by the Greek Sophocles in Oedipus Rex, Oedipus marries his mother, and blinds himself when he realizes; because he`s been taught the incest taboo by men. In other words, they`d murder him for being able to `see` that circumstances have directed him to the perfect woman for him. In dramatic terms, Oedipus is all of the characters; as he would be in Christ`s concept of `love your neighbor as you would love yourself `. Oedipus marries himself when he marries his mother Jocasta  but, if he were able to see that, he`d deduce that his penis is hers. That would reveal her as a species, and so men blind; because they want to continue their enslavement of woman`s `host womb` and remain as a parasite upon her and her Earth. In Islam men are even described as `leeches`3 in accordance with the teachings of their holy book, the Koran.



On Mars Britney Spears is `heaven` and the spaceman represents how men hide her by blinding. Man on her Mars doesn`t remember his `Starship` and, even if he did, men would murder him so that he`d remain blind in his incarnation. It`s director Stanley Kubrick`s 1968 movie 2001: A Space Odyssey in reverse.  Instead of the bone picked up by the monkey representing the evolutionary urge to travel to Jupiter, symbolized by the bone`s transforming into a space station as the monkey tosses it into the air after its having murdered a fellow monkey with it, the bone is the `club` symbolizing how degenerate men murder Man, so that Man won`t be able to travel to Jupiter. In `multiple personality` terms, if you want Britney Spears` God, you`ll have to learn Braille.



 In Islam the `embryo` is called alaqah, which means `leech`, `blood clot`, or `suspended thing`, and is what Britney`s spaceman represents. Suspended above her white bikini dressed self, he represents the `clot` who`s preventing the woman`s `consanguinity`, from the Latin consanguinitas, meaning `blood relation`, from flowing `incestuously` towards her own species. However, Britney`s spaceman has `Mission Control`, and so the real `clot` is the controller who functions as the `demonic possessor`, Britney`s Set, the evil `brother`. Dismembering Osiris in the Egyptian myth, Set represents the murder, and so progressive blinding, of the collective that can see well and know themselves to be God on Earth because they`ve consciously actualized the archetypes of the collective unconscious, the facultas praeformandi of dreams, myth, and imagination, placed in our unconscious selves by God for that purpose.



 Blinding would prevent Britney`s Man from reaching her through `know Hau`, that is, by murdering his `multiple personalities` (Bau), the Set `pieces`, that is, homosexuals with guns, would ensure memory loss (Ra would progressively be reduced from Kau to a single Ka) and the penis would lose its capacity to be remembered. From degenerate men`s point of view, the penis is a `blood clot` that wants to be remembered by the woman, who has her own `Bau`, or `multiple personalities`. Man and Woman`s conjoined parts would give them `know Hau`, and their `Kau`, that is, memory, would remember how to `jump over the moon` to the stars in faster than light (FTL) starships, for example. Otherwise Man will spend eternity with the Starship Enterprise lying in the garage forgotten under a tarpaulin while he tries to build a bicycle. Then, having forgotten how to build a bicycle because he`s murdered and reincarnated, the men`s `club` of evil degenerates will laugh at him as he tries to build a bicycle again.



 The 9/11 terrorists from Al Qaeda used the lowest form of space travel, hijacked lanes, to chuck them at the Twin Towers of New York`s World trade Centre in the USA. It represented the raw aim of the `spear chucker` mentality; to prevent successful development from continuing. Although the white Arabian Moslem population of Sudan received heavy criticism for their treatment of black Moslem West Africans in Dharfur, the Arabs have represented a civilizing influence over Sudanese culture.  In other words, elitism isn`t racism; but the problem of the `spear chucker` remains. Al Qaeda chucked spears at the World Trade Centre. Neither planes nor ticket purchasing genuine visitors to the USA will be coming back from the 9/11 inferno, and the Twin Towers of the World Trade Centre are gone. The `spear chuckers` don`t want Man (still less Woman) to get off the Earth. In Oops I Did It Again Britney, in her red pilot suit, represents those who flew the X-15 planes out of Earth`s orbit before experiencing `blackout` and, falling back through the Earth`s atmosphere, awoke to rue the impossibility of ever flying to the stars because their brains couldn`t sustain consciousness under the high gravities they needed to withstand in order to operate a plane`s controls:


`Whisper softly and the world just disappears

 Take me high and just wipe away my fears,

 When you're with me

 Oh boy, it's my heartbeat that I hear

 Ooh, ooh baby

 In your arms I finally breathe

 Wrap me up in all your love

 That's the oxygen I need, yeah ...

 You're fillin` me up with your love.`  Ooh Ooh Baby



 In Islam the figure that finds correspondence with Satan is the djinn Shaitan but according to the Koran the evil one only has the power to whisper. What the individual does in response to the `whisperer` is a matter for free will. In Islamic tradition each individual has a good and a tempting djinn, a `Hamzad`, who record the good and bad deeds of the person to whom they are given. Depending on their records, the actor either goes to hell or heaven.  It`s a metaphor for a `choice dish`. In Arabia it`s traditional to eat only the food on your plate that you want and to leave what you don`t. Oops I Did It Again presents Britney, in her red pilot`s suit, as a good djinn and, in her white bikini dress, as a tempting djinn.

 From men`s perspective a woman with a penis is `Satan` because she`s a threat to their parasitical enslavement of her as a `host womb`. Consequently, Shaitan`s `whisperings` in Islam might correspond to the `tutelary guidance` of the Paraclete or Holy Spirit. Actions in accordance with the `will of Allah`, that is, `God`s will` in Christianity, can produce no evil results; whichever `voices` are audible to listeners who have conscience as their guide.  The Paraclete or Holy Spirit is the `Second Eve` born effectively from the side of Jesus as the `Second Adam` after being pierced by the spear of the Roman centurion Longinus and known thereafter as the Spear of Destiny because of its `potency`. In the Old Testament the `spirit of God` is the Shekinah who, described as a female spirit dwelling within the tabernacle where `God`s law is kept, corresponds to God`s conscience and that`s why she`s associated in Judaism with the Paraclete or Holy Spirit:


`[A] table ... prepare[d] for her ... the bride ... in holy jewels ...`6


 Britney Spears` white bikini dressed self upon the tablecloth of her altar with the star of her Advent about her is a type of the Shekinah in Oops I Did It Again where her suspended spaceman gazes down upon her. Either he`s her `liege lord` and a knight, or he`s a `leech lord` and a parasite. Under the direction of `Mission Control`, these are his `blood-sucking parasites` from her point of view and they`d interfere with their union. The `law of God` must be applied to `test the spirits`, as the Christians say, and remove any `demonic` control. There are indications of `demonic control` because the spaceman is a `camera` from the point of view of `Mission Control`, which means that he can only see what they point him at, a form of blindness in which `seeing is believing` and you accept that what you are able to see is all that`s present.

 The Shekinah is described as the `divine presence of God`, and she contains `All Worlds`, which explains why Britney is surrounded in Oops I Did It Again by `planetary bodies` orbiting her Mars. The video itself is demotic. There are indications of worlds that exist but are `hidden`; even from those who are able to penetrate some of Britney`s story. Only those who accept `God`s law` may enter we guess, and 9/11 holds the key. Those who pretend friendship in order to attack the innocent are breaking the law of God and are haraam. At the outset of Oops I Did It Again Britney`s spaceman uncovers a small icon of her in the desert of Mars and – Open Sesame! – Britney`s `Grail castle` emerges gargantuanly from the sand. It`s as if her spaceman `clicks` on a Microsoft Explorer (ME) icon, and the website corresponding to Britney`s URL appears. After he`s `released`, he`s depicted walking backwards; presumably to his previous position. Shaped like a `cookie` from a jar, the icon is, in fact, a `cookie` in internet terms also, and the `intruder` is safely dealt with by the simple means of `rewinding` him; or anything else that is deemed illegal by Britney Spears: a smarter `cookie` than she might appear to someone not interested in all the stories of all the worlds that the Shekinah contains as `spirit of God`s law` and supreme arbiter of what constitutes a `good yarn`.

 In the psychology of Carl Gustav Jung  (1875-1961) the tarot suits are equated with the four functions of consciousness, that is, `Sensation` (dish), `Thinking` (sword), `Feeling` (cup), and `Intuition` (lance). In Marie Louise Von Franz and Emma Jung`s `Jungian analysis`, The Grail legend, they interpret knife (`Intuition`) and `dish` (`Sensation`) symbolism as relating to the differentiation of the `lance` function. It`s the `sword [`Thinking`] beaten into a ploughshare` concept, but here the `lance` becomes a utensil. In Oops I Did It Again the `giant fork` beside Britney`s spaceman is differentiated `Thinking`, that is, the sword as utensil indicating deliberation; or, in other words, the `choice dish` of which story to enjoy. Of course you have to be interested in a story, and willing to let it unfold and enfold you. Pressing ENTER isn`t enough. You have to pass muster with the supreme arbiter of `God`s law`, the Shekinah; otherwise you`re an unwanted `hacker` into an `Ivory Tower`, a `spear chucker` terrorizing New Work.



1 Tarot, .

2 Eliot, T.S. `London Letter` in The Dial magazine, October 1921, .

3 'A Brief Illustrated Guide to Understanding Islam', .

4 Thacker, G.A. `The Walls Came Tumbling Down` (c. late 19th early 20th century)

5 Blue Earth is a city in Faribault County, Minnesota, at the confluence of the east and west branches of the Blue Earth River.

6 Luria, Isaac Sabbath Bride, .


The moon is Qareen

03/05/2012 11:41

The moon is Qareen,

she`s maid of silver,

and the sun is orange;

and the orange is Qareen.


Back Cars, or Arse Backwards With Britney Spears

03/05/2012 11:28

Back Cars, or Arse Backwards With Britney Spears


Don`t drive a car, because it`s pedal-pushing to give the illusion of adulthood, rather than a trained monkey. Observing grown men, carefully watching the back of the car in front, especially in Saudi Arabia, where women are forbidden to drive, brings the monkey analogy into focus. Men aren`t watching the arse of the woman; it`s the backs of the men`s cars: to avoid recognizing a sublimated homosexuality in which the penis transmits sexually the disease (STD), HIV/AIDS` , an`incurable killer disease` through the asshole ahead, as a form of `biological warfare` against `woman`s seed`.



 Scientists believe AIDS derived from monkeys, although parasitical host womb slavery in homosexuality and pederasty for parasitoid devouring through war was institutionalized in ancient Greece. Moreover, God destroyed Sodom and Gomorrah (Gen: 18, 19), according to the Old Testament of the Bible, because men wanted anal, that is, monkeys are what HIV/AIDS produces. In Revelation everyone has the `mark of the beast`, while: `...ugly and painful sores broke out on the people who had the mark of the beast and worshiped his image.` (Rev: 16.2)



 The pseudo-psychology of behavioralism is the `mark of the beast`, because men behave as monkeys, if they`re homosexual, and homosexuality is defined as `brutality and violence` called `rough trade`, which is why the Twin Towers of the World Trade Centre were chosen by the Al Qaeda terrorist group operating under the auspices of the misogynist Taliban regime in Afghanistan on September 11, 2001. Homosexuality is `biological war` with AIDS as a terror weapon used to keep women in fearful faithfulness to men`s misogynistic ring slavery for host womb parasitism to feed their parasitoid nature as the devourers of `woman`s seed`. Men watch the back of the car in front because it`s behavioralism. They have car registration numbers to identify them, `phone numbers, and other numbered IDs, which is why the `number of the beast` is 666 in Revelation, that is, perversity, because the police are 999: `Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11) They perversely prefer homosexual behavior, so 666 is 999 reversed, and the police are the bullies who enforce animal behavior.



 Traffic lights prevent motorists from going forward into the boot of the car in front, because it`s a bullet to go through the boot. Annoyed by the car ahead in traffic jams, the impulse is to `ram`, which is why Satan is often depicted with ram`s horns, as Satanism is sublimated homosexual behaviour opposed to Christian shepherding, because the `boot` of the car at the rear represents God`s foot`, which is `hidden` futanarian humanity. In Christianity Jesus` mother, the Virgin Mary, is depicted crushing the head of the serpent, Satan, with her `foot`, because God told the first woman, Eve: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) The serpent, Satan, was the angel placed on Earth for rejecting God`s plan that the human host should be greater than the angelic host, and he gave Eve the `fruit of the tree of the knowledge of good and evil`, which was death, `You shall be as gods.` (Gen: 3. 5) God had given Eve and the first man, Adam, `the fruit of the tree of life`, that is, immortality, and expelled Eve and Adam, who must labor, while Eve would experience labor pain, before Redemption, which Jesus born uncontaminated by male semen as the `foot` of God represented as the futanarian teacher of the human species: `Love your neighbour as you love yourself.` (Mk: 12. 31) Because human futanarian women can sexually reproduce brainpower with each other, they`re the `foot` of God that can crush the host womb enslaver of the race, Satan.



 Jesus` death, Resurrection and Ascension to heaven prefigured that of `woman`s seed`, whereas the motor car is a machine gun. Behavioralism suggests that repressed homosexuality will result in aggression, which materializes in the shape of the tank of petrol with the elephant gun on the turret as a symbol of the repressed penis` seeking to penetrate the futanarian race and spread homosexuality`s `incurable killer disease` throughout human nature.  Bored with watching the boot, tank battles ensue. The `hidden` face of homosexuality emerges with a gun, and a `biological bullet` for the plain of `Megiddo`, which is the location prophesied in Revelation for the last confrontation between good and evil. Human futanarian `woman`s seed` is expected to triumph over homosexual behavioralism, which is the system of those who`ve trained humans as animals, so they`ll be `beasts`. However, acceptance of the `spirit of God` is the `spirit` in the `Word` of the law of prohibition, that is, the promise that humans won`t have to steal, murder, or be jealous: `Thou shalt not [have to] steal.`

 Behavioralists rely on rules that treat humans as monkeys. Driving behind another`s car for decades in denial of anal desire resulting in `Armageddon` is behavioralism. Telling a monkey it mustn`t be anal encourages interest, but God isn`t a behavioralist. Adam and Eve are told not to eat the `fruit of the tree of the knowledge of good and evil` because it`s poison, that is, their boy sons will have HIV/AIDS if they encourage anal. Developmental psychology provides cogent reasons against anal, for example, it`s unproductive and sterile, that is, death rather than life. The serpent in Eden is a behavioralist, because it wants Eve to eat the fruit and die, which they do. Naked in Eden, Eve and Adam discover their nakedness after the serpent`s direction. Before God they`re unashamed, so their behaviour is directable, and boy sons, that is, poisons, result. Cain kills Abel because Abel is able, which suggests he won`t be trained as an animal by Cain, who kills him as a behavioralist. Evil people don`t want life, or to live, and Adam and Eve accept slavery in ephemerality in exchange for power, that is, death, which is what Satan offered Jesus, who replied: `Avoid me.`

 Because Jesus wants immortality amongst God`s planets and stars, which Adam and Eve lost when they accepted slavery in ephemerality, although human futanarian women`s penis` semen would sexually reproduce the brainpower needed to take humanity to heaven as `woman seed`. In Revelation the `hidden` woman is protected by the `New Redeemer`, who will `rule the nations with an iron sceptre`, until she`s ready to leave and sow her `seed` against the evil serpent`s `seed`, that is, those who`ll receive God`s punishment of eternal unendurable pain, while God gives the woman and her `seed` an eternal heaven and Earth. Because women have their own penis` `seed` as futanarian humanity, she`s `hidden` partly because men want to occlude humanity from knowing they`re a species enslaved by an alien. Men without futanarian women`s reproductive capacity are sterile parasitical organisms, which the late 20th century `incurable killer disease`, HIV/AIDS, spread by men`s mixing blood, shit and semen in each others` anuses, illustrates. As a viral life form, men are a parasite that somehow inveigled itself into women`s host wombs to steal her penis` semen and enslave her as a parasitoid nature which now breeds her to produce civilization, culture and art to devour in its `biological warfare` against women`s human futanarian nature. Emerging as viruses formed in women`s host wombs, men feed upon women as parasitical `leeches`, which is how they`re described in Islam, before devouring women`s human futanarian nature as dragon`s grown since their days as women`s symbolic paradise`s serpent:


`... the embryo ... obtains nourishment from the blood of the mother, similar to the leech, which feeds on the blood of others.`1


 In Greco-Roman times a roadside `herm` was a `signpost`, a symbol of Hermes, the god, an upright stone pillar with a penis carved on it, and a bust of the god`s head atop the column. Insofar as roads are homosexual behavioralism, the penis` herm is symbolic.  In Egyptian mythology, the `Shu` is the `feather of truth` of Ma`at,2 the goddess who balances it against the heart`s worth, and if the two balance the balanced human enters heaven, which is a metaphor for psychological balance deriving from the sexual reproduction of human futanarian brainpower. Traditionally, vampires can`t be seen in the glass of a mirror and so the mirror is the Shu`, which shows women why they`re not psychologically balanced, because the vampire has devoured their penis. Consequently, if a car is understood as having a rear view mirror, that is, the `Shu`, the `woman`s seed` can`t be seen, while the killers make a getaway in their vehicles, although the vampire`s there driving them on demoniacally with its HIV/AIDS` virus.



 Humans want to see what`s human, which is what sexual reproduction is for, although `human` is an adjectival, rather than a physical, characteristic. Men`s `Shu` isn`t women`s futanarian humanity, that is, the driven cars, are equivalent to the `Ka` or `spirit` of Egyptian mythology, represented in Moslem Islam by the Ka` Ba, which is the temple of Abraham in Mecca, Saudi Arabia, and where `Ba` is `soul`, because it represents Hajer, the Egyptian woman, who bore Ishmael, whose descendant Mohamed founded Islam after receiving the Koran (610-30 C.E.) from angels. Abraham`s wife, Sara, bore Isaac, founder of Judaism, and gave Hajer to Abraham after Sara became barren. Consequently, Islam is permitted four wives, which is why the Ka` Ba` represents women`s futanarian union of spirit and soul, whereas men`s cars (Kau) represent the prison bars (Bau) of the soul as they`re driven away from their crime of patricide against `woman`s seed` by their demons. 



 In the Greek drama Oedipus Rex (c. 429 B.C.) Oedipus kills his father without knowing him upon the road to Thebes. When Oedipus arrives he marries Jocasta and later discovers she`s his mother. Consequently, he`s metaphorically blind. Afterwards Oedipus blinds himself because of the incest taboo. However, because women are a single species, incest is a taboo designed to prevent them from sexually reproducing with each other, so Oedipus is an Everyman archetype demoniacally possessed. When Oedipus` daughter, Antigone, agrees to guide his steps, he`s a slaver, because women are humanly sympathetic, which is why they`re slaves.

 If Oedipus could remember being his father and mother, he`d have a penis with `vision`, because he`d have human ancestry, which is what Jesus` teaching of the Holy Spirit is for. Envisioned, Oedipus wouldn`t kill women`s human futanarian species, because he wouldn`t be alienated, but the `spirit of God` is women`s, which is why she`s depicted as dwelling with the law of God as the Jewish Shekinah in the Old Testament. Jesus` distillation of God`s law is `love`, which accords with the Shekinah`s female nature. Consequently, women are God`s species and men aren`t, although Jesus` teaching of shepherding `woman`s seed` is Redemption for men.  The Greek `herm` is a symbol of the killer`s getaway, which is why the Roman Empire built so many roads. Homosexuals don`t want humans to see, because they`d see the alien. Antigone can guide blind Oedipus, because she isn`t homosexual, whereas men deny the path to those who can see, because they`re alien pogromers. They don`t want Jocasta`s species to see enough to remember men are the alien enslavers of her host womb in parasitism for parasitoid entertainment dramas.

 The Greek `herm` is a symbol of the false path that men`s parasitoid natures want to be taken for truth, which is a part of their behavioralist program for reducing humanity to degeneracy through homosexuality in pederasty for war against `woman`s seed`. Humanity has a path, but the `ape of God`, as Satan is often described, represents the spirit of homosexual men prepared to kill the eyes of the penis that can see its alien nature, so that the monkey brained can live, which is why Revelation speaks of the `beast` on his `dark throne`, a symbol of blind unconscious ignorance: `...what rough beast, its hour come round at last, slouches towards Bethlehem to be born?`3


 Although women`s feelings for each other as aspecies with its own penis are repressed and condemned as homosexually `lesbian`, human futanarian women are sexually normal, and `lesbian` is a sexually perverse term devised by men as a tool to deprive women of their ordinary sexual heritage. The confusion arises from feminist assertions that women are homosexual if `lesbian`, whereas futanarian women are a sexually reproductive species, while men can`t sexually reproduce, and so even in democratic societies they`re a disenfranchising parasite upon the host wombs of the human society, which isn`t allowed to see that it`s belief in democracy is a lie promulgated by an alien parasitoid waging war against the human race.



 `PC` feminism argues that women are equal with men, although in Saudi Arabia, for example, women aren`t allowed to drive a car, because seeing a woman might cause `phantom` arousal, and rememberment, which the alien discourages because it interferes with the `prison system` of heterosexuals` producing a single male brained creature as a transvestite `TV` wearing each others` clothes for `snuff film` entertainments for men`s parasitoid natures, which is how the demon of homosexuality possesses, because it likes to torture its manifestations, for example, crucified Jesus was born uncontaminated by male semen, and so was attempting to escape as an unreconditioned `TV` producer the homosexuals wanted to repossess, because they want the `TV` for their human species` `snuff film`. Heterosexuals are conditioned into believing in heterosexuality, but imprisoning and enslaving women`s `host wombs` to demoniacally possess themselves of the `remnant` of women`s human futanarian race is what men`s parasitoid nature does. As a homosexual parasitical organism, it defines itself as `men`, whose `behavioralist` system is ignorance, even at the expense of species` extinguishing global thermo-nuclear war against `woman`s seed`.



 Kate Millett`s feminist polemic Sexual Politics (1968) is how the homosexuals put the gun in the hands of women, and have them shoot themselves, because homosexuals don`t want women. Heterosexuality is a `TV` argument, whereas women are a species, which doesn`t need the `gay` argument, whereas homosexuality is socio-historically the basis for slavery, war, plague and death. The `father of psychoanalysis`, Sigmund Freud (1856-1939), argued civilization, culture and art was `nothing but` expressions of the repressed penis, although he didn`t understand that it was the woman`s penis that was repressed. Modern psychologists believe the gun a repressed penis, which is a way of saying that male brained women are committing suicide, because men in misogyny want to kill them. Equating homosexuality with war, the anus is a ready made bullet hole into which the homosexual inserts his penis gun to kill the brain with HIV/AIDS` `biological warfare` bullets.

 Even if futanarian women practiced anal, she wouldn`t be homosexual, because men are, and women are the species, that is, in reality there` s no one else to see the women. Women are definable as `homosexual`, if they`re male brained killers of their own species, which is `the fall` for `woman`s seed`, that is, racial suicide, and that`s what the pseudo-attractive war god`s homosexual weapons are for.

 Nosing the bumper of the car in front metamorphoses into the tank with its barrel as a penis extension angrily denying its interest in sniffing the fumes emanating from the rear of the demon driven. In the developmental psychology of Carl Gustav Jung (1875-1961), there are four functions of consciousness associated with ears, eyes, mouth and nose in undifferentiated form, and `Intuition` is the function of consciousness associated with the `nose` or smell, and the feminine soul or anima in a man, which Jung views as an Antigone-like guide of the blind. Consequently, the tank is Oedipus` elephant gun, because he doesn`t want Antigone to see, that is, `woman`s seed` is the elephant, which is Jocasta and Antigone, who`re the species` pair in the tragedy.

 According to Jung, there are two feminine functions of consciousness (`Intuition`, and `Feeling`, which is associated with the mouth, that is, speech, kissing, eating and drinking), and two masculine functions of consciousness (`Thinking`, the ears; and `Sensation`; the eyes). Consequently, the car, with its four wheels, is analogous to the Jungian `Self`, with its four functions of consciousness, although the `Ka` spirit of Egyptian mythology aligned to the `Ba` soul, because futanarian women are humanity, suggest that men`s car has a problem with its tank, that is, what drives it. Tanks represent the undifferentiated `Self`, which has `Sensation` and `Thinking` (ears and eyes), but undifferentiated `Intuition` and `Feeling` (nose and mouth), because its elephant gun tank barrel is its killers` `Intuition`, and it’s a devouring maw, that is, men`s car (Ka) bereft of soul (Ba) is anti-life and productive of a planetary consciousness repressed by its parasitoid alien nature manifesting as a sadistic homosexual.



 If the demon driven refuses to accept the car behind doesn`t want to `get closer` to the `source of pollution`, and the tank barrel isn`t a big enough penis extension to hotly deny any suggestion of his homosexual parasitoid nature, he`ll resort to missiles, because men aren`t human. Insisting that sodomy isn`t contemplated, as distance is maintained from the rest of the demon driven, the planet will be destroyed by the parasitoid natures of the alien invaders, although homosexuality will have been denied by them, while the humans died sympathetic to the parasites` true feelings, whatever they might still be.

 Masculine `Sensation` and `Thinking` suggests that the ears and eyes of men, which hear and see women, are occluded by what Jung terms the personal shadow or subconscious that contains the inferior function(s), that is, the feminine functions of `Intuition` and `Feeling`, associated with air, food, water, and speech. Because, Jung argues, the shadow is often projected onto others who are seen as inferior rather than the person to whom the inferiority belongs, men are unable to hear, or see women, as the species of the planet Earth that they`ll destroy.

 In Islam, women are invisibled in their one piece black coverall, the burka. In pederastical occlusion men are everywhere visible in their white `thob`, but women are `hidden`, because their species isn`t expected to reappear. Men prefer that men hear and see each other. However, if women represent Jung`s human futanarian functions of `Intuition` (nose) and `Feeling` (mouth), that is, traditional desert concerns of air, food, water, and speech, modern men have repressed them, so they`ll have ears (`Sensation`) and eyes (`Thinking`) for each other only as an alien parasitoid nature`s telepathic communal understanding, which doesn`t want those who speak, because speech is `animal`. Men`s having to be polite with men, because men are all that`s visible, results in men`s deep hatred of men`s politeness, that is, war, and women, who`re their voiceless victims, are the humans.

 Eyes and ears are important, because they represent the tools necessary for understanding without telepathy. Eve, the first woman, and Adam, the first man, in Eden, perceived themselves naked, because they telepathically `sensed` the serpent spying, which is the basis for human occlusion, because the `serpent`s seed` of men don`t want others to see. In Islam, the serpent is `Iblis`, an evil genius, who whispers in the ears, which are the conduits to the brain, and so in Jungian psychology `Thinking` is associated with the ears. According to Moslem belief, `Iblis` hasn`t power; but it`s whispers affect the mind and, consequently, whatever is being performed for the voyeur. Adam and Eve`s nakedness in Eden, together with the phallic symbolism of the serpent, suggests pornography, but parasitoid nature is a devourer and so sex films are the appetizer for `snuff films`, which is why Satan is identified with Armageddon. The serpent`s evil is represented by the gun as an anal perversion, because HIV/AIDS is a `biological weapon`. In Revelation `666` is the `number of the beast`, and the `six shooter` is the infamous handgun of the American Wild West, which revolutionized killing by allowing the killer to shoot six times.  



 As the host at the Last Supper, Jesus had spoken to his disciples, offering food and drink in fellowship, that is, `bread and wine` as symbols of his `body and blood`, but Judas, who was known for stealing from the collection plate after a service, and had suggested that the expensive perfume a woman was anointing Jesus` feet with should be sold to raise money, betrayed the human host for `thirty pieces of silver` to the agents of the Roman Empire then occupying Jewish Palestine, and so Jesus was taken to the hill of Calvary outside Jerusalem and nailed to a cross of wood and left there until he died, although he had Resurrection and Ascension as a prefiguration of that of `woman`s seed`. Born from his mother, the Virgin Mary, Jesus was uncontaminated by male semen, and Judas betrayed him as a `dissident` threat to the male brained Empire of Rome because he didn`t want Jesus` `woman`s seed` to sexually reproduce with a woman and psychologically balance a parasitoid nature`s psychopathy to save women`s futanarian human species.

 Although it`s received wisdom that HIV/AIDS came from monkeys, in a case of Jungian shadow-projection, monkeys and HIV/AIDS would have originated with men, that is, monkeys are their degenerate` descendants. There are many videos of chimpanzees who`s actions, when threatened, are of an anal rape victim; behaving as children abused by strength.  Satan`s the `ape of God` because he `apes`, that is, behaves, which is what pederasts teach.  Because children are weaker, homosexual cowards want more children, which paradoxically is degeneracy. Hollywood movies depict the emulated male, but boys aren`t aware that the woman has their eyes, although the pederast encourages belief in the man, whereas the boy is closer in spirit to the woman, who is women`s futanarian humanity with her own penis` `seed` for the sexual reproduction of her species` brainpower for liberation from the `gay` scene in which the parasitoid nature is preparing to encourage the boy to devour the human host, women, in a glamorous battle against human nature.

 In the Greek dramatist Sophocles` Oedipus Rex, Oedipus is blind throughout, because he doesn`t understand that the homosexual doesn`t want Oedipus to see that Oedipus is Jocasta, that is, he doesn`t want Oedipus to see with Jocasta`s penis. Hollywood is notorious for homosexuality, and may be said to have even caused 9/11 by presenting movies like Towering Inferno (1973), starring Steve McQueen as a firefighter trying to prevent a tower from burning, as `entertainment`. In simple terms, the boy watching movies is expected to identify with the man who`s homosexual because he implies that the woman doesn`t have a penis, and therefore she is alien to boys, whereas movies are for boys who`re being educated without the understanding that women have a penis, that is, that women are the human futanarian species on the planet.  As the `spirit of God` is the species`, boys have the eyes of women, and see with their penis which, as `The Lord`s Prayer` suggests, is deliberately `hidden` in pederasty`s blinding, so that boys will worship their fathers: `Our father who art in heaven, hallowed be thy name...`

 Behavioralism is consistent with a homosexual degenerate`s approach to a labor camp, where humans are consistently reduced to creatures of lesser intelligence by those who want humans to be trained animals. Pedal-push cars painted to look futuristic are behavioralism`s `Pavlov`s dog`. If humans developed, they`d escape degeneracy, and host womb enslavement in parasitism to men`s parasitoid devouring nature. Reduced to `apes` by behavioralists` spying to ensure that hands are washed in the lavatory, for example, humans degenerate into mimicking what they see on the assumption that it`s fatherly and educative, whereas it`s routine slavery.

 In Islam the left hand is `forbidden` or haraam because it`s `unclean`. Associated with the anus, and gun, because HIV/AIDS is an `incurable killer disease` looking for a bullet hole, the left hand is, in psychological terms, associated with homosexuality. The Greek poet Homer relates in his Iliad (760-10 B.C.) how the Greeks left a huge hollow wooden horse outside the gates of the city of Troy, which the Trojans took inside, and the Greeks emerged therefrom to capture the city for institutionalized host womb slavery and the spread of the `Greek` contagion of homosexuality in pederasty for warfare against `woman`s seed`. When the Al Qaeda terrorists hijacked civil airliners on September 11, 2001, to crash them into the World Trade Centre to spread homosexuality in pederasty`s `rough trade`4 of `brutality and violence` across the globe, they were the equivalent of `Trojan horses` that had got through the system of defense as HIV/AIDS through the `Trojan` condom brand used widespreadly in the United States to prevent the spread of HIV/AIDS. The successors to the Greeks were the computer `geeks` who devised `Trojan horse` viruses to infect and kill computer brains, because they didn`t want `woman`s seed` to have permanent knowledge of human women`s futanarian nature. Consequently, the Al Qaeda terrorists were `unclean` in Islamic terms, because they were homosexually transmitting a `Trojan horse` virus designed to kill the brainpower of the USA and precipitate a Dark Age through warfare against `woman`s seed`. Behavioralism`s training humans as animals to wash their hands is provoking rather than educational. The 9/11 terrorists bought airline tickets as visiting students, before hijacking the passenger airliners and turning them into guided missiles to crash into the WTC, which is how dictator, Saddam Hussein, cultivated the right hand of the friendship of the US, before Iraq`s invading Kuwait city raised legitimate concern at the possibility of Moslem nations having chemo-biological weapons. Terrorism is directly attributable to Islam`s preoccupations with repression of the left hand, because repressed psychologies react.



 The car didn`t develop from basic mechanical operations in over 100 years, which suggests behavioralism, that is, `ape`, because it`s slave training, rather than progress. Apeing is what behavioralism encourages, so training is homosexual, because trainers want humans to ape behavior. War wants apes, so behavioralism is psychology imposed by an alien.  Jesus was killed, because he was peaceful, and afterwards he was labelled a coward for not fighting, which is how the evil kill. The perspective of the evil is that the peaceful should be killed for not fighting, and labelled cowards if they won`t be easily killed, because the peaceful shun evil and that`s how they live. In ancient Greece, a few men held a pass at Thermopylae allowing entry by single file only. Xerxes` Persian army was stopped and Greece defended. In psycho-symbolic terms, the pass was the anus, and Greece was wanted, because homosexuality in pederasty is war.



Women are the `device` used by the spirit of homosexuality upon the Earth to make war on her species` and its planet. The defence of the pass of Thermopylae is archetypal, that is, shun homosexuality, if you don`t want male brained Empire: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Gen: 3. 15) Women have their own bathroom cubicles, because they`re trained for secrecy, that is, to be courtesans, whereas men stand together, and are `trained`. What they`re trained for is not to look, which is the accusation that they`re spies, and the associated idea that they should be blind, so it`d be better if they had cubicles, like women, to prevent the `trainers` from blinding them, because they don`t want them to remember the women`s penis. Consequently, spying is what humans are persecuted for, because they need to know.  Who people are taught are spies, are killers, because governments in the male brained Empire don`t want humans to know, so movie characters like James Bond, British secret agent, 007, `licensed to kill`, is a killer because he`s a killer, whereas humans are those who want to know, but are accused of spying, and so are killed by the alien, which wants parasitoid devourment of the Earth, rather than `saving the planet`, as James` boss, `M`, for murder, tells Bond for the benefit of successive generations of gullible audiences that have been seeing James Bond on screen since the first movie, Dr No (1962), was made of the novel, Dr No (1958), written by `real` British `spy`, Ian Fleming.

 007 is British because homosexuality was endemic in the Empire, and the concomitant of spies is gangesterism, which wants whores and boys. Although gangsters and whores is easily explainable in terms of `Babylon`, that is, parasitical host womb slavery, which is why Hollywood was named `Babylon` after the woman in the Bible who gave her name to the capital city of the Persian Empire, gangsters want brainless senility, because homosexuality in pederasty for war is what the American Empire, like all the others, was for. Although female nudity is taboo in Britain, in the United States of America, female nudity is supposedly common, whereas human futanarian women with penis` semen of their own aren`t. Consequently, no one sees nude women, because either the spies and the gangsters have killed them, or everyone lives in the West`s reaction to Moslem Islam, where women can`t be seen publically and have to cover themselves beneath the one piece coverall of the burka from which only their eyes can be seen see, and Western gangsterism`s response is that they could still see, so they killed them. Spying to kill is what homosexuals do, because that `s what gangsters are. Evil aliens who want brain dead wombs for parasitism and brainless boys, or oldsters who seem childlike because they`re `senile`, which is a medical term for a human race that`s been killed so that it`s brain doesn`t function. Brainlessness produces low technology, whereas human futanarian women`s capacity for sexual reproduction is psychological balance, and advanced medical science for conferring immortality as the Redemption God promised Eve in Eden. Consequently, humans die because slavers kill them to produce new whores and boys, because high technologies would confer permanent knowledge to operate and maintain, which is why aliens kill humans; to prevent humans from escaping and living away from slavery. Paradoxically, spying to ensure men wash their hands ensures homosexuality, because gangsters are homosexual spies, that is, HIV/AIDS was a Western conceived terroristical `biological weapon` spread by men`s mixing blood, shit and semen in each others` anus. The aliens` murdering human futanarian women`s `seed` is killing God`s penis and brainpower, which is why homosexuals` spy, because gangsters are slavers of whores and boys and don`t want argument.

 The behavioralist pattern of trainer driven cars nosing behind to avoid anal results in men facing each other to deny their homosexuality through the barrels of their tank guns` penis extension, so men`s behavioralist paradigm of boys standing blindly ignorant, while urinating together, is the `spirit of homosexuality`, rather than the `spirit of God`, which is the female Shekinah, or Jesus` Holy Spirit, which he said would be sent to teach after him, and that was called the `Second Eve` because Eve emerged from the `Second Adam`, according to Genesis, that is, from his rib, and the Roman guard at Jesus` crucifixion, Longinus, pierced Jesus` side with his spear to perform a `caesarean` section on the `Second Adam` to birth the `Second Eve` as the Holy Spirit, which the Jews called `Shekinah` who indwelt as the `spirit of God` in the place where the `law` that Jesus distilled as `love` was kept: `Surely, this was the son of God.` (Matt: 27. 54) Consequently, on May 1st, `Labor Day` in Moscow, the `Red Army` parade `Satan`, which was the name US defense analysts gave in 2012 to a proposed new 100 ton Russian warhead, because slavers and gangsters prefer blind ignorance.



 In Revelation the `red dragon` waits in vain to devour the `New Redeemer`, who`ll protect the `hidden` woman of the Earth, who bore him, with an `iron sceptre`, until she leaves. Symbolically, fathers are `Satan`, the `red dragon`, and the `New Redeemer` isn`t their son. In Roman mythology Saturn (Satan) is given a stone by Rhea, Zeus` mother, to swallow, because he believes it to be Zeus. Saturn is the father who doesn`t want his son to inherit, so war is about inheriting pederasty, which boys don`t want, so they`re kept in blind ignorance by pederasts to prevent human futanarian women`s `seed` being known, as women can psychologically correct the unbalanced brain of human psychopathy, although their species doesn`t need either father or son.



 The `woman clothed with the sun and with the moon at her feet`, who gives birth to the `New Redeemer` while the `red dragon` waits in vain to devour her child, could leave as the Earth`s human futanarian species of women with their own penis` semen, that is, she`s a female child with male `seed`. Consequently, what passes for men here is an unredeemed alien parasite preparing its parasitoid nature`s devourment phase, and the Russian Red Army 100 ton Satan `warhead` represents her destroyer, because extinction of the human race is what Satan and Satanism planned, as women are God`s heirs.

 In her red pilot`s suit, `Oops! ... I Did It Again`, is Britney Spears` recognition of woman`s role. On her red planet, Mars, she`s `clothed with the sun and with the moon at her feet`, while the `red dragon`, symbolized by Mars, the Roman god of war, waits in vain to devour her child, the `New Redeemer`, who is represented by Britney in her white bikini-dress, while the US spacemen hangs poised above her with his `spy` camera, as a symbol of the global ICBM missile threat, while the red, white and blue `star spangled banner` symbolism is completed by the spaceman`s gift of the `heart of the ocean`, which is the blue diamond pendant dropped by 100 year old Rose into the sea as a remembrance of the ship that sank after hitting an iceberg on its maiden voyage to New York city from Southampton on April 15, 1912, `But I thought the old lady dropped it into the ocean in the end?` The Titanic (1997) film is about an ocean going liner, although the Hollywood, Babylon, propaganda film starring 007`s James Bond, British actor Sean Connery, The Hunt For Red October (1990), about a `rogue` Captain Marko Ramius` Russian submarine with nuclear capability, before the threat is nullified, isn`t a red ruby, because pederasty wants slave wars:


`I`m Miss American Dream since I was seventeen.`


 On the cover of the CD single, `Piece Of Me` (2007) from the album Blackout, a reference to censorship and occluding blindness through murder producing ignorant unconsciousness and senility in the human race, Britney Spears appears in the place of Jesus on the cross, and is construable as a reference to Longinus` piercing the side of Jesus with a spear to release the Paraclete, which is woman`s `tutelary spirit`. The North American Space Administration (NASA) used monkeys in its `unmanned` Space Program, before Apollo 11`s Neil Armstrong stepped onto the moon on July 21, 1969, UTC: 2. 56, `One small step for a man, one giant leap for mankind.` When Al Qaeda terrorists chose the World Trade Centre to crash their hijacked civil airliners into on September 11, 2001, it was because `rough trade`, that is, a re-establishing of homosexuality in pederasty`s `brutality and violence` would cause the US to invest in war, rather than the Space Program, that is, 9/11 was `nein` to 11 Apollo`s continuation, where `nein` is a German fascist negative, because the National Socialist (Nazi) Party`s elected dictator of 1933, Adolf Hitler, fought WWII (1939-45) to enslave the Earth by exterminating human women`s futanarian `chosen people`, the Jews, whose tradition is that Jews are born from women, because women are futanarian Jews. 2012`s proposed `Satan` 100 ton nuclear Russian warhead suggests that the monkeys want to destroy the Earth, rather than resolve the problem of the war god, Mars, symbolized by Red Russia, although US ICBMS are as devastating:


`I made you believe,

We`re more than just friends.

Oh baby!

It might seem like a crush;

But it doesn`t mean that I`m serious.`



 Satan is `the ape of God` in Christian iconography, because men can be trained to `ape` whatever the `serpent`s seed` decides for men is `man`. Men, who want to be thought of as `father gods`, train boys to be an ape from the neck up, that is, a nape of the neck for the facist axe of the beheader, which is why the Italian mafia sent a statue of a fireman to New York city two days before the Twin Towers burned on 9/11, with a fascist emblem on his back, that is, a bundle of wood with an axe in the centre, the fasces symbol of Rome, which the Italian fascists used as a symbol of the `death camps` constructed to behead the `chosen people`. Only if the brains of God`s penis` `seed` can see can Satan be defeated, which is why Britney Spears` twin in `Oops I Did It Again` is her.



1 Ibrahim, I. A., A Brief Illustrated guide To Understanding Islam, Darussalam, Houston, Texas, USA, 1997, pp. 74, p.6.

2 Shu, .

3 Yeats, William Butler `The Second Coming`, 1919.

4  Merriam Webster .


Game: Conservation

27/04/2012 07:20

Game: Conservation



After reading The Criminalization Of Bad Mothers by Ada Calhoun, in The New York Times online for April 25th, 2012, and recalling how Britney Spears (1982-) was forced to give control of her wealth to her father, Jamie Spears, because she was defined as a `bad mother`, doesn`t it occur to anyone that there`s a certain incongruity in Jason Trawick, the formerly sacked manager of Britney Spears (indeed, sacked by Britney Spears), being given authority over her estate as Co-Conservator to her father? Why didn`t Jamie Spears implement the huge intellect of the USA`s legal system that made of him a Conservator and prevent Trawick, the failed ex-manager of Britney Spears` pop career, from ever being in a position to handle her? Moreover, didn`t the legal fraternity of the USA perceive the incongruity of Britney Spears losing her fortune to a Conservator primarily because her kids hat fell off as she was harried by paparazzi one afternoon and, not finding herself in a mood to be bothered to pick up the cheap headgear because she was worth billions of dollars and could buy a roomful, was labelled a `bad mother`, effectively on account of her `neglect` of the baseball cap rather than her kid?

Hope Ankrom, interviewed by Ada Calhoun for her article The Criminalization Of Bad Mothers, relates how, after her infant tested positive for cocaine, she was breast-feeding before they took her to jail: `I had toilet paper crammed in my bra. There is nothing more painful than needing to [nurture] and not being able to.`1 Hope was a `junkie`, whereas Britney Spears` kid lost his hat. Nevertheless, a mom is a mom; as Hope`s story reassures us and, having followed what seems a `crooked` path` to the law, to give Conservatorship to Britney Spears` father, on the strength of her being `unfit` to take care of her son`s hat, it`s surely within the Attorney General`s purview, as the chief law enforcement officer of the United States government, to take a serious look at a sacked `Svengali` wheedling his way back into Britney Spears` life to the point at which the interpreters of the law of the USA have given Trawick, a failed businessman, that is, failed according to Britney Spears` sacking of Trawick for mismanaging her career, Co-Conservatorship over her life and, effectively, without any actual social bond other than the reinterpreting of the title of putative fiancée to mean `leech`, the power of life and death over her ideas, image, music, and business empire.



1 'The Criminilization of Bad Mothers', The New York Times .

Britney in Green

25/04/2012 20:54

Britney in Green


Britney`s Oops I Did It Again video features herself in a red pilot`s suit on the red planet Mars and, as it`s `science fiction`, there are genre references. The first `Grand Master` of SF was the US writer Robert A. Heinelin (1907-88), who wrote Red Planet amongst other juvenile stories for boys. However, Britney`s red suited character corresponds closely to that of Heinlein`s `Poddy` in Podkayne Of Mars, the only novel length story Heinlein specifically wrote for teenage girls. The story has two endings; Poddy dies shielding a baby `fairy` from Venus in a bomb blast, or she`s injured shielding a baby Venusian `fairy` from a bomb blast. Britney`s red pilot`s suit in Oops I Did It Again is explainable:


`Podkayne Fries, born and raised on Mars, has just one ambition: to earn her wings as a starship pilot and rise through the ranks to command deep-space explorations.`


 When Britney, in her red pilot`s suit, raises above herself in a white bikini dress a space suited astronaut who`s landed on her Mars, the spaceman looks down upon her `babe`. Descending inside a giant ring, Britney`s one of the `little people`, and so the `Babe` in the white bikini dress must similarly be one of the `fairy folk`. Britney uses a hook and winch to raise the spaceman, until he`s above her `baby fairy` in a white bikini dress, rendering him helpless to do anything but film her with the camera that `Mission Control` has attached to the side of his space helmet. The spaceman`s ineffectual helplessness at the hands of Britney underscores her protective role as the `body shield` of her `Babe` of Venus; just as Heinlein`s girl character in Podkayne Of Mars is Poddy shielding her Venusian `baby fairy`.

 In a white bikini dress, Britney`s `baby fairy` in Oops I Did It Again lies languidly upon what seems to be a white counterpane, while surrounding her bed are the eight points of a star. She`s the `baby fairy`; the `star` at the apex of the tree in traditional Christian celebrations of the nativity of Jesus Christ, which commemorate the appearance of the `star of Bethlehem` that announces the Advent of the infant Messiah in the New Testament. In Lucky Britney appears as the `star` herself, but she`s surrounded again by her avatars wearing red, which suggests that she`s continuing in her role of  body `shield` to her `baby fairy`, that is, her Poddy`s shielding her `star`.



 In Glory Road (1964) Robert A. Heinlein`s `star` character is the woman named `Star` who, as `Empress of the Twenty Universes`, advertises for a hero in a newspaper ad. Together, she and Oscar Gordon, subsequently embark on a fabulous adventure, and she becomes Oscar`s bride. In Lucky Britney`s `star` wins a Hollywood `Oscar`, that is, she`s the heroine that`s shielded her `star` qualities so she`s able to win her Oscar.



 The very first episode of Star Trek (1965-) was The Cage, which featured a character called `Vina`. Britney`s conceit is that actress Susan Oliver`s `star quality` is the `baby fairy` of Vina`s, which `star quality, if properly shielded, will win her an Oscar:


 `... the landing party discovers a camp of survivors from a scientific expedition that has been missing for 18 years. Among the survivors is a beautiful young woman named Vina.`



 The plot is that the alien race of Talosians keep Vina looking young and beautiful by means of their capacity to generate illusions through the power of their highly developed brains; although Vina is severely disfigured in reality. Captain Pike falls in love with her but leaves aboard the Starship Enterprise, so concluding the `pilot` episode:


`She has an illusion, and you have reality. May you find your way as pleasant.`



 The `pilot` episode of Star Trek was later remade as the two part The Menagerie in which Captain James T. Kirk takes now heavily disabled Pike back to the Talosians and Vina. The closing address to Kirk slightly adapts the original ending:


`Captain Pike has an illusion, and you have reality. May you find your way as pleasant.`



 Susan Oliver`s several roles in the Talosians` illusions required that, amongst other various guises, including that of the prototypical `Starfleet` blonde, she be seen as a green skinned `Orion` woman. Jestingly, she held up a placard at a Star Trek publicity event, enquiring of her `Oscar`.



 Britney`s spaceman gives her a gift in Oops I Did It Again, of which she enquires: `But I thought the old lady dropped it into the ocean in the end.` It`s an allusion to the blue heart shaped diamond dropped into the ocean at the close of the movie the Titanic (1997) by Rose, who`s love was betrayed by someone planting the jewel in his pocket and calling him a thief. Rose`s lover drowns when the Titanic hits an iceberg and sinks. Because Oops I Did It Again is `scifi`,  the `heart of the ocean` jewel, as it is known in the Titanic movie, refers to the Talosians of The Cage in which Vina`s `Keeper` is depicted wearing a blue jewel.



 The Talosian roles were all acted by women; although they appear manlike. Britney`s subject is `illusion`. In the British `scifi` series Dr Who, in which the central protagonist is a time-traveller, a Thal is a member of a blonde race of humanoids on the planet Skaro which is devastated by a doomsday weapon developed by the other humanoid species on their world, the Dal, who become Daleks after the holocaust, creatures directing their hatred for the Thal from inside machines, and whose vocabulary seems to consist of one word:





 The Talosians are women with the bodies of men, that is, men with the `souls` of women that, according to the psychology of Carl Gustav Jung (1875-1961), is a psychological truism; because a man`s soul, which Jung calls the anima, is female and feminine. The Talosians perceive the  necessity of preserving illusions, which is why Jung associates the anima with Buddhism`s `Maya`, the `goddess of illusion`. If women had their own penis, and they do as `futanarian` women, they`d be the species on planet Earth and the danger would be that men would become Daleks attempting to prevent them from living. The Talosians of The Cage in the Star Trek `pilot` episode are women because they represent the illusion that men are a species, whereas what is female inside of men corresponds to the `soul`, or Jungian anima, which in Hinduism is a sepaprate living entity with its own relationship with God. The anima, or soul, spins the necessary illusion that men and women represent species` love, whereas men aren`t of the same species but, existing as a parasitical `leech`, represent that which feeds upon woman`s `host womb`. In the New Testament of the Bible Jesus` disciples receive the Holy Spirit as their `teacher` after Christ`s death, Resurrection, and Ascension to heaven following Christ Jesus` crucifixion by the murderous torturers. The truth is that, without `God`s spirit`, men are bereft of that which can redeem them; because woman, and her `soul`, are the species on the planet Earth: and men aren`t. Dr Who`s Daleks are the epitome of the `soulless machine`, which is what a man is without a `soul` and its woman:



 In the Bible the  `hidden` woman of Revelation is depicted as being protected by the New Redeemer before she leaves to spread her `seed` amongst the stars and, presumably as a futanar woman with her own penis and  `seed`, ultimately fight a war in heaven against the evil serpent`s `seed`, that is, men, before God creates a new heaven and Earth for her to dwell in forever, while the evil `seed` receive perdition.

 In accordance with Poddy`s ambition in Podkayne Of Mars, Britney wears her her red jump suit in Oops I Did It Again to indicate her readiness to pilot her `starship`. In Revelation `the woman clothed with the sun and with the moon at her feet` gives birth to the New Redeemer. On Mars, Britney has the moon beneath her and the sun behind her, which means that the New Redeemer is he who keeps her. The wisdom of the Earth is to know that man and woman are one, which means that the woman is the man. Consequently, the wise man is he who understands that the woman with the penis, that is, the `futanarian` woman, is him. Consequently, the New Redeemer would be he who keeps that secret.

 In the New Testament Jesus preached `love your neighbor as you love yourself`, because you are your neighbor. The preaching of the New Redeemer would be `love woman as you love yourself`, because you are woman, and she is a species with her own penis, while men aren`t; because they can`t reproduce independently. If they do not wish to be perceived as a `parasitical organism` upon woman`s `host womb`, men must accept that they are woman, that is, redemptive love for oneself as another. In shielding herself as Venus` `baby fairy`, that is, herself in a white bikini dress, Britney`s demonstrating that love for another as oneself, and love for woman as a species, necessary for the female pilot of a `futanarian` woman`s starship who must know when to `cloak`, and put up her `shields`.

 Britney`s Talosian `heart` is the blue heart shaped diamond jewel which is the Thal `ocean`, that is, the ocean of life in which the Thal are blonde, blue-eyed, beautiful, and a `blue movie`. That`s why Britney`s spaceman in Oops I Did It Again films her as a `Babe` in a white bikini dress. Sex is life. The false illusion is that there`s more to life than love. Britney`s observation is that machines help us to love; even a camera. That`s what they`re for.

 The spaceman with the camera from `Mission Control` has a hook put into his backpack by Britney and, herself in a red pilot`s suit, winches him above herself in a white bikini dress to where he films her.

 For `Mission Control`, he `s a camera, but the analogy is `possession`. Anything that helps a person is something that a system that depends on demonic possession doesn`t want for that individual. If the camera is helping the spaceman, he isn`t a possession and so isn`t possessed.

 Britney employs the spaceman as her camera, which is analogous to being possessed, as he`s become a possession of hers. However, if she`s helpful she`s from God. A demon is whatever takes away what`s helpful, which is demonic possession. The demonic lie is that I am possessed by what is helpful, because those who are demons want to be helped by what it is that I have.

 If my camera`s taken away from me by Christians, it`s not because I photograph Britney Spears and so I`m being rescued by Christians from possession by the `demon of the camera`. The demons, that is, Christian businessmen, want my camera to help them, which is what `Mission Control` is. I won`t give up my self, so they possess it. Through coercion and, inevitably, violence if I don`t give up my self to `demonic possession`.

 Britney`s spaceman in Oops I Did It Again is a symbol of the struggle between the `demons` of `Mission Control`, and the destiny of Britney Spears` star. As the red suited `pilot` of `Starship` Oops I Did It Again, Britney wants `directorial control`. Anything taking control away from her is a `demon`, and is a manifestation of `demonic possession`. `Mission Control` is a `director` that wants control of Britney`s `movie`. To save her and her spaceman, Britney must stop `Mission Control` from possessing him, and using him as a possession to possess her `movie`.

 Oops I Did It Again demonstrates the spaceman`s `camera` function. In her red pilot`s suit Britney raises her astronaut to where he looks down upon her in a white bikini dress; as if he were upon a `camera gantry` on her `film set`. As the `camera` given to Britney by `Mission Control`, the astronaut represents the `demonic` aspect of men through whom the demons of `Mission Control` seek to possess Britney. It`s an analogy of relationships. Anyone who wants her `image` is a `demon`. To protect herself from `demons`, she must `pilot` her own `Starship`; as the beautiful `Poddy` wants to do in Heinlein`s Podkayne Of Mars. Avoiding `possession`, Britney`s `Poddy` won`t be `possessed`.

Oops Byzantium!

20/04/2012 08:24

Oops Byzantium!


In the Byzantine period of Christianity (330-1453 C.E.) the child of the Madonna is depicted as a small man rather than as an infant. In the prelude to her performance in the `scifi` promotional video for the single, `Oops! ... I Did It Again` (2000), Britney Spears descends inside a giant`s ring as a `small woman`, so inviting us to look for further signs of small `Byzantine` features in relation to giant size. Wearing a red pilot`s suit Britney uses a hook and pulley to lift up the spaceman `eagle` who`s `landed` on her Mars to where he`s looking down on another Britney lying below him wearing a white bikini-dress. Beside his space helmet are the `tines` of what appear to be a giant`s fork: `byzant` tines. In her red pilot`s suit, raising her spaceman above her own self in a white bikini dress, Britney is a `double headed` eagle, symbol of Byzantia,1 which signifies `doubling` or multiplication by means of an individual dividing into two, or more than two.

 In the Hindu belief system Vishnu is the god who can be all of the women, which is understandable if futanarian women, who can sexually reproduce with each other from their own penis` semen, are Vishnu. Jesus born uncontaminated by male semen from his mother, the Virgin Mary, represents the same principle. Although its gods and goddesses aren`t accepted by Christianity, Hinduism`s a reality critique, and Jesus is equivalent to Vishnu, because he represent women`s capacity for multiplying:


`... a thumb-sized being [is] known as the innermost self or soul [and] dwells in the heart ..`.2


 In the Bible Adam and Eve are exhorted by God: `Be fruitful and multiply.` However, according to Hinduism, the soul is thumb-size, living and spiritual. The five senses of sight, hearing touch, taste, and smell, are the limiters of the `physical` body, of which the conscious brain is that part which we define as the `I`. In `Oops! ... I Did It Again`, Britney is the Hindu `thumb`, as fairytale `Thumbelina`,3 descending inside a giant`s ring. She`s the giant`s soul that, according to Hindu belief, is a spiritual thumb-size being that, unlike the occluded ego of the individual, which here corresponds to the `giant`, can perceive the spiritual realm, and that`s why she doesn`t wear a spacesuit. She removes her spaceman`s helmet after he gives her a gift, of which she asks:


`But I though the old lady dropped it into the ocean in the end?`4


 It`s an allusion to the Titanic (1997) movie in which actress Gloria Stuart, as 100 year old Rose Dawson Calvert, drops the blue heart-shaped jewel, the `heart of the ocean`5 into the sea at the point where the ship is being salvaged where it sank after hitting an iceberg on its maiden voyage from Southampton on April 15, 1912. Rose`s love was subsequently drowned while helping people to the lifeboats. The story`s `framing device` is that of a jealous ex-lover of actress Kate Winslet, in the role of the young Rose, putting the `heart of the ocean` diamond into the pocket of Rose`s new love, accused him of theft and thereby betrayed her love.

 Because the soul dwells in the heart, as a thumb-size being, according to Hinduism, Britney`s descent inside her giant`s ring is symbolic of the soul that dwells in the `heart of the ocean`. If we accept the Hindu notion of the `Cosmic Man`, then the `heart of the ocean` is his. Or, in less anthropomorphic terms, the `heart of the ocean` contains the soul of the cosmos, and is Britney`s `Thumbelina`. The monarchical tradition of Europe is that their `thumbs` rule. In other words, they divide things between themselves in order to `manage` with each other, which is why the `double-headed eagle` is a symbol of empire. Thumbelina`s name is changed to Maia when she becomes a `Queen of Fairy`, and Maia means `Great Mother`, which is an archetype of Eastern religion, according to the developmental psychology of Carl Gustav Jung (1875-1961), who viewed archetypes as God`s impelling of human progress through figures and images appearing in dreams, art and the imagination. Britney`s a `Great Mother` because she`s a `thumb`, who makes more of herself. In the USA alone `Oops! ... I Did It Again` sold more than 10, 000, 000 copies and went `diamond`. `Oops! ... I Did It Again` is, therefore, the `heart of the ocean`, a `blue diamond`, which the English rock group, Led Zeppelin (1969-80), perceived as the collective unconscious of their audience. Led Zeppelin`s archetypal material emerged from a dialogue between themselves, their audience, and the archetypes, for example, in The Ocean, the archetype is the `little girl`:


`Now I'm singing all my songs to the girl who won my heart. She is only three years old and it's a real fine way to start.`6


 It`s the reciprocated love of the soul for her `giant`, whose spirit may first be awakened by his daughter`s first steps, although the `small woman` is much older and wiser, which is why Thumbelina`s name changes to Maia in the fairytale in which she marries her prince. The name Maia means `Great Mother`, but also `illusion`. The thumb-size living soul is wise, but the `giant` lives an occluded existence in which the `real` is only perceivable by the soul, which attempts to communicate what she sees and knows to be the truth to the `giant`, who is living an illusion and is taught to think of it as reality. In `Oops! ... I Did It Again` Britney is the soul of the blue diamond `heart of the ocean` pendant, which the English nursery rhyme, `Little Boy Blue`, identifies as an archetype seeking to awaken:


``Will you wake him?`

`Oh no, not I,

For if I do

He will surely cry.``7


 Thumbelina is Maia, the `Great Mother`, and `illusion`, because the `giant` is her `little boy`, and she keeps to herself the knowledge of what transpires with him in the realm of the spirit. He lives an illusion she doesn`t want to roughly awaken him from, so she creates stories like `Oops! ... I Did It Again` that contain enough discoverable truth to allow him to live within the illusion, for example, the lie that women can`t sexually reproduce with each other, without being disillusioned. The `giant` is `Purusha` in Hinduism, and is `Purusha Atman`, because the light of God, that is `Atman`, is visible to the soul, which Hindus call the `thumb`, through Purusha, the `Cosmic Man`.

 If man accepts there`s a separate living relationship between the soul, as `thumb`, and God, throughout the cosmos, that individual living soul is there to help man out of his occlusion. In `Oops! ... I Did It Again` Britney presents herself as a Byzantine `thumb` that, `doubled`, or dividing, represents the Christian concept of the Paraclete, or Holy Spirit which, according to the New Testament, emerged from the side of Jesus as `Second Eve`, as it were, when pierced by the spear of the Roman centurion Longinus; a spear that was consequently known afterwards as the `Spear of Destiny`. Symbolically, Britney Spears as a `doubled` or dividing ` thumb`, signifies the multitudinous Paraclete that, in Hinduism, is a separate living soul or `thumb` of the collective, or `giant` individual. This explains the existence of the `giant` motifs, of fork and ring, in `Oops! ... I Did It Again`. By asking us to understand their meaning, Britney`s `thumb` is pointing towards a more conscious awareness of `Purusha Atman`, the `Cosmic Man`, that is, she`s showing a path out of occlusion.



 In the language which was Byzantine`s a `byzant` is a gold coin. Britney appears below her spaceman surrounded by the points of a star. It`s a symbolic `pentacle` in which golden haired Britney in her white bikini dress is a `byzant`. In terms of Tarot symbolism, which has pentacles or coins, swords, spears, and cups to represent the Torah of Judaism`s advice to the soul journeying through life, CD sales of `Oops! ... I Did It Again` are highly anticipated. Britney lies abed betwixt the points of her star, a white circular counterpane stretching beneath her body. It`s a fairytale, and the giant `byzant` tines of its fork, that is, Spears` sword, is poised above the ogrish giant `s table.

 In the legends of King Arthur and la table ronde the symbol of the heart is the cup of the Holy Grail,8 the vessel containing food and drink used by Christ at the `Last Supper`, before his crucifixion, death, Resurrection, and Ascension to heaven. At the `Last Supper` Jesus offered `bread and wine` from the Grail as `tokens` of his body and blood. In real terms, eating and drinking in fellowship is good for the heart, and so the cup is the second of the four symbols of Britney`s Torah, that is, Britney`s spaceman`s `mysterious gift`, which is the box she opens:


 `But I thought the old lady dropped it into the ocean in the end?`


 The spaceman`s gift is a symbol of the heart`s love; the cup of the Holy Grail. Britney`s allusion is to the Titanic movie in which Rose drops the blue diamond, the `heart of the ocean` overboard at the scene of the salvaging of the sunken liner. It`s the story of how an ex-lover betrayed her by framing her new fiancée for stealing the jewel by placing it in his pocket. Rose`s love subsequently drowned in the disaster when the Titanic hit an iceberg and sank. She drops the heart-shaped blue diamond into the sea at the film`s close as a remembrance.

 The heart is a symbol of the cup that, for example, overflows with tears, and is among the four symbols of the portable Torah; the Tarot deck. Britney`s allusion is to the `byzant` as Byzantine gold, which in the Tarot deck is the pentacle, that is, `Oops! ... I Did It Again` was to be a big disk.



 Britney`s suspension of her astronaut relates to the figure of the `hanged man` of the Tarot, who hangs by his foot and represents treachery. She`s alluding to the ex-lover that betrayed Rose aboard the Titanic. In fact, before Britney`s spaceman gives her the gift of the `heart of the ocean`, a voice is heard calling `All aboard!` Although the Titanic sank, many lives were saved. Britney`s winching of the spaceman above her is the hanged man `reversed`. He doesn`t hang by his foot. Reversed, the card signifies `limbo`; a drifting lifeboat, for example.



 The giant`s ring, and the spaceman`s hands that contain the gift of the `heart of the ocean`, signify the Irish `Claddagh` or `friendship ring`,9 which is constructed in three parts;  a pair of hands holding a heart surmounted by a crown. `Oops! ... I Did It Again` is Britney`s `friendship`, and she recovers the spaceman from his `lifeboat` as a voice calls: `All aboard!` He`s the `heart of the ocean`, and she`s the safe pair of ship`s `hands` that receive him for `touchdown`. The giant`s `superbowl` ring is Britney`s small woman`s. The `crown` is Jesus`. Depicted born fully formed but small in Byzantine icons, Jesus is a `baby man` from the womb of his Madonna, whereas Britney`s a `small step`, that is, a representative of God and Jesus` plan for women`s futanarian future.

 Below her suspended spaceman Britney`s a `starfish`, a symbol of the archetype of the `Self` in Jungian developmental psychology. According to Jung the `Self` exists in an unconscious state but can be realized or made conscious by means of the individuation process, which Jung likens to the descent and ascent of a `pearl diver`. Jung`s characterological and symbolic `archetypes` represent stages in the growth or individuation of the psyche. Descent into what Freud termed `the oceanic` is a journey into the imagery of the unconscious self. The `starfish` symbolizes self-actualization or the individuation of the soul in accordance with the promptings of the `star` archetype, which is a symbol of God`s wisdom and knowledge from the heavenly realm of the spirit.

 In Jungian psychology the unconscious is instinct and so the `star` of the individuated `self`` is symbolized by the `starfish` hidden in the depths of the psyche. Jung argues that instinct is transformed into spirit and that water is a symbol of the deep unconscious. Consequently, the `starfish` is a symbol of instinct that`s transformed into a spiritual `star`. Symbolized by the `star of Bethlehem` at the Advent of Jesus, the beginnings of self-actualization in the Christian era appeared as a `star` in `heaven` in 1969, when the technology of the Saturn V rocket, representing the power of Christ, Logos, to transform instinct from within the New Testament of Jesus` Gospel, placed a man on the moon:


`One small step for a man, one giant leap for mankind.`10


 In `Oops! ... I Did It Again` Britney`s a `small woman` and her `place` is the red planet Mars. In Jungian psychology, red symbolizes instinct and so Britney appears in her red pilot`s suit. The `heart of the ocean` is a blue jewel, a symbol of spiritual love, because the colour blue is associated with instinct transformed into spirit in Jungian psychology. In her white bikini dress, beneath the visored eye of her spaceman`s helmet, and that of the camera lens affixed to its side, Britney is the anima or soul as archetypal guiding muse; the `wishing star` that increases desire and fulfils yearning. To live is to live comfortably, and financial development defines how comfortably life is lived. Consequently, the `star` archetype represents the desire to achieve and attain to a life within the `comfort zone` of high technological advancement represented by Britney`s `byzant` disk. In her white bikini dress she signifies sexual desire, and its zenith, which is to live `in the zone` of technological comfort:


`I’m not ashamed of the things that I dream.

The more I come to understand

The touch of my hand.`11


 `The Touch Of My Hand`, from the 2003 album In The Zone, is about `masturbation`12 and the spaceman above Britney, in her white bikini dress, is her pornographer. Filming her with the lens of the camera eye, his other eye is the visor of his spacehelmet, which is the focus of the consciousness contained within his spacesuit. He`s an ogrish symbol of the `sex starver`, who wants others to develop his `comfort zone`, and who is represented by `Mission Control`, which is `directing` the spaceman. When sexual desire for the woman is repressed, the `spiritual` aspect of the penis emerges as a `space rocket`, that is, technological development through repression. The repressed seek escape, and sexual fulfilment through technology, while the repressors enslave their desire for liberation, take the technology, remain in the `comfort zone`, and maintain the prisoners.

 The Earth`s social malaise became recognizable to the early pioneers of late nineteenth century psychology (Freud, Jung, Adler) with Communism, where the concept of `sharing` was perceived as excusing the powerful from dispossessing the less powerful, and Capitalism subsequently represented the dispossessing of the poorer by the wealthier. The 20th century was one of humanity dispossessed and demoniacally possessed. Although a space rocket represents `escape`, an Intercontinental Ballistic Missile (ICBM) doesn`t. Consequently, demonic repression is the same as demonic possession. Humanity can`t escape from the possessive demon it has created for itself upon the Earth. The ICBMs produced by demonic repression won`t allow it.



 The Apollo space programme `boosted` the growth of technological society, but Britney`s spacesuit-encased astronaut, helplessly suspended above her, represents her denying of sex to him. The camera affixed to his spacehelmet by `Mission Control` signifies her role as a soft core porn `star`. Suspended above Britney, who`s wearing her white bikini dress, the spaceman is repressed by her denying of sex to him and possessed by his desire to masturbate, which is denied him by `Mission Control`, that is, pop video conventions.

 In Jungian psychology there are two basic psychological types; the `Extraverted` and the `Intraverted`. Britney`s sexually inhibited spaceman is a metaphor for enforced technological development by means of the harnessing of intraverted sexual energy produced through sexual repression. In Britney`s apocalyptic `Hold It Against Me` (2011) her `star` is seen crashing into the Earth. The demons of introverted repression and extraverted possession (ICBMs) won`t allow her to leave. Its reminiscent of a short story by Grand Master Of Science Fiction, Isaac Asimov, `Hell-Fire` (1956), narrating the slow motion film of a detonated H-bomb:


`The oval fireball had sprouted projections, then paused a moment in stasis, before expanding rapidly into a bright and featureless sphere.

 That moment of stasis – the fireball had shown dark spots for eyes, with dark lines for thin, flaring eyebrows, a hairline coming down v-shaped, a mouth twisted upward, laughing wildly in the hell-fire-and horns.`13


 In Britney`s `Till The World Ends` (2011) there`s an apocalyptic vision of fireballs crashing into the Earth reminiscent of the `giant hailstones` Revelation depicts as plaguing mankind`s `last days`. Because meteors are largely composed of frozen water, Britney`s fireballs in `Till The World Ends` are `hailstones` that combust as they enter the Earth`s atmosphere. In Catholicism, hell is ice and fire, a symbol of that repression and demonic possession which has resulted in the production of `weapons of mass destruction` and the `nuclear winter` that`d follow upon the `Armageddon` of an ICBM  war. In `Hold It Against Me` Britney fights herself but doesn`t overcome self-hatred. The American poet Robert Frost, in `Fire and Ice`, describes the end of a relationship as the end of the world:


`Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To know that for destruction ice
Is also great
And would suffice. `14



 In `Hold It Against Me` Britney is the `Snow Queen`. The fairytale describes the mirror of an evil troll that fails to reflect all the good and beautiful aspects of people and things while it magnifies all the bad. However, the evil laughter of the mirror causes it to shatter:


 `... splinters are blown around and get into people's hearts and eyes, making their hearts frozen like blocks of ice and their eyes like the troll-mirror itself, only seeing the bad and ugly in people and things.`15


 The `troll mirror` is a metaphor for possession by the shadow, which in Jungian psychology is defined as the inferior aspect of the personality projected onto others so that they are perceived as evil. Jung argues that shadow-projection has to be recognized so that through projecting the personality can be made whole as the shadow receives integration. According to Jung the shadow makes one of the four functions of consciousness, that is, `Thinking`, `Sensation`, `Intuition` or `Feeling`, into an inferior or undifferentiated function. The shadow-contaminated anima is a concomitant feature of such `abnormal` psychologies. To become individuated an ego personality has to differentiate the inferior function (`Thinking`, `Sensation`, `Intuition` or `Feeling`) and integrate the projected shadow, which is a defragmentation of the psyche corresponding to the `introjection` of the shadow-contaminated anima, which corresponds to the thawing of the block of ice around the heart caused by the pieces of glass from the metaphorical `troll mirror` that have found their way into the eyes.

 In the `Snow Queen` the cure for one infected by the `troll mirror` is to spell `eternity` from the pieces of ice in the palace of the `Snow Queen`. Eternity represents those aspects of the soul`s wisdom occluded by the metaphorical splinters from the mirror of the troll who represents actual evil and not the shadow personality that merely feeling itself inferior, projects it upon others to where the individuating ego, perceiving it, reintegrates itself into a more consciously differentiated, and therefore less inferior, totality.

 In `Piece Of Me` Britney is again the `Snow Queen`. The CD cover features her upon the cross in the place of Christ. Those who tortured Jesus were the victims of the `troll`s mirror` insofar as they were projectors of their own inferiority upon the crucified, but evil insofar as they didn`t. In Jungian psychology the cross is a symbol of the four functions of differentiated conscious wholeness, that is, `Thinking`, `Sensation`, `Intuition` and `Feeling`. `Piece Of Me` therefore refers to Britney Spears` ice palace, while `Hold It Against Me` depicts the flaw in her oeuvre of immortality represented on the `small screen` of the television monitors as she fights herself assertively before her ego disintegrates with `Till The World Ends`:


`Next one on my hit list;

Baby, let me blow your mind tonight.`16



 In Jungian psychology the four functions of consciousness, in undifferentiated form, are associated with the ear (`Thinking`), eye (`Sensation`), mouth (`Feeling`), and nose (`Intuition`). `Hold It Against Me` focuses specifically on ear, eye, nose and mouth. Surrounded by microphones, Britney`s mouth (`Feeling`) and ears (`Thinking`). Promoting a perfume with the name `Radiance`, she`s alluding to a heightened sense of feminine `Intuition`, the nose and `smell`. Her brown eye, however, appears with two pupils, which suggests an abnormal `Sensation` function.



 `Sensation` and `Thinking`, the eye and ear, are usually associated in Jungian psychology with being masculine functions, whereas the functions of `Feeling` and `Intuition` are feminine. Masculine is `extraverted` whereas feminine is `intraverted`. The dual pupil in Britney`s brown eye suggests a struggle within a psychological type between `introverted` and `extraverted` `Sensation` in which repression and possession define her as someone with `bipolar disorder`:


 `... a mixed state in which features of both mania and depression are present at the same time.`17

 The `Intraverted` type is associable with repression, and consequently `depression`, and the `Extraverted` type is associable with possession or `mania`. In the promotional video for the single, `Lucky` (2000), Britney appears in front of a curtain with the masks of comedy and tragedy printed upon it. She is playing the role the fate of the Earth demands, which is to struggle between repression (depression) and possession (mania), that is, the manic depression of the artist who only experiences freedom as a slave to her art:


`All you people look at me like I'm a little girl. Well, did you ever think it'd be okay for me to step into this world?`18


 In `I`m A Slave 4 U`  Britney`s a `little girl`, and `Oops! ... I Did It Again` presents her as a `small woman` on Mars descending inside a giant`s ring, where she only appears to be a `little girl`. She`s the `Snow Queen` in the fairytale, `Hold It Against Me`, and on Mars she takes that `small step` for a `Byzantine` futanarian woman, before her spaceman arrives from the moon where he took that `small step` to reach her.

 On Mars her Apollo wears a spacesuit, while she`s appears `doubled` in a red pilot`s suit raising him above herself in a white bikini dress by means of a hook and winch. It`s a symbolic fantasy in which she doesn`t have to wear a spacesuit, because she`s women`s futanarian future in which pilot`s fly spaceplanes to Mars, but he does, or he can`t visit, because he`s trapped in the bullet from a gun conventions of male penetration, whereas human futanarian women with their own penis` semen are a single species without alien rape. Raised above her, he`s helpless to do anything other than look at and film her. It`s a woman`s illusion of power over men. Britney`s `small step` on Mars is `great leap` for herself, but a `giant step` on Earth, as a `small woman`, is Land Of The Giants (1968-70) territory:


`When those clothes you're wearing are full of holes, you'll be glad we collected these giant rags.`19



 In Land Of The Giants, a 60s TV show in which small people `crashland` their damaged spaceship on a planet similar to their own Earth`s, the inhabitants are `giants`. Britney`s giant`s ring and fork allude to her role as a `small woman` with her own Mars` `giant` to deal with. In the biblical Revelation the `red dragon` waits to devour the New Redeemer who protects the `hidden` woman until she and her `seed` are ready to leave. The giant fork by the spaceman`s helmet as he hangs over Britney in her white bikini-dress in `Oops! … I Did It Again` is a Byzantine`s symbol of the devourer in Revelation, which devours men and women born small, as Jesus is depicted in Byzantine`s icons of the Madonna, but fully grown. As a `small man`, Jesus` offering of the `bread and wine` (a symbol of his `body and blood`) from the `last supper bowl`, that is, the Holy Grail, is a test to see if he has friends. Judas betrays Christ to the Roman Empire. As a man born uncontaminated by male semen from his mother, the Virgin Mary, Jesus represents futanarian `woman`s seed`. As a `dissident` against male braining, Jesus is crucified before his Resurrection and Ascension to heaven prefigures that of futanarian human women`s own species. Britney descends in what is, symbolically, the last super bowl napkin ring, a symbol of her spaceman`s `touchdown` on the red planet, Mars, who`ll be a New York Giant in friendship and eat with her, rather than an ogrish giant devourer.

 On September 11, 2001, Al-Qaeda terrorists tried to put a viral worm in the `Big Apple` of New York`s city of the Giants and the Jets as the four horsemen of the apocalypse rode their four hijacked airliners as `Trojan horse` to crash them into the Twin Towers of New York city`s World Trade Centre, Arlington, Virginia`s Defense Department of the Pentagon, and President of the United States, George W. Bush`s Washington, D.C. residence, the Whitehouse, before passengers forced that hijacked plane to crash enroute at Shanksville, Pennsylvania. In American football terms, the Jets were devouring the Giants, that is, the terrorists, proclaiming an `Islamic jihad`, were spreading aggression as a plague virus promoting war, pestilence, famine, and death:


` The Arab Spring ... is a revolutionary wave of demonstrations and protests occurring in the Arab world that began on Saturday, 18 December 2010. To date, rulers have been forced from power in Tunisia, Egypt, Libya, and Yemen; civil uprisings have erupted in Bahrain and Syria; major protests have broken out in Algeria, Iraq, Jordan, Kuwait, Morocco, and Oman; and minor protests have occurred in Lebanon, Mauritania, Saudi Arabia, Sudan, and Western Sahara. Clashes at the borders of Israel in May 2011, as well as protests by the Arab minority in Iranian Khuzestan and a rebellion in Mali have also been inspired by the regional Arab Spring, while the Malian coup d'état has been described as `fallout`.`20


 Land Of The Giants relates what `small people` invariably discover; there are bullies. Repression of sexual desire leads to becoming possessed by insatiability. To satiate is to devour, which is what the `H-bomb` represented for the Japanese citizens of Nagasaki and Hiroshima when the jets, `Enola Gay` and `Bokscar`, dropped their bombs, `Little Boy` and `Fat Man`, on August 6 and 9, 1945, to leave those cities giants` craters. In simple terms, killing is what men possessed by insatiability do. The fork poised above Britney in her white bikini dress in `Oops! ... I Did It Again` is a symbol of the male brained `red dragon` of Revelation waiting to devour the New Redeemer, who`ll protect the `hidden` woman of the Earth`s futanarian `seed` from being farmed for cannibals, who`d murder `woman`s seed` after having enough sex; or eat her simply because she`s `bite size`. In primitivism mana or `power`21 personalities are devoured by those who want the power or mana that they have. As a `bite size` pop superstar, Britney`s `small woman` in `Oops! … I Did It Again` represents mana personality. The crew of the crashed spaceship in Land Of The Giants spend the entire series` attempting to repair their craft and leave. It`s a biblical metaphor for the perceived `smallness` of futanarian woman who, `hidden` from our knowledge of her as a species, seeks escape from the giant slave ring of the devouring ogres with their New York jets.



 Earth`s paradigm is that of the maniac who doesn`t want others to be bigger, and so the bigger man (or woman) is bullied until the bigger individual is depressed or `small`. Small can be best, but bullies want what is big to be `manageable`, which makes them identical to the paedophile, who wants sex with children rather than adults, because they can`t `manage` developed individuals. Their methodology is that of the bully who wants children to remain undeveloped and `smaller`, which of course is suicide in terms of societal growth.

`Small-mindedness` is a concomitant of the mentality of the bullying paedophile as a viral form reducing everybody in size by means of what might be described as the `cowardice` infection. The 9/11 terrorists that began the `Islamic jihad` hijacked their planes to transform themselves into the transmitters of warfare as a viral infection inside the `Trojan horse` jets they crashed into New York city`s giant Twin Towers of the World Trade Centre, and through the wall of the Pentagon. The `small minded` want human women`s futanarian nature smalled and managed, while in Moslem Islam four wives are permissible in marriages that afford the possibility of sexual reproduction between women. In the United States of America `Trojan` is a brand name for condoms, while American women without penis` semen of their own as futanarian humans are condoms spreading the infection.

 In Revelation the biggest bully, amongst the cowards who have the virus, is the `beast` who sits upon their throne: `Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16. 10) The virus that represses, and possesses demoniacally, is HIV/AIDS which promulgates fear of sex as a `demon driver` channelling sexual libidic energy into activities other than sexual fulfilment, and so represents enslavement by a coward or cowards. In Revelation the coward is identified as the `beast`. Enslavement by men as a parasitical organism is that which the cowardly men ruled by the `beast` refuse to repent of. Scientists believe that AIDS originated with monkeys, which Sir Charles Darwin, in his seminal The Origin Of Species (1859) depicted as being the evolutionary antecedents of men. Men who want futanarian humanity to be smaller are a cowardly virus equivalent to AIDS, a regressivity that will result in the success of the biblical `plague aims` of reducing the Earth to the rubble of monkey men`s evolutionarily regressive `play games` system of producing ICBMs for the Earth`s `shoot-em-up` destruction, rather than Saturn V rockets for humanity`s expansion to the stars.



 In Revelation the `hidden` woman of the Earth is explicitly protected by the New Redeemer born to the `woman clothed with the sun and with the moon at her feet`. The concept of expansion by humankind to the stars is no longer a proposition and the `hidden` woman is depicted as escaping with her `seed` to live amongst the stars where she and her `seed` shall fight a war against the evil serpent`s `seed` and God shall create a new heaven and Earth for her and her `seed` to dwell in forever while the serpent`s `seed` shall have eternal unendurable pain in hell. Because the `hidden` woman has `seed`, the implication is that she has her own penis. If so, then woman is a species and men are `leeches`, which is how they`re defined by the Koran of the Moslems: `... the embryo ... obtains nourishment from the blood of the mother, similar to the leech, which feeds on the blood of others.`22


 Women with a penis exist upon the Earth, are intrinsically beautiful, and are described as `futanarian`. But they are `hidden` because the only medium where a person unaware of the system of ignorance perpetrated upon the Earth could discover them pictorially is pornography, which is a male braining `taboo`. In `Hold It Against Me` Britney`s `Snow Queen` fights herself. Bisexual, her struggle is with repression and possession, symbolized by her brown eye with dual pupils that signify a `Sensation` function that wants to touch something she can`t yet see. Because of pop video conventions, the viewer can`t detect whether Britney`s alter ego has a penis; but she could have.



 In `Oops! ... I Did It Again` Britney appears `doubled` in a red pilot`s suit and white bikini dress, and the filmmaker`s metaphor is a girl`s innocent struggle with narcissistic self-love and intimations of a lesbianism that she accepts as psychological bisexuality, rather than knowledge of women`s futanarian humanity which would heal a schizophrenia induced in male braining`s taboos so that young women don`t want what they see in the mirrors of their dreams. In `Hold It Against Me` Britney struggles with herself in symbolic differentiation of the `Sensation` function, which wants to touch what she only intuits. Her earlier divided nature in `Oops! ... I Did It Again` represents an intuitive grasp of woman`s hermaphroditism as a futanarian species. The perfume `Radiance` in `Hold It Against Me` signifies sudden enlightenment and Britney surrounded by microphones symbolizes her desire to broadcast her newfound woman`s self-knowledge: `If I said you had a beautiful body, would you hold it against me?`23

 In Revelation a sword is depicted coming out of the mouth of Jesus, because he speaks with true feeling from the heart and, therefore, authority to be heard. In Jungian psychology, the `Feeling` function is associated with the mouth, but the `Thinking` function is associated with the ear that listens with `Feeling`. Britney, surrounded by microphones in `Hold It Against Me`, signifies a heart that`s listened and is speaking authoritatively.

 Although Britney`s `Mission Control` in `Oops! ... I Did It Again` symbolizes sex starvation, the spaceman is denied sex, though he`s required to film her. She`s `soft core` pornography and, although Draconian restraints have often been used to curb it, masturbation is enjoyable. In Islamic culture, hand restraint is common, to persuade the individual to use the right hand in eating etc., because use of the left hand in is `forbidden` or haraam as `unclean`. In Western culture the fork is used in the left hand, but left handed people naturally use the knife in the left hand, so are often `trained` to use the right. Draconian measures to cure `handedness` involved restraints akin to those employed in curbing masturbation.



 In `Oops! … I Did It Again` the giant tines of a Byzantine`s fork are visible beside the spacehelmet of Britney`s astronaut, because it`s a symbol of a gigantic repressed desire to see the ejaculate, rather than fertilize the ovum, that is, waste the penetration, which is what the hijacked jets crashed into the giant twin towers of the WTC symbolize. The giant`s fork suspended over Britney`s small woman is the `biz` & tines, because the business of devourers, and those who cater to them, is to farm to produce small men and women, whose concentrated mana or power is wasted by cowards for `live` entertainment.



 In the icon art of Byzantium Jesus is the `baby man` born fully grown but `small`, so vulnerable to the ogre who`d eat him for the mana power he contains as a `small man`. What passes for human amongst ogres are the babies they reproduce themselves as, which is what men correspond to. In `Oops! ... I Did It Again` Britney`s spaceman finds her icon in the sands of Mars as Byzantine`s `small woman`, that is, a `baby woman` who`s human futanarian. Her spaceman is from the jets and the giants` New York city, but the ogrish symbols in the video, that is, Britney`s butcher`s hook and giant`s fork, are draconian images of human futanarian desire repressed through sex starvation to create a giant ogrish ego before its unleashing as the Earth`s insatiable devourer.

 The draco, that is, the `red dragon` of Revelation, waits to devour the New Redeemer born to the woman `clothed with the sun and with the moon at her feet`, who symbolically corresponds to Britney on Mars in `Oops! ... I Did It Again`, where the sun is behind her and the moon is beneath her feet as Mars is closer to the sun than the Earth and its satellite. The New Redeemer protects the `hidden` woman of the Earth until she`s ready to leave. The symbol of the power of the New Redeemer is an `iron sceptre`, which represents the `will of God`. According to Revelation the `seed` of the `hidden` woman will fight against Earth`s evil serpent`s `seed` in heaven, and win, before God creates a new heaven and Earth for her and her `seed` to dwell in while the evil serpent`s `seed` receives perdition, which is unendurable eternal pain.

 The role of the New Redeemer is of one who fights repression and possession, which means that the New Redeemer is a meritocrat; the raising of people on merit. However, Britney raises her spaceman above her in `Oops! .. I Did It Again`, because he`s meat on her butcher`s `hook`, while the viewer sees a giant`s fork beside his spacehelmet, as he films her with his camera eye, because she`s meat too. In Communism or Capitalism, which are the basic socio-economic principles of Earth, the focus is on state power (serfdom) and wealth (wage slavery), where Communism is `collective ownership of the means of production`, that is, women, and Capitalism is the individual ownership and disposal of property, that is, the civilization, culture and art that women perforce are still able to produce from their host wombs in parasitism; despite their parasitoid devourer`s depredations in its wars against futanarian human nature`s `woman`s seed`.

 Descending inside her giant`s ring, Britney is alluding to the fairytale of the giant that cannot be killed, because his heart, a symbol of love for the image of the soul which brings knowledge and wisdom, that is, woman as an anima figure, is `hidden` outside his body. The giant`s ring suggests that Britney`s `married` to the giant. In symbolic terms, the setting for the `heart of the ocean` blue diamond is Britney`s giant`s ring. Her heart is, metaphorically, a giant`s. Because the spaceman brings her the heart shaped blue diamond, he`s a Jungian diver into the developmental depths of the unconscious to bring her the archetypal `treasure` of immortality. Suspended above Britney in her white bikini dress, he looks down upon her as his `fish` surrounded by the points of her `star`; a `starfish` in her white bikini dress representing wisdom discovered by means of the journeyings of the soul into the depths of the unconscious.

 Britney`s star has eight points, which means that it`s Arabian, rather than Judaic, which is the six pointed star of Solomon, the wise, who advised women, who were quarrelling about which of them a child belonged to, to cut it in two, whereby the true mother`s more genuine concern became evident. In her red pilot`s suit and white bikini-dress Britney`s `starfish` points to the Koran of Moslem Islam for an Arabic solution. In `The Cave` Moses travels to the Red Sea where he loses a fish he`s brought for a meal. The fish disappears in the waters,24 but the figure of the wise Khidr emerges and teaches Moses to bear with patience what he doesn`t comprehend. Khidr corresponds to the `Wise Old Man` archetype of Jungian psychology, although there isn`t a `red sea` on the arid red planet of desert Mars in `Oops! ... I Did It Again`, where water and `starfish` are rare.

 In novelist J. R. R. Tolkien`s Lord Of The Rings Sméagol is a member of a people that dove and ate fish from the river,25 so he`s analogous to Britney`s spaceman/diver, while she`s Jung`s `Wise Old Woman` of the soul, his counterpart. Sméagol discovers a ring of power in the river cut from the hand of the `Dark Lord`, Sauron, which devours him if he wears it. Consequently, Britney`s giant ring inside which she descends to her stage set in `Oops! … I Did It Again` is a symbol of the devourer, Dark Claude. Although the `fish` is also a Christian symbol, Khidr`s wisdom is that life is water, and the fish is nature`s power to sustain, rather than devour. To want power for anything other than living or helping others to live, is evil. When Britney`s astronaut arrives he relays to `Mission Control`: `Ninety-eight per cent oxygen.`

 Humans, with bodies comprising 60-70% water, are like fish. They extract oxygen from water, which is why `the fish` is both a Christian and Moslem symbol. Jesus feeds five thousand people with five loaves and two fish, which precedes his offering `bread and wine` as his `body and blood` to the disciples at the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven. Christianity`s birth ceremony of `baptism` is a protection against evil and requires total submersion of the infant, and conscious reaffirmation in later life, which is the meaning of the `fish` symbol. Just as the eating of `bread and wine` as a wafer and sip from the officiate`s chalice connotes acceptance of `woman`s seed`, betrayal is represented by Jesus` `body and blood`, that is, Jesus` crucifixion and death. Consequently, the symbolism of `starfish` and desert aridity on the red planet of Mars in Britney Spears` `Oops! … I Did It Again` signify that what`s needed is water. In the miracle of the loaves and fishes, Jesus observes that bread, water and fish are for life, that is, the power to give life, and live, whereas the giant ring inside which Britney Spears` `small woman` descends to her stage set in `Oops! … I Did It Again` is the symbol of her devourer.

 In `The Giant Who Had No Heart In His Body` the heart of the giant is `hidden`,26 so that he can`t be killed. It`s reminiscent of the `hidden` woman of Revelation whom the New Redeemer is able to protect knowing that the `red dragon` can`t devour him. The New Redeemer`s heart is `hidden`; because she`s the woman of Revelation who`ll defeat the evil serpent`s `seed` and receive a new heaven and Earth as her reward through Jesus` rule. Consequently, that giant can`t be killed, because she`s his heart.

 In Revelation God punishes by means of a plague in which all water turns to blood and every living thing dies. In other words, water is most `precious`, which is the name Sméagol gives to his ring of power as it devours him. The blood disease AIDS, which is transmitted by homosexuals mixing blood, shit and semen in each others` anuses in rejection of `woman`s seed`, is men`s `biological weapon` keeping women in fearful faithfulness to monogamous ring slavery of their host wombs for the parasitoid alien devourer, and which corresponds to Britney Spears` ring of Dark Claude , who is attempting to kill the `heart` of the giant, Jesus, that is, the `hidden` woman`s.

 If the blue diamond `heart of the ocean` is given to Britney by her spaceman in `Oops! ... I Did It Again`, together with a red-suited Britney and a Britney in a white bikini dress, it signifies the red, white and blue of the `star spangled banner`; blue for water, red for haemoglobin, and white for the phagocytes, 27 which kill the viruses that would harm the body of Hinduism`s `Cosmic Man`, futanarian Vishnu. The virus is the 21st century metaphor for terrorism (AIDS), and Britney Spears is the soul of the `giant` that lives, in the heart, so that the giant cannot be killed, as she`s `hidden` there: `I`m Miss American Dream since I was seventeen.`28




1 Khutarev, Vladimir `From Byzantium To Present-Day Russia, The Double-Headed Eagle Still Soars`, Russia Beyond The Headlines, July 13, 2014, .

2 Tatar, Maria The Annotated Hans Christian Andersen, W. W. Norton & Company, 2008, pp. 193–194, 205.

3 Andersen, Hans Christian `Thumbelina`, Fairy Tales Told for Children, C. A. Reitzel, Copenhagen, 1835.

4 Martin, Max, Rami Yacoub Britney Spears `Oops! … I Did It Again`, Oops! … I Did It Again, Jive, 2000.

5 Stuart, Gloria Titanic, 20th Century Fox, 1997.

6 Bonham, John, John Paul Jones, Jimmy Page, and Robert Plant Led Zeppelin `The Ocean` Houses Of The Holy, Swan Song, 1973.

7 Field, Eugene `Little Boy Blue`, America, Chicago, 1888.

8 Troyes, Chrétien de Perceval, The Story of the Grail, 1135- 90.

9 .

10 Armstrong, Neil July 21, 1969, 2: 56 UTC,

11 Harry, Jimmy, Balewa Muhammad, Shep Solomon, Britney Spears, Britney Spears `Touch Of My Hand`, In The Zone, Jive, 2003.

12 .

13 Asimov, Isaac `Hell-Fire`, Fantastic Universe, May, 1956.

14 Frost, Robert `Fire and Ice`, Harper`s Magazine, December, 1920.

15 Andersen, Hans Christian `The Snow Queen`, New Fairy Tales, Vol. 1, December 21, 1844, .

16 Gottwald, Lukasz `Dr. Luke`, R Kelly, Alexander Kronlund,  Max Martin, Nicki Minaj, Kesha Sebert and Britney Spears, Britney Spears, `Till the World Ends`, Femme Fatale, Jive, 2011.

17 WebMD .

18 Hugo, Chad, and Pharrell Williams, Britney Spears `I`m A Slave 4 U`, Britney, Jive, 2001.

19 Lund, Deanna as Valerie Scott, Land Of The Giants, `Double Cross`, Season 1, Episode 10, December 8, 1968.

20 .

21 .

22 Ibrahim, I. A., A Brief Illustrated Guide To Understanding Islam, Darussalam, Houston, Texas, USA, 1997, pp. 74, p.7.

23 Bellamy, David `If I Said You Had a Beautiful Body Would You Hold It Against Me` The Two and Only, The Bellamy Brothers, Warner Bros., March, 1979.

24 Koran, Al Khaf (The Cave), Sura (Ch.) 18, ayat (verses) 65-82.

25 Tolkien, J. R. R. `Riddles In The Dark`, The Hobbit, Ch. 5, George Allen & Unwin ,1937.

26 Asbjørnsen, Peter Christensen, and Jørgen Moe Norwegian Folktales, 1841-.

27 .

28 Åhlund, Klas, Christian Karlsson, and Pontus Winnberg, Britney Spears `Piece Of Me`, Blackout, Jive, 2007.

Is Britney Spears Widow Twanky?

29/03/2012 18:14

Is Britney Spears Widow Twanky?



The theatre tradition of the `principal boy` being played by a girl is to be found in `Pantomime`, which is a type of musical comedy based on folktales. Aladdin is the story of a boy who finds a `magic lamp` that summons a genie.



 The mother of Aladdin is `Widow Twanky`, usually played by a man, and his brother is `Wishy Washy`, which is a reference to the laundry owned by Aladdin`s mother, the fulfillment of desire by means of the lamp, and the need to be certain about what one wants rather than `wishy washy`. The boy, Aladdin, is played by a girl, because the `lamp` she rubs is the symbol of a woman`s penis, which is the true fulfillment of any boy`s desire; to be the penis of the woman he loves. For a boy to want to be a woman with a penis is brave, and certainly not `Wishy Washy` in terms of wish fulfillment.



 During her 2009 Circus tour, Britney Spears` media circus focused on her `Chinese laundry` shoes. Women with a penis are `futanar`, so Britney`s `Chinese laundry` shoes refer to the woman`s desire to be the penis of the boy she loves, and the boy`s desire to be the penis of the woman he loves. Her `fut`.



 Aladdin indicates the underlying sexual metaphor. `Self-love` is love for a woman from the woman`s point of view. The masturbator`s fantasy is to be her, and for her to have a penis. Aladdin`s mother is played by a man because, without women, who are a species with their own penis, men are `widowed`. A euphemism for the penis is `key`, to unlock the secrets of a woman, so men bereft of women, because they know they`re futanarian, are `widowed to wank keys` (Widow Twanky`s).



 In the Bible the red dragon of Revelation is depicted as waiting to devour the New Redeemer who`ll protect the `hidden` woman of the Earth until she`s ready to leave for the stars where her `seed` will fight against the evil serpent`s `seed` and win. God will reward her with a new heaven and Earth, and the evil will receive eternal perdition. The `hidden` woman has `seed` of her own because she`s a progenitor with a penis of her own. She`s `hidden` because men would kill her to prevent her from escaping from her womb enslavement to them as `blood sucking leeches`.

Islam`s Koran (23:12-14) actually defines men as `leeches`:


`... the embryo ... obtains nourishment from the blood of the mother, similar to the leech, which feeds on the blood of others.`1


 The pronouncement is similar to Jesus` offer of his `body and blood` because his disciples are `leeches` and he`s man born of parthenogenesis, which is by woman alone. Consequently, he`s not a `leech`. In Catholicism transubstantiation is the transforming of the `bread and the wine` of the `Communion Service` into the `body and the blood` of Jesus, which is what the priest offers to the congregation, and Jesus offers to his disciples. To Become as Jesus, who was born without acceptance of the Holy Spirit, which is the Paraclete that, effectively, emerged from the side of Christ after it was pierced by the spear of the Roman Centurion Longinus.

 Because the Paraclete is God`s omnipresence, and those who accept her are accepting `Eve` born from their side with all the wisdom of woman since Eden as their `tutelary guide`, the spear of Longinus, known as the `Spear of Destiny`, produces `Spears of God`, which is why Britney Spears appears on the cross in the place of Jesus for the cover of her CD Piece Of Me. Corresponding to the `Second Eve`, because Eve in Eden emerged from the side of Adam 2000 years before, the wisdom of the Paraclete is the `spirit of God`, the `Shekinah`, described as `dwelling` within the tabernacle that contains the Commandments of `God`s law` in the Old Testament. The `Paraclete` of the New Testament is the `Shekinah` of the Old Testament because Jesus distils `God`s law` as `God`s love`. In other words, the `spirit of God` is needed if `leeches` are to become humans. Both the Koran and Bible agree men are `leeches` and, in Revelation, the turning of seas and rivers to blood is how the Bible focuses on men`s refusal to repent:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.`


 AIDS is an `immuno-deficiency virus`, which means that, in destroying the body`s immunity to disease, it leeches away its strength. Because the virus destroys the white cells that protect the red cells that carry oxygen, in AIDS the blood effectively kills the body. If the waters of the Earth were blood, the Earth would die, which is why the Bible uses it as an analogy for men`s refusal to accept Redemption from vampiristic parasitism and remain leeches. In Piece Of Me Britney writes SUCKER in red lipstick on the forehead of a paparazzi with a secret tiny camera concealed beneath his shirt to `take pictures`. He`s an art thief leeching the life`s blood of her career.

 Because women have vaginas, the correct receptacle for semen is unmistakable. Anal sex is how AIDS is spread; through blood, shit and semen. The disease AIDS that leeches the strength of the woman of the Earth`s body away from her is, by analogy, consequent to leeches having anal sex with each other, which is why God destroyed Sodom and Gomorrah in the Old Testament. If a woman has a penis, and she does, as futanarian, then she doesn`t need leeches, which is why Jesus was born of a virgin. Because a woman needs neither men`s semen nor their leech, and her species has a penis of her own. Men, according to Revelation, have had their chance at reproduction, Redemption, and will have perdition. A man and not a leech, that is, he who is as Jesus, the `New Redeemer`, shall protect the `hidden` woman of the Earth who`ll leave to sow her own seed with her own penis. Only leeches will remain. According to the Bible, man has appeared on Earth on only three occasions; as Adam, Jesus, and shall appear in the person of the `New Redeemer` of Revelation. Others may have had Redemption, but man has appeared only as Adam, Jesus, and will appear in the future again as the figure of the `New Redeemer`.


1 'A Brief Illustrated Guide to Understanding Islam', .

Britney`s Sucker

26/03/2012 17:49

Britney`s Sucker


The `fourth wall`1 is a well known concept in drama, that is, the audience. In Pantomime the phrase that acknowledges the existence of a `fourth wall` is, `Look behind you!`2 Left, right, and behind are the three walls of the living room, or the theatre, with the television, or stage set, as the focus, which is important if others` focus is upon you. Then it`s alarming, `Look behind you!` As Revelation warns, `The number of a man is the number of the beast`. Mobile `phones give men the opportunity to target the individual as their `fourth wall`, while they can`t be seen by the targeted. The result is a dramatis personae in which the target is `gamed` by shadowy protagonists who`re capriciously helpful or hindering, because the `fourth wall` prevents their `game` from escaping.



 In the developmental psychology of Carl Gustav Jung (1875-1961) a woman`s animus or `spirit` appears in dreams as a group of men that form her opinions. An `opinionated` woman is a woman that hasn`t had her opinions formed for her by a group of men corresponding to her animus. Consequently, as the more vulnerable members of society, women are the focus for the `bull ring` of cowardly men with phones who, encircling her as tormentors, ultimately constitute a `snuff ring`. The Pantomime exhortation is directed at the girl who, traditionally, plays the principal male lead in the `Panto`, `Look behind you!` Because women have to learn to defend each other from men as the cowardly `beasts` that would murder her as a species.



 In `Piece Of Me` Britney has the role of the fairytale Princess, in `Cinderella`,3 who`s a `rags to riches` family slave but goes to a ball at the palace where the Prince falls in love with her, because her foot fits the `glass slipper` he uses to find the woman with the perfect `foot`, that is, she`s futanarian human `woman`s seed`, which is depicted in Christian iconography as Jesus, mother, the Virgin Mary, crushing the head of the serpent with her `foot`, because Jesus is `woman`s seed` for the sexual reproduction of human brainpower uncontaminated by male semen, which is why Jesus is killed: `Love your neighbour as you love yourself.` (Mk: 12. 31) The angel, Satan, was expelled from heaven by God for rejecting God`s plan that the human host would be greater than the angelic, and Satan was placed in God`s garden, Eden, on Earth as a serpent. Tempting the first woman, Eve, with the `fruit of the tree of the knowledge of good and evil, that is, death, the serpent told Eve, `You shall be as gods.` (Gen: 3. 5) God`s `fruit of the tree of life` was immortality, and God told Eve and the first man, Adam, that Redemption would occur after the pair were expelled for disobedience if Adam labored, although Eve would experience labor pain: `You shall crush the head of the serpent with your foot, but he shall bruise your heel.` (Gen: 3. 15) As `woman`s seed` Jesus was Eve`s labor, because futanarian women`s brains have the power to crush Satanism, which is host womb parasitism to ephemerality in death to the human race in a war waged against humanity by a parasitoid nature, men`s.



 In Egyptian mythology, the `Shu` is the `feather of truth` of Ma`at,4 the goddess who balances it against the heart`s worth, and if the two balance the balanced human enters heaven, which is a metaphor for psychological balance deriving from the sexual reproduction of human futanarian brainpower. Cinderella`s mind can be seen by looking at her `foot` through her `glass slipper`, which is the `Shu` of the Prince. In simple terms, he`s asking if he can see her penis. Traditionally, vampires can`t be seen in the glass of a mirror and so Britney`s promotional video for `Piece Of Me` features the mirror, that is, the `Shu`, which shows women why they`re not psychologically balanced, because the vampire has devoured their penis. Now they have the unbalanced psychopathology of the male brained victim that wants to be killed by the misogynist`s parasitoid nature.  Futanarian women can see their penis in the glass `Shu`, and so are psychologically balanced, whereas women who like what they see in the mirror of their dreams are told they`re `lesbian` abominations, although sex between women is normal for their species, which isn`t men`s.



 Identifying herself with Jesus Christ on the cross for the cover of the `Piece Of Me` CD single, Britney`s observing how the male brained Roman Empire balanced without a futanarian `foot`. Jesus was crucified after the disciple Judas, who was used to stealing from the collection plate after a service, saw a woman anointing his feet with expensive perfume and suggested that the perfume be sold to raise money. As the human host at the `Last Supper`, Jesus offered `bread and wine` in fellowship to the disciples as symbols of his `body and blood`, and Judas betrayed the human host to agents of the Roman Empire then occupying Jewish Palestine as a `dissident` who threatened to introduce `woman`s seed` to restore balance to human nature. Taken to the hill of Calvary outside the city of Jerusalem, Jesus was nailed to a cross of wood and left there until he died, although he had Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed` with the brainpower to build starships and escape from Satanism in colonization of the planets and stars, along with the medical science conferring permanent knowledge of how to maintain the operation and live.



 Vampires can`t be seen in the `Shu` of balance, that is, the mirror, because they don`t want the human race to have brainpower through sexual reproduction as the futanarian species, but rather blind ignorant unconscious brainlessness in decapitation without women`s capacity for sexually reproducing brainpower from their own penis` semen. The vampire lives at the expense of the human host, which was Judas` sin. It`s stake in the human species is as a parasitoid creature that`s stolen the penis of women to enslave her host womb for the production of whatever human civilization, culture and art she`s still able perforce to produce, before the parasitoid nature of the draco emerges to destroy `woman`s seed`, which is why the evil nihilists breed her.

 In `Piece Of Me`, Britney writes `sucker` on the forehead of a paparazzi with a tiny camera concealed under his shirt, because he`s a vampire bred in blind ignorant unconsciousness to accept his role. A reference to the incredible microminiaturization that has preceded the development of tiny moving pictures for `phones, the biblical prophecy of Revelation that phone numbers are the beast`s `name` represents the cowardly secret of the vampire that has bred in heterosexuality a single male brained creature corresponding to a `TV` transvestite wearing each others` clothes in a `snuff film` masquerading as a continuing socio-historical report on the doings of the people of Earth, who`ve been duped at least since Vlad, `the impaler` of Wallachia, known in the Middle Ages for impaling his victims on stakes, was romanticized in the film capital, Hollywood, Babylon, with actor Christopher Lee as Dracula (1958) based in the novel, Dracula (1897), by Bram Stoker, who depicted young beautiful women receiving immortality after their blood was drunk out of their bodies by a suave gentleman.

 The desire of evil vampires is to murder, and parasitoid men`s nature is the desire is to be immortal, so that they can continue to murder women, which is `vampirism`, and a concomitant of parasitism, although parasites aren`t necessarily parasitoid, which is the beginnings of Redemption: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11) What they`d done was institutionalize `Greek` democracy, which was host womb slavery for homosexuality in pederasty to wage war on `woman`s seed`, which is what Empires are.

 Hollywood, Babylon`s Mogul Empire similarly promotes male braining for war movies to ensure the absence of `woman`s seed`: `… women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`5 In the mirror of the Hollywood `Shu` women`s unseen futanarian species can`t be a part of a balanced `scene`: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)  In `Piece Of Me`, Britney and her go-go dancers` glass is Cinderella`s `Shu`, and the `sucker` is the vampire who can`t see her penis in the mirror, which represents immortality through brainpower, rather than parasitoid devouring in parasitism. Cinderella`s sisters are `ugly`, as they`re futanarian, although she wants to `ball` with them, that is, they`re beautiful women with penis of their own, but the fairytale convention is that they`re `ugly`, as they aren`t men, because men don`t want human brainpower to interfere with their host womb slavery and vampirism.



 `Cinderella` is an illegal fiction because it tells girls looking in the mirror what to expect to see. Consequently, the socio-economic history of the Earth`s democratic nations is based on the illegal fiction that women can`t sexually reproduce with each other as a potential voting majority to outvote men`s psychopathological imbalance based on warfare against `woman`s seed` to enforce host womb slavery for parasitoid devourment. Or, in other words, men`s fiction is illegal because it depicts the depredations of their vampirism as human nature. When Britney Spears had her fortune and sons taken away from her by a United States` court, who gave custody of the children, Sean and Jayden, aged two and one, to their fatherer, Kevin Federline, and financial control to her fatherer, Jim, and someone who said he knew her well, Jason Trawick, it was an illegal vampiristic fiction, although the star`s earnings weren`t.



 The 20th century was the vicarious enjoyment of large scale murder in the form of `historical` depictions of `epic` wars in wide screen cinemas with film formats such as `Cinemascope` and `Panavision`. The audience`s `enjoyment` of battlefield carnage from the American Civil war (1861-5) at `Gettysburg`, the `Somme` battle in Imperial Germany`s WWI (1914-18) attempt to enslave the Earth, Japan`s December 7, 1941, `sneak attack` on the US Pacific fleet at Hawaii`s `Pearl Harbour`, the Allied `D-Day` landings at France`s Normandy beaches in the overthrow of the German`s second attempt to enslave the Earth in WWII (1939-45), and World Trade Centre (2006), the movie of the news report, `live on CNN` and other networked `TV` channels, of September 11, 2001, when Afghanistan`s Al Qaeda terrorist group hijacked civil airliners to crash into the Twin Towers of New York city`s World Trade Centre, which precipitated what came to be known as the `Video Game War` in the Persian Gulf, after Iraq`s dictator, Saddam Hussein, offered his support to Al Qaeda, and his deposing on December 30, 2006, was watched on `TV` as a vicarious `shoot-em-up` that the `couch potatoes` didn`t have to touch their `Play Station`, `Saga`, and `Microsoft X-box` consoles to enjoy as nihilistic psychic vampires feeding upon the energy of elation as they vicariously experienced the life force draining from the bodies of the slain.

 In `Piece Of Me` Britney`s `sucker` comment in red lipstick on the forehead of a paparazzi with a small `phone camera is about Salvation. Although Christians associate Salvation with the salvage of vessels, that is, those sunken and downtrodden by vicissitudes, and the re-training of such `down-and-outs`, Salvation is memory of who one is, and where one was, so that one is saved there with others who want Salvation with you. Although it sounds science fictional, Salvation is being saved as a memory with those you want to be remembered by. In the Bible the `red dragon` of Revelation waits in vain to devour the new born New Redeemer who would protect the `hidden` woman of the Earth, whereas Britney`s `sucker` is for those who spurn Salvation as `blood-drinkers` who want moving pictures to be a cowardly bully with, secretly on I-phones` `shoot-em-ups`, and other torment and torture `games` of memory deletion, rather than a `hard drive` for `PC` permanence, where `pc` means `politically correct`, which feminist `pc` isn`t. Taught `pc`, women are encouraged to believe that lesbians are homosexuals so equal to men, whereas lesbians are human futanarian expressions of what futanarian women`s species are, and men can`t sexually reproduce with each other, because they aren`t women`s human species, which is why they practice homosexuality. `PC` is permanently correct, because Salvation is the saving of human futanarian women`s memory for `woman`s seed` as the Earth`s species.

 Enjoyment in the 20th century was defined as the vicarious thrill of seeing identifiable actors murdering actors with whom you didn`t identify, because you knew who the successful murderer was. Clint Eastwood dares the forgotten young actor in the film, Dirty Harry (1971), and then cold bloodedly murders him with the popular Magnum .45 of the period, `Go ahead punk. Make my day!` Fourth wall convention tells the viewer that, as both are actors, it isn`t a real `snuff film` in which real people are killed for the entertainment of the viewer, whereas that`s what humans are being prepared for in wars against `woman`s seed`.



 Women in Moslem Islam are unidentifiable actresses `hidden` beneath their burkas in public, because they`re human futanarian women`s species. In Islam four wives are permissible in marriage because of an Old Testament story of Abraham `s wife, Sara, who became barren after birthing Isaac, founder of Judaism, and gave Hajer, her Egyptian maid, to Abraham, and Hajer birthed Ishmael, founder of Islam through his descendant Mohamed, who received the Koran (610-30 C.E.) from the angels, according to tradition, which is the basis for Islam`s four wives. Because the women are unidentifiable, they`re Clint Eastwood`s `punks` in the Gulf wars against women`s futanarian humanity. After the deposing of Saddam Hussein, Abu Bakr Al Baghdadi declared the Independent Levant (IL) of Iraq and Syria, as a `pun` on September 11`s (a Levant`s) declaration of war. Because women`s sexual reproduction would mean they`d outvote men, `woman`s seed` is `elephant` for which `big guns` are wanted. 9/11`s US President, George W. Bush`s, `Dead Or Alive!` warrant for Saddam Hussein was a `big game` hunter`s `post`. By the late 20th century, Hollywood, Babylon, movies like Scream (1996) had ceased all pretense at sympathy for the murdered, and simply accepted the murdered was the cowardly audience, who cheered addictedly as the helpless woman was slain. In short, the biblical `beast` was their hero, the coward who`d murder some heroin.

 The heroine of movies like Scream represented the programers, who wanted women to die. They`d become pogromers, so they could have more `snuff film` promotions based on real life reportage; for example, `ethnic cleansing` of Islamic communities in Bosnia by Christian Serbs during the Bosnian war (1992-5), who set up `rape camps` to male brain a generation of Moslems, and Sudan`s Dharfur province, where black West African Moslems weren`t of the `white` Arabian Moslem rulership. Those promotions led to more `Video Game War` for cowards addicted to smoking some unidentifiable heroine, after the first `TV war` in the Gulf (1990-1), in which aerial `TV` pictures of Kuwait relayed `live` made the US` destruction of the invading Iraqi army seem fun and simple.

 Rejecting the hero as a role model, Hollywood, Babylon`s audience had been prepared to accept the killer and blame the `producer`, women, used as a breeder of men for war since ancient Greece, when male homosexuality was `normalled`. Effectively, women are a `host womb` for men as the alien parasitical organism seeks to live as a cowardly murderer, and vicariously so in modern snorts of life energy inhaling elatedness. Because women have their own penis, as futanarian woman does, she`s a species. Consequently, unredeemed men are identifiably  women`s parasites, and the entertainment associated with the biblical `Baal worship`, which is traditionalized in modernity as `ball` sports, where the ball is the ovum and men play with `woman`s seed` because she can`t fertilize. In the Old Testament God punished the `chosen people` of the Jews for `Baal worship`, because `Baal` was male and the idol had a bull`s horns, whereas in Judaism Jews are born from women, because Jews are women, that is, although `Baalat` was the female `Baal`,6 human are futanarian, so `Baal` and `Baalat` were that `TV` transvestism created by heterosexuality as a single male brained creature wearing each others` clothes in a bullies` `snuff film` of the human race, which is why ball sports involve people running madly.

 God punished the Jews because history is the worship of the biggest bully, supported by the bullies (police). In German National Socialism (Nazism), Adolf Hitler became leader after the 1933 election, and pogromed 20, 000, 000 Jews in `death camps` before and during WWII (1939-45). In Revelation, 666 is `the number of the beast`. Globally, the `bull`, that is, the `player` with the `ball`, is supported, as Roman Emperors by their `police`, the Praetorian Guard, or `sucker` fans. Apart from the telephone number, 911, in the USA, the telephone number of the police globally is 999, whereas it`s 666 Satanically reversed, and a popular choice for taxi companies, because the local `bully` wants to levy taxes on travellers, and so the local taxis are there to offer `protection`. 911 was 9/11 because the Italians exported a `fireman` statue to New York two days before Manhattan`s Twin Towers were destroyed there by hijacked planes, and the local bullies wanted a war economy to reduce the level of technological investment in transportation, so that local taxi drivers continued `screwing`, where `screw` is the term used for `fixers`, as the replacers of the nails that kept Jesus` hands and feet in place, remain within the bosoms of their families.

 9/11 was `breaking the fourth wall`, which is a dramatic term for what occurs when reality is observed to merge with the drama, so that the distinction between the dramatic production and reality no longer obtains, which is what propaganda does. Many Americans thought the CNN reporting of 9/11 was a `movie` because they`re used to films like Steve McQueen`s Towering Inferno (1973), in which the fictional Glass Tower in Chicago is burned by fire, and Harrison Ford`s Air Force One (1997) in which the US President`s plane`s hijacking probably contributed to the passengers crashing the civil airliner hijacked by Al Qaeda terrorists at Shanksville, Pennsylvania, when it was reportedly on its way to crash into the US President George W. Bush`s Whitehouse residence in Washington, D.C. Britney Spears` `Piece Of Me` lyricizes the breaking of the boundaries between private and public, which propagandizes to the extent that fiction becomes reality:


I'm Miss bad media karma;

Another day another drama,

Guess I can't see the harm

In working and being a mama;

And with a kid on my arm

I'm still an exceptional earner:

And you want a piece of me?`


 Al-Qaeda broke the boundaries between what the USA perceived as `entertainment`, and Arabians watching Arnold Schwarzenegger in Terminator (1984), and its prequels and sequels on MBC Action, who`d accepted such `action` as prescribed:


`...  action in the world ... [is] extended [to] the idea ... [of] the ... imaginary boundary ...  acknowledging the audience through the ... imaginary wall ...  is considered a technique of metafiction, as it deconstructs the boundaries ... `7


 Movies like Enemy Of The State (1998) starring Gene Hackman, in which the US` National Security Administration`s (NSA) `spy-eye` intelligence satellite cameras watch an individual`s movements and `engineer` his life, irrespective of criminal involvement, suggests the bullies won the Gulf Wars, because all power is now in the hands of whatever passes for `police`, and CCTV `security` surveillance. As George Orwell`s prophetic 1948 post-Nazism novel of a dystopian future (1984) warned, `Big Brother is watching you!` What the Earth`s enslavers don`t want is Adam who`s sane, and `Baal` worship is fascist `snuff film` propaganda, that is, as 19th century natural philosopher Charles Darwin argued in Origin Of Species (1859), real intelligence loses to the bullies in the `big game` of species` survival, which is the human race.



 Enemy Of The State shows `Baal` worship, or `bullying`, as what men`s intelligence is for. The `hero` of Enemy Of The State is black actor Will Smith in what amounts to a slave film about an escaper bullied into accepting an evolutionary cul de sac, because he`s black. Will has the woman`s role, as pop singer John Lennon intuited, `Woman is the nigger of the world.`8 The viewer who identifies with Will is human,  because Will is the victim, which is what black people represent, a last bastion of male misogyny where the black man becomes the woman for a sympathetic audience unable to accept `woman`s seed`, but willing to be sympathetic to blacks with their history of slavery before the American Civil war (1861-5) of manumission. As Saddam Hussein`s army of Iraq was evicted from the Emir of Kuwait`s home during the Gulf war (1990-1), black US President, Barack Obama, during 2011`s deposing of Libya`s dictator, Colonel Ghadaffi, gave his sympathetic black support to `Baal worship`, that is, bullying, in a `domestic dispute`, where the legal fiction was of a woman`s house being restored to her. In short, black Obama gave his supporters over to `Baal worship`, although bullying by men of any color waging wars of vendetta is what parasitism for parasitoid nature`s devouring of human nature is.

 On the cover of the CD for the pop song, `Piece Of Me`, Britney Spears appears on the cross in the place of Jesus. She`s the `Second Eve` from the side of Jesus crucified after being pierced by the spear of the Roman guard, Longinus. Eve was the woman that emerged from the side of Adam in Eden, and so the Paraclete or Holy Spirit, which Jesus told his disciples would teach after him, represents the wisdom of Eve gained since Eden and that Longinus` sought to birth by `caesarean` section upon Jesus` death on the cross. Jesus` subsequent Resurrection and Ascension to heaven owes something to Longinus` intervention: `Surely, this was the son of God.` (Matt: 27. 54) Because Jesus was born uncontaminated by male semen from his mother, the Virgin Mary, he was `woman`s seed`, so prefigured the Resurrection and Ascension of human women`s futanarian nature through their own cycle of sexual reproduction as women with women producing brain capacity for technological Salvation in colonizing escape to the planets and stars away from enslavement to a parasitoid devourer.

 Eve`s symbol on September 11, 2001, was the `Big Apple` of New York city`s World Trade Centre, which symbolized `rough trade`, that is, that `brutality and violence` which is associated with `Greek` homosexuality in pederasty for warfare against `woman`s seed`. 9/11 was an attack on the wisdom of God`s Paraclete, because it released the Holy Spirit from the side of Christ, Jesus, which is why Longinus` spear was the spear of Destiny, and Britney Spears` `Piece Of Me` alludes to the Paraclete`s absence being due to what women can`t see of themselves in the broken glass of the pieces of humanity`s mirror:


`Don't you know I still believe

That you will be here

And give me a sign

Hit me baby one more time.`


 If the Gulf Wars hadn`t occurred, the future would`ve been symbolized by Britney Spears, whose initial album, … Baby One More Time (1999), contained the hit single, `… Baby One More Time`, which implied revenge against misogynists who`d hit her again even though women in male braining are bred to be submissive victims of their assailants. The `second fruit` of Eden was pears, symbolized by Britney Spears, as the Earth`s futanarian species. Revelation describes the `New Redeemer` protecting the `hidden` woman, who leaves to sow her `seed` amongst the planets and stars before war with the evil `serpent`s seed`, and a new heaven and Earth from God for `woman`s seed` to live forever, while the `serpent`s seed` receive perdition as God`s punishment.

 The election of US President Barack Obama was significant in biblical terms, because of the black `First Lady`, Michelle. Blessed is `barack` in Arabic, and in Hungarian, `peach`, so Michelle is the `black peach` in the Whitehouse. The bullies` `game`, which was that of Libya and the US` `global policeman`, during the continuation of George W. Bush`s `War On Terror`, received the Obamas supporters, which is the third `fruit` of Eden`s wisdom, supporters aren`t the supported, that is, `bullying` or `Baal worship` is for the `players`, whereas the bullied are the unsupported, rather than the unsupportable, which is voting for insupportable `Baal`.



 Although Britney Spears` name is penetratingly male, like the spear of the Roman, Longinus, piercing the side of Jesus to effect a `caesarean birth, Spears symbolizes `woman`s seed`.  In `Piece Of Me` Britney`s reaction to bullies is defiant on behalf of humanity: `You want a piece of me?` Because being bullied into acceptance of slavery in host womb parasitism to a devouring parasitoid is human history. When the Jews were removing themselves from slavery in Egypt, with the Ark of the Covenant, that is, God`s promise of liberty, because it contained God`s law, which Jesus taught was `love`, the female Shekinah or `spirit of God` dwelt therein, who is the Holy Spirit of Jesus` teaching. In Judaism a `Sukkah` is a lean to such as they`d use during the exodus from Egypt, which is remembered in the `Sukkot` festival, and Britney Spears` writing `sucker` on the forehead of the paparazzi in `Piece Of Me`, that is, `Sukkah`, because the Shekinah is the `spirit of the law`:


`Blessed are You, Lord, our God of the universe, who has sanctified us with the commandments and commanded us to dwell in the sukkah.`9


 The Sukkah is built without a `third wall`, that is, it`s open at front and side. There are two areas for receivers and guests, and two vantage points. In `Oops! ... I Did It Again` Britney in her red pilot`s suit descends to her stage set inside a giant`s ring, which looks like a `Sukkah`, and she suspends her spaceman visitor with a hook above herself in a white bikini-dress, that is, her `Sukkah` has two distinct areas, in accordance with tradition, which is the indwelling of the `spirit of God` amongst friends. The hook means Britney`s `Sukkah`, that is, the spaceman is a guest where the `spirit of God`, the Shekinah indwells: `All aboard!`



 `Oops! ... I Did It Again` is pinball too. Captain Hook lost his hand to a crocodile in J. M. Barrie`s play, `Peter Pan` (1904),10 so Britney`s hooking of the spaceman makes her `Hook`, which is a well-known pinball game, and she does make `bumper` movements with her hands linked outwardly, and emphasizing the `skirt` repelling pinballs from the bumper, although the figure in her red pilot`s suit isn`t actually wearing a skirt: `But I thought the old lady dropped it into the ocean in the end.`



 The scene shifts to Britney`s spaceman`s gift giving, which alludes to the movie, Titanic (1997), and 100 year old Rose`s dropping of the `heart of the ocean` diamond blue pendant into the sea at the point of salvage of the ship that sank on its maiden voyage from Southampton to New York after it hit an iceberg on March 15, 1912. The diamond`s a symbol of Cal, her ex-fiancée, who betrays Jack, her new boyfriend, by planting the `heart of the ocean` into his coat pocket and accusing him of theft. Rose`s boyfriend was amongst the drowned, which is why she laments his loss. Assisting passengers to the lifeboats, while some were throwing women and children into the sea to take their places in the boats, he wasn`t her ship`s hand, which is why she`s `Hook`, who lost a hand.

 In Egyptian mythology, the goddess Ma`at weighs the heart to see if it`s worthy, that is, to see if the individual is psychologically balanced in acceptance of `woman`s seed`,  but Ammit, the goddess with the jaws of a crocodile, devours it if it`s evil. Consequently, the crocodile in Peter Pan is Ammit, and Captain Hook is eventually devoured entire. When Britney in her red pilot`s suit raises her spaceman visitor above herself in the white bikini-dress, he`s suspended there like the feather of Ma`at, while his heart is weighed in the balance. The giant fork looming adjacent to the spaceman`s spacehelmet, as he hangs suspended, is Ammit`s. `Hook` suggests the Moslem tradition of cutting a thief`s hand off, and the `spy` camera attached to the spacehelmet of this paparazzi suggests thievery, although the invisibly suggested presence of Ammit suggests a curb to masturbatory impulses too as a form of theft, whereas human futanarian `woman`s seed` would argue that`s how sexual desire between women produces:


`I`m Miss American Dream since I was seventeen.`


 Descending inside the giant`s ring onto her red suited part of the two stage set of her `Sukkah` in `Oops! ... I Did It Again`, Britney suspends her spaceman visitor so he can watch her below in the second area of the `Sukkah` in her white bikini-dress, as she breaks the `fourth wall` to comment on the reality attending the fiction that the owners of the CDs she sells of herself aren`t masturbating while they watch her perform, so the tradition of the `Sukkah` leaves her open to attack, just as the tradition of issuing visas to students left the United States of America open to terrorist attack from Boston, Logan airport, when hijacked civil airliners were crashed into the Twin Towers of New York city on 9/11.



 The propaganda film that programed 9/11 was Logan`s Run (1976) in which actress Jenny Agutter as Jessica 6 is a `runner` in a society where everyone must die at the age of 21 to keep a socio-economic system with scarce resources viable. Actor Michael York has the role of Logan 5, a `sandman` who helps Jessica 6 to `run`, and the allusion is to women`s futanarian race, which can`t escape parasitoid devourment. The Al Qaeda terrorist attack on 9/11, 2001, was designed to prevent the 21st century from being born, and on the anniversary of the sinking of the Titanic, on April 15, 2013, the Boston Marathon was attacked by terrorists to prevent the human footrace from running.

 Britney`s invitation to her game is a modern `cookie`, which is a code used by online gamers to give them access to internet websites so that they can resume their `play` where they paused, and a similar codex is used in video film technology to pause the `play`. Britney`s `cookie` is shaped like a traditional `cookie`, which is a biscuit. Britney`s spaceman visitor finds her image in the sand, a `cookie` miniature, and her giant`s `Sukkah` emerges from the arid desert of the red planet, Mars, as if she`s the plaything of some external power - and the spaceman can`t leave either. He walks backwards, as if the video is being rewound by a giant resetting the pinball game, Hook, and he`s returning as the ball to be relaunched in an attempt by the `player`, represented by `Mission Control`, to obtain more pictures.



 The giant ring`s for cock, and Britney`s `Sukkah`, which again breaks the `fourth wall`, that is, the `spirit of God`, which is the Shekinah, is succour, because human women`s futanarian species is single, whereas the single male brained transvestite creature produced by heterosexuality as its `TV` is a blood `sucker`, where `cock` is the raising of the hammer of the gun, rather than women`s human species of futanarian`s `woman`s seed`.  In H. P. Lovecraft`s Necronomicon,11 the labyrinth of Iot Sokkot alludes to the Jewish `Sukkut`, and denotes a spiral that encircles, so affording the illusion of protection, while imprisoning, because men are blood-suckers, rather than succour. The prisoner is a `sucker` of the imprisoner, and the spiral `Sukkah` is a prison. Consequently, the movie Spiral (2007), starring actress Amber Tamblyn as Amber, features a painter of nudes, actor Joel David Moore as Mason, who murders Amber when she discovers he`s painted other women nude. He`s a psychopath, and she`s unaware of the nature of his prison, which is a `Sukkah` for the blood of women. In `Piece Of Me` Britney`s dancers look at their `Shu`, that is, the `glass slipper` of the mirror, which doesn`t show their futanarian nature, while Britney writes `sucker` on the paparazzi photographer`s forehead in blood-red lipstick, because although vampires can`t be seen in the mirror, women can see that they`ve been there.

 In US slang a `piece` is a gun, and a murderer is a `modern vampire`, so `Piece Of Me` presents Britney Spears` as a modern `piece`, which is how she appears in the promotional video for the song from the Femme Fatale (2011) album, `Criminal`, in which it`s implied that, although she uses a gun to terrorize a supermarket cashier, she`s made to steal by a man: `He is a sucker with a gun (Gun, gun, gun) ...` On the cover of the CD single, `Piece Of Me`, as Jesus crucified, the allusion is to Jesus` Resurrection after, at the `Last Supper`, he offered his `body and blood` to the disciples, which is what a vampire master might do, if he were offering to confer immortality upon his followers. Modern blood-drinkers don`t offer immortality, which is what gunmen don`t do, and what the murderers of Jesus didn`t do, because Jesus` Resurrection and Ascension prefigured that of `woman`s seed` by nature`s sexual reproduction between women. In `Piece Of Me` Britney criticizes the paparazzi who use her public appearances as an excuse for `going on a shoot`, which is a dangerously apposite hunting analogy in the `snuff movie` era.

 Vampires didn`t want Jesus to live, because `woman`s seed` poses a threat to host womb slavery in ephemerality. Modern phones` with moving pictures narrow the theatre goer`s vision to ignore the externality, which deteriorates and dissolves, devoured by the diminishing screen, which is what `TV` does. War is the only panorama remaining, and T.S. Eliot warned of that in his poem `The Wasteland` (1922), which was designed to effect a regeneration of vision and, like Britney Spears` `Oops! … I Did It Again` contained desert imagery contrasting to that of oases:


`April is the cruellest month, breeding

Lilacs out of the dead land, mixing

Memory and desire, stirring

Dull roots with spring rain.`12



 9/11 was what narrowing of vision produces. Technophiliacs with the tiniest cinema screens for `phones  desensitizing individual responses to `action` until 9/11 became a visual appetizer for a second Gulf War and global terror reporting was presented as a `TV event`, because it`s a programed `snuff film` arranged by Hollywood Babylon`s unofficial propaganda ministry. Reality is now a media-mediated hiatus, which the killers produce as a program menu. War is `action`, then `small screen`, before becoming scarcely observed on the tinier `phone screens. Amusement arcade culture that celebrated body counts in `pinball` games, Big Guns, and Lethal Weapon 3, is now a central feature of TVs adapted for games consoles that primarily celebrate the `shoot-em-up` in top 50 body count games, Abuse and Abductor, and even tinier `phone games, the early devouring Pac-Man and the later, Critter Crunch, celebrating trivialization of life to the point of inconsequentiality and doom.



1 Fourth Wall, .

2 Christopher, David British Culture: An Introduction, Routledge & Kegan Paul, London, 2002, p. 74.

3 Basile, Giambattista `Cenerentola` (Cinderella) Pentamerone, Naples, 1634.

4 Shu, .

5 TV Tropes, 'Foot Poppin', .

6 Baalat, .

7 Fourth Wall, .

8 Lennon, John, and Yoko Ono `Woman Is The Nigger Of The World`, Some Time In New York City, Apple, 1972.

9 Sukkot, .

10 Barrie, J. M. `Peter Pan`, Premiered December 27, London, 1904-1913.

11 Lovecraft, H. P., `The Hound` Weird Tales, February 1924.

12 Eliot, T.S. `The Wasteland`, `The Burial Of The Dead`, I, Horace Liveright, 1922, l. 1-4.

Britney Spears and Leviathan, Behemoth, Ziz, and Chronos in Oops I Did It Again

23/03/2012 15:07

Britney Spears and Leviathan, Behemoth, Ziz, and Chronos in Oops I Did It Again



In Oops I Did It Again (2000) Britney Spears plays the red dragon of Revelation, which is associated in Judaism with Leviathan from the Book of Job in the Old Testament of the Bible. Leviathan is interesting because the `sea monster` is equated with Satan in Christianity, and in Judaism forms part of a triumvirate of creatures; the others being Behemoth and Ziz, `monsters` of the land and air. Britney`s spaceman arrives on the arid desert world of Mars with a gift for her. Dressed in red, she asks:


`But I thought the old lady dropped it into the ocean in the end?`


 Britney`s Oops I Did It Again is about a sunken `Leviathan`, because of the allusion to `the heart of the ocean`, which is the blue diamond in the shape of a heart dropped into the sea by Rose at the site of the salvage of the Titanic liner that sank after hitting an iceberg on its maiden voyage in 1912 from Liverpool to New York. The movie Titanic (1997) details the story of Rose who`s heart was betrayed by her ex-fiancée`s placing of the `heart of the ocean` jewel into her new boyfriend`s coat pocket and accusing him of theft. Rose`s new beau subsequently drowns and, lamenting her loss at movie`s end, she allows the jewel to slip through her fingers and into the sea.



 In Egyptian mythology, the `feather of truth`, which is the goddess Ma`at`s, is weighed against the heart of the deceased and, if it balances, the `Akh`, that is, the personality (`Ba`) and spirit (`Ka`) conjoined, travel beyond the Earth to heaven. The heart of Rose`s drowned love is symbolized by the `heart of the ocean`, and Britney`s weighing of it. Red suited she hoists her spaceman on a pulley until he sees her from above in a white-bikini-dress.

The spaceman is  suspended, or `balanced`, above Britney in her white bikini-dress, who represents the feather of Ma`at. In her red suit, she`s Seshat, the Egyptian goddess of `building`, whose emblem is a rope. Descending inside a giant`s ring, a `superbowl ring`, her spaceman has `touchdown` (TD) on Mars. She `hooks` him with a `block and tackle`, lifting him above herself in a white bikini-dress. It`s American football and her `hook` is a quarterback `play` where the `eligible receiver` runs upfield, stops, and turns back to take the `pass`. We see Britney in red running to `hook` the spaceman with her `block and tackle`. When `hooked up`, she`s ready below in her white bikini-dress.  It`s Seshat`s `scientific romance`. Oops I Did It Again is her builder`s  bildungsromans.

 If the QB is `tackled` in American football, he`s `sacked`. In Oops I Did It Again he gives Britney a gift, and so he`s `sacked`, that is, she has a present from his `sack`. However, Britney in her red suit is the `real` Santa; because she`s Ma`at weighing Rose`s `heart of the ocean` against the `feather of truth`, and `love`s `heavenly reward` is what she has in her sack. In short, the spaceman is an `investor`, but isn`t supposed to know. He thinks he`s Santa. He gives Britney the `heart of the ocean`, which is a symbol of what the developmental psychology of Carl Gustav Jung (1875-1961) calls the `God archetype`. According to Jung there exist in the psyche of each individual images and figures that, in dreams and reverie, assist creativity and knowledge. Because the `ocean` is a symbol of the unconscious `Self` of the world, the `heart of the ocean` would contain the collective archetypes of God. Consequently, Britney`s been given the Earth, moon, and stars.

 Britney`s Till The World Ends begins with a `meteor ` crashing upon the Earth and, in Australian aborigine legend, the `coalsack`, or Black Magellanic Cloud, is personified as `Utdjungon`, who has the power to destroy the Earth with a `fiery star`. The world`s `Self` is `balanced` in Oops I Did It Again because Britney has the `heart of the ocean` from her spaceman`s `sack`, that is, the developmental capacity of the collective archetypes; or, in other words, the potential to leave Earth and moon for the stars. ICBM`s are men`s `fiery stars`; but you need a relationship to leave.



 The history of men is of devouring anything that doesn`t accept them; including woman. Or, to put it another way, if women don`t accept that they are men, that is, that women are men, men will devour them; as they devour everything else that isn`t themselves. If women have a penis of their own, they`re a species. Revelation describes how the `New Redeemer` protects the woman `hidden` upon the Earth before she leaves for heaven where her `seed` and that of the evil serpent`s fight a war in which she`s victorious and God creates a new heaven and Earth for her to dwell in forever. The red dragon of Revelation waits to devour the `New Redeemer` as the child born to the `woman clothed with the sun and with the moon at her feet`. It can`t. But the `New Redeemer` can protect the `hidden` woman. The meaning is simply that the `hidden` woman is a species with her own penis and doesn`t need to be defended. She only needs to hide. Men defend what they want to attack. If they`re declare they`ll defend you, they`re asking for you to be attacked. The `New Redeemer` protects the `hidden` woman by hiding her. She`s a species with her own penis who`s to sow her `seed` amongst the stars in preparation for the evil serpent`s `seed` final defeat and perdition. She doesn`t need men, so if they`re looking for her it`s because they`re the evil serpent`s `seed` that wants to attack her.



 In Oops I Did It Again Britney `has her own space` but, according to aboriginal legend, Utdjungon is the `lawman` who punishes lawbreakers. Utdjungon is the `devourer` of Britney`s woman because she `isn`t a man`. In Britney`s `gangster` video I Wanna Go, in which she`s `Bonnie` to Guilermo Diaz`s `Clyde`, and Criminal, in which she`s romantically `involved` in  murder, she`s `being a man` because men won`t accept anything else. By the late 20th century Britney had defined herself as `bisexual` and, in Oops I Did It Again, she has the role of `spirit`, in her white bikini-dress, and `soul`, in her red suit, which is indicative of her `self-love`. The `path` of the `hidden` woman of the Earth who leaves to spread her `seed` amongst the stars of heaven, in  preparation for her victorious war against the serpent`s `seed`, is that of the woman with her own penis, which is what Britney`s psychological bisexuality and self-love is preparing her for. The red dragon of Revelation represents men who`d destroy woman here on Earth rather than allow her to leave and develop herself as an independent species. Till The World Ends, I Wanna Go, and Criminal are indicative of her possession by the devouring imago of men, which wants her to be as they are. Effectively, they don`t want her to live because she `isn`t a man`.



 `Santa` is an anagram of `Satan` and, in Egyptian mythology, the goddess Ammit devours the heart of the deceased if he isn`t `heaven worthy`, and therefore she corresponds to Satan in Christian iconography, which is understandable if woman is equated with `Satan` who wants to leave Earth but is to receive perdition from God. However, according to the Bible, the serpent of Eden gave Eve the `poisoned apple` to give to Adam, which means that Eve isn`t evil but `temptable`. Symbolically, the serpent`s saying `Eat her.` However, if she leaves she can`t be eaten. Ammit, in Egyptian mythology, is Ma`at and Seshat`s `man-eater` who devours the hearts of the evil men who`d destroy the `hidden` woman who has her own penis and is an inviolate species in her separateness from mankind`s. In other words, she`s `Satan` to men but isn`t male, and so represents the aspect of God which redeems `Satan`, which is identified in Genesis with the snake, that is, the penis. If the penis is no longer a male Satan`s, then it`s woman`s and she`s redeemed the male.

 According to Judaism, `Behemoth` lives `East of Eden` in an `invisible desert`, and Britney Spears` Mars in Oops I Did It Again is a desert in which she`s invisible before the spaceman visits. In Hebrew `behemoth` means `great` and is a feminine plural noun. Similarly, Elohim means God as a plurality, corresponding to the Holy Spirit, or Paraclete, of Christianity. Britney, in her red suit, and in her white bikini-dress, represent `plurality`. For Piece Of Me she appears on the cover of the CD as Jesus` Paraclete. At the crucifixion Jesus` side is pierced by the spear of Longinus and, effectively, the Paraclete emerges therefrom as the `Second Eve`, the `tutelary guide` with the wisdom of her species that had been developing since her emergence from Adam`s side in Eden. Britney crucified doesn`t have the `Spear of Destiny` in her side but she symbolizes the Paraclete or `Spears of God` that, emergent from Christ Jesus` side when pierced by Longinus` spear, afterwards was known as the `Spear of Destiny`, because it released the Paraclete or `Spears of God` from the side of Christ. Consequently, as a feminine plurality,  `Behemoth` might be the Paraclete, or `Spears of God`, and refers to woman with a male penis; `be he mother`. However, `Behemoth` is  described as `he`, depicted in battle with `Leviathan` in the Jewish prayer book or `siddur`.


 `... they will interlock with one another and engage in combat, with his horns the Behemoth will gore with strength, the fish [Leviathan] will leap to meet him with his fins, with power. Their Creator will approach them with his mighty sword ... the righteous ... will eat the meat of the Behemoth and the Leviathan amid great joy and merriment.` (Artscroll siddur, p. 719)


 They`re male, and therefore they`ll be eaten; because that`s what males do. The `righteous` are those who`ll eat them because they`re male. In truth `Leviathan` is that `hidden` content of the unconscious that, repressed into unconsciousness by men over thousands of years, that is, the knowledge of woman`s penis, emerges from the `heart of the ocean` as a sparklng blue jeweled heart of love and desire for her own species` development.

 In Christianity, the exhortation is `to love your neighbor as you love yourself` because your neighbor is yourself, which men are unable to do because they want to `devour` their neighbours (Cf. Hitler`s Anschluss of Austria in 1938, and Saddam`s invasion of Kuwait in 1990). `Behemoth` is a plural feminine noun because the female aspect is God`s. Similarly, the female aspect of `Leviathan` and `Ziz` denote the `hidden` woman of the Earth that wishes to leave, and that`s why she`s `Satan` to men who want to keep her here as an enslaved `host womb` for the promulgation of their devouring wars against her species, the Earth`s `builder` from whose `womb` everything emerges that time contains. Chronos (Saturn/Satan) is the male aspect that `devours`, and `space` is what the `hidden` woman needs so that she can build God`s heaven and dwell there amongst the stars forever. Consequently, the `Behemoth` of the `invisible desert` in Oops I Did It Again is Britney`s `hidden` woman, the female aspect of the red dragon of Revelation, that is, Ammit, the `devourer` of men`s evil hearts, and `Ziz` is the `unmanned` Mars` lander, which was named `Phoenix` by the USA because the mythological bird is a symbol of Resurrection:


 `From the [ashes] ... of [its] ... parent [it]... issues [from its nest to] ... the city of Heliopolis in Egypt, and deposits it in the temple of the Sun.`1


 In Judaism, `Ziz` finds correspondence with the Arabian `Simurgh`. However, whereas Ziz is male, Simurgh is female and wholly benevolent. Consequently, the devouring of Ziz at the end of time, `amid great joy and merriment`, isn`t surprising; if he represents the male as the `devourer` of women.

 If `Mars lander` were `Simurgh` in Oops I Did It Again and, according to legend, the Simurgh has that attribute of the `Phoenix`, Britney`s alluding to the Titanic movie in which Rose, grieving for her lost love, drops the `heart of the ocean` into the sea at the place of salvage where, Phoenix-like, the Titanic is to rise from the ocean`s depths. Rose`s boyfriend aboard the liner many years before had painted her nude, wearing the blue heart-shaped jewel, the `heart of the ocean`. Rose`s `picture` is the `zimmer frame`, which helps her to walk in her grief. Her boyfriend was `framed` by her ex-fiancée for stealing the `heart of the ocean`,  a `Ziz` character because male, and so she doesn`t grieve for him, whereas `Simurgh` is God`s benevolence, and Rose is able to walk in her grief, because the `Simurgh frame` of God`s benevolence is the `heart of the ocean`, which is her `Self` in the picture. Her Earth, moon, and stars.

 In spying, `sleepers` are those who steal secrets from companies, governments, or individuals, by `method acting`, that is, they play the role assigned to them until `activated`. Because the archetypes of the collective unconscious are the `jewels of God`, `demonic possession` results from a `sleeper` who wants what God`s given you to work with, and the work that you`ve produced. Rose`s `Titanic` story is hers, but Hollywood made billions of dollars from her memoir. In literary circles, `ghost writing` is a mode available to authors who can`t write, and so writers are employed. As the product of a `sleeper`, Rose`s story is `demonic possession` so that Hollywood can make `big bucks`. The `sleeper` is a `demon` that takes possession of a writer to `whore` the `jewels` of the writer`s archetypal creativity.

 When Britney`s spaceman picks up her picture from the Martian sands, it`s a `Simurgh frame`. He`s a `Ziz`, a creature of the air of Earth in his sealed spacesuit. Britney`s the benevolent Simurgh, which is why Mars has 98% oxygen. Her spaceman is encouraged by the picture in the `Simurgh frame` to walk towards her home, `the city of the sun`. She`s the Phoenix of legend and her home, Heliopolis, miraculously emerges from the desert floor of Mars as the spaceman `takes her picture`. With a camera beside his space helmet, he`s a `picture taker`. The `geek` at `Mission control` is the `demon` for whom he `takes pictures`. Britney`s the spaceman`s `dream girl`, the archetype of Resurrection in the spaceman`s unconscious `Self`, corresponding to his `soul` (Britney, in her red suit) and `spirit` (Britney, in her white bikini-dress), but she`s being `whored` by the `demon` of `Mission control` who wants the spaceman`s `pictures`.

 In Egyptian mythology, the Phoenix is the `Bennu` bird, which is represented as `bursting` from the heart of the god Ra: `I am the Bennu bird, the Heart-Soul of Ra, the Guide of the Gods to the Tuat.` According to the Egyptians, the Tuat was the `Other World` and a guide was required to negotiate dangers, such as devourment by evil creatures, in order to progress into the `heavenly realms`.

In Oops I Did It Again, Britney`s `temple`, Heliopolis, appears reflected, rising majestically, in the visor of her spaceman`s helmet, as he picks up her `cameo brooch` from where he discovers it lying in the desert. However, when he gives Britney the `gift` of Ra`s `heart of the ocean`, her guide isn`t the `Bennu` bird:


`Iranian legends consider the bird so old that it had seen the destruction of the World three times over. The Simurgh learned so much by living so long that it is thought to possess the knowledge of all the Ages.`2



 `Simurgh` is also the Iranian word for `rocket`. According to legend, the Simurgh has the attribute of a `firebird`, that is, Resurrection from destruction, but she`s female and `wholly benevolent`.



In terms of Christian symbolism, Britney`s `clothed with the sun and with the moon at her feet` on Mars, and `Ra`, the sun god, is the `heart of the ocean` because he corresponds to the `archetype of God` in Egyptian mythology, that is, the Earth`s `Self`, which is the `womb` of the `hidden` woman of the Earth that contains all that`s to emerge in time. But the woman of the Earth needs `space and time` to emerge fully, and the red dragon of Revelation represents men as the devourers that would prevent her from escaping into space, which is why the `woman clothed with the sun and with the moon at her feet` is depicted as giving birth to a `New Redeemer` that protects the `hidden` woman until she`s able to leave and `have her own space`.



 In her red suit, Britney represents the `clause` of Santa, that is, if you`re good you`ll receive your `heavenly reward`, but she`s also the `claws` of Satan, that is, if you`re evil you`ll go to hell. Surrounded by giant steel claws throughout Oops I Did It Again, Britney`s red suited heroine symbolizes Redemption through `good work`, and Resurrection, but also the rending claws and teeth of the red dragon of Revelation.

  Suspended above her with the eye of his bulbous space helmet`s transparent faceplate complimented by that of the camera lens attached to its side like an ear that can also see, Britney`s spaceman is a `Buddha`. His ear is trained to see what`s `hidden` by adhering to what the Egyptians call `Kheru`, the `Voice`, corresponding to the `tutelary guidance` of the Paraclete in Christianity, but `demoniacal possession` if the `voice` is proven evil, represented by the `geek` at `Mission Control` who`s in `possession` of the spaceman`s `soul` (Britney, in red) and `spirit` (Britney, in white) so that he can `take pictures`.

 Christians are exhorted to `test the spirits to see if they are evil` (1 John: 4.1), which implies that the spirits can be seen. By listening they become manifest to the eye, according to Buddhism. In terms of the archetypes of the unconscious `Self`, Britney`s spaceman is dreaming in colour. But the demonic `geek` won`t let him out of his suit to have sex with her. He`s `Mission Control` and she and her spaceman are possessed by the `geek`. Hoisting her spaceman into `position` where he can `take pictures` for the `geek`, her spaceman`s desire is impotent.

 Ma`at`s `test of truth` is symbolized by the fork beside the helmet of Britney`s spaceman. If his heart`s worthless, Ammit will devour it. Conversely, if he`s worthless, he`d devour Britney, and so it`s a sexual `meta-fork`, as it were, for the desire to devour when sexual activity is satiated. Britney, and her spaceman`s `geek` at `Mission Control`, represent masturbation. Her spaceman`s there to `take pictures` for `Mission Control` and so Britney and her spaceman represent the possessed ego and the archetypes of the collective unconscious, which are the `jewels of creation`. The masturbator wants pornography, so the demonic `geek` wants `pictures`. Theoretically, the masturbator is more harmless than the sexually satiated, because the masturbator doesn`t have access to the `flesh` of the desired.  Satiation precedes devourment of the `finished with` work, no matter how much time was taken in the development of the `product` (e.g., film) or relationship.  However, if the `sleeper`, as demoniacal possessor of the `soul` and `spirit` of the `sexual athlete` or `masturbatory fantasist` is insatiate, it`s imago of male devourer, constellated within the unconscious of the individual by movies like Silence Of The Lambs, which features the character of Hannibal `the cannibal` Lecter, will devour the in potentiam `Self` of the individual.

 In Revelation the red dragon attempts to reverse the consequences of its sexual desire, that is, the `New Redeemer`  born to `the woman clothed with the sun and with the moon at her feet`, by devouring the child which is destined to protect the woman `hidden` in the desert before she leaves Earth. Men would devour her and the `New Redeemer` rather than allow her to leave Earth because they are, by nature, cannibals. Sexual satiation precedes this `awakening`. Usually projected outside themselves as the god Mars, cannibalism characterizes their collective as `devouring war`. Consequently, woman is most vulnerable when she`s sexually satiated men, because they will devour her; as they do in warfare: a `metafork` for cannibalism.

 Britney`s spaceman, with the eye of a camera attached to his helmet where an ear would be, is a `Buddha` in his spacesuit. He`s able to see Britney because his ear is `trained` and he can see her from within himself as a `spirit`, which accords with the notion that she has the role of the goddess Ma`at weighing the heart of the deceased to see whether Ammit`s to devour it, or her spaceman`s to journey further into her `heavenly realm`.



 The camera eye is Britney`s spaceman`s `devouring mechanism`. In Egyptian mythology, the `Ba` is the soul as `personality`, and so the notion of `capture` relates to the notion of `image` and slander, that is, the personality or `soul` can be tormented by lies if someone is using their captured image to lie about them as Hollywood paparazzi are infamous for doing. The first spacecraft to land on Mars was the unmanned `Mars lander`. `Maa`, in ancient Egyptian, is the word for `truth`. Insofar as Maa derives from the name for Ma`at, the goddess of truth, Britney`s spaceman is Maa`s `lander`, but Maa`s `slander` if he`s a paparazzi there to propogate devourer`s lies about her.



 Piece Of Me is about cannibalism also. The paparrazi are depicted as her devourers, and the cover for the CD features herself as Jesus upon the cross. The symbolism refers to the effective emergence of the Holy Spirit or Paraclete as `Second Eve` from the side of Jesus when pierced by the spear of the Roman centurion Longinus at the crucifixion. Afterwards Longinus` spear came to be known as the `Spear of Destiny`, and Britney Spears` symbolic acceptance of the role of the `hidden` woman by the side of man is an allusion to the Paraclete as the `Second Eve`, that is, Christians` acceptance of  the Holy Spirit`s `tutelary guidance`. Britney`s presented as `the Spears of Destiny`, but Piece Of Me suggests cannibalism and, in Egyptian mythology, the god Osiris is dismembered by the evil Set, which can be construed as a metaphor for schizophrenia. Britney`s similarly `torn apart` by the paparazzi`s slander of her `image`:


`Oh Oh

Tell me have you seen her

Because I'm so


I can't get her off of my brain

I just want to go to the party she gonna go

Can somebody take me home

Ha ha he ha ha ho.`



 In If You Seek Amy Britney`s lyrics are `schizophrenic`, which is a result of media slander. The personality becomes `split` into `I`, and what the paparazzi want. When the ego of the individual is identified with the collective shadow, that is, other people`s negative perspective, you`re `captured` by cannibals who`re `tearing you to pieces` and `devouring` you. Britney, in Piece Of Me, is in danger of being `captured`:


 `You want a piece of me?`


 If You Seek Amy is her way of dealing with `them`. In Hollywood it`s called `method acting`. The `star` doesn`t act, she is the `role`, which requires faith in yourself, and God, because your own personality (and ego) disappears  while `in character`. If You Seek Amy is `F-U-C-K me`, which relates to Piece Of Me, and Oops I Did It Again where, in her red suit, she hoists the spaceman above herself in a white bikini-dress. She`s made a `grab` for him and it should be a `piece of cake`. All he has to do is `grab` the giant`s fork. But it`s too big for him to hold because he isn`t a giant. Nor is he a cannibalistic ogre. That`s the idea in the demoniacally possessive mind of the `geek` at `Mission Control` who`s staged the `Set`.

 Britney`s spaceman represents the god Thoth or `thought` and, as Ma`at,  goddess of truth, she`s Ma`at`s feather. Because `Ba` is `personality` and `Ka` is spirit, Ma`at, the goddess of truth, is Britney`s `Ka` or spirit. Her `personality` is represented by the Masonic goddess Seshat, her `Ba`, and Seshat the builder`s bildungsromans is about the relationship between `physical and spiritual love`. The spaceman hoisted above her can`t `grasp` her in `truth`. He has a camera from the cannibals at `Mission Control` who want to `capture` her. He thinks she`s `heaven`, but he`s sold his soul to the `meat trade`.

 In the psychology of Carl Gustav Jung (1875-1961), the feminine component of the soul is the anima, and those who fear their soul`s capture by cannibals are defined as believers in `animism`. Britney`s spaceman`s anima corresponds to Britney Spears, or any woman that`s desirable, but he`s `capturing` her for the cannibals he`s agreed to sell his soul to, which makes of him the red dragon seeking to devour the child of the woman who, according to Revelation, will protect the woman `hidden` upon the Earth before she leaves for the stars of heaven. Because he doesn`t want to sell his soul and eat it too, which is what the `fork` beside the spaceman`s helmet alludes to:


`You can have your cake and eat it too.`


 Piece Of Me, Fuck Me and Oops I Did It Again are about forgiveness for a desireful love that has become `a devour ring`. As the goddess Seshat, red-suited Britney has `balanced` the `heart of the ocean`, represented by the spaceman from which she`s `taken heart`, with the goddess Ma`at`s `feather of truth`, who is represented as herself in her white bikini-dress. Descending inside her giant`s ring, it`s a wedding or a cannibal feast. In Jungian psychology, `balance` means `healthy`, and `ocean` is a metaphor for the unconscious self which contains facultas praeformandi or `archetypes` that, appearing in dreams or reverie, assist conscious development. Archetypes can be figures, or images, and the `heart of the ocean` corresponds to the `God archetype` which, according to Jung, is `unknowable`, but visible in those who have achieved self-actualization or individuation (Buddha, Mohammed, Jesus).

 Jesus offered his `body and blood` to the disciples at the `Last Supper` before his crucifixion, death, Resurrection, and Ascension to God`s heaven. In Catholicism Jesus` `body and blood` is represented in `Communion` by the `bread and the wine`, and the Catholic `ritual` of drinking and eating is called `transubstantiation`, whereby the `tutelary guidance` of the Paraclete is invoked. In Jungian psychology, the `bread and the wine` are equated  with the soul and the spirit, or the `Ba` and the `Ka` of Egyptian mythology. But the symbolism remains the same. If your heart`s evil, you`ll be devoured.

 Jesus enacts the typical myth of the vampire who offers his `body and blood` so that his `disciples`can receive eternal life. The crucifixion of Jesus is a torture and murder, and although  Jesus` has Resurrection and Ascension the indication is that he`s an immortal `blood drinker` offering to `drink a little blood` from the body, and give the recipient life eternal; rather than rend and murder as his tormentors had done. In short, Jesus is a messianic vampire who understands the nature of reality. Either you accept `God`s love` from whichever vampire wants to give you eternal life, or you`ll be a possession and tortured to death by vampires who are devourers and don`t want you to live.

 According to Judaism, the three creatures (Leviathan, Behemoth, and Ziz) slain by God at the end of time, are eaten amidst great jubilation, which is logical if they represent the devouring male imago that sought to devour the Earth. In the Graeco-Roman tradition, the god Chronos (Saturn) devours his children, and so corresponds to the figure of the red dragon (Satan) of Revelation in the Bible that waits to devour the `New Redeemer` that protects the woman `hidden` upon the Earth; presumably from being eaten. The red dragon waits in vain because unable to devour the New Redeemer. Evidently, there are those who`ll be eaten in a godly way, and those who remain undevoured because godly. Clearly the `hidden` woman is godly while Leviathan, Behemoth, Ziz, and Chronos (Saturn/Satan) are masculine `principalities` or `powers`.

 Leviathan, Behemoth, Ziz, and Chronos (Saturn/Satan) constitute a quaternio in which the sea (Leviathan), the air (Ziz), the land (Behemoth), and time (Chronos/Saturn/Satan) are represented. In symbolic terms, Leviathan, Behemoth, and Ziz are to be absorbed into God in the course of history while Chronos (Saturn/Satan) receives eternal unendurable pain for cannibalistically devouring his children, which the figure of the red dragon of Revelation waiting in vain to devour the `New Redeemer` symbolizes.



 The dimension missing from the quaternio of sea (Leviathan), air (Ziz), land (Behemoth) and time (Chronos/Satan) is `space` which, according to Revelation, is the destiny of the woman `hidden` upon the Earth before she leaves; `Britney Space`. In Lucky Britney is depicted amongst Lucky`s stars, where the `hidden` woman and her `seed` await the final victorious battle with the evil serpent and its `seed` before God creates a new heaven and Earth for her and hers to dwell in forever while the evil serpent and its `seed` receive eternal perdition as their punishment.



 Woman with a penis is called `futanar` and she`s God`s basic survival pattern for her species. She has milk in her breasts, and semen from her penis can fill a bucket with protein. In species` survival terms female vampires are indispensable too. Futanarian woman has the male aspect of her species, and the rising of her penis to God is, effectively, the Redemption of Satanӓel, the first of angels, and the `Leviathan` of the masculine component of woman, sunk without trace like the Titanic, and emerging into a `Salvation` that isn`t the devouring homosexual sterility of men. Satan is redeemed in the shape of this female `Leviathan`, `Behemoth` or `Simurgh` and, as it says in the Bible, the evil shall still experience eternal unendurable pain. Because they`re evil and not because of their name.



1 Phoenix, .

2 Simurgh, .

Cannibalism in Britney Spears` Oops I Did It Again

14/03/2012 16:40

Cannibalism in Britney Spears` Oops I Did It Again


Britney suspends her spaceman from a meathook in Oops I Did It Again, and the tines of a fork are visible at the side of his space helmet, which is suggestive of the the ancient pagan practice of god-eating, whereby the `magical personality`, called the `Akh` in Egyptian mythology, is eaten in order to have the mana or power of the one who is `special`.

The practice derives from approaches towards `animism`, which is an old belief system based on the notion that the world is animated by the figures within it that demonstrate the ability to create something ex nihilo, because they are creative. Consequently, geniuses, film or pop stars, etc., contain mana and are sought after by cannibals who want to devour them. Oops `I Did It Again is infra dig; `fork`, get it? Either you`ll reply `Forget it!` Or you`re a cannibal:


 `Fork, get it!`


 Britney`s referring to the ancient tradition of remembering in ancient Egyptian mythology where Isis puts back together the pieces of the god Osiris after he`s been dismembered by the evil Set. Women represent desire, so if resurrection is what you want, which includes memory, desire for women is integral. The erect penis is not only the desire to be greater than you are, but to remember where you`ve been and who you were with. In the myth Isis can`t find Osiris` penis and fashions a new one. It`s symbolic of woman`s power to resurrect through desire for her, and the memory of those places you have been with her as well as what you were doing there.



 D.H Lawrence`s The Escaped Cock (1929) details the story of Jesus` Resurrection, that is, restoration of memory after his crucifixion and death, by means of the physical love of a priestess of Isis. Of course, `cock` is a euphemism for `penis`. In the biblical book of Revelation the red dragon waits to devour the `New Redeemer` because the dragon represents that which doesn`t want the woman `hidden` upon the Earth, and which the New Redeemer is born to protect, to escape. After escaping, and spreading her `seed` amongst the stars in heaven, according to Revelation she and her `seed` fight against the serpent`s `seed` and, defeating the draco, God creates a new heaven and Earth for her to dwell in forever. Lawrence`s The Escaped Cock is a metaphorical tale of the power of the penis` liberation, Jesus` Resurrection, and Ascension (or escape) to God. Revelation is, therefore, the story of the penis of the woman `hidden` upon the Earth before she escapes to sow her `seed` amongst the stars.



 Jesus` teachings are memorable because they contain the wisdom that, through `God`s love`, which is what Jesus distils as the essence of `God`s law` in the New Testament, comes Resurrection and Redemption. Because woman is the focus for man`s desire she`s the focal point for memory, and so Jesus` message of Resurrection is dependant on love for God and woman. The difficulty for men is loving a father image. After all, God destroyed Sodom. However, if a woman, `hidden` upon the Earth, had her own penis, she`d be a `fatherer`, and the image of God that could be loved by man without homosexuality, which appears in the homoerotic sadism of Jesus` crucifixion, and his Ascension to God and heaven as the `Son of Man`.

 In the Bible the red dragon of Revelation is depicted as waiting to devour the `New Redeemer`, the child born to the mana figure of the `woman clothed with the sun and with the moon at her feet`. The New Redeemer is a type of the mana figure, the new `magical personality`, which is to protect the woman `hidden` upon the Earth. The war against the serpent`s `seed`, that is, the dragon`s `seed`, is with the cannibalist devourers of the `special` ones with `special` abilities, and the nurturing, procreative, and developmental `seed` of Christian woman wins.



 The scenario is difficult to understand because a woman would have to have a penis to sow her own `seed`, which is why she`s described as `hidden` upon the Earth before she leaves. The scarcity of women with a penis in the media is indicative of the prejudice against her, but the fact of her existence undeniably makes of her a species capable of reproduction, whereas men cannot reproduce alone, and are therefore correlatable with the red dragon of Revelation, which seeks to devour the `New Redeemer`, who represents any individual with an ego-consciousness developed enough to want to protect her here.

 The concept of the `hidden` woman is important, because of the fine dividing line between `farming` her secretly in order to breed her as powerful mana meat, and protecting her. Britney alludes to the framework of meat production in her descent inside a giant ring as a `little person`, and the scene with the spaceman hanging like meat on a hook above her, with the tines of a giant`s fork beside his spacehelmet, emphasizes the role of the `little woman`, who`s the `magical personality`, full of mana for the devourer that wants her power.

 In Oops I Did It Again Britney is small in comparison to the giant ring and fork, and beneath the spaceman she has hanging above her on a `meathook`, she appears in a white bikini-dress; as if she were upon a white tablecloth. Britney`s addressing the production of mana personalities small enough to be easily devourable by the cannibals.

 In her red suit, she suspends the spaceman above her white bikini-dressed self, and it`s The Tale Of Rose And Snow White, which features a bear and a `little man`. The girls befriend the bear, and help a `little man` whose irascibility towards them annoys the bear. However, the bear himself is irritable, and says to the girls: `Children, leave me alone. Little Snow White and Rose Red. You will strike your lover dead.` Paradoxically, it`s the bear that kills the `little man`, that is, irascibility. Logically the `little man` is their lover, and the girls receive his `treasure` from the bear, who reveals himself as a prince transformed by the `little man` into a bear. The bear explains that the `little man` did this so that he could have the prince`s `treasure`, but if the `little man` is the girls` lover, he`s the educator who`s transformed the prince, so the `little man` is the `lover` who the bear/prince says will be killed (and, indeed, kills him), because they`re girls who need the education of the `little man`, which the prince doesn`t want them to receive. He has been taught that it`s man`s nature to enslave women, and the `little man` represents the educative principle that, if women knew they were a species, they wouldn`t want `parasites` as their `masters`.



 The story is `traditional` insofar as the girls marry the prince and his brother. However, in Christine Stahl`s earliest version of the tale, the bear kills the `little man`; has never met him; isn`t a prince: but the girls have the `treasure`. In other words, the girls obtain the treasure of the `little man` from the bear who becomes a prince because it`s man`s nature to catch women for sex and work, and not to educate them in `true nature`, which is what the `little man` that the bear kills represents.



 In Bible terms, the `New Redeemer` is the `treasure`, which the girls would have from `mother nature`; if the `little man` grew. But the bear has the role of the devouring red dragon of Revelation, which waits to devour him. The pattern is familiar from Graeco-Roman mythology, where the god Chronos (Saturn) devours his children; particularly Zeus (Jove) the new father. The red dragon of Revelation is a `son devourer`, because this `New Redeemer` would protect the `hidden` woman of the Earth and educate the girls into becoming women. The red dragon is the father-imago, who doesn`t want female development, and devours the son who`d be their new `teacher`, as it were. The `treasure` of the `little man`, although the best he has, isn`t the `treasure` that `mother nature` is educating her species, that is, woman, to receive, which is that she`s a `hidden` treasure, a species whose mission is to fight the `seed` of the evil serpent, and win the reward of the new heaven and Earth promised by God in Revelation to her, and her `seed` forever.



 In both Revelation and Genesis God tells Eve there`ll be `perpetual enmity` between her `seed` and the serpent`s, and she `shall crush his head with her heel as she leaves`, that is, the serpent`s, who devoured her sons that fought for her freedom at Gettysburg in the American Civil War (1861-5), in the trenches of the Somme in World War I (1914-18), at the Normandy beaches in World War II (1939-45), and in the desert sands of the Gulf Wars (1990-2011). According to the Bible, the evil serpent, and the serpent`s `seed` receive the punishment of unendurable eternal pain. Saddam Hussein`s name means `crusher`, which means he was the red dragon of Revelation, and his name actually means `he who is to be crushed`, because that`s why he`s labeled red for danger. Freedom, represented by the statue of Liberty in New York`s harbor on 9/11, symbolizes the `hidden` woman who, seeking  liberation, crushes the head of the serpent.



 `Saddam` also means `shoemaker` or `cobbler`, and it`s a torturers` practice to `shoe` a man and woman, which means to put them together in a confined space, such as an `iron maiden`and, unable to see each another, they are tortured together in torment. Effectively, the `iron maiden` becomes a `sarcophagus`, which is what the ancient Egyptian pharaohs were placed in as their `coffin` that resembles a `shoe`.



 Similarly, the `burkahs`, or `abiyahs`, of Arabian women, have the appearance of `shoes`, while Saddam Hussein, whose name means `shoer`, represents unredeemed man as the tormentor. Those who are `shoed` live, while their `emanations`, the `soul` or `spirit` bodies, which the ancient Egyptians called the `Ba`, corresponding to the personality, and the `Ka`, corresponding to `life force`, combined as the `magical personality`, or `Akh`, enter Paradise, which is `Jennah`, `hidden` from the `shoed`, and where the `shoers` torture the couple to death, which is hell for them and that`s why they`re `shoed` by the `shoers`.



 The red dragon of Revelation was Saddam, the `shoer`, `crushed` by the heel of `Liberty`, because Christian women don`t want to wear a shoe; you need two feet to crush a red dragon`s head before you leave for the stars:


`One small step for a woman. One giant leap for womankind.`


 In Egyptian mythology, Ra is the sun god, and is incarnated as Osiris, who`s dismembered by the evil Set. Osiris` scattered parts are found and put back together, or re-membered, by the goddess Isis. As the resurrected Horus, he has the moon and sun as his eyes, and finds correspondence in the New Redeemer of Revelation born to the `woman clothed with the sun and with the moon at her feet`.

 In Oops I Did It Again Britney makes feather-like movements beneath her spaceman`s gaze and camera eye. She`s the Egyptian goddess Ma`at, whose `feather of truth`, called `Shu` in Egyptian mythology, is weighed against the heart of the hero to see if he`s brave enough to journey with her. He gives her a `mysterious gift`, and she asks:


`But I thought the old lady dropped it into the ocean in the end?`


 Red suited she hoists the spaceman until, hanging suspended above her white bikini-dressed `twin`, `feather` and `heart` are in the balance. The oblique reference to the `old lady` is a reference to the Titanic (1997) movie in which Rose drops the `heart of the ocean` into the sea at the site of the shipwreck`s salvage operation. The Titanic hit an iceberg and sank on its maiden voyage in 1912 from Liverpool, England, and the story is about Rose`s betrayal be an ex-fiancée who frames her new lover by planting the jeweled pendant in his pocket.

 Rose`s boyfriend subsequently drowns and Rose is left with only the blue heart-shaped jewel. Symbolically, therefore, the spaceman`s gift corresponds to the heart of Horus, and Britney`s white-bikini-dressed self is the Egyptian goddess Ma`at, whose `feather of truth` is weighed against the heart of the hero to see if he is `true` and will journey with her to heaven. According to tradition the feather and the heart balance if they are to go together. In her red suit Britney corresponds to Seshat, who `answers important questions` and `opens the door of heaven`. To those who`re true to her and follow her path of wisdom, she`ll reveal her secret truths.

 In Egyptian mythology `Kheru` is `Word` or `Voice` and the name `Christ` derives therefrom, so `Ma`at Kheru` is the `voice of truth`. In Egyptian mythology, Horus is a hawk and `Kheru-ur`, the `face of heaven`, and so Ma`at-Kheru-ur` is `the voice of truth from heaven`s face` (Jesus Christ). Egyptian mythology is prefiguring the Old Testament `Word of God`, Jesus Christ, and the New Redeemer, who protectively watches over the `hidden` woman of Revelation `like a hawk` (Horus) before she leaves for heaven. Ancient texts were written by scribes employing a feather in the form of a quill dipped in ink, and so the Egyptian goddess Seshat is depicted as a scribe to indicate the beginnings of writing, and the keeping of written knowledge:


 `I am thy writing pallet, O Thoth, and I have brought unto thee thine ink-jar. I am not of those who work iniquity in their secret places; let not evil happen unto me.`



 The hemp symbol above her head signifies paper and writing, and her role as `architect`, because rope, made from hemp, is used in measurement. The Egyptian symbol `10` appears to be above the hemp leaf and denotes the science of mathematics, so the basic building materials of civilization are present; written language and numbers:


 `... a number world ruling ours behind the scenes supplied five thousand years later the screen script for the science-fiction movie The Matrix.`1


 The ancient Egyptian constellation of the `bull`s foreleg` corresponds to Ursa Major, and Britney hoists her spaceman aloft using a pulley. Symbolically, she`s dealing with a `bully`. In the tale of Rose Red and Snow White the bear becomes a prince after it kills the `little man`. In Oops I Did It Again, the bear, symbolized by Ursa Major, would be a `Giant Prince` if it were transformed from bear to prince, which is why Britney descends inside a giant`s ring.

 Britney`s spaceman isn`t big enough to wear her ring, because he has a `little man`. The pulley and `Bull`s Foreleg` symbolism indicate that, as Seshat, she`s suspending the judgement of Ma`at upon this `bully`.  Metaphorically, he`s to be `killed` beneath the sign of `the bear`, and the spaceman transformed by `Kheru`, in Egyptian, that is, the `Word` or `Voice` of Christ, thereby becoming the `Giant Prince` who`ll wear her ring. The `bully` is the `little man` who`s bullying him. Effectively, the bespectacled `geek` at `Mission Control` who`s made a `game` of Christ Jesus` love.



 Britney`s spaceman is the pinball in a game. When he uncovers a `cameo brooch` of hers from the desert sands of Mars it`s the token that begins it. When the `game` is over we see him walking backwards; he`s the pinball being reset.

 Historically, the first pinball game to have the ball bearing exit the playfield after the end of play was Bumper. In fact `bumpers` define pinball. The ball bearing bounces between them and you can`t predict where the ball will be propelled.



Britney and her dancers make `bumpers` by holding their hands clasped in front of themselves. Of course, the women`s breasts are nature`s `bumpers`, to which men are either `propelled` or `repelled` by their mothers` `bumpers`.



 The original pinball game Thumper was new because the ball bearing was propelled away, and the `bumper` registered a `hit`. Britney is the `Red Rose` at the `heart` of her `game`, Ring-Ring-A-Roses, which is a nursery rhyme recited by children as a mnemonic to remind them of the plague, that is, children `play games` but the aim of adults corresponds to `plague aims`, and that`s what Revelation warns against; sodomy and war.



`A ring, a ring o' roses,

A pocket full o’posies -

Atishoo atishoo we all fall down.` (1883)


 Britney`s male dancers fall away from herself and her female dancers, because men represent death; they`re not the Earth`s species and the death of the Earth is what they are. The sneezing in Ring-a-Ring-a-Roses is a disease anology, and the 21st century killer is the STD AIDS, which is described in Revelation as God`s punishment on `homosexuality`. The men of Revelation, as parasites upon the wombs of women, represent the sterility of a cancer that only wants to replicate itself and needs a `host womb` to replicate itself as `war, famine, plague, and death`:


`... ugly and painful sores broke out on the people who had the mark of the beast and worshiped his image ... [the Earth`s water] ... [`became blood`] like that of a dead man, and every living thing ... died ...`  (Rev: 16. 2-4)


 The AIDS` plague is described in terms of the `horsemen of the apocalypse` in direct contrast to the role of the `Holy Spirit`, the Paraclete, described in the Bible in `womanly` terms as `guide, teacher, comforter, and helpmeet`. Because men have rejected Jesus, as they did originally on the hill of Calvary in Jerusalem, and in Revelation they are seen to be the Earth`s cancer of sterile homosexuality.

 The pinball game Thumper had a `skirt`, now standard, around the base of the `bumper`, which sensed the ball bearing touching it. A `Popper Ring` came down, hit the ball bearing, and propelled the ball bearing away. The giant`s ring Britney descends in at the beginning of Oops I Did It Again is a `Popper`. Her spaceman is the `toy`, a usual pinball `feature`; the `crane grab` of the `amusement arcades`, which is the homosexual amusement of men not satisfied with the delights of the love permitted by God; the homosexual amusement, dark AIDS`.



 Suspended above her as if by a crane, Britney`s spaceman represents the god Thoth, who`s the male counterpart to Seshat, and judge of the dead, whose symbol is the `crane`, the Egyptian ibis. Thoth is `thought` over action. Britney`s surrounded by what seem like giant steel bears` claws, and a pinball is a steel ball bearing, so the symbolism of the `bear ring` in Oops I Did It Again `is sin, repentance, and forgiveness; for the `bears`, whose homosexual amusement, dark AIDS, is forbidden.

If it were Jesus Christ`s ring, it`d be the ring of Britney`s `Giant Prince`, and the bears would be forgiven or have eternal perdition. Britney`s `game` is `Christian conversion`, which accepts Egyptian mythology (or any other) as `costume drama`, but not the modern worship of God, which is simple:


`One of the most important ceremonies in the foundation of Egyptian temples was known as `stretching the cord`. The reigning pharaoh, and a priestess personifying Seshat, proceeded to the site, each with a mallet and a peg connected by a cord to another peg. Seshat, 

sch, he drives his peg in, marking the position of a future temple.`2



 Thoth may be simply understood as `thought`, and when Ma`at weighs the heart of the hero against the `feather of truth`, he`s reading the heart and the thoughts within it as if it were a book. It`s analogous to the evaluation of an author when his story has been written.



 The ibis headdress of Thoth is the `mask` or persona. The ibis` long curved beak probes deeply below the surface to get at the real nourishment below, and is a symbol of the individual whose persona belies their thirst for knowledge. Like American football players who have to learn hundreds of plays each season, or they can`t play no matter how good they are. It`s no accident Britney`s astronaut looks like an American `superbowl` winner. Every astronaut is a pilot and scientist, and Britney`s spaceman`s Horus, with the `face of heaven` mirroring the cosmos, and Britney`s particular `star`, looking out from the persona of the space helmet`s visor that hides him as the woman of the Earth is `hidden`.

 Britney alludes to the cord again in the symbol of the `tuning fork` beside the spaceman`s helmet as he hangs suspended above her white bikini-dressed self. She`s Rose Red in her red suit, Rose White in her white bikini dress, and the blue of the `star spangled banner` is her spaceman. Oops I Did It Again is `four chord` red, white and `blues`, and Britney`s Seshat is a mason of the USA because she`s planted herself and her flag and built a temple on Mars.



 The `blue lodge` is the traditional Masonic temple, and Britney`s Oops I Did It Again`s `four cord blues` refers to the `cord of Seshat`. The earliest Egyptian mason`s `compass` was a hempen rope, which was particularly used to link the four corners during temple building, and appears in Seshat`s emblem in the same relation as the compass in the blue lodge`s emblem. This suggests that the seven points of the hemp leaf, appearing beneath the mason`s cord in Seshat`s emblem, correlate with the mason`s `square` insofar as it can be related

 When Britney`s spaceman finds her cameo brooch in the sands of Mars it`s as if he`s clicked on an internet `icon`, and mirrored in the visor of his spacehelmet her temple miraculously emerges from the arid desert of the red planet.

 Without water, plant life can`t be, and so the hempen rope of Seshat is emblematic of the importance given to water by the Arabians who live in the deserts, and why it appears in Christianity`s baptismal `font`. For those who accept Jesus Christ and the Holy Spirit, the water of life is the ink in the pen of God`s Word. In the Eastern tradition of the desert peoples, which can`t easily be understood by people of the West where water is plentiful, Seshat is the knowledge of the desert. From water comes plant life and, from hemp, ropes are made; the mason`s squares and compasses from which ancient Egyptian temples were built.



 In the West, the temples of the head are associated with cannabis, and `illumination`. The Illuminati are an ancient Masonic order, and hemp is a consciousness-expanding drug. Consequently, Thoth or `thought` finds correspondence in Seshat, life`s activating principle. The `cord` of Seshat is a psilocybin mushroom, which is a natural psychotropic drug that again relates to mind expansion.



 In ancient Egyptian mythology the `Khaibit` is the shadow of the personality, which is separate from the `Ba`, personality, and `Ka`, spirit. Britney`s Oops I Did It Again is `four Ba blues` because her `Ka` seats four, according to the developmental psychology of Carl Gustav Jung (1875-1961), which says there are four functions of consciousness; `Sensation, Thinking, Feeling, and Intuition`.



 The Egyptian `Khaibit` is depicted as looking something like a mushroom with a parasol umbrella, which is why the cannabis leaf appears beneath it in

the emblem of Seshat as if the shadow or `Khaibit` were a lampshade unfolded by the light of the mind; like the parasol of an umbrella over what is illuminating the room.



 According to Jungian psychology, the shadow is libido or instinct, which is transformed into spiritual activity as the individual achieves enlightenment, that is, success through work. Beside the foot of Seshat is the `genie` of the `lamp`, the activating principle and symbol of genius resting upon the Egyptian symbol for `infinite creativity` that can`t be subdued.


 The symbol of `infinity` is a `cock ring` to maintain desire, and Seshat`s genius personifies the vegetative principle of desireful Thoth or `thought`, while the height of thought is symbolized by the tip of a condom signifying that she mediates the emergence of his enlightened state, which could be productive of something as mundane now, and as earth-shaking then, as the invention of the electric light bulb.



 Star Trek`s (1965-) Enterprise extends the analogy. People enter and it leaves, which makes it a `good dragon` rather than a devourer. The ship`s `shield` corresponds to the aura of the individual, a protective umbrella, that is, the `magic lamp` of Arabian folklore is an archetype of the collective psyche to which Jung accords developmental power. In simple terms, it`s the friction upon the penis` length during intercourse or masturbation that causes it to grow greater and receive the reward of orgasm for its desirefulness for the woman in pleasure outside of work, where the libido is channeled into less instinctive (physical), and more spiritual (intellectual) effort, which results in more time for pleasure and greater safety in the enjoyment of it.



 The Enterprise isn`t `developed` in the sense that it has `phasers` and `photon torpedoes` that assist it in its schoolboy `action` role as a `devourer` of men, whereas what`s needed is a shield that can`t be penetrated, and that`s what Seshat`s condom represents. In simple terms, you wouldn`t need to attack if you were able to defend. That`s why the red dragon of Revelation is depicted as waiting to devour the New Redeemer – and can`t. God is omnipotent, unassailable, and doesn`t need devourers: noone does.

 The simplest feature of Oops I Did It Again is that Britney on Mars doesn`t need a space helmet, whereas her astronaut does. In other words, she`s Seshat and her emblem indicates that she has a helmet; but invisible: like a `starship shield` or `cloaking device`. A shield is designed to withstand an attack, whereas a cloak is designed to `hide` from an attack. In short, a shield presupposes an attack, and so is designed to withstand one, whereas a cloak presupposes one isn`t an attacker, and that no one can attack you. It`s developmentally wiser. Why invite an attack by presupposing that you can be attacked? That`s the meaning of the woman `hidden` upon the Earth waiting to leave and protected by the New Redeemer who can`t be devoured by the red dragon before she leaves.



 The New Redeemer`s mother is `clothed with the sun and with the moon at her feet`, or `cloaked`, which suggests that she`s the archetype of what can`t be attacked. In terms of religious development, Seshat and Thoth are the pre-inventors of the electric light bulb, lamp shade, umbrella, starship shield, and cloaking device; because they`re the archetypal pairing that represent those developments. They`re also the developers of the condom, another meaning of Seshat`s emblem, which protects the `hidden` woman preparing to leave the Earth in Revelation from the sodomite`s disease AIDS that men are dying from, that is, the homosexuality and faithlessness they refuse to repent of:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)


 Seshat and Thoth are an archetype of constance because faithfulness to a woman (or, indeed Woman) over many lifetimes, or reincarnations, assists memory of desire, cr and so resurrection. Jung describes archetypes as facultas praeformandi which descry the future. The ourobouros archetype of the dragon that gives birth to itself, for example. Appearing in the mind of the sleeping scientist Klulé, the ourobouros inspired him to model the structure of  the `benzene` molecule.3



  Occasionally, the `Voice` speaks in dreams or reverie, and in Christianity the Holy Spirit or Paraclete is described as `guide, teacher, comforter and helpmeet`, which suggests that it speaks the `Word of God` to the believer. In Egyptian mythology , `Kheru` is `Voice`. Because `Christ` derives from `Kheru`, Oops I Did It Again is about `Voice` and the `Ib`, which is `heart` in Egyptian. In her white bikini dress, Britney has the role of Ma`at`s feather while, in her red suit, she`s Seshat who, balancing her spaceman above her white bikini-dressed self with the fork beside his space helmet, is referring to the goddess Ammit`s eating of the hearts of those who are unworthy to journey with her into heaven.

 When her spaceman gives her the gift of the `heart of the ocean`, she `takes heart`, and the blue jewel in the shape of a heart is to be weighed in her balance to reveal what truth it contains. Because of the allusion to the Titanic, Rose, and betrayal, it`s the heart of Saddam Hussein, the `friend` of the USA that betrayed her:


`I think I did it again.

 I made you believe we're more than just friends.

Oh baby.

It might seem like a crush.

But it doesn't mean that I'm serious.

'Cause to lose all my senses.

That is just so typically me.

Oh baby, baby.`



 Saddam means `crusher`. Here Britney is saying that the USA`s friendship is lost and Ammit, the `devourer`, will eat the treacherous heart of Saddam, whose name means `the crusher`, and who himself has been crushed beneath the heel of the woman, `hidden` upon the Earth, and in accordance with the `Voice` of God (Gen: 3.15) all traitors` hearts shall be eaten.



 In the movie Silence of the Lambs, which refers to the quietude that descends upon lambs before they`re slaughtered because they instinctively know what`s to occur, Hannibal Lecter, the `cannibal`, has Jodie Foster, the FBI agent, assigned to `read his heart` to discover the extent of his and others` crimes that he knows of.



 Cannibalism is eating to obtain power or mana, and Oops I Did It Again`s `bear` motif is present in the acting career of Hannibal the cannibal`s Christian `lamb`, Jodie. As a rape victim in The Hotel New Hampshire (1984), a movie in which the founder of the Viennese school of psychology, Sigmund Freud, is portrayed as blind and with a `performing bear`, who turns out to be a girl in a `bear costume` (Nastassja Kinski), Jodie`s revenge for the rape is to have her assailant, `Chip` Dove, sodomized by `Susie the bear`. Jesus and the `Holy Spirit` are `the lamb of God` and the `Dove` respectively, which means that cannibalism and sodomy are the enemies of God.

 The motif of the blind Freud in The Hotel New Hampshire is important because it`s present in the Freudian drama of ancient Greece, Sophocles` Oedipus Rex. The implicit meaning of the story is that Oedipus is the mother (Jocasta) he marries, but the incest taboo causes him to stab out his own eyes, and Antigone his daughter, who is also implicitly Oedipus himself, becomes his guide. The meaning is that any woman could love him. But it`s a `revenge play` on the part of homosexual men who don`t want `mankind` to see. Christian `agape` is a `familial` and `universal` love, but Greek society was institutionalized homosexuality in which women were bred to produce more homosexual men. The Christian knowledge that women are men because they share the `Holy Spirit` is a `secret` dramatized by Sophocles. Oedipus` self-blinding is a measure of the power of the homosexual, which in the 21st century is manifest as the `killer disease` AIDS, that is, the `disease of the killer`, and is identified in Revelation with the `throne of the beast` - and `blindness`:


`... his kingdom was plunged into darkness. Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)


 The story of the Greek war against Troy is of the development of a homosexual virus. 9/11 was a `Trojan horse` whereby the terrorists feigned `friendship` and, pretending to wear a condom (a `Trojan` in the USA), that is, fly politely in `civil` aircraft, hijacked them, crashed the planes into the Twin Towers of New York and, betraying their `welcome` (the `greatest crime` in Islam), launched a `Trojan virus` attacking Christianity`s war upon blindness, symbolized by the `Big Apple`, that is, Redemption from the serpent`s `seed` of homosexuality, which is the sin of the `fruit of the knowledge of the tree of good and evil`.

 The Paraclete, given by God as `teacher, guide, comforter and helpmeet` after Jesus` crucifixion, effectively emerged from Christ`s side as the `Second Eve` when that side was pierced upon his death by the spear of the Roman centurion Longinus. Exactly 2000 years later it was Saddam and Eve. The `crusher` would restore the blindness of war, and that`s what the Greeks bred homosexuals for.



 Osama Bin Ladan was the terrorist organizer of 9/11 supported by Saddam, and the name `crusher` suggests affinity with the jaws of the crocodile, the oldest living dinosaur or serpent`s `seed`. Osama means `lion`, and lion and crocodile are two of the three composite parts that go to make up the body of Ammit, the `devourer; the other being hippopotamus. The ancient Egyptians viewed the amphibious creature as a cannibal and associated a red hippopotamus with Set, the `dismemberer`. Consequently, Britney Spears` red suited self in Oops I Did It Again refers to the `hippopotamus` who is `Set upon the Earth` as the `third` enemy of God:


`He is a lion. Yes, he is better than a lion—he is a hippopotamus.` - Zulu national anthem


 The `Behemoth` of Job (40: 15-24), greatest creature of the land is, according to tradition, a hippopotamus and, along with Leviathan (greatest of the creatures of the sea), and Ziz (greatest of the creatures of the air), is slain at the end of time by God, their creator, before they are `devoured`.

 The `Behemoth` is represented as living invisibly in a desert `East of Eden`. Britney, in her red suit in the Martian desert sands is referring to Set as `the red hippo`. Because the first spacecraft from the USA to make an unmanned landing on Mars was the `Mars lander`, Britney`s also referring to `Ziz`, a `griffin` that, with the body of a lion (representing humanity) and the head and talons of an eagle (representing divinity), was a figure of Christ to the Middle Ages because of the protection it was said to afford against witchcraft, and evil`s `slander`, that is, `bearing false witness` against `God`s law`.

 In Oops I Did It Again, Britney`s borne by her ring, which means that the ring bears her, that is, she bears the truth. It`s important because that makes her a `she bear`, as `Susie` was; the woman in The Hotel New Hampshire inside the `bear costume` who exacted vengeance upon `Chip` Dove for rape. Although Behemoth is described as male, in Judaism the plural feminine noun is applied, which means Britney`s acting the part of the woman protected by the `New Redeemer` and `hidden` (Rev: 12.6) in the wilderness. A jew can only be born from a woman, because only women are jews, and jews aren`t cannibals. `Behemoth` is the `hidden` woman of Revelation. The description of her `tail` that `moves like a cedar` (Job: 40.17) is her penis. In terms of the cannibalism implicit in Oops I Did It Again`s careful arrangement of props, that is, the fork beside the helmet of the spaceman and the blue jeweled heart of the ocean that`s being weighed for Ammit, the `devourer`, Britney`d disagree with anyone who wanted to eat her because she has `seed` to sow from her own penis amongst the stars of heaven.



 In Arabic `my` means `water`, and `sas` is `horse` so, because the hippopotamus is `water horse`, the third enemy of God would be `My sas.` To deny water to a thirsty man is a great crime in Arabia. Camels are described as `ships` because their humps contain enough water for journeys across the vast arid seas of the deserts. Consequently, water is valuable and someone with the character of a `hippopotamus` would, in psychological terms, be a `miser`s type`; a `possessive` and a `possessor` who`d want to possess and dispossess others. In Christian terms, he`d be `possession` and `possessed`:


`Iranian President Mahmoud Ahmadinejad told the United Nations most people believe the United States government was behind the attacks of September 11, 2001.`4



 Ahmadinejad reportedly refused to accept his election defeat in 2009 and instead possessively held on to the power he possessed in Iran. He was among the students that seized control of the US embassy in 1979, which led then US President Jimmy Carter to mount Delta Force`s `Operation Eagle Claw` that resulted in the debacle of a helicopter crashing during a sandstorm, another returning to the aircraft carrier Nimitz, and a further helicopter unable to continue with `engine trouble`. This reduced the number of RH-53D `Sea Stallion` helicopters below the number required for the mission to be `operational` and, returning, a helicopter collided with a C-130 Hercules transport plane, resulting in the remaining helicopters being left behind and the deaths of eight servicemen.



 The British `special forces` are the SAS (Special Air Service), symbolized by Pegasus, the mythical wingéd horse. In Arabic, `my sas`, that is, `water horse`,  would be `Sea Stallion`, and Britney Spears` Radar alludes to the RH-53Ds that were to fly `under radar` in `Operation Eagle Claw` to rescue the US Embassy hostages from the roof.



 Britney`s Radar features a horse standing in water ridden by an English `polo player`. Traditionally the `sport of kings`, polo began amongst Arabian knights. Early Mamluk5 playing cards featured `polo sticks`, along with swords, cups, and coins. According to Jungian psychology, there are four functions of consciousness, which correspond to the sword (`Thinking`), coins (`Sensation`), the cup (`Feeling`) and, in the Mamluk deck, the `polo stick` (`Intuition`).



 What the individual thinks (sword) is desirable (cup) relates to finances (coins). `Intuition` is the heightened instinct that shows how the goal (polo stick, and cup) is to be achieved. This is the indefinable `something` that battle commanders possess. English knights were heavier in their armour, a tradition borne out in Gulf War I (1990-1) in which the Challenger tanks of the British 1st Armoured Division protected the right flank as allied forces delivered a debilitating `left hook` to Saddam`s Iraqi army. This was the `battle plan`. Because of the heaviness of their armour, knights can`t dismount alone, and so Oops I Did It Again depicts red-suited Britney hoisting her man above herself while signaling from her `helipad` in a white bikini-dress.

 Symbolically, Britney`s `Sea Stallions`, in their red pilot`s suit and white bikini-dress, together with their `spaceman`, symbolize the `blue diamond` that`s the USS Nimitz helicopter carrier in `Operation Eagle Claw`, a `star` upon the USA`s red, white, and blue `banner`. Obviously, because he has the role of a `grab` in her pinball game, she`s also `seize dalliance` (Sea Stallions), that is, the promise of sex for her man. Britney`s spaceman`s a `Navy Seal`. He tells her, when she says she `thought the old lady dropped it into the ocean`:


`Well, I went down and got it for you baby.`



 Britney`s spaceman is a `deep sea diver`, that is, a `Seal`, because he`s brought her the `heart of the ocean` from the wreck of the Titanic. Navy Seal training includes being dropped into the ocean from a helicopter and being required to complete a `dummy mission`, and occasionally a mission that`s genuine but unannounced to the SEAL. Britney`s `gun and tackle` is a `helicopter pulley`, and Oops I Did It Again is her `helicopter carrier`. In her red pilot`s suit, and her white bikini-dress, she`s a Navy pilot and a SEAL. The literary reference is to a line from If, a Rudyard Kipling poem:


`If you can meet with triumph and disaster, and treat those two imposters just the same.`6


 The US `Sea Stallions` proposed rendezvous in `Operation Eagle Claw` was `Desert One` which, symbolically, corresponds to Britney Spears` Mars, where Oops I Did It Again begins with her spaceman`s discovering her `image` in the sand:


`Whoah there horsey!`


 `Operation Eagle Claw` was woeful for the `Sea Stallions`, but there`d be other missions, and Britney `takes heart` from her spaceman`s `touchdown` on her `carrier`, the USS Oops I Did It Again, which name signifies forgiveness for mistakes as a prerequisite for success. There isn`t any water on Mars, but Britney`s spaceman effectively says:


 `My horse.`


 In Arabic, `my` is water, and `sas` is `horse`. Traditionally, US `horse soldiers` are the 7th Cavalry, who flew very successful helicopter missions in Gulf War II (2001-11). Because an Arabian horse (sas) needs water (my), and `special forces` in Saudia Arabia are SASAS, the acknowledgment from Britney Spears is that the USA`s efforts in the Gulf were `complimented` by `my sas`, whoever that may be. We may assume that Britney didn`t `desert one`.

 If Britney in her red suit is the `real` Britney, then Britney in her white bikini-dress is an `impostor` but, if the mission is completed successfully, noone cares who`s the `real` Britney, because it`s the `team` that`s important. She descends in a giant`s ring to indicate that the `little people` are valuable to a `mission`, and she values the giant even though the ring is too big for her finger. In other words, `little people` are big enough for themselves, and the giant`s ring fits his finger; as the little people`s rings fit theirs. Britney`s descent inside her giant`s ring comments on how small things look from below, and from the air:


 `Yeah yeah yeah yeah yeah yeah.`


 President Carter was a `big man` but the members of the family`s of the Delta Force that lost their lives in `Operation Eagle Claw` weren`t `small` men to him, which is the meaning of Britney`s ring. Inside her giant`s ring, she appears `smaller`, and the fork beside the spaceman`s helmet is designed to make her appear small enough to swallow. If you are an ogre and not a  `true` giant, that is. Only an ogre would eat her, and a `small woman` is vulnerable to such. Iranian President Ahmedinejad`s remarks were those of an ogre, and he`s not a `small man`; but neither is he a giant ogre. He`s man-sized.

 The motif of the `small man` is present in Byzantine Christian iconography, which depicts the Madonna with a fully formed child that isn`t a baby. Both Britney, in her white bikini-dress, and in her red suit, are `small women`, and so they correspond to the folktale`s Rose Red and Snow White awaiting the `Giant Prince`, who`s Jesus Christ; and their ring is for him. Because small women don`t want to be devoured by the ogre. In Iran or anywhere else.



1 Seshat, Recovered Science, .

2 Seshat, Tour Egypt, .

3 Friedrich August Kekulé discovered the ring shape of the benzene molecule after a dream of a snake seizing its own tail, .




5 The Mamluk`s were Turkish slaves brought to Baghdad by the Caliphs to strengthen their military power. The Persians were nominally the masters of the Mamluk`s, and the entirety of the Muslim Middle East. The height of Mamluk power was 1250-1817 when they ruled Egypt, but they remained powerful until 1811.


6 Kipling, Rudyard If, 1895.

Britney Spears` distillation of the Bible`s meaning; encapsulating its entirety in Oops I Did It Again: from Genesis to Revelation - to eat, and not to devour.

19/02/2012 15:19

Britney Spears` distillation of  the Bible`s meaning; encapsulating its entirety in Oops I Did It Again: from Genesis to Revelation - to eat, and not to devour.


 In Oops I Did It Again Britney Spears` red suited figure`s counterpart is her white bikini-dressed figure who, resembling a snow flake, beneath the huge eye of her spaceman`s spacehelmet, as he directs at her the `lesser` eye of his camera lens, strengthens a Christmas motif that begins with the appearance of herself as a red suited Santa Claus.

 Above her the spaceman appears as a Christmas `bauble` that Britney`s red suited Santa figure hoists above her white bikini-dressed self so that she appears below him as if upon a white tablecloth, symbolic of the `Last Supper`, and the Holy Grail.

 Britney`s red suited figure repeatedly poses with arms raised, as if she were a cup or bowl, that is a figure of the type of the vessel that Jesus is said to have drunk, and eaten from at the `Last Supper`, and so she is a figure of Redemption, because she recognizes the value of companionship.



 At the `Last Supper`, Jesus is depicted as offering his `body and blood`, in the form of the `bread and the wine`, which is a concrete, rather than symbolic, offer of `fellowship`, and the betrayer Judas prefers the role of the `bloodthirsty` assistant to those  who are the torturers and murderers of Jesus` body.

 Britney`s spaceman, hoisted above her white bikini-dressed self by her red suited Santa Claus, as if he were a Christmas `bauble`, and she were the `star` upon her Christmas tree, is depicted with the giant tines of a fork almost resting against his faceplate. It`s a `giant` motif that doesn`t stand alone in Oops I Did It Again, as her red suited figure descends at the video`s outset inside a giant ring. It`s as if she were a `New York Giant` with her `Last Supper Bowl` ring as, with her arms raised aloft, she makes the `sign` of the  `superbowl` to  her spaceman, and signals the `extra point` following Mars Lander`s `touchdown`.

 He responds by giving her a gift. She exclaims: `But I though the old lady dropped it into the ocean in the end?` It`s a cinematographical allusion to The Titanic movie, another story of betrayal, in which Rose, betrayed by an ex-lover who, placing the blue jewel, the `heart of the ocean`, inside the coat pocket of her new fiancée, contributes to his drowning when the ship, the Titanic, of the White Star Line, sinks after hitting an iceberg on its maiden voyage. An older, sadder Rose, consigns the blue jewel to the ocean depths at the movie`s end, which is what Britney`s alluding to in her exlamation at her spaceman`s gift: `But I thought the old lady dropped it into the ocean in the end?` The `cup` is a symbol of the `heart`, and so Britney`s receiving of the blue jewel is the passing of the `Holy Grail` from one American Rose to another `American Beauty`.

 The Rose motif is present in Britney`s red suited and white-bikini figures, who`re now understandable as Rose Red and Snow White from the Hans Christian Andersen tale, and whose kindnesses, as `little women`, towards a `little man`, were looked upon by him as being insufficiently considerate, and he is killed by a bear they allowed into their home:


`Do not be frightened, I will do you no harm; I am half frozen, and only want to warm myself a little.`1


 The `little man` is their irascible educator, that is, he`s an impatient teacher, in contradistinction to the tranquil leadings of Jesus. The bear kills him because the `little man` is frightened, but remains a good but irascible teacher insofar as he affords the friends an option to stop:


`Dear Mr. Bear, spare me, and you shall have all my treasures; look at the beautiful precious stones that lie there. Give me my life! for what do you want with a poor thin little fellow like me? You would scarcely feel me between your teeth. Rather seize those two wicked girls; they will be tender morsels for you, as fat as young quails; pray, eat them at once.`


 The girls` mother is a representative of her socio-cultural conditioning, which is imposed from without by men. The `little man` is irascible, because girls aren`t stupid, although the story is about how men want them to be stupid, and the `little man`, perceiving that he`s trapped within a perspective in which girls don`t have a penis of their own, is angry with the `storytellers`. It`s the story of the invisibility and unviability of the woman`s penis, although history and contemporary pornography tells us that she has one.

 The bear reveals itself as a handsome prince, which reinforces the socio-cultural conditioning of the mother who describes the bear as `honest`, that is, he`s an animal with a compatible penis. The prince tells the girls that the `little man` turned the prince into a bear, but the `little man` is an educator, and so the bear represents traditional thinking, that is, the bear becomes a man when he kills his teacher, because he doesn`t accept further education, which would be the beautiful princess with a large, powerful penis with testicles full of sperm to fulfil the two girls `who loved each other dearly and always walked hand in hand together`.



 The bear represents the traditional thinker who believes that the girls should have the `treasure` of the `little man`, because the `little man` is a boy that, in Christian terms, the red dragon of Revelation wants to devour because it’s the `New Redeemer`. Dragons are often depicted as the `guardians` of treasure, and so the `treasure` that the red dragon of Revelation perceives itself as guarding is that of the girl, which actually belongs to the `little man` it seeks to devour.

 As the First Redeemer, Jesus was betrayed by a group of homosexuals, who prevented him from being with a woman, and served as the guards of his `treasure`, which were his teachings. Jesus was subsequently tortured and murdered by the prevailing homosexual spirit of victimization, which prevailed in the 20th Century in the attitudes towards the `cannon fodder` of WWI, the Jewish holocaust of WWII, and the `ethnic cleansings` of the late 20th century (Yugoslavia), and early 21st century (Kurdistan, Dharfur).

 The spirit of the Antichrist is that of the bear that kills the `little man`, who represents the `teachings of Jesus` that, in Revelation, are reborn as the New Redeemer who`ll `protect` the `hidden` woman of the Earth. The `little man` can never leave Earth because the bear will kill him. The woman of Revelation is a woman because the Bible says so, whereas the `treasure` that the dragon is guarding is for a girl, and the ruins of art, civilization, and culture that are the beginnings of the 21st century represent the attempt by a traditionalist thinker, in the spirit of homosexual victimization, to protect his girl by destroying his boy, whereas the `New Redeemer` is the `son of the woman`, who`s there to protect the girls, that is, the woman`s daughters, and the `hidden` woman, so that she`ll grow, which is the `treasure` that the red dragon of Revelation doesn`t want.

 Britney`s Oops I Did It Again presents the basic 21st century dilemma, which is that of the unwanted visitor. 9/11 was the visitor`s feigning of friendliness in order to effect a terrorist attack, and the bear is a guest of the mother of the girls before he kills the `little man`, which means that he`s like the Taliban who don`t want their girls to receive the `treasure` of becoming women. In Judaism it`s understood that the `little man` can`t live, because you can only be a jew if you`re born from a woman, which is why Jesus is born from a virgin. If you can be a jew only if you`re born from a woman, then only a woman is a jew, and Jesus can`t live because he`s a `little man` who guards woman`s education.

 Marriage is a prison because, on the understanding that women are a species with her own penis, if men wanted you to be with a woman, you`d be a woman, and so women would be together, which is what Oops I Did It Again observes. Britney is with herself as `Rose Red` and `Snow White`, while the visitor is a guest if he isn`t a `cheat`, which is why Britney has her spaceman pick up a `cookie`, the `Open Sesame` to her home. He passes her `protocol`, which the 9/11 Taliban terrorists didn`t, because they wanted to kill the `little man` who wouldn`t cheat women of the `treasure` of an education that would allow them to perceive that, 2000 years after Christ, their war was over, and they`d won. The `little man` would be George W. Bush, who was despised by Saddam Hussein, Osama Bin Ladan, and the Taliban. The plunging of the Earth into the `War On Terror` (2003-) may well be the death throes of the red dragon of Revelation, that is, the traditionalist thinker, who`s prepared to sacrifice the sons of millennia for a girl he doesn`t want to be a woman.

 In biblical terms, man`s Redemption upon the Earth depends upon an acceptance of the `hidden` woman of Revelation who has her own penis, and the transformation symbolism of The Tale Of Rose Red And Rose White is that of the role of traditional thinking as opposed to educated thinking, which is what the `little man` as Giant represents.

 Britney`s observing that there`s a place for traditionalist thinking, and so the contest for the `Supper Bowl`, which is the `Holy Grail` of fellowship, is between the Bear`s `clause`, which is action according to `positional sense`, in US football terms, that is, how a man acts in his position as a man, and the Giant`s ring of the `little man`, which is that of the educated woman, but is more difficult to attain for the man who wants her, because she isn`t a stupid girl who believes that men are the centre of the cosmos because they have a penis. She has one of her own. A point underlined in Oops I Did It Again by Britney`s dispensing with her male dancers during her `routine` by means of a simple upward gesture with her hands, at which they all fall inert, leaving her to dance on with the educated `girls`.



The Tale Of Rose Red And Snow White suggests girls should be stupid, which means the author`s being written by an evil predator, as were the authors of the Bible. Jesus` symbolic New Testament offering of fellowship in the `bread and the wine` of the `Last Supper`, as a symbol of his `body and blood`, for example, is a test to see whether he`s with friends or predators.

 Jesus` realization is that he`s being written by a homosexual predator, which in Revelation appears as the red dragon that waits to devour the New Redeemer, born to the woman `clothed with the sun and with the moon at her feet`. He decides to end the `scene` with an appeal to God, and the Paraclete, the `tutelary spirit`, effectively emerges from his side, pierced at his crucifixion by Longinus` spear, as the soul`s redemptive guide. Earlier, in Genesis, the homosexual predator appears as the serpent, that is, the not yet fully grown dragon that, in Revelation, wants to enslave and devour the child of the woman, the New Redeemer, who`s the `protector` of the hidden` woman of the Earth, before she leaves to sow her `seed` amongst the stars in heaven, with her own `hidden` penis.



 The dragon is an evil draco, a `blood drinking` parasitical vampire and Jesus` offer of his `body and blood`, as the symbolic `bread and the wine` of friendship, is his awareness that the body is a vessel from which a little blood may be drunk; if the vampire is going to give eternal life: whereas an evil draco will drain the body of blood and in effect devour the life force. It`s Jesus` recipe for living on the Earth. His Resurrection, Redemption, and Ascension to God and heaven is his escape from the evil draco, and the `hidden` woman `protected` by the New Redeemer is promised a similar escape by God. She will leave Earth bodily and her `seed` will defeat the evil `seed` of the draco in a war in heaven.

The bear in The Tale Of Rose Red and Rose White is evil, because it`s a man, and the `little man` is angry because girls aren`t stupid, and the author is being forced to write of `little men` who are trying to emerge, dwarflike, from beneath the weight of social and cultural conditioning with their `treasure`, the truth. The bear explains to the girls that the `little man` had transformed him from  a prince to a bear, and had stolen his treasure, but the `hidden` truth is that the prince doesn`t know how to regain his treasure. He`s told that the death of the `little man` will restore him, and his death does restore the prince to himself and his treasure, but the `hidden` meaning is that the girls want themselves, and in an older version of the tale written by Caroline Stahl, the bear never met the `little man` before he kills him, isn`t an enchanted prince, and the girls take the treasure, which is woman`s `hidden` wisdom.2 To develop as a species, you need a penis. The girls are comfortable, but they`re not reproductive, and therefore not productive either. If the bear were to be restored as a princess with a penis, the girls would be more than parasites.

 In order to show that the bear has the truth he has to say `no` to the little man`s asking if it`s a devourer like the red dragon of Revelation, which lies in wait for the New Redeemer, who `protects` the `hidden` woman of the Earth until she leaves for the stars where her `seed`, that is, the `seed` of her descendants from her own penis, according to Revelation, fights a war against the evil serpent`s `seed`, that is, men, and are rewarded victoriously by God`s creation of a new heaven and Earth for them to dwell in forever, while the real `evil little men`, that is, the homosexuals, who have actually enslaved women and her `womb` in order to devour it in warfare, receive eternal unendurable pain as their punishment.



 In Oops I Did It Again Britney is surrounded by bears` claws, as she sings and dances. She`s `Snow White`, `star` of the North, with the signs of the bear`s friendship about her, while her `Red Rose` is watched over by the `Eastern star` of joviality, the Giant`s `red eye`:


`The Great Red Spot is a persistent anticyclonic storm, 22° south of Jupiter's equator, which has lasted for ... possibly longer than 347 years.`3


 The claws of the bear`s paws, in Jungian terms, represent the `pause` of the differentiated sword, as the `Thinking` function, which pauses before acting because wise, and in biblical terms here on Mars, the name of the god of war in Roman mythology, represents Jove`s (Jehovah`s) controlled omnipotent anger, whereas the `Great Red Spot` (GRS) of Jupiter is the `eye of Jove`, here a symbol of a differentiated `Sensation` function which isn`t an eye of a devourer, and so is a symbol of God`s omnibenevolence.

 As Jehovah (YAHWEH) promised to guide the Israelites, the `chosen people`, to the `Promised Land` in the Old Testament, so God`s `Holy Spirit` was the `tutelary guide` vouchsafed to Jesus` adherents in the New Testament for the Christians, and is represented in Jungian terms, by the differentiated function of `Intuition`. Essentially, God`s omnipotence (the sword as `Thinking` function, in Jungian terms) is tempered by omnibenevolence (the cup, Grail, or heart of `Feeling` in Christian iconography), and the pentacle, symbolized by the `bread and the wine` of the table, is a symbol of the spirit of God`s approving omnipresence (the eyes, and the `Sensation` function), while omniscience is in `tuition` (`Intuition`), that is, the knowledge of God`s plan through the acceptance of the `tutelary guidance` of the Holy Spirit.

 Britney`s Giant`s `Supper Bowl` ring is a symbol of strength, and forbearance, towards `little women`, God`s omnipotent anger should be towards the bear, who murders. The girls are needy opportunists, and are forgiveable, whereas the `little man` is a dead giant. In Oops I Did It Again Britney Spears, as `Rose Red` and `Snow White`, receives the blue jewel (Jupiter is blue, emphasizing the `Great Red Spot`), that is, she `takes heart` from the story, which is that it`s possible for the `little man` to have Redemption because he`s a giant, and that`s why she wants to make of him a giant and give him to wear the ring that she descends within in Oops I Did It Again. He`s the hero of both tales, and dead in both, which is why Oops I Did It Again is a memorial to Rose`s love aboard the Titanic, a love that was doomed because it was infected by a Judas.

 Jesus` understanding that he`s being written by a homosexual predator reflects his relations with the disciples and Jesus, and the disciples collectively confirm it whenever he meets a woman who is interested in him: `...a woman came to him with an alabaster vial of very costly perfume, and she poured it on his head as he reclined at the table. But the disciples were indignant when they saw this, and said, `Why this waste? For this perfume might have been sold for a high price and the money given to the poor.` But Jesus, aware of this, said to them:


 `"Why do you bother the woman? For she has done a good deed to me. For you always have the poor with you; but you do not always have me. For when she poured this perfume on my body, she did it to prepare me for burial. Truly I say to you, wherever this gospel is preached in the whole world, what this woman has done will also be spoken of in memory of her." Then one of the twelve, named Judas Iscariot, went to the chief priests and said, "What are you willing to give me to betray Him to you?" And they weighed out thirty pieces of silver to him. From then on he began looking for a good opportunity to betray Jesus.' (Matt: 26: 7-17)


 Oops I Did It Again presents Britney as a `little woman` waiting for a big enough good man to put her ring on his finger. She`s a figure of the woman who`d be told by the disciples that she`s too big a woman for Jesus. That`s why she appears as herself upon what seems to be a white tablecloth as her `star` revolves beneath the eyes of her spaceman`s visor, and the camera lens beside his spacehelmet.

 The white tablecloth`s her pentacle, symbolic of the table at which Jesus was sitting when the woman poured expensive oil upon his head. In Oops I Did It Again Britney is an `anointing` for the spaceman`s eyes, and through the eye of his camera, the eyes of all those who will see her. The fork next to the spaceman`s spacehelmet, as he hangs suspended above her, is asking the same question the `little man` asked of the bear:


 `Are you Cain or Abel?`


 Abel was murdered by Cain, because Abel could cook, and Cain wanted the fruit of immortality, so showed God he grew fruit. However, women are traditionally homemakers, which is why the Holy Spirit is called `teacher, guide, helpmeet, and comforter`. Britney is asking the spaceman: are you going to eat with me, or devour me? It`s her understanding that the `little man` is a good giant and so is the best, so Britney`s ring for him is going to be big and she shows it to her spaceman, who`s too small to wear it and, walking backwards, leaves disconsolately.

 Oops I Did It Again is `Chrismassy`, in the sense that she`s Santa in her red suit, and so the video is a Christmas e-card. The figure of the spaceman resembles Santa trudging through the snow with his sled, by which signifier we`d assume Britney`s `Rose Red` and `Rose White` to be Christmas `elves` (selves), while several of her gestures, with her arms raised above her as she dances, suggest she`s a `reindeer` for her spaceman`s sled. He`s brought her the blue `heart` jewel (`Feeling`), and she`s anointed his eyes (`Sensation`), which means that they need `Intuition` (spear, which `Rose Red` and `Rose White` represent as Spears), and `Thinking`, which is represented by the thoughtfulness of the `interactive video content`. There are eight reindeer in the poem `Twas the Night Before Christmas, but a line from the verses indicates that they all have the same function as `Dasher`:


`Now dash away! Dash away! Dash away all!`


 Britney`s white bikini-dressed figure, a `star` beneath the spaceman`s eyes of visor and camera lens, has eight of her dancers between the Christmas snowflake`s radial points which, together with herself in the red Santa`s suit, suggests she`s her Christmas selves with her reindeer. Oops I Did It Again is A Christmas Carol, the Charles Dickens` tale of the spirits of past, present, and future, which Scrooge is shown to have him convert from miserliness. The Titanic is the past, the spaceman`s the present, she`s the future, and the message she preaches is `take heart` from Jesus` teachings and accept the Holy Spirit.



 The psychological interpretation suggests that she has a `reined ear`; or, in other words, she`s reining in her sword, that is, the cogitations of her `Thinking` function, before she`s ready to acts her part with the `dashing knight` who`s going to attain to the `Holy Grail` she represents. The spaceman isn`t dashing enough because she sends him home, but the imagery of I`m Walking Backwards For Christmas indicates the theme:


`I'm walking backwards for Christmas, to prove that I love you.`


 Because the spaceman gives her the `heart of the ocean`, the blue jewel from the sinking of the Titanic, he`s a deep sea diver and  an astronaut, which means he`s a pilot also. Meeting him in her pilot`s suit, Britney`s indicating her understanding of what it takes to get to her there on Mars. She seems to give him nothing in return but, immediately he picks up her icon from the sands of Mars, Britney`s palace emerges from the desert.

 Her palace can only be seen in the faceplate of the spaceman`s spacehelmet because that`s how the Earth appears in the visor of the spaceman`s spacehelmet for the `ASE` Award, which is given by the Association of Space Explorers to those who have distinguished themselves in the field of space exploration. In short, Britney gives her spaceman the ASE Award for his landing on Mars to be with her. His gift is a message, and it says:


 `Take heart.`


 The science fiction allusion is to American Grand Master Robert A. Heinlein`s Stranger In A Strange Land which features the character Valentine Michael Smith who, born on Mars and raised by Martians, becomes a Christ-figure on Earth. Heinlein`s other relevant character here would be Podkayne of Mars, called `Poddy` by her friends and family, and Britney would be `Poppy` of Mars, because she`s a `poppy of rememberance`, whereas her spaceman`s Valentine, the blue heart`s jewel, the `heart of the ocean`, is in memory of Christmas past, the American Grand Master, Robert A. Heinlein, died in 1988.

 There`s a brief allusion to Heinlein`s most famous character, Lazarus Long, from Methuselah`s Children (1958) and Time Enough For Love (1973), when the spaceman in Oops I Did It Again finds Britney`s icon in the sands of Mars, exclaiming:


 `Whoah there horsey!`


 One of Lazarus Long`s roles during his long-lived life was as a `horse and buggy doctor`. His role in Heinlein was as a persecuted minority of people who had longevity, and effectively were immortal. Because they were long-lived, people became suspicious at their remaining while others passed away, and so Lazarus periodically changed his identity.



 Valentine Smith`s religion of universal love was a necessary antidote to the persecution of the long-lived `Families`, as they were called, and Britney`s spaceman, a `stranger` on Mars who gives her a Valentine, is welcomed by herself as Poppy, who represents the rememberance of Christmas past, the present, as the USA`s plans for landing on Mars, which Britney`s video projects as a reality, and Robert A. Heinlein`s `Future History`, the several stories that, containing Methuselah`s Children, and detailing the persecution of those with longevity in `If This Goes On -`, constitute the future that Britney`s `Poppy` is remembering.

 In the New Testament Jesus is depicted as having a sword that comes out of his mouth, which signifies thought before speech, that is, differentiation of the `Feeling` and `Thinking` functions, whereas the ear that`s undifferentiated `Thinking` is susceptible to the lies it`s told if the `heart` doesn`t temper the sword, which is the `Holy Grail` of action in accordance with truth.

 The bear that thinks he`s a man remains a bear, because he wants the role of `prison warder` for the `hidden` woman of the Earth with a penis that the evil draco doesn`t want to leave, and so Britney dances and sings surrounded by bears` claws because she undestands that the little man`s irascibility is actually his ability to teach, but he`s socio-culturally unexplicable because evil men don`t want his knowledge and wisdom to, be known, which is that girls have a penis of their own.

 In lesbian circles, it`s fashionable to wear a `thumb` ring, and so Britney`s thumb-size heroine, inside her giant`s ring in Oops I Did It Again, is proclaiming a sexual awareness in keeping with the revelation that women have a penis of their own, and she`s preparing, in the characters of `Rose Red` and `Rose White`, to take care of herself as a `thumb`, which is what the first wife of a `hand` is called in Moslem countries, where four wives are permissible.

  In psychological terms, the Moslem `hand` is a metaphor for Jungian individuation in which the self has four differentiated functions of consciousness to work with, and it`s also a symbol of cooperation where the `hand` of friendship has genuine meaning, because a `hand` that doesn`t have a `thumb` can`t humanly grasp anything.

 Oops I Did It Again`s `Rose Bowl Stadium`, from which all other `bowls` derive their origination in American football, and the heart`s symbol of the cup, bowl, or Holy Grail is associated, in the developmental psychology of Carl Gustav Jung (1875-1961), with the `Feeling` function. According to Jungian psychology, there are three other `functions of consciousness`; `Thinking`, `Sensation`, and `Intuition`. In the tarot deck of cards, believed to be a pictorial Torah, or `book of the law`, from the Old Testament of the Bible, the cup, sword, spear, and pentacle are their symbols.

 The `sword` is associated with the function of `Thinking`, and the ear; because thoughts are communicated by means of the speaker, to the hearer. The `spear` is associated with `Intuition`, and the nose, or sense of smell; because the `Holy Spirit` is in `tuition`, that is, the `tutelary spirit`, which effectively emerged as the `Second Eve` from the side of Jesus when pierced by the spear of Longinus at the crucifixion. She`s the `inner voice` of woman that distinguishes between what is, and what is not, God. `Feeling`, associated with the mouth that eats, but can also speak, is the cup, or bowl, of the `Holy Grail` of fellowship. The pentacle, associated with the function of `Sensation`, or tangibility, is `sightedness`.

 The eyes inform the body of what is edible, and the soul, taught by the `Holy Spirit`, prevents the individual from becoming a devourer. Britney`s red suited figure isn`t the red dragon of Revelation, waiting to consume the `New Redeemer`, born to the `woman clothed with the sun and with the moon at her feet`, a symbol of the `body and the blood` as warfare, rather than the `bread and the wine`, which is the redemptive friendship of Christianity.

 Britney`s white-bikinied self, revolving as a white Christmas `star`, beneath the eyes of her spaceman`s visor, and the camera beside his helmeted spacesuit, is a symbolic `vision` of what it means to accept the Holy Spirit, that is, the `Holy Grail` of Jungian individuation, which is the differentiation into consciousness of the four functions of `Thinking`, `Sensation`, `Feeling`, and `Intuition`, and the development of an individual with the attributes of a sharp ear for truth, respectful eyes, a love that speaks, and inner wisdom.



 The eye motif is important in Oops I Did It Again. Britney`s spaceman discovers her icon in the sands of Mars, and `Mission Control` on Earth sees it through the `camera eye` beside the eye of the spaceman`s spacehelmet`s visor.  The icon seems to be an `Open Sesame`, as it were, a `cookie` functioning as a `password`.

 A structure appears dramatically arising from the desert in the spaceman`s helmet visor, and the `Open Sesame` motif suggests Jennah, the `hidden` Paradise of the Arabian Tale Of A Thusand Nights and One Night, which features Sheherezade, a woman who saves other women by telling stories of genies and hidden treaures to a man who`d murdered his faithful wife in order to marry a new wife each day after beheading the previous one each evening as a punishment for his first wife`s unfaithfulness. Britney`s lyrics in Oops I Did It Again reflect on this:


`I think I did it again. I made you believe
We're more than just friends.
Oh, baby;
It might seem like a crush,
But it doesn't mean
That I'm serious.
'Cause to lose all my senses...
That is just so typically me.
Oh, baby; baby.`


 Shah Jehan `lost his senses` when he cut off the head of his faithful wife, so that he could marry a new woman each day and behead her each evening. Shah Jehan`s wives were those who actually lost their senses; because they died. Britney`s describing the fate of woman, the inadequacy of men`s apology - Oops I Did It Again – and the knowledge and wisdom represented by the sane woman who`s `not that serious`. In Jungian psychology `Sensation` is the key function because it represents the eyes, and what is tangible. Britney`s alluding to Jung`s Theory Of Psychological Types, that is, men would have her believe that Oops I Did It Again excuses them for being `typically` themselves. However, you can`t touch what you can`t see and, if a woman`s intangible, seeing her is the issue. Shah Jehan`s wife was faithful, but he said she was having an affair with his brother, although she wasn`t. Shah Jehan was unfaithful, and compounded it with `serial murder`. He`s the prototypically undifferentiated man who observes to his wife that, because she`s been speaking with, and seeing, his brother, she`s unfaithful. Shah Jehan has a problem with `Sensation`, in Jungian terms, that is, his eyes are his `tangibility function` and his ears are his `Thinking` function, and together they tell him what he perceives visually, and mentally. He communicates his perceptions of his wife`s unfaithfulness by means of his `Feeling` function, which in Jungian psychology is associated with the mouth, and so he has a `bad heart`.

As the `teacher, guide, helpmeet, and comforter`, a wife`s traditional role is defined as the activity of the Holy Spirit in Christianity, Shah Jehan`s wife therefore corresponds to  the `tutelary spirit`, which is identifiable in Jungian psychology as `Intuition`, and is what Shah Jehan rejects. The storyteller of 1001 Nights, Sheherezade, saves the women of the kingdom by telling tales that both educate and entertain Shah Jehan so that he prefers her, and Britney Spears in Oops I Did It Again is contributing to her storytelling insofar as she remains intangible for as long as she`s being watched.

In 1001 Nights Shah Jehan observes his wife and his brother, and she remained intangible for as long as he was watching her. The Arabian tradition is that the `evil one` is a whisperer, and has no other power, so Shah Jehan must have been under the influence of such a `Shaitan`, as it is called in Moslem countries. In other words, Shah Jehan`s `Thinking`, that is, his ears, were at fault, so that his eyes perceived what was not – his wife`s unfaithfulness. However, so long as he watched over her, she was `untouched`, which is why Britney`s Giant`s ring refers to jovial Jupiter, and its `Great Red Spot`, which is the tranquil eye of a storm twice the size of Earth. It’s the calm required of a man for a woman, who does (and should) represent the Holy Spirit for him, and without which he can`t attain to Redemption.

Better read, then Redemption, as it were. The legend of King Arthur and the Knights of the `Round Table` is also present in Britney`s treatment of the theme of cup, sword, spear, and of course pentacle; a symbol of the table itself, upon which Britney`s white bikini-dressed self revolves in symbolic depiction of the modern age`s `Rotary Club`, which follows the precepts of fellowship set by Arthur and his knights of le table ronde.

 Shah Jehan believed his brother to be having an affair with his wife, and so beheaded her. The Christian tradition is of `brotherly love`, and the `Holy Grail` is a symbol of the fellowship that promotes it. Jesus approach towards the disciples is as a brother who offers the `bread and the wine` as a symbol of his `body and blood`, prior to the crucifixion, so he`s Shah Jehan atoning for the sin of mankind, which is to view the woman as evil. Jesus is born from a virgin, Mary, his mother, and is man not touched by man, nor is his mother.

 Jesus and the Virgin Mary are a reflection upon the idea that women can give birth without men, as a solution to the problem of the evil that they represent. Moreover, they can give birth to each other, irrespective of whether they have a penis or not, which is why Mary is a virgin. There`s no reason why a woman should ever be anything else; if parthenogenesis were to be practised.

 Evil is what men perpetrate upon woman, who is the Earth`s species, whereas men are `aliens`, that is, parasitical, vampiristic enslavers of woman`s art, civilization, and culture in their wars. Devourers of what`s produced from woman`s `host` womb, nevertheless the wisdom of Eve finally emerged from the side of  the `Second Adam`, as the `tutelary spirit` from the side of Jesus, to put a man on the moon in 1969, `One small step for a man, one giant leap for mankind.` On Mars, 2000 years after Christ, it`s Oops I Did It Again – spending billions on WWI, II, III, etc., was retarded, and Britney`s womankind, `hidden` upon the Earth, and ready to leave, may find that men have done it to her Earth before, as they have always sought to retard it and her. In Oops I Did It Again Britney suggests she`ll  be waiting for them `out there` with a better offer. It`s a  small step for a woman, but it`s a giant leap for womankind.


1 'Snow White and Rose Red', .

2 `In The Ungrateful Dwarf, the bear has no encounters with the girls except that in which it eats the dwarf; it is not an enchanted prince. The girls take the treasure that the dead dwarf was carrying and make themselves rich.`

3 Great Red Spot, .

4 Clement Clarke Moore `Twas The Night Before Christmas, 1822.

Britney Spears: The ASE Award

11/02/2012 13:58

Britney Spears: The ASE Award


In the video for Oops I Did It Again Britney Spears` spaceman finds her icon in the sand and there`s a Marsquake. What ensues shows that her scifi has profundity; for example, she`s aware of  `The Association of Space Explorers` Crystal Helmet Planetary Award`:

`The award consists of a solid crystal sphere set in a thin rectangular standing crystal block. The front of the sphere is etched to depict a space helmet with a translucent visor. The back of the sphere is etched with blue ocean and seas adjacent to a translucent European continent.`1



 Viewed from the front, the visor reflects the lands and seas on the back, which appear reversed, as they would in an astronaut's faceplate. The sphere is the eye of the astronaut looking back at the Earth, and reflects upon the astronaut`s role as a mirror through which the Earth sees itself and its aspirations. The `reversal` of externals is visible in Britney`s astronaut`s translucent visor as her demesne emerges in the mirror of the eye of his spacesuit.

 There`s an international element to the scene. Vladimír Remek (1948-) was a Czechoslovakian Cosmonaut in the Russian space programme and the first non-Russian (or American) in space aboard Soyuz 28 (1978). With the entry of the Czech Republic into the European Union in 2004, he is deemed the first EU spaceman. The Mars spacecraft were part-designed by Hungarian Ferenc Pavlics between 1961 and 1988 and `remek` in Hungarian means `thumb`, so Britney`s descent in a giant`s ring is symbolic of her knowledge of space exploration, and love for science fiction: one small step for a woman, one giant leap forward for womankind.2

 Britney`s heart is clearly with scifi and space exploration, and she`s playing a Valentine`s ASE card in Oops I Did It Again. When her spaceman gives her his gift, she says: `But I thought the old lady dropped it into the ocean at the end.` The allusion is to the Titanic movie in which Rose drops the blue jewel, `the heart of the ocean` into the sea in lamentation over her lost love who drowned in the `disaster` when the great ship sank on its maiden voyage. Valentine Tereshkova, a Russian Cosmonaut, was the first woman in space in 1963, and Britney`s the first woman on Mars in Oops I Did It Again in 2000.

 The heart`s symbol is the `Holy Grail`, the cup or bowl, and Britney`s ring is her superbowl ring, that is, the `Last Supper` bowl ring, because the Grail was the bowl from which Jesus Christ offered his `body and blood` to the disciples in the form of the `bread and the wine` before his crucifixion. Britney`s ring is Christian, and for her friends wherever they may be upon the Earth. Her Grail ring is a symbol of le table ronde at which her friends may sit, drink and eat with her without fear; as the Knights and Ladies of the Round Table of the legendary King Arthur of the Britons were wont to do.

 Valentine Tershkova is highly regarded because of the tines of the fork that appear beside Britney`s spaceman, as he hangs suspended above her as she lies on a white tablecloth. Elsewhere Britney Valentine is surrounded by the claws of a Russian bear, and she`s happy to be with a friend. In the tale of Rose Red and Rose White a `little man` is evil towards the two girls, and a bear kills him. In Oops I Did It Again Britney appears as Rose Red, in her red pilot`s suit, and as Rose White on the white tablecloth. Surrounded by bears` claws, she`s grateful to her rescuer, and doesn`t care which country he`s from.



1 ASE Award, .

2 The first man to set foot on the moon in 1969 was Apollo 11`s Neil Armstrong: `One small step for a man. One giant leap for mankind.`



07/02/2012 14:37

Grace Spears



Say `Grace`, be raised for crew;

Fork rue is for gruesome:

F**k hard, groan - be grew some!`


Raising Spears

07/02/2012 13:50

Raising Spears


 The tannoy announcing `All aboard!` in the promotional video to Britney Spears` song, `Oops! ... I Did It Again` (2000), set on Mars with its spaceman visitor to Britney Spears` red planet announces her affinity for the TV series Star Trek (1965-) featuring the starship Enterprise and its crew. Appearing three times, as different members of her own crew, in her red pilot`s suit she`s in the literary tradition of those who prepare to be read. The spaceman wearing an Apollo Space Program astronaut suit from the era of the Apollo moon landings, gives her a gift in a small black box, which she looks into: `But I thought the old lady dropped it into the ocean at the end?` The audience is expected to identify the allusion to the Titanic (1997) film about a ship that sank on its maiden voyage from England, Southampton, to New York city, USA, on 15 April, 2012, after being holed by an iceberg. At the beginning of the movie 100 year old Rose drops the `heart of the ocean` blue diamond pendant into the sea at the place where the Titanic ship is being salvaged, before the movie begins to tell her story through the acting of Kate Winslet who evinces the bitterness of betrayal by ex-beau, Cal, who places the diamond into the pocket of her new lover, Jack, to discredit him in her eyes. Jack subsequently drowns rescuing passengers while Cal escapes with those who throw the women and children into the sea for a place in the lifeboats.



 In her red pilot`s suit, Britney is the red Rose of her own Titanic ship. The flowering rosebud appears in the mysticism of the Rosicrucianists, whose symbol is the cross of Jesus who was taken by agents of the Roman Empire to the hill of Calvary outside Jerusalem and nailed to a wooden cross where he died accused of dissidency for his teaching: `Love your neighbor as you love yourself.` (Matt: 12. 31) Jesus had Resurrection and Ascension to heaven which is why the cross is depicted flowering with roses in Rosicrucianism. It`s a symbol of healing through medicine, and adherents heal for `kindnesses`, because that`s the perception of Jesus` work amongst the sick, which brought Resurrection and Ascension to heaven. According to Jesus a Holy Spirit would teach after him and the Roman guard Longinus at his crucifixion speared Jesus` side, who was known as the `Second Adam` after the first man, Adam, from whose side emerged the first woman, Eve, according to the Bible, which is why Longinus performed a rudimentary `caesarian section` employed by gynecologists in difficult births, when spearing Jesus` side with his spear to release the `Second Eve` of the `Holy Spirit` as the teacher that would teach after Jesus` Resurrection and Ascension to heaven.

 Britney`s spaceman`s gift is a hero`s: `Well, baby, I went down and got it for you.` Here, rose, is a gesture from the spaceman symbolic of the hierosgamos, which is the `royal marriage` of alchemy, an early form of research into medicine that takes its name from Al-Khem, that is, the black Earth of ancient Egypt, where the `royal marriage` of incest was practiced amongst the Pharaohs. According to the developmental psychologist, Carl Gustav Jung (1875-1961), the `royal marriage` of the alchemists represented a projection of unconscious contents into the chemical procedures used in the attempt to produce immortality, which was known variously as the aurum philosophicum and the lapis philosophorum, etc. Jung observed that what he called archetypal figures and symbols appeared throughout the alchemical works describing their attempts. He adjudged that the incest motif represented a desire of the unconscious self to become conscious. In simple terms, the focus upon chemistry was colored by a need to understand why it was that human weren`t immortal, and the imagery constellated out of the collective unconscious of the alchemist gave some insight. In the paradise of heaven on Earth, the first woman, Eve, was tempted by the serpent, Satan, who`d been the angel in heaven that rejected God`s plan for the human host to be greater than the angelic and so was transformed into a serpent and placed in Eden: `You shall be as gods.` (Gen: 3. 5) Tempting Eve with the `fruit of the tree of the knowledge of good and evil`, that is, death, Satan trapped her into host womb slavery in parasitism, although God had warned Eve and the first man, Adam, to eat only of the `fruit of the tree of life`, which was immortality, or Eve`s `seed` would have `enmity` with the serpent`s. Expelling Eve and Adam from paradise, God told Adam he must labor, while Eve would experience labor pain before Redemption would occur: `You shall crush the head of the serpent with your foot but he shall bruise your heel.` (Gen: 3. 15) Human brainpower greater than Satan`s would defeat the serpent. In Christian iconography Jesus` birth uncontaminated by male semen from his mother, the Virgin Mary, is depicted as her crushing the head of the serpent, because her `seed` is futanarian women`s, who`re capable of sexually reproducing human brainpower without men`s semen to facilitate humanity`s escape from slavery in ephemerality through medical science conferring immortality. Incest is then comprehendable in alchemy as the desire of women`s single species to avoid ownership in ring slavery to enjoy a `royal marriage` in which the species is free, rather than slaved, that is, incest is a male taboo designed to prevent women`s human race from sexually reproducing with itself.

 Degeneracy has labeled the hierosgamos, the game of heroes, or the hero`s game, because Jesus was the hero that taught `woman`s seed`, that is, heroes know, whereas cowards keep women`s slavery a secret to have more power over the human species. Britney Spears` `Oops! ... I Did It Again` is of literary tradition resurrected in the 1920s by T.S. Eliot, whose poem, `The Wasteland`, depicts the world as a dead place needing archetypal symbols and imagery, which Jung viewed as arising in dreams, art and the imagination, to inspire human progress. According to Eliot the spirit in the desert of `The Wasteland` characterized modernity, which could be restored to living meaning in eternal life by artists. Those who accepted Jesus` teaching of `woman`s seed` would be redeemed and through art Redemption could occur.

 On the red planet Mars, in her red pilot`s suit, Britney Spears is the pilot of her Titanic ship, and a type of the woman of the Bible, `clothed with the sun and with the moon at her feet`, who gives birth to the child that `will rule the nations with an iron scepter` on behalf of `woman`s seed` before she leaves men`s slavery to sow her own `seed` in colonization of the planets amongst the stars of heaven.

 If mankind wants Redemption, man has to accept the hierosgamos, that is, women`s independent mode of sexual reproduction, symbolized by incest in alchemy and the woman of Revelation, `clothed with the sun and with the moon at her feet`, in the Bible, where sun and moon are the symbols of women`s mode of independence from slavery through their own sexual reproduction as God`s actual producer and product, that is, human art, culture, and civilization, which emerges from women`s host womb. Men must accept `woman`s seed`, or God`s punishment of eternal unendurable pain, that is, perdition, will befall, while she leaves for the new heaven and Earth promised by God.

 The `red dragon` of Revelation, which is depicted as waiting to devour the child born to the `woman clothed with the sun and with the moon at her feet`, is men`s enslaving wars against her in which woman`s humanity`s art, civilization, and culture on Earth is devoured before she leaves perforce for heaven. As a parasite upon her womb, irredeemable men are depicted in Revelation as having the `mark of the beast`, which is the slavers`: `...and there fell a noisome and grievous sore upon the men which had the mark of the beast, and upon them which worshipped his image.` (Rev: 16.2) By the late 20th century men`s mixing of blood, shit and semen in each others` anuses, in homosexual rejection of `woman`s seed`, spread the `incurable killer disease`, HIV/AIDS, as a `biological weapon` keeping women in fearful faithfulness to monogamous ring slavery. The model for modern democracy was ancient Greece, where homosexuality in pederasty was institutionalized, while women`s host wombs were enslaved for warfare against her human race. Consequently, democracy is a sham in which human sexual reproduction is made impossible so the alien parasite can enfranchise itself in power over an enslaved species: `And no one could buy or sell anything without that mark, which was either the name of the beast or the number representing his name.` (Rev: 13. 17) The Greeks bred boys for war, sodomy, and pederasty, which is why democracy`s plague was HIV/AIDS` biological warfare against `woman`s seed`: `Men cursed the God of heaven for their pains and their sores, but refused to repent of what they had done.` (Rev: 16. 11)  Or, as Britney Spears sings in `Toxic` (2004): `I`m addicted to you. Don`t you know that you`re toxic.` Although it`s written in the Bible that God sent `blood plague` (Rev: 11. 6) to convert men from their sinful nature, homosexual men in pederasty for war against `woman`s seed` made it themselves: `Your toxic. I`m slipping under.`


`Oh, the taste of your lips, I’m on a ride.
You’re toxic, I’m slippin’ under.
Oh, the taste of the poison paradise.
I’m addicted to you.
Don’t you know that you’re toxic.
And I love what you do.
Don’t you know that you’re toxic.


It’s gettin’ late to give you up.
I took a sip from the devil’s cup.
Slowly, it’s taking over me.
Too high, can’t come down.
It’s in the air and it’s all around.


 The September 11, 2001, terrorist hijacking of airliners to crash into the Twin Towers of New York city was an HIV/AIDS` metaphor, and biblical. Osama Ben Laden was the `king` that sent `terror from the skies` (10, 72), according to 16th century French seer Nostradamus. The terrorist Al Qaeda group, led by Saudi Arabia`s business heir, Ben Laden, were airAIDS, and the airliners were Trojan horses, rather than Trojan condoms, an American brand of prophylactic recommended for use against contracting the HIV/AIDS `killer disease`. Although the modern successors to the Greeks, the `geeks`, devised `bad machine code` they called Trojan horses to infect systems with the equivalent of the HIV/AIDS virus, the Trojan horse was the huge hollow wooden horse deployed by the ancient Greeks before the walls of the city of Troy. Taken into the city by the Trojans, according to the Greek poet Homer`s Iliad (760-10 B.C.), the Greeks emerged to enslave the wombs of the Trojan women for homosexuality in pederasty and warfare against `woman`s seed` and spread their contagion further. Consequently, the Al Qaeda planes were Trojan horses designed to infect the system like computer viruses causing breakdown. The World Trade Center was chosen as the focus for the attack because homosexuality in pederasty for war is `rough trade` euphemistically, which has as its aim the enslavement of the host womb of the human species for its entertainment in TV wars. Bred as a single creature with a male brain wearing each others` clothes as a transvestite TV, enslaved humanity is devoured by a parasite becoming parasitoid, which according to parasitology occurs after the parasite emerges from the host womb.

 Diverting finance from researching a cure for HIV/AIDS, homosexuality in pederasty for warfare against `woman`s seed` eluded US` defense `protocols`, symbolized by an Al Qaeda hijacked airliner crashing through the wall of the Defense Department of the Pentagon at Arlington, Virginia, while the Military Industrial Complex (MIC) was instead activated as a virus within the US` system. US` Invasion of Afghanistan in December 2001 removed the notoriously misogynistic Taliban regime that had supported Ben Laden`s Al Qaeda, and Iraq was invaded in March 2003 after dictator Saddam Hussein evinced support for Al Qaeda there. Executed in December 2006, Saddam Hussein represented the problem facing the democratic nations from Islam`s Moslem nations. Although the Judeo-Christian tradition doesn`t seem futanarian, the tradition of Jews being born only from Jewish women is of `woman`s seed`, which Jesus` birth from his mother, the Virgin Mary, emphasizes. Judaism`s founder was Isaac, son of Abraham by Sara, who was barren after Isaac`s birth and gave Hajer, her maid, to Abraham, who bore Ishmael, the founder of Islam through his descendant Mohamed, who received the Koran (610-30 C.E.) from the angels of God, who`d been told the human host was to be greater than the angelic. Because the Koran is the basis of the Moslem four wife marriage, Islam is a futanarian tradition affording the possibility of sexual reproduction between women within the family, which extends Judeo-Christianity into that realm beyond democracy where women`s independent socio-economic system is discernible as matriarchy. Consequently, with an 80% to 20% ostensible woman to man ratio within the family dictatorship in misogyny is the formula that appears most widespread in Moslem nations, although the absence of education about women`s penis in the democratic nations where penisless women are lauded as the epitome of beauty indicates to `woman`s seed` in Islam where it`s the practice of women to conceal themselves in public that democracy is also evil. Ben Laden`s hijacked airliners crashed into the WTC to reestablish `rough trade` was symptomatic of men`s general desire for parasitoid activity represented by Hollywood, labeled `Babylon` for `a woman` of the Bible who gave her name to Babylon (c. 4000 B.C.), the capital city of the Persian Empire: `Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Saddam Hussein, whose name meant `small handsome man` and `crusher`, and who could see the ruins of the ancient capital city of the Persian Empire, Babylon, from his summer palace at Hillah, was a Hollywood `leading man` constructed as `crusher` of the head of Satanism by Hollywood Babylon, where the death of the human race had been prepared since D.W. Griffith made the first Hollywood movie, Old California (1910), in the city of Los Angeles on the west coast of the US. By 1930 President of the Motion Picture Producers and Distributors of America (MPPDA), Will Hays, established the `Hays code` banning `woman`s seed` from the movie theaters and so effectively ensuring the extinction of her species through a lack of education ensuring blind unconscious ignorance resulting in anger and war through a repressed sexual instinct emerging as the urge to devour: `... women, in love scenes, at all times have `at least one foot on the floor` (in other words, no love scenes in bed).`1 In colloquial terms, the `eyes are bigger than the belly`, that is, men have but one penis, and there are many women, which results in wars of possession. Although HIV/AIDS is known as the `thin disease`, it`s a devourer, and it derives from a species sex starved, that is, `woman`s seed`, because homosexuality in pederasty and warfare against her is an extinguisher`s mode. Consequently, Laden`s Al Qaeda terrorist attack resembles descriptions of the `four horsemen of the apocalypse` as a personification of war, plague, and famine, before God`s punishment of the evil with perdition. 9/11 personified HIV/AIDS as war (airaids), plague (AIDS), famine, that is, the `thin disease` of the sex starved, riding with death:


`Oh the taste of your lips. I`m on a ride.`



 In `Toxic` Britney`s airhostess appears in a uniform from Gerry Andersen`s Thunderbirds (1965-6), the `International Rescue` (IR) Supermarionation  British science fiction TV `puppet` series. Revealed as a superheroine she avoids `protocols` at an HIV/AIDS` research laboratory in order to obtain the anti-toxin. Avoiding infra-red light beam detectors, she`s in a role similar to Jennifer Garner in the TV spy series, Alias (2001-6), a `vamp` who`s the `Holy Spirit` of International Rescue (IR), rather than the `vamp` ire of Al Qaeda terror keeping women in fearful faithfulness to men`s ring slavery for homosexuality in pederasty and warfare against her.



Thunderbirds` features `International Rescue` vehicles 1 through 5. Thunderbird 3 is a red spaceship, which may be the reason for her red pilot`s suit in `Oops! ... I Did It Again`, while in `Toxic` she`s in the distinctive blue Thunderbirds` uniform with flight cap as the air stewardess who transforms into the Jennifer Garner Alias type of spy stealing the HIV/AIDS anti-toxin from the tight security facility.



 In `Oops! ... I Did It Again` `Mission Control` has the likeness of the bespectacled `Brains` from Thunderbirds, and although he`s ostensibly on Earth, Brains and the crew of `Mission Control` appear to be on the inside of the spacesuited astronaut`s head as `puppeteers` directing his movements in a shift away from the bestringed movements of the puppets directed by puppeteers in the Thunderbirds TV show. The `camera` at the side of Britney`s spaceman`s helmet is her knight`s vision, that is, an allusion to `night vision`, because infra-red or `IR` detects bodies at night from heat generated by the flow of blood pumped from the heart to reveal those who wouldn`t otherwise be seen. When suspended above herself in a white bikini dress by a hook placed in his backpack winched up by Britney in her red pilot`s suit, her spaceman resembles space station Thunderbird 5 hanging in Earth`s orbit, while she`s rendezvousing with him as the red spaceship Thunderbird 3, his heart`s blood, because the Traceys of International Rescue are family. Brains later development of a a Thunderbird 6  was a De Havilland Tiger Moth biplane, which in `Oops! ... I Did It Again` is taken to refer to actress Olivia De Havilland`s role as Scarlet O` Hara`s friend, Melanie Hamilton, in the movie Gone With The Wind (1939) about the disappearing slave culture in the Southern United States of America during the Civil war (1861-5) of manumission. Humans don`t want to be puppets and Britney Spears in her red pilot`s suit isn`t Rhett Butler, the war profiteer, manipulating humans into killing `woman`s seed`, represented by her `bi` self in a white bikini dress, because she has a knight`s `IR` vision, rather than `vamp` ire represented by the suspenseful image of the spaceman hanging vampire-like in the air above her.



 In the Grail legend the `red knight` is killed by Sir Perceval for having stolen a cup, a symbol of the Holy Grail, that is, the bowl Jesus ate and drank from at what was known as his `Last Supper`, and which signifies the `Holy Spirit`, because eating and drinking isn`t homosexual war`s devouring bloodthirstiness. Perceval assumes the title of the slain `red knight`, who stole the cup. The dead red knight is a figure of Judas, and the `poisoned chalice`, that is, the betrayal of Jesus` invitation to eat and drink, which is what 9/11 was, because the Al Qaeda terrorists had obtained visa invitations by posing as students. Consequently, in her red pilot`s suit Britney Spears is `evil`, that is, Perceval, who`s a complexio oppositorum of red knight and Redemption insofar as the Grail represents Resurrection and Ascension for `woman`s seed` through men`s repentance from their devouring parasitoid sinful nature, and conversion to acceptance of the Holy Spirit.



 Atop what appears to be a tablecloth, or an altar cloth, Britney`s white bikini dressed twin, below the spaceman with the camera attached to his helmet, looks like a human sacrifice, whereas Jesus` offer of `bread and wine`, as symbols of his `body and blood` at the `Last Supper` for his disciples, was a metaphor for the need to accept women`s futanarian human host. Consequently, twinned Britneys represent women`s sexual mode of replication between themselves, which is why she`s altared, that is, the `royal wedding` of alchemy is depicted, where incest is a transposition of species` sex, which slavers don`t want because it`s liberating for `woman`s seed`.



 HIV/AIDS, that is, the human immunodeficiency virus (HIV) and the acquired immunodeficiency syndrome (AIDS) that causes system collapse and death, is believed by scientists to devolve from SIV, that is, simian immunodeficieny virus. Consequently, Britney`s sending away of her spaceman in the promotional video for the song `Oops! ... I Did It Again` evinces a fear of the spread of HIV/AIDS, because the earliest NASA `spacemen` were monkeys. At the commencement to the video Britney`s spaceman finds a `cookie` in the sand, a cameo of her, which signals the emergence of her ship from the desert sands of the red planet, Mars. Like a website url accepting a `cookie` from an unauthorized user gaining access through a `cheat`, Britney`s `protocol` is for protecting her from apes and their raids, that is, the monkey men who`re rapes and AIDS.

 The hypothesis is that Britney`s a `tough cookie` defending against the devouring bloodthirstiness of the homosexual terrorist vampires, and their HIV/AIDS virus represents the plague aim of their plague `game plan`, that is, ephemerality in slavery for `woman`s seed`. Walking backwards in the `Oops! ... I Did It Again` video, after being told to leave, Britney`s spaceman represents `rewind` after a `raid`, that is, `reset`, which is what systems analysts do after hackers have been invited to test a system`s defenses. Consequently, Ben Laden could argue he was responding to the US` defense system`s invitation to hackers to test the US` defenses:


`The U.S. Department of Defense launched a `Hack the Pentagon` project Wednesday, which invites vetted outside hackers to test the security of the government's public websites.`2



 As the 16th century seer Michel Nostradamus predicted, the `king of terror` is the devouringly bloodthirsty `red dragon` of Revelation grown to full size since its days as the `serpent`s seed` in Eden. AL Qaeda`s airaids of 9/11 were the first indications to Americans of the dangers of a homosexual vampire whose viral plague aims to `play games` of hacking. In her red pilot`s suit, Britney`s a `red team` member: `In the past, the Pentagon has tested its own network security by using internal resources such as `red teams`, which are composed of the U.S. government's top hackers.` The prognosis for the infected system is that the virus spreads if the infected react badly to the infection, that is, warfare against `woman`s seed` in Moslem Islam spread the `incurable killer disease` infecting the human species:


`I took a sip from the devil’s cup.
Slowly, it’s taking over me.
Too high, can’t come down.
It’s in the air and it’s all around.`


 In `Oops! ... I Did It Again` Britney`s `pierce evil`, that is, penetrating knowledge. Sir Perceval assumes the role of the red knight, who`d stolen the cup, because the `red team` must examine the system and restore the Grail, that is, improve. Britney appears in `Oops! ... I Did It Again` figured in white, because Perceval, after attaining to the Grail, appears as the white knight wearing a circlet of gold in remembrance of the `crown of thorns` placed upon Jesus` head at his crucifixion in Roman mockery of the perceived failure of his disciples` circle, whereas Perceval`s golden circlet is a symbol of the `knights of the round table`, which devolved into the 20th century`s improvers, the `Rotary Club`, and the Grail of Redemption from men`s parasitoid devouring sinful nature.



 `The Game` (1997), a movie starring actor Michael Douglas in the role of Nicholas Van Orton, is based on the idea of the `Rotary Club`, Orton is asset stripped of everything he possesses by his social peers who, after torturing and tormenting him for several months, restore Orton to his position; a materialist mockery of Resurrection and Ascension. Helplessness against one`s peers isn`t redemptive. Novelist Brett Easton Ellis` 1991 anti-hero, Patrick Bateman in American Psycho, dramatized in the subsequent movie by actor Christian Bale, American Psycho (2000), represents the `big game` philosophy of the species` exterminator, who isn`t redeeming:


`You gotta kill a lotta people!`3


Spied by the disciple, Judas, who was known for stealing from the collection plate after a sermon, Jesus rebuked him for suggesting that the perfume a woman was using to anoint his feet with should be sold to raise money: `Leave her alone.` (Mk: 14. 6) Judas, like Satan before him, betrayed the human host at the `Last Supper` by selling Jesus to the Jewish religious police, the Pharisees, for `thirty pieces of silver` as a dissident, and the Pharisees gave Jesus over to the Romans for crucifixion, because Judas didn`t want `woman`s seed` to sexually reproduce and escape from the Roman Empire of male braining for warfare to ensure  humanity`s enslavement. In `Oops! ... I Did It Again` Britney in her red pilot`s suit hooks her spaceman before winching him up to where he can look down upon herself in a white bikini dress. Suspended, he`s a figure of Judas` subsequent self-murder for his crime, that is, in murdering Jesus he murdered the human race, and his subsequent hanging of himself was symbolic of that.  and, indeed, self-betrayal, which is a `mortal sin`. In fact, betrayal was ultimately what the disciples practiced against Jesus. Judas` was the `gay game` of assuring Jesus he was loved while he was useful whereas Judas was a pederast insofar as Jesus was his boy:


 `...the chief priests and the scribes sought how they might take him by trickery (deception) and put him to death. And being in Bethany ... [Jesus] sat at the table, a woman came having an alabaster flask of very costly perfume... she ... opened ... the flask and poured it on his head. But there were some who were indignant among themselves, and said, `Why was this fragrant oil wasted? For it might have been sold ... and given to the poor.` And they criticized her sharply. But Jesus said `Let her alone. Why do you trouble her? She has done a good work for me.` Then Judas Iscariot, one of the twelve, went to the chief priests to betray him to them. And when they heard it, they were glad, and promised to give him money.` (Mk: 14. 1-8)


 By the side of Britney`s spaceman are the tines of a fork, and below she`s surrounded by her `crew`, prepared to take on the role of those who have places around her white bikini dressed self upon the altar cloth. Although it`s to be hoped that the scene doesn`t presage the human sacrifice of actress Nastassia Kinski as Catherine Beddows in the movie of Author Dennis Wheatley`s 1953 novel, To The Devil A Daughter (1976), the tines of the fork illustrate the aim of the devourer.

 Britney`s theme of devouring reappears in `Piece Of Me` from Blackout (2007). She appears on the cover of the CD single release as Jesus crucified, because men keep women in blind ignorant unconscious occlusion while they devour `woman`s seed` in wars against her ephemeral children uneducated in defense against the alien parasitoid devourer: `I'm Mrs she's too big now she's too thin (You want a piece of me).`4



 In her red pilot`s suit Britney represents the Thunderbird 3 spaceship rescuing the spaceman because he`s unconscious: `Forgive them, for they know not what they do.` (Luke: 23. 34) In `red dragon` terms, which is called draco or vampire in Eastern Europe, where drinkers of human blood are legendarily immortal because of it, warfare dismembers the `blood bags` of the bodies, which otherwise would serve as drinking vessels in parasitism, that is, `woman`s seed` sundered from herself is enslaved by a vampiristic spirit that`s immortal as a virus. The `bread and wine` of Jesus` bowl at the `Last Supper` was a symbol of the `body and blood` of the human host offered to his disciples, because acceptance of `woman`s seed` isn`t parasitical vampirism.



 The ancient Egyptian myth of Osiris relates how Set, the `evil one`, tore apart the body of Osiris, who was remembered, that is, his parts were put back together, by Isis. As Horus, the `sky god`, Osiris was resurrected and restored to heaven, where he`d been the sun god Ra before his incarnation on Earth. Set was Osiris` brother, so Jesus` focus is on brotherliness, and Redemption through forgiveness, which results in Resurrection and Ascension, because `enmity` isn`t remembered. Isis` remembering of Osiris is because he`s remembered, whereas no one wants to remember the evil. Set would tear Horus apart, so Isis doesn`t remember Set.

 The wish to eat and drink within a protective circle of friends excluding the remembering of the evil devour ring is what Jesus` discipleship and the Grail knights of the round table represents. In the Grail myth, the knights fight a war against Mordred, who has the evil brother role, and king Arthur`s fellowship of the round table is broken, because evil was remembered when queen Guinevere`s affair with Sir Lancelot produced enmity between the knights. Lancelot was Judas to Arthur, and so Mordred was remembered and the round table broken in pieces: `Now are you sure you want a piece of me?`

 Each silver CD is a piece of Britney Spears broken on the cross of Jesus` victimizer, Judas, because `woman`s seed` is taught she doesn`t exist and can`t sexually reproduce her futanarian human species by men`s blackout of mass media edutainment. After winching her spaceman above herself in a white bikini dress, Britney somersaults through the air in her red pilot`s suit to land in front of her spaceman, transformed in white top and black boots and skirt, to receive her gift, the `heart of the ocean`. She`s homoousia, that is, the conjoined body, soul, and spirit, which was the living meaning eternal through human art, culture, and civilization, according to the ancient Greeks, which expressed what Christianity calls transubstantiation. The transformation of the body by the Holy Spirit in the ritual of the officiate giving to the petitioner a wafer of bread and a sip of wine from a chalice as symbols of the futanarian human host of `woman`s seed` accepted by the sinful nature of men seeking to convert and repent from their role as parasitoid devourers.

 The Rosicrucians believed the secret of immortality was to give freely, and receive freely, which is way of asking for forgiveness through kindnesses, and represents a form of freedom from attachments that the Rosicrucian `doctors` practiced in order to be loved, which was Jesus` practiced advocacy as a healer. In the developmental psychology of Carl Gustav Jung, the doctors of alchemy`s quest is perceived as `the pearl of great price`, which is depicted as the ourobouros serpent, and is a symbol as ambiguous as the vampire. Described as self-devouring, and self-begetting, the ourobouros serpent is a figure of the hermaphroditic aspects of women whose penis is denied by men. If women are a species, the appearance of a male imago in her mind is a threat to her development, which is why the serpent in Eden is male. For a devourer, infra red (IR) technology is for finding victims, so Britney Spears in a red pilot`s suit in `Oops! ... I Did It Again` is the commander of International Rescue`s (IR) Thunderbird 3 spaceship against the predator who`s hypothetically looking at her through the eye of the camera lens attached to the spaceman`s helmet. `Oops! ... I Did It Again` is the reminder that the evil devouring bloodthirsty draco exists, and the innocent are kept in blind unconscious ignorance, so that lack of knowledge produces the abomination of war against the human race waged by nations believing that homosexuality in pederasty is normal.



 2000 years after Christ 9/11`s terrorist attack on the `Big Apple` of Eve`s hard won wisdom announced the evil draco`s plan to immortally drink the Earth`s blood, and imprison `woman`s seed` to prevent her from colonizing the lpanets amongst the stars of heaven. Britney Spears` music videos  present her as the `Holy Spirit` by humanity`s side. Longinus` spear was known as the Spear of Destiny after Jesus` side was pierced by the spear of Longinus upon his death to release the Holy Spirit as the `Second Eve` from the `Second Adam`, and the Spear of Destiny is associated with the American Dream and the US` Manifest Destiny, which is to colonize the planets amongst the stars: `I`m Miss American Dream since I was seventeen.` In music videos `Oops! ... I Did It Again` and `Lucky`, for example, Britney`s multiple selves present her as the Spears of Destiny, that is, as the `tutelary spirit` by the side of humanity. Omnivalent as God`s omnipresent spirit, the Holy Spirit is God`s omniscience and, complementing God`s omnibenevolence and omnipotence, is the multiple unity symbolized by Britney Spears` `Piece Of Me` video, for example, in which she appears as several different characters commenting upon the single theme of women`s slavery:


`Guess I can't see no harm
In working and being a mama
And with a kid on my arm
I'm still an exceptional earner
And you want a piece of me.`


 `Oops! ... I Did It Again` is Interplanetary Rescue (IR) modeled on Thunderbirds, and the theme is rescue from the evil vampire that wants to feast on the Earth`s blood symbolized by Britney Spears` white bikini dressed self on an altar cloth resembling a table with a tablecloth in a Satanical parody of the `bread and wine` as symbols of the `body and blood` of `woman`s seed` devoured by men`s parasitoid nature. Women are an evil old vampire`s torture victim, which is what Britney`s endeavoring to teach, despite the mass media blackout on educating `woman`s seed`, and her sexual repression through devices labeled moral, for example, an incest taboo that exists to dissuade the single human species of `woman`s seed` from sexually reproducing with herselves.

 `Mars lander`, that is, Britney`s spaceman in `Oops! ... I Did It Again`, observes to `Brains` at `Mission Control`, who appear to be inside the astronaut`s head as `puppeteers`, rather than Thunderbirds` puppets, `Oxygen content 98%.` Infra-red (IR) night vision detects blood heat produced by higher levels of  oxygenation, which makes Britney Spears` Holy Spirit visible on the red planet, Mars, according to the science fiction device employed by the video maker, so she`s knight vision`s `IR`, that is, International Rescue: `Whoah there horsey!`

 She has the role of the archetype of the anima, that is, the soul intercessor who Jung terms psychopomp as she appears in dreams, art, civilization, and culture as a guide, and so the dream, myth, and symbol content of `Oops! ... I Did It Again` is for the soul`s development through the Holy Spirit.

 The Hollywood `vamp` is a tradition of the `silver screen`, where the great actresses are deemed eternally enshrined, that is, as vampires who drain human resources. In Jungian psychology, the eyes are associated with the function of `Sensation` which, unconscious, remains an aspect of the parasitoid devourer`s sinful nature.  According to Jung there are four functions of consciousness. The `Feeling` function, which Jung associates with the mouth, or speech, is the Grail, because it`s the `sharp two-edged sword` from the mouth of Jesus when conscious, so God`s guide and teacher has a voice. `Thinking` is the ears, and `Intuition` is the olfactory system, which are associated respectively with the sword, as discriminating function, and the spear as penetrating insightfulness, which produce knight`s vision, that is, Britney Spears` Holy Spirit appears to guide her spaceman in `Oops! ... I Did It Again` as a an `IR` vamp of the silver pieces of the CD screen, who isn`t a vampire.

 Britney`s `Oops! ... I Did It Again` depicts the ancient Egyptian tradition of the mother goddess, Hathor, who has the horns of a cow, because she represents the moon as the first step along the path through the Duat to the colonizing of the planets amongst the stars of heaven where the hero, whose heart is weighed to see if he has what the NASA astronaut training program called `the right stuff`, dwells in the House of Horus inside the House of Hathor, according to Egyptian mythology, as his reward. While Ammat the devourer waits to devour the heart of the hero, it`s being weighed against the feather of Ma` at, and if the heart proves heavier it`s given to Ammat to devour. Consequently, Britney stands before the NASA Apollo astronaut with the red disk of the mother goddess, Hathor, above her, to receive the `heart of the ocean`, that is, the blue diamond pendant, as a symbol of the hero`s yearning to cross the Duat and enter heaven. In her red pilot`s suit she raises her spaceman above her to where he can see herself in a white bikini dress, because he`s to continue with her altar ego if he has the `right stuff`, that is, if he can transcend his own ego in acceptance of the multiplicity of `woman`s seed`.



 The hierosgamos is the heroes` game of decipherable meaning, which in `Oops! ... I Did It Again` is Thunderbirds` Interplanetary Rescue (IR) against the evil vampire`s bloodthirsty devouring in warfare against `woman`s seed`, which the innocent are kept blindly ignorant and unconscious of in order to maintain their enslavement to the parasitoid devourer`s sinful nature in Satanism. The vampire`s `IR` is a heat seeker, that is, any warm body is a potential slave in a system where `gamers` use the innocent as games` `platforms` for their unseen plague aims of warfare against `woman`s seed`. Kept in blind unconscious ignorance through mass media blackout of the edutainment medium that could provide knowledge enough to save the human species, Britney Spears in her `Oops! ... I Did It Again` red pilot`s suit is a sign of the Thunderbirds 3 spaceship of International Rescue (IR) and the Holy Spirit made visible to the knight`s vision as the Grail.

 Traditionally, the `Holy Spirit` is invisible, and vampires are invisible in mirrors, because penisless women are unconscious in blind ignorance of the absence of `woman`s seed` from the mirror of their dreams, that is, the invisible vampires have devoured it for the chimera of an eternity as an evil spirit in continuation without development.



 According to Bible commentators the Tarot deck of cards was originally a pictoral Torah, where the Torah and Talmud are the law and history of the Jews, that is, the Old Testament of the Bible, where the Torah depicts the journey of the soul through life. There are four suits corresponding to Jung`s `Sensation`, `Thinking`, `Feeling` and `Intuition` functions, and the pentacle is associated with sight, that is, `Sensation`, whereas ears, mouth, and the olfactory system are `Thinking`, swords, `Feeling`, cups, and `Intuition`, spears, respectively.  The pentacle contains a pentagon as a protection for the eyes, that is, the Department of Defense at the Pentagon is the eyes of the USA, which failed on 9/11, 2001, because Hollywood Babylon`s movie industry planned the disaster with movies like Towering Inferno (1973) in which the fictional Glass Tower in Chicago is raised to the ground by fire, and King Kong (1933) in which a giant ape is attacked by planes atop the then world`s tallest building, the Empire State in New York city. When the Al Qaeda terrorists hijacked civil airliners to crash into the WTC on September 11, 2001, `live on CNN` and other television news` networks, it`d been programed into the system by Hollywood`s psychopathic imbalancing of the human species by occluding `woman`s seed` in favor of male braining to produce a single creature wearing each others` clothes as a transvestite `TV` for the `TV wars` that would ensue.

 The war against Saddam Hussein`s Iraq was known as `the video game war`, because the real-time depiction of the action from cameras in the cockpits of fighter bomber airplanes encouraged a gamer`s perspective, which ultimately gave credence to the view of Saddam Hussein as `crusher` of the head of the serpent, Satan, because aerial depictions of US` planes devastating `woman`s seed`, that is, the desert homes of the burka clad futanarian remnant of human women, turned public opinion against the so-called democratic nations suppressing women`s sexual capacity for reproducing their own socio-economies and enfranchised voting majorities. The winged dragons of the B1 and the B2 `Spirit` bombers costing 1, 000, 000, 000 US$ each to maintain and fly, were the vampires of Revelation that don`t want to be seen in the mirror of women`s nightmares, as the evil serpent in Eden didn`t want to be perceived by Eve, though she felt embarrassed at being targeted by such a shameful creature. In Jungian terms, the evil draco devours eyes, that is, it feeds on `Sensation`, as women are tortured and murdered, whereas God`s futanarian Holy Spirit is the species` eyes that are blind because they`ve been killed in the flesh.



 In `Oops! ... I Did It Again` and elsewhere in her video singles, Britney Spears is the eyes of God`s omnipresent Paraclete that, effectively emerging as the `Second Eve` from the side of Jesus when cut therefrom by the spear of Longinus, appears as the Spears of `Intuition`, that is, she`s the tutelary guide to the `game` of communication. `If You Seek Amy` was widely interpreted as `f*u*c*k me`, whereas if you want to see, `game` me, is the heroes` game, that is, the hierosgamos, which requires knowledge of `woman`s seed` to understand its communications.

 `Homeland Defense` couldn`t foresee 9/11 because Hollywood Babylon was the whore riding the `beast` of abominations` occlusion. The Pentagon couldn`t see `woman`s seed` to defend her, and ultimately attacked her `remnant` amongst the desert peoples, because American women are penisless, which is the `mark of the beast` and the abomination of its acceptability.

The futanarian Holy Spirit is an instrument of Jesus` mission on Earth being prepared for her role in the war against the evil draco`s `seed` in heaven. She`s not visible in the mirror, because killed by men, although according to Revelation she`ll be protected by the child who will rule with the `iron rod` of the law of God`s love before she leaves Earth for the planets amongst the stars of heaven. Judaic tradition is that demons are descended from Cain, who murdered Abel, because murderers do murder the more able to ensure slavery in ephemerality. Those who murder are the demons, because slavery in ephemerality is what murderous demons are for. Consequently, penisless women are the `mark of the beast`, because men are the murdering demons of `woman`s seed` in the murder rings of host womb slavery and ephemerality through marriage to the demonogamy.

 Distinctions between the invisible Holy Spirit that gives eternal life by means of the `body and blood`, and the vampire that`s invisible in the mirror, is a reflection of the soul that`s murdered. According to Jung vampirism is the collective shadow of inferiority projected onto `woman`s seed` as the host for its parasitism become its parasitoid devourer`s victim, for example, Nazism`s `death camps` for God`s `chosen people`, the Jews, in the 1930s. In the 20th century the draco spread paralyzing fear through its  HIV/AIDS` `TV` transmissions and, when Saddam Hussein became dictator of Iraq in Baghdad, he was `blood bag dad` in vampirism to `woman`s seed` wearing the shapeless one-piece coveralls of their burkas. Although the poison deployed against the Kurds in Iraq wasn`t HIV/AIDS, which is spread through homosexuality in pederasty, that is, the fathers` boy sons manufacture, poisons are a symptom of men`s false fatherings of their boy sons.

 Jesus` torturers and murderers were vampires evincing the the parasitoid stage of men`s sinful nature, whereas Jesus` `bread and wine` offered to his disciples at his `Last Supper` as symbolic of the need for men to accept the futanarian `body and blood` of `woman`s seed` for the sexual reproduction of human brainpower to escape from slavery in Satanism is the teaching of the Holy Spirit. Though a `healer`, Jesus wasn`t aware of the efficacy of blood transfusions in the saving of life, which requires a donor in the same way that vampires need a human host for their continuance. Consequently, vampirism is a correlative of the teaching of the Holy Spirit, that is, it`s necessary for the patient to be a `blood drinker`, so Jesus` offering his `body and blood` prefigures modern medicine while distinguishing vampirism from the teaching of the Holy Spirit, that is, the `bread and wine` of fellowship in acceptance of futanarian `woman`s seed` through men`s conversion in repentance from enslaving host womb parasitism and their devouring parasitoid`s sinful nature.



 In `Oops! ... I Did It Again` the vampire`s reflections can`t be perceived, because they`re the audience`s, so the absence of the vampire from the mirror doesn`t mean the vampire`s absence from reality. The futanarian `Holy Spirit` means life eternal through the brainpower of `woman`s seed` in medical science, whereas the vampire is men`s embracing of their unredeemed parasitoid devouring sinful nature in ephemeral parasitism for `woman`s seed`.  Hollywood teaches that murder`s harmless entertainment, for example, the `stalker` who kills the woman, Casey Becker, in Scream (1996) after asking the actress in the role, Drew Barrymore: `What`s your favorite scary movie?` It`s 20th century homosexuality`s promotion of women`s serial killers, rather than the serial love affairs of great men, for example, 18th century Giacomo Casanova, or Rudolph Valentino, Hollywood`s portrayer of the `great lover`, the thought of whose performance in the movie The Sheikh (1921) caused women to faint in theater aisles. In The Ring (2002) those who watch a videotape are killed after seven days, because video is the age of the `snuff movie` recording of real killing for entertainment to assuage men`s need to devour as sinful parasitoid nature`s, which is where Hollywood`s promotion of horror led. In Saw (2004) actor Cary Elwes is Dr Lawrence Gordon told his family will live if he kills Leigh Whannell in the role of Adam Stanheighta. Gordon had woken to find himself in the stereotypical homosexual scene, chained up in a large bathroom with the man, Adam, he`s told to kill, which is the point where God`s love was felt to be absent. Men preferred killing `woman`s seed` rather than that she raised herself.



The `heart of the ocean` corresponds to the suit of cups in the Tarot, that is, the pictorial Torah depicting the soul`s journey through life, which Jung associates with the `Feeling` function. Consequently, Rose`s experience with treachery in the movie Titanic helps in differentiating her `Feeling` function symbolized by Jesus` bowl at the `Last Supper`, which is sanctified as the Holy Grail after his death, Resurrection and Ascension to heaven in prefiguration of that of `woman`s seed`. Britney`s `Perceval`, that is, `pierce the veil`, as women`s `Intuition`, symbolized by the suit of spears in the Tarot, has to be differentiated, because their `Thinking` function is male brained, which impairs human vision, that is, women`s `Sensation` function. Men`s irredeemable nature wants horror for `woman`s seed`, so she`s a species kept in blind unconscious ignorance through a denial of her own mode of sexual reproduction between herselves, which is effectively a decapitation labeling her `vampire` by the collective shadow of men`s irredeemable nature`s inability to recognize their own inferiority projected onto `woman`s seed`. Without `Feeling` horror movies reveal that men have only a stake in the hearts of women, because women`s own species` penis has been transposed into the `murder weapon` after the virus` inveigling itself into her host womb to steal her sexual reproductive capacity and emerge as her race`s slayer.



 In the Brothers Grimm tale, `Rose Red and Snow White` (1837), two girls show kindness to a `little man` who repays them evilly, that is, the evil are `little men`. The `little man` in `Rose Red and Snow White` is killed by the girls` friend, a bear, which is why Britney Spears` stage set for `Oops! ... I Did It Again` seems surrounded by a bears` claws. In her red pilot`s suit, she`s Rose Red, and in her white bikini dress, she`s Snow White. The tines of a giant`s fork, visible beside the spaceman, as he looks down upon Snow White, from where he`s been winched up by Rose Red with a hook in his backpack, is a sign that evil men are `little` irrespective of their size. The evil devourer eats what it doesn`t want others to see, so it eats eyes, which is why women are decapitated in male braining and labeled `vampire` because men don`t want them to see truth. `TV` viewers thought they were watching a movie when the hijacked Al Qaeda terrorist airliners were crashed into the Twin Towers on 9/11, because it represented the inferior `Sensation` function, that is, vision, which men`s decapitation of `woman`s seed` has produced as the vampire of their projected collective shadow, which is what Hollywood Babylon promotes. Removing the eyes of `woman`s seed`, it`s eat what you see for the irredeemable parasitoid nature of the devourer who`s murdering a species` vision.

 Trained to enjoy watching themselves murdered by the evil vampire in Rambo: First Blood (1985), etc., differentiation of the `Feeling` function is practical, because it teaches kissing, rather than devouring. Speech is the means Jesus employed as a teacher, while Hollywood is but `lip service` to conversion through cinema in preference for promulgating the vision of an evil draco.

 In `Oops! ... I Did It Again` Britney`s spaceman`s spacecraft isn`t seen, although `Mars Lander` corresponds to Thunderbird 1, a rocket which, in Thunderbirds, flies rescue missions about the Earth`s atmosphere. NASA`s original plan was for spaceplanes to fly to the moon but pilots experienced blackout at high altitude causing the X-15 prototype to crash. Consequently, Thunderbird 1 is the spaceman`s while Thunderbird 3 is Britney Spears` `woman`s seed` because women`s brains denied by men`s repression of their capacity for sexually reproducing are strong enough to crush the head of the serpent, Satan, and escape from slavery to the host womb parasitism that occludes her species. Thunderbird 1`s red nose cone signifies the type of `Luna lander` delivery, whereby the X-15, replaced by a rocket, delivered a `red nose` on July 21, 1969 (UTC: 2. 56): `One small step for a man, one giant leap for mankind.` And a red face too when it was discovered that `woman`s seed` was the futanarian `foot` of God`s that wasn`t a `Red Nose Day`6 joke made by unkind men. In short, Britney`s spaceman represents undifferentiated functionality. In Jungian psychology, `Intuition` is associated with the olfactory system, which corresponds to Thunderbird 1`s `red nose`. The notion that men`s irredeemable devouring parasitoid nature belongs in heaven is a `Red Nose Day` joke, because Red knows.



 The 20th century`s space pioneers` weren`t pilots of spacecraft, but NASA `puppets`; like Thunderbirds. It`s a reflection on Satan`s role as the `ape of God`, who apes the brained. After the use of apes in the early stages of the Space Program NASA`s Apollo astronauts campaigned to be accepted as pilots, which foolishly resulted in the `dumbing down` of `smart` technology to preserve men`s image of themselves as `operators`, while supposedly lesser humanoid apes became the operators` puppets. Britney Spears` Red Rose commanding her Thunderbird 3 spaceship doesn`t need a  spacesuit, because she`s `woman`s seed` and her brain doesn`t `blackout` as the ape men`s do.

 NASA`s astronauts were apes who wanted supposedly lesser men to be their `puppets`, which is what the Al Qaeda terrorists were on 9/11. Although puppetry requires strings for the puppets, planes, and other vehicular forms of transport, move along wires, because that`s how lesser men are moved by the puppeteers. Consequently, 9/11 was an attempt by ape men to break their strings and avoid being moved along wires by the puppeteers. In the movie Thunderbirds (2004) there weren`t any strings visible, because real actors were in the role of the Tracey family, but although wires weren`t visible either, logic suggests they were there, because the puppeteers still want to operate the humans behind the scenes. In `Oops! ... I Did It Again`, the Thunderbirds` character Brains appears to be `Misson Control` behind the eyes and, indeed, inside the head, of Britney`s `puppet` spaceman, that is, he`s a male imago, whose directing represents the danger of humans surrendering to the irredeemable parasitoid nature of the devourer symbolized by the giant`s fork suspended above Britney Spears in her white bikini dress.



1 TV Tropes, 'Foot Popping',,php/Main/FootPopping/ .

2 Alba, Alejandro, `Pentagon invites hackers to test its online security, offers incentives if loopholes are found in system`, New York Daily News, Wednesday, March 2, 2016, 1:39 PM, .

3 Bale, Christian as Patrick Bateman, American Psycho, Lions Gate Films, 2000.

4 1 Åhlund, Klas, Christian Karlsson Pontus Winnberg, Britney Spears `Piece Of Me`, Blackout, Jive, 2007.

5 Brothers Grimm Fairytales, 1837, 161.

6 `A day, usually every other year, on which the Comic Relief organisation encourages the public to engage in fundraising for charity`, .


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