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But I Thought the Old Lady Dropped it into the Ocean at the End?

01/01/2012 15:30

But I Thought the Old Lady Dropped it into the Ocean at the End?



Britney Spears Oops I Did It Again is interesting in mythic terms as a science fictional essay. Her cryptic remark about the Old Lady when the astronanut gives her the boxed gift is a reference to the `heart of the ocean`, a jewel which the Old Lady, Rose, drops into the ocean at the site of the salvaging of the Titanic at the end of the movie Titanic. The `unsinkable` ship sank on its maiden voyage in 1912 and Rose, the woman whose heart is betrayed by her ex-lover framing her new boyfriend by placing the `heart` into his pocket and accusing him of stealing what she`d freely given, finds her heart weighing heavily upon her. She remembers her new fiancée drowning as the Titanic sank, while she escaped in a lifeboat, and she lets the jewel fall from her fingers into the deep:


`Well, baby. I went down and got it for you.`



 Britney`s spaceman is a deep sea diver who represents the sea of knowledge. In Egyptian mythology, it`s the heart of Osiris that he brings from the Titanic which, at the ocean`s bottom, denotes the trunk into which the evil Set placed the dismembered pieces of Osiris in the Egyptian myth. In Egyptian mythology, Ammit, the Devourer, is the female deity that weighs the truth of the heart before the owner of it is permitted to make the journey to heaven. The goddess Maat is `truth`, according to the Egyptian mythologem, and she signifies the Word of God as it is conceived to the heart by what Christianity would call the Paraclete or Holy Spirit:


`Maat bound all things together in an indestructible unity.`1



 It`s an `unsinkable` Titanic concept, and that`s why the jewel of the `heart of the ocean` is represented in the dialogue between Britney and her spaceman. Maat`s `feather`, which she wears in her headgear in depictions of her, is placed in the balance along with the heart and, if it is proven false, the Devourer, Ammit, devours it. The heart contains the souls and they cannot enter heaven if they aren`t true. The notion of plurality of souls within the heart relates to the idea that Osiris is incarnated as Ra upon the Earth and so, like the Paraclete of Christianity, is omnipresent because he is multi-egoed as many individual persons and personalities.



 The dismembering of Osiris by the evil Set is a metaphor for the way in which Osiris` original knowledge of his unity with God is corrupted as Man becomes more egotistical and selfish, to the point of murder.  These are the souls that are eaten by Ammit, the Devourer, and they can`t enter heaven because they`re evil. Those with a pure soul make a `perilous journey` to Aaru, which is the heaven guarded by Osiris, and so Britney`s set on Oops I Did It Again is heaven.



 The arrival of Osiris` heart indicates that Osiris` heart is to be weighed by the goddess Maat before he resumes his place as heaven`s guardian. Because it`s 21st century sci fi, Britney`s Osiris would have to accept the teachings of Jesus, and the guidance of the Paraclete, in order to have Resurrection and Redemption in completeness of memory across reincarnations and lifetimes. But some hearts would be evil and they would be devoured by Ammit after being weighed in the balance of Maat, which is her feather against the heart.



 The feather and the heart have to balance before the souls that were Osiris can go on or have to remain in the Duat, which corresponds to `entombment`, but is interpretable as `imprisonment`, because the remaindered can`t ascend to heaven. The Earth remains the place of death and rebirth in ceaseless reincarnations of enslavement and devourment by men as parasitical viral organisms that want to replicate themselves through Woman as the `host womb`.



 As God`s producer and product, Woman`s devoured by men in ceaseless wars against her art, civilization, and culture. In Revelation, she`s the woman that gives birth to the New Redeemer, who protects her with the` scepter`, and she remains `hidden` until she leaves to spread her `seed` amongst the stars. According to Revelation, she defeats the evil `seed` of the serpent there, and God creates a new heaven and Earth for her to dwell in. Because it`s her `seed` that defeats the evil, she`s woman with a penis, and woman has a penis as futanar (, which means that the future of humanity is her.



 Britney suspends her spaceman above her to weigh his heart, and so she is Ammit, the Devourer, and Maat, the truth. In her red suit, she receives the heart of Osiris, and in her white bikini-dress she moves as a feather beneath the suspended spaceman. If the spaceman`s heart is hers, in truth she`ll perceive it. If not, she`ll devour it, and no `memorial`. It`s her memory that`s important because he is physically unimportant because, if his heart is truly hers, he is her. In the Christian tradition, the Paraclete is God`s omnipresent aspect, so Hathor`s time`s memory with Osiris, and if she remembers him, he`s remembered. He is everything that he has seen, so if he has seen everything with her, she`ll remember, and he`ll be remembered as her. What isn`t memorable is what`s evil, and so won`t be recorded; but is `eaten` or erased. Her red disk is to record `the best of` Osiris and, according to the myth, Osiris is `risen` as the `sky god` Horus, who takes the form of an all-seeing `hawk`, which is Osiris` recordable form`s symbol.



Britney runs toward a tree, and somersaults through the air before landing. Her feet firmly planted in front of her spaceman, she receives the `heart of the ocean` that she`s weighed, and it`s a Titanic work of Salvation. The heart of Osiris has been `read`, and she`s determining the worth of the souls that are within it. The spaceman leaves her walking backwards because, in Greek mythology, it`s how Hermes, the protector of travelers, erases the tracks of the evil souls so that they can`t follow him to Horus` heaven.



 Britney`s Hathor on Mars is recording Horus: The Best Of for Christmas. Although she`s in the red `Santa`s suit`, he delivers the Christmas present, which is Horus` because it`s her happiness that`s important, so it`s his Christmas present to himself. When the spaceman leaves, the work is complete. He represents the heart`s fullness, followed by fulfillment, that is, the recording of the work of art, and the emptiness of heart that ensues. It`s a vacuum susceptible to the darkness that has been kept at bay, and which wants to destroy both work and artist.



 Britney`s spaceman`s return to Earth is the Egyptian `Al-Khem`, the alchemical process whereby a work is conceived, produced, edited, and recorded. In Christian terms, the `hand of God` is in the work of the heart`s creativity through the `tutelary guidance` of the Holy Spirit.  Al-Khem is `the black earth` of alchemy, and represents the return to creativity.



 In Egyptian mythology, Hathor is the goddess of music, and Oops I Did It Again represents that creative process whereby the artist constructs a personal psychic shield of protection. Upon completion, the shield is felt to recede or retract, as it were, like a hardened aura, and the work may then be exposed to what the artist has been shielding, that is, the obverse, which is the devouring imago of the destroyer. In reality, that`s criticism, whether from the self or others, and in the 21st century many are paid to destroy as critics. It`s an aspect of men as parasitical viral organisms that feed upon Woman as a `host womb` as replicating enslavers that, ultimately, destroy her. Because she`s God`s producer and product, and that`s how the evil devouring imago of men within the psyche functions:


`The singer, who performed in Los Angeles Monday, is called "entertaining" and "a mess pretty much from start to finish."`2


 In the developmental psychology of Carl Gustav Jung (1875-1961), the heroine is the anima as the soul. Because Woman has a penis of her own, the emergence of the hero, in dreams for example, though traditionally perceived as `normal`, is abnormal because it represents the emergence of that which is antithetical to the developing ego, which is female in terms of species` survival. The hero image is actually the imago of the male destroyer and devourer, which is why Ammit is female. She`s the devourer of male souls that are evil, and that would destroy the creator and the creator`s producer and product, that is, Woman, and so Ammit functions not as a devouring male imago, that is, as a`censor` of the naturally hermaphroditic mind`s sexual impulses, but as Woman`s `editor`.



 Oops I Did It Again represents the creative`s protection through her creator`s knowledge of the process of reproduction. Indeed, one famous `bootleg` album of the 70s was Led Zeppelin`s Destroyer. The role of Ammit is to erase what isn`t deemed worthy of being preserved. Hathor`s disk corresponds to the compact disk of the 21st century. She records the creation, and Ammit, in mythological terms, devours the evil souls. It seems simple, but Gulf Wars I and II (1990-2011) denote Ammit the Devourer`s erasure of evil souls from what is created, and while 9/11 represents the activation of men as the devouring imago, which corresponds to the evil Set, so the antidote, Ammit, is also activated as the devourer of evil souls. Weighed in the balance against the feather of Maat, they`re not recorded, and so can`t enter Horus` Mansion, which in Oops I Did It Again is the heaven that, resurrected and redeemed from `the black earth` of ceaseless creativity and destruction, Osiris returns to – as a part of the mythic cycle`s completion – recorded as Woman with a penis.



 Artists require a period of detachment from their creation, because it loses its value for them once it has received completion and, particularly in an era of mass production, is often deemed intrinsically worthless, because of its `pop` status; for example. In Christian terms, Woman`s work of Resurrection and Redemption is, in terms of mass consumerism, Consumption, whereas the Assumption of the Virgin Mary, by the Catholic church, for example, is a symbol of Woman`s inevitable Ascension to heaven and God.



 In simpler terms, men represent the `black mass` of the imago that wills the devourment of God`s Assumption of Woman, and mass production is a metaphor for the ways in which, trivialized, God`s producer and product, that is, art, civilization and culture, is made to seem worthless, and so is prepared for devourment by the imagos of men. These are not from God, whose image is good. Men are cancers that evilly unmake God`s Assumption of Woman.



 Men`s devouring male imago is constellated within her unconscious self as a false hero` . Dreams of life, without men, are manufactured by the soul. If they are not devoured by images of the male cult of the personality. Images of the local Set, the Devourer, were found everywhere in Libya, after the toppling of Colonel Ghadaffi, and in Iraq after the local Set, Saddam Hussein. The phenomenon isn`t new. In Egypt, Pharaoh Akenhaten implemented monotheism, and rid Egypt of the evil Set, the `false idols`, whereas images of the evil Set, that is, Stalin or Brezhnev, were `images graven` on the psyche in Russia as enablers of devouring egos.



 By means of the `tutelary guidance` of the anima or Paraclete, comes Woman`s Resurrection and Redemption for Man, and she has the Assumption, which means that she`s Man`s `fool`, because she`s `God`s love` and, as God`s omnipresent spirit on the Earth, she tries to give Resurrection and Redemption to Man. Woman`s the fool, or she `plays the fool`. If intelligence is at the mercy of stupidity, it`s either because Woman is fooled by men`s imagos, because she doesn`t believe in God, or she `plays the fool` to enable the devouring imago, so that her `sons` become, or remain, stupified devourers of what others, or even themselves, produce, and that`s what warfare is.



This `psychological type` of a woman without individuational aspiration wants to enable the evil male spirit of the devourer with her children, so that mankind lives soullessly within the`Consumption Society` by facilitating their constellating `false gods` within her children`s psyches, and that`s why she`s described, in Revelation, as the `Great Whore of the Apocalypse`, and `Mother of Abominations`.



 For the type of woman, Woman as a species, with her own penis even, is a `host womb` for the parasitical viral organisms that are men, to produce their own evil imago, as a devourer of Woman as God`s product and producer, that is, art, civilization, and culture. To her, daughters are merely moving images on the Hollywood movie screen, Babylon`s whores, born only to constellate men`s devouring imago of the demons of possession, and keep her species in endless slavery as a producer, whose beauty is her product and, knowingly produced by her, she`s devoured by the evil: because she`s evil too.


Before dismemberment by Set, Osiris was put into a `trunk` and sunk in the Nile river, but it was snagged by the branch of a tree that grew by the water. Britney`s the `branch` of the `family tree` that, `snagging` the spaceman, raises him. She represents Maat as an aspect of the creation`s `indestructible unity`, which protects Osiris.



 In the Egyptian myth, Isis, the sister-wife, is that `branch` which puts the parts together and, fashioning a new penis, because Osiris` penis cannot be recovered, she restores him in the guise of Horus, the `hawk` who, in Christian terms, is the New Redeemer who watches over the birth of the `hidden` Woman - and her penis `fashioned anew`.



 The `hanged man` is a tarot symbol, which means `planning before action`, that is, `suspending judgement`, and Maat, after Osiris` heart is weighed,  decides which of the souls it contains are to make the `perilous journey` to Osiris` heaven.



 Landing in front of her spaceman, Britney has a red disk above her, which is a symbol of the mother goddess Hathor, who`s another `branch` of the `family tree`. In Egyptian mythology, Horus is `housed in her`, and so she`s Horus` Mansion. Hathor`s a `branch` of Osiris` `family tree`, and represents a stage in Osiris` heart`s recovery.



 Britney`s spaceman asks her to take heart, and she is given it. It`s symbolic of the `purple heart`, a medal for those wounded in battle in the USA. In some ways, Oops I Did It Again memorializes Gulf War I (1990-1). It`s set in a huge rib cage, symbolic of the evil Set, who`s heart has been devoured by Ammit. It`s Britney`s tribute to the victorious alliance of Arab, and other nations.



 In her red suit and white bikini-dress, Britney`s Rose, red, and Rose, white. Her allusion is to the story recorded in Hans Christian Andersen`s tale of Rose Red and Rose White in which a `little man` is eaten by a bear because he`s evil to women. The bear is Ammit, in terms of the video`s meaning, and so Britney`s `rib cage` is interpretable as Rose`s bear`s claws - and even its teeth.



 Oops I Did It Again is symbolic of the `hidden` woman of Revelation who, protected by the New Redeemer, isn`t devoured by the red dragon. Preceded by the woman of Revelation, who gives birth to the New Redeemer in the teeth of the red dragon, she knows she has teeth and claws of her own. It`s a retroactive faith myth. If she`s won, she`ll win. And the Bible says she has. Otherwise, the evil will give the baby to the baby eater, and the woman to those with AIDS. In Revelation, the red dragon waits, in vain, to devour Woman and her child, the New Redeemer, and God sends a more comprehensive plague to underline the `spirit` in God`s Word:


`His kingdom was plunged into darkness. Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.`



AIDS is reified in the Bible as monkeys undeveloping Man. It`s the ape of God`s fulfillment as the devouring imago of men, and the baby eaters have the baby:


`God lost. In this game. Oh baby!`





Britney`s Woman

01/01/2012 15:26

Britney`s Woman


Oops I Did It Again is Britney Spears `Lamaze clock` in which she appears as the Woman of Revelation `clothed with the sun and with the moon at her feet` that gives birth while the red dragon waits to devour the New Redeemer. The spaceman who arrives is suspended over her as a pendulum by the `clock mechanism`, which is represented by Britney in a white bikini dress lying on top of a beach parasol. She`s surrounded by the sands of Mars as the `hourglass figure` who, atop the eight points of her white beach umbrella`s `star`, signifies a day that has three Earth hours for each Martian unit of time.



 Britney raises her spaceman symbolically, as her child, and he hangs suspended like the pendulum of a clock. Descending, he appears like a `crane grab` in an amusement arcade machine. It`s an allusion to the role of the Mars Lander, which was a robot placed on Mars by NASA as a prelude to a manned space mission to the red planet. Britney`s spaceman brings her a gift, to which she responds:


`But I thought the old lady dropped it into the ocean in the end?`



 It`s a reference to the `heart of the ocean`, which is the jewel dropped into the sea at the scene of the salvaging of the Titanic at the end of the 1997 movie when Rose`s finished reminiscing about the death of her lover by drowning, and their betrayal by her ex fiancée who framed her new beau for stealing the `heart of the ocean` jewel; in psycho-emotive terms because her new lover had `framed` Rose by painting her nude. Rose relinquishes her hold on the jeweled heart because it`s a symbol of lost love and betrayal, and the spaceman gives it to Britney Spears after he`s functioned as a `crane grab`, that is, he descends from where he`s suspended on a chain by her as a `grab`.



 The suspended spaceman is a pendulum and so a metaphor for time. In Edgar Allen Poe`s The Pit and the Pendulum the hero finds a way of entering the castle to rescue his wife from her torturer. Imprisoned, Maria has made a friend, Esmerelda, and so Britney`s secondary allusion is to Esmerelda and Quasimodo from The Hunchback of Notredame by Victor Hugo. Because of her spaceman`s bulky backpack. In `98% oxygen` Britney doesn`t have a spacesuit, so the spaceman is her handicapped `hunchback` listening to the `hunches` of `Mission Control`:


`Well I went down [into the ocean] and got it for you baby.`



 Because her spaceman descended into the ocean depths to bring Britney the `heart of the ocean`, the girl from Mississippi in the Southern States of the USA is the diver`s `belle`. In The Hunchback of Notredame Quasimodo is deaf because of the unbearable sound of the bells he`s employed to ring: He gives Victor Hugo`s Esmerelda sanctuary at the church after she`s sentenced to death by torture and hanging. Having attempted to murder her lover, because of jealousy, the attempted murderer had accused her. He betrays her even at the sanctuary Quasimodo has given her and she`s hung. In The Pit and the Pendulum the hero fails in his attempt to rescue Maria and is subject to the torturer`s device, `the pit and the pendulum`:


`The victim was first secured to a wooden bench with ropes so that it was impossible for him to move. Above the victim was a crescent-shaped blade which would begin swinging to and from. Gradually the bar to which the blade was attached would be lowered bringing it closer and closer to the victim's abdomen. It would usually be at this point that the victim would confess. If no confession was made, the blade would continue to lower until it began cutting through the victim's torso. Eventually, the victim would be cleaved in two.`1



 Raised by her red suited self above herself in a white bikini dress, Britney`s spaceman represents the pendulum, and below she`s the `victim`. Beside the spacehelmet of the astronaut are the tines of a giant`s fork and, because Britney descends into the `bear pit` of her stage set inside a giant`s ring, the tormentor is a an ogre. In The Pit and the Pendulum the crucial factor is time and Britney is waiting for her spaceman to `grab` her. It`s a suspense thriller because she`s not making a pornographic video, which means it`s a horror film because the sex is anticipated but can`t develop. Britney`s observing that movies without sex are horror, and so `mainstream Hollywood` is a `horror factory` and not a `dream factory`.



 In Revelation the `red dragon` waits in vain to devour the `New Redeemer` to whom the `woman clothed with the sun and with the moon at her feet` gives birth. In Oops I Did It Again Britney`s observing that anything which devours is a `red dragon`. Anticipated but unrealized sex is a devouring of time and life that the film industry promulgates. Unfulfilled anticipation may be `read` as a `drag on` time, which is a devouring of lives that results in suicidal depression. The suspense genre is a devourer because it denotes unrelaized anticipation. Britney`s suspended spaceman is a `cliffhanger` because he has multiple meanings attached to him. In her red suit Britney`s the devouring `red dragon` because discovering her meaning is time consuming, that is, relations between the work`s interpreter and the artist is that of devourers.



 In the psychology of Carl Gustav Jung (1875-1961), the `woman clothed with the sun and with the moon at her feet` is a symbol of the feminine ego, which is luna, because woman`s consciousness is closer to what Jung describes as the `unconscious` that contains psychological contents often represented as scintillae or `stars` of knowledge. Men`s consciousness is depicted as sun-like, because moon and stars disappear when the sun is in the sky, that is, men aren`t concerned with knowledge or wisdom, whereas women are.



 The red dragon of Revelation seeks to devour the woman with the stars about her as she gives birth to the New Redeemer, because that`s men`s mode. In Revelation, woman is `hidden` on the Earth until she leaves for heaven and war with the serpent`s `seed` that follow her there, and she wins. In other words, God`s heaven isn`t safe from men, because they`re devourers. Woman is God`s producer and product on Earth, that is, art, civilization and culture, and she`s devoured by men in warfare. If they were in God`s heaven, they`d devour; whether it were warfare or not: because that`s their nature.



 For men, the sun is a symbol of darkness, not a symbol of life. The corn grows and woman makes bread. Men eat it. Ceaseless reincarnations of death and rebirth ensue, and the fertilized become fertilizer for the corn. It`s the myth of Osiris, in ancient Egypt, where the corn god is risen each spring, and the corn is harvested at the end of the growing season.



 Jesus Resurrection and Ascension was a new concept, based on the notion of completeness of memory from Advent to Ascension, which suggested that there was Redemption from reincarnation, death and rebirth, that is, from endless repetitions of what had been achieved before in previous incarnations by the same individuals. Because men`s egos are like the sun, they paradoxically represent the desire for an absence of light or knowledge and wisdom, and the desire to live in darkness, which is why the night sky and woman is attractive.  There is more there for them to devour.



 Woman as a species with her own penis, which is what she is as futanar ( ), is the signifier that tells us why God hides the woman of Revelation prior to her leaving to sow her own seed amongst the stars. Men are her enslavers and devourers. They`re a parasitical viral organism that wants her to exist as a host womb through which they can continue to keep her in unconscious production as devourers of the New Redemption, which is Resurrection in completenenss of memory across reincarnations, and escape to the new heaven and Earth that God promises after Jesus has slain the evil, according to the Bible, and so men receive eternal unendurable pain for their enslaving and devouring of Woman.



 Jesus advocates Redemption, but he has Ascension, which means that, for Jesus, Resurrection and Ascension are different to Redemption, Resurrection and Ascension, which is what the Bible promises. Acceptance of Jesus` teachings and the tutelary guidance of the Paraclete, which effectively emerges from the side of Jesus after he`s pierced by the spear of Longinus upon his death after the crucifixion, is necessary for Redemption.



 Because Jesus is the `Second Adam`, the Paraclete is the `Second Eve`. In other words, Redemption is primarily for Woman, because she`ll have Resurrection in completeness of memory across reincarnations, whereas men`s egos are irredemptive devourers of her moon and stars, as symbolized by the Woman of Revelation who, with the moon at her feet that is, her own luna consciousness at her command, and `clothed with the sun`, that is, wearing the clothing of her own maleness signified by her own penis, is crowned with stars while the red dragon waits to devour the New Redemption she bears.



 Britney`s Lamaze clock is an eight period timepiece of three Earth hours for each period, because there are also roughly twenty-fours in each Martian day too. It`s a birth clock because, as the Woman of Revelation, she`s sun (male), moon (female) and, in addition, in the third hour of each Martian period, she`s birthing what the New Redeemer represents, that is, her own species as futanar.



 The devourer is the homosexual element in the parasitical viral organism that is men`s enslaving and devouring of a species, Woman, that isn`t actually significant in terms of her sexual desirability. Having sown the seeds of their future reincarnations, deaths and rebirths, in their sons, and their future as enslavers of women as host wombs for their devouring nature, homosexuality is revealed for what it is. Just as Britney`s three period Martian timepiece signifies the redemptive trinity of Christianity, so homosexuality signifies the unholy spirit of evil that is men`s trinity of enslavement, devourment and possession.



 The metaphor is what divers call `the bends`. Britney`s spaceman tells her how he got the `heart of the ocean`: `Well, I went down and got it for you baby.` She replies: `Oh, you shouldn`t have.` Later she titled an album Blackout, which also alludes to the problem of `the bends`, which is what the X-plane series of pre-astronaut pilots experienced when they were testing planes to `fly to the moon`. It was a programme that was cancelled because of `the bends`, which caused the pilots to blackout in pain, as divers do when they`re coming up from the ocean depths, with jeweled hearts, for example.



 `The bends` are a metaphor that may be extended to psychological contents, as scintillae or `stars`, which exist as readily available knowledge in the cosmos of a woman`s consciousness, but which `the bends` would deny her; a denial which appears symptomatically as `blackouts`. On Britney`s Mars, her spaceman observes that there`s `98% oxygen`, which means that, if he removes his space helmet for longer than sixty seconds or so, he`ll blackout because of `the bends`.



 The X-plane series of planned flight to Mars was cancelled because of `the bends`, and Britney`s drawing the analogy between men as possession and the space programme`s cancelling, that is, on Mars without a spacesuit, she doesn`t have `the bends`, which means that she isn`t possessed by the demon that beset the development of NASA`s space programme that, in Revelation, is defined as the homosexual beasts that are a plague upon the Earth as active parasitical viral organisms that are devouring her as murderers; or, in other words, Britney`s album Blackout means `killer`, and she wants to know who the murderer is.



 The main song from Britney`s Blackout was Piece of Me, which is a reference to her psychological deintegrates. `The bends` would make her unconscious of her scintillae, or psychologems that represent her knowledge as Woman which, in Christian terms, is translated into Redemption, that is, Resurrection and Ascension in completeness of memory across reincarnations. Britney alludes to Buddhist karma, which is the concept of reincarnation without Redemption, and is death and rebirth in unconsciousness, which is what blackouts are:


`I'm Miss Bad Media Karma, another day, another drama
Guess I can't see the harm in workin' and being a mama
And with a kid on my arm, I'm still an exceptional earner
You want a piece of me?`



 She observes that the media see her as their `bad karma`, which is work done as atonement for sins committed in previous lives or incarnations. However, as a working mother, she`s symbolic of New Redemption, while the media are an aspect of the red dragon of Revelation that lies in wait to devour her child, which observation was borne out when she effectively lost custody of her children because Sean lost his hat in a press melée of flashbulbs and jostling that, in some ways, is reminiscent of the way Princess Diana lost her battle for life with her children when the paparazzi caused her car to crash in the Pont D`Alma tunnel in Paris.



 Britney was labeled a `bad mother` because of a brief loss of control over her son`s hat, a temporary `blackout` caused by press attention that is described by the paparazzi themselves as a `shooting`. By extrapolation, being shot is what causes a `blackout`, and so unconsciousness is the result of an individual`s being murdered by those who don`t want that individual to be conscious, and so prevent that individual from experiencing that Resurrection in completeness of memory across lifetimes that Jesus Christ said was the natural inheritance of the innocent, and the prize for those who adapt to his teachings and want the tutelary guidance of the Paraclete, the `Second Eve`, is the path to God and heaven.



 The Catholic church announced the Assumption of the Virgin Mary in 1950, which signified the understanding that Woman is assumed by God and the church to belong in heaven if she has Redemption and Resurrection, but the concept of `the bends` indicates the demon of possession, which is men`s homosexual desire to enslave and devour those who would attempt to develop to the point at which they achieve `escape velocity`.



 Britney`s Mars is a weather clock and she`s a `weather woman`, which is a name the CIA give to those who observe changing conditions and advise as to the appropriate course of action. There are two of her, one red and one white. The woman that comes out in the sunshine, and the figure that warns of rain. Usually, the clock`s figures are a man and a woman, but here Britney`s weatherwoman is to warn herself of forthcoming events. She`s hypothesizing upon the reign of the beast of Revelation, and the Second Coming of Christ as the New Redeemer, who`s the solar archetype that heralds the dawn of the New Era and inauguration of God`s new heaven and Earth for Woman as a species to dwell in forever.



 Britney appears as `Major Red` in Oops I Did It Again, or rather `majorette` who, in charge of her band, must have a baton, which is one of the four suits in the tarot that, according to tradition, is a portable Torah or book of the law of Judaism that was saved from the burning of the library at Alexandria when the Romans sacked the city during their conquest of Egypt in 30 BC:


`And God said 'Let there be Light!' and there was Light.`  (Gen: 1.3)



The magician is he who can will into being by thought. At one point Britney throws herself in a twirling arc to land at the feet of her spaceman. She`s the magician`s baton, for he who has her is her Creator: `I played with your heart. Got lost in the game.` The heart of the tarot is the cup, which is the Holy Grail as the bowl from which Christ drank at the Last Supper, and which is symbolized by Britney`s descent `from above` inside a giant superbowl ring, a symbol of the Last Supper bowl, which is the Holy Grail or Krater, that is, the crucible of the magician`s creativity. Britney appears as a `bride of Christ` who believes in the `bread and the wine` as the `body and blood` of Jesus` `magical` Redemption, which is transubstantiation in the Catholic Mass, and in Oops I Did It Again is symbolized by herself as the red suited wine of Redemption and the white bikini-dressed body of Salvation.



 When the spaceman arrives on mars, he`s asked by Mission control to report and he discovers an icon of Britney in the sand: `Whoah there horsey!` he says. The magician is associated with Hermes, the messenger of the gods in Roman mythology, and he has the staff of healing, which is often used as a symbol by the medical profession and the pharmaceutical industry.



 The symbolism is also found in Tantric yoga from the Indian subcontinent in which the twin serpents entwined about a central column represent the male and female energies as they ascend up the `chakra ladder` of energy centres in a series of mental and spiritual interactions that are of value in raising the body to a higher level of actuality and, according to the mystics, confer immortality upon the disciple. Between Britney and her spaceman, as she lands upon her feet before him after twirling herself through the air as her majorette`s baton, is a symbol of the Egyptian mother goddess Hathor, a red disk that, as Britney`s on Mars, must be symbolic of she whose name means `Mansion of Horus`, and then the spaceman`s cry of surprise is interpretable as: `Woe, there! Horus, See!` A `See` is a seat of authority, and so Britney`s Mars is the `See of Horus` to which the spaceman is bringing `woe`. Her weatherwoman has to recognize the signs and act.



 The eye of Horus is represented as a figure with 6 parts, which correspond to the six senses - Touch, Taste, Hearing, Thought, Sight, and Smell. In some ways they correspond to the four functions of Jungian developmental psychology, which are `Sensation`, `Thinking`, `Feeling` and `Intuition` and are associated, respectively, with eye, ear, mouth and nose. Horus` eye is a receptor in which the parts `eat` in order to `sense`.


These are the parts of the eye of Horus and their energy values:


1/64 Touch 1/32 Taste 1/16 Hearing 1/8 Thought 1/4 Sight 1/2 Smell



 In the system, `ro` is a single bite and is equal to 5 energy units. The eating of 320 energy units is required in order to experience the fullness of `touch`, and so on. The touch symbol is a planting; as Britney plants herself in front of her spaceman to ask if he`s going to touch her. Taste is the grown food we put into our mouth, so it denotes kissing. Different tastes come from shapes such as an apple, so touch is fundamental, and so her shape is fundamental. When we hear, it`s pleasing or not; `tasteful` or `distasteful`, therefore her singing is desirable. Thought is an audible `sound wave` formulated subvoce, and symbolized in the New Testament by the sword that comes out of the mouth of Jesus as the Word of the Holy Spirit, as taught by her guiding inner light as the anima or soul, which mediates the life of the imagination or soul, and so the lyrics are suitable to the `taste` because, as the psychologists might say, they`re interpretable in terms of what the libido is able to perceive, and so they`re developing, which is what archetypal material is for. Sight, represented by the pupil, is aesthetic `taste` for what pleases us when we look, but it`s educative because what we think is pleasing may not be. That`s why the male devouring imago is able to convince women that `plague aims` of degradation in BDSM are `beautiful`, whereas they`re homosexual marriage, betrayal, torture, and death, which is Jesus` experience of discipleship, and why God destroyed Sodom and Gomorrah, because it was how men `play games`, and God warned them there. Smell is our appreciation of what we are tasting. It evaluates what it consumes, and so we`re not `baby eaters`, which is the difference between a woman who has the archetype of the heroine within her mind, and why the dragon of Revelation is depicted as waiting to devour the New Redeemer. Because the hero and the dragon are the same imago. They`re the devourer of the Woman, who is God`s producer and product, that is, a woman in Libya whose home is destroyed, because Barack Obama and James Cameron see her country as a dragon and themselves as knights in shining armour, doesn`t see them as anything but evil devourers of herself and her daughter. The eye of Horus` 6 parts has energy values  in terms of wisdom, which is not that of the devourer, who would be Set, the imago of evil.



The hand of Fatima, in Islam, is a protection against the `evil eye`, and is identifiable as `the hand of Miriam` in Judaism, because Miriam was the character from the Bible who mysteriously recovered form leprosy, and so `the hand of Miriam` is an evocative symbol functioning as an apotropaic (magical remedy) against disease, which men as parasitical viral organisms that enslave and devour Woman`s product, that is, art, culture, civilization, and her mental and psychological equipment, represent:


Miriam was stricken with snow-white scales. ... (Num: 11. 35)



She`s a prophet, but criticizes Moses` marriage to a woman of Cush, that is, a black woman, and subsequently Miriam becomes `snow white`. A black woman is a woman as any other, and God tells Miriam that, when God is speaking with Moses, God is speaking directly, whereas Miriam is divinating God`s intentions and that`s the reason for her becoming `snow white` and leprous, because Moses married a woman of Cush and God was not consulting Miriam.


In Oops I Did It Again Britney appears as the `thumb` inside her giant`s ring, and so represents Horus, because the thumb of the hand of Miriam, and Mary in Christianity, corresponds to the `hand of Horus` in Egyptian iconography, where there are only two digits. Consequently, the Britney who descends in the giant`s ring is the `thumb` and the Britney who reclines under the camera eye of the spaceman while her `thumb` works is a `finger`. To grasp anything, including meaning, finger and thumb are needed. The viewer observes the interactions of Britney`s finger and thumb and learns:


`Horus was told by his mother, Isis, to protect the people of Egypt from Set, the god of the desert, who had killed his father Osiris. Set is depicted as trying to prove his dominance by seducing Horus and then having intercourse with him. However, Horus places his hand between his thighs and catches Set's semen then subsequently throws it in the river, so that he may not be said to have been inseminated by Set.`2



The `red dragon` of Revelation is associated with the `blood plague`, which is identifiable as HIV/AIDS. Ancient Greek society was founded on the enslavement of women as host wombs by homosexual pederasts, and war was the means by which they spread their contagion. At Troy they employed the device of the hollow wooden horse which the Trojans accepted as a gift and the Greeks emerged to take the city and enslave the wombs of the women for homosexual pederasty. HIV/AIDS was the virus` 20th century continuation of biological warfare against women`s wombs by the `red dragon` of homosexual pederasty`s devouring `blood plague` of war and pestilence.



The 21st century began with 9/11 and the Greek horses of the terrorist planes crashing into New York`s Twin Towers to spread the contagion further. In short, homosexual pederasty is the `red dragon`, and the solution is woman as a species with her own penis, which is why Britney is clearly delineated in Oops I Did It Again as two different characters. The Twin Towers were selected as a symbolic target because two women are needed to reproduce without a man and the `red dragon` of homosexual pederasty wanted to maintain its grip.



The thumb and finger of the Egyptian Horus represent mental development through `Feeling`, which is why the finger is against the lips and the thumb is beside the head. In the developmental psychology of Carl  Jung the `Feeling` function is associated with the mouth while the eyes, nose, and ear are associated with `Sensation`, Intuition` and `Thinking` respectively. Horus` finger and thumb denote thought `Feeling` as a basis for development. Because Horus is male development is retarded. Women as a species are the future and Horus` `Feeling` and `Thinking` functions need to develop before his `Intuition` is sufficiently differentiated for him to be able to perceive (`Sensation`) the wisdom of it. However, his instincts are sufficiently awakened for him to deny Set as ancient Egypt`s equivalent of the `red dragon` of devouring homosexual pederasty and HIV/AIDS.



In biblical terms, Jesus is of the hand of Mary and corresponds to Horus in mythological terms, because of his preaching of `Feeling` as a basis for human development, which is why the `heart of the ocean` is the symbolic metaphor in Britney`s Oops I Did It Again, where there is a heart and three individuals. In her red `man`s suit` and white bikini dress Britney represents woman as a species with her own penis in potentiam, whereas her spaceman needs a heart if he`s to receive Redemption because he`d have to accept woman as a species if he were to live in heaven with her. Psychologically the penis desires woman and so a man doesn`t see what he wants in the mirror. Only a woman with a penis of her own can see what she wants in the mirror, which means that her penis desires her own species. She would only desire a man if she had the valence of the `red dragon` of devouring homosexual pederasty possessing her, which is anal and contagious so God destroyed Sodom and Gomorrah (Gen 16, 19) as an initial attempt at preventing the spread of the `blood plague` of war and HIV/AIDS as a method of enslaving women`s wombs and devouring her Earth.



The Egyptian symbolism of the eye of Horus is that beauty is an ascending ladder, and if what we see is evil, then either it means that we need to see more beauty, that is, the woman with a penis of her own in the mirror, or we are being kept from what is beautiful, which is the visible signs of her in `reality`. Or we don`t want her, which is evil, and the reason why we are being kept from her. Because evil people want to devour her and her beauty, and keep us in blind ignorance of what they do. The problem is that, the less beauty people see, the more likely they are to be full of hate, because they were kept from it. That`s why Miriam`s rejection of the Cushite woman is punished by God, because Woman is `God`s love` whatever her appearance. Jesus` mother is an archetype of female beauty and love from the `heart of the ocean` of the collective unconscious of humankind, which according to Jung contains the developmental impulses of the human psyche. Because the Virgin Mary reproduced without a man, Jesus represents man`s last chance at Redemption before, as it is written in Revelation, the `hidden` woman of the Earth leaves for the stars to sow her own seed in heaven because she has her own penis and has no need of a man.



 Games` systems are evil, because they posit devourment, in games like Pac Man or Space Invaders, which explains men`s `plague aims` of devouring and degradation as `the programme`. God`s punishment of leprosy upon Miriam, and God`s healing again of her, is God directing of Woman, and isn`t men`s `play games` of bio-degradation. If Woman, as a species, represents beauty, then the devouring programmers` game is life as a `snuff movie`. The Eye of Horus is then a symbol of what is beautiful, and those who want to snuff out women`s lives grade her beauty in accordance with the values that are given to the parts of the eye of Horus in Egyptian mythology. In the games` system of the `red dragon` of homosexual pederast 320 units of energy, that is, the snuffing out of a woman`s beauty, would have to be achieved before the evil were able to touch `first base` with Britney, for example. However, if you`d consumed 320 units of Britney` beauty to touch her, you`d be blind. Because you`d have consumed her beauty, and that`s why the eye of Set is evil. You`d never get to see her because you`d never get past `first base`.



 In baseball `slang`, first base is `kissing`, which is Earth, and `second base` is the moon, which is Woman`s breasts, that is, the signs of her ability to nurture and develop, so Britney`s singing on Mars is her `oral sex`. The `Grand Slam` explains the `Set` metaphor as `game, set`, and why she uses the `heart` symbolism: because it`s `love, game, and Set` in which a `Home Run` is intercourse, but not fulfillment, which would be sex without men. Woman, as a species, would want a non-penetrative penis. That`s why Oops I Did It Again is couched as science fiction. The concept of Woman, as an immortal species, presupposes virgina intacta, because men are her virus.



 Woman`s penis wouldn`t produce ejaculate in heaven and God, save as an internalized system, which is what much Buddhist thought is concerned with. The idea that semen is `food for thought`, that is, for the brain, and not for Woman`s ova. When Eve gave Adam the apple in Eden, she`d tasted the `fruit of the knowledge of the tree of good and evil`, which is wisdom. Adam`s only a muncher because he`s accepted a father imago in the serpent, which is the devourer of the image of God in the brain. This is why Woman`s system is exclusive and, as the Virgin Mary illustrated in her acceptance of Jesus as the `Perfect Man` from God, the hand of Mary is the `hand of God`, because she doesn`t want a devouring father imago for Jesus, but Woman as a species.



 9/11 was `play games`, and a `cheat` with `planes, civil`, where the Twin Towers are Microsoft X-boxes in the teachings of 21st century viruses. In other words, men are marriage, plague, treachery, and death. Saddam Hussein was given the 3rd largest army in the world by the USA, and the USA applied `rules of engagement` in his dethronement. Because it`s `war games`. In England anyone can be beaten up in the street and, contrary to public belief, there`s no law against it. It`s a homosexual system of big, and bigger, bullies. If the USA had wanted to stop Saddam they wouldn`t have become `engaged`. It`s a metaphor for the devouring imago of the `dad`. George Bush Snr. won when he ordered A10 anti-virus tank busters to remove Saddam from Kuwait, and George W. Bush lost when he declared war on Iraq rather than on the Taliban in Afghanistan, because he wanted to be a bigger bully, which is what he saw his `dad` as – target Bighdad  – because the Taliban weren`t so `security simple`.



 In Revelation, `the number of the beast is the number of a man and his number is six hundred three score and six`, or six repeated as 666, that is, a man is a devourer of what he sees, and so is a beast. In terms of Jungian psychology, sight or `Sensation` is, paradoxically, the least of the psychological functions because it is the devouring eye, whereas `Intuition` is the most important because it signifies the evaluative function, and is associated with the symbol of the spear of Longinus, in Christian symbolism, from which piercing of the side of Christ effectively emerged the `tutelary guidance` of the Paraclete as `Second Eve`, and so Britney Spears signifies God`s omnipresent Holy Spirit, and so the  omniscient aspect of God`s omnipotence.



 To the evil, `God`s spirit` is a spy, and so `blackouts` or incompleteness of memory in an individual are the result of murder, or the devouring of consciousness which, in ancient Egyptian mythology, is represented by the figure of Osiris dismembered by the evil Set. It`s a simple myth which recognizes that a group of individuals living peacefully are in truth of one mind and body, which is why the sun god Ra is depicted as incarnating upon Earth in the person of Osiris. Any lessening of oneness is perceived as a loss of collective consciousness, and is most simply understood as murder by a person or persons represented by Set in the Egyptian myth.



Osiris is remembered, or Resurrected in completeness of memory, by Isis, who fashions a new member or penis for him, so that she re-members him as the sky god Horus who, watching over the Earth in symbolic hawk form, corresponds to the New Redeemer of Christian Revelation who protects the `hidden` woman with his scepter before she leaves.



 In Graeco-Roman mythology the figure of Iris is the rainbow goddess, and in medicine the iris is the coloured part of the eye, whereas the rainbow is a symbol of God`s promise of Redemption and Resurrection in the Bible. D.H. Lawrence, in his novel The Rainbow, observes that it`s the bridge between lovers, and so there`s an aspect of sustenance and growth attached to the concept of love through the Holy Spirit, which explains Jesus` `bread and wine` as his  `body and blood` at the Last Supper, and Britney`s motif of the Superbowl as she descends inside her giant`s ring. It`s her Holy Grail. The wedding of Christ with his bride, Redemption and Resurrection.



 The devouring red dragon of Revelation is a `black mass` of Consumption and men as a parasitical viral organism that represents the `plague aims` of their system, which is the `bread and circuses` of their cancerous devourments as they `play games` of bio-degradation upon Woman as God`s enslaved producer, and destroy her Creator`s productions in art, civilization and culture by means of devouring warfare against her.



 In spy circles, the `circus` is murder as devourment, so the `plague aims` of the circus is to `play games` with `performers` such as Britney Spears, and keep her in unconsciousness by playing the evil Set to her Horus and make her `perform` in ceaseless cycles of reincarnations of death and rebirth in which she`s doomed to repeat fragments of her achievements for her torturers` entertainments.



 The `circus` is the abandonment of God for coercion. It`s the acceptance of karma as an eternal circus of entertainments in which the role of others is to supply you with pleasures akin to the torments of animals in the Roman amphitheatres where a raised thumb meant that the gladiatorial combatant might live, while a downturned thumb was a sign of displeasure and disapproval of the entertainer and, usually, meant decapitation. Inside her giant`s ring in Oops I Did It Again Britney is a raised thumb descending to her amphitheatre in Roman style, and so her gladiator spaceman faces her decision and is turned down by her `thumb`. He may`ve brought her the `heart of the ocean`, but he hasn`t yet done enough to win her `thumb ring`:


`You see my problem is this.

I`m dreaming away,

wishing that heroes,

they truly agree.

I cry watching the days.

You see I`m a fool,

In so many ways.

But to lose all my senses;

That`s so typically me.




 Heroes aren`t to her `taste`. In psychology, dreams contain what have usually been thought of as heroic male archetypes that represent the ego, but if men are concerned with keeping Woman blind and unconscious so that they can maintain her enslavement and devour her in warfare and `play games` in degrading her, the hero archetype isn`t agreeable to her. In Jung`s theory of psychological types, there are types of personality that correspond to each of the four functions of consciousness, that is `Sensation`, `Thinking`, `Feeling` and `Intuition`. Britney says that it`s her type`s characteristic to lose all her senses, which suggests that Oops I Did It Again is actually about the `eye` and it`s devouring aspect, because the eye of Horus is the eye of Hathor, who she represents here as the mother goddess.



 The jeweled `heart of the ocean`, that is, `Feeling`, corresponds to Britney`s power to attract her spaceman. But it`s a `game`, because she knows in her heart that men are an alien parasitical viral organism that wants to enslave and devour her as a `plague` within the `Mansion of Horus`, of which the red disk between her and her spaceman is a symbol.



 In the Egyptian myth, Horus lives inside Hathor, which signifies the relationship between them as one of child to mother, but in the mythologem Horus` parts are remembered by Isis, who`s the sister-wife, which means that Horus, the sky god inside Hathor, is her male aspect, and so she corresponds to the Woman with a penis that is `hidden` in Revelation until she leaves for the final battle between her `seed` and that of the serpent`s, who is the evil grouping or `Set` of the Antichrist, writ large as the enemies of God upon the Earth and in heaven.



 Britney is waiting to be born, which is what the Woman of Revelation represents in simplified language; Woman`s `birth`. She`s Horus living inside her mother, Hathor, and she`s waiting for the heroines who agree with her `taste`. First she`ll declare herself as bisexual on Earth in order to experience the pleasures of women, and then she`ll be reborn in completeness of memory, Resurrected in Redemption with all of her male and female parts in one from previous incarnation upon the Earth, and which is symbolized by the Paraclete`s relations with man and woman as `God`s spirit` there. As Woman with a penis she`ll be `normal` because she`ll be a species, and she`ll continue loving women but not men, because they don`t agree with her. They want to keep her in unconsciousness, blind repetition of a fragmentary awareness of what she has been, and ceaseless reincarnation of death and rebirth for their entertainment as enslaving and devouring circus `trainers`. In Oops I Did It Again she observes:


`I`m not that innocent!`



 Descending in her giant`s ring holding a hoop, she indicates that she`s ready to put others through training for her `circus`, and isn`t going to be put through the hoop by them. The circus is for blinding people and maintaining them as unconscious performers of fragments of their previous selves for the torturers` gratification. Moreover, it`s about `the bends` for those who descend into the `heart of the ocean` of the archetypes of the collective unconscious in quest of developmental inspiration, because the demons of possession are the murderers of that shared collective consciousness which, ideally, constitutes Christian fellowship, and so the `bends` of demonic possessors murder the inspired individual who has brought light from the depths of the unconscious in order to `dumb down` what is struggling for the light, by eliminating bright individuals like Jesus that could have shown them the path to God and individual growth within a group.



 The difficulty is that Woman`s shared consciousness is with other women, and men`s egos aren`t bringers of sun-like illuminations,  but atomic bomb-style devourers of her `moon and stars` consciousness. Britney`s Mars is the construction of her planetary consciousness, as Venus on Mars. She doesn`t want to be devoured by the god of warfare as `food`, and that`s why she`s Hathor, as the eye of Horus which symbolizes the eye as a an `absorber of energy` system that is both male and female, but not that of a man. In simple terms, heroes in dreams and elsewhere are `Trojan` viruses that psychologists have interpreted as archetypes but in fact they`re mind killers because men are parasitical viral organisms, and that`s their `plague aims` system of bio-degradation for Woman as a species:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores but they refused to repent of what they had done.` (Rev: 16. 17)



 In Revelation God`s seven plagues are actually virus-busters sent to punish men for how they `play games` of homosexual degradation with women and how, as viral parsitical organisms that want to replicate themselves within the host wombs of women, they`re diseases that correspond to STDs and, as the false hero in dreams, are killers of the developmental faculties and functions of that completeness of memory across the generations that, in Sophocles` Oedipus Rex, for example, is depicted as Oedipus` blindness to the fact that the father he kills is himself and the mother he marries is his own wife because he was his father. In dream terms, sex with your Woman, whether ego-anima archetypal, or based on memories of the past, is normal because Woman has a penis, and she`s recognizably Woman because of her features, and she`s nurturing, and so developmental because of her breasts and vagina, whereas the appearance of men in dreams signifies the emergence of her killer or the killer`s imago as the deconstructor of a Woman`s ego into that of a self-devourer. Because the ego-anima archetype is ancient, only she would appear in dreams, as a communicator between the `Self` and God, and she would have much to communicate for those who had accepted her as the Holy Spirit, that is, the tutelary guide who, in completeness of memory across reincarnations, would be God and heaven for her Woman.



 Redemption and Resurrection is difficult for Man, because men are killers, but are taught that they want to appear as a `hero` by the devouring imagos that are their fathers, whereas the archetypal heroine is Jesus, because he preaches `God`s love`, which is the love of the virgin who has never used her own penis, because it`s only for emergencies, as she`s immortal according to the Catholic church`s Assumption, and men don`t want her to emerge, which is why Arabian women wear the abiyah and nuns are Catholic, and women don`t live long because the `hero` imago kills them.



 The real issue is consanguinity, as Jesus understood. The red dragon of Revelation is a father who wants to devour its son, and is closest in consanguinity, so is nominated, as it were, by the other beasts that are men, to fake the role of the heroine, as the male role model, and take over the nascent mind of the developing adult by having them think of them as a heroic model while, in real terms, they seek to devour their minds and live inside of them as parasitical viral forms that constitute the false ego of possession by demonic evil spirits that are `the bends` that force the individual they torture to struggle up painfully from the ocean depths to the sands of Mars, or from the depths of the oceans like pearl divers of the psychology of the unconscious to scale the heights of developed conscious awareness and individual genius to create the technology that put Britney Spears on Mars, or gave them the insight to develop Jungian depth psychology.



 Men as the devourers of their children`s minds and souls are murderers of the ego-consciousness that would be the heroine of the totality of the personality that enthrones Woman as a species at the crown of God`s creation, where she functions as what Jung calls the anima as mediator of the divine archetypes that are those psychological contents of the unconscious that contain God`s knowledge and wisdom, the key to which is the anima, or soul that Jesus calls the Paraclete, or Holy Spirit as `Second Eve`.



 Women who believe in the male ego as hero are already partly devoured. It`s how they keep Woman in enslavement and as food to be devoured in their fare which is war, and their `plague aim` as those who want to `play games` of bio-degradation is to be a disease upon her mind in order to replace the `Wise Old Woman` with a non-archetype that is thought of in heroic terms, or as a young girl`s suitor, which is what Britney`s space-suited invading `grub` represents on Mars. If she accepts him, she`ll have `the bends` of demonic possession that want to murder her mind.



 Oops I Did It Again is Britney`s description of how the hero as `grub` is transplanted into the developing ego by deconstructionalist picture makers that con the growing child into accepting the parasitical form of the male heroic ego, where it functions as a false alter ego preparing to devour whatever grows in or from the young mind`s developing awareness. Slowly, with the aim of plaguing the intelligent struggler against `the bends` of demoniacal evil men that megalomaniacally seek to live forever as parasites on their dumb, helpless victims; or swiftly, as murderers of what is, from their point of view, only a slave from which they can remove themselves as parasitical viruses and inhabit another unconscious or recalcitrant host.



 From the evil`s point of view, it`s the victims struggles that they enjoy. It can`t escape and they`re of the evil group or Set that have enslaved the individual ego to force it to endless cycles of tormented strugglings in rebirths and deaths that allow them to vicariously enjoy or deride the achievemnts of what they`ve set in motion as parasitical demons of body and mind:


`Forgive them Lord, for they know not what they do.`



 They do now. Britney`s red and white selves in Oops I Did It Again are red and white blood cells in terms of her immune system. The red cells carry oxygen and we are told at the video`s commencement that oxygen is 98% on Mars and, although higher oxygen content is used in divers` and astronauts` training, it would normally cause `the bends`, blackouts, or asphyxiation after a minute or two. Britney`s red pilot suit of Redemption is an indication that she`s conquered the demons of possession that cause `the bends`, and that caused the cancellation of the X-series programme to fly an aircraft to Mars.



 In her white bikini dress she`s a `white cell`, which is a devourer of viral parasitical organisms in the blood. The Martian `clock`, that is, the eight pointed `star` of the white beach parasol on which she lies, signifies a twenty-four hour day of three Martian time units to each Earth hour, and represents her `cell washer`. Atop, she`s exposed to the sun of the spaceman`s male ego as he looks down upon her with camera positioned beside his space helmet; washed and immune.



 Before Britney`s spaceman presents her with the `heart of the ocean`, we hear: `All aboard!` It`s a scene reminiscent of Rose`s betrayal aboard the Titanic when her boyfriend `s `framed` for stealing . Britney`s spaceman`s there to put her in the picture, as Rose was painted nude by the lover her ex-fiancée accused of stealing the heart she`d freely given. Britney`s spaceman isn`t returning the `heart of the ocean` to Rose, but `the heart of the ocean` rose to Britney with the spaceman and he films her. In the Titanic movie the nude painting is the jealous centre, and in Piece Of Me from the Blackout album Britney presents photography as the centre of her turmoil:


`I'm Mrs 'You want a piece of me?'
Tryin' and pissin' me off.
Well get in line with the paparazzi,
Who's flippin' me off.
Hopin' I'll resort to some havoc,
And end up settlin' in court.
Now are you sure you want a piece of me?`



  Britney`s perception is that photographers are bully`s spies and that the biggest bully is the one who can have her. The `heart of the ocean` was Rose`s, so why did the spaceman bring it to her on Mars? Because a bully forced him to descend to the ocean floor and fetch it. The bully made the spaceman take the `heart of the ocean` to Mars and Britney observes in Piece Of Me that the paparazzi are the bullies` spies:


`His kingdom was plunged into darkness.`



 He who sits upon the throne of the beast in Revelation, is the one who blinds, is blind, and believes in blindness for those who want to see. The paparazzi are a symptom. Paris Hilton once observed that `stars are blind`, and the reason is the flashbulbs. When the spaceman arrives on Mars in Oops I Did It Again it`s `Mars slander`. The spaceman films Britney as the `alien` and then she`s alienated. In Piece Of Me she`s slandered:

`I'm Mrs 'Most likely to get on the TV for strippin' on the streets'
When getting the groceries, no, for real..
Are you kidding me?
No wonder there's panic in this industry
I mean please...
Do you want a piece of me?`


 Osiris was dismembered by the evil Set and the pieces were put into a trunk and, like the Titanic, sunk. The trunk represents truncation. Osiris is the incarnation of the sun god Ra upon the Earth, and so represents the concept of a collective consciousness that`s developed and is able to recognize itself as a unity corresponding to the concept of God. The evil Set represents an earlier version of the `beast` of Revelation who doesn`t want anyone to see him, which isn`t development, but blindness and unconsciousness.



 Oedipus is psychologically blind at the outset of Oedipus Rex, because he doesn`t understand or accept that others are him. In Oops I Did It Again, the spaceman brings Osiris` heart to Britney, that is, he who was betrayed by the evil Set, and the `Mansion of Horus` is Mars, because the red disk symbolism suggests Hathor, and he lives in the goddess in Egyptian mythology, so she`s looking for him. When Britney receives the heart of Osiris, she has a piece of him, and the process of Resurrection and Redemption.



 Symbolically, Osiris` body is a trunk, which lies in the depths of the ocean, that is, the Titanic totality of submerged memory completeness across reincarnations that corresponds to God, or the `Self` in Jungian psychology. In the Egyptian myth, Isis remembers Osiris by giving him a new penis, or member, which suggests that Isis, the sister-wife of Osiris, should restore Britney`s penis. In some representations of Isis, the disk between her `deeley boppers` is missing, and makes her appear bee-like, which is interesting because the bee`s `honey` is a symbol of Resurrection in Egyptian mythology. The antennae concept is applicable because of `Bluetooth technology`, which is wireless, and compact disks are designed to be read, so it`s logical to suppose that the relationships between the Egyptian deities  represent communication between those who can read each others` disks in order for completeness of memory and Resurrection to occur. The honey bee concept probably refers to the idea of constructing a disk based on the notion that not everything about a person`s past is recorded. Only what is sweet to the memory, as it were.



Britney`s played the heart of Osiris. It`s a computer age metaphor, which suggests that she`s read his heart from his `disk`, so she tells the spaceman: `Oh, you shouldn`t have,` when he arrives bearing Osiris` heart.  Osiris was `lost` in the `game`, or rather through `plague aims`, that is, the evil Set, Britney`s aware that God and Osiris is her, because she`s Hathor and her `red disk` symbol says so, so her task is the Resurrection and Redemption of herself as Horus, who lives in her Mansion because he`s she. It`s God`s Mansion in Christian terms.


`I played with your heart.

Got lost in the game.

You think I`m in love.

That I`m sent from afar.

I`m not that innocent!`


 Men are evil in Oedipus Rex because they`ve told Oedipus that his mother is his wife, but so is the woman who has the grocery store in Plains, Indiana, and the woman who has the patisserie in Paris` Montmartre. Incest taboos are a technique to prevent God consciousness from developing. Oedipus kills his father by accident, and so his father is him. But if he`d known that men were lying to him so that he`d blind himself for loving his own wife he`d have killed all of them.



 Blindness is de-individualization, and is the reduction of developed consciousness, whether a unity that recognizes itself as God, or simply an intelligent individual, such as Britney Spears, the viral metaphor is legitimate. Britney`s spaceman appears as a hero on Mars, so he`s a `dream lover`, but if she accepts him into her dreams he`ll prey upon her mind because he isn`t an archetypal heroine but a devouring plague`s `spore`:


 `I`m an American Dream since I was 17.`



 Britney is a pop singer, which means that she`s spreading the Word of God because she has vocal articulation that is productive of music, and so she`s the `American Dream`, but the nightmare of devourment, as depicted in Revelation, is the red dragon waiting for the Woman to give birth so that it can devour the New Redeemer. Britney Spears is the archetypal heroine, whereas men are parasitical viral organisms that want a host womb to enslave and devour whatever it produces. That`s why notions of the hero as ego archetype are false, because the developing ego doesn`t devour, it births, and is female. The hero isn`t a part of the unconscious contents of the psyche. It only looks like that to psychologists who`re used to thinking of Woman as half of a species, whereas she`s an entire species with her own penis.



 The appearance of the `hero` in the psyche is alien to developmental psychology. If it appears, then it`s the prototypical devouring dragon in disguise. A central motif of Jungian individuational psychology is that of the Ourobouros serpent, which devours itself and gives birth to itself endlessly, a symbol of the relationship between men and Woman. According to Jung, God closely corresponds to the unknowability of the `Self`, but it would be unknowable if men want reincarnated slaves, blind unconsciousness, rebirth and death, that is, endless torture as `entertainment` for those who `run the show`. As God`s producer and product, Woman is the `Self`. Conceptions of God as a father are false. In Islam, God is neither male nor female, which means that the `Self` is unknowable to men because they`re not Woman.



 Britney Spears writes SUCKER on the forehead of one of her devourers, a paparazzi that exists as a bloodsucking leech in the video of Piece Of Me. It`s the vampire method of keeping a corpse alive as an zombie in order to make it work. That`s why Britney`s recoding company is called Zomba. In Egyptian mythology the `ba` is that aspect of the individual which is the personality, whereas the `ka` is the spirit, which means that Zomba refers to the absence of spirit but the presence of personality, which the torturers can employ for their entertainment. That`s why God sends the Paraclete, in the New Testament, because the tutelary guidance of `God`s spirit` is needed in order to have Resurrection and Redemption from the ceaseless torments that men have planned for Woman as their `entertainments`. Without the `ka` or spirit, she`s `ba` or personality and, although `star` personalities are favoured by God, without `God`s spirit`, they`re subject to evil.



 The red dragon of Revelation is the description of a man who will devour his child, if the child does not accept that it is him, which is why the child is the New Redeemer. Solomon`s wisdom was to give to the woman her child because she wasn`t the woman who would have cut it in half so that she could have half.  Piece Of Me is the observation that `ka` and `ba` are inseparable. The cover for the single is Britney on the cross, without the spear of Longinus cutting open her side, which is where the Paraclete effectively emerged from Jesus` side upon his death at the crucifixion. As a whole person upon the cross, Britney represents the unity of Paraclete and Woman, which is `ka` and `ba`. Jesus was tortured by men, because that`s their `entertainment`.



 The child of the Woman of Revelation, who is the New Redeemer, is the father who`ll devour itself because that`s another form of `entertainment`. That which has been heretofore understood as the archetype of the hero in dreams is now understandable as the demoniacally possessive false imago of the father figure or `demon lover`, because men are demons who`ll devour your consciousness if you accept that their imago corresponds to God, which is why God prohibits worship of graven images and Jesus advocates acceptance of the Holy Spirit as a tutelary guide. The image of Woman is the image of God, which is why God gives Eve to Adam in the Bible. She`s `God`s love`, and Jesus preaches `God`s love` in the New Testament, and God`s Paraclete emerges from the side of Jesus`, cut therefrom by the spear of Longinus, as the `Second Eve`, a multiplicitous guide to God`s heaven that appears symbolically on the cover for Piece Of Me as - Eve Spears.



 In Revelation a double edged sword comes out of the mouth of Jesus. It is the Word of God, and it`s the symbol of his directorship. Christ orders and God`s will is done. If the Paraclete is the spirit of God, then God`s word is articulated through Woman or the soul, which is the anima, as the messenger of the archetype of the ego, which should be the heroine, and the message or Word is from the `Self`, which is God in the individual. The relationship between ego and God is that of a `kiss`, and it comes from Woman`s archetypal form. If the hero or father imago is active within the psyche, then it will appear, and the ego will begin identifying with the ego as devourer; to be a devourer or to be devoured. If Woman doesn`t accept her role as devoured, then the imago of the possessor, that is, men as demons, will endeavour to appear to her as attractive in order to constellate their devourer within her psyche. If a man lives alone, as Jesus endeavoured to do, he`ll be attractive to the devourers, which is why Jesus` discipleship is the `image` of the homosexual marriage; betrayal, torture, and divorce:


`Forgive them Lord, for they know not what they do.`



 Jesus doesn`t actually forgive them, he defers eternal unendurable pain for them later; because he knows that men are irredeemable. They don`t accept the archetype of the heroine, who has many facets; not simply the sword. Before his crucifixion, Jesus was anointed:


`...a woman came to Him with an alabaster vial of very costly perfume, and she poured it upon His head as He reclined at the table.  But the disciples were indignant when they saw this, and said, “Why this waste?  For this perfume might have been sold for a high price and the money given to the poor.” But Jesus, aware of this, said to them, “Why do you bother the woman? For she has done a good deed to Me. For the poor you have with you always; but you do not always have Me. For when she poured this perfume upon My body, she did it to prepare Me for burial. Truly I say to you, wherever this Gospel is preached in the whole world, what this woman has done shall also be spoken of in memory of her.”` (Matt 26: 6-13)



 Judas and the other disciples are murderers of Jesus because he has opened their eyes, and they want to see without his to show them the path. They murdered what could see, which is how the disciples function as an  aspect of the devouring father imago constellated within the archetype of the ego in order to reduce it to the unconscious awareness level of a chimpanzee, and then all individuals are the same but amongst the `evil dead` as zombies. AIDS is a virus originating in monkeys, because it reduces its host to chimpanzee consciousness, and that`s why Woman, for men, is a host womb to replicate themselves. They`re parasitical viral organisms that want to devour Woman, as God`s producer and product, that is, art, civilization and culture, for a collective individuality that is `chimpanzees`.







01/01/2012 15:19



At the close of the New Testament of the Bible, the `woman clothed with the sun and with moon at her feet` gives birth to the New Redeemer while the red dragon of Revelation waits to devour the child. It`s a metaphor for how men as a parasitical virus uses Woman as a host womb in order to replicate itself rather than produce. Produce is product, but the red dragon of Revelation is that which does not want product, and that`s why it represents men as the enslavers and devourers of Woman who is God`s species.



 Because we know that some women have a penis, we know that they can fertilize, reproduce, and nurture, which is the all important aspect of development; the capacity to nurture. Irrespective of whether or not Woman as a species reproduces, she has the capacity to develop and nurture herself. Men do not nurture and constitute a viral form that is concerned to fertilize a `host womb` in order to enslave and devour it. Woman is God`s producer from whom all that is `man made` derives as – Woman`s product – and it is called `warfare` because that`s how men eat; they devour whatever `fare` Woman has made for them to consume.



 Consumerism is God`s attempt to change Woman`s parasite`s behavior, so her life is improved, but the red dragon of Revelation waiting to devour her New Redeemer indicates that capitalist consumer societies prefer Consumption, because men are parasitical viral organisms that enslave and devour Woman and her product, that is, civilization, art, and culture. For Woman, it`s like sheep being the most successful animal on Earth. She`s successful because she`s eaten.



 It`s a homosexual perspective because homosexuals are sterile, which means that they don`t fertilize so they`re a virus, and that`s why AIDS is a homosexual disease. Because men are a replicating virus, those that do fertilize are a homosexual disease that is more resistant, and so diseases such as gonhorrea, siphyllis, HIV related illnesses and other STDs, are homosexual diseases also. By extrapolation it might be understandable that all diseases are caused by homosexuality because `it`s an illness`, and that`s why God destroyed Sodom and Gomorrah (Gen: 18, 19), and why there are seven plagues of Revelation during the period in which Jesus slays the evil and God gives them eternal unendurable pain.



 The system is one of degradation, where woman is bio-degradable in terms of the devourer as Consumption. Men are Woman`s degraders, so the notion of what are God`s `plague aims` in Revelation is closely allied to descriptions of how men `play games` of degradation and are punished severely by God and that is the aim of what is depicted as God`s plagues upon men. If they play games of degradation, as they did in Sodom and Gomorrah, they will have perdition:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.`



 Jesus` birth of the Virgin Mary is that of the `Perfect Man` because Jesus is born free of possible contamination by men. When Jesus is tortured to death, it`s because he`s Woman. Those who murder him are `Sodom and Gomorrah`, and Jesus` insight is to understand that he`s the women here, that is, he intuits that Woman is a species. Redemption follows from the attainment of that knowledge, and Jesus` Resurrection and Ascension is attended by the emergence from his side, as it is pierced by the spear of Longinus after his death, of the Paraclete, which is God`s `tutelary guide`, and she is necessary if Redemption is to be achieved because, if Woman doesn`t know that she`s a species, she`ll be devoured. The irony is that men are told that Redemption is for men, whereas Jesus` Resurrection and Ascension, without Redemption, is the observation that Woman is Man and so men are irredeemable unless they accept that they are Woman. Jesus doesn`t marry, but hardly ever criticizes women, and reproves men often for their treatment of her, which is why he`s crucified. He refuses their system of homosexual parasitism, and men`s response, as the treacherous disciples or his crucifying tormentors, is that they`re having a homosexual affair with him, that is, `marriage, betrayal, torture, and divorce`, whether he likes it or not.



 The crucifixion contains the understanding that marriage is for homosexual men and that`s betrayal, torture and divorce, because they`re a parasitical viral organism that wants to enslave and devour Woman as God`s producer and product, that is, art, civilization and culture, whereas Woman wants to divorce and escape from men, which is why she`s portrayed in Revelation as `hidden` until she`s ready to leave Earth and sow her seed amongst the stars in heaven where her `seed` will eventually fight against men, the `serpent`s seed`, and she`ll triumph in God`s creation of a new heaven and Earth for her to dwell in forever.



 The Church is described as the `bride of Christ` because God`s Woman is a species, but Jesus crucified is men`s declaration of `Gay Rites` and their homosexual affair with his wife, which is why `Christ`s Passion` is symbolized by the `Sacred Heart` and gives genuine meaning to a picture that otherwise is understandable only as `homosexual` action.



 The Last Supper, in which Jesus gives the `bread and wine` as a symbol, is translated, in concrete terms at the crucifixion, as a `black mass` of torture and ridicule, whereas it`s a sacramental offer of Redemption through bodily spiritualization. The 20th century was `mass consumption`, the result of interpreting Jesus` `body and blood` in terms of `bread and circuses`, that is, Consumption, and an invitation to `play games` of bio-degradation, which God`s plague aims of Revelation are designed to terminate in perdition.



 Homosexuality is perceptival in the sense that `she` is a euphemism for anal sex, which means that all human beings are `she` to homosexuals, but they`re advocates of sterile union. If men are a parasitical viral organism that is replicating itself through Woman as a `host womb` for the purpose of enslavement, then all men are homosexuals. Marriage is the enslavers` system, and that`s why it`s an `institution`. Jesus appears monopolistic when the church is described as his `bride`, but he`s `politically correct`. Woman is a species, and God`s plan is for her to divorce.



 Jesus is an archetypal hero of great dimension. God proposes that he divorce Woman from men and give her heaven and God forever. There`s the dragon and a dark lord upon a throne who`s `the number of the beast` because men elect themselves to evil tenures. Revelation is God`s anti-virus buster, because men aren`t for reproduction; they`re a virus. God`s plague aims in Revelation are God`s seven virus busters, while men play games of degradation. Woman as a species is for Resurrection and Assumption, because she`s assumed by God to belong in heaven. Man has Redemption as Woman if Man accepts the tutelary guidance of God`s Paraclete, but can only have Ascension as Woman. That interpretation requires great faith, as Jesus` had.



 The `seven plagues` enable Woman, as a species, for reproduction, and nurturing. It`s relevant because, in Revelation Woman gives birth to the New Redeemer while the devouring dragon waits. It`s an analogy of gestation, which requires patience from Woman (approximately nine months), and man`s contribution is a few seconds of intense pleasure. Consequently, a pregnant woman from the devouring red dragon`s point of view represents men as a parasitical viral organism that replicates itself through her in order to devour her product in warfare, that is, art, civilization, and culture is, in psychological terms, sublimated into `food`.



 The woman with the full belly, because she`s carrying a child, arouses jealousy because she`s `fed`, as it were, and of course there`s another mouth to `feed`. If the woman produces a daughter, she`s another who`ll eventually appear as `fed`, and arouse jealousy from the man who wants to `feed`. If a son is produced, he`s also a `feeder`, and the pregnant woman represents that which is to be devoured by the  men, which is why the red dragon of Revelation appears as a `consumer`.



 Britney Spears produced sons with `Kev Fed`, and they were taken from her because Sean Preston`s hat fell off when she was hurrying to a car amidst thronging paparazzi and popping flash bulbs. The red dragon of Revelation was attempting to devour her, by training her sons and husband to accept a devourers` perspective in which, having borne her children for a total of a year and a half, her conceiving them over a few seconds was, effectively, interpreted by the judiciary as the dragon`s maw to be `fed`, and the children, when newly emerged from the mother, were determined by the patriarchal societal force to be for swallowing her rather than nurturing.



 Conception involves the desire and decision to give birth, and the conception of what it means to bear the child and the responsibility for its nurturing and development, and it isn`t ejaculation. Britney, as a` means of production` outside her control as a mother, is for Consumption by men as devouring parasitical viruses who use Woman as a host womb in order to replicate Capitalism as  Communism, which is the ideology that Woman as `the means of production` belongs to them. Woman is the producer, therefore men enslave her. The New Economics is Feminism.

Woman Piercing

01/01/2012 15:14

Woman Piercing


Taking a woman`s virginity requires the correct functioning of the equipment applied to the task. There is a little blood, and the woman is pierced. It is a salutary lesson in the goodness of God. Both of you now proceed towards fulfilment; in orgasm; in life, and in heaven.



 ICBMs threatening Mother Russia are similarly penetrative. They have been tested. If they are used, there will be a lot of blood, but the woman will be `taken`. It is, of course, a rape analogy; but it is an accurate perspective.



 Piercing is a part of sado-masochism. Saddamasochism pierced Kuwait, and threatened the American Dream and Manifest Destiny by attacking the WTC in New York with his terrorist supporters. The American Dream represents innocent development and progress, which proceeds defensively in the knowledge that it is threatened. Saddam`s rape of Kuwait was a threat to freedom, that is, `life, liberty and the pursuit of happiness`. 1 In other words, Saddam Hussein (1932-2009) threatened the World Dream. There was a lot of blood between Saddamosichism`s piercing of Kuwait and George W. Bush`s (1944-) taking of Saddam; but the woman was finally `taken`; that is sado-masochism. It is what Saddam wanted, and everybody understood it.



 Bush represents the police (911) and not the bullies (9/11). He represents good and not evil. It reminds me of the Iranian hostage scene at the British Embassy in London in 1976. We were good police (999) and not evil bullies (666), and the good hostages, when they were told `Get down!` did so. The evil remained standing and were exterminated. The Embassy is a house; of Iran. As Kuwait is a house, and everything belongs to the woman; because without Woman nothing can be produced.2 Woman is, therefore, Kuwait, and God also; by extending the analogy.



 We had to penetrate the Iranian Embassy, but it was not our woman`s house and it was returned immediately to her. Similarly, in Kuwait; the woman was penetrated without invitation (at the Embassy in London, the Special Air Service commandos had permission) and her house was returned to her by George Bush Sr (1924-).On 9/11 America was `penetrated` by Taliban terrorists operating out of Afghanistan where they keep woman in fear. That is why we have been fighting them since 2001. It is about woman. Saddam`s house in Iraq was not under the control of the woman`s principles. Iraq was therefore penetrated and Saddam was exterminated.



 It is the difference between `God is love`, and war; which is the difference between the penis and the bullet. If the woman invites you, you are permitted. If not, you are a rabid animal to be destroyed. The distinction between penetrating a virgin with a little loss of blood (from her) and penetrating an enemy soldier with a little loss of blood (to him) is important; and does not seem to be Godly conscious amongst humankind.



 In fact Hollywood, in its despising of penis representation in favour of artillery and `penetrating our air space` in the cinemas, is in fact favouring rape over love; which is very dangerous in terms of the American Dream – as 9/11 in 2000 demonstrated. I have no doubt that the terrorists viewed themselves as movie stars.



 Jodie Foster (1962-), raped in The Accused (1988) drew everyone`s attention to this at the close of the 80s and, more than two decades later, we are still obsessed with bullets penetrating bodies as if we were vampiristically feeding upon the energy released, rather than admit we have a penis. In fact we equate penis energy with murder; faster penetration of the woman; more woman; more blood; and greater elation in what is a sadist`s engineered misogynistic homosexuality. Find the sadist and kill the Satan; Saddamasochism is dead: Hollywood wake up.



 The vampire is an interesting character. Like Jesus, it offers immortality; usually to a beautiful woman in Hollywood. But it is killed by a stake through the heart. Effectively, then, it is pierced in order to prevent it bestowing immortality upon a beautiful woman. That is why the vampire is a myth; because it represents truth. Men would put their penis into the heart of Man in order to prevent Man from achieving immortality with Woman.



 The story of Jesus is about Man without Woman. Jesus is the Second Adam and, figuratively, Eve has been taken from his side: raped and murdered. At the crucifixion Longinus cuts open Christ`s side with a spear, to indicate that Jesus has no woman by his side. After the Ascension (1 John: 2.1), the Paraclete or `teacher` is present upon Earth as the guide to Jesus`s path of redemption. She is the Shekinah (Ex: 40.35) of the Old Testament and the Holy Spirit of the New. The Woman that cannot be taken from the side of Man. Although, as is evident from the person of Longinus (Matt: 27.54), evil men would seek to do so.



 This is what the stake in the heart of the immortal lover of woman means; and it is the reason why Longinus does not put the spear in Jesus` heart. That`s what a spear is for. Longinus is, then, a sadist. From a sadists point of view, Jesus is a masochist. The Gulf War (2001-3) therefore represents the defeat of Saddamasochism. His attack on the Twin Towers meant `Kiss my ass!` He was declaring himself as Saddam `ass kissed` by the Americans, that is, Saddamasochist. In order to defeat this aspect of Satan, the USA had to play his `game`; that of Saddamasochist.



 Saddam `ass-kissed` by the Americans is more than a play on words; because the Americans created him: and the world`s third largest military capability after Russia. In other words, Satan was already playing as sado-masochist. The danger for the Americans is to continue to play. Miley Cyrus: `a creature so rare it was believed to be extinct` - is masochistically already accepting her role in the persona of a plummy voiced prototypical British KGB (cage GB) agent`s sadist `rap` preamble to Can`t Be Tamed (2010). Paying `lip service` to the American Dream and Manifest Destiny is ass-kissing in order to be a Saddamasochist. Pretending to believe in God in order to crucify Britney Spears, for example:


`I`m Miss American Dream since I was seventeen.` (Piece of Me 2007)



The danger for Britney Spears is the same for the USA. Accepting masochism. Masochists think of themselves as sadists towards themselves; and it is an `illness` created by sadists. Angelina Jolie (1975), for example, is on record as saying she used to `harm herself` because she 'always felt caged'3 (by her sadist presumably). Sadists like this. Mr and Mrs Smith (2005) in which Angelina and her husband try to kill each other is a sadist movie. Saddam Hussein was, in fact, a dam (Adam) against sad(ness). Paradoxically, extermination of this sadist released sadism. Witness `The Evil Beet, Celebrity Gossip with an Evil Twist`:


`I told a friend this afternoon that I had to get home to watch Britney Spears open the VMAs. `What's the rush?` he asked. `Who hasn't seen Britney Spears' opening?`4



Opening her legs, that is. Britney`s album Circus (2008) isn`t about the media circus; or, if it is, she recognizes that the world`s paparazzi are an aspect of the Russian Secret Service, formerly the KGB, British Intelligence (BI6), which is notorious for employing Communist traitors from their public school to Oxbridge system (cage GB, as it were), and the CIA – as well as the rest. The circus, particularly in Britain, is notorious for sadistic homosexuality. Miley Cyrus (1992), named Destiny Hope at birth and in her cage for Can`t Be Tamed (2009), Angelina`s comment that the `always felt caged`, and Britney`s own Circus cage on tour suggest that they – wittingly or unwittingly – are a part of the sado-masochism that is `circus`.



 Longinus`s spear in the side of Christ represents the beginnings of the end of the Roman Circus, which was the `game` of torturing victims in the amphitheatres in Rome. Jesus is the ringmaster that keeps everyone`s attention in Christianity. The spirit of sadism was the spirit of Rome, before Catholicism (and afterwards; during the Spanish Inquisition, for example); but it was Pope Pius XII that made the Assumption of the Virgin5, that is, the saving of woman. doctrinal. Before that woman was `chattel` or `livestock`, a possession to be possessed by the spirit of men. That is why modern circus is about `animal training` and `tricks`. In the Bible, Babylon is the `Mother of Abominations` and the `Great Whore of the Apocalypse`. A prostitute is a `trick` in pimp speak. In Circus terms she`s an `animal producer` and `circus trick`.



  Babylon is ancient Persia – Iraq – so Saddamasochist is her `baby`. In Hollywood jargon, one`s baby is one`s project; so Saddamasochist is Hollywood Grande Guignol. CNN`s newswoman anchor Relitsa Da Silva received awards for 9/11. It was major box-office. Governments are often criticized for providing `bread and circuses` to keep the public`s attention focused away from their activities. `Let them eat cake,`6 Marie Antoinette, 13 years old Empress of France said, when she heard the French people were starving. Later they stormed the Bastille in what was known as the French Revolution (1789-99) and that was the end of Marie Antoinette. She hadn`t registered the basics. If they had been able to obtain cake they would have eaten it. She is not being sadistic. The sadist is. It`s about perspective. Marie Antoinette`s `circus` kept her attention away from reality. Her bread was cake.



  Gulf War I, 9/11 and Gulf War II was a media circus; big bucks and cake. Bucks banging antlers together; well trained animals. The `rules of engagement` in the Gulf were the `regulations concerning the treatment and care of animals in the circus` presented as boxers` ring craft. It was the preliminary to the marriage of sadism and masochism. What you learn as a boxer are the sado-masochism rules. The Gulf Wars were about identifying the problem. I don`t care about the rules; that`s for sadists: kill the Satanical. Saddam`s execution was according to the rules; `hanging by the neck until dead`. But I don`t want the hangers to hang on. Someone shot Saddam in the head; good: know when to act and when to stop.



 Having `kissed Saddam`s ass and paid `lip service` to the hopes enshrined in the American Dream and Manifest Destiny, and christened Miley Cyrus with the birth names of Hope and Destiny, the Saddamasochist brigades presume to go blithely on with their torture ring. Stars like Christina Aguilera (1984-) in the USA and Nancy Ajram (1983-) in Arabia have examined the circus motif in their music and videos. It is the role of the woman`s animus – her spirit according to the noted Swiss school of psychology founded by Carl Gustav Jung (1875-1961) – to keep men`s attention focused upon her. Britney Spears is a ringmistress therefore; `bread and circuses`, as it were. But the `bread and the wine` are necessary, in Catholicism, for the transformation (of the vessel of the body that contains the personality and the soul) through the power of the Holy Spirit. The Christian Church is not a circus; but Jesus is the ringmaster: the focus of attention. Because the woman`s animus is masculine, Jesus represents the animus; and is, effectively an animal trainer: `...forgive them, for they know not what they do.` 21st century stars do know what they do; they have the egos for it: that is why they are stars. They have big egos and can withstand the pressure of the sadists; the voyeuristic vampirism of leeches upon that spirited happiness to which they would bring sadness.



 Clowns and comediennes are known for their sad alter egos off stage. I often remember the audience`s roaring their approval at Tommy Cooper (1921-84), a comic magician, as he sat slumped before the curtain on the stage where he was performing. Tommy`d had a heart attack and was dying. It was obvious to the viewer on live TV, and the audience hooted derisively as if annoyed at the pause. Clowns understand. They are sadism`s victims. Many have died on stage; Tommy did it for real: he was the sadists` masochist and was punished for laughing - and for making them laugh. That is why it is important to be in control of the circus and train the animals. If you do not, they will turn upon you. This is what Jesus` crucifixion tells us; and Jesus offered redemption through the Holy Spirit. Now, however, men are sado-masochists and, having `ass-kissed` Saddam and paid `lip service` to God, they are preparing to turn upon their usual target. Miley Cyrus` first adult recording Can`t Be Tamed features a `rap` preamble from an upper middle class sounding Brit with the usual plumy voice universally understood to be Oxbridge Communist KGB old-style and attractive to ingénue Americans: `A creature so rare it was believed to be extinct!` is how Hope and Destiny (Miley`s birth names) is `introduced`.



 Britney`s fifth album cover accepts herself as a Christ figure and as a masochistic victim; because remarks like this in the media have put her in the picture. Those who would hang you on the cross are your `hangers on`; they are your evil sadists and the way to ask God for redemption in order to get rid of such `hangers on` is to  put yourself in the position of Jesus with God in acceptance of the Holy Spirit. Truth is reality and reality is truth; it is not a symbol. Jesus said `forgive them, for they know not what they do` (Luke 23: 34). Now they do. Britney Spears has shown them. There is no escape from the knowledge; the evil are doomed to unendurable pain forever in hell: because God says so.



 The cross is a symbol of Satan. Jesus did not like being crucified; therefore the cross is a symbol of Satanasochist (Satan ass-kissed). If you kiss the ass of the Saddamasochist you get the Saddam `ass kissed` virus; Satanasochism. It is Revelation and it is God`s omniscience to reveal it. Sadism puts Britney on the cross, and she is the American Dream. The Spears of Destiny, as it were; America`s Manifest Destiny tortured by sadist`s into accepting masochism, that is, Saddamasochism, which means that Saddam - `who`s sane` because in accordance with the spirit of the age (sado-masochism) - won the Gulf War by bridging the gulf between the sadists and the masochists that did not perceive the link until they were victims of Saddam `ass kissed`:


`You want herpes of me.`


Saddamasochism (Saddam - ass kiss `em) isn`t a virus you get `from kissing`, and you won`t get AIDS from Britney Spears either. Despite Evil Beet`s telepathic media mind control coerciveness persuading her to open her legs for everyone, she doesn`t want AIDS. You get it from `brown-nosing` or `ass-licking` false flattery in acceptance of Satan. It is against the Commandments of God `to bear false witness`, and this is the reason why. Sadists will help you as Aides de Camp but you will be sado-masochistical `suicides` - eventually. To begin with you will accept sadism, and then you will accept masochism. As time progresses you will be a sadder masochist, and there will no longer be the American Dream, that is, Manifest Destiny in accordance with the Will of God, but `life, liberty and the pursuit of happiness` will be a delusion perpetuated by sadists who want to continue torturing the `lambs of God` upon their cross by filling them with Hope and Faith in development through the Holy Spirit.



 Longinus tortured Christ, and there`s a stake in the heart of the vampire who is offering the body and the blood of eternal life, but men do not want the Holy Spirit, that is, immortality for Woman. Therefore there is a discrepancy here between man and men. Saddam `ass-kissed` was a rabid animal, and not humankindness (of human kind).  In the Bible it is commanded by God: `Thou shalt not kill!` But men, as defined, are not mankind. Exterminating them is, therefore, an obligation placed upon us by God. This is not a paradox. `Thou shalt not suffer a poisoner to live.` is one translation of an injunction from another part of the Bible: `Thou shalt not suffer a witch to live.` is a translation of the same text. It is an injunction to exterminate of men what there is of the elated vampiristic slayer, that is, what is condemned by God, but Jesus` offer of his body and blood in the form of the bread and the wine does not underestimate the value of what has been termed a vampire but, according to what little is known, are the givers of eternal life to the body by means of what is euphemistically called `the little drink`.



 Woman is known for her wisdom and has often been condemned – by men - for being wise; witness the `witch trials` of Salem, Massachussetts in 1692. Young girls claimed to be possessed and accused three women of witchcraft who named others in forced confessions (not unlike some reports of what occurred in Guantanamo Bay and elsewhere in history). Because the girls were young, it seems likely that they were `possessed` by men`s misogynistic evil spiritedness. Trials resulted in hanging nineteen women.



 It is clear from the sado-masochist `s game` that men who would burn her at the stake are the same men who would put a stake in her heart if she were an immortal beautiful woman and call her a vampire. That is why woman practises wicca and does not choose `witch` as her title; it is chosen for her by men and she understands what is at stake. What is Jesus upon the wooden cross but a vampire with Longinus aiming a stake at God? For men, immortals are vampires. In the transubstantiation symbolism of the Catholic Mass, the body and the blood of Jesus are eaten and drunk symbolically in the form of the bread and the wine. This is blood-drinking, which is prototypical vampirism as understood by those who would put a stake in vampires for being evil creatures that seek immortality for their woman.



 Satan is therefore seeking the death of Woman and, thereby, the extinction of Womankind, which is Man and not men who would put her at a stake or put a stake in her in order to deny her Godliness. Jesus` cross omnisciently denotes the stake at which wise women are burnt and the stake men would put in her heart to deny her immortality. The Spear of Longinus is aimed at the soul, the spirit, Eve from the beginning of the creation of her and Adam`s One Creatureliness in God, and anything else that would be a blessing upon Man from Woman; including God.



 I have often thought of Jesus as being like General George C. Custer (1839-76), `yellow hair` as the red Indians called him, at the battle of the Little Big Horn (June 25-6 1876). Custer`s 7th cavalry fought to the last, and Custer was the last to live. He was defending what the USA required him to, like George Bush and George W. Bush in the Gulf Wars, and like Jesus he was standing between men and their attack upon Woman and God.



 In Hebrew, YHWH is the tetragrammaton, the name of God, and may be pronounced `yellow`. In Islam God is Allah and, in Hebrew, Eloah. This suggests that we accept the same God and that the Indians of the North American Plains recognized Custer as a Jesus figure and therefore christened him Eloah or `yellow hair`, that is, the heir to Eloah and, indeed, Allah.



 The Coalition forces ranged against Saddamasochism suggest that the USA is the heir to Allah as it is the heir to everything; because she is the World Dream and, despite the detentions and alleged tortures of Moslem citizens within the Homeland, that is, the aftershocks of dealing with Saddam ass-kisseds `game`, Islam and its people within the USA are there because they want to share in the American Dream and Manifest Destiny, which is what Longinus`s spear points to. Known as the Spear of Destiny, it points backwards to Eve, and forward to God through the soul of Man and acceptance of the Holy Spirit which is Eternal Woman and immortality in heaven forever for `the star spangled banner`.



 `I`m Miss American Dream since I was seventeen.` Britney Spears` Piece of Me (2007)


1 As enshrined in the United States` 4th July, 1776 Declaration of Independance from the Imperial tyranny of Britain.


2 Evil men would say that, without Woman nothing can be produced, so we shall produce nothing.






5 Pope Pius XII, Apostolic Constitution, Munificentissimus Deus, 1st November, 1950.


6 Marie Antoinette `Qu`ils mangent de la brioche` in Rousseau, Jean-Jaques Confessions, 1729.

Virus as 21st Century Paradigm

01/01/2012 15:10

Virus as 21st Century Paradigm


In Revelation the coming of Jesus with the Sword is preceded by 7 plagues (Rev: 16. 2-17), which are reminiscent of the AIDS virus that is the paradigm of the 21st Century insofar as God destroyed Sodom in the Bible (Gen: 16,19) and AIDS is perceived as a homosexual STD which is a killer disease that, extrapolated in computer terms, is the virus that has infected our `system`:


1. Ugly and painful sores... on the people...[with] the mark of the beast... (Rev: 16.2)

2. Sea turn[s] blood... every... thing...died. (16.3)

3. Rivers and springs...became blood. (16.4)

4. Sun...[light]...they cursed the name of God...but... refused to repent.... (16.8)

5. Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.(16.10)

6. ... water...dried up... (16.12)

7. God remembered Babylon the Great and gave her the cup filled with the wine of the fury of his wrath. (16.17)



The `beast` is homosexuality and HIV is what `marks` them. Blood is the transmitter of the sickness, and sunlight is unbearable for those with the virus; but they are irredeemable. The Earth is a place of sterility because men who prefer the `beast` of anal sex prefer it so. Babylon, the place of `Abominations`, is Saddam Hussein`s (1937-2006) Iraq, and it was defeated in the Gulf Wars (1990-1, 2001-3) because it bred the terrorist `ass-as-sins` of Al Qaeda and 9/11.



The attack on New York was upon the `Big Apple` which is Adam`s (not Saddam`s) and Eve`s city, and in the Bible the serpent is told there shall be `enmity` (Gen: 3.15) between its `seed` and the woman`s, so `the Big Apple` is the `seed` of Eve. Saddam Hussein, Osama Ben Ladan (1957-2012), and Al Qaeda`s terrorists were the `assassins` belonging to the `serpent`, that is, the `serpent of Eden` grown to become the `red dragon` in Revelation, which represents the `contagion` of war and whose biological warfare against the wombs of women emerged as the `blood plague` of the `ass as sin` killer disease HIV/AIDS in the latter quarter of the 20th century.



  Ancient Greek society was founded upon the enslavement of women`s wombs by homosexual pederasty, which spread its contagion by means of war against city states such as Troy, where the Greeks employed the device of a huge hollow wooden horse. Accepting the horse as a gift, the Trojans took it into the city of Troy, and the Greeks emerged from within the horse to enslave the wombs of the women for homosexual pederasty. On 911 the terrorists used their planes as a similar `Greek horse` to spread the `ass as sin` contagion further. The French seer Nostradamus had warned of the event:


`From the sky will come a great King of Terror.
To bring back to life the great King of the Mongols...`1



 In the same way the `cities of the plains`, Sodom and Gomorrah (Gen: 16, 19), which were destroyed by God because they represented the valence of the `red dragon` of the `blood plague` of homosexual pederasty and its `ass as sin` HIV/AIDS, the attack on the USA on 9/11 can be construed as the `cities of the planes`, and because the Mongol hordes were known for `sweeping across the plains`, so the terrorist planes of 9/11 can be understood as corresponding to a skilled programmer, who is `King of the Mongols` because he didn`t apply the `Mongolian horde` technique to achieve his objective:


`Assigning a large number of inexperienced programmers to a job which would better performed by a few skilled ones.`2



The 9/11 planes were sent sweeping across the USA by a single individual, who corresponds to Nostradamus` `King of the Mongols`, because, as George Orwell`s scifi novel 1984 (1948) `predicted`, Osama Ben Ladan was able to bring universal terrorism and war in the form of George Bush`s `War On Terror` (2003-), and global terroism by means of police surveillance of civilian populations that corresponds, in terms of Revelation, to the telephone `number of the beast`. The number of the police is 666 in the former British Empire, where the `sun never sets`, and is 911 in the USA. The police `numbers` were `reversed` after 9/11 2000 and the populations they were conceived as protecting began to be terrorized systematically by the bullies` surveillance systems, which is what 9/11 was designed to achieve on behalf of those who had the `mark of the beast`:


`And that no man might buy or sell, save he that had the mark, or the name of the beast, or the number of his name.` (Rev: 13. 17)



 The `beast` is the devouring `red dragon` of homosexual pederasty`s enslavement of women`s wombs in order to spread its contagion of war, and so the `blood plague` and HIV/AIDS is what `marks` them. The unbearability of the sun for the virally infected relates to the concept of the vampire that can`t live in the daylight because it consumes their form. Jesus wants acceptance of his `body and blood` as a means to immortality, which suggests the vampire `kiss`. Walking in the sunshine is for those that give life rather than death, which means redeemability and acceptability for `good` vampires in the sight of God.



The spreader of the `ass as sin` was Osama Ben Ladan, whose Al Qaeda terrorists represent the `full blown disease` of the `red dragon` of homosexual pederasty`s enslavement through terrorism and fear. The `ass as sin` doesn`t want woman`s creator, or herself as God`s producer and product, that is, civilization from her enslaved womb, but homosexual ass-sex, which is sin, sterility, and the end of men as a species` valence of woman.



 Saddam Hussein was the full grown serpent as the `red dragon` of Revelation that lay in wait to devour the child of the future born to the `woman clothed with the sun and with the moon at her feet` who shall `rule the nations with an iron scepter` (Rev: 12.1-18). The child represents the will of God and not the `ass as sin`. As the serpent of Eden, the dragon of Revelation is not yet full grown. In other words, homosexual man didn`t want man and woman to live in Paradise, but as the `red dragon` of Revelation he`s become the `ass as sin`. He doesn`t want the `knowledge of the tree of the fruit of good and evil` (Gen: 2.9), symbolized by the `Big Apple` of New York, to be shared.



 The virus paradigm of the computer hacker attacking the US` defence system on 9/11 is the work of the ass-as-sins, that is, the terrorists who don`t want the `Big Apple` of Eve`s wisdom are the serpent of Eden representing full blown AIDS as the red dragon of Revelation that gets into the `red blooded male` so that, `infected `, he makes war and doesn`t want `life, liberty and the pursuit of happiness`, that is, innocent progress and development in accordance with the American Dream and Manifest Destiny which is to be fulfilled by the Woman`s `seed` amongst the stars in heaven according to The Book of Genesis (Gen: 3.15), The Book of the Revelation of Saint John the Divine (Rev: 21.1) and elsewhere in the Bible of Christianity.



 The god of war is usually associated with the red planet of Mars and AIDS is an attack on the blood, which is why the dragon of Revelation is red. Here the serepent as the `ass-as-sin` is full grown war and full blown AIDS, that is, war and plague. The Gulf Wars were followed by the declaration of the`War on Terror` (2003-), that is, the `Twin Towers` of the World Trade Center that the terrorists crashed their hijacked planes into represented the virus of the blood of the dragon attempting to infect the god of war that is the United States of America as Mars, and the `red planet` is their proposed next port of call in the fulfilment of what they perceive as their `Manifest Destiny` amongst the stars.



 Clearly the microcosm is a paradigm of the need to exterminate the AIDS virus, which is a terrorist paradigm of the `ass-as-sin` that is Satan, or men will not go to the stars. Britney Spears (1982-) appears on Mars in Oops I Did It Again (2000) because she is Venus and has overcome Mars` aggressivity and anal retentivity holding her to  regressive 50s hoodlum attitudes. She tells the US astronaut in his updated 60s `monkey suit` to leave, because he represents old technology and she, in her `red suit` of Redemption, does not want him to remove his spacesuit condom and give her his virus.



 He looks friendly, but that`s the paradigm of 9/11 in which the `civil` aircraft of the terrorists hacking into the US` defence system as a virus adapting to Homeland Defence protocols crash into the world`s business centre, so giving the `Big Apple` of civilized culture a lobotomy. Britney, in the scifi of Oops I Did It Again, is on a desert Mars that represents the sterility of war, plague, famine and death. The Mars and Venus of technology and love is necessary if you are going to protect a future.



AIDS is known as the `thin disease` because it wastes the body as though you`re starving due to famine. The antidote to the quaternity of war, plague, famine and death (Rev: 6. 1-8) is the Paraclete (Matt: 27.54) that, effectively, emerged from the side of Jesus – as Eve emerged from the side of Adam – after it was cut open by the spear of Longinus – known as the Spear of Destiny – at Jesus` crucifixion before his Ascension to God in heaven. She is the `teacher, guide, comforter and helpmeet` of the Earth and is the cure for the ass-as-sin that is the war (death), plague (AIDS), and famine (the `thin` disease) that the serpent of Eden and the red dragon of Revelation had planned.



 9/11 was designed to awaken Mars, the god of war, the red of the `red, white and blue` of the USA in order to activate the virus of the terrorist as ass-as-sin, that is, the paradigm of the ass-fucking back-stabber that is the homosexual, and prevent the US from reaching the next stage of their evolution upon Mars by denying Woman peace and sanctuary in the USA as the developmental spirit of God.



 The paradigm of 9/11 is of the terrorist ass-as-sin putting its penis into a piece of fruit rather than producing fruit, which is what homosexuals do - they`re called `fruits` in English vernacular. In short, rather than accept contamination from the terrorists on 9/11, the USA should have looked to exterminate the virus-spreaders, which are those individuals within and without that correspond to the psychological profiling of `homosexual`, that is, those who do not want anything to be produced, develop or progress in innocence without threat (or – worst scenario - under threat), which is the American Dream of Manifest Destiny amongst the stars.



 Woman is the Creator`s Producer and Product, which means that men cannot reach Mars without her. Effectively, they are `war, plague, famine and death` and she is `teacher, guide, comforter and helpmeet`. Together they could `reach for the stars` but, without her, they are a `blood disease`. This is why the `bread and the wine` of the `Last Supper` (Cor: 11.23-6) are Jesus` `body and blood`. Transubstantiation, in Catholicism, is the acceptance that the bread and the wine of the `Communion` - given by the priest – is transformed into the body and blood of Jesus. It is the acceptance of the Paraclete, which is the spirit of God and `God`s love`. (Luke: 10.27)



 If men accept Redemption they can go to Mars – or anywhere amongst the stars – but if they do not, Venus does not need them. Woman has her own penis – as futanar – and she can propogate her own species forever, which is what God promises. There shall be `enmity` with the serpent`s `seed` of the `ass as sin`. The virus of the `red dragon` of homosexual pederasty`s warmongering terrorism, which  `hacked` into the Twin Towers of the `Big Apple` of New York`s Eve`s `Homeland Defence` and, according to Revelation, is the `ass-fucker`s disease` of those that reject Redemption and who shall have eternal unendurable pain as God`s punishment.



 According to the Gnostic Naassenes (100 AD -) the serpent is wise, which means that the penis is a source of developmental energy. A Naas-fucker is he who doesn`t want wisdom therefore. But the Twin Towers, callously broken as a child with an old toy in 2000, had to be paid for by investors who`d earned the money, constructed in the 60s, worked in for five decades, and its people educated over a generation to be creative in business - which requires wisdom. The terrorists of the `ass as sin nation` (Afghanistan) were the assholes who didn`t want it. That is why Iraq (Saddam), Afghanistsan (Al Qaeda) and Libya (Colonel Gadhaffi) are `ass-as-sin-nations`; the nations of the `ass as sin`. Homosexuals want their virus of terror to bring death and destruction to Woman`s development – the `Big Apple` of Civilization, for example, and the 5,000 or so wise `little people` who worked in the World Trade Centre in New York are only `assholes` to the homosexuals who want nothing but 50s style `hood chic` in order to be their vampiristic despisers.



 The site of devastation of the Twin Towers therefore represents the penis` collapse and, instead of the World Trade Centre representing the man and woman`s penis, they are reduced to twin assholes at `ground zero` - the worth that homosexuals place upon man and woman. The WTC will be replaced by a single penis, to emphasize that homosexuals are the ones with the penis and Woman doesn`t have one – although as futanar she does and is a separate species that doesn`t need men for its continuation. Men perceive this as threatening, but it is in accordance with the `will of God` and Revelation. There shall be `enmity` between the woman`s `seed` and the serpent`s and, if men do not accept Redemption, they shall have perdition rather than immortality amongst the stars with Woman, who has her own penis and her own `seed` to sow.



 In the Bible Onan was sentenced to death by God for spilling his `seed` upon the ground (Gen: 38.8-10), which is understandable if he despises his procreative ability but masturbation isn`t onanism; it is self-love - and who is worth remembering if they do not love themselves? In Egyptian mythology, Osiris is the enemy of Set, the Evil One. He is the son of Ra:


 `Hey Set! You`re Ra`s ass sin!`



 Osiris is the one assassinated by Set who is the homosexual ass-fucker that contaminates the spirit of God. Ra is the Creator in Egyptian mythology and is incarnated in his son Osiris – as Jesus is `the Son of God` in the New Testament (Matt: 27.54). Set is the `ass-as-sin` who, in cutting Osiris into pieces, represents dismemberment through sodomy, that is, the spiritual separation of man, and therefore of God, from woman by the Evil One:


`Set is depicted as trying to prove his dominance by seducing Horus and then having intercourse with him. However, Horus places his hand between his thighs and catches Set's semen, then subsequently throws it in the river, so that he may not be said to have been inseminated by Set.`



 In 21st century terms Osiris represents the schizophrenic society that becomes collectively less able as the evil individual becomes more prevalent, while Osiris` reincarnated as Horus who refuses the semen of Set represents the society that is combating the threat of homosexual pederasty and HIV/AIDS. In the myth Isis can`t find the penis of Osiris and so fashions a new one for Osiris who is reborn as Horus. Horus doesn`t want to be inseminated by Set, because Horus is proto-hermaphrodite and could be inseminated but, in terms of the Egyptian mythologem, Horus doesn`t give any valence to boy sons, because the poisons of HIV/AIDS is what homosexual pederasty will be.



In Christianity, the futanarian woman remains `hidden` until ready to leave and `sow` her `seed` in heaven, which is why Horus is the `sky god`. In Revelation woman`s `seed` leaves Earth for the stars, while the hermaphroditic `sky god` Horus, both denies and prefigures her. Because, for a proto-hermaphrodite with a male valence, homosexual pederasty`s devouring `red dragon` of war and blood plague can always make it plain that `toyboys` are for planes.



 In the Egyptian myth Isis` fashioning of a new penis, or member, for Osiris` rebirth as Horus follows upon her collecting of his pieces dismembered by Set, which is her re-membering and a re-collecting of the woman of the Earth`s time spent with the incarnated sun god Ra. In other words, she remembers herself in recollecting Osiris. Osiris` new penis as Horus corresponds to that of the so-called `she-male` which William Blake divined in his 1919 poem The Second Coming:


`And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?`



Sodom and Gomorrah (Gen: 16, 19), which were destroyed in the Bible by God, were the `cities of the plains` that contained the `boy sons` that had the `poisons` or viral strain that was, or would become, HIV/AIDS, whereas New York, Arlington and the Pentagon were the `cities of the planes`. If 9/11 sought to prevent a reawakening of the knowledge that women have a penis of their own, and so are an independent species, it was planes` speaking of someone on behalf of the `she-male` who should want to be a `sky god` boy son keeping woman`s womb enslaved here upon the Earth so that she can never leave the poison penis of the male.



Jesus cries upon the cross: `My God! My God! Why hast thou forsaken me?` `Thou` is the woman from his `side` who Jesus momentarily feels betrayed by. She is the spirit of God that has brought him to this point. The men there represent the evil Set, who is physically by Jesus` side in the shape of Longinus putting his spear into it - in a mockery of fertilization that, nevertheless, effectively means the release of the Paraclete while signifying Jesus` extremity in his relations with God`s `tutelary spirit`. Men are God`s betrayers and `ass as sin` because they replace the Paraclete`s love for God by infecting the body with their evil spirit through the anus - penetrating it in a mockery of coitus. This mirrors Longinus` mocking of the woman from Jesus` side in a supposéd Caesarean section which, in the wisdom of God`s omniscience, produces the Paraclete as a sign that God shall not be mocked and God`s Providence triumphs.



 The missing factor from the `Passion of Christ` is his humiliation in anal sex. Ra`s `ass-sin`, in the Egyptian myth. The evil spirits of men possessed Osiris with their ass-fucking. Ra (God) is incarnate in everyone (Osiris/Christ), so this anal contamination by the evil spirits of men is God`s `dismemberment`. The role of the Paraclete in Christianity is to be God in everyone, which is how Woman recollects God and how Man is remembered. Men, however, want their egos and, moreover, homosexuals want terrorism and death. Ass-fucking is how they plant themselves as the Evil One in order to be his `ass as sin`s` virus.



 In the Cold War (1947-91) between Russia and the West, `sleepers` were agents that were to be activated when needed by either side. Many of these were homosexuals and some were members of the `Apostles` at the UK`s Cambridge Universityin the 50s  – Harold `Kim` Philby (1912-88), Guy Burgess (1911-63), and Donald McClean (1913-83) of MI6, for example. It is the paradigm of the anti-Christ who, `civil`, adapts his `craft` to protocol (9/11) and is the Evil One who, as a homosexual, `sleeps` within as an ass-as-sin`s virus (the AIDS paradigm) and reemerges periodically (Set, Longinus, Saddam) in order to continue his murderous assault upon God`s Woman and her Civilization.



 This is what 9/11 attempted, but it began `the War on Terror`. Viewed initially as `overreaction` by the USA, it was based on accurate recognition of the parameters. Terrorism is activated by ass-fuckers who don`t want God`s love or Woman and contaminate the Paraclete with their evil intentionality thereby. The paradigm is the sanguine approach to war on the part of `infected bloods` (cf. Sylvester Stallone in his portrayal of `Rambo` in 1982`s First Blood), and the AIDS` virus as a `sleeper` activated as the Evil One to perpetrate betrayal and terrorism.



 Anal sex indicates the Evil One`s will that humans remain violence-retentive. It is low-down back-stabbing in preparation for `moving up` in order to perpetrate an attack `higher up` in treason against God. These are `ass-as-sins` and are irredeemable because they practise – or represent the `sleeping` intention to practise - treachery against the spirit of `God`s love` - which is God`s law - and the only possibility of Redemption.



 Although we know what AIDS does, we don`t know what it is – all we know is it is an STD. But we do know what computer viruses are, and if the Twin Towers may be understood as the central processing units (CPUs)  of New York`s business empire, and the `civil` aircraft that the terrorists politely crashed into the towers were the `Greek horse` employed by the `Greek` disease of homosexual pederasty to spread its viral `game` into the 21st century, then upstate Troy, New York, would be the symbolic target of  what the computer industry have mistakenly called `Trojan viruses` because to `work like a Trojan` is proverbially laudable, and so the aim of the devouring `red dragon` would be to prevent the `new economics` from prevailing.



  In the Bible God exhorts Adam and Eve to obtain their bread `by the sweat of your brow`, and in Karl Marx`s 19th century Communism the precept was `from each according to ability to each according to need`, whereas capitalism`s perception was that people should produce what they want. However, capitalism became exploitation because those who produced what they wanted were slaves to those who made them produce, and so the 21st century represents the opportunity for people to produce what they both need and want, because that`s what the social experiments of communism and capitalism were for. The usual response to the suggestion people should be free to have what they want is that they`d want `bread and circuses`, but that ignores the fact that what people need and want has been discovered. Consequently, 21st century living theory must devolve from the notion that people can be helped to work for what they both need and want, which would be `the new economics` and would correspond to what would otherwise be thought of as `slavery` because what people need is not always what they want.



 In the Bible God forces reproduction on mankind. Onan is killled for masturbating rather than impregnating Tamar, but 2000 years after Christ production has replaced reproduction as the basis for biblical thinking, and the `mark of the beast` in Revelation is therefore understandable as a question mark: how many homosexuals does it take to reproduce? The answer is that they can`t reproduce because anal sex precludes reproduction. If the basis for economic theory on Earth is the devouring `red dragon` of homosexual pederasty, then HIV/AIDS is a form of consumption and originally it was described as the `thin disease` because it wasted the body. In Revelation war, plague, famine and death are apocalyptic signs. 9/11 was the first symptom, in the sphere of 21st century economics, of the appearance of the `wasting disease` of sterile devouring homosexual pederasty. In Revelation noone can obtain what they need or want without the `mark of the beast` but, if the basis of economic theory is homosexuality, then we need the right question: how many women does it take to reproduce? The answer is one, because the penis of a futanarian woman is so long she can fertilize her own ovum, which suggests that feminism provides an economic soluion to the problem of the consuming `red dragon` of homosexual pederasty. The penis doesn`t want men but women, which means that women as a species with her own penis isn`t consumptive. Because she reproduces and men can`t. Consequently, biblical thinking after the 21st century should devolve from what woman as a species wants to produce for herself, which means that she has to be asked. If she is not asked, it will be unendurable pain forever for those who are in a position to ask the question. If woman with a penis is the species, planetary economics is dependant on her needs and wants. If the devouring `red dragon` of homosexual pederasty is the economic guru of `business and Christianity` capitalism, all of the Christians will be eaten by the `lions` of the circus again, but at least Jesus will have been imitated:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16. 10)



 9/11 was an attempt by human beings to be the Evil One and prevent Man and Woman from having Redemption by preventing God from being remembered as the species of woman, which the Evil One sought to achieve by the 21st century paradigm of `Saddamy` and terror.



 In order to exterminate the Evil One, homosexuality has to be exterminated. Woman with a penis doesn`t need men, but homosexuals need `assholes` so that they can give the Holy Spirit their `sleeping virus`, which is the otherwise inactive sterile spirit of the Evil One. Noone knows where HIV/AIDS came from, but it is the virus paradigm of the millenium, and the `War on Terror` is, in effect, a war on sodomy and those men who are the virus of the Evil One representing `ass as sin nations` against God.



 God destroyed Sodom, and the USA destroyed Saddam, but terrorism is `the spirit of the Evil One` that even led Jesus to doubt the spirit of God`s love by his side upon the cross. Homosexuality is `the spirit of evil` and has to be exterminated. God has prepared for this in his Woman with a penis, that is, futanar, who doesn`t need men for the continuation of her species; the sowing of her `seed` eternally amongst the stars as promised by God – while men who do not accept God`s love have perdition.



 Jesus` celibacy means that, effectively, he doesn`t have a penis. His crucifixion, especially the cutting open of his side by Longinus to - effectively - ensure the emergence of the Paraclete, is a catalyst for her recollection of herself as the Earth and his remembering of himself as God through her love. The Paraclete, as the spirit of God upon the Earth, is God`s memory.



 The celibate `Son of God` (Matt: 27.56) doesn`t symbolize the penis but still corresponds to the Egyptian figure of Osiris who can`t be remembered without Woman to recollect and fashion a new one, so the `assumption` is the `Son of Man` (Matt: 26.64) can`t be Resurrected without the Paraclete (1 John: 2.1), which is the spirit of God and God`s love. Set is the Evil One (Satan) because he represents men who don`t want Woman: they`re `Ra`s ass-sin-nation`, that is, the Satanic principalities of homosexuality. The evil men of the nations of the Earth who, in Revelation, do not want Christ and the spirit of God`s Woman to develop her own civilization. But that`s God`s promise to her own `seed`, which won`t be evil as-ass-sins to her.



 The idea of the unused or lost penis is a metaphor for Woman`s own penis that she recollects in her remembering of Osiris/Christ. In the Egyptian myth, Osiris` penis is fashioned anew, that is, it`s recollected and remembered by and for them both, which is why Jesus is celibate. One woman wouldn`t be enough for him to recollect and remember God. This is the meaning of the Paraclete who is omnipotent God`s omnipresence and, ultimately, God`s omniscience and omnibenevolence because she`s God`s love and wisdom. In every woman she is God, but men practise homosexuality and so, although the figure of Everywoman is a temple for the Paraclete`s storehouse of knowledge, cowardly men enter as `ass as sin`s` at her rear entrance to give both man and woman their evil spirits – which is the Evil One.



 Jesus` celibacy and Osiris` penis loss is, therefore, a technique employed by the `man God` who perceives that Woman is God because she doesn`t have the evil spirit of men (ass-as-sin`s) in her - unless she is corrupted, which is why God destroyed Sodom and Gomorrah (Gen: 18,19). God`s `solution` is to give Woman her own penis to make her the sole producer without men, who are sterile and practise their desire for sterility upon each other and in order to sterilise the planet by means of themselves as a `virus` - in the form of war (death), plague (AIDS), and famine (the `thin disease`).



 As Hollywood`s stars are a paradigm of heaven on Earth, so Britney Spears in Oops I Did It Again on Mars  is Woman `clothed with the sun and with the moon at her feet`. According to Revelation the `woman clothed with the sun` (Rev: 12.14) lives in the `desert` and is given the `wings of the eagle` to help her, which suggests that the United States of America is assisting her in the sterile wasteland men have made of the Earth. In Oops I Did It Again Britney has left the Earth for scifi heaven; escape from the bloodiness of the `red dragon` and the ass-as-sin`s `blood plague` of Terra.



 As the Paraclete born from Longinus` spear cutting open the side of Jesus, Britney`s omnipresent as Spears and is God`s love as the antidote to war (death), plague (the spirit of the Evil One), and famine (the `thin` disease) because, in her red suit, she`s immortality and Redemption for her recollected and remembered `Self`, which is her Manifest Destiny as Woman with her own penis.



 In the 1700s France was overrun by bubonic plague, the `Black Death`, and the bloody French Revolution (1989-99), the `Great Terror`, which was itself described as a `plague`. War, Revolution, and plague are therefore concomitants. In Revelation, there is terror and Revolution through the red dragon as the seven plagues (the spirit of the Evil One in the mind as the terrorist`s desire for the spilling of blood and HIV as terror - `it is in our blood` – literally in the red cells of our haemoglobin). He, the red dragon, is replaced by God`s Kingdom on Earth and, in heaven, by `the woman clothed with the sun` who is of the city of Eve, the `Big Apple` of the `third eye` of New York`s Adamic First Man on her moon. She it is who, with her vision intact, rises upon the wings of the eagle of the United States of America, to exterminate `Saddamy` and ascend to the starry Empyrean to dwell in God`s love forever.


1 Nostradamus, Michel Prophecies, Century 10, Quatrain 72.





Ugh Ape!

01/01/2012 15:07

Ugh Ape!


For Christians, agape means familial love (Matt: 22.37-40), and relationships based upon that concept of family. AIDS is, of course what is perceived as threatening family values. Largely perceived as a homosexually transmitted disease, it is described in the Bible as one of the plagues sent by God to punish mankind.


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)



 A `gay deceiver` is what the French call a roué, which is what the English call a rake, and deception is what philanderers practice. Homosexuals are `gay` because their activity is intrinsically deceitful. That is why the serpent in the Garden of Eden is a deceiver of Eve. She is persuaded to eat of the fruit of the tree of the Knowledge of Good and Evil (Gen: 2.9), which she also gives to Adam. God tells the serpent that there will be perpetual `enmity` (Gen: 3.15) between its `seed` and that of the woman`s. It is a simple equation: the evil will die and receive unendurable pain forever; and the good will live forever in God. The serpent represents the poisons (boy sons) of the Edenic pair; war and disease particularly: and, in these the Last Days spoken of in the Bible, HIV and AIDS.



 Revelation presents sado-masochism. Those with the plague curse God who, as omnipotent good, would save them. Why do they not ask? Because, for them, Jesus` crucifixion - as the Son of Man - represents a homosexual sadist`s achievement. This is underlined by Longinus` cutting open Jesus` side with his spear, and declaring sadistically: `Surely this was the Son of God!` (Matt: 27.54)  For a sadistic homosexual, what is being achieved is the torturing of God in the person of the Son who is, as a part of the Christian Trinity - and which for some includes the Virgin Mary (added misogynistic hatred) - God in fact.  Moreover, for the sadist, Jesus represents the trained masochist; because he accepts the role that the homosexual sadist has prepared for him. Not only that, but he is made to see that it is his Father, God, who tortures him for the amusement of homosexual sadists everywhere:


`My God! My God! Why hast thou forsaken me?` (Matt: 27.46)



 God is, therefore, to a homosexual sadist, a homosexual sadist with overtones of paedophilia and pederasty (on the part of the father or otherwise) to go with the homoeroricism of the naked young man being tormented upon the cross by Roman soldiers with big spears. The only character missing from the ménage is the Holy Spirit, which is called the Shekinah (Ex: 40.35) in the Song of Songs and dwells in the Tabernacle where the Ark of the Covenant contains the Ten Commandments of God in the Old Testament. She is also known as the Glory of God and God`s Spirit, and Longinus is looking for her with his spear during the crucifixion. Eve was from the side of Adam and Jesus is the Second Adam, so where is Jesus` Eve? Longinus cuts open the side of Jesus with his spear to find her.



 After Jesus` resurrection and Ascension to God, the Holy Spirit, that is, the Shekinah as Paraclete (1 John: 2.1) or `teacher` of God`s path to those who accept Jesus` redemptive teachings, has her role upon the Earth. Because of Longinus` role as the instrument of the sadistic homosexual, we must suppose that the sadistic homosexual now proposes to torture man (because he`s a sadistic homosexual) and woman (because he`s a misogynistic sadistic homosexual) because they have the Holy Spirit in them.



 The ideal for the sadistic homosexual is to be within the spirit of the man or woman. The Shekinah is the Eternal feminine within Woman, and that relation constitutes happiness for normal women. The homosexual sadist would want to be within the Shekinah, which is why the practice of anal sex between homosexuals is Satanical, whereas Man`s normal relations with the Shekinah as the `spirit of God` constitute a basis for happiness. This is why Christ casts out demons:


 `…two demon-possessed men… met him. They were so violent that no one could pass that way. `What do you want with us, Son of God?` they shouted. `Have you come here to torture us before the appointed time?` (Matt: 8. 28-9)



 They are the spirits of sado-masochistic homosexual misogyny, which theme is the torture of woman, woman`s spirit, and the individual who has accepted the female `spirit of God`, the Shekinah, or the person who has accepted the spirit but has been conditioned into the role of masochist by the homosexual sadist, which is the tormenting of God, as Jesus was also God`s unaccepting tormentor.



 After Jesus` Ascension and the continuing role of the Eternal Feminine, the Shekinah as Holy Spirit and `teacher` in Jesus` stead, the sadistic homosexual that is the Satanical evil spirit of the planet, that is, men, seeks to torture God in everyone, which is possible from their point of view if the Shekinah is within and upon the Earth as the guiding spirit of God.



 The Church may say that you have to accept the Holy Spirit, but a look at any newspaper will tell you that priests are sadistic homosexual misogynist pederasts. Hypothetically, they want you to accept the Holy Spirit in order to torture God through you, which is the Satanical spirit of the sadistic homosexuals who want to replace the spirit of God with their Satanical spirit. Sadistic misogynyst homosexuality towards those conditioned to accept masochism is how the torment of God is enjoyed. Ordinary `meekness` represents `merely` perfunctory torture without conscious participation on the part of the tortured, and from the point of view of the Satanical this is what the Shekinah or `spirit of God` is for.



 AIDS came originally from monkeys, according to medical research,1 which is difficult to accept if one encounters an AIDS victim because it interferes with notions of universal familial love and Christian agape. But it helps to put things in perspective if the principle is accepted that God does not want sodomy, and that is why Sodom was destroyed. Similarly, if sadistic homosexuality is Satanical, HIV/AIDS is sadism looking for a masochistic victim, which means the `red dragon` of the `blood plague` is seeking to `convert` and `subvert` normal individuals to sado-masochism through `devices` such as BDSM. Anal sex is sterile, painful, and results in the `killer disease` of HIV/AIDS from the mixture of blood, shit, urine and semen, which is the reason Sodom was sterilized. Because it presupposed the masochism of Gomorrah, and that is why Gomorrah was sterilized. Because it required sadism. (Gen: 18,19), which is anal sex.



 BDSM is marriage, faithfulness, and humility in God without sadism. Because bondage is marriage, dominance is faithfulness, and masochism corresponds to humility. Unless sadism is added.. Basically, it`s the Marquid De Sade`s AIDS monkeys forcing you to their level of non-human activity, which precludes development and seeks to `convert` others from it or `subvert` it. Because the acceptance of anal sex requires that the victim be tied. It is `Ugh! Ape!` Your ape of Satan as your rape and his aides (AIDS), which agitprop for torture instead of sex. Don`t have sex, you`ll contract AIDS is the torturer`s valence. For pleasure and spontaneous orgasmic elation at their demise, without even touching the dirty, bleeding animals, as Brett Easton Ellis advocates in his infamous novel about the snuffing out of lives for entertainment, American Psycho (1990-91).



 This is 21st century psychosis, and logically derivable from `Noli me tangere.` (John: 20.17) approaches towards sex in an HIV/AIDS threatening environment. Murder people, especially if they look as if they might want to have sex. This is psychopathological, and it satisfies the desires of the sadistic homosexuals. Not only that, but the AIDS plague as a `punishment from God` suggests that God wants people to be sexually active so that they will have AIDS, which makes everybody a target for the sadistic homosexual misogynistic pederast psychopaths who teach that God hates sex anyway.



 Moreover, if God hates sex and wants us to have AIDS, God hates us, doesn`t God? Brett Easton Ellis (1964-) produced such a `Godly` character: `You gotta kill a lotta people!` he screams at a phone he`s picked up after it rings while he`s butchering some people in their own apartment. He doesn`t have a motive; but if God hates sex then God hates people also.



 Homosexuals are about deceit. They exist in an atmosphere which encourages them to be deceitful about their sexuality. Because it is sterile. Homosexuals `moon` over boys who have no interest in them at all and convince themselves and others that the boys desire them, which is a lie and the basis for rape and murder because it is the fulfilment of their valence. Sadists are similarly deceit oriented. They are concerned with finding victims who are not aware. The Game (1997) starring Michael Douglas (1944-) is presented as a movie entertainment in which the central protagonist loses everything after being manipulated by shadowy figures. The denouement is that it was all a `game`, but the character`s cuts, bruises, and traumas are real. Just as Jesus` were.



The Game is a conversion vehicle for BDSM acceptance, which is Satanical sadism. If the aim of sado-masochism is to promote the `blood plague` of HIV/AIDS, The Game is a vehicle of conversion, which is what sadists do. At game`s end you have lost everything and are melancholy, which is what sadism `produces`. They are elated while you are sad. Because you are. It is `the game` in which you are painted as a powerless masochist, and you become so irrespective of whatever powerful position you may have been in. Sadists may even let you think you are one amongst them; but the truth is it`s `the game` and you will be sadder and not wiser.



 It is wise to understand that sadism is the spirit of the Earth. Saddamasochism is a recently recognized threat. Everybody is in danger of being at the mercy of some sadist or other: it`s the system. Saddam was a damn but he represented the sadist`s requirement; victims – willing or otherwise. Gassing the Kurds2 in Kurdishtan was `poisoning his own well`, which is the greatest crime in Islam. Rubbing the two sticks of the World Trade Centre together in 2000 to produce a conflagration in the Middle East was sado-masochistic insofar as Saddam was inviting the US Army to BDSM. As Saddam I his name means I am [the] sad [beast] of Revelation, because `the number of the beast` is 666, which is 999 or the number of the police in the former British Empire and Commonwealth reversed, as 911 was the telephone number of the US police reversed on 9/11. In Arabia the tradition of the `hamzad` also has a bearing on the meaning of Saddam`s name, which to kabbalists might be reconstructed as `Zadham`:


`My lord! It was not me who seduced him at the beginning, but it was he himself who preferred blindness to guidance. So, I helped him achieve his goal through seduction.` Koran, Surah 50, Qaf. 27



 Because Saddam`s name reversed is, effectively `hamzad`, Saddam`s is a reversal of fate because his path went awry when one of his military commanders invaded Kuwait, perhaps without his permission, and not as the result of seduction by the hamzad `companion`, or djinn soulmate, which is callled the Qareen in Moslem tradition. In other words, Saddam represents what the Moslem people`s call Shaitan, which is an individual Satanically influenced. Just as the Holy Spirit or Shekinah of Christianity is female, so the `hamzad` may be male or female, and good or evil, which suggests that the `companion` is good if female and evil if male, because the soul and spirit are female. In short, Saddam is Adam reversed, because Adam`s city was New York`s Eve`s, and his fate was evil because his hamzad was a male demon and not a female `companion`. Because the male valence of the Earth is the `red dragon` of devouring homosexual pederasty men want demons. The valence is depicted neatly in the 60s scifi TV series Star Trek in which the crew of the starship Enterprise encounter an individual with a female `companion` that appears as a spirit, and the episode details the crew`s efforts to separate them. The female spirit of the `companion` is perceived as `demonic` because it isn`t male, but the notion of `hamzad` meaning Saddam reversed suggests that replacing the female `spirit of God` with a male valence is evil.



 In Revelation we are told `let him that hath wisdom understand; the number of the beast is the number of a man and his number is six hundred three score and six` (Rev: 13. 17-18), which is 666 while 9/11 is 911, the number dialled for the police in the USA. As a ruler Saddam is supposed to `police` his people, but a dictator `bullies` and so 999, which is the `police` number in much of the rest of the world, has become 666 as a symbol of the terrorist `bullies` that attacked the world`s policeman on 9/11.



 Having received the emergency call (911), the USA exterminated Saddam with the help of the Coalition, including Britain where the police number is 999, which means that, although the police were seemingly ictorious over the 9/11 `bullies`, 999 can become 666 and rulers sado-masochistic dictators. Just as sadistic homosexuals` feigned interest in sex can blossom more quickly into torturing their victims within the BDSM `number of the beast` telephone network.



 The American Dream is progress and development in innocence; whereas America actually progresses and develops under threat from figures such as Saddam. The USA accepts this handicap and remains prepared to fight for `life, liberty and the pursuit of happiness`, which is against Saddamasochism, being sad, and allowing sadists to make them unhappy. This is why the Americans believe in Manifest Destiny, which is the fulfillment of the American Dream. It is the hope that America progress and develop in innocence, that is, without being threatened:


`In God we trust.`


1 Peiperl, Laurence M.D. `Did the Green Monkey Start AIDS?` Editor-in-Chief HIV In Site, University of California, San Francisco,


2 Cole, Juan `Did Saddam Gas the Kurds?` History News Network, 2nd April 2003,

Thorn in his side

01/01/2012 15:06

Thorn in his side


In Eden Woman is created by God from the side of Adam. She is on his side thereafter, as Right is Might, as it were. But it has nothing to do with dexter or sinister as the Romans would have it. The right side is the good side. Either side is good if it is good. It the either/or thinking that is associated with the Greek philosopher Aristotle (348 BC – 322 BC) that betrays us into `taking sides`. This is what occurs in Eden when the serpent offers the forbidden fruit of the Tree of the Knowledge of Good and Evil. Gen: 3. 1-6) The fruit of the Tree of Life is wholly good, but the serpent wants to take Eve from the side of Adam, and therefore from God. So it produces Aristotelian logic, either choose good or evil. Before this juncture Eve is God and does not know herself from Adam who is with her in God.



The serpent represents adultery, that is, coming between Man and Woman. The Woman comes from the side of Man and the serpent is the one that has no spine and therefore has no side. The Woman is close to God and Man because they share a spine and she comes into visible being from the side of Man through God who is her Creator. It is a biblical mnemonic on the subject of the evil that `upon thy belly thou shalt go` (Gen: 3.14), as a recognition that the evil are spineless and treacherous.



It is a tradition that the serpent`s head is crushed by the foot of `the woman`s seed` (Gen: 3. 15), and traditionally Satan is represented as having hooves. It is British slang to call a homosexual an `iron`and the term comes from London`s Cockney Rhyming Slang in which `iron hoof` means `poof`, which is a further slang term for homosexual. The serpent in Eden prefigures homosexuals who seek to take the woman from the man`s side, not for sexual purposes, but simply to betray her. However, as it says in the Bible, `the wages of sin are death` (Rom: 6. 23).  A gun is called a `side iron` in the USA because it represents that which would part Woman and Man by violent means - Satanically. This is why the serpent in Eden is depicted as evil, because it is.



The serpent in Eden is successful because it confuscates sidedness to suggest that one side is good while the other is evil. In fact the suggestion is that Adam is good and Eve is evil, from which all else springs. But it is the serpent that is evil, it represents `enmity between...[itself] and the woman`s seed`, which suggests that the serpents` seed shall have human form but not be human, something which biblical commentators do not emphasize enough. The evil are amongst us and they are not human, they are the evil enemies of God and they are homosexuals – as defined in Genesis as serpents who would take a woman in order not to have sexual relations with her but to destroy her.



The nature of homosexuality is important but not paramount. Essentially it is a sterile mode that does not produce or develop. Woman is an oasis in the desert. Homosexuality is the desert. She offers dates in her palms, as it were. Her years and her occasions. She connotes immortality in the oneness that is Woman and Man as One Creature in God that continues throughout all Eternity. That is God`s Promise, that the seed of Adam and Eve shall be as numberless as `the dust of the Earth` (Gen: 13. 16).



Because Adam and Eve are One Creature in God, so are their children. That is the immortality promised by God. The serpent represents `perpetual enmity between...[itself] and the woman`s seed`, that is, Satanical male homosexuals. Men are to be the evil enemies of God because they seek to betray Woman and her `seed`. The nomenclature is interesting because Woman does not have a penis and `seed` does not suggest `ovum`. What it does suggest is that Woman shall have a penis and that men shall hate her for making them redundant and revealing them to be evil. They shall prefer one another, as it were, and there shall be `enmity between...[them] and the woman`s seed`.



According to Gnostic thinking, the Holy Spirit corresponds to the Shekinah, which is the Glory of God. She appears in The Song of Songs: `Your hair falls in waves… winding down the slopes of Mount Gilead.` (Songs: 4.1). The Naas of the Naasenes, which sect preceded Christianity, is a serpent of Wisdom (John 3: 14) and this passage from The Song of Songs connotes the Wisdom that is the omniscience of God, which `moves in mysterious ways its wonders to perform`.1 The windings of a serpent of Wisdom, as it were, rather than that of the `father of lies`, which is the `sidewinder` in Eden: the Evil One who comes close to your woman in order to `wind you up` until you evince anger towards her. It is his intention to destroy your relationship with his evil attentions whereas it is the intention of the Shekinah to preserve your faithfulness to God.  She does this by being the spirit of the `woman`s seed`, the immortal continuing presence of God in the generations of Man and Woman that is called the Paraclete in the New Testament and which is represented as being upon the Earth after Jesus` Crucifixion, Ressurection and Ascension (Acts 1: 9-11) to Heaven and God.



In Christian tradition there is the Naas and the Nous, which is the Spirit of God: `In the beginning was the word and the word was God.` (John 1: 1) The Bible is the Word of God, and Jesus is represented in Revelation as coming a second time as the Sword of God who `rules the nations with an iron scepter` (Rev: 2.27). In other words, Logos is Sword and Word but the Holy Spirit, often thought of as Logos, is missing. She is the Shekinah, the Glory of God as female principle, which is the complement of Logos as Word, that is, Eros or love relationships and relatedness towards Woman.



Longinus pierced the side of Christ at the Crucifixion with a spear. (John 19: 34) Because Jesus is called the second Adam, we may assume that the centurion is looking for the second Eve, that is, he represents the serpent seeking to rob Christ of the Woman that belongs by his side, the Shekinah as Holy Spirit, that is. The betrayer of Woman is a spineless coward, a snake that crawls in the sand of sterile homosexuality when there is an oasis of womanliness to nurture and develop. Longinus waits until Christ is helpless before cutting open his side with his spear. It is not a Sword either, which is relevant. Why, then, is the spear known throughout the Christian Age as the Spear of Destiny? Because it is not the Sword, Logos as Word, but the Spear of God, that is, the Holy Spirit or Shekinah as Nous and Naas or Logos and Eros as complements.



In the United States of America they speak of `life, liberty and the pursuit of happiness`, which is a `blue bird` in American tradition. It appears in Song of the South (1946) which is about the suffering of  Americans in slavery. Pursuit of the `blue bird ` therefore represents the American Dream, which is Manifest Destiny, that is, the immortality of `the woman`s seed`, which is the Glory of God, the Shekinah.



However, people can be made to accept anything if they have the `blue bird of happiness`. They are always happy, so their possession of it can be a curse. This is what was meant by Saddam Hussein (1937-2006) and the terrorists on 9/11, and Hitler (1889-1945) and Brezhnev (1906-1982) before them. The USA is happy in the American Dream, which progresses innocently if unthreatened and, because God is Almighty, America is as mighty as she believes. However, true innocence is progress without the anticipation of being threatened and the requirements of defensive/offensive capability. So the Taliban terrorist attack on the Twin Towers of the World Trade Centre in New York on 9/11 2000 was a threat to the American Dream of progress through innocence.



Another bird is the robin which, according to legend, perceiving the crown of thorns placed upon the head of Christ by the Romans as a part of their torturing of him, and its attempts to remove it pierced its breast from which its descedants have received a permanent blood red stain thereupon.


The Legend Of The First Robin


One day, long ago, a little bird in Jerusalem saw a large crowd gathered around a Man carrying a heavy wooden cross. On the Man's head was a crown made from a thorn branch. The thorns were long and sharp. The little bird saw that the thorns were hurting the Man. It wanted to help Him, so it flew down and took the longest, sharpest thorn in its tiny beak.The bird tugged and pulled until the thorn snapped from the branch. Then a strange thing happened. A drop of blood fell onto the bird's breast, staining it bright red. The stain never went away.And so today the robin proudly wears a red breast, because it helped a Man named Jesus.2



The Shekinah or Holy Spirit is symbolized by the dove, and the blue bird of happiness is a jay; so what is the robin? A fighter who is notoriously territorial and so the robin is a symbol of  that which is prepared to fight for God and even receive wounds in order to receive the Holy Spirit, the Shekinah, and immortality in God.



 Christ is, essentially, all of these; man without woman; the Spear of Destiny; the Armies of God; and the Shekinah as the bride of Man and Woman as One Creature in Eternity, together with all of their myriads of descendants who are also the One Same Creature in God (though they are all individuals). In English there is an idiom: to be a `thorn` in someone`s `side` is to prevent someone from achieving success. The robin was pierced by a thorn in its breast while attempting to remove the crown of thorns placed on the head of Christ, so the crown represents the crowning Glory of God that has to be fought for, the Shekinah. That is why the spear of Longinus means `the spirit that shall be Long in us`, and the spear represents the Spears of God needed to exterminate the evil enemies of God that are those who would torture us as sadists and explain that it is Christ-like to be sad instead of living the American Dream of `life, liberty and the pursuit of happiness` for the immortal Glory of God which is Our Destiny:


`I`m Miss American Dream since I was seventeen.` Britney Spears



1 Cowper, William `Light Shining Out Of Darkness` in Olney Hymns, 1779.



This Troy, this New York; Britney Spears: The Face that Launched a Thousand Ships

01/01/2012 15:03

This Troy, this New York; Britney Spears: The Face that Launched a Thousand Ships


Someone was playing a game with the USA on 9/11, or the virus of the Evil One is ancient and strong. `This Troy, this Ilium...` is a common translation of the first few words of ancient Greek from Homer`s (850 BC) epic poem, The Iliad (ca. 1194-1184 BC) which narrates the siege of Troy by the Greeks after Meneleaus` wife Helen was abducted by the Trojan Prince Paris. The story is known as `the rape of Helen`, and she was `the face that launched a thousand ships` because Meneleaus` brother was Agamemnon, the ruler of Sparta, and he persuaded the Greeks to beseige Troy, which was located on the island of Lesbos.



The location of Troy is important because Troy is a city in New York state, the motto of which is Ilium fuit, Troy est, that is, `Ilium was, Troy is`, which is a challenge to the `Greeks`, as it were. But who is the US` Helen? The `Big Apple` suggests that she`s Eve, or `the spirit of God`s Woman`, which in the Bible is the Shekinah (Ex: 40. 35) of the Old Testament , and (God`s law) and the Holy Spirit of the New Testament (God`s love`). Both of which came from the side of Man. Eve emerging from within Adam and the Paraclete (1 John: 2.1) emerging after Jesus` death when his side was pierced by the spear of Longinus. She emerged from behind the `veil` of Jesus` death, that is, she was the `spirit of God` teaching through Jesus from behind his eyes, and continued in humankind for 2000 years after her birth until 9/11 when her spirit was attacked by Al Qaeda`s terrorists on Manhattan Island in New York in 2001.



Archetypally, the attack on New York`s World Trade Centre was an attack on the `towers of Ilium`, but archetypes are `developmental` in psychology and destruction is not, which suggests that a neuro-linguistic programmer (NLP) has been at work for thousands of years with `autosuggestion` and the words `this Troy` and `destroy`, and has - as its 21st Century `paradigm` - the `Trojan horse` virus and the notion that `history should repeat itself`. The target on 9/11 was God`s Paraclete and Woman`s development and progress in innocence without threat (Civilization), which is `life, liberty and the pursuit of happiness` and the American Dream and Manifest Destiny.



The Spear of Destiny is Longinus` which released the `spirit of God`s Woman` providentially from the side of Jesus at his crucifixion and death. The obvious candidate for America`s Eve is, therefore, Britney Spears (1982-); because the Paraclete is present for all those who accept the Holy Spirit and her teachings of Redemption. She is E Pluribus Unum, `out of many, one`, that is, the meaning of the motto of the `Great Seal of the United States of America`: she is the Paraclete which speaks with `one voice` for America because she`s God and Jesus` `teaching assistant` - `teacher, guide, comforter and helpmeet`.



Feminism is Woman`s `development` because men don`t want her to develop herself, although Man and God may want her to. Men are produced by Woman and have no further need of her when physically grown. Woman is the Creator`s Producer and Product – Civilization – so is `the spirit of the wisdom of God` and – with the Paraclete – she`s responsible for `spiritual growth`, which requires a feminist perspective that includes lesbianism and Britney Spears is bisexual.



Ancient Troy is close to the island of Lesbos, and Troy in New York state is close to the `Big Apple` of Eve, which means that the air raids upon New York and the Pentagon on 9/11 were an attack upon female bisexuality. The remnants of Troy - led by Prince Aeneas - are said to have founded the British Empire and the USA`s `Statue of Liberty` is the symbol of continuing civilization after the defeat of Troy and the founding of the British Commonwealth. 9/11 was an attempt to shift the centre of Civilization by means of an attack on the walls of Troy`s Ilium, which were the Twin Towers of New York state, and so threaten female sexuality by association, because the island near Troy in ancient Greek times was Lesbos from whence lesbianism originated.



Troy, in New York state, is 2 hours` drive from Manhattan and, because ancient Troy was near the island of Lesbos, lesbianism and feminism was the indirect focus of the 9/11 assault. Socio-historically, the city of New York is the centre of sexual freedoms so Lesbos had effectively moved to mainstream consciousness in Manhattan while Troy - in New York state -  was symbolically the women hater`s real target at the World Trade Centre. The `Island` was figuratively Lesbos because, in Greek history, Troy was the city nearest to the island of the lesbians, that is, Lesbos.



The `aims of the plague`, which was Islamic extremism as the `beast` of Revelation, were to reassert male egocentricism and subjugate the Woman as the spirit of Civilization in order to destroy it – and her, which is the aim of the programmer who used `autosuggestion` to effect the correspondence between the words `Troy` and `destroy`. The USA`s relations with Saddam Hussein (1937-2006) – an ass as Sin who `moved up` by murdering Iraq`s President Qasem in 1959 - were a `Greek horse` or `Trojan virus` because the USA gave Saddam Hussein the world`s 3rd largest army in the world - and global terrorism was the back-stabbing result.



Just as Sodom was destroyed by God for `sodomy` (Gen: 18, 19), which produces STDs such as HIV and the AIDS` virus, so the 9/11 terrorist hijacking of `civil` aircraft to politely crash into New York`s Adam`s and Eve`s`Big Apple` business centre of World  Trade was, symbolically, Eve`s `Saddamy`, and `the base` of Al Qaeda,  represents the Muladhara chakra at the base of the spine where the anus is. In Hinduism the Muladhara chackra is the lowest energy point of the chakra ladder of Hindu spiritual and intellectual development and is associated with family and family values. The attack on the pillars of Western democracy was a threat to the foundations of the family and the airaids in the USA, which also struck at the Pentagon and Arlington, Virginia, were, because of the associations with anal rape, the equivalent of an airborne attack by the virus HIV/AIDS.



The `Twin` Towers because Man and Woman work together. She`s the spirit of God on Earth - and God is her spirit in heaven. Men alone are sterile as ass sin`s, that is, homosexual sterilizers who want to destroy the Producer (Woman) and the Creator (God). New York`s Adam`s city because Saddam wanted to show her who was `Dad` . He was an `ass as sin` in terms of career, because he murdered the Iraqi President in 1959 in order to `move up` quickly in terms of the `chakra ladder`, which represents intellectual and spiritual capability rather than the robbery and incapability of power grabbing through assassination. Saddam Hussein had his seat in Baghdad because he was the `dad` behind the `back` who stabs upward from the base of the spine, which is why the Bible tells it `upon thy belly thou shalt go`. Because it`s `moved up` by murder and, according to Revelation, shall have eternal unendurable pain because of it. Saddam represents the evil oneness of men who want to be evil spirits and heirs of the `ass as sins` who don`t even belong on the first rung of the ladder of success, because they`re the evil descendants of the spirit of the evil in Eden of whom God, the real Father, told Eve there`d be eternal `enmity` (Gen: 3.15) between its `seed` and hers.



Saddam is the `beast` as the fully grown `serpent` of Revelation, which is the `dragon`, as the antithesis of Eden`s Adam, which waits to devour the `seed` (child) of the `woman clothed with the sun and with the moon at her feet`. In the video Oops I Did It Again (2000) Britney Spears appears in a red suit on the `red planet` of Mars, which is symbolic of both the `red dragon` and Redemption. In Roman mythology the red planet Mars is the `war god`, which accords with the biblical symbolism of the `red dragon`, and `men are from Mars, women are from Venus` is a popular perception which, because the spaceman from the USA arrives on Mars to find Britney Spears, suggests Mars has become Venus, a perspective strengthened by the apppearance of not one, but two Britney Spears. One Britney in her red suit, and one iin a white bikini dress.



In white Britney lies beneath her spaceman-camera after he is raised above herself in her white bikni dress by Britney in her red suit. Her appearance as a second individuality suggests Britney is colonizng Mars for Venus, and so she corresponds to the `woman clothed with the sun and with the moon at her feet`, because that`s how the moon would appear from Mars - or Venus. However, Venus` point of view is that woman is a species with her own penis as a futanarian woman (, which explains Britney`s reproduction of herself.



  The red planet Mars is a sterile desert because it represents the male war god Mars, and the non-reproductive `red dragon` of Revelation, which is the devouring sterility of male homosexual pederasty and its `blood plague` of HIV/AIDS. In suspendng her spaceman so he is able only to film her with the camera beside his spacehelmet, Britney is showing how to control the `killer disease` of the HIV/AIDS virus, which would seek to make Mars sterile once again because, in representing a sterile desire, it represents the desire for sterility.



 Because the spear of Longinus effectively released the Holy Spirit, or Paraclete as the `Second Eve` from Jesus` side as the `Second Adam`, Britney Spears, as Venus on Mars, is a symbol of the multivalence of the Paraclete, which in Oops I Did It Again is depicted as having taught and subdued Mars. In Christianity, Redemption comes from being `washed in the blood of the lamb`, which means sucess in acceptance of Jesus` teachings through the Holy Spirit or Paraclete, and dealing with the `blood plague` of HIV/AIDS is but a single valence of the Paraclete`s multivalent capabilities. Taught by Jesus, the wisdom of `God`s love` (Luke: 10.27) comes from obedience to `God`s law`, which is distilled in The New Testament as `love thy neighbour`. However, God destroyed Sodom and Gomorrah (Gen: 16,19) because sodomy and BDSM mean that the penis` semen is too close to blood and shit, which produces the virus of HIV/AIDS that`s the `blood plague` of the `red dragon` of Revelation. The solution to HIV/AIDS is to `love thy neighbour` in acceptance of `God`s law`, or the result is the `red dragon` of devouring homosexual pederasty`s spreading of its enslaving passions by means of the wombs of women through warfare. The `blood plague` of HIV/AIDS is the biblical sign of God`s awareness of its contagion.



  In the English language a boy is a son, and so a fatherer is a furtherer of the boy son, which suggests that males further poisons, and that fatherers spread their contagion of war and plague because they`re a disease. Being `washed in the blood of the lamb` of Jesus` teachings after his crucifixion is the only antidote to the poison. In Revelation the `hidden` woman of the Earth protected by the scepter of the New Redeemer she has given birth to, in the teeth of the devouring `red dragon`, leaves Earth to `sow` her own `seed` amongst the stars, which means she` s a woman with her own penis and has no need of men at all. Revelation closes with the pronouncment that those who fight against her and her `seed` shall receive perdition and she shall be given a new heaven and Earth in which to dwell. In other words, men will fail to keep her on Earth and, if they refuse to let her go, God will punish them with eternal unundurable pain:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16. 10)



Arabia`s false Adam was Saddam who didn`t love his neighbours. He used poison gas against the Kurds in Kurdistan, so defiling the heritage of the foremost Arabian knight Saladin, which is Aladdin`s `lamp of Islam`,1 the light of God in the holy Moslem book, the Koran (610-30 CE):


`Allah is the Light of the heavens and the earth. The Parable of His Light is as

if there were a Niche and within it a Lamp: the Lamp enclosed in Glass: the

glass as it were a brilliant star… Light upon Light! Allah doth guide whom He

will to His Light…` (Sura 24: 35)



The name `Aladdin` means `height of faith`, and the name `Din` means `belief`, which suggests Arabia`s Saddam - the `false prophet` who isn`t Adam - wanted to destroy belief in Allah, that is, `Allah Din`. The `rape of Kuwait` is infamous, but the `Big Apple` of New York was, symbolically, the separation of Helen from Meneleaus, that is, Baghdad`s Saddam would be under siege until the removal of his `evil eyes`, which were the evil spirits of the ass-as-Sin`s `brotherhood`, from the `Big Apple` of New York`s Eve.



 In mythic terms, Saddam had raped Kuwait (Woman) after the fashion of Paris in the story of Helen, `the most beautiful woman` of Earth in ancient times, and Saddam had symbolically removed to Baghdad under pressure from George Bush Snr., the President of the United States of Amercia, who`d correspond to the Greek king Agamemnon and `brother` of Meneleaus, the husband of Helen. George Bush`s successor was his son, George W. Bush, who`d correspond to Meneleaus, as his father`s Christian `brother`, and George W. Bush responded to the `Trojan virus` of the 9/11  hijackers` crashing passenger aircraft into the Twin Towers of New York`s World Trade Centre by sending the `Greek` fleet to the Gulf to fight for the `Big Apple`, which symbolically was Helen`s of New York state`s Troy, because the `Big Apple` was the most beautiful woman in the world`s, according to Greek mythology.



 Although the wife of the Emir of Kuwait, Sheika Fitooh, and who would have corresponded to Helen, had died shortly before the Iraqi army`s invasion of Kuwait, the `rape` victim was held responsible for `transmitting` the virus. The story is peculiarly Arabian, because of its similarities with Shah Jehan`s 1001 Nights where the `brother` of the king is perceived to be having an affair with the king`s wife and she is blamed - and blameless. New York`s `Big Apple` of New York was attacked, because Al Qaeda found the `fruit of the knowledge of the tree of good and evil`, that is, the wisdom of Eve`s apple, `tempting` insofar as she was faithful to God, and that was why she was both `the most beautiful` and blamed. Because the virus didn`t want her.



 In chakra terms, the `apple` is the third eye of awakened consciousness, which was closed by the `ass as sins`. The `Big Apple` of New York corresponded to the Ajna chakra, or energy point at the apex of the spine, that is, the zenith of spiritual and intellectual achievement, whereas the spreaders of the contagion of terrorism, Al Qaeda, `the base`, corresponded to the energy point at the base of the spine, the Muladhara chakra, from which spiritual and intellectual achievment rises.



 The Al Qaeda terrorists were spineless cowards because they represent the denial of the fruit of the achievement that others have worked for, and the Bible of God has given us the sign of it in the form of HIV/AIDS` biological warfare against the wombs of women. The spreading of the disease of the `red dragon` of homosexual pederasty`s devouring warfare and `blood plague` to the `Big Apple` of the `developing world` is the way of the secret `ass as sin nations` as they seek to `move up` without working to develop anything for themselves or others. From the base of the spinal column as `fifth columnists`, the `red dragon` of enslaving and devouring homosexual pederasty induces ego-collapse and murder as a form of `blood plague` and back stabbing that can`t get any lower:


`Upon thy belly thou shalt go.` (Gen: 3.14)



 It was the Evil One who was the Evil Father – the `dad` behind the `back` of Adam waiting to practise `Saddamy` and `move up` with the `ass-as-Sin-nations` of Al Qaeda from `the base` of the spine of the `beast` of Baghdad through Kurdistan, Kuwait, and upwards to the `Big Apple` of dawning consciousness at New York`s towers of Ilium.



 Britney Spears corresponds to the `New Aphrodite`, because the Holy Spirit or Paraclete, as a multivalent `teacher, guide, comforter and helpmeet` born from the spear of Longinus after Jesus` side was pierced at the crucifixion, is Spears in contradistinction to the Sword of God, which in Revelation is described as Jesus` capacity to command the spirit by means of the Sword that comes out of his mouth, and is the Logos or Word of God. The evil spirits of the `ass as sins` would seek to contaminate the Holy Spirit or Paraclete so that the Word of God could not be comprehended.



 The Hindu system of the chakra ladder is important, irrespective of Christian belief, because it`s a symbolical construct designed to couch a message of import, which is what all religious systems are for. Although Paris of Troy was given Helen, `the most beautiful woman`, by Aphrodite, he received the `golden apple` as his reward for choosing Aphrodite as the `most beautiful` of the goddesses. It`s similar to the story of Adam and Eve in Eden where the Evil One gives them the apple as the `fruit of the knowledge of the tree of good and evil` (Gen: 2.9), which is ultimately wisdom because the Evil One is recognizable - and defeatable - as Adam`s ass-as-Sin`s. Al Qaeda, `the base` of the spine, and the `beast` because of `Saddamy`, which sought to spread the enslavng and deuouring contagion of the `red dragon` of homosexual pederasty`s warfare and `blood plague` through the `Big Apple` of the raised consciousness of the United States of America, was defeatable because `America the beautiful` is recognizable as the wisdom of God, whereas the `beast` of `Saddamy` was recognizable only as `base` and evil.



 In ancient Greece women were only valued as `producers` of more men, who were pederasts,2 and the notion of the `Greek horse` inside which men hid in order to slip in as Troy`s `ass as Sin` may be descried as  the `Trojan virus` paradigm of 9/11 in which the hijackers used `civil` aircraft as `Trojan horses` to slip secretly into the USA and, like PC `gamers` hacking into a nation`s security system for fun, breeched the CPU towers of the World Trade Centre`s Ilium on 9/11 to bring `plague aims` to the Earth in the form of George W. Bush`s declared `War on Terror` (2003-).



 Paris chooses Aphrodite because he`s the best judge. He wants the `most beautiful woman` because he recognizes that she`s Eve to his Adam, that is, together they represent God`s love, God`s law, `life, liberty and the pursuit of happiness`, the American Dream, and Manifest Destiny. According to tradition, the spear of Longinus is the Spear of Destiny, a symbol American predestination, which was symbolized at the beginning of the 21st century in Britney Spears` emergence as a `pop princess` with a voice:


`I`m Miss American Dream since I was seventeen.` Piece Of Me



 In the Hindu chakra system of spiritual and intellectual energy levels the Visudda or `throat chakra` is below the Ajna chakra which is the seat of the imagination in the brow of the individual and is often described as the `apple` or `third eye` because of its visionary capabilities. In Arabia pigs are `haraam` or forbidden, and the throat chakra in Hinduism, which is frowned upon by Moslems, and is the reason for the political divide between Hindu India and Moslem Pakistan, is called `ham`, whereas the Ajna chakra of the `third eye` is `om`, etc. Because `ham` is the seat of the power of the voice, `the base` Al Qaeda, which is Muladhara in the Hindu chakra system, sought to silence the USA on 9/11 because she was awakening to her memory of woman as a species with her own penis.



 Paris could have chosen Hera (power) or Athena (wealth), and men want them; but effectively he chose the wisdom of God, which is that Woman is a new heaven and Earth for he who accepts beauty. Paris is, metaphorically, the `Day of Judgement`. Paris is fair in his judgement because he perceives that beauty is good. New York`s `apple` is Helen, but men want power and wealth. That`s why Al Qaeda`s `base` terrorism from the back that corresponds to `Saddamy` from the `Baghdaddy` of the women`s prison, which is Earth before the `hidden` woman leaves to `sow` her `seed` amongst the stars, represents an ass as Sin`s beheading of the `Big Apple` of consciousness in the mouth of the pig. In short, 9/11 was an attack upon the `voice of America`, which the Arabian terrorists conceived as `ham` or a pig asking to be killed.



 New York`s Adam`s `Big Apple` of Eve corresponds to the World Trade Centre as that part of Adam and Eve`s `voice box`, which in medical terminology is the epiglottis that controls the sounds coming from the throat, and according to the Hindu chakra system is the seat of power (ham) below the imagination (om). In Christianity Jesus` voice is the sword of Revelation. Because the mind is the seat of development through imagination, the voice of Jesus is the Word of God that commands through the products of the imagination, which is understandable as advanced technological progress, which the evil do not want, especially for the `hidden` woman of the Earth with her own penis who wishes to leave, because they want to maintain their system of enslaving and devouring, and so sought to silence the voice of freedom in the USA on 9/11. In simple terms, men who want power (and money) but are prepared only to exploit rather than work, don`t want God`s producer`s best product, that is, woman`s civilization, and 9/11 was their `virus`.



 On Mars, in Oops I Did It Again, Britney is Aphrodite `coming out of her shell`, but `not that serious` (non-threatening) and `not that innocent` (wise to bullies). Her spaceman retraces his footsteps, and in fact walks backwards, as Britney sends him back to Earth. Because he has to learn that `grease` is viral, that is, `Saddamy` is the `false friendship` of Greek homosexual pederasty, and giving Saddam Hussein the 3rd largest army in the world to `grease the palm of the backstabber` wasn`t sensible. Because Adam was Saddam only as a homonym, so that we`d understand him as the serpent of Eden`s `ass as sin` for New York`s Adam and Eve`s `Big Apple`. Al Qaeda was going to spread the viral contagion of the enslavement of women`s wombs by the `red dragon` of devouring homosexual pederasty from `the base` of the Earth`s spine to the crown of the head of humanity by provoking war. Saddam Hussein and Al Qaeda were Baghdad `stabbers`, which meant that they were seeking to murder God, the father, by stabbing him in the back and close the eyes of those who had accepted the guidance of the Paraclete, that is, the Holy Spirit, in focusing on development rather than exploitation.



In Piece of Me (2007), Britney sings `I`m Miss American Dream since I was seventeen [seventy-six, the year of American Independence from the British Empire].` The cover for the album is Britney Spears on the cross, which means she accepts Jesus and the teaching of Redemption. As the symbol of the Paraclete, or Holy Spirit as the multivalent Spears born from the spear of Longinus at the crucifixion of Jesus, Britney Spears represents woman`s duty to keep the  evil imprisoning `Dad` away from the `back` (Baghdad`s Saddamy) which, as the Spears born of the Spear of Manifest Destiny, is her `position` symbolically within the myth of the American people.



It is revelation that the Spear of Destiny has lifted the `veil` of Jesus` Paraclete so that she can give us vision. As Longinus` piercing of the side of Jesus, after his death 2000 years ago, released her from Jesus` side, and from behind his eyes. Born of a virgin and celibate, God had sought to protect Jesus from the evil spirits of men who`d defiled Sodom and Gomorrah (Gen: 18, 19) by means of anal sex and BDSM. The evil spirits of men would stab anyone in the back to `move up`.



 As the `false friend`, Judas stabbed Jesus in the back for `a few pieces of silver` (Matt: 26.15), when he betrayed Christ to Pontius Pilate and the Pharisees. In fact Judas hung himself, and Britney Spears alludes to hanging as a punishment for the traitor when she suspends her spaceman in judgement over her. Beside his spacehelmet with the camera attached are the tines of a giant fork, which suggests her controlling of the devouring `red dragon` of the `blood plague` of HIV/AIDS. Whatever his perceived role, the spaceman has `demons`, in terms of the video`s logic, who direct his footsteps as `Mission Control`. Consequently, Britney is under surveillance and so predicates the situation obtaining after 9/11 when George W. Bush`s declared global `War on Terror` (2003-) presupposed the scenario from George Orwell`s novel 1984 (1948) in which the slogan was `Big Brother Is Watching You` because surveillance cameras were everywhere in control of the populations of the Earth. In Oops I Did It Again terms, Britney Spears,  symbol of the multivalent Paraclete or Holy Spirit, which is the eyes of God upon the Earth, is being watched, and so her spaceman`s `suspended` because she`s aware.



 It is revelation that God intended the Paraclete, or Holy Spirit, to dwell behind the eyes of humanity, as she had been Jesus` `guide, teacher, comfort and helpmeet` until his crucifixion and death, so that humankind could develop beyond subjection to the `ass as Sin nations` that enslave and devour those capable of development; lest humanity should escape their yoke.



 Britney Spears sends her spaceman `home` when he visits her on Mars because, in her `red suit`, she`s the Holy Spirit or Paraclete which teaches Redemption, and so she`s both `red` and has to be `read`, which is why she raises her spaceman above herself in a white bikini dress, so that she can be `read` by `Mission Control`, which corresponds to her church`s `mission`. Raising her spaceman is a metaphor for a child`s education, which is why she sends her spaceman home, because she`s symbolically the `woman clothed with the sun and with the moon at her feet` giving birth to the `New Redeemer` who`ll protect her. Outside her spaceman`s spacesuit she corresponds to the `spirit` that, according to the Bible, is `teacher, guide, comforter and helpmeet`. Her spaceman is being asked if he can `read` her and, in her white bikini dress, she represents the physical body, whereas in her red suit of Redemption she represents the spirit. In white she`s the `bride`, who appears in The Song Of Songs in the Old Testament of the Bible as the `beloved`:


`Thy teeth are like a flock of sheep that are even shorn, which came up from the washing; whereof every one bear twins, and none is barren among them.` (Song: 4.2)



There`s a `twin` for every tooth. According to the New Testament the teachings of Jesus are `washing in the blood of the lamb`, because of the meaning of the crucifixion, which is reliance upon the `spirit of God`. In Oops I Did It Again Britney`s `twins` relate to the problem of reincarnation in which the individual is reborn, that is, the tooth is regrown, whereas Jesus` teachings are of continuance. Britney, in her red suit, represents the gum from which the tooth is born. In her white bikini dress, she`s a `baby tooth` and, although Britney, in her red suit, represents reincarnation, because she`s symbolically the `gum`, she seeks Redemption, that is, she doesn`t want herself to be a regrown `tooth` for somebody else`s head to enslave for devourment, and she`s teaching her spaceman not to be a `baby tooth` either. Because she wants Redemption for herself rather than to be a regrown `baby` for someone else`s `head` to exploit.



 In Revelation the `red dragon` waits in vain to devour the `New Redeemer`, and Britney doesn`t want her, or her son, to be a devouring dragon`s tooth.  In her white bikini dress Britney is her own `beloved`, and the `normal` perspective is that a man is guided by the Holy Spirit or Paraclete to his wife, which is depicted as a tragedy for the virgin bride in many cultures; because women are a species with a penis of their own. However, Britney`s concept of `normality` is radically different because it`s based on the concept of the mirror. A man who looks in the mirror doesn`t obtain an erection because he doesn`t see what he desires, whereas women spend a lot of time with the mirror adjusting their appearance. Because woman has a penis of her own and is a species, when she looks in the mirror she finds herself attractive, but has been taught by men, that is, the evil alien parasitical organism that has embroiled her in what she perceives as `symbiosis`, that men are desirable because they have a penis, whereas it is woman`s penis and she finds herself desirable in spite of the attentions of the `alien monsters`.



 Britney`s `beloved` is herself but she`s realistic enough to perceive that she`ll marry and has prepared to teach her children Redemption and continuance with memory, rather than reincarnation and continuation without memory, which is why she shows her spaceman her body in a white bikini dress. In her red suit of Redemption she sings, dances, and knows herself, whereas the `baby` Britney and her spaceman are helpless to do anything other than repeat. Her spaceman is old Apollo astronaut technology from the 60s and, in her white bikini dress, Britney`s reminiscent of a Busby Berkely musical from the 30s, but she doesn`t want to repeat herself as a reincarnation. She wants Resurrection, Redemption, and memory continuation.



 Britney`s metaphor of the tooth and the gum is a reference to The Song Of Songs, which refers to the `teeth` as `even shorn`, which suggests she`d already decided upon the name for her son, Sean, `the sheep`, whom she perceives as being redeemed if he accepts `washing in the blood of the lamb`, that is, the teachings of Jesus, which is adherance to the Holy Spirit, that is, the `spirit of God` as `teacher, guide, comforter and helpmeet`, and so Redemption from reincarnation to achieve continuance with memory.


 Oops I Did It Again is about a young woman`s coming to terms with the idea of marriage, and what it means for her. In her red suit Britney raises her spaceman, which means she`s `read` the Bible and how to raise a son. It`s a metaphor for Resurrection and Redemption because reincanration, which the `red` gum and white `tooth` relationship symbolizes, is continuation without memory, whereas Resurrection and Redemption is continuation with memory, and it`s deemed desirable in Christianity because, as the essayist George Santayana wrote:


`Those who cannot remember the past are condemned to repeat it.`3



 Britney`s Mars has herself as Venus upon it because love doesn`t want war, which is the catastrophe of Revelation. The `beast` was Saddam, and so the `New Redeemer`, born to the `woman clothed with the sun` while the `red dragon` waits in vain to devour it, is Adam, the Second, who is to `rule the nations with an iron scepter` (Rev: 12. 1-18) and enforce `God`s love` with `God`s law` of Redemption so that the Evil Oneness of the evil spirits of the homosexuals that would sterilize a developed consciousness, because it was aware, shall have perdition, and the `hidden` woman with a penis of her own shall leave Earth to `sow` her `seed` and be immortal in God`s new heaven and Earth forever.



 As New York state`s city of Troy is the complement of New York`s Adam and Eve`s `Big Apple` of Manhattan Island, so the island of Lesbos is the complement of ancient Troy on the mainland of Asia Minor because it`s the nearest land mass from the coast where Troy is located. The Greek Helen was first kidnapped and raped by the Trojan Paris before the Greeks `raped` Troy and enslaved her. Later, of course, the Nazis `raped` Paris, France, while Britney Spears, `the most beautiful woman in the world`, according to polls, was befriended by Paris Hilton during 2004 to soothe her after her divorce from Kevin Federline, which in Hollywood terms was equal to the Trojan Paris` removal of Helen from Greece to Troy.



 Paris` Hilton and Britney Spears, a self-proclaimed bisexual, represent Redemption and the `New Eve` who has a penis of her own, and for whom woman is a species and `lesbian` is a term for those women who don`t want to be impregnated, which neatly reverses the social structure of ancient Greece where homosexual pederasty was the `norm` for those who didn`t want to impregnate women but had to do so in the service of a Greek state that sought to impose its contagion upon others by means of warfare and the enslavement of women`s wombs to, in the final analysis, produce those poisons, that is, `boy sons`, which are the `blood plague` of the devouring `red dragon` of HIV/AIDS and enslavement in the form of global terror through terrorism and the fear of surveillance on the part of those who are trying to develop under the yoke of the evil.



 The `Big Apple` is a euphemism for the `third eye` of precognition and `sightedness`, which is clairvoyance, and that principle of synchronicity that the developmental psychologist Carl Gustav Jung (1875-1961) observed in the serendipitous caller on the phone who we`ve just been speaking of. Al Qaeda`s `base` attack on New York was a threat against the eyes of the Paraclete, or Holy Spirit, that is, an attempt by gamblers to murder `God`s eyes`, and prevent intereference in their `rackets`. The more obvious instance in the 20th century is the murder of Bobby Kennedy, senior law enforcement officer in the United States of America with a brief to fight the mafia, and doubtless a future President before he was shot in 1968 by Sirhan Sirhan, a Palestinian Arab, because of his prommise to provide Israel with combat jet aircraft, and his brother President John F. Kennedy was similarly assassinated by Lee Harvey Oswald in Dallas in 1963 because he had refused to allow the Russians to put missiles on the island of Cuba that could represent a threat to the security of the USA.



 9/11 was a declaration on the part of `the base` of the spine, that is, the Muladhara chakre in Hinduism, that they would `put out the eyes` of the USA, which correspond to the Ajna chakra (om) in the Hindu system, by first silencing the voice of the USA, which corresponds to the Visudda chakra or `ham` and the Twin Towers of New York`s `Big Apple`. Because `the base` or Muladhara chakra corresponds to Al Qaeda, that is, the Arabic words `Al Qaeda` mean `the base`, and the Visudda chakra is `vam`, the `beast` of Revelation is a `vampire` or draco, who is concerned not to be seen. The attack on the USA, because she had the power of the voice of `ham`, which is the name given to the Ajna chakra, seems to have been based on the notion that the pig is `haraam` or forbidden, and so shouldn`t be able to speak. The eyes of the USA would be at the Pentagon, Arlington, where the second attack occurred, and the `crown chakra` or Sahasrara would have been the residence of President George W. Bush at the Whitehouse, but the threat was obviated when passengers braved the terrorist danger and crashed the aircraft themselves before it reached its target in Washington D.C.



 Unable to perceive the dangers of the USA`s acceptance of those who didn`t have the Holy Spirit but had `feigned friendship`, as the Greeks did before the walls of Troy, the USA had given Saddam and his assassins at Al Qaeda, `the base`, the world`s 3rd largest army. Like the 9/11 hijackers buying tickets in Boston, Massachussetts, the Greeks emerged from their concealment inside the huge wooden horse to capture the city of Troy and enslave the wombs of the Trojan women for devouring homosexual pederasty`s contagion of war. Like `the base` terrorists of Al Qaeda`s deployment of the previously perceived `civil` aircraft at the Twin Towers in September 2000, the Greeks betrayed those within the walls of Troy who had accepted their `feigned friendship`, as the ticket buying passengers aboard the `civil` aircraft from Boston were similarly duped by the 9/11 terrorists on their way to the Twin Towers of New York.



 Saddam, the `dad` behind the `back` in Baghdad, helped the `ass-as-Sin`s of Al Qaeda to evade the USA`s `third eye`s` precognition, according to intelligence. Al Qaeda, the `base` of the spine that corresponds to the Muladhara chakra of the Hindu system of energy points whith its apotheosis of intellectual and spiritual development at the head`s `crown` chakra,  represents the `beast` and `blood plague` of HIV/AIDS that is spread by the devouring `red dragon` of homosexual pederasty`s wars to enslave the wombs of women on the Earth. Inserting the HIV/AIDS virus into the anus at `the base` of the spine at the Muladhara chakra corresponds to Al Qaeda, that is, `the base`, attacking the `Big Apple` of the USA. The HIV/AIDS virus climbs from the base of the spine as a `killer disease` until the light of creation dies at the apex of the chakra ladder, which corresponds to the `Self`. `My home is your home,` is the traditional greetng to visitors from the head of the family in Arabian dwellings. In the English language, the corresponding phrase is `Treat my home as if it were your own,` and at the Twin Towers of New York`s World Trade Centre on 9/11, Al Qaeda, `the base`, betrayed the USA`s `welcome`. Buying tickets as flight passengers in Boston, Massachussetts, the terrorist hijackers crashed  the `civil` aircraft into New York`s World Trade Centre, because it was a symbol of the Visudda or `voice` chakra at the throat where the `red dragon` of homosexual pederasty wanted to silence the Word of God for the sake of its `world trade`:


`Trade ...  is a gay slang term ... and refers to the (usually) casual partner of a gay man ....  motivations may at times include a desire for emotional fulfillment and admiration, but the term often refers to a straight man who partners with a gay man for economic benefit, either through a direct cash payment or through other, more subtle means (gifts, tuition payments, etc.). Trade originally referred to casual sex partners, regardless of sexuality as many gay and bisexual men were closeted, but evolved to imply the gay partner is comparatively wealthy and the partner who is trade is economically deprived. Examples of this include wealthy Englishmen finding partners among deprived Cockneys in 1930s London; traveling men finding partners in places such as Rio de Janeiro, Brazil, and Bangkok, Thailand and locals picking up military personnel who are generally seen as being physically appealing and eager for extra income or benefits. More modern usage has centered on any casual sexual encounter between men, and as an adjective to refer to any male considered masculine and/or sexually appealing.`4



 The perpetrator of 9/11 was a homosexual draco, at least from the perspective of psychopathology, and the attack on the Twin Towers, which was the focus for business in the Western world, was a `spat` between one or other of the partners in the equation who saw the other as inferior or wanted the other to be inferior, which is what homosexual submission-domination relationships consist of. In raw terms, it`s whose anus is passive and whose penis is active. In geo-political terms, Saddam Hussein and Al Qaeda, `the base`, were asking the USA to come out of the closet so that they could be `beasts` together and `devour` the `apples` of their collective ego individualities in warfare., which is what the devouring `red dragon` of homosexual pederasty is.



In the developmental psychology of Carl Jung, the inferior function is usually `Feeling`, and is associated with the female anima or soul, and the superior function is `Thinking`, which in a man is associated with the male ego. There are four functions of consciousness that have to be differentiated or conscious, according to Jung, and the other two are auxiliary and ancillary, and are `Sensation` (ego-related) and `Intuition` (anima-mediated) respectively. In terms of the chakra system of Hinduism, the WTC was the `voice` or `ham`, which made it an obvious target for the Al Qaeda terrorists because pigs are `haraam` or forbidden in Arabia, and `ham` is a dead pig anyway, so no blame attached for giving it the `killer disease` as an experiment to see if it can be cured of thinking itself alive. The Pentagon was the eyes or `om` while the `love` chakra was `yam` and is situated at the heart, so corresponds to `Intuition` or inspiration, while `ham` and `om` correspond to `Feeling` and `Sensation` because mouth and eyes are associated with the undifferentiated functions of `Feeling` and `Sensation` in Jungian psychology.



 `Thinking` would be President George W. Bush at the Whitehouse. because the President listens and, in Jungian psychology, the ears are associated with the undifferentiated `Thinking` function because it is necessary to hear a `voice` in order to think on what it means, which is why the Twin Towers symbolized the `voice` of America that Al Qaeda, `the base`, didn`t want to hear, and so effectively gave the USA the `blood plague` of Revelation so that the brain would be killed by its own disease of homosexual pederasty and war. The name for the Muladhara chakra of Hinduism is `vam`, which means that Al Qaeda, `the base`, is the vampire of the `blood plague` of HIV/AIDS, which is the `killer disease` of the `blood plague`of the `red dragon` of homosexual pederasty and war infecting the body through the `ass as Sins` in order to kill the mind:


`I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.` Frank Herbert Dune



 Frank Herbert`s desert world novel about the planet Arakkis, which became a part of the Dune (1965) series of books and was made into a feature film directed by surrealist film maker David Lynch and starring Francesca Annis in 1984, contains the basic precept of Western philosophy, which is `if you can keep your head when all around you are losing theirs, you`ll be a man my son`, which was written by the Englishman Rudyard Kipling for his poem If in 1895. Voices without brains are useless, and that`s what Al Qaeda, `the base`, perceived before the 9/11 attacks.



If Al Qaeda, `the base`, could provoke the USA into adopting the behaviour of homosexual pederasty`s devouring `red dragon` of war, they could infect the body of the Earth from the base of the spine to the crown of the head and kill the brain, like HIV/AIDS after anal sex at `the base` of the spine kills by means of spinal infection. The `killer disease` of HIV/AIDS is quite literally the `mind killer` written of by Frank Herbert in his Dune series of novels, which feature transpositions from the deserts of Arabia and the lives of the Tuareg, Bedouin, etc. The virus cell itself `feigns friendship`, as Arabs are thought to do in the common imagination, in order to back stab. The HIV/AIDS virus `feigns friendship` towards those cells of the body that function as killers of disease and, by making friends with them, the killer virus kills the healthy cells and thence the body, which is what Saddam Hussein, the `false friend` of the Middle East, attempted to do with the USA and what Al Qaeda, `the base`, also attempted on 9/11 when they spurned their `welcome` and revealed themselves as `the beast` that kills the blood, and then the body, in mockery of Christ, Jesus` `body and blood`.



 As symbols of Resurrection and Redemption, in the transubstantiation of the celebration of an immortal living fellowship, the shared breaking of bread, and the drinking of wine, offered by Jesus at the `Last Supper` before his crucificxion, death, Resurrection and Ascension to heaven, as his symbolic `body and blood`, may refer to the practice of vampires, who `drink a little blood` in order to give immortality to the body. The 9/11 draco was more in accordance with the common imagination, that is, a render and not a life giver or preserver. Because the heart in the Hindu chakra system is `vam`, it may be interpreted as corresponding to the idea of the vampire as well as the stake in the heart, which along with decapitation is said to be the only means of slaying such a creature.



 The 9/11 attack on New York`s `Big Apple` was a gambler`s stake in the USA`s heart, because the `heart rules the head` of the passionate, and the terrorists gambled that, if the USA succumbed to its own ire, it would `lose its head`. All wars are blood drinkers, but there`s a difference between those who are elated by the spirits dying and those who are its warriors. If Jesus` offer of the `bread and wine` as symbols of his `body and blood` signify the `drinker` of the `little blood` that gives immortality to the body so that the mind can continue to grow and develop, the draco of 9/11 was the Satanical antithesis who takes life elatedly and prevents life from growing and developing by placing a stake in the heart of the developed or developing, killing the brain or beheading by means of its `killer disease`, and warmongering, a perspective requiring some revision of the `vampire` concept.



The terrorists arrived from Boston Massachussetts, where the 17th century Salem witches were accused of practising `black mass`, and in the common imagination witches are tied to the stake in order to be burned. Consequently, the future of woman was at stake on 9/11 at the burning of the Twin Towers of `world trade`:


`...  the partner who is trade is economically deprived.`



 If all the boys look like boys but are wise old men, there`s no trade because the boys are wise to the `killer disease`, whereas the impassioned ire of old men shows they`re still `gay boys` so far as the `father of lies` is concerned. The devouring `red dragon` of the `blood plague` of homosexual pederasty gamblled on 9/11 that provoking the USA would ruin woman`s future, and the `Greek` trade in `gay boys` would continue because women would produce more boys from her womb rather than the immortal wise youths of Jesus` promise. However, as it says in Revelation, the `red dragon` that lies in wait to devour the `New Redeemer` born to the `woman clothed with the sun and with the moon at her feet` waits in vain, and the `hidden` woman, protected by the scepter of the `New Redeemer`, leaves Earth to `sow` her `seed` in heaven, because she`s a woman with her own penis, and the spirits of evil men can`t prevent her from leaving after the divorce from the devouring warmongers of men and their `blood plague` of HIV/AIDS, or their poison`s boy sons:


`And the dragon was wroth with the woman, and went to make war with the remnant of her seed, which keep the commandments of God, and have the testimony of Jesus Christ.` (Rev: 17)



 In the common imagination vampires prevent development and take life, whereas preserving the body at its optimum and ensuring its continuance as a developing inidividuality is what vampires might actually do, and is what Jesus advocates. In other words, Jesus` terminology is different, but he`s referring to the practice of vampires when he offers the `bread and wine` as symbols of his `body and blood` before his crucifixion, death, Resurrection and Ascension to heaven, which is why he has Ascension.



American Christianity was rocked by 9/11 because, as it says on the 1$ bill, `In God We Trust`, and so the eyes of the Paraclete or Holy Spirit behind the veil of Jesus`s death and given to humanity as the `teacher`s assistant` weren`t watching over her in Spetember 2000. Although the original motto of the USA was e pluribus unum, which means `the one and the many`, and refers to the Paralcete`s emergence from the side of Jesus after it was pierced by the spear of Longinus at Christ`s crucifixion, because it refers to the relation between the Paraclete or Holy Spirit as the `many and the one`, symbolized in 21st century American folklore by Britney Spears. Because the Paraclete or Holy Spirit was a spear birth, she is by our side. As a symbol of the Paraclete or Holy Spirit, that is, `the many [Spears] and the one [God]`, Britney Spears is an American religious icon, as she says:


`I`m Miss American Dream since I was seventeen.` Piece Of Me



The spirit of woman`s love is the love she has for herself as a species, which involves recognition of the fact that woman has a penis of her own and `lesbian` is a word like `vampire` that we don`t fully understand, because of what feminists term the subjugation and oppressive repressions of patriarchy, which is male chauvinism. The best women on the planet are only able to declare themselves bisexual, or for bisexuality, but feminism confuses the issue by being `politically correct` and proclaiming lesbians as homosexuals, whereas homosexuals are men with a penis and are a virus enslaving her womb as an alien parasitical organism practising biological warfare against her in the form of the `blood plague` of HIV/AIDS and emerging to spread the devouring `red dragon` of homosexual pederasty`s `plague games` of warmongering and `plague aims` of enslaving women as `host wombs` for its leechings:


`... the embryo ... obtains nourishment from the blood of the mother, similar to the leech, which feeds on the blood of others.`5



 The Arabian perception is from the Koran and constitutes the awareness that fear is what the relationship between women`s host wombs and the vampire spirits of what she has been taught to think of as a part of her species that calls itself `men` is based upon. Men actually function as a classic `blood sucking leech` and what Middle European folklore term draco, which experience elation over the helplessness of its victims and their dying spirits. As a vampiristic parasite, the evil alien organism that is men is clever enough to masquerade as a symbiote of women`s wombs and species before it`s time for another elated blood binge of death and destruction in which it can elate once again over the spirits of the dying.



Julian May, in her novels of The Many Coloured Land, describes the psychopathology as chakra vampirism, and in fact the chakra vampire actually devours the chakras of the spines of its victims so that they die enough, but not enough to escape them. Humans exist as `blood bags` that the chakra vampires allow to develop for a while before they return to feast on the `energies` of the chakras, which are located at several points from the base of the spine at the Muladhara chakra to the top of the spine at the Sahasrara chakra at the crown of the head. The Sahasrara chakra is associated with `understanding and will`. Obviously, the `blood plague` of HIV/AIDS as a `killer disease` will devour `understanding and will`, which is why the `red dragon` of homosexual pederasty is a `blood plague` in Revelation and why Al Qaeda, `the base`, attacked New York`s `Big Apple`. It isn`t about `leeching` from the productive wombs of the geniuses born from the `blood bags` by those who live at developmental levels corresponding to `the base` of the spine, which is Al Qaeda, `the base`, in geo-political terms. It`s about reducing those who are developed, because they might develop to the point at which they become aware enough to fight back against the `father of lies`; as at `blood Baghdad`.



 In Islam a man may have four wives, so the potential for `normal` lesbian female relations is institutionalized, but how many Arabian wives have a penis of their own? In the West women are taught to be monogamous and `understanding` of men, but why should they understand men who want to devour the crowns of the chakras of their heads, which is `understanding and will`, according to the chakra ladder of development as depicted in Hinduism. In Piece Of Me Britney Spears` asks the question,`Who betrays me?`


`I'm Miss Bad Media Karma, another day, another drama.

Guess I can't see the harm in workin' and being a mama.

And with a kid on my arm, I'm still an exceptional earner.

You want a piece of me?` Piece Of Me



 Britney Spears lost custody of her children ostensibly because of her allowing her child`s hat to fall off in the street while running for a cab and from the paparazzi in London while failing to redress the scene by picking up the hat off the ground herself. The judge at her `trial` decided she was a `bad mother` and, making her two sons wards of court, congratulated the `paper rats` and gave her billions into `Conservatorship`, which means her dollars are currently administered by her father and someone who was sacked by her as her `business manager` but is now described as `Co-Conservator` and `going to be married`; presumably whether she likes it or not, and depending on the power of the hypnagogic drugs and the strength of the hypnosis. Obviously, she`s betrayed. Not because someone else wants to be in control of her life, but because men of the Southern States of the USA are notorious for believing that woman generally shouldn`t have a mind of her own:


Scarlett: `Sir, you are no gentleman.`


Rhett: `And you, miss, are no lady... Don't think that I hold that against you. Ladies have never held any charm for me.` Gone With The Wind (1939)



 Of course they haven`t. Hollywood is all about `voice` because the actors speak. But they don`t compose. Their lines are written for them. In other words, development level is cut off at the neck, which corresponds to the Visudda or throat chakra, because `voice` is what is required in movies, whereas `imagination`, and `understanding and will` aren`t, so the laurels go to the brainless, and of course the rewards go to those who can produce more brainless, which is why Brttney Spears lost her money because she dropped her kids hat in the street near Central Park. Any serious lawyer would have laughed their tits off at the notion of Donald Trump or Howard Hughes loding their billions of dollars because the kid`s head was bare.



 In Roman mythology Paris gives Aphrodite the `apple of judgement`, which is a symbol of the `understanding and will` of the crown chakra at the top of the head. Because Aphrodite offers Paris `the most beautiful woman in the world`, Helen, who corresponds to woman as the visible `teacher`s assistant` that Jesus` Paraclete or Holy Spirit represents, and psychologically the attainment of wisdom is psychological lesbianism, which had previously been mooted as bisexuality in terms of the brain`s functionality, whereas psychological complementarity would require physical hermaphroditism, which is what futanarian woman with a penis represents.



 God and heaven is possible for those who want what they conceive of as psychological bisexuality because they haven`t been given the education to have the `understanding and will` to conceive of woman with a penis of her own as the zenith or crown of creation. The majority are only able to conceive of male egoism or female sensitivity, while deeper thinkers conceive vaguely of male and female complementarity. The depth psychologist Carl Jung perceived a need for the male`s articulation of the masculine ego (sun) and the female soul (moon), or the female`s articulation of the feminine ego (moon) with the soul (sun), which is what the `woman clothed with the sun and with the moon at her feet` apparently symbolizes. She actually represents triumph over Al Qaeda, `the base`, which symbol is the moon, and the first treacherous attack upon the USA by the Japanese fascists in 1941, because the flag of Japan has the red sun as its symbol and signifies the `red dragon` of homosexual pederasty`s enslavement and devourment of woman, and the products of her womb, that is, art, civilization and culture, by the alien parasitical organism of the male collective that uses her as a `host` for its plague.



 Denying education to women about the fact that she`s a species with her own penis is spiritual suicide from the perspective of Christianity, Islam, and any of the other world religions. Only the worship of Baphomet, who has female breasts and a penis, comes close to what is needed in terms of educational revision. Baphomet has the head of a goat because the symbol  relates to the path of libidic development, which is from instinctual levels of comprehension and behaviour to spiritual and intellectual levels of knowledge and understanding, but the principle is that of woman with a penis as a species. If the world`s religions deny women education based on perceptions of her as a species with her own penis, they`re rejecting God`s Word and a proper and correct understanding of the book of Revelation from the Bible, which is that the `hidden` woman`s `seed` will fight a war against the evil serpent`s `seed` from Eden that has grown in strength until it is a `red dragon`, and the `hidden` woman`s `seed` will win and be given a new heaven and Earth to dwell in, while the evil receive eternal unendurable pain from God as a punishment and she leaves the Earth to be with her own `seed` amongst the stars forever.



 Early in Revelation BABYLON, The GREAT, MYSTERY, MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH,` (Rev: 17) is descibed as a woman: `And the woman whom you saw is that great city which reigns over the kings of the earth. However, when the bride of Jesus appears, Jerusalem, most religious commentators would have us understand that she is the church rather than a woman, whereas it is more logical to assume that, just as Babylon, the Great, rules under difficult circumstances upon the Earth, so Jerusalem, the bride of Jesus is a woman who rules for God and her Lord under perfect circumstances in heaven. Where the evil alien parasitical virus that is men forces Babylon, the Great, to breed men so they can `plague game` in homosexual pederasty, and enslave the `host` wombs of women to devour her product of civilization, art, and culture, as the `red dragon` of war, the bride of Jesus, Jerusalem, the woman, mightn`t breed at all.



 The story of Adam and Eve is of a man and woman observed, but there is no reason to suppose that the bride of Jesus, Jerusalem, will have a spy in the bedroom. Christian interperetations of the Bible presuppose that it will be possible to know what`s going on in Jesus` bed, and at the very least they`ll be able to pass legislation as the governement ensconced in Jerusalem to dictate what transpires in it.



 After 9/11 the President of the USA, George W. Bush, declared a `War on Terror` (2003-) and a global surveillance network that George Orwell foresaw in his novel 1984 (1948) in which `Big Brother Is Watching You` was the slogan for those attempting to soothe the suicidal fears of those under surveillance. In othe words, Bush`s `War on Terror` produced as much, if not more, fear among those few people capable of development and achievement through their browsing of libraries, the internet, or other forms of mass media; entertainment or otherwise, even than 9/11 itself.



 The `spirit of God` upon Earth has provided the possibility of species` separation through the love of woman with a penis for the futanarian woman. In Oops I Did It Again Britney Spears is celebrating the `will and understanding` that she has from her development and achievement, which in fact corresponds to the reaching of spiritual and intellectual attainment represented by the Sahasrara chakra at the crown of the head that`s above the `imagination` of the Ajna chakra at the brow. In her red suit Britney`s suspending judgment on her `pupil` when she raises her spaceman so that he dangles helplessly. With his camera equipment he`s the `pupil` she`s educating, and `Mission Control` represents whoever, or whatever, constitutes the `surveillance`. If he`s possessed by demons she doesn`t want him to act. If he does act she wants to be able to excuse any excess as crime passionel, which necessitates his remaining an infant until his demons are exorcised.



 According to Jungian psychology the individual who is possessed is unable to recognize it. Developing individuals learn to recognize `demonic influences` arising from within themselves and `exorcise` them by reacting appropriately to situations. Jung argues that individual growth depends on this recognition and that the process of becoming an individual is hypothetically endless. Jung describes individuation as self-actualization, and theorizes that the conscious `Self` is unknowable to all but such few as Jesus or Buddha. In Jung`s psychology the `Self` constitutes the closest approximation to what we conceive of as God. If the individual remains infantile the process of individuation is in abeyance. Consequently, if the individual remains stupid, he can never be held responsible for his actions, which means he`s always forgiven. However, that perspective neglects the purpose of `exorcism`, which is self-development. In other words, refusal to develop isn`t an excuse for stupid behaviour.



 Because `will and understanding` has given Britney the capacity to conceive of woman as a species with her own penis, bisexuality and love for her own form is presented in Oops I Did It Again as psychologically and physically desirable for women. Although she appears on Mars as Venus, Britney`s actually projecting the concept of a woman from the planet Penis, that is, in science fiction terms, Oops I Did It Again presents her as a Penisian woman who is able to recognize that the penis of the male is actually female insofar as it finds her desirable. In the mirror of Britney Spears` video for Oops I Did It Again, woman is able to see herself and that desire for herself is normal because she`s a species with her own penis as futanarian woman.



 Men looking in th mirror don`t desire themselves, and don`t obtain an erection at the thought of having sex with themselves, because that`s homosexual pederasty. Women spend a lot of their time making sure they look attractive for themselves in their dressing table mirrors, and women who are futanarian obtain penile erection because they find their own bodies desirable. In other words, women are a species with its own penis because the penis is theirs and that`s why it finds her desirable.



 Men are merely parasitical symbiotes that become virulent if threatened by woman`s ability to transcend her conditioning and environment to become aware of the fact that she`s a species. The periodic eruptions of violence across the planet Earth are the result of the `red dragon` of homosexual pederasty`s desire to prevent the `hidden` woman of the Earth, that is, the woman who knows that she is a species with her own penis, from escaping, and men are prepared to initiate global terror in order to prevent her from awakening to their true nature, which is why Britney Spears` scifi video Oops I Did It Again celebrates the advent of the `New Redeemer` born to the `woman clothed with the sun and with the moon at her feet` who will protect her before `the Spears of Destiny` leave Earth for the stars in heaven to `sow` her `own` seed there forever.




George Santayana, Reason in Common Sense in The Life of Reason, Vol. 1, 1905


5 Ibrahim, I. A., A Brief Illustrated guide To Understanding Islam, Darussalam, Houston, Texas, USA, 1997, pp. 74, p.6.

This Troy

01/01/2012 14:59

This Troy


Homer`s (c.850 BC) Iliad is about the Trojan horse, and Helen of Troy, who was taken to Troy by Paris. Meneleaus was the husband of Helen, and together with his brother, Agamemnon, King of Sparta, they persuaded the Greeks to send warships to Troy and return Helen to Greece (1190s-1180s).



 Paris Hilton (1981-) befriended Britney (1982-) during her divorce from Kevin Federline (1978-), and effectively `divorced` `the most beautiful woman in the world` from her Meneleaus. Britney has said she is `Bi`, so three people are needed for her marriage. This is the crux of the problem in the story of Meneleaus, Paris, and Helen – as recorded by Homer in the Iliad. In symbolic terms, Kevin Federline is Meneleaus or `men`, while Paris is Paris Hilton, and `the most beautiful woman in the world` is Britney Spears by voting consensus, that is, Helen.



  In the Bible, Jesus distills God`s law as, `God is love`, and that means `love thy neighbor`. Christians argue that Meneleaus and Paris do not understand `God`s love`, which is correct. Helen represents the Holy Spirit, which is the Shekinah from The Song of Songs in the Old Testament, who is depicted as being in the place where the Ten Commandments are kept (Ex: 40.35), which means that she is the love of God.



 If Meneleaus and Paris had accepted that the woman was God`s love, they would have shared her. But that is Antichristian to us. Therefore it`s a contradiction, and it has remained so until the advent of the internet. When I saw a futanar woman, I was disabused forever. She has a penis. This means that, if married, she has a choice, in Christian terms, of woman, man, or futanar.



 If she marries a man, who is she going to impregnate? If she marries another futanar, they do not need either a man or a woman. If she marries a woman, there are two in the marriage and no man. If she marries a man, she needs a woman for her to impregnate, and three is the marriage number. If she marries another futanar, they may want to have a woman or a man within their marriage, which is three or four as a marriage number. If she marries a woman, this is good but, in Christianity, not promulgated as an option because of misogyny.



 Paris Hilton and Britney Spears` relationship is outside their knowledge of futanaria, and the ideal Christian marriage is between a woman with her own penis and a woman. In repressing woman`s knowledge of her own penis, Christianity is Antichristian. It is a form of Satan worship. Because men are not needed, and know it.



 God`s love is Redemption, and `the woman clothed with the sun and with the moon at her feet` gives birth to a child who will `rule the nations with an iron scepter` (Rev: 12.1-18), which simply means the love of Woman will prevail; it is God`s law. Because she is `sun and moon`, she is a male-female complexio oppositorum, which is Hermaphrodite.



 The dragon is Satan and does not want God`s love, which means that Redemption is futanar, because men who are Satan`s would assume the woman `clothed with the sun` is woman without a penis. She is a prefiguration, which is understandable to Britney Spears, who in Oops I Did It Again (2000) appears on Mars. Neil Armstrong had appeared on the moon in 1969, with the sun behind his back because it hurt his eyes. He had the `moon beneath his feet` and was `clothed with the sun`, but wasn`t a woman. Britney, on Mars, knows the moon is below her and has the sun behind her too. She`s Britney `lamb` Strong as the `Lamb of God` (Rev: 5.13) in Oops I Did It Again, which isn`t the `red dragon` of Revelation, although she is `red` who `deems` or decides. In the 21st century, Paris and Britney are deemed `read`, which is what the `Assumption` of woman as the virgin means. Men are redeemable but have to want Redemption, whereas woman is `assumed` into heaven as `God`s love`. Consequently, Britney isn`t the `red dragon` of Revelation in Oops I Did It Again because, in terms of the logic of the video, it would devour her spaceman `baby` who, as the `New Redeemer`, would understand that lesbianism is a necessary first step towards the normalization of relations between women as a species with her own penis, and so the `New Redeemer` would protect her.



 Britney, in declaring herself `Bi`, divorced Kevin Federline, and accepted Paris Hilton, which means that Helen, `the most beautiful woman`, divorced Meneleaus - and Troy`s Paris, that is, men, which is in accordance with her understanding of Revelation, as it were. She doesn`t need a bisexual relationship, she needs futanaria, which may include 21st Century Paris Hilton, but marriage isn`t an issue. A good marriage has at least three people, and Christianity enforces two. So it`s against God`s love, woman and Redemption.



 Paris Hilton represents the woman with her hand on the hilt of her sword, which means that she is low technology from a good perspective, that is, the sword is a penis, and not a gun. Symbolically, Britney Spears is `God`s love` as the multiplicitous omniscience of the Paraclete (1 John: 2.1) separated from the side of Jesus as the `Second Adam` by Longinus` cutting open Jesus` side with his spear in what amounts to a Caesarean section (Matt: 27.54).



 `Et tu, Brute?` Julius Caesar1 (100-44 BC) says to Brutus (85–42 BC) when he is stabbed in the back at the height of his power. It is Caesar`s surprise that his friend would betray him. But it also represents Caesar`s faith that the same fate will befall Brutus. `My God! My God! Why hast thou forsaken me?` (Matt: 27.46) is Jesus cry from the cross. He would not be there if he hadn`t had a similar friend to Caesar`s Brutus in his disciple Judas Iscariot (died c.30 AD). Jesus` work of Redemption was simple; God is love and the woman from my side is her. If men do not accept her, they shall not have Redemption; so destroy them as traitors to God. The betrayer is someone who puts a knife in your back, and Jesus tells God who it is. Karl Marx (1818-83), the architect of Communism observed, in Das Kapital (1861-94) that, in order to be free, the workers had to `control the means of production`. Capitalism is the `liberation of the means of production`, but woman is the only producer man has. FHM  and similar magazines for men are a form of the `ownership of the means of production` which isn`t liberation, as promised by capitalism, but enslavement.



 In communism the state owns the means of production, which is women, and in capitalism the means of production, that is, women, are owned by individuals. Men are the betrayers of the `means of production` because women aren`t free in any economic system yet devised. Other than the meritocracy which the United States purports to be - and isn`t. On the cross Longinus effectively separated Jesus` woman, that is, the Holy Spirit or Paraclete, from his side by means of his spear, which prefigures spiritual enslavement. Thence Jesus` cry, `My God! My God! Why has thou forsaken me?` Jesus prophesied that the Holy Spirit or Paraclete would be upon the Earth after his crucifixion as `teacher, guide, comforter and helpmeet`, but the role of the female spirit in man has been that of a slave, and physically also.



 In Jungian psychology the soul is the anima, which is female, and the spirit corresponds to the Shekinah of the Old Testament as she is described residing within the place of the Covenant of the law of God, because she`s the `spirit of God`, and Holy Spirit or Paraclete of the New Testament that effectively emerges from the side of Jesus as the `Second Adam` when pierced by the spear of the Roman centurion Longinus upon the death of Jesus at the crucifixion and before Jesus` Resurrection and Ascension to heaven. In other words, the soul and spirit are wholly female, and although 20th century economics was based on state control of the `means of production` versus individual control, the `means of production` was essentially woman and the soul and spirit, which is female. Consequently, control of the `means of production`, whether commmunist or capitalist, is slavery for the female. Feminism believes itself to be liberational, but the feminist perspective devolves form the falsely egalitarian perspective that male homosexual pederasty, which corresponds to the devouring `red dragon` of war and its enslaving of women`s wombs as `hosts` for the self-perpetuating of itself as war. However, women with a penis are a species and lesbianism isn`t homosexuality as defined by feminism but the normal expression of a repressed and subjugated species own desires for ittself and its developmental functionality.



 The `new economics` would be based on the notion that individuals obtained from their labours what they work for, whereas communism and capitalism are based on the principle that individuals work for the `other` and obtain rewards for the work they do. Slavery is the obtaining from someone something that they have worked for, either knowingly or unknowlingly, and keeping it for yourself, whereas true economics is working for what you could have but the exploiter won`t give it to you, because they don`t want  progress and development of potentiality or genius. The result is the reduction of individual consciousness to subhuman levels of functioning. As the soul or spirit is female, and constitutes the spiritual and intellectual `means of production`, so the notion of God as exisitng within individuals as the Paraclete or Holy Spirit as `teacher, guide, comforter and helpmeet` means that the reduction of functionality in individuals by means of murder or poor education is the progressive `dumbing down` of the human species to those few gene pools that are able to initiate those periods of `Rennaissance` that the `red dragon` of homosexual pederasty and war requires at intervals in human history so that it can fake defence of the woman and the female soul and spirit, and so maintain its false role as `protector` of the devoured and enslaved `means of production`, that is, art, civilization and culture, while the Earth awaits the advent of the true `New Redeemer`.



 Because of the nature of goodness, which is the production of more good, heaven is where the good live, irrespective of what may be conceived as `heaven`. Consequently, Earth is a prison for those who are conceived as `not good`, which devolves upon woman and the female soul and spirit, because she`s too good to allow to leave. In short, the male flesh won`t release the species of woman that it`s fooled into believing its first phase dormant symbiosis in order to implement its second phase as a virulent parasitical viral form, that is, its devouring homosexual pederasty of warfare and HIV/AIDS, which Revelation describes as the `blood plague` of the `red dragon` and constitutes biological warfare against the `host` wombs of women.



Jesus` cry of `My God! My God! Why hast thou forsaken me?` relates to Longinus` seperating of the female soul and spirit from the side of the `Second Adam` by means of the spear Longinus thrust in there after Jesus` death at the crucifixion. The Shekinah or `spirit of God`, that is, the Holy Spirit or Paraclete, was Jesus` `teacher, guide, comforter and helpmeet` up to his death, which is the role God had given to her so that the technology of the 21st century would develop through her spiritual influence on the intellectual capacity of her workers. In Jungian psychology libidic or sexual instinct is deemed to be the source of the transformed energies of the psyche that constitute genius levels of thought. However, repressed sexual instinct as negative reactions to pornographic representations of women, although comprehensible because of the participation of the alien parasitical life form in the `typical` scene, has prevented species` awakening, because woman, and the female soul and spirit, have been lied to physically insofar as she has been led to believe, on the one hand, that the alien male is her reproductive partner and, on the other hand, sexual representations of the female form are not for her to desire, whereas she is a species with her own penis, and her penis desires herself.



`My God! My God! Why hast thou forsaken me?` is Jesus` recognition of the role of the `serpent` to come, which would be an enslaving and devouring `red dragon` of war and `blood plague` of HIV/AIDS biological warfare against the `host` wombs of women by the male alien as parasitical virus. Jesus` words upon his death at the crucifixion were a protest against what Longinus` separation of the female soul and spirit from Jesus meant for the future. Enslavement of the female soul and spirit and women`s `host` wombs for the sole purpose of devouring the productions thereof. In Revelation Jesus` marriage to the `bride`, Jerusalem, reflects on the role of `BABYLON, THE GREAT, MYSTERY, MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH` who is described as a woman ruler, which suggests that `Jerusalem` is God`s ruler for Jesus and a woman. In other words, `Babylon` is the producer of the products devoured by the devourer, which is why 9/11 is often thought of as `Hollywood`, because it was `like a movie`, while `Jerusalem` is God`s producer and product, and isn`t devoured by the evil `red dragon`. God`s Redemptive plan is that the female from Jesus` side should be God`s teaching presence upon the Earth after Jesus` Resurrection and Ascension to God, and explains why Jesus is the Sword of God in Revelation. He avenges himself upon those who have abused the `love of God`, his woman.



 Revelation indicates that the `means of production` are to be in the hands of the `producer`, which is why Holywoood movie moguls are called `producers`, because they`re producers for `Babylon` and the devouring `red dragon`, which was demonstrated by 9/11 on CNN and the `TV wars` of the Gulf (1990-2011), whereas God`s producer and product is to be the `bride`, Jerusalem, according to Revelation, and Redemption is the `woman clothed with the sun and with the moon at her feet` giving birth to he who shall `rule the nations with an iron scepter` while the dragon waits in vain to devour the `New Redeemer`. From the `rednecks` of US culture, for example. The woman of Revelation is wearing nothing but the sun behind her as she walks upon the moon, which is what woman with her own penis would have to achieve in order for her to be free of men.



 On her `red planet` of Mars Britney is spied upon by the astronaut, and appears in her red pilot`s suit of NASA``s original intention to fly to the moon but the X-15 space plane programme was cancelled because of reentry problems associated with `blackout`, which was the title of one of Britney`s later albums, Blackout (2007). Just as Oops I Did It Again is a nod at Robert A. Heinlein`s novel Podkayne Of Mars (1963), which feaured the USA`s first Grand Master of Science Fiction`s only novel about a heroine space pilot, so Britney is criticizing Heinlein`s Starship Troopers (1959), which was made into a movie in  1997 starring Denise Richards. Based on John F.Kennedy`s `Green Berets`, the movie featured the notion of futuristic paratroopers dropping out of spaceships to fight against `bugs`. Many commentators viewed Starship Troopers as an extrapolation of `communism`, but in the 21st century we might view it as an extrapolation of the dangers of being `bugged` by increased surveillance masquerading as security but that actually prevents much needed research and development from an individual and societal point of view.



 What Britney is saying in her red pilot`s suit is that the astronaut concept presupposed the Starship Troopers` paratrooper because the USA`s cancelling of the X-15 spaceplane programme reflected attitudes towards freedom. Effectively, Britney`s spaceman on Mars in an `invasion` by a paratrooper because 50s America`s perspective was coloured by projections in science fiction of their own behaviour patterns towards woman, which was freedom for themselves to control them. The X-15 spaceplane was too liberating, and Britney`s hypothesis is that the phenomenon of hypoxia, which is the technical term for `blackouts` experienced by the X-15 spaceplane pilots, was induced by `demonic possessors`. The `red dragon` as the enslaver of women`s `host` wombs , and devourer as homosexual pederast warmonger, doesn`t want the `host` to leave unless it has futuristic `gay boy sons`, that is, the paratrooper equivalent of `gay poisons` to `drop` on her. Britney is projecting HIV/AIDS` devouring `red dragon` of homosexual pederasty`s `blood plague` of biological warfare.



 Ancient Greece was based on homosexual pederasty and the enslavement of women`s wombs for the purposes of further enslaving of women`s `host` wombs for the parasitical virus` purpose of perpetuating war. At Troy the Greeks employed the device of a huge wooden horse and then left it for the Trojans to take into their city where the Greeks emerged from their hiding place inside it and enslaved the women. On 9/11 the Arabian terrorists employed `civil` aircraft to hide inside and crash into the Twin Towers after hijacking. Both devices employed the notion of `feigned friendship`, which is how the HIV/AIDS virus spreads itself through the body in order to kill it. HIV/AIDS `feigns friendship` with the defence system and then kills it. Consequently, 9/11 was the first example of airborne HIV/AIDS terrorist biological warfare against the symbol of woman in the Western hemishphere, that is, New York`s `Big Apple` of Eve`s wisdom garnered since Eden.



 In Oops I Did It Again Britney seems to have envisaged a spaceborne HIV/AIDS virus after the model of the futuristic paratroopers of Starship Troopers coming to `bug` her with their cameras on her Mars before spreading through the cosmos to bring biological warfare in the shape of the male alien `buggers` from Earth to woman as a species with her own penis, which Britney`s red `one piece` spaceplane pilot`s X-15 `jump suit` pardoxically seems designed to emphasize in its obvious lack of male genital equipment, and equally paradocically seems to suggests that she possesses, or is going to possess, because it`s a male pilot`s X-15 `jump suit`. For the `bugs` of male alien biological warfare, woman is for `host` womb enslaving, and the warmongering devourer of her is homosexual pederasty`s `red dragon`, which spreads its contagion through the equivalent of the biological warfare of the `blood plague` of HIV/AIDS as spaceborne male alien `starship troopers`. And just when she`s settled in nicely after escaping from confinement upon the planet Earth. Which explains why Revelation describes war in heaven between the `seed` of the woman and the `seed` of the `red dragon`.



 According to Revelation the evil shall receive unendurable eternal pain as a punishment from God while the good shall receive a new heaven and Earth in which to dwell in forever. On her Mars Britney is working for the Redemption of woman. If men knew she had a penis, they wouldn`t want her. Britney`s `Bi` female is Britney`s `spy plane`. Women may appear topless, nude, show her ass, and never reveal her penis, because that`s how the male alien parasitical viral life form of men maintains `the means of production`. But women don`t know that they`re a species with a penis of her own, and so Brintey`s `Bi` girl is functioning as women`s `spy plane`. While for men bisexual women are `host` wombs for their homosexual pederasty`s enslavement and devourment.of the products of her womb, that is, art, civilization and culture, through warfare and the biological warfare of the `blood plague` of the `red dragon` of HIV/AIDS against women`s wombs, and the `biology war` of the male against the female with a penis of her own as the species of the planet Earth. Britney, on the other hand, in her red pilot`s suit and white bikini dress, represent Britney`s `Bi`, that is, Britney`s `spy plane` on male-female relations with a view to examining lesbianism as the basis for relations between women as a species with her own penis.



 In computers a `Trojan` is a virus, whereas  the 20th century`s HIV/AIDS virus was the biblical `red dragon` of devouring homosexual pederasty`s fear-inducing, terroristical `blood plague` of the `gay boy sons` biological warfare, that is, the `gay poisons` biology war, against the `host` wombs of women, which God`s Redemption was designed to save her from. Woman with a penis does not need men, which is why men themselves are a virus. This is what God means by the serpent`s `enmity` (Gen: 3.15) with the woman, that is, the `gay boy sons`, which are the poisons of the serpent, are wman`s enemies. Homosexuals aren`t producers, and their valence of HIV/AIDS tells us that they don`t want God`s productions, or women as the producers; nor even the producer – God.


`I like to see it lap the Miles -
And lick the Valleys up -
And stop to feed itself at Tanks -
And then - prodigious step

Around a Pile of Mountains -
And supercilious peer
In Shanties - by the sides of Roads -
And then a Quarry pare

To fit its sides
Complaining all the while
In horrid - hooting stanza -
Then chase itself down Hill -

And neigh like Boanerges -
Then - punctual as a Star
Stop - docile and omnipotent
At its own stable door -`


 Emily Dickinson (1830-86) `riddle` (1924) poem is about a train which is depicted as a horse. It is the `iron horse` of the growth of America, but it is represented towards the end of the narrative as `docile` and `omnipotent` at the `stable` door, which is what Jesus` birth and Ascension represent. The child that `rules the nations with an iron scepter` is Jesus; so is the `Son of God` on the cross, and the baby Jesus in the `stable`. The task for God is to bolt the stable door before the horse has bolted, and Jesus` Salvation from Nativity to Ascension and heaven indicates that the horse remains in the stable with God even if it had bolted. Jesus is eternally saved and has Redemption, but has to be the `Sword of God` in Revelation, which requires him to be meek as a teacher and wield a sword later to bring about the death of Satan. However, if God can allow Jesus to meekly teach the Word of God before his crucifixion, death, and Ascension to heaven, and engineer his `Second Coming in which, wielding the Sword of God, Jesus decimates the evil bloodthirstily and punishes them with perdition, before receiving a new heaven and Earth as reward, God has successfully `closed the door afte the horse has bolted` because Jesus has Salvation from his Nativity in the stable and throughout eternity.



 Men who are not `washed in the blood of the lamb` (Rev. 12.11), and do not accept Jesus` teachings through the Holy Spirit or Paraclete, can`t have Redemption. Because they prefer to continue with their tortures rather than accept whatever is visible of `God`s love`, who is woman. Jesus` `bride`, Jerusalem, is woman, as `Babylon, the Great, Mystery, Mother of Harlots and of the Abominations of the Earth` is woman upon the Earth living under difficult circumstances. Forced to accept `boy son` injections that are the poison which will kill and subject her to fear and terror in the forrm of the wars of the `red dragon` and its `biological warfare` against her `host` womb through its `blood plague` of STDs and HIV/AIDS,  her `gay boy sons` are the poisons depicted in her cup:


`... having a golden cup in her hand full of abominations and filthiness of her fornication ...` (Rev: 17.4)



 Jesus is unmarried but required to bring about the death of Satan with the `Sword of God`. He is the `Son of Man`, which he describes himself as, and the `Son of God`, as Longinus describes him as, but he`s celibate, according to infantile perceptions that wouldn`t give credence to the idea of Jesus` penis functioning. However, the functionality of the penis` libido as instinctual sexual energy transformed into spiritual or intellectual endeavour is the basis of Western art, civilization and culture. The celibacy of Jesus` penis relates directly to the need for spirit and intellect rather than sensuality as the basis for development. In Oops I Did It Again Britney`s penis can`t be seen either, but the fact that she`s declared herself as `Bi` means that she`s `in the same position for those who`ve decided that Jesus was celibate, that is, they don`t want to know. However, those who do want to know would spy on Jesus, as Adam and Eve were spied upon in Eden by the `serpent` that becomes the devouring  `red dragon` of Revelation. Britney would be spied upon by them also because she`s declared herself as `Bi` and they`d want to know as `spies`, which is what the spaceman`s camera is for in Oops I Did It Again as he reports to `Mission Control` on her `movements`. Declaring herself `bisexual` preempts discussion over Britney`s celibacy, in lesbian terms, which means she`s Christ-like, because discussions over Jesus` celibacy are preempted in Christiianity. Jesus doesn`t have to be celibate. Just as Britney Spears in Oops I Did It Again doesn`t have lesbian sex, but we don`t presume that she doesn`t.



 Jesus` penis is a secret, and so is Britney`s. In terms of Emily Dickinson`s `riddle`, God is in the `stable` and without. Jesus can go forth, teach Redemption, bring death to Satan, and be the `bridegroom of the lamb`, who is `God`s love` as Jesus` woman, Jerusalem, and their marriage is noone else`s. Jesus is eternally saved; from the `stable` fixed point in time and space symbolized by the `star` of Bethlehem, to his bringing about the death of Satan by means of the `Sword of God`, and his marriage is for his eyes alone, which is what God told Adam and Eve in Eden, and that`s Redemption, because noone sees what goes on in Jesus` marriage, apart from Jesus and the `bride`, Jerusalem.



 In Eden God said there`d be `enmity` between the woman`s `seed` and the serpent`s. When Adam and Eve ate of the fruit of the `Knowledge of the Tree of Good and Evil` (Gen: 2.9), they perceived themselves naked because they were being watched. The serpent`s `seed` can`t have the `marriage of the lamb` as the `bridegroom`, because watching is what they do, and the `red dragon` of Revelation devours them because it can see them. God is omniscient, however, according to the Bible, which is why the `red dragon` waits in vain to devour the `New Redeemer` when the `woman clothed with the sun and with the moon at her feet` is giving birth.



 Britney Spears` Oops I Did It Again is a prayer to `close the stable door after the horse has bolted`  - and before it bolts - which is a euphemism for a woman who has either lost her virginity, or has lost her virginity and conceived. The `video logic` of Oops I Did It Again has the spaceman discover the `cookie` each time the scenes are run. The `cookie` is an `Open Sesame`, or `password`, and access to the scenes depend upon its uncovering by Britney`s spaceman in the desert sands of her red planet of Mars. It`s the `condom` which protects her `conception`. If she`s a woman with a penis of her own as a species but doesn`t have a penis, then she`s for `bisexual` relations productive of male or female children, whereas if she has a penis of  her own as a `member` of the species `woman`, she`s `saved` in `eternity`, according to the Bible, which means that somewhere she is woman as a species with her own penis. Closing the door of the stable after the horse has bolted is what God does. Britney is `twinned` in the Oops I Did It Again video because, in terms of God`s `editing process`, that is, Salvation in eternity from Nativity onwards, in her red suit Britney doesn`t have a penis, but in her white bikini dress she`s a different woman, and might have.



 Christianity presupposes man and woman, so Salvation from Nativity to eternity supposes that man and woman`s forms are eternal, whereas the advent of the futanarian woman with a penis of her own, as an aspect of the species woman, tells us that man and woman are not eternal forms. Because a woman who is born without a penis and discovers that women have a penis presupposes that women are a species that does have a penis and men are keeping her as their prisoner, which is what monogamy and patriarchy is. In other words, woman`s Salvation is a knowing that she has a penis of her own, because women are a species with her own penis, and so if she doesn`t have a penis she`s `recorded` as having one by God somewhere, which means that she`s `saved` because she`s divided from her own species by the parasite that calls itself male, but is actually an alien viral life from masquerading symbiotically as a `friend` in the same way that the HIV/AIDS virus, or `gay poisons` from the `gay boy sons`, `feigns friendship` with the white cells of the body`s immune system in order to mount a campaign of biological warfare against the `host` wombs of women and kill the female with her own penis before she can emerge. That might explain why there`s no cure for the `killer disease`, because the aliens are endeavouring to discover a way of making the virus gender specific.



The `video logic` corresponds to the idea of permanence in which Britney, at the video`s commencement, corresponds to Jesus as both in the stable of his Nativity and in the eternity of his Salvation, which doesn`t require death and Resurrection. Although Jesus himself experienced crucifixion and death. Oops I Did It Again represents Britney Spears` `take` on Redemption and Salvation. If Oops I Did It Again is her Nativity, then the `recording` is her Salvation, because the appearance of her `star` is the sign of her Advent in the same way as the `star` of Bethlehem heralded the birth of Jesus. Britney`s `star` heralds the birth of the `New Redeemer`, which is the perception amongst humankind that woman is a species with her own penis, and that`s why she appears in her red pilot`s suit raising her spaceman above her in a white bikini dress. The spaceman is her `son` who she`s `teaching`, so he can `protect` women and be the `New Redeemer`. After her birthing of the `New Redeemer`, the `woman clothed with the sun and with the moon at her feet` is `hidden` upon the Earth until she leaves. Britney`s Redemption is Salvation, without death and Resurrection, because she`s `recorded`. As the `stars` of the elect are `recorded` as `eternally saved`, according to the Bible, and as Jesus is `saved` in eternity from Nativity to Ascension and beyond.



Because of her declaration of bisexuality, which entails lesbianism, and doesn`t exclude encounters with futanarian woman ( ) with a penis of her own, Britney`s Oops I Did It Again is her version of the `marriage of the lamb` in which the `bride` is herself in a white bikini dress, and Britney`s spaceman, who she raises in her red pilot`s suit above herself in the white bikini dress by means of a hook and pulley, is the `marriage agent` for the `marriage agency` with his camera that sends her picture back to Earth for prospective wedding partners to view. `Beware Greeks bearing gifts` is the paradigm. If woman has a penis of her own, why would she want to wed with a man? It`s a `Greek horse` for the virus` enslavement of woman as a `host` womb by means of the `gay boy sons` that, in the last quarter of the 20th century, have become the `gay poisons` of the 21st century, HIV/AIDS. The `demons` of `Mission Control` which appear to be inside the spaceman as `mites of sodomy` are the `gay boy sons` endeavouring to `boy son` Britney for the `red dragon` of homosexual pederasty and war so that the `blood plague` of their `biological warfare` against her can spread its `contagion` further. In rasing her spaceman abover her `daughter`, Britney is asking: `Is there a woman in the room?` Because my daughter will be woman as a species with her own penis.



 `Music can be such a revelation.` Madonna sings in Into The Groove `At night I lock the doors, where no one else can see . I’m tired of dancing here all by myself. Tonight I wanna dance with someone else.` Eventually, woman without a penis tires of masturbation and accepts her Satan, that is, a man who wants to produce more `gay boy sons`, and its viral `blood plague` of the `gay poisons` of HIV/AIDS. If men do not accept Redemption and the notion that the `New Redeemer` is to protect woman as  a species with her own penis, while she is sojourning upon the Earth, perdition is men`s punishment for being evil towards her,.



 Britney Spears  Oops I Did It Again `scifi` declares Mars` Redemption. Victory for the female Venusians, and  futanarian Penisians, over the god of war that`s the `red dragon` of Britney`s Revelation. But, if men turn their spears on woman, it`ll be species war between woman and herself as futanarian woman with a penis, that is, the men of Mars and the Venusians against the futanarian Penisians. If women do not accept that men have `ownership of the means of production`, where women are the `means of production`, then the `American Dream` is `life, liberty and the pursuit of happiness`, that is, Manifest Destiny through the `producer of the means of production`, who is futanarian woman with a penis of her own of the species` woman of the planet Earth.


`I`m Miss American Dream since I was seventeen.` Piece Of Me



1 William Shakespeare, Julius Caesar, III, I, 77, 1599.


The Woman on the Sword

01/01/2012 14:57

The Woman on the Sword


Jesus on the cross is the man who does not defend himself until his Second Coming with the Sword when he exterminates evil and God creates a new heaven and Earth for the Redeemed. The cross represents the crosspiece of his Sword in the Earth. He is helpless so his tormentors do not have to use the sword against him.



 To a boy child the crucifix is the haft of a wooden sword pushed into the Earth. Jesus is the `Son of Man` (Matt: 26.64) because he is the Redeemer; but he returns with the `Sword of God` in Revelation. If Jesus had carried a sword, he would have been killed with the swords of men. In fact, he was killed by the Romans for being a Jewish subversive. His role was to last long enough for the sword of God to be reforged.



 Jesus distilled his own teachings, and `God`s law` as `God`s love` (Luke: 10.27). Upon the cross he was helpless and, after his Ascension (1 John: 2.1), God gave the Paraclete or Holy Spirit to mankind as `teacher, guide, comforter and helpmeet`, which suggests that she is the helper that the helpless want to save them. As God`s spirit, she has taught Jesus - and through Jesus - so she is teacher, guide, and comfort also.



 Jesus` Second Coming is with the Sword, so he is Sword-trained and a sword-trainer. On the cross he has the woman`s position. He has been obedient to God but men want submission. The `marriage of the lamb` (Rev: 5.13), in Revelation, is submission to God and, pursuant, is `marriage`. According to Revelation, Jesus` `bride` is Jerusalem, but men assume that the `heavenly city` is a place from which they`ll govern creation, whereas Babylon, the Great`, is the city of Revelation described as the city upon the Earth where a woman rules. In other words, Jesus` bride, Jerusalem, is the woman who rules in heaven on behalf of God for Jesus` marriage, which men have no jurisdiction over, although they have always wanted to see into the bridal chamber that God had originally prepared for Adam and Eve in Eden. In Revelation `Mystery, Mother of Harlots, and of the Abominations of the Earth` is a `proxy` ruler for those men who, in ancient Greece, enslaved the wombs of women so that homosexual pederasty could spread its `gay boy sons` by means of war, which became the 20th century`s `gay poisons` of HIV/AIDS, in accordance with Revelation, as the `red dragon` of homosexual pederasty`s war against the wombs of women continued in the form of its biological warfare of HIV/AIDS, which in Revelation is decribed as `blood plague`:


`... a golden cup in her hand full of abominations and filthiness of her fornication:...` (Rev 17:4)



 Babylon`s womb is her cup but the `abominations and filthiness of her fornication` are what she is made to do by the `red dragon` of devouring homosexual pederasty`s warmongering `gay boy sons`, which result in the `blood plague`of the poisons of HIV/AIDS. However, `Babylon, the Great` is an archerype of woman that seeks to be made conscious, in psychological terms. According to the developmental depth psychologist Carl Gustav Jung (1875-1961) contents of the unconscious seek to be made conscious by means of impulses that arise in dreams, art, and imagination or reverie. The archetypes are the impulses towards civilization and culture, and `Babylon, the Great` is great because she represents the archetype of woman upon the Earth as she endeavours to survive and be born.



According to Genesis there shall be perpetual enmity between woman`s `seed` and that of the serpent, and in Revelation `the woman clothed with the sun and with the moon at her feet` gives birth to the `New Redeemer` that will protect her while she remains `hidden` upon the Earth. Because the woman of Eden is described as having `seed`, she`s a futanarian woman, or woman with a penis as a species in her own right, which means that Eve, Babylon, and Jerusalem are Woman. According to Revelation the `red dragon` and the serpent`s `seed`, which correspond to the `gay boy sons` of homosexual pederasty`s contagion of war and the `gay poisons` of the `blood plague` of HIV/AIDS, fight against the `seed` of the woman in heaven and lose. The `red dragon` and the serpent`s `seed` receive perdition, and the woman and her `seed` receive a new heaven and Earth.



 The Evil One is exterminated. He doesn`t submit because he doesn`t want marriage. He is single because he doesn`t want Woman. He represents homosexual sterility: `The beast that thou sawest was, and is not, and shall ascend out of the bottomless pit, and go into perdition: and they that dwell on the Earth shall wonder, whose names were not written in the book of life from the foundation of the world, when they behold the beast that was, and is not, and yet is.` (Rev: 17) In Arabia they have a similar tradition deriving from the holy book of the Moslems, the Koran,  which describes `Iblis`, the `Shaitan`, who corresponds to `Satan` in Christianity, and who has no power other than to whisper in ears. Because the `beast` represents the sterility of homosexual pederasty, it has no creative power, and so its power is an illusion. Consequently, it`s defined as `was, is not, and yet is` because it represents development.



 Just as men prefer to teach boys to play with wooden swords so that they have as much effectivity as the buried wooden haft of the cross of the sword of Jesus` boyhood, so Jesus` celibacy represents the need for a denial of the sensual for a period from the 3rd century C.E. so that 21st technology could develop. However, given the fact of a developed technology, such as that of the TV series Star Trek (1965-), low levels of technology are for the meek. In other words, developing is what the meek are for, and their low levels of technology represent the fear of the evil who are preparing for Jesus` `Second Coming` with the `Sword of God` that will slay them. If Jesus` plan was to develop technologically, so that the meek of the Earth would be able to defend themselves, the plan of the evil was to enslave the meek at the technological equivalent of chimpanzees after they had developed to the advanced technology of something akin to Star Trek, for example,. Jesus` `Second Coming` would result in the meek being kept upon the Earth as `hostages  to fate` subject to a black mass `slaughter` before Jesus` `Sword of God` was even out of its sheathe should Christ attemptt to remove it therefrom.



 According to the New Testament Jesus was `trained` by means of `God`s Spirit`, which was by his side as Eve`s was from Adam`s and she emerges, as it were, as the Paraclete, or Holy Spirit, when Jesus` side is cut open by Longinus` spear. The female Shekinah is the `spirit of God`s law` that dwells in the place of the `Ark of the Covenant` with God`s Commandments in the Old Testament, which Jesus distills in the New Testamnet as `love thy neighbour`. Because the Holy Spirit, or Paraclete, is female she represents what the depth psychologist Carl Gustav Jung (1875-1961) defines as among the archetypes of the collective unconscious that, appearing in dreams, art, reverie and the imagination, impel civilization and culture to higher levels of spiritual, intellectual, and technological levels of development. Just as `Babylon, the Great` and Jerusalem, the `bride` of Jesus, represent aspects of the archetype of woman`s impulsion to development, so the Shekinah, or Holy Spirit, effectively emergent from the side of Jesus when it was pierced by the spear of Longinus after Jesus` crucifixion and death, is an archetype of spiritual impulsion. Consequently, the evil would seek to kill her because she represents the possibility of survival for woman as a species with her own penis.



  Because the capacity for developing independent space travel devolves, according to Jung, from instinctual levels of energy associated with sexuality, the solution for the evil would be to either kill the woman`s penis, suppress all knowledge of the woman`s penis, or simply engage in biological warfare against her `host` womb by injecting it with experimental `gay boy sons`, that is, the `gay poisons` of HIV/AIDS, as if she were an experimental rat. Jesus` alternative is portrayed at the `Last Supper` in the Bible where he offers `bread and wine` as symbols of his `body and blood`, which represents the transformation of instinctual levels of development into spiritual or intellectual levels, which the transubstantiation symbolism of the Catholic Mass promulgates in the shape of the Communion wafer and the cup of wine. Conversely, HIV/AIDS is the Satanical cup of the `abominations and filthiness of her fornication[s]` from homosexual pederasty`s gay boy sons` celebrating their generations` long `black mass`invoking the `red dragon` of Revelation and its `blood plague` of `gay poisons`:


`... having a golden cup in her hand full of abominations and filthiness of her fornication ...` (Rev: 17.4)



 Gays don`t want development because the older pederasts wouldn`t be able to produce `gay boy sons` if woman with a penis of her own were an independent species. If woman with a penis of her own understood she didn`t need men, she`d be free to embrace immortality without the obligation to produce new `boy sons`. The intention of the male alien parasites upon her `host` is to keep each woman as a breeding slave for a couple of decades or so in order to produce more `gay boy sons` for the `red dragon` of homosexual pederasty`s `plague games` of `biological warfare` with the `gay poisons`. Jesus` `bread and wine` is his `body and blood`, because he doesn`t want the `gay boy sons` or HIV/AIDS, and that`s why he`s born without the stain of a man`s semen upon him. Because God didn`t want him to have the `mark of the beast`.



 In Revelation the `hidden` woman of the Earth leaves to `sow` her `seed` amongst the stars in heaven. Most interpretations of Jungian psychology assume that men are a part of the species of the Earth, but if the spirit and soul are female, as the functionality of the Shekinah and Holy Spirit suggest, the archetypes of the collective unconscious are woman`s, and men have no developmental functionality but are evil aliens, which explains why there is war in heaven against the woman`s `seed`, and why the evil serpent`s `seed` of the aliens are defeated.



 As a supposed celibate, Jesus` cruficied is an icon of the `red dragon` of homosexual pederasty`s sado-masochistic lust for blood. Because he represents Eve`s understanding of woman`s role, he is a misogynist`s icon too. As the wooden haft of the toy sword of his boyhood, Jesus` cross is ineffectual, which is how it is interpreted by the evil. However, in Revelation, Jesus comes to save his `bride`, symbolized by Jerusalem who, as `Babylon, the Great`,  is the archetype of woman `washed in the blood of the lamb`, and who has Redemption and is saved in Revelation by Woman`s archetypal hero Jesus with the `Sword of God`. Although much happens with `Babylon, the Great`, the notion that woman as a species is separated both from her own penis and knowledge of it by the male aliens who have imprisoned her on the Earth in order to enslave her womb as a `host` for its parasite suggests that the separation of `Babylon, the Great` and Jesus` `bride`, Jerusalem, are equivalent to the separation of the penis of woman from woman as a species, which means that `Babylon, the Great` belongs in heaven as Jerusalem because her `abominations and fornication` are a consequence of her enslavement by the aliens.



 As a Sword trained by God`s spirit, the sword he is training is not man`s but Woman`s. The sword is associated with `Thinking` in psychology, and the Word of God is construction though instruction, which is invention, production and, most importantly, reproduction; the knowledge of how to make the same thing again: sex is the basics. If women are required for reproductive sex, men can`t reproduce without women, whereas women as futanarian women with a penis of their own can reproduce without men, Consequently, the male system of heaven divided into good males and males who aren`t yet quite good enough doesn`t take into account the fact that women have been separated from their own penis as a species by the male alien parasites using her as  a`host` womb for their devouring wars of homosexual pederasty, and so heaven would logically consist of  her physical hermaphroditism.



 In Egyptian mythology, Ra is God, Osiris is his son, Set is the Evil One that dismembers, and Isis is the Woman that remembers him as Horus. In Christian terms, Set corresponds to those men who don`t want the immortality that God promises Jesus. In the Egyptian myth, Isis wants immortality for Horus, whereas Jesus` separation from men by being born of a virgin without the semen of a man is a further instance of God`s distancing of God from men because they don`t want immortality in God but only insofar as it facilitates their blood lust as evil aliens.



 Jesus` birth without male semen suggests that God is divorcing men from the `spirit of God`, which God effectively confimed when he sent to the Earth the female Shekinah, that is, the Holy Spirit or Paraclete, to be `guide, teacher, comfort and helpmeet` at the side of woman. Jesus` offer of fellowship in the form of the `bread and wine`, as symbols of his trust, is betrayed immediately by Judas Iscariot, who sells him to the crucifiers, and prefigures the `gay boy sons` of BDSM and their poisons` `blood plague` of HIV/AIDS, which transmits itself by `feigning friendship` with the fighting cells of the body`s immune system before betraying the `friendship` and killing them and the body. Another Satanical gay boy sons` black mass in which the `gay poisons` of HIV/AIDS mock Jesus` `body and blood` in their own pederatical version of the  transformation symbolism of the Catholic Mass.



 Woman`s `The End` product of Revelation in which her `seed` receives God`s `new heaven and Earth`, which are immortal lives, saved and remembered. In order to understand, we have to accept that God lives through man. Jesus` birth is by parthenogenesis; he isn`t man produced by the fertilizer of man. He is born of a virgin woman and God. In Egyptian mythology, Osiris is the incarnation of Ra, who corresponds to God, as Allah in Moslem belief. Osiris has many experiences, and because he has lived as mankind, he has much to remember. Without the knowledge of his imprisonment in an ego, he can`t remember. He needs the rememberer – Isis. She collects the pieces from Set`s dismembering of Osiris but can`t find the penis, because she shouldn`t; it isn`t hers.



  Isis fashions a new penis for Osiris, who is then reborn as Horus, but the symbolism indicates that he`s restored not remembered. In other words, he doesn`t have the memories of his incarnation as the individual egos of mankind. However,the fact that women have a penis of their own, is the reason why Isis shouldn`t find Osiris` penis. Isis corresponds to what in Christianity is termed the `bride`, Jerusalem, who is a woman who rules on behalf of God, as `Babylon, the Great` is the `proxy` ruler for the `red dragon` of homosexual pederasty`s `gay boy sons` that represent the `gay poisons` in her cup of  the `abominations and filthiness of her fornication` that corresponds to the `blood plague` of Revelation which is HIV/AIDS. If Jerusalem, the `bride` of Jesus, is woman with a penis of her own and God`s true species, woman`s Resurrection would be `Babylon, the Great` with her own penis as the species woman, that is, Jesus` bride`, Jerusalem, who would have the memories of mankind because Earth is where her penis had been.



 Some believe God to have incarnated in Jesus in order to bring gnosis to the Earth, that is, `esoteric knowledge and intuitive wisdom`. In Christianity `Holy Wisdom is an expression of understanding of the Holy Spirit` and, according to the Gnostics, this was the way to Salvation. After Jesus` crucifixion and death Christ has Resurrection and Ascension. In Egyptian mythology the equivalent of God is Ra, who incarnates as Osiris, and is dismembered by the evil Set before being remembered by Isis who collects the pieces of Osiris` dismembered body. Where Jesus has Ascension to heaven in Christianity, Osiris is reborn as Horus, the `sky god` in Egyptian mythology, probably because Isis corresponds to the `bride` of Jesus, Jerusalem, who is a woman with a penis of her own. Consequently, the memories of mankind belong with her and so man`s penis is hers in heaven. The Egyptian `sky god` Horus represents the zenith of man`s aspirations on Earth. Because woman who is sundered from her penis as a species and its knowledge would be restored in heaven above, according to the `myth logic`.



 Although Ascension follows Jesus` crucifixion and death, God sent the Paraclete, or Holy Spirit, to teach Redemption after Jesus, which corresponds to that `Holy Wisdom [which] is an expression of [the] understanding of the Holy Spirit`. Redemption isn`t Resurrection and Ascension, because that presupposes death and rebirth, which corresponds to what happens in Egyptian mythology where Horus is reborn as the `sky god`. If Horus has Resurrection he would be reborn with his memories of his incarnation as mankind. However, Isis can`t find his penis and fashions one anew, which suggests rebirth without remembering. In Christianity, the `spirit of God` is female and, because the Holy Spirit, or Paraclete is `esoteric knowledge and intuitive wisdom`, according to Gnosticism, the concept seems to be that she teaches and garners knowledge.



 Woman is a species with her own penis, and the female Holy Spirit, or Paraclete, in effect teaches the penis of mankind through the soul, which Jung calls the archetype of the anima, or female image in the psyche of man that corresponds to the desired image of woman, by means of the transformation of instinctual libidic sexual energy to spiritual or intellectual development. In Christianity Redemption presupposes death and Resurrection, but Redemption without death is Salvation. Just because Jesus died on the cross doesn`t mean that those who accept the teachings of the Paraclete, or Holy Spirit, shouldn`t have Salvation without death. In other words, Gnostic Christianity represents the notion that `Holy Wisdom [which] is an expression of [the] understanding of the Holy Spirit` confers Salvation. In short, if woman with her own penis is the species of the planet Earth, and the `Assumption of the Virgin Mary` means that the woman, who is sundered from her penis upon the Earth, has restoration in heaven, because the penis of the male is female and desires its own `Self` as the species woman, the `Assumption of the Virgin Mary` means that woman is restored to her own penis as a species in heaven and `Holy Wisdom` belongs with her as Jerusalem, the `bride` of Jesus in Revelation, who is the Gnostic sapientae dei or `Wisdom of God`.



 If Resurrection is restoration with memory intact, the `bride`, Jerusalem is `Holy Wisdom` because she represents the memories that the individual who has Resurrection would want to have. In the New Testament Jesus preaches forgiveness, because of the `enmity` between the `seed` of the woman and the serpent`s `seed`, that is, men, which has been perpetual since Eden. Obviously the individual who had Resurrection or Salvation wouldn`t want memories that were of men and their evil ways. Consequently, the `bride`, Jerusalem, represents woman as a species with her own restored penis and so someone with all of the memories of humankind. Moreover, as Jesus` `bride`, she is `good` memories without men and their evil ways. The Paraclete, or Holy Spirit, functions as woman`s garnerer of knowledge, which might adjectivally be defined as `humanity`, and Jerusalem, as the `Holy Wisdom` of God, represents the woman`s good governance on behalf of God in the heavenly realm.



 In biological terms, Jesus and the Virgin Mary are a complexio oppositorum that denote the Virgin with a penis of her own as member of the species woman, whereas homosexual pederasty`s devouring `red dragon` of war through its production of `gay boy sons` in its enslaved women`s `host` wombs, is the Satanical serpent of the `seed` of men who were responsible for the torture and murder of Jesus as the Virgin, or nascent, `futanar`.  In the 20th century the `red dragon` escalated its campaign against woman as a nascent species with her own penis,  through `biological warfare`. The gay boy sons`  incurable `killer disease` are the `gay poisons` of HIV/AIDS, which is the `blood plague` valence of the `red dragon` of Revelation.



 Those who espouse the `red dragon` are the same people that tortured and murdered Jesus, without the forgiveness that would give them either Salvation or Resurrection in Jesus` name. The Satanical would want reincarnation for others but in places of their own choosing, which is why the `red dragon` of homosexual pederasty, whose valence is torture and murder, began to enslave the `host` wombs of women at least as long ago as ancient Greece where women were merely `breeding stock` for the homosexual pederasts. The Satanical would also want Resurrection for themselves, but without Redemption, which requires the acceptance of forgiveness, as a basic Christian principle, because Resurrection for themselves and reincarnation for their victims would satisfy the `blood lust` of their valence.



According to the Bible the `woman clothed with the sun and with the moon at her feet` gives birth while the `red dragon` waits in vain to devour the `New Redeemer`, because she is Salvation, and that`s why the `New Redeemer` is able to protect the `hidden` woman with the `seed` that defeats the `red dragon` in war in heaven to receive a new heaven and Earth while the evil serpent`s `seed` receive perdition from God. The `New Redeemer` accepts the teachings of the Holy Spirit, or Paraclete, and so is immune. Obviously, the concept of immunity relates to immunity from the `biological warfare` valence of the `red dragon` of HIV/AIDS `blood plague`. In other words, to be immune from homosexual pederasty`s valences, each individual would  have to be `straight`. However, in sexual terms, all this means is that the feminine principle desires itself, because woman as a species with a penis of her own is `straight`, and because that means the penis is female, `straight` means woman oriented desire, which is categorizable as the `normal` valence of the planet Earth.



 If the male doesn`t desire woman, and the violence in mainstream movies, as well as `reality` in such incidents and periods as 9/11 on CNN and the `TV wars` of the Gulf (1990-2011), suggest that it doesn`t `really`, then males aren`t `straight`. They`re what the ancient Greeks wanted when they presented their `gift` of a huge wooden horse before the walls of Troy. The `Greek horse` was a `device` inside which they hid in order to enter Troy and enslave the women`s `wombs`, as `hosts` to further homosexual pederasty`s valence of war and enslavement. The HIV/AIDS virus is a `Greek horse` inside which the `terrorist assassins` of homosexual pederasty metaphorically `hide` waitng to devour the `hidden` daughters of the woman of the Earth. In Satanical mockery of the `hidden` woman of Revelation protected in the `wilderness` by the `New Redeemer` before she leaves, and in Satanical emulation of the 9/11 terrorists` `feigned friendship` as they hid inside `civil` aircraft before crashing them into New York`s Twin Towers, which was itself an emulation of the `feigned friendship` of the HIV/AIDS` cell for the immune system of the body it kills, the `red dragon` of homosexual pederasty is administering its injections of `gay boy sons`, that is, `gay poisons`, in an attempt to murder her `womb`, which is the producer of the Earth`s civilizations and cultures that it has been endeavouring to prevent from developing, and to destroy, since Eden.



 From the perspective of Egyptian mythology, Set corresponds to those men who are the disparate egos of Ra incarnated as Osiris that do not want what Christianity would describe as the `Oneness of God`. Jesus` crucifixion and death is the BDSM valence of the `red dragon` of Revelation, which is neatly encapsulated in the movie Red Dragon (2002) that features a psychopath:


` ... [who] kills at the behest of an alternate personality he calls `The Great Red Dragon`. He is obsessed with a William Blake painting, The Great Red Dragon and the Woman Clothed in Sun, and believes that each victim he `changes` brings him closer to `becoming` the Dragon.`1



 The protagonist`s psychopathic perspective devolves from the perception that others are individuals that prevent him from `becoming` because they are him. In Christian terms, Jesus` distillation of God`s law` as `love thy neighbour` represented the awareness that God is incarnate in each individual upon the Earth, and according to Gnostic Christians Jesus was God incarnate. Consequently, the psychopath is he who seeks to have power over the other aspects of God who, from his pathological perspective, are those individual aspects of himself that he encounters, and so he corresponds to Set, the dismemberer of the incarnate Ra as Osiris, in the Egyptian myth, who practices submission-domination and other BDSM approaches, including torture and murder, to `become` what he perceives as an `individual`.



Because the psychopath `becomes` by means of murder, his contribution to civilization and culture is the `dumbing down` of more intelligent individual ego units that appear to him to be stronger insofar as he can`t `become`. His `becoming` has been dependant on others` thoughts instead of thinking for himself. Although this seems individuational insofar as thinking for oneself seems a necessary part of development, the murder of others because they`re stronger personalities is how the `ape of God` reduces the level of human behaviour to that of the chimpanzee. Medical research indicates that HIV/AIDS derived from monkeys, which fits the valence of the `blood plague` of Revelation, because the `gay boy sons` of homosexual pederasty, that is, the `gay poisons` of biological warfare against the `wombs` of women, and the brains of its victims, seeks to reduce the level of human awareness to that of a chimpanzee, so that it can continue to spread its contagion without conscious opposition from the alien parasites` `host`, who is Woman as a species with her own penis on the verge of being reborn.



 Just as the homosexual pederast doesn`t want men to experience God, because a collective of individuals who accepted the goodness of God would be stronger than the psychopathic `killer disease`, so the homosexual pederast doesn`t want woman with a penis of her own to develop and escape from the planet Earth because they would no longer have any `gay boy sons`. In Britain it`s a tradition of the `SAS`, which is the Special Air Service of the United Kingdom`s Armed Forces, to hold up a newborn male child to the sun, which effectively means `boy, sun`, that is, `poison`. The symbol of the SAS is a `winged dagger`, a common enough motif throughout the Armed Forces of the globe, because it represents the knife in the back. In other words, woman`s development can`t occur on Earth because the `plague aims` of the male alien `game player` is to reduce the level of woman`s technological development by poisoning the capacity of the female `brains` produced from her `wombs`, and so keep her a prisoner upon the Earth so that they can continue to `boy son`, that is, `poison`, and devour her like cannibalistic chimpanzees in their wars against the civilizations and cultures that she has succeeded in producing from her womb in spite of the alien parasitical viral life form masquerading as her male `partner`.



The difficult part is remembering. Because mankind has heretofore supposedly been man and woman, Jesus` Paraclete, or Holy Spirit, has the task of remembering both: `Male and female He created them both.` (Gen: 1.27) God created Eve from the side of Adam, according to the Bible, which means they`re potentially a single hermaphroditic being.2 Men who can`t accept Jesus` Redemption because they can`t accept Woman has a penis are those men who want to be `fertilizer`. In the myth of Osiris, Osiris is reborn in spring. The myth refers to the notion of fertilization of the eggs in the wombs of women, and the corpses of the dead as fertilizer for the soil and the crops. Men who want to be fertilizer represent reincarnation and Resurrection, but the BDSM valence, which corresponds to that of Set, the dismemberer in Egyptian mythology, indicates that reincarnation and Resurrection is a Satanical mode in which the torturers and murderers seek Resurrection for themselves, with all of their memories intact, but reincarnation for their victims, who are tortured indefinitely. Because those who have the evil`s Satanical version of Resurrection would seek to have their victims born in wombs of their choosing, and even reborn in wombs that they know of from their memory of previous reincarnations.



 In Christianity Jesus represents Redemption, which necessitates forgiveness, but the Satanical wouldn`t forgive, and immortality, although for the Satanical that would only mean indefinite torture for their reincarnated victims. Interestingly, reincarnation for the victim, doesn`t exclude the possibility of Resurrection for the victim. Although that`s active participation within BDSM rather than the `subdom` perspective in which the reincarnated victim is involuntarily submissive. Of course, either correspond to the `abominations and filthiness of her fornication[s]`,  where she is the enslaved `host` womb of homosexual pederasty.



 Men could only accept woman`s penis anally, which is why men represnt sterility. The anus is where shit as fertilizer comes from. The `red dragon` of the `blood plague` of Revelation (Rev: 12. 1-18) isn`t a fertilizer because it seeks to be an eternal devourer of the producer and her product. Waiting to devour the child born to the `woman clothed with the sun and with the moon at her feet`, it`s ready to make shit out of her `latest`. According to the Bible, the dragon waits in vain to devour the `New Redeemer`, who `rules the nations with an iron scepter` because he wants her civilizations and cultures to flourish. His `rule` is a comprehensive one because the valence of the `red dragon` is widespread. In Hinduism, for example, the Muladhara chakra, which represents the lowest level of spiritual and intellectual development at the base of the spine, corresponds to Al Qaeda, `the base`, while the Ajna chakra, which corresponds to `imagination` at the brain, corresponds to the `Big Apple` of the Twin Towers of New York. In simple terms, 9/11 was an attack by `the base` upon the `imagination` below the Sahasrara chakra of  `will and understanding` at the `crown` of the head, because `imagination` was beginning to develop `will and understanding`, and the `red dragon` devoured it by spreading its evil contagion of war.



 Anal sex is commonly thought to produce HIV/AIDS, and this is why it is thought of as a the `blood plague` of `biblical proportions`. Not only does it indicate that shit and blood is what semen as the `red dragon` of homosexual pederasty wants, but it says it wants  to give its virus to everyone.. As the 21st century paradigm of computer systems` hackers, the terrorist virus of the red dragon`s hijackers of 9/11 used `civil` aircraft to politely` conceal their `orientation`, before crashing the hijacked planes into the Twin Towers. And so the `Big Apple` of the Vishudda chakra of the `will and understanding` of the United States was dimmed by Al Qaeda, `the base`, at which were the biblical `beasts` of Revelation, Saddam Hussein and Osama Ben Ladan.



 At `the base` of the spine, Al Qaeda `Injected`  some Arabian `gay boy sons`, that is, the terrorist equivalent of HIV/AIDS` `gay poisons`, into what they perceived as the USA`s `anus`. The system created by their defence analysts. To `foul` the USA`s immune system by `feigning friendship`, as HIV/AIDS` cells `feign friendship` with the body`s defensive `white cells`, before killing the brain, Al Qaeda, `the base`, spread their plague of war and terror across the globe. Sowing the seeds of confusion to occlude the USA`s intelligence systems, the `red dragon` of terrorism precipitated a second Gulf War (2000-2011), while the actual threat lay in Afghanistan, which had always seemed `Mission Impossible` since the British failure there from 1838-1919 and the Russians similar lack of success in their afforts to govern from 1979-89.



 Osama Ben Ladan and his Taliban followers were operating out of the traditional fortress of the `Old Man Of The Mountain`, Hassan Ben Sabbah, the `Master of the assassins`. 9/11 was a psychological extension of the imago of the `red dragon` of homosexual pederasty`s `biological warfare`. The `blood plague` of HIV/AIDS was Osama`s ass as Sin`s terrorist paradigm as Al Qaeda, the base, launched their `killer disease` against the `Big Apple` of US intelligence on 9/11. Because Afghanistan had always been thought of as Mission Impossible (1996), much as the `Eye of Sauron` looked in the wrong place for the threat to Mordor in British fantasy author J.R.R. Tolkein`s The Two Towers, the USA`s intelligence looked towards Saddam Hussein, the `thief of Baghdad`, whose army had endeavoured to steal Kuwait and her oil.



 The second Gulf War was Two and Fro Dough Boys, or There And Back Dad, because the original title of Tolkein`s book for boys, The Hobbit, was There And Back Again in which Bilbo found the `ring of power` belonging to the evil Sauron. In the sequel, The Lord Of The Rings, Bilbo gives the ring to Frodo to destroy in the volcano, `the crack of Doom`, and break Sauron`s power, while the `Men of the West` from the realm of Gondor, and the `Horse Lords of Rohan` led by Aragorn, cause a `diversion` by attacking the `Black Gate` of Mordor:


`From the sky will come a great King of Terror.
To bring back to life the great King of the Mongols
...` (Century 10, Quatrain 72)



 Aragorn`s men correspond to the hordes of the `great King of the Mongols` in Michel Nostradamus` 16th century Prophecies, and the Pentagon would correspond to the `Black Gate` where the ring of the power of the Dark Lord Sauron was to have been broken, because the USA would be aroused to its danger. Sauron`s `voice` would correspond to the Vishudda chakra of the `Big Apple`, which is `Adam`s apple` at the throat of the mouth of New York`s harbour of Liberty, and the `Twin Towers` would be the vocal chords of `Big Mouth`. The Ajna chakra of the `third eye` would correspond to the Pentagon that had ignored Osama Ben Ladan, the `Master of the assassins`, because Afghanistan was Mission Impossible, while the storyThe Thief Of Baghdad still looked harder to the rest of the world, and so Saddam Hussein remained a more attractive target for the ire of the USA.



 The Pentagon would correspond to `the crack of Doom`, because of the anticipated eruption from the Whitehouse, even though the terrorist plane nominated to crash into President George W. Bush`s office was `taken out` over Pennsylvania, by brave passengers unsparing of their own lives, as United Airlines Flight 93 crashed in a field in Shanksville. The Whitehouse would have corresponded to the `awakening` Sahasrara chakra, or `crown` of `will and understanding`, but the 9/11 attacks were sufficiently successful for the `War On Terror` (2003-) to be declared, which would restore the power of the `Dark Lord`, through the terror of global surveillance and torture such as occurred in the internment camp of Guantanamo Bay, Cuba.



 The main problem of the 20th century was `control of the means of production`, where communism and capitalism differed over whether the state or the individual had control. In communism `each according to his ability, each according to his needs` was replaced by the capitalist concept of wants. What people wanted wasn`t always what the state had decided they needed. The fear was that `bread and circuses` were what people wanted and so civilization and culture would deteriorate. However, if people had to work for what they needed, it would be possible to see what they wanted that was `affordable` from a societal point of view, and allow it. But neither communism nor capitalism were prepared to acknowledge that the `means of production` was the `host` womb of women that they were using to produce. Perspectivally, the male perspective was that she shouldn`t have a body of her own, which is the misogynist standpoint that marriage with a male espouses. Because woman has a penis of her own, she has a body of her own, and is able to produce as a species without her male parasite. Consequently, futanarian woman with a penis of her own ( ) constitutes what the German, Karl Marx (1818-83), founder of communism, described as `workers control of the means of production` where `workers` are the  female species and, with her own penis, she controls the `means of production` which constitutes a radical change in economics that begins from the presupposition that men do not own women`s bodies, but that woman can have a `body of her own`.



 At the beginning of the 20th century Virginia Woolf perceived that, in order to have independence, a woman needed A Room Of One`s Own (1929), whereas the economic experiments of communism and capitalism show that what a woman needs is A Body Of Her Own. Woman with a penis has a body of her own, and doesn`t need to give it to a man in order to reproduce, but she can reproduce with another woman, which means she has a body of her own that she can share. From A Room Of One`s Own, the virgin lesbian is emerging prepared to publish A Body Of One`s Own `sight unseen` in the new economy.



 The Egyptian myth of the corn god Osiris warns of the dangers of men who don`t want to be anything other than fertilizer. The growing of the corn each year is a metaphor for reincarnation but not Resurrection, which is what the Christians call Salvation and is continuance of the body with its own memories. However, men who don`t want to be anything other than fertilizer in order to produce more sons to torture and murder, as Jesus was tortured and murdered upon the cross at his crucifixion, want reincarnation for the `good` victims they always enjoy torturing and murdering, which is what the Egyptian mythologem of Set`s dismemberment of Osiris, and Set`s attempt to have anal sex with the reborn Horus, signifies.



  Horus puts his hand before his anus and removes the semen of Set from where Set`s ejaculate would have been. In Christianity the `blood plague` of the `red dragon` of devouring homosexual pederasty is HIV/AIDS and its assault on women`s `host` womb is a form of `biological warfare`, which the struggle of Osiris and Horus against the evil Set prefigures in the Egyptian myth of what Christianity would term Redemption from `sin`. The male is an alien campaigning against woman as a threat to the aliens` controlling the `means of production`. Injecting themselves into the `host` wombs of women, like the creature in the movie Alien that injected its parasite into the body of John Hurt, men emerge from the `host` wombs of women after `feigning friendship`. As the `gay poisons` of the HIV/AIDS virus `feigns friendship` with the `host` before killing it, the `gay boy sons` of homosexual pederasty `feign friendship` with women as a `host` womb for their alien parasitical virus in order to enslave her economically and prevent her from reproducing herself and her daughters as a species with their own penis and a form of economics that isn`t based on reducing humanity to the developmental level of chimpanzees so that women can`t be a good `host` for herself.



 At the `Last Supper` Jesus` observation was that he was a good `host`, insofar as he offered `bread and wine`, as symbols of his `body and blood`, to the disciples.  Mary, the Virgin, Jesus` mother, had given birth to Jesus without semen, which prefigures the woman with a penis and semen of her own to reproduce, as a good `host`. Jesus` offer of fellowship to the disciples, one of whom, Judas Iscariot, betrayed Jesus to crucifixion and death, is symbolized by the `Holy Grail`, from which Jesus ate the bread and drank the wine at the `Last Supper`, and which is called the `host` in the Catholic Communion service where the `host` represents the desire of the recipient to transform themselves in acceptance of Jesus` teachings, and the teachings of the Holy Spirit, or Paraclete, so that they can be a good `host` also.



 9/11 was the first real noteworthy 21st century instance of the good `host` being betrayed when the terrorists `feigned friendship` to travel in `civil` aircraft before the hijackers crashed the planes into the Twin Towers of New York. Because the `feigned friendship` of terrorism is a valence of the `red dragon` of homosexual pederasty, that is, the `gay boy sons` who are the fatherers of the `gay poisons` of the `blood plague` of HIV/AIDS, it`s a biblical sign of the `Last Days` that the parasite is endeavouring to devour the `host` that bore it. In simple terms, woman wants to be a good `host`, and Jesus perceived that his mother, the Virgin Mary, was a good `host`, whereas men were parasites and either must accept transubstantiation, that is, the `bread and the wine` as symbols of the `body and blood` that wants to be a good `host` and `convert` or transform into good `hosts`, or woman as a species with her own penis would be a `host` for herself, and men would have perdition for preferring parasitism.



 If men don`t want to be anything other than fertilizer, that is, semen or rottenness, Woman isn`t for them but for herself, and the advent of woman with a penis of her own as a species is the sign. Men have a `wrong` sexual orientation` because they`re fertilizer, which is why HIV/AIDS derives from blood, shit and semen, that is, the anal sex of homosexual pederasty that has been the bane of civilization and culture since the ancient Greeks first enslaved the wombs of women to be the `host` of their contagion of war against other peoples so that the `red dragon` of Christianity`s Revelation could spread its wings further abroad and eventually conceive of the gay boy sons` `blood plague` of HIV/AIDS` gay poisons to wage biological warfare against women`s good `host` womb. This is why Jesus attempts Redemption and why the Catholic church proclaimed the `Assumption` of the Virgin Mary in the 1950s. Because it is assumed that, because of the depredations of patriarchal alien male social structures, Woman has Redemption by Papal fiat as a recognizable separate species with a penis of her own as futanarian that the male aliens have endeavoured to use as a `host` for their evil parasitical activities and forgiveness is wha the church prays for.



 Jesus` offer of Redemption is for man but only if man accepts it. If not, Woman has her own penis, and can reproduce. Moreover, as a species living in subjection to an alien parasitical viral life form, it is the `Assumption` that confers acceptance of her Redemption by Papal edict. Woman is `God`s love`, and her female Holy Spirit, or Paraclete, exists to remember her in Resurrection and Ascension to heaven in restoration of memory and continuance. The notion of Jesus` offer of the `bread and wine` in token of his desire that others, that is, their `body and blood`, should be a good `host` also, is his recognition that a woman is a man with her own penis as a species, and that`s the Resurrection and Ascension to heaven that those who want Redemption and forgiveness are praying to have. Because it requires `will and understanding` to perceive that Jesus` exhortation to `love thy neighbour` is the perception that man and woman are the same person, unless man accepts what it means to be a good `host`, that is, a woman with a penis of her own as a member of the species of the planet Earth, man will remain man and cannot have Redemption. He will remain a fertilizer dying of the `blood plague` of HIV/AIDS and the devouring ravages of homosexual pederasty`s `red dragon` of warfare.



 God`s Revelation envisages Woman with a penis in heaven and the promised `new body` follows the Edenic observation upon the creation of Adam and Eve, which also prefigures the advent of the futanarian woman from women`s own wombs. An antidote to the viral male parasite and its depredations of devourment and gay boy sons` `blood plague` of HIV/AIDS` gay poisons:


`So God created mankind in his own image,
in the image of God he created them;
male and female he created them.` (Gen: 1.27)



 Revelation implies that the male and female he created them as in Eden, is male and female as a single body in the new heaven and Earth God gives to the woman`s `seed` of her own penis after the `red dragon` is defeated in war in the `first` heaven. Paradise is Adam and Eve`s but, in Revelation, God gives mankind a new heaven and Earth. Adam and Eve are originally hermaphroditic, because God creates Eve from Jesus` side. The new heaven is Redemption and restoration of God`s original design for Adam and Eve, which is hermaphroditic oneness. Jesus, as the `Second Adam`, is Adam from the perspective of memory and continuation of bodily form in Resurrection and Ascension, while the Paraclete is the `Second Eve`, that is, Eve as God`s future woman. If man doesn`t want Redemption, he doesn`t want the new bodily form Jesus intimates of:


`The people of this age marry and are given in marriage. But those who are considered worthy of taking part in the age to come and in the resurrection from the dead will neither marry nor be given in marriage, and they can no longer die; for they are like the angels. They are God’s children, since they are children of the resurrection. (Luke: 20.35-7)



 Jesus` teaching at the `Last Supper` predicates the Catholic Communion`s transubstantiation symbolism of the transformation of the `bread and the wine` into the `body and the blood` of God`s promised new bodies, who are `like the angels`. There is no marriage in heaven because woman with a penis of her own has a body of her own, and so their is no possession by males, because man and woman are recreated as futanarian, `both male and female`, which is how Adam began in Eden where his female nature was separated from his side by God so that God could love Adam in the shape of woman. Equally, the spear of the Roman centurion effectively separated the Holy Spirit, or Paraclete, from the side of Jesus, as the `Second Adam`, so that `God`s spirit` could love mankind from the spiritual realm, where she would eventually be reunited as `both male and female` with him. In short, Adam and Eve become One in heaven after expulsion from Paradise, and a lengthy sabbatical in which they have learned as students, which is what Redemption is. After Revelation woman is in heaven with the penis of the `Second Adam` and they`re forever One.



A woman with a penis of her own has a body of her own and so can`t be `adulterate` because she can`t be possessed by a male in marriage, and that`s why Jesus says there`s no marriage in heaven. Christianity and other religions presuppose adultery because they advocate possession of the female by the male, whereas a woman with a body of her own has a penis of her own and doesn`t presuppose marriage, that is, possession, because the body of her own that she has is presupposed to be her own and inviolately so, which is why Jesus was born of the inviolate Virgin Mary, as a prefiguration of the woman who has a body of her own as a species with her own penis that is not susceptible to possession by the alien male parasitical viral life form that is men.



 The zenith of God`s developmental `Word` is technology, which in man`s hand is a weapon; the sword. On the moon in 1969, Neil Armstrong said `One small step for a man, one giant leap for mankind.` The spaceship that put him there was God`s `Word` as `Logos` rather than the `Sword` of God, which in Jesus` hand slays the evil in Revelation. Conseuquently, the  `Sword`, as a symbol of man`s `Thinking` in the developmental depth pyschology of Carl Jung, for example, is ICBM`s but not God`s `Word` - obviously.



 Jesus` Resurrection from crucifixion occurred because he didn`t want to be just fertilizer, as the annual Egyptian celebration of the `risen` corn, in the form of the myth of Osiris` reincarnation, suggests is the fate of man because man doesn`t want Resurrection in continuance of body and memories, as Set represents man who dismembers Osiris so that he doesn`t remember `where he put his car in the garage`, for example. Jesus` celibacy, in the New Testament of the Bible, was his preparation for `marriage` with the `bride`, Jerusalem, who is Woman, that is, the Earth`s memory stored by her Holy Spirit, or Paraclete, that is, `God`s spirit` separated from Jesus` side as the `Second Eve` and `teacher, guide, comforter and helpmeet` by Longinus` spear (Matt: 27. 54). Jesus` `Second Coming` with the `Sword` of God in Revelation is to separate her from the side of those who haven`t accepted Redemption so that she can be hers forever as a futanarian species with her own penis recreated as `both male and female` by God in a `new heaven and Earth`.



 Jesus` `Sword` isn`t Woman`s technology, which is primarily concerned with `shielding`. A sword or a spear is a weapon, whereas a shield or armour is a defence. If the shield is strong enough the sword or spear can`t penetrate, which is why many people don`t understand military `rules of engagement` insofar as they are suggestive of the precursive arrangements attendant upon marrying. In the 17th century plays of the English dramatist William Shakespeare, `to marry` means to understand, which is why Sodom and Gomorrah were destroyed by God (Gen: 16,19), because the men of the cities wanted to `know` the `angels` homosexually, and analysis of the functionality of the `red dragon` of homosexual pederasty indicates that war is a `marrying` or `knowing` that God destroyed Sodom and Gomorrah for. In other words, men have `rules of engagement in war so that they can `know one another` homosexually, without shields that are strong enough to prevent the `red dragon` devouring itself and, perceived by them almost as incidental, those civilizations and cultures that woman has successfully built under difficult conditions, in such places as the former Yugoslavia`s Kosovo, Chechnya in the former Soviet Union, Dharfur in Sudan, and Deir Ezzor in Syria, where atrocities and massacres most recently took place. In other words, men`s `rules of engagement` are for homosexual `marrying` and preclude adequate shielding, as the US` `missile defence shield` against the Iraqi scud missiles launched against Israel during the first and second Gulf wars (1990-2011) showed.



  Male technology is concerned with swords and spears, which the developmental psychology of Carl Jung observes in its perception of `Thinking` as the `Sword` and `intuition` as the `Spear` in its analysis of the Grail myth of the legendary British king Arthur and his knights, where the sought for `Grail` by the knights of the `Round Table` are `Feeling` and `Sensation` respectively. In Jungian psychology, `Sword, Spear, Grail and Table Ronde are symbols of the four differentiated functions correlated with ears, nose, mouth and eyes respectively. In simple terms, mankind`s focusing on `Sword` and `Spear` is a homosexual orientation that, in Revelation, and its lamenting of the inadequacy of a sufficiently protective condom against the depredations of the `red dragon` of warfare and its `blood plague` of HIV/AIDS, corresponds to the Hans Christian Andersen tale, The Emperor`s New Clothes, where the king convinces himself, on others` advice, that he`s wearing clothes, when in fact he is not:


`Look at the King! Look at the the King! Look at the King, the King, the King!
The King is in the altogether, but altogether, the altogether
He's altogether as naked as the day that he was born
The King is in the altogether, but altogether, the altogether
It's altogether the very least the King has ever worn.` - Danny Kaye (1952)



 The knights of the Round Table pursuant of the `Holy Grail` suppose fellowship in `bread and wine` but have old methods of defending the individual, that is, sword and spear, whereas the Israelites discovered in the first Gulf war (1990-1) that `the king was in the altogether` because the US didn`t have a sufficiently strong shield. In short, Gulf War I was a homosexual `knowing` within `rules of engagement` for a homosexual `marrying`, in the biblical and Shakespearean sense of `knowing`, whereas in movies like Star Trek (1979) starships have `real` shields that actually protect from attack. Although the TV series Star Trek of the 60s was created in a period in which attacks from Russian missiles were presupposed, starships` shields in themselves only presuppose meteor showers or encounters with other forms of penetration. The Earth`s much vaunted protective `nuclear umbrella` of detente against the use of missiles with nuclear warheads, is in fact insurance for `rules of engagement` allowing the `red dragon` of homosexual pederasty`s warfare to devour itself and the Earth under its own auspices and, by inference, by tacit agreement with itself and Earthmen.



In Islam, they use the phrase `sent to Allah` when someone is slain with the sword, which implies the sword `ships` in the sense of `transporter`. As an archetype of developmental provenance the `Sword` indictes the future. However, because it`s a symbol of `Thinking` in Jungian psychology, the future doesn`t have to be the `Sword`. In the Bible the `Sword` is variously referred to as `Logos` and the `Word of God`, which suggests both diplomacy and technology, that is, adequate `fellowship` and shielding that presuppose `safety`, which is what Jesus` Table Ronde of non-combatants at the `Last Supper` precurses. Knightly discourse is based on elaborate courtesy to avoid combat, which thugs amongst the various gangs throughout the world promote as a means to provoke rather than allay violence. However, if a person`s door is strong enough noone can provoke violence against the peaceable, which means that politesse is actually `the king is in the altogether` because governments don`t want individuals to have strong enough shields to prevent a `break in`, but would prefer their populations to live at a level approaching the simian because it`s easier to kill them.



 Earthmen only presuppose penetration because it`s the sexual methodology of their viral form, whereas futanarian woman with her own penis, as a species doesn`t presuppose penetration as the basis for future civilization and culture. In Revelation she is sufficiently technologically presupposed so the cup of her `Grail` may remain safely ensconced inside its armour plate, that is, the starships that would keep her safe. However, the evil aliens that are men will always seek to penetrate her, so it`s a part of their valence to ensure that her defences are weak enough so that she can never escape them. 9/11 was `teaching the bitch a lesson she`ll never forget` from the perspective of the `red dragon` of homosexual pederasty and warfare, which isn`t the fare on woman`s table, but the Captain`s table on Star Trek presupposes warfare is `on the table` because it`s the fiction espoused by the paradigm of penetration as the methodology of Earthmen`s devouring `red dragon` of homosexual pederasty.



 Without a model you can`t instruct, that is use the `Word of God`, and you can`t replicate. Although the `Sword` may be construed as nascent thinking, knights are technologically insufficient insofar as the development of the `Sword` into `Logos`, which is the development of more advanced technology through adherance to the `Word` of the continued presence of `God`s spirit`, the female Shekinah from the Old Testament incarnated anew in the form of the Holy Spirit, or Paraclete of the New Testament, effectively emergent from the side of the `Second Adam`, when Jesus` side was pierced by the spear of the Roman centurion Longinus, to be `teacher, guide, comforter and hepmeet` into her future. Although Jesus wields the `Sword of God` in Revelation to slay the evil, the `Grail` myth shows that the concept of penetrative male weaponry is founded in a flaw, that is, the `red dragon` of homosexual pederasty`s valence predicates missile systems but not missile shields. In Gulf war I the Israelis discovered that the USA`s `rules of engagment` in the `marrying` of Saddam Hussein`s Iraqi Army, hadn`t conceived of a sufficiently strong shield for Israel during Desert Storm when the Iraqis were launching scud missiles against Jerusalem, because they`s adopted the knightly perspective of spears, that is, missiles, as a shield defence. In other words, Desert Shield was conceived as a missile defence system, but not as a shield against missiles, that is, a shield as a shield.



 The Captain`s tablle aboard the Starship Enterprise in Star Trek is the `Grail` of Jesus` `Last Supper` because it`s safe to eat there as the shield is strong enough, but the level of technology still presupposes a fictional universe of knights with swords and spears predicating penetration rather than adequate shielding, on the understanding that the fiction is an accurate extrapolation of the future based on how humanity will develop. However, although military analysts used to swords and spears `Thinking` and `Intuition`, because of the knightly paradigm, might be expected to produce missiles as shields, the concept of the `nuclear umbrella` beneath which regulated devourment by the `red dragon` of homosexual pederasty`s warfare continues, is as ludicrous as the USA`s Patriot missile system defending Israel from Iraqi scuds being described as Desert Shield. In fact the British SAS and US Delta forces, along with their various allies, had to make lengthy forays into Iraqi terroritory to destroy scuds by hand so that the USA could claim that Desert Shield was a success.



 In the myth of Arthur the sword, spear, cup and table resurface in the deck of the tarot of divination where the table is most often replaced by the enigmatic pentacle, which is defined by practitioners of the `art` as a protective charm. Although many view witchcraft as `nonsense`, one of the traditions associated with wicca is that a witch shouldn`t be caught in the rain, and in English folklore it`s unlucky to unfold an umbrella in the home, because umbrella`s are for keeping the rain off. However, the concept of the witch`s pentacle as a protection is what`s missing from the military analyst`s picture. In order to protect the home from nuclear warheads a `nuclear umbrella` is needed that isn`t a missile shield, but actually an umbrella that, when launched, unfolds to protect.



 Carl Jung`s description of the `Sensation`,function, which is associated with the eyes, and is male, (ego-related, as is `Thinking`), while `Intuition` and `Feeling` are feminine (soul or anima-mediated) corresponds to the protective pentacle in the tarot. In other words, although the US Defense Department are able to conceive of a Pentagon, as a `think tank`, they don`t seem to have been able to conceive of a pentacle as a `Homeland Defense` because of occlusion when it came to perceiving what a `nuclear umbrella` should look like, but God isn`t occluded. In Revelation one of the plagues that are descibed as falling upon mankind because of its sins is hail:


`From the sky huge hailstones of about a hundred pounds each fell upon men. And they cursed God on account of the plague of hail, because the plague was so terrible.`



 Just as God is explaining that homosexual pederasty`s `red dragon` of warfare and `blood plague` of HIV/AIDS needs to be counteracted in Revelation by the simple expedient of not indulging in acts of homosexuality, and that women should use a condom, so God is explaining with the hailstones that ICBM missile shields are an aspect of the `red dragon` of homosexual pederasty`s devouring war against women`s Earth by the male alien parasite, that is, they`re not supposed to work, we`re just supposed to think that they will, while the Earth burns to a cinder. In short, the Earth needs to develop woman`s archetype of the `umbrella`, which witches `melt` without, in the `rain` of `nuclear fallout` presumably. Protecting herself beneath the umbrella`s `unfolding` upon the Earth to finalize her escape from the parasitical aliens, she`ll leave in starships with adequate shields; inside which she can safely live until she reaches a `new Earth` and the `new heaven`.that awaits.



 In her video Oops I Did It Again (2000)  Britney Spears (1981-) is discovered on Mars by a spaceman who leaves `under a cloud` because he doesn`t seem interested enough in her, although she descends to her stage set inside a giant ring, which signifies `marriage`. However, because `marrying` in terms of homosexual pederasty is homosexual `knowing`, and the USA has been described as `the Great Satan`, in her red suit Britney raises the spaceman above herself in a white bikini dress so that he dangles helplessly like a baby in his `rompers` with a camera beside his space helmet and a giant fork at the side of him. Symbolically, the fork represents the devouring `red dragon` of homosexual pederasty and warfare, which we see daily on our television screens attempting to devour woman as a species.



 Britney appears twinned in red and white as two separate individuals because, as a declared bisexual, it`s a part of her woman`s valence. Oops I Did It Again is the first few lines of Britney Spears` 21st century novel after Virginia Woolf`s A Room Of One`s Own, that is, A Body Of One`s Own, which is why she appears to offer her white bikini dressed `twin` to `the Great Satan`, who symbolically is the spaceman from the USA, because she wants to `know` if he`s going to devour her. Men don`t have a body of their own because they want to possess a woman`s body, which is what `marriage and `monogamy` is about. A woman who has her own penis, and so is a species, has a body of her own, and she can see that she does because she has a mirror. In the mirror she can see that her penis desires other bodies like hers, because the penis is female, so in psychological terms she wants to be with `herself` in fulfilment of Christ`s exhortation `love thy neighbour`, which is not possessive because she has `a body of her own`. However, men are demonic, and susceptible to possession by male demonic forces, because they seek to possess a female body not their own, which is why Jesus tells us there`s no `marriage` in heaven, because there isn`t male and female.



 In Islam `Allah`, the name for God amongst those who are Moslem, and have the Koran as their holy book, is `neither male nor female`. Because `male and female` are `One` in God. In the same way that God is `One` and that`s why `Allah` is `Eloah` in Hebrew. God, in any language, sounds the same to the good because good is what God wants. In Oops I Did It Again Britney Spears, in her red pilot`s suit, is replaying a character from science fiction, Podkayne, a young female with her own spaceship pilot`s license in the first Grand Master of SF, Robert A. Heinlein`s (1907-88) Podkayne Of Mars (1964) whose `monicker` is `Poddy`. Oops I Did It Again`s unofficial subtitle is clearly A Poddy Of One`s Own, because Heinelein`s juvenile novel for independent minded young females was the `scifi` equivalent of Virginia Woolf`s 1929 feminist polemic  A Room Of One`s Own, and prefigures Britney Spears` contribution to feminist art, culture and civilization, which might have the semi-unofficial title  A Poddy Of Work Of One`s Own, which has been under construction since her first forays as a superstar on Disney`s TV show for children, Mickey Mouse Club (1993-5) with Christina Aguilera (1982-).



 In Oops I Did It Again Britney`s spaceman visitor leaves, disheartened, after giving her a gift, to which she responds, `But I thought the old lady dropped it into the ocean in the end?` The reference is to the movie Titanic (1997) and the heroine, Rose, who drops the blue diamond pendant into the sea is a rememberance for her lost love who`d been drowned when the Titanic sank after hittting an iceberg on its way to the USA from Liverpool in 1911. Britney`s allusion is to Rosicrucianism:


`... built on esoteric truths of the ancient past`, which, `concealed from the average man, provide insight into nature, the physical universe and the spiritual realm.`



Rosicrucianism is symbolized by the Rosy Cross,3 and because of Britney`s esoteric reference to her spaceman visitor`s `gift` of the blue diamond `heart` of Rose, the Resurrection of Heinlein`s `Poddy` suggests Britney Spears` A Body Of Work is her teenager`s Salvation `project`:


`The fundamental symbols of the Rosicrucians were the rose and the cross; the rose female and the cross male ...`4



 Britney`s suspension of her spaceman relates to the meaning of the card of the `Hanged Man` from the tarot deck of divination, which is said to be a portable Torah or book of Judaic law: `... careful planning and orderly growth leading to spiritual development.` The suspended spaceman represents the `Hanged Man` as the male principle, whose legs form a `fylfot` cross, which is a form of swastika where one or more limbs are missing from the tau. In Buddhism the `swastika` is a symbol of peace, whereas in Nazism the swastika is is a symbol of `bodily fitness`. If Britney isn`t a woman with a penis of her own as a member of her species, she`s lost her futanarian aspect, which corresponds to the `hand` or `foot` missing from the `fylfot` cross, and which the `Hanged Man` of the tarot is making the sign of in the card that depicts him.



 The traditional Nazi symbol deriving from the period of the Roman Empire is a bundle of sticks and an ax, which in Nazism denotes the desire of what Jungian psychology terms the collective shadow, to first see naked women, and then devour them, which is what the Nazis were doing in places like Auschwitz and Belsen with their ovens. The symbol of the swastika with the `foot` removed in Nazism is a symbol of the futanarian woman with her penis removed, which is what the Nazi symbol of the rods and the ax denotes. According to Revelation the `woman clothed with the sun and with the moon at her feet` gives birth to the `New Redeemer` while the `red dragon` waits in vain to devour the newborn, whose symbol of authority to protect her while she remains `hidden` upon the Earth is an `iron rod`, not a `bundle of rods` and an ax, which is the fascist symbol of `bodily fitness`, that is, the futanarian woman with her penis removed. In simple terms, the `iron rod` of the `New Redeemer` is a symbol of the penis that knows when it has had enough, and so would protect woman as a species from the fascists who would devour her after sex, which is what the Nazis did in places like Auschwitz and Belsen, whereas the fascist symbol of the Nazis represents the number of female penises cut off with their axes. The Buddhist swastika is anti-clockwise because it represents acceptance of the natural order of things as fitting, while the Nazi swastika is clockwise because it represents the will to have things `by appointment`, that is, as they appoint them to be, especially in the natural world, which is represented by woman as a species with her own penis.



The word `fylfot` actually means `many footed figure`, which relates to the concept of the futanarian woman with a penis of her own as the species of woman which the Nazis didn`t want. In Judaism Lilith was the second wife of Adam who refused to lie beneath him and is described as `mother of demons`, which corresponds to the Nazis approach to the futanarian woman who has a penis of her own and is a woman as a species. Judaism acknowledges futanarian woman in its traditions insofar as you cannot be born a Jew unless you are born from a Jewess, which effectively means that only women are Jews. Consequently, Lilith is the future of woman as a species with her own penis but is demonized in Judaism because she represents woman as a species with her own penis who refuses to lie beneath a man.



  Wearing her `red pilot`s suit`, Britney`s raising of her spaceman visitor above herself in a white bikini dress with a giant fork beside his spacehelmet represents the `host` Lilith`s desire to know if her `guest` is going to devour her `Second Eve`. Although Lilith is condemned as the `mother of demons` in Jewish tradition, she has the same archetypal role as `Babylon, the Great` in the Revelation of Christianity. Babylon is unfairly condemned as a `whore`, because homosexual pederasts use her to reproduce their virulent plagues of war, which Revelation describes as `like locusts`. Similarly, Lilith is condemned for refusing to accept the enslavement of her `host` womb in places like Troy so that the `red dragon` of homosexual pederasty could reproduce itself as `gay boy sons`. Wearing the Nazi regalia of the `body fitness` fanatics, the Nazi `gays` demonstrating their preference for their own company, removed the penis of the futanarian woman with their axes in places like Auschwitz and Belsen. And the later `boy sons` of the `gay` Nazis did in fact enslave her as a `host` womb to pursue 21st century `biological warfare` against her in the form of the `gay poisons` of HIV/AIDS that the Nazi `gays had conceived together.



 Britney`s spaceman visitor retraces his steps walking backwards, as if being rewound on the tape of the video, because he`s always going to be unsuccessful. In Christianity damnation is the doom of repeating the same actions over and over again, which is why the Christians sing the hymn `We Will Overcome`5:


`We shall overcome, we shall overcome,
We shall overcome someday;
Oh, deep in my heart, I do believe,
We shall overcome someday.`


 The Christians sing it as a battle hymn, but battles are what are to be overcome, or as George Santayana wrote: `Those who cannot remember the past are condemned to repeat it.`6 In Oops I Did It Again the spaceman is the knight in armour, and he doesn`t have a sword, but he does have a product of the `spirit of God`, that is, from the inspirational archetype of the `teacher, guide, comfort and helpmeet`, which is the Holy Spirit, or Paraclete, and that`s the spaceman`s camera. Even so, he`s low technology, that is, developing `Logos`, whereas she`s high technology, which is more developed `Logos` because she doesn`t need a spacesuit on Mars and her red `pilot`s suit` suggests she`s flown there and hasn`t used a an `Apollo module` style `lander`. She`s Podkayne:


`Meet Podkayne Fries, a thoroughly Martian Ms. who thinks that Earth is not really fit for habitation and that humanity evolved on the now-exploded Fifth Planet. Poddy has one goal in life: to be the first female starship captain. She has her strategy all scoped out, and with her determination, looks and I. Q. she'll get there, never you doubt!`7



 Podkayne represents the `American Dream and Manifest Destiny`, which is progress and development in innocence without threat. Poddy`s favourite bedtime story was The Poddy Story made up of `stories about herself`, which is what Oops I Did It Again is, if you`re Rosicrucian enough to `build` on `the esoteric truths of the ancient past`. Of course, that`s exactly what the spaceman represents. Britney doesn`t need a spacesuit because that`s `low style`, that is, `from Earth`, as Poddy is wont to say in Heinlein`s story Podkayne Of Mars. In her `red suit` Britney represents `Redemption` because she`s at a higher level of technological development. In adhering to Jesus` teachings and those of the Holy Spirit, or Paraclete, she`s Jesus on Mars, which is the title of a science fiction novel by Frank Herbert. The story is about the Krsh who have been discovered on Mars where they have formed a hybrid species with humans:


`This society practices Judaism but accepts Jesus as their Messiah.`8


 Towards the end of the novel, Jesus, who is discovered living with the hybrid species, returns to Earth where he`s accused of being the Antichrist. Because woman is a species with her own penis as futanarian, mankind is hybrid, which is why Britney`s alluding to Jesus On Mars (Anyone who proposes that womankind is a separate species from mankind would be the Antichrist to men, and woman with a penis of her own as a species would be Satan also. In simple terms, the adjective `Satanical` can always be applied to the evil, but Satan might have to be rehabilitated because women with a penis of her own as a species would be Antichrist and Satan to men. When Britney Spears proclaimed herself as `the Antichrist` she may have had this in mind:


`Friends of Britney Spears have reportedly revealed that the singer scrawled the devil's digits, 666, over her bald head and screamed `I'm the Antichrist` in rehab last weekend.`9



 Britney`s spaceman represents the `red dragon` of `the Great Satan` of devouring homosexual pederasty in his `spacesuit condom`, which she hoists above herself in a white bikini dress. It`s a `bondage` metaphor. The spaceman is `restrained` and can`t ejaculate his semen upon her, because of the `video conventions` associated with `teenybopper` pop music, so he can`t `contaminate` the viewer with `low style`, that is, what is `from Earth`, which is the HIV/AIDS virus and/or awareness of it. Equally, Britney`s spaceman can`t harm her, which is what mainstream TV used to depict as a `moral constant` for viewers, before `slasher` movies such as Psycho (1960) Nightmare On Elm Street (1984) and Scream (1996) became `acceptable` for prime time TV audiences and showed women how men really feel towards them. In other words, her spaceman can`t use either valence of the `red dragon` of homosexual pederasty, that is, the `blood plague` of HIV/AIDS, or the devouring war against her enslaved `host`womb and its product of art, civilization and culture aspect, which is symbolized by the giant tines of the fork beside her spaceman`s helmet. However, the fact Britney can`t make her metaphors more explicit constitutes `blackout` which her 2007 album Blackout draws attention to insofar as it refers to the notion that, if we can`t learn from our experience, we are doomed:


`I'm Mrs. 'You want a piece of me? '
Tryin' and pissin' me off.
Well get in line with the paparazzi
Who's flippin' me off.
Hopin' I'll resort to some havoc;
End up settlin' in court.
Now are you sure you want a piece of me?
(You want a piece of me)` Piece Of Me


 Piece Of Me is primarily about the paparazzi and how to deal with them. But it dodn`t prevent Britney from losing custody of her children and her fortune when her kid`s hat fell off near central park while she was running for her transport and the paparazzi noticed that she didn`t seem to care if her kid`s head was bare. The result was loss of her two kids and her fortune administered by her father, and later by her sacked ex-manager who was still a putative marriage partner when he was given Co-Conservatorship of her billions by the US courts. In other words, Piece Of Me is advice to her fans on how to live through our experiences and not allow `blackouts`, that is, those who would have us make the same mistakes repreatedly, and that`s why the paparazzi and US courts punished her. For refusing to accept `blackout` for anything other than `the bland`.



 Britney`s spaceman can see her and film with his camera, which is how `high style` women, like Podkayne, who don`t want the HIV/AIDS virus, deal with `low style` viruses `from Earth`. They introduce them to the `joys` of masturbation. Waving his hands helplessly, like the astronauts of Apollo 1, as they burned alive behind the glass of their `cabin` when a fire mysteriously began during a launch pad test on January 27, 1967, Britney`s spaceman`s hands are `restrained`. He can`t show her his penis so there`s no possibility of `contamination`. If he were able to show her his penis, the metaphor would be clear. Beside his spacehelmet is a giant fork, which symbolizes art, civilization and culture as the products of women`s enslaved `host` wombs devoured by war, and the spaceman isn`t able to disavow that imagery because his penis isn`t visibly erect. In other words, the `blackout` maintained by the conventions of the pop music `censor` presupposes devourment of the female rather than love, which is a `mistake` that the alien males want us to be doomed to repeat because it`s what `blackouts` are for.



 The Apollo astronauts were transferred from NASA`s X-15 `spaceplane` programme, which Britney`s red `pilot suit` is designed to remind us of. The X-15 was designed to fly to other planets but was cancelled by NASA in favour of cheapness, and the result was the 1967 Apollo 1 inferno. Britney`s album Blackout (2007) refers to the problem faced by the brave X-15 pilots as they collapsed in unconsciousness after testing the `envelope` of their planes` limitations during test flights above the Earth`s atmosphere. Often the pilots had to eject from the planes because of `blackouts` and there were many instances of X-15 plane crashes:


`I'm like a fire, bottle busting in your face (why you wanna do that to me?)
So tired of you being up in my space (what you gonna do with that?)
How much more could I take?` Toy Soldier



 Britney`s observation is that `blackouts` occur because of what rock giants Pink FLoyd also recognized in the title of their 1987 album A Momentary Lapse Of Reason. The planet Earth is notorious for `blackouts` of this nature. Christina Aguilera almost faced lynching for forgetting a line from the USA`s national anthem when singing at the superbowl in 2010 and Dan Quayle`s political career was virtually wrecked when the paparazzi vilified him for teaching kindergarters that `tomato` was spelled `T-O-M-A-T-O-E`. Oops I Did It Again observes that NASA`s decision wasn`t a `momentary lapse of reason` when they cancelled the `spaceplane` programme, which effectively maintained the impossibility of women`s escaping from the Earth. The image of the astronaut is that of the paratrooper holding his position above the planet in preparation for war. But the plan is a final assault on woman`s defences.



 As military equipment comes to seem more like that worn by the soldier in Robert A. Heinlein`s Starship Troopers (1959) , without any suggestion of humanity`s being prepared to leave the Earth, Britney`s drawing of the parallels between her spacesuited astronaut of Oops I Did It Again and the 21st century US Marine, inevitably bring us to the conclusion that men have no intention of ever producing a `spaceplane` and that woman will die here. Because the intention of the male alien standing upon the Earth`s moon, and Britney`s Mars, is to refuse Poddy her spaceship `pilot`s license`, so that she can`t escape, and so make it easier for the aliens to kill her. On Mars Britney is the future of woman as a species with her own penis, which is why she`s Redemption in her `red pilot`s suit`, because she`s a teacher `in the name of Jesus` and, in her white bikini dress, she represents Salvation, that is, continuation of memory without `blackouts`. Because Britney has Redemption from `blackouts` and can teach others how not to repeat. Woman has her own penis, and she doesn`t want the virus that is men.



 In Egyptian mythology Osiris proceeds to the Egyptian heaven of Aaru after he is `remembered` and reborn as Horus. Because Osiris is the incarnation of the god Ra, who corresponds to God in Christianity, his dismemberment represents the murder of those individuals upon the Earth that have a shared knowledge of God and which Set kills by killing them. This is `blackout`. When Britney stands before her spaceman visitor to symbolically receive the `gift` of the `heart of the ocean`, which corresponds to the `heart` weighed in the balance of the goddess before an individual can proceed to Aaru, she has a red disk above her head and so corresponds to Hathor, who is the `mansion of Horus` in Egyptian mythology:


`...  an Ancient Egyptian goddess who personified the principles of joy, feminine love, and motherhood ... welcoming the dead into the next life ... [as] a goddess of music, dance, foreign lands and fertility who helped women in childbirth ...`10



 Britney corresponds to the `woman clothed with the sun and with the moon at her feet` who gives birth to the `New Redeemer`. Her teaching is that of avoiding confrontation, and seeking forgiveness, so that the individual egos that constitute her God remain about her as her friends and herself, which is what Jesus advocated also. Confrontation and vendetta only leads to  the murder of those individual egos that constitute God on Earth, which is what Set`s dismemberment of Osiris and Judas Iscariot`s betrayal of Jesus to his crucifiers represents. The evil want blackouts` so that the good can`t remember `where they put the car in the garage` and can`t leave.



  In Egyptian mythology the `heart` is weighed to see if it is worthy, and it can`t be if it`s murderous, which is what the evil want for the good. If the incarnate God is a collective of good individuals, murder will reduce the level of ther effective awareness, which corresponds to `blackout`, and the good will become mindless simians at the mercy of their passions, and that will deny them heaven, as the evil plan. That`s why there is the notion of the `elect` of God in Christianity. The reduction of another individuality to the level of the evil by murdering their `fellowship` doesn`t interfere with the `election` of the good. On her Mars Britney`s portrait of herself as separate individuals wearing a red `pilot`s suit` and white bikini dress represents her knowledge of women as a species with their own penis capable of reproducing themselves. To defend against `blackouts` is to avoid susceptibility, and being encouraged to repeat the same mistakes by the evil. The first step is to know what women are, so that a woman faced with a male alien who wants her to understand that it wants to be an `owner` of her `means of production`, and possess her body, can demur, on the understanding that her female equipment provides her with more pleasure than the penis, because the clitoris is the only organ of the human body that`s created solely to give pleasure to the `owner`, and her girlfriends have their own penis anyway::


`Oops. Thank God. I didn`t do it again.`



 In the West, the penis is a sword, because it represents penetration and weapons` technology, which is a dangerous conflation but an accurate perception. In the 60s the phrase `love gun` was very much in vogue when talking about the penis. It is likely that the ban on smoking in public places and in the media can be correlated with the `smoking gun`, that is, banning cigarette smoking is an attempt to stop guns smoking. Repression of the penis as sword produced the gun. so the Revelation logic of the `red dragon` of the devouring war of homosexual pederasty was that cigarette smoking corresponds to male repression of the female penis. It is normal for the futanarian woman to want to have her penis sucked by her girlfriends, but that`s `abnormal` in males. Because weapons are the result of the  creation of what the depth psychologist Sigmund Freud (1856-1939) termed `repression`, its container or `id` shouldn`t be released.



 Cigarette smoking is the male`s repression of the female penis` desire to be sucked, and so the futanarian woman as a species` desire to live and love. Smoking bans therefore represent the repressed desire to have more advanced weaponry to prevent woman as a species with her own penis from enjoying oral sex, which is why fellatio is called `smoking` in Russia. Medical practitioners describe smoking as a cause of impotency, but if the `id` of the male psyche smokes because it doesn`t want woman as a species to have her penis sucked, potency isn`t the issue for the male alien, but it is the impotency of the futanarian woman with a penis of her own as a species that the aliens desire. The gun, or any of its more advanced counterparts, is the equivalent of cancer. Unless one perceives that cancer attacks, and that release of the woman`s penis is desirable, because it doesn`t want to possess a body, it has one, and that makes war redundant insofar as homosexual pederasty`s campaigns are designed to spread their contagion of enslvement of the `host` wombs of women to further their parasitical life form, the symbol of the penis will be the gun because it denies women`s rights to be her own producer.



 Although banning cigarette smoking means woman won`t die of cancer, it represents the male aliens` considered rejection of oral sex with the woman`s penis, and there are virtually no sexual representations of futanarian women outside of their own `ghettoized` pornography which are indicative of wider social acceptability for woman as a species.  But the `love gun` of the `blood plague` of homosexual pederasty`s `red dragon` of Revelation has reemerged as HIV/AIDS, and the `smoking gun` in TV and movies remains, because it`s a refusal to accept the woman`s penis as anything other than some `shag` to be `smoked`, that is, murdered. Movies of the early part of the 20th century were `chillers` because one prayed that the young girl stalked by the psychopath would escape and live, whereas in `slasher` movies of the 21st century one is expected to cheer on the killer of the young woman: it`s the century`s paradigm:


`The Virginia Tech massacre was a school shooting that took place on Monday,

April 16, 2007, on the campus of Virginia Polytechnic Institute and State

University in Blacksburg, Virginia, United States. In two separate attacks,

approximately two hours apart, the perpetrator, Seung-Hui Cho, killed 32 people

and wounded many others before committing suicide.`11



 Al Qaeda attacked the Twin Towers on 9/11 because they knew the USA watching on CNN and elsewhere would see it as a continuation of the USA`s mythic film of its `Manifest Destiny`. Psychologically, aboard the civilian aircraft that they crashed into the Twin Towers, the terrorist hijackers were hiding their `sexual orientation`, which is that of the computer hacker spreading a virus that finds its `objective correlative` in the `red dragon` of the Revelation of the `blood plague` of homosexual pederasty`s HIV/AIDS. It`s analogous to Jodie Foster in The Accused (1988) having it explained to her by means of rape that she should have HIV/AIDS because she`s prepared to defend her sexual orientation, where `sexual orientation` means woman as a species with her own penis. Men`s paradigm is to attack the woman, so she has to learn self-defence. But, for women, self-defence isn`t national, it`s international, which is why 9/11 was an attack on Eve`s `Big Apple` of wisdom garnered since Eden, and an attempt to silence the voice of New York`s Adamic man who might have spoken for her. In medical terminology the epiglottis is the `Adam`s Apple`, so the Twin Towers were the tonsils of the USA`s voice and the hijacked planes were forced down the throat of Liberty to prevent her from speaking. The attack on the Pentagon by another terrorist hijacked airliner was further deigned to provoke international conflict with woman at its heart:


`Blood rack barbed wire;
Polititians' funeral pyre;

Innocents raped with napalm fire ...
Death seed blind man's greed...` King Crimson Twenty First Century Schizoid Man (1969)



 Demi Moore, whose famous Navy Seal trainee`s line from GI Jane (1997) is `Suck my dick!` in the movie learns to defend the USA, that is, `life, liberty and the pursuit of happiness` and the `American Dream`, which is innocence, progress and development without threat as `Manifest Destiny`but under threat is woman`s development of her own penis, and so humanity`s art, civilization and culture. The `bugbear` is `women and children first`, where `boy sons` aren`t recognized as alien parasitical viral life forms.productive of the `blood plague` in Revelation of  HIV/AIDS `poisons` because they are products of the `red dragon` of homosexual pederasty`s undeclared war and `biological warfare` against womb and her `host` womb. The figure of the `New Redeemer` would be protective of the `hidden` woman from his birth in Revelation onwards because he would perceive that `defence` is the protection of woman and her daughters with her own penis as the Earth`s species. If long life, health and beauty is the final concern, as Revelation indicates, children aren`t. Because immortality precludes the need for children, or as Jesus says:


`... those who are considered worthy of taking part in the age to come and in the resurrection from the dead will neither marry nor be given in marriage, and they can no longer die; for they are like the angels ...`



 If `gay boy sons` produce `gay poisons`, woman and her daughters wouldn`t. Consequently, boys are a disease, whereas female children aren`t. Or, in other words, the notion of `women and children first` when it comes to the lifeboats, as the Titanic is sinking, ought to be revised so that the `boy sons`, that is, the `poisons` aren`t considered `first`. Protection of the woman, and her daughters, is paramount, and so `woman and her daughters first`. Prior to the 21st century, economics was dependant on `ownership of the means of production`, where the `means` are woman, and possession of her is what enslavement of her `host` womb by the `red dragon` of homosexual pederasty was what ancient wars were fought for. Modern `biological warfare` may similarly be thought of as the gay boy sons` `blood` plague` of the `red dragon` of homosexual pederasty`s HIV/AIDS `poisons` against the `host` wombs of women because of `over popularity`.



 Al Qaeda`s attack on the World Trade Centre on 9/11 was the red dragon`s way of ensuring that `ownership of the means of production`, that is, woman and her daughters, remained in the hands of homosexual pederasty. By spreading global conflict designed to dull women`s economic awareness of their identity as a species with her own penis, and therefore `ownership` of her own `means of production`, levels of `security` would increase until her acceptance of `concentration camp` conditions was restored. In short, the concept `women and children first` is the watchword of a parasite protecting its interest, where economics is a valence of subjugation because women`s `host` wombs are the producers and so women own `the means of production` which means that, as a woman with a penis of her own, the parasitical male aliens have enslaved her in order to ensure that the devouring `red dragon` of homosexual pederasty`s valence of reproduction, consumption and destruction continues. The irony of 9/11 was that it was a typical Hollywood `blockbuster` movie for a star like Richard Gere, Tom Cruise or Harrison Ford, but if woman with a penis of her own was in Hollywood and visible, the boys and the girls would be fantasizing about her, which means that 9/11 on CNN was advertising for the Hollywood male alien`s continuance. Or, to put it another way, 9/11 was the restoration of homosexual economics because it restored the hero figure in the public imagination, whereas the hero of homosexual pederasty only looks like a hero. Science fiction writer Ursula K. Le Guin once wrote:


`The real mystery is not destroyed by reason. The fake one is. You look at it and it vanishes. You look at the Blonde Hero--really look--and he turns into a gerbil.`



 In fact the blonde hero of homosexual pederasty turns into a dragon because it`s a Hollywood `fake`. Often called `Babylon`, as the USA is also labelled `the Great Satan` by some nations, Hollywood`s valence is the `black mass` of `mass consumption` of woman and the products of her `host` womb. From the burning of the set of King Kong (1933) to fake the burning of Charleston in the movie Gone With The Wind (1939) to the grandiose economics of 9/11`s `live action` at the Twin Towers `for the small screen with CNN`, and the prurient detailing of the hijackers flight from `black Massachussets` where, as everyone knows, the witches of Salem hail from, Hollywood`s heroes much vaunted concern for women only masks the desire of their `red dragon` of homosexual pederasty to destroy as much as they can of her. American males are excluding themselves from the `American Dream` and `Manifest Destiny` because their worship of homosexual `Hollywood man` has spread its contagion of devourment of the products of the `host` wombs of women to the extent that it has become an economic threat to the security of the USA:


`... all [wo]men are created equal ... endowed by their Creator with certain inalienable rights ... [and] among these are life, liberty, and the pursuit of happiness.` US` Declaration of Independance, July 4th, 1776



 America`s `mom` is God`s producer and product, so Colonel Gadaffi`s (1942-) `domestic dispute` in Libya in 2011, or any revolutionary fervour within an independent nation state, ought to be viewed as a decision making process on the part of the woman`s household. The attack by NATO and UN coalition forces preempted woman`s natural development. it`s the old paradigm of the gun as `smoking`, and as civilization`s cancer, with HIV/AIDS as a diagram indicating that guns are homosexual because they represent the `red dragon` of homosexual pederasty`s desire to devour itself as well as the `host` womb of women and her products. 9/11 was the prototypical stab in woman`s backside for woman by the `red dragon` of homosexual pederasty, who wants to continue the production of its male alien `boy sons`, that is, `poisons`, in the more modern form of the `blood plague` of HIV/AIDS` `biological warfare` against her `host` womb and her daughters, and the`ass as Sin` couldn`t find a lower means of inserting the knife of their more highly evolved form of `anal sex`.



 The USA originally executed Saddam Hussein (1937-2006), and declared a global `War On Terror` (2003-) primarily against Al Qaeda. Terrorism was, consciously or unconsciously, attempting to spread its viral equivalent of HIV/AIDS as the `red dragon` of homosexual pederasty`s 21st century paradigm for `attacks on women`, which was `contracting` amongst those who are the `gay boy sons`, that is, the `gay poisons`, to spread the `disease` of misogynistic homosexuality further:


`Then I saw three impure spirits that looked like frogs; they came out of the mouth of the dragon, out of the mouth of the beast and out of the mouth of the false prophet. They are demonic spirits that perform signs, and they go out to the kings of the whole world, to gather them for the battle on the great day of God Almighty.` (Rev: 16.13-14)



 9/11 was a sign performed by `frogs`, because `a frog in the throat` is a euphemism for those who are apologizing for not being able to speak, and contrasts with `the sword out of the mouth` that is the `Word` of God in the mouth of Jesus as he commands at Armageddon, which is the `battle` that the `frogs` are garnering evil support for. Demons are `puppeteers`. Amongst Moslems `Shaitan`, who is the equivalent of Satan in Christianity, is called `iblis` and has no power other than to whisper in the ears. In the developmental psychology of Carl Jung, the ears are associated with `Thinking`, which means the `demons`, who are described as `frogs in the throat`, seek to influence the thoughts of their `targets` in order to have them act and speak as ventriloquists with their dummies. The attack on New York`s epiglottis, that is, the `Big Apple` of the throat that contains the `voice of America`, was a sign of the `frogs in the throat` of Al Qaeda`s terrorists, giving the world a sign that `Armageddon` was to come:


`A 1976 law signed by President Gerald Ford requires VOA to `serve as a consistently reliable and authoritative source of news.` The VOA Charter states: `VOA news will be accurate, objective and comprehensive`.`12



 To be `accurate, objective and comprehensive` the VOA would have to represent woman with a penis as the species of Earth. In economic terms, the `red dragon` of the enslaving of the `host` wombs of woman in order to devour her product and wage `biological warfare` against her wombs in the form of the `blood plague` of the `red dragon` of Revelation which is the gay boy sons` HIV/AIDS gay poisons, is the economic model of the male alien parasites that live as vampiristic bloodsuckers from her womb. Woman with her own penis doesn`t need males and so possession economics, that is, enslavement based on not having the body of a female and wanting one, which is how the female penis of the male `thinks`, is replaceable in female `Thinking` with the `growing concern` of a `family`, which consists only of daughters and, after growing her in the womb for nine months as the progeny of a futanarian woman with her own penis as the `fatherer`, that is, a woman who corresponds to `God, the fatherer` in Christian terms, the `mother` will care, whereas the male alien never had to care for more than the length of time it took to ejaculate. Because the `fatherer` of the daughter, that is, the futanarian woman as a species with her own penis, can also conceive and nurture after a birth, the economic picture is changed. For men it`s about how many bodies they can possess, that is, enslave, but it`s a homosexual metaphor for pederasty, which is what the `consumer society` of the devouring `red dragon` is. The terrorist attack on the `World Trade Center` was `economics` because homosexuals want to always have access to what they call `trade`, which are newborns who have to accept that they can`t rise economically without the `red dragon` of enslaving and devouring homosexual pederasty`s `mark of the beast`:


`... no one may buy or sell except one who has the mark or the name of the beast, or the number of his name.` (Rev 13:16-17)



 Female economics is family oriented, because a woman can only produce so many daughters from her womb, and the gestation period is nine months, which means that she`ll carry, care, and nurture her daughter afterwards, because that`s female economics. The society of women with a penis of her own contains only women with a body of their own with a mother and a `fatherer` who is a woman with a penis of her own. Such women don`t have to reproduce, because they have a body of their own that they can see in the mirror and so possession is not their valence. They have what they want. In short, all males are demons. Because women with a penis of their own, or a woman without, who lives in a society of women with or without a penis of her own, can see in the mirror that they have the body they want, whereas homosexual males or `straight` men never will be able to, which is why they want to possess a woman`s body, so that their demon will reproduce, which is the true valence of the male alien parasite. Economically, women might want to reproduce and have a daughter, or they might not, but they still have a body of their own, and it`s the body they desire. Because all women have mothers and futanarian `fatherers` in an all female society, sexual fulfilment is perfectly feasible for all women, and immortality is conceivably realizable. Because a society of women with a penis of their own wouldn`t have the `disease` of the enslaving and devouring `red dragon` of male alien homosexual pederasty, and particularly its `blood plague` of  STDs and HIV/AIDS. Obviously, because men are parasites, and so constitute women`s `disease`. Or, as Jesus, says:


`The people of this age marry and are given in marriage. But [they] ... will neither marry nor be given in marriage, and ... no longer die; for they [will be] ... like the angels.`



 Marriage is the male demons` device for possessing a body that is not theirs, which is why the basic biblical law is`don`t steal`. Just as Jesus` distillation of `God`s law` is `love thy neighbour`, in preparation for the time when women will love one another, and live as `angels` in heaven, so theft is the basic prohibition, and marriage is possession, even if the woman agrees; because she isn`t aware that women have a penis of their own and so marriage is possession by the male alien. The parasite wants to possess women because, if women knew that they were a species with a penis of their own, men would quickly be redundant, especially if technology developed to the point at which labour saving devices freed her. The NASA space programme was lauded because it entailed rapid advancements in technology resulting in the development of better washing machines. Most dystopian science fiction centres upon the problems that societies face when robots take over household chores, but that would leave women freed by even more advanced labour saving devices. The male alien parasites argue that  robots would make them redundant, but so would women with a penis of their own as a species, which suggests that male economic theory is based on preventing technological development so that women remain slaves. The `red dragon` of homosexual pederasty devours the products of her enslaved `host` womb, that is, her art, civilization and culture, in war, while it prosecutes `biological warfare` against its human `host` by means of its `blood plague` of HIV/AIDS. Depth psychologists view the penis as the source of developmental functionality, so women`s penis would represent the technological basis for her liberation. Economics for women is different from economics against her, which is the economic war that the male alien parasite is waging against, either consciously or unconsciously, on behalf of the `red dragon` of  enslaving and devouring homosexual pederasty. Higher technological development and women`s awareness of herself as a species with her own penis would make the male alien redundant, but would mean women`s freedom:


`Free at last! Free at last! Thank God Almighty, we are free at last!`13



 21st century economics is a spiritually and intellectually low educational level in which the fact that women are a `hidden` species with her own penis is witheld, because that knowledge would reveal how the `red dragon` of homosexual pederasty wants to maintain `restraint of trade` in the sense that women in bondage will continue to produce `trade`, that is, newborns with the `mark of the beast` already stamped upon their hands and foreheads who `no one may buy or sell` but the pederasts of the `red dragon` of homosexuality, which is why it chose New York`s World Trade Centre to announce its campaign against the power of the USA. In Hinduism, the Vishudda chakra, which denotes `power`, is the fifth of seven energy points along the spine that represent the level of spiritual attainment and intellectual development in the individual`s growth processes, and its seat is in the throat. Because the `Big Apple` corresponds to the epiglottis, or New York`s Adam`s Apple`, the provocative terrorist attack of 9/11 represents the red dragon`s desire that `the Great Satan` should devour and not speak. In Arlington, Virginia, the Pentagon corresponds to the sixth chakra level in the Hindu system of spiritual and intellectual development, which is the Ajna chakra, or `imagination` between the eyes, while the supposed target of Flight  93, the Whitehouse, in Washington, D.C., corresponds to the Sahasrara chakra at the head`s crown. In other words, the USA was to be `the Great Satan` in the Middle East whether she liked it or not.



 Retrospectively, Britney Spears` Oops I Did It Again, in which she`s `twinned`, like two peas from her `Poddy`, as her red suited self hoisting her spaceman visitor above herself in a white bikini dress might be described, represents her objection to monogamy. In Christianity it`s one man, one woman, and the rest are not supposed to be admired by bride or bridegroom, which means those who seek to adulterate the relationship are for  the `red dragon` to devour:


`If a man commits adultery with another man’s wife—with the wife of his neighbor—both the adulterer and the adulteress are to be put to death.` (Lev: 20.10)



 In her red suit Britney suspends her spaceman visitor to Mars above herself wearing a white bikini dress, which suggests she`s  the `red dragon` who, offering her `bride`, represents monogamy, that is, devourment for those who aren`t in the `marriage of the lamb`. In Revelation Jesus` marriage with Jerusalem, the `bride`, is described as the `marriage of the lamb`, whereas the `beast` of Revelation looks `like a lamb` but speaks `like a dragon`, which means that the `beast` isn`t in the `marriage of the lamb` either, but corresponds to homosexual pederasty as the enslaver of the woman of the Earth, `Babylon, the Great`, whose `gay boy sons` force her to produce devouring war, and the `blood plague` of the Revelation of their `gay poisons` of  `biological warfare` against the `host` wombs of woman as HIV/AIDS. In Christian terms, the `fake` lamb is monogamy, which proselytizes against the appreciation of the physical beauty of women, which is why Britney`s spaceman has a camera.



 In the Bible photography isn`t  represented, and 21st century soft porn isn`t viewed as `spiritual`, but `adultery`, while depth psychologists view the activation of sexual libido or instinctual energy by means of visual material as a constant in the transformation of the soul or anima-mediated contents of the unconscious `self` as they emerge into consciousness during the process of self-actualization or individuation. However, in Moslem countries, women cover their faces, and in Christian nations eyes are perceived as `adulterous` by what George Orwell in 1984 (1984) described as `the thought police`:


`With eyes full of adultery, they never stop sinning...` (2 Peter: 2.14)



 In Hinduism, which Moslem`s view as antithetical to their belief system, spirituality is associated with the `power` of the throat chakra or Vishudda, while speaking or looking by either a man or a woman not your wife or of your immediate family is perceived as `adulterous`. The destruction of  the Twin Towers reduced the proposed new construction to one tower, which is a single phallic symbol of monagamous patriarchy, that is, Adam has a penis and Eve doesn`t, while Adam has the `Big Apple` and a voice, but Eve doesn`t. Or, to put it another way, Adam has Eve`s body, soul, and spirit, and she doesn`t. Moreover, `rough trade` will continue in the form of several more wars organized by the devouring `red dragon` of homosexual pederasty:


`O`ye who believe lower your gaze! For Messenger of Allah, Muhammad said: `The adultery of the eye is the lustful look at opposite gender.``14



 The `opposite gender` is the homosexual pederast.  If woman has a penis of her own and is a species, the `opposite gender` is the male; in all cases. In Oops I Did It Again Britney presciently observes that, if woman were more than one individuality, especially if she had her own penis, the `red dragon` of homosexual pederasty would rather lose her sister and her penis in order to ensure the triumph of the astronaut Apollo`s low technology over higher performance levels. Or, in other words, one World Trade Centre Tower symbolizes one Britney`s spear and no Britney`s penis, whether she has one under her white bikini dress in Oops I Did It Again or it`s `purely symbolic` of the relationship between Redemption and the devouring `red dragon` of `ownership of the means of production`, that is, the possession of woman`s body, soul and spirit, to enslave and devour what is neither your own body nor your species, through a monogamous parasitism perpetrated by a male alien homosexual pederasty that doesn`t want woman`s penis to reproduce or develop itself. Britney`s perception is that, although her spaceman`s camera is a useful individuational tool insofar as it encourages the transformation of sexual libidic energy without tactile interactivity, or the possibility of violence or disease, Old Testament `eye for an eye and tooth for a tooth` formulations based on the principles of vendetta against those who can see, on the part of an enslaving and devouring `red dragon` of homosexual pederasty that wants itself to be looked at and admired, means that those who appreciate physical beauty, of which the female form is but a shadow as of what is seen `through a glass darkly` (Cor: 13. 12), are the enemies of the evil who want ugliness.



The Statue of Liberty`s skirts conceal the penis of woman as a species; but its existence is Revelation. Any dictator can look `like a lamb` and `speak `like a dragon` because those who work on behalf of the `red dragon` of homosexual pederasty accept their orders. so although Generals like Norman Schwarzkopf, or Colin Powell take orders, neither they nor the President of the USA are prima facie `beasts`, whereas Saddam Hussein and Osama Ben Ladan were cowards who gave orders, and so were the `beast` that looked `like a lamb` but spoke `like a dragon`. In Christianity, the `lamb` is Jesus, because Jesus speaks as a lamb, but commands with the `sword out fo his mouth` because he`s a dragon slayer and can command those who are also dragon slayers. However, the female penis isn`t a dragon and, because woman with a penis of her own is a species, Jesus` approach towards Redemption is that the penis itself represents the instinctual libidic energy that can be taught by means of his teachings, and the teachings of the Holy Spirit, or Paraclete, that is, the learned Old Testament female `Shekinah` spirit of `God`s law`, after him.



 The `Word` of God and the `Sword` are aspects of Jesus` defence of the technological advancement that 2000 years of celibacy would bring, and which was attacked on 9/11 when the `red dragon` of homosexual pederasty attempted to replace the lamb of the `Word` and the `Sword` of God with global conflicts that would prevent either the female penis with the male from developing as God wished or the female penis with the female from developing to that point at which woman as a species could escape. In Revelation the woman`s `seed` fights a war against the evil serpent`s `seed`, that is, the serpent of Eden grown into the `red dragon`. In Eden God had told the serpent, `there shall be perpetual enmity between your seed and the woman`s`, which means the woman with her own penis, as a species, will defeat the `red dragon` of homosexual heaven. According to Revelation she remains `hidden` upon the Earth and protected by the `New Redeemer` while the battle goes on and the `red dragon` is cast down to Earth and her `seed` here fight it. `New Redemption` is the concept that the instinctual libidic energy represented by the penis can be taught until individuals are sufficiently advanced in judgement (Sword), spirit (Word), and technologically (Logos), so that the `hidden` woman can be safe in the `new heaven and Earth` that God gives to her and her `seed` and perditon to the evil as their punishment for accepting the `mark of the beast`, which is service to the evil serpent`s `seed`.



 The `red dragon` of war is the means by which woman as a species with her own penis is subjugated, and preferment based on `worship of the beast`, that is, homosexual `brotherhood`, is the basis of a misogynistic pederasty in which the aim is to keep woman`s `host` womb producing newborn infants that the homosexual pederasts can keep in `preyed upon` infantilism. That`s why the `woman clothed with the sun and with the moon at her feet` gives birth to the `New Redeemer` in Revelation while the `red dragon` waits in vain to devour him, because homosexual pederasts keep children in infantilism so that they can devour them. The `New Redeemer` protects the `hidden` woman because he has `the Will of God` to have people perceive that good is preferable. In the folktale Snow White is given a poison apple to eat, but a good apple is not poison, which is why it is good. What is good is good and so is preferable. Cain murdered Abel because Abel could cook. He was able. Cooking is developmental and so is good, whereas the murderer of the developing or the developed is not good, because development is good. That`s why the `red dragon` waits in vain to devour the `New Redeemer`, because it wants infantilism rather than development. The `red dragon` is evil because infant `boy sons` and infantilism is the way it keeps a steady supply of `trade`, which is why the terrorists attacked New York`s World Trade Centre on 9/11. The terrorist hijackers of the `civil` aircraft they bought tickets for in Boston, Massachussetts,`fooled` the US` defence systems by `feigniing friendship`, as HIV/AIDS` cells `fool` the body`s defences in order to kill it, and so 9/11 was an aspect of the `blood plague` of the `red dragon` of homosexual pederasty`s male alien parasitical viral life form`s continuance of its programme as the invader of the `host` womb of women in order to `wage biological warfare` against her as the `gay boy sons` of HIV/AIDS` `gay poisons` that seek to kill her.



 In Eden Eve receives the apple of the `tree of the knowledge of good and evil` from the serpent, which is effectively poison, because it means death rather than the immortality God had given her as the fruit of the `tree of life`. The hijackers` attack on New York`s `Big Apple` of Eve represents the serpent`s attempt to devour the wisdom of Eve gleaned over 2000 years since the death of the First Redeemer, Jesus, by aborting the `New Redeemer`, which is that consciousness who is able to perceive that woman is a species with her own penis and the parasitical male alien is attemting to murder her in the womb. In Snow White the Queen observes herself in the mirror each day and asks it the question:


 `Mirror mirror on the wall; who is the fairest of them all?`



 The Queen receives the answer, `You, O Queen,` but one day she is told `Snow White` is fairer and so she send her a poison apple, which is Edenic insofar as the apple can now be understood as representing the `gay boy sons`, that is, the `gay poisons` of HIV/AIDS that has been germinating as the `seed` of the evil serpent since Eden. Because the `red dragon` of homosexual pederasty is evil, the solution to the poison is not to produce any more. Folktales deal in `whim`. They depict the consequence of unconsidered action. When the Queen wants to know the identity of her more beautiful rival, the mirror replies:


`Snow White is the fairest of them all.`



 If the Queen had a penis of her own, she`d want to have sex with Snow White, which is the meaning of the apple. If the traffic light is at red the car shouldn`t go forward, irrespective of the driver`s whim, and the pedestrian shouldn`t cross the road unless the pedestrian`s light is green. The Queen doesn`t understand she has the green light because it`s a folktale. We don`t understand that the Queen is `wicked` because she has a penis of her own. Because that`s not what we`re taught. But there are no folktales to tell us the truth so we know we`re lied to. That`s why folktales are curiously evil. Because it`s the `secret` of the good people that wrote them that we can only understand them if we`re good. They`re about human nature and the consequences of its unconsidered actions. The Queen represents the woman that lies to her daughter about men. She doesn`t tell her that women are a species with her own penis, and so she produces more `boy sons`, that is, poisons. In other words, a daughter`s relations with men reperesent unconsidered `folk` relations with consequences similar to those attending Eve`s acceptance of her `poison` apple in Eden. If women don`t educate their daughters in the knowledge of their own species, either it means that they are knowledgeless because the seprent`s `seed` have been successful in keeping them in ignorance, or they are liars, which is why the serpent is called `the father of lies`. Revelation presupposes a considered relationship between woman as a species with her own penis, but there is no guidance from the liars, so God sent the Holy Spirit, or Paraclete, as `teacher, guide, comforter and helpmeet`.



 In Oedipus Rex by the ancient Greek dramatist Sophocles, Oedipus weds his mother and blinds himself upon discovering that he has while his daughter Antigone guides his steps thereafter. The drama describes the female penis` inability to see. Antigone`s mother Jocasta represents the female`s need for a man`s penis in order to produce a daughter, but Antigone is led into blindness. Because she accepts the father of lies` assertion that women don`t have a penis and so are not an independent species, whereas Sophocles` dramatization of the `big lie` is, like a folktale, designed to reveal its secrets only to those who are sufficiently advanced in knowledge, or to prevent the `secret` of women`s penis from emerging, which is what Antigone`s mother seems to want. In other words, Jocasta is a figure of the woman who wants to produce the `boy sons` that blind her daughter to wisdom, which is for Antigone to take care of herself and her own penis. Oedipus Rex is primarily a `sympathy play` in which Antigone is `fooled` into caring, but she can see and Oedipus can`t, so she represents the woman who is developing. At the beginning of the play Oedipus encounters the Sphinx who asks a riddle:


`What goes on four legs in the morning, two in the aftenoon, and three in the evening?`



 Oedipus answers, `Man`, and is deemed correct, so becomes King of Thebes, Jocasta`s city in Egypt, but Oedipus` name means `swollen foot`, which is a reference to the man who is to come who is a woman with her own penis that is called `futanar`. In Hungarian, `fut` means `run` and `tanar` means `teacher`, which means Antigone is `teacher, guide, comforter and helpmeet` to herself by proxy in her sympathies for Oedipus and in prefiguration of Christianity`s Holy Spirit, or Paraclete. In developmental terms, Antigone is like a picture that is being developed so that it can be seen. Beauty and sexuality are linked insofar as sexual people want to enjoy sex in beautiful places. Consequently, divorcing beauty from sex is a liars` device. The homosexual perception is that women are not as beautiful as the penis, which means that beauty is pictorially inconsequential for a male alien only concerned with the sterility of anal sex and masturbation.



 Britney Spears` spaceman visitor in Oops I Did It Again is `armed` with a camera on the sterile desert planet associated with the ancient Roman war god, Mars, because he represents the male alien who wants to develop her so that she can`t be seen. Oedipus is `swollen foot` because his `lameness` derives from man`s inability to be the woman they want to possess, whereas Antigone looks forward to the `futanarian` woman with a penis of her own, who walks upon three legs in the evening in fulfilment of the Sphinx`s `prophecy`. Woman can walk alone as a species with her own penis, and in fact, as Hungarian observes, she can `run` because `fut` means `run` in Hungarian, and `futanar` is the woman with a penis who is a species that has been taught by her `mother`, the Sphinx, whose `riddle` is only that Oedipus could understand neither the question, nor the answer.



 Oedipus is a drama of `overweighting` because the premise is that the penis of a man is primary, which results in the penis not being able to see because of the incest taboo that exists as an obfuscation for woman`s realization of the fact that she has her own penis. The incest taboo is evil, not the incest, because it`s an instance of the male alien`s seeking to prevent woman`s knowledge of her own independence as a species with a penis of her own. If Antigone knew that women have a penis of their own she would be a daughter with other daughters, and not a lie`s drama.



 Overweighting is the bane of humanity. Just as the terrorist attacks of 9/11 effectively now keeps the globe in fear of state reprisals and vendettas, the TV series Mad Men (2007-) advocated smoking and cancer in the guise of  nostalgic fondness for the past, whereas it was actually retrogressive and evil because of its associations with `firearms`. The post coital cigarette indicates the successful male gun by analogy, whereby the woman`s penis is `smoked`, that is, murdered together, because she accepts it. Her penis as art, civilization and culture is a shared despisement because their togetherness is a knowledge that she has a penis of her own as a futanarian woman and independent species and the `smoking` activity is a coital `black mass` evilly celebrating the death of her penis.



 Men have regressed to back-stabbing woman and the art, civilization and culture that emerges from her womb thanks to the female Holy Spirit, or Paraclete, that is the `teacher, guide, helpmeet and comforter` of the soul and spirit. 9/11 with its terrorist attack from `the base`, which is the meaning of the name `Al Qaeda`, connotes the lowest chakra point at `the base` of the spine, Mulhadara, in the Hindu chakra system of energic development. Because the `Big Apple` of New York, the Pentagon, and the Whitehouse correspond to the Vishudda, Ajna, and Sahasrara chakras further up the spine, the terrorist attacks from `the base`, that is, Al Qaeda, represent an attempt to reduce the level of considered action in the USA by provocation so that the consequences are death and destruction on an indiscriminate scale, which constitutes a `stab in the back` correspondng to an anal injection of the `gay poisons` of HIV/AIDS from a `red dragon` concerned to spread its gay boy sons` contagion of the enslaving of women`s wombs as `hosts` for their devouring homosexual pederasty and war. As an anal injector to kill the Holy Spirit, or Paraclete, the penis, as used by the male alien, is a knife that can`t stab any lower. Rather than using their sword, that is, their ego, to assist woman`s establishment of herself as an inclusive independent species, men`s unnatural bias is death, because they`ve focused upon it, whereas they could have accepted God`s planned Redemption through woman`s love:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16.10)



 Men`s valence is extinction. Because they haven`t educated woman as a species in the knowledge that she has her own penis, and instead have enslaved her for homosexual pederasty and war, so that their `blood plague` of HIV/AIDS can wage biological warfare on woman`s `host` womb for them, they clearly don`t want her to live, and so God has planned the separation of the species woman from her parasite by creating the futanarian woman as a species with her own penis. Obviously, it`s a difficult task because, as Jesus says, `...those who are considered worthy of taking part in the age to come and in the resurrection from the dead will neither marry nor be given in marriage, and they can no longer die; for they are like the angels.` (Luke: 20. 36) In Islam `Allah`, who is `Eloah` in Judaism, and means `God` in Christian terms, is `neither male nor female`, which means `hermaphrodite`, or `like the angels`.



 In Eden Adam and Eve `discovered themselves to be naked` after they had eaten of the fruit given them by the serpent, which had promsed that they`d be `as gods` if they acceded to its `temptation`. Because Adam and Eve were seen naked the supposition is that the serpent can see them but they can`t see the serpent, which is what it means by `You shall be as gods.` (Gen: 3.5) In the 1993 movie Sliver Sharon Stone was watched by a killer using CCTV surveillance cameras in the high rise building she had her apartment in. Being `gods` is the power to affect others` lives invisibly, which is what the `number of the beast` signifies, that is, `666` is the reversal of the telephone number of the police in the former British Empire `upon which the sun never sets`, and 9/11 is the reversal of the telephone number of the police in the USA because it`s 911. Symbolically, 9/11 is the Advent of the Antichrist, because of the associations with the former British Empire, which would correspond to 999 or the `number of the police` in the British Commonwealth, but `reversed` as 666 or `the number of the beast` if the British Empire were to be reestablished by neo-Nazis like the British Movement. Al Qaeda, `the base` or `the beast` of Revelation has a `yellow moon` as its emblem, so the Antichrist is born with the moon under its feet and with `the sun that never sets`. However, its the `woman clothed with the sun and with the moon at her feet` who gives birth to the `New Redeemer` and so the Advent of the Antichrist is the fantasy of some or more sick queers.



 Police surveillance is the power to affect people`s lives invisibly, which is fulfilment of the serpent`s exhortation, `You shall be as gods.` There`ll be `perpetual enmity` between its and the woman`s `seed` because pornography and snuff films are all that the invisible `gods` can think of to do with her because. It isn`t about beauty, or sex with women in beautiful surroundings for the male alien. It`s about creating the delusion that women`s beauty is valued while giving her the minimum setting in which to delude the newborn infant into the infantile belief that a woman is all the beauty that can be aspired to. Because the serpent is male, and homosexual pederasts are interested in homosexual pederasty, the hermaphrodite woman is the `angel` that doesn`t mind being seen naked because it`s her species that`s with her. Because the body of the beautiful woman isn`t valued, neither is her setting, which means that `Hollywood man` is free to dramatize upon huge canvases of cinematic `action` minimizing the risjk to the single `heroine` while causing carnage on a scale approaching that of 9/11, and Pearl Harbour, or even Nagasaki and Hiroshima, without restraint, simply by constraining the woman`s contribution to how nice she looks in the bedroom mirror.



 In Jungian psychology, the libido of instinctual energy is transformed by archetypal material seeking to express itself in dreams, imagination and art as it emerges from the unconscious `Self`, which is desirous of being made conscious. Jung`s primary example comes from ancient alchemy, the forerunner of chemistry, in which a common motif is that of the hermaphrodite, because the female penis is endeavouring to use its separating `Sword` to speak its more penetrating `Word`. Woman can only emerge by not accepting any `Sword` but Jesus`. That is why the sword-as-penis is a logical fiction. It connotes the honourable defloration of a virgin. As the `knight` of Christian `chivalry`, Jesus is the archetypal `Sword` of Revelation because he`s not the fiction of the `hero` rescuing the woman from the devouring `father` dragon. He`s the `Word of God`. It is not a fiction for women, but it is men`s fiction that they are heroes. That`s why the sword-as-penis is a logical fiction for men, because it`s their parasite injecting metaphor.



 If the Virgin Mary gave birth to Jesus by parthenogenesis, that is, without a man`s semen, she could have given birth to a woman with a penis of her own. Equally, Jocasta in Oedipus Rex could have given birth to Antigone as a woman with a penis of her own if she`d married a woman with a penis of her own and so the psychological bane of Western civilization, art and culture, that is, the `threatening possessive`, wouldn`t have been a psychological determinant. The `Oedipal complex` is a psychological term used by Sigmund Freud to describe the devouring father imago because Oedipus, albeit by accident, according to Sophocles` Oedipus Rex, killed his father to marry his mother. Freud thought that he had discovered a psychological constant insofar as the `Oedipal complex` described the relationship between father and son. What Freud had discovered was the fiction that the son wants to possess the mother, which conceals the male myth that a woman wants a father and a son. The Virgin Mary is the archetypal conception of the woman who doesn`t need a man`s semen to reproduce, and so it`s a male fiction in which the penis is important because it`s theirs.



 Behaviouralism was the psychological successor to Freud because it focused on the principle notion that the son should behave in order to prevent it from killing the father, and subsequent psychological applications included the Somme and Verdun where sons were sent to be killed in WWI in order to learn how to `behave`. Jungian psychology taught that the libido was developmental and that male-female complementarity was the solution to conflict. Populist therapies described such `conflict resolution` formulas as `getting in touch with the female side` because women were perceived as `sympathizing`. Feminist perspectives perceive the penis as female, and Jesus` teachings as celibacy, which obfuscates the real issue of Oedipus` blindness. The male aliens don`t want the woman to use her own penis. Antigone is the `sympathizing` woman who represents the imposed patriarchal fiction that women are the `angelic` sensitive counterparts of the thoughtless but `dashing` male `action man` that Carl Jung analyzed.



 Jungian Feminists perceive that Antigone is blinder than Oedipus at the drama`s end, because she has been coerced by the `threatening possessive`, that is, the parastitical male alien`s capacity for inducing sympathy for its plight, by means of ensuring in her false feelings of empathy based on consanguinity. In effect Antigone has been coerced into wanting her brother, because Oedipus is Jocasta`s son. The play is actually a description of how difficult it is for the woman, even if she`s able to reproduce parthenogenically, to escape from the homosexual pederast, which is what Jesus` torturers and murderers represent, and how difficult it is for woman to escape from men physically, even if she has a penis of her own and is a species independent of her parasite, because `pornographic` representations of futanarian women aren`t a part of men`s educational curriculum for women.



 On the cross Jesus is preparing to wield the Sword, but it`s a boy`s wooden one. He cannot defend against his crucifiers; because his role is as a `teacher`. He offers Redemption to mankind and `teaches` God`s love, but in Revelation we understand he`s a sword-master because he fights against the foe:


`And I saw heaven opened, and behold a white horse; and he that sat upon him was called Faithful and True, and in righteousness he doth judge and make war. His eyes were as a flame of fire, and on his head were many crowns; and he had a name written, that no man knew, but he himself. And he was clothed with a vesture dipped in blood: and his name is called The Word of God. And the armies which were in heaven followed him upon white horses, clothed in fine linen, white and clean. And out of his mouth goeth a sharp sword, that with it he should smite the nations: and he shall rule them with a rod of iron: and he treadeth the winepress of the fierceness and wrath of Almighty God.` (Rev: 11-15)



 In Jungian terms, Jesus` libidic energy has been transformed from the penis-as-sword to the penis-as-word, which is commanding of the armies of heaven, because it`s developed faithfully and truly in accordance with his mother`s womb`s desire that her penis not be contaminated by the `seed` of the `serpent`, because her son, who would remain celibate, until she was a woman with her own penis, would be the spiritual leader of Christianity and its fight against the enslaving and devouring `red dragon` of homosexual pederasty until the consummation of the `marriage of the lamb` and Jesus` `bride`, Jerusalem, the woman of heaven.



 During the second Gulf War (2001-3) the USA re-examined that aspect of national security, which is called `Homeland Defence`, and where `mom` in the home is famous for `apple pie`. The folktale of `Johnny Appleseed` is a basic component of the American myth. It is the tale of one who planted apple `seeds` all over the USA so that `mom` could bake `apple pie`. Clearly, the terrorist attack of 9/11 upon the Twin Towers of New York was aimed at `mom`, because she was able to cook, and therefore corresponded to Abel, who was murdered by Cain, the progenitor of all those murderers with the `mark of the beast` upon their foreheads, according to the biblical tradition. It was a sign from God of the importance of correct names. In Revelation it is not possible to live unless you have the `the name of the beast or the number of his name` (Rev: 13.17), and during the Indo-China war waged by the USA the male alien parasitical organisms were defined as `gooks` as a sign of the intolerance of the `red dragon` of homosexual pederasty for cooks. Significantly, the structural anthropologist Claude Levi-Strauss` `culinary triangle` observed that one of the basic cornerstones of art, civilization and culture was the transformation of raw to cooked, where meat was prepared in the first instance, and the process of natural decay and fermentation produced a higher level human perspective because, without killing, such products as cheese, wine and vinegar could be produced, so emphasizing the beauty of natural growing foods such as fruit or corn, while deemphasizing killing. However, the USA employed such appalling devices as napalm and the `defoliant` agent orange over large parts of Indo-China in an attempt to starve the `gooks` as they had previously employed such folk heroes as Buffalo Bill Cody to shoot all of the buffalo in the USA so that the indians would all die of starvation because there would be no buffalo to `gook`. In other words, because the foundation of the USA was built on `mom`s apple pie`, that is, the ability of the woman to cook, 9/11 was an attack by the devouring `red dragon` upon the `Big Apple` of Eve`s `cooking`, that is, the summum bonum of woman`s art, civilization and culture that had been under development since Eden.



 Pertinently, the basic economic symbol of the USA is the `eye iin the pyramid` which connotes the developed ego as a transformer of the raw into the cooked, which in economic terms is either the enslavement of the womb of the woman to produce the homosexual pederasts whose main concern is the consumption of the woman and her art, civilization and culture by means of such evil devices as the `biological warfare` perpetrated against her womb by the evil male alien parasitical viral organisms in the form of the cancerous gay boy sons` `blood plague` of HIV/AIDS gay poisons, or acceptance of the Holy Spirit, or Paraclete, as the female developmental `teacher, guide, comforter and helpmeet` who can cook, but isn`t gay. And so it is possible to trust in `mom`s apple pie` because, as a woman with a penis of her own and so a species not concerned with the production of the `gay boy sons`, she is neither infected nor a poisoner.



 The attack on the World Trade Centre on 9/11 was clearly an attempt by the `threatening possessive` against the basic economic unit of the USA, that is, the woman as the `owner of the means of production`, which is her inalienable womb, by the evil male alien homosexual pederasts seeking to restore the gay boys` `trade` in death and war by means of the initiation of global conflicts through terrorism designed to reduce rational response to criticism of `mom`s apple pie`. Folkloristically, New York`s `Big Apple` is a symbol of Johnny Appleseed and the `eternal enmity` between the woman`s `seed` and that of the serpent (Gen: 3.5), which is why a condom is called a `johnny` because it protects the `Big Apple` of woman`s nurtured and developed human consciousness from the evil `seed` of the alien male homosexual pederast`s viral life form component. The HIV/AIDS `blood plague` of the `red dragon` of Revelation, which wants `apples for eating` rather than `apples for cooking`, in economic terms, that is, `rough trade` rather than `fair trade` based on the solid economic principle that woman as a species with her own penis constitutes a `better economic outlook` than `consumption`, which was the old medical term for the `terminal cancer` that, like the `killer disease` HIV/AIDS, was the name given to incurable cancers of the body; socio-historical, socio-political, socio-cultural, socio-economic, etc.



 The evil male alien `red dragon` of homosexual pederasty wants to reduce the level of human consciousness, that is, the `apple` of ego individuality, to that of a chimpanzee, which is why the attack on the Twin Towers has so many resemblances to the Hollywood movie King Kong (1933) in which the `big monkey picture` is of a large animal killed by US fighter aircraft because it climbed to the top of the Empire State building in New York. In other words, the `big monkey` is what Hollywood wants because it`s too big for the woman, while 9/11 is the representation that the `Big Apple` isn`t for a `big monkey` but that New York is still full of `smaller ones` who don`t want the woman to get any bigger.



 Attacks on women are `on the increase`, and that`s the 21st century paradigm in Hollywood, the `dream factory` that manufactures what the world perceives of the American Dream and Manifest Destiny, which from movies such as Steven Spielberg`s ET (1982) Close Encounters of the Third Kind (1983), Back To The Future (1985), Batteries Not Included (1986), etc., is innocent progress and development without threat, and so fulfilment; or under threat and delayed. Hollywood`s paradigm is `attack the woman` so that the male alien parasitical virus that had emerged from her womb can destroy large swathes of her art, civilization and culture while pretending to be `at her side`. In a truer paradigm of `Homeland Defence`, mom defends herself and her `apple pie`, which means technological development and its deployment is based on human goals. If man has a penis and can develop weapons of `mass destruction` by transforming its libido or instinctual energy into spiritual, that is, intellectual ability, woman`s penis is different. Men invite attack because `action man` is their valence. `Hollywood man` has taught it to them, whereas the teachings of Jesus and the Holy Spirit, or Paraclete, is peace, which means that 9/11 is what the `Hollywood preacher` has preached, and `curses are like chickens; they always come home to roost`.15  The metaphor is the virus programme of the 21st century hacker, where 9/11 is `hide d`yer hacker`, like the Led Zeppelin song D`Yer Mak`er (1973) is either about whether the Jamaica girl had sex, or was she forced? Did you make her? The rapist would seek to conceal the crime, and the hacker, with the `handle` Hide D`Yer Hacker would seek to remain anonymous if 9/11 were a `programme` designed to test the defences of the USA. It is not beyond the bounds of possibility that the USA`s Defence Department at the Pentagon invited `hacking` to `test` its system:


`... [we] would like to invite anyone with an interest in cryptography, reverse engineering or mathematics to help find the decryption keys and unlock the hidden payload.`16



 Although this staement comes from Kaspersky Lab, one of the more famous anti-virus buster programme developers, the invitation to `all comers` is  representative of many private and public organizations insofar as they invite hackers to improve their systems and then employ them as computer software programmers and analysts:


`... every modern computer exchanges and processes information in the ones and zeros of binary ...`17



 The hacker even employs virus language to describe its activities, and because the common cold is the commonest virus, hackers have coughing `handles` because, as on 9/11, their hacking technology was employed to make coffins out of the Twin Towers, the Pentagon, and flight 93, which was on its way to the Whitehouse when the passengers crashed the plane rather than have it reach its destination. In other words, hackers correspond directly to the concept of the `blood plague` of homosexual pederasty` `killer disease` of HIV/AIDS, because the `handles` of the `hackers` are 21st century versions of the `black death`, which is why the terrorist High D`Yer Hacker launched its valence of the `red dragon` from [black] `Massachussets`, that is, in imitation of, or desire to perform, a Satanical `black mass` based on the novel Logan`s Run, because Logan is the name of the airport in Boston, Massachussets, where Hi D`Yer Hacker hailed from:


`... a novel by William F. Nolan and George Clayton Johnson. Published in 1967, it depicts a dystopic ageist future society in which both population and the consumption of resources are maintained in equilibrium by requiring the death of everyone reaching a particular age.`18



 Because the `handle` is how hackers `hail` one another, the reference is probably also biblical in the sense that hailstones, like meteors, were another of the `plagues` of the `red dragon` of Revelation, which Britney Spears Oops I Did It Again presciently alludes to in the opening lyric `Yeah yeah yeah yeah yeah yeah`, where Oops High [I Did It Again] D`Yeah yeah yeah yeah yeah yeah Jack would be the `handle` of the `hacker` who wants to access her material without using the `cookie` which the spaceman has to find in order for the towers of her palace to emerge, as seen reflected in the mirror of the spaceman`s helmet`s visor. In Toxic Britney appears in the apparent blue uniform of Thunderbirds, which is a science fiction rescue service, and the theme of `unmasking` a passenger`s real identity by removing his disguise is juxtaposed with her secret agent guise. Like Jennifer Garner in the US TV series, Alias, Britney portrays an `action heroine` who gets into a secret laboratory in order to obtain a formula, which would seem to correspond to the antidote for the poison HIV/AIDS. Because of the connection between 9/11`s hijackers, and viral attacks by the `plague` of homosexual pederasty`s valence of terror against women. Thunderbirds was a `puppet` show on British TV in the 60s and Britney`s Oops I Did It Again presents her as a Thunderbirds` character in her red pilot`s suit, because Thunderbird 3 is a red spaceship and Oops I Did It Again takes place on Britney`s red planet of Mars but within the framework of the video it`s a `spaceship` that requires the `password` before the spaceman can see her, and the icon he finds in the red sands of Mars is her `tough cookie`.



 In Revelation the `beast` is a `frog` that appears to speak from the mouths of its `puppets`, which suggests that Britney is perturbed that her lyrics have Satanical meaning that she doesn`t place a value on. If 9/11 was an attempt to attack the woman `hidden` and protected by the `New Redeemer` of Revelation, Oops Hide Did It Again would be the Satanical writer`s preparation for Oops Hide D`Yeah yeah yeah yeah yeah yeah [ jack ], where the intention would be to `hijack` her fortune and turn her into a `puppet` recording `jack`, that is, `zero` and the utterances of her `programmer`, which would be `the one` in modern computer`s binary code:


`... computer[s] exchange ... and process ... information in ones and zeros...`



 The aim would be to have Britney function as a `frog` mouthpiece for her programmer. To `side` in early 20th century recordings upoon vinyl meant to press one of the two sides that a `record` had. There was an `A` side for the single released, and a `B` side as a `bonus track`, which often was new and not on the album. Consequently, Oops Sided It Again refers to the record manufacturing process, where `siding` means to compose a picture in terms of DVDs, which have only one side video terms. For her programmer there`s only one side to the story, whereas traditionally there are `two sides to every story` if it`s about judgment. Britney is a `puppet` for her hijacking programmer who only wants her to be a `cipher`, that is, a zero, while he`s `the one`. The spaceman walking backwards in Oops Sided It Again or suspended above Britney, in her white bikini dress, represent aspects of the recording and manufacturing process. Britney`s spaceman`s camera at the side of his helmet is her `faithful reproduction` because he`s always `hung up on her`.and corresponds to her `good press`, both in the sense of `faithful representation` in terms of the media `circus` and a record press that makes copies by `pressing`, which again means `faithful recording`. But her spaceman also represents being `hung up` on by Captain `hook`, because Britney`s `hook`, by which her spaceman hangs, indicates `phone` replacement, after it rings and a call has been answered. In Peter Pan by J. M. Barrie Tinkerbell, the fairy, helps Peter against Captain Hook, the Pirate, and in terms of Oops Sided It Again that means Britney`s `programmer` doesn`t want anything but his `programme`, that is, the `Satanic message`, which is the songs `hook`, to be communicated:

`I made you believe we're more than just friends ...  I'm sent from above ... heroes, they truly exist ...  `All aboard` ...`



 The HIV/AIDS` virus `feigns friendship` for the body`s immune system before killing it, which was the Arab terrorist hijackers` method on 9/11 when they bought passenger tickets to board flights in Boston, Massaschussetts, before crashing the planes into the Twin Towers of New York`s Manhattan Island. Heroes did `truly exist` on 9/11, but Britney`s `programmer` defined `feigned friendship` as a `game` and not `serious`, whereas in Michel Nostradamus` Prophecies a warning is given:


`From the sky will come a great King of Terror.` Century 10, Quatrain 72



The USA had given Saddam Hussein the 3rd largest army in the world and had supported the Taliban against tthe Russians from 1979-89 but `feigned friendship` resulted in 9/11/2000, the Gulf wars (1990-2011), and George W. Bush`s declaration of an ongoing war against terror (2003-).Released on March 27 2000 Britney`s Oops I Did It Again `programmed` 9/11 and the spirit of the `game` into the mass mind as the most popular recording of that year.



 In publishing terms, `pirating` is the theft of copyrighted material, which amounts to stealing work that isn`t your own. In order to be a `pirate` you`d have to be a `hacker` who knew how to use a recording `jack`, which explains Oops Side Hid It `A` Gain, and Oops High D`Yeah yeah yeah yeah yeah yeah [ jack ]. If the idea was to produce a `zero`, and be `the one`, who `programmed` Britney to accept the `one-sidedness` of the programmer`s story, there`d be a `B` side, corresponding to Britney`s private story, which wouldn`t be told because the `programmer` wouldn`t want her to be anything but a `zero`. The `beast` of Revelation has an `economic` valence, because the `beast` who is the `frog` in the throat is a demoniacal programming ventriloquist for its `dummy`, which is what `demos`. Because the perspective is that what the individual is programmed to produce by the `frog in the throat` isn`t theirs. In other words, it`s `pirating` while feigning legitimacy, which means that the `beast` produces and consumes itself by possessing a creative individual. The `beast` doesn`t want that which doesn`t want to be consumed.



 Working to play is 21st century economics, whereas working to `consume` is 20th century economics.  People work to keep what they play with, or what they make, because 21st century economics is about individual creativity, and the value of the work for the makers, and the keepers. If the keepers are jailers, the workers and the work are the consumed because the `beast` doesn`t value the work, whereas if the makers and the keepers accept Redemption, which corresponds to the extent to which maker and keeper value the created work, they are valuable to the degree to which they value the work and keep it. In other words, God, the Creator, values the workers to the extent that they value beauty. What is beautiful is that which the `beast` denies but it is not able to deny the beauty of woman because she is the `host` womb of the `beast`, which means that the beauty of the Creator and the Creation is all but consumed by the evil male alien parasitical life form of the `beast` of homosexual pederasty, whose valence in the latter part of the 20th century is the `blood plague` of HIV/AIDS` biological war against women`s wombs, and the virus of 21st century terrorism. 9/11`s Satanical `black mass` commenced upon a `black day` in Boston, Massachussetts, where the terrorists bought plane tickets at Logan airport, and after crashing their planes into the Twin Towers of New York`s `Big Apple`, other terrorist hijacked planes, following the `pattern` of the movie, Logan`s Run, ensured the poison of Eve`s apple would continue to cut short lives. In the Bible Adam was 930 years old when he died (Gen: 5.5), but in Logan`s Run adults must die aged 21 because of scant food and other resources. In Britney`s Oops Hide It Hid Again her spaceman arrives and reports to `Mission Control` as `Mars Lander`. and, in Logan`s Run, those who want to live longer than 21 years are called `runners` who escape to Sanctuary, an abandoned space colony called `Argos`, near Mars. Curiously, although Britney`s spaceman reports to `Mission Control` as `Mars Lander` there are many `red planets` visible in the night sky about them, which suggests the many-eyed Argos of Greek mythology who watched over Io:


`And set a watcher upon her, great and strong Argos, who with four eyes looks every way. And the goddess stirred in him unwearying strength: sleep never fell upon his eyes; but he kept sure watch always.`19



 Io is a moon of Jupiter, who is the father god of Greek mythology, and Zeus in Roman myths, but who corresponds to Jehovah in Judaism. The `four eyes` of Argus probably connote the attributes of God which, in Jungian psychology, is associated with the differentiation of the four human functions of consciousness, one of which, `Sensation`, is associated with sight, but the differentiation of the other three functions, that is, ears (`Thinking`), smell (`Intuition`) and speech (`Feeling`) represents that self-actualization which would make the individual fourfold in terms of perception, and so `with four eyes` Argos watches over Io, a Naiad in Roman mythology:


`...a type of nymph (female spirit) who presided over fountains, wells, springs, streams, brooks and other bodies of freshwater.`20



  If Oops I Did It Again represents Britney`s Sanctuary, Argos doesn`t seem to have any water, but her spaceman has brought her `the heart of the ocean`, which suggests that water will run again. As Logan does in Logan`s Run when the `sandmen` come to find those who want to live beyond 21 years and kill them. Britney`s perception is that futanar woman, where `fut` means `run` and `tanar` means `teacher` in Hungarian, represents a better economic perspective in which there`ll be sufficient food and resources because the `sandmen`, that is, those who create sterility, will be redundant and extinct when woman with a penis is the species of the Earth.



  9/11 represents the `red dragon` of homosexual pederasty`s attempt to shift the economic perspective away from individual creativity and Redemption through value accorded to the artist and the work of art as maker by the buyer as keeper, and a return to 50s economics in which the enslaved are the consumed. T. S. Eliot`s The Wasteland (1922) was the poet`s perception that spirituality was what the 20th century with its devouring wars of the `red dragon` of homosexual pederasty lacked. Britney`s concept of the `futanar`, or `running teacher` represents her concept of the flowing of the waters of the spirit that can regenerate the Earth`s economy by focusing on Redemption through the keepers` valuing what the makers make, and value. The attack on the World Trade Centre on 9/11 was the homosexual pederasts` preference for `rough trade`, that is, more gay boy sons` STDs and HIV/AIDS` gay poisons to be the `killer disease` of woman and what might emerge from woman`s womb, which heretofore has been either another `host` womb for the evil male alien parasitical viral life form, or the evil male alien parasitical viral life form itself. If the `red dragon` of homosexual pederasty is concerned to devour woman`s art, culture and civilization after it has emerged from her womb, its concern is to devour beauty, which means that futanarian woman with a penis of her own as a species represents that concrete symbol of regeneration that poets such as T. S. Eliot in The Wasteland had been searching for:


`I Tiresias, though blind, throbbing between two lives, 218

Old man with wrinkled female breasts, can see


I Tiresias, old man with wrinkled dugs

Perceived the scene, and foretold the rest -


(And I Tiresias have foresuffered all

Enacted on this same divan or bed;

I who have sat by Thebes below the wall

... ) Bestows one final patronising kiss,

And gropes his way, finding the stairs unlit...

  She turns and looks a moment in the glass,

Hardly aware of her departed lover;

Her brain allows one half-formed thought to pass:

'Well now that's done: and I'm glad it's over.'


She smoothes her hair with automatic hand,

And puts a record on the gramophone.`



 Tiresias is what Eliot described as an `objective correlative`, that is, the futanarian represents economic and spiritual regneration, because it`s the thing itself. In The Wasteland Tiresias is th one who sees, although blind, because he`s a hermaphrodite. He can foretell because he knows the scene. The penis wants the woman and she doesn`t want the man. In the same way, Tiresias represents the hermaphrodite that the woman doesn`t want, because he`s male and not female, which is why he can`t see her. Woman represents beauty, so her emergence as the species of the Earth suggests an increase in the valuableness of beauty as perceived by the beautiful, which posits spiritual and economic regeneration based on the value to the keeper of what is bought and the value to the maker of what is made, which is Redemption for the keeper and maker derived from their value to God as those who create or treasure what is beautiful and so valuable.



 The symbol of the `gramophone` vinyl record in The Wasteland relates to Britney`s encrypted work in Oops I Did It Again because a DVD is an improved form of saving but `corruption` from viruses and `hackers` is implicit in the religious metaphor because death through viral corruption is what the evil represent. Tiresias and the young woman`s `lover` in The Wasteland represent Eliot`s perceptions of what is amiss, which is that the young woman doesn`t have a penis of her own. She`s kept by `low` men who keep her amongst `low` things that she values, so the things are her keepers, whereas those who give her, or make, the `low things`, are her jailers and enslavers, which means she`s `saved` but poorly because she `treasures` what is `low`. Revelation is that the futanarian woman`s emergence as the species of woman with her own penis, in the 21st century, represents the possibility of a woman`s treasuring `high things`, and video DVDs such as Oops I Did It Again indicate the recording technology that mirrors her aspirations for woman as a species with her own penis to be inviolate of the male virus. As Jesus` birth from the Virgin Mary kept the nascent spirit of Logos, that is, technology through the teachings of Jesus and the Holy Spirit, or Paraclete, inviolate. So that spiritual advancement and technological development complimented each other sufficiently enough for futanarian woman to be recognizable to herself at the turn of the 21st century as the `objective correlative` of the spiritual and economic regeneration that the Earth requires.



 According to the Bible there is evil and good. If we understand the `red dragon` aright, beauty is good, and that ends the argument. Because only woman as a species is beautfiful to the penis and she has her own, which means that evil is ugly because it`s male. Amidst the sands of `Sanctuary` in Oops I Did It Again Britney is the 18 year old woman who represents those over 21 beset by `sandmen` from Logan`s Run who have made an economic desert of Earth and she is waiting for the `futanar`, the `running teacher`, to revitalize the Earth`s spirit and economy, an anticipation thwarted to a greater or lesser extent by 9/11 which effectively represenrted the male alien parasitical viral organism`s desire that the `New Redeemer` of 21st century `saving` technology shouldn`t encourage the young 18 year old Britney to want to be 930 years old and look as if she were 21, which is why the Arabian terrorist hijackers travelling from Logan airport in Boston, Massachussetts, represented the `sandmen` endeavouring to devour the `Big Apple` of I-Pod. Because `Poddy` of Mars, the heroine of Robert A. Heinlein`s Podkayne Of Mars, depicted by Britney Spears in Oops I Did It Again is worth saving. Apple`s `Mac` computers are for recording Christina Aguilera`s Dirrty, because she`s a heroine, and isn`t Apple`s `smack`. Some see Apple`s Macintosh computers, and the internet, as `dirty macs`, and an opportunity to inject some heroine with their `blood plague` of HIV/AIDS, or introduce Britney`s Poddy to Cain and Co., whereas hers and Christian Aguilera`s visual beauty is the good that homosexual pederasty would have us believe should be covered up so that we disbelieve in the existence of heavenly beauty while the `red dragon` of evil surrounds our eyes with dross and continues to devour what we can  still see of God thanks to the creative artists and imaginations of the makers and keepers who are our saviours because they value and treasure what is made.



 If `Jack` Kennedy was `the President in `Air Force One`, the President`s aircraft, Britney`s `programmer` with the `coffin handle` Oops Hi D`Yer yeah yeah yeah yeah yeah [Jack] Did It Again would be planning to mock Jack and his son, John, at the Twin Towers, which were associated with John (`Jack`) Kennedy I, who was murdered in Dallas in 1963, and his son, John Kennedy II, who also lost his way on  a flight path from Massachussetts, before his plane crashed mysteriously into the Atlantic off Martha`s Vineyard.21 In record industry terms, `hijackers` are `pirates`. As `Io` Britney in Oops I Did It Again `Argus` is her `many eyed watcher` over her `Sanctuary` from the `sandmen` who, in 21st century terms, are HIV/AIDS as the `killer disease` that threatens to strike everyone over the age of 21 because the sands of their hour glass of time are running out. At 18 Britney doesn`t yet have the `hour glass figure` that the `killer` doesn`t want. The `red dragon` of homosexual pederasty wants `easy meat` that isn`t developed enough to perceive the fallacy of needing male alien parasites that exist only to take over her `room` and devour her. In the German version of Star Trek `space and time` are described as `die weltraum`, which is `the room in which the Earth is`. However,  if woman is the species of the Earth, the male parasites from her `host` womb are the alien invaders. The 9/11 terrorists` movie was Logan`s Run as they boarded flights from Logan, Boston. Analysis of Britney Spears` Oops I Did It Again suggests she has a traitor amongst her fans, that is, `Argus`, or at home, which is `Sanctuary`, while `Captain Hook` is another `coffin handle` of those `hacking` into her coffers, or `pirating` her material, who superimposed the concept Io Ho Ho onto the recording of Oops I Did It Again to programme disaster `scenarios` for their ghoulish laughter:


Yo Ho Ho And A Bottle Of Rum

`Like break o'day in a boozing ken.


Fifteen men of the whole ship's list.

Looking up at paradise ...

Ev'ry man jack could ha' sailed with Old Pew

With sightless glare and their lips struck dumb ...`22



 The disaster programmers` subliminal Yo Ho Ho message to `hackers` and `pirates` from Oops I Did It Again is an SMS to ghoulish laughter encoded in a few lines and words that denote 9/11 and the continuing assassination of Kennedy`s `vision`: `... a boozing ken[nedy] ... list [of crew and passengers] ... looking up at paradise ... ev`ry man jack ... sightless ... dumb ...` September 11th is an important date because the USA`s Moslem terrorist group were called `Black September`, and `Yo` is black slang for `good`, which is `good` in Hungarian but spelt `jó`, while `hó hó` means `snow snow` and might be interpreted as `nose`, where the joker missed the `crack` at the Twin Towers. However, `az nő` means `a woman` in Hungarian, whereas `ember` means man, which suggests `7` ember because, although September is the ninth month, originally it was the seventh:


`In Latin, septem means `seven` and septimus means `seventh`; September was in fact the seventh month of the Roman calendar until 46 BC.`23



Snow White and the Seven Dwarves and the `Big Apple` is an Edenic fairy tale, but the `movie` Robin and the Seven Hoods in which Frank Sinatra is a gangster is believed by many to be the truth. The terrorists are obviously referring to the novel by J. R. R. Tolkein The Lord Of The Rings (1937-), which was a trilogy with the second part titled The Two Towers and Britney Spears alludes to it in Oops I Did It Again when she descends inside a giant`s ring, because the `One Ring` was the Dark Lord Sauron`s who ruled through the nine, which is why September, the ninth month was chosen by `Black September`, and because the ring ruled the `seven dwarves`:


`Three Rings for the Elven-kings under the sky,
Seven for the Dwarf-lords in their halls of stone,
Nine for Mortal Men doomed to die,
One for the Dark Lord on his dark throne
In the Land of Mordor where the Shadows lie.
One Ring to rule them all, One Ring to find them,
One Ring to bring them all and in the darkness bind them
In the Land of Mordor where the Shadows lie.`



The Christmas themes of the robin and the snow suggest `Black September` and the mafia, whereas although Jesus is a prophet of Islam second only to the prophet Mohammed to whom the angels of God dictated their holy book, The Koran, the date of his birth isn`t necessarily believed to be December 25th by Moslems. However, `Jó hó hó` does suggest the difference between `black` economies and legitimate economies. Jesus Christ was born of a virgin and so wasn`t illegitimate, while his notion of Christian fellowship corresponds to Tolkein`s conception in the first part of The Lord Of The Rings, of the league against Sauron, The Fellowship Of The Ring, while the `beast` of Revelation is `the number of a man and his number is six hundred three score and six`, which means the `coffin handle` of the leader of the terrorists is `Soar on`, that is, to the Twin Towers, and he`s a bastard gangster:


`New York, New York, a helluva town.
The people ride in a hole in the groun'.` On The Town



 Of course there were trains beneath the Twin Towers connecting Manhattan island to mainland New York state, which `improves` the `joke`. The Joker was obviously attacking Gotham city where the pig eaters live, because pork is `haraam` or `forbidden` in Arabia, as it is in Judaism, and 9/11 was Batman and Robin, while `Liberty` in New York harbour was the `sacred cow` under attack:


`Holy cow!`



 In the Greek myth Io is transformed into a heifer to hide her from Zeus` desire for her, and a red heifer is identified in the Epistle of Barnabas (8.1 with Jesus` crucifixion: `the calf is Jesus, the men that offer it, being sinners, are they that offered him for the slaughter.` Britney, in her red `pilot`s suit`, raising her astronaut visitor above herself in a white bikini dress, is referring to the Book of Isaiah: `Though your sins be as scarlet, they shall be as white as snow.` (1.18, Num: 19.6) Air Force One, which is the aircraft that carries the President of the USA, is called `Sacred Cow`, which suggests that, wearing her red pilot`s suit and her white bikini dress, Britney is alluding to the special sacrificial nature of the red heifer for Judaism:


`... the Red Heifer [has] special status in Jewish tradition. It is cited as the prime example of a khok, or biblical law for which there is no apparent logic, and is therefore of absolute Divine origin. Because the state of ritual purity obtained through the ashes of a Red Heifer is a necessary prerequisite for participating in Temple service, efforts have been made in modern times by Jews wishing for biblical ritual purity (see tumah and taharah) and in anticipation of the building of The Third Temple to locate a red heifer and recreate the ritual.`24



 In Jungian psychology the four functions of consciousness are associated with ears, eyes, nose and mouth. Because the `Adam`s apple` is the epiglottis of the throat or Vishuddha chakra of Hinduism, the `Big Apple` of New York on 9/11 was meant by the terrorists to correspond to the `lump in the throat` of New Yorkers when the terrorist hijacked planes crashed into the Twin Towers. The plane that crashed into the Pentagon would be the Ajna chakra which corresponds to `command` in the Hindu system, and the fourth plane that didn`t reach its destination at the Whitehouse, but would`ve corresponded to the Sahasrara or `crown` chakra, if it hadn`t been taken down by brave passengers and lain in ashes along with the three other planes that reached their target and its victims, represented an attempt to sacrifice the President of the USA as a kokh.



The story of `Flight 93` from Newark, New Jersey, is similar to that of the movie Air Force One (1997), starring Harrison Ford, in which the President`s plane is hijacked by followers of Kazakhstan terrorist dictator Radek who want to hold the President hostage until Radek is released. Ford is taken to an `escape pod` by US secret service agents but, when the `pod` is recovered, Ford isn`t inside. Flight 93 crashed at Shanksville, Pennsylvania and, in the film Air Force One, the President`s plane also crashes, but U.S. Air Force Special Operations Command MC-130E Combat Talon rescues the President and changes its `call sign` to `Air Force One`. The passengers of Flight 93 crashed their plane on 9/11 and saved the Whitehouse and the President and so their `call sign` may also be understood as `Air Force One`. In Oops I Did It Again Britney, wearing her red pilot suit, corresponds to Thunderbird 3, but is Robert A. Heinlein`s `Poddy` in her white bikini dress, because Thunderbird 2 has a `pod` similar to Air Force One`s. Although Thunderbirds wasn`t made into a Hollywood movie until 2005, `Thunderbird` fighter jets have been the USA`s `model` pilots since 1953. As with the British scifi Thunderbirds (1-5), each has a number; from 1-12. However, as Flight 93 demonstrated and, as Britney reiterates in Oops I Did It Again, any `Poddy` can save anyone. The motto of the `Great Seal` is `e pluribus unum`, which is `the one from the many`, because everyone is the President in Air Force One. The name of the Presidents aboard Flight 93 are on the National September 11 Memorial.



 Whether the perpetrators of 9/11 conceived George W. Bush`s demise as leading inevitably to the constructing of the Third Temple, the `red heifer` is a further symbol of the `red dragon` of devouring homosexual pederasty and war because the `... [red heifer] is Jesus, the men that offer it, being sinners, are they that offered him [Jesus, George W. Bush or anyone] for the slaughter.` 9/11 was to delay the Advent of the `New Redeemer` because America wouldn`t swallow what was lodged in its `Adam`s apple` or throat. George W. Bush`s declaration of Gulf War II and the War on Terror (2003-) was the reaction to the terrorist planes lodged in the `Big Apple` of the throat of New York, which meant the USA would be a draco upon the Earth at the beginning of the 21st century. A draco is a blood-letter and an Eastern European tradition of the vampire that devours the `heart` or `vam` in Hinduism. The `heart in the mouths` of Americans watching the events of 9/11 unfold on CNN may`ve been a `lump in the throat` but it wasn`t that of the `devourer of hearts`. Perpetrating a `black mass` from Logan airport, Boston, `black` Massachussetts, in emulation of the movie Logan`s Run in which noone lives past 21, the terrorist programmers` intent was to ridicule the attempts of `TV 21` on CNN, that is, International Rescue`s attempts to be the President in Air Force One, and prevent the `Sacred Cow` of Americans from being slaughtered. George W. Bush`s successor in the Whitehouse was Barack and `barack` means `peach` in Hungarian while  `boci` is `heifer` and a chocolate bar, that is, the `sacred cow` would be Michelle Obama as the `peach chocolate` of Air Force One, whereas Barack is `chocolate speech` because of the Hungarian programmer`s `black humour`. Because `bean soup` is `ghoulash`, Britney`s spaceman is Alan Bean in Oops I Did It Again and the Hungarian `ghouls` intended to make `ash` out of the American Dream on 9/11.



 A `sacred cow` is a picture of what is valued by a society, so `boci` is pronounced `Pod-see` and Britney`s `Poddy` is for her spaceman`s photographing of her `body`, which means he`s her `I-Pod camera` insofar as he likes what he sees but isn`t her. If woman is a species with  a penis of her own, her spaceman is collecting what she wants in her `I-Pod`, which means Oops I Did It Again could be construed as having the subtitle `I Poddy`. Air Force One is subtitled `Sacred Cow` because what a man wants isn`t what he sees in the mirror. If woman with a penis is the species of the Earth it`s the mirror of what a man doesn`t want. If he wants woman. In other words, the `Sacred Cow` is that we`re collectively engaged in painting a picture of what we want, whereas we`re living in a picture painted by aliens that don`t want women. Britney, descending in her red pilot`s suit inside her giant`s ring in Oops I Did It Again appears `dwarfed`, so in terms of the terrorists` Lord Of The Rings `game`, she`s  one of the seven dwarf rings arrayed against the `Dark Lord` that doesn`t want her to develop herself on, before, or after 9/11.



 In her red suit Britney is Thunderbird 3 and, according to the video `logic`, a `puppet` or `doll` warning of the dangers of `voodoo`. To attack or manipulate an individual, Voodoo practitioners stick pins into an effigy of the `target`, much in the way that Chinese acupuncturists use needles on the actual body of their patients but to heal. The Hungarian alphabet is unique in linguistic terms, because it consists of 45 sounds represented by a combination of one or more characters, and focuses exclusively on pronunciation, which  is useful for a `programmer` who wants to give a `value` to every utterance. Because the Twin Towers are a pin prick on the map, an attack would be the acupuncture of a Voodoo practitioner. In homoeopathy a small amount of poison is imbibed to stimulate the body`s immune system, and so another `movie` that the terrorists were secretly emulating on 9/11 was Dam Busters (1955) where the poisoning of the consciousness of the USA against the Moslem peoples was `Saddambusters` because of the `Big Apple` of Eve`s Adam. The film features `617` squadron aircraft and the `device` sounds like an early description of a computer virus attacking a `system`, or a 9/11 proposal for how to avoid the radar of the USA`s `Homeland Defence`:


`... a bouncing bomb which would skip over the water to avoid protective torpedo nets. When it came into contact with the dam, it would sink before exploding, making it much more destructive.`25



 The attack on the Twin Towers also seems to have been based on the fillm 633 Squadron (1964) in which `mosquito` aircraft attack a Nazi V2 rocket factory in Norway during WWII. Because the `hackers` that hijacked the aircraft to penetrate the USA`s air defence `system` were endeavouring to deliver a mosquito bite that would  infect the West with the `killer disease`. The scenario is from a Batman `movie` in which The Joker stars:


`Knock knock.`

Q. `Who`s there?`

A. `Amos.`

Q. `Amos who?`

A. `A mosquito.`



 Of course the `joke` is mosque but Hungary`s `programmer` says `mosque áhÍtó`, which is `hungry`, and  hÍt means `faith`, so it`s `hungry i` faith`, which is an archaic or knightly form of indicating appetite for the meal. In Revelation the `red dragon` is depicted as waiting in vain to devour the `New Redeemer`, and Britney Spears` Oops I Did It Again seems prescient in its depiction of a spaceman suspended by Britney in her red suit above her in a white bikini dress with the tines of a fork beside his spacehelmet. If the woman with a penis as a species signifies the `New Redeemer` the fork by the spaceman`s helmet represents The Temptation Of Puddin`, if we interpret Britney as a Heinlein character, and her `Poddy` is the temptation, which accords with many people`s observation of the nature of consumerism. The devouring `red dragon` of homosexual pederasty would throw away the women it doesn`t want. `Poddy` may be a woman with a penis of her own and so represents conception and production rather than possession and consumption, which means that the `New Redeemer` is the `New Economics`. If Britney`s `gift` from the spaceman is a blue diamond in the shape of a heart, that is, `the heart of the ocean`, if we understand her allusion`s to the Titanic (1997), and Rose`s jewel memorial to her lost love after he drowned helping others to the lifeboats when the ship hit an iceberg and sank:


`But I thought the old lady dropped it into the ocean in the end?`



 In Hungarian Britney`s jewel is `kék`, and represents the heart chakra, which is `vam` in Hinduism, and so the allusion is to `vampirism` as well as devourment when Britney`s Puddin`, in her red pilot`s suit, suspends her spaceman above her `Poddy` in a white bikini dress with a giant`s fork beside his spacehelmet. Because Britney is Thunderbird 3`s pilot, in her red suit, she`s the Manipura chakra, which is the third chakra of the Hindu system associated with the solar plexus, below the heart or `vam` chakra, and above her abdomen, inside which would be carried a gestating infant. The Sahasrara chakra contains the moon, according to Hindu symbolism, and so the woman `clothed with the sun and with the moon at her feet` of Revelation is she who dwells in the Sahasrara chakra, with the moon at her feet and the sun, or solar plexus below her while she`s giving birth to the `New Redeemer`.



The `vam` or heart chakra is important because it`s between the moon and the solar plexus; as is the throat chakra or Vishudda and the Ajna chakra below the `crown` of Sahasrara. If the parasitical alien male vampire doesn`t want the `New Redeemer` to be born, consciousness won`t be allowed to develop beyond the first or second chakras, which are the Muladhara or anus and the Swadhisthana or genital region. Vampirism amounts to the simple perspective that the parasite will never educate its children into understanding that woman are a species with their own penis; for example. The economic system of possession and consumption is that of the `red dragon` of homosexual pederasty and devouring war, while HIV/AIDS is the parasite`s virality, that is, the `blood plague` of Revelation, which is transmitted at the anus or from the genital region. In other words, the conception and production system of economics, based on individual spiritual and intellectual creativity, that is, individuation and technological development through the growth of personal development, is vampiristically denied by male parasitism, which begins at the `vam` chakra above the solar plexus and below the moon in the Sahasrara chakra where, in simple terms, the child of the future is conceived before it`s produced:


`Anahata is associated with the ability to make decisions outside of the realm of karma. In Manipura and below, man is bound by the laws of karma, and the fate he has in store for him. In Anahata, one is making decisions, 'following your heart', based upon one's higher self, and not from the unfulfilled emotions and desires of lower nature.`26



 Incongruously, a tree appears in the midst of the desert landscape of what might be termed Britney Spears` Oops Aj[na] Did It Again because below the `vam` chakra in Hinduism is the `wish fulfilling tree`:  `... known as Hrit, or Hridaya (heart) ... kalpa taru, which symbolizes the ability to manifest whatever one wishes to happen in the world.` Britney`s video `logic` supposes Oops Aj[na] Did It Again because of it`s Jungian developmental or archetypal symbolism which, interpreted from dreams, art and the imagination, acts as a guide to higher levels of conscious knowledge and wisdom:: `When something is seen in the mind's eye, or in a dream, it is being 'seen' by Ajna.` Oops Aj[na] I Did It Again relates to woman`s capacity to produce from her womb despite its often being used as a `host` by the evil male alien parasitical organism that seeks to devour her. The Ajna chakra is the seat of developed consciousness, whereas the Vishudda chakra in the throat is the `seat of power`, which corresponds to the `Big Apple` of New York because Adam`s apple denotes the power to speak rather than devour. Consequently, Britney Spears` Oops I Did It Again video depicts the danger of parasitism, which in its final stages results in the `red dragon` of homosexual pederasty and war`s gay boy sons` `blood plague` valence of `gay poisons`, that is, HIV/AIDS, which accords with Jesus Christ`s prophylactic birth and the Virgin Mary as prefiguring futanarian production, or `New Economic`, that is, conception and production without men`s semen, or indeed men.



 Christ crucified was a torturing and murdering of what woman had produced from her womb without male semen, which prefigures the futanarian woman`s conception and production, that is, the `New Economics` of the future, rather than  possession and consumption by the male `red dragon` of homosexual pederasty and enslavement of women`s `host` wombs, so that its devouring of lives can continue unabated. Jesus` offering of the `bread and wine` to his disciples at the `Last Supper` before his crucifixion as his `body and blood` suggests that, although the torturers and murderers of Jesus were vampires, the concept of immortality by means of the `little drink`, as the bite in the neck is euphemistically known, wasn`t viewed by Jesus with such distaste as the horror genre that began with the historical figure of Vlad `the Impaler` (1431-76) and Bram Stoker`s Dracula (1897) would have us believe.



 In Hinduism the `third eye` or `Big Apple` of the Ajna chakra at the brow, to which the 9/11 terrorists from Al Qaeda, that is, from `the base` of the spine, or `root` of sexuality at the Muladhara chakra to the `crown` or top of the head at the Sahasrara chakra, were endeavouring to give the body politic of the West the equivalent of the `killer disease` HIV/AIDS. If the terrorists had flown through the `crack of doom` between the Twin Towers, instead of at them, the injunction in The Return Of The King, the final book of Tolkein`s trilogy The Lord Of The Rings, to throw Sauron`s ring into the `crack of doom`, that is, the volcano of Mt. Doom, and destroy the ring, would have been observed. Of course, the Pentagon may have been perceived as the `ring`, a five sided circle with a hole, and that would be in keeping with the conceit of The Joker amongst the `hoods`, who`s `coffin handle` is `7ember` and Hungarian.



 JFK`s `dream` was of an end to `tyranny, poverty, disease, and war itself`, which the `red dragon` of homosexual pederasty attacked on 9/11. According to Revelation the apocalypse is characterized by the `four horsemen` who are war, plague, famine and death. War is comprehensible as the vestiges of the enslavement of women`s `host` wombs that began in ancient Greece, and spread by means similar to the HIV/AIDS virus, that is, `feigning friendship` for the citadel of the body`s immune system in order to kill it, which is what the Greeks` huge hollow wooden horse presented as a `friendship gift` to the Trojans before the walls of Troy represented .Because the Greeks emerged from the horse inside Troy and enslaved all of the `host` wombs of the women in order to breed more homosexual pederasts and more war. Consequently, homosexual pederasty is the `red dragon` of war, while its plague is HIV/AIDS because HIV/AIDS is contracted by mixing semen, blood, and shit in anal sex. which is how homosexual pederasts behave.



 Famine may be understood as the result of the `thin disease`, which is what HIV/AIDS is called because it`s a wasting illness that is incurable. Sex starvation is one mode of the disease because HIV/AIDS is a terror weapon against the wombs of women and the desire for heterosexual sex. Most people view famine as a concomitant of war because war interferes with agriculture and food production. However, the consumption of alcohol and petrol suggests the true valence also relates to ancient history where `ka` and `ba` were spirit and personality in Egypt. Western culture primarily devolves into driving the car, which corresponds to `spirit` or `ka`, to the bar, that is, the `ba` or personality in Egyptian, in order to consume alcohol. The car consumes petrol and it is the `demon` of homosexual pederasty that causes men to gather together in bars for the consuming of alcohol because it impairs functionality. In effect the individual with the car, that is, the `spirit` or `ka`, is `demon driven` or `petrolled` in the sense of `patrolled` by the demon of homosexual pederasty to consume that which devours the brain`s functioning. Consequently, famine is the lack of sense in terms of the individual`s ability to perceive that the `ka` and `ba` represent the spirit and personality need spiritual nourishment, which isn`t derivable from alcoholic spirits, or the internal fire of the automobile`s combustion engine.



Smoking causes cancer and is a metaphor for fellatio and murder, which means that famine is a `constant` in terms of human economics, because all social structures are `demon driven` by homosexual pederasty. The newborn infant is pushed in its pram by its mother until it can pedal itself in its automobile (every motorist observes with bemusement the unchanging `constant` of the `pedalled vehicle`) and be `petrol` driven, that is, `petrolled` by the `demon` to the `bar` where the `ba` or personality is consumed with the alcohol`s desire to return and be consumed further by its `demon`. The assassination of John F. Kennedy in Dallas in 1963, while he was being chauffeur driven in a motorcade, was the homosexual pederasts explaining that they didn`t want an end to `terror, poverty, disease, and war`, and the President of the United States of America should continue being a drunk driver, like all the other victims of homosexual pederasty. If you drink from the bottle, the bottle will drink out of you, or as John said in his Inauguration:


`... those who ... [seek] power by riding the back of the tiger end ... up inside ...`



 One of the more famous political assassinations of the 20th century was that of John`s younger brother, Edward, Ted [Dead] Kennedy`s car falling off a bridge at Chappaquiddick island, Massachussetts, July 18, 1969, with a woman inside the car boot, Mary Jo Kopechne, who drowned. Kennedy didn`t report the accident and Ted lost the 1980 Presidential election primarily because of the drunk driving scandal, which cast doubt on his competence under pressure. In 1959 the petrol company Esso created the `put a tiger in your tank` ad campaign, and Esso is SOS when read contiuously, which corresponds to John`s exhortation: `Ask not what your country can do, ask what you can do for your country?` John`s assassination was the demon`s answer to John`s SOS to the nation to rid the world of `terror, poverty, disease, and war`, while Mary Jo Kopechne was the `tiger` that devoured Ted`s career because he didn`t answer the SOS, which John, as a former coastguard for Homeland Defence during WWII, would have insisted upon. The Dead Kennedys was a pop group`s name in the 70s, and so another `disease` created for the USA by the USA. As Saddam Hussein was created by the Defence Department who, in retrospect were responsible for giving the Iraqi dictator the 3rd largest army in the world, 9/11 brought home to the USA the consequences of accepting Hollywood`s preoccupations with `big budget disaster movies` like Towering Inferno. From the perspective of the demon accepted by the USA itself, the `dead Kennedys` were riding on John`s coattails, and should have understood they weren`t leaders of the `free world`. Because that was the response of the devouring `red dragon` to John`s exhortation to the USA to `Save our souls`.



 The `hijack` doggerel of the pirates` Yo Ho Ho even refers to John`s Catholicism: `Ev'ry man jack could ha' sailed with Old Pew,` where a pew is a seat in the church and `Old Pew` is `Hi jack Hearse`, a `coffin handle` for those who`re hacking into the coffers.. As Britney Spears` coffers were effectively hacked by the USA`s Justice Department. `Bobby` Kennedy, as Attorney General, the senior law enforcement officer of the USA, had sworn to fight the mafia before he was murdered. A potentially future President of the United States, Robert Fitzroy Kennedy was shot on June 6th, 1968, by a Palestinian Arab, who took exception to RFK`s `promise` of  jet fighters for the defence of Israel. Britney Spears` fortune was given into the Co-Conservatorship of her father and manager, Justin Trawick, formerly sacked by Britney Spears, and who`d yet to emerge as anything but a `hanger on` when he emerged as someone wanting to have a `handle` of her `coffer`. Before she became a `coffin doll` indicating where her fortune would previously be:


`The reports of my death are greatly exaggerated.` Mark Twain




 The allusion is not inapposite because Britney Spears` Oops I Did It Again features her in the character of `Poddy`, described as `the Poddy beautiful` in science fiction `Grand Master`, Robert A. Heinlein`s (1907-88) Podkayne Of Mars, while appearing in her `red suit`, raising her spaceman above herself in a white bikini dress, she finds correspondence in Mark Twain`s novel The Tragedy Of Pudd'nhead Wilson, and The Comedy Of Those Extraordinary Twins because, in the magazine Calling All Girls (1949), Robert A. Heinlein (1907-88) introduced his character Puddin` as a prototype for `Poddy` while his novel Time Enough For Love contained The Tale of the Twins Who Weren`t (1973). Twain`s tale is about ID. Puddin` collects `fingerprints`, and so is an `expert` when a murder is committed. The theme of ID is established by the motif of `twins` and a black woman who swaps her 1/32 or less `black` child for a well-to-do white woman`s. When her child is grown she returns and asks him for financial aid, but he derides her and she `blackmails` him to support her. Selling `Roxy` into slavery because of his debts, `Tom` robs and murders his uncle. Pudd`nhead applies forensic `fingerprinting` and  discovers Tom to be the murderer. Pudd`nhead is able to identify Tom as the child of the slave Roxy, and so he`s sold into slavery to pay his debts.



 Britney Spears` ID is `two` in Oops I Did It Again because she is `twinned` in her `red suit` and her white bikini dress. Because she hoists her spaceman above herself so that he can take photographs, it`s about `identity`. Her spaceman is an allusion to the video single A Space Oddity by David Bowie which begins: `Ground Control to Major Tom.` Although Britney`s astronaut is referred to as `Mars Lander`, the theme of ID suggests Twain`s The Comedy Of Those Extraordinary Twins in which Tom is discovered to be a murdering slave. At one point in the video Britney receives a `gift` from her `Tom`:


`But I thought the old lady dropped it into the ocean in the end?`



 The reference is to the Titanic (1997) and Rose, who drops the blue `heart of the ocean` diamond pendant into the sea at the site of the salvaging of the ship that had sunk after hitting an iceberg on its maiden voyage from Liverpool to New York in 1911. Her `intended` had drowned while attemptng to save passengers in the lifeboats and Rose, as an `old lady`, lets the jewel fall into the sea in memory of him. The `plot` is of a lover betrayed because her ex-lover had placed the jewel into her new lover`s pocket and had accused him of theft. Consequently, Britney`s role as `Poddy` of Mars refers to Twain`s `Tom` in The Tragedy Of Pudd'nhead Wilson who betrays his mother, Roxy. In terms of the `video logic` of Oops I Did It Again, Britney`s Mars is `Rock See`, where `See` is the `throne` of a `bishop`:


`... it is sometimes given a wider significance, referring for instance to an area under patriarchal authority.`27



 In Titanic Rose is betrayed by an ex-lover who accuses her new lover of stealing her `heart of the ocean`,  and in Pudd`nhead Wilson  the murderer`Tom` betrays his mother by reselling her into slavery, which means that Britney`s Oops I Did It Again is the `See` of `Liberty`, because emancipation was the fundamental premise of the Union after the American Civil War (1861-5) when the Southern States were bound to accept the end of slavery in the United States of America by virtue of the Thirteenth Amendment to the Constitution:


`Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction.`28



In Twain`s tale `Tom` is convicted and enslaved, while in Oops I Did It Again Britney`s astronaut appears to have a `Mission`, which relates to the concept of the `Rock See`, and the `gift` of the `heart of the ocean` could signify Tom`s `manumission` because he`s no longer indentured into servitude, but has spiritual absolution from the bishop of the `See`, who`s Britney Spears. She`s `twain` as herself in a red suit hoisting her spaceman into position to `ID` her `other` in a white bikini dress by means of a photograph, so `mark twain` is the reference:


`When the leadsman's line sank to the two-fathom knot ... [and] the boat had a safe twelve feet of water beneath it, he called out, `By the mark, twain!``29



 Britney`s allusion to the Titanic means that the `safe depth` is the `mark twain` because Mark Twain`s works are deep enough for a `reader` of her video. Before Britney receives her `gift` of the `heart of the ocean`, we hear `All aboard!` A phrase sometimes completed as, `All aboard the lifeboats!` Britney`s hoisting of her spaceman to `ID` her is sex, and age (18) verification, because the rule with regard to the order of passengers saved when the ship sinks is, `Women and children first!` Moreover, 18 is the age of `adult` cinemagoing, which means that Britney`s Oops I Did It Again is a Roxy Cinema release because `Tom` in the spacesuit is her `lifeboat` and she`ll be `released` as a more `adult` video in her future.



 According to press reports Britney Spears is worth billions of dollars but she`s been declared non compos mentis in terms of her capacity to manage her own affairs, which of course includes the `affair of the ex-manager sacked` by her and who is now `an affair` managing her `affairs` while her father (Co-Conservator) continues to monitor her `spy, an all Lynne jury`. which presumably determines whether or not she`s able to continue amassing billions of dollars for the executors of her feeble will. In terms of the Mark Twain tale Pudd`nhead Wilson, Britney`s Puddin` from Robert A. Heinlein`s initial contribution to the magazine Calling All Girls, `Poor Daddy` (1949), is older than `Poddy` from Podkayne Of Mars (1963), and Britney`s careful ID-ing of her 18 year old `Poddy` suggests that Puddin` can take care of herself. If it wasn`t for the jury of the `in crowd` deciding, like a `spinal injury` waiting to happen, and that she even alludes to in the title of the 2007 album Blackout, how much she should know of her own `Self`, by adjusting the level of her IQ and long term memory through mentally eviscerating spells in `rehab` and other forms of `intervention`.



 Theoretically, Britney`s Puddin` was 51 and her `Poddy` was 37 when she was `released` in 2000. Mark Twain`s Pudd`nhead ID-d the murderer. He`s the one who disabled Britney`s `Poddy` to make of her a cypher for her bank account. Oops I Did It Again was Britney`s `release` but she went into voluntary `rehab` on 20th February 2007 and a court gave custody of her children to Kevin Federline, their father, on 1st October 2007, which only left Conservatorship (1st February 2008) over her fortune to be given away to her father, and later Co-Conservator Justin Trawick (26th April 2012) when Britney Spears (1982-) was 30. Because 9/11 in 2000 was the movie Logan`s Run Britney would have stopped being 21 in 2003, whereas her avatars, Puddin` and Poddy from Oops I Did It Again (2000) would be 54 and 40 respectively, but Britney in 2012 looks 30, which means that she`s been murdered by the terrorists  since 2003 when George W. Bush`s `War On Terror` was first declared.



 The male alien begins by feigning friendship, as the HIV/AIDS cell `feigns friendship` for the white cells of the body`s defensive immune system, that is, men appear symbiotic. After a while they revert to parasitism in which they produce boy sons, that is, poisons, to replicate their virality, which is what parasites do. In the final stages of the `disease`, the parasite launches biological warfare against the woman and her `host` womb in the form of the HIV/AIDS virus, which is described in Revelation as the `blood plague` of the `red dragon` of devouring homosexual pederasty and war.



 In fact Britney appears three times in Oops I Did It Again, because she somersaults in her red suit to stand in front of her spaceman and receive her `gift` of the `heart of the ocean` wearng a white blouse, and black skirt and boots, which means that Puddin` is 51, Poddy is 37 and Britney is 18. Or, in other words, Britney has a continuing life. One of Robert A. Heinlein`s central characters is Lazarus Long who periodically changes his name and occupation because he`s ancient and he doesn`t want to have people who are `ephemerals` with shorter live expectancy discovering his secret, because of his experience of Nazi-style pogroms against those with longevity in the past. Oops I Did It Again posits `parallel lives` in which an individual exists as more than one person, that is, Britney as Puddin`, Poddy, and Britney, which means that, in the 21st century, Britney at 30 was living a `parallel life` as Puddin` (63) and Poddy (49). If we give credence to Britney`s fiction, Oops I Did It Again is memory, reincarnation and resurrection.



 If Britney is Robert Heinlein`s Puddin`, and Poddy, her spaceman, `the fourth man to walk on the moon`, is Alan Bean because `Alan` is the pilot of Thunderbirds` Thunderbird 4, which emerges from the `Pod` of Thunderbird 2 and would correspond to Virgil `Gus` Grissom in NASA lore. Because Britney`s  Oops I did It Again is `Sanctuary`, that is, `Argus`, where the `runners` run to when the `sandmen` are trying to kill them in the movie Logan`s Run and Carl `Gus` Gustav Jung is the `New Redeemer` of the 20th century whose developmental psychology showed that the unconscious wasn`t a place of `nightmares`, as films like Forbidden Planet (1956) suggested, but a place of inspiration to growth and wisdom, which movies like ET: The Extraterrestrial (1982) showed.  `Gus` Jung`s greatness was to observe that God watched and supported humanity from within. This was `Argus` for the Greeks, and Io`s `Sanctuary`, which was what the Al Qaeda terrorists were attacking on 9/11 in their `continuation` of the movie Logan`s Run from Logan airport, Boston, Massachussetts. Britney`s planet in Oops I Did It Again is a sterile warning of the danger that the `sandmen` murderers of Logan`s Run represent to all those who aspire to reach their 21st birthday, that is, those on 9/11 who`d reached the point of living in the 21st century. Moreover, Virgil `Gus` Grissom is the pilot of Thunderbird 2 and, as `Poddy`, Britney represents the `next issue` of Puddin` from Calling All Girls magazine, a `Virgil` birth, as it were. The Roman poet Virgil wrote in the Aeneid of the descendants of those who escaped from Troy, and presumably enslavement as `host` wombs of the Greeks, founding the British Empire, where the motto is `Britons never shall be slaves.` Although Britney`s `Alan`, who may also be meant to correspond to Alan Shepard, as the `fifth man to walk on the moon`, and so corresponds to Thunderbird 5, which is an orbiting `space station` suspended above the Earth, he has first descended into the ocean depths because Alan is the name of the `aquanaut` in the  Thunderbird 4 submarine. The `heart of the ocean`, which Britney`s spaceman gives to her `Poddy`, corresponds to the `spirit jewel`, or spiritual `diamond body` that yoga disciples strive to construct. Britney asks:


`But I thought the old lady dropped it into the ocean at the end?`



 For Rose of the Titanic it was a memorial, which are for remembering. The `diamond body` is the concept of continuation, rather than resurrection because Redemption and Salvation are for the living. Resurrection isn`t reincarnation but Jesus Christ`s teachings are of Resurrection, Salvation and Redemption, that is, continuance rather than reconstitution, which is what life on Earth is. On Mars Britney`s Puddin` and Poddy, which means that her previous incarnation is Puddin` (1949-), who has a daughter, Poddy (1963-), and her newborn is Britney (1982-), which is reincarnation and reconstitution of her Puddin` as a `bearther` for a male parasite. In order for Britney to remember her previous self, Poddy, her spaceman gives her the spirit jewel, the `heart of the ocean`, so that she`ll have a blue `diamond body` and remember herself. The male alien parasitical organism doesn`t want the woman to remember previous incarnations, or even Resurrection, Salvation and Redemption, because each newborn would perceive itself as an `add on` to its previous existence if it were to receive a proper education, which means that patriarchy is parasitism. On Mars Britney, as Puddin`, hoists `Alan` above herself as `the Poddy beautiful` in a white bikini dress as a type of `sympathetic magic` in which she`s asking for Thunderbird 2, which `delivers` Thunderbird 4 inside its `pod`. Effectively, Britney is saying that woman is the `pod` of Thunderbirds and she`s awaiting Salvation and Redemption, which is `Rescue`. Reincarnation is what men do. In Egyptian mythology the evil Set dismembers so that it isn`t possible to remember, which is what murderers do. The murdered individual is reincarnated and doesn`t remember. Consequently, Britney on Mars is asking for `safe delivery`:


`...and forgive us our trespasses, as we fogive those that trespass against us, and lead us not into temptation, but deliver us from evil.` The Lord`s Prayer (Matt: 6. 9-13)



 The prayer relates to the forgiveness of those that come into our Garden, as in Eden, which is why Britney alludes to it in her treatment of the spaceman. She`s prepared to forgive `trespasses` in her Garden but not temptations to evil. The `pod` of Thunderbird 2 is a `treasure chest`, as it were, because it represents `development`, in Hollywood terms, from Heinlein`s Puddin` to Thunderbirds` `pod`, which is the container of Britney`s `diamond` Poddy, and Britney on Earth doesn`t want her newborn `treasure` to be undervalued, that is, a `coffin.doll` forever pointing backwards to her past incarnations for the evil to prey upon. That`s why Revelation alludes to the `New Redeemer` who the `red dragon` waits in vain to devour, because it can`t. The ancient prototype is Chronos, or Saturn, which Christianity refers to as Satan, because he devours the new birth. The Bible refers to it in the Old Testament where it is written, `you shall not suffer a witch to live`, where `witch` is interpreted as `poisoner`. If the `red dragon` of homosexual pederasty and HIV/AIDS is interpreted as the result of `gay boy sons`, that is, `gay poisons`, eating them, as Chronos does, is the equivalent of women refusing to reproduce with them over time, so that they are no longer `poisoners` and `Babylon, the Great, Mystery, Mother of Harlots and of the Abominations of the Earth` is redeemed:


`And the woman was arrayed in purple and scarlet colour, and decked with gold and precious stones and pearls, having a golden cup in her hand full of abominations and filthiness of her fornication:` (Rev: 17.4)



 In terms of the Yo Ho Ho `pirates`, and `hackers` into Britney Spears` `coffers` the `pod` of Thunderbird 2 is either her `treasure chest` or her `coffin`, that is, either she`s a newborn `add on` contributing to the hoard of treasure built up by her previous incanrations, `Puddin` and Poddy, or she`s a `coffin doll` and the `pirates` and `hackers` don`t want her to remember herself, as Britney`s own `programme` in Oops I Did It Again suggests she wants to, which presupposes her murder and endless reincarnation, as foretold in Revelation as the consequences of the rulership of the `beast` with its 9/11 terrorist message from their continuation of the `movie` Logan`s Run that noone lives over 21. Although Britney`s Puddin` on the `red planet` Mars, in her `red suit` represents Salvation and Redemption because, in her white bikini dress, she`s herself with the `heart of the ocean`, that is, the`diamond Poddy` of continuation, the `next issue` of Thunderbirds, formerly on paper in TV 21 magazine, and as the 60s TV `puppet` show, became a Hollywood `blockbuster` in 2005 with `real` actors and actresses. Having `come of age` TV 21 might expect to `develop` beyond reincarnations in which the `red dragon` of homosexual pederasty continues as a devourer, which is what the Bible implies when it says that the `New Redeemer` can`t be devoured by the `red dragon`. If TV 21 is understood as the dawn of the 21st century and the end of reincarnation but the beginnings of Resurrection, Salvation, Redemption and continuation for those who seek to have the `diamond body` of the teachings of the Holy Spirit, or Paraclete, 9/11 was an attempt by the `red dragon` to superimpose the movie Logan`s Run from Logan airport in Boston Massachussetts, and kill all those who`d reached 21. In other words, the `blood plague` of `biological warfare` against women`s `host` wombs, that is, HIV/AIDS, would succeed as a valence of devouring homosexual pederasty`s aborting of the 21st century as a compliment to the red dragon`s other aspects of murder and war. In Toxic Britney`s Thunderbirds` style air hostess` uniform indicates she`s aware of her TV 21 role. Her alias is a Jennifer Garner style secret agent from the TV show Alias looking for a cure but Conservatorship for her fortune suggests that the `hijacker`, though `unmasked` in the video, is determined to allow her 21st century `coffin doll` to do nothing more than point back to the `treasure map` of her `paper dolls` amid the `puppet dolls` of her previous incarnations of the 1960s and on into a future of reincarnated `dolls` forever aspiring and never achieving freedom.



 Robert Kennedy would never have tolerated such a flagrant breach of the `spirit of the law` when he was Attorney General, the USA`s `policeman`, which is why he was murdered. The church`s MIB`s are `wooden` and wear black overcoats because they preach the `wooden overcoat` and the names of their `undertakers` are `coffin handles`, like such high `Holy rollers` as Jimmy Swaggart (swag, swagger, and the black arts of the mafia`s betting coup, where the winner of the Kentucky Derby is `revealed` by God`s all-seeing Holy Spirit), or Derek Prince (of the powers of the air), whose concern is to pray for the `coffin handles`, and greater rewards for the `hangers on`, rather than ask the Holy Spirit, or Paraclete, where to send `the paratroopers of the Lord` in order to stop the legal eagles of the USA from defending the vultures that would prey upon the corpses of its best families.



 9/11 was `Spanish 21` in American card play whereas, in the Commonwealth of the former British Empire, `Spanish 21` is `blackjack`: `A leather-covered bludgeon with a short, flexible shaft or strap, used as a hand weapon.` The aim in `Spanish 21` is to receive two cards that make 21, which may be an ace and a picture card with a value of ten, or if `black twos` or `one-eyed jacks` are `floating`, a `black two` or a `one-eyed jack`. In terms of the demon`s valence, 9/11 was 20, which means that the terrorists of 9/11 were playing the English variant `blackjack` and acting in the movie Logan`s Run in which those above the age of 21 have to die so that the economy remains at an equilibrium that`s supportive of the population. In symbolic terms, the `red dragon` of homosexual pederasty represents `banished 21` because the USA hadn`t experienced an attack on itself since the Japanese at Pearl Harbour in 1944. The destruction of the Twin Towers by the Al Qaeda terrorists, whose symbol is the yellow moon, whereas that of Japan is the red sun, was `black two`, and the Pentagon would be the card of ten or higher value needed to make 21. Arabian assassins are traditionally taught that they`ll go to `paradise` if they carry out their suicidal `missions`, as the Japanese `zero` pilots were taught they`d be `sons of heaven` after Pearl Harbour, but they wouldn`t want any geishas or houris who looked older than 21. In Revelation the `New Redeemer` is born to the `woman clothed with the sun and with the moon at her feet` while the `red dragon` waits in vain to devour her newborn. In other words, Liberty, in New York Harbour, couldn`t be prevented by Japanese fascism and Al Qaeda terrorism, or the former British Empire `upon which the sun never sets` from living longer and looking young, because Revelation says so:


`I`m Miss American Dream since I was 17[76].` Britney Spears Piece Of Me



 Because the `Big Apple` of New York represented Vishuddha, or the `Adam`s apple` within the `throat chakra` of the energic level of spirituality, that is, intellectual development, in the Hindu system, 9/11 was a silencing of the truth of the `voice of America`, and the rescue of an aircraft and its passengers from the Hudson river, by the pilot`s inspired decision to `ditch` rather than land, represented a resuscitation of the heart of America through `shock` and faith in the male hero rather than approaching towards a truer picture in which the male ego is perceivable as `programmable` and `programmed` to be destroyed if it achieves a level of awareness greater than that level of spiritual, or intellectual advancement represented by the Vishudda chakra. The `heart chakra` Anahata is described as that which is `unstruck, unhurt, or unbeaten`, which wasn`t the case after 9/11 but the resuscitation of the heart after Captain `Sully` noticed `engine trouble` on January 15th, 2009, and `ditched` his A320 Airbus in the Hudson river, finds correspondence with the reactivation of the `hearty voice` of Manahattan after an invigorating jolt of cold water to the [m]Anahata[n] chakra. Just as Oops I Did It Again has a `programmer`s lyric` that suggests Oops Hi D`Yeah [yeah yeah yeah yeah yeah Did It Again [Jack] derived from Led Zeppelin`s D`Yer Mak`er, that is, Oops Hi D`Yer Jack`er, so the double `A` sided single of D`Yer Maker and The Crunge relates to the programmer`s intention:


`Excuse me
Oh will you excuse me
I'm just trying to find the bridge... `



 The Led Zeppelin movie The Song Remains The Same was partly recorded at Madison Square Gardens in New York in 1973, and John Bonham, who subsequently choked to death in 1980 during a European tour of Scandinavia, because his Adam`s apple wouldn`t swallow, brawled with a guard at a venue in the USA in 1977 and Led Zeppelin were told they`d never perform a concert in the USA again, which they couldn`t because big John`s `Adam`s apple` was `choked`. John`s resuscitation wasn`t possible but the reinvigorating of the heart of America was, although The Song Remains The Same. `Sully` Sullenberger`s rescue of the crew and passengers of US Airways Flight 1549 from LaGuardia by `ditching` the aircraft into the Hudson river reflects on John Bonham`s fight with the guard, the USA`s statement that Zeppelin would never tour in the USA again, and big John`s `Adam`s apple` subsequently being unable to swallow because he was `choked` over not being able to drum in the USA during the band`s tour of Scandinavia in 1980. Guitars are described as `choked` when they produce distortion, and the guitarist would say he `can`t find the bridge`, which the strings are attached to in order to vibrate and produce sounds when plucked at or stroked with the fingers. However, acoustic guitars can`t produce distortion, because distortion is an attribute of electric guitars` amplification, which was used by bands like Nirvana in the 1980s to deliberately produce distortion for a genre of music known as the `Seattle Sound`. A `sound` is also part of a `waterway`, and a distorted guitar sounds as if it`s played underwater. Flight 1549`s engines `choked` because of a `bird strike` near George Washington Bridge, which meant `distortion` for `Sully` who `couldn`t find the bridge`. In other words, because of `grunge`, that is, dirt, or filth, `Sully` had to accept `distortion` in the `voice` of the guitar, which relates to the silencing of New York`s voice a decade earlier when the 9/11 terrorists attacked the `Big [Adam`s] Apple`. Grunge is an alternative name for the `Seattle Sound`, a genre of music combining `Punk Rock` and `Heavy Metal` because it features distorted guitars similar to those found on Led Zeppelin`s The Crunge:


`Has anybody seen the bridge?
(Have you seen the bridge?)
I ain't seen the bridge!`



 The `Miracle on the Hudson` was `uplifting` but it was a disaster `programmed` by `hackers` wanting to create a Led Zeppelin `myth`. The central motif of the band is a crashed zeppelin airship and the crashed airliner in the Hudson relates to the `hackers` abilities as `pirates` rather than `hijackers`. The basic idea of the `beast` as the `frog` in tihe `throat chakra` as a ventriloqust `programming` its `dummy` with subvoce subliminal messaging to cause such `disasters` as the appearance of the rescuing frogmen at the scene of the drowning Flight 1549 in the Hudson `remains the same`. What the `hackers` or `pirates` were attempting to achieve relates to notions of `twisted lyrics`, or `Satanic messages`, placed upon legitimate recordings, and in the minds of those perceived to be `puppets` by their ventriloquist `masters`. 9/11 was a physical `blackjack` in which the terrorist forced the USA to silence its voice, whereas the `Miracle on the Hudson` was a manifestation of the `second beast` of Revelation insofar as it represents `disaster programmes` based on the inability of the victim to defend themselves against the voice of coercion, which 9/11`s attack on the Defence Department of the Pentagon prefigured. In other words, 9/11 was the severing of the brain from the vocal chords, and the initiation of the `programmer`s` attempts to turn every individual on the Earth into a `puppet` with a `master`.



 The joke of course would be that Flight 1549 was late arriving in Charlotte, North Carolina, but `It`s Sully` would be the reply. The gap between movie and reality on 9/11 made it appear like a `puppet` film because the observer cares, and the action appears to be the result of some `puppet master` pulling the strings of those who are helpless to prevent the events from occurring, and Flight 1549 was.a similar event. The British TV series Thunderbirds was made into a 2005 movie with real actors and actresses, but the TV 21 show of the 60s was made with stringed puppets for a small screen. Supermarionation never made it to the `big screen`. Although 9/11 was clearly derived from Logan`s Run and the plot device that noone should be over 21 because, according to the `game logic`, they`d have to `lose a life`. Consequently, 9/11 was `blackjack`, where `blackjack` means the `club` of homosexual pederasty, and 9/11 `live` on CNN was `pay TV 21` because the `puppets` never get old. The notion is of reincarnation. Masters are those who murder the old in order for them to be reborn so that the masters can remaster them to perform `puppet theatre`.



 In 1980 the TV 21 `puppet show` Stingray was released as an edited `compilation` containing `Plant Of Doom` and `Master Plan`, which suggests Led Zeppelin and Robert Plant  Remasters, that is, someone perceives Led Zeppelin, and everyone else, as `puppets, because the Hudson `ditching` represents `sympathetic magic` or `voodoo` in which practitioners stick pins in dolls, or effect correspondences between seemingly unrelated things, in order to produce effects. The rescue vehicle Thunderbird 4 and Stingray were both submarines in TV 21 Supermarionation and both 9/11 and Flight 1549`s `Miracle on the Hudson` seem to have been `programmed` by `hijackers` of one sort or another to demonstrate that the rescue services are the puppets of their masters.



 Led Zeppelin reunited in 2012 to perform Celebration Day (1971) with John Bonham`s son Jason on drums as a `taster` for a `concert` movie but the `puppeteer` didn`t want their tour plane, Led Zeppelin, to fly. Because they were a `lead` zeppelin, which is depicted on Led Zeppelin I, the first album, as crashing in flames, while Flight 1549 wouldn`t sink, as the `sympathetic magician` felt Led Zeppelin`s aircraft, nicknamed The Starship, should. The `whisper` in the music industry that there`d be a reunion concert tour by Led Zeppelin was quashed by the `whispering` of the `puppeteers` in the `puppets` ears because, in the opinion of the `voodoo` master, Led Zeppelin`s name belies Night Flight, their recording for the Physical Graffiti (1975) album, that is, as Keith Moon, drummer with The Who once said, when asked about Jimmy Page`s idea for the new band:


`It should go down like a lead baloon`.



 Just as Keith Moon could be perceived in terms of the `woman clothed with the sun and with the moon at her feet`, so the `bootleg` of Led Zeppelin`s concert in Cleveland in 1977, known as The Destroyer, might be said to correlate with the `red dragon`, which appears in recodings such as Mars, god of War from the Planets Suite (1914-6) of classical composer Gustav Holst and elsewhere, but might have influenced the title of The Destroyer as it appeared remastered for public consumption as How The West Was Won (2003). In the sleevenotes Led Zeppelin confessed to practising `Satanism`, presumably upon the `New Redeemer` of the 20th century, developmental psychologist Carl Gustav Jung, who won because he wasn`t Cole Younger, but Carl Gustav `Holster` Jung and knew the holster was only valuable because the gun was `safe` there. In other words, although the `holster` isn`t where the penis should be, `Red Marshall` doesn`t want Red Mars` `cowboys` to show it to anyone. Gunfighters, and other murderers, are frightened of being mastered, or remastered, that is, reincarnated to be mastered again, by their pederast, and so exist as.repressed by homosexuals who want them to show each other their penis, and they want to because that`s the valence of the male alien parasitical virality of the `red dragon` of homosexual pederasty and war. So they do. Because they are repressed homosexuals.



 Doggerel about a pirates` dispute can also be understood as a fight over `outlawed` material, which is what The Destroyer was before the `bootleg` was `mastered` as How The West Was Won by Led Zeppelin producer and lead guitarist, Jimmy Page. If New York`s `Big Apple` represents the late Steve Jobs` Apple Macintosh computers, or The Beatles` Apple label, `hackers` and `pirates` are their enemies, because they`re `disaster` programmers.One of the more famous political assassinations of the 20th century was Ted [Dead] Kennedy`s car falling off a bridge at Chappaquiddick island, Massachussetts, July 18, 1969, with a woman in the car boot, Mary Jo Kopechne, who drowned. Kennedy didn`t report the accident, presumably because he perceived it as a `bootleg` recording, and so the Yo Ho Ho of the `remasterers` refers to the `demon drink`; John`s plane crashing into the `drink` in 1999, and Marilyn Monroe`s death by mysterious drowning in a pool in 1962. Marilyn was JFK`s mistress and his assassination by the sniper Lee Harvey Oswald in 1963 was because he was perceived as dissolute, whereas in fact he was ahead of his time insofar as monogamy is `demonic`. Jack`s perception was that Marilyn Monroe was his wife. Although all women are individuals, they`re `Woman`. Jackie Kennedy was America`s `Camelot`, and Marilyn Monroe was `Jackie in Hollywood`, which is fulfilment of Jesus` Christian message, `love thy neighbour`. Jack was murdered because, as a a prominent figure, he was dangerously close to communicating the truth.



 John F. Kennedy`s acceptance speech at his January 20th, 1961 Inauguration contained the line: `So let us begin anew--remembering on both sides that civility is not a sign of weakness, and sincerity is always subject to proof.`30 The attack on the Twin Towers on 9/11 showed that civility is a sign of weakness, because the aircraft were `civil`, and the proof of sincerity is HIV/AIDS is we don`t accept the law of God, which is that we do not need proof or to be `civil` when it comes to the `red dragon` of homosexual pederasty because its a `killer disease` and we need not begin anew in our understanding of it. Redemption is the eradication of the `red dragon` of  homosexual pederasty, and if the male alien parasitical organism does not accept woman as a species, she will replace him in God`s new heaven and Earth of Revelation. So long as one woman isn`t sufficient for one man, the question is: how many women are sufficient? If the answer is `all` then woman as a species with her own penis will win. Because `one man, one species` becomes interpretable as e pluribus unum, which is the legend on the `Great Seal` of the USA, that is,`the one and the many`, where `one` is a man and woman is `many`:





 In Arabic culture alcohol is `haraam` or forbidden, and the `programmer` seems to have been suggesting that John`s plane crashed because he was drunk. If the `beast` of Revelation is the `frog` in the throat that seeks to put words in people`s mouths as a ventriloquist with a `dummy`, Britney`s Thunderbirds `puppet` in Oops I Did It Again is communicating a `worm`, which becomes the equivalent of a rum[our] in brains drunk with alcohol, and constitutes a form of `brain washing`, in which the `consumer` is unable to resist `subliminal messaging`. The effect was first noticed in Arabia where the `Master` of the `Order of the Assassins`, Hassan Ben Sabbah, gave hashish to his followers in order to programme them with notions of Paradise as the place to which they would return after carrying out their missions. If Britney is `Io` in Oops I Did It Again and Yo Ho Ho refers to `piracy` and `hacking` of recorded material, the `worm` was intended to be a shared `joke` amongst hackers with `coffin handles` like `D`Yer Hack`er` or `Captain Hook` after 9/11 and at the expense of, amongst others, the Kennedys.



 Britney Spears` Criminal is her post 9/11 reflection upon what her `programmer` had done to her ten years later. Much more weighted with 50s `kitchen sink` realism after the style of dramatist John Osborne`s Look back In Anger. Criminal contains elements that relate to Yo Ho Ho but `playing pirates` is the theme rather than `pirating` in the sense of someone throwing Spears` voice from her `puppet` as the `hackers` or `pirates` laugh together at the `in joke`:


`Twas a flimsy shift on a bunker cot
With a dirk slit sheer through the bosom spot
And the lace stiff dry in a purplish blot
Oh was she wench or some shudderin' maid
That dared the knife and took the blade
By God! she had stuff for a plucky jade
Yo ho ho and a bottle of rum.`



 In Criminal Britney`s possessed by the demoniacal influences attempting to control her. Embracing the `frog` in her throat, which is now communicating its influence to her `inner ear` and brain, she`s accepting its psychopathic directives. In Islam the voice of `iblis` or Shaitan, which corresponds to Christianity`s notions of the Satanical, is that of the demon that has no power other than to `whisper`. Acceptance, either consciously or unconsciously, of the demoniacal `voice` of the `ventriloquist`, is antithetical to the inspirational guidance of Jesus` teachings of (and through) the Holy Spirit, or Paraclete. As a spiritual developer, the Paraclete, described in the New Testament, as `teacher, guide, comforter and helpmeet`, is that female spirit whose help brings the success, or `comfort`, that Christianity perceives as devolving from adherance to its tutelary guidance. The demoniacal influence of iblis` subglottal `voice`, who is the `frog in the throat` of the `beast`, whose gentle subvoce `hacks` are `coffins` to its targets, as on 9/11, where the `coffin handles` are perceivable as `Hi D`Yer Hacker` and `Captain Hook`, is definable as `throwing Spears` voice`. Having her voice thrown is equivalent to the `beast` having the throne of her voice, and the Vishudda chakra at the throat, representing the level of spiritual and intellectual individuality and creativity in the Hindu system, is the seat of  `power`, and so the `beast` is the virality of the male alien parasitical organism seeking to usurp her. Criminal is a different instance of `hacking`, insofar as Britney`s perception of herself as more `adult` and `real` is viewed by her `hijackers`, that is, the `pirates of Her Majesty`s high C`s`, as `playing pirates`, while their `piracy` of the ship of her lines, as it were, is demoniacal:


He is a loser, he's a bum (bum bum bum).
He lies, he bluffs he's unreliable.
He is a sucker with a gun (gun gun gun) ...
But Mama I'm in love with a criminal,
And this type of love isn't rational it's physical ...`



In fact it`s `psychological`, and the result of deep programming by subvoce ventriloquism corresponding to the demonic possession the Arabians call the `whispers` of `iblis`. He`s a `sucker` suggests vampirism and the `beast` as the `frog in the throat` of the `vam` chakra, which is what `power` is called in Hinduism. Her possessor is the `hacker` in her `coffin` because he corresponds to the evil vampiristic spirit that has possessed the voice of Spears` thrown, that is, his throne`s `voice`.



 Pop music has often been criticized by Christians for its lyrics, which are described as Satanism because `Satan` can be heard in `twisted lyrics`, or when played backwards. On the Beatles` White Album (1968), for example, `turn me on, dead man` is supposed to be audible when the track Revolution 9 is played backwards, and Britney`s spaceman walks backwards as if rewound in the video of Oops I Did It Again because the notion of hacking into CD software in order to record music that hasn`t been paid for, or DVDs from public libraries, is an issue in the music and film industry, which relates to Karl Marx`s notion that `workers produce value` and the value attached to the work by critics, labels and studios, and the artists or writers themselves is valuable to the extent that it is valued. However, the artist may value the work more than the product buyer or the studio or label, which means that the artist mighn`t be perceived as valuable so long as there is product. Elvis Presley, for example, made more money dead than alive. The repercussions of artists, or works being valued, or valuable because someone decides that they are acceptable to the `beast` who allows them to have the `mark of the beast`, so that they can `buy or sell`, is a concept that relates to democracy and freedom, that is, irrespective of people`s true preferences, John McCain would have won the Presidency of the USA over Barack Obama if the homosexual pederasts had wanted him to. Or, as Led Zeppelin`s Robert Plant lyricizes:


`There's a sign on the wall but she wants to be sure,
'Cause you know sometimes words have two meanings.` Stairway To Heaven (1971)



 Led Zeppelin `invented` heavy metal, which was new, but if the `mark of the beast` is for those who accept that homosexual pederasty decides whether you can `buy or sell`, that is, whether you`re successful or not, the meaning is subjectival. In other words, the individual buyer confers value on the work, not the artist, who values the work for individual reasons also, which have absolutely nothing to do with the seller. In simple terms, either the work and the life of the artist have intrinsic value, or they aren`t valued as created product or creator. As long as the seller has product it doesn`t care about the creator, which means that the sold product has no value to the seller, so the creator`s life is valueless. In God terms, the creator has no value for the homosexual pedlar and the sale of valueless product is what the `red dragon` of `mass consumption` represents. Consequently, the work of art only has value for the producer of it and for God, the creator, which means the creator is divorced from the economy, and so the `red dragon` of `mass consumption` consumes whatever the homosexual pederasts put a `bar code` on.



 In Egyptian mythology, the spirit is the `ka` and the personality or soul is the `ba`, but in Western art, culture and civilization, the car is used to take the male alien parasite to the bar where it consumes alcohol, that is, its `evil spirit`. The aim of the parasite is to escape from the perambulator and its mother`s control to pedalling its own perambulator, that is, the `car` of `petrol` consumption, which corresponds to the personality of the `demon driven`, who needs to feel in control of its `ba`, in Egyptian mythological terms, and so the journey to the bar is `petrolled` by its `demon driver` in acceptance of its demon`s imprisoning authority. The parasite accepts its `programming` because its aspirations have been made to correspond to its activities by its need to drown its demon`s voice in unconsciousness, which the Arabians have long since recognized in their outlawing of the `evil spirit` of alcohol. Because`hashish`, and other forms of similarly brain numbing narcotics, which induce hypnagogic states vulnerable to accepting subliminal messaging, aren`t illegal in Arabia, the assassins of 9/11 undoubtedly represented demons.



 In literary criticism, the intentional phallacy is that the author is prepared to accept a critical interpretation of the author`s work which flatters the author but isn`t a part of the authorial intention. Or, in computer terms, the encoded value of the work from the author`s point of view differs from that of the publisher, reader, or flatterer, and corresponds to an encryption that is extrinsic to the value placed upon the work by those who did not create it, but is intrinsically subjective and that is the encoding which has cryptic value in terms of access to the artist`s copy. In Marxist theory there is the concept of `surplus value` which is what is produced for an employer. The supposition is that the artist produces work that has a `surplus value` extrinsic to the value known of by the artist, which is exclusion rather than exclusive, whereas what the artist wants is exclusive rights to at least a copy of their work in all formats. The hypothetical perspective would be that of the star who produces vinyl records and has never heard of CDs because the label or studio is producing their work in virtual reality and doesn`t want them to be aware of their `surplus value`. In such a situation the fallacy is that the author of the work intends for the enslaver to have access to the work. The value of the work and its encoding is determined by the enslaver, although the subjective value placed upon the work by the artist isn`t a fallacy, which means that the work of the artist is encoded at those places where the work has subjective value for its creator.



 If God is the Creator, the Creation is encrypted or `saved` at that point where God wants the work to be `safe`, which explains the concept of eternal Salvation and the `elect` of God, who are saved from eternity, but it doesn`t explain the Salvation of Jesus, who is saved from Nativity to Resurrection, Ascension and beyond. Salvation is continuity of an immortal body, whereas Redemption is continuity of an immortal body after acceptance of the teachings of Jesus and the Holy spirit, or Paraclete, which constitutes rejection of reincarnation, that is, continuity of memory for a number of years before rebirth and another period of development that is `damnation`. Christian Resurrection is the continuity of an immortal body with its `saved` memories over several lifetimes. If women with a penis are a species, and the valence of men is that of an alien symbiosis, that is, `feigned friendship`, it reproduces `boy sons`, which become its `poisons` as it progresses from symbiotic relations to parasitism. The `leech` feeds from the `host` body of the woman`s womb and breast, and from her art, civilization, and culture into which it has emerged, and that is also from her womb because her `producers` were there. After receiving life from her blood, and sucking milk from her breast, the `leech` proceeds to mix its semen with her blood and shit in order to produce its `biological warfare` against her `host` womb, which is HIV/AIDS. Redemption is the `conversion` of the `leech`:


`... those who are considered worthy of taking part in the age to come and in the resurrection from the dead will neither marry nor be given in marriage, and they can no longer die; for they are like the angels. `



 If woman are a species with their own penis, `angels` are hermaphrodites, who have immortal bodies in continuity of memory, and `neither marry` nor are `given in marriage`, because they aren`t possessed by a parasite with the life cycle of a virus that periodically destroys the woman`s art, civilization and culture in war. Originally, war was a vehicle for the enslavement of women`s `host` wombs as producers of more homosexual pederasts, and the huge wooden horse of Troy that the Greeks used as a `friendship offering`, much in the way that the HIV/AIDS virus `feigns friendship` for the `host` it kills, was accepted by the Trojans and the Greeks emerged therefrom to capture the city and enslave the `host` wombs of the women to produce more homosexual pederasts, which is what the male alien virus is for.



If the virus analogy is applied to 9/11 the `civil` aircraft of the polite ticket-buying terrorists visiting New York from Boston, Massachussetts, were the equivalent of the `blood plague` of the `red dragon` of Revelation, and their flight from Logan airport was its continuation of the movie Logan`s Run in which noone over the age of 20 lives, because of the need for `economic equilibrium`. Consequently, 9/11 was an attempt by the evil to interfere with  Christian Salvation. Assassins are traditionally taught that they will go to Paradise upon completion of their murderous assignments, where they will encounter women called houris who are beautiful and `pleasing`. Obviously, the maximum age for an houri would be about 20. From the perspective of the `master of the assassins`, who corresponded to Osama Ben Ladan on 9/11, after the original Hassan Ben Sabbah of the 11th century, the dawning of the 21st century constituted the appropriate moment in time to ensure that the women of the Earth would never attain to that mental and spiritual development associated in most Christian nations with `coming of age` at 21. The plan was clearly to ensure that `Paradise on Earth` was a `breeding programme` for the `red dragon` of homosexual pederasty and devouring war. The `Mother of Harlots and of the Abominations of the Earth` corresponds to those women who view the tanks arrayed against one another for the battle for Baghdad and Saddam Hussein`s execution as `a man`, whereas woman as a species with her own penis corresponds to `human`.



 If Christian Salvation meant longevity for women without their parasite, it`d be continuity of memory and bodily immortality, that is, women would never look more than 20, but would have all of the knowledge and experience of life that long lived women would have. However, the parasite would no longer have a steady supply of `boy sons`, that is, `poisons`, to prepare for wars and `biological warfares` against woman`s `host` womb and its products, which is art, civilization and culture. Instead, maintaining `rough trade`, which is a metaphor for homosexual pederasty, would further the aims of the `red dragon`, and so the terrorists chose the World Trade Centre as their target.



 Jesus speaks of the `body and the blood` as his offering to his disciples, which echoes the myth of the vampire that drinks the blood of the `victim` in order to give that individual immortality. Jesus` torture and murder upon the cross is symbolic of the valence of the male alien vampire, who doesn`t want longevity for others, because it represents the antidote to homosexual pederasty and HIV/AIDS,. However, if the species of women were to drink the blood of individuals to give immortality, Christian principles would still be being observed. Jesus was conceived without male semen and so represents the individual who cannot contract the `blood plague` of the male draco, which means that Jesus` teachings and those of the female Holy Spirit, or Paraclete, are preparing the way for acceptance of the woman with a penis as a species that can reproduce herself without male semen, as Jesus` mother, the Virgin Mary, produced him.



 From the perspective of homosexual pederasty `economic growth` would forever be non-sustainable because it depended on the extinction of the male alien parasite as a virality upon the `host` wombs of women and her product of art, civilization and culture, that is, the Earth, where the `red dragon` of homosexual pederasty applies its valence of war against woman`s planet, and `biological warfare` against her species. 9/11 was a patriarchal misogynistic attempt to reintroduce possession as the basic unit of economics, where `marriage` disguises `ownership`, which is why Jesus says there`s no marriage or giving in marriage in heaven. However, marriage isn`t possession of the woman, it`s possession of the nascent `boy son` or `poison` in order to arrange more wars and `biological warfare` against women and their Earth. Although the `woman clothed with the sun and with the moon at her feet` corresponds to Pearl Harbour (1941) and the `red sun` flag of fascist Japan`s sneak attack on the USA and Al Qaeda`s flag with its yellow moon, the `red dragon` waits in vain to devour the `New Redeemer`. The imago is of ancient Greece, where Chronos, who was Saturn in Roman mythology, and Satan in Christianity, devours its sons. However, homosexual pederasty is what `boy sons` are, so paradoxically eating the `poisons` is what should occur, which is what God tells Eve in the Garden of Eden:


`And I shall put enmity between thee and the woman, and between thy seed and her seed...`(Gen: 3.15)



 From the `red dragon` of homosexual pederasty`s point of view `boy sons` are for devouring, and God`s plan in Revelation is that they shoud be devoured if they don`t convert. God`s plan is for woman as a species with a penis to replace the `poisons`, which means that God doesn`t care if the `red dragon` poisons itself. The Salvation of woman as a species is God`s only concern because it`s the genuine `issue`. There were few women in the Gulf wars (1990-2011) because, although women as the `host` womb produced the `poisons`, that`s not God`s perception of what they`re for, whereas it is theirs. Consequently, there`s a division between what might be defined as the US Marine Corps valence and the Maureen `Poddy` valence, from Britney Spears` Oops I Did It Again, where `Puddin`, Poddy, and Britney represent corpses to the `red dragon` of war and `biological warfare` insofar as 9/11 represents the notion that there`s no continuity of memory over lives lived, that is, Resurrection and Salvation from previous incarnations, because, according to the Logan`s Run scenario from Logan airport to the Twin Towers, the 21st birthday of Jesus Christ should not be reached by everyone. In Oops I Did It Again Britney`s `Poddy`, from Robert A. Heinlein`s Podkayne Of Mars, is a Maureen, that is, a `Marine`, because Heinlein recreated `Poddy` from Puddin`, who was introduction in Calling All Girls (1949), and whose name was Maureen. In To Sail Beyond The Sunset (1987) Maureen appears as `I`m Mama Maureen`, which is interpretable as `the mother of a Marine`. Puddin`, Poddy, Britney, and Mama Maureen denote a continuity in terms of memory, which is what Christian Salvation is. Born in 1882, Mama Maureen, who has `rejuvenation treatment` and is `resurrected`, is prefigured in the Titanic symbolism of Oops I Did It Again where Britney represents the `Maureen Corps`.



 One of Heinllein`s most famous contributions to science fiction is the `Time Corps`, which fix problems in time. However, Mama Maureen represents continuity over time, which is what Resurrection and Christian Salvation is. In the story `- All You Zombies -` Heinlein introduced his Time Corps in which the central protagonist discovers everyone is himself:


`I know where I came from—but where did all you zombies come from?


You aren’t really there at all. There isn’t anybody but me—Jane—here alone in the dark.`32



 Britney Spears called her record company `Zomba`, which relates to the Egyptian notion that the personality, or soul, is the `Ba`, whereas Heinlein`s car, Gay Deciever (correct spelling; for some reason Heinlein writes `e` before `i` after `c`), which corresponds to the `Ka`, or spirit in Egyptian thought, is the vehicle that the `Time Corps` use to travel through time to fix problems.At the close of `- All You Zombies -` the character is on the verge of revealing that women are a species with their own penis. The character can`t understand what all the zombies are for because she`s a hermaphrodite. In the same way, Britney`s Maureen, which means `star of the sea`, relates to Jungian psychology`s archetypes of the collective unconscious, which is often associated with the sea, and from which emerge into consciousness in dreams, imagination and during the production of works of art, abstract images and figures that inspire the individual to growth and personal development.



 The name Maureen is a `variant` of Mary, but unlike the Virgin Mary, who prefigures futanarian woman, Maureen represents an archetypal emergence of the Holy Spirit, or Paraclete, from within the ocean of the contents of the archetypes of Jung`s collective unconscious and so, corresponding to the Egyptian `Ka`, that is, the spirit, she appears on the cover of To Sail Beyond The Sunset emerging from the waves like Venus. The goddess` birth represents her as a `pearl`, while Britney in Oops I Did It Again descends inside a giant`s ring to receive her `heart of the ocean`, the blue diamond for which her ring is the `setting`. In symbolic terms, Mama Maureen is wisdom, or `the pearl of great price`, and Britney`s `diamond Poddy` won`t have `cast her pearl before swine` if the `reader` can perceive the truth of her Mama`s argument, which is that the soul has to accept Jesus` teachings if the `Poddy` is to have continuity of memory over lifetimes and be Resurrected as an immortal within the `Maureen Corps` of Mama (1882-), Puddin` (1949-), `Poddy` (1963-), and Britney (1982-), whose spaceman in Oops I Did It Again dove to the ocean depths to bring her the `spirit jewel` of the Resurrection archetype of continued memory and bodily immortality through recognition and rejection of the male alien parasitical organism of the `red dragon` of homosexual pederasty and warfare that`s `programme` is to be the disease that kills her.



 In Jungian psychology the aim of development is to recognize and integrate those negative aspects of the personality that Jung calls the shadow, but women are human, whereas men aren`t, which means that shadow projections, or inabilities to perceive the truth, are a concomitant of failure to perceive that women are a species with her own penis and men are her virus. Consequently, woman`s individuation, and individuation per se, involves the recognition and introjection of those aspects of the soul that correspond - adjectivally - to `humanity`, whereas the male alien parasite has to be rejected if the species `humanity` is to have eternal Salvation.



 If the penis is to be understood as the base of developmental functionality, Al Qaeda, `the base`, attacked the Twin Towers in order to reestablish `rough trade`, that is, the devouring homosexual pederasty of the `red dragon` of war, which uses `the base` as a place from which to launch its `biological warfare` of HIV/AIDS against the `host` wombs of woman from which emerges her Earth`s art, civilization and culture. The World Trade Centre  is to be replaced by a single towering penis as a symbol of male defiance, whereas the Twin Towers, if woman is to stand beside man with her own penis` deveopmental functionality, the symbol of the Twin Towers would have stood. For the future will not perceive a single tower as `anything but`, in Freudian terms, repression of the `New Economics`, which would be based on Ascension to God through the power of the Holy Spirit, or Paraclete, rather than possession of the female in order to destroy her.



 The `New Economics` is God`s economy based on the develomental functionality of the penis, which is the `bread and the wine`, or the `soul and the spirit`, which is the `body and the blood` of Christianity, that is, the transformation of energic instinct and sexual libido into spiritual intellect, because the Sword of Logos as the Word of Microsoft and other forms of intelligent `programme based` technology can be the Salvation of mankind. But not if the marine is enshrined as the epitome of humanity`s capacity for achievement. As Britney`s Io is asking, in Oops I Did It Again, to be watched over by `our Gus` (Argus), and the rest of the departed `spirits` of the `boys` in NASA`s space programme, because of the unwanted attentions of Almighty Zeus, symbol of the father that devours the son in the Greek myth of Chronos, and of the son that devours the father, in the myth of Oedipus. Britney`s role, as Puddin` Maureen, spans generations, and represents that continuity of memory in individuality across lifetimes that is Christian Salvation and so Mama Maureen is an `awfully big marine` for Jesus:


`And then a big marine, a giant with a pair of friendly eyes
Appeared there at my shoulder and said `[Ku]wait`

`Don't worry ... I'm here ... now [there`s] ... two to dodge.` Stan Ridgeway Camouflage


 The two coudln`t dodge the 9/11 suicide planes, because they weren`t with the `Maureen Corps` and didn`t have the eyes of the Holy Spirit, or Paraclete, watching over them. The warning from God is that, if `Liberty` is the freedom to keep the wombs of women enslaved so that the `red dragon` of homosexual pederast can continue to produce its `poisons` in an endless cycle of devourment for its `boy sons`, woman as a species with her own penis is a better economic prospect and, if mankind does not convert from its reductive approach to economic development on the basis that a woman is an enslaved species to be devoured, God will separate the human, the humane, and the humanity that is woman as a species with her own penis, which is not the torturers and murderers that God witnessed at the crucifixion of Jesus, but the woman capable of producing perfection without male semen, that is, the Virgin Mary as the precursor of the futanarian woman, and give the `seed` of the woman a new heaven and Earth to dwell in forever as Revelation ordains:


`Men gnawed their tongues in agony and cursed the God of heaven because of their pains and their sores, but they refused to repent of what they had done.` (Rev: 16. 10) 



 The economics of the male alien parasite is for the father to devour the sons, whereas the mother also produces daughters. If the daughter has a penis of her own and her fatherer is a woman, `New Economics` is on the horizon. However, if the 21st century is denied its evolution, a return to `basic economics` is non-sustainable economic growth. The attack of Al Qaeda, `the base`, from Logan, Massachussetts, upon the World Trade Centre, promotes a `version` of economics based on the `movie` Logan`s Run in which the `basic` is that noone reaches 21, which is what the `rough trade` of homosexual pederasty represents for the 21st century:


`There's nothing more dangerous than a boy with charm.
He's a one stop shop, makes the panties drop.
He's a sweet talkin' sugar coated candyman.
A sweet talkin' sugar coated candyman.` Christina Aguilera, `Candyman`, Back To Basics


 Christian Salvation is Resurrection and memory continuation over lifetimes, which for a woman means knowledge of her own penis and its development, whereas endless reincarnations for the `red dragon` of homosexual pederasty means low level technological development based on the imprisonment of woman as a breeding slave for the production of the `gay boy sons` of devouring homosexual pederasty`s war, and the `gay poisons` of homosexual pederasty`s final assault on the woman that they bore in the form of the virality they`ve created in their own image, that is, HIV/AIDS with its own `voice` and image. The ``beast` of Revelation is a `frog` and 9/11 was `blackjack` in which the terrorists `trumped` the USA`s `hand` with their `aces high`. The frogs` in the `throats` of Adam`s `Big Apple` of New York are a mockery of God`s creation of a woman, Eve, and of the Perfector of humankind, Mary, and the voice of the `red dragon` of homosexual pederasty`s antidote to what is pleasing to God, that is, the Eve of New York on 9/11, is men`s `blood plague` of HIV/AIDS` `killer disease`. God is annoyed because men are possession and consumption, whereas woman is conception and production. Laurel and Hardy made the movie Flying Deuces, but the Twin Towers weren`t deuces in `Spanish 21`, although Al Qaeda`s Flying Aces, which is the alternative title for Stan and Olly`s comedy, and was released at the outset of WWII, suggests that the eyes of the snake, that is, the grown awareness of the `red dragon` of homosexual pederasty, were on the Twin Towers for the sake of tempting the USA into degenerate license against the product of woman`s `host` wombs, that is, war and `biological war` upon her and the Earth, ever since Eden:


`In gambling, snake eyes is the outcome of rolling the dice in a game and getting only one pip on each die. The pair of pips resembles a pair of eyes, which is appended to the term 'snake' because of the long-standing association of this word with treachery and betrayal.`33



 The attack on the `Big Apple` of New York was the declaration of the `red dragon` of homosexual pederasty`s war aim, which was that only the `pips` would remain, where the `pips` were the insignia of the generals, which correspond to the evil serpent`s `seed` after the `Big Apple`. The `Kuwait ball` was the celebration after the first Gulf War (1990-1), whereas `pip` means `blackball`, which is equivalent to queuing the eight ball again (Q8) for Gulf War II (2000-11). Not for General Stormin` Norman Schwarzkopf, who was a `pip` in the English slang sense of `zit`, that is, Schwarzkopf is `blackhead`, but General Colin Powell because `black`. `Pip pip` is what the English say in approval, which suggests that Schwarzkopf and Powell were the first and second beasts of Revelation, whether personally or just in the queue with the rest of the `pips`.



 Britney`s spaceman in Oops I Did It Again represents the apologia for man`s destructivity, but the spacesuited `hero` is primitive technology in comparison to Britney`s red pilot`s suit, which identifies her as the pilot of Thunderbird 3, the spaceship, while the man in the `business suit` of NASA represents the marine commando who enslaves woman`s `host` womb for its commanders at `Mission Control`. Alan Shepard had an `inner ear` problem that prevented him from landing on the moon until 19 when he could hear his instructions. From the science fictional perspective of her red suited spaceship pilot in Oops I Did It Again Britney observes that the spaceman has `demons` telling him what to do. In terms of Jungian developmental psychology, his `inner ear` represents the undifferentiated `Thinking` function that, along with eye (`Sensation`), speech (`Feeling`) and smell (`Intuition`), constitute the four functions of consciousness in potentiam. Britney`s perspective is that Shepard could have been a pastor but he couldn`t hear the Word of God. Neil Armstrong, the `first man on the moon`, said `one small step for a man, one giant leap for mankind,` but from mankind`s perspective the Earth is woman`s Guantanamo Bay, a `holding pen` where the `pig` is bred so that the male alien parasite can listen to its demonic self and, disobeying God, the Creator, while woman is kept in abeyance by `Homeland Defence`, her MCPs write their histories of plague, war and death `across the universe` in other people`s homes:


`Words... flowing out like
Endless rain...

...they slip away across the universe.
Pools of sorrow ...
Possessing ...` The Beatles Across The Universe


 Economics from a male perspective is that women are possessed in marriage as producers of that which is possessing them as economic units to produce more `boy sons` that can be used as `poisons` to maintain their system of devouring homosexual pederasty which manifests itself as war, `biological war`, and HIV/AIDS or any other form of cancer that would be definable as consumption of the Earth`s and woman`s wombs` resources to no purpose other than to consume. A female perspective is to nurture what she produces from her womb after conception, which is far easier if she conceives and produces with a woman who has her own penis, and so is a member of her own species, because she won`t produce any `boy sons`. Even if she does, the Greek myth of Chronos, the Roman Saturn, and Christianity`s Satan, indicates what will happen. Chronos is `time` and  `boy sons` will become extinct, which means that the poisons of pollution and corruption will disappear because women`s wombs won`t want to conceive of them:





 Effectively, `abominations` are poisons, but Babyon is `Great` and the `Mystery` is that she is the victim of the `poisoners`, which are descried by some interpreters of the Bible as witches, `thou shalt not suffer a sorceress to live`. (Ex: 22.18). as witches. In the video for Lady Gaga`s Paparazi she drinks from a cup and saucer while the man with her dies on the sofa from her poisoning of him. The concept is of the woman that has `boy sons` to poison, which means that Babylon is `Great` because she`s an unwilling poisoner. Although Lady Gaga`s material is designed and conceived as challenging assumptions, she`s working within slavery and so represents a target. The danger for artists like Lady Gaga is that of provoking the `red dragon` of homosexual pederasty and war into attacking the innocent, which is what Al Qaeda`s attack on the Twin Towers `live` on CNN meant. MTV challenges the status quo but provocation by artists making the same statement isn`t educative. Only when a futanarian rock star with a penis of her own takes the stage at Madison Square Gardens and announces that she`s `fronting` Zip Nipplin will the challenge have shifted from avoiding possession and consumption by the devouring male alien parasitical virus to conception and production.



  The paradigm for `hackers`, `pirates`, or hijackers is that of the invitation to attack the `mother`, whether country or computer, or any other system that conceives and produces, that is, it`s a valence of the possessive, and consumptive society. Systems are inviting themselves to attack woman as a producer. Whatever she conceives, or is conceived of, in her `host` womb, it`s for the parasities to devour, according to the parasites. Britney`s `Maureen Corps` of knowledge, sustained and continuous as Puddin` (1949-), Poddy (1963-), Britney (1982-), and Maureen (1882-) through the acceptance of Jesus` teachings of Resurrection and Salvation rather than reincarnation, suggests woman as a species with her own penis as conceiver and producer, whereas national governments are trying to devise ever more intricate encryption and virality to save the `red dragon` of homosexual pederasty and prepare woman`s final extinction. `Mama` Maureen represents the woman who refrains from using men as her sword in order to develop:


 `The law, which was proposed by Knesset member Meir Sheetrit and whose regulations were approved in May 2011 by the ministerial committee for biometric applications, is likely to expose Israeli citizens to severe invasion of their privacy. Criminal organizations or foreign organizations interested in causing damage to the state and its citizens might penetrate the future biometric database and do whatever they want there.`34



 Woman `traditionally` remains in the home because she`s `Homeland Defence` preparing to defend herself as a species. Jesus has been training her. If she won`t use the `sword` of her spirit and intellect to develop and defend herself, but rather adopt and adapt to the `test` paradigm of species` antagonism towards its parasite, or accept `host` womb enslavement by the alien male, she`ll be `Woman on the Sword` – as Jesus was her surrogate upon the cross. In effect, Jesus gave men time to develop, but they haven`t. The products of woman`s `host` womb have kept on struggling to emerge, as the inspirational archetypes of the collective unconscious from the spiritual `heart of the ocean` have impelled art, civilizationa and culture tfor millennia. Consequently, woman as a species has Redemption but man as a parasite doesn`t. According to Revelation perdition awaits men, and the signs of women`s victory are what men don`t want to see. Britney Spears` giant`s ring and fork in Oops I Did It Again is both woman`s triumph over what she has been able to produce and conceive, and her lament over what men have possessed and consumed of her.



 Britney Spears` take on Mark Twain`s The Tragedy Of Puddin` Wilson is that, although the spaceman is able to ID the murderer, it`s him. Because he`s a man. When he touches down on Britney`s planet he`s a `NY Giant` making a `touchdown`, `one small step for a man, one giant leap for mankind.` The Comedy Of The Tale Of The Twins Who Weren`t is that their spaceman is `Wilson`, who`s Tom Hanks `friend` in Cast Away (2000) when he`s stranded on a desert island, a basketball with the brand name `Wilson`. When Britney hoists him into position above her he `hangs` because  it`s pause for thought and not `volleyball`. `Wilson` isn`t Twain`s Puddin` but Heinlein`s and she`s the `Poddy` of his work. Britney`s from Marand her spaceman being introduced to her `Poddy`, which means that `Wilson` isn`t her twin and `Poddy` is a real friend. If it`s a suspense story, Wilson didn`t do it, but he wanted to. But he couldn`t decide whether to eat Britney`s `Puddin` and, in terms of the video`s `logic`, he was `in two minds` over her  Poddy.




2 Usher, Robin `Male and Female he Created them Both: Beyond Archetypes in Foundation: The International Review of Science Fiction, The Science Fiction Foundation, ISSN: 0306-4964258, # 112, Autumn, 2012.






5 Tindley, Charles Albert `We Will Overcome` in The People`s Song Bulletin, 1947.


6 George Santayana  Reason in Common Sense, volume 1 of The Life of Reason,1905.






9 10:49, Monday, 5 March 2007,








13  King, Martin Luther `I have a dream`, 1963.




15 Chaucer, Geoffrey The Parson`s Tale, 1390.








19 Hesiodic Aigimios, fragment 294, reproduced in Merkelbach and West 1967 and noted in Burkert 1983:167 note 28.




21 July 16th, 1999.




















31 Formal salutations from large gatherings of US Marines in the presence of the President or other notable figures. Lance, Steven Vulgarian Goulash: Second Serving, `Here I been thinkin' she's a prude an' she's been out back barin' her hoo-hah the whole fuckin' time,` 2004, p.85.







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