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Asinine 11: Saddam`s answer to Apollo`s Adam

01/01/2012 11:15

Asinine 11: Saddam`s answer to Apollo`s Adam


Hor-em-Akht is the name of the Sphinx in the mythology of the ancient religion of the Egyptians, and it`s riddle is, `What goes on four legs in the morning, two in the afternoon, and three in the evening?`1 The answer is man, but the questioner is more important: woman. As the Sphinx she `goes on all fours`. The riddle of 9/11 is hers, because it`s about BDSM and who wears the dog collar.



 In Christianity the dog collar is worn by the pastor, because he represents the burying of the bones and faith in Jesus` Ascension to heaven. In Egyptian mythology Osiris is dismembered by his evil brother Set, the ‘top dog’, and his parts are scattered throughout the Earth by other `dogs`. His wife Isis recollects the `pieces` and the reassembled parts, haw, are resurrected as Horus, ‘the sky god’, who takes the form of a hawk.

 Cynthia Payne (1932-), as a well-known English BDSM madame, ran a haw house. She trained women to find ha (male parts), which is the role of a whore, who wants to have ha, but doesn`t want the reincarnated with karma to remember they`ve lived before, for example, as they’d want restoration. Although the principle of karma derives from the ancient Hindu religion of the subcontinent of India, relating to the chakra ladder of memory that the reincarnated needs must reactivate through meditation, the concept of raising the level of human consciousness from the base of the spine, that is, the Muladhara chakra, to the seventh, and highest Sahasrara chakra, at the crown of the head, constitutes a similar gathering of parts. In the priestess role, as Isis who recollects and remembers, BDSM women collar their dogs to look for buried bones, that is, the parts, ha, of those who’ve lived before. BDSM uses dungeons to further research into the clients’ past for the haw to reassemble.



 Pastors are trained dogs insofar as they are supportive of the Holy Spirit, that is, the Paraclete`s role, as teacher`s assistant. The congregation accept the teaching of Redemption and so God is amongst them. This is equivalent to the collecting of the pieces of Osiris and his remembering by Isis, that is, the Holy Spirit represents the gathering together of the wisdom of God, which is what the haw is, and that’s why the role of a madame in a whorehouse is archetypal. She has whores and they attract male parts, which when collected are haw, that is, property. Without a controlling spirit what’s pursued is merely physical pleasure, which is what whores are generally understood to be for.

 The ‘mother of abominations` is the `whore of the apocalypse` in Revelation, as there`s a difference between the spirit, which needs control, and the body that needs release in physical pleasure. A woman who, like Isis, collects the parts of the haw, is a rememberer in the spiritual path. But a woman who only experiences a penis and doesn`t want to remember the owner is a whore, as she has to have the part (ha), whether she wants it or not. This is an `abomination`, which is why the archetype in Revelation is described as ‘Babylon’, as although the haw or sum of the parts is great, if the woman doesn`t see the value in the propertied, Jesus` Redemption through the teaching of the Paraclete isn’t present; or, in terms of the Egyptian myth, Isis doesn`t collect the parts scattered by the dogs (evil men and base whores) and Osiris isn`t remembered.



 Evil men and base whores are archetypal. The Sphinx has the breasts of a woman and the body of a lion, and the infant man she describes is on all fours, like a dog, being trained to walk upright. As an archetype, the Sphinx has psychological meaning attached to her. She is instinct and protection, but all fours women represents sex `doggy style`, which is marriage (Bondage), obedience (Dominance), and humility (Sado-Masochism), as the dog collar in BDSM worn by those trained to fetch.

 The controlling spirit is evil, as it`s sadism. In Egyptian mythology dogs scatter Osiris` parts, whereas Isis collects them. The resurrected Horus, that is, the sky god, is depicted living in the house of Hathor, the Egyptian mother goddess, forever, as the plural of the ha parts is hau, which suggests that the women are hermaphrodites in the haw house of the remembered. The Sphinx represents the dangers of BDSM and homosexuality, which is all fours sex. In other words, sadism and homosexuality`s sodomy are the dangers that the Sphinx warns of: if attempts are made to train women for the haw house. Women, like Isis, collects and remember without prompting, as it’s their hau.



 The `dogs of war`, that is, asinine 11, were Al Qaeda from Afghanistan; the traditional place of ‘the old man of the mountain’, Hassan-i-Sabbah, who was `master of the assassins`, as Osama Ben Laden was on September 11, 2001. Al Qaeda represent that which doesn`t want to be recollected or remembered, and they don`t want others to be. Logically, they perform assassinations, as ass-as-Sin`s, that is, representing sadism and homosexuality`s sodomy. As the ‘evil one’, Set, making `asses` out of dogs that could be trained in know hau, top dogs want fools, as they desire sterility, and to inflict pain upon those who are developed: asinine 11.

 The symbol of the English army`s death or glory boys (DOGs) is the skull and crossbones, which suggests the pirates` unconcern with recollecting and remembering, that is, they want to know where the bones of Jesus are; not to resurrect him: but to find treasure in God’s hau. This is another reason why priests wear the dog collar. As Osiris’ evil brother Set is the dog who cuts him into pieces, and then places him in a chest, from which he can`t escape, it’s a coffin. The Christian priest is trained by the Paraclete to accept the teaching of Jesus and Redemption, that is, like a policeman, he collars the dogs, as he isn`t Set`s. Working for resurrection, he isn`t a treasure hunting pirate:


`That corpse you planted last year in your garden,

Has it begun to sprout? Will it bloom this year?

Or has the sudden frost disturbed its bed?

Oh keep the Dog far hence, that's friend to men,

Or with his nails he'll dig it up again!’ (l. 71-5)



 The first part of T.S. Eliot`s The Wasteland (1922) is `The Burial of the Dead` and although priests who wear the dog collar aren’t war dogs, like the English lancers, they bury propertied bones, who’re the ha of the hau that’s for the resurrected and the immortal. In Oscar Wilde`s The Importance of Being Earnest (1895) `Bunburying` is named for the character, Bunbury, who looks for people and places he`s seen before, as he’s a dog trained to find a hau from the ha.

 For the aborigines in Australia, `Dreamtime` was the name they gave to traveling to a place they`d killed an animal before, and kill that very same animal again. This is bone burying and going back to worry at it some more, which is why rebirth per se and karma aren’t evil. They’re the ha of the hau. The UK’s DOGs are trained to worry the walking dead, that is, those reincarnated by karma, for the ha to their hau, while priests find themselves similarly engaged in ‘Bunburying’, as local dogs seek the ha for the hau. Eliot’s last lines in ‘The Burial of the Dead’ refer to the priest as a traitor:


`You! hypocrite lecteur! - mon semblable, - mon frere!`2



 Bunburyers look to follow the parts of the ha to the hau in the past, and are prepared to torture the living to get them, which is why the brother of Eliot`s poem mocks the idea of being liked by himself. The dog-headed god, Set, is the evil brother of Osiris, who doesn`t want him to be recollected and remembered by his wife, Isis. He therefore represents the idea that, in a world of `Bunburying`, it’s their own bones that the dogs are worrying. As Jesus on the cross said:


`Forgive them Lord for they know not what they do.` (Luke: 23. 24)



 The Paraclete is given by God; the Holy Spirit cut, as it were, from the side of Jesus by Longinus` spear, as the Romans tormented his flesh: prefigured by Eve`s emerging from Adam`s side in Eden. In Christianity the Paraclete is its teaching assistant, after Jesus’ Resurrection and Ascension to heaven. Those who accept her and Jesus` teaching have Redemption. The Holy Spirit guides God`s human parts, that is, ha, and then the Paraclete is the spiritual guide to God’s hau.

 The play games’ system of the evil are what virally plagued the aims of computing in the 21st century; resulting in the ass-as-Sin`s of 9/11. Plague aims to kill the brain, which is what play ‘gay’ gamers were for; buggering.  Feigning benignity, plague aims were labeled `Trojan [horse] viruses` by computer users beset by ‘bad machine code’ (BMC), tailored to infect their machines. With their hijacking intentions disguised as civil, they prefigured airAIDS. When the Al Qaeda terrorists, led by Osama Ben Laden, operating under the auspices of the notoriously misogynist Taliban regime of Afghanistan, hijacked civil airliners on 9/11, 2001, to crash into the Twin Towers of the World Trade Centre on the Lower West side of New York city’s Manhattan island, it was symbolically an attack on the US’ central processing unit (CPU) by a gay plaguer hacking into the US` defense system.

 Those twin pillars of freedom represented `equality and fraternity`; associated with Revolution and a gift from France in 1886, the statue of Liberty’s welcoming presence at New York harbor:


`A mighty woman with a torch, whose flame

Is the imprisoned lightning, and her name

Mother of Exiles. From her beacon-hand

Glows world-wide welcome; her mild eyes command

The air-bridged harbor that twin cities frame.

`Keep ancient lands, your storied pomp!` cries she

With silent lips. `Give me your tired, your poor,

Your huddled masses yearning to breathe free,

The wretched refuse of your teeming shore.

Send these, the homeless, tempest-tost to me,

I lift my lamp beside the golden door!`3



The essence of the poem `The New Colossus` (1883) by Emma Lazarus is the US as a refuge from plague, and while 9/11 wasn`t play, it was games, as in beasts being flown to Christians to promote the plague aims of the ass-as-Sin`s. The Trojan horse of the unannounced aim of homosexuality; to kill the brain of civilization. Science fiction writer, Frank Herbert, in Dune (1965) wrote, `fear is the mind killer`, which is what terror is for. The `Big Apple` of New York’s brain was, to Al Qaeda, Saddam’s, that is, the ruler of Iraq’s, and sacrificed to him, whose offer of bases to the terrorists resulted in the US’ army invading Iraq in March 2003 to depose their President Hussein, who wasn’t.



 It was the angel, Satan, turned into a serpent by the creator, God, for rejecting God’s plan that the human host be greater than the angelic that gave ‘the fruit of the tree of the knowledge of good and evil’ (Gen: 2. 9), which it was death to taste, to Eve, who gave some to Adam, ‘You shall be as gods.’ (Gen: 3. 5) God had told them to ‘eat only of the fruit of the tree of life’, which was immortality, and expelled them from the paradise of Eden, with the promise that Eve’s ‘seed’ would nevertheless prevail, ‘You shall crush the head of the serpent with your foot, but he will bruise your heel.’ (Gen: 3. 15) As Jesus was born uncontaminated by male semen from his mother, the Virgin Mary, the premise is that women’s seed, that is, the futanarian species of women with penis’ semen of their own, is what God favors. The serpent has eternal `enmity` with women. The attack on the big brain of New York was to prevent women’s seed from bearing fut, that is, Redemption through wisdom. The terrorists of 9/11 were the ass-as-Sin`s of the future; the brain queered by the viral worm.

 The Koran (610-30 C.E.) of the Moslem believers, dictated to the Prophet Mohamed, according to Islamic tradition, by the angels of God, describes the `lamp of Islam’ as `the light of God`, which is not antithetical to the light of `liberty, equality and fraternity`.



 Their folk tradition is best illustrated in the 8th century collection of tales, A Thousand Nights and One Night, in which Scheherezade saves the women of the kingdom of Shah Jehan when he experiences a type of evil possessive spirit causing him to murder his wife for a faithlessness that she does not possess. Scheherezade, as a greater haw, saves the women of the hau by telling stories to Shah Jehan, so that he keeps her, and doesn`t behead a new wife each dawn; as had become his practice towards the ha.

 In the Egyptian myth Osiris` penis is lost in the dismembering by Set. However, Isis fashions one anew after collecting the pieces of his body, that is, in remembering him, they’re reunited, as Adam and Eve were a single hermaphroditic creature in God, according to Jewish Mishnah, before she was separated by God’s creating her from his side.

 Greater wisdom is the teacher of Redemption after Jesus` death. The Paraclete, cut from Jesus` side (Matt: 27. 54), by the spear of Longinus, pierced upon the cross of his crucifixion. Jesus’ disciple, Judas, finding Jesus with a woman, notified the Jewish religious police, the Pharisees, who gave him over to the Romans, then occupying Jewish Palestine in the name of the Emperor, Tiberius Caesar Augustus (14-37 C.E.), who took him to the hill of Calvary outside the city of Jerusalem, where he was nailed to a cross of wood and died there, but experienced Resurrection and Ascension to heaven in prefiguration of that of women’s seed, ‘Leave her alone.’ (Mk: 14. 6)



 Called the ‘Second Adam’ Jesus’ side was thought to contain the ‘Second Eve’ as the ‘Holy Spirit’, which was the reason for Longinus’ spear being known as the ‘Spear of Destiny’, as the teaching of the Paraclete would bring women’s seed to fruition, which is the reason for the spear being associated with what the US perceives as its ‘Manifest Destiny’, which is illustrated by the ‘American Dream’ of destiny fulfilled, through its collected stories, inspired by Jesus` Paraclete; the Scheherezade of the West: saving women`s seed.

 Their assassins were taught by Islam’s leaders they’d have paradise afterwards, as `martyrs`, because it’s how Moslem power originally spread. According to the Koran paradise has houris, which are `guides, teachers, comforters and helpmeets`; as the Paraclete is in Christianity. However, as houris are associated with what is pleasing, the concept of pleasure isn’t morally sufficient; ‘If it pleases you.’ Taught that heaven is good, Christians are similarly vague; as idiomatically ‘One man’s meat is another man’s poison.’4



 Saddam Hussein, whose name meant `crusher` and `small handsome man`, was preferred by the bullies of homosexual pederasty, and 9/11`s terrorists were of that bullying set, whose poisons weren’t meet. Although the ancient capital of Iraq was Babylon (c. 4000 B.C.), the district of Hollywood, city of Los Angeles, movie capital of the US, West coast state of California, is also known as ‘Babylon’, because of Jesus’ disciple John’s apocalyptic vision of the future, ‘Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.’ (Rev: 17. 5) As the US celebrated historical figures, like Napolean and Hitler, known for their atrocities in warfare, Saddam was but another ‘small handsome man’ meet for their movie theaters.

 On 9/11 the US’ Central Intelligence Agency (CIA) and the National Security Administration (NSA) were criticized for failing to warn US’ Homeland Defense of the danger presented by hijackers; murdering on someone else`s plane. The goddess Isis` data collection pieced together; as the Big Apple was all of a piece before 9/11, 2001, while the determination by Islamic extremists on an Independent State of Iraq and Syria (ISIS), before Saddam’s December 30th, 2006, execution by hanging at the Iraqi army’s Camp Justice, Khadimiya neighborhood, northeast of the capital city, Baghdad, represented the realization that there were pieces. Isis` species is women’s seed, so the goddess Isis` pieces collection is a metaphor for how to eliminate the evil of human host womb slavery in pederasty for slave wars. In terms of 9/11, the plane of Redemption was suicidally destroyed, so homosexuals could have houris, as they please them.



 Although the dragon of Revelation is red, it’s Satan`s claws, that is, a devouring maw; Baghdad, as it were, rather than Santa’s sack. The woman giving birth to, `he who shall rule the Earth with an iron scepter` (Rev: 12. 1-18) is antithetical to Babylon, as the haw distinct from the maw, representing the Egyptian `Akh`, as `magical personality`, for example, ‘the Shekinah’ (Ex: 40. 35) of the Old Testament of the Bible, which is the Torah and Talmud, that is, the law and history of the Jews, as the ‘feminine spirit of God’, dwelling within the tabernacle, where the law of Moses was kept in the Ark of the Covenant, during the Jews journey from where they’d been slaves in Egypt of Pharaoh Thutmose III to Palestine, was a haw, appeared as a pillar of fire by night and a column of smoke by day, guiding the Jews to her hau in the land promised by God.

  In Egyptian mythology the Ka (spirit) and Ba (personality) unite to produce the Akh, which is the magical personality who recollects and remembers, and so the shrine of Abraham, patriarch of Judaism and Islam, is the Ka’ Ba of Mecca in Saudi Arabia, dedicated by Hajer, ‘the Egyptian woman’, mother of Ishmael, founder of Islam through his descendant Mohamed, while his older brother, Isaac founded Judaism. Whereas Sara was the wife of Abraham and mother of Isaac, Hajer was an unmarried concubine of Abraham’s, which afforded Judeo-Christianity the opportunity to declare Islam illegitimate. That the Koran affords four wives to Moslem marriages is viewed as a retroactive attempt to legitimize Ishamel’s birth, whereas it’s a vehicle for the sexual reproduction of women’s seed within the family.



 In American culture Britney Spears has destiny’s mantle; appearing on Mars, for example, in the promotional video for her pop song, ‘Oops! … I Did It Again’ (1999), she’s the Mars Ba, whose role is to collect herself, that is, find her Ka, as the magical personality’s Akht. The actual US` Mars lander was called `Phoenix`, which is `Bennu` in Egyptian; soul:


`... You think I'm in love.

That I'm sent from above...

I'm not that innocent.

You see my problem is this:

I'm dreaming away;

Wishing that heroes, they truly exist.

I cry watching the days.

Can't you see I'm a fool

In so many ways?`5



 The lyrics are those of a soul searcher. In the video a spaceman visits, and Britney hangs him trby a hook in his backpack, suspending him over herself in a white bikini dress by a chain. Filming her with a camera attached to his space helmet, he’s the `hanged man`; `traitor` of the Tarot deck of cards, which is believed a portable version of the Torah, depicting the journey of the soul. As she’s a woman, he has her part, that is, although she’s a Ba soul, he represents her Ka spirit, which is betrayed, as there isn’t a future for her as women’s seed. She’s Isis, and he’s in training to fetch, in mythic Egyptian terms, as a dog, ha for her hau:


`The Fool settles beneath a tree, intent on finding his spiritual self. There he stays ... People pass by ... animals, clouds, the wind, the rain, the stars, sun and moon. ... he climbs the tree and dangles from a branch upside down like a child.


 It seems to him that his perspective of the world has completely changed, as if his inverted position has allowed him to dangle between the mundane world and the spiritual world, able to see both.


Timeless ... [though] this moment of clarity seems ... [he] will have to act on what he's learned. For now, however, he just hangs, weightless as if underwater, observing, absorbing, seeing.`6


 If ‘Oops! … I Did It Again’ is science fiction, it`s cryogenics: `I cry watching the days.` It`s a part of the American Dream of traveling light years through space in suspended animation, that is, cold sleep, with dreams of her Ba soul (Bennu) and the spirit (Ka) and magical personality (Akht) asleep, although there’s the ha parts of the haw in everything dreamt.

 Isis sexually enables and Osiris remembers through desire, while the pieces of Isis’ haw are his memories of women’s seed. Although she fashions his penis anew, it’s hers, as the species of women he’s known and will know. At the beginning of ‘Oops! … I Did It Again’ Britney’s astronaut picks up a `divine fragment` with her image upon it:


`Whoah there horsey!`



 It`s Horus’ see:


`Britney, before you go, there's something I want you to have.`

`Oh, it's beautiful! But wait a minute, isn't this... ?`

`Yeah, yes, it is.`

`But I thought the old lady dropped it into the ocean in the end.`

`Well, baby, I went down and got it for ya.`

`Haw, you shouldn't have.`



 The last line begins with haw, as she’s collecting parts. In ’If U Seek Amy’ (2008), the refrain is, `Ha ha he he ho ho hum.` As she sings in ‘Oops! … I Did It Again, `... to lose all my senses ... is so typically me ..,` she’s training her astronaut in the data collection that’ll make her a functioning Akht with a magical personality.

 In Hinduism the transforming of karma into knowledge of the hau requires `mental and intellectual fulfilment` in accordance with Dharma, translating as ‘responsibility’, while the astronaut is Artha, translating as `worldly status`, and the spaceman in his suit is an Arthurian knight fulfilling a quest. He returns, walking backwards in the video, rewound, trained to repeat his gift, as a ha part of her hau. However, as a man he represents the war god, Mars, and Sutekh; an alternative name for Set in Egyptian signifying suit technology. Consequently, his value to women’s seed is ambivalent, as men are the futanarian race of women’s host womb parasite. Britney’s Isis to her Heru; an alternative Egyptian name for Horus. She wants the hero trained dog-like to help her collect herself, rather than Sutekh; the god of war’s devastations.




Perceval, the Grail knight of Arthurian legend, `pierced the veil`, that is, the astronaut who brings a ha to the haw of the hau is a `Spears [of the] veil` knight. He has the gift to see Spears manifesting the destiny of women’s seed on Mars. In ‘Piece of Me’ Britney sings, `I`m Miss American Dream since I was seventeen [seventy-six].` The dream of a haw collecting the ha of her hau. In ’If U Seek Amy’ Spears message is: `Aim me.` The guidance of the feminine spirit of God, that is, the Shekinah, who is conceived as the Holy Spirit of the New Testament of the Christian Bible, based on the teaching of Jesus ‘Christ’, ‘the chosen’, is required by Spears, rather than plague aims, which aren’t destined for women’s seed.



 Britney’s soul searching is that of a Ba, which plural is Bau, that is, the bow of her ship, ‘All aboard!’ However, women’s seed is Kau, that is, the plural of Ka, which is the reason for the mother goddess, Hathor, in Egyptian mythology, being depicted as a cow, although symbolically women’s seed are a female bull, represented in the ancient religion of the Phoenicians as Baalat; female counterpart to Baal: the male bull god. As recorded in an English nursery rhyme, ‘the cow jumps over the moon’,7 as women’s seed is for the colonization of the planets amongst the stars of heaven. ‘Oops! … I Did It Again’ is that. The Egyptian myth is that the sky god, Horus, can live in the house of Hathor, although women’s seed could live alone, which is the ambivalent aspect of women’s relations with men, who’re sterile parasites if slaving women’s host Ba wombs in homosexual pederasty for wars against women’s Ka seed to further enslave a futanarian species without which men couldn’t reproduce.



 Earth is a women’s prison. The Holy Spirit, or Paraclete, for women’s seed corresponds to what intelligence organizations describe as `circus`, and popstars such as Egypt’s Nancy Ajram, and Christina Aguilera and Britney Spears in the US have circus as a theme of their Akht. Although US’ intelligence didn’t get their act together to prevent 9/11, God`s intelligent system is the Paraclete`s, which seeks to return women’s seed to heaven, ‘The dragon stood before the woman to devour her child the moment it was born.’ (Rev: 12. 4) Although the child is thought to be the ‘Second Coming’ of Jesus to the Earth, the evil want women to remain enslaved as the producer of homosexuality’s ass-as-Sin’s: asinine 11.

 The Sphinx is women`s warning. Don’t castrate women’s seed, or the futanarian race of women will have to breed with animals, and men were her apes. If a man walks on three legs in the evening, that is, towards the end of his life, it’s with a stick, that is, a cane. As the killer of women’s seed, he’s Cain; the first murderer, according to the Bible, that is, as God’s ‘foot’, futanarians are the third leg of the human race of women, whereas men, who rely on guns, are perdition, as God`s Revelation is they’ll be extinct without women. To the dragon, a euphemism for Satan, God’s foot is food, which is the butcher’s plan, as the interpretation of Britney Spears’ song, ‘If U Seek Amy’, that is, f*u*c*k me implies, Amy is saddamy, as Saddam, offering bases to Al Qaeda, operating under the auspices of the misogynistic Taliban regime of Afghanistan, deposed by the invading US’ army by December 31st, 2001, after 9/11, was the ass-as-Sin’s sadistic producer of burka meat.



Anti-terrorism is protection for the eyes of those who want to see. However, women have no value for homosexuals; other than a sound bored. Preferring the masturbatory pleasure of anal sex, they`re the `seed` of Onan, killed by God for refusing to impregnate his dead brother’s wife, Tamar, and ‘spilling his semen’ instead. For homosexuals, women correspond to cannibal meat, as a product of slave warfare, whereas as human civilization comes from the womb of women’s seed, cannibalism is a travesty of Jesus’ body and blood`, offered by him as `bread and wine`, at what is called ‘the Last Supper’ before his crucifixion, as the representative seed of women, born uncontaminated by male semen from his mother, the Virgin Mary, depicted in Christian iconography as crushing the head of the serpent with her foot, appealing for men’s acceptance of women’s futanarian race, which slavery wants to see going quicker. However, the foot race goes slowly, if it can afford to, for example, teleportation in the US’ science fiction television series, Star Trek (1965-69), affords instantaneous travel between the starship Enterprise and planets, whereas women’s seed is meat condemned as unviable by its castrator for slowness, because wombs are susceptible to temporarily debilitating pregnancy.




 The Sphinx`s name, Hor-Em-Akht, means `Horus on the Horizon`, as she’s symbolically pregnant with the sky god. Although it’s men`s whore `em act, Britney, white bikini-dressed, looking up at the spaceman’s camera eye, as he hangs, suspended there by her red jump suited twin, means women’s seed are for the stars. Men have to accept women’s form as theirs; or they won’t be born there. Beside the camera eye are the tines of their giant’s fork.


 Forgotten - Having Written It Before


 In BDSM it`s about slave and master, but marriage in which men accept that women’s seed are the species is Godly. However, men’s psychopathic profiling is subjugation, which is why, according to Jewish Mishnah, the first woman created by God was Lilith, who refused to be subjugated, which is the basis for men’s misogyny. 9/11 was a `Trojan horse’. A harbinger of war against women’s seed, which is what all wars to horse are. While BDSM is understandable, that is, without sadism, it’s marriage; obedience and humility (submissiveness). However, as bondage, dominance, and sado-masochism (BDSM), it’s men’s promotion of women’s enslavement, which is homosexual, while the `beasts` of Revelation, as sodomy and sadism, are the ass-as-Sin`s breeding ground: asinine 11.



 While there could`ve been the morning of humanity in the dawn of a new era, instead there’s the mourning of it. The spelling of American humor and standard English humour has a certain poignant relevance, as it’s the humour of the evil to have mourning rather than morning. 9/11`s pronouncedly sick joke was that mourning’s humour: asinine 11. The ghoul doesn`t have a sense of humor: it`s a sadist. As a play on British and American accents, 9/11`s design was to program humanity out of existence by explicating that the morning star, that is, Venus, was the mourning star, as Lucifer; the name of the angel, Satan, turned into a serpent by God for rejecting God’s plan that the human host be greater than the angelic, while devastating people’s good humor with their nihilism. 9/11 may have been a 21st century German play on words, that is, nein 11, or a denial of Apollo 11’s moon landing by nihil (Neil) Armstrong, as the Bedouin, for example, to bedevil their Manifest Destiny, teach that Americans never went to the moon.



 9/11 resembled the movie, Mars Attacks (1996), in which `malien` invaders are depicted as intelligent men; laughable and psychopathic. It inaugurated the sad era of the 21st century by means of a sleeping psychological complex. Benign, for example, Ben 10, as an action toy for boys, based on the animated character debuting on Cartoon Network in And Then There Were 10 on December 27th, 2005, is perceivably psychopathic, as Osama ‘Ben’ Laden, that is, if 9/11 is conceived as a pause at 10, Apollo 9 had tested the lunar module, prior to the lunar landing of Apollo 11, and Apollo 10 reconnoitered the 876 km (544 mi) in diameter mare, or basalt plain, The Sea of Tranquility, designated as Apollo 11’s landing site, that is, to a schizophrenic pedophile enamored of Ben 10, who can turn himself into aliens to fight aliens, 9/11 was the day for jamming the US’ space program. In terms of the terrorists of pederasty, aiming at a Ba assault, their toy boy was ‘Ben’ Laden, figured as a Ben 10 alien provoking US’ gay mares, who’d perhaps previously cratered the moon with attacks on women’s base there, to divert financial support away from space travel off Earth and prevent a future Mars mission that would be another tentative step for the foot of the Kau of women’s seed looking to escape Earth’s gravity.



 In ’If U Seek Amy’ Britney Spears sings of sad Amy and `Sodom and Gomorrah`, which were the `cities of the plains` (Gen: 16, 19) destroyed by God, according to the Bible, for homosexual pederasty and vendetta, which is mafia comorra. Although Britney wants happiness for sad Amy, rather than the `city of the planes`, which was Saddam and camorra, the enmity the woman, Eve, was told by God in Eden she`d have for the serpent`s seed, before hers left Earth in Revelation for an eternal life without sodomy and sadism, was that 9/11 lot’s saddamy:


`I just want to go to the party she gon` go.`8



 Britney`s first person character in this video wants a change of scene, that is, as she’s unhappy with the party she has, and although homosexuality’s pederasty are boy sons, that is, the poisons of saddamy and camorra, disguised as sexual playfulness in BDSM, and encouraging slavery, they make women schizophrenic if they want the pleasures associated with the houris of paradise. Futa women are subject almost to the point of invisibility, as is depicted in Mars Attacks, where actress Sarah Jessica Parker is given a dog’s head for a girlie magazine appearance, whereas it’d be more educational for an audience to learn about Isis’ renewal of her penis than suggest the dog-headed god, TV Set, is better remembered. Hollywood, ‘Babylon’, makes the form of women laughable to men, who’re the Earth`s real aliens.

 The Big Apple is the apple of the eye of America and, if read aright Britney Spears` ‘Piece Of Me’ (2007), makes her a piece of it. Anatomically, the epiglottis, or Adam’s apple, protects the walls of the larynx, or voice box, that is, although New York`s eve of destruction was Saddam, and a further hijacked civil airliner crashed through a wall of the Pentagon Defense Department building, city of Arlington, Virginia state, the voice of the Big Apple wasn’t silent.



 Iraq (US’ pronunciation eye-raq) was the rack of the evil’s desire for the women’s seed of Eve and her daughters. In US’ slang a woman`s rack are her breasts, and so any auditor of Britney`s ‘Oops! … I Did It Again’ might be forgiven for hearing, `Oops! …. Hide. Hid it again.` As women’s species are castrated by men to prevent their seed from having the stars, Mars Attacks has earlier malien antecedents, for example, in It Came From Outer Space (1953), the aliens have assumed the form of Earth men to devour women’s seed. Reemerged on 9/11, ‘it’ was Western women`s cue to hide themselves, as the Moslem women of Islam had already been ‘hidden’ inside their one-piece coveralls, so no one knew which burkas had been eaten. Although the US’, and servicemen of other nations of the Alliance against Saddam, left the Gulf inside their own black bags, as war dead, the actual issue being fought over was misogyny’s campaign to prevent women`s penis from emerging to bridge the gulf between Ba and Ka, symbolized by the Ka’ Ba in the city of Mecca, Saudi Arabia, as the evil want the human species to die in black bags, so women’s seed were in burger bags before MacDonald’s. The Mars bar of chocolate has a red, white and black wrapper, and in ‘Oops! … I Did It Again’ Britney appears in white blouse and matching black boots and mini skirt to receive that gift from her spaceman; mar slander:


`But I thought the old lady dropped it into the ocean in the end.`



 Although the reference is to the blue diamond, `heart of the ocean`, which Rose drops as a memorial at the site of its salvaging in the 1997 movie, Titanic, of the ship’s sinking, after hitting an iceberg on its maiden voyage from Southampton, England, to New York, on April 15th, 2012, symbolically the jewel is women’s seed, lost in the `ocean of the unconscious`, as described by depth psychologists, before its reemergence in the late 20th century as an internet pornography curiosity. In her red one-piece Mars’ coverall, Britney`s Ba is depicted somersaulting through the air to stand in her black and white wrappings, like an Egyptian mummy. Hajer, for example, a wrapped burka before the Ka’ Ba, relates Britney’s Ba to Ka and ‘Ib`, that is, soul, spirit, and heart, symbolized by Britney`s black, white and red costume changes. Black for Ba, as the soul represents what is transformed of the Earth, which the ancient Egyptians called Al Khem; the black earth of the prima materia of the transforming art of their alchemy.

 In the developmental depth psychology of Carl Gustav Jung (1875-1961) alchemy is perceived as an ancient study of transformation through symbolism in which the aim is rather psychic than physical change, although the plethora of hermaphroditic imagery indicates that the alchemists were at least unconsciously striving to recall women’s seed. Alchemy`s symbolism is ostensibly devoted to the production of the lapis philosophorum, or `stone of the wise`, symbolized as the hermaphrodite, which is necessary if women with a penis are to be accepted as the human species. Britney`s identical twins, in ‘Oops! … I Did It Again’, and her mid-air transformation from red to black and white, denote women’s seed, hidden as the self-reproducing hermaphrodite.

In Egyptian mythology, Horus, as the sky god, corresponds to the world’s modern air forces, while Set represents satellite TV. Together they’re a complexio oppositorum, described in Revelation as a beast with two heads, `The second beast was given power to give breath to the image of the first beast, so that the image could speak and cause all who refused to worship the image to be killed.` (Rev: 13. 15) 9/11 was television Set `live on CNN`, while the hawks of US’ air power prepared to guide their satellite bombs to entomb Iraqi regiments in their underground bunkers. For the Moslem women already in the tomb wrappings of their futanarian race, Britney`s Mars bar represented the Akht of the magical personality of the women with a penis and/or a vagina, who doesn`t want her rack to be eyed for torture; incurring further enmity for the serpent`s seed.



 In Egyptian mythology, Ra, corresponding to the Judeo-Christian God, incarnate as Osiris, is a more ancient version of Jesus. Cut into pieces by dog-headed Set, Osiris isn’t to be remembered, as Isis might then remember women’s seed, which is the role of the Holy Spirit in Christianity (Matt: 26. 64), although worship of the Asherah pole, as a symbol of the feminine spirit of God, the Shekinah, suggests that she has a similar role for Judaism. 9/11 was TV Set remembering ‘sate’, that is, satellite defense systems sate television audiences’ thirst for the blood of women’s seed, making the gulf between men and the human species ever wider, ‘The dragon was wroth with the woman and went to wage war on the remnant of her seed.’ (Rev: 12. 17) Those who serve the evil are the dogs of the ass-as-Sin`s of 9/11, defined by God in Eden as the serpent`s seed, in accordance with their attack on the Big Apple of New York. They want sterility in a pederasty that prefers the poisoned apple of the human brain’s rottenness to women, who have to live with a monster she`s taught is her own species but is a parasite upon her host womb, which wants a gun to walk with and kill her as an enemy.

 On the cover for the CD single, ‘Piece Of Me’, Britney appears crucified on a cross of wood. It`s the idea that women, like Jesus, were crucified for understanding their role. She spares in Redemption, gathering the pieces of herself, while aware that it’s the tragedy of her lost seed that it’s a man`s part to desire hers, and those who do are her hau, that is, the sum of the parts, ‘Let he that has wisdom have understanding, the number of a man is the number of the beast and his number is six hundred three score and six.’ (Rev: 13. 8) If men and women are two thirds, that is, 66.6 %, the missing third is the futanarian race of women’s seed, whose exponential powers of reproduction devolve from their possessing all of the host wombs as the species, which is why the beast doesn’t want them. Desired as a piece of ass only encourages the ass-as-Sin`s:


`They still gon` put pictures of my derriere in the magazine.

You want a piece of me. You want a piece of me.`9



 Britney’s a piece of the true cross, which protected Jesus’ ass when he had his back to it. The evil ass-as-Sin`s of 9/11 represents those asses who prefer evil, asinine 11, that is, women as a piece of ass. The infamous British spy in World War II for the Germans was Lord Haw-Haw, which is a comment on pieces (ha) in the role of intelligence gathering. It’s God’s hau in the absence of stupidity, while teaching about the ha is the role of the Holy Spirit, while learning the haw of women’s seed is for the persevering student. Perceval is the Grail knight in the legends of the legendary British king, Arthur, as detailed in the 12th-13th century Welsh Mabinogion, and Le Morte d’Arthur (1485) by Sir Thomas Mallory, for example, who can `pierce the veil` of ignorance to perceive truth. Intelligence can pierce the veil for women in the same way as Longinus` spear Jesus` side; piecing together the Paraclete’s knowledge of women’s seed. Spears’ Perceval, as she pierces women’s veil. In the video single for the song, ‘… Baby One More Time’ (1999), Britney sings of death, which traditionally is the veil that`s pierced:


`My loneliness
Is killing me (and I).`10




 In the rastafari religion of Jamaica, `I and I` is the spirit and the personality, that is, the Holy Spirit or Paraclete, and the soul, which in ‘Stronger’ (2000) Britney sings of triumphing over the desire for death that the composers and lyricists had bound her to declare in ‘… Baby One More Time’, as `I and I` want to live:


`Stronger than yesterday.

Now it’s nothing but my way.

My loneliness ain’t killing me no more.

I, I am stronger.`11



 Osiris` myth is of women’s collecting pieces and recollecting memorially, whereas it’s their parts they should be remembering in slavery. Oedipus` fulfilling of the Sphinx`s riddle, as a blind man walking with a cane, is moral insofar as Oedipus blinds himself for incest, although as with Jesus’ perception that the woman allegedly caught in adultery can’t be an adulteress, as she’s a member of a species preyed upon by a parasite, the taboo against incest was designed to prevent women’s seed from remaining faithful to their own race, as the family of women denied their access to their own mode of sexual reproduction between each other, ‘Let he who is without sin cast the first stone.’ (John: 8. 7) Although Oedipus’ marriage to his mother, Jocasta, is serendipitous, discovering he’s broken the taboo causes him to put out his eyes, although it’s actually due to men’s perverse desire that women remain blind to their own seed.



 As Cain was the jealous murderer of his more able brother, Abel, and so of a pair of eyes not his own, as the penis is of women’s race, it’s theirs that men seek to blind with their taboos against adultery and incest. For Jocasta, Oedipus is a part of herself, so she’s undaunted by the breaking of the incest taboo when it’s revealed. In fact men wouldn`t want Christianity, as then women`s seed would see themselves as the human race, rather than the maliens imprisoning women in slavery. Men don`t want it to be known they`ve murdered women as a futanarian species with its own penis and self-reproductive valence. Although women remember men, it`s because that’s an aspect of men’s parasitism. The wars of homosexual pederasty are against women and her host womb in the form of HIV/AIDS` `biological warfare`, for example, the `blood plague` of Revelation (Rev: 11. 6) and God’s reason for destroying Sodom and Gomorrah.

 As ass sin 9/11 was a deliberate attempt by the asinine jokers of the serpent’s seed of homosexual pederasty to spoil the Big Apple of women`s memory, and attack Apollo 11`s Adam, that is, the `first man on the moon`, Neil Armstrong, who on July 21st, 1969, said, `One small step for a man. One giant leap for mankind.` Al Qaeda were terrorist dogs, who wanted Armstrong, Neil the `lamb (who is) strong` to kneel. For Al Qaeda, whose flag is a yellow moon, the Apollo program was a target. Representing enmity towards women’s seed, leaving for the stars alone, the ass-as-Sin`s, as the evil fruit of the tree of knowledge, were Cain`s, who offered fruit to God and jealously murdered his more able brother, Abel, whose cooked viands were more pleasing to God, signifying the intellectual development required to get the race going upward, rather than backwards.



 The Sphinx`s riddle is, though humanity crawls as a baby, the ass-as-Sin`s are for apes forever, which is why dogs carry the pieces of Osiris to the four corners of the Earth, as they represent terrorists and homosexuality, who prefer sterility and bones. In Islam, though, the four wives, permitted by the Koran, themselves correspond to the four corners, collecting the pieces, as the goddess, Isis, taught, so to remember. An archetypal symbolism of fourness, according to the developmental psychologist, Carl Jung, present in Jesus` crucifixion upon the fourfold cross, together with an unspoken injunction to remember women’s seed.

 In Jung’s developmentalist approach there are four functions of consciousness, that is, `Thinking`, `Sensation`, `Intuition` and `Feeling`, which represent full functionality when operational. The four wives in Islam prefigure the self-producing Virgin Mary at the center of the Moslem marriage, that is, women’s seed. Functioning as North, East, South and West for the goddess Isis` ha, that is, the parts of their completeness make of them a haw, while the term ‘whore’ derives from homosexual pederasty`s belief in the boy sons of war, that is, the poisons of the serpent’s seed, which women perforce are made to produce, although the vehicle for the self-actualization of women in psycho-social terms is the hau of the parts of the ha, men whore women for their wars against women’s seed.



 Babylon is ‘mystery’, as she`s the haw of Isis, whereas men want her to be their whore. There are many ha in Britney Spears` ‘Piece Of Me’, in which she appears copied, although she`s a haw not a whore, which is a corruption of the serpent’s seed. The gift of the astronaut in ‘Oops! … I Did It Again’, as the blue diamond pendant, is the collective female unconscious of the human species of which in the movie, Titanic, actress Kate Winslet is the representative star in the role of Rose. The jewel is a ha, or piece of haw. In effect, Britney’s spaceman `s a `fetching dog` and when he fetches she remembers. Death and rebirth means the Earth is damned to TV Set repeats, and people are reborn to fetch as slaves, that is, reproduce from the depths of their unconscious memory, what they’re made by slavers to struggle to remember of what has been before. It`s not about what the good can produce, who are killed, but that they’re reincarnated to produce the same again, which is why men’s semen is evil.

 When Britney`s spaceman takes off his space helmet, he’s the dog-headed god, Set, uncollared, that is, Sutekh; another of the names of Set. Her astronaut’s `suit-tech`, that is, suit technology, which makes him a ‘suspect device’, so Britney puts on him a dog`s chain, while he hangs suspended, as women’s seed doesn’t want to be weakened by slavery:


`Have you heard it`s in the stars?

Next July we collide with Mars.`12



 In ‘Oops! … I Did It Again’ Britney represents the weakness of women in collision with the Roman war god, Mars. However, as it’s written in the Bible: `Blessed are the meek, for they shall inherit the Earth.` (Matt: 5.5) The women of Islam in their black burkas, which they wear perforce to conceal themselves publicly from the eyes of the infidel looking to unwrap a burger and sink their teeth into it, are hidden, in accordance with biblical prophecy:


`The woman was given the two wings of a great eagle, so that she might fly to the place prepared for her in the desert, where she would be taken care of for a time, times and half a time, out of the serpent's reach.` (Rev: 12. 14)



 Weak, colliding with Mars, is the complexio oppositorum of Britney `lamb` strong in her desert in ‘Oops! … I Did It Again’, and Neil Armstrong, who as a malien corresponds to the `beast` of Revelation (13.11) that, ‘looks like a lamb and spake like a dragon’ (Rev: 13. 11-12) from inside Eagle, the lunar module, announced to NASA’s mission control, `The eagle has landed.`13 Britney descends in a giant`s ring to honor the memory of Apollo 11, and celebrate the `marriage of the lamb`, Jesus’ `bride, the church`, which in Revelation is described as consequential to the birth Jesus in his ‘Second Coming’ as the `New Redeemer`, designated as the protector of the hidden woman of the Earth until she is ready to leave for the new heaven promised to Eve’s seed by God. Either the future is to be one of spears hurled in warfare, that is, ICBMs launched by a beast strongarming the Earth, or of space rockets launched by a strong arm to colonize the stars.

 In ‘Oops! … I Did It Again’ the spaceman brings Britney ha, so she`ll be a haw. He`s damned, if he`s the serpent`s seed, who want a whore to pimp. While Redemption is certain for women`s seed, the evil receive perdition, as they’re men who’re the beasts of their whores. Whereas ‘Oops! … I Did It Again’ presents the future as a cargo cult, that is, the slaved reincarnated struggle to remember how to rebuild, ‘Piece Of Me’, from the Blackout album, identifies the problem as memory loss resulting from species` degeneration, deriving from civilizational collapse due to war. Although the blind want to see, cargo cults want to blind people, so they’ll work futilely for sight, as God tells Adam and Eve:


`By the sweat of your brow you will eat your food until you return to the ground, since from it you were taken; for dust you are and to dust you will return.` (Gen: 3.19)



 It`s a description of men’s enslaving of the human species of women’s seed as a cargo cult. Without the knowledge to build starships, or even mobile phones, the Earth is a cargo cult in which the reincarnated endeavor to construct what they can imagine, through image impulses in dreams, that is, what Jung called the archetypes of the collective unconscious, or remember from their ancestral memory, of what they’d had before. Low technology is the device employed by homosexual pederasty, war, and the enslavement of women’s seed, with their own penis, and the desire to see what they’d made of it. Blindness isn`t a metaphor to women, although they’re taught to believe it’s their nature. As a species, women are enslaved by the maliens, who periodically devour her more advanced civilizations and cultures in war. As the devourers of homosexual pederasty maintain women’s seed as their cargo cult, women are `blacked out`, blinded by their malien murderers, while striving to piece together their hau.



 The sum of the parts of her ha might be the dream of a haw to see, but homosexual pederasty wants a whore for their boy sons of war, that is, their poisons that manifest as the biological warfare of HIV/AIDs against the species of women, as the futanarian human species; the host womb of their parasitism inveigled into bearing disease transmitters. A piece is both a whore and a gun in US’ vernacular, denoting the blinding of the collective consciousness to the status of women as condemned meat.

 In ‘Oops! … I Did It Again’ Britney`s spaceman represents those victims who’d had heart for the mission, but are doomed by the enslaving vampire of the serpent`s seed and its full grown devouring draco, represented by the `red dragon` (Rev: 13. 4) of homosexual pederasty and war in Revelation; waiting to eat another child. The Earth’s vision of itself is of thwarting the return of women to the stars by denying their productive capacity and taking it for themselves, while maintaining women as their prisoners.



 Britney`s Circus (2008) album contains ‘Womanizer’ in which she has the role of four different characters in accordance with the four wives of Islam social model. The circus is a euphemism for spying and what`s spied upon is the cargo cult, because the enslavers don`t want the enslaved to know. Consequently, the concept of the four wives of Islam with a futanarian woman with her own penis at the center of the marital arrangement is a fragment of racial memory that the serpent`s seed of homosexual pederasty and war wouldn`t want to be remembered, as it would threaten the malien hegemony over the cargo cult of women, that is, the futanarian human species, and its products of art, civilization and culture, periodically destroyed by the maliens to maintain women’s ignorance in slavery of their unremembered penis’ seed and unique species’ developmental valence.



In psychological terms, the existence of women’s penis and its suppression by maliens is proof that the penis is the instrument of human developmental functionality, and incidentally explains preoccupations with pornography, as the malien taboo against the human penis being seen, is the desire that women’s seed remain unknown. The overseers of the cargo cult don`t want the woman`s penis to be visible; lest women see their own slavery. Britney`s astronaut training in ‘Oops! … I Did It Again’ is penis` resurrection, presented as circus training for an animal. In global terms, spying on development is what spy rings do. However, cargo cults that develop to the point at which freedom is achieved, and `Liberty` is more than a metaphor for hope, represent the desired for escape from malien imprisonment, which those who are employed in spy rings might seek to prevent.

 The global surveillance, imposed after US’ President George W. Bush Jnr`s declaration of the `War On Terror` (2003-), after 9/11 and its subsequent events, made it impossible for anything to emerge from the ruins of New York`s World Trade Centre except more rough trade in warfare and the gay boy sons of the war god of Mars’ poisons`, that is, HIV/AIDS, as spy rings are designed by homosexual pederasty to prevent the development of women’s seed reaching the point at which the human species can emerge to live amongst the stars in heaven. Consequently, the imposing of a global spy ring was the covert aim of the devouring red dragon of homosexual pederasty:


`And the eyes of them both were opened, and they knew that they were naked; and they sewed fig leaves together, and made themselves aprons.` (Gen: 3.7)



 Masons also wear aprons as a sign of the builder. Adam and Eve perceive themselves watched. After God expels them from Eden, because they`ve accepted knowledge of evil from the serpent, they`re `in development`, as the Los Angeles` Hollywood press might say, of art, civilization and culture. However, the serpent and its seed are told they`ll have perpetual enmity with women`s seed, as they represent the spies who enslave and devour through their cargo cult. 9/11`s terrorist attack on the World Trade Centre of New York`s Big Apple was the sign of the builders whose work is destroyed, as it represents development on the part of women`s seed or hau, that is, women were becoming haw, rather than a whore for the serpent`s seed of homosexual pederasty and rough trade in gay boy sons, who’re the poisons of species’ warfare.

 9/11 was an attack on the Great Architect, God, by the masons of the serpent`s seed, who don`t want women`s seed to develop, and the seed of the Big Apple grown from the tree of knowledge into the wisdom of the free internet that, without global surveillance placed upon it and its users, could have been a tool for the liberation of women as the human species. Although circus refers to entertainment, it derives its name from the Roman circuses where men fought as gladiators for homosexual pederasty deriving from an earlier Greek civilization, which originally spread the gay contagion by enslaving women as host wombs to further war. As the term ‘circus’, as applied to spying, is the furthering of gay war aims by espionage and subterfuge, 9/11 was ‘the circus’, aiming to reestablish the enslavement of women as wombs for its poison horde. In the title track, ‘Circus’, from the album Blackout, Britney Spears` training for the intelligent gathering of the church of her projected men of God continues:


 `There`s only two types of people in the world.

 The ones that entertain and the ones that observe.


All eyes on me in the centre of the ring, just like a circus.`13



 As their focus, Britney`s the one who`s watched, filmed, and photographed everywhere, so she’s collected and remembered, which is what intelligence gathering is: the knowledge that God wants her people. She’s Isis to herself as Osiris, who will be Horus, the sky god, when her ha are collected and remembered, but not all her men`s parts are wanted, as the satellite guided bombs on TV Set illustrate. As Britney’s a schizophrenic, in ’If U Seek Amy’, forgetting to take care of herself, and `lose all her senses ... [which is] ... so typically me`, as the lyric goes in ‘Oops! … I Did It Again’, is the obvious danger for women. Proclaiming herself the anti-Christ, Britney shaved her head and lost custody of her children and fortune in March 2007, when the legions of the paparazzi of homosexual pederasty and camera shots caught her neglecting to pick up her child Sean`s cap, while running for a car outside New York`s Ritz Carlton hotel by Central Park, and reported it to the appropriate authorities.



 If Britney had been a part of a fourfold Moslem futanarian marriage, with a woman with a penis at its center, denoting the repressed developmental archetype of the `Self` of a woman, that is, her four functions of differentiated consciousness, necessary, in developmental terms, to actualize her magical personality, that is, Akht, she wouldn`t be schizophrenic, but would receive support from the Islamic marriage. However, declaring herself `bisexual` alerted the serpent`s seed of homosexual pederasty and war broke out against her independent woman’s nature, which resulted in Judge Reva Goetz at the Stanley Mosk Courthouse, on February 1, 2008, misogynistically redistributing her wealth to her father, Jim, and erstwhile manager, Jason Trawick, on the strength of his saying he might marry her eventually.



 While she recollected herself through her surrogate personality, `Amy`, those who played a part (ha) in her career weren’t supportive and the haw was, `ha ha he he ho ho hum`, fragmented through the parts she had to perform as a media persona, which is women`s traditionally vulnerable mask, as it’s meant to appear an inscrutable riddle that isn`t penetrated. In Jungian psychology a woman`s animus spirit is, similarly, a cynosure for all male eyes forming a circus around her, as a ring for whom she’s illusive in the assembling of ha to make of her life a hau.

 The title of the album containing ‘Piece of Me’, Blackout, suggests Britney`s problem was equivalent to the dog Set`s dismembering of Osiris, that is, the parts (ha) she played, or played with, others didn`t want her to remember. If the songs of Blackout are fragments of a memory of what had been before, which the dismemberers have made her forget, she needs must record it again, as the slavers of cargo cults bend women to their will in an ad nauseum repetition of same again, without the possibility of Salvation.



 Although wartime blackouts are power cuts to conceal lights visible from the air, if enemy night bombings are anticipated, it`s also a term for the media`s voice being silenced by government, for example. As New York`s Big Apple may be construed as Adam`s, that is, Saddam`s on 9/11, there the seed of Eve, preparing to announce the Advent of the `New Redeemer`, were symbolically silenced, as the Al Qaeda terrorists crashed their hijacked planes into the Twin Towers, symbol of the paired speakers of women’s seed, as the Ka’ Ba (cube) in Mecca, speaks more silently of the Ba of the women’s Ka.

 Nein 11 is construable. A daylight, Nazi-style, blitzkrieg, that is, ‘lightning war’, typical of Germany and its allies, Japan, Italy, and Iraq in their World War Two (1939-45) attempt to impose slavery on the world. Cowards inside Trojan horses aren`t knights on horseback rescuing Helen, `the most beautiful woman in the world`, as she was famed, when the Greeks besieged Troy to restore her, wife of Menelaus, abducted by the Trojan, Prince Paris, and recaptured by the artifice of concealing soldiery inside a wooden horse; a metaphor for rapine and plague. The terrorists were other asses, adopting an air of civil craftiness, aimed at blacking out art to perpetrate disaster. As slaves of the cargo cult construct what has been before, so the reconstructions are devoured to ensure slavery. For those who experience déjà vu the poster on the wall of the Twin Towers, before 2001, was a reminder that 9/11 had occurred. The World Trade Centre would then be perceivable as 666, that is, 999 reversed, rather than a `police reconstruction`, with the repeating of the building for the cargo cult as the goal. Only in the US is the number of the police 911; a mnemonic for 9/11, that is, to remind the establishment they aren’t slaves of the cargo cult. That no one called a warning illustrated the cargo cult’s power to repeat what had gone before.


Inca artifacts of the 13th century are suggestive of  a `cargo cult`


 War dogs don`t want people to remember, or communicate, to recollect. They want repetition to be top dogs and produce sad damned people. Those damned by the cargo cult can`t see their enemy; even in daylight. However, making Britney Spears reproduce Blackout, they can watch 9/11 again. All that the 21st century had to hope for afterwards was repetition, as cargo cult slaves doomed to make the mistakes of the past; its beauty spots despoiled by malien visitors.

 The American, and other military, have the expression, `buying the farm’, which is used of war heroes who have lost their lives. Either it’s England’s social critic and novelist George Orwell’s ‘animal farm’,14 or it’s the pharmacy for the rich, keeping the spirit body in heaven on a drip feed linked to the deceased’s bank account. The 9/11 terrorists correspond to the sad damned of the cargo cult; replaying their roles: doomed by their inability to act otherwise. While terrorists warrant perdition, heroes have the farm. 9/11 was sad, damned tapes, pre-programed by the ass-as-Sin’s, that is, the HIV/AIDS` virus program of the devouring red dragon of homosexual pederasty and warmongering. Contracted from apes by homosexuals mixing blood, shit and semen in their anus, as a mutant variant of simian immune deficiency (SIV), the human immune deficiency virus (HIV), resulting in acquired immune deficiency syndrome (AIDS), was homosexuality’s damned ape machinery; designed to repeat their karma. 9/11 occurred as a repeat performance for the entertainment of slavers who wanted to bugger their boys again.



 The riddle of a woman`s persona is how she recollects her parts (ha), while presenting a mask that accepts others as individuals, although they’re parts (haw) of herself, that is, in religious terms, as God is their divine fragments, women are Sphinx-like. In the symbology of her lion`s body, the Sphinx, with eagle’s wings, and a woman’s face and breasts, represents the product of men’s homosexuality, that is, castrated, without men, but perforce reproducing.

 Oedipus’ answer to the Sphinx’s riddle was gun, as that’s how men allow women to move. A third limb that, fully developed, aids in hunting women to extinguish the human species. Homosexual pederasty is sterility and death, and it`s why the ass-as-Sin’s want each other; to reproduce the cargo cult’s enslaving of women’s seed and its tormented attempts to escape its killer.



 The evil wouldn`t want Britney Spears to dwell on Mars, as it’s the war god of the Romans, whose `beasts` of Revelation were Saddam Hussein and Osama Ben Laden`s Al Qaeda, trying to make asses of the US, in accordance with Mars’ principle of homosexual pederasty and war. Britney`s symbolic presence on the red planet represents the thwarting of evil for women of the Roman goddess, Venus Aphrodite. As the love goddess there, Britney’s a figure of the self-reproducing Virgin Mary; the prefiguration of futanarian hermaphroditism. Like Jesus, the `perfect man`, hermaphrodite is born without a contaminant from male semen, that is, she isn’t a simian homosexual, but rather defined in Genesis as the seed of women awaiting a new heaven and Earth devoid of the serpent`s seed.

 In ‘Piece Of Me’ Britney sings of herself as the American Dream, and so corresponds to the spear’s Destiny, that is, she’s destiny maid; manifest as a symbol of `Liberty`. The Paraclete, or Holy Spirit, born from the side of Christ, when it was pierced by the spear of the Roman centurion Longinus, are the pieces, which can only be through acceptance of Jesus` teaching of the Holy Spirit; `Second Eve` from the rib of the `Second Adam`. Progress for women’s seed, which Saddam Hussein and Al Qaeda’s 9/11 terrorists sought to spoil.



 9/11 actually connotes paranoid schizophrenia, as it`s either/or else. Although the `New Redeemer` of the 21st century should be the protector with the scepter of the hidden women’s seed on Earth, according to the evil they won’t be leaving for Mars again.



 Apart from death or glory boys, known as dogs of war, whose symbol is the skull and crossbones, like pirates` `Jolly Roger`, British special forces are called `funnies`, although Asinine 11 demonstrated skull boys` humor`s problematic. While Britney on Mars includes a pun on British and Neil Armstrong, that is, the special relationship between the US and UK, in Brit-Neil Armstrong, awareness of women’s seed by the man of God in the dog collar would make it difficult for him to explain to the victims of 9/11 terror that Al Qaeda`s dogs are not of a breed dissimilar.



 Concerned with Resurrection and Salvation, the man of God is concerned with putting together the ha, as parts of the haw, which are the pieces dismembered by the dogs of Set in Egyptian mythology. Observing television Set`s on 9/11, anyone could perceive that Set`s mythological opponent, the sky god Horus, armed with satellite guided bombs, and even more advanced technology, prefigured mutually assured destruction (MAD). Pastors should be grateful that US’ special forces` emblems are nondescript blank colored shields unemblazoned with sick skull boy humor to make their job of Resurrection and Salvation more difficult.



 For those with an evil humor, Brit-Neil contains the idea of strongarming the UK to its knees, whereas Britney `lamb` strong denotes the US as Jesus’ `lamb` of God, prepared to be strong, and who comes in Revelation with the sword to defeat the evil serpent`s seed, before God gives woman`s seed a new heaven and Earth. The red dragon of homosexual pederasty and war`s counterpart are whores, forced to produce the gay boy sons of the serpent`s seed that war upon women’s seed, as the poisons of HIV/AIDS` biological warfare deployed against the host wombs of women’s seed.

 Britney`s tribute to America`s `small step`, Neil Armstrong, is as a `small woman`, descending in a giant ring in ‘Oops! … I Did It Again’, while her composite vision of Britain and the US, as Brit-Neil Armstrong, is in contradistinction to Saddam Hussein. The Iraqi dictator`s name meant `crusher` and `small, handsome man`, in the clichéd manner of Hollywood`s `Babylon`, where oppressors, such as Genghis Khan and Napoleon, are ritually glamorized on their TV set’s ‘small screen’.


 As nein 11 parodies Apollo 11 the sad damned joke is that the terrorists ensured that the hermaphroditism symbolized by the `Britneil Armstrong` conflation would never get to Mars. Britney`s lyric in ‘Oops! … I Did It Again’ is, to the auditor, ‘… hide. Did it again!` As evil hides in men who’re effectively skull boys playing pirates, the Bible promises the serpent`s seed eternal unendurable pain, as a punishment from God for its  crimes of homosexual pederasty and warfare against women as the human species. Encouraged by such programing as Ben 10, who transforms into 20 aliens in order to fight evil aliens, genuine schoolboys aren`t educated in the maliens’ perceived production of the boy sons of the women of the Earth as poisons, while the Bible defines as Redemption, through Jesus’ teaching of the Paraclete/Holy Spirit, knowledge of women’s seed. As the `Second Eve` emerged from the rib of Jesus, the `Second Adam`, evil was deemed malignant, rather than innate.



 The US’ defense system hacker`s coffin handle could have been Osama Ben Laden 10, with 9/11 as a 50s movie scenario, and an alien invasion theme in which the maliens, fighting on either side, aren`t benign. Although Ben 10 was a character designed by the Man of Action group for children viewers of Cartoon Network Studios, and owned by Warner Bros., as maliens refuse to grow, or let their daughters be educated in women’s seed, the spin-off products made by Bandai and Playmates Toys for the toy stores are disabled at design level.

 In Revelation,`he who shall rule the Earth with an iron scepter` has a mother who is hidden, while there`s `war in heaven’. She gives birth to the `New Redeemer`, while the red dragon of Revelation waits to devour. As Britney`s red suited figure in ‘Oops! I…  Did It Again’ is the Mars bar, that is, the Ba personality, which symbolically conjoined with the Ka of her twin, in the white bikini dress of the video single, constitutes the magical personality of the Akht, that is, she`s akhbar (great) in Arabic, Redemption is represented by her `mission controller`, hopefully strong enough to protect life on Earth before women’s seed leaves.



 With their sidearms, men fulfil the Sphinx`s riddle; the evil have three arms to go with the other armies. Men who prefer the gun will walk alone with it, as they`ll have murdered the symbiote parasitically coerced to walk beside them. Unless they accept Jesus` teachings of Redemption through women’s seed, and the Holy Spirit/Paraclete as teacher`s assistant, it`ll be their perdition.

 Britney`s suspension of her astronaut, as the `fool` or `hanged man` of the Tarot deck of cards, which is purportedly a portable book of Judaic law, the Torah, figures him as `The Traitor`, that is, he’s spying with the camera attached to his space helmet, while she`s Britney `lamb strong`, that is, the `lamb of God`, with the `strong arm` of US` Manifest Destiny behind its Spears. Having first touchdown, or TD on Mars, she descends inside her giant`s superbowl ring to greet her spaceman guest. Underscoring fears of rebirth and reincarnation, as a damned reproducer for a cargo cult of what she`s produced before, ‘Oops! … I Did It Again’ is a cry for help:


`You see, my problem is this

I`m dreaming away, wishing that heroes, they truly exist

I cry watching the days.

Can’t you see I`m a fool in so many ways.`



 Britney`s singing in the third person and the spaceman`s thoughts are in hers. In terms of the Tarot symbolism, Britney`s astronaut’s the fool, as hanged man, who perceives that one man`s hero is another man`s fool; or even `The Traitor`. Alternatively, Britney wants heroes, but they`re egotistical, which is problematical for a woman who wants support, rather than competition. Such spacemen are the tools of the cargo cult wanting her return to Earth to repeat previously released material. If the hero’s a fool and not `The Traitor`, he`s an action man innocent of cargo cultists, corresponding to the dogs of war as well as men of inaction, who want Britney to reproduce songs from memory, as a piece of her mind, which process isn’t Salvation.

 The dogs of war are homosexual pederasty`s plague carriers; not US’ football heroes’ touchdowns, or the TDs of NASA`s space program. In ‘Oops! … I Did It Again’ Britney Spears` one point is made after the TD.  At video`s end the NASA astronaut walks backwards, that is, it`s a simulated rewind; the play can be made again, which is what cargo cultists do. In terms of Egyptian mythology, Britney`s spaceman is a dog, who fetches her ha; then she’ll have a haw. The video, which presupposes play, fast forward, and rewind, represents what a working cargo cult does. However, as `The Traitor` wants her to reproduce singles through reincarnation and memory, Britney’s that cargo cult worker.



 Britney`s astronaut`s role is to depict `The Traitor`, who wants rebirth into the circle of birth and death; coerced into reproducing what’s gone before. A hero is neither fool nor `The Traitor` but educated into the knowledge that the Earth`s a cargo cult and wants Salvation. The evil want to make a cargo cult of newborns, while women’s seed want men of God, though not bone-burying wearers of a dog’s collar. Britney needs the teaching of Jesus` Holy Spirit and Redemption to leave the Earth in accordance with the promise in Revelation of a new heaven and Earth and immortality; escaping from being a damned reproducer of what the damned formerly reproduced.

 From a psychological perspective, anal is analysis. The ass-as-Sin’s of homosexual pederasty is murder, again recurring after reincarnation, if the individual has been born before, to ensure repetition again. It’s an idea containing the notion one can murder oneself for the ha that one’s older self has, for example; then Ben 10 won’t ever make it to 11.



 ‘Oops! … I Did It Again’ begins with the call sign of the astronaut, `Mars Lander`, which as `Phoenix` in the NASA space program’s May 25th, 2008, landing, signifies `Bennu` in Egyptian mythology. The Phoenix is the fire bird of mythology, which arises renewed from the ashes. In terms of television Set and the sky god Horus, what arises from ash is what emerges from the conflict between the low technology of Saddam Hussein`s Iraqi dictatorship and the higher technology of the air power of the US, with its satellite guided missiles, etc., unleashing the dogs of war upon the Earth, while Britney`s lyric encapsulates the story, lamentedly `… [sigh] did it again`.



 9/11 wasn`t benign 11, while Ben 10, featuring a malien defeating aliens, is the planetary perspective of the Earth, that is, television Set`s TV Gulf wars (1990-91; 2003-), with Horus, the sky god of the US, are the evils of homosexual pederasty. Consequently, the Egyptian Bennu is the renewal of evil, while television Set and Horus are a malien mirror of each other’s slave systems. According to the myth, Horus has the moon in one eye and the sun in the other. However, in the mirror the right eye is the left, as the left is the right, which means the sun and moon are in both. Although Isis is the sun goddess, the symbol of Al Qaeda’s Independent State of Iraq and Syris, that is, ISIS, is the moon, while in Revelation the `New Redeemer` is born from the `woman clothed with the sun and with the moon at her feet`, as women’s seed are a species with their own penis as futanarian, which is what they see in their mirror, that is, they’re the sun and moon, whereas homosexual pederasty is slavery through war, which isn’t God’s new heaven and Earth reserved for women`s seed.



 Ben 10 is the perception that, as it`s the maliens` mirror, proverbially, `there`s nothing new under the sun`. (Ecc: 1. 9) Benign 11, as the stereotypical 50s malien invasion movie, affords feminism the opportunity to define the terrorism of homosexuality as `politically correct`, that is, the castrated race of women don’t have their own seed, but are lesbian smoothed for host womb slavery by the maliens. Ancient Greek society, based on the Trojan horse of enslavement by the virus of homosexual pederasty, produced its boy sons to spread its contagion of war, with lesbians as their aids in castrating women’s seed to prevent the host womb of the human race escaping from the gay plague.


1st US Special Forces


 9/11’s terrorists, feigning friendship towards the US, were a biblical sign of the ascendance of the homosexual `blood plague` (Rev: 11. 6), that is, misogynist vendettas, manifesting in the late 20th century as ‘ethnic cleansing’, during the Bosnian (1992-5) and other wars of independence from the Yugoslavian ‘superstate’ of the Balkans, where Christian Serb militia set up rape camps for 70,000 Moslem women, for example, to ensure racial purity, or rather host womb slavery to male semen, as homosexuality pursued biological warfare as the human race’s devouring parasite. As the center of the maliens’ cargo cult, enslaving women’s seed for the purposes of their devour ring, the Earth’s television Set’s loss to Horus, the sky god of satellite bombing, was willingly, and with gay abandon, despite American philosopher George Santayana’s grave warning that:


`Those who cannot remember the past are condemned to repeat it.`15


Queen`s Royal Lancers


 The evil murders adults to let the blood poisons of homosexuality work in reincarnation to produce hope from ash and the repetitiousness of slave warring. The `red dragon` of pederasty wants only repeats from television Set and Horus, the sky god of satellite bombing, is its future, until there’s war with Mars.



1 Apollodorus, Library of Apollod, 3. 5. 8.

2 Eliot, T. S. ‘The Wasteland’, I. The Burial of the Dead, The Criterion, October 1922, l.76.

3 Lazarus, Emma ‘The New Colossus’ (1883) in David Lehman (ed.) The Oxford Book of American Poetry, Oxford University Press, p. 184.

4 ‘One man’s meat –‘ , .

5 Martin, Max, and Rami Yacoub ‘Oops! … I Did It Again’, Britney Spears, Oops! … I Did It Again, Jive, 2000.

6 Aeclectic Tarot, .

7 Opie, I., and P. Opie ‘Hey Diddle Diddle’, Roud Folk Song Index # 19478, The Oxford Dictionary of Nursery Rhymes, Oxford University Press, 1977, p. 202.

8 Kotecha, Savan, Alexander Kronlund, Max Martin, and Shellback, ‘If U Seek Amy’, Britney Spears, Circus, Jive, 2008.

9 Åhlund, Klas, Christian Karlsson, and Pontus Winnberg ‘Piece Of Me’, Britney Spears, Blackout, Jive, 2007.

10 Martin, Max, and Rami ‘… Baby One More Time’, Britney Spears, … Baby One More Time, Jive, 1999.

11 Martin, Max, and Rami ‘Stronger’, Britney Spears, Oops! … I Did It Again, Jive, 2000.

12 Porter, Cole `Well, Did You Evah!` from the musical DuBarry Was A Lady, 1939

13 Armstrong, Neil, July 20th, 1969, UTC 20.17.

14 Orwell, George Animal Farm: A Fairy Story, Secker and Warburg: London, 1945.

15 Santayana, George Reason In Common Sense, The Life of Reason, Vol. 1, 1905, p. 284.