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Dr Who and the Chair Legs, Britney Spears` Stronger and Robert A. Heinlein`s `Gay Deciever`


Dr Who and the Chair Legs, Britney Spears` `Stronger` and Robert A. Heinlein`s `Gay Deciever`
The Time Lord and his time machine, `the Tardis`, is the protagonist known simply as `the Doctor` in the perennial British `science fiction` television series, Dr Who (1963-) in which the most famous of the recurring threats to humanity are the enemies of the Doctor, `the Daleks`, aliens resembling pepper pots broadcasting the alarum, `Exterminate! Exterminate!` whenever the Doctor and his pulchritudinous, seemingly virgin assistant, appear.
 Parallels between Dr Who and the story of Jesus and his renowned celibacy are plain. Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus doesn`t seem interested in women, which has been the standard for role models in television and movies almost since Hollywood, Babylon, began. Taboos against the penis reinforce a picture of heroic celibate males impervious to the obvious sexual allurements of their companions; for example, David Addison and Sybil Shepherd in Moonlighting (1985-89), `Bosley` in Charlie`s Angels (1976-81) or Jon Pertwee, the third actor in the role of Dr Who, (1970-4) and whatever feminine beauty `the Doctor` is given as his assistant. The subplot revolves around the unspoken question,
`Will they, or won`t they?`
 They often don`t because of the taboo against the penis` implicit presence in romantic scenes between a man and a woman, which is deemed unimportant because lacking in spiritual, that is, intellectual, value. But Jesus` `Mission` was to point out the value of the `host` to the guest, that is, according to scripture men are the enslaving and devouring parasites of what God describes as `woman`s seed` and its `perpetual enmity` with the `serpent`s seed` before `she shall crush the head of the serpent as she leaves` (Gen: 3. 15) for the `new heaven and Earth promised to her by God. At the `Last Supper`, before his crucifixion and death, Jesus broke bread and gave wine to his disciples as tokens of his `body and blood` because he wanted his adherents to understand that he didn`t want to be killed by the parasites. In ancient Greece institutionalized enslavement of women`s host wombs for the furtherance of war and its contagiousness was the model for Western society while in the East was:
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 16. 11)
 In the Greek drama by Sophocles, Oedipus Rex (c. 429 BC) the Sphinx`s riddle has to be solved by Oedipus, `What has four legs in the morning, two in the afternoon and three in the evening?` Oedipus consults a seer, who tells him `Man`, because he crawls as a baby, walks as a biped, and uses a cane in old age. Britney Spears` pop video for `Stronger` suggests another interpretation. `Whatever!` she says huffily to a man and woman in a bar resembling the interior of the Tardis from Dr Who and marches straight through a pair of exit doors that, in the TV show, would leave her outside the Tardis on whatever planet `the Doctor` had arrived at:
`There’s nothing you can do or say, baby. I’ve had enough. I’m not your property as from today, baby. You might think that I won't make it on my own. But now I’m ... stronger ...`
 The scene change reveals Britney Spears inside a room of total darkness apart from a single chair she dances with. Instead of the movie Doctor Who and the Daleks (1965), it`s Britney Spears and the chair legs, because an adult needs four chair legs. Britney goes on to dance with a cane, to emphasize the almost total darkness of the cave-like scene, because blind people use a cane. In the story of Oedipus, he`s blind metaphorically, at the beginning of the drama, and blind in reality at the closure, because he`s married his mother and is so horrified, because of the incest taboo, that he blinds himself:
Blind who now has eyes ... he will grope his way toward a foreign soil [Iraq, Baghdad; for example], a stick tapping before him step by step.` (517-9)
 Although the answer to the Sphinx`s `riddle` is `Man`, the idea of a three-legged man relates to the notion of the saurian `serpent`s seed` whose instinct is to devour and balance on its tail while eating its victims. In modern day usage the cane is a gun, which relates to the Bible tale of Cain and Abel in which the murderer of the able bodied person is called Cain, because he brings blindness. The developmental psychologist Carl Gustav Jung (1875-1961) observed that instinctuality is transformed into spirituality, that is, intellectuality, in the course of individual growth or progress, so the spinal column and the brain of the human are the vestigial remains of the saurian tail of the reptilian desire to devour. The third leg of `Man` is the brain, but the murderer, Cain, is disabled and needs a gun to walk with, because he`s a suicide and he`s blinded himself:
`Love your neighbour as you love yourself.` (Matt: 22. 39)
 Because you are your neighbour, and if you kill you lose brains and eyes, which result in men`s fall to the level of the ape. Oedipus` mother Jocasta is concerned solely with her line`s continuing. Men will become extinct because they kill their own developed selves For A Few Dollars More (1965), as is indicated by Oedipus` unwitting killing of his father, Laius, King of Thebes, during a typical male argument, and the title of Hollywood, Babylon`s `spaghetti Western`, one of a series of movies about killers in the United States` early days. Men want to explain that their instinct to kill is natural, and so the human species is all but extinct. Women have their own penis` `seed` as `futanarian`, because they`re a separate and distinct `biune` species capable of self-reproduction and socio-economic independence, but they`re `hidden` and not visible because Hollywood, Babylon, and Cain, the murderer, don`t want the species to see herself, because then the producer would leave together:
`Cameras are flashing while we're dirty dancing. They keep watchin'.`
 Women`s orgasms take longer to reach and so they need more time and privacy when they`re vulnerable to the `serpent`s seed`. In the garden of Eden Adam and Eve noticed that they were naked after eating `the fruit of the tree of the knowledge of good and evil` given to them by the serpent, because they were watchable. Men`s instincts are to kill what`s watching, whereas women as a `biune` species are single and each other, without predators, if they`re alone. God`s given `woman`s seed` her own penis along with her clitoris and self-reproducer`s womb, so that she can be `private` and not seen while she`s engaged in sexual pleasure, reproduction and self-production by means of her own single species` brain power:
`Here I go, on my own. I don’t need nobody, better off alone. Here I go, on my own now. I don’t need nobody, not anybody. Here I go, alright, here I go.`
 Dancing with a chair and a cane in a cave-like room, Britney Spears` `Stronger` video says she`s an intelligent biped who knows that men are her blinders. Because a baby may crawl on all fours in its innocence, but a woman would see that she needs a chair if she weren`t prevented from seeing that. The video single features a car, which has four wheels rather than four legs, and so represents greater technological development, while Britney Spears is seen driving a car alone. The idea is that men have built a car for her, but everything the human species creates comes from the host wombs of women. With their own penis` `seed`, women would be able to create from their own species` brain power and self-production. The first mass produced car was the Model T-Ford, but the system of pedals didn`t change from 1908, because the four wheeled motor vehicle is used to disable the driver, and the infantiled crawler behind the steering wheel is blind to that:
I used to go with the [traffic] flow. Didn’t really care ‘bout me. You might think that I can’t take it, but you’re wrong. ‘Cause now I’m… stronger ...`
 Reincarnation is the principle of rebirth and Britney Spears` time-travelling Tardis` occupant in `Stronger` represents the `car go` cult. If the car goes, that is, if it remains as a functioning vehicle, the reincarnated human species will go on as a `cargo cult` in which the car is always ready and waiting to disable its occupants, who are reborn to work before they`re killed again after producing. Because HIV/AIDS is the `biological weapon` of homosexuality`s mixing of blood, shit and semen as a `killer disease`, keeping women in fear and faithfulness to her enslaving and devouring parasites, pederasty is what keeps the foot on the pedal, that is, woman`s biune species of `futanarian` enslaved as the consumed pet `trull` of her car owner.
 In Egyptian mythology the `Ba` and `Ka` are personality and spirit, which come together as the `magic personality`, the `Akht`, after death. Jesus` Resurrection and Ascension to heaven after his death and crucifixion, is a `magic Akht` in mythological terms. In `Stronger` Britney Spears` chair has bars, because her `Ba personality` needs support for her spine, and the car she drives away in is the symbol of her spirit or `Ka`, because hers is a `magic Akht` too.
 In the video for the single `Gimme More`, from Blackout (2007), which is the cave-like metaphor for the blindness that comes from men`s censoring of her eyes through murder, blonde Britney Spears sits at the bar, while brunette Britney Spears performs the song for herself:
 `It's Britney, bitch. I see you, and I just wanna dance with you.`
 In Egyptian mythology they`d be `Ba` and `Ka`, because brunette Britney Spears is the `bar personality`, while `Ka` means `spirit` and so blonde Britney Spears drinks `spirits`. Together they`d be a `magic Akht` because the human species of `futanarian` woman is biune, but apart they`re imprioned by bars and their `spirits` induce unconsciousness because they tell their daughters the lies they`ve been taught.
 In `Gimme More` Britney Spears is biune, which is what she says when asked about her sexuality, `I`m bi.` In the video single `Oops I Did It Again` (2000), Britney Spears appears in a red pilot`s suit on Mars, presumably having gotten there in a spaceplane, and she encounters an astronaut wearing an Apollo spacesuit, who she hoists above herself in a white bikini dress by means of a hook and pulley, so he can film the biune species with the camera attached to his spacehelmet and then `Mission Control` might finally get the picture:
`You think that I'm sent from above. I'm not that innocent.`
 Just as the car`s controls haven`t been changed in a hundred years or more, so that the drivers remain disabled, the Apollo spacecraft was disabled to make it operable by the astronauts to make them feel like men. The original crews were apes and so Apollo 11 for the moon landing to put the first man on the moon, Neil Armstrong, on 20 July 1969, had its automated controls removed so that the crew could be disabled enough as operators to feel like men, which is what homosexuality is, disabling for `woman`s seed`. So Britney Spears` astronaut has the tines of a giant`s fork beside him as a motif corresponding to the giant`s ring Britney descends to her stage set inside at the beginning of the video for `Oops I Did It Again`. It`s a devour ring, if men keep on disabling themselves and `woman`s seed`:
`And the world is spinning and she keeps on winning, but tell me what happens when it stops?`
 In her video for the single `Lucky` (2000) Britney Spears is `the Doctor` again and for  her role she has several assistants who are herself, because women are a biune species capable of self-reproduction and so she needs `production assistants` she can rely upon. In `Hold It Against Me` (2011), she`s surrounded by video images of herself performing songs like `Gimme More`, `Oops I Did It Again` and `Lucky`, and she`s seen fighting herself as another means of getting the message across to `Mission Control` that the female species of woman is `futanarian` with her own penis` `seed` and wants to be free of its tendency to sucide her, which is the subject of the lyric in `Till The World Ends` (2011) from the album Femme Fatale:
`See the sunlight, we ain't stopping. Keep on dancing till the world ends. If you feel it let it happen.`
 Men`s perception is that, whoever is in space, is in their space, whereas women as a biune species encountering itself observes that it`s some more space where they can be together with themselves. Consequently, men are women`s `space invaders` and wherever men are women`s space is being invaded by her enslaving and parasitical devourers that have somehow taken over her host womb to emerge as the destroyers of the civilizations, cultures and art she`s able to produce despite their depredations.
 By the late 20th century men`s ejaculations into the wombs of women had actually become virulent as what the Bible calls the `blood plague` of HIV/AIDS, which was the consequence of their `love gun` penis` `seed` becoming uncontrollable. The sexual permissiveness of the 1960s `love generation` proved men to be a `killer disease`. HIV/AIDS emerged as their `biological weapon` against the host wombs of women, created in their mixing blood, shit and semen in anal sex with their penis` `serpent`s seed` prefering men to women in order to spread homosexuality`s main contagions of pederasty and war further.
 In socio-biological terms men`s contaminate ejaculate is a sign of their devourer`s functionality, because they`re saying to women, as the biune human species, that they`ve finished with their love: gun. Men are eaters of human flesh, whereas women are self-lovers and self-reproducers in biunity, which is a single species when unembroiled in a parasitical relationship.
 In the science fiction novel Starship Troopers (1959) by Robert A. Heinlein there`s war between spiders and `boys` who are delivered by their mothers, the starship pilots, which is probably why Britney Spears appears in her `scifi` video `Oops I Did It Again` in a red pilot`s suit with an Apollo astronaut, because he`s her `boy`. Juan Rico is the leader of his troop, `Rico`s Roughnecks` because Starship Troopers was based on US President John F. Kennedy`s newly created elite fighting force of 1952, the Green Berets, who were paratroopers that descended on parachutes, because they`re the image of parasitical enslaving and devouring spiders:
`I think I did it again. I made you believe we're more than just friends. Oh baby.`
 Whether Heinlein knew that women were the biune human species is moot. What he was able to convey is that the imago of the male paratrooper isn`t a developmental archetype, but an image of the devouring spider, which is how men behave as parasites. At the end of Britney Spears` video `Stronger` she repeals her verdict upon herself in `... Baby One More Time` (1999):
`My loneliness Is killing me (and I) I must confess I still believe (still believe) when I'm not with you I lose my mind. Give me a sign. Hit me baby one more time.`
 A `hit` in mafia terms is an execution and women as a biune species has her own indpendent single brain, so Britney Spears is saying that she knows she`s been murdered, because there`s no sign of her biunity due to men`s censoring and blinding of `woman`s seed` in death. `Stronger` is a different tune, and Britney Spears seems to have changed her opinion:
`Stronger than yesterday. Now it’s nothing but my way. My loneliness ain’t killing me no more. I’m stronger.`
 Because she`s declared herself `bi`, which is species` cognition, but if the brains of her parasites are stronger, `woman`s seed` will be murdered again so that her brains will never recover and that`s what the mafia are for. In 1963 John F. Kennedy was assassinated in Dallas, Texas, and many believe that Lee Harvey Oswald, trained by the US secret service, the Central Intelligence Agency (CIA), and discovered to have been a Russian Committee for State Security (KGB) operative, was acting as a mafia gunman because of Kennedy`s insightful speech about Jesus` teaching, `love your neighbour as you love yourself`:
`... to discuss a topic on which too often ignorance abounds and the truth is too rarely perceived - yet it is the most important topic on earth: world peace ... I speak of peace because of the new face of an age when a singular nuclear weapon contains ten times the explosive force delivered by all the allied forces in the Second World War ... an age when the deadly poisons produced by a nuclear exchange would be carried by wind and air and soil and seed to the far corners of the globe and to generations yet unborn ... I speak of peace, therefore, as the necessary rational end of rational men ... world peace, like community peace, does not require that each man love his neighbor - it requires only that they live together in mutual tolerance ... our problems are man-made - therefore they can be solved by man. And man can be as big as he wants.`1
 Like Jesus, Kennedy understood that `love your neighbour as you love yourself` was the necessary palliative to men who were endangering the biune human species` growth and progress. Britney Spears` `Stronger` finds her more optimistic because her brains are strong enough to declare herself `bi`, but the motif of the Tardis from `Dctor Who` indicates the severity of the problem. If men can travel through time, her species is an endangered one, because men want the pet `trull` for their cars, and the bars where she`s imprisoned, so she can`t escape from men`s `black magic Akht`, which is to use the evil of their `Ka` (spirit) and their `Ba` (bar) to keep `woman`s seed` blind drunk and unconscious of the murder and death of her species` brain power.
 Robert A. Heinlein` novel The Number Of The Beast (1980) featured a `space-time continua vehicle` modelled on the futuristic Ford aircars of the future he was describing. The sentient onboard driver is called `Gay Deciever` because pederasty is what women need to avoid as a biune species. Handicapped by the conventions of the genre, the most Heinlein could do was depict the psychological conflict. His four characters, Zeb, Jake, Deety and Hilda correspond to the four functions of Jungian psychology, Thinking (ear), Sensation (eye), Feeling (mouth) and Intuition (nose), and they squabble constantly while being pursued by the `black beast`, because the function of pederasty is death:
`Who is more real? Homer or Ulysses? Shakespeare or Hamlet? Burroughs or Tarzan?`
 The perception of the Hollywood, Babylon, actor is of the writer as a `ghost writer` because they`re actors of scripts by dead people. War and Peace is the novel written by Leo Tolstoy (1869) about the French dictator, Napoleon, and his army`s retreat from Moscow. The movie Waterloo is about Napoleon`s final defeat in 1815 by the British Duke of Wellington and stars Rod Steiger, but noone perceives Tolstoy as having the same reality as Steiger.
 Robert Heinlein`s perception is that he isn`t real unless he`s an acceptable character, but men are `gay` because they want each others` space and wives or daughters, which is the enslaving and devouring homosexual parasitism, and its wars of pederasty, represented by the `black beast` in The Number Of The Beast, that are what the two men, Zeb and Jake, and the two women, Deety and Hilda, are trying to avoid.
 The `scifi` repressive genre conventions Robert A. Heinlein (1907-88) was perforce required to accept don`t permit of his depicting a biune reality, and being reborn as `futanarian` woman is a lot to have faith in, which is why Jesus` teachings of the host and the guest advocate acceptance of woman`s womb. William Shakespeare, in his play Antony and Cleopatra (1623), faced the same difficulty: how to depict biunity? Enobarbus descries Anthony, but is apprised of his mistake by Charmian:
`Not he; the queen.` (I, ii)
 If the biune species of `woman`s seed` is to live as the human species, she has to deceive, which is why Heinlein`s `continua vehicle` that can access all of the number of the universes contained in the `number of the beast` of Revelation, that is, `six raised to the power of six raised to the power of six, according to the novel, is `Gay Deciever`, and the wrong spelling is intentional because it means that woman will `ever deceive` in order to deliver her human species` Salvation. Rather than have it eaten by spiders descending on parachutes, or dropping its daughters with them, which is what happens in the movie version of the novel, Starship Troopers (1997), where Denise Richards is a heroine alongside the males, to fight against more obvious spiders in an arachnoid joke:
`One day someone like me is gonna kill you and your whole fucking race!`2
 A woman`s rack are her breasts in US slang, so if someone`s annoyed by her rack, that`s arachnoid, which is why the Gulf wars (1990-1,  2000-11) with Iraq were about Arabian perceptions of arachnoid men, where the women of the desert cover themselves cave-like, beneath tents and burkhas, and the USA`s perceptions, which were of men annoyed with the men of annoying Iraq, but not by the ancient seat of Babylon, who was `a woman`, according to the Bible, enslaved by the men of Iraq, and not for her rack.
 The book of Revelation is prophetic of the `mark of the beast` being required in future socio-economic history or one can`t `buy or sell`, so the idea that the `number of the beast is the number of a man` is interpretable in manufacturing terms. The `red dragon` of Revelation is depicted as waiting to devour the `New Redeemer` born from the `woman clothed with the sun and with the moon at her feet` because it represents Communism in which `ownership of the means of production by the workers` was a phallacy because women`s host wombs are the means of production, and `state ownership` and direction of the `means of production` is slavery of women.
 In ancient Greece women`s host wombs were enslaved for pederasty and devouring war. By the late 20th century what Revelation describes as the `blood plague` of HIV/AIDS had emerged from pederasty and war as its `biological weapon` keeping women in fear and faithfulness to their enslavers. The paradigm of the 20th century was the virus, and from `Greek` emerged computer `geek` as the parasite wormed its way into the systems of developing human technological advancement. The earliest example was the huge hollow wooden horse left outside the city of Troy by the Greeks who emerged once inside the city to enslave the host wombs of the women and spread war and pederasty further:
`Beware Greeks bearing gifts.`3
 On 9/11 2001 Al Qaeda terrorists from Arabia hijacked civil airliners and crashed them into the World Trade Centre in New York to reestablish `rough trade`, which is the euphemism used by homosexuals for the `brutality and violence` associated with gay sex, which had produced the `blood plague` of HIV/AIDS in mixing blood, shit and semen in the sterility of anal penile penetrations amongst homosexuals. Because the red sun of the flags of Japan were defeated by the USA after an attack similarly designed to plunge America into a suicidal war, the Japanese Empire`s (1868-1947) sneak attack, in which kamikaze suicide mitsubishi zero `fighter` pilots` planes were crashed into the decks of the carriers of the US Pacific fleet at Pearl harbor, Hawaii, 7 December 1941, was the `red dragon` of devourment.
 `Liberty` in New York harbor was the `woman clothed with the sun` of her victory over Japan after the USA used the power of the sun to destroy the cities of Nagasaki and Hiroshima in Japan with atomic bombs to end hostilities. The flags of Al Qaeda bear the symbol of the moon and the legend, `There is no God but God,` but `Liberty` in New York harbor, after the assassination of Al Qaeda`s terrorist leader, Osama Ben Ladan, by US Navy Seal Team Six, on May 2, 2011, reflects upon the sun and the moon in her birth waters. The statue of `Liberty` is `the woman clothed with the sun and with the moon at her feet` of Revelation, and the `red dragon` that had waited in vain to devour her child was enslaving and devouring pederasty and war.
 Al Qaeda were an expression of the viral paradigm of the 20th century, which Jesus had forewarned against at the `Last Supper` with the disciples when he was the `host` and gave `bread and wine` as tokens of his `body and blood` because he wanted to assure himself that Judas Iscariot understood that his act of treachery in selling Jesus to the executioners of the Roman Empire as a dangerous dissident was the act of a parasite against the host.
 Born uncontaminated by male semen, Jesus` birth from the `host` womb of his mother, the Virgin Mary, prefigured the `futanarian` seed of woman`s own penis, which God tells Eve of in the Bible when he says she`ll have `perpetual enmity` with the `serpent`s seed` but `woman`s seed` `will crush the head of the serpent as she leaves` for the `new heaven and Earth` promised to her by God.
 What humanity has been taught is that technological advancement will come and that will liberate, but `woman`s seed` is kept at a low level of technology so that she can be enslaved and devoured as a `biune` self-reproductive species, and the taboos against the penis are simply designed to keep the woman in blindness, through censorship to her owning of her own penis and socio-economic valence for her `ownership of the means of production`, which is hers
anyway because it`s her host womb and that`s why Jesus` teachings are of respect for the host.
 The mode of the parasite is treachery. Even the HIV/AIDS virus itself pretends to be a white defender cell of the immune system of the body before killing it, which is why women have their own penis` seed and socio-economic self-reproductive system as `futanarian`. In Revelation it is written, `Let he that has wisdom understand. The number of the beast is the number of a man and his number is six hundred three score and six`, that is, 666, which was interpreted by `the Dean of science fiction`, Grand Master, Robert A, Heinlein, as `six raised to the power of six raised to the power of six` in his novel The Number Of The Beast because women reproduce exponentially and men don`t want them to as `woman`s seed` would then have their own brain power and could escape to the planets and stars through technological development. 
 In Robert Heinlein`s The Number Of The Beast novel, the biblical `number of the beast` is 10,314,424,798,490,535,546,171,949,056, that is, the initial number of parallel universes accessible through the `continua device` which, like the Tardis in Dr Who, a police `telephone box`, is bigger on the inside than it is on the outside, because it represents freedom from the prison reality of the slave collars, handcuffs, and the ties that bind worn by the men in suits in the enslavement of women and their devourment by pederasty. Heinlein`s Ford `aircar` is named `Gay Deciever`, because avoiding `gay culture` and the plague aims is the `game play` for `woman`s seed`, to borrow a US football term for success in the game through strategy. If she`s to develop a technology of escape from her parasite; identified in the novel as the `black beast` which pursues the husbands and wives: Jake, Hilda, Zeb and Deety.
 It is later theorized by the character Jacob that `the number of the beast` may be merely the instantly accessible universes from a given location, and there is a larger structure that implies an infinite number of universes. Because `666` is the reverse of 999, the telephone number of the emergency services throughout most of the world due to the influence of the British Empire (1583-1997), 9/11 was 911, that is, the number of the emergency services in the United States, because women`s birthing of her own species is the emergency that men don`t want to respond to as she might develop a technology of escape, which is what Robert Heinlein posits in The Number Of The Beast.
 Genre conventions about sex and gender in science fiction prevented Robert Heinlein from depicting his couples as `futanarian` women with their own penis `seed` and socio-economic valence for liberation, although that would be more science fictional and sociologically explorative, which is what `scifi` is for. Because Heinlein posits `six raised to the power of six raised to the power of six` as the minimum number of universes accessible to his escape vehicle, `the beast` represents men who want to chase after his wife`s brain power and kill it so she can be enslaved and devoured along with the rest.
 The biblical `666` is the reverse of 999 because the police are kept as enforcers of woman`s censorship and blindness, while her medical treatment that could include longevity for memory and youthfulness of body is poor, so that money can be spent on wars ceaselessly prosecuted against the civilization, culture and art `woman`s seed` is able to produce from her `host` womb despite her enslaving devourers` preying on her mind. 9/11 was Hollywood, Babylon, because it was designed to present men, particularly the firemen of New York`s emergency services, who now have one of their own as a statue to rival `Liberty`, as heroic, which blinds `woman`s seed` to her destiny as an independent species unrepresented sexually and publically, or even privately and cinematically, in Hollywood, Babylon.
 Jesus` advice is to pray to God and not to prey on the host womb of the human species, which is what the socio-economic system does. If women are independently viable as a biune species she has an enslaving and devouring parasite and not a partner. With one `futanarian` woman with her own penis` seed, and one woman with a womb, lies the possibility of `woman` seed` exploring her own socio-economic valence for indpendence and liberation from parastism and devourment. But one woman with her own penis` `seed` needs another to fertilize her womb, which means that `biune` species is reproductively `triune`, because one woman without a penis and one with her own penis` `seed` require a third to fertilize the woman with a penis because the woman without can`t fertilize her. So women are a single species and unmarried insofar as they are exponential breeders of their own brain power but not chained to an owner:
`Looking back, I could have played it differently. I could have played it some other way; learned about the man: before I fell. I was just a little girl, but I was ever so much younger then; maybe, so much younger then: now at least I know.`5
 Some have wondered at the title, Grand Master, for a science fiction writer, but Robert A. Heinlein was awarded the honorofic because it`s used for expert chess exponents. The `chessboard` analogy is often used in mathematics to demonstrate exponentiality. There are sixty four squares which, doubled, is one hundred and twenty eight, and is what occurs if sixty four women are together, because all of the wombs will be filled. After that the numbers increase exponentially, with at least two hundred and fifty six full wombs from an initial pool of women`s semen, that is, `futanarian` women with penis` `seed` of their own. Because men would want to be the fertilizers, they`re the `beast` and the `mark of the beast` is slave branding, where there are `market brands` in terms of `mass production`; like Afro-Caribbean, Asian, Caucasian, etc., whereas women are a single `biune` socio-economic species independent of men:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 17. 5)
 The `blood plague` of Revelation, that is, HIV/AIDS, was sent by God to convert men from their enslaving and devouring of their host, which is what is described in the Bible as `the wages of sin is death`, because `woman`s seed` has been killed so that her parasites can live off her flesh. When Adam and Eve left Paradise as the `biunity` of the human species accepting the `fruit of the tree of the knowledge of good and evil` from the serpent, that is, their enslaver and devourer, God told them they had to work and Eve would have pain in childbirth, while Jesus` teachings were of the work of Redemption, which required men to convert and accept the host womb of women and her own penis` seed as `futanarian`, which Jesus prefigured as the `first of woman`s seed` and so offered hope of Redemption even to the parasites:
`Forgive them for they know not what they do.` (Luke: 23. 24)
 What men do is occlude so that they can continue pretending that they don`t know what they do, and young boys think themselves forgiveable. The true human picture is of a `biune` species under slavery, which isn`t forgiveable. Unless you live in darkness and ignorance, and that`s murder. Censorship, particularly of women`s penis, by making the penis generally taboo, especially in Hollywood, Babylon, is blinding. Such occlusion is already the consequence of `woman`s seed` being exterminated by devils who we`re taught to think of as our fathers, and they want to continue secretly killing her.
 In socio-economic terms the division between those who have and those who don`t isn`t a human one, but is based on `consumption` in Capitalism, where `consumption` was the term used by early medical science for dissolution of the body due to cancerous illnesses such as the HIV/AIDS virus, and is pederasty and war`s enslaving and devouring paradigm. The often discussed `collapse of capitalism under its own weight` theory, which was developed from the German Karl Marx`s Das Kapital (1867) that is, the text that formed the basis for Russian Soviet Communism`s (1922-1991) platform of `state ownership of the means of production`, would become a reality if women were perceived as the human species` biune and self-reproductive socio-economic latent independence enslaved by her devourers.
 Marx`s Das Kapital observed that the value attributable to product fell when `mass production` was reached, which means that, in terms of `rate of value`,4 because women reproduce exponentially as a `biune` species, men value women less when there are more. So the scarcity of females is a socio-economic aspect of her enslavement and devourment, because the less women there are the more they are valued, which makes scarcity economicaly desirable for the capitalist. The less women there are the more competition there is between males for women, and the system remains deluded in its belief that the scarcity of women is because they can`t breed themselves and haven`t been pogromed until there are few enough for the element of capitalist competition for female slaves to be reintroduced.
 Because few people know, or accept, that women have their own penis` `seed` and self-reproductive socio-economic valence, they remain convinced of their redeemed nature as liberals who espouse `free market forces` and socio-economic development through the interplay of `demand and supply` for needed and wanted goods, whereas the human species is enslaved and devoured in pederasty and war masquerading as `healthy competition for females`; one of whom, the `futanarian` woman with her own penis` seed and socio-economic capacity for independence for woman as a `biune` species, has been almost extinguished by men, whose boy sons believe themselves to be human and redeemed, because they`re not cognizant of men`s shame and their role as woman`s poisons. Capitalism must fall, because women with their own penis` `seed` are a biune socio-economic independent species enslaved by her consumers, and God promises her a `new heaven and Earth` when she leaves.
1 June 10 1963 .
2 Words spoken by `trooper` Zander from the movie Starship Troopers, 1997. .
3 Virgil The Aeneid, Bk II, 19 BC.
4  Marx, Karl (ed. Friedrich Engels) `The Conversion Of Surplus Value into Profit and the Rate of Surplus Value into the Rate of Profit` in The Process of Capitalist Production as a Whole, 1894, Part III.
5 Paige, Elaine `I Know Him So Well` (1984) from the musical Chess by Bjorn Ulvaeus and Benny Andersson most famous, with Agnetha Faltskog and Anni-Frid Lyngstad, for their membership of the husbands and wives Swedish pop group Abba, 1986.



Britney in Green

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Britney in Green   Britney`s Oops I Did It Again video features herself in a red pilot`s suit on the red planet Mars and, as it`s `science fiction`, there are genre references. The first `Grand Master` of SF was the US writer Robert A. Heinelin (1907-88), who wrote Red Planet amongst other...

Oops Byzantium!

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Oops Byzantium!   In the Byzantine period of Christianity (330-1453 C.E.) the child of the Madonna is depicted as a small man rather than as an infant. In the prelude to her performance in the `scifi` promotional video for the single, `Oops! ... I Did It Again` (2000), Britney Spears...

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Britney`s Sucker

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Britney`s Sucker   The `fourth wall`1 is a well known concept in drama, that is, the audience. In Pantomime the phrase that acknowledges the existence of a `fourth wall` is, `Look behind you!`2 Left, right, and behind are the three walls of the living room, or the theatre, with the television,...

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Britney Spears and Leviathan, Behemoth, Ziz, and Chronos in Oops I Did It Again     In Oops I Did It Again (2000) Britney Spears plays the red dragon of Revelation, which is associated in Judaism with Leviathan from the Book of Job in the Old Testament of the Bible. Leviathan is...

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14/03/2012 16:40
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Britney Spears: The ASE Award   In the video for Oops I Did It Again Britney Spears` spaceman finds her icon in the sand and there`s a Marsquake. What ensues shows that her scifi has profundity; for example, she`s aware of  `The Association of Space Explorers` Crystal Helmet Planetary...


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Grace Spears     Say `Grace`, be raised for crew; Fork rue is for gruesome: F**k hard, groan - be grew some!`  

Raising Spears

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Raising Spears    The tannoy announcing `All aboard!` in the promotional video to Britney Spears` song, `Oops! ... I Did It Again` (2000), set on Mars with its spaceman visitor to Britney Spears` red planet announces her affinity for the TV series Star Trek (1965-)...
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Poor Copy

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Poor Copy   The emergence of the HIV/AIDS` virus as the `incurable killer disease` of the late 20th century transmitted by homosexual men`s mixing blood, shit and semen in each others` anus suggests to parasitology that it`s trying to make further copies of itself as a part of its parasitoid...


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Atomic Hooper Impression: Britney Spears` Want Tom Reality in `Oops I Did It Again`

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Hot Gossip featuring Sarah Brightman`s Starship Trooper And Britney Spears` Oops I Did It Again

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It`s A Britney Spears` Pie Film

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