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Womanizer

16/11/2012 12:55

Womanizer

 

In the video for Womanizer there are four Britneys. At the beginning she`s cooking a square egg, which has four sides and so is symbolic of the four Britneys that appear in the video. In the developmental psychology of Carl Gustav Jung (1875-1961) the ego sits at the centre of a growth process that requires the differentiation of each of the four functions of consciousness, which correspond to ear (`Thinking`), eye (`Sensation`), mouth (`Feeling`) and nose (`Intuition`). In Jungian literary analysis it has often been observed that characterological schemata has been used by writers to describe the process whereby the individual ego grows in knowledge and wisdom.

 

 

www.youtube.com/watch?v=rMqayQ-U74s

 

 In the science fiction novel The Number Of The Beast (1980), for example, by science fiction Grand Master, Robert A. Heinlein (1907-88), the four characters correspond to Jung`s delineation of the four functions as paired male and female valences representing the distinction between conscious and unconscious `Self`.  According to Jung the male ego associates itself usually with the male valences of `Thinking` and `Sensation`, which are superior and auxiliary functions respectively, whereas the female functions that are associated with the unconscious and the anima as a mediator of the archetypal contents of the collective unconscious that emerges into consciousness through dreams, art and the imagination in the form of inspiring imagery, are `Feeling` and `Intuition`, which are ancillary and inferior functions respectively.

 

 

 Robert Heinlein`s four characters travel through time and space squabbling and bickering over who is to drive until all are competent pilots, that is, differentiating each others` functionality, they`re representative of growth through interaction and differentiation of Jung`s functions of consciousness. In short, Jake, Zeb, Deety, and Hilda correspond to the unconscious `Self` of Jungian psychology, which is actualized as the individual becomes more competent and independent.

 

 

 Four Britneys isn`t a new phenomenon in Britney Spears` `growing economy` of video pop. As well as the four in Womanizer (2008), in Lucky (2000) at least four Britneys share the same scene, and in Oops I Did It Again (1999) two are `paired` on set. In Toxic (2004) Britney shares the limelight with herself through variegated costume changes, while in Hold It Against Me (2011) she engages in bare knuckle fist fighting with another Britney. Obviously, she`s a star who doesn`t spare her own ego. Just as scifi `Master` Robert Anson Heinlein didn`t spare his characters egos in the novel The Number Of The Beast. In fact the car, Gay Deciever, became a character in her own right in later works of the author; particularly in The Cat Who Walks Through Walls (1985), and To Sail Beyond The Sunset (1988) where she represents the yearning for immortality in the afterlife.

 

 

 Bob Heinlein was a technician by profession and he had a `nuts and bolts` approach to life that perceived Jungian psychological theory as the basis for constructing a `Self` out of the material of the psyche, which he developed as his time-space car with its four functions as the `wheels` of its `chariot of Ezekiel` (Ezekiel 1: 1-3. 27) style motion, and a female voice as the `autopilot` of the space-time continua vehicle corresponding to Jungian notions of the soul as spiritualized anima and Christian notions of the Holy Spirit, or Paraclete, as `teacher, guide, comforter and helpmeet` within the many different worlds that Robert A. Heinlein expected to be encountering as a futuristic Candide with `the best of all possible worlds`1 to choose from in `his concept of scifi heaven`.

 

 

 In Womanizer Britney Spears appears as cook, chauffeur, office manager, and hostess, which accords with the media`s understanding of her as `MYSTERY, BABYLON, THE GREAT, MOTHER OF HARLOTS AND OF THE ABOMINATIONS OF THE EARTH` (Rev: 17. 5). Britney`s `hostess` carries the cup of the `filth of her fornications`, which is the full glass from the wine tray she gives to one of the `boy sons`, that is, the `poisons`, who are her men.

 

 

 Babylon is great because she is `Woman` who lives with the spectre of homosexual pederasty, and the cup of the `filth of her fornications` is HIV/AIDS. The valence of society deriving from the ancient Greek`s practice of enslaving the `host` wombs of women for the purpose of producing `boy sons` to enslave the women of nearby city states as more `host` wombs, remained the 21st century`s valence that `poisons` after the appearance of the `red dragon` of Revelation on 9/11 in the form of homosexual pederasty`s devouring terrorism and war.

 

 

 9/11 echoed the fall of Troy, insofar as the Greeks gained access to that city by leaving a huge hollow wooden horse outside the gates. When the Trojans took the horse into the city the Greeks emerged to enslave its women`s `host` wombs. `Liberty` had reluctantly accepted the Arabian terrorists` boarding of `civil` aircraft in Boston, but the `hosted` guests had  hijacked the aeroplanes as flying missiles aimed at New York and elsewhere.

 

 

 Although `Liberty` had accepted the `friendly firers` of Gulf war I (1990-1), because they apologized for `accidentally` killing American service personnel, she couldn`t accept the terrorists of 9/11 as `friendly virus`. The humane immune system accepts the HIV/AIDS virus as `friendly` before it kills the `host`, which is `Liberty` as the `hostess` for the parasitical male `boy sons`, that is, the `red dragon` of homosexual pederasty`s `poisons` of HIV/AIDS, and its `biological warfare` against women`s `host` wombs. `Liberty` accepted the Arabians in Boston as `friendly virus`, but couldn`t accept the terrorists as `friendly firers` after they attacked New York. Consequently, George W. Bush declared a `War on Terror` (2003-) and pursued Gulf War II (2001-11), which included a campaign against the Taliban in Afghanistan and the capture and execution of Al Qaeda`s leader, Osama Ben Ladan, who was being supported by more `friendly firers` and `friendly virus` in Moslem Pakistan.

 

 

 Although the cup of Babylon contains the `filth of her fornications`, woman`s `host` womb is the producer and product of civilization, art and culture. Consequently, she is the `hosts` of God. As Jesus says, ` At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30) If woman is to be `as the angels` in heaven, she must stop producing the `boy sons` of homosexual pederasty, that is, the `poisons` of HIV/AIDS `biological warfare` against her `hosts` womb, and the `poisons` of the `red dragon` of terror and war. Because the `hosts` of God are to emerge therefrom.

 

 

 The Arab terrorists hijacked what would pass for `huge hollow wooden horses` in the ancient world to fly them into the Twin Towers of New York and elsewhere to spread the contagion of the `red dragon` of homosexual pederasty of war and terror in order to implement `rough trade` by means of the collapse of the `Big Apple` of the World Trade Centre, which represented the awakening brain of the world to the possibility of new economic growth based on woman`s capacity to nurture and develop her offspring rather than men`s capacity to possess and devour her.

 

 

 As the producer of everything upon the Earth from her `host` womb, woman`s daughters are producers too, whereas the `boy sons` of the devouring `red dragon` of homosexual pederasty has produced the `poisons` of HIV/AIDS as its `biological warfare` against her. The `boy sons` of the `red dragon` seek to be the possessors of the angelic `hosts` of God born from the wombs of women, and their consumers  through unholy marriage with women as their `great whore of the apocalypse`. Consequently, in order to obviate the problem of the `boy sons` of homosexual pederasty and war, and the `poisons` of Babylon`s cup, which contains the `filth of her fornications`, and is HIV/AIDS as the `blood plague` of the `red dragon` of Revelation, which is what women`s `host` womb is used for by the evil alien parasitical `seed` of the serpent since Eden , God has created a woman with  a penis who`s `futanarian` and represents the economic valence of woman as a species, because she doesn`t need men to produce for herself.

 

 

 In Womanizer Britney`s `hostess` carries the cup of wine and so represents woman`s `host` womb, who is Babylon to the `boy sons` of the devouring `red dragon` of homosexual pederasty`s `poisonous` valence of its boys an` us terrorism and war, but Britney Spears is the `host` of the Catholic mass of transubstantiation to those who believe in Redemption and to live `as the angels` in heaven through the power of the Holy Spirit, which is symbolized by Jesus as the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven, by his offering of the bread and the wine as symbols of his body and his blood to those seated with him and to one who would betray him, Judas Iscariot, who corresponds to Saddam Hussein and Osama Ben Ladan insofar as the Americans sat at the negotiation table to give them the 3rd largest army in the world and support in Afghanistan (1979-89) against the Soviet Red Army, which is almost universally known in Russia as `the big red one` and would undoubtedly never have allowed an attack on New York by Islamic fundamentalist terrorists operating from Russian controlled airspace.

 

 

 Red`s a colour and is present in the `red, white and blue` of the USA`s own flag. Consequently, jingoistic statements as `better dead than red` are anti-American as well as unrealistic. The `red dragon` of Revelation is `red` because it represents the blood of war and contamination of the human brain through the `host` wombs of women by means of its production of `gay boy sons` of homosexual pederasty and devouring war. The red `blood plague` of Revelation is the `poisons` derived from the `gay boy sons`, which the `red dragon` wages as its `biological war` of HIV/AIDS against the `hosts` of God`s emergence from the `host` wombs of women.

 

 

 Womanizer denotes woman as machine, that is, the wine carried by Britney`s hostess symbolizes the `spirit of God` and the woman`s body is its producer and product, which doesn`t have to produce `boy sons` so that they can call her a `great whore` and, as evil alien parasitical `seeds` of the serpent of Eden, give her the `poisons` of the `red dragon` of homosexual pederasty`s `blood plague` of HIV/AIDS. Any woman is a whore whose wombs men use to spread their plague of fear and terror through wars that spread their contagion further by enslavement of `Liberty` as their `host`. But the production machinery of woman as a species with her own penis doesn`t have to be the `host` of evil. She can produce herself.

 

 

 God tells Eve there`ll be `perpetual enmity` between its `seed` and woman`s. In Revelation the woman`s `seed` defeats the `red dragon`, now grown and, having waited in vain to devour the `New Redeemer` born to the `woman clothed with the sun and with the moon at her feet`, it and its `seed` receive eternal perdition while the woman`s `seed` receive a new heaven and Earth. Men`s economy is `possession` through feigned symbiosis in marriage  and `consumption` of woman through enslaving her host` womb as a parasite for which `ownership of the means of production` means devourment of the product, that is, civilization, art and culture, in war. Women`s economy of nurture and development through her daughters is better, because men`s `biological warfare` against her in the shape of the `red dragon` of the `blood plague` of HIV/AIDS tells her that God`s `hosts` from her womb will be `as the angels` without men.

 

 

 In the New Testament Jesus, the teacher of Christianity, is born from the `Virgin Mary` as the `Perfect Man`, who was tortured and murdered by `critics` after his betrayal by Judas Iscariot. At the `Last Supper` Jesus offered the `wine and the bread` as symbols of his `body and blood`, because of `friendship`, but Judas `feigned friendship`, as the HIV/AIDS virus `feigns friendship` for the body it kills, and as the 9/11 terrorists `feigned friendship` for the USA they attacked.

 

 

 Jesus was born without male semen, which prefigures the birth of the `futanarian` woman as the valence of woman as a species with her own penis, who doesn`t need male semen. Consequently, Jesus as the `Perfect Man` is perfect because he`s neither a carrier nor a transmitter of the `disease`, whereas the Virgin Mary is a carrier of God and can produce without the evil serpent`s `seed`, which prefigures `futanarian` woman with her own penis as a valnce of the species `Woman` and her economy.

 

 

 Britney Spears in Womanizer cooks a square egg because she`s an economist. As well as cooking, she `hosts`. In the Bible Cain murders Abel because he`s able enough to cook, while Cain is too lazy to know how, which is the valence of the homosexual that doesn`t function but waits for others to function and then murders them for functioning because the functioning reveal the non-functioning as sterile thieves whose valence is to reduce humanity to the level of chimpanzees so that they can prime humans to produce more for them to steal.

 

 

 In Womanizer Britney is able because she `cooks` and `hosts` insofar as she represents the valence of woman as a species whose cup is the `Holy Grail` of Jesus` `Last Supper` that contained the spirit of the wine of the body, which doesn`t need the murderous `boy sons` of devouring homosexual pederasty, and its `poisons` of war and `biological war` against woman`s Earth and her`host` wombs. As an `office manager`, Britney photocopies her own `ass`, which suggests she can make copies of herself as a woman who is a species with her own penis and economic valence.

 

 

 As a chauffeur Britney is the fourth `wheel` of her car. She can `cook`, and produce the `hosts` of God from her womb through her `futanarian` valence of woman as a species with her own penis, which is why she photocopies her `ass` as the `office manager` and so she corresponds to the Jungian individual who can differentiate the four functions of consciousness that, in Robert Heinlein`s The Number Of The Beast, are the car`s occupants. Although she`s chauffeur to a man in the video, herself in the guise of `office manager` photocopies his head and his ear, which is symbolic of the `Thinking` function, according to Jung, because in undifferentiated form the `Thinking` function corresponds to the ear, while the eye corresponds to the `Sensation` function and so, after Britney`s sauna at the video`s commencement, another man wipes away condensation from the glass of the sauna, which means he corresponds to the other male function of `Sensation` and the `eye`. However, as the four Britneys, who`re `cook`, that is, nose or smell, because of the pungency of the `square egg`, mouth as taste and `Feeling`, which is the wine of the `hostess`, and the `office manager` as eye or `Sensation`, because of  the photocopier, whereas the `chauffeur` is the ear or `Thinking` because Britney`s `driver` listens to the other three Britneys about direction and they throw the man who represents male `Thinking` out of bed at the end of the video, which means `Sensation`, that is, the eye, has become men`s superior function, because her fourold Jungian nature doesn`t now need men for anything.

 

 

1 Voltaire Candide (1759)