In The Boy Zone With The Witch Queen Cannibal Vampires
Britney Spears` album In The Zone (2003) relates to her role as a dancer in the pop videos she makes to promote her music and songs. Because of their physical fitness routines, dancers describe the state of mind reached, when the exercise seems effortless, and the body is running as a machine, where neither pain nor the pressures of time are present, as `the zone`. Timed alarms are used to tell the dancer when to stop their physical workout because, `in the zone`, all worldly concerns are forgotten and the mind goes with what Hungarian `positive` psychologist, Mihály Csíkszentmihályi, called `the flow`:
`It is a single-minded immersion and represents perhaps the ultimate experience in harnessing the emotions in the service of performing and learning. In flow, the emotions are not just contained and channeled, but positive, energized, and aligned with the task at hand. To be caught in the ennui of depression or the agitation of anxiety is to be barred from flow. The hallmark of flow is a feeling of spontaneous joy, even rapture, while performing a task although flow is also described as a deep focus on nothing but the activity - not even oneself or one's emotions.`1
In young women `the flow` is manifest as feelings approaching vaginal ejaculation during intense physical activity, like horse riding, for example, as practised by the young film star, Elizabeth Taylor, in the Hollywood movie, National Velvet (1944), `I want it all quickly 'cause I don't want God to stop and think and wonder if I'm getting more than my share.` The 12 year old actress had to ride with her legs astride the back of the powerful animal, as if it were an extension of her own body, and not side saddle, which is how women were taught to ride, because the movie concerned the English steeplechase race, The Grand National, in which jockeys bestride their horses:
`I wanna get in the zone,
I wanna get in the zone.
If you really wanna battle,
saddle up and get your rhythm.`
As Britney Spears` lyric from `Me Against The Music`, featuring Madonna Ciccione from the album In The Zone reprises, riding side saddle was obligatory for young women, because of the sexual feelings aroused with a horse between their legs, which men didn`t want to encourage. Orgasmic ejaculation resulting from the woman`s `going with the flow` during a ride upon her horse might have reminded her of `woman`s seed`, which God tells Eve in the Bible will have `perpetual enmity` with the `serpent`s seed` after Adam and Eve accepted the `fruit of the tree of the knowledge of good and evil` from the parasite in Eden, rather than the `fruit of the tree of life` and immortality, because they`d have enslavement of their species as a reward:
`You shall be as gods.` (Gen: 3. 4-5)
Because `woman`s seed` is `futanarian` woman with her own penis` semen she`s the enemy of the serpent and the `serpent`s seed` that wants to enslave her host womb for pederasty and war, which was the institutionalized mode of the Greeks before the Roman Empire and its occupation of Palestine during the time of Jesus of Nazareth, who was crucified as a `dissident` because he was born of his mother, the Virgin Mary, uncontaminated by male semen, and so born of the `futanarian` species of human woman with her own penis` `seed` God tells Eve will:
`… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)
Jesus` teachings are of Resurrection because `woman`s seed`, that is, women with their own penis` semen are in a 50/50 relationship with what could be her parasite emerging from her host womb, that is, men, while her own species of humanity with its penis` `seed` for sexually reproducing herself and her own brains` power is 100% of the human `futanarian` race if she looks in the mirror. Because two women together who can sexually reproduce with one another are 66.6% of the species in any given space where they are alone, men who can`t sexually reproduce together aren`t even 33% of the human race, so Jesus` advocation of Redemption through acceptance of the host in the Catholic Communion service, for example, is an aspect of `brain transformation` or metanoia (Mk: 1. 4) which is conversion from maleness to femaleness necessary if men are to have Redemption and Resurrection in heaven through the body of the `futanarian` woman with her own host womb and capacity for sexually reproducing with her own penis` `seed`:
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
In ancient Greece the giant wooden horse before the walls of the city of Troy was paradigmatic of the way that women`s host wombs are enslaved by pederasty for war and its contagions, which include viruses like the biblical `blood plague` (Rev: 16. 6) HIV/AIDS that`s a homosexual STD. In fact 21st century `geeks` have replaced Greeks in the picture because they produce `Trojan viruses` to infect the machine brains constructed by the spirit of God in the human to assist humanity`s functioning as it labours beneath the handicap of brain damage resulting from generations of breeding between the woman and her virus, men:
`Beware Greeks bearing gifts.`2
At Troy the Greeks emerged from the hollow insides of the wooden horse to enslave the host wombs of the women for pederasty and its contagions. The Bible describes what happens when a woman is enslaved by homosexuality:`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5) Hollywood is often called `Babylon` in books and other media because of its homosexual attitude towards women. The production code of the 1930s, which lasted until 1968 and set the stamp of male homosexual misogyny on the movie industry, insisted that a woman`s foot should remain on the floor during bedroom scenes, to reinforce the taboo against the penis being seen in films, because men don`t want the `futanarian` foot of `woman`s seed` to rise from the Earth and leave in starships of her own human species` brain`s devising, because of her capacity to sexually reproduce it herself.
In the movie of Margaret Mitchell`s Gone With The Wind (1936), which details the fall of slavery in the Southern States of the United States of America (1661-5), Scarlett O` Hara is depicted as `liberated` because she rides bestride rather than side saddle, which is depicted as a delightful anachronism but the move was made in 1944 when the `Hays code` for production studios was in full force to prevent women`s `futanarian` foot from ever being seen in Hollywood, Babylon, three hundred years after the historical events depicted in the film Gone With The Wind (1939) and almost two thousand years since the tme of Jesus, Christ, who preached `woman`s seed` after God`s warning Eve of the `serpent`s seed` and its desire that her `futanarian` foot shouldn`t `crush` its head as she left Earth for the planets and stars of God`s promised heaven:
`There was a land of Cavaliers and Cotton Fields called the Old South... Here in this pretty world Gallantry took its last bow … Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave ... Look for it only in books, for it is no more than a dream remembered. A Civilization gone with the wind...`3
Scarlett O Hara`s conflation of masters and slaves with knights and their ladies is fair, which is the tragedy of mankind. Gone With The Wind is about the flow of time and human progress within it, and the antebellum period of the United States of America had much in common with the rise of the Moslem faith of Islam in the Middle East. In the South women of the period wore long flowing dresses that concealed everything but their ankles and face, which left what lay beneath their corsets a secret, much as the Arabian women`s adherence to the teachings of modesty in the holy book of Islam, the Koran (610-30 CE), as dictated to the Prophet Mohammed by the angels of God, exhorts them to wear the black one-piece coverall of the burkha that leaves everything covered but their eyes. In the United States, Babylon Hollywood present nudity as the apex of sexual activity within the genre, but the penis is still invisible, and the females within the cinema-going audiences aren`t aware of their own `futanarian` human species` capacity for independent socio-economic production.through their own penis` `seed` and normal sexuality rather than the `schizophrenic` abnormality imposed upon their psyches by the movie industry`s defining of them as host wombs for its parasitism.
At the `Last Supper` before his crucifixion Jesus Christ gave the disciples `bread and wine` as symbols of his `body and blood` because he was the host. Betrayed by his follower, Judas Iscariot, who didn`t accept Jesus` teachings of Redemption, because he was a parasite, Christ, the Messiah, was sold by Judas to the Romans for `thirty pieces of silver`. Judas was a follower of Jesus as a psychopathic `stalker` rather than representing the disciplined acceptance of the disciples. Jesus represents the host body of the human race, that is, his `futanarian` mother, prefigured in the Virgin Mary, who is to receive Resurrection and Ascension to God`s heaven, as Jesus himself after his death. Jesus` teachings are quite explicit. The Messiah envisions nothing less than a heaven with a single family of God in a biunity that`s woman no longer enslaved by her knights but living as a species new born and resurrecting the human spirits through her host wombs amongst the planets and stars after she raises her foot from off the Earth by crushing the head of the Earth`s `serpent`s seed` with it:
`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)
Because they`ll be the `futanarian` species of human woman with her own penis` semen and capacity for sexual reproduction and the race`s continuation after the Resurrection, which is essential, because she`s been killed by the `serpent`s seed` and, to conceal the crime, monolithic organizations like Hollywood, Babylon, have presented homosexual pederasty and war`s contagiousness as human behaviouralism, whereas it`s parasitical devourment of what woman is able to produce of civilization, culture and art from her host wombs despite her parasites` depredations in the ceaseless `perpetual enmity` of war that her enslavers can`t conceive her for. Although the HIV/AIDS `blood plague` seems a misfortune it functions as homosexual pederasty`s maintaining of women in fearful faithfulness to 50/50 monogamous relations with her jailers and so constitutes `biological warfare`:
`Let he that has wisdom have understanding, the number of a man is the number of the beast and his number is six hundred three score and six.` (Rev: 13. 18)
Because 66.6% is the percentage of human sexual reproductive capacity between women of the species who are `futanarian` with their own penis` semen, whereas men`s 33% of sterile incapacity without a female host womb for its paraistism to prey upon is actually capable of being bred out of the race in a very brief timespan if `woman`s seed` begins to be fertile. In Islam the notion of marriage is much more sensibly oriented towards the needs of women, because the ratio of males to females within a Moslem union can be 80% to 20%, that is, four women to one person with a penis. As`futanarian` women have penis` `seed` of their own, the ratio of penises withi n a Moslem marriage can be much higher, and so the possibility for raising the human level within the Islamic breeding program is greater. In fact the tradition of Islamic women is of the `devil` as `Iblis`, who has no power other than to whisper in their ears, which is true if women are perceived as the human species socio-economically independent of men, who`d then be definable as their parasites. Because women with their own `futanarian` penis` semen`s capacity for the sexual reproduction of their own brains` powers for technological development are truly free of slavery:
`I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character. I have a dream today!`4
The `Nation of Islam` was the `Black September` terrorist organization that grew out of Martin Luther King`s speechifying on the nature of Civil Rights in the United States of America, which reached its apotheosis in the Al Qaeda terrorists` hijacking of `civil` aircraft to crash them into the Twin Towers of New York`s World Trade Centre on September, 11, 2001. The attack precipitated and reestablished, as the Earth`s paradigm, that global `rough trade` of `brutality and violence` in homosexual pederasty, which meant the spreading once again of those virulent abominations, war and plague, amongst the women based populations of humanity in the Gulf war (2001-11) against Saddam Hussein, the dictator of Iraq, who`d offered bases to Al Qaeda publically on national television after the events of 9/11, 2001. The Moslem peoples with their marital ratio of 80% women, that is, `four little children`, represent Martin Luther King`s `dream`:
`I still have a dream, a dream deeply rooted in the American dream - one day this nation will rise up and live up to its creed, `We hold these truths to be self evident: that all men are created equal.' I have a dream . . .`
33% of nuthin` is still nuthin`. Before and after the first World War, Emmilene Pankhurst was a leader of the rights for votes for women campaign as a `suffragette` which , resulting in women`s being provisionally given the vote by men on February 6, 1918, perhaps not coincidentally preceded the end of the war with Kaiser Wilhelm II`s Imperial Germany on 11 November, 1918. If women are able to sexually reproduce through their own `futanarian` penis` `seed` and men can`t, women are the humans. The naturally enfranchised `civil` population, from whom men should ask forgiveness for their sins, as they`re parasites upon their host wombs, mightn`t have to accept any other amendment to their constitution:
`We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.`5
The manumitting movie Gone With The Wind represents `the flow` insofar as the history of peoples is a movement from stagnation and sterility towards progress and technological development, but that`s dependent on all things being equal and the absence of `woman`s seed` from the human stage is telling. The 20th century`s preoccupations were with feminist `political correctness`, which was more or less adopted by the United States of America as an amendment to the constitution. But `PC` had a virus because lesbians were perceived as abnormal homosexuals by feminist thinking, which deduced that women were equal to men because of that, whereas it was a schizophrenic acceptance of their own loss of sexual desirability towards their own `futanarian` human species of woman with her own penis` `seed` everytime they looked in the mirror:
`At night I pray that soon your face will fade away.`
Britney Spears` lyric from `Everytime` and the album In The Zone tells the truth. When a dancer like her is `in the zone` of physical and spiritual `flow`, she feels free rather than determined, which is what the mirror and a man represent. The Irish band, Boyzone (1993-), represent the antithetical position to freedom, that is, father based determinism, where homosexual pederasty and its contagions of war and plague are congenitally present in the lyrics of a song like `Father and Son`:
`You're still young, that's your fault; there's so much you have to know. Find a girl, settle down; if you want you can marry. Look at me, I am old, but I'm happy.`
The HIV/AIDS virus emerged at the end of the 20th century and remained incurable because of men`s preoccupations with war rather than medicine. If woman as a `futanarian` species with her own penis` `seed` and capacity for sexual reproduction and socio-economic independence from men lives as an ephemeral rather than an immortal she will never remember her own species penis` `seed` unless, as Jesus preaches, there`s Resurrection and she`ll have Ascension in heaven after her `futanarian` foot has crushed the `serpent`s seed` upon the Earth as she rises. It`s in the interests of the enslaver and devourer of her civilization, culture and art to keep her as an infant and an infantile without brains or knowledge of herself. As Britney Spears` lyric to `Toxic` from the album In The Zone observes, life-prolonging medicines are intrinsically anathema to the `killer disease` of men created in each others` anuses. By mixing blood, shit and semen there in mockery of human sexual reproduction between the `futanarian` human race of women with their own penis` semen that men have despised and killed before because they hate her, men can employ sexuality to spread their contagion further unless an antidote is found to the poison:
`With a taste of your lips I'm on a ride. You're toxic I'm slipping under. With a taste of a poison paradise I'm addicted to you. Don't you know that you're toxic.`
Britney Spears` superheroine in the video promotion for the CD single `Toxic` breaks into a secret laboratory to obtain the serum, which is kept from humanity to ensure its extinction, while Boyzone`s emphasis upon blameworthiness for the young in `Father and Son` is a celebration of the `happy` parasite who is ancient, as God says the serpent will be after Eden, but its poisonous nature is reincarnated in the host wombs of women and so it shan`t die. Even if the human race is reduced to grubbing for worms under rocks, men have ensured that she can`t breed her own brains` power to develop liberating technologies to resurrect her `seed` and give her the longevity she needs to preserve the wisdom and knowledge of her own race`s destiny in her own memory, which is why the `killer disease` of homosexual pederasty`s enslaving terrorism of HIV/AIDS is preferable to a cure and war is the parasite`s means of spreading its collective contagions further:
`Sexy as I wanna be. Got these fellas chasin' me. It's 'bout time I hit the streets. All my girls still feelin' me.`
Britney Spears` `Outrageous` lyrics from her album In The Zone represent her perception that the `boy zone` is different to the `zone` where she`s with `the flow` and indeterminate, that is, she feels a part of the collectivity of woman, who is human as the `futanarian` penis` `seed` of her own species` capacity for sexually reproducing her own brains` power, which she can feel in the orgasmic sensations experienced `in the zone` of her dancers` routine performed throughout the promotional video for the song. The chasin` fellas are the parasites. In The Zone was succeeded by Blackout (2007) which lamented her unconsciousness and blindness in the title because censorship and media blackout had prevented her from recognizing the possibility of sexual union with a member of her own species of `futanarian` woman with her own penis` semen and she`d married Kevin Federline on September 18, 2004, before producing two boy sons, Sean Preston and Jayden James, who may be perceived as `poisons` born from the host womb of the mother enslaved by men for that purpose:
`She held a golden cup in her hand, filled with abominable things and the filth of her adulteries.` (Rev: 17. 4)
For men to experience the metanoia (Mk: 15. 39) of repentance they would have to be reborn from the host wombs of women as `futanarian`, that is, as `woman`s seed`, which was Jesus` teachings as the `first` of the ` seed` born from his mother, the Virgin Mary, uncontaminated by male semen. The initial stage is forgiveness for the sin of enslaving and devouring her through men`s spreading of their contagions of war and plague by means of their homosexual pederasty of creating `boy sons`, that is, `poisons`, to produce the `abominable things and the filth of her adulteries`, which is Hollywood, Babylon:
It's getting late to give you up. I took a sip from my devil's cup. Slowly it's taking over me.`
As Britney Spears` lyric in the song `Toxic` from the album In The Zone indicates, the film industry`s usage of woman`s `cup`, that is, her host womb, to promulgate racist `blood feud` and `mafia` vendetta is socio-historically understandable as propaganda posing as `action` movies. Hollywood Babylon`s `boy sons` are `poisons`, while Britney Spears` preoccupations are Christian rather than American because she seeks a solution to the problem of homosexual pederasty and HIV/AIDS which isn`t addressed by either her country`s spiritual guides nor its politicians:
`I`m Miss American Dream since I was seventeen.`
Appearing on the cross, like Jesus Christ, for the cover of the CD single, `Piece Of Me`, Britney Spears represents the concept of `woman`s seed`; although her lower body is concealed by a sarong. Once again the theme is of the human `futanarian` species of `woman`s seed` with her own penis` semen as the collective biune family of humanity`s future since Jesus` death, Resurrection and Ascension to heaven two thousand years before. According to the Bible Jesus`s side was pierced by the spear of Longinus, the Roman guard upon the hill of Calvary outside the walls of the city of Jerusalem where Christ was killed upon the wooden cross that was raised thereupon for his torture and eventual death. Jesus` preachings said that the Holy Spirit would be the teacher after him and, because Christ was called the `Second Adam`, Longinus` perception was that the `Second Eve` must be by his side and so pierced the ribs of Jesus with his spear, where Christian tradition said that Eve was born from the side of the first Adam in Eden:
`Surely, this was the son of God!` (Mk: 15, 39)
According to European tradition Adolf Hitler of the National Socialist Party, that is, the Nazis, had the spear of Longinus, which was called the `spear of destiny`, for his campaign to enslave {Eastern Europe and implement a pogrom of genocide against the `chosen people` who were the remnants of the Jewish state of Israel globally before the United Nations edict of 1948 restored Palestine to them after the Second World War (1939-45) to defeat German Imperialism. The United States` belief in `Manifest Destiny` makes the `spear of Longinus` a symbol of the `American Dream`, which is represented by the `statue of Liberty` in New York harbor, whose skirts conceal as much as Britney Spears` sarong on the cross for the cover of her CD single, `Piece Of Me`:
`A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. She was pregnant and cried out in pain as she was about to give birth.` (Rev: 12. 1-3)
Christian tradition is that the `New Redeemer` is Jesus Christ in his `Second Coming` after Calvary, and `the sun` the `woman` of Revelation is `clothed with` can be interpreted as the red sun of the flag of Japan defeated by the United States of America after the `sneak attack` by the Japanese on the Pacific fleet at Hawaii`s Pearl Harbour on 7 December, 1941. WWII ended when the USA unleashed the power of the sun to destroy Japan`s cities of Hiroshima and Nagasaki in 1945. Because the flag of Al Qaeda was the moon, `Liberty` had it at her feet in her birth waters of New York harbor after 9/11, 2001, that is, she had borne a child who:
`… will rule all the nations with an iron scepter.`` (Rev: 12. 6)
The concept of the betrayal of the host permeates the Christian tradition and the `sneak attacks` on Pearl Harbour and New York, where `the statue of Liberty` resides in New York harbor, represent the same basic truth, which is that the host is the woman because she`s the womb of humanity and treachery consists in attacking her under whatever circumstances. Although the Gulf war was perceived as a great American victory, the torture and betrayal of the Arabian Moslem women that took place at Cuba`s internment facility, Guantanamo Bay, betrayed the trust that Christianity placed upon the office of the President of the United States, whose seal under George W. Bush remained the eagle:
`And to the woman were given two wings of a great eagle, that she might fly into the wilderness, into her place, where she is nourished for a time, and times, and half a time, from the face of the serpent.` (Rev: 12. 14)
Although Navy Seal Team Six killed Osama Ben Ladan at his hideout in Pakistan within the shade of that nation`s Military Academy on May 2, 2011,, there`s no evidence that the hymen of the women of Arabia`s `futanarian` human penis` `seed` concealed beneath their own-piece coverall, the burkha, as women of the antebellum period of the Southern United States may once have kept theirs beneath their flowing skirts, were afforded protection by the skirts of `Liberty`, beneath which her eagles had been bred:
`I'm Miss bad media karma. Another day another drama. Guess I can't see the harm in working and being a mama, and with a kid on my arm I'm still an exceptional earner and … you want a piece of me?`
As a symbol of the women who have borne the eagles of the United States of America, Britney Spears upon the cross for the promotional cover of her CD, `Piece Of Me`, represents the spears of their destiny, that is, the `bad media karma` of the lyric, where `karma` in Hinduism is the cause of reincarnation, because `boy sons` are the `poisons` that force breed women`s host wombs to produce the parasites` contagions of war and pederasty, which became 9/11, 2001, `live on CNN`, and the Hollywood, Babylon `blockbuster` movie, World Trade Centre (2005), based on the terrorist attack by Al Qaeda on the World Trade Centre of New York, when the Arabian hijackers of `civil` aircraft betrayed their host to crash them into the Twin Towers of Manhattan island, New York state:
`No wonder there's panic in this industry. I mean please... do you want a piece of me?`
The `Second Eve` from the side of the `Second Adam`, pierced by the Roman centurion Longinus in order to release her from the rib of the Messiah, is `futanarian` woman with her own penis` semen who is teaching mankind through the spirit of her future Resurrection and men`s need for Redemption by asking her for forgiveness through the worship of God rather than that they show support for Mars, god of war, or they will receive God`s punishment, which is perdition, that is, eternal unendurable pain, after the `serpent`s seed` is defeated in the `war in heaven` against God`s host of angels when the parasites attempt to re-enslave the host wombs of `futanarian` woman with her own penis` `seed` to maintain their slavers` system of homosexual pederasty and devouring warfare upon the Earth:
`I'm Mrs 'You want a piece of me?'`
It has been Catholic dogma since 1950 that the Virgin Mary ascended to heaven like Jesus . All women are technically virgin insofar as they haven`t been able to use their own penis` semen to sexually reproduce their own brains` power without being interfered with by men, whether priests or otherwise. Britney Spears` `Piece Of Me` is a critique of her own role as a slave to the industry`s making of her a `piece`, which is a slang term for a gun in the United States and a woman who produces more for boy sons, that is, poisons, for their blood feuds and vendettas:
`Tryin' and pissin' me off. Well get in line with the paparazzi who's flippin' me off. Hopin' I'll resort to some havoc [and] end up settlin' in court. Now are you sure you want a piece of me? `
The constitution of the United States of America is the supreme legal authority in the nation and Britney Spears` fortune was taken away from her to be put into the hands of a Conservator, her father, and a fiancée who didn`t even marry her, Jason Trawick, but was awarded Co-conservatorship of her property because he was `around`. If women are the human species, because she`s `futanarian` with her own penis` `seed` from God, men aren`t even enfranchised by the US Constitution, so Britney Spears` mother, Lyn Spears, ought to have been Conservator if it were proven she needed care after her divorce from Kevin Federline on 30 July, 2007. The decision by the courts was based on her leaving her child`s hat on the pavement while running for a car near New York`s Central Park, which was snapped by a paparazzi as evidence of her neglect:
`I'm Mrs 'Most likely to get on the TV for strippin' on the streets' when getting the groceries, no, for real … are you kidding me?`
Just as rules of engagement were applied to conventional war during the Gulf crisis, so rules of engagement apply to conventional marriage, but just as the rules of conventional war limit a nation`s capacity to construct defensive shields adequate to prevent aggression from being successful, that is, the shields have to be weaker than the spears, and so promote war rather than prevent it, so a woman`s conventionality is used against her to limit her defences in the case of an attempt to invade her privacy and take possession of her personal worth, which is the principle that the first Gulf war (1990-1) to evict Saddam Hussein`s invading army from Kuwait illustrated:
`They're still gonna put pictures of my derriere in the magazine. You want a piece of me?`
A `piece of ass` is US slang for a woman, but it is also used as a term to describe an attack upon someone, which is why Saddam Hussein`s invasion of Kuwait was greeted with slang invective about getting a `piece` of his `ass`, where dismemberment and possession is the issue. In Egyptian mythology Ra, the sun god, is incarnated as the god Osiris who is dismembered by the god Set, as the United States was dismembered on the television set `live on CNN` and other channels on September 11, 2001, because television is TV, that is, transvestism, where the `futanarian` species of woman with her own penis` semen is sundered from her own selves, so the ghouls can watch women in men`s clothes killing themselves in the Gulf war, for example, which was precipitated by the Al Qaeda terrorists` crashing hijacked planes into the World Trade Centre of New York to reestablish the `rough trade` of homosexual pederasty`s `brutality of violence` in warfare. Because men represent the penis` `seed` of `futanarian` woman split off from herself in transvestite torment, Jesus` celibacy symbolizes the desire of `woman`s seed` to be reunited with herself outside of brain damaging contaminated male unions with women. Jesus Christ`s a `TV` from the ghouls` point of view, that is, a transvestite, because he`s sundered from the body of woman to which his penis should be affixed as hers. The older Egyptian story of Osiris` dismemberment by Set refers to the `schizophrenia` induced in the human race by its sundering and what the ghouls think of as its subsequent transvestism, the consequences of which are depicted on Hollywood Babylon`s `small screen` televisions every day as the women in men`s clothes commit suicide in the various global conflicts and are watched by the `serpent`s seed`` as TVs, that is, transvestites. In the Egyptian tale Osiris is remembered by the goddess, Isis, who refashions his penis because she can`t find the original and that`s representative of the new birth of Osiris as Horus, the `sky god`, who can never return to being his father, Ra, because he is now `futanarian`, like Jesus, with the penis of Isis, his mother, and so isn`t treacherously male like Judas, for example, or the Egyptian god, `television` Set.:
`Penis envy in Freudian psychoanalysis refers to the theorized reaction of a girl during her psychosexual development to the realization that she does not have a penis. Freud considered this realization a defining moment in the development of gender and sexual identity for women - the parallel reaction in boys to the realization that women do not have a penis being castration anxiety. In contemporary culture, the term sometimes refers inexactly or metaphorically to women who are presumed to wish they were men.`7
In Judaism women are the mothers and it isn`t possible to be born into Judaism unless born from a Jewess, which makes of women the `chosen people` and explains why Nazism was such a fascist misogyny planning her extermination in `concentration camp` pogroms during WWII. Sigmund Freud (1856-1939), the `father of psychoanalysis`, argued that women were envious of the male penis, but God`s exhortation to Eve that she should heed the warning that the `serpent`s seed` would prosecute a `perpetual enmity` against her own penis` `seed` refutes Sigmund Freud`s argument. Freud`s theory itself suggests boys` castration fears would disappear if their mother had a penis, because their own fathers` envy for the woman`s penis has resulted in her `futanarian` penis` `seed` almost being extinguished by them. Britney Spears` lyric to the song, `Break The Ice`, from the album Blackout, recognizes that a woman can`t wait forever for a man:
`Can you rise to the occasion? I'm patiently waiting, cos' it's getting late, and I can't get enough, so let me get it up.`
A `futanarian` woman with her own penis` semen can sexually reproduce without a man and she`s tired of the male chauvinism that tells her she has to accept a man when she`s got her own penis` `seed`. If men don`t assist her to sexually reproduce it might be too `late` and she`ll be the extinct human species of `woman`s seed` because she couldn`t raise her `futanarian` foot up from the Earth and crush the `serpent`s seed` with it.
The other `foot` in the drama of humanity is Oedipus`, whose name means `swollen foot` because he`s lame, which in the United States means a poor excuse and probably derives from the central protagonist of Sophocles` ancient Greek drama, Oedipus Rex (c. 429 BC), having no real reason for blinding himself when he discovers he`s killed his father, Laius, and had children by his mother, Jocasta, inadvertently, because `futanarian` women are the human biune family and so men`s incest taboo is used to prevent her from having sexual intercourse that would produce children from her own penis` semen. Britney Spears` album, Blackout, relates to the problem of Oedipal blindness and unconsciousness due to censorship , taboo, and media blackout on the subject of woman`s true nature, for example, most classicist scholarship describes the `riddle` solved by Oedipus as `man` derivable from the question, `what walks on three legs in the evening?` The solution is that man uses a cane to walk with because he`s old, but the `foot` of Eve is described by God as rising from the Earth to crush the head of the serpent for `woman`s seed` , which suggests `futanarian` woman is the third `foot` of humanity which is triune in the evening of mankind`s Advent upon the Earth but only if men will allow her to walk beside them. If not, the answer is `man` because the blind old murdering beggar will have to go alone. The Bible makes this very plain in th story of Cain and Abel, where Cain may be understood as the cane of blindness and Abel the able man who is blindly murdered by Cain because his broither is able to cook and so he hinders the progress of the human species by `putting out` its intelligent eyes in murder. Cain is the lazy fool who doesn`t want to cook but to pick fruit because it`s easier, and so he`s the figure of the man wit the rifle walking alone in the evening because he`s killed his own race:
`Wonder if he knows, he's on my radar. On my radar, on my radar, on my radar.`
Britney Spears` lyric to the song, `Radar`, from Blackout, relates to blindness but the central motif of the fountain with the polo player at its centre and footage of a polo match, which is a sport played by men on horseback using mallets to direct the ball into the goal, derives from the Persian Empire of the Sasanians (224-651 CE), who invented it. In card games of the region, polo games depicting men on horseback were the `clubs` of the modern `pack`. In `futanarian` terms the sexual union of women as a `race` with her own penis` `seed` is metaphorically a horse and rider, while men prefer horses and the `gay club` that they`ve murdered her with.
The phrase `swords beaten into ploughshares` is biblical but the idea of swords as spades in the `pack` relates to the concept of `futanarian` women being `spayed` so they can`t sexually reproduce, where `spayed` means to surgically remove testicles. Spades then refer to her burial as an extinct species. The other two `suits` are diamonds and hearts, which translate as cups and pentacles in the tarot deck of divinatory cards that are traditionally believed to be a portable Jewish Torah, that is, a version of the Judaic `book of the law`, saved from the burning of the library at Alexandria when the Roman Empire began to supercede that of the ancient Greeks.
In terms of the Arthurian myth cycle of ancient Britain, cups are symbolic of the Holy Grail, which was the bowl from which Christ ate and drank at the `Last Supper` before his crucifixion, while the pentacles signify coins or the money Judas Iscariot obtained as payment for his treachery. In simple terms, diamonds and hearts are food and drink at table prepared by a woman for pay, which is how the knights have enslaved her. The meaning is that men are blind to anything but their appetites because they`re animals:
`Got you on my ... radar … think I can't handle that animal in the sack.`
If the human species of `futanarian` woman with her own penis` `seed` can`t get out of the sacral sac of the scrotum, because the spermatozoa from the testicles of the woman is extinct due to the occluding homosexual black masses of sexual intercourse, without human reproduction between men and women, then that `animal` has been handled by the Satanists` husbanding in the sack, which is a metaphor for species` sexual exclusion and occlusion ending in the pogromed death of the human race by the `serpent`s seed` of men because nothing human can emerge from her host womb if only the alien parasite is breeding with her.
Games are revealing, The sack race is a children`s game in which a child is placed in a sack and has to compete with others by running inside the sack to the finish line, which is a metaphor for the `futanarian` human species of woman with her own penis` `seed` who can`t get out of her testicle sack because her `seed` is extinct. The three-legged race in which two children are tied together at one leg is a metaphor for the `futanarian` woman with her own penis` `seed` who can`t escape from the Earth to crush the `serpent`s seed` with her `foot` because she`s bound. In the egg and spoon race an egg has to be carried to the finishing line on a spoon, because women`s eggs are human and her husband isn`t:
`Some species of snake are ovoviviparous and retain the eggs within their bodies until they are almost ready to hatch.`8
The characters used to frighten children into being controlled by supposed adults in homosexual pederasty are revealing. The witch riding her broomstick is a metaphor for the woman riding the penis` `seed` of her own `futanarian` woman`s species and that`s the reason why `wise women` were burned at the stake in places like Salem, Massachussetts, in the United States of America, between February 1692 and May 1693. The stake was a wooden representation of her penis to which she was tied during the conflagration because men didn`t want her `seed` to flourish.
The concept of the stake is translatable to Vlad III, `the impaler`, of Wallachia (1431-76), who similarly impaled his victims on wooden stakes. Vlad was the prototypical historical figure for the myth of the vampire who lived forever by drinking the blood of his victims, which is what men do who enslave women as ephemeral `blood bags` for the production of brain damaged `boy sons`, who are effectively `poisoned` from the host womb for use in propaganda and warfare against `woman`s seed` because it`s human.
The stake in the heart of the vampire to kill him is actually a transposition of the woman`s penis` semen, that is, the brains to rid herself of him through `woman`s seed`, which in the Bible is depicted as defeating the `red dragon` waiting in vain to devour Christ in his `Second Coming` by means of an `iron scepter` corresponding to the transposed woman`s penis as the stake in the heart of the draco. Vampire men don`t want women to have longevity, because it interferes with their parasitism upon the host of the human species, that is, the womb of the woman, who has her own penis` `seed` as `futanarian`, and so is a threat to the continuation of the draco, because he can be bred out of the human system.
The `killer disease` of HIV/AIDS` `blood plague` is spread by the male penis as their stake in homosexual pederasty, which infects by mixing blood, shit and semen in each others` anuses by means of a plague injector, their penis. Because HIV/AIDS is a metaphor for what men are, they`re the `killer disease` of the human race of woman with her own `futanarian` host womb and penis` `seed` that can breed out of her species the brain damage that the draco male has inflicted upon her. In the Bible God envisions `war in heaven` between humanity and the draco with its supporters, who receive perdition as a punishment, while the humans have heaven. Because behavior defines what is human, heaven is for those who behave well, and the host womb of humanity, that is, woman, is where the Resurrection of those who have behaved well can take place, or simply by Ascension, like Jesus and Mary, after an individual metanoia and so through Redemption.
Behaviouralism has been used in clinical psychology as a form of animal training, that is, individuals who behave are trained, but societally the training of animal men, which is identified as `the beast` in the Bible, is to perceive women as animals. Topless photographs of nubile nude women may be common in the United Kingdom, for example, and `adult` magazines` may contain photographs of naked women, which make plain the absence of the species` penis, and so the behavior pattern is of demonic possession, where the husband is the demon and the female is possessed, because neither are aware that the human species of `futanarian` woman with her own penis` semen isn`t a part of their relations. European `liberalism` presents transvestism and heterosexual pornography as variegated human activity whereas the human `seed` of women`s penis remains excluded from the picture. In the United States surgical procedures to remodel flesh in the desired form is technologically feasible as a richer version of the variegated activities of humanity purveyed by the pornographers, but the lie can`t conceal the truth, which is that women as the human species of `futanarian` woman with her own penis` `seed` can sexually reproduce independently of men, who can`t, and so woman is the enfranchised human on the planet by `God`s law`.
Clinical behaviouralist psychology may actually be understood as having been created by animal men for human women and children, because they`re not behaving slavishly enough. Bondage, domination, sadism and masochism, known as BDSM, is presented as a training program, but it`s teleology is to make animals from humans, while suggesting that sexual intercourse is central to the variegated activities, which is why `the beast` is depicted in the Bible as being `worshipped`. BDSM seems to be about power but it`s about powerlessness, because power is the ability to sexually reproduce humans, which is what `futanarian` women with their own penis` semen are for. Devotees of BDSM represent sex without power, because they represent sex without reproduction. BDSM is animal training, because the animals are not desired to be sexually reproductive, that is, it`s a torture club for animals, so no one would want them to reproduce humanly, and they can`t because they`re not humans, who are the `futanarian` women with their own penis` `seed` for the furtherance of the race.
Although clinical behaviouralist psychology may be interpreted as the basis for BDSM, human behavior is otherwise, because the presupposition isn`t that of the human woman and her children needing to be trained as slaves by animal men`s psychotherapy. In the US television series, Buffy The Vampire Slayer (1997-2003), actress Sarah Michelle Gellar has the role of Buffy Summers, who is trained to kill vampires. The metaphor is inaccurate because what her enemies represent are parasitism preventing her from developing as an individual through high school and college to grow into an adult human woman, which requires the presence upon the scene of a `futanarian` woman with penis` `seed` of her own so brainpower can be perceived as the aim of sexual reproduction for women ridding themselves of their vampires. Armed with her stake to drive it into the hearts of the parasites that have enslaved her human species of `futanarian` woman with her own penis` semen and capacity for self-reproducing her own brains` powers, Buffy Summers` penis` semen is transposed into the primitive tool she has to use in order to kill the vampire, that is, she has a sharp piece of wood, which illustrates men`s contempt for the brains of women, because it`s a grave plot device for her buried `futanarian` corpse. In technological terms, Buffy Summers has a sharpened twig while Captain Kirk of Star Trek (1965-), a television series about interstellar travel, had the starship USS Enterprise:
`In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer.`9
21st century perceptions of witchcraft were largely shaped by Buffy The Vampire Slayer and the television series Charmed (1998-2006), which starred three actresses in the first three seasons, Shannen Doherty, Holly Marie Combs and Alyssa Milano as the female witches, sisters Prue, Piper and Phoebe. Charmed was produced by Aaron Spelling, who`d produced Star Trek, but the basic imagery remained consistently `lesbian`, because women are defined by feminism as `politically correct` or PC if they don`t find themselves sexually attractive in the mirror. For actresses this is doubly difficult and induces clinically diagnosable schizophrenia because women are `futanarian` as a species with its own penis` semen for self-reproducing her own brains` powers, which is the unspoken message implied by the relevance for young girls of the three adult female witches in Charmed. Piper replies when asked by Phoebe what she`d wish for Prue:
`If Prue would have sex with someone other than herself this year.`10
The death of Shannen Doherty`s Prue in the season three finale meant her replacing by the sibling the Halliwell sisters had thought they`d lost, Paige, played by actress, Rose McGowan. Shannen, who`d been the glamorous teenage star imported from the hugely successful television drama series for young adults, Beverly Hills 90210 (1990-2000), had dominated Charmed sexually because that`s what she was hired for, but Piper`s wish wasn`t related to masturbation. Because all of the `Charmed Ones` are sisters, they`re family, which means they`re representative of the human species of `futanarian` woman with her own penis` semen who`s told that it`s incest and taboo if she attempts to breed herself. If Prue were having sex, she could only be having sex with herself, because `futanarian` woman is her species` mirror. The loss of Prue and the arrival of Paige actually represent `lesbian` `schizophrenia`, because women are a `futanarian` slave race not allowed to find themselves sexually attracted to each other, which was an issue already explored in Beverley Hills 90210 between Shannen and the other sexy star on that show, Jenny Garth. In season eight of Charmed, actress Kaley Cuoco was introduced to as the character, Billie Jenkins, who has a sister that isn`t a Halliwell and eventually Billie has to kill her after she and some `demons` attempt to turn Billie against the `Charmed Ones`, who in psycho-physical terms are `spellbound` because they don`t have penis` `seed` of their own, which is their spellbinding `charm` in the homosexual circles of pederasty and parasitism that`s Hollywood, Babylon. Although the dialogues between the Halliwell sisters are `jokey` the theme is serious. When asked for a solution to their plight during an escapade, Paige writes in her notebook:
`Kill Monkey`
If the human `futanarian` species of woman with her own penis` `seed` doesn`t rid herself of her simian ancestry, she`ll die from `sex starvation` and men`s jailing of her in technologically reducing circumstances that leave no possibility for escaping a lowering of intelligence that will result in her returning to the trees as a `monkey` herself. The TV shows Buffy The Vampire Slayer and Charmed were probably the two most influential series of the late 20th and early 21st century because they presented women as technologically inferior, but somehow powerful, which is what feminism was taught about itself.
Women are `normal` if `lesbian` and `homosexual` because that gives them equality with men, who are actually 33% of a sterile minority that prefers itself unless `futanarian` woman with her own penis` semen, that is, 66.6% of the human race, but 100% in the mirror of her own self-love for her species, is forced by her parasite to breed with him. This can only be achieved by starving the woman of technology and so preventing her from breeding her own brains` power with her own penis` `seed` is the method of starvation employed, that is, `sex starvation`.
TV series like Buffy The Vampire Slayer and Charmed, featuring nubile young women without a penis of their own, are effectively sex slaves to the Hollywood, Babylon, movie industry, because the attraction is of sexual fulfillment elided. The women don`t have sex with each other, but it`s obvious that they should, which makes Buffy The Vampire Slayer and Charmed perverse and that`s the aim. The women are presented as powerful without technology, which isn`t possible, so the focus is on the nubile body of the young woman, which functions as a cynosure, but that`s counterproductive in terms of the need for technological advancement by means of the development of woman`s human species through her own `futanarian` penis` `seed` and her capacity for sexually reproducing her own brainpower.
Perceptions that women are powerful because they`re `sex` ignore the fact that she lacks technological power in Buffy The Vampire Slayer and Charmed, which derives from the absence of her own penis` `seed` and its power for sexually reproducing her own brains, so the ostensibly powerful Phoebe in Charmed finds herself bemusedly asking the revealing question, `Since when do demons use bullets?` Guns are for men and spells are for women because it`s a feminist fantasy without substance. The TV shows Buffy The Vampire Slayer and Charmed are a picture of the future insofar as focus upon the nubile body of the young woman to the detriment of her real surroundings means that the future is less likely to transpire. Hollywood Babylon is observing the world through the wrong end of its telescope. As the world shrinks around her and everything else goes to hell, Phoebe still looks pretty:
`Flow has many of the same characteristics as … hyperfocus … spending `too much` time playing video games, or of getting side-tracked and pleasurably absorbed by one aspect of an assignment or task to the detriment of the assignment in general. In some cases, hyperfocus can `grab` a person, perhaps causing him to appear unfocused or to start several projects, but complete few.`11
Hollywood, Babylon, is hyperfocused on racial extinction, which is why young nubile women are placed in the forefront of the `action` movie, while the Arnold Schwarzenegger Terminator character destroys large swathes of the civilization, culture and art women have been able to produce from their host wombs despite her parasites depredations over the eons. The wiles of the `serpent`s seed` are legendary as well as biblical. Cannibalism is presented as a great evil perpetrated by humans, whereas humans aren`t parasites, which is what the term `cannibal` actually refers to, that is, the devouring of the human species of woman with her own `futanarian` penis` `seed`. The parasite has inveigled itself into woman`s host womb to steal her penis and devour her in its ceaseless wars of `perpetual enmity` against her. By replicating itself as her devourer, it`s an apparent `cannibal`, which makes of it an erring child to the woman, but actually it`s a parasitical non-human viral organism injecting itself into her system by means of her own now genetically impure penis` semen and so is representative of men`s stolen technology used to destroy woman in its making of war upon her Earth, which is what Hollywood, Babylon, documents and programs in its productions without the `futanarian` human woman with her penis` `seed` for saving her own brains` future:
`In the poison'd entrails throw -
Toad, that under cold stone,
Days and nights has thirty-one;
Swelter'd venom sleeping got,
Boil thou first i' the charmed pot!` (IV, i)
The witches from the Elizabethan dramatist William Shakespeare`s MacBeth (1603-7) are associated with poison, and the Bible exhortation `don`t suffer a witch to live` (Ex: 22. 18) is usually translated as `poisoner`, because a `boy`s owner` breeds `boy sons`, that is, `poisons`, in homosexual pederasty for the `boy zone` of war and, on the evidence of the late 20th century, for `biological war` in the shape of the HIV/AIDS virus. War is humanity`s devourer but the problem can be resolved if the `boy sons`, that is, the `poisons`, are symbolically devoured by breeding men out of the human system as `boy sons` to be replaced by `futanarian` woman with her own penis` semen and capacity for sexually reproducing women only. The witches` broomstick upon which she is depicted as riding is symbolic of her own `futanarian` penis` `seed`, and eugenics is why she`s persecuted by men because she wants to breed herself rather than be bred by the boys` owner.
The boys` owners are of course `the beast` and `the great whore of Babylon` who is depicted as riding it. The number of the `emergency services` in the United States of America is 911 and so the terrorist attack upon the Twin Towers of the World Trade Centre on 9/11 is a sign of `the beast`. `666` is the number of the beast and of the `emergency services` turned upside down in Saudi Arabia and most of the rest of the world on September 11, 2001, because 999 is the number of the `emergency services` almost everywhere but the United States due to the influence of the British Empire (1497-). The Twin Towers of the World Trade Centre was chosen by Al Qaeda to crash its two hijacked planes into because it was actually an attack on King Fahd of Saudi Arabia, who in 1986 had declared himself `Custodian of the Two Holy Mosques`, Al-Masjid al-Haram in Mecca and Al-Masjid al-Nabawi in Medina.
`Custodian of the Two Holy Mosques` is a traditional title of the Persian Emperors and assuming the mantle constituted an attempt by Fahd bin Abdulaziz Al Saud to unite the former Persian Empire under Moslem spiritual rulership. His rival was Saddam Hussein of Iraq and Osama Ben Ladan, the Saudi Arabian, was the leader of Al Qaeda, so the Twin Towers assault was a transposed assault on the `Custodian of the Two Holy Mosques`, Fahd, and Islamic spiritual guidance. The `beast` and the `whore` were those who wanted to reestablish the global `rough trade` of homosexual pederasty and war`s `brutality and violence`12 by an attack upon the Twin Towers of New York that would be seen as an attack by Islam upon the United States of America but was actually an assault upon Saudi Arabia and Fahd as the `Custodian of the Two Holy Mosques` and the Koran as spiritual guides for the Moslem peoples.
Saddam Hussein wasn`t the policeman, but policing was the problem because censorship and media blackout is a form of blinding to what is truth, which `the beast` and the `whore` don`t want humanity to be able to perceive. The security forces are used to keep people in ignorance and unconsciousness of their real situation with regard to global issues, which on 9/11, 2001, was the relationship between Judaeo-Christianity and Islam. Both are the people of Abraham by descent from his son, Ishmael, who was of the line of the Prophet Mohammed, and his son, Isaac, who was the patriarch of the tribes of Israel. Obfuscation prevents that truth from being realized and so occlusion is the tool of the `secret police` who`re working to blind the sighted:
`Cameras are flashin while we're dirty dancin`.
They keep watchin, keep watchin'.`
Britney Spears` song lyrics in `Gimme More` seem inconsequential, but the title of the album, Blackout, suggests George Orwell rather than George oil well, which is what the US President, George W. Bush, was accused of going after during the Gulf wars, that is, the `black gold` of the Kuwaiti and Iraqi oil wells to fuel the US economy founded on the Military Industrial Complex (MIC) for the foreseeable future. George Orwell wrote the novel 1984, which was a reversal of the actual date, 1948. George foresaw that reversals, which the Greeks termed enantiodromia, were what liars and blinders to the truth were about:
`War is peace `
The US economy built on the MIC is exactly that. Another Orwellian enantiodromia from 1984 is `Freedom is slavery,` but the slogan of the totalitarian dictatorship of the novel wasn`t ridiculous in the 21st century when `futanarian` woman with her own penis` semen couldn`t be seen anywhere in mainstream culture and, as 66.6% of the potential starting population and 100% in her own mirror, as against 33.3% male population unable to sexually reproduce together, heterosexual women were expected to understand that the enslavement of their host wombs by men for the purpose of spreading their contagion of war and homosexual pederasty was `freedom`:
`Ah, you gonna have to remove me, `cause I ain`t goin nowhere.`
Nate `Danja` Hills concludes Britney Spears` `Gimme More` with a speak-song line, and the words can be seen as protective, or as intimidation on the part of the `security guard`, who`s a parasitical `hanger on` refusing to be removed. Most people in the United States or anywhere else upon the Earth are used to being intimidated by the `generals` at the General Store where security guards seem to have nothing else to do other than frighten the customers into realizing that they`re being watched by George`s `Big Brother` cameras and surveillance equipment, ostensibly to protect the sugar and the eggs, but in reality to maintain women`s terrified existence as slaves blind to her devouring by her parasite in its wars of `perpetual enmity` against her human `seed`.
Because the policing surveillance organizations, posing as `national security` agencies, are `the beast` that doesn`t want to be seen riding their `great whore`, censorship and media blackout, constituting unconscious blindness for the woman, means brain damage in breeding with the parasites, and brain death through murder, to prevent her older eyes from seeing in knowledge and wisdom, while her body remains youthful, thanks to the advanced medical technology, which the evil deny her in the prosecution of their wars against her `futanarian` human penis` semen that is capable of sexually reproducing her own brains` power for liberation from men`s enslaving and devouring of her growth in the sciences of humanity:
`It`s Britney bitch.`
Britney Spears` spoken introduction to `Gimme More` place her in the role of the female dog, because that`s what bitches are. Britney sits at the bar as a blonde while her dark haired `other` self dances around a pole as a bar dancer on a stage where she can be seen by herself. Because the pole is symbolic of the `futanarian` woman with her own penis` semen, her blonde self waiting for a drink represents the woman `tapping her foot`, patiently or otherwise, `If you're on a mission. You got my permission.` Although drinks are `on tap` at the bar, the possibility of fellatio with woman`s own species of `futanarian` woman remains tantalizingly unfocused because of the censor. Clearly Britney`s scantily clad pole dancer doesn`t have penis` `seed` of her own, but her blonde self with two blonde girlfriends might have. They`re `dogs` to her bitch, or they could be. The pop video conventions `police` the scene and Britney is depicted as a `lesbian`, but that`s a `schizophrenic program` for any daughter who may be watching, because the `bitch` on the podium is admired by herself and she`s with two other female `dogs`, if they`re women with a penis of their own and the video logic is followed:
`I see you, and I just wanna dance with you.`
Young women who are taught that their image in the mirror is for a man are being lied to, because they`re sexually normal if they find themselves desirable, but schizophrenic in species terms if they`re attracted to the man sitting alone at a table in the `Gimme More` song promotion video. Because of the video censorship it`s a media `blackout` on the album Blackout from which the song `Gimme More` was released as a single, which means that the only penis` semen `on tap` is the man`s, which has `tapped` the penis` `seed` of woman by somehow inveigling its way into being born from her host womb as her invasive parasitical enslaver and devourer:
`The center of attention, even when we're up against the wall.`
Britney Spears was accused of being a `drugaholic` when she reportedly shaved her head in a `schizophrenic` bout of fame rejecting insanity and went for rehabilitation to save her marriage to Kevin Federline and keep custody of her two sons. But `pole dancing` isn`t `tap dancing`, whereas for men a `tap dancer` is a TV, that is, a transvestite, because she`s a woman sundered from her own `futanarian` species with her own penis` semen, and so `tapped` because they watch while they booze and urinate from her own stolen penis in misogynistic release of their pent up feelings of hatred for her `tap water`:
`… tell me have you seen her? 'Cause I'm so ... Oh, I can't get her off of my brain! I just want to go to the party she gonna go. Can somebody take me home? Ha ha, he he, ha ha ho.`
The single `If You Seek Amy`, which was interpreted for the media as F. U. C. K me, is `schizophrenic` because Britney talks about herself as if she`s a separate personality, which is defined in clinical psychology as `multiple personality` schizophrenia, where `split-off` aspects of a fragmenting personality take on life and identity of their own for the besieged mind of the individual. Just what is laying siege to the mind is difficult to say, but censorship and media blackout over the existence of `woman`s seed` is obviously a very serious problem. In the video promotion for the song, `If You Seek Amy`, Britney Spears is `Amy`, the `party girl`, and afterwards the `perfect homebody` with `mom`s apple pie` in her hands posing for the cameras as a `model housewife` with a `suitable husband` and two `regular` kids:
` Love me hate me,
but can't you see what I see?
All of the boys and all of the girls
are begging to [fuck me] …`
Because Britney Spears is wearing a wig after shaving her head, she`s actually bald, so `mom`s apple pie` signifies `piebald`, which was the name of the horse ridden by Elizabeth Taylor in National Velvet, her debut movie, that is, the film that began her sundering from the human race of `futanarian` woman with her own penis` `seed` to be ridden. Britney Spears and her female dancers celebrate the riding of Elizabeth Taylor as best they can under the `watchful eye of the censor` while they enthusiastically jounce upon the couch. Elizabeth died on March 23, 2011, but Jesus` promise is of the Resurrection of `woman`s seed` in heaven.
1 Flow, https://en.wikipedia.org/wiki/Flow_(psychology) .
2 Virgil The Aeneid, Bk II, 19 BC.
3 Leigh, Vivienne Gone With The Wind, MGM, December 15, 1939.
4 King, Martin Luther 'I Have A Dream', https://en.wikipedia.org/wiki/I_Have_a_Dream#The_speech .
5 Preamble to the Constitution of the United States of America, ratified March 4, 1789.
6 By Pope Pius XII`s exercising of the principle of `papal infallibility` during the Apostolic Constitution Munificentissimus Deus, November 1, 1950.
7 Penis envy, https://en.wikipedia.org/wiki/Penis_envy .
8 Snake, https://en.wikipedia.org/wiki/Snake .
9 Head, Anthony Stewart as Buffy Summers` `mentor`, Rupert Giles, voice over in the opening sequence to each episode of the television series, Buffy The Vampire Slayer, 20th Century Fox Television, March 10, 1997 to May 20, 2003.
10 Combs, Holly Marie as Piper Halliwell in `Something Wicca This Way Comes`, Episode 1, Series 1, Charmed, October 7, 1998.
11 Flow, https://en.wikipedia.org/wiki/Flow_(psychology).
12 Urban Dictionary, https://www.urbandictionary.com/define.php?term=rough%20trade.