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Hot Gossip featuring Sarah Brightman`s Starship Trooper And Britney Spears` Oops I Did It Again

27/01/2014 09:23

Hot Gossip featuring Sarah Brightman`s Starship Trooper And Britney Spears` Oops I Did It Again

 

 

Britney Spears` `Oops I Did It Again` (2000) video single features a traditional Apollo style astronaut on Mars. Although there`s no visible space vehicle, `Mission Control` can be seen in the video observing the scene on the red planet and addressing the spaceman as `Mars Lander`, which was an actual `unmanned` space vehicle landed on Mars by the North American Space Administration (NASA) to take soil samples and photographs, etc., while roving the Martian surface. The implication is that the spacesuited figure is `Mars Lander`, which carries the further suggestion that `Mission Control`, who are seen looking through round portholes at Britney Spears, wearing what seems to be a red pilot`s suit, are inside the spaceman, who is `Mars Lander`, because he`s their spaceship and the portholes are his eyes. Because the astronaut is the spaceship of `Mission Control` who are living inside his spacehelmet. The theme of the song, `Oops I Did It Again`, is the heart of Britney Spears, which echoes the heart theme of an earlier pop music video single by the dance troupe Hot Gossip, featuring Sarah Brightman as the singer:

 

Sarah singing: `I lost my heart to a starship trooper.`

 

 

 The Hot Gossip song has references to well known figures from pop culture, such as the `comic strip` Flash Gordon (1937-), in which Ming The Merciless of the planet Mongo attacks the Earth with what at first impression seem meteorites and Flash travels by rocket ship to Mongo to face Ming. The `comic strip` was made as a series of matinee short films for cinema audiences series reflecting US xenophobia towards communist controlled China (1927-49), which had been developing before the Second World War (1939-45) and hadn`t been viewed as anything other than an alien rival to US global hegemony before the Axis powers of fascism, that is, Japan, Italy and Germany, began their campaign of warfare to control the Earth. That art imitates reality is borne out by continued antipathy between the United States and communist China into the 21st century fuelled by fictional extrapolations of alien invaders:

 

Sarah singing: `Flash Gordon's left me, he's gone to the stars; an evil Darth Vader has me banished to Mars.`

 

 

 Dale Arden was Flash`s female partner and Melody Anderson was in the role in the Hollywood movie, Flash Gordon (1980), while in Star Wars the leader of the Federation against the evil Empire`s strongman, Darth Vader, is Princess Leia. If Britney Spears is referencing `Starship Trooper` (1978) by Hot Gossip and Sarah Brightman, she`s banished to Mars and is awaiting Flash Gordon who`d correspond to the figure in the Apollo spacesuit in `Oops I Did It Again`, but `possessed` by the `demons` directing him from within his spacehelmet:

 

Sarah singing: `Hey, Captain Strange, won't you be my lover?` You're the best thing that I've ever discovered.`

 

 

 Like Sarah Brightman, Britney is a woman in need of `space` between herself and her partner, who is `Captain Strange`1 in the case of Sarah, that is, `the Brain devil` superhero with extra sensory perception (ESP) created by Donald Keyhoe, who was a ufologist. The idea Is that unidentified flying objects (UFOs) or `flying saucers`2 are the work of sorcery, which is definable by occult practitioners as `evil magic`. Captain Strange is perceived as a `devil` of the brain of Donald Keyhoe , according to the lyric of `Starship Trooper`, because Sarah is enamoured. Taught that attachments are `demonic` by a male dominated social structure that doesn`t want freedom in relationships between mothers and daughters with their own host wombs and penis` semen, the `game` in homosexual pederasty is to convince women that their love for another is a `brain devil` to be exorcised. The sundering of human `futanarian` woman with their own penis` semen from their own host wombs is the first stage and the concept of soul `ownership of the means of production`3 in monogamy is the second, that is, the woman has a `brain devil` if she represents the `soul` inspired by the `spirit of God` to have intelligence and work to free herself through the sexual reproduction of her own brains` power for invention and so she should be sundered fom her `brain devil`, that is, whoever her teacher is, because she has a `demon`, who may be her husband, a writer, guru, daughter, or whoever is leading her to liberation from `ownership`.

 

 

 The sunderers don`t want women`s inventions because she`d be liberated by them and so the notion of the creative individual as having `brain devils` so that the `demonic` creative aspects of the psyche can be exorcised to prevent technological growth and socio-economic progress for humanity has arisen. It`s the paradigm foisted by the `serpent`s seed` upon humanity taught by God, according to the Bible, that the immortal soul should never be relinquished and the `spirit of God` should be accepted as the sole guide and teacher of `woman`s seed`. Any writer who attempts to free the mind has `brain devils` and anyone who accepts the writer`s point of view has `demons` to be exorcised by the sunderers who don`t want development. In the final analysis women are slaves to production and what comes from their wombs is a brain damaged infantilism that refuses to grow and reproduces itself in damned parasitism:

 

`Imagine a dying planet in some distant corner of the universe. Its natural resources exhausted. Its inhabitants sterile. Doomed to extinction. A situation we may one day find ourselves in, gentlemen. So they discover earth. Abundant, fertile. Able to satisfy their needs. They look upon us not with animosity, but callousness. As we look upon our animals that we depend on for food. Yes, it appears they are driven by circumstance across a billion miles of space, driven on by the greatest force in the universe - survival.`4

 

 

 In the Independent Television (ITV) series UFO (1970-1), the premise is an Earth of humans `harvested` for their organs. The acronym of Supreme Headquarters, Alien Defence Organisation (SHADO) represents the hidden truth, which is women`s relationships with men are contaminated by an evil shadow she needs to deal with because the denial of life to the human species of `futanarian` woman with her own penis` semen and brains from her own host womb constitutes the theft of her organs by her parasitical aliens de facto if not in fact. As a ufologist, Donald Keyhoe documented many `close encounters` in which aliens abducted humans for body organs, whereas men`s actual socio-history is of their remving the human `futanarian` species of `woman`s seed` and the sexually reproductive organs of the human species` capacity to produce her own brains as her alien parasites:

 

`Oops! ... I did it again. I played with your heart, got lost in the game. Oh baby, baby. Oops! ...You think I'm in love. That I'm sent from above. I'm not that innocent.`

 

 

 As with `Starship Trooper` by Hot Gossip, the Britney Spears` theme in `Oops I Did It Again` is obsession or engrossment, while playing with someone`s emotional feelings. In the poem `Fire And Ice`, by American poet Robert Frost, there are two types of feeling at the end of a relationship, characterized by obsession, that is, `fire` as anger and `ice`, which idiomatically is revenge `served cold` and is `the game` that spurned women play because they`re the innocent partners in relationships, so long as the `demon` of possessiveness isn`t present, but if divorce looms because of unfaithfulness they`re as merciless as the Emperor Ming towards Earth and ethnic typecasting isn`t the issue:

 

``Some say the world will end in fire, some say in ice. `6

 

 

 In the developmental psychology of Carl Gustav Jung (1875-1961) the shadow possesses individuals making them `demonic`, which is often mistaken for obsession, and is why the Calvin Klein perfume, Obsession, succeeded as a brand name because `possession` would fail as a marketer`s ploy. Swiss Arabian Faith perfume is another good example, because faith, or adherence to a belief in success, is equivalent to being obsessed with a goal rather than shadow-possession, which Carl Jung described as arising from feelings of hatred towards others who are better off. Women often feel their situation would improve if they left their partner, but that desire for improvement sometimes encounters acrimony and resistance leading to vengeful acts of possessiveness.

 

 

 The success of the Christian Dior perfume brand name, Poison, favours `game` theory, and is a societal symptom equal to those directives to readers and viewers from fiction, movies, and song lyrics to perceive enemies where Jesus Christ preached acceptance of what was good and to avoid hatred based on prejudice. The minds of people are poisoned by ideas that poisons are good, or that other peoples are poisonous, because that`s argued by the propaganda, but vendetta embraces the reality of `the game` of constant divorce or `sundering`, whereby women are constantly looking to improve their situation with regard to partners who don`t measure up to ever increasingly higher expectations from the women or external pressures including other males:

 

Sarah singing: `Encounters one and two are not enough for me. What my body needs is close encounter three.`

 

 

 The Hot Gossip `Starship Trooper` lyric is a play on the definition of alien encounters as a `close encounter of the third kind`, which became the title of the movie Close Encounters Of The Third Kind (1977) that detailed the arrival upon Earth of an alien ship aboard which a few humans were elected to travel away to the planets and stars. The `close encounter`5  is stereotypically male insofar as the humans are conceived as sundered, as the depiction of man and woman as representative humanity on the plaque attached to NASA`s Pioneer spacecraft sent out of the solar system as a postcard from Earth to other unknown sentient intelligences indicates. In ignoring woman`s `futanarian` independence as the host womb of the human race with her own penis` semen, the NASA Pioneer spacecraft postcard informs extraterrestrials, if they exist, that Earth is where the alien sunderers of humanity can be found:

 

`There ain`t no such thing as a free lunch.`7

 

 

 Robert A. Heinlein`s (1907-88) maxim of `TANSTAAFL!` from his science fiction novel, The Moon Is A Harsh Mistress (1966), which details a revolt sundering a Luna colony from Earth, is supposed to be the libertarian viewpoint that work produces rewards, but aliens inviting other aliens to Earth for sunderer`s lunch is what the Pioneer spacecraft represented, that is, civilization, culture and art, which is the enslaved product of women`s host wombs as the human species, can be eaten here; because it`s devoured in men`s ceaseless wars of `perpetual enmity` against her. In the movie Independence Day (1996) aliens invade the Earth and are ultimately defeated after great devastation on a global scale because that`s what aliens do. Alien invasions are extrapolations of men`s invasions because they`re the aliens` wars against the humans:

 

`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)

 

 

 Sundering the human host womb from her own penis` `seed` is how the Earth embraced being an alien meal. Because `futanarian` women have their own penis` `seed` and so are capable of sexual reproduction without men, it would be difficult to sunder them as a species without demonic possession by invisible agencies demanding that they prefer men who can`t sexually reproduce together and in fact had produced the biblical `blood plague` of the `killer disease`, HIV/AIDS, in the late 20th century, by mixing blood, shit and semen in each others` anuses during mockeries of the human act of sexual reproduction. The `blood plague` is sent by God, according to the Christian New Testament of the Bible, to convert men from their sin of rejecting women in preference for homosexuality and devouring her infant nascency as a species in wars more conventional than biological:

 

`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)

 

 

 Jesus Christ uncontaminated by male semen, because born from his mother, the Virgin Mary, advocates adherence to the Holy Spirit which will teach  after him and help combat the demonic agencies of possession that would sunder woman from God, who tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed` that tempted her to eat of the `fruit of the tree of good and evil` and give some also to the first man created by God, Adam, rather than remain faithful to the `fruit of the tree of life`, which was immortality. Expelled from paradise by God for being interested in the evil of sundering, God warned Eve she`d experience pain in childbirth, because her `futanarian` nature would be sundered although she would:

 

`… crush the head of the serpent with her foot as she leaves.` (Gen: 3. 15)

 

 

 Leaving Earth for the stars and planets in starships of her own devising, thanks to her sexually reproducing her own brains` powers after Jesus` promised Resurrection of `woman`s seed`, woman as a `futanarian` species with her own penis` semen would no longer be directed by men`s propaganda to promote enmity between peoples but fuelled by her own implacable hatred for the divorced, Jesus envisages `war in heaven`, before the `serpent`s seed` receive unendurable eternal pain as a punishment  for preferring enslavement for woman`s host wombs in parasitism and death, rather than a `new heaven and Earth` for the `futanarian` human species of woman unsundered and with her own `seed` for the production of a new angelic host:

 

`At the resurrection people will neither marry nor be given in marriage; they will be like the angels in heaven.` (Matt: 22. 30)

 

 

 In Robert Heinlein`s original novel, Starship Troopers (1959) a race of humanoids called `Skinnys` reflect the US` habit of defining other human cultures by a single epithet. During the period of the US` wars in Indo-China (1946-79) against the perceived threat of communism, Asians were `Gooks`, and the Japanese were `little yellow men`, because it was a traditional epithet applied to skin colour and perceived cowardliness amongst English speakers, which perhaps contributed to Japan`s militarism and its siding with Italy and Germany, the Axis powers during WWII, to compensate for their alleged diminutive stature and lack of heart amongst Western propogandists:

 

Sarah singing: `I lost my heart to a starship trooper; flashing lights in hyperspace: fighting for the Federation. Hand in hand we'll conquer space.`

 

 

The concept of `the Federation` is familiar from Star Wars but also from the movie made from Heinlein`s supposedly militaristic novel, Starship Troopers (1997), in which the `bug worlds` of arachnoid aliens are depicted as attacking Earth and the soldiers of the Federation drop aboard mother ships as 20th century paratroopers on parachutes, dropped like spiders to invade nations upon the planet Earth. The extrapolation reveals the connection between the alien and the human insofar as the host wombs of the human women are enslaved by the aliens upon the Earth to defend against the aliens from elsewhere, which is what wars are:

 

Sarah singing: `The scanners seem to indicate a small deviation. Static on the comm - it's Starfleet Command requesting your position: it's their final demand.`

 

 

 The lyric from `(I Lost My Heart To A) Starship Trooper` by Hot Gossip employs the term `Starfleet`, which was created by the writers of the US` television series Star Trek (1965-) to describe the ships of the Federation and the fictional theme of a vast system of colonized planets patrolled by Earth`s starships and especially the crew of the USS Enterprise (NCC-1701) sometime in the 2260s. Starfleet Command`s requesting the position of the Enterprise in order to give instructions about where the ship was required next was a basic feature of the TV series devised by producer Aaron Spelling, while a `deviation` detected by ship`s `scanners` suggested an  `anomaly`, which is something that isn`t expected. The starship needs to be in readiness for what might occur next. Reported `static` on the communication from `Starfleet Command` by black female Communications Officer, Lt. Uhura of the Enterprise, was common because sexual attractiveness heightened the `position` by expressing the possibility of miscegenation, which clouded women`s `opinions` within the framework of a United States embroiled in racism and the struggle for human rights throughout the 1960s when the original series (TOS) was made. The Hot Gossip dance troupe were known for their eroticism in which `sexual position` was an important aspect of their dance routines. In `gay` and heterosexual terms the `Starship Trooper` lyric `requesting position` demands information with regard not only to sexual orientation but also race, which the Pioneer spacecraft had already announced to unseen extraterrestrial intelligences. The human species of `futanarian` woman with her own penis` `seed` and capacity to sexually reproduce human brains independent of men had already been eaten and we were here to be consumed by parasites and not cannibals. Irrespective of `opinion` women`s `position` was subservient to men`s; black, white, or otherwise.

 

 

 Carl Jung argued that the anima of a man was his soul which functioned as a psychopmp or guide with regard to women through projection, that is, the soul projected upon women said they were good because the projector was good, but the projection was often contaminated by feelings of inferiority towards the human by the alien and so hatred had to be overcome before sexual love could occur. According to Jung the animus was the male or contrasexual component of the woman, but he failed to grasp that women were an independent species and that the animus represented the woman`s penis` `seed`.

 

 

Although Jung observed that the animus was `opinionated`, he failed to perceive that sexual `position` was what women opined over. For them `opinion` was a tool of species differentiation, which Jung called woman`s `sword of power` used against the `power of illusion` represented by a man`s anima-projections. The anima assured women he wasn`t an alien, but her contrasexual counterpart, whereas the anima functions as the `spirit of God` obsessing the individual man with sexual reproduction, but not technological development, because it`d result in woman`s escape from Earth. Sundered humanity is unable to escape because the anima belongs with the woman and the animus with the `futanarian` woman between whom there exists no delusion because they`re sexual counterparts and it`s the will of God she should sexually reproduce the independent brains of humanity from her own `futanarian` woman`s penis` `seed`:

 

Sarah singing: `You're intentions are known, they've found out at last. So if you're gonna take me, please make it fast. Touch me, feel me, do what you will. I want to feel that galactic thrill.`

 

 

 The lyric from `Starship Trooper` by Hot Gossip is `gay` because it mocks `futanarian` women from its sunderers` perspective where everybody is homosexual because the human species is split. Women are abnormal because lesbian and so schizophrenically inclined away from their own race, while men are the aliens that have inveigled themselves into her host womb since God`s expulsion of Adam and Eve from paradise for disobeying the breeding program in favour of self-enslaving while `futanarian` humans would be killed as a threat to the socio-economic dictatorship of the `serpent`s seed` of men:

 

Speaker 1: `Arcaida. X-ray x-ray delta niner niner zero. This is Starfleet Control. You are clear to go hyperspace. Acknowledge.`

 

 

 The `starship` featured in `Starship Trooper` by Hot Gossip is Arcadia, which is the pastoral idyll in Greek mythology most closely corresponding to Eden, but the name of the character Arcaida in `Starship Trooper` is homophonic and sounds like Al-Qaeda, while the line, `Listen, Captain Strange, what's our destination?` hints at psychic knowledge of 9/11, which was niner one one and is the number of the emergency services in the United states on September 11, 2001, when Al Qaeda terrorists crashed hijacked planes into the Twin Towers of the World Trade Centre in New York. Psychic awareness isn`t so unusual in literature. The prophetic verses of seer Michel Nostradamus (1503-66) read like `flash fiction`, much in vogue at the commencement of the 21st century, and similar to the lyrics of 20th century pop videos, but more authoritively prescient and predictive:

 

`In the year 1999, in the seventh month, from the sky will come the great king of terror, bringing back to life the great king of the Moguls. Before and after, Mars to reign by good fortune.`8

 

 

 Mars is a common euphemism for war derived from mythology because he`s the Roman god of war. Although September 11, 2001, wasn`t July 1999, in the Gregorian calendar September would have been July, according to the old Roman Julian calendar that has ten instead of twelve months, which isn`t so far out for a 16th century predictive seer. The ensuing war with Iraq and the dictator, Saddam Hussein, who`d supported Al Qaeda, was called the `TV war` and so the risen Mogul would be a Holllywood producer or director. Often called `Babylon`, which is the ancient capital of the Persian Empire in Iraq, Hollywood represents the restoration of woman`s enslavement as the producer of `TV war` from her host wombs, where `TV` is transvestism and the sundered legions of humanity fight for extinction in the Mogul`s entertainment spectacles arranged for public consumption courtesy of the movie studios in California, Los Angeles, `city of the angels`:

 

`Each man would jump fifteen seconds behind the other, simply to give each of them room to manouver on the ground. When they hit dirt their personal shields - force-fields to you and me - would be already active (switched-on in mid-air at one-and-a-half-klicks with a radius of 250 metres) and every one of them would rapidly become the epicentre of a circle of destructivity that no Trooper in his right mind would seek to overlap.`9

 

 

 Formulaic literature descriptive of what Hollywood, Babylon, actually produces in a few frames of cinema film is valuable for that reason. The efforts of a writer to be published are nothing to a trillion dollar a year movie industry which reduces a novelist`s input to a moment or so of action and a few words of dialogue. Destruction has become the god in Hollywood, Babylon, because it`s spectacular, but the death of the ageing writer in the `concentration camp` of Hollywood`s devouring maw isn`t much reward for a life spent as an artist endeavouring to be heard over an explosion and a grunt or two from the `hero`.

 

 

 Hollywood, Babylon, values life about as much as Al Qaeda `live on CNN` to up the viewing figures for `TV`. Those who work in special effects, for example, spend months and sometimes years of their lives constructing the equivalent of starships to be crashed on movie sets without a qualm. Hollywood`s pictures are of lives born to be destroyed, because they`re of little or no worth to the movie business once their frames in the movie are shown. The reduction of human endeavor to a flash of fire and the death of half a world is reflected in `TV wars` like the Gulf (2001-11), featuring the assassination of terrorist leader, Osama Ben Ladan in the shade of the Pakistan Military Academy, as a denouement on May 2, 2011, while a cure for HIV/AIDS `killer disease` had to wait because of the immense resources needed to wage war diverted to the Military Industrial Complex (MIC) and away from healthcare. The `movie` of an individual`s life goes on for 70+ years on average, but for `TV war` it`s frames of a film lasting moments and the value of people is diminishing to the point at which the callous dispatching of the murdered is no longer perceived as `anathema`, but actively encouraged by computer `games` and `action` films based on death and the vicarious enjoyment of others` unfulfilled lives.

 

 

 Although Britney Spears` `Oops I Did It Again` seems simple, the presence of the astronaut suggests the MTV (Music Television Awards) statuette for pop music in its various categories as devised by Music Television, the cable and satellite `TV` broadcaster that, inaugurated as a channel on August 1, 1981, because the Viacom company saw an opportunity to showcase the new media of pop video singles being produced by pop recording artists. MTV later awarded the silver spacemean standing on one leg with the MTV logo on the flag as if he were Neil Armstrong, the first human to set foot on the moon, planting the flag of the United States there:

 

`One small step for a man, one giant leap for mankind.`10

 

 

 The first Video Music Award (VMA) was awarded in 1984 and, although `Oops! … I Did It Again` was pitched to win an MTV spaceman and was nominated, Britney Spears had to wait until 2008`s `Piece Of Me` from her Blackout album before becoming a recipient of the `silver spaceman` for what was a protest song about the paparazzi`s role in her losing custody of her infant, Sean, after she was photographed `neglecting` the child by ignoring the loss of his cap while running to a car to avoid the media:

 

`… with a kid on my arm, I'm still an exceptional earner. You want a piece of me?`

 

 

 Idiomatic usage of `piece` is belligerence and so Britney won the MTV Award because the spacesuit was designed from pressure suits used in deep sea diving at the Aeronautical Materials Lab at the Philadelphia Navy Yard by science fiction luminary, Robert Heinlein, amongst others, during WWII. The VMA `silver spaceman` represents a retrospective look back at `Oops I Did It Again` from Britney`s point of view, because her red pilot`s suit in the video complements the astronaut`s appearance. The original plan of NASA`s was to fly to the moon by `spaceplane`, so Britney Spears `Oops I Did It Again` performance poses a question: how is humankind to reach Mars if the spacesuit and the pilot`s suit aren`t viable? Heinlein`s Starship Troopers treated of the possible future development of the spacesuit into a form of futuristic military armor.

 

 

Armor was worn by Medieval knights such as those of the legendary court of the English king Arthur, written of by Sir Thomas Mallory in his famous novel, Le Mort D`Arthur,11 dealing mainly with the search for the Holy Grail as the bowl drunk from by Jesus Christ at the `Last Supper` before his crucifixion, death, Resurrection and Ascension to heaven. For pop music an MTV Award is the Holy Grail but `Oops I Did It Again` points out that the spacesuit and the pilot`s suit aren`t viable for interplanetary travel. The title of the Blackout album from which the VMA award winning single `Piece Of Me` was taken reflects on the blackouts experienced by prototypical X-15 `spaceplane` pilots, which resulted in the Apollo spacesuit program that had the `personal armour` of Starship Troopers and conquest as its teleology rather than space exploration and human colonization as the genuine Holy Grail:

 

Sarah singing: `Space suit is lying on control room floor; pulse rate increasing as the heat factor soars: take me, make me feel the force. Ignore the computers, we're locked on course.`

 

 

 The Hot Gossip lyric from `(I Lost My Heart To A) Starship Trooper` describes the possibility of `blackout` as a hazard of spacesuit use. In the Star Wars series of movies, `the force` is a form of energy within the cells of the body that needs to be balanced before the power of God can be used. Darth Vader has embraced the `dark side` of `the force`, which means he`s shadow-possessed and so demoniacally evil:

 

`Midi-chlorians are microorganisms first mentioned in Star Wars Episode I: The Phantom Menace [1999]. They reside within the cells of all living things and communicate with the Force. They are symbionts within all other living things and without them life could not exist. The Jedi have learned how to listen to and coordinate the midi-chlorians. Every living being thus has a connection to the Force, but one must have a high enough concentration of midi-chlorians in one's cells in order to be a Jedi or a Sith.`12

 

 

 

 The `Jedi` are the knights of the romance while the `Sith` are a race of humanoids that master the `dark side` of `the force` to seize power from humans. Although `the force` is available to anybody harmonized in balance with the midi-chlorians present within the system, shadow-possession is the consequence of turning away from the `light side` until there is only darkness, which is death and its worship in evil:

 

Sarah singing: `… are you like a droid, devoid of emotion?`

 

 

 Because of the reference to Star Wars in Hot Gossip`s `Starship Trooper` lyric, the `droid is R2-D2, the indefatigable mechanoid that always succeeds. Stealing the plans for the `Death Star`, Princess Leia entrusts R2-D2 to deliver them to the Federation so they can destroy it before it`s deployed against Federation planets. R2-D2 represents human fallibility, because the machine makes no mistakes; it`s `locked on course`, as the Hot Gossip lyric in `Starship Trooper` has it: whereas the human who is `like a droid, devoid of emotion` is evil because inhuman. The misapprehension is that machines are evil, whereas humans who embrace the `dark side` are. R2-D2 is a better human because a better machine, which is what `labour-saving devices` such as washing machines or microwave ovens are. They free humans and so should be treasured, as R2-D2 is in the movie series, because the `droid` represents `Liberty` through intelligence and why despise the machine or an animal because it`s sentient enough to help you? Enslaving the host womb of the human species, or any other sentient creature, limits humans to inbuilt failure in their desire for freedom.

 

 

 Appearing on the cross In the place of Jesus crucified for the cover of the CD single, `Piece Of Me`, Britney is idiomatically giving the Earth a `piece of her mind` on the subject of Arthur`s knights of la table ronde at which all were perceived equal, because none could be seen to be foremost. Arthur`s fate was to be betrayed by his half-brother, Mordred, detailed in the movie Excalibur (1981), while Jesus` traitor was Judas. Although the table of Arthur corresponds to that of the disciples` at the `Last Supper`, the Holy Grail is independence. If all men are interested in is `conquest`, and preoccupations with the evil devouring of humans through warfare rather than healthcare suggests they are, is the `futanarian` human species of woman with her own capacity to sexually reproduce her own brains` power for socio-economic independence from Earth through technology, just a `piece of cake` at the Rotary Club for men who don`t want her humanity to leave in starships, because they want to enslave and devour her sundered self here in `TV wars`?

 

 

 In `Oops I Did It Again` Britney appears `twinned` as herself in a red suit and in a white bikini dress, because three humans are represented in her equation; the man, the woman, and the `futanarian` woman with her own penis` `seed`. If man doesn`t want her, she can leave for the stars and planets because he`s holding her back. At the `Last Supper` before his crucifixion, Jesus gave `bread and wine` as symbols of the `body and blood` that was to come during his torture and murder upon the cross, because the disciple Judas didn`t accept Christ as the host, but instead betrayed the human species of `futanarian` woman with her own human penis` semen and host womb represented by Jesus` mother, the Virgin Mary, who bore Jesus uncontaminated by male semen in the `spirit of God` as the true Holy Grail of Christianity`s preaching of the Resurrection and Redemption from the `original sin` of accepting slavery sundered `futanarian` humanity.

 

 

 According to Jung the heart is the `Feeling` function associated with the mouth and the bowl, that is, the Holy Grail is `Feeling` because it represents a refusal to devour the human. Britney Spears` `Oops I Did It Again` is an exercise in `flash memory` rather than `flash fiction` insofar as it features a dialogue between herself and her spaceman about the contents of a `black box` which is usually inside a plane as the recorded information after a crash such as those experienced by X-15 pilots due to `blackouts`. Some pilots escaped by parachute but others died. Because the parachute is `spider technology`, Heinlein`s Starship Troopers` depiction of the evolution of the paratrooper comments on the teleology of the spider rather than the human, who`d prefer to ascend to the stars and planets by `spaceplane` rather than remain to be devoured in men`s wars of `perpetual enmity` because the spider prefers a hard shell rather than a soft body. In Heinlein`s `Future History` Britney Spears in `oops I Did It Again` corresponds to `Poddy` from his juvenile story for girls, Podkayne Of Mars (1963), who wants to learn to be a `rocketship pilot` because it`s a better chance for the human race:

 

Britney speaking: `But I thought the old lady dropped it into the ocean at the end?`

 

 

 Britney Spears` video single is carefully scripted; as was Hot Gossip`s `Starship Trooper` in which there are speakers 1, 2, and 3. At one point, the director`s cue is, Sarah singing: `Oh, baby..,` which Britney echoes in `Oops I Did It Again` in homage to her pop music video predecessors in science fiction:

 

`Oh baby. It might seem like a crush; but it doesn't mean that I'm serious. `Cause to lose all my senses; that is just so typically me. Oh baby, baby.`

 

 

 In Jungian psychology, the senses of sight, hearing, taste and smell represent undifferentiated or unconscious awareness and so Britney`s lyric laments her emotionality. In the movie Titanic (1997) the `old lady` Rose drops the blue diamond pendant, `heart of the ocean`, into the sea as a `remembrance` at the place where the ship sank on April 15, 1912. The Titanic had been on its maiden voyage from Liverpool to New York after being struck by an iceberg, which suggests that the blue diamond is the uncrushed `ice` that contains only the cold clarity of memory to assist the salvage operation and reveal the secrets of the wreck:

 

Britney`s spaceman speaking: `Well, baby, I went down and got it for you.`

 

 

 Not only is he an astronaut, Britney`s spaceman is a deep sea diver and represents the evolution of Heinlein`s `pressure suit`, that is, the `precious suit`, since the Philadelphia Navy Yard`s preparing for the X-15 spaceplane program, which indirectly paved the way for NASA`s succeeding Apollo space program. Descending onto the dance floor inside a giant`s ring at the opening of `Oops I Did It Again`, Britney`s `action` can again be seen to correspond with the lyrics of Hot Gossip`s `Starship Trooper` because she`s a child of her era and the other stars have communicated themselves to her:

 

Speaker 2: `Affirmative, Star Comm. We have situation gold.`

 

 

 The golden `ring of power` at the centre of the `star` British fantasy, J. R. R. Tolkein`s The Lord Of The Rings (1954-55), is the `precious`, so the `precious suit` is the wedding suit of the bridegroom for the bride. What`s missing from the gold ring is the stone, which symbolically is in the `black box` given to Britney by the spaceman as the Holy Grail. On his way to destroy the ring of power in the volcano atop Mt Doom, Frodo has to fight the giant female spider, Shelob. The solution to the devouring spider teleology of the `precious suit`, as depicted in Heinlein`s Starship Troopers, is women`s technology from her own `futanarian` marriage and brains from her own host wombs with her own penis` semen for the sexual reproduction of better equipment for liberation from the conquest-destruction path in preference for the road to civilization-colonization :

 

`Enter through the narrow gate. For wide is the gate and broad is the road that leads to destruction, and many enter through it. But small is the gate and narrow the road that leads to life, and only a few find it.` (Matt: 7. 13-14)

 

 

 Tolkien`s novel is divided into three parts; The Fellowship Of The Ring (2001), The Two Towers (2002) and The Return Of The King (2003). In 21st century terms the Twin Towers of New York destroyed by Al Qaeda on September 11, 2001, correspond to the citadel of the West threatened by the Dark Lord, Sauron, whose `ring of power` Frodo was entrusted to destroy. Frodo`s struggle to defeat Shelob in the Two Towers and relinquish the ring atop Mt Doom to liberate the good from the power of the `Dark Lord` contrasts with Anakin Skywalker`s capitulation to the `dark side` to become Darth Vader and lead the evil Empire against the Federation in the Star Wars epic. Although the Twin Towers of New York symbolized the `gateway to the West`, the power of the `Dark Lord` raised them to the ground, because the power of Sauron wasn`t broken in the `war of the ring` between  Saddam Hussein`s Al Qaeda and the NATO alliance (North Atlantic Treaty Organization) and her allies in the Middle East and elsewhere. The demolishing of a wall that ringed the US Defense Department of the Pentagon by a further terrorist hijacked plane was an attempt to break a ring of power in the West and there are rings of freedom and slavery in Tolkien`s fantasy:

 

`Three rings for the elven-kings under the sky;

Seven for the dwarf-lords in their halls of stone;

Nine for mortal men doomed to die;

One for the Dark Lord on his dark throne:

In the land of Mordor where the shadows lie.

One ring to rule them all; one ring to find them;

One ring to bring them all and in the darkness bind them:

In the land of Mordor where the shadows lie.`13

 

 

 The gate to heaven is the `futanarian` way of `woman`s seed`. In the Titanic movie Rose is betrayed by an ex-fiancée who puts the `heart of the ocean` into the pocket of her new boyfriend and accuses him of theft, just as Bilbo is accused of theft in the novel prequel, The Hobbit (1937), when he finds the ring of Sauron before Frodo becomes his heir and instrument of deliverance. Curiously, Bilbo could have lost the ring but wom a guessing game to retain it with the creature, Smeagol, who claimed he`d stolen it from him:

 

`What have I got in my pocket?`14

 

 

 Despite Smeagol`s objection, Bilbo keeps the ring, and he`s a murderer anyway so doesn`t deserve it and knows so, which works against his assumed role as someone whose life, which was `precious`, has been taken away by Bilbo, the `nasty thief`. Rose`s jewel is still in the pocket of the coat while she`s sitting in a lifeboat from the Titanic and she doesn`t guess it`s there but discovers it by chance as Bilbo had. Her lover drowns helping others, but the `heart of the ocean` diamond pendant represents the `Feeling` function of Jungian psychology, which is inferior in the ex- fiancée but differentiated or actualized in Rose`s relationship. According to Jung the differentiation of the four functions; `Sensation, Thinking, Feeling and Intuition` is necessary before the individual is self-aware enough to function as a human. The `Feeling` function is usually inferior in men because they`re treacherous. As Judas was when betraying Jesus, which is why the bowl Christ ate and drank from is Holy and the `bread and wine` he offered to the disciples, as his `body and blood`, is the `hand of friendship` rather than the infamous kiss upon the mouth of Jesus from the lips of Judas Iscariot, the devourer. In symbolic terms the Titanic`s iceberg is the tooth in the mouth of the traitor, whether the sinking was accidental or not. The `heart of the ocean` is the symbol of Jesus` heart, because those without `Feeling` are the devourers and the hearts of lovers are human:

 

Speaker 1: `This is Starfleet Control to all ships in sector five. Be advised Arcadia niner niner zero is off course. All ships [squawk!] ident …`

 

 

 Because of the iceberg and volcano references in Britney Spears` `Oops I Did It Again`, her theme echoes Robert Frost`s poem, `Fire and Ice`, but it`s about the mastering of emotions in order to function successfully rather than vengefully. In Hot Gossip `s lyric the starship Arcadia is a `Mary Celeste`, which was a ship legendarily discovered drifting crewless on December 5, 1872 in the Atlantic. Any mysterious empty space that should contain humans is now idiomatically described as `Mary Celeste`. Although Britney borrows from Hot Gossip`s `Starship Trooper` in referring to a lost ship, `Oops I Did It Again` is about the Titanic`s undeviating from its course and sinking, because of the belief it couldn`t ever lose:

 

Announcer: `All aboard!`

 

 

 The Al Qaeda terrorists` hijacked planes on 9/11, 2001, didn`t know when to avoid the Twin Towers, because they weren`t sentient machines to decide for the humans, like R2-D2, the mechanoid in Star Wars does. R2-D2 saves the Federation by facilitating the destruction of the Empire`s `Death Star` before it can become operational as a planet killer, which is what the unbroken ring of homosexual pederasty and war`s preference for sundering and devouring through enslaving women`s `futanarian` host wombs for `TV` is. In The Lord Of The Rings Frodo wrestles with Smeagol atop Mt Doom, because Smeagol didn`t know when to relinquish the ring and falls to his death in fire.

 

 

 There`s a scene in Britney Spears `Oops I Did It Again` where her red suited self puts a hook into his backpack and raises him by means of a pulley until he`s hanging above herself in a white bikini dress with what look like the tines of a giant fork beside his spacehelmet while she reclines on what appears to be a white fire blanket. Suspended, he can`t do anything other than film Britney with his camera eye attached to the side of his spacehelmet. Britney represents safety after a fall from the fork, symbolizing the devouring `serpent`s seed` that, grown in size to the `dragon` of Revelation, waits in vain to consume the `New Redeemer`, that is, although the sunderers believed they could never lose, Jesus Christ in his `Second Coming` will `rule the nations with an iron scepter`, which Britney`s protective fire blanket represents. The spaceman can`t fall to safety because she`s not sure he isn`t a devourer. `Oops I Did It Again` is Britney`s stage where the setting of the ring with the jewel will occur, and she`s a hot white diamond in a bikini, while her red suited self is a ruby, with the cold blue diamond `heart of the ocean` in the spaceman`s `black box` as the third jewel of her ring if he believes in freedom for the human species and so accepts her futanarian `sister`:

 

`You see my problem is this; I'm dreaming away wishing that heroes, they truly exist. I cry, watching the days; can't you see I'm a fool in so many ways?`

 

 

 The hero concept relates to women. At Troy the Greek heroes were there to ostensibly liberate the captured Helen from Prince Paris who had taken her to the city of his father, king Priam, from Greece and her husband, Menelaus, whose brother was king Agamemnon of Sparta. But the enslaving of the host wombs of the women of Troy after the Greek victory belies the title `hero`. Britney Spears` bikini dressed sister in white is the archetype of Helen beseeched by a besieger, who she rejects in his first assay, but the scene will be repeated ad nauseum, because the VCD will be replayed countless times by people all over the world ad infinitum unto futurity. Although Brintey appeals to be released from being a `fool` for `dreaming` of `heroes`, she`s possessed by the `brain devils` of the propogandists who want her to accept the `demons` as heroes despite the truth which belies the fact of war and her enslavement as its producer.

 

 

 In ancient Greece women`s host wombs were institutionally enslaved by homosexuals in pederasty in order to spread war and its contagion. The global incurable `killer disease` of HIV/AIDS is a `biological weapon` keeping `futanarian` woman with her own penis` semen enslaved in fearful faithfulness to her jailors in misogyny. The indomitable Star Wars machine R2-D2 provides the best solution to fallible humanity`s belief in invincibility and the stoic `he who hesitates is lost`15 philosophy of the schizophrenic socio-path, but society wants human error rather than machine infallbility, so computer `geeks`, replacing the earlier form of `Greek` homosexuality, devise machine code to deliver viruses to computers much in the way that Troy was captured by the `Trojan horse` of the Greeks. Leaving behind a huge hollow wooden horse, the Greeks left their siege of the city of Troy and the Trojans took the `gift` into the city where the Greeks emerged like a 21st century `Trojan horse` computer virus to enslave the host wombs of the Trojan women for pederasty and to spread their contagion further:

 

`Beware Greeks bearing gifts.`16

 

 

 The Al Qaeda terrorists on 9/11, 2001, used their hijacked planes as visiting guests of the United States to crash them into the Twin Towers and virally precipitate global `rough trade`17 at the World Trade Centre, that is, the `brutality and violence` of homosexual pederasty at war with the world. Just as Judas betrayed Jesus so the Al Qaeda tourists and students were traitors to the welcome the United States gave them when they hijacked civil aircraft at Boston`s Logan airport to end the hopes of the 21st century in the same way that the lives of `runners` are snuffed out by `sandmen` in the science fiction movie, Logan`s Run (1976), because they want to live past their 21st birthdays. If funds were spent on healthcare, rather than war, humans could live forever, but ephemerality for women keeps the species unconscious and easy prey for alien intelligences, because `woman`s seed` can`t disseminate the `futanarian` truth to their daughters within censorship and media blackout that occludes from taboo knowledge of her own penis` semen:

 

`I'm Mrs `Oh, my God! That Britney's Shameless (You want a piece of me?)!`

 

 

 Britney Spears isn`t allowed to be shameless enough or the nude photograph of her on the cover of the CD single, `Piece Of Me`, on the cross of Jesus with her long brunette hair covering her breasts and wearing only a sarong would be entirely naked with a `futanarian` woman`s penis` erection visible so the younger generation can know more of the truth about Christ`s teachings of `woman`s seed`, its Resurrection, and mankind`s Redemption through acceptance of it.

 

 

 That Britney Spears knew Hot Gossip`s work is evident from the golden bosses on the walls of the stage set for the video single, `Oops I Did It Again`, because silver bosses feature in the video for `Starship Trooper` and in the BBC TV series Doctor Who (1963-) on the casing of the Daleks of Skaro who were at war with the blonde Thal humans as the Kaleds before global holocaust forced the Kaleds to become Daleks and live in metal pepper-pot style vehicles as exterminators of the Thals. The Daleks become the enemies of the human race throughout the long-running TV series; metallically grating whenever they see a human:

 

`Exterminate! Exterminate!`18

 

 

 US audiences would associate the pepper-pot Daleks and Doctor Who with the fizzy soft drink, Dr Pepper, while Gwyneth Paltrow was the actress in the role of Pepper Potts alongside Robert Downey Jr as Tony Stark in the movie Iron Man (2008) , which similarly treats of the theme of the armoured flying suit. Although Daleks aren`t Iron Man, their outward appearance in the shape of the external bosses on their pepper-pot style casings, insofar as they feature in the pop music videos of Britney Spears` `Oops I Did It Again` and Hot Gossip`s `Starship Trooper`, reflect on Robert A. Heinlein`s Starship Troopers and Britney Spears` spaceman`s position with regard to the phenomenon of the `extermination camp`. 

 

 

 Internment camps for `aliens` arose in the 20th century as a means employed by the Germans during WWII to exterminate the `chosen people` of the Old Testament of the Bible, the Jews, and prevent the human `futanarian` species of unsundered woman with her own penis` `seed` for planetary colonization from leaving. It isn`t possible to be born a Jew unless born from a woman, so women are the `chosen people`. Because of the surrounding Dalek symbolism, both Britney Spears` Oops I Did It Again` and Hot Gossip`s `Starship Trooper` represent the idea that there`s no escape for the unsundered children of the human race of `futanarian` women with their own capacity for sexually reproducing their own brains` power to liberate themselves through technological advancement because the troopers are their imprisoners rather than their defenders.

 

 

 Whether Hot Gossip and Britney Spears support the `death camp` theme in their dance videos is moot. Directors have their own ideas and `Starship Trooper` by Hot Gossip was choreographed by England`s Arlene Phillips while `Oops I Did It Again` was directed for Britney Spears by England`s Nigel Dick. It was the English that invented the `concentration camp` in South Africa, of course, to exterminate the Dutch settlers during the Boer wars (1880-1,1899-02) and the  exterminating Daleks of Doctor Who were created by Terry Nation, who also devised Blake`s 7 (1978-81), the adventures of Roj Blake and the crew of the Liberator spaceship who conduct a campaign against the totalitarian Terran Federation, because it uses mass surveillance, brainwashing and drug pacification to control its citizens, for 52 episodes.

 

 

 When Roj Blake is lost, Kerr Avon, an `electronics and computer expert`, commands until the Liberator is destroyed and the crew continue their campaign from the planet Xenon. In the final episode Avon finds Blake and kills him because he suspects Blake of being a traitor. The crew are killed by Federation guards who surround Avon in the final scene. The essence is of the South African actress, Glynis Barber, who had the role of Soolin in the fourth and last series along with Slave, the new ship Scorpio`s onboard computer, which telegraphed the `TV` program as a sunderer`s pogrom on behalf of transvestism, that is, the sundered human species of `futanarian` woman with her own penis` semen and host wombs for independence and freedom.

 

 

 Glynis Barber as Soolin was a blonde South African Boer beauty who might appeal sexually to women viewers of Blake`s 7 and so she was exterminated in an English `death camp` scenario in keeping with the continuing theme of Doctor Who And The Daleks (1965) in which the blonde Thals are extrapolations of the Dutch Boers who declared an Orange Free State on February 25, 1854, which the English tried to exterminate. Of course, the Jews held still in Germany, and the rest of the world, before the fascist pogroms began before WWII during the dictatorial reigns of democratically elected Reichführer, Adolf Hitler in 1933, Benito Mussolini in Italy in 1922, and Emperor Hirohito (1901-1989) of Japan, who was best known for claiming not to know anything about the Japanese own `labour camps` created to waste lives in starvation and disease:

 

`A word to you about escape. There is no barbed wire. No stockade. No watchtower. They are not necessary. We are an island in the jungle. Escape is impossible. You would die.`19

 

 

 Colonel Sato in the movie of Japanese prisoner of war camps, Bridge Over The River Kwai (1957), announces the basic capitalist ethos of the 2oth century and beyond. The soul is to be enslaved for the spirit to work, but there`s no escape because technological development is forbidden. Science fiction is usually defined as extrapolation, that is, possible scientific advancement described in fictional terms, whereas the truth is that humans live in the propogandists` fiction that science is impossible in order to maintain slavery.

 

 

 Caring about the car is different to the car caring about the individual who cares for the car, but the principle is liberating. Humans are kept at an artificially low level of technological advancement to prevent the machine from caring for them and liberating humanity from slavery. The individual with poor technology has to care for their technology more, for example, the person with scissors rather than an electric razor, which results in slavery to the technology rather than liberation of the individual through technology because scissors are more time-consuming than electric razors.

 

 

 If the machine cares for the human better than the human can, the machine is more human than the human who is thenceforth liberated from care and can live. Men keep humans at a low level of technology so they can`t escape, but women with their own penis` semen and host womb are socio-economically independent to sexually reproduce their own brains and technologies and so men are her alien parasites seeking the extinction of her human species through `death camp` programs designed to foster the illusion that progress is desired whereas the teleology is of slavery and reincarnation to be enslaved in death and rebirth, whereas Jesus Christ taught Resurrection because it means the end of devourment of the human race in enslavement to the `serpent`s seed` preparing their `red dragon`, Satan, to consume the Earth in the fire of nihilistic holocaust followed by a  permanent winter of deadly ice from which no living thing would ever emerge;

 

`From what I've tasted of desire, I hold with those who favor fire. But if it had to perish twice, I think I know enough of hate to say that for destruction ice Is also great and would suffice.`20

 

 

 The `serpent`s seed` hates humanity and grows its dragons to devour it. Satan doesn`t care whether the world ends in fire or ice, as Robert Frost writes in his poem, `Fire And Ice`, just as long as it does. Although the poet`s metaphor for the ending of a relationship in acrimony is simple, the metaphor is genuine because the human species is split by its alien sunderers who seek the Earth`s destruction. It will happen if Jesus` teaching isn`t understood as encouragement to those who want to be pilot`s of their own individual spacelanes, rather than aliens masquerading as `starship troopers`, who`d hijack planes in order to destroy individuality and developmental human progress:

 

`Starship Trooper, go sailing on by, catch my soul, catch the very night. Hide the moment from my eager eyes. Though you've seen them, please don't tell a soul. What you can't see, can't be very whole.`21

 

 

 The lyric from `Starship Trooper` by the progressive rock group, Yes. describes people`s fear of German `stormtroopers`, that is, the Sturmabteilung (SA) Nazi paratroopers, and what they`ve been doing. That`s why many residents close to Nazi `death camps`, run by the Schutzstaffel (SS) `protective squadron`, during and before WWII, lived in self-delusion, because they didn`t want to be held in there and so feigned belief in the lies about `showers` and `holiday camps` where poison gas chambers and clusters of protected buildings for exterminators to exterminate humans were the truth. The Yes lyric describes starship troopers as a Nazi collective of like-minded people flying supersonic aircraft across the Earth to attack humans with weapons of mass destruction, while the retarded infants pedal their toy cars futilely seeking to progress on their rat race`s treadmill:

 

`Mother life, hold firmly on to me. Catch my knowledge higher than the day. Release as much as only you can show. Though you've seen me, please don't say a word. What I don't know, I have never shared.`22

 

 

 The Yes lyric is of belief in a maternal spirit in nature, who the singer-narrator wants to show enough of herself to assist human development and progress, but no more of her secrets, because the lyricist doesn`t want Nazism to have her. In the early 1950s, work began on supersonic transport (SST) and the first Concorde airplane was produced by the British Aircraft Corporation (BAC) and French Aérospatiale in 1969. Concorde could travel from Europe to New York in under 3 hrs and was decommissioned in 2003 after entering service in 1976 amidst criticism of its `sonic boom`, which some people in the UK didn`t want to hear overhead. Concorde`s flight time increased to minimize the supersonic attribute until those who wanted a mode of transportation that would take them to the United States in less than half a day were thwarted and flight technology for humans was once again made subordinate to the more spontaneous sonic booms of military aircraft that residents along the South coast of the UK couldn`t do anything about other than complain against those who actually kill people for being a nuisance. The pedal car drivers thought they were `starship troopers`, whereas what they really needed was a spaceplane program to get their feet off the military`s treadmill for the production of wheeled vehicles to smash with their jet airplanes` rocket bombs after receiving instructions from what the English are wont to describe euphemistically as `higher ups`:

 

`Loneliness is a pow'r that we possess to give or take away forever. All I know can be shown by your acceptance of the fact there shown before you. Take what I say in a diff'rent way and it's easy to see that this is all confusion. As I see a new day in me, I can also show if you and you may follow.`23

 

 

 The concept of following a teacher is Christian, while the Holy Spirit that Jesus Christ promised God would send is the teacher. The idea that `higher ups` aren`t looking down upon the humans in lonely power to take away their lives forever so they can continue in power is naïve. The true teacher can show what`s acceptable, but not if the taught prefers `higher ups` other than God. The myth of the `starship trooper` is a theme in literature and music because of the genuineness of fears about aliens, but the human solution is individuality, rather than collective power. Those members of the British public who prevented Concorde from developing, so that cheaper faster transportation between continents couldn`t result in the sharing of good ideas and economic growth, stopped human progress, when the facility of the internet as a global system of information emerging in the 1980s would provide the knowledge and desire to work with others internationally, and for the betterment of humanity, as individualities concerned to grow into a human collective:

 

Jesus, savior, pilot me, over life’s tempestuous sea; unknown waves before me roll, hiding rock and treach’rous shoal; chart and compass came from thee: Jesus, savior, pilot me.`24

 

 

 Jesus taught that the Holy Spirit would teach after him because of what Jung calls the `sex drive`, which is the libdic energy produced by an individual. In spiritual transformation sexual libido is transformed into intellectual capacity for work to create a better environment to live. The conversion from instinct to spirit is through metanoia, which is the transformation of the brain through acceptance of Jesus` teaching. The Holy Spirit is the result of a transformed brain, because Jesus doesn`t want to be somebody else`s `pilot` and, when the Holy Spirit has transformed the individual brain, the `sex drive` is no longer governed by instinctuality and the self-actualized ego has control in God or, as Jung has it, the individual is able to know the totality of the `Self`, which is as close to God as the human brain can be.

 

 

 The analogy is the automobile, which requires a driver. The concept of drivers is archetypal and is built into computer concepts, where a driver is needed to run programs and software such as video players on the hardware. According to Jung archetypes exist in the collective unconscious of humankind and arise in dreams, art and the imagination as the brain`s natural impulse engines for the ship of the body and mind.  The analogy of the car and the human operator of the vehicle doesn`t apply to the individual driven by a demon, because then the `demon driver` would have to be in the back seat holding a gun to the head of the human.

 

 

 In Star Wars Princess Leia wears her hair wrapped about her ears like headphones, `ram style`, because she is with `the force` selecting from her `random access memory` of the `midi-chlorians` that live within her as minute creatures assisting her to live in harmony within `the force` of her personality. If she wasn`t able to hear her midi-chlorians, she`d be like a car driven by backseat drivers because she`s deaf, and in fact her `ram style` hair technology looks like that worn as earmuffs in the winter to keep cold ears warm, or by road menders using heavy drills on tarmac that would deafen the worker unless the earmuffs were worn.

 

 

 The `force` is knowledge gleaned over medical lore eons of hair technology allowing Leia to understand through her mind and spirit. The minute creatures would become `demonic` if she deviated from adherence to `the force`, which corresponds to the Holy Spirit, because the midi-chloreans could drive the ship of the body and spirit, rather than the individual ego through acceptance of the Holy Spirit and God, which the Jedi knights of Star Wars, such as Alec Guinness in his role as Obi Wan Kenobi, teach to their disciples and the midi-chloreans through a combination of meditation, education, and prayer.

 

 The Sony Walkman portable individual cassette player with headphones was a Japanese invention of the late 20th century as a generation attempted to understand what was going on inside them so they could self-actualize without distraction. According to Jungian psychology there are four functions of consciousness; `Sensation, Thinking, Feeling, and Intuition`. The `Thinking` function is associated with the ears or hearing, and it`s difficult to be demoniacally influenced if you`re deaf. The Sony Walkman offered inner peace and harmony whatever chaos manifested without and so allowed the individual ego to steer a course for a safer harbor; deaf to those voices that would force a change in course to drive the ship onto the rocks and sink it.

 

 

 Although ships of the Star Wars movies are either for huge numbers of people and vast, or a few people and small, the ideal is for an individual to have a big ship, which that person runs alone, but Jesus` is the pilot to begin with before metanoia (Matt: 27. 3) and the Holy Spirit have occurred and the ego is capable. The problem in the 20th century was confusion between driver and driven because car drivers often have passengers who are driven by the driver to a destination. The human who is capable is driven by the backseat `demons`, and that`s the paradigm by which humans live. In science fiction the human is most often depicted as a member of a collective such as the crew of the starship Enterprise in Star Trek while the space rocket with a pilot sitting in it has a huge engine ruling out living space and that can only travel quickly to its destination like a missile.

 

 

 In the Starship Troopers paradigm the collective devours itself like spiders after mating, while the rocket pilot streaks from place to place as a homeless person driven by `demons` that don`t want him to live as anything other than a missile that`ll one day find a home. The depiction of single occupant spaceships of a significant size in movies such as Alien (1979) are almost always treated with horror as the work of an alien intelligence, but that`s what Jesus` teaching is about. Christ leaves Earth for God and heaven without companions and the Holy Spirit is promised as a teacher to assist others who want a ship of their own.

 

 

 Without depictions of large space vehicles for a single person, the human is trapped by backseat `demon drivers` in slavery to what Jung describes as the superior function associated with the ego, that is, either `Thinking`, which is the ears in undifferentiated form; ``Sensation`, the eyes; `Feeling`, the mouth (speech), and `Intuition; the spirit sensing through the nose or smell. In Jungian psychology there`s usually a superior, auxiliary, ancillary and inferior function. The Japanese Sony Walkman could help differentiate the `Thinking` function, but the other functions would need different approach work. A person with a computer and screen has differentiated eyes as the `Sensation` function, which requires some spirit sense or `Intuition`, while articulate speech requires differentiation of the `Feeling` function, so the internet`s an important tool of the 20th century for readers, writers and communicators, but driven cars and slow travel by passenger laden transport represent the rocket and pilot missile analogy, and that of the Starship Troopers waiting to be `dropped` on a world new and beautiful, but pre-judged by the individual, who`s been taught the `spider` paradigm, that it`s either territory to conquer and devour after the `drop zone` is reached, or that the spiders there`ll devour the visitor if they know a `drop` is about to occur.

 

 

 Keeping one function superior and one function inferior, that is, the shadow, which is the inferior aspect of the perceiving personality that sees the other person as inferior, is how the `demons` maintain humans as `guided missiles` and self-devourers. Because the `red dragon` of Revelation is the `serpent`s seed` grown in size to devour `woman`s seed` but waits in vain, `futanarian` woman with her own penis` semen and capacity for sexually reproducing her own brains` power will succeed.

 

 

 Because women`s technology is likely to be different to men`s history is the place to find clues, especially the ancient South American Mayan technology, which didn`t have the wheel, according to archaeologists, and Aztec technology. Although Britney Spears in her red pilot`s suit doesn`t appear to have a spaceship in the video `Oops I Did It Again` and the astronaut is called `Mars Lander`, there doesn`t appear to be any other spacecraft for the little people of `Mission Control` to direct other than him, which suggests Britney Spears` technology is different. The South American civilizations of Mayan untechnology, because there`s no wheel,  and has technology, that is, Aztec technology, is how Britney Spears` `different` ship appears in the video `Oops I Did It Again`, where parts seem technological but how they function is a mystery, because she`s `woman`s seed` and not the `serpent`s seed`.

 

 

 The most widely discussed representation of possible Mayan technology is a carving of an operator at the controls of some functioning structure that could only be understood through access to the technology which existence is recorded on the external stonework of its occupant. If a human body is but the `vehicle` of a single human occupant, the Mayan stonework depicts the activity of the operator who doesn`t need the wheel, because the human has arms, hands and legs for movement, dexterousness and industry. If the body dies and decays, the human operator emerges from the vessel. The picture on the side of the Mayan sarcophagus depicts the human soul and spirit applying technology after the flesh it has occupied has deteriorated. Britney`s `Mars Lander` in `Oops I Did It Again` is the spaceman containing `Mission Control` as more than a single occupant or `crew`, while Britney is the `operator` of her own ship outside the ship of the spacesuit occupants.

 

 

 According to Jung there are male and female functions of human consciousness; `Thinking and Sensation` are male while `Feeling and Intuition` are female but, if women have their own male reproductive organs as `futanarian` humans, all of the functions of consciousness belong with them and the `serpent`s seed` of men are her alien parasites; unredeemable without repentance of their `original sin` of enslaving Eve`s daughters through metanoia. Even the soul belongs to women, because it`s female, according to Jung, and the animus or male spirit in woman represents her penis` sexual drive for socio-economic success and freedom.  So woman can`t leave the ship of her Earth,  the `serpent`s seed` of men have invaded her bodies` host wombs to enslave her soul and spirit for their devourers` wars. The animus corresponds to the Holy Spirit, but it can`t be heard as the inner voice of God if `futanarian` women aren`t sexually reproducing the human species of woman with her own brains` powers. The animus can only receive actuation within a human that has the four functions of consciosunsess, `Thinking, Sensation, Feeling and Intuition`, which are for `woman`s seed`. The `serpent`s seed` of men are her enslaving and devouring alien parasites, so if `futanarian` women are prevented from breeding sexually with their own human penis` semen and host wombs, the human race will never develop beyond guided missiles and invading paratroopers because that`s men`s paradigm; to penetrate the woman and eat her.

 

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