Search site


Contact

Aboutbritneyspears

+36.705182849

E-mail: dularobin@gmail.com

Grave Robbers and Oops I Did It Again with Britney Spears, Or What Have You Done With The Humans, Man?

11/07/2013 14:55

 

Grave Robbers and Oops I Did It Again with Britney Spears, Or What Have You Done With The Humans, Man?

 
The concept of the `cargo cult` is well known. South sea islanders were found to have built model aeroplanes based on what they`d seen. The theory is that, given long enough, they`d build real aeroplanes, or something similar. The idea of the Earth as `cargo cult` is to show people something and wait until they produce from what they have seen from their imaginations. In the developmental psychology of Carl Gustav Jung (1875-1961) the engines of human endeavour are the archetypes, which appear in the dreams, imagination and art of the unconscious before becoming realized through the intellectual efforts of the individual who perceives their meaning. According to Jung the archetypes correspond most closely to what humans think of as the unknowable God.
 
 
 
 
 In India`s Hindu religion, karma is the Hindu belief that reincarnation, that is, rebirth after death, is the repetition of circumstances and events that are repeated until individuals have progressively learned humanity so that God can accept them into heaven. The learning method is applied in schools where children are required to `repeat after me` by their teacher in order to learn something that, according to the reincarnation theory, they`ve repeated before but haven`t learned from the archetypes.
 
 
 
 
 The concept of the media is that everything is recorded and so can be repeated. In Britney Spears` Oops I Did It Again (2000) accompanying video for the pop song a spaceman appears on Mars where he delivers a gift:
 
`But I thought the old lady dropped it into the ocean in the end?`
 
 
 
 
 The reference is to the Titanic movie (1997) in which Rose wears a blue diamond in the shape of a heart called `the heart of the ocean`, which is a metaphor in psychology for the unconscious depths of the psyche from which the archetypes emerge. Seen walking backwards in the video, the spaceman is symbolic of the Earth as `cargo cult` and karma:
 
`Well baby I went down and got it for you.`
 
 
 
 
 The spacesuit was developed by science fiction writers, Robert A. Heinlein, L. Sprague de Camp and Isaac Asimov, at the Philadelphia Navy Yard from 1943, when they were asked to adapt divers` pressure suits for the North American Space Administration (NASA) Apollo space program to put a `man on the moon`, which eventually happened in 1969 when Apollo 11`s astronauts landed the lunar module spacecraft there and Neil Armstrong proclaimed:
 
`One small step for a man, one giant leap for mankind.`2
 
 
 
 
 Britney`s spaceman in Oops I Did It Again tells her he`s dove into the ocean of the unconscious and has developed a spacesuit to bring her the `heart of the ocean` from the wreck of the ship, the Titanic, which sank when it hit an iceberg on its maiden voyage from Liverpool, England, to New York in 1911. Towards the end of the Oops I Did It Again video the spaceman astronaut`s space age technology is displayed for the viewer`s edification when he`s whimsically shown walking backwards to his starting position at the beginning of the recording. He`s recorded and can be replayed as a `workslave` of the `cargo cult` and, as a  human `space monkey`, he`s learned. Monkeys were used when the original NASA spacecraft were `too advanced` for men to feel `in control`.
 
 
 
 
 Like the automobile industry, which has been controlling humans with its pedal vehicles and little or no progress in terms of the controls since the first cars were mass produced by the Ford company in the USA in 1908, men`s fetish for control over the machine has led to humanity`s allowing of itself to be disabled by the automotive and other industries` disabling of humanity`s machines because men fear women`s liberation from enslavement to them and the kitchen sink drudgery they`re used to. In Arabia men don`t allow women to drive cars, because they`re disabled. The men have disabled the cars so that they can feel in control with their pedal vehicles, and so have disabled themselves, and the women are disabled because they can`t drive and travel, because the men are frightened they`d escape.
 
 
 
 
 In Britney Spears` video Oops I Did It Again she appears in a red pilot`s suit because the original NASA spacemen were pilots in the X-15 spaceplane program, which was cancelled because of expense and `blackouts`. Pilots discovered that, outside of the Earth`s stratosphere, the pressure upon the suit to provide oxygen was too great for the occupants of the X-15 and some planes crashed because the pilot fainted. One of the more famous incidents involved Chuck Yeager, who was discovered in the desert standing to attention by his crashed plane and the legend arose of the NASA chosen who had the `right stuff`:
 
`... to fall one hundred goddamned thousand feet in a flat spin and punch out and make a million-dollar hole in the ground and get half his head and his hand burned up and have his eye practically ripped out of his skull ... while screen doors bang and the pictures of a hundred dead pilots rattle in their frames ... `3
 
 
 
 
  Britney`s album Blackout (2007) contained the single, `Piece Of Me`, and the cover of the single was of her as Jesus upon the cross, because Christ was sold to his torturers for `thirty pieces of silver` when he was betrayed by one of his disciples, Judas. As the founder of Christianity, Jesus became a hero of the Earth`s `cargo cult` and repetition, because of the Bible. Born of the Virgin Mary, uncontaminated by male semen, Jesus was the first of `woman`s seed`, because women have their own penis and `seed` as the independent `futanarian` human species. But men don`t preach that; they catechise, "repeat after me, `Jesus has redeemed me from my sins`, hasn`t he?" without explanation. The meaning of Britney`s Blackout album is `censorship`, because men don`t want women to know the truth, which makes men betrayers of the human species, and so Britney Spears appears crucified on the cross of Jesus on the cover of her CD single release, `Piece Of Me`:
 
`I'm Miss bad media karma; another day another drama. Guess I can't see no harm in working and being a mama. And with a kid on my arm, I'm still an exceptional earner. You want a piece of me...`
 
 
 
 
 Britney Spears` observation in Oops I Did It Again is that the Earth`s a `cargo cult` based on reincarnation and repetition through what the Hindus call `karma`, and so it`s possible that the spaceplane program had been run before, so `woman`s seed` could have gotten to Mars first, which is why Britney Spears is able to appear there in her red pilot`s suit.
 
 
 
 
 Placing a hook in the backpack of the astronaut she suspends him above herself in a white bikini dress so that he can film her `space alien` with the camera attached to his spacehelmet while herself in the red pilot`s suit looks on. Although it isn`t explicit, the penis beneath the white bikini skirt of the second Britney is implicit because she represents the `futanarian` human species of woman, who has her own brains if she`s bred with herself and so could make it to Mars faster if she didn`t have to learn how to pedal herself:
 
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
 
 
 
 
 Britney`s `bad media karma`, because she gets the message through like Jesus. The pop phenomenon of the 20th century was the combination of the drug `ecstasy` with what was called `techno music` that gave rise to often illegal `rave parties` in giant abandoned warehouses where the party goers consumed huge quantities of the sexually stimulative drug `E`, which contained a mixture of amphetamine, known as `speed`, and the hallucinogenic mind-altering substance lysergic acid or `LSD`, while viagra, the wonder cure for impotence among the exhausted male popultaion, was used to revivify the male to satisfy the insatiable sexual demands of the females high on the `love drug`.
 
 
 
 
 What the males discovered was that they didn`t like women, because women liked each other. Pop bands like The Spice Girls (1994-) or Destiny`s Child (1990-) with Beyonce Knowles represented the `girl power` phenomenon of women with brains, but that could only materialize if the women were able to breed with each other, and so God created women with a penis and their own `seed` as `futanarian` breeders of their own human species` socio-economic independence and future without men.
 
 
 
 
The band 10cc (1972-) was named for the average amount of male ejaculate, and the average time taken in ejaculating for a male is perhaps a few seconds, whereas a `futanarian` woman`s ejaculated semen could fill a bucket and take minutes. Moreover, she is female and so has a vagina, which is also capable of ejaculation and, for a woman, orgasm may build for hours without release. Because of the perfunctory nature of the male orgasm, the human species is dealing with a parasite that, having fertilized its host womb, has finished with her. The woman will live only as long as it takes to produce another parasite, which explains the amount of money spent in devouring wars and the paucity of expenditure on curing the parasite`s killer disease of HIV/AIDS, which is just one of its devices to prevent the woman from living and learning about herself as the human species.
 
 
 
 
 The emergence of the `snuff movie` as an all but acknowledged Hollywood, Babylon, genre in mainstream cinema during the latter part of the 20th century, when the action hero removed his mask to reveal a woman stalker, in movies like Silence Of The Lambs (1991) and Scream (1996), represented the males` discovering that pop culture`s description of their penis as a `love gun` wasn`t metaphorical, because when they`d finished ejaculating, their role as `serpent`s seed` was to `snuff out` her life with guns, because the `biological weapon` of homosexual pederasty`s HIV/AIDS `blood plague` sent by God to convert men from their sin wasn`t quick enough for the numbers of the beast:
 
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
 
 
 
 
 The giant fork rave symbolism is of a giant for a grave, that is, the death of the human species of `futanarian` woman with her own penis` seed, because her enslaving and devouring parasites didn`t want her:Beside Britney`s spaceman`s  `camera helmet` are what appear to be the tines of a giant fork, which is in keeping with the metaphor of the spaceman as `giant` and of herself as a small footed woman, that is, the human species` `futanarian` woman, who descends upon her film set inside what seems to be a giant`s ring to begin a `rave party` with her dancers:
 
`I think I did it again. I made you believe we're more than just friends. Oh, baby; it might seem like a crush, but it doesn't mean that I'm serious. 'Cause to lose all my senses... that is just so typically me. Oh, baby; baby.`
 
 
 
 
 Britney Spears` performance in Oops I Did It Again suggests she isn`t for grave parties, where the parasitical enslavers and devourers prepare to satisfy their giant`s fork cravings for a `snuff` party. The women, `love drugged` on ecstasy, are killed by the almost immediately sexually satiated males who, having made the women believe in their love, lose their senses, frustrated at watching others receiving sexual satisfaction from the still capable, and vent their impotence in snuffing the orgiastic, so expressing the devourers` functionality of their enslaving `serpent`s seed` origins.
 
 
 
 
 Usually the spade is a gravedigger`s tool, but Britney Spears` take on set is that the fork is also the gardener`s tool since Adam and Eve were expelled from Eden, because even  if women are well bred, the devouring and enslaving `red dragon` and its `serpent`s seed`, symbolized in Christian iconography with their fork tails as what devils humankind, have ensured that men only have a grave mouth yawning open for what remains of her species:
 
`You see my problem is this: I'm dreaming away; wishing that heroes, they truly exist. I cry watching the days. Can't you see I'm a fool in so many ways?But to lose all my senses... that is just so typically me. Baby, oh.`
 
 
 
 
 If the `woman`s seed` is culled by the `snuff` industry, or even by assassins, who are called `gardeners` by their grave-digging employers, she`s lost her `senses` and remains a brainless slave of her devouring parasite. In Revelation Jesus is born while the `red dragon` waits in vain to devour him in his `Second Coming` after his crucifixion, death, Resurrection and Ascension to heaven, as described in the corroborating histories of the Gospels of the Christian New Testament of the Bible written by the traitor Judas` passive accomplices in his crime, the apostles Mark, Matthew, Luke and John. Born uncontaminated by male semen from the Virgin Mary, his mother, Jesus gave `bread and wine` to the disciples at the `Last Supper` before his death, as a reminder to them that his mother and he were good hosts, that is, neither the `futanarian` woman nor Jesus are parasitical devourers of humans.
 
 
 
 
 In the developmental depth psychology of Carl Jung the devouring imago is the dragon ourobouros archetype that represents the woman bred so that the parasites can devour what she produces from her womb in the way of civilization, culture and art despite the depredations of the parasites that emerge thereform to wage their wars of `perpetual enmity` that God warned Eve the `serpent`s seed` would have with hers before she left Earth, `crushing the head of the serpent with her heel` (3. 15). Consequently, the hero imago in dreams, imagination and art is the enemy of `woman`s seed` and not her support:
 
`I`m dreaming away; wishing that heroes, they truly exist.`
 
 
 
 
 The `woman`s seed` will only  have heroines of her own when she`s able to breed herself and be self-possessed of her own brain power, which is exclusive of the enslaving and devouring parasites that want to be in the movie with her so they can fake friendship before killing her, which is the method adopted by homosexual pederasty since at least the time of the ancient Greeks when institutionalized enslavement of women`s host wombs to spread war further was the foundational principle of what came to be Western civilization.
 
 
 
 
 Rave parties were known for permissive sex in which condoms were instantly forgettable in the naive belief in the love drug `E` as a panacea. Because HIV/AIDS was the main fear in sexual matters at the end of the 20th century, warehouse parties with their plentiful suppliers and supplies of the uninhibiting drug `ecstasy`, were places to surrender the life of the human species` potential. HIV/AIDS spread like wildfire from sharing and injecting from drug-filled syringes with needles dirtied by unclean blood. Women who discovered love for their own species when their inhibitions were lost through ecstasy found their rejected boyfriends feigned love turned to killers` lust because their sex slave was liberating herself for self-reproduction as `futanarian` woman with her own penis` independent socio-economic human capacity to exclude men and produce her own species` brains exclusively. Because men`s brains aren`t human, and they`re seeking to kill the women`s, whose brains are those of the human race, and it won`t have the brains to run from its parasitical devourers until it`s told.
 
 
 
 
 All Britney Spears was able to with Oops I Did It Again is try to deal with the censorship `blackout` by alluding to the penis of the woman beneath the skirt of her white bikinied self and ask the viewer to understand that she, in her red pilot`s suit, isn`t a trick of the camera, but someone with her `futanarian` bride, and the space program needs to be wrested away from such `Strategic Defense Intiatives` (SDI) as President Ronald `ray gun` Reagan`s ogrish 1982 plan to `ring` the planet with missiles and prevent `woman`s seed` from escaping in the spaceplanes she might conceivably construct by means of her own brain power.
 
 
 
 
 The Arabian terrorists that crashed hijacked planes into the World Trade Centre of New York on 9/11 2001 were guests of their American host, `Liberty`, reestablishing the `rough trade` of pederasty and war, which would ensure that women would remain enslaved and devourable. Britney Spears, in her red pilot`s suit, would never leave in her spaceplane with her `futanarian` bride in white because the technology of `woman`s seed` would be devoted to escaping her devouring parasites and men don`t want her to.
 
 
 
 
 The argument would be that the American men were the hosts of the terrorists, but Jesus is born from `the woman clothed with the sun and with the moon at her feet` in his `Second Coming` (Rev: 12. 2). The red sun of Japan precipitated the USA into global conflict after its unnanounced attack on the US` Pacific fleet at Pearl harbor in 1941. The attack upon the Twin Towers of New York by the moon of Al Qaeda`s flags on 9/11, while the statue of Liberty observed from her birth waters in New York harbor, means she`s the host of Jesus in his `Second Coming` as the `New Redeemer`.  Born from the woman, `clothed` in her victories over the red suns of the Japanese flags and the yellow moons of the flags of Al Qaeda, the silver moon of the Earth is reflected in the waters of Jesus` birthing at New York`s harbor.
 
 
 
 
 Not only is the Earth a `cargo cult` in which the enslaving parasites of the `serpent`s seed` devour the products of the host wombs of women in its ceaseless wars of `perpetual enmity` for her `seed`, they`re robbing the grave of the human species they`ve killed, that is, the self-reproductive `futanarian` woman with her own penis` seed, and to whom God gives a `new heaven and Earth`, according to Revelation, because like Jesus and his mother, the Virgin Mary, she`s remained uncontaminated by male semen, before she leaves with the bride.
 
 
1 http://sci.tech-archive.net/Archive/sci.space.history/2005-05/msg01419.html
 
2 21 July, UTC 2: 56.
 
3 Wolfe, Tom The Right Stuff, Farrar, Straus and Giroux, 1979.