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Dr Who and the Chair Legs, and Britney Spears` `Stronger`

20/07/2013 15:16

 

Dr Who and the Chair Legs, and Britney Spears` `Stronger`
 
 
The Time Lord and his time machine, `the Tardis`, is the protagonist known simply as `the Doctor` in the perennial British `science fiction` television series, Dr Who (1963-) in which the most famous of the recurring threats to humanity are the enemies of the Doctor, `the Daleks`, aliens resembling pepper pots broadcasting the alarum, `Exterminate! Exterminate!` whenever the Doctor and his pulchritudinous, seemingly virgin assistant, appear.
 
 
 
 
 Parallels between Dr Who and the story of Jesus and his renowned celibacy are plain. Born uncontaminated by male semen from his mother, the Virgin Mary, Jesus doesn`t seem interested in women, which has been the standard for role models in television and movies almost since Hollywood, Babylon, began. Taboos against the penis reinforce a picture of heroic celibate males impervious to the obvious sexual allurements of their companions; for example, David Addison and Sybil Shepherd in Moonlighting (1985-89), `Bosley` in Charlie`s Angels (1976-81) or Jon Pertwee, the third actor in the role of Dr Who, (1970-4) and whatever feminine beauty `the Doctor` is given as his assistant. The subplot revolves around the unspoken question,
 
`Will they, or won`t they?`
 
 
 
 
 They often don`t because of the taboo against the penis` implicit presence in romantic scenes between a man and a woman, which is deemed unimportant because lacking in spiritual, that is, intellectual, value. But Jesus` `Mission` was to point out the value of the `host` to the guest, that is, according to scripture men are the enslaving and devouring parasites of what God describes as `woman`s seed` and its `perpetual enmity` with the `serpent`s seed` before `she shall crush the head of the serpent as she leaves` (Gen: 3. 15) for the `new heaven and Earth promised to her by God. At the `Last Supper`, before his crucifixion and death, Jesus broke bread and gave wine to his disciples as tokens of his `body and blood` because he wanted his adherents to understand that he didn`t want to be killed by the parasites. In ancient Greece institutionalized enslavement of women`s host wombs for the furtherance of war and its contagiousness was the model for Western society while in the East was:
 
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 16. 11)
 
 
 
 
 In the Greek drama by Sophocles, Oedipus Rex (c. 429 BC) the Sphinx`s riddle has to be solved by Oedipus, `What has four legs in the morning, two in the afternoon and three in the evening?` Oedipus consults a seer, who tells him `Man`, because he crawls as a baby, walks as a biped, and uses a cane in old age. Britney Spears` pop video for `Stronger` suggests another interpretation. `Whatever!` she says huffily to a man and woman in a bar resembling the interior of the Tardis from Dr Who and marches straight through a pair of exit doors that, in the TV show, would leave her outside the Tardis on whatever planet `the Doctor` had arrived at:
 
`There’s nothing you can do or say, baby. I’ve had enough. I’m not your property as from today, baby. You might think that I won't make it on my own. But now I’m ... stronger ...`
 
 
 
 
 The scene change reveals Britney Spears inside a room of total darkness apart from a single chair she dances with. Instead of the movie Doctor Who and the Daleks (1965), it`s Britney Spears and the chair legs, because an adult needs four chair legs. Britney goes on to dance with a cane, to emphasize the almost total darkness of the cave-like scene, because blind people use a cane. In the story of Oedipus, he`s blind metaphorically, at the beginning of the drama, and blind in reality at the closure, because he`s married his mother and is so horrified, because of the incest taboo, that he blinds himself:
 
Blind who now has eyes ... he will grope his way toward a foreign soil [Iraq, Baghdad; for example], a stick tapping before him step by step.` (517-9)
 
 
 
 
 Although the answer to the Sphinx`s `riddle` is `Man`, the idea of a three-legged man relates to the notion of the saurian `serpent`s seed` whose instinct is to devour and balance on its tail while eating its victims. In modern day usage the cane is a gun, which relates to the Bible tale of Cain and Abel in which the murderer of the able bodied person is called Cain, because he brings blindness. The developmental psychologist Carl Gustav Jung (1875-1961) observed that instinctuality is transformed into spirituality, that is, intellectuality, in the course of individual growth or progress, so the spinal column and the brain of the human are the vestigial remains of the saurian tail of the reptilian desire to devour. The third leg of `Man` is the brain, but the murderer, Cain, is disabled and needs a gun to walk with, because he`s a suicide and he`s blinded himself:
 
`Love your neighbour as you love yourself.` (Matt: 22. 39)
 
 
 
 
 Because you are your neighbour, and if you kill you lose brains and eyes, which result in men`s fall to the level of the ape. Oedipus` mother Jocasta is concerned solely with her line`s continuing. Men will become extinct because they kill their own developed selves For A Few Dollars More (1965), as is indicated by Oedipus` unwitting killing of his father, Laius, King of Thebes, during a typical male argument, and the title of Hollywood, Babylon`s `spaghetti Western`, one of a series of movies about killers in the United States` early days. Men want to explain that their instinct to kill is natural, and so the human species is all but extinct. Women have their own penis` `seed` as `futanarian`, because they`re a separate and distinct `biune` species capable of self-reproduction and socio-economic independence, but they`re `hidden` and not visible because Hollywood, Babylon, and Cain, the murderer, don`t want the species to see herself, because then the producer would leave together:
 
`Cameras are flashing while we're dirty dancing. They keep watchin'.`
 
 
 
 
 Women`s orgasms take longer to reach and so they need more time and privacy when they`re vulnerable to the `serpent`s seed`. In the garden of Eden Adam and Eve noticed that they were naked after eating `the fruit of the tree of the knowledge of good and evil` given to them by the serpent, because they were watchable. Men`s instincts are to kill what`s watching, whereas women as a `biune` species are single and each other, without predators, if they`re alone. God`s given `woman`s seed` her own penis along with her clitoris and self-reproducer`s womb, so that she can be `private` and not seen while she`s engaged in sexual pleasure, reproduction and self-production by means of her own single species` brain power:
 
`Here I go, on my own. I don’t need nobody, better off alone. Here I go, on my own now. I don’t need nobody, not anybody. Here I go, alright, here I go.`
 
 
 
 
 Dancing with a chair and a cane in a cave-like room, Britney Spears` `Stronger` video says she`s an intelligent biped who knows that men are her blinders. Because a baby may crawl on all fours in its innocence, but a woman would see that she needs a chair if she weren`t prevented from seeing that. The video single features a car, which has four wheels rather than four legs, and so represents greater technological development, while Britney Spears is seen driving a car alone. The idea is that men have built a car for her, but everything the human species creates comes from the host wombs of women. With their own penis` `seed`, women would be able to create from their own species` brain power and self-production. The first mass produced car was the Model T-Ford, but the system of pedals didn`t change from 1908, because the four wheeled motor vehicle is used to disable the driver, and the infantiled crawler behind the steering wheel is blind to that:
 
I used to go with the [traffic] flow. Didn’t really care ‘bout me. You might think that I can’t take it, but you’re wrong. ‘Cause now I’m… stronger ...`
 
 
 
 
 Reincarnation is the principle of rebirth and Britney Spears` time-travelling Tardis` occupant in `Stronger` represents the `car go` cult. If the car goes, that is, if it remains as a functioning vehicle, the reincarnated human species will go on as a `cargo cult` in which the car is always ready and waiting to disable its occupants, who are reborn to work before they`re killed again after producing. Because HIV/AIDS is the `biological weapon` of homosexuality`s mixing of blood, shit and semen as a `killer disease`, keeping women in fear and faithfulness to her enslaving and devouring parasites, pederasty is what keeps the foot on the pedal, that is, woman`s biune species of `futanarian` enslaved as the consumed pet `trull` of her car owner.
 
 
 
 
 In Egyptian mythology the `Ba` and `Ka` are personality and spirit, which come together as the `magic personality`, the `Akht`, after death. Jesus` Resurrection and Ascension to heaven after his death and crucifixion, is a `magic Akht` in mythological terms. In `Stronger` Britney Spears` chair has bars, because her `Ba personality` needs support for her spine, and the car she drives away in is the symbol of her spirit or `Ka`, because hers is a `magic Akht` too.
 
 
 
 
 In the video for the single `Gimme More`, from Blackout (2007), which is the cave-like metaphor for the blindness that comes from men`s censoring of her eyes through murder, blonde Britney Spears sits at the bar, while brunette Britney Spears performs the song for herself:
 
 `It's Britney, bitch. I see you, and I just wanna dance with you.`
 
 
 
 
 In Egyptian mythology they`d be `Ba` and `Ka`, because brunette Britney Spears is the `bar personality`, while `Ka` means `spirit` and so blonde Britney Spears drinks `spirits`. Together they`d be a `magic Akht` because the human species of `futanarian` woman is biune, but apart they`re imprioned by bars and their `spirits` induce unconsciousness because they tell their daughters the lies they`ve been taught.
 
 
 
 
 In `Gimme More` Britney Spears is biune, which is what she says when asked about her sexuality, `I`m bi.` In the video single `Oops I Did It Again` (2000), Britney Spears appears in a red pilot`s suit on Mars, presumably having gotten there in a spaceplane, and she encounters an astronaut wearing an Apollo spacesuit, who she hoists above herself in a white bikini dress by means of a hook and pulley, so he can film the biune species with the camera attached to his spacehelmet and then `Mission Control` might finally get the picture:
 
`You think that I'm sent from above. I'm not that innocent.`
 
 
 
 
 Just as the car`s controls haven`t been changed in a hundred years or more, so that the drivers remain disabled, the Apollo spacecraft was disabled to make it operable by the astronauts to make them feel like men. The original crews were apes and so Apollo 11 for the moon landing to put the first man on the moon, Neil Armstrong, on 20 July 1969, had its automated controls removed so that the crew could be disabled enough as operators to feel like men, which is what homosexuality is, disabling for `woman`s seed`. So Britney Spears` astronaut has the tines of a giant`s fork beside him as a motif corresponding to the giant`s ring Britney descends to her stage set inside at the beginning of the video for `Oops I Did It Again`. It`s a devour ring, if men keep on disabling themselves and `woman`s seed`:
 
`And the world is spinning and she keeps on winning, but tell me what happens when it stops?`
 
 
 
 
 In her video for the single `Lucky` (2000) Britney Spears is `the Doctor` again and for  her role she has several assistants who are herself, because women are a biune species capable of self-reproduction and so she needs `production assistants` she can rely upon. In `Hold It Against Me` (2011), she`s surrounded by video images of herself performing songs like `Gimme More`, `Oops I Did It Again` and `Lucky`, and she`s seen fighting herself as another means of getting the message across to `Mission Control` that the female species of woman is `futanarian` with her own penis` `seed` and wants to be free of its tendency to sucide her, which is the subject of the lyric in `Till The World Ends` (2011) from the album Femme Fatale:
 
`See the sunlight, we ain't stopping. Keep on dancing till the world ends. If you feel it let it happen.`
 
 
 
 
 Men`s perception is that, whoever is in space, is in their space, whereas women as a biune species encountering itself observes that it`s some more space where they can be together with themselves. Consequently, men are women`s `space invaders` and wherever men are women`s space is being invaded by her enslaving and parasitical devourers that have somehow taken over her host womb to emerge as the destroyers of the civilizations, cultures and art she`s able to produce despite their depredations.
 
 
 
 
 By the late 20th century men`s ejaculations into the wombs of women had actually become virulent as what the Bible calls the `blood plague` of HIV/AIDS, which was the consequence of their `love gun` penis` `seed` becoming uncontrollable. The sexual permissiveness of the 1960s `love generation` proved men to be a `killer disease`. HIV/AIDS emerged as their `biological weapon` against the host wombs of women, created in their mixing blood, shit and semen in anal sex with their penis` `serpent`s seed` prefering men to women in order to spread homosexuality`s main contagions of pederasty and war further.
 
 
 
 
 In socio-biological terms men`s contaminate ejaculate is a sign of their devourer`s functionality, because they`re saying to women, as the biune human species, that they`ve finished with their love: gun. Men are eaters of human flesh, whereas women are self-lovers and self-reproducers in biunity, which is a single species when unembroiled in a parasitical relationship.
 
 
 
 
 In the science fiction novel Starship Troopers (1959) by Robert A. Heinlein there`s war between spiders and `boys` who are delivered by their mothers, the starship pilots, which is probably why Britney Spears appears in her `scifi` video `Oops I Did It Again` in a red pilot`s suit with an Apollo astronaut, because he`s her `boy`. Juan Rico is the leader of his troop, `Rico`s Roughnecks` because Starship Troopers was based on US President John F. Kennedy`s newly created elite fighting force of 1952, the Green Berets, who were paratroopers that descended on parachutes, because they`re the image of parasitical enslaving and devouring spiders:
 
`I think I did it again. I made you believe we're more than just friends. Oh baby.`
 
 
 
 
 Whether Heinlein knew that women were the biune human species is moot. What he was able to convey is that the imago of the male paratrooper isn`t a developmental archetype, but an image of the devouring spider, which is how men behave as parasites. At the end of Britney Spears` video `Stronger` she repeals her verdict upon herself in `... Baby One More Time` (1999):
 
`My loneliness Is killing me (and I) I must confess I still believe (still believe) when I'm not with you I lose my mind. Give me a sign. Hit me baby one more time.`
 
 
 
 
 A `hit` in mafia terms is an execution and women as a biune species has her own indpendent single brain, so Britney Spears is saying that she knows she`s been murdered, because there`s no sign of her biunity due to men`s censoring and blinding of `woman`s seed` in death. `Stronger` is a different tune, and Britney Spears seems to have changed her opinion:
 
`Stronger than yesterday. Now it’s nothing but my way. My loneliness ain’t killing me no more. I’m stronger.`
 
 
 
 
 Because she`s declared herself `bi`, which is species` cognition, but if the brains of her parasites are stronger, `woman`s seed` will be murdered again so that her brains will never recover and that`s what the mafia are for. In 1963 John F. Kennedy was assassinated in Dallas, Texas, and many believe that Lee Harvey Oswald, trained by the US secret service, the Central Intelligence Agency (CIA), and discovered to have been a Russian Committee for State Security (KGB) operative, was acting as a mafia gunman because of Kennedy`s insightful speech about Jesus` teaching, `love your neighbour as you love yourself`:
 
`... to discuss a topic on which too often ignorance abounds and the truth is too rarely perceived - yet it is the most important topic on earth: world peace ... I speak of peace because of the new face of war...in an age when a singular nuclear weapon contains ten times the explosive force delivered by all the allied forces in the Second World War ... an age when the deadly poisons produced by a nuclear exchange would be carried by wind and air and soil and seed to the far corners of the globe and to generations yet unborn ... I speak of peace, therefore, as the necessary rational end of rational men ... world peace, like community peace, does not require that each man love his neighbor - it requires only that they live together in mutual tolerance ... our problems are man-made - therefore they can be solved by man. And man can be as big as he wants.`1
 
 
 
 
 Like Jesus, Kennedy understood that `love your neighbour as you love yourself` was the necessary palliative to men who were endangering the biune human species` growth and progress. Britney Spears` `Stronger` finds her more optimistic because her brains are strong enough to declare herself `bi`, but the motif of the Tardis from `Dctor Who` indicates the severity of the problem. If men can travel through time, her species is an endangered one, because men want the pet `trull` for their cars, and the bars where she`s imprisoned, so she can`t escape from men`s `black magic Akht`, which is to use the evil of their `Ka` (spirit) and their `Ba` (bar) to keep `woman`s seed` blind drunk and unconscious of the murder and death of her species` brain power.
 
 
 
 
 Robert A. Heinlein` novel The Number Of The Beast (1980) featured a `space-time continua vehicle` modelled on the futuristic Ford aircars of the future he was describing. The sentient onboard driver is called `Gay Deciever` because pederasty is what women need to avoid as a biune species. Handicapped by the conventions of the genre, the most Heinlein could do was depict the psychological conflict. His four characters, Zeb, Jake, Deety and Hilda correspond to the four functions of Jungian psychology, Thinking (ear), Sensation (eye), Feeling (mouth) and Intuition (nose), and they squabble constantly while being pursued by the `black beast`, because the function of pederasty is death:
 
`Who is more real? Homer or Ulysses? Shakespeare or Hamlet? Burroughs or Tarzan?`
 
 
 
 
 The perception of the Hollywood, Babylon, actor is of the writer as a `ghost writer` because they`re actors of scripts by dead people. War and Peace is the novel written by Leo Tolstoy (1869) about the French dictator, Napoleon, and his army`s retreat from Moscow. The movie Waterloo is about Napoleon`s final defeat in 1815 by the British Duke of Wellington and stars Rod Steiger, but noone perceives Tolstoy as having the same reality as Steiger.
 
 
 
 
 Robert Heinlein`s perception is that he isn`t real unless he`s an acceptable character, but men are `gay` because they want each others` space and wives or daughters, which is the enslaving and devouring homosexual parasitism, and its wars of pederasty, represented by the `black beast` in The Number Of The Beast, that are what the two men, Zeb and Jake, and the two women, Deety and Hilda, are trying to avoid.
 
 
 
 
 The `scifi` repressive genre conventions Robert A. Heinlein (1907-88) was perforce required to accept don`t permit of his depicting a biune reality, and being reborn as `futanarian` woman is a lot to have faith in, which is why Jesus` teachings of the host and the guest advocate acceptance of woman`s womb. William Shakespeare, in his play Antony and Cleopatra (1623), faced the same difficulty: how to depict biunity? Enobarbus descries Anthony, but is apprised of his mistake by Charmian:
 
`Not he; the queen.` (I, ii)
 
 
 
 
 If the biune species of `woman`s seed` is to live as the human species, she has to deceive, which is why Heinlein`s `continua vehicle` that can access all of the number of the universes contained in the `number of the beast` of Revelation, that is, `six raised to the power of six raised to the power of six, according to the novel, is `Gay Deciever`, and the wrong spelling is intentional because it means that woman will `ever deceive` in order to deliver her human species` Salvation. Rather than have it eaten by spiders descending on parachutes, or dropping its daughters with them, which is what happens in the movie version of the novel, Starship Troopers (1997), where Denise Richards is a heroine alongside the males, to fight against more obvious spiders in an arachnoid joke:
 
`One day someone like me is gonna kill you and your whole fucking race!`2
 
 
 
 
 A woman`s rack are her breasts in US slang, so if someone`s annoyed by her rack, that`s arachnoid, which is why the Gulf wars (1990-1,  2000-11) with Iraq were about Arabian perceptions of arachnoid men, where the women of the desert cover themselves cave-like, beneath tents and burkhas, and the USA`s perceptions, which were of men annoyed with the men of annoying Iraq, but not by the ancient seat of Babylon, who was `a woman`, according to the Bible, enslaved by the men of Iraq, and not for her rack.
 
 
1 June 10 1963 http://en.wikipedia.org/wiki/John_F._Kennedy#American_University_speech .
 
2 Words spoken by `trooper` Zander from the movie Starship Troopers, 1997. http://www.imdb.com/title/tt0120201/quotes .