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Britney Spears` `Oops I Did It Again` Is Abhorring Cain

28/08/2013 19:01

Britney Spears` `Oops I Did It Again` Is Abhorring Cain

 
Descending inside her giant`s ring at the beginning of her pop music video `Oops I Did It Again` (2000), Britney Spears` announcer cries `All aboard!` because all abhorred Cain as a murderer who killed Abel, his brother, in the Bible story, because Abel was able to cook while Cain wanted an easy life as a
fruit picker, which is what murderers want.
 
 
 
 
 In her red pilot`s suit Britney Spears has the role of Podkayne from US science fiction `Grand Master` Robert A. Heinlein`s (1907-88) juvenile for girls, Podkayne Of Mars (1963). When an astronaut appears in Britney Spears `Oops I Did It Again`, wearing a spacesuit similar to those worn by the crew of the first Apollo moon landing of July 20 1969 (UTC), which put Neil Armstrong onto the lunar surface as the first man on the moon, a `Mission Control` like the North American Space Administration`s (NASA) is perceived looking at the scene through the eye of the camera attached to the astronaut`s spacehelmet:
 
`Earth to Mars Lander, report status please.`
 
 
 
 
 Britney Spears is Heinlein`s Podkayne on Mars, who `more than anything` wanted to be a `spaceship pilot`, which is what the `mothers` are in Robert A. Heinlein`s juvenile for boys, Starship Troopers (1959). The `mothers` `drop` their `boy sons`, that is, their `poisons`, onto `the Bug` planet, where the giant alien arachnoids represent `biological warfare`, because genetic alterations are a consequence of uncontrollable weapons; for example, mutations were a feature of the medical aftercare provided to irradiated Japanese women`s babies, consequent to the dropping of the atomic bombs, `Little Boy` and `Fat Man`, on the Japanese cities of Hiroshima and Nagasaki by the United States of America in ending World War II (1939-45).
 
 
 
 
 `Oops I Did It Again` is a cane for the bored who can`t see, that is, the bored cane is for the blind, and Podkayne of Mars is the Heinleinian character Britney Spears has chosen to explain that the boring don`t want the good to see and that`s why they murder them, but what do they stand to gain from the bored? That`s the question posed by Podkayne. What does the company board gain from the bored? Because it`s the company of fruit-pickers that don`t want the human species to be able:
 
`Politics is good even when it is bad ... because the only alternative is force - and somebody gets hurt.`1
 
 
 
 
 The `company` blinds people so they remain bored, which is why Britney Spears chooses the role of Podkayne on Mars in her video single `Oops I Did It Again`, which title mocks those who apologize for murdering and then expect to be entertained by those who can still see. In the ancient Greek drama, Oedipus Rex (c. 429), Jocasta entertains Oedipus, who blinds himself, because of the incest taboo against his having sex with his mother, whether unwitting or not. Afterwards, Oedipus, the blind man with the cane, expects to be bored (and boring), but entertained by Antigone, his daughter, that is, she`ll entertain assisting him further. The incest taboo of the Greeks, who institutionalized the enslaving of women`s host wombs to `drop` their `boy sons`, that is, their `poisons`, in worship of the homosexual god of war in pederasty, was designed to prevent women from seeing. Women`s species is a single biune `futanarian` family with its own penis` `seed` and capacity for breeding her own brains` power to free herself from men`s devouring of the civilization, culture and art she`s able to produce from her host womb despite men`s depredations:
 
`... [she] will crush the head of the serpent as she leaves.` (Gen: 3.15)
 
 
 
 
 God tells Eve her `seed` will have `perpetual enmity` with the `serpent`s seed` because `woman`s seed` is `futanarian` with her own penis` semen, as prefigured in the birth of Jesus uncontaminated by male semen from his mother, the Virgin Mary, who has the role of Jocasta in the Christian story, because Jesus was made to see what Oedipus wasn`t able to, which is that Jocasta`s penis was in the wrong place.
 
 
 
 
 In `Oops I Did It Again` Britney Spears is `twinned`, because we see her hooking her spaceman in her red suit and raising him above herself in a white bikini dress to film her with the camera attached to his spacehelmet, which suggests she`s a `futanarian` woman with her own penis` `seed` and capacity to breed her own brains as a self-reproducer and producer of her own technological advancement, which is what the human race of `futanarians` are for: progress. The phrase `board gain` is how the boring progress in socio-economic terms, so Podkayne represents `futanarian` human progress through her own `pod`, which is her womb. To make gains across the board is what `board gains` are, so Podkayne`s aim is to gain all of the host wombs of women for the human race, which doesn`t include the enslavers and devourers of her species in pederasty`s wars of homosexual viral contagion:
 
`Men cursed the God of heaven for their pains and their sores but refused to repent of what they had done.` (Rev: 16. 11)
 
 
 
 
 Pederasty produced the HIV/AIDS virus because of men`s desire to mix blood, shit and semen in their anuses during homosexual acts, and HIV/AIDS was the `killer disease` of the late 20th century, and the `biological weapon`, described as the `blood plague` in Revelation, which kept the human species of `futanarian` woman with her own penis` `seed`  in fear and faithfulness in enslavement to the supposedly monogamous alien parasite that had invaded her host womb at some distant point in the Earth`s past to masquerade as her partner and steal her penis` `seed` to breed itself as her death:
 
`Mystery, Babylon the great, mother of harlots and of the abominations of the Earth.` (Rev: 17. 5)
 
 
 
 
 The terrorist attack by Al Qaeda on the World Trade Centre on September 11, 2001, was designed to reestablish the `rough trade` of homosexuality`s `brutality and violence` in the worship of the god of war in pederasty, Mars. In the Bible `Liberty` is `the woman clothed with the sun and with the moon at her feet` giving birth to a child while the `red dragon` waits in vain to devour him. The moon of Al Qaeda`s flag and the red sun of the flag of Japan clothe `Liberty` in triumph.
 
 
 
 
 In her red pilot`s suit Britney Spears is the red sun of Japan, while herself in a white bikini dress is the moon of Al Qaeda. According to the developmental psychologist Carl Gustav Jung (1875-1961) archetypal material emerges from the depths of the unconscious in the form of images in dreams, imagination and art to impel the developmental functionality of humankind. Recorded in 2000, `Oops I Did It Again` by Britney Spears preceded the events of 9/11, 2001, but the archetypal material supports Jung`s assertion that archetypes appear through imaginative works to propel the mind`s development. Because of this, the perception of Britney Spears in the role of the `red dragon` of Revelation in `Oops I did It Again` is archetypal. The red sun of Japan was defeated, after the Japanese `sneak` attack upon the US Pacific Fleet at Pearl harbor on 7 December, 1941. `Liberty` thereafter protected `the pearl of great price` (Matt: 13. 45-6), that is, `the Kingdom of God` on Earth, from the `red dragon` of Russia.
 
 
 
 
 While her white bikinied self reclines on what looks like a white serviette, her spaceman is poised above as her `camera` with what look like the giant tines of a fork beside his spacehelmet. `White` Russia was supported by the United States, before the Communist revolution that began on March 17, 1917, ended the so-called `white` Russian army of Tsar Nicholas II`s participation in WWI (1914-18) and began the emergence of what was known as `red Russia`s` Soviet Union as the devouring `red dragon` after Japan, because Russia occupied Eastern Europe illegally after WWII. In `Oops I Did It Again` Britney Spears is the white `serviette`, while in red she`s Sophie yet, that is, Sophia, the wisdom of God, because women`s host wombs are neither red nor white but what Karl Marx, the German author of Das Kapital (1867) termed `the means of production` enslaved and devoured, in whichever political system is prevalent amongst men`s `owners` at any given epoch.
 
 
 
 
 In what became known as the Korean war (1950-3), communist `red` China prevented the United States from placing the Korean peninsula under its control during the war between the South and the North. Invading North Korea, `red China` swallowed up half the nation, leaving the South free. Sun Myung Moon, the South Korean `Messiah` of the subsequent `worldwide` Unification church (1954-), thereafter preached Jesus` Redemption was `spiritual` but not `physical`, which required `True Parents`.2 If Britney Spears, in her red pilot`s suit, represents `futanarian` Asia, then she`s `Liberty` from the United States, in her white bikini dress, with her own penis` semen under her skirts as Sun Myung Moon`s `True Parents`:
 
`Oops! ... I did it again to your heart. Got lost in this game, oh baby. Oops! ... You think that I'm sent from above. I'm not that innocent.`
 
 
 
 
 If Sun Myung Moon`s `True Parents` are `archetypally` represented in `Oops I Did It Again` by Britney Spears as `red` China and the South Korean, Moon, `Oops I Did It Again` provides a `key` to understanding the `woman clothed with the sun` in the light of Liberty`s victory over Japan and `with the moon at her feet`, that is, the events of 9/11, 2001, when the moon of the flag of Al Qaeda was flown into the World Trade Centre as the terrorist hijacked civil aircraft crashed into the Twin Towers. Britney Spears is neither `innocent` nor prescient, but archetypes are useful in the hands of qualified practitioners; like her Jungian `selves`:
 
`Oops! ... I did it again. I played with your heart, got lost in the game.`
 
 
 
 
 Board `gains` can also be about `board` games, which is what popular games are. In Waddington`s Monopoly or Risk the `game` mirrors the gains made in business and global politics, which is socio-economic reality. Women with their own penis` seed` and socio-economic valence for self-reproducing their own brains` power to develop technologically, and escape her imprisoning jailers on the planet Earth in starships of her own devising, are real socio-economic agents fighting for the survival of their species` interdependence and independence. Men`s system is a liar`s, because women are taught that men have the only penis, which is how women are kept out of the picture: totally.
 
 
 
 
 Britney Spears` Podkaynes in `Oops I Did It Again` are `board gains` in the `board games`, where men are playing their `bored games` as bored Cain`s. Once able like Abel, men are now blind and Cain`s. In dullness without progress, they`ve disabled their `boy sons` in ignorance to pretend they`re something other than boys` owners, that is, poisonous `demons`, who wage wars vicariously for their god of pederasty and homosexuality, Mars. Britney Spears` `Poddy` isn`t Cain`s, because he can`t hurt the child of `Liberty` born in `futanarian` freedom from men. The host womb of `the Poddy beautiful`, as Heinlein`s character is called in the novel, Podkayne Of Mars, is `a gain` made for the `body politic` of women`s human species by Britney Spears:
 
`Oops! ... I did it .... [! A gain].`
 
 
 
 
 A `pod` Cain is an abortionist, and men have aborted the human species of `woman`s seed`, because she isn`t in the picture with herself`s own penis` `seed`, and so men are liars and the boys` sons of liars in the poisons of demonization of the human species of woman who has lyingly been taught that love for her own species is an abominable abnormal anathema vilified as `lesbianism`, whereas  the species of women with their own `futanarian` penis` `seed` are a single biune species` family, condemned by men in demonism as `incest` to prevent her from recognizing her own species` genus, that is, the normal sexual desire of the human race for itself.
 
1 Heinlein, Robert A. Podkayne Of Mars, G. P. Putnam & Sons, 1964, p. 34.
 
2 Moon, Sun Myung `The Kingdom Of Heaven and True Parents` in True Parents, `True Parents And The Nation`, Bk II, Chapter 5, Section 6.